#and I say only potential because there's not a lot of scenes with these two I've seen and it's only conjecture...

[christinebloodwrittings]

Die in your arms #1

Alastor x Fem!Reader.

Warning: mentions of implied SA, imprisonment, murder.

July 1913. Manhattan, NYC.

The courtroom, with all those eyes staring, would make anyone tremble with anxiety. The jury of men in gloomy suits, whose faces you did not know and did not bother to remember, the judge with white hair and glasses perched on the tip of his nose, and the lawyer on the side of the people looked at you as if you were the worst scum in the world.

How distasteful.

The D.A’s office had taken the trouble to give you a new outfit to wear to court, with lots of layers and cream-colored ruffles. The last time you wore something so nice was when your parents brought you to a friend of the family’s house, for dinner.

The high neck of the dress was not tight, but given the heavy atmosphere and the nerves, it was as if a rope had been put around your neck.

"Your Honor, my client has not a single criminal record prior to this incident.  Her family in Denver reported her to missing persons five years ago, the police deliberately dropped the case after a week” he paused for a moment, taking a deep breath before watching your lip quiver, “After her father asked to do so" but you knew that already.

Incident, five years of imprisonment, and the attorney who is supposed to be defending you used such a weak word to describe it all.

Also, your father… it should have surprised you, but after everything he said before it all started…it really didn’t.

Before your attorney could actually begin to speak, the defense took his sweet time trying to make you look like a serial killer, a potential risk to the community.

“Miss Desmond, is it true that your commanding officer knows that you are the New York Smiler?” the lawyer asked, the jury having their sole attention on you. “No” the scoffs of the public at the hearing  echoed in the room. “Do you consider yourself guilty of the twenty-two victims, murdered in between the years of 1910 and 1912?” it was only 1912, december, you remembered because there were christmas decorations on some houses.

“Twenty-one, and no, I did what was necessary to stay alive” at what cost, liberation? That one breath of fresh air felt like needles down your throat, and has brought you nothing but problems ever since.

“Twenty-one? There were twenty-two bodies at the scene” he placed a detailed record of the evidence found in the scene in front of the jury for all to read.

“When I left there was one that was still alive, since he was in no position to follow us, I didn’t do anything, I was the one to notify the ambulance about him” his kneecaps were shot with a gun, he would never walk again so it meant no harm at the moment.

Then, he continued to the one charge he could actually condemn you to, “Miss Desmond, did you or did you not fake an ID to enter the army?” your attorney nodded, giving you a pass to say the truth, given his strategy. “I did” he presented a photo of the woman of the original identification, “Who’s ID did you forged?” mercilessly, the memories flooded your mind. 

‘Everything will be alright Y/n, just…’ she took a deep breath before caressing your cheek, ‘Do what they say, and no harm will come to you’ her bloodied hair stuck to her face as she smiled, teeth broken and red. “Martha Woodsman” her name burnt as it left your tongue, “Who is she?” you closed your eyes trying to remember a time when she was the most beautiful woman inside the facilities. Her creole accent and brown skin, along with the greenest eyes you had ever seen, she was idyllic.

“Was” you corrected, “One of the eldest women inside the brothel, I stole her ID and placed a picture of myself” you answered with the truth, your voice trembling and breaking as you did. “Nothing further” that lawyer had some mercy in finishing his questions after that.

"Do you understand, Miss Desmond, that if you lie while under oath, you risk being charged with perjury?" the judge reminded you. The judge had a cold and defiant attitude towards you from the moment he found out that the accused was a woman. He reminded you about perjury with the sole motive of saying ‘you are a woman so don't get emotional and tell the truth’ indirectly. 

"Your Honor, I did plan the escape, down to the smallest detail, with the goal of getting out of that place without anyone getting hurt. The boss shouldn't have been there, I checked the schedule book three times before the escape." You were irritated, but you didn’t let his guts get to you. "If I had planned a murder of that magnitude, I would have admitted it from the start, they were bad men, but that doesn’t excuse ending a life like that, I didn’t plan to harm anyone that night" satisfied, yet adamant, he signaled to your defense to step forward.

In all, it took three sessions in court and at the grand jury, during which you spent the night in the cell of the police station closest to the courthouse. Three sessions that lasted about two weeks, telling the same story over and over again until someone could make up their mind.

"I understand that it's difficult for you, so take your time" Your defense looked at you as a victim, not as just another psychopath, it wasn’t a great help, his look of pity boiled your blood.

"I had been in brothels for a little over five years, in different places, although I didn't know exactly where, they blindfolded us and kept men with us, with guns" The weight and cold metal of a revolver barrel is a sensation that will never leave your skin.

"You and other women" matter of fact-ly directed himself towards you. "Yes" you tried to sound sad, not as nonchalant as you would hope. "How many would you say?" One hallway, five rooms, the red door always had more voices coming out.

"There were six of us in the room, but some time passed and two of them didn't come back. When I left I saw that there were more rooms so I guess more than a dozen" you managed to get 26 girls out, the red room was secured on the inside for some reason, so picking the lock resorted impossible, and when you thought you had cracked it, your boss came back through the main door.

Spotting you, red-handed.

"And those two who didn't come back, do you know what happened to them?" you shook your head, "Not very well, but I heard that the ones that aren't sold to other brothels are usually killed in front of the newer ones to set an example, but it may have been just a rumor".

"There were women of many ages, the youngest must have been about fifteen or fourteen" chained, with hands and legs to the wall. You watched as the youngest and newest ones entered trembling with fear, knowing there was only so much you could do for them.

“People of the jury, she’s no psychopath, she is a little girl who tried to escape her captors, a stray kitten who saw no other way than to scratch her abusers in self defense” ‘Oh call me kitten one more time’ you bit down, trying your very best not to give them even a smidge of anger to use against you.

“Miss Desmond, why did you join the army?” They had not asked themselves why, they had only seen the deception and identity theft. “Objection, relevance?” The defense tried to prevent your attorney from using a sympathy card, but the judge, tired of going over the same case over and over again, allowed it. Like the jury, he was curious as to why on earth a woman would want to enlist in the military.

“Overruled. Miss Desmond, answer the question” your answer left a few men in disbelief.

“I tried to join the police force to bring down the people in the brothel, but not only did they reject me, but also they didn’t believe me, so I thought the army would help me build my body to help others” ‘how noble’ you heard the judge mutter under his breath.

“You didn’t want anyone else to feel like a victim” speculative, that earned a misplaced objection. “No, I wanted to give the victims someone that would fight for them, some hope to survive” an executioner, someone that would cut the heads of the snakes for them.

The judge called both representatives to the chambers after they started arguing, faces far too close, fists tight and white, like two wolves showing their fangs in warning.

“She did forge an ID to enter the army” started the defense, "Forging an ID can be considered a misdemeanor, but my client did not do it for sinister reasons" continued your attorney. "And what do you suggest we do with your client, Mr. Davis?" the old judge sat, his eyes never leaving your over coloured form.

"Remand her to the care of her family, one foot outside will get her 35 to life in prison”  a bunch of files were opened before the eyes of the judge, records of your family mostly. "Does Ms. Desmond have a family, a husband?" no husband, though there were men that tried to buy you for that purpose, you never understood why. 

"A cousin in New Orleans, no husband” you shook your head at the thought of your cousin, you haven't seen him in years and now you were going to drop on his front door in shackles with a criminal record? “I don’t want to be a burden to my cousin”, you didn’t even know how he looked like after so many years.  

“If you get a husband, it will be the same sentence, remanded to his care, one year” tied to a man that will have a sexual appetite, and probably demand that of you, hell no. Your attorney saw the hesitation in your face, “Y/n listen, either is this or a lifetime in the reformatory in Indiana, your choice”.

After what felt like half an hour, the jury had come to a decision. 

“Does the jury have a verdict?” you closed your eyes, a bruising grip on your skirt as the leading man spoke, “We have, your honor”.

“On the charge of first-degree murder, how do you find?” the charge of planned manslaughter, “Not guilty” and how it hurt their pride to find no evidence of a planned murder. “On the charge of forgery, how do you find?” oh, that’s the one you would have to pay a few bucks to get rid of, “Guilty”.

After assuming that you would walk as a free woman, the judge proposed house arrest to the jury, “Gentlemen of the jury, do you agree with the solution?” instead of the fine that forgery would make you pay for the rest of your life and that you would not finish paying even after death, “Yes, your honor” now you were going to be imprisoned, again.

"Y/N Desmond, you are hereby remanded to your family’s care, you will be considered a flight risk, and your title as a soldier will be removed”

“This is an extraordinary measure, given that you freed more people than you killed, but as Mr. Davis says, one foot outside will resort to a lifetime behind bars, do you agree to this?” it’s not like you had any other option, “Yes your honor, thank you”.

The sound of the gavel was the last thing heard in that quiet courtroom. 

You were assigned a nurse for your medical care, among other cares. Given the severity of your wounds and the time it took you to call for help in the army, several of them became infected or went from being a knife scratch to a deep cut.

The stitches made by the commander's assistant were not the best, so some dead pieces of skin had to be surgically removed and sutured. More than one or the other, you looked like the daughter of the mummy and Frankenstein, covered in sutures and bandages.

Not to mention the cut on your cheek from the first time you were forced to please a man, orally. The mobster took an awfully big liberty in permanently scarring your face, which is why he was never allowed back in.

The train and ferry ride was long. At night you couldn't really appreciate the scenery, much less being handcuffed and delivered to your cousin's door without warning.

Finally, the police car that picked you up at the port stopped in front of a two-story brown house. In the darkness of the night, and with it being the new moon phase, there wasn't much you could make out of the image.

A police woman delivered a few punches to the front door, immediately attracting rapid footsteps from the inside. 

“Howard Desmond?” she asked, suddenly Howard was paler than he already was. “Yes, is there a problem, officers?” A tall man, with short, ebony-black, tattered hair, dressed in an old, smelly nightgown, as if he had never washed it, appeared through the door. 

"Your cousin, Y/n Desmond, is under your legal care for one year, the details are written here" he slammed a thick file against his chest, before pushing you inside "We'll be monitoring from time to time, just to make sure the sentence is carried out" he released the iron grip of the shackles and walked out the door.

“Thank you, uhm, good night officers” Howard said goodbye, absolutely sleep deprived and shocked. Though that would be an understatment.

“Y/n, what the hell?” He wobbled a little, but after processing it for a second, Howard ran to hug you. The embrace was something you longed, every fiber of your being wanted to remain in his arms until your flesh dissolved.The sudden pins and needles that his strength against your wounds provoked was everything but comfortable, but to be cared for just one second, you could bear with it.  

“What happened?” cold rushed by your body the second he stepped away, he glanced at the file for a second, “I can’t summarize five years of shit in a couple sentences” that came out shaky, more than you expected.

“How did the jury find you?” you rested your back against the wall, finding some comfort in the cold surface, “Not guilty for first-degree murder, but guilty for forgery, thank god they oversaw the identity theft charge” he was appalled, not understanding a single thing and making movie about you being a mastermind of crime in his head. You rolled your eyes and pointed to the file they gave him, “Like they said, read it, may I have some water?” from the table next to the coats he took a small pair of glasses, his face became paler as he read the reports. “Of course” he sprinted towards the kitchen whilst reading and muttering ‘oh goodness’ as he went.

Meanwhile you took it upon yourself to wander around the living room, specially to the picture frames on top of the fireplace. His graduation, marriage - she was pretty, maybe too pretty-, then Howard in front of a building with a glass and lots of happy people - maybe a grand opening?-.  

His pacing sound made you turn around, the silence as he handed you the glass of water was sepulchral. “Wow, you own a business? Swell” an ice breaker, not a very good one, because he didn’t seem to un-glue his eyes off the pages. 

“Twenty-one?” he breathlessly asked, either in disbelief or pride, you weren’t sure, his tone didn’t match the smile on his face. You nodded, saying something would be redundant, given that your confession was on the report, signed by you. 

“And a nurse will be coming to my house to tend to your rehab?” Multiple injuries that worsened over time, bones that healed poorly, rehabilitation and physical therapy was the only option the doctor gave you to heal completely. You thought it was incredibly invasive, but they promised you a woman nurse to aid you, so in order to heal, you could bear it. 

“It’s already paid for” Howard felt his knees buckle at the sudden information, he hadn’t seen you in years and you show up with this kind of situation, money wasn’t the problem. “You know that’s not what I mean” with that he meant perhaps what kind of people the crime committed could attract.

“Look, I didn’t want this to happen, my parents aren’t an option and I don’t have a husband, please” begging to stay somewhere safe for a year wasn’t on your plans, but for the sake of not being thrown in jail for the rest of your life, you could lower your pride enough.

This time, willingly.

“Did you get them all, or?” The disagreement look you gave him was enough of an answer.

Howard was going to ask about your possible luggage, but noticed that you only had what you were wearing, the cream-colored ruffled dress from the trial. Thinking out-loud he began to make a list of needs, “I’ll have a modiste come tomorrow, also I’ll hire you a tutor so you can learn some basics” he spoke of shoes, undergarments, cooking books, he wrote everything so he wouldn’t forget.

“Sweet lord” he exhaled, gathering some thoughts, “You want…some alcohol, food?” you shook your head, “I’m not very hungry, the train got me a bit dizzy” he left the note with the file and his reading glasses on the table near the door, “Then, rest, we’ll figure stuff out in the morning” he took the empty glass off your hands, after putting it down in the sink he made his way to the stairs.

“Howard th-” he cut you off before you could finish your sentence, “Don’t even mention it, not until you are thoroughly okay” with that he disappeared upstairs, the sound of a door closing the last you heard.

---

Stay tuned.

Taglist open: @littlebluefishtail @maxlynn17

[halcyonarylus]

Honestly, I don't blame Alhaitham for opting out of researching something in this scenario. While many scholars would have been over the moon to research a relic like the wedject eye - especially one connected to gods like Deshret and the Dendro Archon because people put gods to a high esteem - Alhaitham doesn't. Gods and humans are just different forms of existence in his eyes. So to me, he would view the object like someone else's possession - something very personal that contains nothing but memories. Like yeah, it's a magical item, but functionally it would be no different from a container of momentos. It would be like breaking into a box of childhood possessions or a locket to find a personal family photo or something to that effect. (And I'm of the opinion Alhaitham does have more moral guidelines than most people give credit for because of his objective perspective and monotone delivery. Seriously, he's very emotionally aware and human).

The only thing left of interest for the relic is how it records the memories as a mechanism. Or look at the material of the gem itself, or any potential inscriptions on the relic. Which wouldn't take much time to observe. So instead of taking personal time off from work or other life to travel a good distance just to look at something for a few minutes doesn't seem like a time worthy investment. If it were me, I'd rather wait for a stars align situation, like maybe when I go to the desert to research something else and oh the temple of silence is right there. Or, even better, that the item in question comes to me.

That said, Alhaitham being lazy crushes my hope to drag him to places of interest to me - like Enkanomiya, Dragonspine, etc. (I desperately want to bring the smart people to places of mystery in game as a lore person so they can explain things to me). and it dashes my hope that this amazing Sumeru cast can interact with characters of other regions, like Cyno and Tighnari with Albedo. I'd like more of that. Please let Alhaitham and/or Kaveh leave Sumeru or participate in other festivals. (Yes, I'm biased)

It is interesting Sethos is so cool with being open to letting Alhaitham (and Kaveh) research it and other things the Temple of Silence has, considering I don't think they really interacted directly in it (I haven't done Cyno SQ II yet; I just know the main points that happen). I take it Sethos has a good vibe check and can tell the scholars in the Crew-meru friend group would treat materials of the Temple of Silence properly and with respect. There's a lot I could say about how Sethos really isn't that close to Cyno despite being initially tethered to him, and how despite this he is finding a place and purpose outside the life that had been set for him, making all sorts of connections past the desert - hence why he is steadily creeping in to be a true member of the gang - but I should reserve that for when I actually do the story quest proper. He's in such a unique position in many ways, with a lot of story potential and growth available.

Sadly, little do all these characters know there is a high possibility that the memories contained within the eye might show the truth of the original Dendro Archon. I kinda hope, if not for the wedjat eye, that we get a future story or event at the Temple of Silence, given that the location is permanent even after Cyno's SQ II, instead of being a one time domain like in other story quests.

Regardless whether the wedjat eye comes back or not, I do feel we're inching closer to a Deshret and Nabu Malikata reveal - like with Guizhong. Candace did catch bits of conversations between the two gods (things like "will she find out" and "follow the tracks.") And I hope we get all of the Sumeru crew to research that (copium, I know). Like, I know the scene is functionally covering their tracks of 'the characters are so close to accidentally stumbling on a big truth on something they never questioned the validity on before (Rukkhadevata's existence) and giving excuses for them to avoid it - but it's precisely that that makes me think we'll at least revisit the topic in some form.

And speaking of which, they were not subtle about Nahida at least suspecting something. I expect Nahida to learn about Rukkhadevata eventually, though as a thought experiment I like to imagine what would happen if the other characters involved in the rescue operation were to also learn the truth - how that would affect or challenge their understandings of knowledge and memory. Like Alhaitham is especially fascinating in that regard because he both values written records, as shown in his teader, while also constantly questioning 'truth.' It's one thing to be critical, but how would your worldview change knowing the world actively deceives you and hides things. (Again, don't think it'll happen; just a thought experiment of mine)

Hi! Thank you so much for all your analysis, I really enjoy them!! Did you find it strange when Alhaitham, at the end of the event, said he is not interested in visiting the temple of Silence for that gem? Because Alhaitham has always been one to pursue knowledge (sometimes to the extreme, i.g archon quest, where he offers to be taken as a hostage instead to learn more about the truth) Even Kaveh was confused by his answer. I wonder if Alhaitham only meant it in a "I wouldn't go through the trouble JUST for this gem" or if this might be a potential hint to his next storyquest? Idk, it just stood out to me that even Kaveh commented on it, when he knows Alhaitham the best.

i'm glad you enjoy them, thank you so much!! anon this is a delicious sumptuous question, this ??? inkling has been rattling around in my head since finishing the quest, so thank you for giving me a chance to break my own thoughts down about this!

alhaitham's own thoughts about the wedjat eye are that there is little more research to be carried out, as the wedjat eye is perceived as a piece of history, whose purpose and meaning has already been identified - and this can contrast against his active research pursuit with the forbidden canned knowledge capsules as it was uncertain what danger they posed, and the root of the danger

but kaveh points out (as you rightfully say) that since the gem is a legendary historical artifact, it's strange that alhaitham isn't interested in at least seeing it, to which alhaitham states that he refuses to go to the temple of silence to do so because it's too far for him, which is so funny to me??

as if he isn't seen roaming around in the desert and going on research trips to ruins in his character trailer, as well as the latter part of the archon quest taking place in the desert. i suppose that since alhaitham had personal motives to be in the desert these times, and, apparently the wedjat eye doesn't particularly interest him, that he isn't willing to make the journey this time, okay give us nothing!!!

alhaitham brings up the chance of the wedjat eye being brought to the akademiya for appraisal, and says that in that case, he would take a look, as he likes to know when interesting things are brought to the akademiya - which can be seen as well in his story quest, where he keeps files on interest on his desk that the player can read

i think it's interesting that it is sethos himself who directly invites alhaitham to look at the wedjat eye for research when it's now contained in the temple of silence, as in cyno's second story quest, when the temple of silence is explored, sethos gives cyno and lord kusanali permission to choose people deemed "worthy" to pursue knowledge in the temple of silence, warning that they must be careful with their choice of candidates

cyno then extends this invitation to kaveh and alhaitham, with them seemingly being these 'candidates', as kaveh says he is interested in visiting the temple of silence in order to look through ancient documents, with cyno saying "that day will come" which seems to imply the temple of silence being at the centre of some future event

each sumeru event (an odd textual mystery and now nahida's birthday event) since then has, of course, included sethos, as he is now a mainline sumeru cast character, and the mention of the wedjat eye now belonging to the temple of silence is consistent with maintaining the organisation as a pivotal part of sumeru

whilst alhaitham's reluctance to physically go there seems to be for comedic purposes, in line with him not helping with the celebrations as it isn't part of his job description (oh but you can head on over to port ormos for no apparent reason to yap with kaveh and leave to go back to the house of daena? like it's a brisk stroll away?? SICK!) i think it's very likely that we'll get more of an exploration of the temple silence in future events (or perhaps a sethos hangout which i am once again asking for), especially (as you say) alhaitham is associated with pursuing knowledge, and the temple of silence is described by sethos to be the hub of this, i'll assume that there has to be something there that entices him to make the journey

as for the wedjat eye being brought to the akademiya, i'm not so sure if this will be explored in an event or character story? the purpose of it seems to be fully explored in this event, with candace being the only one to be able to operate it, and with alhaitham saying that there's no need to study it further could be a narrative choice of essentially wrapping up this story thread - but who knows?? (thinking along these lines, it's notable that candace shows the wedjat eye to the traveller and paimon, but doesn't reveal it to alhaitham and kaveh when directly discussing it, ensuring that the two never see it...? worms in brain actually)

going back to the temple of silence, the information it actually possesses regarding king deshret's civilisation being a mystery, as well as the wedjat eye being a gift from king deshret now being contained there, (along with mehrak's core being from king deshret's civilisation which i think would be very !!! to explore), is really interesting to me, especially with the emphasis on there coming a 'day' in which it's possible for the temple of silence to be explored by the main crew, or those that cyno and nahida select as candidates. i'm very much hopeful that hoyo will fulfill this foreshadowing!!

[orcelito]

Thinking again about my plans for Vash and Knives in ITNL

Which I can't really get into the specifics for How I'm going to do things w/o going into spoiler territory. But I Do have Vash & Knives tagged on the fic for a reason. I set up in the first chapter that Vash is determined to try to save Knives too.

Which. That choice, as well as the entire basis for all of this, depends so much on that final fight in trimax. The one that was literally a scene away from where ITNL Vash went back in time. His mentality just a hair's width away from that...

At the end of trimax, there was reconciliation, however brief and incomplete it was. In ITNL, my question to myself was How could I induce that again? Under different circumstances, How Else could we get there? And that is the long-game in ITNL.

[garlic-sauc3]

and for my next trick I'm taking two women who are in 1 panel together and making them kiss. with tongue.

[honeyhotteoks]

an innocent man doesn't stand a chance (j.yh)

summary: it's halloween and your boyfriend has a fantasy. he wants to be the masked killer and for you to be the final girl, and he wants you to run.

note: this was written in a feverish haze of ghostface yunho brainrot, you can thank this fanart and this edit for making this one about yunho, but i have to give all credit for the idea to the nsfw audio creator augustinthewinter who's masked hookup audio killed me. also please read the warnings, this one is potentially very triggering.

warnings: ghostface!yunho x final girl!reader, boyfriend!yunho, hard dom!yunho, girlfriend!reader, sub!reader, sadism, masochism, knife play, primal play/chasing, threats of violence, heavy cnc that really looks like noncon because part of the play is that he wants her to struggle and say no BUT there are consent checks explicit throughout, rough sex, fingering, gloves, masks, breath play, impact play, mirrors, finger sucking don't look at me, dry humping, clothed sex, ripping off clothes, size kink, ass play, lots and lots of degredation including use of sl*t/wh*re/fvcktoy/c*cksleeve, yunho is seriously mean in this i'm not kidding, fear, forced orgasm, orgasm denial, creampie, subspace, there's more i'm sure but this one is a doozy. also lots and lots of aftercare!! after a scene like this i had to write detailed aftercare and confirmation of limits, so that's there too! yunho is v sweet when not in the zone.

pairings: yunho x reader

genre: smut and more smut, no plot in sight

word count: 7.9k

The party is in full swing when you arrive. The house bumping with music and every corner decorated for Halloween. You’re late enough that you can just slip in through the back door, and that was the plan from the start. Yunho arrived first, nearly two hours ago, and made excuses for why you were late, for how you might not even make it to the party. No one would see either of you come or go together, so when you both disappeared to play your game no one would ever know. You had come up with the plan in bed, whispered fantasies and what-ifs between the sheets as he rewarded your willingness to try something new with his tongue. 

His fantasy is special, and to do it right you can really only do it on Halloween night. 

You weave through a throng of drunk acquaintances, searching the crowd for him, but it’s not as easy to find him as you thought it would be. You’re not sure how a six foot something Ghostface killer could hide from you in the crowd of your friend’s house party, but no matter how many rooms you check you can’t see him. Nervousness pits inside you as you check your phone and see nothing. He could be caught up with friends, he could be changing his mind, but you can’t tell if you can’t find him. 

Adjusting your very 90s costume, you dart away from the kitchen where a group of your girlfriends are pouring shots and weave your way into the back of the house. Maybe you can call him? Text him? Would that completely ruin the mood of psycho killer stalking? Maybe, but it’s been forty-five minutes and you haven’t so much as seen a sliver of his mask. 

You flick through your phone, checking for any new messages, and then scroll to find Yunho’s contact card in your phone. Your finger hovers over the call button as you lean against the quiet hallway wall, and then in your peripheral vision you see it. 

A dart of black, something looming, and when you finally turn your head, you see him. Ghostface, standing wide and imposing in the hall, blocking any way past him and back out into the party. 

“Spooky,” You sigh, tucking your phone away. 

Silently, Ghostface nods his head. 

The hair on the back of your arms stands up. This is it. 

“What? Are you looking for the bathroom or something?” You take a step or two towards him, leaning into the character you dressed for. 

He shakes his head. 

“Looking for me?” You bite the inside of your lip to keep from smiling. 

Slowly, he nods. 

“Mm,” You raise a brow at him, “what’s the line from that movie? You wanna play psycho killer?” 

His head tilts slightly to the side and he nods once again. 

“And who do I play?” 

He takes a step towards you and you fade back. 

Fear starts to spread through you, even with it all being pretend, you can’t fight the feeling that your subconscious drums up in your gut. 

He takes another step, and then another, and then you’re running. 

Spinning on your heel you push deeper into the house, away from the party and towards a line of doors down the hall. Your heart is pounding out of your chest, your stomach a bundle of nervous trembling knots, and your hands are so slick with sweat you can barely grab the door handle of the basement. It’s not as easy to run as it looks in the movies, especially not in a tight skirt and penny loafers, and you skid down the basement stairs taking them two at a time until you slip forwards and crash down onto your hands and knees. 

You don’t have time to assess the sudden sharp pain as the skin of your palm drags over the concrete floor though, so you scramble up in a flash and in a panic you weave your way deeper into the basement. 

It’s familiar enough to you, your best friend’s parent’s place. You know there’s a tiny half bathroom in the far back corner, a rarely used guest bed against one wall as you descend the stairs, a collection of old video games and movies, and then around the corner to the left more and more basement, more storage, more dusty nooks and crannies to hide. You’re frozen for a split second, trying to decide the best place to go where he won’t find you, but heavy footfalls on the stairs ring in your ears like drum beats and you don’t have time to weigh your options. 

You take off towards the bathroom, fumbling with the door again when you reach it. 

The masked man behind you doesn’t say anything, but you hear him moving. His feet are sure and quick, the heavy fabric of his robes making a whooshing sound as he darts forwards to try and close the space between your bodies. 

A panicked sound leaves your mouth as you tumble into the sink, clocking your hip hard on the porcelain and bracing yourself on the wall. Turning you reach back for the door, if you just get it latched maybe you can give yourself a second to think, to shimmy out of the very small, high set window. Pushing yourself into action you grab the door, he’s so close you can hear his breath, seconds away. Seconds away. 

The door stops abruptly as you throw your body against it, six inches from closing. You push again, but it doesn’t budge, and when you look down it’s clear you’ve lost this game. His heavy black boot is firmly set in the door’s path, and you know there’s no chance for escape. 

He crowds you instantly, leaving you no time to recover, his body pushing into the cramped space of the bathroom and flinging the door backwards into the adjacent wall. You stumble into the sink and he moves right up against you, the firm length of his body pinning yours in place. 

For a moment everything is still, completely and shudderingly still with only the sound of your hitched breathing and thundering heart filling the room. You’re not sure what you should do - beg? Plead? Stay silent and let him do what he wants? 

The masked man’s head tilts to the side as if he’s observing you, something you can’t tell through the ghostly plastic of his mask and dead black eyes. You’re trembling for real, hands shaking as they grip the cool porcelain. Ghostface leans into you, one of his gloved hands reaching for your face, a soft brush against your chin at first that turns to pressure as his fingers slide up your jaw to push you face to the side. It’s like he’s studying you, his hand slipping lower and dragging down your throat. 

Your breath comes faster, stomach tight. 

Ghostface closes his hand around your throat and your eyes widen. He holds you like this for a moment, his other hand locking down over your waist and gripping you tight, pinning you in place. 

When he squeezes, panic bubbles through your body. 

Yunho’s never choked you before. He’s never even suggested it, despite all your little jokes about how nice his hands would look around your neck. It seemed pretty clear to you that within the bounds of your relationship that was one thing he just wasn’t interested in, but whoever has you in the bathroom knows exactly how to hold your throat and where to press. Part of the fun is not knowing who’s beneath the mask, but your body still locks up, and an anxious voice inside you starts to wonder - what if? It’s not as if Ghostface is that rare of a costume choice, you see dozens of them on the street every year. It’s not inconceivable to think that at this party there would be more than one. 

Your heart beats in fluttering fits and starts in your ribcage as your mind turns over this possibility, and then he squeezes. The fight comes back into you full force when you hear him sigh, his hand tightening even more and cutting off your airway. You wriggle in his arms, pushing against his chest and trying to use your hips for leverage, a startled whine ripping from your throat, but fear laces through your body as you shove against him and realize just how immovable he is. 

Ghostface releases your throat, the same gloved hand slipping into the back of your hair to hold you steady. 

“No!” The word tumbles out of your mouth as soon as you can properly make noise again. 

He crowds you more, masked face dipping by your ear, “Shh, shh,” 

You freeze. 

“Safe word?” Yunho’s voice is a balm in your moment of sudden panic, his tone low and hushed. 

“T-treasure,” You manage it, the realization coming back into your body that this isn’t a total and complete stranger, it’s still him. Your fear starts to melt into anticipation. 

He gives you a squeeze, just one gentle pulse with his hand on your hip to communicate that he’s heard you, “Color?” 

You take a second to assess yourself. This game is intense in a way that you’ve never experienced. Yunho had tried to tell you how your body might react to this kind of manufactured fear, how it would play tricks on you, how even if you knew it was him your body would still have the urge to fight and flee. You knew it, but you didn’t really understand it until this moment. 

Yunho’s gloved thumb drags lovingly over your cheek for just a moment, “Color?” 

If he has to ask you a third time he’ll end the scene, you know he will, but the brief flicker of tenderness in his touch reminds you of everything you already know about him. He has you. You’re safe. This is a game. 

“Green,” You finally answer, “I’m green,” 

One more quick pulse to your hip, he’s heard you again. More than that, he’s pleased with you. 

His shoulders straighten as he draws to his full height, his body filling the space of the tiny bathroom and caging you in. You swallow tightly, audible in your ears and then he moves fast. 

His hands around your waist, lifting you up and then shoving you back until you’re sitting on the lip of the porcelain sink, uncomfortably balanced and pushed back flush to the mirrored wall behind you. You yelp when he moves you, hands scrambling for purchase on something, gripping the sleeve of his black cape in desperation. Fear and anticipation pulse through you, but he doesn’t give you a rest to get your bearings. 

He shoves your legs open wide and slots between your thighs and shoves your face to the side until your cheek is squished against the cold mirror, his hand a controlling brace from your jaw to the crown of your head. 

“You look so pretty running from me,” He strokes your face, but this time it’s not loving, it's possessive, it’s pure control. 

You grip the edge of the sink and whimper. 

“Should we play a little game?” He teases, “It’s Halloween, you must like scary movies,” 

Your breath quickens, “Y-yeah,” 

He drops his voice low, in a mimic of the movie, “What’s your favorite scary movie?” 

You’ve heard Yunho do that voice before, lazing on the couch last October when you had yourselves a movie marathon, the day he realized something about your favorite scary movie that turned you on, the day you called him out for being hard during a kill scene. It took a year for you both to work up the courage to actually act on any of those fantasies, but here and now with his mask on and his voice low, you feel that mix of terror and arousal bleeding through your body in a way only he can elicit from you. 

You can’t help the little smile that passes over your lips, “Scream,” 

“Meta,” He teases, pinching you hard on the thigh,  “for every question you get wrong, I’m taking something off you,” 

You swallow hard again. 

He reaches into his black robes and then you see it, shining in the reflection of the mirror and in your hazy peripheral vision. The glint of a real knife is unmistakable, the cool sharp edge of the steel crystal clear and you can’t stop the actual fear that jolts through you. You jerk in his hold, instinct driving you for a split second, and he pushes your face harder into the mirror. 

“Tch,” He makes a disappointed noise with his tongue against his teeth, “the game’s no fun if you don’t play.” 

He won’t hurt you, at least not in ways you don’t already like. You have to trust that. 

Settling yourself with a slow breath you summon the act he wants, find the fear within yourself and let it inform your words to give him what he wants. 

“Please, don’t,” You’re trembling is real, that you know. 

He shifts between your legs, drawing the knife closer, shifting it in his hand so he simply presses the cool flat side of the blade against one of your nipples. You hiss at the sensation, tightness building in your gut. 

“First question,” He drags the knife a little over your nipple, “What movie franchise is Jason from?” 

It’s an actual quiz, of course it is. At least he’s starting off easy. 

“Friday the Thirteenth,” You reply fast. 

“Correct,” He lifts the knife, and with the blade pointed away from you, he pushes up your tight tshirt until it’s bunched above your breasts. 

“I got that right,” You glance down at the way he’s touching you, breaking his own rules already. 

“Just getting a better view,” He insists, and then the cool knife is against your nipple again, only the thin fabric of your bralette between skin and steel. 

Your body is aching in this position, but you can feel the heat off his body, and the heady tone of his voice from under the mask still has you starting to ache in different places. 

“Let’s make this a little harder,” He taps the knife against you and you shiver, “what movie has a group of teenagers being stalked on an island by a killer fisherman?” 

“It’s,” You start to answer but he taps the knife again and you jolt, “fuck, it’s I Know What You Did Last Summer,” 

You watched it with him two weeks ago. You remember it, clear as day. 

“Wrong,” The knife twists, the tip gently skating over the swell of your breast. 

“Wait,” You start but he tips the knife under the center of your bra. 

“I Still Know What You Did Last Summer,” He clarifies the sequel, “they weren’t on an island in the first movie. I thought you liked scary movies,” 

“I,” You press back into the wall as the knife edge kisses your skin, “I… I do,” 

“You’re not very good at this,” He twists the knife and drags the sharp edge out so that it severs your thin bra in half, falling open and revealing your breasts to his wandering eyes. 

A little gasping sound leaves your lips, a desperate noise you try to bite back, but he hears it. 

He hums a soft, amused laugh and suddenly the knife is gone, sheathed and away and he leans into your space again, “You fucking like this, don’t you?” 

“No,” You insist, despite the way your stomach is in tight knots. 

“Did running away get you hot?” His gloved hand skims over your exposed body, “Do psycho killers make you wet?” 

“Fuck,” You whine, “no, no,” 

“Liar,” He whispers, and then he delivers a pointed slap to your thigh, “spread.” 

Your legs widen instinctively at his command, but he doesn’t reward you or praise you like he normally would, this is different. He reaches under the hem of your taut mini skirt, finding the apex of your thighs, and his fingers gently rub up and down from the base of your slit to your clit. A tiny gasp bubbles out of your throat. 

“Are you afraid?” He all but growls. 

Your stomach flips and his hand tightens in your hair, “Y-yes,” 

“Tell me you don’t want this,” He finds the edge of your panties and drags them to one side. 

“I don’t want it,” You answer him, body shaking now. 

“Tell me to stop,” One gloved finger presses into your entrance, the softness of the leather and the warmth of his skin beneath it making you tremble. 

“Stop,” You beg, “please, please, stop,” 

“Why would I?” He slowly pushes inside, stretching you around his finger, “When I know how wet being fucked by a stranger in a mask makes you,” 

A tense thready sound pulls from your throat as he adds a second finger. 

“If you don’t want this,” He pulses his hand once, forcing both fingers deep into your slick channel, “why are you panting like a dog in heat?” 

“N-no,” 

“If you don’t want it,” He whispers, “don’t come.” 

Your eyes shut as his hand starts moving, a steady pulse of his gloved fingers inside your aching cunt, curled just right in the way he knows gets you off fast. A pumping drag against your g-spot, the sound of his heavy breath, the unmistakable sensation of your own wetness making a mess between  your thighs. 

“Looks like you want it to me,” He adds the circle of his thumb against your clit and you jerk in his hold. 

“Stop, fuck,” Your nails dig into his forearm. 

“You don’t want me touching you, but you’re soaking my fingers,” 

“N..No, no,” You babble, heat pooling in your gut. 

“Fight it,” He pumps his fingers faster, drumming against your sweet spot, “don’t come,” 

You hiss sharply, pleasure dropping low in your belly, the sensation of his gloves and his hot hand too much to bear. 

“Moaning like you want it,” He laughs, pulling his hand suddenly out from under your skirt and yanking your head back to center. 

You yelp at the position change and the sudden lack of contact but he doesn’t make you wait for long. 

“Open,” He smacks your cheek lightly. 

Your mouth falls open and he shoves both gloved fingers between your lips. You choke against the suddenness, at the way he presses down on your tongue, blinking to clear the haze from your eyes. 

“Suck.” 

You shiver, your lips closing over his digits, the sharp taste of leather mixed with your fluids assaulting your senses and you can’t fight the moan, the way your eyes drift shut as you swirl your tongue. 

He hums, pleased, “Does it hurt?” He asks. 

His question doesn’t make sense, and you blink your eyes back open to look up at the cool passiveness of his ghostly mask. 

“Pretending you’re not a whore?” He clarifies and your mouth stills over his fingers. He pulls them out, delivering one more pointed slap to your cheek, and dives back down to plunge them back into your aching cunt, “Moaning like that, your nipples rock hard, and this pussy,” 

You choke, a bubble building in your core as he abuses your slick channel again. 

“Clenching around my fingers, sucking me in,” He chuckles, “I can feel you, baby,” 

“Fuck, fuck,” 

“Hold back,” He doubles his efforts between your thighs and you keen, “if you don’t want it, tell me to stop, don’t come,” 

“Stop!” You whine, giving him exactly what he wants, “Please, please,” 

“No,” His thumb rubs fast, his hand practiced at making you fall apart at the seams, “you come, you keep your eyes open, and you come all over my fucking hand,” 

Your breath is fast, heart pounding, and you feel the cord tightening in your belly in a way that makes you want to rub yourself back up into his touch but he has you pinned, stuck, at his mercy just like he wants. 

“Come,” His voice is clear, authoritative, and familiar. Like a trained response, your body releases and cracks open into a desperate orgasm, crumbling in his hands as you pitch forward onto his shoulder and grind your hips down to take the last little bit of what you need from his fingers. 

When his hand stills, you realize you’re still clinging to him and you jerk back, one hand over your mouth as you try to recover your breath. 

He steps back, his hands sliding off you and body slotting out from your thighs. You can’t see Yunho beneath the mask, but you know he’s looking. You can feel his hot gaze sliding over your body and taking in every wet and shaking inch of you. Your body is throbbing with need, but the game isn’t done, he hasn’t even made you touch his cock yet, and you know there’s no way you’re making it out of this basement without that. 

“Tell me again how you don’t like it,” He finally says. 

You shiver. 

“Cat got your slutty little tongue?” He prompts you again, voice hardening. 

You swallow hard, finding your words, “I didn’t like it,” 

“Mhm,” 

“I d-don’t want you to touch me,” You lie. 

“Yeah?” He teases, “Well then run,” 

“W-what?” Your eyes flick up to the impassive plastic of his mask. 

“If you didn’t like it, why are you still sitting there?” He takes a step to the side, clearing your path to the door and you slide off the edge of the sink, your loafers making a click onto the tile floor. 

You swallow hard, eyes darting out to the rest of the basement. 

“Come on,” He teases, and you can hear the sick smile in his voice, “try to get away,” 

You look between him and the room ahead of you again.

He leans forward and you shiver, his gaunt stretched mouth at your ear again, “I can’t fuck you if I can’t catch you,” his gloved fingers yank your top down over your exposed breasts and he chuckles, “better run fast.” 

You spring forwards, adrenaline pumping through your body and blood rushing in your ears. Leaping out of the bathroom he gives you a couple steps to get a head start, but he’s so much bigger than you, his stride so much longer, and he closes the distance with ease as you scramble in mock terror to get to the steps. 

Yunho’s arms close around you, hauling you up off your feet and against his chest, his touch rough and probing as he drags you up into the air. 

“No!” You shriek, “Fuck!”

“You think I’d really let you go?” He laughs, “After that?” 

“Fuck you!” The words bubble up out of your mouth. 

“That’s the idea,” His hand slides down your belly, closing over your cunt and cupping you tightly. 

Your body is reacting before your mind, and you jerk in his hold, kicking back your leg and catching him in the shin with the flat heel of your shoe. 

He groans and wrenches you higher in the air, “Keep struggling,” he pants, “I like it,” 

You twist again, trying to free one of your arms, but he has them pinned tightly to your body, “Get the fuck off me!”

“Not a fucking chance,” He takes two wide steps to the mattress and then tosses you down. 

You collapse onto the bed, the old and rarely used springs creaking under your weight, and your scramble forwards in some kind of an attempt to get your bearings, but he’s on you just as fast. He yanks you back with a hand around your ankle and in a flash he’s on top of you. 

He presses one hand firmly between your shoulder blades, keeping you pinned face down to the bed, and then his body weight drops down as he straddles the backs of your thighs. Your hands curl into the bedding beneath you, rough sheets and scratchy camp blankets, nothing soft and soothing to take a moment of comfort in. 

His free hand wanders, searching your body slowly. The sound of the party raging upstairs drowns out any competing noise, but you can still hear his heavy breath against the mask and your pounding heart, the sound of anticipation thick in the air around you. 

Yunho presses his hips forwards and you feel the thick hard length of his cock through his costume nestled against your backside. 

“Look at you,” He palms your ass, “shaking for me,” 

A whimper leaves you as his fingers dig into your back. 

“Do I scare you, baby?” He delivers a harsh slap to the back of your thighs and you yelp, “Are you fucking terrified?” 

Another slap leaves you trembling and you hide your face in the mattress, pressing your eyes shut tight. You love when he touches you like this and he knows it. You bite down hard on your lip to keep from whining, wetness pooling in your core. He wanted you scared, he wanted you fighting, you can’t give in just because his glove on your stinging skin feels like sin. 

He groans, his cock pressing down harder to your ass and you feel both his hands slide from your hips up to your back and back down again until he has a grip on your waist. 

A whimper slips out from between your lips.  

Yunho freezes above you, his thumbs massaging a quick circle into your lower back, “Color?” 

“Green!” Your voice is muffled by the bedding but you know he heard it. 

He groans, pulsing his hips to rut his cock against you again. 

Even between layers of fabric, you can feel the heat of him, throbbing and ready for you. Your mouth waters as you picture it, cockhead leaking precum and Yunho’s familiar hand wrapped around the base as he directs it to your mouth. 

“Little slut,” He chuckles and it pulls you straight out of your mental fantasy, “rubbing that ass on a stranger’s cock,” 

Your stomach clenches, and you twitch under him. 

“That’s fucked up,” He drops his body weight over you, one hand pushing your head to the side as he leans over you, “you’re so fucked up, aren’t you?” 

Your breathing is fast, a thready sound in your throat. 

“Aren’t you?” His voice is low, a shade away from a growl, and he rocks his hips again to rub his cock against you. 

“N-no,” You try to shake your head but his hand tightens against your scalp. 

“Liar,” He keeps grinding against you, his free hand snaking underneath your bodies to grope your breast, “I know a needy whore when I see one,” 

You moan into the sheets as he tweaks your nipple, tears springing to your eyes as he palms you, taking you apart with every touch. 

“Let’s see how you like this,” He pinches your nipple once more and you squeal at the sharp sensation that rockets through your chest, a sharp line down to your clit, and then he slides back and shuffles back to sit up over your thighs. 

He pushes the stiff fabric of your mini skirt up over your ass and then you feel the cold metal again. 

You jerk underneath him, and he tuts softly, the sharp edge of the weapon gently dragging over the curve of your ass cheek. 

“Tell me,” He grips your flesh tightly with one hand, painfully pinching, “do you still like scary movies now that you’re in one?” 

You shake your head, a whimper on your lips when the knife slips under the edge of your panties, “P-please, don’t,” 

He yanks the knife up and splits one side of your panties with a taut snap of fabric, “Please?” He taunts, “Please?”

You sob softly in response. 

“Is ‘please’ all you can say?” He delivers a sharp smack to your exposed ass check and you jerk under him. 

“I can’t,” You shake your head into the sheets, “I can’t,” 

He sighs, and you feel the knife shred the other side of your underwear and then you hear the sound of the blade clattering to the floor. With both hands free he palms your exposed flesh, squeezing you almost painfully and inspecting your exposed body. 

Shivers run through you, and you try to hold yourself still for his touches. 

“Which hole should I fuck first, hmm?” His fingers search you, probe you. 

Your body locks up tightly, a gasp on your lips. You hadn’t discussed that, and you shake your head. 

“Scared?” He ghosts his fingers over your rim. 

“Please,” It’s all you can manage. 

“Beg me,” He presses down with his thumb, “beg me not to fuck your ass if you’re so scared.” 

You scramble in the sheets but he has you stuck, “Please don’t, don’t fuck me like t-that, you’re too big, it’s too,” 

He massages one cheek and hums, “What should I do then?” 

“What?” You crane to look back at him, at the masked man pinning you down. 

“Beg,” He says it like he’s bored, like it’s obvious, “beg me to put it somewhere else, or I will fuck this pretty ass open and make you say thank you.” 

Heat floods your belly, your body a sizzling live wire, and you fall right into step with a heady whine, “Please, fuck my pussy,” 

“Again,” 

“Fuck my pussy, please, I’m begging you,” Your voice sounds needy and strange even to your own ears, “I need it inside me, g-give it to me please, fuck my pussy, please,” 

“Better,” His hands disappear into his robed costume and then he pushes forwards, his cock finally free and sliding up and down your slit to find your aching entrance. 

“Y-yes,” You drop your head back down to the bed and in one sharp thrust, he pushes his thick length all the way inside you until his hips are flush with your ass. 

Yunho groans, bracing himself with one hand on the back of your neck and the other on the bed beside you, the mattress creaking with every shift, “Needy pussy,” 

“Fuck,” You moan. 

“Greedy,” He punctuates his words with a sharp thrust, starting to pick up the pace now in earnest, “gripping my fucking cock like that,” 

All you can do is hold on, bite down on the sheets and let him use you, focus on the sensation of his impossibly hard cock driving in and out and in and out. 

“Are you crying for me? Hmm?” He rolls his hips, the fabric of his costume dragging against you as he fucks into you faster. 

Your eyes are wet, pleasured tears bubbling up and you nod, a tiny sob passing through your lips. 

“Good cocksleeve,” He presses down harder with his hand on your neck, forcing you lower into the mattress. 

Your back arches instinctively, and you whine at the angle change. A few more thrusts and you’ll be done for, you know it. 

“That’s it,” He pants, voice muffled by the mask, “come for me,” 

“C-close,” The words tumble out. 

“Come for me,” He stays steady with his thrusts, pushing your orgasm closer and closer, “come for me, come for me,” 

“Ah!” You fist the sheets, legs starting to shake, “Ah, fuck, fuck!”

“Come on this stranger’s fucking cock,” He grunts, shuddering above you, his fingers digging into your skin and no doubt leaving a bouquet of bruises behind. 

So close to the edge, just a little more will tip you over, and you whine, “Harder,” 

He gasps, forcing his pace to clap harder, deeper, and it only takes two pointed thrusts of his cock into the deepest parts of you to send you careening over the edge. 

“Coming,” You twist beneath him, moaning into your fist, “oh, god,” 

“Fuck,” He curses as your muscles clench and flutter around him, “fuck, oh fuck,” 

Your orgasm has your body locked up and shuddering, but when he pulls free suddenly you gasp into the bedding, “N-no, no, please,” 

He yanks off any scrap of clothing you have on with frantic hands and then rolls you in the sheets so that you’re lying on your back spread open for him. You try to form a sentence, to ask what’s happening but suddenly he’s tearing off his mask and the world slows to a stop. 

Yunho’s sweaty, flushed pink in the cheeks eyes blown wide with need, his plush lips parted and his chest heaving with labored breaths. In a flash he’s stripping off the costume, peeling off his gloves and kicking off his boots. 

“Come here,” He spreads your thighs wider and presses down over you, his cock finding your entrance with ease as he sheaths himself again in one thrust. 

You moan sharply and wrap your arms around his shoulders as he collapses over you. 

“Need you,” He pumps his hips, “have to have you,” 

Pleasure crackles up your body, “Yours,” you nod, “I’m yours,” 

He presses his mouth to yours, kissing you hot and hard, “Fuck,” he groans. 

Yunho gathers you closer, your slick bodies now flush together as he rocks into the warm cradle of your hips, “never heard you moan like that,” 

Your walls clench around him. 

“You wanted me to do this,” He groans between messy kisses, “you wanted to run,” 

You nod, lips pressed together. 

“You’re so fucking perfect,” He pumps into you harder, like he’s desperate to get as deep as possible, “my dirty girl,” 

“Oh, fuck,” Your head falls back against the bed, a pleasured moan caught in your throat. 

“My little fucking slut,” He groans, tipping your hips open wider, his hands tight on your skin, “so desperate to come on stranger cock,” 

You whine sharply, nails digging into his back. 

“Say it,” He threads a hand through your hair and tugs your head back up roughly, “say it,” 

“Yes!” You whine, “Yes, I-I need it,” 

His gaze darkens, the cool mask of your dominant returning, and he slaps your cheek sharply, just enough to give you a pointed sting, “Need what?” 

Your brain is soft, fuzzy with pleasure, but the slap focuses you and you blink, “Need to come,” you pant as he thrusts into you, “on a stranger’s cock, need you to… fuck, need you to take it,” 

He nods, lips parting open in pleasure, “That’s right,” 

Your stomach tightens, pressure dropping low in your belly and you can’t stop feeling the way his cock punches into the deepest parts of you over and over again. Your eyes close tight and you hold onto him, one of your hands slipping up to his neck to tangle into his black hair. 

“Oh,” You’re so close, almost there, “Y-Yunho, oh, god,” 

His hips thrust forward once more, burying his cock impossibly deep and then he stops. That’s when you realize your critical mistake. 

“Is my cock so good you forgot your manners?” He says and your eyes fly open. 

You don’t know what to say, you don’t know how to recover, your head is too mixed up to know what’s up and what’s down and you’ve never played a scene where he’s a stranger before. You’re used to your rules, you’re used to calling him sir or daddy or master, but now you feel unmoored. 

“Now you don’t get to come,” He leans back, taking your wrists in his hands and pushing them down flat to the bed. 

You know better than to protest, but you’re sure he can feel you shaking. 

He drops closer, pinning you open with the weight of his body, his head nudging yours to the side, “Maybe you’ve forgotten who’s in control here, baby,” 

Liquid heat spreads through your body and you shake your head just a little. 

“So drunk on cock,” He bites at your ear, “you forgot you don’t want this,” 

Your pussy tightens, and you hear him chuckle. 

“Filthy,” He maneuvers your arms above your head so that he can close both your wrists together in one of his large hands, “fucked up little fucktoy,” 

Your eyes roll back and you fight the urge to move your hips, his words enough to put you on the precipice. 

A sharp slap stings over your exposed breast, your nipple hardening even more and Yunho draws his hips back before slamming forwards, driving you deeper into the squeaking mattress. At the painful stretch, the sharp sting inside, you do cry out. 

“Does it hurt?” He thrusts again, just as hard. 

You struggle under him, a little for play and a little because it does hurt, but you love the way he groans when you please him and you can’t stop, “Y-yes,” 

“Too bad,” His hand claps over your mouth and then he starts to fuck you again for real. 

Pleasure and pain in equal parts spike through your body, a perfect combination to get you right up to the edge of orgasm, but you know you’re not allowed. You moan into his hot hand, the sound feral and taut, tears gathering in your eyes and slipping down your temples into your hairline. 

Yunho slides the hand on your wrists up to clasp your hands together palm to palm, still pinning you to the bed but offering you a line of communication you desperately need in a scene like this. He doesn’t stop, but his eyes find yours in the dim light of the basement and he squeezes your hand once. You squeeze back just once, your silent sign to keep going. 

He keeps driving into you, cursing every time you moan and clench around his thick length, the mask of dominance slipping again as he starts to rut into you with artless, needy thrusts. He’s chasing his own pleasure now, with no regard for your own release. 

“No one’s coming to help you,” He groans, “you’re mine,”

 You can’t hear everything he says, not with your mind spinning so close to a forbidden orgasm and his pants and groans punctuating every few words, but you hear it when he says he’s coming inside you. 

Thrusting deep, he spills himself hot in your belly, hips grinding into yours to milk himself dry as he moans into your ear. The bubble of your own pleasure builds with every rock of his body and you whimper into his hand, tears spilling over as you try not to let it take you. 

Yunho’s hand pulls away from your mouth and suddenly his fingers are rubbing fast and firm on your swollen clit, his cock still buried deep. 

“Ah, n-no, please,” You grip his hand tightly and lock your eyes closed, trying to pull yourself back from the edge, “please,” 

“Fuck,” He groans, overstimulated. 

You’re going to come, there’s no way to hold back if he’s going to torture you like this and you thrash under him, “I can’t,” you’re sobbing in earnest now, “I can’t hold it,” 

“Shit,” He curses sharply, “come, sweetheart, come, I’m so sorry,” 

At his permission, your pleasure rips through you, a hot slice of rapture rocketing up your body. Your ears are ringing, black dots over your vision, and your body wrenches up with tight shakes in a way that only a soul shattering orgasm could do. You vaguely hear your own voice, a babbled string of ‘thank-yous’ and sobs, but it feels like someone else. All you know is warmth, and the deliciousness of earned pleasure. 

When consciousness starts to creep back in, the first thing you feel is Yunho’s gentle hands on your cheeks. He’s murmuring something, but it takes your mind a second to process, and you blink your eyes open slowly to find his face. 

“Hey,” He’s back to soft and warm, your tender lover, “oh, there you are,” 

“Mm,” You manage. 

He looks you over slowly, warm brown eyes flicking over your skin, “Does anything hurt, sweetheart?” 

You shake your head, still boneless and trembling in the scratchy blankets. 

“Hmm?” He nudges you, pushing for a verbal response. 

“I’m okay,” You respond, but your voice is small. 

Yunho, so attuned to you, looks back up and shifts up the bed to meet your eyes, “Feeling floaty?” 

“Mm,” You nod, recognizing distantly that the intensity of your play tonight pushed you right into subspace. 

“Ah,” He smiles warmly, “come here,” 

He gathers you close, arms wrapping around you as he tucks you into his chest and pulls the plaid camp blanket up higher over both of your naked bodies. His skin feels so essential, a necessity like eating or breathing, and you nuzzle into his warm chest. 

“You’re okay,” He soothes you, stroking your back, “you’re safe, you’re safe with me,” 

A heavy breath releases from your chest. 

“That’s it,” He kisses your forehead, “breathe with me, relax with me,” 

Your muscles release one by one. 

“That was just a fantasy,” He soothes you, easing the knotted up feelings in your body with practiced words, “it was just pretend,” 

You nod. 

“Just pretend,” He murmurs, lips tender against your forehead, “none of that was real, nothing I said. I love you, and I will always keep you safe, sweetheart,” 

Your fingers relax, and you realize how firmly you were gripping his arms. 

“There you go,” He murmurs, “I’ve got you,” 

“Yunho?” You manage, your body feeling heavy once again as you start to center. 

He shifts, cupping your cheek as he leans back to get a good look at you, “Right here,” 

“H-hey,” You give him a lazy smile. 

He nods, brushing your cheek with his thumb, “Tell me where you are?” 

“Basement at the party,” You answer. 

“Good,” He nods, “now tell me who you’re with?” 

“You, Yunho,” You reply, practiced now at the routine he uses to help ground you out of the scene and bring you back into reality. 

“Good,” He continues, “tell me three things you can see,” 

You glance around the room, “Old playstation, bicycle,” you look back to him, “your necklace,” 

He smiles as you touch the silver chain around his neck, “Good,” 

You stretch your stiff limbs in his arms and try to snuggle back into his hold but he’s not done yet, especially after a scene that new and that intense. 

“Any pain?” His hands slide over your body. 

“No,” You assure him, “a little sore, but I feel good,” 

He nods, but keeps looking you over anyway. When he turns your hands in his and finds your scratched palms a little line forms between his brows, “What’s this?” 

You look down at the red skin, a few shallow cuts here and there, “I fell,” 

“Fell?” His brow goes high with alarm, “when?” 

“When I was running, I took the stairs too fast,” You tell him honestly, “but it doesn’t hurt, I promise,” 

His fingers trace over the broken skin and he nods, “You promised you’d call the scene if you got hurt,” 

For how rough this man can be with you, for how many times he’s bruised you and made you bleed, he never fails to surprise you at just how tender and soft he is outside of the bedroom. 

“Baby,” You close your fingers over his, “you promised you’d trust me to know my own limits, I’m not hurt, I got a little scrape,” 

His lips close as he considers your words and then he nods, leaning in to kiss each of your palms warmly, “I want to disinfect these at home,” 

“Okay,” You murmur. 

“Anywhere else?” 

“Mm-mm,” You shake your head. 

“But sore?” He confirms.

“A bit,” 

His fingers find your jaw, massaging the muscle there, “When we get home, we’ll run a warm bath. I’ll take care of all your aches, I know I was rough with you,” 

You sigh pleasantly, relaxing into the warmth of his hand and he nods, dipping his face towards yours and capturing your mouth in a soft kiss. 

“You did so perfect for me, sweetheart,” he says softly, voice threaded with emotion, “I’m so… is it too lame to say honored? I… you were so amazing, and you trusted me like that and I,” 

“Yunho,” You smooth back his hair and pull him closer, “I’m alright,” 

His eyes flick over your face, “Yeah?” 

“Yes,” You give him the clarity he needs to know he didn’t hurt you, “you made me feel very safe, even though I was kind of terrified,” 

He stays quiet, like he’s gauging the honesty of your words. 

“Even when I was scared,” You lean in, kissing him quickly, “I knew you wouldn’t take it too far, and you checked in with me. I’m okay, I liked it, I love you,” 

“You didn’t push yourself too hard for me?” He always worries about that, the double edged sword of a submissive who’s desperate to please. 

“No,” You smooth your hand over his cheek, “I liked it alot,”

He nods and snuggles you closer, his fingertips coasting up and down your back softly. He’s quiet for a few minutes, just letting you both come down as easy as you can with thrumming house music upstairs. 

“You liked it?” He finally confirms, carding his fingers through your hair. 

You nod, “A lot,” 

“What I said,” He kisses the top of your head, “during, about you liking it, that was fantasy too, you know that right?” 

You’re quiet, taking in his words. 

“There’s nothing wrong with it,” He continues softly, “there’s nothing wrong with you for wanting it, all of that was pretend, okay?” 

“I know,” You kiss his chest, nodding against his shoulder. 

“I love you,” He squeezes you, “you know that too, right?” 

You smile, wiggling up in his arms to see his face, “I do,” you kiss him softly, “I love you too,” 

He nods and sighs, “I lost my head a little at the end there,” he admits, “I didn’t communicate well when you needed it, I’m sorry about that.” 

Your brows knit together in confusion. 

“I should have given you permission sooner,” He explains, brushing your cheek with his thumb, “I forgot myself in the scene, I didn’t mean to push you so hard.” 

“Oh,” You smile, “Yunho, I’m alright,” 

“I know you are,” He dips in for a kiss, “but I’m still sorry,” 

“Thank you,” You murmur, pressing your lips back to his, staying warm and still and soft in this moment together, “I know you’ll always take care of me,” 

He nods, his broad hand brushing down your hair. 

“How was the party?” You nudge him a little. 

He smiles, “Fine,” he shrugs, “I was too focused on looking for you, I think everyone thinks something’s up with me.” 

“I’m sure it’s fine,” You laugh. 

“Mm,” He nods, “and now I disappeared and we made a mess of this basement,” 

“Fuck, I can’t believe you cut my underwear off, how am I supposed to get out of here,” 

“I brought backups,” He grins wide, proud of himself for thinking that far ahead. 

“You’re a genius,” 

“There is a back door out of the basement though, right?” He looks up around the room trying to find one. 

“Yeah,” You reach out, pointing around the back corner, “why?” 

“It’s extremely obvious that you’ve been fucked within an inch of your life,” He presses a quick kiss on your forehead and stretches next to you, so casual about the way he just rearranged your insides, “and I’m not so sure you’re going to walk straight,”

You laugh sharply and shake your head, “Take me home,” 

“Scary movies on the couch?” He squeezes your thigh as he rolls away, searching for his clothes. 

You shiver, “Maybe, that might be too close to home,” 

Nudging your knee he smiles, “Don’t worry, baby, it’s just a movie.”

[diangelodork]

as someone who is a huge fan of other queer content (like heartstopper and red, white and royal blue), dead boy detectives feels so incredibly different.

despite how much i love those two, they don’t feel like they’re made for queer people.

in a lot of ways, they feel like media made for cishet people about queer and trans people which is fine and doesn’t make it unenjoyable, but dbda has a totally different feel to it.

it feels like queer media made FOR queer people.

they have so much nuance to their characters and don’t shy away from it. charles openly flirts with both edwin and crystal despite the fact that he never says anything about his sexuality and edwin’s backstory doesn’t try to hide the horrifying way that queer people were treated historically and i think that’s really important.

though he is very clearly repressed, he is still unapologetically queer. he showcases his jealousy loudly and there is no doubt in the viewer’s mind that he is queer even for a moment.

same with monty and the cat king. they’re so vibrantly and boldly queer. monty begins flirting with edwin nearly the moment we see him and as does tck. what i really appreciate about tck is his gender nonconformity. i think that’s so important and i honestly really appreciate that they don’t even mention it.

with tck in particular, his actions can be considered rather predatory, but we never really feel like that’s due to his queerness which is FASCINATING because that is a really harmful stereotype of queer people, but it never feels like that’s what they’re going for or like they’re using it to demonize queerness.

with jenny, she says so casually that she’s attracted to women and it’s not even something that they have to discuss again. it’s such an unimportant aspect of her character, but it’s still so unabashedly there. i love that niko doesn’t even say anything about it when she learns, she just accepts her, no questions asked.

even with simon, he very clearly discusses his sexuality in E7 when he tells edwin that he liked him, but he never has to say the words. we just KNOW contextually because he talks around it. he i would argue that he is the only instance of a character discussing shame in their identity and it immediately results in one of the loveliest quotes in the show.

“if you punish yourself, everywhere becomes hell.”

he has spent over a century repressing himself and when he finally tells edwin, the boy he liked and treated terribly because of it, he is immediately told that it is not torture to be queer. he is immediately told that there is nothing wrong with his sexuality.

the confession scene btwn edwin and charles in E7 and the scene in E6 where edwin is TRYING to confess are so fucking important to me. nearly immediately, charles tells edwin that it doesn’t make any difference that he’s queer and that he accepts him. when he does confess, he doesn’t make him feel bad for it. he tells him that he loves him too, but that he can’t say he does in that way right now, but that he’s the most important person in his life and that that will never change.

the scene in E7 where they’re on the roof and edwin tries to apologize for potentially having made things awkward, charles shuts it down immediately. he says “it doesn’t.” and that’s the end of it.

this show exemplifies queerness through a queer light and it’s very clear who the intended audience is for dbda not to sound like i’m hating on the first two pieces of media (rwrb is literally one of my special interests, trust me, i adore them both), but maybe that’s why hs was given a third season and dbda was cancelled within five months of airing. i feel that these two pander to straight people in a lot of ways, but dbda doesn’t. it’s something that is incredibly important to me and i’m really happy about it.

[inconveniently-discorporated]

I think I have a potentially controversial opinion on Aziraphale and the ending.

So one of the things that made me smile so, SO much, was THIS:

That PURE ABSOLUTE UTTER JOY.

We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.

Now, let's consider what we know about Heaven:

It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.

Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?

Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.

Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.

Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.

He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.

He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.

"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.

I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.

I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.

So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?

I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.

But nothing lasts forever, as much as he wishes it did.

I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).

I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."

I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).

Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.

Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:

[bloodymarymorstan]

So yesterday I watched all the historical scenes of Crowley and Aziraphale in chronological order and then feverishly came up with a new interpretation of the "you go too fast for me Crowley scene" so here it is:

Ok so now we know from season 2 that the Dirty Donkey pub where Crowley holds his heist-planning meeting is right across the street from Aziraphale's bookshop. This means that when Aziraphale goes to meet Crowley in his car he literally just walks across the street, but it also means that when Crowley offers to drive Aziraphale somewhere he isn't offering to take him home. The previous implication of that interaction was that Crowley was going to drive Aziraphale back to his bookshop, but Crowley knows that the bookshop is only a 30 second walk away so that's obviously not the case. In fact, Crowley doesn't actually ask Aziraphale if he wants to be driven home, what he actually says is "can I drop you anywhere?" and then "I'll give you a lift, anywhere you want to go".

So now we know that Crowley isn't trying to drive Aziraphale home, the conclusion we have to draw is that he's asking him if he wants to go somewhere else with Crowley. This is kind of a covert way of wording things, but Crowley is still testing the waters at this point in their relationship. He pulled this same tactic in 1941 when he said he would give Aziraphale a "lift home" and then ended up taking him somewhere else which led to them spending the entire evening together. "I'll give you a lift" has essentially become code for "let's hang out". This also explains why Crowley looks genuinely disappointed and upset when Aziraphale turns down his offer (and why Aziraphale acts apologetic about it).

But, considering that we know Aziraphale has fallen for Crowley by now AND that they went out together in 1941, why the "you go too fast for me Crowley" line? My explanation is this: in 1941, Crowley nearly got in big trouble with Hell simply for having been seen with Aziraphale, and not only did he not seem that bothered by it but he is now asking Aziraphale if he wants to go out again even though they've both been directly confronted with the risk this poses for him. I think it scares Aziraphale that Crowley is willing to risk so much just to spend time with him - he's not ready to confront the truth of what that means yet, and he's also not yet at the point where he'd be willing to take the same risk with Heaven. As usual, Crowley is a step ahead of him in terms of his commitment to their relationship, hence "you go too fast for me". Keep in mind that Aziraphale was very caught up in the moment in 1941 and has had a lot of time to reflect since then about the potential consequences of a relationship with Crowley, and he's just not ready yet even if he definitely wants it.

As a side note, I think it makes a lot of sense that this is the point when Aziraphale agrees to give Crowley the holy water (and why Crowley is more determinedly seeking it in the first place), because now both he and Crowley more fully understand the the danger Crowley will be in if Hell finds out what the two of them have been up to.

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[luveline]

KBDDDDD AHHHHHHHHH

—Steve takes the lead when your baby makes a mess. mom!reader, 1.5k

Your hands are soft. Steve holds both of them in one of his, not quite big enough for a comfortable fit, but it’s alright. Your pinky finger rests against his knee. Doesn’t fit in his hand, but it doesn’t matter.

Steve loves you because you’re you. And so many things make you who you are, he couldn’t boil them down into just one thing. Maybe it’s your brightness he loves most, how you lean down next to him and smile into his tricep for no reason. Maybe it’s that you’ve never been cruel to him, not once. You have this capacity for love that you don’t see in yourself, but he does. You don’t expect anything from him that he can’t give.

He lets his head drop down to rest on yours.

If he’s clingy, you’re worse. You settle closer into his side with a content sigh nearly too quiet to hear. Then comes a scratching sound. His thumb, which had been employed in a soft back and forth into one of your palms, comes to a stop.

You sigh again. Less content. “Why’d you stop?” you mumble.

“Can you hear that?”

“No… What is it?”

He shakes his head, turning his face back into your head. “Nothing. Must be the wind.”

You take back one of your hands to rest on your stomach. “She’s kicking.”

“Is she? Can I feel?”

You press Steve’s hand to your bump and wait for him to feel it. He waits for another kick, not so much a vibration as a distension, the force of a movement. It’s like she’s saying hello, only he can’t feel it. You pull his hand down to the bottom of your stomach and nudge your shirt up so he’s skin to skin.

“She’s shy now you’re watching,” you say.

He turns his head in the other direction and you laugh, which makes him laugh, the volume of you both nearly not quite occluding a second heavy scratching sound from upstairs.

You stop laughing. “What is that? Is that Avery?”

Steve sighs. It had been really, really nice to sit with you and just get to appreciate you for a moment, but duty always calls. And no offence to you, but he’d much rather know Avery was safe, because what the heck is that sound?

He stands and helps you up, though he doesn’t wait for you to follow. Steve bounds up the stairs two at a time and you giggle and follow, saying something he misses about his rushing, how he’s gonna fall flat on his face. He yanks down the handle on Avery’s room and pushes open the door.

Your toddler looks up with caught eyes. “Oh.”

“Babe, what!” Steve looks around at the mess she’s made and turns around to shut the door.

“Steve, what is it?” you ask, still on the stairs.

“Baby, if you see this you’re gonna panic. It’s just a mess, and it’s going to upset you so bad. Go sit down. I’ll clean it up.”

He decides honesty will be his best strategy. Remarkably, it works. You get to the top of the stairs and turn for your room, saying, “All right. I don’t wanna see.”

Avery’s in the adorable place between baby and toddler where she has lots of her babyhood still intact, but she’s her own broad person. She can talk, and walk, and do terrible awful things. If you saw the mess you’d never agree to another baby if you weren’t already having one, it’s horrific; where she found her crayons Steve doesn’t know, but there’s scribbles over everything. The walls, the bed, the windowsill.

She frowns at him with her eyes full of tears and drops a crayon on the floor, caught red-handed.

Steve nips out of her room to the bathroom for a spray bottle of cleaner and a rag. You lay on the bed in the main bedroom with your hand over your eyes.

It takes him a long time to clean off what he can. The walls become a rainbow blend and then a dark green sludge over baby pink, but he scrubs, and Avery tries to help near his knee. Despite what he’d said about it being a potentially upsetting scene should you have seen it, mess doesn’t stress Steve out anymore. You’d only panic because you’re pregnant, not because it’s a permanent problem. You’re easily upset lately.

“Good job, baby,” he says, kissing Avery behind the ear as she wipes the rag over the wall. “Can dad have a turn now? We need to clean this mess up before you fall asleep.”

“Not sleepy,” she says, dropping into his lap with a thump.

“No? So the sleepies in your eyes are for show, huh? Mr. Sandman gave you those for no reason.” He drops the rag, wiping his hand dry on his pants, and pressing it to her back. She’s more him than you and she’s beautiful nonetheless, sulky eyes and eyebrows like his, her little mouth. She rounder in the face, and she’s got a more feminine shape to her chin, but when she wobbles on his thigh with the effort it takes to fight sleep she looks exactly like him. Her eyes flicker closed.

“Avery,” he says, nudging her close to his chest, “we’re gonna have a big talk about crayons in the morning.”

“Nigh-nigh.”

Steve breathes out a short breath. “Yeah, nigh-nigh. I love you, messy girl.”

“Love you.”

Snores. Immediate snores. Steve lets her settle for a minute and then stands, holding her to his chest as he throws her sheets further back in bed and puts her down. He tucks her in, kisses her forehead, and cleans the rest of her room in silence. It takes ages, but nobody’s upset when he’s done.

You peek from under your arm.

“I’m sorry.”

He sits by your hip. “Ooh, for what?”

“That sounded awful.”

“Yeah, it was, you should be ashamed of yourself.” He looks for something to squeeze, deciding on your shoulder. “No, it was fine. She helped, and she’s back in bed.”

“I should go give her a goodnight kiss.”

Steve brings his hand to your face. Draws a curve down your cheek. When he cups your jaw, you stay still and wait for him to talk. He has the strangest feeling, like you’d wait all night. “You can give her a goodnight kiss, just there’s still some crayon on the wall. But we’ll paint over it, okay? I promise. Nothing’s ruined.”

“Was it everywhere?”

“On the walls and her bed. A lot more came off than I expected. And can you be mad? She’s an artist. That’s artistic expression.”

“Not mad. Just worried we won’t fix it and then we’ll have the baby and it’ll never get fixed.”

“I promise,” he whispers, leaning in. “We’ll do it tomorrow.”

You don’t have to say okay or thank you. Your hand searches for his as he stays there over you, your eyes met.

“I believe you,” you say finally.

“I know, I’m just looking at you. You have a sleepy like Avery did.”

You laugh and turn out of his hand. The reason goes unsaid, Steve, you’re so romantic.

“How’s that baby?” he asks, before you can roll away.

“She’s kicking, yeah. Everytime she hears your voice.”

He stops. “Shut up.”

“I’m serious. You’re talking and she’s hitting me right in the spleen.”

“You don’t even know where your spleen is,” Steve says, putting his hands together. He is not afraid or ashamed to beg. “Can I feel it, please?”

“You don’t have to ask.”

He doesn’t always, of course he doesn’t. There’s love and trust in spontaneity, but there’s also trust in knowing you’ve had a long day, and you don’t enjoy being poked at like a poor animal at the petting zoo. Steve pulls your shirt up where it’d already been rising and feels along your skin gently, slowly, not needing you to tell him where she is. He presses the meat of his thumb to your tummy and waits. The bump is sturdy but surprisingly soft, too. When Beth kicks, for a split second, he feels it like she’s right there in the room.

He immediately drops his head to kiss your skin. “Hello,” he says, rubbing your stomach appreciatively.

You put your index finger by his. “Hi, baby.”

“Let’s hope you’re the well behaved one.”

You draw a short line, back and forth. “I don’t care if she's not.”

“I have a funny feeling she will be.”

“It’s wishful thinking.”

Steve grins and sits up. “It’s definitely wishful thinking.” Beth gives another kick. He can see it. “That’s sort of queasy. Are you alright?”

“Doesn’t hurt.” You rub your bump. “She’s just saying hi.”

[dokries]

seventeen when their partner is lovey dovey with them on camera

pairing: seventeen x gender neutral reader

genre: fluff, established relationship, idol!au (for both the members and reader)

word count: 2.3k

warnings: the public is okay with the relationships, all of seventeen is down bad, reader is kinda bold? not too much though, kisses and hand holding, hoshi says he’s a tiger like normal, mingyu and dino are bullied also like normal

author note: thank you so much for requesting, sweet anon ‎♡ i kinda got off track when it came to the request…so there’s little scenarios for each member and i hope that’s okay! i just had a little fun <3 lots of love and enjoy reading :>

masterlist

seungcheol (s.coups)

❧ if you were asked about your relationship with him and what you like about his personality, he would definitely try to keep a poker face (you are live after all) but fail very badly at it because the heart eyes he’s making at you are way too obvious, and the huge grin on his face that says “yeah, this is my partner.” isn’t helping.

❧ if the other members are near, they’d all roll their eyes and groan at how down bad the leader is and you’d just giggle.

❧ eventually, either you or someone else would have to say his name a few times before he remembers you’re on camera and he holds your hands in his as he whispers a promise of showering you with love later before answering whatever question was thrown at him.

❧ of course, he holds up his end of the deal he made you by giving you a tight hug when the shoot's over and peppers your face with kisses, all giddy over the fact that you said you loved him even if your relationship has been public for a while.

❧ “do you actually mean what you said earlier? because i meant every single word i said about you.”

jeonghan

❧ he’d share a glance with you and look away with a smile when you giggle and lean against his shoulder when someone said something funny.

❧ would be nonchalant about it, going back to whatever he was talking about with the only difference being a small smirk on his face that turns into a little bit of a smile when you interlock hands with him secretly.

❧ seungkwan would probably sigh, having seen this type of thing way too often at home, glaring at jeonghan to get his act together (as if jeonghan doesn't seem to be the most composed he possibly can be other than the slight redness to his ears because of how open you’re being)

❧ if he’s playing a game and you come up to even just smile at him, he would let out a sigh before gently touching the small of your back to move you away from him, whispering about how he needs to win and you’re not helping.

❧ “listen, i love you but you’re distracting me so you need to be over here. i need to win this skincare set for both of us–i mean, me and seungkwan of course! right, seungkwan?” (seungkwan’s not buying it)

jisoo (joshua)

❧ if you were walking from one location to another on set and grabbed his hand, swinging it as you walked, he would totally give you one of his signature eye smiles before looking around for any cameras nearby.

❧ if he couldn’t find any, he would quickly place a small kiss on your cheek, the thrill of potentially being caught causing the two of you to giggle. (in fact, you are caught, and caratland loves how sweet the two of you are once they see it in a behind the scenes clip, even if it’s not completely clear)

❧ if he does find a cameraperson coming up behind you, he would totally try to get their attention and raise your intertwined hands up and give a satisfied nod before looking at you with a big grin.

❧ when you squeeze his hand to get his attention on you, and not the camera when he starts talking about the scenery around the two of you (it’s a hallway), his gaze immediately turns to you, complete with a soft “hm?” and a head tilt. when you only smile, he chuckles softly before turning back to the camera and gives you a squeeze back.

❧ “hey, i saw no cameras so it should be okay! either way, the fans already know so you don’t need to worry.”

junhui (jun)

❧ even if you just pat his back encouragingly as he introduces himself on a variety show, he’ll either pause before continuing shortly after or stutter slightly on his words.

❧ would have that adorable laugh where his entire body laughs with him and smiles shyly as you hold his hand lightly, letting him know that you can let go if he wants you to (he would never).

❧ honestly, he doesn’t know what’s going on half the time and keeps whispering and asking what he needs to do in your ears, and when he gets caught by the other people on the show, he only smiles sheepishly, not wanting to admit it’s because he’s maybe a bit distracted by your smile in general, so he keeps stealing glances in your direction instead of paying attention.

❧ “oh, i’m sorry, what did you just say? i didn’t get the question.”

soonyoung (hoshi)

❧ he would totally put his head on top of yours if you leaned against him, tired after a game of futsal that took more out of you than you thought it would. the two of you would be sitting on the side of the turf, watching the others play, cheering for whichever team you liked better and soonyoung would play with your hands in the meantime.

❧ if you seemed genuinely exhausted, he would be the first one there to ask if you needed anything at all, and if your response was just to be with him, he would giggle before making sure the camera caught that (he needs to brag about his adorable partner, after all) and give you a hug before exclaiming about how sweaty you are while laughing so you know he’s just joking.

❧ “well, if you just need me…i’ll use all my tiger power to make sure you feel better! you can definitely trust me!”

wonwoo

❧ if you suddenly asked for his hand, he would look at you confused before giving it to you in a daze. once you keep a death grip on his hand, he slowly understands what you meant and nods to himself once before giving you a curt look as well.

❧ in general, he’s mostly calm when he’s around you but if you call him cute, he may just stop functioning for a few seconds before continuing with whatever he’s doing.

❧ usually doesn’t do skinship in general so when you initiate it, especially during a live broadcast, he’s genuinely confused and his ears heat up (depending on the setting, he may even let out a little giggle despite himself).

❧ “what are you—oh. … um, right, so about this question—”

jihoon (woozi)

❧ you leaning on his shoulder is more than enough for him to turn red because you're being so…open. of course, you usually do initiate skinship with him anyway by giving him a hug or a kiss on the cheek when he’s working in the studio but on camera, he feels a little bit embarrassed by how easily he gets red because of your fingers gently touching his in an attempt to hold them.

❧ shies away from you once someone else brings up the colour of his cheeks and it gets even more noticeable, which is the opposite effect he wants it to have. when you pout at him moving away, he just about melts back into your arms silently, secretly hating how much control you have over him (he really isn’t bothered by it as much as he probably should be).

❧ he’s so awkward after, and everyone just needs to bring up the way his face is tinted red to tease him on one of the rare occasions they can.

❧ “no, it’s just the lighting…i should move spots so it doesn’t seem like i'm too hot or something.”

seokmin (dokyeom)

❧ you’re on going seventeen and during a calm shooting—or as much as it’ll get when you’re with mostly hyperactive men and their partners—the staff start showing videos of the members’ partners where they each share something they love about their respective member, and you grab seokmin’s hand just before it’s his turn to see the video you had shot separately a few days before—it’s in age order, so you’re both expecting it when the screen turns black before your smiling face shows up.

❧ he’d either get super shy (by newjeans) and hide his face in your shoulder as he hears you praise him over and over again with a huge grin on your face, one that’s infectious to everyone around the two of you or he’d gasp and squeal like an anime school girl, his head whipping from the actual you to the on screen version as he slowly gets more red, especially when you look at the camera and make a heart with your arms over your head and say “doahae!”

❧ eventually, seokmin relaxes, leaning into your side calmly once his turn to get praised is over and make small comments or hype up the remaining younger members as his hand squeezes yours with a quiet thanks.

❧ also, you’re getting a huge hug as soon as he can give one to you. you have no choice in the matter (well, you do; seokmin would never force you into anything).

❧ “oh, sweetie…you’re too nice. doahae to you too!” (he looks like :D with a big grin on his face)

mingyu

❧ although this obviously depends on context, he’d definitely either be super cocky or giggly. there is no in between when it comes to you. 

❧ if it’s something similar to what just happened for seokmin, mingyu would be smirking, your praises fuelling his ego more than what’s needed (according to the other members, at least.) 

❧ would shrug and smile before hugging you for everything you’ve said about him, it being mostly about how much he cares for you. instead of cheering him on, his friends choose to boo him, and he frowns immediately, snuggling closer to you for support.

❧ “you’re the only one i can trust…i stopped believing in them a long time ago.” (when you say he does look a little silly, he starts to sulk, pushing you away slightly with a sigh) “you’re all traitors.”

minghao (the8)

❧ minghao is not phased by you caressing his hand as the two of you listen to game rules for what the programs are forcing you to play. like honestly, he smoothly takes your other hand in his like it’s nothing on camera, and you can’t help but swoon in your head. 

❧ despite this confidence that stems from the comfortable relationship the two of you have, he still can get a little flustered but he would show it off camera. 

❧ as soon as the staff lets everyone take a break in between filming, he looks over at you and giggles, squeezing your hand that hasn’t moved from its spot in his own hands, finally letting himself be off guard.

❧ alternatively, if you say something in chinese, like whisper bǎo bèi (baby) into his ear as you pass by him, he’d stumble on his own feet and sputter, even if you say it often outside of the public eye. he immediately turns red and can’t help but smile before clearing his throat in an effort to return to his normal composed self.

❧ of course, this wouldn’t be complete without the other members and people teasing minghao throughout the shoot, and his ears staying red really doesn’t help his case as he tries to gaslight convince everyone that nothing happened. 

❧ “what? no, no, you’ve got it all wrong–i’m perfectly fine! do you not see my face right now? i literally look the same as normal. be quiet, seungkwan.”

seungkwan

❧ speaking of seungkwan, this guy is somehow simultaneously smug and shy at the same time. he’d huff out a laugh if you complimented him with the smile on your face that he adores but his face would be red nonetheless. 

❧ if you kept going with your compliments—because there really is a lot you can talk about when it comes to him—he would wave it off with a “pshh stop it” before giggling and abruptly stopping to smack your shoulder because he’s flustered by you being so bold (though you’re really not; it’s just the camera being there changes things for him)

❧ despite the way he acts, he would smile in secret when he thinks no one is watching him before putting on a front when someone notices. 

❧ once they shoot ends or you get a break, he gives you a hug as soon as he can, and thanks you for the love you always show him. 

❧ “hey, i’m sorry for hitting you, i was just too…shy to do anything else. i love you lots, okay? you’re not allowed to forget it.” 

hansol (vernon)

❧ this guy is so hard to fluster, and i’m not even joking. 

❧ almost anything you do, whether it be compliments or a hug, will get you a series of nods before a high five in some cases.

❧ of course, you both call each other “dude” and “bro” because come on, it’s hansol vernon chwe. 

❧ the most you can probably get from him is his ears turning red after you aggressively compliment him or snuggle up to him for a while; that stuff means more to him then he’ll let on.

❧ however most of the time it’s just “thanks dude, appreciate it.” (i love him for it)

chan (dino)

❧ slightly similar to seungkwan because he’ll smile and chuckle with an “oh my god, stop it!” (he doesn’t want you to stop, ever.)

❧ he absolutely adores you and would look at you with the same look he had for seungcheol in that one clip, his eyes fond after you compliment him. 

❧ he’s also the type to give it back to you, saying that you’re much better than him, even if it’s not true. 

❧ however, we all know seventeen is out to get lee chan, and he would deadpan as soon as his members (aka seungkwan) starts booing him, snuggling closer to you instead for physical and moral support while pointing at his other members with a huff.

❧ “even if you all don’t love me, i know they do! and that’s all that matters.” (queue the fond look in his eyes again)

❧ (once you give him a kiss on the forehead as a sort of comfort, he would totally stick his tongue out at the members, your actions only proving the point he makes.)

[nicosraf]

Wait what did Freydis Moon do? :( I've read their books and really liked them, but I don't follow them anywhere online, so that last ask you got worried me

Freydis Moon has been exposed to be Taylor Barton, a white person from the state of Oregon, someone who had a history of faking their race, being racist, and general abusive behavior. You can read more here about this Taylor person here, and you can find an incredibly long thread here.

Freydis was a colleague of mine, and they took me under their wing when I entered the indie book scene. They presented themselves as a Latine, mystic, queer trans author — who was older than me, I should add — so I deeply admired them and confided in them. I don't think ABM would have ever gotten much attention if I hadn't received their guidance.

There had been some whispers that Freydis was really Taylor, but I'd seen Frey's seemingly darker-skinned hands and heard their real name, which was supposedly Daniela.

Two things I should say before the big reveal: Freydis briefly hired a publicist named Cordi, who was also an agent with their own agency, named The Lynne Agency. Cordi, very randomly, decided to leave the industry and left their clients, and Freydis, hanging. Someone else to mention is Saint Harlow, an author of gay, cannibal erotica. On twitter, Saint was known for peddling a lot of drama — sometimes, he was on the good side of things and sometimes the bad, but he tended to be a massive bully. Freydis allegedly comforted some of Saint's victims.

And the reveal:

Freydis is the race faker Taylor Barton. The evidence is substantial, but most notably, some of the files they shared with other authors, including me, had metadata with the names of Taylor Barton's other identities. I was able to check the files myself to confirm.

They were also Saint Harlow. Meaning Freydis was bullying people secretly on one account and comforting them on another. And the bullying was a lot more disgusting than you might think, but for the sake of the victim, I won't share details.

They were also the publicist/agent Cordi. Why did they pretend to be an agent at all? I'm not sure but they wasted a lot of authors' times, that's for sure. Were they just looking to plagiarize off manuscripts sent to them? Who knows. (A friend of mine who sent their manuscript to them fears so).

There were a lot of interactions between Taylor and I that are much much weirder in retrospect. They critiqued the industry use of #ownvoices, which I agreed about, but blew the issue out of proportion, like thinking #ownvoices gay-trans author book lists shouldn't exist because of potential outing, mlm books by mlm authors lists shouldn't exist because of potential outing, and that lists of books by people of color about people of color also shouldn't exist because... potential outing? Taylor was, to me, oddly sympathetic toward certain authors accused of racism and shot down my concerns of a certain book with what I felt to be pro-colonizer themes inconsistently — their response to racism seemed to depend on whether they already disliked a person or not.

I could say a lot more but as someone who spoke to Taylor in private at times, there were a lot of things I was unsure about even when I was on their side of things. To some people, apparently, Freydis had said they were part Mexican, but only ever told me they were Peruvian (they might've known I'd clock them as a faker). Regardless, when this all came to light, their response was shockingly dismissive.

This may be more info than you asked for but TLDR:

Freydis Moon faked their race and ethnicity, bullied and manipulated many readers and authors using various fake identities, took advantage of latine author resources, and so on.

[uriekukistan]

megumi and mahoraga: understanding megumi’s strategy & dismantling the jokes

i think one of the biggest misconceptions about megumi’s character is that he is a trigger happy loose cannon that is willing to throw his life away at any inconvenience. so for this post, i want to help in understanding the strategy in which megumi employs what he thinks for most of the story is his “ace in the hole,” his secret weapon that will ensure his victory, even if it comes with his death.

mostly, i’m just sick of the mahoraga jokes, and megumi being the butt of 85% of the jokes in this fandom in general, as well as the bum allegations, etc. megumi is not as weak or as reckless as a lot of people think, and i will have more to say about this soon🤞

in order to do this, i’ll be unpacking each time he allegedly attempted to summon mahoraga, including some false allegations as well.

against potential sukuna in ch1

at this point, megumi is unsure of a lot of things. he’s unsure of if he’s talking to yuuji or sukuna. he’s unsure of how powerful sukuna, the legendary king of curses, truly is. he’s unsure of how yuuji or sukuna will react to him attempting to kill them. he’s already seen how strong yuuji is without sukuna, so it’s reasonable (and correct) to assume that with sukuna’s power, he could easily take out megumi and all of his shikigami easily.

another thing to consider is that megumi is seriously injured, and likely concussed, which would impact his ability to maintain and control his shikigami. already, he’s been unable to summon nue, and his divine dogs have disappeared.

in a case where he is up against a special grade(+) curse with unknown power just in a single finger, and he is injured and unable to maintain his other shikigami, he pulls out his secret weapon because he doesn’t want to be responsible for sukuna going rampant in sendai, so even if he dies, he’ll have trapped sukuna in this ritual that would likely kill him too.

against sukuna (again) in ch9

sukuna is now 3x as strong as he was the first time megumi encountered him, and megumi has attempted to fight him both with his fists and his shikigami. he knows that his severely overpowered. he was already pushed to his limit by saving kugisaki as well. he’s lost two of his shikigami in one day, and nue is at its limit, he notes.

he knows there’s not much more he can do, but he still needs to stop sukuna because, again, he needs to take responsibility for both itadori eating the finger and saving his life. the only thing he has left is mahoraga. again, it makes perfect sense. he has no remaining options, but he knows what must be done.

the next three are played up in the anime, but in the manga, it’s more vague. i won’t spend much time on them because it’s purely speculative.

(alleged) against todo in ch17

this never happened, and while it was played up like he was going to in the anime, i just don’t get why. he would never have summoned mahoraga against todo. megumi is a cautious fighter and does only what’s necessary, saving and building his energy as necessary (this is a different post). he also is trying to avoid conflict as much as possible in this scene, so there’s no reason why he would summon mahoraga here.

(alleged) against hanami in ch46 & ch47

something else that i think was more clear in the anime, but vague in the manga.

in ch46, his hands are near the position, and he is thinking about how much stronger hanami is compared to inumaki, arguably the strongest (or at least rated highest) out of the three sorcerers there (megumi, inumaki, and kamo). it’s possible that he was about to summon mahoraga, but again, he realizes at this point that he’s severely overpowered. kamo has gone down. he thinks that inumaki is finished too. it’s just him and this curse he can’t hold a candle too. he figures if he’s going to die anyway, that he might as well try to take hanami out with him.

this thought process is developed more in ch47. he says he needs to use “everything he’s got” because “it’s inexcusable that he be the first to go down.” he’s concerned about his burden and responsibility, and doesn’t want to be the reason why more people get hurt. so since hanami’s curse will already kill him if he uses more jujutsu, he refuses to be the only one who goes down.

against the finger-bearer in ch58

again, it’s a similar situation to others that he’s been in. he’s cornered, severely injured, overpowered, and his shikigami are not holding up as a match against the finger bearer. he even thinks ahead of summoning mahoraga that he might die.

plus, it’s more serious than “if i’m going to die, i’m taking you with me.” it’s tsumiki who’s at stake, as well as kugisaki and itadori, who are nearby. he needs this curse to be exorcized. ultimately, he chooses to use his domain expansion for the first time instead.

against toji in ch113

he only briefly considers it (or so it seems). but one thing the anime does a horrible job of showing is that megumi is nearly burnt out of cursed energy, mainly from holding his domain in dagon’s domain (understandable, considering that’s such an impressive feat. he held it for a long time too). he’s also injured, so much so that he’s saying he’ll need to go to shoko if he can get away, which brings me into The Mahoraga Summoning.

against haruta in ch117

every time i see people talk about this, it’s always “why did he pull out mahoraga against this nobody?” i mean, it’s exactly the reasons i just mentioned. after fighting toji, he’s nearly completely burnt out of energy, and on top of that, he’s injured. he’s actually on his way to see shoko before he gets stabbed by haruta. he’s barely able to walk.

megumi is out of options. he can hardly stand for the summoning ritual. how is he supposed to fight off anyone, nobody or not? his one weapon he has left is mahoraga. he knows sukuna is out and about. he knows he can’t let haruta walk away from this. it’s the same thought process. “i’m going to die, so i’m going to take you with me.”

against sukuna in ch212

this seems like the most self-explanatory, in my opinion. seriously, what is he supposed to do against 15 fingers worth of sukuna? i love megumi, and i will argue up and down that he’s very strong, and severely underestimated by the fandom, but against 15 fingers of sukuna? maki and yuuji, who are both around the same level as megumi in terms of strength, couldn’t take down 15 finger sukuna TOGETHER. megumi alone doesn’t stand a chance.

again, it comes back to his sense of responsibility. he was the one who saved yuuji, and allowed this to happen. it’s why he says “it’s our fault,” to yuuji. so he takes responsibility for taking sukuna down.

ultimately, megumi’s use of mahoraga is incredibly strategic. he only pulls it out in situations where he absolutely has no other options. it’s also an extension of his sense of responsibility, in many cases, particularly regarding sukuna. he was the one who saved yuuji, so he has to be the one to take down sukuna. finally, he doesn’t want to lose. he says that before the kyoto goodwill event, but i think he meant it as an overall statement. if he dies, he will be taking his opponent with him.

megumi is not trigger happy. he’s not a loose cannon. he’s not reckless with his life. he makes calculated moves that align with his goals and motivations.

[least-carpet]

Thoughts about jl and jc relationship? I love them but their relationship is criticized a lot, I would love to hear your thoughts

Hi, anon! Very belatedly, here is an answer!

They love each other and Jin Ling is very secure in that love. It is very evident to me—and to Jin Ling himself—that Jiang Cheng loves Jin Ling and would die for him. Jin Ling trusts and relies on Jiang Cheng, and scoffs at the idea that his uncle has ever hit him, in a cultural context where corporal punishment is not unusual. Jin Ling goes to Jiang Cheng when he's crying. Jin Ling pushes back at Jiang Cheng, goes around him, and talks back to him fearlessly, with a sort of bratty entitlement rather than fearful defiance. This is not something a kid who is afraid of their guardian does. This is not something Jiang Cheng would have done with his own parents!

Jiang Cheng did a better job than his parents did with him. You might not personally want Jiang Cheng as a parent, but contrast him against his own soft-spoken father: I don't think Jin Ling would ever say that Jiang Cheng just didn't like him, or think to himself that Jiang Cheng wouldn't show up to save him. Jin Ling is way more secure in Jiang Cheng's affection for him than Jiang Cheng ever was when it came to Jiang Fengmian, and I don't think that's by accident. I think that's something that Jiang Cheng probably worked hard for. It is notable that Jiang Cheng, Jin Ling's maternal uncle, showed up for Jin Ling so consistently that Jin Ling has more trust in him than Jiang Cheng had in his own parents, despite being, like, twenty and running a sect by himself.

Jin Ling looks up to Jiang Cheng. Jin Ling, I think, patterns his behaviour after a couple of ideals. One of them I think, is an image of his father as a young and adventurous hero— young war hero Jin Zixuan, one of the best archers in his generation. (Also initially kind of a twerp with bad social skills, but Jin Ling doesn't know that.) And the other, I think, is Jiang Cheng. (He also very obviously cares for and admires Jin Guangyao, but I don't think he takes him as a model in the same way?) So Jiang Cheng is also important to Jin Ling as a role model. And why wouldn't he be? He's really good at a very hard job. (He's also, like, emotionally damaged from the war and its fallout, but realistically, a lot of the adults around Jin Ling would also be like that to some degree, especially in the Jiang sect.)

Jin Ling expresses care the way Jiang Cheng does, and that helps them understand and trust each other. Jin Ling also expresses his love in the same way that Jiang Cheng expresses his love: through defending the people he cares about. We see him do it when Wei Wuxian and Lan Wangji want to enter Jin Guangyao's rooms, and again when Jiang Cheng is exhausted at the second siege of the Burial Mounds (Jin Ling just fucking scooping up Jiujiu and carrying him to safety remains hilarious to me). The scene where he thinks he hears Lan Sizhui say something about a ghost and he pops out and offers to kill the ghost for him also comes to mind. That's how you express affection if you're Jin Ling! He's going to put his foot in his mouth but if somebody threatens you, he's ready to go! Does this remind you of... anyone... like maybe Jiang Cheng, Mr. "Knife Mouth, Tofu Heart."

Jin Ling is definitely a little jerk sometimes, but I don't think it's fair to totally blame that on Jiang Cheng. Jin Ling's bad behaviour is often chalked up to Jiang Cheng being a bad guardian, but he's not the only influence at play: Jin Ling is at a terrible age. He's trying to individuate. He's at the centre of a lot of scrutiny because of his position, and potentially also danger. He's isolated and bullied in his home sect because he's an orphan, which, like, what the fuck. He splits time between two sects with wildly different philosophies and priorities, and probably gets a lot of conflicting messages about what's important and how he should act. His guardians have different parenting styles and priorities, and are themselves under a lot of scrutiny. People gossip about him, his dead parents, his live uncles—really viciously about Jin Guangyao— and probably his dead cousin, too. I would also probably be a very confused and angry teenager in those circumstances! Him acting out is not very surprising!

Jin Ling and Jiang Cheng are under a lot of stress during MDZS, and the way they relate to each other reflects that. Part of growing up is finding out your parents are people with, like, human frailties and their own trauma. Jin Ling's guardians have a LOT of human frailties and a LOT of trauma, and he finds out about it in detail during MDZS, in some pretty ugly ways. (We're shown that Jiang Cheng loves Jin Ling enough to shield him with his own body and that Jin Ling is comforted by Jiang Cheng's presence when he cries, but we also see Jiang Cheng give Jin Ling a pretty hard smack while he's freaking out in Guanyin Temple! Not good, although—based on what Jin Ling previously stated—not a usual behaviour from Jiang Cheng.) Despite this, I do think both Jiang Cheng and Jin Guangyao sincerely loved and tried to raise Jin Ling well. And they didn't do so bad! He's a snobby little brat with a mean mouth but he's also courageous, protective, empathetic, and willing to re-evaluate his beliefs when he's presented with new information!

Basically, I just think that you can be a flawed and harsh person and still love your kid enough that they turn out OK. Jin Ling's not perfect, by any means. But I think he's going to grow up into a pretty impressive adult, and I think no small part of that is because Jiang Cheng loves him, so, so much. (I also think that not all parental figures are great matches for every kid, but, like, these two just really get each other. Scorpio2scorpio communication.)

TL;DR I love them, they love each other, it's definitely not a perfect relationship and I understand why people react in a negative way to the thought of Jiang Cheng in a parental role (although I also think it's a mistake to assume that he parents like he was parented).

[court-jobi]

Hi, lately I came across your blog and I really adore your writting style :3

I was very excited when I saw you have open requests (if I am not wrong, otherwise ignore me hah), so I have request for Bakugou × reader, when they are in established relationship, but lately it got rocky, because he was barely home, trying to climb ranks and just neglecting their relationship, so they barely even talk. Then reader gets kidnapped, due to being Bakugou's SO, but she feels so irrelevant at this point that she starts saying to the kidnapper that they are wasting their time, because Bakugou is not coming for her, whick Katsuki overhears, you know just good old angst with fluff at the end maybe

If this request is too complicated or specific please don't feel pressured to do this, anyway have a lovely day/night

I am very much receptive to asks, and thank you so much for providing one!! super flattered actually and spent my entire afternoon crafting up this bad boy bc I had an instant idea for it

Hopefully I touched all the right notes on this one, enjoy anon! Don't be a stranger~

Do It Scared

Words: 4.9K

Warnings: Pro Hero!Bakugou x reader TW: kidnapping, intimidation, light descriptions of violence, protective Bakugou is protective, language, angst with a happy ending (promise!!) and potential spoiler: Pro Hero!Deku

for my My Hero Academia Masterlist, check it out here!

Read on Ao3

Dynamight is on top of the world– or at least working his ass off to get there.

With Deku back on the leaderboard, he’s got twice the motivation and has never been in love with being a hero more.

“That’s what -heh- nine for you this week, Dynamight?” the newly suited Pro beams at Bakugou- not unlike the five year old version of him did back a lifetime ago.

Only instead of bashing the twerp upside the head with a gloating tease, Bakugou simple smirks and gives Midoriya a stiff push on the shoulder, 

“Ten, but who’s counting, nerd?”

The winded, black-and-blue villain currently under custody finds the heroes’ track records funny. Midoriya doesn’t necessarily take these villain types’ remarks to heart, but hates the attitude of this one today.

“Yer sidekick keepin’ count?! You wanna badge or a chest to pin it on, smartie pants? –AAGH!”

“HEY- THE ONLY GUY CALLIN’ THIS DEKU A NERD IS ME, DUMBASS!! YOU’RE THE SHITHEAD GOING TO JAIL FOR THAT STUNT– AND HE’S HEADING INTO THE TOP TEN!!”

“HO-OKAY, DYNAMIGHT, I think he’s had enough!!” 

Deku corrals the punk’s restraints a bit, but leaves the remaining process of reading rights and detainment for the police who just rolled up. Deku will proudly share that much prefers this ‘thick as thieves’ treatment to the ‘fight me or die’ dynamic they shared in school, and couldn’t be happier to be Pro Heroes once again.

And if Bakugou were completely honest, so was he. He’s in his element and closer to reaching his goal by the day.

Walking out of earshot from the police unit, the two are heading over to Ingenium and Creati who are deeply engrossed with the intelligence officers who just arrived on the scene. 

“Ten it is, then– you really need to start leaving some to me though; I can handle it, you know,” Midoriya slips his facemask down, exposing a pleading grin Bakugou still kinda wants to punch some days. “Might give you a little time to actually take a rest day now and then!”

“Tch, if you were fast enough, you’d do it, ‘Zuku.” Bakugou straightens out his gauntlet, but misses his best friend’s tilt of a frown. “N’ who said I need a rest day, anyway? I’ve never been better!”

“I can think of one person..” Midoriya hinted strongly at something that truly escaped Bakugou’s focus. Every now and then, he couldn’t quite mindread the nerd like normal, if he was deep in work mode.

“Heh?”

Midoriya raised a friendly, tired brow, “How’s your girl been lately, hm?”

Bakugou tenses a touch, but quips back, “Whaddya mean. She’s fine, been working a lot too.”

“Not as much as you. What’s she up to? You haven’t said much about her.”

Which was an oddity, indeed. Your successes, your insights, and even your random memes were common topics of conversation from Bakugou’s lips. But Midoriya did raise a finer point between the lines– you’d been put on something of a backburner, and he knew better that something must be off for the blond porcupine to rarely speak of you. Bakugou sensed it himself, but the more repeated check-in texts he received, the cycle of his non-answers worsened. This must be what the nerd is getting at.

“She’s fine-” Bakugou pressed, assuring himself and no one else, “Look, we’ve got our flow, and it works. I keep her in the loop when I’m busy and she gets it.”

Midoriya heaves a disbelieving breath, and just fixes Bakugou a look.

“What’s that shitty look for, huh? Whaddyou know?!”

“I know when she texted me yesterday that she doesn’t sound thrilled about your overtime…” the freckled sweetheart touched a personal chord within Bakugou. “Or that she hasn’t even heard from you to talk about it? I mean, I-I know it’s not my business, but Ka-”

“Deku, Dynamight!” Iida waved the two over from their aside, and back into work mode- to Bakugou’s drop in spirit, “We have a bit of a time-sensitive mission to take care of~”

Deku turned to the officer, raring to go and and straightening up his shoulders to address their more formal counterparts, “Of course, officer- how can we help?”

“Well sirs, we’ve got an ongoing heist over on the other side of the riverbank, and need a bit of coordination to respond.”

Yauyorozu had just finished off a protein pack of some sort and had demurely crumpled its trash in her hand while navigating an ipad passed to her. She’d welcomed Midoriya over when he took interest in whatever footage she’d been presented.

“Well shit, we supposed to be standin’ around like this when time’s wasting, or what?” Bakugou asked brusquely.

Ingenium -in his formal, helmeted fashion couldn’t hide his practiced patience well with the hothead in his response;

“The need for firepower is necessary, Dynamight– but caution is as well,” Iida reminded dryly. “We are in a heavily populated area, and must exercise control.”

Bakugou merely purred a low growl and turned diplomatic.

“Fine. We got live wires? Hostages?”

“To our knowledge, only a select few- a dozen at most,” the officer answered, “We can see most of the victims through the bank’s glass lobby. It’s a small, petty theft group- or so we thought, but there are some decent quirk users among them. Seems they are after more than funds, but records as well.”

Bakugou refrained from rolling his eyes, but only barely. Surely there were bigger and better missions to be pursuing than this– something a bit flashier, more suited for his skills with higher civilian rescue numbers to add to his count.

“One guest was able to contact via the emergency text line, and reported that someone did pull an emergency trigger and was taken further back into the vaults as a prisoner.”

Iida empathized, “Hardly fair- I’m sure none of these customers were armed, and they were simply acting as any hero would trying to notify the authorities.”

The officer firmed up a smile in agreement and proceeded to share some more info about how far back into the bank the team would need to infiltrate based on proximity to servers. 

“Sure you don’t just wanna call ‘Tape’, bust in there, strap ‘em up, and call it a day? Y’don’t really need a whole evac team, do you.”

A simple rescue in-and-out should be easy enough, or so he assumed- until Yaoyorozu took a bit of a sharp intake of breath in her nose, alerting Deku to fixate on the screen again,

“Bak- erm. Dynamight,” Yaoyorozu interjected gently, “-you need to see this-”

Bored and still half paying attention to the officer, Bakugou only barely looked Momo’s way, and didn’t really feel like a crowd around a tiny screen -in full sun- was warranted.

“What? It’s frickin’ bright out-”

“Kacchan,” Midoriya shot back icily, “get over here.”

Something alarming had struck him in the face, and he was purposefully putting on a front to those not personally connected to the heroes. Sidestepping ‘Legs’, Bakugou was passed the ipad and played back the security footage of the interior of the bank.

Time stamped at just fifteen minutes ago, a civilian in question had tried dipping around the counter to where some clerks had been bullied up to the opposite wall- but one of the employees jerked her head towards one of the registers- a lightning quick gesture. This cued the civvie -a woman, if the hiked up skirt was a correct indication- in the foreground to feel around the bottom lip of the keyboard for something- likely an alarm switch. Once done so, she’d merely knelt back down, hoping to stay low and sneak back to avoid the thug to lash out at the person who’d tipped her off.

But then -comically enough- the thug sneezed and unfortunately whipped to the side to let it fly. Looking up, there she was in his sightline. With something akin to a spider’s web knocking her flat onto her back, she’d been dragged up and back with the others- trying to ground herself with a squatted stance first, tried to force her elbows back, then bashing her head back in an attempt to hit her captor– until she was ultimately slapped and taken back to the far hallway, hunched over.

Bakugou saw red. His heart stopped then set itself on fire, hotter than Hades. He’d known that self defense response from having taught it, himself.

You pulled the alarm. 

For the first time in his career- he knows the target he’s saving. He’s in love with her, after all.

Damn your neck hurts. If your elbows hadn't been glued up to your sides, you woulda used those instead; but now having jerked your head back, you’d given yourself a healthy dose of whiplash.

And got a punch to the gut. And a slap to the face. Joy.

There’s fight, flight, freeze, and fawn. You’d seemingly gone for the fight route, with your body moving before your self-preservation could catch up, but it seems your fawning tactic of remaining calm and quiet wasn’t working out for you now. At least you took the attention off those poor girls in the lobby who were in near hysterics. 

Only now it seemed you’d taken on the role yourself, back here. You try to breathe deep, drop your shoulders, drop your jaw. You’d think this would double to avoid showing any fear that your captors can use against you, but it’s honestly just to help keep you grounded and not panic and curb the intense need to vomit or cry.

Please. As if you’d even call yourself heroic for pulling the theft alarm– but you suppose it’s instincts. Carry-over bravery: osmosis you assume, from hanging around these heroes. Your hero. Katsuki.

You’re stunned– you’re shocked– and you’re scared. 

Katsuki. You want Katsuki. More than the police, more than your mom. 

You want your hero to come for you, over any other in this entire country. The name pounds behind your eyes when you shut them against a wave of pain, the person you want more than anything else in the world.

–And at the same time, that man’s name hurts at the cry for it: given he hasn’t spared you more than a one or two word response in days. Because he’s overworked by his own volition. By his own drive. And you should be angry. You have been, for this is the longest you haven’t seen each other outside of a trip; considering you’ve all but committed your lives together and he’s typically at your place every other night, the drop in communication is a cold bath.

And you’re scared now- it’s a blurry feeling. Time is wonky when you’re stuck in a room with no windows, no visible clock and just waiting. All those tips they tell you about how to react in an emergency to keep calm? The ones you’ve heard over and over again in security briefings and teacher preparedness days before the school year starts? Man, is it easy for those to go out the window when you’re in actual trouble.

You just want Katsuki. And that’s a silly thought, considering how wide the city is. He could be clear across the district right now.

But just saying the name -thinking of any other pleasant time when he had his arms around you play-fighting that could make these bindings feel more bearable- that’s what you want to cling to.

The villains here are pretty pathetic as interrogators go, but that spares you no calm as they taunt you as if you were a captured magistrate or politician. They’re split into two parties; their head honcho trying to tap into the databanks of the servers two doors down while your immediate captors with the creepy quirks are choosing to go through your recovered phone seeking out blackmail like the assholes they are. Your primary apps for insurance and paying your bills are thumbprint protected, so really what could they get to that's confidential? Nothing, to your knowledge. But it seems your camera roll strikes their interest. 

Oh yeah, they hit low. They see your lock screen first- a sweet photo of your harmless, dopey dog who they snark that you won’t be home to feed on time. Then even more, as your home screen displays a picture-perfect selfie of you and your darling man. You picked it because it’s rare proof of him smiling at some wisecrack you made before snapping the shutter.

Your handsome and infuriatingly busy man. 

“Aww, well just look at little miss hero’s cute lil boyfriend! Bet he’ll be awful proud of you playing the savior~”

“Tehehe, too little too late though, yeah? Gotta be quicker than that for us.”

“Geez, how sappy can you get. This guy’s all over her…and can’t blame him, honestly. Makes me feel a little bad for roughing such a pretty thing up.~”

Gross. Just gross. You act like you don’t listen, your simpering pain turns to nausea the more they talk. Until a renewed sense of fear hits:

“Wait- go back. Oh. Ohhh shit, no.”

“Whuh.”

“Fuck, man, that’s DYNAMIGHT!!” the jerk with the copious amounts of tattoos and chains draping off his arms like whips gets nervous real fast, “We have Dynamight’s girlfriend!!”

Your other guard seems to swallow for a split second, but immediately tips to a feigned dominance,

“Well, ain’t that just icing on the cake~”

“THE HELL DO YOU MEAN? He’s gonna come after her!! You know how scary that guy is?! I’m telling the boss-”

“Don’t wimp out already,” he fires back. “Why do that and waste time- when knowing this, we could get paid double? Heroes ransoms can cost him a pretty penny, and you know he’ll do it for her. Those heroes make bank.”

You flatten your brows angrily. 

“Whaddya think, princess? Big man gonna come and save you, huh?  

You really want Katsuki. But you truly have no idea if he’d know or care to come at this point. The spiral downwards in the mind is dizzying along with your headache, and just makes your heart sick for him. 

When you see him next, you’re not sure if you’d hug him or throttle him. Though now, you just wanna see him. 

“Unless.. He doesn’t!” his mood shifts- patronizing, “Too busy makin’ a paycheck and name for himself and all his hero buddies than to settle down and think about the pretty thing at home? Well, I would fix that real quick–”

A muffled boom sounds on your right. Rooms away.

Another, louder. Two beats after, the guards look at each other.

You hear a yell, a harsh one, then another blast that sounds cracklier than the rest. Someone’s close. But you’re honestly not sure if it’s friend or foe.

You’re excited, but get nervous again when the lackeys move into action. Chains loops a rough swing of his appendages around you and starts dragging you back into the adjoining office, while the muscle goes back to type at one of their private laptops that’s downloading something.

You give off a flare of panic in your voice- a sound you hate but can’t control. 

“It’s-s not him–” you force your pitch lower, but it shakes despite your best effort. “Cmon, there’s too many heroes, s’not gonna be him–  n’there gonna come an’- bust yall anyway!! Whaddya want me for?!”

As you’re dragged, you catch a glimpse of shine from above you. In the vent, you see mustard yellow and teal saturated with shadow- all metal. Then, his voice, through a comm on his wrist that flashes in the reflected light:

“Got her. Light it up, on your left.” 

Both lackeys drop what they’re doing and look up to see the vent kicked into the floor– and the wall totally blown in from your right. 

Dynamight -the Symbol of Victory- and Deku -the Symbol of Peace- are dropping in at breakneck speed, though the former is out for blood.

“ALRIGHT, WHICH ONE OF YOU FUCKERS AM I KILLING FIRST??”

Deku’s landing creates a decent wind with his jump, revealing Bakugou behind where the door usually is, and clocking your position almost immediately. 

It’s a powerful thing, to see him in action- you’ve certainly never seen it in person, and you’ve never heard him this mad. To his credit, he never raises his voice enough for you to fear it.

He spots you and the guy who rushes him, but just snarls, evades his whip of weighted chains entirely, grabs him by the calf, and chucks him into the opposing wall with a spinning throw. Then, he sets straight to you.

“DEKU!!” he shouts to Midoriya, “Trash, at your ten!!”

“On it!” Your angel from the ceiling ducts is currently laying into the other guy, but keeps the reeling villain in his sights before he can get up and strike again. You imagine the sucker has more than a few broken bones (or truly is dead, as promised)… he doesn’t move from his figure on the floor.

While you’re still coughing up a storm from the drywall throwing dust everywhere, Bakugou comes to your side and immediately picks your bound body up in a rush from the chair you were perched on.

“C’mere you-” 

He sounds rushed and spent, huffs it out of the room and into a separate office down the hall. 

You spot Ingenium and Creati moving on to the other end of the hall where you know the final villain remains, but you can already hear the squeals of said wimp once Iida bursts in. This will be quick work for the rest of them, so you weren’t worried Dynamight would be needed anymore.

Inside an executive’s office, Bakugou kicks the door behind him shut with his heel and sets you on the dearest flat surface- a decently sized desk.

“Hey you- you still with me?”

You don’t realize you’re breathing so fast until he’s looking you square in the face with split concern. It’s night and day from when he burst in after one of his more gusty explosions, his voice all cracked and high in pitch.

“Cmon, baby look at me- here, let’s get this crap off of you..”

Your gasps for air turn wet and you can’t keep yourself from crying anymore. It would be notably sweet that he still tries his hardest not to curse wildly around you, but right now you don’t care what font his expletives are in. Every bit of stress leaving your body all at once is a rush for your senses and your emotions.

“Kats~”

After his pocketed knife’s quick, careful work separating your arms from your waistline covered in a still-sticky webbing, he sheaths the blade again and collects you up when you launch yourself at him. 

Bakugou holds you hard and fast and you can’t even be bothered to worry about how his shoulder pauldrons are nearly choking you. He’s got you back in his arms, and he’s just saved your life.

“I’m here,” he grunts to you, relieved beyond measure, “I’m here, sweet’eart. You’re safe.”

You’re so thankful. You’re so happy-

“N’d I am so sorry.

-You’re so confused.

In a flippy tone that betrays what heightened nerves you’d just gone through, you ask, 

“Huh?”

Bakugou’s fingers thread into your hair when you try and pull back-

“Don’t. S’the first.” His iron-sure voice wavers, “I- I haven't hugged you all week.”

Then, you’re both crying into each other, and it’s a healing thing. 

Dragging careful nails across the back of his hero suit, you try to offer a tiny bit of comfort to this mass of man cradling you on this desk. You know you’re still in dire need to talk about his recent absence, but what a reunion this was. Feeling him after a seven or eight day stretch of near radio silence changes the degree of flame you hold against him. Honestly now, you’re in the mind to think he deserves a pass entirely. 

Bakugou finally lifts enough to press a kiss to your head, but makes no move to let go of you. “I’ve missed you, baby.”

Has he? He’s barely texted you past the ‘I’m heading out’ and ‘I’ve gotta sleep’ with no room to offer or reciprocate any form of love between you; so much so, it threatened to make you doubt. 

“Have you? I haven’t heard.”

“No, you haven’t. And that’s all on me.”

You turn your head very slowly- your entire neck is still tender, but you'd rather listen to him with an ear to his chest, where you belong. 

“I’ve missed you too,” you settle on the truth. You might have more to say when you’re not so exhausted, but the truth is you’ll still love him no matter what, and you do always miss him.

You miss every moment, big and small. His wins and losses. Nights where he’s high off a victory or the ones where he’s bone-tired and in his head about how weak he must seem. Nights where he takes out his hearing aids and just wants to fall into your silence to sleep safely, and the mornings where he’s up and ready to go take on the day after he has your kiss and hug to charge him up. Whether he has your chapstick smeared up on his cheek, or the promise of your arms to hold him in whatever state he greets you when he comes home, you just miss him. You notice when he’s not there. The house seeks him out, with lights on for him to find his way inside, and low music to soothe what anger might have followed him home.

You take a few moments to just soak each other in. You hope and pray he’ll come home with you after this.

And thank the Maker, your prayers might just be answered.

“This was a wake-up call, sweetheart.” Bakugou sounds a bit bolder, but still talks softly to you and the dust mites around you, “I’m takin’ a leave. A long one.”

The way he promises time off is something he’s toyed with before, but never followed through on.

“You can’t do that, Kats,” there’s no coldness to the words, but you mean it.

“Yes I can. It’s my race; I can step away.”

You sigh against his pec, “I’m.. I’m not asking you to. I can’t, that wouldn’t be fair.”

To you, sure. But not for his dream. Not the dream he’s worked and fought and lived for since before you met, and long before he fell in love with you. You’d supported him in this chase to save everyone and be the best at what he does from day 1, and you’ve never wavered on that– you still wouldn’t, even if someone asked you now feeling as dejected as you do by his absences–

“Tch. Y’know what's not fair?”

Bakugou finally loosens his grip on you to lift your chin up to him with thick, strong fingers, 

“Leavin’ you for days on end; waiting up, worried sick. Leaving, and just assuming you’ll still be there when I get back. And now you’re getting fuckin’ snatched the minute I turn my back on what we have. That isn’t right.”

The correlation is irrational- this incident today was a freak accident. You couldn’t have planned it- or certainly hope that your identity as his significant other is not going to be weaponized. Shuffle in the hallway beyond tells you that the possibility of that information leaking is sufficiently locked up along with them. 

Surely Izuku would have grabbed your phone– and maybe set you up a new lock screen with a mean mug to poke some fun at ‘Kacchan’.

You slump against him, at the sound that he’s being too hard on himself, and that’s not what you want for him either.

“I just miss you, Katsuki. And I want to see you succeed.” you study the bold ‘X’ across his chest with fondness and heartache mixed, “I want both those things. I just can’t help but wonder if you have to go at it so fast? And so hard, where I never see you? Like you’re racing against the clock to be #1? I just want you there in one piece; I don’t care how long it takes.”

You have no doubt he’s going to land the spot before he’s thirty. You just hope for a balanced ascension to the height of his power and ability. And selfishly… you hope you’re in the picture of his life when he does.

Bakugou hears and you do believe he listens, as he smooths a calming hand up and down your arm all the while.

“And today..” you clam up a bit with an uncontrollable shake, “Today was- scary. But you couldn’t help that. Any more that you can help it from happening t’ anyone. I know that,”

And you look up at him despite the burn it causes you. And -a funny contrast to your still teary eyes- you smile.

“-but you did save me. And that was- honestly one of the coolest things I’ve ever seen in my life.”

The comment strikes him as funny, too, since he gives a little chuckle.

“Me blastin’ in and causing you to choke on my smoke?”

You nodded briefly.

“Kinda hot, all things considered.”

Unbelievable, his headshake and eyeroll at how easily you can -and will- make jokes. Perhaps it is the shock still, deflecting with humor. 

You do realize how fragile it is because when you laugh at the absurdity, you catch his eye again and you look just a little too long before you’re sniffling. 

The reality is that you could lose him at any time: whether by his end or yours. He’s got the more dangerous job by far, but if today was any indication on your part, you shouldn’t just think yourself as a shoe-in for safety.

Bakugou cups your face in his hands to make himself perfectly clear.

“You’re the hero today, angel. Watched you in 16-bit as you snuck back there, taking that bastard into next week. You saved every- single- one of them.” he placed a kiss on each word as he praised you. “I am so damn proud of you.”

Your hands still skipped, limbs jumpy. 

“I don’t feel like a hero.”

His lashes lured you in as he gazed at you through them, “Doesn’t mean you aren’t one. You did it scared. That’s pretty hot, too.”

You huffed your amusement as he thanked you in his own way. Best to let him carry on before he’s whisked away again. 

Just as you thought he might release you in ushering you out of the office, Bakugou takes you by the hands so that you can stand, then keeps you in place by his immovable stance.

“Things are gonna change,” he vows, “because none of this shit matters if I don’t have you. Yeah I want you now, but I’m gonna want you after my fire’s burnt out. Which means, I gotta pay attention. I have to set ‘who matters’ just as high as ‘what matters’ and remember why.”

Touched by every word, your trembling lessens. You take in his warmth and his care and his explosive loyalty with confidence and nod in agreement.

Taking one last selfish hug, you sink into your hero again, standing more as equals than you usually feel being held by him. He’s lifted you up in more ways than one. Enough to let safety back into your heart, enough to tease,

“That can’t be your line. When did ‘Zuzu’ give you that one?”

“Hey,” Bakugou flicked you in the temple lightly, “I can be nice too, dammit.”

“Sure you can,” you kiss the dip of his neck in apology.

“You’re just always nice, you can’t appreciate the difference.” he pouts, taking your hand and leading you out of the office.

“...Sure I can.”

You have to give him a solid shot– he’s nothing if not insistent with what he wants.

Outside the room, there are a host of officers, photographers, medics and heroes aiding in the recovery efforts, so you relax your hand in his to let go,

–only he doesn’t let you.

Bakugou glances to you, “You’re in shock, extra. You need to get checked out.”

“I’m fine, Mr. Dynamight,” you chortle with a little head bobble like you would have normally done, only now the movement makes you wince.

“That’s what I thought. OI, Deku- where’s her sh-phone?”

The iron hero stands with the receptionists, looks to you both and smiles gratefully, before nodding off to his company and joins you-

“This, I believe, belongs to you, maam~” he perks up as he comes around to your other side. It’s not so much that you have to pretend to be strangers, but in this high-traffic place, it seems easier to fall into roles of ‘heroes’ and ‘thankful public’.

“How kind, Mr. Symbol of Peace~ I’d be missing this!”

Double checking your lock screen, he did -in fact- change your cover screen to a playful selfie: pointing at the crumbled remains of the wall they’d broken into, with the caption:

>>Whatever Kacchan wants, Kacchan gets <3<<

Muting your laugh, you simply tilt your phone Bakugou’s way and catch Midoriya’s quick wink back to you, before he sets off running with a screaming boyfriend sprinting after him.

At least Katsuki showed up back at your place at 6:30PM on the dot, fixed you both a salmon dinner, and started getting your baseline of support back on track. With his next two weeks off and barely keeping his hands off of you so far, you believed he was making good on remembering his why.

[halemerry]

On the Bookshop, the Concept of Home, and Going Too Fast

So, weirdly enough, I want to start with a scene that has very little to do with the actual Bookshop: 1967. We get Crowley planning a heist and being interrupted by an angel clutching a thermos full of holy water and promising that someday, maybe, they could let themselves have the life they want together. And we get that line. You know the one. You go too fast for me.

This one line of dialogue went a very long way to cementing the fanon perception of their roles in the relationship as we've largely been shown them - Crowley gently pushes and gives Aziraphale space to slowly feel comfortable setting his own boundaries or adjusting his worldview. And I’m not saying this is wrong - it’s definitely what we're primed to expect in their pattern - but I do think it ignores a fairly common variation of their pattern. See, sometimes, Aziraphale is actually the faster of the two of them - he's just not quite as flashy about it.

Crowley very rarely actually does any pushing without getting some kind of signal from Aziraphale first. Aziraphale, whether consciously or otherwise, quite frequently is the player making the first move on their metaphorical chess board. We see that he's the first to push for them to work together in the story of Job. We see that he's the first to invite Crowley to socialize together in Rome. We see as early as the Globe that Aziraphale has discovered and weaponized how to ask Crowley for things with a simple look and that Crowley has gotten very good at reading those asks. We actually see this dynamic in real time as Aziraphale drops signals to Crowley on how he should form his deception of the angels in the Book of Job. Even the Arrangement itself is something Crowley doesn't push for until he knows explicitly that Aziraphale isn't happy with the terms of his work. In other words, Aziraphale sets a cue, Crowley picks up on it and adapts.

So what does this have to do with the Bookshop?

Well. The Bookshop is a prime example of Aziraphale getting there faster. Because the bookshop, whether he knows it at the time or not, is absolutely a nest.

Nesting is behavior typically associated with birds, but is actually something lots of animals do. Even humans exhibit this behavior to some degree. It’s functionally gathering a bunch of stuff to create a safe, comfortable place, typically constructed for the purpose of raising children or attracting a mate. In other words: the creation of a home.

Because the Bookshop is their home. It is their safe space and sanctuary. It is a space for them to meet and just Exist without worrying about being seen. A home base where they can just Be themselves. It’s a constant in a world ever shifting around them. It’s a place for them to come back to. A place that will always be waiting for them both. And a place that they both have to be able to check in on each other. This is why the Bookshop burning hit as hard as it did. Their home was destroyed in fire and flame. And they both know it. Every expression and shift in tone when they talk about it speaks to the gravity of that loss - even if it was only temporary. And I think it was always intended to be just that on some level from the very start.

So timeline wise the closest scene we know about to Aziraphale starting his plans for the shop is the scene at the Globe. This takes place in 1601 and features the two of them being very conscious of being seen and the potential consequences thereof. They pick going to the Globe expecting it to be busy enough to blend into the crowd and Aziraphale's objection re the Arrangement has shifted onto the idea of Hell destroying Crowley.

It is less than a century later that Aziraphale buys the land that will eventually become the bookshop. In 1630 he purchases the land with his own money. That’s his money. Money that he made mostly the human way. Although this space would eventually become an embassy to Heaven it was made via earthly means. It’s his, not Heaven’s. Less than 30 years after we first see them express concern for how dangerous it would be to be seen Aziraphale starts making a space for them to retreat to.

And he does it slowly. He spends decades slowly buying up the land in the area. In fact, it’s nearly 200 years before the Bookshop will be ready to open. By the time we hit the Bastille, he’s clearly decided on a bookshop and has clearly told Crowley all about it. They’re comfortable with each other and already trust each other to a frankly absurd degree. Aziraphale risks discorporation on the sure thing that Crowley will know he’s in danger and come save him just because he wants to see him. In other words, by the time they’re at the point where they’re making elaborate excuses to see each other, Aziraphale is less than a decade away from naming the home he has been carefully making for himself A.Z. Fell and Co.

The and Co is important here for obvious reasons. We all know there’s only one person that it could be referring to. Even as Aziraphale is still denying that they are friends, he is plastering the idea that they are a unit all over the front door of his home long before even he realizes that what he is feeling for Crowley is love.

This is part of why the conversation about ‘our car, our bookshop’ comes much easier to Aziraphale. And it is an easier jump for him to make. He's the one that brings it up and he does it quite casually. He's testing the waters a bit, but is confident the conversation will go his way. Of course we have a car. Just as we have a bookshop.

The thing is I don't think Crowley ever really got that memo on a conscious level. We can see his relationship to the shop shift in the way he moves around the shop shifts over time. The earliest we see him in the shop itself is 1941. It's night time which gives the whole thing a bit of clandestine air, which is fitting for where they're at on the timeline. He stays mostly in one spot in his shots here, sort of hovering about the shop not getting too close to Aziraphale but not drifting out on his own either. He also stays as close to sitting normally as we tend to see Crowley ever sit and his glasses stay on. Which that's not to say he doesn't relax at all. He takes off his hat and make himself comfortable and, most telling, doesn't bother with fixing his glasses when they slip off his nose. He's comfortable and familiar here but it's in a strained sort of distant way. There's trust there, for sure, but he is clearly a visitor in this space.

The next we see of Crowley in the shop is the mid 2000s. It's still night time. His glasses stay on until he's drunk and the he takes them off of his own accord. He moves about the shop, touching various objects and leaning against various pillars and shelves and furniture. He's more comfortable here, but he still he needs a bit of alcohol in his system to get there.

We then see him briefly in the daytime after they realize they have lost the Anti-Christ. The glasses stay on here and alcohol is notably present. And then we do not see him in the shop again until it is burning. All and all most our shots of the bookshop from season one are Aziraphale alone moving about his space. We know Crowley's there enough that his smell lingers in the place, but we don't actually see that much of it beyond those first tom scenes.

Season 2 couldn't be more different in this regard.

Crowley moves in and out of the bookshop as it suits him. At one point he wanders off in the middle of Aziraphale zoning out in a memory without bothering to shake Aziraphale out of it. We even get him doing what is functionally a bird courtship dance right here in the middle of the shop. Aziraphale in turn takes active steps to get Crowley into the shop whether it's leaving him to watch it while he's gone or suggesting that Crowley likes waiting in the shop for him - a thing Crowley does not outright deny beyond objecting to Gabriel's presence there.

And we get a lot of Crowley in the shop this season- both with and without Aziraphale. And regardless of Aziraphale's presence, Crowley's behavior doesn't really shift too much. He's moving around the shop far more that we've ever seen him historically and he spends half that time sprawling on the furniture like it's his.

And, of course, nearly every time we see him enter the Bookshop to engage with Aziraphale, the glasses come off.

He lets his face stay exposed in the shop, even eventually in front of Gabriel. The only other place we've ever seen him take his sunglasses off by his own choice are in his own flat or when he's trying to make a point about his own nature. Even when he's engaging with Hell, so long as he's not grabbed unexpectedly, he has them on. Crowley wears them around people well before sunglasses had technically even been invented. But not here. Not anymore. Not in this story that is framing the bookshop as a literal safe haven.

Even the palette for the Bookshop this season speaks volumes. Now Season 1 in general is a little grayer than Season 2 (this is in part because of the general aesthetics of when they were made and in part because of the difference in tone between the two seasons) and it's very very noticeable in the shop itself. Here's some side by sides of similar areas of the shops between two seasons, I bet you could guess which was which based on the colors themselves.

The palette season 1 suits Aziraphale just fine. It's more neutral tones like he tends to favor on himself. It's still cozy but in a dusty sort of way. The palette of season 2 is warmer. Less white and more orange to the point where even the pillars holding up the bookshop are more vibrant. There's more natural light and we see it more often during the day. It's a warm, shared, space now. They both get plenty of use out of it.

And Crowley now looks like he fits there too. The shift in his palette makes him feel in conversation with the bookshop in a way his season 1 red can't quite mesh with the more washed out palette. I won't repost all these images I was going feral over last night but you can find a lot of shots of him in the shop windows here that really show the ways he works with the colors of the shop.

So why hasn't Crowley moved in officially if he's practically done so already?

Because this is their whole problem in a nutshell. It's a prime example of the way their pattern doesn't work anymore. It's not built for a world like this. Its built for a world where they have to hide and make excuses. And while being free of that is objectively good it also means they have none of that to hide behind anymore. Subtext doesn't have to be subtext anymore and that can be as scary as it can be exciting. Freedom from things like Heaven and Hell can be hard when that's all you've ever known. This is all new territory for them. The meaning of what home can be to them shifts a lot in a space where they can more or less do as they like.

Aziraphale doesn't need to be indirect about what he wants anymore but can't quite figure out how to be more direct in the asking. He's ready but can't quite parse how to say that out loud. Or why he would even need to when he's been saying it quietly for more than a century. He built a shop full of human knowledge into a safe haven for the demon that fell for asking questions. He invited Crowley into the shop on day one, just like everything else he loves. He's already left the door open for Crowley to come and go as he pleases and as far as he's concerned Crowley has already half moved in anyway. From his perspective he's already set a large blinking neon sign up that says 'this is your home too'.

Crowley, for his part, can't read this cue. Not without thinking about going to fast or starting a battle with his own sense of self worth. He's been in keep them alive mode for so long I'm not even sure he really knows how to let himself have needs outside of that on any conscious sort of level. There's nowhere to push if you don't have an endgame. And even if he did have one the last explicit boundary he had established by Aziraphale was telling him to slow down.

But I do think they both realize this. Crowley grumbles about what's the point from the start of his first scene and of course eventually does take a shot at expressing his wants. Aziraphale's fixation on the Ball comes into play here too. He says they allow humans to realize they have misunderstood each other and that they're actually in love. Which is just flat out their whole problem summarized for us nice and neatly.

They're not understanding each other. They haven't had the conversations they need to have. But they are trying. They still trying, even if they don't understand the ways each other is doing so. And at the end of this season even as they are separated again, the nest still stands. And, maybe the next time we get to see them, they'll decide it's in good hands right now and start building another nest together in in South Downs, but, no matter what, the shop is still home. And even if it is a place they have lost each other twice, there is no doubt in my mind that it is a place they will find each other again.