#and I need to decide what goes into the narrative and what I can just cut out

[tenwhiteandalusians]

is episode 8 the domitian arc ? more on this and EVEN MORE narratives i’ve been ignoring that the show said “actually,,,” about in 5

[spaciebabie]

What's the storyline for your ocs?

nerdy straight A middle school student katherine quin and her pals realize that their government sucks ass and b/c they are impassioned naive youth, entangle themselves in a state of affairs that will stay w/them for the rest of their lives

more under the cut b/c i wrote a lot more than i thought i would kasfjksdfjksfj (i have big feelings abt this story)

i (officially) made the story when i was 14! all the characters are based off me and my experience 2 some extent (especially katherine i mean i made her bi, biracial, gave her a mole, made her like indie games etc). originally the story was going 2 have a happy ending, but as ive grown i have more of an appreciation for....well endings that are not so happy. im thinking i change it. it would make sense w/what happens in it anyway (the story of revolution is not as happy and triumphant as 11 year old me imagined when i first acted this out w/my brother. honestly like ive changed the story entirely 2 be my own but i still gotta thank my bro cuz the orig storyline that inspired it when we played legos 2gether was a conjoined effort and i borrowed many of the characters)! as im drafting it now, the story is not particularly happy lol

the story tells a sort of generational loop that katherine goes thru? if that makes sense? i wont go too much in depth b/c spoilers but its a story of history repeating itself again and again and the endless loops pain and suffering cause and how people are scared/too comfortable/too angry to change the cycle. i think that katherine being a history nerd in the midst of watching history unfold again before her very eyes grants her a certain point of view other characters dont have (except a few who have lived experiences). although this awareness will come later in the story when she's older

it will also touch on something young folks feel 2day where ppl frequently ask, "why is this happening today? havent we progressed?" and katherine will ponder that herself (although the situations that happen in the story are strictly to the story ajsfsjfd i cant talk abt and link real life tragedies it would be too much for me). and i think that as she gets older in the story and gains knowledge and wisdom from what she goes thru, she'll hafta bear this horrifying knowledge that the sands of time dont just erode the past, but the present and future as well.

i was not expecting 2 write this much KJSFKJSDJFKSJDF

anyway! i care this story a lot. its like my childhood and has grown with me as ive aged. im really compelled to make it the best it can be and i get a lot of imposter syndrome b/c i know the ideas i have and the story itself as a whole is good, but im worried my execution will fall flat. idk its kept me from moving forward w/it or talking abt it for years.

tldr; two can basically be summed up by this image:

are things going 2 get better? can they get better? questions i think about as i write and think thru this story.

[npdiyozane]

I don't like BSD I'm sorry if I'm putting myself through the little sister bullshit I'm doing it for a VN that does something interesting not for a basic shounen anime with a mafia aesthetic and some questionable literary references.

[notebooks-and-laptops]

I hate the viper as the black divine btw I hate it I hate it I hate it

And no, it's not because it's a bad idea.

It's because it's an EXCELLENT idea, and the idea that they intended it to be canon (or planned for it to be) is quite frankly an insult to such a complex idea. Especially in the game series that used to explore religion quite seriously and which has decided, in the game about Gods and potentially disproving faith, it no longer actually cares about faith (the MAIN THEME OF THE PREVIOUS GAME).

Like. Firstly narratively the Black Divine being Viper could have had such an impact because you could have built to it. You meet Viper, get to know him... simultaneously you're meeting various imperial chantry officials. Maybe these chantry officials are even aligned with Venatori. They keep alluding to the Black Divine but you never meet him until ACT 3 when it turns out...the black divine was the viper all along.

And one assumes the black divine would turn to a life like the Vipers because they don't think their office is doing any real good. That's!!! Really interesting!!! Someone decked in glory and power realises their own office is a sham that is doing no good not stopping slavery or Venatori and so works to do it from the shadows...that's interesting!!! And has something to say about systematic power structures and how changing a system from the inside can be damn near impossible.

Or maybe he does this because he DOESNT want to risk his seat as the black divine but feels immense guilt about how he's not actually helping the faithful poor in his city. He wants to cling to his power because he believes he can nudge history in the right direction if he does, but simultaneously knows that by not speaking out publiclly on slavery or poverty he's potentially dooming people to death and so needs to sooth his guilt by going vigilanty. Maybe there's an interesting question in there somewhere about living in two worlds and trying to maintain the status quo in one and destroy it in the other.

Also it DIRECTLY parrellels previous characters like Cassandra and Leliana and is a continuation of inquisitions themes surrounding what good can faith ACTUALLY accomplish for people (this even goes back to da2 and Anders)? When does faith break/why? What

Also because it's not explained, it's just kinda stupid. Does Bioware think that high ranking religious officials do nothing all day? They're not billionaires sat in a mansion popping into occasional meetings, they're public figures and political leaders of giant organisations who regularly have to be on show to the masses and to their own advisors. I won't believe that they not only a) have time to be batman AND b) they also have time to just...sit around in some room in the middle of nowhere to be a performative faction leader to the protagonist of a video game they don't know they're in.

Also. Are you telling me. The venatori were going to execute the FANTASY POPE??? And nobody cared??? They were going to publiclly execute the FANTASY POPE and the viper wasn't going to reveal himself and he wasn't going to be recognised and that wasn't going to cause problems? Are you kidding me?

Tblr; the idea that the viper is the black divine is such a good idea it makes me so angry they seemingly couldn't be bothered to actually put the time into it to make it interesting

[solanasreality]

Ⳋ᧙ — STOP CONFORMING 𝔱𝔬 S✹CIETAL STANDARDS.

i’m serious. there’s genuinely nothing to get out of trying to conform to what you already know is false.

using the law means building trusting in yourself. genuine, unwavering trust.

if you have an assumption that matches up to what the world tells you, “money is hard to make„ “you need to do xyz to shift„ (which only comes from the assumption that you need to work hard 😦)

then you’ll receive that in your reality because that is what you’ve chosen to persist in.

but, now that you’ve known the law, you can do something about that. which is why it’s genuinely bothering when i see people asking how a specific person manifests, because you make the rules.

you make the rules.

we are the operant in power, we control our realities. there is no reason to depend on outside sources when they don’t control your realty. i am essentially a nobody in your reality, the post you’re reading and the many more that’ll come after it, is just you talking to you.

wanna know the truth? none of it matters if your dominant thoughts revert back to negatively perceiving your situation.

the tarot readings won’t matter, the subliminal requests won’t, because it all has to do with you. you can easily change the outcome because of your energy, you just need to hold your own hand at the end of the day and change your thoughts.

tell me, how do you go from breaking free from societal standards by just having the belief in something “non-conventional,” just to fall into the same mindset when the entire point of the law is individuality?

to throw your control onto a random person when you’ve been subconsciously manifesting your entire life, from your first breath, and allowed others’ assumptions to run your life is missing the point.

and even if someone was kind enough to set their dreams aside to guide you, if your dominant story doesn’t match the one that person has, which one do you think is going to manifest?

the assumptions you have? as the operant power? or the person who didn’t control your reality at first, and couldn’t now? we can only do so much.

take back your power and figure out what clicks for you. because i promise you, it won’t be a method that’s telling you to spin around and clack your heels three times, unless, again, that’s what you assume. because it all goes back to your thoughts, and why persist in that when you can take a shortcut and already have your desires internally?

changing your subconscious beliefs is a step everyone has to take. that’s the law of assumption, that’s how it works. luckily for you, it’s as simple as deciding you have your desires right now, at this moment, and not straying from that narrative.

i have no problem with people asking about tips on how to manifest (although, i will most likely redirect you to this post), but to ask me to manifest for you at the expense of my enjoyment? your ask is mooooore than likely getting deleted.

[thealogie]

picture this. you're michael sheen, beloved queer-friendly welsh actor and recent twilight saga vampire. you want your favorite book to become a tv show, and you want to be the lead. so what do you do? you befriend the author. he wines and dines you, you become a confidant in the scriptwriting phase. and in the process of the GO script you decide you don't want to be crowley, actually, you want to be aziraphale. you put in the work for months to influence the author to the same conclusion. so when neil gaiman comes to you one day saying, "i know you joined on to be crowley... but how would you feel about playing aziraphale?" you say, what a novel idea! i was feeling the same way, i just didn't want to say anything! let's do it.

you're michael sheen, the lead in the adaptation of your favorite book. you meet david tennant as your leading man, a rising star (and vocal fan of yours) you've had a few vague interactions with in the past. on set you immediately find the closest friend you have ever and will ever find in your life, and you know this. the romance you have in your (yes, your) show is ambiguous, but you're michael sheen. you think that romance needs to be explicit. so what do you do? you become a nightmare on set. you get really hands-on; you make costume choices, you make story decisions, you tell your author friend at the very end of filming: aziraphale is in love with crowley and realizes it in 1941. now go do it again.

so the author goes and does it again. you get a season 2. you get 1941 part 2. you're michael sheen, and you are the lead of the adaptation of your favorite book, and the romance you littered into the character you built from the ground up has become unambiguous. everything goes according to plan. but, you see, you have a problem: the author you have baby trapped is acting a FIEND on twitter and tumblr. he's saying everything he can to imply aziraphale and crowley aren't sexually attracted to each other. he's getting a bit too bold with his character assumptions, is all i'm saying. so here's what you're going to do: you play it up with your pal david tennant. you made a show with him during lockdown. you're going to depict your lives as even more intertwined and homoerotically codependent as previously possible. you grow even closer. your wives become best friends, too, because how could they not? this has been the plan since the beginning, too. your lockdown show ends. it wasn't enough.

so you, michael sheen, of course you put in the work. if david tennant's there, you're damn sure you're there physically, spiritually, biblically, in whatever capacity you can be. it's not hard. david tennant is a big fan of yours, after all, so he MAKES SURE you're always in the conversation. you have him wrapped around your little finger, this lovely little boy, and so you know what you do next? you become neighbors. you make your directorial debut casting your best friend's wife watching her husband and male neighbor initiate sex with each other. you play into the swinging rumors (that you, michael sheen, had started). you create a narrative that you and david tennant are two homoerotic besties, and is there more going on in the background there? any deeper conspiracy? who really knows, but what you do know is that the world is talking about it.

and you, michael sheen, your entire acting career has led to this moment, your gay quips, your oscar wilde sex scene (and the interviews following), all of your queer roles, EVERYTHING has brought us to this conclusion. you have created the lab perfect conditions where season 3 must have an explicit gay sex scene. i'm sorry neil, my hands are tied! the people are clamoring for me and david tennant to have sex-- i mean aziraphale and crowley to have sex, the public decided this all on their own! i really don't think you have much choice. but of course, i would never deign to tell an author how to practice his veritable craft. i concede to whatever version of series 3 you create, and i will happy to bring this beloved character to his deserved ending.

and why do you say this? because you're michael sheen. you're just an actor who incidentally stumbled his way into leading the queer romance adaptation of your favorite book that wasn't a romance, and you just read the script the way that it was given to you. and if series 3 means an explicit sex scene between you and your best friend david tennant, then what a lovely coincidence that you had absolutely no part in making happen. because what power do you really have?

This is my favorite book I’ve read so far this year. A rare occasion where the author pulls off use of the second person pov. I really felt like I was a beloved welsh actor crossed with Machiavelli when I read this

[zukosdualdao]

so, this post was originally born from a post i saw a couple of months ago that was deriding people for criticizing katara’s main role in lok being a healer when that was never all she wanted to do but liking the scene where she heals zuko in sozin's comet. at the time i thought about responding directly and decided against it, but i have since scanned through transcripts of every instance (i could find; it's possible i could be missing something) of katara healing someone in the show and how they respond. (you know, like a normal and well-adjusted individual. lmao.)

anyway, aside from katara explicitly stating that she doesn’t only want to be a healer, another aspect of why people don’t like that this is how her story goes in lok is because of the way healing is treated in the atla narrative.

Katara: Aang, you're burned! Let me help you. [Katara heals the burn on Aang's arm.] Aang: Wow, that's good water. Sokka: When did you learn that? Katara: I guess I always knew. Sokka: [Sarcastically.] Oh ... Well then thanks for all the first aid over the years. Like when I fell into the greaseberry bramble. [Angrily.] Or that time I had two fishhooks in my thumb!

this comes, of course, after aang accidentally burns katara and she learns she can heal through her waterbending by healing her own hands. then (after comforting aang despite being the one who got hurt, not that i'm bitter), she heals aang after he gets burned in his fight with zhao. and like... there's not so much as a cursory thanks in this scene.

to be clear, because i can already hear some responses in my head and i am making a preemptive strike: i'm not saying that when other characters don't thank katara for her healing, they're like, the worst people ever for not doing so or there aren't other ways at different times where they show their appreciation. what i am saying is that it feels like this sets up a long pattern of katara's healing specifically being taken for granted, and it makes me especially uncomfortable when i see her healing as a sort of metaphorical parallel to the emotional labor often expected of her in the show, especially because this and being The Avatar's Girlfriend/Wife is more or less what she's relegated to in post-canon.

also, i have to note sokka's line here. i don't want to come down on him too hard for this, because it's obviously being written humorously (and does genuinely make me laugh, for what it's worth, if just for the inherent ridiculous nature of two fishhooks), but his sarcastically saying thanks for all the help over the years when katara says she always knew (which is supposed to be her saying it just somehow instinctively came to her) does feel like another mark in this pattern. but i also really read this as sokka trying to lighten the mood after a Difficult (TM) day, so i cut both him and the writers some slack for it.

Meanwhile, back at the Outer Wall, Katara attempts to heal a member of the Terra Team. General Sung: What's wrong with him? He doesn't look injured. Katara: His chi is blocked. [Stops healing.] Who did this to you?

i find it interesting that katara has sort of naturally fallen into a token team healer role, to the degree that we don't even see them ask for her help or her agree to it; it's just automatically assumed that she will. and i mean, on the one hand, it's fairly standard to have an Assumed Healer in a fantasy action setting like this, where people will get hurt in combat and therefore the narrative needs someone whose job is to help them. the problem for me is that the show kicked up such a fuss about how women shouldn't just be allowed to be healers, and yet it's still the role no one but katara ever fills. aang is also a waterbender! why couldn't she have taught him healing, too? i genuinely think it would have added a lot to the story, but katara is The Girl (TM), so healing is what she (and only she) does, what's expected of her, and again, with very rare thanks for it.

Katara stares open-mouthed at Jet, her hands hovering near her mouth in shock. Snapping out of it, she withdraws water from her water skin, with which she covers her hands, and it begins to glow as she kneels down next to him. Cut to a shot from over her shoulder, with Jet glancing at her while she rubs her hands over his chest in an attempt to heal him. After rubbing his chest three times, the glow fades, the water stains Jet's clothing, and Katara looks back over her shoulder toward the rest of the group. Katara: This isn't good. Smellerbee: You guys go and find Appa. We'll take care of Jet. Katara: We're not going to leave you. Longshot: There's no time. Just go. We'll take care of him. He's our leader. They stare at Longshot in surprise. Jet: Don't worry, Katara. I'll be fine. [Smiles a little.]

Cut to a closer shot of Katara placing Aang's body on Appa. Katara opens the vial around her neck and uses water healing on Aang's wounded back. The rest of Team Avatar, Kuei, and Bosco all look sadly and in anticipation. The glowing from the spirit water stops, and Katara starts crying, assuming that it was not enough to save Aang. Aang's tattoos glow for a second and Aang groans. Katara, overcome with joy that Aang is alive, looks at him, who smiles a little, and she holds him closer.

writing about these together because i have less to say about them. i'm definitely not going to fault jet for not thanking katara when she tries to heal him as he literally lay dying, or aang for not having the mind to do so after she brings him back. but i am still going to fault the narrative for putting her in a position where healing is just inherently expected from her and yet very rarely allowing her to feel the emotional toll of that or to feel constricted by it. and when she does struggle against the weight of it (not necessarily of being a healer, but of being expected to be kind and good and uncomplicated with no room for other aspects of her identity, which are very tangled up in why she is The Healer) in episodes like the runaway or in the southern raiders, she just... does not receive a lot of support from the people she should be most able to rely on.

Katara: Maybe we should go upstairs. [Helping Aang up.] You need a healing session. Back in Aang's room on the ship. Katara bends some water onto the scar left by Azula's lightning attack. Katara: Tell me where the pain feels most intense. Aang: Mmm, a little higher. Uhhh! Aang briefly flashes back to the battle at Old Ba Sing Se where he rose into the Avatar State, then back to reality. Aang: Wow, you're definitely in the right area there.

not much to say here, it's just another instance where it would have been so easy to slip one thank you in, and the writers just... do not. the reason i think it bothers me so much with aang specifically is because katara is supposed to be both aang's physical healer and his emotional crutch in a way that she's not written as being for, say, toph or sokka. he's sometimes shown appreciation for her emotional support, but he still comes to rely on and expect it in ways that do not always feel healthy, and knowing that, it bothers me that he shows even less appreciation for her healing, because it's just what katara is there for.

A figure resembling the Painted Lady glides over the water on a carpet of fog and enters the village. She steps into a hut where several people are sleeping on the floor, and bends over each of them in turn, healing them with a blue glow. Her last patient is the mother of the little boy seen earlier, her son sleeping at her side. He wakes as the Painted Lady turns to go and silently follows her out the door. Little boy: Thank you, Painted Lady.

this is a genuinely sweet scene in which katara does receive appreciation and genuine thanks for her healing, but i think it's also worth noting that katara is not being recognized as herself here. still, i am genuinely very glad that it's included in the episode because (again, unless i am missing something) it is the first time katara gets thanked for her healing.

The scene cuts to show Appa landing on the edge of the battlefield. Sokka and Katara help Hakoda onto the ground, and Katara starts trying to heal him. Katara: How does that feel, Dad? Hakoda: Ah, a little, better. I need, to get back to the troops. [Attempts to stand but is too weak to.] Ahh! Katara: You're hurt, badly. You can't fight anymore. Hakoda: Everyone's counting on me to lead this mission Katara, I won't let them down. [Attempts to stand again but can't.] Ahh! Sokka: Can't you heal him any faster?

they're in a high intensity situation, and sokka is Stressed because hakoda is supposed to lead the mission, so i, like, Get It, but "can't you heal him any faster?" does strike me as another moment in which katara's healing is being taken for granted. i think it's something that would bother me a lot less if this was an isolated incident in the writing, but *gestures vaguely at whole post*.

Sokka: [Brightening.] Dad! [Rising and approaching the two.] You're on your feet again. Hakoda: [Sitting down; somewhat weakly.] Thanks to your sister.

that being said, in the next hakoda and katara scene, there is this very sweet moment, where hakoda might not be thanking katara directly but is showing a lot of appreciation and admiration for her skill in healing (and though she's not in the dialogue i included, she's around to hear it, which makes me happy.)

Katara: It's gonna take a while for your feet to get better. [Stops healing.] I wish I could have worked on them sooner. Toph: Yeah, me too.

once again, i'm not gonna fault toph for wishing katara could have healed her feet sooner, because she's been in pain all night, but the writers could have very easily (as they could have in any of these scenes!) chosen to include a perfunctory 'thanks' here, and they just didn't. i know this is getting repetitive, but i swear it's because it's largely more me being mad at the writers than the characters, lmao.

there are also a couple of scenes in which katara doesn't heal anyone, but her healing gets brought up by aang.

Aang: He doesn't look sick. You okay, buddy? [Appa groans and Aang pulls out Appa's purple tongue.] His tongue is purple! That can't be good. Katara, can you heal him?

to be fair, aang asks here, and it's not like aang gets defensive or angry when katara says appa needs medicine (and also to be fair, appa's not even actually sick, lmao, katara's being slightly trickstery), but it's another instance where katara is automatically positioned as the person who is and should be responsible for healing.

Aang: [Chuckles.] Well, not over over. I mean there's always Katara and a little Spirit Water action, [Turns to Katara.] am I right? Katara: Actually, I used it all up after Azula shot you. Aang: [Disappointed.] Oh.

i actually don't mind this so much as a writing moment, as i think it's a lot more intentional wrt aang not always conceptualizing the reality of the violence he’s facing. still, it’s another instance of katara’s ability to heal and care for him being taken for granted, and i find it especially notable it’s in of the last significant moments they share together (the other being an argument as katara urges him not to run away from the reality of their situation with ozai) before they spend the rest of the finale separate until they’re kissing without a word at the end.

and then there is the zutara healing scene, where katara heals zuko after he interferes and takes azula’s lightning to the chest when she’s aiming for katara.

Cut to Katara as she rolls Zuko on to his back and begins healing him. Zuko opens his eyes, feeling the pain lessen, and smiles weakly at Katara, who smiles back as she sheds a tear.

Zuko: Thank you, Katara.

Katara: I think I'm the one who should be thanking you.

it seems fair to me to say that one of the reasons the motifs of healing in the zutara are dynamic are so appreciated by their fans is because of how it contrasts to a lot of moments where the work katara does with her healing is under-appreciated. for one thing, it happens as part of a mutual exchange—katara heals zuko after he gets hurt saving her. (this also somewhat calls back to their scenes together in the crystal caves in the tcod, where she offers to heal his scar after they are trapped together and zuko extends her empathy.) it’s based in reciprocity. it’s also, as shown here, one of the few moments of explicit, heartfelt appreciation and thanks given for katara’s healing.

[dangermousie]

I was wondering if there was going to be some obstacle to their rapid soulmatism and here we are.

This drama is so well-written. Because ostensibly it's a stray arrow by an idiot during a hunt but to her it brings all her trauma from first life back - both being shot at and his saving her (she does not react to any danger the way she does to arrows and it makes so much sense.)

And then she has that desperate conversation with the mysterious book author when she asks him, despairingly, that if she's changed so many things, why is it all still going the same way and his answer is basically nobody can change the grand sweep of history.

That is her conclusion, and that's when she loses it, and that is why she spends the rest of the episode pushing puzzled Song Mo away (even if she doesn't plan to marry her idiot first life husband either.)

Side note - I love that he makes it clear no he does not enjoy torture or being superior. She just said what she said because she's upset and terrified and grieving and lashing out, but he takes everything she says to heart. Every time he's so earnest tho it makes her more terrified because she does want to protect him, she wants to protect herself, and it reminds her of how dear he is and how doomed they both are by the narrative.

It makes SO much sense - she has decided that the ultimate fate is unavoidable and she's panicking and flailing - maybe if they are apart, they won't die together, she gets to live and so does he (though she's clearly worried even that won't work) or at the very worst, she won't have to see his tragic ending.

But that is what makes this so delicious - it's not just that for once a freak out makes sense (no ridiculous misunderstanding or case of idiocy here) but that clearly they will get married partway through the drama and will have a loving marriage all that - which means that at some point she goes "there is every chance of tragic ending for us - of his losing everything, of rebellion, opprobrium and death - every chance we will die together" and then still chooses to be with him, to love him, to try to overcome the unovercomable fate or if she can't do so then live with him as long as she can. AAAAAAAAAAAAAAAA

She goes in with eyes wide open, knowing this is likely to end badly but going "worth it." I CAAAAAAN'T!!!

(Side note - I think the salvation is that the monk may be right - she may not be able to change the grand sweep of history. But she does not need to - she just needs to change at the margins so they get to live longer and happily. I mean it's all a question of what is big picture enough to be immutable - in one sense, everyone's life ends in death - so yeah the ending is the same in the sense both her and SM are bound to die some day - but maybe she can change enough they get to die old and after a good life.)

[strangersteddierthings]

Platonic Stobin bodyswap AU idea I'll never write. This has been in my drafts for over a year (since July 2023 per the timestamp)

Post season 3; During the season 3 bathroom confession scene Robin came out to Steve, and Steve came out to her. She knows he's bi, and she's the only one who knows. Swap starts off slowly for Steve and Robin. Little moments of vertigo where the world doesn't look right for a few seconds, that progresses to black out periods of time spanning 5-15 minutes. It's them switching bodies but it's so traumatizing (they are FREAKING out) that they don't remember it. So, it's like they're just losing moments in time, which still freaks them out.

Then one day they wake up and they're... each other. And they just don't go back.

And Steve can't really pass as Robin to her parents but thankfully they just blame it on 'moody teenage angst' and "you can talk to us about anything babygirl we love you so much and we're here when you need us." Which. Yeah, Steve cries about. But it also comes with the side of GOD FUCKING DAMMIT I HAVE TO FINISH HIGH SCHOOL AGAIN??? I CAN'T PLAY THE TRUMPET ROBIN YOU HAVE TO DROP OUT OF BAND

And Robin also cannot pass as Steve at first, but she gets to see how that matters exactly 0% because the Harrington's don't even notice. They also aren't around near as much as Steve makes them out to be. But she does get to enjoy the freedom of a legal drivers license and no job currently. HOWEVER she has walked Steve's pretty face into several doors/poles/walls because cute girls keep looking at her with hunger in their eyes and she doesn't know how to handle this.

(It makes more girls interested in a suddenly shy, stumbling, nervous Steve because those girls think they're the reason Confident Sex God Steve turns into a mess but really it's just Robin not knowing how to exist in a world where woman want her and fish fear her (sorry bad joke))

Anyway, queue shenanigannary for a bit. Steve encourages Robin to go on dates because why not get some practice in while they wait to swap back again? (he's holding out hope)

Do they have the awkward discussion of 'what are the limits to what I'm allowed to do in your body????? I dunno yet.

Anyway, Robin goes on dates. ((Does she end up going on a date with Vickie? Canonically Vickie's got no problem dating older boys? How to solve this plot line for when(if?) they switch back bodies? IDK dudes, that's Future Jess's issue.))

At some point, the gang finds out. Probably Dustin realizing Steve isn't as Steve-like as usual. He'd sniff out something was wrong with his brother for sure.

But then season 4 starts. Robin taught Steve how to play the trumpet back in August/Sept and it's then they realize that they kind of share their knowledge? Like... Steve picks up how to play the trumpet EASY. At first they think it's just Robin's body using muscle memory but then Robin realizes she knows things only Steve should.

Anyway, Steve is in band with Vickie the night of the Championshipgame, chatting easily while also trying to hint that 'Hey, I think Steve Harrington is checking you out???" while trying to tell Robin with telepathy (that they don't have... yet? Decide if they end up with telepathy later) to try and subtly check out Vickie. But neither girl is subtle so they both just whip around to stare at each other and Steve is facepalming.

NO WAIT. DO I MAKE CHANGES TO THE NARRATIVE BECAUSE IF STEVE IS IN HIGH SCHOOL AGAIN, THERE IS NO WAY HE'D LET DUSTIN AND MIKE SKIP OUT ON THE CHAMPIONSHIP GAME. Maybe??? Will decide on this point later. Until then, above points stay.

Anyway, Chrissy still dies (sorry) and Eddie's still on the run, but like this time in the boathouse, Robin invites Eddie to stay at 'his' big empty house 'cause the parents are gone and Robin has no hangups about Eddie like Steve did in canon (he is the first person we hear call Eddie The Freak).

The end point here is that Robin, Steve, and Eddie spend A LOT of time together at Steve's house and then the angst falls in because Steve starts to fall in love with Eddie.

So, he has a breakdown in a bathroom with Robin about it, all sad and crying like "I really fuckin' like him Robs, but I can't- there- we can't-"

"I need you to take a breath and tell me what the issue is," Robin says.

"I like him Robs, but this is your body. I can't take things from you. Like your first kiss. And I certainly can't- I won't put your body through... you know. I can't do that to you."

And it takes Robin a moment to process what he means. Romantic entanglements that Steve might want to have would have to happen with her body. And maybe Robin isn't sure what to say/do because the thought of a guy and his dick anywhere near her body immediately freaks her out but... she's not in her body. She's in Steves, and has been doing things with girls in it. It never occurred to her that Steve might want to get hot and heavy with a guy in her body and maybe she's got something to unpack there???

Anyway, no time to worry about that. Vecna's gonna kill Max so they gotta go. Also, Eddie does NOT know about the body swap.

She does tell Steve to kiss Eddie, though, in the end. When they're not sure they'll live. So, Eddie calls out to Steve. "Make him pay." So, to Eddie, it looks like Steve gives him a nod and it's Robin who marches up, grabs his face, and plants one on him. Robin(Steve) doesn't stick around long enough for Eddie to kiss back (Steve wants him to because he wants a proper kiss from Eddie, but he also doesn't want him to because Eddie thinks he's kissing Robin and if he kisses back it means he likes Robin, not Steve, so Steve doesn't lock lips long enough find out).

Something something they all survive and then Eddie, hopped up on pain meds in the hospital, demands to speak to Robin. So, Steve slinks in, afraid of what's going to happen, and Eddie's like 'Robin. I appreciate that you like me but you are unfortunately a girl and I am not into that.' And Steve is like!!! my time!! It's come!!! I HAVE to get back to my body.

And then at some point they switch back. Maybe El doing some mind fuckery? Idk.

And for fun, here's the beginning of the fic that idea written out:

"Whoa," Steve blinks rapidly as the world tilts and shifts. It's very sudden, and over just as quickly as it started, but it still leaves Steve unanchored for a moment. It was probably brought on by the concussion he's been nursing these last two days, since the whole Starcourt shit. He leans sideways to try and use the wall as an anchor until everything feel right again.

He should, probably, be more concerned about this because this has been like, the fourth time this has happened and when he told Robin about it, she confessed it was happening to her, too. That Owens guy had told them there could be unknown side effects to whatever the fuck they'd been injected with and this might just be part of that. It'll fade, Steve's sure, as the days go on. Never mind that it has been happening more lately. It's going to fade. It has to.

Except, it doesn't. The sensation of be unanchored gets worse, and now it comes accompanied with loss of time. Steve will feel the tilt and shift while standing in the doorway to his room and the next thing he knows he's got a hand on his front door, keys in his hand, and doesn't know where he was trying to go.

Ring Ring

Steve shakes his head, shakes away the feeling of wrongness and goes to answer the phone. "Harrington residence, Steve speaking."

"Steve! Steve, it's getting worse!" Robin's voice sobs at him from the other end of the phone. "I-I was in the kitchen and then I was, like, huddled in the bathroom and I don't remember going there."

"Fuck, me too. I just came to standing at my front door, about to leave but I don't remember getting there, or where I was planning to go," Steve confesses back. It's strange, how easily Robin has become a part of his life. He was expecting her to not want to be withing five miles of him ever again, after what he got her dragged into, but it seems Robin isn't scared away. Perhaps it's just that he's the only other person she knows who went through Russian torture. Even if that is the case, Steve'll take it. He likes Robin a lot.

"Should we... call Dr. Owens?" Robin sounds so small when she asks.

"I don't want to," Steve confesses but doesn't elaborate. Calling Dr. Owens means admitting that something is wrong wrong. Steve doesn't want anything to be that wrong. He wants to get back to his life. He's got to get back to job searching, too, and Dr. Owens might deny him that.

[getitoutofmymindwrites]

New beginnings | joel miller x f!reader, 7.8k

Summary: What happens when you run into that handsome stranger from the bar at Trish’s house? Where do the two of you stand two years after this unexpected encounter?

Warnings: 18+ MDNI, some back and forth on the timeline, mutual pinning, light angst, slow-burn, a smidgen of fluff, cursing, Joel being kind of a prick, Joel being an idiot, insecurities, let me know if I missed anything!

A/N: Part two of the I don’t even know your name series and yes, I know it’s been a long time coming, sorry about that! I’m confident (well, aren’t you a bold one?) that the third part will be coming much, much sooner! Thank you for taking the time to read anything I write! Love you all!

Dividers by @strangergraphics

Main Masterlist | Series Masterlist

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BEFORE

You know that warmth. You remember it. His warmth. His large, calloused hand completely encircles yours as you formally introduce yourselves. If his reflexes weren’t fast enough, you’d still be staring at him, unable to believe he’s standing right before you.

The storm of all those memories overwhelmed you and Joel realized that, unlike the rest of your company who continued to stand behind your back in blissful ignorance. Your mind had become detached from your body, which seemed to make decisions of its own; you were ready to do anything at this moment.

If he chose to show his hand and acknowledge you, you would follow his lead. If -by some miracle- he chose to lean in and kiss you, you would reciprocate. If he chose to pretend he didn’t know you, you would put up with it. You would do anything to be good for him, no common sense left in your dazed mind. But his face is serious and his warm, dry hand is firmly on yours, squeezing it lightly, in a silent form of communication, I know; it’s ok; get a grip; what the fuck. He doesn’t let go of your hand, acting as an anchor, until you decide you feel grounded enough to handle the situation. It’s at that moment that you can tell he’s waitin’ for you to be in control of the narrative. Whatever you say, goes.

You take a deep breath and tell him your name, as you finally release your hand from his and move aside to let him enter the house. The muscles between his eyebrows and around his mouth twitch imperceptibly, almost in disappointment, you think. His scent as he passes by you, hits your nostrils and your memories flood back into your mind, even stronger than before. Your body tenses and you feel your nipples tighten against the fabric of your bra. You begin to wonder how you’re gonna make it through the night.

You all move into the living room while dinner is being prepared, except for Trish who excuses herself to the kitchen. Tommy sits on the couch next to you while Joel is standing in front of the window with his arms crossed over his chest and Sarah is relaxing in her favorite spot, on some big fluffy cushions randomly scattered on the floor next to the fireplace, scrolling through her phone.

“Trish, do you need a hand?” you try to keep your voice steady, although you desperately need an excuse to leave the room. No such luck. “No babe”, comes the wrong answer, “I got it, you chill and have fun!” Why she has to be such a good friend is beyond you. You smile awkwardly and look everywhere but in Joel’s direction. Tommy puts you all out of your misery by asking you about your relationship with Trish.

“Oh, we’ve been best friends for a long time, done pretty much everything together,” you explain, deliberately raising your voice for the last part, “it’s starting to get unhealthy if you ask me,” you look towards the kitchen entrance, waiting for her reaction. “You’re not moving outta here any time soon, missy, so stop whining!” comes the reply from the kitchen. You grin as Tommy and Sarah laugh. Joel just stares at you with a scowl on his face.

“Are you staying long?” Tommy continues.

“Tommy.” Joel warns him.

“I’m just making conversation sunshine, ‘mnot being nosy!”

“It’s ok, really, no problem at all.” you intervene, feeling sorry for Tommy, still avoiding looking directly at Joel. “I’ll be out of her hair, as soon as I find a place to move to..”

“No, you won’t!” Trish protests. “Yes, I will!” you deadpan, “I told you it was getting unhealthy.”, you wink at Tommy before you could stop yourself. Why the hell did you wink at him? You need to calm down before you do something stupid. Joel’s fingers tighten, clutching his arms tighter to his chest. Shit, you don’t think straight when you’re stressed. Tommy seems to like it, though.

“Maybe we could help you”, Tommy offers, “we see lots of places ‘cause of our job, we could keep you in mind if something good comes up.”

“Tommy.” Joel drags his brother’s name across his tongue as a warning. You look at him quizzically for the first time since your handshake, wondering what they do for a living. Fortunately, you work up the courage to ask Joel directly, before Tommy has time to protest to his brother again.

“I’m a contractor” Joel informs you with the slightest hint of annoyance, as if he was reluctant to share this mundane information, “and Tommy works with me.”

“Oh, that’s cool!”, you raise your eyebrows in admiration, your eyes brightening. He takes his eyes off you and you wither inside.

“Well, never heard that one before. Joel is cool.” Tommy says in mocking surprise, giggling. You look flustered and Joel looks annoyed. “She didn’t say I was cool.” he frowns at his brother, “I know my job is far from fancy, you don’t have to just say that.” he turns his reply to you, displeased with your comment.

God, you feel like a little child in his presence, he can’t just chastise you like that, you have two kids of your own, you’re an adult, for Christ’s sake. “I know I’m not,” you say defensively and you start to get irritated. This is how the night is going to unravel? “I mean it. I have always admired people who can build and repair things with their own hands. Three pairs of eyes are now looking at you, all of them quite surprised.

Joel has absolutely no confidence in himself to start a conversation with you right now, but his curiosity gets the better of him. So, “How so?” is the next thing that comes out of his mouth.

Your eyes widen slightly in startlement at his sudden elaboration, you hadn’t expected him to continue the conversation. “Uh,” you sigh, raising your brows in deep thought and shaking your head slightly, “maybe it has something to do with my dad, he was always good at fixing things. I don’t know, it made me feel safe, taken care of. Still does, even the thought of it. I always thought that if the world ever came to an end, your kind would be the ones to survive.” you shrug, unable to look Joel in the eye and fidgeting with your fingers on your lap, the answer more intimate than you intend it to be. But you give it anyway, for him.

You want him to know that you would never lie or make fun of him. That night, however indifferent it was to him, made him indelibly etched in your memory. And even though your interaction was so brief, one night out of the thousands in your life, it made you feel something for him. Childish as it may sound, you felt he deserved your respect in some way.

There’s a moment’s silence in the room, Joel staring down at his feet, not wanting to look emotional. Taken care of. He can’t get the words out of his head; it’s what he felt for you that night, what he wanted to offer you before his chance was torn apart by the fucking knoc-

“Our kind?” Tommy intervenes once more.

“Yeah,” you try not to blush, but you can feel the heat in your cheeks, “you know, resourceful, competent, reliable.” Sarah tries to hide her grin behind her mobile phone, sneaking glances in Joel’s direction, little devil, while Tommy looks so pleased with your perception of their profession.

“Then you should definitely keep us close, take full advantage of us,” Tommy fills the silence, now his turn to wink at you, oh god, what a mess, “I’m in the same business, too, like Joel said.” Subtle. “We’d be more than happy to help darlin’, right Joel?” he turns to look at his older, brooding brother. Joel seems lost in thought or uninterested in answering. “Right?” he presses eagerly. Joel slowly raises his head, looks deep into your eyes and says nothing more than “Right” in a deep drawl of a voice. You feel the hairs on the back of your neck stand up. He makes you feel so small but you feel a glob of arousal pooling on your underwear, making you wonder what the hell is wrong with you.

Tommy turns to you expectantly, his eyes shining under the lights in the room.

“Maybe I intend to.”, you smile softly, glancing briefly at Joel before turning your eyes back to Tommy. Joel’s body stiffens, giving you the impression he’s trying to hold something back.

“Is it something particular you’re interested in, so we know what we’re looking for?” To your and Joel’s dismay, Tommy doesn’t let up. Your eyes turn briefly to Joel for help, but he looks down again, his arms still stiff across his chest, as if they had a mind of their own and were capable of murder if he let them go at his sides.

“Uuuuh,” you laugh nervously, “anything will do considering my situation, I can’t really be picky.”

“What’s bothering you, sweetheart?” Tommy frowns worriedly. Joel stiffens at the sound of the endearment.

Where do you start with what’s going on in your life right now? Only one person -apart from Trish- seems to know and he doesn’t look very happy at the moment. “Well, Tommy, I’ve two kids, two little girls and I can’t find a place that is decent enough, at a good price and owned by someone who doesn’t mind renting their property to a single mom.” Tommy’s brows are raised so high in shock, they would touch his hairline if they could. “Goddamn, how the hell did that happen?”

“How did what happen?” you ask confused. “You,” he says, his eyes roaming all over you in a definitively not subtle way, “being a single mom with two kids. What the hell did he d-”

“Tommy.” Joel’s tone is more raised this time, shooting daggers at his brother, warning him again to drop it. “Jesus fuckin’ Christ” Joel mutters through his teet, a look of disbelief on his face at his brother’s lack of discretion and if you weren’t already looking at him, you wouldn’t have heard it.

Trish comes out of the kitchen before you or Tommy can react.

“Ok guys, let’s move it to the dining table.” she clasps her hands together, “Dinner will be ready in ten!”

While everyone’s attention is focused on Trish, including yours, Joel’s eyes penetrate you in a silent command to look at him. You feel him staring at you and you turn your attention to him. He continues to stare at you as he asks Trish if she has any tools to fix her bathroom cabinet, since Tommy forgot the one thing he was supposed to remember. He takes his eyes off you as the others laugh at his accusation and turn to look at him.

“Yeah, I think I have a small toolbox in the supply closet upstairs, next to the bathroom. I don’t remember exac-”

“That’s ok Trish, I’m going to check on the girls anyway, I’ll help Joel look for it.” you take the opportunity to excuse yourself.

You stand up carefully, feeling your legs go numb and praying you don’t trip and make a fool of yourself in front of everyone. Joel follows behind you as you go up the stairs. You can feel the tension between you, his body heat almost warming your back. He can’t be that close though, can h-

As soon as you reach the door to the bathroom, he opens it in a hurry and pushes you in, grabbing hold of your arm as he follows suit. You gasp at his gesture and turn to face him. His eyes bore into yours, searching for something. His arms are clenched in fists at his side, giving you the impression he’s trying to control himself.

You’re both silent, despite a vocabulary so vast, none of the words seem to fit your thoughts and emotions. “You’re OK.” He speaks first. It’s not a question, not a reassurance. It’s a statement of fact. You look confused, trying to work out where he is going with this. He thought you would break down at the sight of him? Well, he wasn’t wrong, but he didn’t need to know. “Of course I am, why wouldn’t I be?” It comes out harsher than you intended.

You see in real time a series of thoughts crossing his eyes, something fragile and vulnerable in the air. But it passes as quickly as it came.

“Nothin’, nothin’.”, he shakes his head and closes his eyes, trying to clear his mind. He opens his eyes with a sigh and looks at you. You stare at each other for a good minute and then you both realize that you are together again, the two of you, in a small bathroom, behind a closed door. Your brain is blank, the only thought crossing it is to say something, say something, say something, but he beats you to it. “It’s best if we don’t tell them we know each other.” Is he serious right now? From all the things he could have said, this is what he came up with? You bite the inside of your cheek in frustration, “Well, I think we’re already past that, that firm handshake at the front door made that quite clear.”

“You played along, though. So, don’t go around accusing m-”

“Hey, hey, I’m not accusing you of anything, where is this even coming from?” you frown in confusion. He wanted you to admit you knew him in front of everyone? In front of his daughter? “Hey, guys, how do you know each other?” “Oh, we almost fucked in a bar bathroom!”. That would have gone well.

“Yeah, I’m just sayin’-”

“Look, Joel, there’s nothing to say. It’s not like I was going to shout it over the rooftops anyway.”

“What the hell’s that supposed to mean?”, he looks offended for some reason.

“Means that there’s nothing to say.” you insist sternly. “Literally.”

He laughs nervously, obviously irritated. You don’t understand why, you thought you were making his life easier. What does he want from you? “Right, right,” is all he gives you, nodding his head a few times. You raise your hands in resignation, your eyebrows raised to your forehead, your mouth open, not knowing how to navigate the situation.

“What is your problem, what do you want me to say? You pretended not to know me when you saw me and you just told me, like 30 seconds ago, not to mention anything to anyone! I think I’m doing all right so far, don’t you? How am I pissing you of exactly?” your anger makes you raise your voice slightly.

He’s all over you in a second, pinning you between his body and the bathroom door. “Keep your goddamn voice down.” he grits through his teeth, his one hand a clenched fist at his side, the other next to your head, palm flat on the door. The sudden invasion of his scent in your nostrils and the fan of his breath on your lips is all you can register, but his words come back to you and your anger boils in your gut.

“Watch your tone with me, I’m not some child you can intimidate.” you shoot back. That seems to snap him out of his headspace and he backs away slightly. He exhales loudly from his nose and rests his forehead on his outstretched arm, the other now resting on his hip. His unruly locks are so close to your face that you can practically smell his shampoo. You clench your fist to resist running your fingers through his soft hair. “Shit,” he mumbles through closed eyes, he really doesn’t seem to be able to keep his eyes on you long enough, “’msorry”.

He smells so good, so delicious, that it takes every ounce of strength you have not to wrap your hands around his broad torso. You want this moment to yourself, to wrap your arms around him and comfort him, to plant kisses all over his face, to nuzzle your forehead where his thick neck meets his shoulder, to breathe him in. The corded muscles bulging under his tanned skin make you salivate. This guy is pissing you off and all you can think of is how you’d die to touch him. Great. You rest your head on the door behind you, close your eyes and grit your teeth, trying to regulate your breathing.

“’Msorry” he mutters again, shaking his head. He looks so worried and uncomfortable, you decide to give him another chance. Maybe he’s confused, too. You both had to make a call at such a short notice, with his whole family looking at both of you expectantly to introduce yourselves. It was the logical thing to do. Wasn’t it?

Maybe he’s afraid you’d expose your naughty deeds in front of his daughter. After all, no parent wants their child to know that they’ve almost had sex with a stranger in a bar. You totally understand. And to be honest, you did leave him all hot and bothered back in that bathroom and run the opposite way, so why would he want to be in the same room with you? He probably feels insulted by your reaction that night.

Or maybe- how did you not think of this before? Maybe he has a wife. But he’s not wearing a ring. Not that it matters, lots of people take their rings off at some point. Maybe he has a girlfriend. Wouldn’t she be here with them for dinner if that was the case? With him? He doesn’t look the type, either. The cheating one. But you hardly know him, you don’t really know much about him beyond what he told you about his past that night.

“Joel.” you call his name looking at him through your lashes, your head still resting on the door.

“Hm” he hums, still in the same position.

“Joel, hey.” you try to get his attention again, this time lifting your head to look straight at him, a gentle smile on your face.

His eyes finally meet yours in a subtle, tired hey, the corners of his mouth turning up slightly.

You hold each other’s gaze taking each other in, and you both laugh softly in a quiet understanding. But this feels so warm, so soft and tender, is he really that angry with you? He must be, otherwise why the tension? You should try and put him at ease.

“Look, I understand this is awkward and unexpected; I do. But we’re fine; we’re gonna be fine, Joel.” Damn, the sound of his name in your mouth. “I won’t say anything, really, don’t worry. We’ll have a nice meal, we’ll make the typical minimum small talk and when this night is over we’ll be out of each other’s hair, you won’t have to see me again if I can help it, I don’t mean any trouble, seriously.”

And there it is again, the disappointment. “Yeah, no, I know. Sorry I snapped at you.”

Joel looks as if he’s going to say something more, but at the last moment he changes his mind.

You nod in acceptance of his apology. “Let me hand you that toolbox, before they start wondering what’s taking us so long, hm?”

“Sure.”

“Do you need any help?”

“No, it’s fine.”

“Ok, I’m gonna check on the girls and then head downstairs.”

Joel nods as he takes the toolbox from you, careful not to touch you and crouches down on his knees to inspect the damage to the cabinet. You glance in his direction one last time, admiring his wide, strong form kneeling on the floor and then close the door behind you quietly.

“Fuck.” you both exhale on either side of the door.

Two rotations of the earth around the sun had passed and Joel had become a constant in your life. He came and went like the seasons, with an orbit of his own.

Winter.

His orbit was longer and colder. The distance between you grew, more so emotionally, as if something was holding him back. The domesticity of it all was too much for him, scratching at old wounds he tried too hard to keep buried. He always cared, always kept an eye on you, but from a safe distance.

Like the time you came home late from work and cursed yourself for not cooking dinner in advance. You were starving, but the thought of making something to eat seemed like too much trouble; you were exhausted. Thank goodness the girls had their dinner ready, all you had to do was heat it up. Two minutes after you let yourself in, the doorbell rang. You rushed out of the bathroom and opened the door to a takeaway, its temperature indicating that it had just been delivered to your doorstep. You looked around but saw no one. You were pretty sure it was a mistake, but then your phone vibrated,

Eat, while it’s hot.

Did you leave these outside?

Yes.

Why?

Trish told me you were caught up at work, thought I’d save you some time.

You just kept staring at the screen, your heart warm but your mind confused. A second text came while you debated what to answer him.

Need to take better care of yourself.

No, why ‘d you leave?

Summer.

His orbit was shorter and warmer, like a pleasant summer breeze. He was around more, more involved in your life.

Like the time he was in on your house hunting trip.

Like when he talked you into buying a house and not renting because he found one for you that was beautiful and ideal and close to Trish’s so you wouldn’t be alone and your daughters would love it and it was a family house. Yes, the house was a ruin. OK, maybe not a ruin, but really old. It was beautiful, but it had definitely seen better days. It needed a lot of renovation.

“Joel, I can’t afford this.” you said as you looked around, almost pained to have to say no. It was a really lovely house.

“Listen to me-” Joel tried to make his point but you interrupted him anyway.

“I am listening to you, that’s how you convinced me to consider buying a house instead of renting an apartment. But if I do, I’ll use up all my savings, I can’t afford a renovation of this magnitude,” you continued, looking around the house, moving from room to room, imagining how you would have decorated it if it was yours.

“I’m gonna help you with that.” he said bashfully.

“How are you going to do that, Joel?” you rolled your eyes at him.

“Do you remember what I do for a living?” Joel teased you and you glared at him.

“I’m not sure, I think you mentioned something about a contracting bussiness?” you mimicked him. “Joel, I’m serious. Of course I would choose you and Tommy if i could afford it.” you said in despair, eyes wide, hands in the air as if you’re pleading with him. Which you were.

“I’ll do it in my spare time.” he suggested, looking down at his feet, avoiding eye contact and hugging his chest with his arms, as if trying to protect himself from the vulnerable position he had put himself in.

It took you a minute to register what he was implying. Your jaw dropped, unsure of what to say when you did. Your heart ached with warmth and your breath caught in your chest. It was too much.

“There’s no way I’m accepting this, you know that.”

“I really don’t min-”

“Absolutely not, not in a million years.”

“Goddamn, you’re stubborn!” he snapped, not used to not getting his way. Take the fuckin’ help, goddamn it. Your eyes looked glazed, you never had the ability to deal well with people snapping at you quite well. Especially people you cared about. Joel felt your discomfort and immediately regretted his temper. Soft things needed gentle handling. And you were soft. So soft for this world. For him.

He stepped closer to you and engulfed your hands in his with a deep sigh. “Look, I’ve done the calculation. This is the best deal you can get. The price of the house is fair. In fact, between you and me, it’s low. And I’ve already worked out what needs to be fixed.” He paused, breathing in and exhaling a little harder. “I want to do this. For y- for the girls”, he stuttered and you looked down to where your hands met. These hands. His hands. Big and warm and capable. Capable of renovating your house, capable of holding your hands in his, capable of taking you apart piece by piece. Were they capable of putting you back together again?

Your whole body tingled with another wave of warmth at his touch. But it was too much. It was always too much with him. The unbearable distance or the suffocating closeness. All because he wouldn’t make up his damn mind. He couldn’t do that to you. Give you a glimpse of affection and then pull away. Because you were sure he would eventually. As he had done so many times before. This time you had to protect yourself. So you pushed him away the only way you knew how.

You tore your hands from his tender grip as you attacked him in a raised tone pointing at him. “We are not your responsibility!” You regretted it the moment you spat it out. You didn’t have to be so harsh. So quick to anger. Please, please be angry with me. Scream at me. Turn your back and walk away. Make me feel like shit.

He looked at you in shock, his eyebrows raised, a hint of sadness on his face. And something else, more subtle. As if in understanding. As if he could hear your thoughts. You were not his to care for. You were not his to protect. “I know that.” he sighed, squeezing the back of his neck in embarrassment.

“Joel,-” you tried to take it back, there were not many things you hated more than what was happening right now. The fact that you couldn’t take back what you had just said. You felt terrible.

“Look,” he interrupted you, raising his arms in resignation. “I’m just trying to help. You moved states alone with two kids, starting from scratch. I just thought maybe I could ease some of the burden. It’s the decent thing to do.”

“Joel, you are cutting yourself short. This is beyond decent. Trish and you- and- and- Tommy and Sarah of course,” you mumbled embarrassingly, “you’re all I have and you have supported me in more ways than I can count. That’s why I can’t be a burden to you.”

“I didn’t mean you were a burden.”

“No, no, I know, this is not on you, this is me, I-”

His face was full of concern as he waited patiently for you to speak your mind.

“I don’t want to be a burden. Or to feel like one. Even if I know-, I know I’m not that to you. I know that. But just the thought of the possibility makes me freak out. That’s why I need to keep everything under control, because if I give it away, even a little, I don’t know how I could ever repay this kindness. I don’t even know if I’m worthy. I’m not-” your voice broke at this confession and you took a breath to recover, “my life is not easy to navigate, I don’t want anyone to stress over me.”

Joel seemed shocked for a moment, not believing what he was hearing. “You think you’re not worthy of kindness? That’s very cruel coming from someone like you.”

“Someone like me?”

“Yeah, someone good and kind and caring.”

“You must have me confused with someone else.” you joked, feeling uncomfortable at his praise.

“Darling, if I had known anyone else like you, I would have held on to them for dear life," he spat, before realizing what he had said. He laughed awkwardly, frowning at the slip of his tongue and looked around the room to avoid your gaze. Why don’t you hold on to me, then? was all you could think of, but you didn’t dare ask him. So you moved on, protecting the friendship.

“I just- Jesus, I don’t know why I’m telling you this,” you murmured through your teeth, “I was brought up to be strong, never to ask for help, otherwise it was considered a weakness. I learned to do everything myself. By the time my parents grew out of their own insecurities and urged me to be more open, more vocal, it was too late for me to change.” Why on earth are you telling him all this? Why did you mention your parents?

“So, you do kindness, but you don’t accept kindness.” Joel observed and you realized that you had never made that connection.

“I- I don’t know how to receive it; what to do with it.”

In the end, he practically forced his help on you, bit by bit, one sweet word at a time, day by day, until the house was a home. Everywhere you looked you saw Joel’s efforts.

You saw the care with which he worked on this house as if it were his own. You heard his laughter as you forced him to take a break and shoved food into his mouth, knowing he hadn’t eaten all day. Every step you took on the hardwood floors reminded you of his broad back as he knelt down to replace the old floor. Every shower you took was a painful reminder of his massive, veiny hands sweating as he reinstalled the hardware. Everything felt like Joel, even in his absence.

NOW

“What is this party for, again?” you call out from her bedroom as you apply your lipstick in front of her vanity mirror. You almost didn’t come, but you knew she’d drag your ass back to her place if you didn’t.

“This is fooor..” Trish replies from her en-suite bathroom as she searches for a good excuse, unable to find one. “You know what, I don’t need a reason to have a party! Think of it as a chance to see each other more!”

“Trish, we can do this without a million people around us and me leaving my kids with a babysitter.” you roll your eyes in fake exasperation.

“Your kids are gonna be just fine. They want you to have a good time.”

“They’re four and two years old, dude.”

“Well, in that case, they want you to find them a daddy.”

“Oh my god, Trish! Seriously?” you snort at her comment.

“That’s what’s the party’s all about! You finding yourself a daddy; if I’m being honest-”

“Please don’t!” you beg her to stop.

“-you need it more than they do. That is so perfect! I actually have a couple of guys in mind and they’re a bit older, just like you like ‘em-”

“What?” you swallow tightly and you’re glad she can’t see your face right now. “What are you talking about?”

Trish pops her head through the door and wiggles her eyebrows, “They’re about Joel’s age, is what I’m talking about.” You shake your head in denial, your eyes are closed in frustration. “Trish..”

“Yeah, yeah, I know, there’s nothing going on between you; that’s why you’re both hot and flustered every time you’re in the same room.” Your shoulders slump down but you don’t answer because this is getting old.

“What, nothing to say for yourself?” Trish weighs up your reaction and lack of response.

“Frankly, I don’t know what else to say to you.” you shrug in defeat.

“Fine, then find someone to fuck, tonight. That would clear up the air.. for all parties.” Thankfully, you’re saved by the bell, “Jesus..” you mutter to yourself as she leaves you once again to open the door for the first guests.

The party is a success by Trish’s standards, as the house is overflowing with guests. Some of them you knew, most of them you didn’t.

Joel is somewhere in the crowd, chatting to a couple of ladies who have trapped him between them, ogling him like vultures. You make it your mission to rescue him, judging by the desperate look on his face and the furtive glances he throws your way.

As you move to head to his direction, an arm gently encircles your elbow. You turn to see who it is, and are greeted by a stranger. Tall, broad, sweet brown all over his features. He exudes an earthy and secure aura.

“Hi.” the stranger smiles warmly at you, looking deep into your eyes.

“Um,” you blush, why on earth are you blushing, “hi!” you say back. Original.

“I’m Marcus, a colleague of Trish’s.”

“Oh, hi, nice to meet you!” you tell him your name and shake his hand.

“I knew I was right.” he says amusedly, as if talking to himself.

“About what?”

“Trish gave me your name and told me to come find you.”

“Excellent tracking skills, are you a detective or something?”, you tease him playfully.

“Yeah, something like that..”

“Oh- I-” the words catch on your tongue.

“But I had a great lead, wasn’t that hard, to be honest.” he adds.

“Can you share it with me, or you’ll have to kill me if you tell me?” you joke. He was so easy to talk to.

Marcus tips his head back, laughing, “I wouldn’t resort to such methods; let me buy you a drink and we’ll call it even.”

You look down at your hands, your cheeks red from his attention, rolling the bottle of beer you are holding between your palms, too tightly.

“I mean, not right now; I’m sure we could work something out if you’d indulge me.” he adds sheepishly, somehow sensing your train of thought.

God, he’s adorable and not too bad to look at. Actually, he’s quite handsome. “Well, I’ll have to see if your lead is worth my time first.”

Panic rushes through you as you realize the sound of what you said while trying to be funny, and you try to correct it quickly. “Not that- oh gosh-” you feel so embarrassed, but Marcus laughs heartily and shakes his head from side to side.

“Shit, sorry, it was a joke, that’s not the only reason I would go out with you-” Isn’t it? What are you doing? What is he doing to you? Where is Joel? Shit, Joel.

You steal a glance in his direction and he’s already watching your interaction with Marcus, his face hard and unreadable.

“Isn’t it?” Marcus’s voice draws your attention back to him, your eyelids flattering in confusion. He grins, pleased, but so sweet it’s impossible to roll your eyes at him. Your shyness pours through your body language, making Marcus want to comfort you.

“Hey, hey, it’s cool, don’t worry about it. I know it was a joke; I liked it.” he says honestly, “And even if that was the only reason I’m sure by the end of the night you would have changed your mind.” he gives you a lopsided smile, but there’s no smugness on his face.

When he starts to speak again, Trish interrupts, effectively shutting him down. “What took you so long, I thought you couldn’t find her!”

Marcus smiles again, warmth and familiarity washing over you instantly, “Oh, I found her, quite quickly.” his eyes twinkling.

Trish smirks as if she’s realized something, “Come on, I need you outside.”, she grabs your arm and pulls you along, “I’m gonna steal her for a bit, sorry to interrupt.”

“It’s OK, I’m confident I can find her again.”, Marcus winks at you and your heart skips a beat.

You start to walk away, but abruptly turn back, your curiosity overpowering you.

“Never told me about that lead.” you ask him, your eyes wide and wondering.

Marcus bites the inside of his cheek, looking briefly down and then meets your gaze with a hunger in his eyes. “Oh, I had to find the most dazzling woman in the crowd.”, he shrugs as if it was the most self-evident fact in the world. “Mission accomplished.”

You replayed your interaction with Marcus in your mind as you helped Trish light the lanterns on the porch. He had been so kind, direct and sweet, making you feel seen. What bothered you was your reaction. Your insecurity, your inability to believe that he was talking about you. The urge you had to fight when you thought of looking around the room to make sure he wasn't referring to someone else.

What bothered you most was that although it had been two years since you had separated from your husband, you had never felt insecure about yourself. He couldn’t make you feel that way. Of course you doubted yourself at first, looking for your share of the blame, but his actions spoke louder than words, and you couldn’t blame yourself for everything, even if you tried.

But Joel did. He made you feel insecure, vulnerable. With his mixed signals and his constant back and forth, he managed to drive you crazy. What did he want from you? Why couldn’t he make up his mind? Why weren’t you enough? Were you too much?

Maybe it wasn’t just Joel. Maybe anyone in his position would have the same concerns. Perhaps Marcus would do the same if he found out about your family status. Where did that come from? You don’t even know the guy, stop it.

“OK,” you hear Trish behind you, “all set, let’s get back inside.”

You nod, but as you turn to go into the house, Trish comes close, a mischievous look on her eyes and lips. “Maybe, uh..” and she pauses dramatically making you furrow your brow in puzzlement. “Maybe I was wrong about the age gap, huh?”

Oh, god.

“He’s one of the good ones; I approve.” she winks at you and slaps you on the ass cheek, ushering you into the house while you roll your eyes the hardest you could manage.

“Ok, now I need to know.” He laughs heartily, his eyes wrinkling, his whole face lighting up. It didn’t happen very often. It made your heart swell that you were the one making it crinkle with laughter. You loved that face.

“What?” you reply, unsuccessfully fighting back a laugh, dragging out the vowel. You had had a few beers and were relaxed and comfortable around him. You were both standing near the stairs, giving yourselves a bit of privacy from the crowded party. You were still visible to everyone, but it was a little quieter than the constant buzz throughout the house.

“Well, you’re obviously mad at him-” Joel states matter-of-factly, as he leans his back against the wall behind him, but you interrupt before he can finish, “No, I’m not!” and slap your hand on the railing next to you for good measure.

“Uh, uh, uh, none of that,” he looks at you mischievously, “but you never say anything bad about him. So, which one was he?”

“What on earth do you mean, Joel?” and you half whimper his name, thanks to the alcohol in your system, making his cock twitch. God, the things he wants to do to you.

Joel inhales sharply, trying to keep his composure, because he really needs to know what kind of an idiot husband you had chosen to place by your side only to be betrayed; a side he would die to be by. If only he had been the right man for you.

“Which half was he?”

You burst out laughing, finally figuring out what he means. You’re impressed that he still remembers, although it makes sense since you sort of insulted him that night. You know you can’t lie for shit, so you brace yourself, anticipating his reaction. You can almost see the face he’s going to make.

“Actually..” you start, prolonging the suspense, not on purpose, but because you are choking on your own giggles. It’s going to sound so pathetic, but for some reason you can’t wait to tell him how you’ve been deliberately putting yourself down for years. “Yeah...?” His eyes are fixed on you, amused, but you can see the agony underneath.

“He was both.” And you can barely contain your laughter, almost snorting.

He is still at first, as if some invisible remote control has paused the whole scene, waiting for the oh, I’m kidding. When that moment passes, his eyebrows go up so high, his forehead fills with wrinkles. His jaw drops open and he actually looks shocked to the core, almost frightened.

“Both? BOTH?” he practically hovers over you in frustration. “So, emotionally unavailable and bad sex.” he says again, incredulous that someone like you would ever choose someone like your ex.

“Joel!” you chastise him, slapping him on the shoulder, looking around you to see if anyone has overheard your conversation.

Joel fake hisses at your fake hit and taunts you with his laugh.

You shake your head dismissively, “What can I say? You know me, I don’t go halfway, I go all the way.” you reply between laughs, pumping your fist in victory.

He shakes his head in mock despair, then looks down for a few seconds, as if he’s making his mind up for something and then up at you through his lashes. “Oh, baby,” he sighs, “you really need someone to take good care of you” his voice drops, his eyes still holding the amusement but there is a hunger behind his words.

You inhale sharply and then hold your breath as your brain fantasizes about him taking good care of you, right now. You stare at each other for a long time, as if there’s no one else around, and finally you break the silence. A slight anger begins to glimmer in your chest, but you try to push it down. “Well, no such luck on that front.” you drop the bait and see where it takes you.

He can’t say things like that and expect you to do nothing. A small glimmer of hope tries to climb over the uneasy feeling inside you. It sinks its claws into your heart, scratching at the surface of your well-hidden desire. Maybe this time he’ll take a chance on you. Maybe this time he will ask you. Maybe. You try to push that away as well.

“Maybe you should put yourself out there more.” There he is. He’s pulling back, again. It’s fucking exhausting. You know you should be more patient and see where this goes, but your anger is boiling fast, ready to pour out of every pore. He started it, so you might as well finish it.

“Unless, what I need is in here.” Please, please, don’t make me regret this. Over and over, like a mantra.

He swallows so hard you can see his Adam’s apple bobbing, his knuckles turning white around his beer bottle. His eyes keep darting between yours, searching for something.

“Pretty sure it’s not, if you know what’s good for you.” Did he just say that? Your pulse rises and you hold back the tears that tend to gather so easily at your waterline. How could he say that to you? But you recover quickly, he won’t see another drop of tears from you. Not ever again.

“What, you don’t like Marcus?”

“Who?” you see Joel’s body stiffen at the man’s name, his eyes frantically scanning yours for an answer and revenge never tasted better. You would say you were drunk on power if it weren’t for the damn beers.

“Marcus, Trish’s colleague from work, she introduced us tonight- well- not exactly, but- anyway.”, you dismiss your own comment by waving your hand in the air. “Maybe you’re right. I should start giving people a chance. Maybe I’ve waited long enough.” There’s someone interested in you. He’s interested in you and he’s shown it. You deserve to be happy. You deserve to feel the look of desire in someone’s eyes. But you’d rather it was Joel’s.

Check mate. His move now.

“Are you sure you want to lead with Marcus?” His voice full of mockery. “You don’t even know the guy.”

“Oh. So, let me get this straight.” you counter. “I should get myself out there and I should do it with someone I know. Let me think.” you take a deep breath and in that short time of in and out through your nose, you debate whether you should say it. Joel seems to catch up with what you’re thinking, raises his hand and purses his lips, but before he can speak-

Fuck it.

“Are you offering?” You ask playfully, with a saccharine smile. Sometimes you really wish you were not so direct. But you couldn’t deny the sweet satisfaction of nailing him to the wall, when you saw the look of mortification on his face. The time for regret would come, but it was not right fuckin’ now.

Joel is speechless, his eyes widen and his mouth opens and closes without a sound. He clearly thought you’d back down. Maybe he thought you liked this dancing around. Maybe he thought he had more time on his hands. Or maybe he didn’t expect you to finally confront him head-on. Still playful, but head-on.

He takes a deep breath and tries to compose himself. He starts to say something, but you don’t catch it because out of the corner of your eye you see Marcus approaching you quickly. If a higher power was listening tonight, it was focusing on the wrong part of the story.

Just before he enters your personal space and you excuse yourself, you linger slowly over Joel, touching his waist with one hand. You feel the warmth of his skin through his shirt and under your palm. You take your eyes off his and look at his plush lips as your face comes dangerously close to his. Your lips brush the space between his earlobe and his neck and you painfully accept this is probably the most you will ever have of Joel Miller. His breath hitches at the feel of your soft lips and the puff of air as you whisper in his ear, “Relax Joel, I wasn’t counting on you.”

That hurt.

previous |

[thewertsearch]

TT: You mentioned immortality. TT: Godhood makes one immortal? […] One will live forever, unless killed. The death must be either heroic or just. TT: How are those terms defined? Broadly, mysteriously, and according to the case of the individual. One may be killed by opposing a corrupt adversary and die for a just cause, as through martyrdom, for instance. This would be heroic. Or one may be subject to corruption, and slain by a hero. This would be just.

Heroic Players can die fighting 'corrupt adversaries', whereas Just Players can be 'corrupted', and 'slain by a hero'. There's a clear dichotomy here, wherein 'corrupt' God Tiers are particularly vulnerable to self-sacrificing God Tiers, and vice-versa.

I like it. It's a very mythological way for immortality to work, and it gels well with Sburb's fantasy narrative. Rose's alliance with the Horrorterrors probably marks her as corrupted, so God Tier ascension probably wouldn't grant her true immortality.

The concept is fascinatingly ambiguous, too. Morality is a controversial subject at the best of times, and allowing Sburb to judge the ethics of a Player's actions could get very tricky, very fast. There's no doubt in my mind that Sburb and I disagree vehemently about what constitutes a just cause, and I'm sure I'm not the only one.

TT: Which sort of death will you have when I destroy the sun? Neither. I'm not a god. I'm a guardian, a servant, and a weapon. I have power and knowledge far surpassing a god. But I am not one.

First Guardians are considered far more powerful than God Tiers, then. Aradia was able to get the drop on Jack, but Jack's really just a Kernelsprite imitation of a First Guardian. Scratch is far more threatening, especially since his brain isn't scrambled by dog memories.

...that said, his brain might be a little scrambled by whatever was in that HONK code. Who knows what Alt-Gamzee was cooking there.

My master can't enter this universe until I am killed. […] TT: That almost sounds like martyrdom. Are you sure it won't be a hero's death? Quite sure. My master is a very evil man. TT: Who is he? I won't tell you his name. But he goes by the title, Lord English.

About bloody time. This guy’s been sneaking around the back of the story for over two thousand pages, and it sounds like we're finally going to shed some light on this mysterious adversary.

But you must decide which objective is more important. You may decide to attempt to destroy the sun and end my life. This will neutralize Jack, who is also much more powerful and dangerous than myself by virtue of the ring he wears in addition to drawing energy from the same sun as I. He poses a significant threat to reality.

I'm still skeptical about this assertion. What could Jack's other kernels possibly offer that his First Guardian powers don't render obsolete?

Anyway - even if Jack does have better numbers, Scratch is still far more dangerous by virtue of the mind he wields.

TT: But in the process of killing him and you, I release your master, who is just as deadly? He's more deadly. But the danger he poses is sanctioned by paradox space. It is a known quantity. His very existence in a universe will mean it will inevitably be torn apart. But there are rules to his entry, and his grim procession through paradox space is rather orderly. The present equilibrium has accounted for him, and will continue to.

I did wonder if English was part of Paradox Space's natural ecosystem, charged with destroying old universes in much the same way Sburb destroys planets.

Even if he is part of Skaia's ineffable plan, I don't think that should stop us from ending his sorry ass. We might not understand English's motivations, but we do know that his plans destroy anyone unfortunate enough share his plane of reality, and countless lives have already been ruined in Scratch’s quest to bring him out. I don't really care if Paradox Space sanctions his actions - he needs to be taken down, and if that upsets the natural order, then it's time for a new natural order.

Besides, we probably don't even need to destroy the Sun to stop Jack. We have plenty of other angles to work, from exploiting his psychological weaknesses to negotiating with his slightly more reasonable deputy. Additionally, Jadesprite won't be out of action forever, and Jack can't even harm Jadesprite, due to the aforementioned psychological weaknesses. Even if she's inherited Bec's 'don't fight Agents' programing, that doesn't stop her from simply stealing his Ring. She's done it before.

Jack however is a loose cannon. He will not stop until he destroys everything he encounters.

Yeah - to be honest, Scratch, I'm starting to think you're laying it on a little thick, here. Is Jack really the omniversal 'threat to reality' that you're making him out to be?

Let's not get it twisted - I have no trouble believing that he's dangerous to individual sessions. But does he really have the juice to wreak cosmic destruction on the scale of Lord English? His battery is only as strong as a couple of universes, and he has to share it with every other First Guardian in the cosmos.

Plus, the kids can't be the only Players in the multiverse to accidently prototype a First Guardian. I'm sure it's rare, but it can't be once-in-all-the-worlds rare. There should be plenty of other rogue First Guardians floating around Paradox Space - and if they're all enormous threats to reality, then reality should already have been destroyed.

In conclusion: No, Doc. I don't think Jack Noir is an English-tier threat. And for the record, I think there's a much more dangerous First Guardian in this equation than the Sovereign Slayer.

[lazarus-james]

finished jentry chau last night and i have a lot of thoughts. SPOILERS AHEAD.

the good (broad strokes because there's so much to like in general!):

production quality is off the charts: fantastic animation, beautiful fight scenes, lovely character and world design, music perfectly complements the whole vibe. great style as well!

satisfying narrative arc: no cliffhangers, we get an A to B story line with character growth and progress. jentry ends the series as emotionally more mature than she starts.

interesting characters and engaging exchange and dialogue between them that mostly felt believable and realistic for teens this day and age.

the bad (my gripe in a nutshell):

the showrunners' decided to favor making the show work to what they'd prefer over cohesive character choices. (like they were trying to manipulate jentry's character around hitting plot points, instead of vice versa.)

jentry's forgiveness isn't consistent for her character.

the showrunners decided that the narrative would be more dramatic when/if she didn't forgive others.

gugu lied to her all her life about SO many things. we're given her reasoning, which we're meant to understand and relate to (she didn't want jentry to hate her/her parents), and because jentry loves gugu, she forgives her. i do not forgive gugu! she lied to jentry for 16 years about EVERYTHING.

this ties into how moonie is still alive as well. gugu knew! she could've EASILY have tracked her down. so she CHOSE to never try and reunite them. and MOONIE knew she was jentry's mother. how could you do that to your daughter? and jentry forgives moonie because she loves the POTENTIAL of her mother. what the fuck! i do not forgive moonie! she CHOSE not to be part of her life.

then we come to the only other person who begged for forgiveness for their secrets hurting her.

kit. he lied about who he was and his intentions. however, out of the him, gugu, and moonie, kit is the only one who does not intentionally obscure jentry's ability to figure out his secret, as in jentry is not forced to act for him to confess his truth. with gugu's secrets, she had to work to uncover them, and with moonie, jentry had to work to find her.

he is the only one who comes clean to her after putting his life in danger to save hers, and there's no way he doesn't know how fragile his painted skin is. he KNOWINGLY went to save her from the fire and risked his identity being blown because she was that important to him. (i remind you his death words started with "everything i did was for me." LIKE SAVING HER THEN??? THAT WAS FOR YOU???)

and how does jentry react? poorly, yes, because she hates lies (because of gugu).

but even after that, kit is never actually forgiven. in fact, jentry uses him, and then abandons him when she achieves her goal. it felt so drastically out of whack for her character that i wondered what was happening. then he is ostracized by her, and she rejects even his friendship and acts cold to him. she cuts him off.

it really doesn't make sense for her to not even want to be his friend. she bonded with him during the doppelganger experience. they WERE friends then. then she says she wants to be normal and pursues michael even when he admits to her HE isn't normal. so that's not it either.

only the narrative is what forces her not to forgive him because the showrunners need to hit the plot points of him betraying her and him needing to sacrifice himself later. (which i would argue his sacrifice really doesn't make sense at all. if you watch that scene when kit dies in her place, WHY would he even pretend to be her? if jentry had just worn the robes instead, she would've been able to defend herself as quickly she donned them as is shown after kit-jentry is attacked. it was a needless sacrifice!)

gugu is forgiven in this same episode for her lies. why can jentry forgive gugu and not kit (prior to the betrayal)? it just doesn't fit for her character.

jentry then goes on to immediately forgive moonie for never getting into contact with her. moonie ALSO lied to her her entire life. but somehow this is forgiveable now because it works with the narrative and the plot points.

anyway. that's my biggest gripe with the show.

instead of building the narrative around jentry's character, the show built a narrative and manipulated jentry's character to make it work.

also...

the mogai-human-form design was weirdly sexist?

when possessing mr. cheng, the mogai-cheng form is ugly and malformed and disproportionate. he is not conventionally appealing or attractive. he is not the same size or shape as cheng appeared. he is wearing clothes.

when posessing jentry, the mogai-jentry form is curvaceous and slim and appealing to look at. this form is conventionally attractive. she is the same size and shape as jentry appeared. she is not wearing clothes.

all of these are choices the showrunners made. they could've made mogai-jentry much more unappealing, but they didn't. for some reason, keeping her "attractive/cool" was the choice over what the design could mean. they did make her look dangerous, i guess?

[anamericangirl]

One of the main justifications I’ve heard from pro-aborts over the years is that the fetus can’t feel pain. They’ve been using that as reasoning as to why the fetus isn’t a person.

But now that there is research suggesting babies can feel pain as early as the first trimester suddenly pro-aborts say whether or not they feel pain is “irrelevant.”

Like I know that was my argument all along. The only reason it’s ever brought up in these debates is because you, the pro-aborts, bring it up as an argument!

And it just proves how completely disingenuous every single argument they try to make is. Because their incorrect assumption on the absence of pain has been a major talking point of theirs they throw out all the time to try and prove the baby isn’t a person and abortion is ok because the baby “can’t feel pain.”

So now that there’s information out there showing they are wrong about yet another thing do they adjust their beliefs accordingly? Do they go “wow all this time I was convinced they couldn’t feel pain and that’s been one of my main arguments for abortion so maybe I need rethink some things or check out this information”? No. They don’t. They immediately dismiss it because since it doesn’t fit their narrative any longer it’s now “irrelevant information.”

Funny how that works isn’t it?

It just proves the justifications they use to try to argue that abortion is ok don’t even matter to them. They don’t even believe them. They’re just throwing out empty phrases they don’t even care about the accuracy of because all they are interested in is that at the end of the day the choice of killing a baby never goes away. They don’t care if all their information is inaccurate, they don’t care what the truth is, if the baby is a person, can feel pain, has rights, none of that matters to them. You can prove they are uneducated and shamefully ignorant on every aspect of the abortion debate all day long and they literally don’t care because knowing the truth isn’t what they’re interested in.

That’s why as soon as you prove them wrong on any of their own arguments suddenly that information doesn’t matter anymore and they’ll just move on to their next equally incorrect and ignorant argument until you prove that one wrong too because again, they aren’t actually giving you the reasons they believe abortion is ok. They’ve already decided killing babies is ok and they have to make up reason why it’s ok along the way.

And that is because people who are pro-abortion are only pro-abortion because they are uneducated. And they choose to be uneducated. Don’t ever take their arguments seriously because they don’t even take them seriously. All they care about is killing babies.

The more educated a person is on fetal development and human rights the more pro-life they will be.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[notebooks-and-laptops]

The thing about Solas in DAtV is that because they were fundamentally unwilling to engage with the question of whether or not the Veil should actually come down (which is a symptom of them refusing to engage with anything remotely 'problematic' in the franchise to date: slavery, elven oppression, treatment of both city elves and Dalish etc.) he goes from a character who is supposed to be the embodiment of wisdom to a character who is kinda stupid. And further, it affects our questions surrounding his motives and relationships, his actions in inquisition and how compelling he is.

Like, there's a lot of people arguing ATM about whether or not a romanced Lavellans relationship with Solas was meaningful/if she knew him compared to how Rook knows him/if he loved her more than Mythal. And I think the answer is very tied up in this particular issue with the writing.

Because if Solas is a revolutionary who believes that the veil must come down, not just to fix a perceived wrong he did, but for the good of elvenkind...if we take a Solas who says 'people are always dying, it's what they do' and realise that he's saying that because PEOPLE DIDNT USED TO DIE and the way their lives are now so short is terrifying to him, if we take a Solas who says that the world today is full of those who seem tranquil to him and take that SERIOUSLY, if we get a Solas who is sickened by the way spirits are yearning for the world the way it was but are stuck in the fade without any contact and that's twisting them into demons and those willing to possess others to taste a glimpse of what was denied to them by HIS actions...

Then we get a Solas whose actions don't just make sense but we can see WHY they make sense. We get a Solas who is, yes, committing an act of horrendous violence by tearing down the veil but is doing so to literally save the world rather than just fix a regret or because he's bound up in Mythal somehow and what she would have wanted for the world.

THAT Solas who leaves Lavellan because of his revolution he must lead, who leaves Lavellan after seeing what this world does to those who are left of the people, that Solas...I think that we could then argue more than the relationships he formed in inquisition were real and he was tragically forced away from them by his own goals. That in some way he is doing this FOR Lavellan.

There should be a sort of semi-horror tint to this world for us through Solas's eyes because we can see a world of tranquil walking around like he does, a world where life is too short, a world of injustice and pain and reasons to go ahead with his plan

But Solas....kinda lacks agency in DAtV. I don't hate the Solas Mythal plot stuff I think it's quite interesting, but mix it with us never considering the merits of what Solas wants to do, of EVERYONE unilaterally deciding it's evil with no real debate or queries, with ZERO elves in the narrative siding with Solas or taking what he has to say seriously...THATS where adding the Solas and Mythal plot rubs me the wrong way. I don't want Solas to need to be released by Mythal before he can let go of his evil plan...I want a Solas who doesn't have an evil plan but instead a complex one. I want the conviction of Anders in Solas; that what he's doing is RIGHT and the ONLY WAY to fix a great injustice. I don't want to redeem Solas or even understand him I want him to CONVINCE me and me BELIEVE him. Otherwise the Solas we see in inquisition is more shallow and the Solas we see in Veilguard through Rook...maybe Rook does know him better than the inquisition did.

[wearepaladin]

Just for fun I’m going to write an outline for an Elden Ring story I’ll never have the time or discipline to write in full, but would be fun to think about. Basically, if Elden Ring were a novel and less bound by the classic Soulsborne mechanic of everyone out to kill you all the time and you could theoretically talk to a bit more folk before they’re running at you with fire and cleavers.

So, more under the cut for those of you inclined for a bit of speculative reading.

So I think the most important thing to get out of the way is the nature of the protagonist, who we have playing the Tarnished of No Renown in this story, because while video games are a fun means of crafting your personalized to fight your way to victory in The Lands Between, for a novel a character who has a presence in the pre established narrative would be ideal. To that end, I have speculated the ToNR’s background based on what can be universally deduced about them based on where they were buried and rose from the Dead when Grace brought them back to life.

So, to that end, I critically went over the game starting zone, The Chapel of Anticipation. It was here where we are interred, along with the ashes of two stormhawks, a recently dead finger maiden, and a Grafted Scion waiting to kill us, with the chapel built on a sea stack with a bridge presumably leading to Stormveil Castle. Stormveil, as a reminder, was originally the fortress of a Storm King, a mysterious figure whose defeat by Godfrey/Hoarah Loux in single combat is considered among the First Elden Lord’s greatest achievements. So, for the sake of the story, based on this little bit of information, I am deciding that the contender for Elden Lord will be played by a Storm King resurrected by the Guidance of Grace, awakened in their tomb to find the Finger Maiden who knew that a lost king was interred here, and where a distant Scion of Godfrey, the Grafted Scion, knew where an old enemy may one day rise.

Thus, a newly risen Storm King would have been active before the existence of the Tarnished as they are now, and indeed, ignorant of much of the current history of the Lands Between and the Shattering of the Elden Ring and ensuing wars. Indeed, depending on the timeline, they would even see Marika as the empress of an invading theocracy and not the long established god queen of the setting. It allows for a protagonist who can fulfill the role of audience surrogate by needing to get caught up on everything, but gives them a more personal motivation than simple power: they are empowered by the force that had slain them and live to see the long wrought consequences of their defeat.

Drawing inspiration from the others titled Storm King in Fromsoftware games, and the nature of Stormveil as the largest and most heavily fortified castle in the game, (arguably anyway) I’m imagining the Storm culture as martial but somewhat isolationist since we don’t see much of their influence beyond what scant remains of their legacy can be found in the castle. The Storm King thus did not combat the Golden Order until Godfrey bested them personally.

The protagonist would then have very personal reasons for removing Godrick from Stormveil castle, not to take his great rune but their ancient home. But in the process of doing so, they meet Melina and the Roundtable Hold, opening doors to a greater understanding of what’s been going on and granting motivation to not just retake Stormveil, but to adress the broken state of the world.

The story the largely goes on as it does in the game: most of the major powers that still remain would be even less inclined to parley with the Storm King than they would some Tarnished with no Renown, but there are some key differences. Limgrave’s population would have a monarch of ancient stock to gather those Sane enough to reside in the safely of Stormveil. The world doesn’t remain static and we see the side of lordship as more than being a godkilling machine, but someone who can lead and have people follow.

Godrick, Radahn, and Rykard are still slain as the three would never be able to be talked down, as they are either determined pretender, ill beyond care, or intending to devour the world respectively. Renalla is never fought as her situation never required a violent resolution. Morgott’s situation becomes much more complex, as while still quite hostile, the growing political influence the Storm King would amass in Limgrave, Liurnia and even remnants of the Redmane army swearing allegiance after the death and liberation of General Radahn, would force a more politically intriguing conflict.

I think that the Storm King would learn that the Erdtree is sealed by thorns by either “diplomacy”’(shouting matches) with Morgott or an intrigue plot involving Black Knives at war with eachother, and lead to the events of the DLC as the SK decides they are unwilling to risk freeing Frenzied Flame or having Melina sacrificed, whatever her willingness. He instead follows a third option, and goes the Lands of Shadow, seeking not Miquella, but Messmer. This would be the beginning of the second book in a theoretical trilogy, as the events in SotE would require the space Rand still culminate with the failed apotheosis of Miquella.

However, as the SK would not arrive in the Lands of Shadow alone, but with political authority tying him to Liurnia and other Golden Order factions, Messmer’s army, having awaited eons for word from home, is receptive enough to allow the SK to engage diplomatically with Rellana and eventually Messmer. Messmer learns of the current status of the Lands Between, meets his sister Melina for the first time, and decides to call off the Crusade after the failed Apotheosis of Miquella. Using his abyssal flame, he then takes his sister’s place at the Mountaintop of Giants, bringing Flame of Mesmer to the tree his mother built her empire from.

While this is happening, the Stormking goes through their own personal journey of discovery as with both the actions committed by the Golden Order and the Hornsent in turn, they find that themself asking the hard question of whether their kingdom’s isolationist policies contributed to the pogroms and cycles of violence by inactivity: could so much harm have been avoided if they or their ancestors been less hostile to the greater lands of the world?

The story then concludes as the ancient powers that have long manipulated behind the scenes interject from various angles as Metyr, the Ancient Dragons, The Frenzied Flame and the Rot all instigate their own attempts regain control of the lands between, with various part of the assembled cast facing their respective foes, Ranni and her Allies facing Metyr and the Fingers, Millicent and remnants Miquella’s followers taking control of their destiny at the Haligtree by facing the Goddess of Rot, Melina and Morgott combining their power against the corrosive influence of Shabriri and the Chaos Flame.

All the while Storm King faces first the Dragons at Farum Azula, revealing ancient ties between the dragons and the Stormking that culminate in a duel between them and Placidusax, and then a rematch between Godfrey and The Storm King, culminating in the final battle against the powers hidden in The Erdtree itself

Then, I think, a variant on the Age of Stars ending would occur. Altered to include influence from the Duskborn and Order endings.