#and a lot of it is personal exploration about myself not wanting kids but I honestly don't want to get into that publicly lol

[justjudethoughts]

I think my favorite thing Stroud did is introduce Jessica into the narrative, and it's a bit complex to explain why. So I thought I'd start by sharing an unfinished poem written by myself as a bit of a framing "vibe":

There is a very specific, seldom explored, type of grief that accompanies there being more about the person that you don't remember than what you do. Of course, with Lockwood being 9 when Jess dies, he remembers a lot more about her than about his parents. But he was still pretty small, and the older he gets the less he is going to remember, especially considering that the bulk of his memories with Jess would have been before he even turned 9. In the context of Anthony's life, Jess is a historical figure, not a contemporary. And that is a different type of grief than the grief that comes from losing someone when both parties are significantly older.

The type of grief that Jess causes truly is a "ghostly" form. It's the "haunting the narrative" form. And it's a very real thing. It's the type of grief that comes from having a grandparent you never met, but their picture and stories being everywhere around the house and your heart always being aware that something is missing. It's the grief that comes from a tragic, untimely death that leaves the distinct feeling that the person "should still be here."

Our dining room table seats six people, but there are only five of us, so there is always one empty seat that happens to be the seat next to my older brother's spot. My eldest brother was still born, and growing up, sometimes I would look at the empty chair and mentally dub it "Patrick's" chair, where he was supposed to be.

A friend once told me she didn't like the idea of naming a kid after a deceased relative, because it makes the kid "a walking tombstone." That smacked some string in my heart really hard, because if I am honest, that's what I want to be. I want to be a living memorial of the people who have loved me into existence. I want people to know me, and in turn, know the people who my heart aches for. I'm named after my grandmother, who died in her 40s. She didn't meet any of her grandchildren. I also happen to look extremely similar to her. And it is my greatest honor to be recognized because of that. Because everyone loved her. Everyone has beautiful stories to tell. Her funeral was standing room only. If my name and face can be a reason she isn't forgotten, then make me a walking gravestone. I can think of no higher honor.

And I think, in some way (albeit an unhealthy way at first), this is what Anthony is trying to do. He goes by "Lockwood" so the family name always rings out on the lips of the public. He carries on a similar line of work to his parents, and a line of work that could have saved his sister. He doesn't change a single thing in the house. Despite his refusal to talk about them, he organizes his life in such a way that he is a testament to the fact that they are gone.

And then he reads his parents last lecture. Then he puts the pieces together. And something changes in him.

He no longer lives to be a testament to their absence. He lives to be a testament to the fact that they were here. And that it mattered. That everything they were and did mattered. That his parents were close to solving the Problem, and that he is close to finishing their work. That Jessica's death glow never went away so she could save her baby brother. That no matter how short a person's time on earth is, they leave a mark. His family is his reason to keep going. To show the world, over and over again, that they mattered.

And I love Stroud for that.

[dragon-spaghetti]

Hey so I just looking at your huskerdust kid art and I was wondering who gave birth to the kids?

Literally up until recently I just kept saying it was left up to interpretation, and tbh that still stands!! In the 'canon' of the au me and albo have created revolving around this, the answer is husk, but if that's something other people are uncomfy with and would rather say they just spawned into existence then I personally am fine w that 💖

(I am coming at this as a trans masc myself to be very clear, with husk being trans in this au)

[spikeyjo]

also uh im kind of not thinking about it much because its insane. but if everything goes right (and i mean a considerable amount of things that probably wont go as planned) but if they DO... i will have a major surgery in like two weeks

[malachitezmeyka]

Honestly I’d really like to make some kind of MLP AU or redesign/rewrite or whatever else of the sort because MLP was essentially my first fandom and it’s extremely nostalgic to me, but I’ve seen so many people do it already and have found myself physically incapable of producing something that isn’t blatantly copying what other people have done :/

[vatelixx]

The enormity of my desire (disgusts me),

Very very early seasons (1 — start of 2) Spencer Reid x afab!BAU!reader

SMUT!! (and fluff, some angst in relation to Spencer’s past because it can never be too happy, we’re not allowed nice things here). first times & explorations of intimacy.

──── autistic spencer (it’s a central theme to the plot), reader is actually morally good (for once).

Warnings: sub spencer (what did u even expect?), heavy corruption kink, first time for Spencer (all i do is sit around and think about how i’d like to devirgin that genius), HEAAVY praise kink, very very inexperienced Spencer, slight? oral fixation, they’re both just rlly down bad (i told u i would write something light, i delivered), Reader is whipped, Spencer is sooo much worse. Biblical references, Religious imagery, i think i talk about math equations???? And random metaphors/complexes.

w.c: 4k

a/n: i rlly wanted to explore aspects of spencer that criminal minds swept under the rug (cough cough his undiagnosed autism, cough cough his social exclusion, cough cough his crippling fear of forever being alone). Next upload will prob be heavy angst/no smut post-prison spencer (god help me please, i must be a masochist for the way i make myself suffer)

───────────────

There’s a lot Spencer hasn’t done.

He knows he’s behind, that he never quite caught up when it came to the taboo of sex and intimacy. Everything, everything, he’s ever had has been centred around exclusion, alienation, he feels like he’s lived on pause. Frozen, never advancing, stuck on ‘go’. Touch isn’t easy for him, interpersonal relationships are worse. He’s different, god he’s heard that his entire life. ‘You’re not weird, you’re just… different’, but maybe he is weird. Maybe his whole existence is just one big cosmic fuck you, because he’s missed out on so much, so much that he can’t understand, comprehend, act out against. Falling behind; this is the only area of life where he continuously comes up short, inexperienced, naive, he’s not used to being incompetent.

He’s never experienced want the way others do. He could never just hook up, fall into the body of another, expose them to the vulnerable elements of his stature. Open himself up to scrutiny. He might be a genius, he might be intellectually advanced, accepted into a multitude of ivy leagues before he was old enough to vote, but there’s drawbacks to his success. Social awkwardness, an inability to blend, mould, be one of the crowd. Sometimes he wishes he was average, something grey and mundane, so far reduced from the person he is now— it would all be plainly simple.

But he’s not, he’s not. So, this is the weight he has to bare for the brain he never asked for.

Pyrrhic victory, he’ll always be renowned for his intelligence. ‘You’re going to change the world kid,’ maybe, but simultaneously, he’ll never get to experience said world. There’s a chance he’ll always be on the outside, watching normal people gravitate towards each other. Live dreary lives of domesticated simplicity. Stacked bills, arguments over money and parenting techniques. Going to bed angry, only to turn around, mid-night, and resolve it, to not sleep on bad blood. To take them off the couch, to settle into predestined sides of the mattress.

There’s not enough possessions in the world he’d sacrifice just to experience love.

Hedgehog dilemma, the challenges of human intimacy. The hedgehogs want to move closer, to preserve heat during cold. But, they are forced, biologically cursed to remain apart, in order to prevent themselves from harming each other. Spencer doesn’t want to be hurt, to hurt, it’s a morbid byproduct of his upbringing; all he ever endured was mockery.

He thought he’d never get to experience the physical, carnal aspects of existence. And sure, he made peace with the notion, accepted the consequences of being born atypical. Learnt to live without.

But then, oh then there was you. Pretty, intellectual you who quite literally tipped his world on it’s axis. Upheaved the most stable of routines. New to the BAU, he wanted you to last. To stay around, endure the worst of the job. If only for his selfish benefit of orbiting in your presence.

He remembers how it all started: Detroit, another case, more budget cuts, forced proximity that sent you spiralling into a shared bed for the night.

“You’re my favourite person in the team.” you admitted, “And I know that’s dumb, because we’ve spoken the least, but… you’re just, so you. That’s a good thing by the way, a really really good thing.”

He couldn’t quite believe you were talking about him. Spencer, who spilt coffee, and slipped into ceaseless tangents about obscure information. Spencer, who walked into walls when you were around, stumbling over his sentences before deftly, very astutely, giving up, walking away mid-conversation. He wore sweater-vests and colourful mismatched socks, it’s not like he was going to be crowned ‘white boy of the month’.

“Not dumb.” Spencer had responded, shifting closer to tangle further into the warm mess of this accidental situation. “That’s good. I like being me.” he mumbled. “Sometimes…. sometimes it sucks. But that’s okay. I think it’s okay?”

He moved to press his face into the crook of your neck, but you were faster, gathering him by tousled hair, forcing him to look you in the eye.

Oh.

“Please. Please.” he whispered, breaking apart, fracturing, “Please like me. And more than in a weird, ‘just friends or coworkers’ way.”

You did. You do. He should’ve kissed you then, but maybe he was scared, maybe he couldn’t quite discern his feelings, separate the logic from the emotional. So he waited, waited, waited until now. Your third date, you take him to an exhibition within a science centre: replica models of the solar system, filling rooms up, papier-mâché sculptures illuminated by light.

Best date ever. You listen, even when he’s rambling about planets, when he’s pointing out that yes, Jupiter’s density is less than water. That, technically, it would float in a bathtub, if one was built to accommodate its size. You don’t care that he’s not exactly the staple-piece for conventionally attractive males. That he’s nerdish, and awkward, and so so inexperienced when it comes to this.

In his apartment, later, much later, he looks at you, looks at you like you’re the one who just solved the fucking Riemann hypothesis.

“What do you want the most? Like,… if you could ask for one thing.” you say, and god, Spencer loves when you pose these deep, hypothetical questions. When you make him think, because you, you are the biggest challenge to his intellect yet.

You. He wants to say. But he settles for ‘Being remembered,’ instead. He works to untangle layers of fabric, your scarf, your jacket, letting out an exasperated laugh when he meets your amused gaze. “Right now though? I think I’d settle for kissing you.”

You cup his jaw, tracing your fingers along the sharp curve, and god he has perfect anatomy. “Settle huh? You should be more appreciative.”

He leans forward to press a chaste kiss against your lips. Drawing away for a moment, just to return because he’s never had this before. Because for the first time in his life, he gets it. He gets physical attraction, even if it took time. He’s kissed, been kissed, yes. But he could count those moments on one hand, and if you asked how many he truly enjoyed, he’d be left with no fingers raised.

“Believe me, i’m very appreciative…”

This isn’t like before, what he felt in the past; he expected something monotone, flighty, a brief fleeting moment of satisfaction. Means to an end. No, it’s actually the best thing he’s ever experienced, and he’s going to become so insufferable after this, because he’s just found out he is very very into kissing.

Correction: he’s very into kissing you.

In the moment between parting, and touching again, he assumes you to be divinity personified. Spencer has never been religious, but something of this magnitude should be canonised. He wants to ask you. Ask you when you became this beautiful. When you became the person he needs to kiss a second time, kiss a third time, kiss until his lips go numb.

A shaky inhale, a pause. “I hope… I hope that it was okay - I mean, it was good for me. Really, really good. Um—“ to be honest, he’s just glad he didn’t say thankyou.

“Yeah, Spence. That was… wow.” you draw your bottom lip between teeth, press into tissued flesh. Jesus Christ. “Wanna try again?”

Yes yes yes yes. He looks at you, pupils blown obscenely out of proportion. Part of him wants to say, ‘why didn’t we do this sooner?’ But that’s not fair; he’s only ready now. Now that he feels, now that he might be a little in love with you.

“Please,” is his answer, and then he’s catching your face in the palms of his hand, tugging your lips back to his, because admittedly, they have ached in the long, extensive period you were apart (53 seconds).

This time it deepens and Spencer sees stars. It’s an astronomical phenomenon, something interstellar— and god, he’s relating kissing to space. They should just tape the word ‘virgin’ to his back and call it a day.

There’s soft little breathy sighs escaping his mouth now, bleeding into yours. And yeah, spontaneous combustion might be a real threat. Actually no, it would hardly be spontaneous; there’s a clear, clear cause, and it just so happens to be your ruinous lips.

This is an entirely new facet of the human experience. The kiss is electric; he’s always been partial toward physics, and right now his veins carry an alternating current.

You know, he could probably write a thesis based on this.

You both stumble back back back until he’s hitting a wall, and yes, thankyou. He’s making all sorts of sounds he can’t justify, and it’s a supernova, an infinite black pool of— oh, he thinks he might die, ascend, transcend, when you press your thumb against his chin, hold your lips at just a little slant from his. Force him to wait there.

“Please,” he’s never been above begging. A worthy sacrifice, one he’ll certainly repeat again because you return to the kiss, and the world around him dissolves.

You’ve got one hand tangled in his hair. Tousled auburn, fingers sinking into strands, pushing all the way down to the root. The other is still cupping his face, keeping him close, keeping him selfishly close actually.

“Spence,” you murmur. And yes. Yes. He likes that. The way his name sounds rolling off your tongue, like it was destined to be there. Like he was destined to be yours.

His world is ending. So is yours. Fuck it, he presses himself against your thigh, and ohmygodohmygod. He’s being loud, he’s actually being so criminally loud right now because apparently he’s the most whorish virgin to ever exist.

“I lied, I lied,” he admits between messy kisses, “When you asked what I wanted the most? It’s not to be remembered, well it is, its on the list. But—“ he groans, kisses you again because talking interrupts matters that are more important. Like your lips.

“I wanna cum.”

Eloquent.

Spencer Reid being dirty? Oh, it’s hot, it’s so hot to reduce someone to such an obscene state. To reduce him, the boyish fumbling nerd (who just so happens to be the most beautiful person in existence) to such a degrading mess.

Still, there’s shock. Not because he said it (you greatly appreciate the indecent things falling from those pretty lips right now), but because—

“You’ve never? Haven’t even experienced it once? By yourself?”

He should be embarrassed, but his lips are red, his eyes are glassy, and the bulge in his pants is straining to be touched. “Never,” he sighs shakilly. “Never, and i’m— i’m starting to understand why it’s so popular.”

He whimpers, pushes himself against your thigh, because the friction, yes. “Is that weird? Please don’t think i’m weird. Because I’m really, really weird. Just maybe… not in that way?”

It’s never been enough. His body sometimes feels numb to the touch, and yet still so very overstimulated. Like he manually blocks himself from feeling, already prepared for the flinch. How does he explain that life hasn’t been kind to him? That he hates his body because of what people made it out to be when he was a child. Stripping him naked, tying him to a goalpost, always the underdog. The one to be targeted, tormented.

“It’s actually kinda hot,” you interrupt his thoughts, and just because you’re evil, corrupt, the worst, you press your thigh harder against his clothed cock, palm covering his mouth when a plethora of whiny sounds escape his mouth.

It’s performative, really. Alone in his apartment, there’s no need for noise control. So when your thumb slips between parted, swollen lips, he knows to suck. The average human hand has between 10,000 and 10 million bacteria, and Spencer does not actually give a fuck anymore.

“To think that you’ve never even felt what it’s like. That you’re gonna feel it with me for the first time. I get to see that shit— god, you’re going to look so fucking pretty for me.”

You draw your thumb out of his mouth, and he has the audacity to whine.

He’s never wanted anything more in his entire life. It’s all tertiary now. Only this matters.

“Please don’t praise me—“ he protests, “I’ll probably finish in my pants.”

“Praise kink, noted.”

You laugh, and he can only groan, curse existence for being this cruel to his overworked, undervalued body. “Don’t— don’t laugh. You’re not supposed to laugh, that can heighten performance anxiety. Increase insecurity, and…” he sighs, “You do not care. Sadistic tendencies, noted.”

“Shut up. Wanna see you.” you say, and he’s just muttering breathless mhm’s, too delirious to function; his body is betraying the last iota of self-control like the little whore it apparently is.

His sweater comes off first, then his top. Discarded fabric, his raised arms when you mutter a candid ‘up’, giving way to exposed skin. In response? Your pupils dilate. Spencer knows because he’s analysing, profiling. If you hate him like this, he’s fairly certain he’ll drag himself into a self-dug early grave. He wishes he was being melodramatic. That your approval didn’t have such a substantial impact on his carefully-constructed ego. But, oh, it does. It does.

Thin, with a long, defined torso, he blushes, rose blemished skin, when your hands drag across his stomach. He’d love to say he reacts sanely, suavely. Urbane to your touch. But that would be a total, discreditable lie. Instead, his back arches, seeking contact, following the path of your fingertips with pitiful desperation. He feels malleable, willing to bend and contort, if only to feel more.

“How can you not think you’re pretty, Spence?” His pants are gone next, then his stained boxers, fabric borderline sheer now, soaked through with pre-cum.

Spencer feels betrayed. His body never responds, not to his own hands, not to his own thoughts. And yet, the moment you’re on him, he’s a live-wire. It’s sick, heinous, double-crossing. Maybe it’s purposeful, done just to spite him. Figures.

“Holy shit, look at you. Look at how perfect you are.” Spencer wants to object, because he distinctly told you not to praise him. However,.. right now, the lights are on but nobody is home. Brain-death, he’s certainly in a vegetative state.

“Ohmygodohmygod,” he whimpers, because no amount of knowledge about human anatomy and physiology could prepare him for how he feels under your touch. No amount of education in the psychology of relationships could inform him of how viscerally wrong the way you look at him feels.

Because it’s not wrong, not all. It’s the most right he’s ever felt, and he’ll tell you that if you’ll just keep it up.

The sounds he’s making are phonographic, lewd, you’ve given up on trying to stifle them now. Where have you been hiding? Your eyes fall, and he wants to blush away from the exhibiting gaze, but he’s just…. too far gone; the thought of your touch outweighs any previous reticence. Then, oh then, you drop to your knees, and shit. He expected your thigh, maybe your hand if he was lucky, not—

This. Your mouth, your tongue, your pretty lips; god, god, is this a sin? Because if it is, he’ll take it.

“Please,” he whines, and he can’t look anymore because the sight alone is going to send him over the edge. He’s gripping the wall, scrambling scrambling for purchase, because he’s trying not to grip you, but how exactly does he keep this respectful?

He’s pretty sure they’re past that, considering your mouth is currently wrapped around his cock, and he’s debauched.

You want this, you want him, he feels like he’s transcended humanity, like he’s become someone, anyone and anything, that deserves the way you’re taking him apart, piece by piece. In the aftermath, he hopes you don’t leave a single ounce of him intact.

“Wanna kiss you. Oh— oh oh,” he’s sobbing now, “Come back here. Miss your mouth— even if it’s,” he looks down and that’s a mistake. “Please.”

Of course it would be Spencer to disrupt the best (and admittedly only) head of his life because he needs you closer.

You oblige, raising from your knees, and Spencer thinks it might be sacrilegious. But then again, he feels religion in your touch so it can’t be too profane. Maybe? He’s not sure, he’s not sure and it doesn’t matter. Ethics and morality have long since disintegrated, sins are engrained into humankind. He almost wants to thank Eve for tearing into the apple, because it’s allowed this irreverence to occur.

Spencer blindly follows you through the apartment, stumbling and muttering until he can collapse against the bed. Baring his pretty neck as his head hits the bedframe. Tangled in sheets, draped over his lap, his deft fingers run across your waist, mapping out the structure of your frame. If only to remember, recite this act of blasphemy.

“Spence,” you whisper, and then his lips are crashing into yours, stealing breath, stealing sanity. He whimpers, murmurs a protest when you draw back, and you can only laugh. “Lets get you off, yeah? You wanna feel an orgasm, pretty boy?”

“Yes, yes please. That would uh— yes.” he’s not even sure how he’s conscious right now. His body, god his body, has endured more pleasure in the last hour than it has for the majority of his life. Your hands scathe, and Spencer is willing to indefinitely burn, if just to feel them one more time.

You only stop to take off your clothes, and surely there needs to be prep? To reaffirm, he knows anatomy, the correct procedure, how the transgression is supposed to occur. And yet, that’s from a clinical, objective mindset. Do this, do that, etc etc. Nothing works out like that in practice.

You’re so wet, panties stained through, he spares a moment to run his fingers across your thighs, hand slipping beneath fabric to graze your clit. The moan that follows has him distracted, thumb tracing circlets, over and over until you’re pulling back to return the balance. The balance, which admittedly is skewed, tipped scales, you’re on top. He falls to the weight of your influence.

And yeah, he’s more than fine with that. Jesus, you drag your panties down, down your thighs, your legs, then they’re reaching your ankles, pooling there for a moment before they’re being discarded, tossed somewhere on his floor — leaving behind a souvenir that yes, yes this happened.

“I can’t,” he says, burying his face into your shoulder when you take him. It’s slow, sinking onto his cock like every inch of warmth will destroy him. Maybe it will. Maybe he doesn’t care, because he deserves this. He deserves to feel after so much repression.

Or maybe, maybe he’s just become the biggest slut known to mankind. Likely.

Your body presses against his, and he thinks he’s going to disintegrate, because he feels so good. He understands now, he understands why people do this. Why it’s integral to the function of most. This is the best day of his life. This. Is. The. Best. Day. Of. His. Life.

There’s this noise, this pathetically loud whimper when you start to roll your hips— and oh your body is wet against him, and you’re so tight, and it’s perfect because he doesn’t have to do anything.

He can just sit here, look pretty, and cry.

He knows he’s a giver, that he’d bleed himself dry for you. It’s a curse, he supposes: so willing to bend backwards for the satisfaction of the people he trusts. But, this is foreign, and he wants to watch you, aimlessly stare, dumb and empty-headed as you wield his body like a weapon. Turn him into something perniciously yours.

Spencer has no reference for what an orgasm is supposed to feel like, and yeah, he’s really good at guessing in these type of situations. Because he’s rolling his thumb over your clit again, and he wants to draw it into his mouth, to see you laid out across bedsheets, writhing, unable to do anything but suffocate him with your thighs.

You clench around him, back arched, releasing a series of strained moans. With one hand tangled in his dishevelled hair, the other pressed against his chest, your face contorts, your body stiffens. There’s no way his incessant whimpering just got you off?

Okay. So you like him desperate. Point taken.

“Please— please, wanna cum. Wanna feel it so bad,” he’s slurring over his words, sentences punctured by devastating whimpers. And look at him, asking for permission, waiting even though his body has been teetering on the edge for so long now.

“Shh, shh..” you press your forehead against his, and he melts. Reoccurring theme. His hand grips your jaw, thumb pushed firmly against your chin, keeping you close. “You wanna cum for me, baby? Gonna give me your first?”

“Mhm— mhm…” is all he can say. When you pick up your pace, he has to burrow his face into the crook of your neck, whimpers messy and broken off, suppressed against your warm skin.

“Oh. Oh…” he repeats, again. Like there’s anything else he could utter, because this is earth-shattering.

It’s the sun, and all eight planets combined, and the universe collapsing in on itself, and he’s bucking, squirming, releasing into you, spilling deep.

He sobs. Breaks down. Because it’s so so good, and he can’t believe he ever deprived his body of this.

Neediest whore to ever exist, apparently.

It takes him a while to come back. Longer to regain motor function, to sink into present day. Life, and expectations, and everything, everything, your touch eradicated.

“Just… just stay like this?” he asks, collapsing against your body after he’s drawn out of you. There’s mess, evidence of your ministrations, but cleanliness seems futile when he’s blissed out, caught in a post-orgasmic haze that yes yes yes he needed so badly.

You card your hands through his hair, watch the way he stares up at you, large, widened eyes, chin resting against your chest. “Hi,” he mutters dumbly.

“Spence,” Spence, Spence, Spence. He could drown himself in that nickname.

“Yeah?” he breathes out.

“You we’re so good—“

He rolls away from you, finding a home for his face in the pillow. “Stop. Stop.” he groans, “Don’t do that. You’re going to destroy me. I’m not… equipped for this, for you. Someone should just sedate me, put me out of my misery, a coma sounds like—“

He tilts his head to the side, relinquishing, “Okay. Sorry. Meltdown over. Can we shower? Then maybe do this again? Which will make the shower inconsequential, I suppose. There’s a new documentary I want to watch, and oh, you still haven’t seen the third Star Wars—“

He’s happy, content, over the fucking moon, to be silenced with your lips. “Yeah,” he murmurs, hand interlocking with yours as you both fall back against the mattress, “Let’s do this again.”

[gl1tched-r4bb1t]

Facts about TADC from the AMA with Gooseworx!

~~~~~~~~~~~~~~~~~~~~~

As a member in the Glitch Inn, I got privilege to watch an interview and ask questions to Gooseworx!

I normally don’t spoil things from The Glitch INN as respect people wishing to keep it exclusive to the members (including myself!). However, when it came to the AMA, I feel like knowledge like this isn’t as exclusive and will be public knowledge anyways!

• Goose always imagined Gummigoo was Pineapple-Lime flavored

• Gangle loves to draw (we’ll see more of it in Ep 3)

•Ragatha likes horror movies!

•Jax’s favorite website is 4Chan

•Jax has a lot of Goose’s personal flaws put into him

•Ragatha might be able to see out of her button eyes, but Goose didn’t really know a definite answer for it

•��Loo-lee-lah-loo” is how you pronounce Princess Loolilalu’s name.

•Episode 6 will explore how the personalities of the cast have changed upon being in the digital world

•The Canonical reason Caine and Bubble do anything is because they think it’s comical/Funny

•Episode 5 will reveal how Kinger and Zooble eat (a bite just appears taken out of the food )

•Pomnis favorite color is red! This will be confirmed by Pomni in episode 5

•Pomni was an accountant and that is significant to the plot

•Episode 7 got split into 2, as Goose wanted time to let the deep emotions settle in

•Episode 3 is very much NOT FOR YOUNGER KIDS!!! It’s psychological horror, and Goose believes it may scare younger audiences.

•Ragatha was originally going to be named Emmy, but Ragatha sounded better!!

•Episodes 1-5 have already been Animatic Boarded, they are working on the animatic for Ep 6

•Kid Pix was a huge inspiration for the 90’s-2000’s style of TADC (Kid Pix was created in 1989 and originally released on Macintosh, look it up and you can see the inspiration)

•TADC is NOT inspired by IHNMAIMS The Game - Goose has never seen the IHNMAIMS game, only read the short story and got inspired from that

•Goose actually got an Email from Glitch asking her to pitch them a pilot, and so she just built from there!

[l0vergirlsw0rld]

ravish part 3

hitchhiker!readerxperv!loganhowlett

a/n: this is the final part of the ravish series! hope you guys enjoyed it <3 T

wc: 6k

NSFW

18+ MDNI | age gap,oral sex, p in v intercourse, and sexual themes

summary: Y/N goes to Logan's cabin in Canada while she waits for him to return from Mexico. during her stay, she finds some personal mementos that give her a deeper understanding of who he really is.

"...I ain't gonna tell you again, kid, it's too dangerous." He grunted, smoothing down his beard with a hand in frustration. The roughness in his voice matched the irritation in his eyes.

You stood in front of the doorway, blocking him. 

"Why are you going if you're so concerned about safety? What if something happens to you?" you shot back, crossing your arms defiantly. 

You weren’t just challenging him; you were demanding an explanation, the truth, something he couldn’t dodge with huffs and empty commands.

At the crack of dawn, you had ambushed Logan, catching him off guard before he could slip away into the shadows. 

The plan was simple.

Today, you weren’t separating paths; You had decided, and you weren’t about to let him just walk out without a fight.

But Logan, true to his protective nature, instantly shot down your idea, brushing it off. And now the two of you were standing there, bickering by the front door, each trying to make the other see their perspective.

"Because I can take it. You? Not so much. Now move, I gotta be somewhere." His voice was low and raspy, carrying a weight that was hard to argue with.

 He took a heavy step forward making the boards creak underneath him. He meant business, and you could tell he wasn’t in the mood to play games.

But you weren’t about to back down. 

"Then when am I going to see you again? If I can't go with you, how do I get in touch with you? You don't have a cell phone. Is there an address I can write to you?" The words tumbled out before you could stop them.

You reached out, gently touching his chest, feeling the heavy beat of his heart beneath your fingertips. It was a small gesture, but it was enough to stop him in his tracks.

He exhaled sharply through his nose, the sound almost a sigh of resignation. For a moment, the harsh lines of his face softened, and he looked at you with hurt as if he heard you for the first time this morning. 

You both shared a look of longing before you cut the silence.

"I'm not being this adamant because I want to meet up again to fuck... I told you I liked you, Logan. If you leave for Mexico and we never see each other again, we won't get to explore this. I know you like me too." You slid your hand up to rest where his neck and shoulder meet. 

"You're right sweetheart, I do....a lot... It's just, I don't know when I'll be back," he said, his voice low and careful as if trying to choose the right words. "This type of thing... it can take a while." He looked down at you through his dark lashes.

He was leaving, without you.

The pressure in your chest subsided, and from the hand he placed on your waist you knew he was also upset.

 "Do you want to see me again?" You mumbled softly.

"Of course I do." His hands came up on your shoulders, his touch warm and reassuring. Logan pulled you in and pressed a long kiss on the top of your head. The warmth of his lips calmed every nerve in your body. 

He pulled away, steady, as always, but there was something in his eyes that told you this was just as hard for him as it was for you.

 "But I'm sorry, you can't come. I'd never forgive myself if something would happen to you." 

"Then I'll wait for you," you said, your voice calmer.

 "...Just give me a place to meet you. I don't care how long it'll take...I'll get by... I always do." You looked into his eyes, searching for some sign that he believed you, that he understood just how serious you were.

"You'll wait f'me?" His voice was softer now, almost uncertain as if he couldn't quite believe what you were saying. The gears in Logan turned as he thought of something.

"Yes, anywhere, I'll wait," you answered without hesitation.

He paused, considering your words, then nodded slowly.

"How about Canada?" 

Two weeks of walking, drives, train rides and taxis. That's what it took you to get to Logan's place in Deer Lake, Alberta.

 The journey up north was a first for you, an adventure into a new landscape that felt almost picturesque.

The countryside was a living canvas; Gorgeous snow-tipped mountains towered In the distance, tucked behind miles and miles of lush trees and massive lakes that shimmered reflections of a deep sapphire blue.

Logan's home—a cabin—was located deep within an untamed forest. The remoteness of the location was astonishing, so far away from any civilization, you wondered how he survived the winters alone; the taxi driver had only been able to take you so far before the road disappeared into the wild grass, leaving nothing but a rough trail that was impassable for a vehicle. 

From there, it was up to you to make the final trek on foot.

As you walked, the gravel crunched beneath you, the sound was oddly comforting in the quiet of the forest. The air was crisp and clean, breathing had suddenly become easier in the forest. The scent of pine and cedar filled your nostrils, clearing your sinuses from any blockage they might've had.

Approaching the cabin, you noticed scattered logs and woodworking tools lying around the property. You pieced together that Logan had built this place with his own bare hands. The mess in the yard was evidence of the hard work that had gone into building this place. Each log and nail was a hommage to his skill and stubbornness. 

Of course, Logan built his own house, you mumbled. 

Your mouth fell open in awe as you took in the sight of the cabin. It was more than just a structure—it was the product of Logan's blood, sweat, and tears.

 There was something deeply personal about it, something that made you feel honoured to be allowed into this part of his life. This wasn’t just a cabin, it was his getaway from all the bad things in his life.

The cabin, his home, was a mirror image of him—rugged, enduring, and built to withstand the harshest elements.

Stepping onto the front porch, your hand grazed over the smooth wooden railings of the stairs. His craftsmanship was impeccable, each detail was carefully considered, and each board was perfectly placed. Logan had picked the perfect area to carve out for himself in this remote corner of the world.

You inserted the key he had given you before he left into the doorknob and twisted. After hearing the faint clicking noise, you pushed it open to reveal the inside. 

His home was open-concept, the entrance positioned right between the kitchen and the living room. To your left, a maroon leather loveseat sat next to a matching recliner, both perfectly aligned to face a stone-built fireplace that reached up to the ceiling. 

The walls were decorated with Indigenous paintings, each one a cultural tapestry of the land. The artwork depicted vibrant scenes of nature and various animal spirits.

To your right was a modest kitchenette, equipped with all the essentials for a life lived simply but comfortably. The centrepiece was the sturdy table and chair set that appeared to be handmade, most likely by Logan himself. 

As you ventured deeper into the space, you spun slowly in a circle, trying to take it all in, it was gorgeous. You could feel him within these walls.

 The air carried a faint, lingering scent of his cigars, a comforting reminder of him. You wondered how long it had been since he was last here, sitting by the fire, drink in hand, perhaps lost in thought. 

You entered his bedroom with a gentle push of the door, revealing a space that mirrored the simple functionality of the rest of the cabin. Like the other rooms, it was decked out with only the essentials for comfort. A large bed, a handmade dresser that stood against the wall, its wood polished smooth from years of use. There was a spacious closet, probably filled with his few belongings, and a small nightstand with a simple lamp casting a soft, warm glow.

On the nightstand, you noticed an ashtray filled with grey dust.

I wonder how many lonely nights he spent in here, you thought.

Exhausted from the long journey, you decided to call it a night. You plopped down onto Logan’s bed, the mattress was firm but welcoming and pulled the blankets around you. 

The scent of the cabin wrapped around you like a comforting embrace. As your head sank into the pillow, you found yourself drifting off almost immediately, surrounded by the quiet peace of Logan’s space.

Miss you, You mumbled before closing your eyes for the night.

Two weeks since your arrival:

Days at the cabin seemed to blend together, slipping by with an ease that was both comfortable and foreign.

 You’d been on the road for most of your short life, always on the go, always searching for the next big thing.

 But here, in this secluded corner of the world, you found yourself settling into a routine—something you hadn’t realized you craved. The mundane act of daily chores became almost therapeutic.

You had begun exploring around the cabin, finding hidden trails that led you all over the place.  One path led you to a nearby town, a small, quaint place where life moved at a slower pace. The townspeople were friendly, their lives seemingly untouched by the chaos of the world.

 You frequented the local general store for groceries, picking up a few items and some clothes to better suit this colder climate. The change in scenery was drastic for you, but you found yourself adapting, maybe even enjoying the peace that came with it.

As the days passed, the cabin began to feel like your own. The once unfamiliar space became a place of comfort, each creak of the floorboards and crackle of the fire made you unwind. 

You decided to take on some of the household chores—tasks that probably didn’t come naturally to Logan.

 Spring cleaning became your mission, tackling the tedious details he might overlook. You wiped down the insides of kitchen drawers, scrubbed the fridge, and tossed out any expired food. It felt good to take care of these small things, you were kind of being a little housewife, preparing the home for Logan's arrival.

One afternoon, while organizing the kitchen, your fingers brushed against something tucked away in the back of a drawer. 

You decided to pull it out and realized it was an old map, the paper worn and creased from what seemed years of use. 

As you unfolded it, you noticed several locations marked in red ink. The meaning of these places was a mystery, and despite studying the map for a long while, you couldn’t decipher their significance. 

Japan, Madripoor, Northern Canada, Mexico,

Puzzled, you left the map on the table. The idea was that maybe if you came back to it later, you'd see something you hadn't noticed in the first place. 

The thought occurred to you to ask Logan about it when he returned. Would he have a simple explanation or go back to shooting it down?

Over the following days, you found yourself returning to it, your fingers tracing the lines and paths, your mind wandering to what expeditions or memories these marks represented.

In these moments, you couldn't help but think, 

He’s no handyman, that’s for sure.

Three Weeks since your arrival: 

As you prepared for bed one night, the soft glow of the lamp illuminated the room in a gentle, amber light. During your bedtime routine, something caught your eye—a glint of metal in the corner of the room, just beside the dresser on the floor.

 Curious, you approached and discovered a set of dog tags lying on the floor, half-hidden beneath a loose floorboard.

The realization struck you like a bolt of lightning. 

Logan had been in the military. 

It was a part of his past you had no clue about, a fragment of his story that added depth to the riddle that was him. You had sensed that one night there was a darkness within him, but now, seeing these tags, you began to understand the source of that shadow—his time as a soldier, the battles fought, and the scars born. 

Tears welled up in your eyes as you gently traced your thumb over the engravings on the tags. Each mark and number seemed to hold trauma, something that represented his time, far away from the peace of the cabin. You tried to imagine the weight of these tags around his neck during those times of darkness, and it filled you with sadness.

With a shaky breath, you wiped the tears from your cheeks. In this moment you were feeling an inexplicable connection to him through this small, metallic relic. A part of you wanted to honour his remarkable selflessness. You slipped the chain over your head and let the tags rest against your chest, giving them a gentle squeeze, a small gesture of comfort as you tried to steady the storm of emotions inside you.

The thought of Logan facing any dangers far away in Mexico seemed almost unbearable. The weight of the dog tags felt like a physical reminder of the challenges he faced, the unknown threats he confronted, and the loneliness that came with his life of constant danger. 

He survived in the past, he'll survive again. You told yourself.

You longed to have him next to you in bed, to offer him a comforting hug, but the miles that separated you felt like an eternity away.

Four Weeks since your arrival: 

After a successful day of fishing at the lake, you returned home, enthusiastic and sopping wet from an unexpected stumble into the water. Your clothing clung to you and the chilly evening air covered your body in goosebumps. You hurried inside, eager to change into some dry clothes.

Logan’s wardrobe provided a relief. You rummaged through his drawers, searching for something comfortable to wear—a t-shirt, a pair of pyjama pants, and socks. The familiar feel of his clothes was oddly comforting, a small link to him while he was so far away. After all he did only own multiples of the same clothing articles. 

As you dug deeper into the drawer, your fingers brushed against something unexpected. You pulled out a Polaroid photo, slightly crumpled and tucked away behind other items. Intrigued, you examined it more closely.

The image was of a dark-haired woman with hazel eyes, seductively bound with ropes, completely nude and captured in a moment of intimacy. The rawness and vulnerability of the photo struck a jealous chord, and for a moment, you were taken aback. The woman’s identity didn't make sense to you at all, you knew Logan was single, and there was nothing left of a female in the cabin. Even though it might've been an old girlfriend, the discovery stirred a mix of emotions—curiosity, surprise, and discomfort. 

You couldn’t help but wonder about the context of the photo. 

Was this someone important to him? 

Did he hold onto the photo for special meaning or as a memory for him?

 Your mind raced with questions, each one feeling deeper and more personal. The photograph was intimate and private. It felt like a glimpse into a side of Logan you hadn’t seen before—one that was carefree, open and playful. 

Feeling a surge of conflicting emotions, you gently set the photo back to where it belonged, buried under piles of socks. The photo had given you a lot to think about, and you couldn’t shake the feeling that it was just one more piece of Logan’s past that you were uncovering from spending time in his home.

As you slipped into the dry clothes, the warmth of the t-shirt and pyjama pants was comforting, but the image lingered in your thoughts, leaving you with more questions than answers about the man whose home you now shared.

Six Weeks since your arrival:

You were determined to light a fire inside the cabin tonight. But first thing first, you now needed to chop firewood since you had used up all of Logan's. You enjoyed the luxury of a nice warm fireplace every night and that wasn't going to end anytime soon. 

 The task was tougher than you anticipated. You huffed as you dragged some of the smaller logs onto the chopping block. You hoisted it up on it with all your might, wincing as you felt the rough bark scrape against your palms. The pain was sharp but didn't last long as you wiped the blood on your clothes, focusing on the task at hand. You had become a woman of the forest.

You picked up the axe, its weight heavy in your hands. Hoisting it above your head, you struggled to keep it steady. With a deep breath, you brought it down with all your might. The axe’s iron head split through the wood with a satisfying thunk, sending the splintered halves flying, making a metallic clang echo beneath one of the pieces as it hit the ground.

 Curious, you crouched down and peered underneath. To your astonishment, you discovered a hidden hatch covered by dirt and twigs. Your heart raced with excitement and curiosity. Dust clouded the air as you tugged the hatch open, revealing a narrow space underground.

You dropped to all fours and stuck your head down into the hatch, your breath mingling with the musty scent of hidden secrets. The space below was dimly lit by daylight filtering through the hatch, but even in the low light, you could make out the outline of a well-organized stash.

Inside, you found a collection of weapons—various blades and firearms neatly arranged and meticulously maintained. There were combat knives with polished handles, tactical pistols, and rifles of different calibres. Given Logan’s past military service, it made sense that he would keep a well-stocked arsenal on his property, even if it was hidden away for safety. Though it didn't seem completely out of the realm of expectations, the amount of weapons did make you question why he felt he needed that many. 

Had he needed to use them recently? 

Was he supplying a team or working alone? 

Even though you knew Logan was involved in violent organizations now, you still could not bring yourself to fear him. Your gut just kept on assuring you that he was a good guy and meant no harm to you. You also trusted his judgement, he had a kind heart and you were positive that if he were to hurt someone it would be for their good. 

With a final look at the hidden stash, you turned back to your woodpile, the task at hand feeling somehow more significant now. As you continued to chop the wood, your mind replayed the countless questions you now had for Logan upon his arrival. 

Eight Weeks since your arrival:

You were rummaging through the cabin, searching for batteries for Logan's radio. The radio had become a comforting presence during your stay, its music, a soothing aid against the isolation and the creeping paranoia that sometimes cropped on you. The constant thought of being alone in the vast wilderness, with the constant worry of a wild animal breaking through the door, made the staticky tunes a necessity for your sanity.

After scouring every possible location, you were down to your last hope—the top shelf of Logan’s closet. Balancing on your tiptoes, you stretched your arm up, hoping to feel the familiar shape of a battery package. Instead, your hand brushed against something sharp. You pulled your hand back quickly, wincing as you noticed a shard of glass embedded in your fingertip.

Curiosity got the better of you. 

Determined, you grabbed a kitchen chair and carefully positioned it beneath the closet shelf. You climbed onto the chair and reached up again, this time with more caution, and found the source of the sharp sensation—a broken picture frame.

Carefully, you lifted the frame and inspected it, noticing the fragments of glass that had scattered around. You set the frame gently on the floor, making sure not to cut yourself further, and turned it over to reveal the photograph behind the glass.

The picture was old and slightly faded, but it was clear enough to see the faces of those it depicted. Logan was in the center, surrounded by  X-Men members you recognized: Jean Grey, with her vibrant red hair; Cyclops, his visor unmistakable even in this casual setting; and Storm, her white hair flowing with almost ethereal grace. They were all posed together, their faces lit with genuine smiles and laughter, capturing a good, warm moment.

As you examined the photo, a wave of realization washed over you. You had heard of the X-Men in stories and legends, but you had never imagined Logan was connected to them, let alone be one of them. The presence of these iconic figures, the heroes you had only known through tales and news reports, was a clear indication that Logan was once part of something extraordinary.

This photograph was more than just a snapshot; it was a revelation of his identity. Logan was not just a lonely man with a mysterious past—he was a mutant, a member of the X-Men, a hero with a legacy that spanned beyond what you had ever understood. The contrast between the vibrant camaraderie of the photo and the isolated, battle-worn figure you knew was striking.

What in the world had led him to such loneliness and solitude? 

Why was the picture broken, had he done that to it? 

As you held the frame, you felt sympathy and awe. This discovery added a new layer of complexity to your understanding of him. These were the people who had shaped him, and it deepened your appreciation for them.

You were fast asleep until the bedroom door creaked open, and your eyelids flew open in response.

Logan.

You turned over to turn on the lamp.

His complexion had deepened from the sun in Mexico, and his hair had grown out a bit, curling slightly at the nape of his neck. He looked down at you with tired eyes and a soft, relieved smile. You had fulfilled your promise and waited for him. 

"Logan," you rasped, your voice thick with sleep. You had been waiting for this moment for weeks.

"Hi, baby. Sorry I woke you," he whispered, approaching you and kneeling beside the bed. His hand reached out to brush some stray hairs away from your face, a tender gesture that made your heart swell.

You didn’t care about being woken up. Without hesitation, you threw your arms around him, pulling him into a tight embrace. He returned it with equal strength, his strong arms wrapping around you, holding you as if he might never let go. 

You inhaled deeply, taking in his scent—different, altered by time and distance, yet still undeniably him. His hand slid behind your head, fingers tangling in your hair as he cradled you against him.

"I missed you so much," you mumbled into his shirt, your voice muffled by the fabric but laced with raw emotion. You couldn’t bring yourself to loosen your grip on him.

"So did I, princess," he murmured, his voice thick with emotion. He gently nudged you back, signalling for you to look at him.

You met his hazel eyes with your own, now glistening with tears. He used his thumb to gently wipe away a tear that had escaped down your cheek before pulling you into a passionate kiss, one filled with longing and love. 

His lips claimed yours hungrily, his hands cupping your face, holding you in place as if to make up for all the lost time. You melted into him, surrendering to the moment, to the feel of his lips on yours, the taste of him, the warmth of his touch.

For the past two months, he had thought of you every single day, the memory of you his constant companion amid chaos. There were moments when he had considered abandoning everything just to return to you, but he knew the importance of his mission. He had told himself that if he could endure the pain, and the heartache of being away, he would be rewarded with the sweetest reunion.

His lips left yours and began to trail down your jaw, planting soft kisses along the way. He found the sensitive spot on your neck, and you couldn’t suppress the moan that escaped your lips. Your fingers instinctively gripped the back of his neck, holding him closer, wanting more. The sensation of his touch after so long sent chills down your spine, a reminder of the connection you shared. You tilted your head back, giving him full access, and his mouth left warm, wet trails on your skin as he explored further.

But then, without warning, he suddenly pulled away. You let out a small whine at the loss of his warmth, your eyes searching for his.

His gaze had dropped to your chest, his brows furrowed in concentration.

"Lo?" you asked softly, following his gaze. Then you saw it—the dog tags.

His fingers traced the ball chain with a calloused touch, the metal cool against your skin as he followed its curve. You felt a shiver run through you, not just from the contact but from the significance of the moment.

"I found them," you said quietly, placing your hand over his, pressing it to your chest, where your heartbeat had begun to race. "I had no clue that you had served... You know, I learned a lot about you while you were gone."

He didn’t respond immediately, just kept his eyes down, focused on your hands entwined over the dog tags.

"What did you learn?" he finally asked, his voice barely above a whisper.

"I know who you are, Logan... I know what you are, and I'm not scared," you said, your voice trembling with sincerity.

 "I have an idea of what you were doing down in Mexico, and I know you have the best intentions at heart. I trust you and your judgment. So, if you had to... hurt people... there, I know it’s because they deserved it. I'm not going anywhere, Logan. I'm just happy you're back and safe."

He looked up at you, his eyes searching yours. "You sure?" he asked, his voice filled with a vulnerability that took you by surprise.

You nodded, your eyes locking onto his with unwavering determination.

 "I'm sure. You're home now, and that's all that matters to me. I'm all yours," You pulled him in for another kiss. 

Logan's fire lit within him: you were all his. 

He matched your energy once more, feeding the primal hunger that had been eating at him all this time.  Your lips locked and tongues trailed on top of each other in ecstasy. You sucked his bottom lip between your teeth before biting down on it gently as he had taught you. He groaned in your mouth, gripping your hips tightly, his nails dug into your sides. 

"Lay down baby," He mumbled against your lips. You obliged, letting your back fall on the mattress, Logan hovered over you, taking in the sight of your body. His eyes trailed up and down, savouring every inch of your body for his memory. 

"You're so fucking pretty," He cooed resuming his place on your neck. You flinched from the sudden stimulation, a surprised moan escaping your lips. 

He licked his way down to the neckline of your shirt, you gripped the sheets behind you as the excitement built in your lower abdomen. 

With a swift, almost imperceptible movement, Logan extended his arm, and you heard a metallic *snikt* as his claws slid out from between his knuckles. The room, which had been filled with the warmth of your reunion, now hummed with a different kind of energy—something raw and vulnerable.

You stared, wide-eyed, as the three gleaming metal blades emerged from his hand, each one impossibly sharp and perfectly aligned. They reflected the dim light in the room, casting slender, shimmering lines across the walls.

For a moment, you could do nothing but observe them in stunned amazement. This was the ability, the weapon that had been a part of him for so long, and he was sharing it with you; how special.

You reached out, almost instinctively, your fingers trembling as they hovered near the metal. Logan's eyes met yours, searching for any sign of fear or hesitation. But you felt none. Instead, there was a deep curiosity, a need to understand this part of him.

Gently, you let your fingers brush against the surface of one of the blades. The metal was cold and smooth, the edges impossibly sharp. You marvelled at how something so deadly could be a part of the man you loved. It was hard to wrap your mind around it—how could flesh and bone give rise to something so unnatural, so extraordinary?

"They're beautiful," You hummed in delight, looking up at him with the warmest smile. 

"You're something else, aren't you?" He sighed relieved.

With a swift movement, he cut your shirt down the middle, your breasts falling out. 

"Logan-" You gasped in surprise, his smile turned dark as he retracted the claws back inside. 

"Was in my way," He smirked, dropping his face to your chest and sucking one of your nipples in his mouth. His free hand immediately finds your other one, palming your flesh, toying with your sensitive nipples with his fingers. You moan loudly, arching your back into his skilled maneuvers. It felt amazing but you needed more. More touch. More friction. More Logan. 

With a distinctive pop, he releases your nipple from his grasp.

"Please," You breathed needily. You were feeling yourself getting wetter by the moment.

He admired you from below; how your hand was gripped in the sheets over your head, how your eyelids were just barely open with lust. He kissed his way down from your breasts to your stomach, leaving a few of his marks on your body. Gentle ones of course. 

“I'm going to make you feel good, okay sweetheart?” Logan soothes, pulling down the pyjama pants down your legs with ease. You helped him remove them frantically, knowing what was about to happen next.

 “Okay, Lo-” He tosses the bottoms to the other side of the room and spreads your legs wide open for him.

“Fuck baby," He groaned as he admired your perfectly shaped core, already dripping and aching for him. 

He brought his hands to your folds, spreading them open with his thumbs. You twitched underneath his touch eager to feel some release. 

"Been thinking about doing this for a long time," He mumbled before diving face-first into you. His tongue made contact with your sensitive bud sending your back into an aggressive arch. He started slowly, licking long fat lines. You twitched at every flick of his tongue on your clit. 

He slid both of his hands to grip your thighs roughly, pushing them further open for him. He picks up his pace, moving his jaw faster against you. Your wetness drenched his face, dripping from his chin as he lapped rhythmically with his skilled tongue, applying just the right amount of pressure to inch you closer to your breaking point. 

"You taste just as good as the first time," He praised between breaths before sucking your clit into his mouth. His warm soft lips wrapped around it tightly as he pushed against it causing the most delicious friction. Your eyes roll into the back of your head at the sensation. 

You were already close, you hadn't touched yourself during his absence and even the slightest touch was sending you near the edge. 

Logan was growing painfully hard against his jeans, every whimper and moan that escaped your lips made the pressure increase. How he adored having you in his mouth, seeing you up close like this, tasting your sweet honey on his tongue while your intoxicating smell filled his senses. 

He gave a slite bite on your clit as he recalled you enjoyed that last time. With a fuck, your hands snapped to his hair, grabbing fistfuls. He grinned against you doing it again, as he pressed a finger against your entrance, slowly pushing his fingers inside. You gasped as he stretched you out. While keeping up his momentum with his tongue he began to pump his fingers with it. Both points of friction accelerated your rise to your orgasm.

You’re a whimpering mess underneath him, you try to mask the noise by biting down on the pillow.

 “Don't hold back, I want to hear those pretty noises you're making darlin', ” Logan praises, thrusting deeper inside, all the way to his knuckles. You release the material from your teeth, letting out a 'gonna cum logan,'

"Cum for me princess," He moans, high off of the pleasure of eating you out. He’s devouring you, his face buried between your thighs, his tongue circling your clit. He bites down again, pulling back his fingers outside of you, you moan at the sensation. He pulls his face away from your swollen clit and slaps his hand down on your core. 

Your hips buck in surprise and the slight sharpness of the pain tips you over the edge, before you know it you're rolling your eyes in the back of your head. Logan rubs his rough palm on your clit, helping you ride out your orgasm, he pulls you closer by your neck and kisses you aggressively. You wrap your arms around his back, pulling his body down so that his chest is flush with yours. “Need you inside,” you beg, lips against his. “Need you inside.”

Logan gets up and pulls his shirt over his shoulders, discarding it in some corner of the room. He drinks in the sight of your post-orgasm frame, trying to catch your breath as he fiddles with his belt. With a few clinking noises and a zip, he pushed his jeans down, his cock springing out aggressively. 

He returns to his position on the bed, between your legs. His lips come crashing down on yours as he strokes it a few times to ease the tension. "Are you sure, baby? It might be a little much for you, I'm more than happy with just eating you out." He locks eyes with you, looking for your approval.

You grin. "I'm yours, Logan, I'm sure." You pull him in for another kiss as he pushes the tip of his cock past your entrance. Your body jolts in surprise by the sheer size of it, but with every inch he goes deeper, the more you get used to him. You moan into his mouth as he works his way into you.

His lips are on yours, he’s plunging into you slowly, down to the hilt. “Fuck,” he groans, his cock throbbing inside you. “You're so fucking tight,” he murmurs, buried deep inside of you. “I might not last long,” He lets out a dry laugh before thrusting in and out.

Your hands find themselves gripping Logan's back muscles, grazing your nails across his skin. He groaned as the stinging sensation began to tingle. 

“Taking me so well,” Logan praises, ducking into your neck and sucking on it. He pumps along your walls, his hips snapping against yours. His pace picks up, thrusts becoming faster. Your entrance squeezed around his girth as he pounded deep inside you. 

"Fuck," He grunts between breaths.

He rams into you. Over and over, his sensitive tip enveloped you, warm and wet.

 “I'm so happy I'm yours,” you moan. " Always gonna be yours.” His cock twitches at your words. You watch as his abs flex, his muscles tightening and releasing with every thrust.

 The kisses on your neck became sloppy, and his thrusts were irregular. 

His cock twitches inside you again, throbbing against your walls. You know he's close because he's moaning and pulls away from your neck looking for your eyes. 

His muscles flex as he finds your face, and he throws his head back mindlessly pumping his warm hot seed inside of you. His hands softly stroking your thigh as he comes back to his senses.

With a few other pumps, he pulls out dropping next to you in the bed. He pulls you close keeping your head on his chest. You hear his heart hammering against his ribcage. 

"That was so-"

"Needed." He finished

"Yes, needed." You agreed, tracing circles against his chest as he caught his breath.

A moment of silence passed, and you both comfortably enjoyed each other's company.

As the quiet stretched between you, the soft hum of the night outside filtered into the room, making the moment feel even more serene. Logan’s heartbeat began to slow, and the steady rhythm beneath your fingertips was soothing. You felt completely at peace in his arms, as if the chaotic world beyond the four walls of the bedroom didn’t exist.

He shifted slightly, adjusting to pull you even closer, his chin resting on the top of your head. His hand drifted to your back, tracing lazy lines along your spine, the touch intimate and grounding. It was moments like this where words weren’t necessary. The connection between you spoke louder than anything you could say.

"You okay?" Logan murmured, breaking the silence in a voice so low it was barely above a whisper. His tone was soft, tender, almost as if he feared disturbing the quiet that had settled between you.

You nodded against his chest. "More than okay," you whispered back, your fingers continuing their idle patterns against his skin. "I’m happy you’re here. Really here."

His arms tightened around you in response. "I’m not going anywhere," he said, his voice carrying the weight of a promise, the kind he rarely made.

A content sigh escaped your lips as you nuzzled deeper into his embrace, the scent of him—familiar and grounding—filling your senses. His warmth enveloped you, lulling you into a state of complete relaxation. The world outside felt distant and irrelevant, and all that mattered was this moment, with him by your side.

As the minutes passed, you both drifted into a comfortable stillness, your breaths synchronizing, the only sound being the soft rustle of the sheets and the steady beat of Logan’s heart beneath your ear. This was all you needed—him, right here, with you.

As you closed your eyes, drifting on the edge of sleep, Logan’s hand gently tightened on your hip, and in a low, teasing murmur, he whispered, "Next time, I’m going to ravish you all over again."

sorry it took so long, I started uni <3 love you guys and thank you for enjoying the Ravish series. hope yall request or stick around for more.

🏷️:@babucakes@landlockedmermaid77@theoraekenslover@loreniscrying@bpmiranda @rogueinmymind @lose1tall @2fatblunt @ltristessedureratoujours @th3mrskory @angelofthorr @strawberrylore

If you'd like to join my tagged list and be notified whenever I post new content, click ->-> HERE<-<-, instructions will follow.

->->masterlist<-<-

[fiddleyoumust]

Let’s talk about queerness and High School Frenemy. There’s a large portion of BL fandom that refuses to engage with the show, and while that rubs me the wrong way, I do understand it. If you only wish to consume queer media, it’s easy to dismiss HSF since it is not explicitly queer. It’s also a show that on a surface level, looks like classic queerbaiting. And before I get a bunch of HSF fans in the tags or comments, I am a huge fan of this show. It is possibly the best thing I’ve watched all year. But on a surface level, it is doing the literal definition of queerbaiting even if I personally do not think it is. 

As a person who is OLD and came of age in the 90s, I do want to talk about this show from a queer perspective. I grew up in a time when queer characters were not abundant. If they did show up in media, it was newsworthy. These characters were always support characters and seldom had love interests or explored what it was like to be queer. None of them looked like me or made me feel seen or represented. Heteronormativity was the standard, as it is today, but back then, a queer kid seldom encountered anything that made them question that heteronormativity. 

HSF, and Shin and Saint specifically, resonate with me more than most queer media I’ve consumed, and I’ve consumed a lot. The intense, obsessive love that Shin and Saint have for each other under the guise of friendship IS my story. For me, it was a wild girl named Jennifer, who I was attached to the hip with from 6th grade until our early twenties. I loved her. I was obsessed with her. I was probably in love with her, but it never occurred to me until years after we’d stopped speaking that what I felt for her was more than friendship. The heteronormative brainworms are real, and they infected me until my late 20s when I suddenly had a revelation about myself. 

Hindsight is 20/20. Suddenly, my obsession with Charlize Theron in Two Days In The Valley, Helen Hunt in Twister (1996), and Kate Winslet in Titanic made so much sense. My relationship with Jennifer was also at the forefront of my mind. Ah, I thought. That’s what that was.

HSF is a show about friendship, a show about community, a show about the ways adults fail their children, a show about class and poverty. It is also a show about unrealized queerness. The director, Fon, told that story purposefully through music, lighting, and dialogue, she told a story about two boys who can’t live without each other, but don’t have the knowledge, the vocabulary, or the self-awareness to understand what they are to each other.

In every choice Fon made, she dangled queerness without explicitly naming it. I would call it queerbaiting in any other media,  but for me, she made one other choice that I believe is purposeful and elevates this show into the queer category for me. She completely stripped the show of heteronormativity. There are no couples. None. We never see Chatjen’s parents. Any parents we do see are single - Ken’s father, Shin’s mother, Saint’s father, Cable’s mother.

In any other media, the male and female homeroom teachers with clashing teaching styles would  be an enemies-to-lovers side plot. Here, they grow into supportive co-workers and friends who become better versions of themselves to help the children in their class. In any other media, there would be talk of crushes among the teenagers. Here, we see them grapple with the pressures of academia, abusive or absentee parents, bullying, drugs, and the hopelessness of poverty. In fact, the only mention of sexuality or romance at all comes from Eve, a girl who befriends Airy, a girl from their rival school, and confesses that she had a crush on her when she was younger. Nothing comes of this revelation, even though we see Airy become curious and seek out Eve’s company prior to this revelation, and we see how pleased Airy is about Eve’s confession. But this is a show about unrealized queerness and even Eve and Airy, two girls who understand what they are feeling for one another, still can’t bring themselves to name it.

The lack of heterosexuality creates a void that is filled by Shin and Saint’s relationship. It’s purposeful, and Director Fon uses other friendships in the show to highlight the ways Shin and Saint are not the same. Knot, Nate, and Ken are extremely close friends. They, too, have a “no one left behind” friendship pact. They fight for each other and get hurt for each other and very obviously love each other. Chatjen and Shin’s friendship is also very deep. Chatjen considers Shin his best friend. He hero worships him a bit and sees him as his protector and savior. Yet, anyone watching can understand the ways the producers use music, lighting, costuming, and dialogue to elevate Shin and Saint’s relationship above all the other ones. 

High School Frenemy is queer. Shin and Saint are purposefully queer coded in a world devoid of heterosexuality. You are seeing what you are supposed to see, and it's a hill I’ll die on. If you were on the fence about this show, I can not recommend it enough. It’s great and will leave you feeling warm and happy and loved. If you only consume explicitly queer media, I still encourage you to watch it. Sometimes, our queerness eludes us. Sometimes it’s hidden under other words like “friendship” because we haven’t learned the right words for it yet. I enjoyed watching a show that reminded me of my youth and gave me a glimpse of the girl I used to be. She was still queer even if she didn't know it yet.

[yourartmatters-itswhatgotmehere]

❤️🤍💙 #RWRB #RWRBMovie #RedWhiteAndRoyalBlue

Casey being iconic-i just love Them so much!!

#CaseyMcQuiston

. https://twitter.com/ThisIsGSage23/status/1791335511728013403?s=19 .

"I just really wanted to explore both of those characters and I wanted to do it in a way that I hadn't really seen before, and also just like as a queer person I want to make queer art and that's what I'm drawn and that's what I'm interested in. So I kind of had these two different ideas, it was like one idea was that I would write a book about this rebellious first kid who's like figuring out that they're queer and what does that mean for their like political aspirations; and the other was about you know sort of a member of the royal family under all of this pressure to carry on this legacy and like what does that mean if they're gay. Um-And I'm just like kind of weighing these two different stories and deciding where I wanted to go and then I just kind of had this moment of like What If I didn't have to choose and it was the same story because they fall in love with each other? And-Um-You know in a classic bisexual fashion I was like I'm gonna have both, so I did!"

"It was really important to me that Alex was explicitly bisexual because like, you know, I really wanted the representation of like this bisexual character and then it was important to me that he was also Mexican like he is in the book and that he was played by a Mexican actor. (..) It was really important to me that, um, I didn't want any, I didn't want Alex or Henry, no matter how their stories were translated to the screen, I didn't want either of them to have any type of, um, like shame or resentment towards themselves for being queer, it was really important to me that the stakes of their lives and their like inner conflict was much more based on like the circumstances that they're in. It's like they don't hate themselves for being gay-or for being bi-they just wish that it was easier to be who they were in the world that they live in."

"..Taylor embodies that so beautifully. (..) I think he's just killer in that role. And Nick, I mean, if you like turned me upside down and shook me like he would fall out my brain as Henry (..) doesn't have blue eyes but they sure are sad eyes and that is exactly what they need to be."

"I see myself in Alex, tremendously, I'm very much in Alex, I relate to him so much, uh, truly, I think he's the most like me of all my characters."

"I very much would love screenwriting to become part of what I do, I'll say it that way."

BTW for everyone interested: Red, White & Royal Blue: Collector's Edition Henry PoV bonus chapter by Casey Mcquiston : https://www.tumblr.com/yourartmatters-itswhatgotmehere/752528941905018880?source=share

CMQ spotify (characters' playlists!!) https://open.spotify.com/user/p873j0jdmqn5hye7cakdnub7e/playlists

+ also queer history/facts from RWRB(Alex engaging with queer history)(thank you SO. MUCH. CASEY MCQUISTON!!)-GREAT POST here on tumblr!!-many links here, lots of information! (Waterloo Vase, Stonewall, SCOTUS decision 2015, Walt Whitman, Laws of Illinois 1961, The White Nights Riots, Paris Is Burning, THAT David Wojnarowicz photo 'If I Die Of AIDS-Forget Burial-Just Drop My Body On The Steps Of The F.D.A' https://www.tumblr.com/yourartmatters-itswhatgotmehere/757305651356729344?source=share (I encourage you to research more about David!!) , Thisbe & Pyramus, The V & A, James I & George Villiers and MORE!!) https://www.tumblr.com/yourartmatters-itswhatgotmehere/757308307835895808?source=share (Learning about things referenced in Red, White & Royal Blue, thank you @ elipheleh)

+https://www.vulture.com/article/casey-mcquiston-red-white-and-royal-blue-the-pairing-interview.html

+https://www.hollywoodreporter.com/movies/movie-features/taylor-zakhar-perez-casey-mcquiston-interview-red-white-royal-blue-1235975977/

.https://ew.com/taylor-zakhar-perez-honors-nicholas-galitzine-entertainers-of-the-year-2024-8759399 +CAST OF RED WHITE & ROYAL BLUE |FYC Panel - Consider Amazon:https://www.tumblr.com/yourartmatters-itswhatgotmehere/769737016086839297?source=share

.https://www.tumblr.com/yourartmatters-itswhatgotmehere/758778031058862080?source=share

+

[shotanzz]

Who in riize do u think would like a partner who’s slightly older/younger than them, like a year or two age difference? N then who do you think would prefer someone who’s older and has more life experience? (Basically kinda in a who would want to be taken care of by their partner vs them being the one to take care of their partner type of way)

hmmmmm this may be a bit controversial I fear

RIIZE OLDER VS YOUNGER based on astrology~

reminder this is based off of MY opinions of their birth chart placements + aspects and is not exact fact unless I knew them myself and I am not a professional astrologer 🤍

Older

Seunghan

a lot of people think Seunghan would have a younger s.o but ngl..he'd probably like someone more older or at least a person that has more experience/more mature. I say this because the things he'd want the most I feel like he'd expect or more easily get from someone older. He wants someone that would be independent + confident in their place in the relationship, has experience in life in general (including partying/vices), and ngl he might want more tasteful luxury gifts so lowkey sugarmama/older gf vibes 😭.

Anton

I don't think he cares about age at all bc his chart doesn't indicate physical attributes minus the stereotypical feminine things (bouncy healthy hair, sweet perfumes, pretty nails) but I feel like he'd be best suited with someone older yk..like that would be best for him. Reason being, personality wise he wants someone mature, ambitious, independent, doesn't need to be babied/taken care of 24/7, can guide him, financial stable which is something you expect from a more mature/older person right ?

Middle Ground

alright ikik all my babygirls are wondering wtf Sungchan and Eunseok are doing here instead of the younger category but..walk with me....🤫

Sungchan

50/50 bc I feel like he can get what he wants from either age group. He has a cancer moon + leo venus so he may like reciprocity and for him and his s.o nurture or be attentive with each other OR he's ok with taking care of a younger/immature s.o & would be fine with being taken care of by a older/mature s.o. He likes someone to be educated, lowkey a little wiser and put together BUT he likes to wear the pants and be the lead/doting counterpart of the relationship. I just think he can get what he likes from either group and he probs is into cap risings.

Eunseok

Eunseok..probably just doesn't care LMFAO. As long as you're tall, hot, confident and charming he's all in. IM KIDDING OFC . but he can adapt to either relationship trope. He likes someone with a mature seductiveness thats independent and gives good concrete wise advice..BUT he also likes someone thats goofy and surprises him and has a teasing "hard to get" aura to them. So imo he'd go after either one as long as they were compatible with him.

Younger

(crazy I know)

Sohee

Sohee is typically the one being doted on and seen as the "cute" one and I just think he'd want to explore outside of that trope through his partner (sag venus tings). Plus I'm ngl Sohee's big 6 placements and his sun/uranus + mercury/mars aspects makes me feel like he'd feel kinda slowed down or restricted with an older/overly mature/serious partner. This is about to be contradictory ik but I feel like it’d be easier if said older partner had a more immature “cute” image

Wonbin

Wonbin probably likes...cliche dynamincs ngl..his taurus mars makes him feel more driven to the traditional/stereotypical dynamics yk so he's the masc and provides like the typical "oppa" type shit ykwim. Plus his Pisces Venus probably makes him idealize that type of stereotypical trope more. I also feel like an older partner would make him feel a more serious sense of responsibility and scare the shit out of him 😭😭.

Shotaro

Shotaro has a capricorn venus and I said in one post his ideal type could go either way and transition between being more playful+immature or sophisticated+mature I feel like he currently likes immature/younger partners (see how he dotes on Sohee/Anton the youngest members) but in the future would prefer someone more mature because that's just what I typically see in cap venus men,,they start with one ideal type and the older they get they switch to the other.

[eurothug4000]

INTERVIEW ON THE MAKING OF THE CANCELLED MMORPG NINELIVES

Ninelives is the most beautiful RPG that was never completed, but can still be experienced as it was left. As part of my video on the game (now up for early access on Nebula), I also interviewed Tota of SmokymonkeyS on its inspirations and development before its suspension in 2016.

What would you say are your main inspirations for the art style in Ninelives? E.g. other artists, film, games, literature, history etc.!

I was a huge fan of Adventure Gamebook when I was a kid. Well, maybe you don't know what that is. Please read the wiki if you need: https://en.wikipedia.org/wiki/Gamebook. I was reading (playing) translated oversea gamebooks well, and love the inner artwork especially what draw by monochrome. I had never seen pictures like that before, and had a strong impact on me. So, I wanted to make a gamebook by my self. When I started making my own gamebooks, I learned a lot about how games are made. That's because a gamebook is a medium in which the player can see all the source code. At first I started making gamebooks because I was attracted by the artwork, but my interest eventually shifted to making the game itself.

Related to the above, do you take a lot of inspiration from real world cultures and places? Are there any that you particularly gravitate towards?

I like the mixed culture, like Chinoiserie in France at the 17 century. Plus, since I'm Japanese and this country has always been greatly influenced by China. So I'm not limited to any one of these cultures, but trying to create as I am influenced by all of them. Sometimes people say that what I create looks Japanese, Chinese, or Asian, which is neither correct nor incorrect. I try not to be only of a certain culture when I create. That's because I want to create an imaginary world that is somewhat like reality, but slightly different.

Why did you want to make Ninelives?

Ninelives was the first game I ever thought of making, I think when I was about 17.

Do you think Ninelives being in an unfinished state provides a different atmosphere when playing the game and exploring the world?

I don't particularly think so. The atmosphere of the game is still complete. I wanted the game to be a relaxed, free-roamed adventure for players.

I wasn't certain during my research, so I wanted to confirm if Tomomi Sakuba was involved in Ninelives in any way?

Yeah, Sakuba was involved in Ninelives lots of ways. As you said, he did some of the texture pictures for flowers, plants and tree leaves. He also drawn the world map and area maps of the game like below: http://www.smokymonkeys.com/kyrill/index.asp?direct=138 He actually walked around the world by himself to make this. He was one of the most earliest game tester of the game. Oh, and I have to tell you this. He's a voice actor of male Nightbreed and Elf! In addition, his wife did some of creature voices. Her voice is also used on Triglav too!

What are your own personal thoughts on Ninelives? Is there anything you would drastically change looking back on it? Or any big changes you would want to make if you were to continue development at any point?

Ninelives was too much for me in many ways. It was a world I had been thinking about since I was young, but there were too many things to actually create to handle, and in that sense it's exactly the dream a child thinks about. We are a team of two in SmokymonkeyS, but one of us is in charge of programming and system engineering, and the game itself was created completely by myself. I had to create all the pictures, models, terrain, music, and story by myself. Now if I'm going to make something, I don't make it on such a large scale anymore.

Apart from the Switch release for Garage and occasional updates on Triglav that you mentioned before, is there anything that SmokymonkeyS are working on for the future?

Not yet so far.

I noticed your banner on the official website (http://www.smokymonkeys.com/kyrill/index.asp) has a character on a train platform, I wondered if that might be a future game?

Once it was. It was a previous project of Triglav for mobile. But it was going to be on a larger scale again, so we decided to port Triglav before that. There are no plans to make that game now. But I may make another game with that worldview and atmosphere. For example, as a mobile game.

A big thank you to Tota for taking the time to answer my questions! You can find SmokymonkeyS and their games here:

[tcoaal]

EDIT: i made a few small edits since i posted this

hi i might be beating a dead horse but this rant has been building up since seeing the first comments on reddit. spoilers under the readmore + i didn't want to eat your entire dash

you're all free to like or dislike or love or hate The Coffin of Andrew and Renee mod all you want but something that's been driving me absolutely bonkers in criticism of it is people saying Renee was wholesome or loving in it. i have a lot of mean words about it actually but i want to keep it civil and just say: you are absolutely completely incorrect in every capacity.

the key difference between canon gravecest and Andrew's and Renee's relationship in this mod is Renee's abuse is completely different than Ashley's. the mod is quite arguably a LOT more fucked up than the source material when you pay attention to it!

(and also one of the mcs is a milf yada yada)

this mod at the end of the day is a fanfic. it's an AU fanfic you get to play. it's a really well written fanfic! not the same as the original, and there's definitely parts that are weaker (the first half of the 303 lady scene after the summoning was really weak before it became my favorite part of the mod) but it does a decent job at exploring this story with a major plot of divergence years before the canon start of the game and how that's affecting Andrew.

Andrew is considerably more submissive when things get rough around Renee than he is with Ashley. the thing about gravecest is that it's codependent. Ashley doesn't really force or make Andrew do anything: Andrew desperately wants to blame his problems on Ashley but deep down he's just as, if not even more fucked up than Ashley actually is. this is something we could debate and discuss for hours but: this dynamic is lost with Renee, and for good reasons.

Renee was the one that forced Andrew to be the one who raised his sister. and then Renee forcibly separated them and told him if he ever had problems come to her.

Andrew is dependent on Renee in a way Renee clearly is not in the mod.

Renee's life has kinda gone to shit. getting Ashley locked up didn't magically solve her problems: her life is actually worse than in canon. her doormat husband finally found the balls to leave her, Andrew clearly resents her deep down, she's locked in an apartment and her tie to Andrew is literally the only thing she has left. and boy is Andrew infinitely worse off for that! Renee actively controls every aspect of Andrew's life one way or another, and while I dislike the first half of the Room 302 scene the ending shows that contrast.

Andrew basically mentally shuts down whenever Renee gets serious about weaponizing his dependency. Renee is somebody who forced him to raise his sister, then forcibly ripped that person from her to make herself the one he's dependent on.

this scene was really fucking haunting to watch because she actively weaponizes using what she did. she was the one responsible for letting shit get so messed up when he was a kid. and then he uses it to hurt him: and then continues to weaponize the fact she "saved" him to make him back down.

"And... maybe I said some things that weren't called for myself."

^ the exact line that sold this characterization of Renee to me. this is immediately after her exploiting his trauma, trauma she is very much directly responsible for. this isn't a happy scene. this isn't a wholesome scene. look how tired Andrew looks compared to his mother.

even when she's blatantly, clearly in the wrong she won't admit responsibility. it was Andrew's fault for acting like a child. it's his fault for lashing out when his trauma is exploited by Renee and she has to further manipulate and abuse the trust she forcibly installed into him to make him back down. but maybe she said a few bad things too. she didn't mean it though. Andrew should know better though.

anyone with half a brain can tell this is horrifically fucked up and a very different kind of control and confrontation Ashley uses: Ashley just likes to get in his face and initiate a verbal argument regarding Andrew's hypocrisy more other than not and then said arguments run their natural course. Renee repeatedly uses textbook abuse and gaslighting tactics to force the person dependent on her to back down. Anderw is not naturally "a dutiful son," as the mod describes him, Renee made him become that and regularly abuses that fact.

Renee is a lot more gungho about being a cannibal and is extremely attached to a story about a monster that eats everything that threatens her child because Renee has lost everything else of value in her life and is forcing Andrew to be close to her, constantly picking needless fights at the idea of her own son leaving her side and leaving her alone, and emphasizing that he owes it to her to stay by her side and actively controls him to ensure he doesn't leave.

like, you can feel however you want. i've seen some people hate it. i've actually seen some people who like it more than the actual game itself. i certainly have a few criticisms of it, mostly tied to its format inherently, but i'll defend it unless chapter 2 drops the ball.

but every time i see someone comment "Renee is really wholesome and loving in this mod and that's really OOC for her," or when the criticisms mostly boil down to the art style i think i die inside a bit and i cannot take that person's complaints regarding this mod seriously in any capacity. anyways thanks for listening to my insane rant if you read this far manifesting chapter 3 soon my crops are dying

[just-a-ghost00]

You got mail 💌

Let’s find out what the person on your mind has to say to you. Pick one of the following emojis and discover your reading.

🌍 🩵 🌄 🤠

Group 1 🌍

I may not show it to you but I am really happy we met. Everyday with you feels like a new adventure. Though we are worlds apart and so different from each other, I really feel like we match perfectly. You make me feel like I belong. Every moment spent with you is so much fun. It makes me want to jump forward and explore. You are so sweet and generous, so playful that I can’t help but to play along. I feel so lucky being with you. There is so much I want to do with you. I want to hang out with you and get to know you more. Maybe we could have a couple drinks, play in a park, have a little date by the river… if you wish. I feel so boring compared to you. With me, everything is always black and white. But you, my love, are so colorful and bright. I wish we were a family. I wish I could wake up in the morning to find you sitting at the table, eating breakfast with a smile on your face. I wish I could share with you my favorite spots and take you to every place I get to see. I wish I could find a way to express all that you mean to me. I tend to see the glass half empty. But when I’m with you I want to believe everything is possible. You have filled my cup with your love and I am so thankful for that. I can’t find the words to tell you how much I owe to you. You’ve made me a better person and I feel like I could never return the favor.

Group 2 🩵

I may look like all is well and fine but to tell you the truth I feel hollow. And I could use some fun. I always seem so busy, always the life of the party, making everybody laugh and ensuring they have a good time. But deep inside, it’s getting tough. As the days go by, I feel my energy depleting and my motivation as well. I don’t even know why I do this anymore. I force myself for the sake of keeping appearances but honestly I’m not sure I like it at all. I’m afraid that if you dig deep enough, you wouldn’t like what you find there. I am much more fragile than I seem. Also much more mellow and soft when I get the chance. But lately I’m more of a zombie than anything. I don’t think I could bring you much joy nor comfort. I’m afraid I’ve turned bitter. It’s all about work and making sure the money gets in and less about enjoying what I’m doing. I need to pay the bills. There’s competition around. I can’t afford to lose. Everyone’s counting on me. People look up to me. I sacrificed a lot to get there. I can’t back down now. Who would I be if I did? I can’t disappoint. It’s all a masquerade but it’s for a cause. It might not look great to you but it means a lot to me. So, sorry if I’m acting cold but… it’s all for you baby. Don’t go thinking I found someone better. Believe me I don’t have the time for that.

Group 3 🌄

Hold on a minute ! I know what you’re gonna think. What the heck is he/she saying? But hey, let me explain you’ll get it ! I may not be the strongest, the wisest or the most impressive of them all but one thing that’s sure about me is that I only have good intentions for you. I am ready to fight for you if that must be done. Thought I’m not good at that. Listen, my point is I really like you. I want to be with you, have fun with you, chat with you. I want us to take our time and get to know each other and hopefully to grow old together but that’s another story. With you I feel like a kid again. Sometimes, I gotta say, the feeling can be irritating. But at the same time it is freeing. I don’t have to chose a side. I don’t have to act a certain way to be accepted by you or understood. And that’s crazy! I’ve never experienced that before. Usually I would try to conform and play nice, show my best side and stick to the plan. But ever since I met you I want to free myself of those restraints. I want to find my home. I want to express my full potential without fearing being rejected or not belonging. I know you’ll never kick me out. Because you are the same aren’t you? The things I’ve seen, what I’ve been through, you’ve been there as well, right? I want to make a promise to you. Whatever comes our way, I swear I won’t run away. Even though it is scary and seems impossible, I will always work hard and do my best to make it. I may not be exactly your type or what you imagined a partner should be, but I am willing to learn. I am willing to tune to your melody and shelter whatever we may build together, not matter how unstable it may seem. I want you to feel comfortable with me. I want you to feel as safe with me as I feel with you. So if you’ll let me, let me fulfill that promise. You won’t regret it.

Group 4 🤠

To be honest, at first I didn’t get the best of vibes from you. I was a little intimidated and didn’t want to get to know you. Especially considering what people were saying about you. But I tried to see past your exterior and once I got to know you I found out that you were very chill. Maybe it was because I didn’t know you. Maybe I feared the unknown territory you represented. Maybe I was just afraid of going deep. But curiosity got the best of me. And luckily for both of us I stayed around long enough to make my own opinion. And I have to say that you are quite surprising. I won’t lie, being with you asks a lot of efforts on my part. But every second spent with you is worth it. In your presence, I feel comfortable. Being with you reminds me of my childhood. I think of my mother and my family, of the days we spent together before I moved away and followed the wind where it took me. Every page of our story takes me deeper within. I see sides of myself I never noticed or didn’t want to remember. I remember the innocent days where doing something new weren’t as terrifying and meeting new people sounded like a thrill. Being with you I feel blessed and content. There’s a light heartedness and a warmth in my heart I wouldn’t trade for anything. When I’m alone at home you’re all I think about. When I’m at work also. There isn’t a single moment when you’re not on my mind. When I’m with you I feel hopeful. I think that maybe life isn’t as tough as I thought it would be. That maybe there is more waiting for me. Please, show me more of your different sides. Tell me more about what makes you happy. Let me in and let me see for myself what you are made of. I’m begging you don’t shut me out. I want more of you.

[yomigaere]

Regarding Touga's age in flashbacks

Touga appears as a child in two significant flashbacks in the series: in episode 9 where he and Saionji find Utena hiding in a coffin after she just lost her parents, and in episode 10 where Nanami gives him a kitten for his birthday, with all that that ended up tragically entailing. (It may be worth noting at this early point that neither of these flashbacks are from Touga's own point of view; ep 9's is Saionji's memory of the event, and ep 10's is of course Nanami's memories.)

The assumption I've seen throughout the entire fandom is that Touga is younger in Nanami's flashback, in which he has short hair, and a bit older in the coffin flashback, in which he has long hair. It's a perfectly reasonable and logical assumption, and one that I wouldn't question either -- if not for two things.

The first of those two things is head writer Enokido's notes on Touga; to sum them up very briefly for those who don't already know, they say his unpleasant backstory as depicted in the movie was also intended to have been his series self's backstory, with some additional details included to account for Nanami and Saionji. A specific point from both these notes and the movie itself is that Touga was ordered by his original parents to grow his hair out, as that was what Mr Kiryuu wanted. If we take Enokido's comments on Touga's backstory as applicable to the series canon -- as I personally do, as it heavily informs my entire reading of Touga as a character -- then they need to be reconciled with what's depicted in the series itself in one way or another.

The second thing is simply that I noticed some curiosities in the series character design sheets, which I'll go into past the readmore. Before that, I just want to pose the question I'm exploring here in the first place:

Could Touga have actually been younger in the coffin flashback than in Nanami's flashback?

Please note that this is more of a thought experiment than anything; I'm not trying to push this as The Actual Canon Truth, even if this does inform my personal headcanons regarding Touga's (and Nanami's and Saionji's) history. I just want to put forward some bits of evidence with my own thoughts and speculation on them. Without further ado...

First up, here's one of the design sheets for Touga and Nanami as kids from ep 10's flashback:

It says that Touga was 12 and Nanami was still 7 (keeping in mind that her birthday is a couple of months after his). I personally think they both look a bit younger than those stated ages, but I digress.

It could possibly be said that whoever added the notes on these design sheets might be pulling the characters' childhood ages out of thin air, but evidence that Touga is intended to be 12 here did make it into the episode itself:

Twelve candles on a cake for a kid's 12th birthday would make a lot of sense.

Meanwhile, here's the full-body design sheet for Touga and Saionji as kids from ep 9's flashback:

This one doesn't give any ages for the boys; I'm mainly posting it here for the sake of comparison. Your mileage may vary on which version of child Touga looks older or younger, and I'm a little back-and-forth on the matter myself; that said, it does strike me how dainty he looks in the design sheet for the coffin flashback, though I wonder if it might just be because of his clothes.

What had me questioning Touga's (and Saionji's) age in the coffin flashback in the first place is that, in the manga, it's stated that Utena was 6 years old when her parents died. That would've made the boys about 9 at the time, as they're three years older than her. Having said that, though, the manga and anime are different continuities with different takes on a lot of things, so just because the manga says one thing doesn't mean it definitely applies to the anime version as well. So how old was child Utena in the anime, then?

As with the boys, the design sheet for Utena's appearance in the coffin flashback doesn't specify an age for her, either. This would ostensibly make their ages at the time ambiguous -- but I'm not giving up here. There's another character who was a similarly-aged child at the time.

Anthy appears as a child in flashbacks in episode 34, one of which takes place very shortly after ep 9's coffin flashback. According to the design sheet, she was 7 years old at the time, and she's noted to be the same height as child Utena. Therefore, I find it reasonable to conclude that Utena was also about 7 years old when she lost her parents, which would've made Touga and Saionji around 10 at the time.

That's the evidence I'm putting forward to support the possibility of Touga being younger in the coffin flashback than in Nanami's flashbacks, with the admitted underlying assumption that the design sheets can be used as reliable sources for characters' ages as children. I think it would address discrepencies in his hair length with regards to his backstory as given by Enokido, but there's still a couple of other things that ought to get a closer look in that case.

All of Nanami's childhood photos of herself and Touga that we see in episode 31 show him with short hair. What's with that?

My speculation on this is that Touga deliberately curated the photo album so that it would only show him with short hair as a kid, in order to hide the reality of his and Nanami's situation as "adopted" kids sold to a paedophile from her. It probably helps that in all these photos, he and Nanami look roughly the same as they did in her flashback in ep 10, suggesting that they could all be from around that time. I've also considered the possibility that there could be some Mamiya-esque shenanigans surrounding the photos (in that they're showing a falsehood, like the photo of the fake Mamiya that turns into one showing his real self during Mikage's duel), but that feels like too much of a stretch to me.

It's also possible that Nanami might be misremembering Touga's hair length in her flashbacks in the first place; the Kaoru twins offer precedent for this, as their "Sunlit Garden" flashbacks in episode 5 show Kozue with a completely different hairstyle depending on whether it's Miki or her remembering that time. Personally, though, I find it more likely that Touga really did have short hair at the time, especially if we assume from everything I gave further up in this post that he'd just turned 12. Apologies for the horrible following thought, but I wonder if, by the time Touga had reached that age, he was getting a bit too old for Mr Kiryuu's sick tastes...

Putting that nastiness aside, there's one more flashback involving Touga I want to talk about, and it's one I wouldn't even have thought to include if I hadn't rewatched the episode it appears in recently: Tsuwabuki's flashback from episode 6! (Always leave it to the comedy episodes to surprise you!)

Tsuwabuki is presumably in preschool here based on his clothes, Nanami is in the girls' elementary school uniform, and Touga is in the standard boys' uniform as worn by middleschoolers and highschoolers. For all this to line up, I think their most likely ages here are 5-6 for Tsuwabuki, 8-9 for Nanami (putting her in third grade) and 12-13 for Touga (putting him in seventh grade, or his first year of middle school as per the Japanese school system).

Yet Touga has long hair here! If he had short hair when he'd just turned 12, how could it have grown out so much in only a year or so? (To say nothing of the growth spurt he seems to have had in that time...) I could chalk things up to Tsuwabuki idealising him as a big strong older brother in his memory -- middle school Touga apparently fought off a great big rampaging bull, after all -- which would explain why he looks basically the same here as he does as a highschooler. That said, Touga doesn't necessarily need to have had long hair in order for Tsuwabuki to idealise him the way he does; I doubt his hair length matters too much either way for that, so I don't see any reason for Tsuwabuki to misremember his hair in particular. This could lend some credence to the idea that Nanami misremembers Touga's hair length in her own flashback, but I question that for the reasons I already gave further up.

(As an aside: it might just be a matter of the lighting in that specific shot, but had Touga already dyed his trademark lighter streak in his hair in Tsuwabuki's flashback? He noticably doesn't have his highlight in either of the flashbacks with him as a child, which the design sheets for both of them make a specific point of noting. I might talk about the possible significance of his highlight in a different post.)

I think that's about it for my rambling and speculation on this, at least for now. What do you think? Is any of this plausible? Not plausible? Is it at least an interesting thought experiment to read about either way, or is it just a load of codswallop? Are there any blind spots I might've missed that I ought to address? Any other questions or comments? I'm curious to know.

[kelsochronicles]

I want to make a personal PSA post about something I think is important for anyone who follows me for my work:

If you have a deeply rooted issue with Aloy being shipped with men in any capacity, remove yourself from my space. I wholeheartedly ship her with Talanah, but I also equally ship her with Erend. And I see absolutely no issue with other people doing the same with other characters bc from my personal interpretation she is Queer- which does imply she can also be into men. And until GG comes out and explicitly states otherwise, I’m rolling with it. Her sexuality is not being diminished or erased, it’s being explored.

I’m going to be VERY CLEAR in that I’m absolutely NOT HAVING IT when I find out fellow fandom artist friends of mine are being targeted and sent anon death threats bc of their ship. ARE YOU KIDDING ME?! We fan artists owe nothing to anyone! Your projected preferences are not something for us to carry around! For most of us, we use these characters as a way to improve our skills because we find them fun to draw. Makes it a lot easier to learn and experiment that way with things we click with. And when you go and shit on an artist for something you don’t like, congrats! You pretty much ruined any chance of them, and a lot of other fan artists from drawing something you do like. So you are not only depriving the community of new art, you are also depriving other people, who maybe share a similar preference to you, from getting to enjoy it also. Because we do in fact talk to each other regardless of ship. We need our little artist community to thrive.

And guess what?! I’m a straight woman myself so you might as well toss me in the hetero trash pile if you’re so repulsed by the idea of anyone liking men.

[sepublic]

People -and this did include myself at one point- really don't want to engage with the fact that Belos is modeled after white supremacy by trying to bury this under the lens of "Oh he's actually a lonely weirdo like Luz!!!" when Belos' superiority complex is the most important part of him and it's where all analyses inevitably must stem from. I think the problem is that people are too attached to their speculative fanon version of Belos and instead of letting go of that to rebuild their understanding of him from the ground up (since he's a mysterious character who is only gradually revealed bit by bit), they keep clinging to this sympathetic tragic villain as the core behind their interpretation of him. 

Everything about Belos makes so much more sense when you explore him as someone akin to a lot of right-wing 4channers; A lonely young boy who was radicalized because white supremacy promised to rescue him from his isolation, and after buying into it wholesale, he very much chose to cling onto the need to be superior to the "NPCs" even when someone close to him actually unlearns and deconstructs for him why this is harmful. He sees firsthand how someone just like him is happier for leaving this mindset, and then kills them to eliminate that contradiction threatening his world belief; At which point it’s inaccurate to infantilize him as just a lonely and misguided kid, because he’s no longer a kid and he made a very cognizant and informed choice to double down and commit actual violence.

And everyone knows that by this point, such people are not actually being sincere; They’re not secretly misguided, you can’t simply attribute their harm to not knowing better because this is what their religion says or whatever. These people know they’re committing harm, but rather than help on “lesser” people’s terms, they ‘help’ the way THEY see fit, in the way that strokes their ego. That’s what separates Philip from someone like Gwen, who humbled herself to focus on what Eda was saying she really needed. So the Titan’s summarization of Belos as someone who only cares about being the hero in his own delusion, and fears what he can’t control is… hardly an oversimplification, it really gets to the core of Belos as a character, and the narrative he embodies. It captures the difference between wanting to help and having a savior complex, and is what ends up delineating the two at the crucial crossroads. 

And I find it a little concerning to joke about how this type of character is “just a silly guy” when people exactly like him are on the rise and committing very real violence right now. It’s also why I don’t buy the justification behind a lot of salt about how villains need to be humanized in order to show kids how THEY can become villains, because the show is fairly outright about how Belos rationalizes atrocities under the guise of the ‘greater good’ and refuses to self-reflect, and it’s not as if we don’t have Luz learning to understand characters like Amity or Lilith, the Collector and even Kikimora (whom she DID relate to personally, yet Kiki still doubled down with or without Belos), while still having the show emphasize that they need to get their act together and can’t just depend on people to save them. 

There’s also the very obvious theme of Luz realizing she doesn’t owe her oppressor anything, especially not when he won’t ever meet her or anyone else on their terms, but idk some people just seem to hate Luz for having boundaries I guess, even though she already put in the effort to be kind and understanding to Belos and she got hurt for it. Hell the Collector made that effort after being inspired by Luz, and Luz was murdered protecting them from that mistake!!! There are some very obvious stories and lessons being told here with the actual protagonists being the heart of those narratives, but the problem I’ve noticed is that a lot of the people complaining on Belos’ behalf are those who hyperfixated almost exclusively on the Wittebane aspect of the lore, going over it with a fine tooth comb and microscope to extrapolate an entire fanon from the littlest of details… only to just ignore the actual show and narrative and themes happening on-screen. 

And that leads to many not understanding various narrative decisions because they weren’t really paying attention to the actual point they’re in service to, and then they blame the writers for their own chosen ignorance, and how the story wasn’t about their part specifically so everything else doesn’t count and the whole show is wasted potential, really. The way so many of said fans immediately turned on Luz after the finale and tried to drag her down to Belos’ level by acting like she wasn’t any better for also wanting things and 'demonizing enemies', claiming Luz had unaddressed ‘flaws’ while Belos deserved more sympathy, and framing Belos as a ‘better’ character who ‘worked harder’ while claiming Luz was retconned into an arrogant chosen one who never grew, is actually baffling.

A lot of them are just upset that Belos didn’t play the role in Luz’s arc that they wanted him to play, so they’ve opted to dismiss Luz’s overall storyline as badly written and even a reflection of Dana's 'Catholic complex' (which is a tasteless jab to make) because they neglected the nuance behind every other aspect of Luz that wasn’t directly tied to Belos, that didn’t set her up as the one person who understands him or whatever because that’s more important to them than addressing the sheer trauma and pain that Belos willingly inflicted upon Luz. Because god forbid this brown girl be angry against her white abuser, huh? God forbid the white guy be used to set up the brown main character, rather than the other way around right????? It’s really just a jealous complaint about the show’s choice of priorities and celebration, hidden under the false guise of ever caring about Luz’s arc for Luz’s sake.

And that’s how you get insincere arguments about how Belos should’ve been able to survive, that’s how you get AUs that undermine the lessons of canon to egregiously relegate Luz to being Belos’ sidekick, or even present her as an obstacle to him getting his much-needed redemption, as if that last part hinges on all of Belos’ victims getting over their pain to help him, because obviously he needs it more than they do! Because we gotta spare Belos’ feelings by giving him friends instead of consequences!!! Unbelievable. He is not Amity, not Lilith, and definitely not Hunter, and the people who forgave them had actual reason to do so. And even Lilith had to move in with her mother so she could be given reparations by someone who actually owed it to her, rather than her younger sister and two kids.

And there’s definitely a major difference between Lilith and Gwen’s dynamic and Philip and Caleb’s, especially since Caleb was also a child when he moved into Gravesfield. Even if you think Belos' bigotry was radicalized due to 'grief' over losing his brother to witches, that's just entitlement and control because it's not as if Caleb can't have more than one positive relationship in his life; Philip is no better than people who blame minorities for some incident in their life and use that as justification to become white supremacists, and there's nothing sympathetic or 'tragic' about that.

But the point is that Caleb ultimately wasn’t THAT important to Belos because he’d always be secondary to witch-hunting, Belos clearly chose his white supremacy over his brother, and any ‘takebacks’ that come in the form of the Grimwalkers are insincere given Belos does nothing to actually repent or regret his violence committed on the people of the isles; It’d have been one thing if he DID try to undo his mistake by choosing differently, by cloning Caleb and giving up witch hunting, but he still doesn’t (Note that Belos does not hallucinate the ghosts of the witches he killed; He still feels no remorse over them, because his fear of being wrong comes from a selfish place). And unlike Luz, Belos can’t have it both ways because one option explicitly calls for the extermination of the other; It’s the Paradox of Tolerance that Luz struggled with, except contrary to what Belos claims, humanity’s existence does not require the eradication of others.

Because yes there IS a meaningful moral distinction between Luz and Belos -don’t forget they’re not just parallels but explicit opposites- that occurs even before you get into the genocide, not that you should neglect that other part either because it’s incredibly important, being the starting point for this entire rant. Society already has a bias towards devil’s advocating bigotry as some big misunderstanding, and prioritizing the angst of white dudes who commit it over the victims of color; Can we avoid applying that to fiction?!??!? I literally saw someone complain that the show didn’t portray Belos’ grief from murdering Luz, and that Luz’s “glory moment” took away from a Wittebane backstory!!! At this point, people are just being racist.