It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.
I present a very unnecessary analysis of the scaralumi talk before the big fight
First of all I love the way they both can see through each other. I think often times we overlook how good Lumi is at understanding the feelings of others - mostly because Paimon does most of the talking - but here we can see just how good she is at reading him since (I believe) this is the most she has ever talked in a quest. Scara believes he knows what he wants, but Lumi knows what he needs.
I like how he says this because it is true. We have been proven time and time again how Lumi cares about others, which is why despite her being enemies with Scara she can’t help but empathize with his situation.
But she’s not stupid, there’s where it comes the “almost” part. She is saying that as a way to try and stop his plans, not simply because she is worried about him and he knows that, but he still tries to convince her about him being, even though for a moment it almost sounds like he’s trying to convince himself.
Scara then moves on to say how his life has been meaningless up to this point, as if becoming a god is his only purpose and without it he is nothing. So he tried to understand why would Lumi bother going through such “futile errands” of protecting everyone.
But once again Lumi sees through him asking why then would he keep the connection with Haypasia (and consequently with Lumi herself). Even with his answer she is not convinced so he just deflects with his arrogance.
Not to mention how everything he says about Haypasia can also be applied to Lumine, since they both share a connection with him and saw his past. I find it interesting how he was able to sense Lumi and immediately entered her consciousness to observe her
Once again Lumi is able to figure him out and say what she needed to tick him off. He says how bad she is at sewing discord, but he still goes ahead and attacks the fatui calling it an “expression of affection”like he did for Haypasia, putting the two girls on the same wavelength
the way I have to pioneer every group project because I need the sense of control that it’s being done correctly although I can’t think of anything worse than leadership. so… that’s contradictory of me 😖
no but the idea of malleus trying to get revenge against silver, the child of his enemies who possibly killed his parents, by reenacting what his grandmother (potentially) did to them, in a moment of blind rage, sending silver into the deepest, longest sleep he can.
only to finally come to his senses after, horrified with what hes done to lilia’s child, the child he watched grow up from a distance, the child he loves. he tries to undo it, but he can’t. no one can. silver will never wake up again.
in devestated grief, he kneels over silver’s slumbering body, apologizing as deeply and profusely as he can, more than he ever has before. he bids him farewell, placing a final goodbye kiss on silver’s forehead, before turning to leave.
only to hear a tired “lord malleus…?” murmured behind him.
just finished moving around/reorganizing my entire bedroom. i have cried three times today but now i’m laying in bed, my room smells of roses, and i’m eating french bread. this was not the bipolar hot girl mania i was promised but damn if i don’t do it well
11pm in manchester airport plane landed at 10pm after being DELAYED AND ANNOYING AND EVERYTHING WRONG WITH RYANAIR for over an hour. when is my train home from this godforsaken city you ask? 5am. good job im stuck in arrivals where there are no coffee shops or even regular charging ports haha. so glad to be spending the next six hours sat by the squeaky baggage claim machine. thank god my mum was sympathetic about it right haha… right????
concept: silvagunner-style joke-that-becomes-unironically-good rip of ventus’ theme but it turns into ‘calling’ from twewy. does anyone else hear my vision
the abject horror on kuukou’s face when he realises this had gone too far and he nearly drove someone to basically killing themselves killed someone is the exact reason he was so adamant about taking the fall for everything in the ren chapter btw
hate ever since I finished giant robo yesterday my train of thought hasn’t been a critical analysis of what I consumed despite acknowledging both the show’s strengths and weaknesses and instead going back to my Imagawa Armageddon drama conspiracy board and going “okay no way in fuck he didn’t have Kei as Genki planned after the fucking family drama plot line in giant robo being similar to what we got in arma and it’s likely that the team got away with this idea after he left because they might’ve been in production for ep 4 but had to rewrite it and the show after onwards to fit the new direction”
or in simpler terms my brain activates “how do I make this about getter robo”
Don't beat yourself up! Honestly, it's fine if a commission takes a little long, the last thing I'd want is the person I commission to stress themselves over a piece and getting frustrated. In my opinion I rather wait as long as possible for something that had time and effort put into it then receive a product the artist didn't have a good time working on!
I really appreciate it! It’s not for everyone to wait and that’s alright but genuinely, a lot of my best work comes out of patience and enjoyment. I put in a LOT of effort and fun details and take my sweet time cleaning up the piece when I know I’m gonna enjoy taking all that time to do it
Like hell, how I did the entire second version of that piece of the one oc and Frank? I had so much fun doing it and adding details that were harder to notice and taking the time to throw on some more layers to make a creepy one and I hardly minded taking that extra time to do it because I was in the zone and having fun 😌
me last night: wow i am so over my friend of many yrs abandoning me it’s fine now i dont even care what progress i have made from last time when it took me 11 yrs to get over it! :)
"So I dragged the family name through the mud? Not you, then?"
(tw for implied/past child abuse/neglect, typical aristocratic bad marriage and society practices, and just generally toxic parent/child relations)
Yelling was a normal occurrence in the Goodkind Manor. It always had been, or so Robert gathered from the way it no longer phased the staff, and the way none of them stood near the still-open sitting room, eavesdropping. Not that anyone had to be: Alfred's voice was higher than his own, but still deep enough to carry when the weasel raised it. And his mother had what should have been a pleasant alto voice, that similarly carried as her own anger grew.
He wasn't trying to listen in, either. Alfred had made it clear - not in words, but in every action he made in each row Robert had seen the fallout of - that his rows with his mother were not something for Robert to save him from. Despite how that first night had gone, Robert would admit Alfred mostly handled them well, matching his mother's ire blow for blow until one or both of them decided to retreat. If it didn't make him so angry, if his chest wasn't always so tight with a protective rage to hear anyone try to cut Alfred down so harshly - in his own home, no less! - he might have been willing to concede that Alfred had certainly inherited his sharp tongue from the woman.
But this felt…different. He wasn't sure what it was, but Alfred's voice had an edge to it that felt more…raw. More brutal.
"There was only ever one rule, wasn't there? There always has been. You just don't get caught. You had a good marriage, a good husband, a good life! Just one little problem: Father couldn't have kids, could he? No, so that threw a wrench in things, because there had to be an heir. How many men did you take to your marriage bed, while Father was on campaign? How many affairs did he tolerate, because he loved you, and he couldn't give you the child you wanted, that he needed? All you had to do was produce a babe that could conceivably be his, and no one would ask those inconvenient questions, would they?"
There was a bark of laughter. As Robert approached the door, he couldn't see the woman's face, but he could see Alfred's. Handsome features twisted in a fierce snarl, a false enthusiasm and bravado as he glared down at his mother.
"No, you had to take faunus lovers. You made the terribly ill-advised choice to not be safe with that one. And everyone knew, didn't they? They knew I wasn't Father's, but so long as I was close enough, they would never say. The game would continue. They'd turn a blind eye, as Father did, because that's how it always goes, isn't it? Except you lost. Because your gamble failed.
"I hope the dicking that fox gave you was worth it, Mother."
The resounding smack filled the small sitting room, and the silence after was somehow worse. Through the open door, Robert could see a faint trail of scarlet leaking from the corner of Alfred's mouth, even as the weasel rolled his tongue across his teeth. One hand reached to wipe the blood away, tongue licking the smear of crimson from his thumb, before he began to chuckle. A dangerous, low, calm noise that was so at odds with the cold fury in Alfred's eyes, that Robert hesitated. He should put an end to things there, give the old bitch a piece of his mind and get Alfred out, but the way the weasel was looking at his mother…Robert was almost wondering if he should be getting her out. Not for her own safety, exactly, but because he wasn't sure Alfred could handle matricide.
"That's all I've ever been to you, isn't it? The one chance you had to make it all up to Father, and then there I was. A faunus. Your shame and disappointment made manifest. And the worst part, the shame of the whole damned thing? He forgave you. When they all tore into you, screaming about your affairs, crowing about how the baby was a bastard, he saved you from them. He forgave you, and he told them that he condoned it, asked it, because he so wanted a child and couldn't have one. He took the brunt of that shame, to save you the humiliation. He just didn't realize that it was worse, doing that, did he? He didn't realize that you could never look him in the eye, knowing he stained his precious honor for you. You could never look at me as anything but the smirch on his honor that you caused." Alfred's voice was raising again, the illusion of calm fracturing as the cold inferno blazed in him, and yet he made no move to touch his mother.
"I could never measure up to him because I was always the sign of your failure. He might have legitimized me in the eyes of the kingdom, but to you I'll always be the bastard that is the sign of your failure to be a loyal, loving wife. And now, the failure to be the mother you always wanted to be. You gambled with both our lives...and you lost."
Alfred reached up to his breastpocket, turning from his mother to start towards the door, handkerchief raising to wipe the line of crimson from his face.
"By the end of the year, you will be moving in with aunt Lolita. I will not walk on eggshells in my own home for the sake of your shattered ego, nor watch my guests worry they offend your pathetic sensibilities. Take who and what you will...but you will be gone, Mother."
Silence answered him...but it was defeated. Alfred's pace slowed, a slight...hesitation entering it. But he kept moving for the door.
"Alfred?" His mother's voice. It was...softer, than Robert had yet heard it. Gentle. Defeated, and subdued...but not unkind.
"...yes, Mother?" Alfred had paused, though he didn't turn around. His mother was still facing the fireplace, not looking at him, either.
"...I do love you." Was it just Robert, or was there a whisper of...pride in that? Buried in the other emotions, the grief, the guilt...the shame. Perhaps it was sappy foolishness.