#and I used it to make a few characters but then when I was trying to use it to make some characters

[endursent]

My Partner Turned Into A Cat And I Don't Know How To Fix It (2)

【 content; established relationship , fluff , humour , slight shenanigans , gn!reader 】

【 characters; alhaitham , arataki itto , baizhu , cyno , dainsleif , diluc , kaedehara kazuha , kaeya , kamisato ayato , kaveh , neuvillette , tartaglia , thoma , venti , wanderer , wriothesley , xiao , zhongli 】

【 premise; " Your partner has been struck with a curse of some sort which has turned him into a cat, you have no idea how to fix it nor how long it might take. Yet you also cannot help but be rather amused by the situation despite the uncertainty…" 】

【 note; made the genshin version... no reason for this to be like 19 pages 😭 】

【 word count; 8.723 | read on ao3 | hsr version】

Alhaitham ;

Kaveh gaped at you when you brought a cat into the house, one that… looked eerily similar to a certain blockhead. “I can explain,” you say as you set the cat down on the floor, he doesn’t enter the house further than you do, instead sitting down by your feet and observing the interaction with… interest? Amusement…? 

  Kaveh didn’t need much to be convinced, and immediately he thanked the Archons for giving him a few days of respite. Even just a few days of Alhaitham being unable to comment on what he does or nag him is a blessing.

  For you, it’s a bit of a hassle… because he keeps disappearing! Not in an alarming way, because you find him again in the most secluded, quiet spots you would never even think of. Under your laundry, in an empty box that Kaveh hadn’t put away after getting a delivery, and even under the desk in the study—Kaveh accidentally kicked him and got a feisty scratch on his ankle. He learned his lesson. 

  He follows you around and—though he let you pick him up the first time—doesn’t let you carry him around, preferring to walk on his own… and wander off to explore nooks and crannies he has never been able to see, but he always shows up again before you reach your destination. 

  He has also claimed your pillow as his own and refuses to let you use it, loafing on top of it exactly when you thought you could get there before him. Which… in hindsight is fine, you’re not opposed to using his pillow, it smells like him after all. 

  You decided to test how much of a cat he really is, whether it’s appearance alone or instinctual as well and bought a cat toy with a whisker on the end as well as a small bell below it. You expected him to perk up and try to whack or catch it as soon as you wriggled it beside him… but his grey furred ears just lowered in annoyance and he hopped off the kitchen counter, it seems like having even more sensitive ears in this state makes his dislike for uncomfortable noises more intense. 

  He forgave you when you spent ten minutes scratching the itchy spot behind his ears after tracking him down. A small, rumbling purr left his chest as you moved your hand to scratch under his chin—he was, however, more curious about this instinctual reaction and demanded you continue after you drew your hand back.     Despite it being very much an unspoken rule between the two of you that neither of you should be disturbed ‘needlessly’ when reading or working at home, when you borrowed a few books from the Akademiya to try and figure out how to turn your partner back to normal, Alhaitham decided it would be very reasonable for him to lay down over your book… which you are very much trying to read.

  But when you ask him what he needs, he just blinks at you three times, very slowly. You’ll likely never be able to crack that brain of his, even in a form that is somehow far more expressive.

Arataki Itto ;

It’s difficult enough to keep track of him—and keep him out of trouble—on a normal day… now? You took your eyes off him for a second, and he’s gone. Shinobu split up with you to cover more ground while the rest of the gang scoured the streets of Inazuma City, at least as much as they could.

  You peek between baskets, crates and stalls, walk through tight alleys and even squint into a few windows… nothing!

  You had been very close to giving up and returning back to the meeting point by the bridge… until you heard a very distressed, very loud meowing. Following the sound, you come to a tree stretching over the gardens of a teahouse. What looks to be the owner of it stands below the tree with a basket, trying to ask Itto—stuck up on a wobbling branch—to jump into it.

  Exasperation is one way to describe what you feel as you approach the old lady, you put your hands on your hips and Itto notices you immediately. His meowing turns from frantic and panicked… to a sheepish pleading. Every movement he makes causes the branch to sway and wobble, and it looks like it could easily bend and break—and you don’t want to cause any trouble for the teahouse owner. “Itto, come on, hop down.”

  He meows and shakes his head, white fur swishing dramatically. 

  A sigh leaves you as you step closer and hold your arms open. “I’ll catch you, trust me,” you encourage him… and he finally relents, with wobbling paws, he leaps from the branch—fur shining in the sun as he practically flies in the air towards your open arms… and lands on your head. He panics and tries to adjust and not fall off, and you try to pry him away from your face as his belly nearly suffocates you—it’s a scene from a comedic play.

  Shinobu is glad for her mask, because when you return with Itto under your arm you have scratches on your face and forehead, and Itto is whining and meowing sorrowfully. 

  He spends the entire evening licking your ‘wounds’, dragging his coarse cat tongue over every spot so often that the licking starts to become more painful than the scratches themselves. But you let him, it makes him feel much better than you—and you don’t particularly need comfort, but if he doesn’t get it, he will whine all night. 

  So you let him knead your thighs and stomach even as his claws prick through your clothes and you make sure to pet him and stroke his fur when he snuggles against you… and then you wake up in the middle of the night, suffocating with his furred belly against your face when the lies on top of you.

Baizhu ;

You’re very happy that Baizhu is catching a break—something you often try to convince him to do��despite the strange way of being forced into it… however, it’s very difficult to focus on running the pharmacy in his place by yourself while also trying to make sure he doesn’t roll off the shelf he’s napping on… especially because Changsheng wriggles in her sleep and keeps nudging him closer to the edge.

  You decide it’s easier if you have them sleeping on separate surfaces and reach up to pick up your pliant partner-turned-cat. He effectively falls into your arms and blinks lazily, slightly confused by the sudden transport. “Just moving you so you don’t hit your head,” you dodge around Qiqi as she runs past you with an armful of jars and set Baizhu down on the counter, his tail sways lazily and he immediately flops on his side as a beam of sunlight sneaks through the window and directly onto his fur.

  Every time a customer comes by—with approval—they give Baizhu a small pet or scratch before leaving, as if paying tribute to the good doctor. He doesn’t seem to mind.

  Unfortunately, you’re not fit to take Baizhu’s place for consultations, and thus they all get delayed—which was a hell of a lot of work to contact everyone and change scheduling—until Baizhu is back to normal. The usual hours of consultation in the morning are therefore replaced with longer opening hours of the pharmacy and by pulling some strings, an increased stock of rarer products at a discounted price. 

  Changsheng does not let poor Baizhu catch a break, she wiggles her tail and swipes it in front of his paws, and unable to control the feline instincts harbouring his body—Baizhu chases after her tail like a kitten playing with a toy. He whacks at it and tries to capture it, but the white snake is far quicker than even you expected her to be as a sudden game of cat and mouse (snake) takes over your living room.

 The feline form, however, doesn’t come with free stamina—and Baizhu is not in good shape. He flops down on the carpet, exhausted from the play even as only seven minutes have passed. You feel a bit bad and scoop him up for some cuddling, which seems to be just the remedy he needed. 

  Baizhu is very careful around the clinic, he doesn’t knock anything over—even though he REALLY wants to sometimes, and is mindful of not getting fur or saliva on anything that could potentially be consumed by anyone with allergies. Changsheng has taken to wrapping herself around your shoulders instead, and though you’re used to her, it’s a little annoying to get a comment on every little thing you do. 

  But at the end of the day, Baizhu curls up next to you and you wake with him lying over your chest, belly to the skies and paws in the air, comfortable and content. Though you will always prefer him in his normal state, he is very cute like this.

Cyno ;

You look around the large front hall of the House of Daena, panting slightly as you try to catch your breath… that damn Cyno! Making you chase him across the entire city! 

  You spot some pawprints and squint as you look around… he’s not bringing all that dirt into the house—you were just going to rinse him a bit, but he’s run off! You finally spot dark and creamy coloured fur… perched up high on a massive decorative piece of the wall. He looks down at you with a swaying tail, completely at ease knowing that you won’t be able to catch him all the way up there.

  You almost consider inquiring about one of those massive ladders the library has to reach the high shelves, it might be long enough…

  But very well, he wins this round. 

  Once he turned into a cat, you were very excited about petting him, rubbing his ears and stroking his tail—but he’s not having any of it. Sometimes, you wonder if someone stuck a firework in his ass and lit it up, because the bouts of zoomies he gets is so frequent you wondered if there was something wrong—but you couldn’t catch him to take to a vet either! 

  After the first few days, Cyno seems to calm down… a little. He still prefers to survey the area (your living room) from above (your bookshelf) and watch you go about your day. It’s quite cute how his perked ears twitch every time you make a noise, as if he’s completely focused on what you’re doing.

  You soon find out after stepping a bit too close to the bookshelf that he might have just been waiting to strike, because he leaps onto your head as soon as you’re in range. 

  The only reason you know he’s fully conscious in that furred head is because while you were cleaning up after dinner, you spotted him sitting next to a cup of tea that was half-filled. You tense as you watch his paw raise to knock it off. “Cyno! Don’t,” you try to sound scolding.

  He looks up at you, he lowers his paw… then raises it again, making you glare at him. He lowers it again, turns away… you turn back to wiping the dishes and look over your shoulders after a few seconds—his paw is raised again!

  This back and forth continued until he finally knocked it over.

  And then he has the audacity during the next day’s dinner to sound like he has never been fed in his life while you’re trying to eat in peace. Meowing at you so loudly one would think he was terribly injured, eyes wide and mouth open. You hope your neighbours don’t think you’re trying to starve him, or treat him horribly.

Dainsleif ;

He’s not happy about it, he has things to do—places to be and investigations to make. Thankfully you’re familiar with where you were going next… but Dainsleif is very limited in what he can do. You decide to give him the task of scouting and sneaking around, something he’s used to doing anyway… but he finds that it’s much more effective to do so as a cat. His footsteps are completely silent and his senses are much sharper.

  Though, he had an instinctual need to swat at a glowing orb that you found in a strange vault half-buried in a cave in Fontaine before he could stop himself—which closed the two of you inside the vault. Thankfully he is now small enough that he could slip out between the bars and unlock it from the other side.

  It is quite cute how his ears flattened as you walked out, as if he was sorry. Though he seemed okay after you scratched behind his ears and assured him it was okay, he was here to help you out after all! His tail swayed in satisfaction to your assurance.

  You start to set down camp for the night, having just one pair of hands makes it a bit more of a lengthy process, and Dainsleif can only sit and watch as you put it together. He’s usually quite distant, even in a relationship—but as you straighten from squatting to fit something down, you feel something press against your leg and see him rubbing his furry cheek against you, then walking around your legs, tail trailing behind.

  He’s usually quite wary and alert, even during the night when you try and convince him to sleep—and it’s no different now. He sits poised and ready… for what? He’s a cat. But you appreciate the effort. 

  Surprisingly, he’s very active at grooming himself, the two of you usually have to bathe often anyway as you frequent dusty caves and muddy backwaters, but every time you make a stop, he sits down and starts licking his fur—at first you wondered if he was frustrated by something or had hurt himself, but as you picked him up to examine for any injuries or strange patches, he just blinked at you, tongue still half-hanging out.

  Dainsleif is rather laid-back when it comes to your relationship, there are times where you want to stay in a larger city for a few days or weeks in between travels, to have a soft bed and four walls around you—which Dainsleif doesn’t mind, there are places he wants to look into where he’d prefer you are safe elsewhere. He knows where you will be and will stop by to ask if you’re ready to continue days or even sometimes a few weeks later, to which you—recharged and rejuvenated—jump at the chance to follow him out of the city.

  But now, as a cat, he doesn’t leave your side for a minute—not even when you need to use nature’s bathroom. You went into a small village in Sumeru when passing through and a vendor was particularly pressing about selling you some type of perfume that you had shown brief interest in—Dainsleif had enough of you being pestered and whacked his paw at the man’s leg, hissing. He would usually be more subtle about guiding you away, but he doesn’t have the presence he usually does as he is now, so he must utilise the aggressiveness given to him in feline form. You take the chance to scoop him up and hurry away before the vendor can get upset, petting between his ears and thanking him for the help—he rubs his cheek against yours. He’s surprisingly more affectionate like this as well.

Diluc ;

Your nose itches… you try to hold back—achoo!!

  Diluc jumps, claws scuttling against the ground and he leaps from his resting spot and hops down to the floor. You sniffle and shake your head. “Sorry, it’s not your fault,” you stand from his chair and round the table to squat down next to him, reaching a hand out. “Did I startle you?”

  He makes a ‘hmph’ sound, fur red as freshly bloomed roses. Diluc bumps his snout into your palm and huffs into it, you turn your hand and pet along his back. “Aaah… you’re so cute~ so soft,” you near coo as you scratch behind his ears—

  Diluc shakes himself and ducks under your hand to walk past you—how dare you baby-talk him?! He’s not an actual cat! The scritches felt too nice, and his ears flicked when you cooed at him—it’s embarrassing…

  He sits down by the door, tail swaying lazily as a small meow leaves him. Let me out. 

  You pout, how can you not convey how cute he is? You want to rub his cheeks. But fine, you  walk over and open the door for him to slip out of. 

  Diluc likes the lounge around the fireplace in the estate, there’s not much work he can do  while you try to figure out how to turn him back—preferably without alerting his brother or any of the knights… or just anyone in general. Unfortunately, he can’t hide it from the staff of the Winery as he is a spitting image of himself in cat form, and you’ve caught more than three people trying to feed him expensive cheeses. 

  It’s only in the recent days that you’ve convinced him to settle down and use the time to rest and nap as much as he can, but Diluc was extremely restless at first, you had to trap him inside a room and trick him into lying down with you.

  One day, Jean came by looking for him, and you had to think fast to come up with an excuse while he had just leapt under the sofa to hide. Thankfully, she didn’t seem to need him urgently, so she just left a message behind and went back to her day.

  You fell asleep in Diluc’s study, trying to keep up with his paperwork—Adeline offered to help you, she’s very familiar with his work, and it’s not like it’s been a long time since he wasn’t there to do it… but you wanted to help, and as the sun sank below the horizon, you laid down on the sofa in his study next to a tall bookcase—only closing your eyes was enough to pull you into deep sleep.

  Diluc hops onto the sofa next to you, he carefully walks over your thighs and settles on the armrest where your head is. His fluffy tail sways and strokes your chin and nose—nearly waking you as you almost sneeze, you don’t have to work so hard for him, he knows you want to help. He wishes he could tell you, and he will, when he’s back to normal. For now, he rests alongside you, head leaning against the top of yours and tail tucked against your neck.

Kaedehara Kazuha ;

Kazuha is a very chill cat, he doesn’t get into trouble, he doesn’t cough hairballs on the floor and he doesn’t knock things over.

  (Instead of coughing hairballs on the floor he swats them off-deck with his paws, Beidou caught him doing it once).

  There’s not much trouble to get into on the ocean, and he’s rather good at keeping out of trouble overall on land, sticking by his side is a sureway to a boring day of exploration or lounging around—which is your perfect type of day.

  You help him into your bag as the Crux ‘boards’ by Liyue Harbour (it stops a bit away and tucked by a cliffside to avoid attention) and you make sure he doesn’t accidentally fall into the ocean as a few crewmates row to land. You’re stopping for a few days, so you make sure to use the time to relax and take in landside air and wander around the expansive Harbour. 

  Kazuha likes to take life at a slower pace, and thus your walk to the Harbour took longer than you expected… as you thought Kazuha was doing his normal meditation on a warm, sun-kissed rock along the road…

  But he was asleep, sitting up and enjoying the sun. It took you thirty minutes to realise—a sitting cat with its eyes closed and a sleeping cat in a sitting position is the exact same.

  He very much likes to people-watch, but in this cat form, he seems even more engaged—he can hear sounds more clearly and he seems even more perceptive than usual. Watching a tea maker brew a cup on a teahouse table you had sat by to rest and ordered some snacks. He sniffs at the tea as it’s placed in front of you—he’s perched comfortably on your lap, you’re surprised the teahouse even allows him inside—and seems to appreciate the detail he gets from this new perspective, af if it smells different in this form.

  He tries to taste it and your food, but you have to block his snout with your hand, you’re not sure if the food you were having would give him a stomach ache or not. 

On a walk on the outskirts of the city, you look back and see Kazuha carrying a stick in his mouth…?

  He’s not a dog, so you’re not entirely sure why he’s doing it, maybe cats do that too? The dogs that hang around the bridge leading to the southeast outside of Liyue Harbour try to approach him with the stick, thinking he was playing, but he hops into a tree to keep it to himself. You’re not entirely sure what’s happening, but he seems to be having fun.

  Kazuha wanders off oftentimes, just in his normal, usual body… so you’re not sure why you’re surprised when you suddenly find him missing from your side—perhaps it’s because he’s a cat and you’re unsure if he can defend himself as well in that form, but you hurry to look for him.

  You practically run in circles until you find him pressing his paw to a brown, crusty leaf… again and again, as if listening to the crunch of it in a rhythm. You sigh and scoop him up into your arms. “Don’t wander off like this,” you scold and poke his nose. Kazuha sneezes from the poke, but blinks up at you and nods his little furry head.

Kaeya ;

Unbothered, in his element. Kaeya sleeps in your windowsill and bathes in the sunlight all day while you scratch your head over how this could’ve happened. You try to leave for work and he practically screeches at the door, likely pleading you not to leave—he does that normally as well, except without the loud meowing. 

  Kaeya finds appreciation in the flexibility and grace that comes with this new body, he easily leaps up on shelves and dives under the sofa, he chases flakes of dust and seems to be having quite a good time—perhaps it’s because he has no responsibilities in this form, he can’t go to work like this and has no control over it. And the loss of control is strangely freeing. 

  You scoop him up into your arms and his tail swishes happily, he grabs his claws into your shirt and purrs as you rub his ears, happy and content with the additional affection. He loves all affection he gets from you no matter what form it takes, and being a cat has given him the opportunity to be pampered in ways he never could experience as a human. 

  He does need his free time as well and he uses it well while you’re out of the house—though you were very optimistic to think that closing the windows would keep him contained, Kaeya easily flips the handles and slips out of your home. He enjoys the attention he gets from any passersby, but is careful not to be too affectionate and get picked up by someone who thinks he’s a stray. 

  His usual guarded front lowers in this form, he feels like he could slip out of any situation—and he doesn’t have to be careful with his words or actions. No one expects a cat to have alternative intentions. 

  He jumps up in surprise as he hears footsteps rapidly approaching—he had fallen asleep on a ledge and the sun was already down. Kaeya blinks as you pick him up, breath heaving. “There you are, I’ve looked everywhere for you! I thought something happened when I couldn’t find you around the plaza,” you sigh a breath of relief and practically crush him to your chest. Kaeya wriggles a little but gives up and nuzzles into you, pushing his forehead into your cheek. 

  After a number of days, Kaeya gets bored, as fun as lounging around and being pampered it… he misses real food, and dragging you away from your work to have lunch—and holding you properly, he can only lay on top of you like this, which doesn’t exactly feel like holding.

  And Kaeya being restless… he gets whiny. 

  He would usually be more subtle, but now that he feels the rush of freedom his feline form gives him, he uses it to protest by loafing on your clothes after you fold them to put away, laying over your lap when you need to get up—even though he’s not really a cat… kind of, you still get the same feeling of not wanting to move him off no matter how much space he’s taking.

  But that’s okay, because he just has to slow blink at you and nuzzle into your hand and you forgive him, how could you not?

Kamisato Ayato ;

Ayato is an unreasonably pretty cat. His fur is soft and silky, he has this… smug kitty-smile at all times, and it makes you want to pinch his ears. He sits on your lap and peeks onto the low table inside his study as you go through paperwork. Just because he’s become a cat doesn’t mean his workload just miraculously lessens. 

  Thankfully, after a few days of trying to juggle his work—how does he do it?!—even with him by your side, albeit in a form that can’t properly communicate… Ayaka decides to lend a hand, she takes it upon herself to attend meetings and represent the clan and Commission in Ayato’s stead. Thankfully no one has questioned where he is yet.

  Or why there is a suspiciously similar cat trotting around the estate in his place. 

  You fish into a bush in the courtyard gardens, hand feeling around—until you find fur and yoink it up. Ayato blinks at you, tail swishing as he has a piece of grilled fish in his mouth that he stole from the kitchens. “You know… you can have all the fish you want—you don’t have to steal it,” you say as you lift him into your arms.

  His ears flick as you talk, but he eats the fish happily regardless. You shake your head in mild exasperation. Looks like he’s using the opportunity to engage in… more mischief than usual. Perhaps a different kind. 

  Ayato likes to use his newfound stealth and agility to his advantage… to torment you.

  You put away some laundry and turned to a shelf to fetch something—only to come face to face with Ayato’s cat-face, making you jump as he meows happily—as if happy to see you! He knows he’s just trying to startle you!

  He winds around your feet when you walk around the estate and purrs happily when you squint at him.

  Ayato knows the limits, he stops before you can lock him inside a room for the remainder of the day. His fur is so soft as you pet him and a rumbling purr leaves him, he knows it’s silly—he’s not really a cat, at least, hopefully not for long. But you keep petting and stroking him while he does. 

  He takes good care of himself on normal days, and as a cat, it’s no different—he grooms himself meticulously, though finds it rather embarrassing if you’re looking, so he tries to do it out of sight… it's very instinctual, but he also likes to feel clean and groomed. 

  You once passed the great hall and saw Thoma wriggling a toy with a bundle of feathers on it while Ayato chased it… it was pretty cute to watch, but you hurried along before either of them could notice you. 

  He hogs the futon, you don’t want to push him to the side and get pushed to the edge of the mattress yourself. Ayato doesn’t even realise he’s doing it. 

Kaveh ;

Distressed, not having fun, he wants to go home.

  A series of meows in varying states of distress and confusion follow behind you as you walk, you stop and turn around, peering down at the strange cat that’s been following you around since you left the Akademiya. You were about to ask what he wants… but as you squint at the cat… doesn’t it look familiar?

  Kaveh doesn’t stop when you do, he raises on his hind legs by your feet and sinks his claws into your pants, a shrill, distressed meow leaves him.

  You reach down and pick him up, holding under his front legs as you inspect him… hm, golden fur with tints of a darker, sandy brown… those big red eyes.

  “... Kaveh?” you must be crazy, there’s no way your partner is a cat, and followed you around without you realising, but you know those eyes very well. It’s him.

  Alhaitham just stares at you like you grew three additional heads, he looks at Kaveh in your arms and then back at you. “... it looks like him, but that’s not proof enough—have you asked him to write his name?”

  You look at Kaveh and he tilts his small head to look up at you. Write his name…? He doesn’t exactly have thumbs… but Alhaitham has a good point. What if it’s just a very persistent cat? 

  Then again… where would Kaveh be? He’s usually home by this time.

  Alhaitham fetches a pen and some parchment and you put Kaveh down on the table. He tries to use his paws at first but just spills ink all over the place—but as he grabs the pen with his mouth and clumsily scribbles his signature, Alhaitham just hums while you scoop Kaveh up again, holding him up. “It is you! What happened to you, Kaveh?”

  Of course, he can’t give a proper answer, he wriggles his paws around and meows in a long dialogue—but it’s entirely incomprehensible. 

  While you and Alhaitham try to figure out how to get him back, Kaveh tries to adjust to his… predicament. He doesn’t do it with any grace, though… his leaps and jumps across furniture are miscalculated and he falls to the ground or hits his head more often than you can count.

  But your worried petting and rubbing the aching area makes him purr and nuzzle into your arms.

  He does hate the heightened senses, he jumps at the smallest noise and scuttles across the room if anything startles him—and he gets startled very easily like this.

Neuvillette ;

You call his name, looking around his office… you scratch your head, he can’t have gone far, you just left to fetch some tea for a few minutes. It’s not like he can open the door or window and slip out—why would he anyway?

  You hear a very… pathetic meow, from next to you—but there’s nothing there, just a sofa. You hear it again—under the sofa…?

  Ducking down, you see that Neuvillette is stuck, he seems to have been trying to squeeze himself under the sofa, and rounding the furniture, you see his hind legs and tail flat on the floor… it’s a bit amusing. “There, I got you,” you say soothingly as you lift the sofa up a little so he can back out. Neuvillette stands up and shakes his body.

  You squat down and smile. “How’d you get stuck under there?” you hold out your hand and he presses his head into your palm, nuzzling against your skin for comfort as you turn your hand to scratch and pet him.

  He’s not very good at resisting the instincts and temptations that come with this form—you’re unsure why he seems to struggle so much, but you try to help him as much as you can, and not laugh.

  You saw him chase a shadow, there is an ornament on the raised blinds that hang above the large window in his office. It's attached to the strings that lower and raise them and it sways slightly—casting a shadow across the floor.

  Another time he was grooming his fur and struggling, he has a thick, long coat and had to lean far back to reach the end of his fur as his tongue dragged along the hairs… causing him to roll backwards off the arm of the couch and into the pile of pillows.

  Innocent, small things that make you smile, but you’re careful that he doesn’t see it.

  He loafs over a stack of court documents as you organise his desk—might as well use the opportunity to clean up while he won’t be making a mess. He doesn’t seem satisfied with his place on the desk and stands… and spots a box on the ground, it’s stacked halfway with old documents to be taken to storage… but it also looks like the perfect spot to rest. He hops down from the desk and circles a few times on the papers to get comfortable. He wriggles a little before sitting down.

  It takes him a minute to realise that he was kneading into the paper when he hears the sound of it tearing under his claws in an instinctual need to make the bottom of the box comfortable. 

  Safe to say, he was mortified to have destroyed the top four documents, but thankfully they weren’t shredded and you managed to salvage them with some memory of what had occurred as well as piecing them together.

Tartaglia ;

You look towards the window above the kitchen counter, cold air brushes into the house as Childe enters through it—with a mouse in his mouth.

  You leap up and push the book in your hand against his face and push him straight back outside. “No! Absolutely not! Leave it outside, not in the house!!” You close the window behind him and sigh in relief, brushing stray snow into the sink. When you look up again, He’s sitting there, big eyes and ears flat against his head… but no mouse.

  Sighing, you open the window a smidge so that he can step inside, where he shakes himself and tosses flakes of melting snow all over. 

  Childe sits down, tail swaying—as if waiting for something.

  You set your haps on your hips. “What?”

  “Mrrow…” he wriggles his head, he wants a pat. 

  … fine, just because he took the mouse outside because you ‘asked’, you raise your hand to stroke his head and he tilts it to lick your palm—but you pull back. “No, you just had a wild animal in your mouth, wash your mouth!”

  What is this?? He feels like a criminal, all he did was bring you a prize… to be fair, he realised how silly it was to bring you a dead animal when you leapt up to push him back out, but it felt completely natural up until that point!

  He whines and meows for forgiveness for the rest of the night, and you do eventually ‘forgive’ him and let Chile lounge around on your lap while you pet him and continue reading.

�� He picks fights with swaying curtains, chases your broom when you’re cleaning and even whacked your cup of coffee off the dinner table—spilling it everywhere. He’s a nightmare in this form, because no matter the scolding, he just stares at you with excited, large eyes and a swaying tail.

  Nothing you say gets through his head. In one ear and out the other. 

  He does not give up either, if he wants affection, he will get it one way or the other, even if he has to whine and meow endlessly, follow you around—fake a limp! You shake him a bit after he worried you and you almost went out in the middle of the evening through the snow to take him to a vet when he just wanted scritches. 

  In all fairness… this is just typical behaviour, but now he has the kitten eyes to break your self control and composure within seconds. 

Thoma ;

He tries to do his job even in cat form, using his tail to sweep, he even takes his duster into his mouth and tries to sweep on surfaces he’d usually need ladders to reach, and now he can just leap to them.

  But he also has a problem…

  He has an instinctual need to create a mess, knock things over or sit on things—when he catches himself in an act of pushing Ayaka’s discarded tea off a table, he nearly leaps away to stop himself. 

  Thankfully, everyone around him doesn't mind—and it’s a bit relieving to see that Thoma retains a sense of himself. He finds time where he would usually go into town to instead nap—and the Kamisato estate has perfect napping spots. He lies sprawled across the engawa surrounding the eastern part of the estate near the back gardens, and lets the warm beams of the sun warm his belly—only to shoot up in surprise when he hears footsteps, embarrassed to be caught lounging around. 

  Ayato sometimes plucks him away to keep on his lap for hours while he sorts through paperwork, petting and scratching behind his ears while his other hand signs documents. Thoma gets a bit restless just loafing on his lord’s lap and meows in relief when you come along to fetch him. 

  Ayaka leapt at the opportunity to sew a few accessories for him, guised under the excuse of “practise for smaller bodies” and Thoma ends up with half a wardrobe by the end of the week. 

  But he prefers to be around you, you don’t trap him on your lap (even though Ayato gives very good scritches) or make him model for three hours (even though Ayaka gave him snacks). As you work around the estate, he gets tired—curse this cat body and it’s perpetual need for napping!—and you tuck him gently into your eri*. Thoma lays nestled against your chest warmly, his body light and still as you continue your work. 

  The gardens of the Kamisato estate is a disaster zone, and after the first few days, thoma knows to avoid it. 

  He had strolled past, early in his transformation—and been startled by his own reflection in the pond he passed by, the fish swimming away in a hurry as he ran across the gardens in surprise. A second time, he had spent twelve minutes chasing a butterfly while Ayato watched with a signature smile… he will likely not let him forget it. 

  Thankfully, he’s not needed much in the gardens, and he sits perched atop a high shelf in the kitchens, his tail sways as he leans forward… very much ready to leap and steal some food—before you pluck him up and raise an eyebrow.

  His ears flatten in realisation, but you rub his cheeks and tuck him back into your clothes—grabbing some leftover pears from the dessert the kitchens were making, letting him munch on it while you get back to work. 

Venti  ;

You didn’t think Venti could become even more of an airhead on a typical day as he does when he becomes a cat. He gets distracted by the smallest things and wanders off—leading to a wild goose chase where you have to ask around for a small darkly coloured cat with blue highlights on its ears and tail—a very distinct cat!—and being pointed in every direction possible.

  Only to discover him napping in a crate full of apples in an alley you walked past at least six times just in the last fifteen minutes. 

  He is also very vocal, Venti says anything that comes to his mind… which is unfortunately nothing but meowing nonsense to your ears, but you nod along as if you understand, having a halfway conversation with the lively cat. 

  Somehow, he very much likes to play and nap like he’s being paid to do it at the same time. In one moment, he’s swatting at your clothes and trying to get to play with your fingers—which he accidentally bites and scratches in his excitement, quickly rectifying it with some licks and nuzzles—and the next, he’s passed out cold in a box or on a shelf for five hours.

  He doesn’t seem embarrassed by these new catlike instincts, such as the need to groom himself—he even starts grooming you halfway through his coat, you’re sure your skin is very much clean by the time he finally turns back to himself. 

  Unlike normal cats, who move and settle down elsewhere when the person under them gets up… Venti is not happy about being disturbed nor that you’re trying to get up, he whines and kneads on your clothes to try and get you to stay a little bit longer, giving you the best big kitten eyes he can muster.

  And damn him, it works. He knows what he’s doing. 

  You had been looking for him one morning, thinking he just wandered off again and you’d find him napping in some corner of the city… when Diluc approaches you with a sheepish looking Venti-cat, holding him by the scruff of his neck. “This yours?”

  Diluc doesn’t even seem surprised that the bard is a cat. At least he isn’t an allergy risk when he’s human-like and trying to get into his wares. 

Wanderer ;

He is very aware of himself, he knows he looks stupid (cute) and that everything he does will be looked at through the lens of a typical cat and not someone stuck in its body.

  And thus, he does all he can to be as eerie and unnatural a cat as he can be.

  He doesn’t make a single sound, no meowing, no purring, nothing. He doesn’t walk like a cat—thankfully he doesn’t walk on two legs—nor does he exhibit any of their typical behaviours.

  At least, that was the plan. 

  Every single time Wanderer catches himself doing anything that could be considered “cat-like”, such as grooming himself, chasing a loose string, or gods forbid… kneading—he will immediately stop and compose himself again.

  As opposed to some others, he absolutely hates the loss of control that follows becoming a cat. 

  He can’t write properly, he can’t communicate—and if he tries, no one but you and perhaps Nahida takes him seriously—he’s always sleepy and aware at strange times… he hates it! 

  And once when he was just trying to have some grapes for snacks—you suddenly leapt towards him to stop him, taking the bowl off the table with a relieved huff when you noticed he hadn’t swallowed any of it… after you pried the grape out of his mouth. At his hissing, you explained that cats can’t have grapes. 

  He gave you the cold fur-shoulder for at least two days. 

  You brought him out one time to get some fresh air—since he’s fully aware of himself, he shouldn’t run off and get lost, or into a dangerous situation like an indoor cat might. But when you gave some other cats around the streets of Sumeru attention, he quickly meowed in protest and whacked the other cats away. 

  It’s a bit cute… he doesn’t normally act so forthcoming, and as he bumps his head into your knee afterwards, you rub his cheeks and pinch his ears despite further protest. How cute!

Wriothesley ;

At first, you weren’t even sure if Wriothesley was just a “cat”. He’s huge*. 

  You put a bowl in front of him, filled with foods that are okay for cats to eat but also not… gross, as Wriothesley is very much aware in that cat-head of his. “C’mon, there’s nothing wrong with this, I even tasted it—it’s a bit bland ‘cause we can’t put any seasoning, but it’s food.”

  He leans down, and for a second you think that he’s going to eat it—but as his whiskers brush against the sides of the bowl, he lifts his head abruptly and swats at the bowl, clattering it to the ground—he didn’t mean to hit it at all, but also not this hard. 

  You scratch your head, you just can’t figure out why he won’t eat—you’ve tried everything!

  It took you several hours of back and forth questions and meowing to realise that it was the shape of the bowl that was the problem and not the food itself.

  On another day, you reach down to pet his soft, thick fur—only to get a static shock, it zaps your fingers and both of you jump back. You always have to be careful with petting him, as there’s always a risk of getting zapped at any time. Worst part is, it’s not even every time! It catches you off guard!

  He likes to climb and jump on the pipes that web around the fortress, getting into places he’s never even considered before—and sometimes you look around for him for hours before giving up… only to suddenly be leapt on from above by a nine kilogram heavy cat half your size, knocking you over.

  Siegwinne noticed that he had been brooding lately, he had been stuck as a cat for five days now and it was beginning to frustrate him. So she decided to soak a small blanket in tea mixed with catnip—after it was dry and she rubbed some more on it, she laid it out in his office…

  You watched him for a good long while as he rubbed against it, meowed and rolled on the blanket. It was unbearably adorable, but you eventually pulled him away after a while—worrying it might be too much.

  He’s so large that it’s almost like sleeping with a person, just a very furry one. He lies halfway over you and as you wake in the morning—he refuses to get up. You give in and relax in bed for a while… until he starts kneading your cheeks, leaving small scratches with his big paws and claws. You don’t stop him—it doesn’t hurt, he looks so focused, like he’s trying to squeeze something out of your cheeks. 

Xiao ;

He meows and wriggles in your arms, but you try your best to hold him until you reach the top of the inn—he swats at you and you finally let him go when you enter his usual reserved room. Despite being paws up when you let go of him, Xiao lands perfectly and immediately hops up to the highest vantage point in the room he could reach. 

  You don’t get him down by yourself, he only comes down willingly after a few hours when he’s calmed down and adjusted a bit to this form. You’re not entirely sure what happened, you had just been exploring a cave that was strangely entwined with a temple of sorts, when a bright light appeared behind you, and Xiao—who had been accompanying you—was suddenly a cat. A very small cat. 

  He loafs on the windowsill in the night, his tail wrapped around his paws as he peers towards the sky—at the slightest noise, his ears flicker towards it and he squints at the roads below that pass and surround the large inn. 

  He is unbothered. Firm. Stoic.

  … after getting wet under a pouring rain that persisted all day, he pretends not to be bothered by his wet fur and the uncomfortable existence he leads under this blanket of wet fur…

  But he can only pretend for so long. You turn away and pretend to busy yourself to allow him some privacy to reluctantly lick along his fur and smooth it down, trying to clean or groom it in a way that makes it less sloppy. 

  He hates it, this weird satisfaction that comes with this very primal instinct, and yet, he does still feel the satisfaction.

  Xiao is difficult to read on an average day, he’s very used to controlling his emotions and maintaining a front that’s difficult to get past.

  But as a cat… he’s an open book, he approaches you with a curled tail, he slow blinks at you when you drag your fingers through his fur as he loafs on the windowsill. 

  But he does. Not. Meow. 

  Except for that time you hauled his ass back to the inn… and when Zhongli makes a sudden appearance, he hops from his perched position and snakes around the former Archon’s legs, purring and meowing as he’s being petted and spoken to. He doesn’t notice his own behaviour…

  Not until the following night after Zhongli leaves, and Xiao is mortified that he behaved like an affection-depraved cat in front of Morax.

  Thankfully you sliding a comb through his fur and untangling some knots from the day distracts and calms him down in the evening.

Zhongli ;

At first, you weren’t even sure if Zhongli was actually aware he was a cat, he follows you around, sits on a bench and licks his paw to clean it while you shop for groceries… he chases anything shiny that you come across and swats at it with his paws, leaps at it and tries to capture it—usually rocks or mora people drop. Maybe he likes the mineral, maybe it’s the shine. You can’t really know.

  You try to give him some nice food, cut down nicely so he won’t accidentally choke on it… but he won’t eat it, not unless you plate it properly…? At least, when you rearranged it better and separated the meats from the greens, he seemed to like it more. Maybe he thought you were treating him a bit too much like a pet rather than a partner that’s unfortunately become a cat for a (hopefully) limited time.

  After a long day of… not doing much, Zhongli realised he had left scratches on the sides of some furniture and he tries to hide or cover them up for the time being, dragging a blanket over the arm of a divan in the living room… hopefully you won’t discover them and he can fix it after he’s back to normal before you notice.

  You do notice that he very much prefers specific textures, he doesn’t like walking on the hardwood floor of your home and instead prefers to lie down or sit on blankets or the silken sheets in your shared bedroom. 

  Despite the strange predicament, Zhongli is very calm, he’s both patient and has a good sense—if this was a dangerous curse or spell that was difficult to reverse, he would likely sense it. Instead, he considers using this time to show and receive affection in a way you haven’t been able to before. 

  He often sits by your legs or thighs, he winds around them and rubs his furry cheeks along your clothes and pretty much anywhere he can reach. Your legs when he’s winding around them, your hand when you reach out to pet him, your cheek when he stands on your chest when you’re trying to read in bed before sleeping. 

  He purrs and cuddles with you, laying in your arms or over your lap—he even hid in your bag once when you went out for the day, and you discovered it too late to take him back home (you did wonder why your bag felt heavier than usual) and thus, he has the pleasure of accompanying you to your work—something he doesn’t often get the excuse or time to do. 

  Thankfully, Hu Tao didn’t question it when you came to her and said that Zhongli couldn’t come to work for a few days (hopefully just a few days). If anything, she sighed in relief and said something about him finally using his paid time off and sick days. Then thanks you for taking him out of commission??? 

  You pour over some scrolls and papers to try and figure out how to turn Zhongli back, and he hops onto the desk in the study, nuzzling against your arm before sitting down, tail swaying as he joins you in searching for ways to bring him back to you in a more familiar form. Despite how cute he is like this. 

* eri is the collar-flap on the front of a kimono/yukata that crosses over the chest, he's tucked into it and lying on his back. if you know about the nioh cat clock scene, yeah.

* wriothesley is supposed to be a maine coon type of cat, just huge and heavy. but not wild cat huge.

[writetheidea]

Too Much to Be Enough - part 2

Hi, I wrote the second part of this fanfiction while juggling my thesis, so I apologize if there are any mistakes. Please feel free to point them out in my DMs or asks—I'd really appreciate it. I couldn't bring myself to just write pure fluff without adding a bit of angst. As I mentioned in the story, rebuilding trust isn't a straightforward process. I hope you enjoy it!

Part 1

Pairing: Franco Colapinto x female character

Plot: after deeply hurting his girlfriend, Franco learns how hard it is to rebuild their relationship, learning that trust, once broken, is a delicate and painstaking process to restore.

Tag: hurt/comfort, angst, fluff.

Word count: 3178

Disclaimers: english is not my first language - I feel like you could tell from my writing style - so I apologize if some of the sentences structures are off, or if I use outdated or inappropriate-for-the-context words, I used a synonym dictionary to try and stop myself from repeating the same words, I still did do that though.

Franco had always been a man of control. On the racetrack, precision wasn’t just a skill; it was survival. Every turn, every decision, required complete mastery over chaos. Off the track, he wasn’t much different, carrying that same calculated demeanor into his personal life. The way he managed his career, his relationships, even the smallest aspects of his daily routine, all reflected his need to remain unshakable. Control was his armor, his identity. But this—watching the woman he loved drift further away because of his carelessness—was a storm he couldn’t navigate.

He had made a mistake. A single moment of thoughtlessness, a few careless words, the laughter that followed, had been enough to tear open the foundation of trust they had spent years building. The memory replayed endlessly in his mind, gnawing at him like a relentless tide. He could see it all too clearly: the way her face fell, how her voice quivered when she confronted him. She hadn’t screamed or shouted; she hadn’t even cried at first. She had just gone quiet, her silence heavier than any words could have been. It spoke of wounds too deep for words, a disappointment that no apology could touch.

At first, he had thought the tension might dissipate after a day or two. He had underestimated the depth of the wound he had inflicted. What followed was a purgatory of silence. She didn’t leave outright, but her presence was a ghost of what it had been. She avoided his touch, his gaze, even his attempts at conversation. The vibrant, warm woman he loved so fiercely had become a shadow, navigating their shared spaces like a stranger. Franco’s every attempt to bridge the gap between them fell flat—flowers went untouched, her favorite pastries remained uneaten, and the small notes he left for her disappeared without acknowledgment. It was as though she was erasing him piece by piece, and he could do nothing to stop it.

The silence was unbearable. He missed her laughter, the way she would light up when she spoke about her favorite books or dreams for the future. He missed the way she would reach for him instinctively, as though he was her safe harbor. Now, he felt like a trespasser in his own life, each moment with her a painful reminder of what he had broken. 

On the third night after the fight, Franco found himself sitting on their couch, his hands clasped tightly together. The room felt impossibly large, every corner of it carrying memories of better times. He could picture her curled up on the other side of the couch, her laughter filling the space as she recounted some silly anecdote or read him a passage from one of her favorite books. Now, the silence was deafening. He had spent hours going over what he might say to her, how he might begin to repair what he had broken, but words failed him.

Finally, he couldn’t take it anymore. “Please,” he said softly, his voice trembling. “I can’t stand this. Tell me what to do—tell me how to make this right.”

She didn’t even look at him, her gaze fixed somewhere distant. “What’s the point?” she said quietly. “You’ve already shown me what you think of me. You agreed with them, Franco. You laughed at me like I was a joke.”

Her voice broke on the last word, and Franco felt the full weight of her hurt settle over him. “That’s not true,” he said desperately. “I wasn’t thinking—”

“No,” she interrupted, finally turning to face him, her eyes flashing with rare anger. “You weren’t thinking. But that doesn’t change what you said. Or what you did.” Her voice cracked, and for the first time, Franco could see just how deeply he had hurt her. “Do you even understand how small that made me feel? Like I was some kind of joke? Like I’ll never be enough for you?” 

She paused, her face now showing the pain she had been harboring beneath the surface “What else do you want me to say, Franco? That I’m hurt? That I feel like I’ll never be enough for you now? You already know that”

Her words cut deeper than any insult, the quiet resignation in her voice tearing him apart. “You are enough,” he said fervently, reaching for her hand. “You’ve always been enough. I was stupid, careless—I didn’t mean what I said.”

“But you did,” she replied, pulling her hand away. “Maybe you didn’t mean for me to hear it, but you meant it. And I can’t unhear it, Franco. I can’t forget the way you agreed with them, the way you laughed about me like I was some… inconvenience.”

Her voice broke on the last word, and Franco felt his chest tighten, guilt clawing at him like a relentless tide. “I love you,” he said desperately. “I love everything about you. You’re the best thing that’s ever happened to me, and I can’t lose you.”

She looked at him for a long moment, her eyes searching his face as if trying to find some trace of the man she had once trusted so completely. “Love isn’t supposed to hurt like this,” she whispered, her voice trembling. “And right now, being with you… it hurts.”

His throat tightened as he searched for words, but there was nothing he could say that would undo the damage. “You are everything to me,” he said finally, his voice raw. “And I’ll spend the rest of my life proving it if I have to.”

-----

But words weren’t enough, and he knew it. That night, she moved to the guest room, leaving their bed and a gaping void in his heart. He lay awake for hours, staring at the ceiling and replaying every moment he had failed her, every time he had taken her love for granted. He thought of her kindness, her patience, the way she had always believed in him, even when he doubted himself. And now, when she needed him most, he had failed to be the man she deserved.

The next morning, he woke to find her gone. A note on the counter said she was staying with a friend for a few days. He stared at the words until they blurred, his chest aching with the realization that she needed space from him—that being near him caused her pain. He couldn’t blame her for that, but it didn’t make it any easier to bear.

He threw himself into trying to make amends, even if she wasn’t there to see it. He cleaned the apartment from top to bottom, cooked her favorite meals, and set the table with candles and fresh flowers every day, hoping it might offer a small measure of comfort when she returned. The evening when she finally walked through the door, she paused, her eyes scanning the room before landing on him.

“What’s all this?” she asked, her voice wary.

“I thought we could have dinner together,” he said, his voice hesitant. “I know it doesn’t fix anything, but I thought… I just wanted to do something for you.”

She hesitated for a moment before sitting down at the table. They ate in near silence, the tension between them almost unbearable. He tried to ask about her day, her friend, anything to fill the void, but her answers were curt, her gaze fixed on her plate. By the time they finished, Franco felt more defeated than ever.

As she stood to leave, he reached for her hand, his grip gentle but firm. “Please. I’ll do whatever it takes,” he said. “Just tell me how to make this better.”

She looked down at him, her eyes filled with exhaustion. “I don’t know if you can,” she said softly. “But if you want to try, then stop looking for shortcuts. This isn’t about flowers or dinners. It’s about showing me that I matter to you—not just when it’s easy, but when it’s hard. It’s about showing me—every day—that you love me for who I am, not despite it.”

-----

From that moment on, Franco dedicated himself to proving his love, not through grand gestures but in the quiet, unremarkable moments of daily life. He began paying attention to the things she cared about—remembering the books she mentioned wanting to read, making sure her favorite tea was always stocked in the pantry, and taking over chores she usually handled so she wouldn’t have to. He didn’t push her to talk or try to force her forgiveness; instead, he gave her the space she needed, even when it hurt to keep his distance.

The process was slow and often discouraging. There were days when she barely acknowledged his efforts, her walls still firmly in place. But there were also small victories—like the time she laughed, a soft, unguarded sound that felt like sunlight breaking through the clouds. Or the day she found a note he had left in her book that simply said, “I see you. And I love you.” She didn’t say anything about it, but later that evening, she made them tea and sat beside him on the couch, the silence between them no longer quite so heavy.

-----

Franco thought he was making progress. Slowly but surely, she was beginning to let him in again. The walls she’d built around herself were still there, but they had started to crack. She smiled a little more often, lingered at the dinner table to talk about her day, and once, when they were watching an old movie on the couch, she leaned into him without pulling away. Each small step felt monumental, and Franco held onto the hope that one day, she might fully trust him again.

But trust, he learned, was fragile.

It happened at a party—a glamorous event hosted by one of Franco’s sponsors. He had been reluctant to go, worried about the strain it might put on their delicate truce, but she had insisted. “You shouldn’t have to give up your life because of me,” she said. He had taken her words as a sign that things were improving between them, a sign that she was ready to be part of his world again.

The evening started well enough. She looked stunning in a sleek, dark dress, her hair framing her face. Franco couldn’t take his eyes off her, and for a moment, he felt like the luckiest man in the room. They mingled with the crowd, exchanging polite pleasantries with sponsors and fellow racers. She held her own beautifully, her sharp wit and quiet confidence earning smiles and laughter from everyone she spoke to.

Then came the moment that undid everything.

Franco had stepped away to get them drinks, and when he returned, he overheard a group of men making crude jokes about her. The words were vile—reducing her to nothing more than a pretty accessory, a trophy to be paraded around. Franco’s blood boiled, but instead of stepping in to defend her, he froze. He laughed awkwardly, muttered something dismissive, and walked away.

What he didn’t realize was that she had overheard, her expression a mask of disbelief and hurt as she stood just out of view.

Later that night, as they drove home, the tension in the car was suffocating. She stared out the window, silent, her arms crossed tightly across her chest. Franco tried to fill the void with small talk, but each word felt hollow.

Finally, she turned to him, her eyes glistening with unshed tears. “Why didn’t you say anything?”

“What are you talking about?” he asked, though he already knew.

“I heard them, Franco. I heard what they said about me. And I heard you laugh. Again.”

His hands tightened on the steering wheel. “It wasn’t like that,” he said quickly. “I didn’t mean—”

“You didn’t mean what? To defend me? To show them that I’m more than the joke they made me out to be?” Her voice cracked, and she turned away, shaking her head. “I thought you were different. I thought you respected me.”

“I do respect you,” he said, his voice rising. “I didn’t know what to say—I panicked.”

“Panicked?” she repeated, her voice dripping with disbelief. “I was standing there, Franco. Listening to them degrade me, waiting for you to have my back. And you panicked?”

The argument spilled into their apartment, growing louder and more painful with each passing moment. By the time it was over, she was packing a bag, tears streaming down her face as she threw clothes into a suitcase.

“Please don’t do this,” Franco said, his voice raw. “Don’t leave. We can fix this.”

She stopped, her hands trembling as she gripped the edge of the suitcase. “You don’t get it, do you?” she said, her voice shaking. “This isn’t just about tonight. It’s about every time you’ve made me feel small, every time you’ve chosen your pride or your reputation over me. I can’t do this anymore.”

And with that, she was gone.

-----

The months that followed were the darkest of Franco’s life. She didn’t answer his calls or texts, and when he went to her friend’s house to see her, he was turned away at the door. For the first time, he had to confront the possibility that he might have lost her for good.

Franco threw himself into therapy, desperate to understand why he kept sabotaging the one thing that mattered most to him. His sessions were grueling, forcing him to confront parts of himself he had long ignored—the insecurities he buried beneath his arrogance, the fear of vulnerability that drove him to push people away.

He also began writing her letters, pouring his heart onto the page in a way he had never been able to do in person. He didn’t know if she would ever read them, but it was the only way he could process his feelings.

Months passed. Slowly, Franco began to change—not for her, but for himself. He realized that he couldn’t ask her to come back if he wasn’t willing to become the man she deserved.

Then, one day, he received an unexpected text.

“Meet me at the park tomorrow at 2.”

His heart leapt, but he forced himself to temper his expectations. When he arrived, she was sitting on a bench, her posture stiff, her expression guarded.

“I got your letters,” she said, her voice quiet.

“And?” he asked, his heart pounding.

“They were… honest,” she admitted. “But honesty doesn’t erase what happened.”

“I know,” he said. “I don’t expect you to forgive me—not yet, maybe not ever. But I want you to know that I’m trying. I’m working on myself, and not just because I want you back. I need to be better, for me. For whoever I become, with or without you.”

She studied him for a long moment, her eyes searching his face. “I don’t know if I can trust you again,” she said finally. “But I’m willing to try. Slowly. On my terms.”

“I’ll wait as long as it takes,” he said, his voice steady. “I’m not going anywhere.”

-----

True to her word, she made Franco work for her trust. There were no shortcuts, no grand declarations that could fix what was broken. If he wanted to be in her life again, he had to earn his place every single day.

Their relationship became a fragile thread, held together by small, cautious interactions. They started meeting once a week for coffee, their conversations polite but distant. She kept him at arm’s length, her walls firmly in place. Franco didn’t push; he simply showed up, week after week, ready to prove himself.

One day, as they walked through the park after coffee, she turned to him abruptly. “Why didn’t you stand up for me?” she asked, her voice trembling.

The question caught him off guard, but he didn’t shy away from it. “Because I was afraid,” he admitted. “Afraid of looking weak, afraid of being judged. But mostly… afraid that if I stood up for you and got it wrong, you’d see me as a failure.”

Her eyes softened, but her expression remained guarded. “And now?”

“Now I realize that failing you is worse than failing in front of anyone else,” he said. “If I ever get the chance again, I promise you, I won’t let you down.”

She nodded slowly, her gaze distant. “We’ll see.”

The weeks turned into months, and their connection began to deepen again. She started sharing more of herself, though cautiously, and Franco matched her vulnerability with his own. He told her about the therapy sessions, about the childhood insecurities that had shaped his need for control and approval. It was a side of him she had never seen before, and while it didn’t erase the past, it gave her hope that he was truly changing.

-----

It wasn’t a single moment that brought them back together, but a series of small ones—acts of kindness, vulnerability, and unwavering support. Franco became a man she could rely on, not just in words but in actions. He stood up for her, prioritized her needs, and made her feel seen and valued in every aspect of their lives.

There were moments when he doubted himself, wondering if he was fighting a losing battle. And there were nights when he lay awake, haunted by the memory of her tears, the sound of her voice breaking as she told him how much he had hurt her. Through it all, he held onto the hope that one day, she would see how much he loved her—that she would believe it, not because he said it, but because he showed it in every action, every choice he made.

One rainy afternoon, he decided to try something different. He pulled out a cookbook she had always loved but rarely used and flipped to a page with a recipe for her favorite cake. He was hopeless in the kitchen, but he wanted to try—to show her that he was willing to make an effort, no matter how small. When she came home and found him fumbling with ingredients, the sight stopped her in her tracks.

“What are you doing?” she asked, her voice tinged with incredulity.

“Trying to make your cake,” he said, holding up a whisk like it was a weapon. “It’s probably going to be terrible, but I thought—”

She interrupted him with a soft laugh. “You’re going to burn the kitchen down.”

“Maybe,” he said, grinning sheepishly. “But I figured it was worth the risk.”

She stepped toward him, closing the distance that had felt insurmountable for so long. “You’re ridiculous,” she said, but her tone was warm, her eyes soft as she reached for the whisk. “Let me help you.”

As they cooked together, bumping elbows and laughing at his mistakes, Franco felt something shift. It wasn’t complete trust—not yet—but it was a beginning. And as he watched her smile, he realized that this was what love was: not grand gestures or perfect moments, but showing up, every day, and choosing each other even when it was hard.

[alexanderwales]

This one has been going around a bit, and there are a few comments to the effect of "timestamps on spells mean you can use infinite spells" or "unique wizard codes to make every spell unique", and ...

I think I understand the instinct to do this, to "solve" the idea. You put yourself in the shoes of a wizard, and you think about how you would go about breaking open the seams of magic so that you can cast the fireball you want rather than the weird, awkward fireball that takes you five attempts to cast.

However, if "append garbage or UID" were a valid solution, then the entire conceit would just evaporate. It's the kind of "solution" that would not be sufficiently interesting to include in a story. If you were writing a novel and had this system set up, and a character came along and gave this as their answer, and they were right then the reader would immediately ask "wait, why has no one thought of this before?" AND you wouldn't get any of the elements of tension.

So if I were actually building a system that needed to work for a story, something that was built out enough that the reader could feel like they understood the language, it would need to be built with some considerations in mind:

It must not be possible to easily replicate a spell.

Every part of the spell specification must "do something", even if what it does is relatively minor.

The language must be complicated enough that new techniques can be discovered over time through great effort.

The earliest people to use the system cannot have simply learned everything about it right away.

I don't consider this to be an easy design problem for a system that's going to live in a story, especially since if you make it completely exposed to the reader, there's a risk that some reader who is more dedicated or clever will come along and "solve" it.

When I was a kid, everyone was worried about "peak oil". There were rapidly depleting reserves! Even if consumption stayed steady, less oil was going to be tapped over time, it was simply a question of resource extraction, and that meant prices were going to soar!

But in fact this was more a tug-of-war between depletion and extraction, one that had been going on for a long time. So what happened to peak oil? Maybe it was shale oil and NGL, maybe it was fracking, maybe it was just that production doesn't actually follow a bell curve. Maybe the science that gave us "peak oil" was just wrong, and while the principle that we would eventually deplete all reserves must be correct, the actual understanding of what the oil reserves are was flawed.

This was the kind of thing I wanted in the system though, a tug-of-war, a tension, wizards spending more and more time trying to figure out new ways to create the same effects, getting more and more esoteric, upping the skill level and knowledge-base necessary to become an effective spellcaster.

And this is very tough to design. If you want a puzzle to solve, it's that one, the design problem of a system of spellcasting that has that feature.

Spells are a non-renewable resource. One a spell has been cast, it can never be cast again.

But thankfully, what counts as a unique spell is permissive, and very early on in the history of wizardry, wizards found many ways to use the arcane language to specify a similar effect even if the wording was different.

And still, spells were a non-renewable resource.

There are only so many ways to call forth a beam of lancing light, only a limited number of methods of purifying food to make it safe to eat. Soon it became necessary for the wizards to start casting spells that weren't quite what they wanted: a beam of light that arced to the left, a purifying spell that added a bitter taste, some changes cosmetic and others very functional.

And still, spells were a non-renewable resource.

Wizardry was divided into ages by the historiographers. The First Age was the age of plenty, when wizards could make minor tweaks to the spells and cast as much as they liked. The Second Age was the age of modification, when wizards were jumping through hoops and using methods with side effects. But the Third Age was the age of decay, when so many spells had been used that only the oddballs were left. It was impossible to cast anything even remotely resembling a fireball, not even one that hooked to the left and exploded with sharp green shards.

It came to be that few wizards could produce a spell on their first attempt. They would try, only to discover that someone else had already taken their idea and the spell does not work. They would try again, only to discover that their second idea had also been taken. Wizard battles, which had once been glorious light shows, were reduced to two wizards standing in a field trying to be the first one to stumble upon a spell that had never been cast before.

~~~~

Here are some plot hooks:

Wizards jealously guard their knowledge, fearful that someone will learn of a "seam" of untapped spells, but they also write down every spell they know to have been cast, to reduce their search space. Obviously this trove of knowledge is highly valuable.

The existence of spell "seams", which are really just collections of spells that work off the same cluster of discrete variations, mean that wizards tend to be very specialized. The Sheep Wizard knows eight hundred ways of turning someone into a sheep, because he's studied that area of the arcane language extensively, as well as historical precedents that have been ruled out. The natural enemy of a Sheep Wizard is, of course, another Sheep Wizard.

During the Second Age, a group of wizards get together to deliberately reduce the spell-space, largely in the hopes of reducing the capacity of wizard-kind for making war. Their work largely consists of sitting around casting as many fireballs as they can, depleting all options for everyone else.

During the Third Age, a group of wizards gets together and in the spirit of mutual cooperation begins to define "spell blocks", a collection of spells that a single wizard is entitled to and all other wizards agree not to use. When you become a wizard, you're given a thousand spells which are thought to still be valid, and will lose your license to practice wizardry if you cast any spells that are outside your block. This is difficult to enforce, rife with accusations and suspicion, but is thought to be better than nothing.

During the Fourth Age, a group of "wizards" (none of whom have ever actually cast a spell) are working on the arcane language in the hopes of a revival. As the age of hoarded knowledge has mostly passed, they're able to get their hands on many books that weren't previously available. One day, they invent a new form of specification that allows hundreds of thousands of new spells, re-igniting wizardry.

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[pomefioredove]

*ੈ✩‧₊˚ requiem of a cringe

did something embarrassing last night and was like "I need to go crawl in a hole and die. OR I could write"

type of post: blurbs characters: cater, rook, jack, vil, idia, malleus additional info: romantic, reader is gender neutral (the term "damsel in distress" is used in vil's part, but it's meant to be teasing and not indicative of the reader's gender), reader is yuu, rook is rook

I. Talks Too Much

It's not that you're trying to be annoying.

Your mouth simply moves faster than your mind, and before you know it, you've been talking for twenty uninterrupted minutes about... well... nothing.

You always notice that uncomfortable, irritated look on their face just after you're done. And then you keep rambling in an attempt to make it less awkward (it never does).

And now you're here, hiding in the hedge maze outside Heartslabyul, thinking about getting lost and never coming out of it.

Of course, if anyone were to find you now, it'd be him.

"Hey, hon~ you busy?"

"Please, not now, Cater," you mutter.

The boy stills, looking a little taken aback by how miserable you sound.

"Are you still upset about that thing at the Unbirthday Party? That was hours ago, babe! I bet no one even remembers,"

You physically cringe. The faces of your uncomfortable tablemates won't seem to leave your memory...

"I remember it," you murmur, burying your face in your hands. "I'm so annoying."

For once, Cater is quiet. A minute goes by, and you think he may have left, until you hear the grass crunching under his knees as he kneels down and pulls you into a hug.

"You are not annoying. And even if you were, it'd only make me like you more," he mutters, burying his face in the crook of your neck.

"Understand?"

Your surprise at his change in tone doesn't stop you from hugging back. "Understood,"

You hadn't meant to say all of that.

You just spilled a potion you'd been working on for hours, and amidst your frustrated floor-scrubbing, you had vented about your entire week to your poor lab partner, a person you had been trying to impress all semester.

He had, gracefully, let you finish your rant, and then let you sit in it, just like the harmless potion now coating your knees as you cleaned up the floor.

Then, he awkwardly said: "That... sucks. I guess. I don't know what to say,"

There had probably never, in your whole life, been a person who looked more unhappy to be around you.

Afterwards, you found a nice spot in the woods behind campus to die.

You lie there, hoping nature would reclaim you before next alchemy class, when some purposefully loud rustling in the bushes catches your eye.

"Ah, Trickster! You really should not lie like that- a predator will take that as weakness, non? Are you injured?"

"Only my pride,"

"Talking about it will make you feel better," Rook says. It's more of a demand than a question.

You sigh. "I think I've done enough talking for... ever, actually,"

"Nonsense," he suddenly straddles your waist and pins your wrists to the earth. "I will not move until you tell me the problem, mon cœur."

You're like an animal in a snare. Once Rook has made up his mind, that's it. He will find out.

And so, with a sigh, you let him take the kill- that is, you tell him everything. Your whole, terrible week, the potion incident, the look on your lab partner's face...

When you're done, he's just. Smiling. "I see now. You are embarrassed,"

"Well... yes. You don't think that's embarrassing?"

He beams. "You are simply overflowing with beautiful emotion and passion for la vie! How could I ever find that embarrassing? You and I are not so different,"

In a weird way, that makes sense. Rook is never one to let shame hold him back from expressing his feelings.

He smiles at your pensive expression, and gives you a kiss on the head.

"Mais, next time you are upset, maybe you should come to me first, non?"

II. Clumsy

Forgetful, scatterbrained, oblivious, dimwitted are all words you've become used to hearing.

As well as a few colorful swears.

You have two left feet, even when you're not dancing- you're used to walking into walls, tripping, and dropping things- it just sucks that you have an audience now.

The first years that had gathered around the mess you made- tripping over your own feet and spilling the papers you were meant to deliver to Ace and Deuce all over the floor- are watching with grins and phones out.

You pretend they're not there, even with their taunts and whistles and laughter.

"Hey! Loitering is a waste of time!" someone barks. Literally.

You look up to see Jack moving through the crowd, scolding the other first years for blocking the hall.

When he sees you in the eye of the storm, on your hands and knees picking up your spilled papers, something upset takes his usually-stoic demeanor.

"What's the matter with you?!" he snarls at the boys. "Didn't anyone teach you any manners?! It's rude to stare- and laugh!"

His ears are flattened against his head when he kneels down beside you to help, collecting the papers, and putting them in your hands.

"Come on, we'll be late if you keep 'sittin there,"

Jack pulls you to your feet and gives one final snarl to the other first years before walking you off.

"...Thanks,"

"Eh? Don't mention it," he says. "Leona woulda had my tail if I just walked by..."

You know there's more to it than that, but you don't push. You're just happy he's forgotten to take his hand out of yours.

You can't handle being the center of attention.

For good reason, too- you're awkward, clumsy, and about the least graceful a person can get.

A true Ugly Duckling at a place like NRC. But Vil Schoenheit sees the swan in you. Perhaps that's why he's always been so patient and sweet.

It's a little distracting.

So much is obvious when he waves at you in the hall and, distracted by his smile, you walk right into a wall.

Though you can't see anything but stars after falling on your butt, the stares and snickers of everyone else are hard to miss.

Vil glares them away with a look that could kill twice over, and then stands over you as you lay on the floor.

"Come on," he says, holding out a hand. "I'll check you for concussion."

He brings you to Pomefiore and sits you down, shooing off a few curious underclassmen as he checks your pupils. "Do you feel nauseous?"

"Not really,"

"Then you'll be fine. Just a bump. You really should be more careful, though,"

You've heard that one before. Vil smiles at your dazed expression, and presses a cold compress against your head.

"This will help with the swelling,"

"Thanks," you mutter, still a little out of it. "You're my hero."

His eyebrows raise in true surprise, and then he chuckles. "And that makes you a damsel in distress?"

He doesn't give you a chance to respond before taking away the compress and kissing the red mark on your head.

"Don't think that being so cute is going to distract me. I'll make some time for lessons on poise this weekend,"

III. Unsociable

You'd think that being quiet and staying out of people's ways would get them to leave you alone, but it really just attracts more attention.

And after a grueling period of your tablemates making you the butt of every joke ("wow, I didn't know you could even talk!" "are you quiet because you hate us? come onnn, you can tell me!") you were ready to bury yourself alive.

"I don't ever want to leave," You mumble into the bundle of sheets and blankets on Idia's unmade bed.

"You could stay, y'know," Idia says from his desk, mindlessly scrolling through some gaming forum. "I should blackmail Crowley into letting you stay down here at least half the year."

"Couldn't it be the whole?"

"Nah. You need like, sunlight and stuff,"

"And you don't?!"

Idia snickers. "I'm built different. You know that. I get all my nutrients from blue light... You could at least stay for the weekend, though,"

You roll your eyes.

"...And I'll leak those normies' data. I'm sure I could get into their browser histories and have that emailed to their parents,"

Hm. You genuinely consider it for a moment, but eventually decide to give mercy. You're basically a saint.

"I think I just wanna pretend like I don't exist right now,"

Idia nods in understanding and pushes his gaming chair over to the edge of the bed, before crawling in and wrapping himself around you.

"That can be done. Pancakes tomorrow?"

Sure, there were people who talked to you, but you didn't talk back.

You just don't know how, you suppose. Every time you try, you end up saying the wrong thing, or are accidentally rude, or do something embarrassing.

You don't understand the references people make. You don't get social cues or hints. You have the social skills of an oyster.

Four months at Night Raven College, and you didn't have a single friend.

Well- except for him.

"How are you enjoying your tea?" Malleus asks, polite and curt as ever.

You take another sip- it's tangy, sweet, with a hint of bitterness. Some sort of Briar Valley blend that Malleus had imported just for you.

"I really like it,"

He smiles. "I'm pleased,"

One of the things you find so agreeable about Malleus is his simplicity. He often says exactly what he means; albeit, in a sort of 13th century Lord sort of way.

There's less stress with him. You don't have to pretend to be interesting, or outgoing, or cool. You can just be... you.

Because he likes you.

"You know," you say with a faint smile. "You're so nice to me. Sometimes I think that you're the only person I need. I could be happy with just you for the rest of my life."

You had meant that casually, but when you look back up from your cup, Malleus has this... look.

Wide-eyed, his lips pressed firmly together. There's even a dusting of color on his cheeks.

"Oh," you internally panic. Was that too much? Was that weird? Did you make things awkward again? Crap, you should have just acted normal, what's wrong with you?! "S-sorry, I-"

"Do you truly mean that?"

You go quiet, looking back at him with wide eyes. Your heart is pounding against your chest.

"...Yes,"

Malleus hums, his expression becoming more... pensive, and then...

He smiles. "I feel the same. Shall we go for a walk while the night is still young?"

[adieutristana]

Helloooo can you do a Jinx x femreader where they were dying Isha’s hair? The reader’s kinda just watching everything unfold and realising how much she loves Jinx when she sees her around Isha

of course! thank you for requesting :) i had a lot of fun writing this, honestly needed this after the events of act 3

summary: scenario of fem! reader watching jinx with isha.

characters included: jinx (romantic), isha (platonic/familial)

tags/warnings: fluff, mother/mother/daughter dynamic, spoilers for arcane s2 (act ii specifically).

men dni.

"hey, stop moving!" jinx playfully scolded isha, earning a giggle from the little girl. she shook her head, giving a wide smile to your girlfriend. "come on, i can't do this if you don't stay still."

jinx already has isha in a makeshift, miniature version of her own outfit which she employed your help to make. despite all of jinx's mechanical expertise, she somehow can't sew to save her life. just a few minutes prior, she used various shades of eyeshadow to draw on her tattoos. all the while, she strategically turned isha away from the mirror. the reveal had to be a surprise.

"pass me the hair dye, toots, would ya?" jinx asked, shooting a glance at you over her shoulder. you grabbed the bottle from a box of (stolen) cosmetics, passing it to her. she quickly snatched it up, and shot you a toothy grin as a silent thanks. she sat isha down in a paint-covered bathtub, jinx settling down directly behind her.

she got to work with isha's hair, running a brush through it quickly, then dipping a frayed paintbrush into the bottle to slather blue dye on isha's hair. isha jumped a bit at the cold sensation at first, but quickly relaxed. "yeah.. feels weird, i bet. i'll be done soon, 'kay?" jinx soothed, her hands moving swiftly in the girl's hair. even with a brush, she managed to get blue dye on her hands while making sure each of the strands were evenly coated.

all the while, you sat cross-legged on the floor besides the box of assorted items, watching the spectacle unfold in front of you. you had never seen jinx be so.. gentle with someone aside from yourself. so playful, so free of inhibitions or anxiety. it was endearing, truly.

you weren’t just seeing jinx, you were seeing powder shining through.

you couldn’t help but smile, jinx seemingly oblivious to you at present. she finished coating isha’s hair with dye, and you chuckled to yourself at the sight of isha’s usually fluffy hair suddenly so flat. it was cute. jinx looked over at you quickly, and beamed. she looked so happy.

god, you loved her. this could be something, right here. you, jinx, and isha. a family of sorts.

“i’ll be done soon, babe, okay?”

“okay, jinx. do you want help?”

“hmm…” jinx replied, her nose crinkling and putting her dye-stained hands on her hips. she wracked her brain for a second, pursing her lips, clearly wanting to involve you in this more than you already were. “you can dry her hair off, and help me with the big reveal!” she smiled.

you nodded, giving a mock-salute, much to jinx’s amusement. “oh, cut that out.” she playfully rolled her eyes. jinx gently guided isha out of the bathtub, and instructed her to tilt her head back, so that she could rinse her hair. the water ran blue, the little girl’s eyes slipping shut and a slow exhale escaping her.

you grabbed a towel from a makeshift shelf, and plopped it onto isha’s head. she squealed, suddenly unable to see, and giggled as you hastily dried her hair off. “all dry soon, kid. you’ve got some thick hair!” you observed. isha either didn’t hear you, or didn’t know what that meant. jinx just stood behind the two of you, trying to hold in her laughter. jinx crouched down beside you to braid the girl’s hair, her fingers still moving while she pressed a chaste kiss to your cheek. oh, jinx.

you lead isha to jinx’s mirror by her shoulders, jinx’s slender fingers covering her eyes. when you got to a stool, you lightly grabbed isha by her sides and lifted her, setting her down in front of the mirror. all the while, jinx’s hands were still covering her eyes, giggling.

jinx looked over at you, seemingly waiting for the okay to reveal isha’s makeover. you put your hands atop jinx’s, both obscuring isha’s vision even more. jinx’s hands were cold and calloused, but there wasn’t a feeling you loved more than those hands.

she quirked an eyebrow, those big, pink eyes that you loved so much looking straight at you, and you nodded. “you ready, kid?” you asked, and isha began frantically nodding. she was practically bursting at the seams with excitement.

you and your girlfriend both lifted your hands. “ta-da!” jinx exclaimed, smiling ear-to-ear. the pure surprise and wonder on isha’s face was incredible, examining herself in the shattered glass, toying with the small braids jinx had given her. isha looked back at you, trying to contain her joy.

“you’re lucky. i didn’t get to much of this with my older sis,” jinx began, looking down at the girl imitating her. pretending to shoot her zapper, making little ‘pew’ noises. it was adorable, and your heart swelled in your chest at the sight. “she was always… punching stuff.” her dark lips pursed, and you stepped forward to gently grasp jinx’s hand, before ruffling isha’s now-blue hair.

“no, but you still turned out pretty cool, love.” you remarked, much to jinx’s amusement. she shot you a little smile, lovingly squeezing your hand. “you flatter me.” she said, before closing the gap between the two of you.

pressing a soft, warm kiss to your lips, now intertwining your fingers. it was peaceful. it was sweet. you loved her-

and you heard isha groan in disgust to the side of you, breaking away to see the girl covering her eyes. jinx just giggled, gave your hand a final squeeze, and joked, “kissing, gross! i know, right?”

[a-dragons-journal]

With all the gentleness in my heart, and I hope I don't scare you off with a long answer because I promise I'm not trying to lecture you: you are making a huge generalization equating a vast swathe of furries, therians, kinksters, and hell, even non-offending zoophiles with bestialists, which is untrue and unfair to all of those people. With that phrasing (in a context where we're talking about artificial things), you include people who think anthropomorphic animal characters are hot (and may or may not create and/or consume porn of them), people who use animal-shaped sex toys, people with species dysphoria that includes genital dysphoria, people who fantasize about wolf dick or whatever but would never touch a real animal, and probably a good few more but you get the idea. None of these people are hurting anyone or anything. The vast, vast majority of them will never touch a real animal in a sexual way in their life. They are not the people you're afraid of.

I get where you're coming from here, I really do. Bestiality is a deeply horrifying thing, and it's hard sometimes to not knee-jerk react when something resembles it at first glance. And hell, you can think any of the above is gross and weird if you want! That's your right! But gross and weird don't mean harmful. It does feel strange, that's completely fair - but stop and think about that, really chew on that feeling, before you decide that means it's a bad thing.

Again, to put it a little more seriously: stop and look your disgust in the eye and ask it, why do I care about this? Is it actually dangerous, or is my survival instinct misfiring here? (Because that's fairly common - pattern recognition sometimes sees patterns that aren't there, and it's safer to alert on something that isn't really dangerous than to not alert on something that is! It's a natural thing that we all have to keep an eye on.) Is anyone (or any animal) actually getting hurt here, and if so, who and how, and is that actually inherent to the thing or is it a specific use-case where things have gone wrong?

(Hint: If your initial answer is "yes, this is harmful," but you can't explain who's getting hurt exactly and how, then it may not actually be harmful, your survival instinct may be misfiring. Stop and dig deeper. Is it harmful or is it just gross?)

As a side note: if someone wants a packer shaped like a human penis, do you assume that they find that sexually appealing on other people? If no, why is it different when it's a different packer shape? Why are you jumping to the conclusion that it's a sex thing the minute it gets a little weird, and might that jump be partially fed by internalized things society thinks about being trans being a sex thing in general? (These are genuine questions, but you don't have to answer them to me unless you want to; you can answer them to yourself privately, that's fine. I'm asking to get you thinking and dissecting your own logic a bit, that's all.)

why is there discourse now about nonhuman packers. genuinely, 100% genuinely with my whole heart: grow up. have a little fun with life. what are you afraid of? who cares if the shape someone stuffs their pants with isn't a photorealistic model of a human dick? literally why does it matter to you? who exactly is getting hurt by this? why is it any of your business what is in someone's pants? stop and look your disgust in the eye and ask it why the fuck it cares about this. you too could have something fun and artistic and maybe even species affirming in your pants if it so suits you. you have nothing to lose but your chains. be free my brethren

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in love first: Kate First Kiss: Kate Kisses Jude First Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

[luci-in-trenchcoats]

The Villain’s Protector (Part 3) - Closer

Summary: The reader's in a bad spot when she's cornered by three infected intruders. But when the danger passes, she and Ben need to decide if they really can live together or if they'd be better off on their own...

Masterlist

Pairing: Soldier Boy x reader

Word Count: 3,700ish

Warnings: language, violence, life-threatening situations, death (minor characters), mentions of past torture

A/N: Happy Thanksgiving this week! Please enjoy Ben being an asshole/also his hilarious attempts at making up for it...

________

“Oh my god!” Both men spun their heads towards the back door, giving you a chance to make a break for it. You had to deal with the woman but at least you had a chance against her. In three large steps you were in front of her, ducking down to miss her punch. You kicked her knee, the woman shrieking and falling, giving you a chance to kick her back and shove her into your bedroom. You dove into the one across the hall, slamming the door shut behind you. Ben’s suit was draped over the back of a chair, his gun still in it’s holster.

Fuck it. 

You abandoned barricading the door, barely getting across the room before it flew open, all three of them standing there. The gun was in your hand within a second, finger squeezing the trigger blindly. You hit one of them, the other two shouting behind him. You jumped to the right to avoid the woman, getting a few more rounds off. She went down when a blur slammed into you. You crashed back against a window, falling through it and straight onto the back deck. Something sharp was in your back and your hand was empty, eyes blearily opening as the red streaked man stood over you with the shears.

“You could have been one of us, bitch.” He opened the blades and drove them downwards, straight for your torso. 

With a swift breeze, he was gone. You blinked rapidly, Soldier Boy standing over you, staring off to the side of the yard. Every muscle ached but you managed to look, spotting the man impaled on the shears about two hundred feet away in the grass. Strong hands turned your head, Ben’s face almost…worried? 

You blinked, reaching up to grab his wrist, his eyes wide.

“You have glass all over. You need-”

“Are you wearing fucking oven mitts?” You smiled, Ben staring at where your hand rested on the pink things. “Pink oven mitts?”

“Shut your mouth,” he said, pouting when you sat upright with a groan. He ripped them off, kneeling beside you with a grimace. “Uh. How true is that whole can’t die thing?”

“That’s actually really smart,” you said, nodding to the mitts. “If they can’t touch your skin, maybe we can keep you safer. Keep us both-”

“Y/N!” He grabbed your shoulders, eye twitching. “Do not lose it on me. Will you die if I rip that giant shard of glass sticking out of your back out?”

You shook your head, already pulling pieces out of your legs and arms. He sighed, gripping the glass and pulling it out fast, your heart skipping a beat.

“Warn a girl,” you grit out, hands reaching for anything to grip onto through the pain which meant his shirt before you. 

“You’re bleeding a lot,” he said. Shaking, you buried your face in his neck, breathing hard. “Y/N-”

“Take the rest out.” He tore your ruined shirt and jacket off, cool air hitting your back. He didn’t speak as he pulled out the other large shards you felt there but he flinched when you jerked into him and yelped. 

Finally, you felt they were all gone, your head throbbing angrily but you knew it’d dissipate soon.

“I totally had that guy by the way,” you mumbled. Ben’s chest rumbled beneath you, his warm body lulling you into a calmness. “Was that a laugh, Benjamin?”

“You are something else.” With some effort, you leaned back, Ben grasping your chin and turning your face. “Shit, your cuts are healed already.”

“I’m just that special,” you said, trying to stand but falling straight against him when a sharp bolt of hot fire ran across your back.

“You heal fast but the pain-”

“Takes longer. I’ll be better in an hour.” You didn’t move from where he cradled your body against his, Ben’s body strangely relaxed. “Bet you’re happy. You got my shirt off.”

“You do have great tits,” he mumbled, tucking your head under his chin. You raised your eyebrows, gaze focused out on the lake. 

“Ben, there could be more people nearby. We should probably move somewhere-”

“In the eighties I hired a young couple to take care of this place. They had a baby at the time I think. Landscape. Cleaning. That’s why that woman and those men were here. I let them live here in exchange for upkeep and I forgot they were here. This was my fuck up.”

“It was an accident, Ben. I don’t blame you. I’m fine.”

“You don’t realize you screamed when I took those glass pieces out, do you? The only reason you were in there alone was because I pissed you off again. I fucking forgot. I bring out your fucking shell shock, I screw up and you’re shaking in pain because of it. That’s not what a man does.” You sighed, taking a deep breath.

“Soldier Boy, you are ridiculous.” You moved your head so you could face him, Ben’s jaw clenched. You let your head fall onto his shoulder, offering a smile. “I’ve known evil men. Shitty, evil men. But you? You put on pink oven mitts which I’m confident you’ve never worn anything that shade in your life for fear it would shrivel your dick up. Yet, you did it for me. Here you are, apologizing in your own, albeit half-assed, way and look at that. Your dick is still just as big as it was an hour ago.”

He pouted, turning to look at the waters of the lake, ignoring your attempts at getting him to acknowledge his idea of what a man was wasn’t the only one . “Why did you break me out of that CIA black site? The truth this time.”

You closed your eyes, turning your head back under his chin when sharp, stabbing pains started up in your abdomen again. You tried to bite back the whimpers that caught in your throat but a few slipped through, Ben squeezing you tighter, anchoring you.

“Because there’s nothing worse than being trapped, unable to die, only to spend every waking moment in pain. All you want it someone to rescue you. So that’s what I did,” you said quietly.

He hummed, shifting his arms around you, holding your body against his.

“Do you still think I only want to use you, Ben?” He was quiet, slow steady beats of his heart thrumming underneath you for a moment.

“I could be evil. People thought that about me once upon a time. It’s how I ended up in Russia.” You shrugged, Soldier Boy shifting beneath you, soon carrying you back inside bridal style. You poked open an eye, Ben watching you closely. “I was trapped for a reason. Give it five minutes and you’ll hate my guts again.”

“Why would I hate the boy that wears pink oven mitts for me?” you teased. He rolled his eyes so hard you swore they were going to pop out the back of his head. You let your eyelid fall shut, head lolling back until he adjusted you. “If you end up screwing me over, then fine, you’re a monster. But until otherwise, will Mr. Evil please get me into a bath tub?”

“Your generation is fucking insufferable,” he grumbled, walking across the deck, in through the back door.

“Yes, yes, whatever you say, Satan.”

“What did I say about shutting that fucking mouth?” 

“Ben.” You opened your eyes when a door creaked, Ben setting you down in a large claw foot tub a moment later. You tilted your head, his face a mixture of annoyance and wanting to get out of the room as fast as possible. 

“What?” he growled, turning the water on warm and slow for you, setting some towels down next to the tub. 

“Just wanted to say we had a whole conversation where we didn’t fight. I think you’re in serious danger of losing your asshole status if you keep this up.” He gave you his bitch face and dropped a bar of soap in your hands. “Admit it. You like this, being yourself again.”

“You are weak and pathetic and like all women, you need a man to save you and then complain about us in the same breath. I ain’t a fucking pussy so don’t get fucking comfortable with me thinking I’m like your fucking girlfriend. I give the orders, not you.” He stood up and slammed the door on his way out.

So much for that progress.

You and Ben kept your distance after that. You spent most of the day cleaning the blood off the walls and floor while Ben disposed of the three bodies in the nearby woods. It was dark by the time he returned, the house smelling of disinfectant.

He threw his boots on the ground and gave you a glare as you ate a bowl of beans at the dining room table. He stormed around the kitchen, narrowing his eyes at the pot on the stove and the empty bowl on the counter beside it.

“Beans? I’ve had fucking paste shoved down my gob for weeks and you make me fucking beans?” You finished off your dinner, leaning back in your seat with crossed arms. He puffed out his chest, pointing a finger. “Don’t you fucking start, bitch.”

“Does it make you feel like more of a man to yell at me? Maybe you even want to hit me. Fucking go for it. We both know I can take it.” You got up, getting in his face and throwing him off guard so much so he stumbled backwards. “You want me to think you’re a monster? Go ahead. Hurt me. Insult me. Prove me wrong. Show me just how awful you really are deep down and that there’s no shred of a soul left in there.”

“Shut the fuck up!” he shouted, towering over you, his face turning red. 

“Do it!” He growled, grabbing your arms, picking you straight off the ground.

“Look at me!” You were ready to kick him in the nuts when you noticed the red on his face was…bright. Too bright. Infected bright.

“Yeah, yeah. I’ll help you alright.” You put your hand to his face, Ben instantly dropping you, both of you falling to the ground. This felt different than before. There was no sharp pain from the redness your hand absorbed from his face. No, it was warmer, a slow burning sensation that built up and up and had you gritting your teeth.

He gasped and choked before rolling away, your body falling back on the hardwoods. You panted, staring at the wood beams crossing the ceiling when Ben crawled over, staring down.

“I got some of their blood on me earlier when I killed that guy. I think it got on my face,” he breathed out. You nodded, giving him a thumbs up. “It must act slower that way?”

“Depends. Am I a weak, pathetic bitch?” you said, Ben lowering his head. “Good. See, we’re all good.”

“You didn’t scream this time at least,” he said, helping you sit up against the cabinets. He sat back against the fridge behind him, both of you catching your breath. “Why?”

“The more a particular…injury happens to me, the recovery period from the pain shortens. You didn’t have the streaks in you fully or else you’d be dead so it wasn’t as bad this time.” He shook his head, running a hand through his brown strands. “What?”

“Your powers suck.”

“Not powers,” you sighed, Ben pursing his lips. “I swear. I’ve never taken compound V in my life.”

“Well then you must be a natural born supe. Is Reaper your dad or some shit?” 

“No,” you snapped. Ben held up his hands, giving you just enough of a pout to make you feel bad. He got up and scooped some beans into a bowl, glancing at you once. The floor creaked, your eyes drifting up to watch him settle down across from you, slurping up his dinner. “Why are you eating on the floor?”

“Jesus fucking Christ, woman,” he said with his mouth full and a roll of his eyes. “Can I eat my dinner where the fuck I want to?”

“Of course you can.” He made a face, pointing his spoon at you when you parted your lips. 

“I swear to God if the next words out of your mouth are to argue with me, you will not like the outcome,” he barked. You swallowed down your comment about how the chair and table would be more comfortable. If he wanted to sit his ass on the hard floor, fine, that was on him.

You closed your eyes and tucked your knees up to your chest, lowering your head to rest it against them. 

“You’re a pretty good liar. Most women are but you put them all to shame.” You frowned, lifting your head wearily. He stood, setting his empty bowl on the counter before squatting down right in front of you. Long fingers grasped your chin, turning your head left, then right. “Your jaw is clenched so hard you could snap a tree in half.”

“Fine. It hurts whenever I absorb that red matter stuff from you. There’s nothing either one of us can do about it so why does it matter if you know?” His grip on your chin tightened, just hard enough to make you wonder if he was considering killing you.

“Don’t fucking look at me like that.” Ben’s grip loosened, his thumb wiping away the wetness that’d gathered under your eye.

“Like what?” you whispered, intense green eyes boring straight through to your core. He leaned in closer, his breath hot.

“Like I’m going to hurt you.”

“This was a mistake. Just cover yourself up when you go out and you should be okay,” you said. You got to your feet and barely made it out of the kitchen when his hand landed on your shoulder, freezing you in place. “Forget about Reaper. You’re free Ben. Just live your life how you want to.”

“Why the hell are you trying to get out of here so badly all of a sudden?” 

You closed your eyes, clenching your fist when a wave of burning heat flooded your veins. “Why do you care if I stay?”

“I can drown.” You turned around, furrowing your brow. Ben raised his chin, nodding once. “I nearly did as a kid, out in that lake.”

You both looked out to the dark water, gazes slowly drifting back to one another. He sat down on the edge of the couch arm, running a hand through his hair. He smiled but it didn’t reach his eyes, head shaking as he glanced at a knot of wood in the floor near your feet.

“My father took me out in a rowboat to the middle of the lake when I was a boy. Maybe seven, eight? He threw me over the edge, told me to start swimming.” His eyes met yours, his smile faltering. “It wasn’t until I started to sink did he pluck me out. He was so…disappointed in me the whole way back to the dock. I was convinced he’d throw me out any second. I never told my mother what happened but somehow she knew. It was the only time I ever saw her argue back against him. She ended up showing me how to swim over the next week right where it’s shallow at the shore edge.”

“Why are you telling me this Ben?” you asked quietly. He shrugged.

“You can either be terrified that something more powerful than you will kill you and that fear makes you run from it. Or…you can be a man and face it, tell that thing it’s not more powerful. You learn to respect each other’s power and work together.”

“A lake doesn’t snap your neck in your sleep when it gets mad at you,” you whispered. He sighed, his jaw clenching slightly. “You just…you’re so mean to me that I couldn’t even tell you were infected until you were literally ready to pummel me and I saw the red streaks. Ben, I didn’t know you wouldn’t hurt me. I read the CIA’s file on you and god, you’ve hurt so many people Ben. People you supposedly cared about, loved even. How the hell am I not supposed to be terrified of you? Maybe I was wrong and we should just go our separate ways.”

You headed down the hall, pausing when you heard him walk up behind you.

“If you stay…I’ll give you whatever you want.”

“It’s the end of the world, Ben. Forget about Reaper. What could you possibly give me that’d make me okay with staying with you?” You glanced over your shoulder, Ben’s face strangely soft.

“My word.” He held out his hand, fighting back a frown when you narrowed your eyes at it. “I’m fucking trying here.”

“Not good enough.” You stormed into the bedroom, grabbing a duffel from the ground as he huffed. You started to shove some things inside when he cleared his throat.

“Please stay.” You poked your head out in the hallway, Ben gritting his teeth. 

“Did you say please?” you asked. He rolled his eyes. You stepped back out, crossing your arms. “Fine. I’ll stay.”

“Good-”

“If you drop the Solider Boy shit and act like Ben. Act like the kind of man you wished your father had been to your mother.” His face went white in shock, Ben’s jaw dropping open slightly. “See? That normal guy is still inside of you. You know it’s wrong to be a dickhead. You fucking know it’s wrong and you do it anyway. But you have to stop. You have to be better. Not perfect, just better. Or else I’m gone Ben and this world gets a lot harder for both of us.”

“I…will try if tell me one real thing about yourself, why you don’t die.” He stood his ground, lips pressed into a thin line. You looked away, leaning against the door jam.

“You know how…you know when you did the Compound V trials and all the other participants died except for you?” He nodded once, tilting his head. “That was because your genes are advantageous. Your genes could handle that…evolutionary leap.”

“Like a Punnet square.” You raised your eyebrows. “I’m not a moron.”

“Well, yes, sort of like that. Your gene mixture basically was special. My genes are also…special.” You frowned, Ben’s fingers reaching out to graze your cheek. Your eyes wandered up to meet his, his green eyes curious, guarded. You crossed your arms, looking past him. “My genes, eventually, would have allowed future generations from my bloodline to be natural supes. Millions of years down the line. It’s incredibly rare. Think of it like if your genes and mine were in a race, I’m starting a hundred million miles ahead of yours and we’re racing to the same point.”

“You would get there faster,” he said quietly. You nodded. 

“Reaper found out about my genes. He ended up, activating those special parts of my genes and transfused me with his blood when he did so. He didn’t know what would happen but it gave me the ability to not die, like him. It was all an experiment to him.”

“How’d he do that? Activate them?”

“Through eight years of torture.” Ben stared at you, his adam’s apple bobbing as he swallowed thickly. “Everything was forced on me, all because of my stupid fucking genes. Do you finally understand why I saved you?”

Ben nodded, letting you slip into your bedroom. You lay back on the old mattress, body in desperate need of sleep and rest. By the time you managed to get out of your jeans and under the covers, the door was cracking open. Ben was carrying something, a mug. Steam billowed from it as he set it down on the nightstand. Then he was leaving, nearly pulling the door shut behind him when he stopped.

“There are things I would say to you if I wouldn’t be a pussy for saying them.”

“Ben?” He looked over his shoulder, catching your smile as you sat up and took a sip of the hot tea. “That’s good enough for tonight. Thank you for the tea.”

He nodded, hesitating once more. “Drink that and then go the fuck to sleep. You look awful.”

“Goodnight to you too.” He grumbled and pulled the door shut, leaving it open a sliver to let in some light from the hall. You heard movement outside and heard a chair scrape along the wood floor. With you mug in hand, you tiptoed over, opening the door.

Ben was sat in a chair right outside your room, frowning when he saw you. “I thought I told you to sleep.”

“What are you doing?” He rolled his eyes.

“Just go to the fuck to sleep. We need to get a game plan together in the morning and you won’t be able to do that if you’re a zombie. Go before I make you.”

You took a sip of tea, offering him a tiny smile. “Try to get some sleep yourself at some point. It was a long day.”

“Y/N…” he warned. You took a big swig of tea and handed him the mug, Ben cautiously taking it.

“I think I’m starting to get you, Ben. You’re an acts of service kind of guy.” He stared at you like you had three heads and shook his own. “I’ll explain someday.”

“Alright, that’s it,” he stood, watching you scurry back to your bedroom. You plopped into bed, Ben pointing a finger at you before sitting back down. You tugged up the covers, putting your back to him as a wave of exhaustion hit you. 

You were just barely holding onto consciousness when something heavy draped over your body in the cool room. 

“She would have liked you,” he mumbled. You burrowed into your sheets, letting sleep overtake you.

That was until four am.

That’s when you woke up to screaming.

___________

A/N: Part 4 coming soon!

[genericdegraded]

if any of the Pirates' characters is a weirdo and a morally gray disaster who is unapologetic about their choices, it is Elizabeth.

she's a geek. she's obsessed with pirates even as a little girl. she tries to bargain with her own safety to keep port royal from being raided by pirates, using not commonly available pirate knowledge (the parlay thing), and it backfires on her stupendously. she fancies the blacksmith/posibly-pirate boy over the very respectful and adequate navy captain, soon to be commodore, of whom her father clearly approves. she has dreams about the smith boy and tells him so, much to her father's chagrin. she tries to use whatever standings and influence she has to protect Jack after he saves her from drowning bc she's fangirling so hard. she later on basically murders him. she manipulates Norrington into doing things for her bc she knows he has a soft spot for her. she's willing to forgo her own happiness and agrees to marry Norrington to keep Will safe. she successfully manipulates and outsmarts Jack (one of the very few who manages it in the franchise) into complacency, gets him drunk, and proceeds to burn an entire stash of rum to get them out of that island. she full on stabs Barbossa with an overglorified butter knife. she manages to escape a boat full of navy officials and goes to join a pirate fight to rescue the smith boy. she full on feigns to faint to aid the smith boy—her soon-to-be fiancé—on his suicide mission of rescuing Jack from the gallows. she basically tells her fiancé she can't wait to fuck him in front of her father while looking longingly at him from inside a prison cell while waiting to face the gallows herself. she refuses to follow his father's wishes to get her to safty, and she holds the main villain of the trilogy at gun point to make demands to her fiancé's best interests. she uses her would-have-been wedding dress to trick an entire crew to go where she wants to. she strings Jack along, if only it helps her get Will back. and although she clearly feels guilty about it, she is unapologetic about having Jack be killed by the kraken by means of treachery and deceit so everyone else can get to safety. and i mean it, she never once apologizes to Jack. she even trades him for Will when she has that little stand off with Beckett and Jones(in a bucket) as pirate King. she uses her newfound authority as pirate king to try and get revenge on Becket for murdering her father. she decides to get married in the middle of a maelstorm maritime battle. she gets head from her husband in a disney movie.

not all protagonists need to be relatable. give me a weirdo. give me a morally gray disaster who makes terrible choices and is unapologetic about it.

[hemlock-dreams]

PleSe may I ask for a tiny morsel of the written word depicting bartender Petey taking care of business when some customers get too rowdy? Saw the "80s theme" and immediately thought he'd look amazing tossing out the trash (ideally covered in blood cause can't make an omelets without breaking eggs but bartenders don't tend to break faces sadly)

Here yo go! Have a snippet from the upcoming Chapter 2 of Pick Your Poison!! Hope you enjoy!!

------------

Wade sees Baby Boy snatch a bottle that comes flying at him out of the air without looking. 

Damn, they threw the thing at mach speed, too. Wade’s got to hand it to the kid; those are some impressive reflexes. He follows the easy catch by spinning the glass with enough flair to make a schoolgirl swoon, setting it against the bartop like he’s the main character.

The jackasses in the back don’t even notice, hauling each other over the tables in a messy, drunken sprawl. Wade hasn’t seen this much fumbling since prom night.

It’s embarrassing. He should do Weasel a favor (and indulge himself) by shooting them in the legs for interrupting plans between Wade and his future paycheck. But the look of intense concentration on Baby Boy’s face is distracting. That’s the furrowed brow of a man who is about to fuck around and find out.

Boo. Three more days and Baby Boy would have passed the cutoff mark. 

Wade usually likes hedging his bets on the underdog for the thrill, but four against one is bad odds for anyone who isn’t Deadpool, even a civvie with so many tough-guy tattoos. 

“And he was this close to being the final girl,” Wade mourns performatively, sparing a glance at Weasel to gauge how the man is feeling about the prospect of watching his civilian pet project get snapped in half. But the asshole just looks vaguely amused, which piques Wade’s interest.

So he turns back around just in time to watch Baby Boy march right into fucking around territory, straight up walking toward the group of heavily-armed mercs, no weapons, no foreplay, no nothing– just moxie.

Damn. He’s stupid. Wade likes that in a guy.

“Hey,” Baby Boy says, wrapping a hand around the leg of one wooden chair as the one with a bad haircut raises it over his head. 

Their kerfuffle is interrupted as four extremely drunk mercs with more bullets than brains pause to reorient their attention on Baby Boy.

“You know the rules. Sit down, or take it outside,” He continues, tugging on the chair like he’s trying to take it from an unruly toddler. 

There’s a collective laugh from all four bozos as they forget their beef to unionize against a new, soft, and squishy target.

“Oh yeah?” The short one smiles, revealing a row of really ugly teeth. Wade’s fist immediately itches to plant itself into that mouth, just for offending his eyes like that. “Who’s going to make us, you?” 

The edge of Baby Boy’s mouth curves, “If I have to,” he says, and it can’t be mistaken as anything but a taunt.

Bold move, Cotton. 

The rest of the bar, normally oblivious to a few broken pieces of furniture and some blood, takes notice of the audacity. Wade can practically hear eyeballs turning and the collective bating of breath. 

“That’s cute. He thinks he can take us.” Bad Haircut snickers, drunkenly swaying into the conversation. He gives Baby Boy a once-over, expression turning lewd, “Then again, maybe he can…in one of the back rooms.” 

“He does have bigger tits than most of the girls here,” His unfortunate-looking friend leers, staring at Baby Boy’s admittedly mouth-watering chest. Motherfucker is tall and top-heavy, built like a linebacker, invading the kid’s space like he’s looking for a touchdown if you get Wade’s drift. “Got a pretty face, too. What do you say, sweetheart? Why don’t we go to the back and we can apologize to you real good.”

Baby Boy’s hand constricts halfway into a fist before he forces it to relax. He looks like he’s barely holding himself back, and coin flip on whether this is going to be very funny or very sad, but either way, Wade’s on board to be entertained.

“Yo Weasel,” Ugly Smile calls out, eyes locked on Baby Boy, lurid and alcohol-glazed, “You mind if we take your bar boy for a spin?”

His grin promises an unpleasant time, but Wade isn’t worried. Maggie’s is a shithole for sure, with morals looser than Wade’s jaw, but some things are still too far. Not that it keeps these loser shitheads from defaulting to it when they need to compensate.

“You break it, you buy it,” Weasel replies gamely. Which, dang, cold. Always nice to be reminded why Wade kind of likes the guy. 

Baby Boy’s mouth twitches into a smile, and Wade’s entire body goes on alert, “Take the chair out of my rent, then.”

Ready, set, action. An invisible hand slams the clapboard, and everyone bursts into motion.

The chair in question swings and misses. Baby Boy fluidly sidestepping both Bad Haircut and his buddy, grabbing the support and using the momentum to hook the wooden back over Linebacker’s neck, flipping the chair and twisting both mercs like puppets before sending them crashing to the floor. 

Bad Haircut is scrambling up, but Linebacker is pinned to the floor by his chair necklace, anchored by Baby Boy’s leg as he presses down hard enough to snap the wood and drive the remaining air out of his lungs.

The bigger they are, the dumber they fall. Linebacker is immediately out for the count, but a broken chair is still useful, and Baby Boy is apparently the creative sort.

The snapped leg turns into a baton, and Baby Boy leisurely sways out of pistol-whipping range when Bad Haircut pulls out his gun, dancing back in to drive the splintered wood under the merc’s armpit on the outswing.

Screaming in pain, Bad Haircut stumbles back only for Baby Boy to grab his wrist and haul him forward, twisting his arm in a fancy maneuver that ends up with the gun on the floor and kicked safely out of reach.

Interesting.

Then it’s a pas de deux, with Baby Boy’s back against Haircut’s chest, using the impaled baton as leverage to toss the man over his shoulder and straight into Ugly Smile. 

The merc falls out of the way, only to run into Baby Boy’s fist as it buries deep in his guts. Even at a distance, Wade can hear his ribs break. Doubled over, Ugly Smile is coughing up blood and vomit when a tattooed hand cradles the back of his head and slams his mouth into the table once, twice, three times. Then it’s lights out.

It’s over almost as soon as it began, and as the dust settles, Wade is reevaluating the merits of his earlier bet. 

Yes, they were drunk, but Wade still expected it to be fast, if not messy. He hadn’t been counting on class. He hadn’t been counting on Baby Boy to be the one last standing, let alone to have shut them down so completely it barely merits the paragraph.

And the kid isn’t even done. He’s locked eyes with the fourth guy, jaw flexing like an attack dog straining against its leash, but the dumbass looks like he’s turned over a new leaf and become a law-abiding citizen in the few heartbeats it took Baby Boy to clean the floor with his buddies. 

When the guy doesn’t make a move, Baby Boy leans back, completely relaxed, eyes flat, no sense of triumph in the aftermath, just…disappointment– like he’d been craving something more and been left wanting.

Wade can’t resist a low, appreciative whistle, clocking the way Baby Boy’s entire body reacts to the sound. His head snaps in Wade’s direction, and the whole room vignettes as he stares Wade down, eyes flashing like he wants to crumble his spine like a cookie. 

Lust stabs Wade’s gut all the way to the hilt.

“Changed my mind, Weas,” Wade breathes, feeling the tension drain from the room and right into his dick. “You should keep him.”

[3hks]

How to Write Emotional Dialogue Without Being "Cringy"

Did you ever want to write an emotional scene between characters but suddenly felt so conflicted because you're worried it might seem cringe? I, for one, have (and still do) worried about this! So today, I'll share some tips on how to make your dialogue LESS cringy and MORE emotional!

But for starters, what exactly makes something "cringe"?

Our media actually plays a big part in shaping what we find to be cringe, so certain words or phrases tend to stick out to us as "cringe". But when it comes to writing, it depends mainly on the context given.

So, with that being said, something that's meant to be emotional might seem cringy and awkward because the scene falls flat. Now that you understand the base cause of this, let's explore some ways to avoid it!

>>> OMIT, DON'T SAY

If you ever found yourself writing out a line that, no matter what, still seems awkward, then the problem may lie in the line itself. Sometimes it's unnecessary to say everything; your readers are smarter than you might think! There's a lot you can omit in dialogue while still maintaining a natural feel, whether it be through body language or hidden meanings behind certain words!

EX:

Prompt: "You're so fake, you think you can hide from the world, but you can't. What if someone finds out the real you?"

"I'll just put on another mask."

V.S

"What do you think?"

Regardless of whether you find the first response cringe or not, you can also see that the alternative response hints at a similar answer despite not confirming or denying anything!

>>> BE BRIEF

Unless your character is ranting or you're strategically elongating their dialogue, try to keep their lines concise. Many people will speak briefer as a result of uncomfortableness, sadness, and/or anger.

If a piece of longer dialogue looks odd to you in a certain situation, that might be because your character seems to be trying to explain something too much when it wasn't your intention to create that effect. Filler words (uh, um, oh,) are fine because they're a part of natural speech, but sometimes it's better to get straight to the point!

>>> FILLERS

Speaking of filler words, they can become really useful when writing emotional dialogue because they can portray a variety of emotions! (They can depict feelings of anxiousness, sadness, and more.) Additionally, stutters and ellipsis are helpful for the same reason! Overall, these incorporations really spice things up! Unnaturalness can be a cause for cringiness, and fillers assist in making dialogue feel more natural!

>>> ITALICS FOR RANTS

Okay, but what about rants and purposefully long dialogue? How do we make these more meaningful when essentially, we're just talking about big blobs of text?

Here, it's important to add dynamic to catch the reader's attention. When we read, it's like a voice is talking in our heads, and the voice is ultimately determined by subtleties like italics!

So, with that being said, use italics (I suggest incorporating them regularly, actually) when writing LONG texts! It creates a flow and rhythm for our reading, and most importantly, adds emotional weight to certain words/phrases, which highlights what your character prioritizes and cares about most!

EX: "I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"

V.S

"I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"

See? With just a few italicizes here and there (although you do want to be strategic about which ones you italicize), the simple dialogue quickly grew more weighted!

>>> DON'T RE-READ TOO SOON

In the end, the most effective way to tell whether something is cringy or not is to have someone else read it and tell you! But if you don't like the sound of that and prefer to check on your own, I suggest to not re-read your dialogue over and over. Instead, give it some time!

When we re-read our work too soon, we already know what to expect, which influences our decision making and opinions. By approaching it after you refreshed your brain, it'll feel more like you're reading it for the first time; and therefore, you'll form more effective ideas!

***

Still, it's also important to keep in mind that something that's cringe to you won't be cringe to someone else and vice versa! It's ultimately based on the readers, which we have no choice but to accept. However, if you were concerned about your writing because of such reasons, I hope this has helped!

Happy writing~

3hks <3

[marzipanandminutiae]

I DID IT

I AM CAUGHT UP ON THE HANDMAID'S TALE

EVEN THOUGH ALL OF SEASON 5 WAS A SLOG TO GET THROUGH

my god. I've never done so much Not Caring about a TV show as this past season. the story feels like it's just dragging on and on past a reasonable stopping point- June getting to Canada -especially since they said they're still adapting The Testaments next as of this past February

also the attempts by Lawrence to justify Gilead as "using religious zealots to save humanity" seems like a weird both-sides-ism that I've been worried about since the first mention of Gilead cutting their carbon emissions back in the earlier seasons of the show

for context, book!Gilead is lucky they lasted even the 20-ish years they're implied to have in the afterword of TT. they're climate change deniers, nobody ever has enough of anything- even the children of the Commanders, as the Hannah character of the books grows up, circulate the same clothing and toys amongst themselves and eat synthetic dairy products instead of the real deal -power cuts are frequent, Commanders' houses have guards everywhere because children being "kidnapped" by resistance members trying to get them out of Gilead is common, they're sending missionaries abroad to frantically proselytize because they're running out of fertile young women due to escapes and executions, and frankly everything holds together about as well as you'd expect for a wildly irrational dystopia that doesn't care about facts or logic

the show transforms them into a society with human rights abuses galore, but no other real issues. scarcity is hinted at a few times but never actually appears to impact characters' lives. everyone has beautifully-fitted matching outfits; you never see clothes being passed on to anyone else when someone no longer needs them. no major food groups seem to be lacking. and hey, they fixed climate change so well that Boston now sees Toronto-level snow every winter! (because that's...definitely how that works!)

maybe the showrunners felt that they needed to create a reason why anyone who wasn't a zealot would go along with Gilead, but they took out the main reason from the books: certain anti-porn feminists making a devil's bargain with the religious right, the whole phenomenon of the 1980s that made Atwood write the book to begin with

there aren't supposed to be Aspects In Which Gilead Is Good Actually. it's a dystopia. it's a commentary on negative aspects of our society. it doesn't have to be positive in any capacity

the show is really good at a lot of things- I especially liked the choice to make June decidedly Christian, even though it was probably made more to avoid criticism of the show as anti-Christian than to add character depth

but just like the last time I tried to watch it, I found myself getting less and less invested as the seasons went on

we'll see how the sixth and final season goes for me, I guess

[skipthisvoid]

Alrighty I am going to do my best to explain my thoughts on this-

What Arcane often does is take something that real-life that society is bigoted against and then show the humanity in those same people. This is a type of counter-narrative. This is when the story "presents a different perspective or interpretation of events that directly contradicts your existing beliefs, forcing you to re-evaluate your understanding of a situation or topic."

"They aim to disrupt established stories or viewpoints that might be considered biased or oppressive by offering alternative interpretations. Fields like critical race theory, feminist studies, and postcolonial studies frequently utilize counter-narratives to highlight marginalized perspectives."

(A key example is drug addicts, being set up in the first few episodes to align with the disgust society has for them, only later to twist your perspective around and make you feel like you were wrong. You end up feeling sympathy for them, which brings the watcher to have to rework their worldview for the rest of the show.)

The Undercity in routinely proven to be a place that has incredibly brilliant people, families just trying to get by, etc. but they just haven't been given the same opportunities as topside, so they turn to less desirable means of making a living. Within the series we are often given small pieces of daily life within the Undercity, especially the domestic moments, to make a connection that they are also just people.

Okay onto the brothel- The "goblin" in question is named Babette. We are given our initial "narrative" that she is gross, either because she is a sex worker, she is not a typical human, she is old, or all three. What happens later in the show is that it is revealed not only is Babette the mother of the house and is incredibly important to protecting those who work under her, she also knows the main character's father figure and looks up to him. It is implied there is mutual respect (an implication because at this point in the story, said father figure is dead and can not verbally confirm) between these two important people for the Undercity.

Once inside the brothel, it is shown to be like any other place of business. The workers are professional, the place is maintained well with all sorts of different options for people to pick from, (regardless of gender preference) and if clients treat workers inappropriately, they are thrown out. (Like during the scene in question.) So the first time we see this location, the narrative tells us "oh-ew gross we know that sex work is dirty and bad and the neighborhood is poor so these people are bad and gross" but later we have the counter-narrative of "actually this is a well respected and important part of the Undercity's economy, and the workers here are treated (and paid) well for the service they are providing."

SO when we come back to the original scene, we now align morally with the trans woman and Babette, and also think its funny that this man has gotten kicked out of a well respected establishment. He must have done something without realizing they take the rules seriously, and he won't be allowed back. Sucks since this place is the best in town!

Side note for the "look of disgust" coming from Claggor, the 'main' character mentioned above. Claggor is 14-16 years old. He isn't so much as disgusted as he is just shocked! He also is a very very shy and soft spoken boy. Being in the Undercity, and with Babette being friend's with his adoptive father, he knows what sex-work is. He is shy of it, he knows he is a minor. It is dark and not well lit, Babette might not be able to see him well so she smiles at him anyway. OR, since later in the show we find out she knows his father well, she is intentionally fucking with him knowing he is shy and is gonna be all weird about it. Either way, I wouldn't say he is reacting in disgust. He is just an awkward teen being awkward.

I am torn on the depiction of the transwoman. On one hand, I see how the art they used can be considered a bad stereotype. BUT I do also know someone who is doing the best they can with the body they currently have, and this is what she looks like! And thats also perfectly okay and fine! She exists, thats what she looks like at this point in her life, and she hasn't decided if she is going to make any further changes. (If she wants to speak more on this she can- I personally don't wanna go to deep into it on her behalf.) I think it is working as the same counter-narrative. We are shown this masculine woman who works in the sex industry, and feel the initial reaction society wants us to. Then later, we find out, oh shit, these workers are important and well respected! She is doing a good job for her current situation in the Undercity!

I feel like I am running out of things to say in this very moment but I DO want to also take a second to say we see a different portrayal of mtf transition later in the series. Her name is Lest. The difference here is that Lest is top-side, where there are a lot more opportunities and money. This is apparent in her ability to transition to what society considers "passing", as well as her clothing. She is also voiced by a trans woman! (Eve Lindley)

Blehg I just kinda wanted to spill some of my thoughts over this show since I adore its use of literary devices, ESPECIALLY the counter narrative. I hope this kinda made sense and didn't sound rude at all.

i just did something i promised myself i'd never do and intentionally watched a scene from Arcane, to see just how bad the transmisogynist joke in the first episode is -- and people are absolutely 100% playing it down.

the characters are walking through a dark, seedy part of a city, and reacting in fear to a bunch of scary, dangerous & unsettling things, like a monster scuttling in a cage & vendors selling huge knives, before panning to these two women standing outside a brothel.

the small gremlin lady makes a pass at one of the cast, who immediately reacts in visible fear and disgust and runs away. then, a drunk man wearing no pants is kicked out of the brothel, being told that he has to pay. the woman on the left responds (with a deep, masculine voice) "look at that" and reacts in disgust to him. the crux of the joke here is "haha it's rich that this gross tranny thinks this drunk man is gross, because SHE and her little gremlin friend are gross! lol!".

it is a transmisogynistic joke on the level of the ugly step-sister in Shrek. i shouldn't have to explain this. holy shit.

[highlynerdy]

"Wen Xiao had supplied a surprising range of documentation. Some of it was rather florid poetry with a lot of barely comprehensible metaphors. Some of it was anatomical illustrations. Some manuscripts purported to be accurate historical accounts, and several were straight-up pornography with no pretence to literary style."

a fanARTifact book based on this brilliant fic by @achray1

My first fanARTifact in a cdrama fandom and I'm in love with it. It came together far easier than most of my projects do. As always, see pics and read more below.

So, I have always seen these accordion style books in cdramas, usually covered in book cloth and often given to the Emperor, but it wasn't until I watching Strange Tales of Tang Dynasty, that I saw these gorgeous wooden ones and lost my actual mind. I swooned and immediately saved them in my For Future Reference Folder of Doom.

It's not a surprise that I have been absolutely OBSESSED with Fangs of Fortune for the last few weeks (sorry non cdrama friends) and reading achray's amazing story fueled me to finally give this a try. It wasn't until I was writing this post and re-reading the fic that I realized she said scrolls and I should have tried making a scrolllllllll, aiya. There's always next time.

My wonderful husband - always one to encourage my fannish behavior - kindly took time out of his day yesterday to cut, plane, sand, and round these covers out of a piece of walnut he had lying around. He made them bigger originally and I thought they should be trimmed down a bit. I admit he was right and I should have left them larger. Ah well, next time. As per usual with these projects, I did do the research to check if walnut trees are native, or at least grow in China, and thankfully they do so moving right along.

The ones in the picture above were clearly stained and likely shellac-ed, but I only oiled mine (again with walnut oil), and pressed them over night to soak up any extra. Just look at the difference after they'd been oiled holy hell!

I experimented with quite a few ideas for attaching the text: vinyl, carving it out (no. omg. no. Carving walnut is a nightmare. I know that now), gold foiling. But I finally landed on calligraphy on paper and then adhering it on the cover like the reference image.

I went back and forth and round and round trying to decide what the cover should say. My initial thought was to translate Achray's entire fic title but that ended up being way, way too much text. So after talking with a discord friend and a lot of thought, we landed on "妖性爱习俗", which *should* translate to "Demon Sex Practices/Customs" or "The Practice of Demonic Sex" which comes from this excerpt in the fic:

"She shook herself, and stood up, mentally running through a list of all the texts— literary, historical, and medical— that she thought might or did describe demon sexual practices."

To do the text, I input the characters into a Chinese Calligraphy generator to use as reference. I don't own a brush capable of those gorgeous points, so I drew out the shapes and the followed the reference to fill them in. I did this a few times because I first made it way, waaaaay too big for the cover. I unfortunately decide to use a water based ink which, spoiler alert, will come back to bite me in the ass later.

See that bleeding. Yeah. That's my poor choice of a non waterproof ink, very thin calligraphy paper, and wheat paste asthe glue. Which I somehow didn't notice when I was doing the test on my extra board.

I decided to try out making wheat paste for the first time with this project and while I really did love the ability to remove and move around the piece you're gluing, it did not like to be stuck to the lightly oiled piece of wood so I decided after I redid the calligraphy on slightly thicker watercolor paper WITH waterproof ink, I would just stick with the tried and true PVA glue.

Lovely folks helped me decide between upper right hand corner or center placement and I'm really happy with the decision.

The inside is a torn down to size piece of an 22 x 30 Arches cold press 90lb watercolor paper, because with all my fanARTifact projects, especially the books, I like them to be usable objects in the end. I was SO fucking careful with my measuring and scoring and folding with this project y'all and I think I deserve a cookie.

I only used one piece folded up because I wanted the book to be able to remain flat/closed when it's not being used, but I think when I try this again, I will maybe try two pieces? Who knows. Certainly not me.

After all the stress of the calligraphy and the glue experiments gone wrong, it was finally assembled and put in my press with copious amounts of wax paper to protect everything.

In conclusion, this was a hell of a fun project and maybe the fastest I've ever seen a fanARTifact come together from start to finish. But I suppose one of the good things about learning all these new skills from each one of these projects will just make them come together easier (???) each time. I would love to get a nice calligraphy brush, some Xuan paper, and some ink and an inkstone to try a project like this again in the future.

I also want to try a scroll (which this should have been), stab binding, AND dragon scale binding. But, ya know, one step at a time yadda yadda.

Thank you, @achray1 for writing such wonderful, inspiring fics. And as always, if you made it to the end of my long ass posts, you deserve a cookie. 💛