#and THAT'S why she looks so hot

[get-caitjinxed]

one thing i feel isn't talked about enough is how caitlyn visually changes over the course of the series. from the decorative and honestly kind of silly looking skirt uniform in s1, to her zaunite disguise that strips all of that away, to the commander uniform in s2, to her tactical gear in the final act

THIS change in particular is so important. her commander uniform, with or without her little dracula cape, reeks of status. it's more functional than her original uniform, but it's still covered in decorative ruffles, gold trim, and symbols that represent her role as piltover's commander and the head of house kiramman

it's all gone in act 3. she wears her hair loose. her outfit is incredibly simple. the tactical gear she wears in the final fight is not only practical, but it does next to nothing to distinguish her from the other soldiers. she also switches to wearing much darker colors, deep navy and black, rather than the royal blue of the OG enforcer uniforms

to me, THAT is the real caitlyn. she's not wearing a uniform or a disguise. she's not putting on airs or attempting to make herself look like she's this perfect, put together person. she's being herself for the first time in the entire series. no titles or pretense, nothing unnecessary in the way. just her

[muffinlance]

Hi ! prompt idea : What if Zuko was armed during the first episode and was stranded with the water tribe while the avatar left with Katara and Sokka, Iroh on his trail for white lotus reasons.

Oh we are going to have us some FUN with "stranded with the water tribe", say no more.

---

Zuko was dripping, and steaming, and staring down two dozen women and their gaggle of small children, plus that old not-the-Avatar crone from earlier. They were all cowering away from him. Which was--

Good. It was good. If they were cowering, then they hadn’t noticed how steam was not flames. He wasn’t sure he could make flames, not after the arctic water he’d landed in, with that last sight of the Avatar glowing; not after surfacing under the ice pack, after swimming, after kicking slamming breaking through and his ship was gone and there was only ocean all around and

and he’d made it back to this pathetic little camp of the Southern Water Tribe, because that was the only place he knew for sure would have shelter, and he wasn’t going to die just because they were all staring at him, even if felt like he would.

Even if the old not-the-Avatar woman could probably take him, right now. But she didn’t know that.

Zuko pulled himself up, taller than her by at least a few inches, and blew steam from his nose.

“I am commandeering one of your huts,” he said. And added, because Uncle said even a prince should be gracious: “You may choose which one.”

---

She choose her own.

...The only one without children that flames might scar, or younger women to catch a soldier’s interests.

Zuko sat by her fire and determinedly started struggling out of his wet clothes and she was still in here with him--

Zuko pulled one of her animal pelts over himself, and finished fighting off his clothes. When he stuck his head back out, cheeks still reddened from what was obviously the cold, she dropped a parka on his head.

“Dry clothes, Your Highness,” she said.

The parka was much bigger than he was. He fell asleep hoping that the camp’s men were on a long, long hunting trip.

---

He woke up again. Kanna tucked her favorite ulu knife away, newly sharpened, and stopped contemplating the alternative.

---

“I am commandeering a ship,” he said.

The crone led him across the village, all twenty paces of it, to a row of canoes.

“Take whichever one you want,” she said. “Will you need help getting it to the water?”

Zuko looked at the canoes. Looked at the ocean. Watched a leopard seal, easily the size of the largest canoe, dozing just past the ice his own ship had broken through the day before. It was frozen again, a great icy arrow pointing from the waves to the village, snow already starting to cover it over.

Beyond was blue sky and gray ocean and white ice, floating in blocks like stepping stones, like boulders, like cliffsides.

There wasn’t even a hint of gray steel, or smoke. Or any land, besides what they were standing on.

He looked down at the canoes again. Somehow, they seemed even smaller.

“I, uh,” Zuko cleared his throat. “I’ll require supplies. Before I go.”

---

They... did not have supplies. Not extra ones. This didn’t stop them from trying to give him supplies, food and blankets and anything else he could think to ask for. But each blanket was a pelt hunted by someone’s grandfather, had been inked with images and stories by someone’s mother, was the favorite of someone’s husband or brother or uncle or cousin--

They couldn’t go to the nearest market to replace things, here.

And when they talked about food, about what they could spare, they kept sneaking glances to their children, who were sneaking glances at Zuko from the huts, sticking their heads just over the snowy ledges like their fur-trimmed hoods would hide them. Their mothers and aunts shooed them away, and they crept back, like barnacle-crabs. Zuko glared, and they disappeared.

“When are your men coming back?” he asked. “They’re hunting, aren’t they?”

Oh. So that was what they looked like, when they weren’t trying to hide their hate.

---

Zuko wrapped himself up in the same blanket that night. It was printed inside with fine lines and images, telling a story he didn’t know. He wondered whose favorite it was.

---

Kanna wondered how quickly he’d wake—if he’d wake—if she built the fire up with wet driftwood and tundra grass, if she had one of the younger girls boost up a child to plug the air hole, if she let the smoke draw its own blanket down over this fire child.

---

It was hard to know when to wake up, because the sun never set. So everyone was up before him, and they all had spears and clubs and—and nets, and trap lines, and snow googles with their single slat to protect the eyes from snow blindness. Zuko had seen those once, at the Ember Island Museum of Ethnography, where they’d gone when it was too rainy for anything more exciting.

Oh. They were going hunting.

“Give me that,” Zuko said, and took a spear.

The women looked at him. One of them adjusted her googles.

“I can hunt,” he scowled.

He did not, in fact, know how to hunt.

---

“Give me that,” the Fire Prince said, and Kanna almost, almost gave him her ulu. Humans, like most animals, had an artery in their legs that would bleed them quick enough.

She kept skinning the rabbit-mink one of the women had snared.

“I can help,” he said, with less grace than most of their toddlers. Likely with the skinning skills of a toddler, too. She wasn’t going to let their unwanted visitor ruin a perfectly good pelt.

“Chop the meat,” she said, and gave him a different knife. “It’s dinner.”

“...This is really sharp,” he said a moment later, looking at the knife with some surprise.

“Is it,” said Kanna.

---

Things the Fire Prince was convinced he could do: hunt (until he realized he couldn’t tell the tracks of a rabbit-mink from a leopard-rabbit apart); spear fish (at least he could dry himself); pack snow for an igloo (frustrated princes ran hot); ice fish (the prince was a problem that kept coming close to solving itself).

Things the Fire Prince could actually do: mince meat, increasingly finely; gather berries and herbs, once he stopped trying to crush them; dig roots, under toddler supervision; mend nets, after the intermediary step of learning to braid hair loopies.

“Can’t I take him ice fishing again?” asked one of the women, as she watched Prince Zuko put as much apparent concentration into braiding her daughter’s hair as his people had into exterminating hers.

“Wait,” said another woman, sitting up straight. “Wait wait wait. I just had an idea.”

---

Three words: Infinite. Hot. Water.

---

Summer was coming to an end. The sun actually set, now, and the night was getting longer, and colder. The salmon-otter nets were mended and ready. The smoking racks were still full of cod-lemmings. The children were all a little older, the women all a little more used to doing both halves of their tribes’ chores; a little more used to not watching the horizon, waiting for help to come.

The Fire Prince was staring at the canoes again.

“Are you actually going to try leaving in one of those?” Kanna asked.

“...No.”

“Come on, then; someone needs to watch the kids while the women are hunting.”

She didn’t leave him alone with them, of course. But she could have.

---

Elsewhere, the war continued.

The moon turned red, for a moment none could sleep through; they did not learn why.

The comet came and went, leaving their castaway prince laying on the beach, his breath fogging up into the night sky above him, as the energy crashed from his system as quickly as it had come. Above, lights began to dance in the sky; Zuko pulled his hood up, so none of those spirits—children, dead too soon—got any ideas about kicking his head off to be their ball.

The war had ended. The world didn’t feel any different; no one in the south would know until spring came again.

---

Suffice it to say, Sokka and Katara were not prepared for this particular homecoming.

[pjs-everyday]

it's not too late for a summer beach episode, is it? 🥲

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[kit-screams-into-the-future]

was having trans marty thoughts again and i came to a realization about this scene

[musubiki]

its been a while since my last summer mochi 🌺🏖️

[thequibblingking13]

Fearne Calloway, the woman that you are

(Zoom for better quality bc this file is big as fuck)

[they-bite]

@reanimatedgh0ul sent me this idea wrt his fanon danny & i had to draw it

[hanzajesthanza]

witcher netflix: [drops]

henry cavill fans: honestly, i don’t really care about the story, i’m just here because hcav is hot asf

me: wtf? how shallow is this… only there because the titular witcher is hot? talk about missing the point…

witcher 4 trailer: [drops]

✨ciri✨: 😡

me: … i understanded.

[luthqrs]

alright ds hot stuff?

[arachniasbride]

Kathryn Hahn as Agatha Harkness | Agatha All Along (S01E01)

[box-dwelling]

Honestly my personal Shadowzel head canon is that shadowheart is uming and arring about catching strong feelings in a friend with benefits weird situationship because lae'zel doesn't seem to want more, while lae'zel is convinced she is with the love of her life.

This is mostly on Shadowheart for not bothering to work at a cultural barrier but it's also a little on Lae'zel who refuses to use any terms of endearment that aren't in Githyanki, a language she mostly switches to in order to insult people.

[yeorin08]

TODAY'S TOPIC : BACK

Bonus-

[rednite-dork]

I'm never drawing 3+ characters ever again

[5hark-byt3]

Man today’s been such a silly little day! I don’t think it could possibly get sillier!!!

The whimsical Callie:

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'