#and actor and performer

[nabaath-areng]

" How cruel to a broken heart like mine. "

[notebooks-and-laptops]

People do not talk enough about how amazing Lae'zels voice acting is. Devora Wilde put her whole ass pussy into some of those lines but nobody pays attention and calls laezel one note and angry. But have you listened? Have you heard her voice shake as she cries "what good - this heart of stone - for it to be shattered?" Have you heard the conviction where she declares that Vlaketh has sinned against her? Have you listened to the fear in her voice, the slight tremble when she is talking of becoming a mindflayer and the way that she has utter awe in her tones when she experiences something that is truly spiritual to her? Like. It's such a subtle and great performance.

[royalarchivist]

Moments that keep Quackity fans humble 💀💀💀

(Translator note: he was basically saying "Yeah you can ask me anything you want about QSMP!")

[wheretheresawyll]

What's happening with Theo Solomon is so, so frustrating and needless and disgusting (more info can be found at this post), and I also want to acknowledge the treatment of Wyll's original voice/mo-cap actor, Lanre Malaolu.

Malaolu gave an excellent performance! His delivery and the way he incorporated mannerisms and posture into Wyll's physicality was amazing. The original characterization of Wyll was written very well and matched the general tone of the wider party/narrative.

And to suddenly have Larian, years into the project, rewrite the character entirely and then re-cast it? To have other actors talk about how Wyll just 'wasn't working' as a character? All because of fan criticism that places ridiculous (and often contradictory) standards and expectations on black characters. Even if the re-cast resulted from scheduling conflicts (as Malaolu couldn't come in to re-record), we lost Malaolu's entire performance because of a rewrite that was simply not necessary.

And after disregarding Malaolu's years of work into this character, the same criticisms that Larian caved into are thrown at Wyll's rewrite, and the same disregard is being seen with Theo Solomon again and again. As someone who started playing early access when it first came out, fans' treatment of Wyll and his actors hasn't gotten better. It's actively gotten worse.

[russell-crowe]

robin williams as john keating in dead poets society (1989)

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[fuckyeahchinesefashion]

wuxia and xianxia aesthetics in chinese costume drama (guzhuang drama) | actor cheng yi 成毅 (real name fu shiqi傅诗淇)

[crepes-suzette-373]

My favourite Vinsmoke actors from the One Piece live stage show and Sanji Restaurant in Universal Studios Japan.

That one particular Niji performer does his act so SO good, it's just straight up unhinged madness. He tries to kick away staff members (it's just acting, of course), turned up his nose at fans who were waving at him (the fans love it), and even when just standing and posing he does it in a way where it looks like he's up to bad stuff.

I always joke that it's really just Niji who found a portal to the real world.

Also, this Ichiji always does his gestures with so much intensity and drama, I can usually tell it's him even if the face is blurry or not visible. The other Ichiji actors kind of leans more on a "cool and calm" sort of act, but this guy is just fire 🔥🔥

It could be all just unfortunate timing since Universal forbids the posting of videos. Maybe the other actors actually does dramatic flairs too, but the photos just don't show it, but the impression I got from the photos that were there.

According to the cast list his name is Uno, which is so funny. I know it's just a Japanese surname, but still.

And then Yonji. This one guy is tall and has muscle, so he gets to actually go around showing off and flexing his arms at the visitors. It also makes it 10000x more vibe when he does the "AAAAAAH CUTE GIRLS 😍😍😍" thing (yes, they really do that 😂😂). All the Yonji actors do it, but this guy is the biggest and tallest, so it just looks extra funny (and adorable 💚).

Sanji is Sanji, so there's been like dozens of actors through the years, I can't go through them all. Of the ones I've seen I like this guy the most. They're all so cute, but this one has a really really nice smile. It's just sunshine when I see it ☀️☀️☀️

Reiju is a brand new addition to the performance, but the actresses are all so lovely!!

Original photos:

[possession1981-moving]

SUNMI Tail (2021)

[mad3lyncline]

𝑯𝑨𝑰𝑳𝑬𝑬 𝑺𝑻𝑬𝑰𝑵𝑭𝑬𝑳𝑫 . 'Sinners' Instagram Trailer ( x ) .

[maybe-boys-do-love]

I will never be over the kind of queer representation we get in BL, especially Thai BL, because not only do you get, even in a single show, a vast spectrum of mlm characters from bi-awakening jocks and stoners to soft boys and nerds to full-on femme-boys and kathoey folx...

YOU ALSO GET to see how each single character is allowed to act in a broad range of queer performance styles instead of being relegated to stock character traits like a camping queen or the sad repressed cowboy. So you have Tinn in My School President acting serious when he's doing his presidential duties but assertively flirtatious when he's trying to win over Gun and then being hilariously giddy or pouty when he's on the phone in his bedroom. Or you have Pat in Bad Buddy bro-ing out, acting cutesy with his partner, or in deep introspection on the verge of tears. And those are just two especially outstanding examples in a genre full of so many others!

All this means you also get a broader range of actor types that includes actors who present much more clearly as gay (whether they identify openly as such or it's just how they happen to appear), which is such an amazing thing to see for my little gay theater-kid heart. Like Oe-aew in I Promise You the Moon, I was told and repeated the fact to myself that there was very little space in the performance industry for actors whose queerness was too obvious, and that space was made only for the most flamboyant among us (and even then it was only the rare instance that they were more than a comedic side character). But seeing an actor like Gun--who, without naming his sexuality, visually presents like a femme twink and is clearly comfortable with exploring feminine and queer expression in his personal life--have a field where he gets to play such a vast range of rolls and not have it questioned is remarkable. And there are actors who have more subtle tells to a sensitive eye that then now have a place at the table where there used to be no chair at all. And creating an environment for those actors who present as queer means that those traits and gestures can be invested into the characters' queerness in a way that has previously been specifically avoided in a well-meant but homophobic attempt to disrupt gay stereotypes. (And I'd even reach to say it gives straight actors better opportunities to develop gay qualities in their characters.)

I'm so grateful to see a world where the variety of queerness for men can exist because it seemed so impossible not that long ago. I can recognize failures and flaws in this industry but there is no media to my knowledge that comes anywhere close to the kind of gay representation happening in the Asian BL world (especially if you include the reality shows in there!). And while that world is technically a fantasy world, it's built in a real professional industry by real people including a lot of queer-folks, and those fantasies they're crafting within that business are propositions for audiences to bring to fruition in their daily lives.

[blackthornluce]

the endless list of my favorite movies : Shutter Island (2010) directed by Martin Scorsese.

-You know, this place makes me wonder. -Yeah, what's that, boss? -Which would be worse - to live as a monster, or to die as a good man?

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[awfydreich]

You know what else is insane? The amount of accent juggling these guys are doing like, you have:

a Brit constantly shifting between a New Orleans accent and a neutral American accent whilst dipping into French occasionally

another Brit going from a sort of neutral English accent to French accented English to French language

THEN suddenly they are arguing and it becomes a Brit playing an American who is imitating an English accent and another Brit playing someone who has lived different lives in different countries over centuries but most recently was a French speaker who now has more of an English accent imitating a southern American accent asdfghjghjkl

[niyana-the-ambiguous-mobian]

My favorite thing about international dubbing for films, animated films in particular, is when they have the actors do a bit of ad-libbing when they record their lines, like doing grunts and yells when their character does a certain action or when the character is silent in the OG dub, they'll have them do a little noise that matches with the movement just because.

The JP dub of the Super Mario Bros. Movie is one of those prime examples, and it did not disappoint.