chapter 161 thoughts
Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 18
Aqua Hoshigan Status: For the future
Never has an OnK chapter gone from It's Hoshinover to We Are Oshi no Back quite as hard and fast as this one. I have issues with this chapter in terms of what it implies about the story's overall structure and the fact that it sort of ruins 153-4 by association but this chapter's back half is so fucking good and the chapter itself works so well in isolation that much like 153-4, I kind of uhhh don't care about the structural issues because the story's heart is, for the most part, not just intact but beating harder and more passionately than it has in a long time.
To get what I don't like out of the way, the story seems to have settled on Super Evil Serial Killer Mastermind Kamiki as his final form characterization with some helpful Tsukuyomi exposition to just straightforwardly Tell Us things the manga probably should have spent some of the last 70something chapters Showing Us about Hikaru. The basic idea of Hikaru being some sort of serial killer so dedicated to upholding Ai's legacy that he kills women with the potential to surpass her was more or less always where I expected his character to land and this settling of his character does at least preserve what I think is the most important thing: that he genuinely loved Ai and his bent towards villainy only came after her death.
What I don't love as much is that this chapter seems to continue leaning into Uber God Manipulator Mastermind Kamiki like last chapter. I already talked at length about my issues with this framing in my previous chapter review so all I'll reiterate here is that the story's attempt to frame Hikaru as being equally or even more culpable for the actions of Nino and Ryosuke fall entirely flat to me, especially when the manga itself does such a pisspoor job of actually explaining how or why Kamiki was able to control and/or predict their actions to the extent that he supposedly did. And ESPECIALLY especially given that Nino and Ryosuke seem to have already been dangerously obsessed with Ai by the time they approached him.
In general, Hikaru's character is honestly just so inconsistent at this point that making any sense of his actions feels fruitless. If I really dig into what's going on, I can infer that maybe he fell into the same trap as Aqua by overcompensating for his trauma-induced helplessness by becoming overly controlling and guess that his fucked up trauma response to Ai's death combined with those terrible words Kindaichi gave him at Airi's funeral lead him down he road he's traveling now. I can even extrapolate that Aqua showing him the DVD message in 153-4 pushed Hikaru to this extreme and now that he has nothing to lose, he's lashing out at his children too - though, it should be noted, that the manga still hasn't actually established what Hikaru's culpability is in Nino's attempt on Ruby's life, outside of Aqua saying "well you didn't use your psychic powers to perfectly predict nino's actions so it's on you".
But like - this is all stuff I'm having to infer and extrapolate and guess, reverse engineering logic from our end point in an attempt to create a stable foundation for this characterization. The manga has done such a poor job of properly establishing Hikaru both as an antagonistic force and as a consistent character that I feel like I'm trying to assemble a coherent image from two different puzzle sets with all the fucking corner pieces missing and that's with Crow Girl looking into the camera and Explaining Him to me.
And listen, I am a bitch who LOVES to infer things. One of my absolute favourite pieces of fiction of all time ever is Umineko no Naku Koro Ni, a mystery story that literally does not contain any straightforwardly explicit, textual confirmation of the culprit's identity or motives because it believes so strongly that you, the reader, are smart enough and empathetic enough to put in the time and effort necessary to understand it regardless and it deeply, deeply values being able to give you that experience. But OnK feels less like it's intentionally encouraging me to think hard and enjoy the process of putting my head and my heart to work - it feels like it's leaving its homework unfinished and letting the reader do the actual hard work of sewing up the internal logic.
I probably won't talk much more about Kamiki this chapter cos I'd just be saying all this shit over and over but I really just am struggling to understand from a perspective of authorial intent what the vibe is even supposed to be. Like I mentioned in a previous ask, if this is where Kamiki's arc is reaching its conclusion then it means that the Movie Arc was essentially a whole-ass waste of time in and out of universe. Blech. Hate that.
Also, before I move on, I don't want to leave this just implied - making Kamiki explicitly a CSA victim and then ending his arc on Aqua (and implicitly the narrative) dismissing him as being too broken/corrupted to be saved is a really major misstep that I think represents a huge black mark on OnK's handling of CSA as a topic. The idea of an eternal defilement or an unfixable core wrongness in the self is already something real life CSA victims struggle with in the process of unpacking their trauma and having our likable and supposedly morally superior protagonist espouse this unchallenged in a work as prominent and relevant as Oshi no Ko is irresponsible bordering on dangerous. It's incredibly disappointing that after all the care Aka and Mengo seemingly took in handling this topic that it was whiffed so badly at the last second.
ANYWAY!!! Now all the beef's been dealt with, we can cleanse our palettes and move onto everything else I liked which was… basically everything else in this chapter!
Admittedly, Aqua's overall arc is still suffering from us being kicked out of his head from like 123 onwards for no real apparent reason and while 150 was a welcome refresher on where he's at in this part of the story, it still feels a bit like the story is prioritizing preserving the surprise factor of its twists over making these surprises feel earned. Compare it to volume 1 - you are basically told exactly what is going to happen to Ai, especially in the manga when Saitou and Gotanda outright say as much - but her death is still incredibly impactful and upsetting. I think this chapter is very effective, but could've been a lot moreso if we'd spent more time in Aqua's head leading up to it.
THAT SAID… If the intention of keeping us out of his head was to recontextualize Aqua's behaviour across the past ten or so chapters in this new light, I don't hate it as much as I might have. I initially took issue with what felt like the story off-screening and not addressing the resolution to Aqua's suicidal ideation so whipping back around to prove that it was still very much present puts some particular Aqua moments over this past volume into a very different light. As some people pointed out, Aqua missing Kana's pitch - literally dropping the ball in responding to her feelings - and his wide-eyed look of alarm in 151 seemed very ominous omens for the success of her confession and that beat of him covering his face when Kana approves of his dream… very incheresting knowing Aqua was still struggling with 'love or revenge' at this point.
Most interesting of all to reconsider is Aqua breaking down in tears in Miyako's arms in 155 when she addresses him as her son for the first time. At the time it read like catharsis but now I can't help but wonder if this was Aqua grieving for something he desperately wants but thinks is out of his reach.
i do have to say though. i get the general vibe of this plan and think it works fine as the apex of aqua's self-sacrificial protectiveness for the people he loves but how is being the daughter of a serial killer somehow any less scandalous for her career than being the sister of someone who killed one dude. does aqua think they just won't notice that kamiki happens to be their biodad or something. wasn't that the whole point of the movie. goofy ass plan.
What really saves this whole scenario is the emotions at play, though. This really does feel like Aqua at his most Aqua in a really long while and this chapter has so much love and respect for his life as Aqua and the bonds he has formed as a result. The dreams Aqua lays out are so agonizingly simple, too - he wants to pursue the career he finds rewarding. He wants to date the girl he likes. He wants to accept Miyako as his mom and Himekawa as his brother and to make things right with Akane after hurting and using her. He wants to see Ruby achieve her dream and be there to support her when she does.
But Aqua's always considered his dreams impossible, hasn't he?
I fully admit; I got spoiled with the full page spread of Aqua stabbing himself way in advance of the chapter and initially hated it as a twist. But with the full chapter as context and the sheer weight of Aqua's longing to just fucking live and find joy, it's not just effective but absolutely gutwrenching. It is the synthesis of Aqua's series-long battle to choose love or revenge and it resonates perfectly because it has never been one or the other for him - Aqua's revenge has always been rooted in the fact that he loves others so wholly and completely and hates himself so utterly that he thinks sacrificing himself to preserve their futures is the only path for him to take. It's the culmination and final release of the suicidal ideation Aqua has been dealing with since he was four years old and like Ai's tragedy before him, there's a horrible sense that maybe there really was no other way this could've gone.
Aqua being the character who actually takes the knife also firmly cements him as Ai's narrative echo in the text which has me barkin and howlin because it's what I've been saying all this time. Not just that, but so many of Aqua's expressions in this chapter pointedly and deliberately echo Ai's after she was stabbed. Not just that, but Aqua's achingly simple dreams echo Ai's own heartrendingly simple regrets - all the two of them ever wanted was to be happy with the people they love.
This also reframes the story's prior establishment of Ruby as paralleling Ai and seems to place the twins in the position of echoing not Ai in her entirety but Ruby as 'Ai of B-Komachi' and Aqua as 'Ai Hoshino'. This was actually something I outlined in one of my very first meta posts on the series, but I think making it more specific to 'Ruby as Ai the idol' and 'Aqua as Ai the human', this actually gives Ruby's arc in relation to Ai a bit of breathing room. Don't get me wrong, everything I've said about her post-BH writing being underbaked and inconsistent is still the case, especially when it comes to how confused the story is on whether Ruby is her own idol or New And Improved Ai 2.0 but giving it less ground to cover helps in terms of her writing no longer being spread quite as thin.
Speaking of Ruby, that beat of her seeming to react or sense something is up the moment Aqua takes the stab. 'Something happened to my loved one far away and I just Feel It' is a trope I'm always a sucker for and I really dig it here.
"The public don't care about the truth, so let's tell them a lie" is such a crazy hard sentiment to go out on too. Holy fuck.
There go our boys…!!! Quite a few people predicted they might go over the edge when Aqua showed up in his Mephisto fit (Mefitsto) and I'm interested to see if we get any parallels to the ED's imagery in the next few chapters. Overall, though, I'm really excited for where things are going - I don't think Aqua will die, but I do have some theories about what might happen. I can't think of a more traditional misogi purification experience than the middle of the ocean in late December, after all…
No break next week! Woohoo! While the delay of episode 12 means we won't be getting them on the same day, that is the same week S2 of the anime will be concluding and Aka does like lining up his bombshells with the anime. So who knows what we'll see.
seriously tho aqua. everyone already knows kamiki is you and ruby's biodad. HOW IS THIS ANY BETTER THAN HER BEING THE DAUGHTER OF A SERIAL KILLER AS IT ALREADY STANDS
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i think you should totally drop whatever hc/ideas you have lying around honestly...i would love to see more into ur brain...pls <33
:DD
Hi!!!! Sorry this is a little late, I got so distracted with an animatic im working on(😈) and then a stupid essay😭😭 being honest rn... Almost all of what I've been thinking about is my fic.. 😔
But!! I can still go a little into that without spoilers. I've finally figured out The Perfect ending for this story that I feel fits with the overarching themes I wanted to tell. I've been making sure that every little detail fits with the themes I wanted to show, I wanted it to overlap Regulus and barty's characters and their overarching themes with PD. I also didn't want to just replicate PD cause I feel like that doesnt have the depth or commentary I want to out into it. Idk ive always thought it's super fun to put everything as some sort of symbol or metaphor or foreshadowing. I'm like literally so close to being done drafting and then I can actually talk about it a little more😭
Anyways! I've also been thinking about barty post regs death 😔(when am I not) But more specifically how every memory he had would almost be tainted, everything now would have an air of questioning and unsureness. Even memories where Regulus isn't there, just wondering where was he? What was he thinking? Am I remembering this right? What could've I changed? What was the domino that caused all of this to happen? Eventually finding it hard to accept the way it really was, having the "I guess it was" and feeling it, but overintellectualizing it. His logic and reasoning is his downfall in this situation, that's what makes him go crazy. (Side note I NEED to make a little post about his intersection between intelligence and madness) Hes doing a complicated version of when there's a task that seems so simple that you think it's a trick, but it's not, it's just that. What happened with Regulus was just that.
Also, I've recently self reflected and realized that a lot of my barty characterization is similar to how I think of Leonard Cohen's art(who I LOVE LOVE LOVE) Idk if you've listened to him or read any of his work, but I HIGHLY suggest it, it's perfect for fall. Anyways, a lot of his songs and poems carry themes of having a twisted self image, not completely self deprication though it may seem, but something else. It's closer to understanding and knowing that you are. Different. And unconventional. It's an uncomfortablility he has with himself. Being soemthig twisted from what you should've been. A lot of his stuff is also to do with tragically losing someone, out of their own choice, and still feeling very loyal yet bitter. Also of loving something so much that it turns dark, or it goes too quick, it spirals. Also his love songs are very barty's perspective on bartylus to me. And like, obvious war mentions. I could give some specific recs similar to barty or them if you'd like.
Another thing is of Regulus and his relationship with his dad. Though I see it completely reasonable if his dad was just kind of, not there and neglectful, it could give very interesting implications to his character, I like it the other way around. Orion seeing what a more carefree attempt at raising a child does and keeping Regulus even closer than he did before. I think Orion always liked Regulus more, despite him being the second, because he was a model son. I don't think he wanted this life or even to have kids, so Regulus being so complacent and in line with what he was supposed to be as a pure blood made him the decided favourite(as much as he could have one). He was always keeping a close eye on Regulus and he could feel it, but he didn't do anything out of place anyways. Orion could tell when he was even thinking something he wasn't supposed to. I believe that, no matter how much she tried, walpurga was too caught in her own head about her duty as a mother to see S+R as anything other than Her Kids, as property that she was supposed to care for and tend to, she obviously loved them, but couldn't see through them. But Orion was there around every corner looking through regulus' eyes into his soul to search for any thing out of his perfect kid.
Anyways.... That's all I can think of rn😭 but if you have questions about ANY of them lmk!!! I love yapping about my little thoughts 😁😁
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House MD hot takes
-Transmasc Chase > Transfemme Chase. Obviously everybody's headcanons are VALID AF but I feel like the only reasons people give is that "he likes to be pretty" when trans dudes can be pretty too :(. I can see both sides but transmasc chase just makes a lot more sense to me. I could write an essay.
-Wilson isn't autistic. He didn't "match House's autism UwU". Don't get me wrong there's definitely something going on up in that man's brain, but I'm thinking more on the mental health condition/personality disorder range than autism/adhd/etc.
-Foreman is sort of the least compelling member of the original team? I'm almost to the Taub/Thirteen/Kutner arc and so far I just haven't seem that much from him? I think House only hired him out of genuine respect as a doctor, which great obviously but not as interesting. He remains the same stoic, respectable doctor the whole time which is fine but not as interesting to watch as Cameron and Chase, with their "moral compass so strong it explodes" and "opportunistic traumatized yes man attitude" respectively. He's great as a guy, but just okay as a character. tbh I think the Euphoria episodes were made for the sole purpose of adding interest to the character.
-House was probably exactly the same before his injury, just not high all the time. I feel like that actually been emphasized in the show, but I always hear people talking about how he was probably much sweeter and a more lighthearted asshole beforehand and I think he just wasn't? People are allowed to have congenital jerkassery. I think he would still be a jerk even if he had a perfectly normal childhood.
-In a similar manner, I don't think House is as manipulative and cunning as people who view him as an edgy sigma tumblr sexyman like to think. I mean, obviously he is, but I think some of the stuff he says isn't with manipulative intent. I think he just genuinely lacks a social filter. He isn't Light Yagami for gods sakes.
-I doubt House and Wilson have ever fucked. SORRY. I'm a huge Hilson shipper but I just don't think it happened. pre series ending (yes I do know how it ends), even when they were living together, there was more important things for both of them, both in and out of their relationship. Also, at this point I'm guessing they both considered themselves heterosexual. It could have happened after the series ended I suppose because at that point I'm pretty sure they realized they were in love with each other, but Wilson was probably too busy dying of cancer.
-Start with Chase, end with Chase. I don't think Chase was very religious after he left the Catholic church. I mean he still sees himself that way which is valid and on the wiki and stuff, but I think most of his actions that point to that, like delivering last rites to a dead baby, are a byproduct of trauma if anything (trust me because religious trauma)
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John Seed is a comfort character for some people. Folks like to ship him with their deputies or craft redemption arcs for him.
There's nothing wrong with that, obviously.
But I just can't wrap my head around it.
There's nothing comforting about the way John Seed treated Joey Hudson. I don't understand why the ordeal she went through doesn't seem to matter to fans of his.
She was bait for the rookie deputy and nothing more, because she wasn't going to give in and join the cult.
He terrorized Joey and the rest of Fall's End, stooping to the lowest, most inhumane levels to get his way. Some even theorize that he hurt the "sinners" in his care just because he wanted to, for malicious, sadistic reasons that didn't have anything to do with the cult. At worst, some people go as far as to speculate that he raped Joey.
It's easy to see why someone might come to that conclusion. The way he acts is deplorable and he makes everything feel extremely personal, sometimes in ways that can be interpreted as sexually charged. He'll do anything in order to get his way because "no" is antithetical to him. He regularly flies off the handle, so much so that Joseph is threatening to cast him out. All the touching and getting right up in the player's face is so uncomfortable and obsessive (which is the point, but I digress).
So why does he get to be redeemed and venerated by fans? Don't his actions warrant consequences?
Are people willing to let him off the hook because he's attractive? Because he had a horrible, abusive childhood? Obviously he's got a lot more lore than most of the cast. Is that something people are interested in exploring for him over other characters?
I'm not trying to come after anyone personally. There's nothing wrong with liking villains and Jacob, Faith, and Joseph have also done terrible things to innocent people.
Which is like, fine. It's a video game.
And I know that John, like Joey, is a victim of Ubisoft's choppy, inconsistent writing and storytelling. Things got changed and swapped and cut during development that got us to where we are, with the story we have. Flaws and all, not like it was ever going to be perfect.
But in my opinion, I feel like the adoration for John does a huge disservice to Joey. People make thirsty edits of him while she's literally tied up behind him. It's tasteless and makes the optics of her situation look even creepier.
Her pain has largely been ignored for as long as the game has existed. I can't for the life of me figure out why.
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