#and Victor a necromancer

[thevalicemultiverse]

What does BABS stand for? And what’s it about?

((BABS is short for "Beneath A Broken Sky," a fanfic that @thesatiricaldemon is writing that puts Victor (post-Corpse Bride, in a situation much like the one he was in at the beginning of my own Forgotten Vows, being sent off to the Houndsditch Home to forget Emily), Alice, and (unfortunately) Bumby (those two right before Alice was going to shove Bumby into the train at the end of Alice: Madness Returns) into a world where basically every eldritch apocalypse imaginable happened at once in the mid-1990s. Features stuff from The Backrooms, Local 58 TV, Gemini Home Entertainment, The Monument Mythos, The SCP Foundation -- I think if there's an analog horror series out there, Satirical has at least referenced it. :p You can find the fic here on AO3, though it does require you to be logged in to read it.))

[mochizuke-creates]

It’s him…. The Victor Vallokovich-

[maikuuro]

The last of the CoS bbs I wanna hug them all.

[vanhelsingapologist]

Victor Vallakoposting to celebrate the beginning of his Unwilling Burgomaster arc + his medieval goth fit I never felt like drawing and family doodle.

[axel-tiredstudent]

OC MASTERPOST WOOHOO ⭐

Although there's still a lot to plan and do before this story is anywhere near done and I don't even have a first draft yet, I really wanted to talk about it and share who my OCs are (since i keep talking about them in here).

This story (called Ewordis) is one of necromancy, otherness and isolation, but it's also about love, saving and connection!

The main character is Absalom García Medina (much to his own dismay). He is 22 years old and studies fine art in university. He's also a drummer in a band with his two closest friends. Absalom comes from a long line of necromancers! He doesn't really understand or control his powers, but he's set on his goal of finding his mother's spirit, which he has never been able to do!

Almudena is Absalom's grandmother, who raised him when Alma (her daughter), passed away. They are both also necromancers. Almudena taught Absalom how to use his powers until she died when Absalom was 12. She's still with him as a spirit.

Alma died in labor. Not only was she a necromancer, but she also had prophetic visions, something not common in their family. Neither Absalom nor Almudena have ever found her soul.

Angel is Absalom's best friend since they were in higschool. They take care and support each other through everything. Angel has a beautiful voice and she can play many instruments. She's the singer, songwriter and guitarist of their band.

Naomi met Angel and Absalom when they were looking for a bassist for their band. They became close soon and shortly after he started dating Angel!

Percy is Absalom's ex boyfriend. Their relationship was rocky and difficult, which really affected Absalom. They still see each other sometimes, but Percy doesn't seem to be willing to change for the better as a person, which is why Angel dislikes him and wants him to stay away from her best friend.

Ozzie is a non human creature that Absalom meets in the realm between life and death. Ozzie doesn't remember anything of his life before appearing there and he can't go to the living realm, so he and Absalom decide to find out what he is.

Victor also comes from a line of necromancers. He meets Absalom in a graveyard, after many spirits warn Absalom of a creature eating their corpses there. That would be Victor! Victor was brought back to life by his necromancer abusive father and now he's forced to feed on human flesh to not become a mindless "monster".

The Knight of Death is one of the Horrors. No one really knows of their existence, but necromancy powers are related to the Horror of Death. How is it related to the Medina Family? What will Absalom do when faced to this Knight?

LONGER EXPLANATION BELOW THE CUT

As I said before, Absalom comes from a long line of necromancers, this gift/curse always passes down to one person in the family. He got it from his mother, Alma, and she got it from hers, Almudena. Alma died in labor so Absalom was raised in a small close-minded village by his grandmother. Since it was little, Absalom has been able to see and communicate with the dead. Almudena taught him how to use his powers and insisted that this is a gift that makes them special. Nevertheless, she also taught him to hide it to avoid rejection from people outside their family. Even with their powers, there was something neither Absalom nor his grandmother were ever able to do: find Alma's soul.

When Absalom is 12, Almudena dies and Absalom, unable to find her either and suspecting her dead is related to the necromancy, blames their power for it. And so he starts seeing this power as a curse instead of a gift. Something that he doesn't truly control nor understand, something that scares him and isolates him. Absalom goes to live in a bigger city with his uncle. It spends a few rough years feeling alone and othered until, at 15, he meets Angel! They bond over their mutual love for music, being rejects in their school and their queerness. During their teenage years they both join a few bands and, finally, at 19-20, they decide to create their own music band, with Angel as the songer-guitarist and Absalom as the drummer. They are on the look out for a bassits when they meet Naomi. They quickly click and Naomi becomes the third member of TTT (Tres Tristes Trigres). A few months later, Naomi and Angel start dating! Playing with them is one of Absalom's favorite things in the world, and he trusts them more than anyone else. Nevertheless, he never tells them about his necromancy but they do notice weird, worrying things about him.

At 19-20, Absalom meets Percy after bumping into him a few times in campus and in local concerts. They hit it off immediately and start dating shortly after that. They're both interested in music and art. At first, their relationship seems perfect. Absalom (who's in the aro spectrum) falls in love for the first time and he feels really happy and loved, something he has truly struggled with for all his life. As time goes by, their relationship starts to get rocky, they fight and argue a lot, but they always go back to each other. Their relationship ends up beng really toxic on both sides. Percy is manipulative and cheats on him and Absalom is jealous and desperate for this idyllic love and comfort they had at first. But, thanks to Angel and Naomi's support, Absalom breaks up with him after dating for a year and half. During the time they were dating, Percy started noticing a few odd things that surround Absalom, like weird aggresive energies around them after they fought. No matter how many times Angel warns Absalom against it, sometimes, when it feels lonely, it goes back to Percy, looking for momentary comfort.

Regarding the necromancy gift/curse. Its origins are uncertain to the family but what does it exactlty allow them to do? The Medina family (or at least those that inherit it) can see spirits in their daily life and communicate with them (spirits may appear everywhere and they mostly can tell when someone is able to see them so they may follow necromancers around, there's more spirits in places like graveyards tho; they don't really have that much consciousness, except for the spirits of necromancers, like Almudena, who Absalom will be able to find at some point). Thanks to this power they can also search for (and most of the time) find the spirit of a specific person (but still, Absalom is never able to find Alma, which tortures him). Another thing that they can do is enter Ewordis.

Ewordis is the realm between life and death (but closer to death, as no living creatures can enter it, except for some necromancers). Ewordis is a inmense white space full of mostly nothingness and some spirits where time doesn't really exist. Absalom hides there when he gets too overwhelmed by real life, thinking that avoiding reality helps him. When he enters Ewordis, his real body is frozen in time, so he can stay there for days or weeks without truly noticing. But time itself doesn't stop. This has lead to his friends worrying after not hearing of him for days in more than one occasion. Isolating himself in Ewordis like this is something that Absalom does to cope when he is really really bad and he tells no one about it. He doesn't really understand what this realm truly is, nor where does it lead. What are the secrets that hide beyond this seemingly vast white empty unreal territory?

One day, after Absalom's mental health worsens and he goes back to hiding in Ewordis, he meets, for the first time, a demon-looking huge guy! Absalom is shocked, because he did not know of the existence of creatures like him. This "demon" tells him he remembers nothing of before being in Ewordis and that he himself doesn't know what he is. They keep bumping into each other when Absalom enter Ewordis, and it notices that this demon must be lonely. They talk a lot and become friends, and Absalom tells him about his life in the living realm. He ends up naming the demon Ozzie, after one of his favorite movies: "The Wizard of Oz". They decide to try and find out what Ozzie is.

After many spirits start following Absalom around and telling him about a monster eating their corpses in a graveyard, Absalom decides to investigate and get rid of all of them. Not really because he wants to help them, but because he wants to be left alone. He goes to the graveyard at night and he founds a thin young man crying next to an open grave. When he sees Absalom, he runs away. This young man is Victor. Victor also comes from one of the few necromancers families left. Their powers are different to those of the Medina family tho, since they are more related to the pyshical body and flesh than to the spirit. He was alive many years ago and he lived with his two siblings and his abusive father. Victor killed himself to escape his father but he brought him back, mixing his body and soul with those of other corpses. Now Victor is forced to feed on human corpses to keep their conscience. Victor loathes his father, who keeps him locked in their old mansion and forces him to keep himself alive. Thanks to his powers, his father has kept himself and his children alive for many many years.

Necromancy powers are directly related to the Horror of Death. There are many Horrors related to different aspects of existence. The Horrors are cosmic entities beyond human comprehension. More ancient that everything. They are neutral entities, not bad nor good. They just exist and keep balance. They have no human morality or feelings. Or at least, that's how it should be. So why can't Absalom die? Who protects him and why? Where is Alma's soul? Who are the other Horrors and how do their existence affect the characters lives?

[anantplayingdnd]

"i'm immune to the Viktor Vallakovich love, i'm immune, oooh, it won't happen to me, no, no, no i'm different." - me, not realizing that as soon as they dispel the messed up magic that's been making this poor kid teleport randomly around barovia for the past week and a half that the party member who has a thing for adopting fucked up little kids is going to adopt this fucked up little kid and he's going to have to become one of my blorbos now.

[cupidwail]

"For me?"

"For you ♡"

I haven't been on this app for awhile so... new post n_n

[coconut530]

Stephpotterdrawtober Day 29: Necromancy

[fromgallowsandgraves]

In verses/worlds where people returning from the dead is relatively common, I’m going to really lean heavily on the fact that Victor didn’t only want to bring people back to life, but also create a new race, or improve on the human design.  Or as he says in the book and musical respectively:

“Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me.  No father could claim the gratitude of his child so completely as I should deserve theirs.”

“Life everlasting... reanimation...

A flawless new design

The finest human in all creation

Body, bone, and mind”

As in the musical, when he sees how horrifying the reanimated man looks – noting that this creation will bring him disgrace rather than admiration – Victor tries to burn him to death, only for him to escape into the wilderness.

[justaghostingon]

Love me to death chapter 33 Reactions:

Victor your supposed to be in disguise! Stop laying like the dead!

[elfboyeros]

OH MY GOOD GOD I MADE IT LOOK LIKE OLD MOVIE POSTER KINDA

@jj-pines did art 😄💖

[ex0skeletal-undead]

Necromancer by Victor Hugo Harmatiuk

[maikuuro]

One With The Mists

—

Victor died, but the Mists gave him life again, only to chase him around Barovia to try and swallow him whole. My bard Feliks is uper protective of his awkward wizard bf now.

[yarrow-leaf]

A little late for day 3, but here’s Victor and his cats for the Necromancer prompt :3

[katakaluptastrophy]

"I’ve already pretty much revealed that Alecto begins with the descent of Christ into Hades." - Tamsyn Muir

That's right...it's time for more Bible study for fans of weird queer necromancers!

It's currently Holy Week, the week where Western liturgical Christians reenact the events of Jesus' death and resurrection in real time. And today, it's Holy Saturday. So Jesus died on the cross on Good Friday. He rises from the dead on Easter Sunday. But what happened in between? His body lay in the tomb...but his spirit was otherwise preoccupied. Because on Holy Saturday, Jesus went to Hell.

But why would Jesus go to Hell? Because the resurrection was not just about saving the people who came after it - it was a bit more...wibbly wobbly, timey wimey.

To be a bit more specific, he didn't visit Hell Hell. The place Jesus visited isn't Hell in the sense of eternal punishment of the damned, but Hades or Sheol or the Underworld or Limbo - a place for those who were mostly good but lived before Jesus' resurrection had made salvation possible. So before his resurrection, Jesus went to make that salvation retroactive. Particularly, according to tradition, to major figures from the Old Testament, including Adam and Eve.

So Nona the Ninth ended with Harrow walking off into the River in search of theological truth. And Alecto the Ninth apparently begins with Harrow in Hell:

Alecto the Ninth, ACT ONE HARROW IN HELL CHAPTER 1 At a point in the slit she was carving through life, Harrowhark Nonagesimus woke to find herself lost in a dark wound. She had been walking when it had all gone black– any path ahead or behind was blotted out; now she was here.  - Tamsyn Muir reading at TorCon

This is riffing heavily on the beginning of Dante's Inferno:

"In the middle of the journey of our life I came to myself within a dark wood where the straight way was lost." - Dante Alighieri, Inferno

But lots of people go to Hell. What's so special about Harrow going there? Because the traditional name in English for Jesus' chthonic salvation adventures on Holy Saturday is "the Harrowing of Hell." "Harrow" comes from an Old English word meaning to attack or despoil - a very martial way of expressing the idea of Jesus as the victor over sin and death.

Harrow ended NTN realising that she cannot trust John's account of metaphysics. That she needs to discover the reality for herself. The faith of the Nine Houses and John's own styling as god rests on the foundation of the Resurrection - John is the "ransomer of death, scourge of death, vindicator of death", his power is understood to be absolute: "Let the whole of everywhere entrust themselves to him. Let those across the river pledge beyond the tomb to the adept divine."

And yet even that prayer - "let those across the river..." - introduces doubt. Magnus jumps in to silence Abigail when she expresses her heretical belief in the River beyond, and Harrow herself scoffs that "it has been thousands of years since anybody bothered to believe in the River beyond." Abigail believes that John knows nothing about what exists beyond the River. And what about Hell? In HTN, Ulysses the First is described as "languishing in Hell" after his run-in with a Resurrection Beast. John himself describes the stoma as "the mouth to Hell", "a portal to a place I cannot touch - somewhere I don't fully comprehend, where my power and my authority are utterly meaningless."

In the Book of Revelation - the Bible's account of the end of the world - Jesus holds "the keys of death and Hell". John may have resurrected the dead, but he does not comprehend what is beyond it. Both the destination of the good, the River beyond to which the souls of little Isaac and Jean should have traveled lightly after their short and brutal lives, and the Hell that lies beneath the stoma are outside of his power. He is a few keys short of the full divine bunch. He can manipulate death, but he is not really its master.

And so Harrow walks off into the River to look for something or someone she can call god. Harrow, who shares a name with the defeat of death across time and space. Harrow, who is of the unbroken line of Anastasia. Anastasia was kind to Alecto, who like Eve is the mother of all and like Adam walked on the empty earth with god.

In Orthodox icons, the Harrowing of Hell is depicted with Jesus triumphant, leading Adam and Eve by the hand from their tombs. The traditional term for this image is an anastasis, the Greek term for resurrection. Adam and Eve, whose sin broke the intended shape of reality, are restored to wholeness with god.

How will Harrow answer her questions about god? What really is beyond the stoma and what would it mean to conquer it? What does it look like, metaphysically, to restore the world of The Locked Tomb to wholeness, and what will it cost?