#and I know I've said this a thousand times. but always know that I love you very much and that you are very special!

[mel-loly]

-Thank you to everyone who is still here liking, commenting and reblogging my content, even though I'm not posting much “fandom stuff” anymore, you're still here! And I really appreciate that.. (and that makes me so happy, that as I showed in the “comic”, it moves me, so- thank you, really!!) :]💛

Also- a tip: there are also many other blogs that don't post fandom stuff, but when they do, they get more likes and reblogs than the original/other content.. So also give love to those people who have your original content, reblog, like, comment, because that's what they need! Recognition for your original content! And I know you won't regret it, and it won't hurt you to do what I said! In fact, you will be doing good and giving such love that many wanted and deserve.

A big kiss/p and a hug! Even for those who only like it when I post fandom stuff, I still love you so much, and I won't stop making this type of content, ok? I just want to give more voice to what I have to give as original, because that's what makes me happy and well ^^

-Melissa, Designer.

[inkskinned]

i don't mean to sound ungrateful, but as a content creator on this site, there's a part of me that's like. they absolutely just stole my work.

i'm not, like, unaware that tumblr has been shuffling downhill for years now. sometimes i play with the idea of switching platforms, turning myself into the shark. i often get tens of thousands of notes - i could be "doing numbers" on a platform that actually pays me to do so. i could have statistics that i could use to sell myself, i could rebrand and make content pay-to-play and make brand deals. i could have the other life, i mean.

but i don't want to. i like the quiet nature of tumblr. i like that it still feels like i'm writing poetry, not like i'm fulfilling ad spots. i like the community, and that i can sometimes still take someone by surprise and write something that really speaks to them. i like the tags and reading things like oh of course it's fucking inkskinned i love you inkskinned you gay mess. my girlfriend recently told me that people tag things "inkskinned" because they assume it is similar to tagging "creative writing". that's wild. i made this word up when i was 19, and have always assumed people tag me in things so i read it (and i often do). i have nothing but love and gratitude for you all, for this tiny scoop of family.

and i haven't made any money off it. i had opportunities, and i turned them down. i could have sold this thing like a thousand times. i thought about moving my work elsewhere - over and over and over i thought about it. i weighed each option specifically. but my tumblr felt like ... it's for you guys, only. if you're still here and reading this, you deserve to do it for free.

tumblr has now, most likely, skimmed my work (and yours) in order to make money. i will never see a single cent for that violation. something about landlords, i guess - my work pays their rent.

i just lost my job on valentine's day, and am working on scrambling for solutions. i am writing this to a blog that they will probably scrape with AI. and like, what number to do you think it was? do you think it was only a couple hundred thousand? no way it was close to a million, right? my time, effort, energy - it belongs to someone else now. how many silver pieces for them to completely sell out their user base.

and it's kind of like - funny? when it isn't very-sad. because i personally don't know what to do, ya know? i might as well move to a different platform, where my efforts are ai-scraped but could eventually pay me. where i know my privacy is the cost - but it could result in actual money. anyway. i need to figure out how i'm paying for meds. i need to email like six people about COBRA benefits.

my work is powering someone else's AI. it will be a beautiful fabricated poem, made from words i've already said.

[munsooooon]

Eddie is sitting laughing and talking loudly next to Robin. He's very expressive, it's no secret. Steve can feel his laughter and voice coursing through his body even when Eds is sitting in a different space than he is.

And suddenly Steve says:

"You're very loud during sex, aren't you?"

And Eddie stumbles over his words even before he can answer. There's a sudden heavy silence that Steve doesn't seem to notice because he's still analyzing the conclusion he's just come to. Eddie looks at Robin as if asking for help.

"What?" asks Eddie after a few eternal seconds of silence.

"It's just that you're always talking so animated, and you're so energetic. You're a singer! Singers must be loud during sex, right? And well, you sing metal that's louder."

Eddie feels himself blushing in a thousand different ways, but Steve doesn't seem to notice.

"Maybe..." Eddie replies nervously.

"Boys must love that, right?"

Eddie is stunned and scared because he imagines all the ways Steve can make him moan, scream, and even cry.

"Boys don't love that," Eddie replies sheepishly, "at least the idiots I've been with don't. They prefer me silent."

Steve looks at him in surprise.

"That's awful, man. I would love that."

Oh.

OH.

Eddie looks at Robin once more, this time less scared. He's desperate in love.

"Good to know," Eddie said.

It sounded like a promise that would come true in the near future.

[yazmarina]

walk me through it

for the love circuit series

—you're used to being flirted with in front of the camera. but something about franco is really doing you in.

franco colapinto (f1) x fem!reporter reader

warnings/notes: smut, unprotected sex (no condom, yes birth control), guided masturbation, lewd photography, lots of flirting, franco is shameless (naturally), some Spanish sentences and phrases

a/n: will resume hit play for a bit after this one! enjoy franco girlies mwa

Your job was simple enough. Well, for today, at least.

Stand in the media pen, gather statements, and piece together a couple of stories later that evening for publishing first thing tomorrow morning. All in a day's work, like all the other days before.

You've grown immune to the charms of rich, adrenaline-seeking men. Didn't take you too long, the illusion breaking as soon as any one of them opened their mouths. Some you tolerate more than others, but some you'd rather steer clear of completely.

This isn't to say that you've brushed all of them off. You might have agreed to a date here and there but nothing ever stuck, the nature of your jobs a bit too similar and all too different at the same time. You've given up on the prospect that you'll somehow end up with one of the many Formula 1 drivers you've interviewed and spoken to. And you've spoken to a lot. You've had this gig since you were shipped off fresh from uni and one too many 'What happened there?'s and 'Tell me about qualifying's can put a damper on the romantic side of things.

But someone new's in town. Well, er, new in the paddock. And you'd be lying if you said you weren't even a little bit excited.

He's charming, that much you can already tell. He walks into the media pen like he's done it thousands of times before and you have to actively suppress a smile as he walks over. Confidence is always a plus. For the interview, of course.

"Hola, Franco. Antes que nada, enhorabuena," you greet warmly, extending your arm over the barrier to place the microphone nearer to him. Hi, Franco. First of all, congratulations.

Franc's eyebrows shoot up, a wolfish grin settling on his face. "Oh. I thought this was an English interview?"

You smile back. "It is, but I know my way around Spanish, as well."

"Ah," Franco nods. "Gracias, _______."

"You know my name?" You ask, momentarily forgetting that you're being taped and recorded. You clear your throat, ignoring the quiet snicker from your cameraman.

"Yeah, I've seen you around and watched some of your other interviews," Franco confirms, a hand settling on his hip as he leans against the barrier, closer to you.

You can smell his perfume from where you stand.

"Thank you, I've heard and seen a lot about you as well," you respond, trying to return to your original train of thought.

"Which is why I want to ask you how it feels on your first day as a Formula 1 driver," you quickly follow. "Have you done anything special to prepare for this weekend? Other than the obvious, of course."

Another easy smile spreads across Franco's lips. "I've definitely added to my training and done some new things to prepare. I haven't done a full F1 weekend before so everything will be new."

"We definitely don't have reporters like you in the lower Formulas," he adds.

You feel a violent blush rip up through your neck all the way to your cheeks. As if the Monza heat wasn't enough.

"Well, I'm glad you could meet me here," you manage to get out.

The thing is, Franco isn't even the most attractive driver you've met. He's definitely up there, but not the most.

That's a discussion you have with yourself semi-weekly: ranking the drivers in terms of attractiveness, factoring in personalities and general attitudes towards the people around them, specifically the media.

Look, people love to shit on the media and press, calling journalism all sorts of derogatory words, but you're just here to do your job, like anyone else. And it gets pretty fucking hard when your boss is ringing your phone every five minutes demanding four stories by tomorrow and drivers are sassing you out as if you asked them if they've murdered their whole family.

So, naturally, the way they treat you determines a big chunk of how you think your day is going to pan out.

And right now, Franco seems to be lifting your spirits just fine.

"What are your goals for this weekend? Are points on the horizon for you at your first F1 race?" You continue, trying not to stare at the way Franco starts to rub at the back of his neck, bashful all of a sudden.

"We'll try," Franco begins. He plants both his hands on the barrier and leans even closer. You have to physically take a step back.

You gulp. Franco smiles.

"Anything is possible this weekend."

-

"You broke the internet last night."

You scoff, sending your cameraman a vicious side-eye. It's crowded in the paddock today, everyone wanting to get a glimpse of the new rookie, it seems. Such is the eagerness for this young driver that even that 30-second clip of your interview with him blew right up in your face. Your inboxes at capacity, your own voice speaking back to you with every other swipe on your TikTok.

It's not all bad, though. A tweet with one of your Instagram photos attached to it captioned 'TE ENTIENDO MUCHO FRANCO ES MUY LINDA PERIODISTA' did weasel out a chuckle from you.

Your cameraman shrugs, gesturing with a jerk of his head in front of you.

"There he is. I'm sure he knows all about it."

You look over to where he's pointing and lo and behold, Franco is right there, chatting with a few Williams team members, his race suit hanging undone around his waist. He turns to you even before you can fully register that it's him you're looking at.

But your training kicks in even faster. A megawatt smile appears on your lips and you wave enthusiastically at Franco.

"Hi."

"_______," Franco says, face lighting up at the sight of you. Your name seems to fall even more effortlessly off his lips.

You reach over and pull him into a half-hug with one arm, but both his arms wind around you and you have no choice but to squeeze back.

"You saw?" Franco asks, a gleam in his eye as he pulls away. His hand remains casually on the small of your back.

"Saw what?" You know what it is he's asking but you'd like to hear it from him.

"We went viral, no?" Franco says with a laugh, reaching further around you and squeezing your waist. You lean into his touch, heart jumping as his fingers graze just underneath your cropped top.

"That's all because of you," you reason, pointing an accusatory finger at Franco. "I bet you say that to all the other reporters."

The Williams team members standing nearby burst out laughing and even your cameraman affords a snicker. A deep blush spreads across Franco's face as he rubs your side reassuringly.

"No, no, I don't. Just you," Franco admits with another lighthearted laugh.

"Sure," you say with exaggerated skepticism. You pull away from his touch, catching his hand before he slips it fully off of you.

"I'll talk to you later," you say. And it's fully intentional, the words you choose to say. I'll talk to you later. Not 'I'll catch you later' or 'I'll see you later'.

I will talk to you later.

Franco understands, giving your hand a squeeze.

-

Later that day, you pray that no one catches you grinning behind your hand as Franco takes the chequered flag at qualifying.

P11.

Almost there.

-

"Hi. Come in."

Franco beams at you from across the threshold, stepping into your room with slow, measured steps.

"Great qualifying," you compliment, eyes traveling down Franco's body, noting the way his team kit hugs his frame just right, his hands shoved into his pockets, exposing just his arms, veins and all.

Your eyes snap back up to his face when you hear the door shut in place.

"Q2 on your debut. Not bad," you go on, taking a step back. Franco takes one toward you.

"You're just repeating what you said at the media pen earlier," Franco points out. He reaches out and gently circles an arm around your waist.

Always straight to the point.

Like this morning.

You tried not to make it so obvious when you ran into Franco earlier, but all you could think about was The Message.

You were doing your cursory social media checks a few minutes after you had woken up, still snug in your bed and unwilling to get up just yet. A message in your Instagram inbox caught your attention, sitting at the very top of your 'verified followers' tab.

Franco Colapinto: hola, hermosa 😉

It took a minute for your motor functions to return, your fingers hovering over the keyboard as you pored over what to reply. You settled on a nonchalant greeting, asking if Franco needed anything.

You realized rather belatedly that this was looking a little familiar. You wished he wouldn't say the dreaded answer, the more-than-predictable response that every man liked to use.

Franco Colapinto: you, maybe?

You groaned into your pillow, not because you were repulsed by his answer, but because you liked it. If you were easy, then so was he.

You: i finish work at 9 pm tonight...? 👀

It's 9 PM now. Franco's in the room and your hand is running up his chest.

Easy.

"It's such an honor," Franco teases, backing you up further into the room. His hands feel heavy on your waist and your heart hammers against your chest.

"I get to work with people like you now," Franco continues, stopping right in front of the bed.

The kiss comes as a shock more so because of how good Franco kisses. One of his hands is now cradling the back of your head, keeping you in place while he licks into your mouth, groaning with every pucker of your lips.

You pull away for barely a second to get both of your tops off before you dive back in, seemingly too desperate and too starved for each other's mouths. Franco's hands are everywhere; they run down your arms, paw at your waist, tugging at the belt loops of your jeans.

You giggle as he pulls you even closer, your bare chests pressed against each other. Franco pulls back and peers down at you, reaching behind to unclasp your bra. You let it fall, already guiding one of his hands to your tits.

"Couldn't stop staring at them?" You ask, your voice rising with an innocent lilt.

Franco kneads at the mound beneath his hand, eliciting a moan from you. He grins.

"I wanted you to notice," Franco admits simply, kissing you again.

"Perv," you mumble against his lips. Franco laughs, already undoing his trousers.

You wiggle your own way out of your jeans, letting Franco get the shortest of glimpses at your baby pink underwear before you discard them off to the side.

"Mierda, you're so sexy," Franco compliments as you crawl backward onto the bed, laying back and letting your hair splay out beneath you.

Franco pounces on you like a man starved, bare atop your own naked body, his arms caging you in.

"Big moves from somebody so new," you whisper, carding your fingers through Franco's soft locks.

"I like to make a statement," Franco says with a shrug. He glances up momentarily, something piquing his interest off to the side.

"Is that your camera?"

You crane your neck to see where he's looking and sure enough, your personal DSLR is right there on the bedside drawer. You look back at Franco, an eyebrow raised.

"You wanna use it?" You ask, not expecting him to actually say yes. But a mischievous grin settles on Franco's face and you feel your heart skip several beats.

"Knock yourself out," you say.

Franco reaches for the camera and fiddles with it for a few seconds. His eyes scan over your body and you suddenly feel the urge to hide away with how hard he's looking.

"May I?" Franco asks, brandishing the camera. Your mouth falls open as you realize what he's asking.

"You can keep them for yourself. For your eyes only," Franco hurriedly adds, planting his knees firmly on either side of you.

You stare up at him, a million thoughts running through your mind.

"Just...touch yourself."

You gasp, stunned at his proposal. Franco watches through the LCD monitor, glancing up at you through his lashes. Your bottom lip slips between your teeth, and as if on instinct, your hand inches down slowly between your legs.

"You're in front of cameras all the time," Franco reminds with a smirk. "This should be easy for you."

You suppress a whimper at his words, your fingertips swiping through your slick folds. You're already soaked and you start to wonder if it started even before Franco got here.

The shutter clicks and the lens whirs, sharp against the soft breaths you're letting out. Franco is concentrated, snapping photo after photo as you rub yourself closer to release. But it's not enough. You need more.

"Franco...," you implore, peering up with bright, begging eyes.

"Slowly, mi amor," Franco coos. "Just where you like it. Right there."

Click.

"Harder now, but still slow. Yes? Feels good?"

You whine, eyes fluttering shut as your pleasure picks up again. Several clicks. You're panting now, the tendrils of release wrapping themselves around you.

"Faster, yes, like that," Franco eggs on. Your fingers speed up against your sensitive clit and a litany of Franco's name spills from your lips. Before you know it, he's putting the camera away. You reach for him, gripping the back of his neck as he smashes his lips into yours.

Franco bites down on your lip and you cry out, your orgasm washing over you like a tide. You arch against Franco, feeling his own stiffness heavy on your thigh.

You blink, Franco's face coming into focus, barely an inch from yours. He watches you closely, pupils blown wide and plump lips even redder. You hook your legs around his waist, letting him know that you're not done yet.

Franco is quick to pick up, smiling as lines himself up with you. The groan that escapes him is nothing short of delicious as he pushes himself in. You gasp along, the stretch a welcome sensation.

Franco wastes no time and pounds right into you, catching you by surprise. You let your head fall back against the mattress, a long, drawn-out whine erupting from deep within your chest as Franco licks a stripe up your neck.

Your whole body quakes with how hard he's thrusting into you but you're clearly enjoying it if your wanton moans are anything to go by. Franco meets your eyes and you pull him down, wanting nothing more than to drown in those lips of his.

It's feral and it's unrestrained, spurred on by the knowledge that this is more than unprofessional in your line of work. Not illegal by any means, but risky enough to warrant warnings from your coworkers. Never sleep with a driver unless you're committed.

Oh, well.

Franco groans loudly in your ear, movements losing their rhythm as he speeds up. You're clinging to him as if he'd disappear if you let go, your own belly tightening once more with that familiar feeling.

Franco. Franco. Franco.

He kisses you just as he finishes. Passionate, eager, heady. You feel him inside you, a different kind of elation filling you as you release all over him.

Franco pulls away to allow yourselves to breathe. He pulls out, rolling over to your side. You hug your folded knees to your chest, too lazy to get up and find something to deal with the mess.

"No hagas eso. Eso es demasiado doméstico," Franco jokes, moving closer and planting a kiss to your shoulder. Don't do that. That's too domestic.

"Relájate, estoy usando anticonceptiva," you reassure with a lighthearted roll of your eyes. Relax, I'm on birth control.

Franco hums, laying an arm over you. He pulls you close and you face him, reaching up to brush away some of his unruly hair.

He plants a gentle kiss on your forehead.

"Happy that you're a Formula 1 driver?" You ask, grinning.

Franco chuckles. "Very."

[simpingland]

Req: Can you write something with Ewan Mitchell and his co-star (pronounced feminine) where they are on the set of season 2 and how he is surprised by every performances that fem gives (Fem's character is bad and perverse), since since the recordings of season one he was already staring at her surprised by her actings and now with Season 2 he wants to spend more time with her, plus he likes her.

The Rehearsal// Ewan Mitchell x Fem!actress

Summary: Ewan is a method actor and it has been working fine for him. But he regrets this decision when season 2 of HOTD starts with a love scene, being partner with a lovely talented actress who propaply hates him and his mathods. But nothing is better than asking for help when one needs it, right?

|~~~~~~~~~~~~~~~~~~~~~~~|

Ewan watched from the monitor, patch removed but wig still on, your close-up was impressive. One look at you and you could see all the ambitions that were going through your character's mind, and he himself regretted not having told you yet. The good news was that filming for season two had just begun, and in this new season, Ewan had the opportunity to do scenes only with you.

They shouted cut, and you immediately broke into a smile, laughing after such an intense scene. You received compliments as you were photographed to keep the raccord straight.

"Congratulations, that's a good start," the director said to you. "Remember you have a special sequence tomorrow, get a good rest."

Yes, you remembered. And Tom (who played your brother Aegon) smiled mischievously at you. It was a kissing scene with Ewan, with whom you had barely exchanged a word since the moment you were confirmed as part of the cast, a year and a half ago. You only spoke a little at the audition, which was a chemistry test, and he was a sweet, unassuming guy. When he was announced as the official actor of Aemond... it was something different. You didn't interact in the scenes in the first season, his scenes were shared more with Fabien and Tom, while you had shared scenes with Olivia and Phia (Alicent and Helaena). The chemistry your characters were supposed to have was only hinted by the placement of you both in the scene or montages of shots that you only saw once the series was released. And in the meantime, Ewan had stayed away from all those with whom he didn't share any dialogue, with the excuse of staying focused on his character. Tom had already told you numerous times that Ewan thought you were a fantastic actress, but you always responded the same way.

"If he does, let him tell me so. Then I'll be flattered.”

When the script for the second season came, both of you, in your respective homes, had your hearts skipped a beat. Your character would approach Aemond in the throne room in the middle of the night. And there they not only talk, but share a kiss that promises to go further in the following seasons. Aemond confessed his love for your character, and being that it was a story taken from the world of Game of Thrones, it was sure to end in much more intimate scenes. Normal for actors and comfortable for a cast that was so friendly and close. But with Ewan being so distant and serious? It was difficult. You didn't even dare to call him. Nor did he call you. What you did do was call Tom.

"She hasn't spoken to me once since we started filming. I've seen her look at me sometimes, like she's trying to talk to me but then, before I could say a word, she's gone quiet again. Tom...I don't think I should take being a method actor so seriously," he said to the other actor.

"It amuses me immensely to be the connecting point for both of you. Don't worry, Ewan, she's a sweetheart, and very understanding. She knows that everyone has their own procedure. So if she has respected your method, you should respect hers."

"And what is her procedure?"

"According to Phia, she loves to walk back and forth repeating her lines in a thousand ways."

Right, Ewan saw the video Phia sent around the group so everyone could see how lunatic you looked. And even there, after discovering you were being filmed, you smiled tenderly at Phia asking her to stop. What else would he have missed since you weren't talking?

You had already taken off your wig, your hair was loose and your dress had been off for quite a while. You were waiting to take off your make-up when your trailer was called. You were expecting anyone, happy to have any interaction with the wonderful team around you, but when you saw Ewan, the smile must have dropped a little.

"Sorry if I'm intruding. Is it late?" Ewan asked you as he saw your friendly greeting getting lost in the air.

It wasn't dark yet, and the next day's filming was starting early, so you genuinely didn't know what to say to him.

"Well... I have to finish off some of the lines for tomorrow.’

The lines you had to say with him, and he knew that. But since that wasn't an invitation, Ewan understood instantly and nodded.

"Well, I just wanted to tell you...it's been an awesome first day of shooting for you. It's no wonder you're a fan favorite."

That made you blush.

"Well, that means a lot coming from you."

He smiled sheepishly at you, you were taller than he was, standing on the trailer and he was on the grass a few stairs down. And yet he seemed way too big.

"I promise I'll be on time tomorrow so we'll have plenty of time to rehearse," he said, trying to get out of the strange conversation he had started.

You nodded and watched as he walked away, the patch in his hand and taking off his seatbelts. Did he come with the intention of chatting? My God, you'd had a chance to talk at length with your fellow cast member and you'd wasted it? You needed to go over the scene as much as possible!

"Ewan!" You called out to him, hanging almost on your doorstep, he turned with that agility that is so engaging on screen (and in person). "Are you done for the day?"

"I've got to get out of my costume. But...yes, I'm done."

"Would you mind..." you mumbled in an exaggeratedly loud voice for him to hear. How embarrassing. "Would you mind dropping by again to rehearse?"

Ewan stood still for a second. He watched you from afar, so affectionate and shy, totally contrary to your character, and felt a deep tenderness.

"I'll be back in half an hour," he promised you.

You looked forward to it, and you'd be lying if you didn't say that you'd put your make-up back on a bit. Ewan, on the other hand, was hurrying more than usual to remove his own clothes, forgetting to remove his fake scars in the rush that followed him. He was punctual, and in thirty and a half minutes, he was knocking on your door again.

"I really appreciate you doing this, Ewan," you said as he climbed into your trailer.

"Don't worry, it's going to be fun."

You looked at each other for a second, smiling, kind of gawking, which was nothing like the scene you had to recreate.

"How do you prepare for a scene?" You ask.

"I listen to some music. But I want to try what you do. "

He looked at you expectantly, and you suddenly felt embarrassed. Like the girls at the school function.

"So... I close my eyes, and I create a map where everything looks a little bit like the set."

"And what do we choose to be the throne?" Ewan smiled, which made you blush even more.

"Well... "There was a fully finished teacup, with the inelegantly squeezed bag next to it, dripping. You'd forgotten to clean it up completely. "That cup itself."

Ewan frowned slightly, teasingly, and nodded. The next step for you was harder to explain.

"Now, Ewan, I need some space."

He sat down on your couch, script to one side, the bastard having already memorized it all. And from there he watched live what he'd been craving for months, watching you pace back and forth. You read the annotations and your lines.

"They will never forgive our family for what I did," Ewan replied, intoning in the silky voice he gave Aemond.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." though you paced, your hands and gestures maintained theatricality, and you repeated the phrase three more times, all with trapped deliberation. "This pantomime of repentance can only convince Mother...but not me."

"What pantomime do you mean?" replied Aemond.

Then your character stopped looking at Aemond to stare at the Throne. In this case you stopped to stare at the ugly teacup. You had to hold back a smile. Ewan looked at it too.

"It's impossible to fool you, it always has been." Ewan got up from the sofa and approached you, as Aemond does with your character. "It is a crude, chaotic and ugly object, but always that which I have desired."

Then the laughter you'd been holding back escaped, unable to think of the mug as anything else. And Ewan laughed with you, all the tension disappearing instantly. Now he could understand the affection with which everyone spoke of you.

"I'm sorry, really," you said, getting serious again. "I'm sorry."

"Don't apologise, this is fun. I'm going to try your method. Shall we close our eyes?"

"That's right."

You closed them at the same time, thinking about the huge room, illuminated by a silver light that simulated the moon. And after a few seconds, Ewan opened his eyes to look at you. Although you didn't have your white hair, or the elegant dress, your eyes were the same, as beautiful and bright as they were behind the cameras. And he had the privilege of being the focus of your attention and having them in the foreground.

"Though I think I was always more subtle with another of my longings..." he whispered close to your lips.

"That you tried at least" you whispered back.

"When I get the throne I'll need someone as sharp as you to accompany me. There is no woman in the seven kingdoms who compares to you."

Then came the kiss. You looked into Ewan's eyes, up his nose and down to his lips. What was there left to throw yourself? Not much, but with him being so reclusive, with that being one of the few times you spoke to each other, it felt strange to pounce on him without consent. So you walked away, leaving the scene there.

"We can work this out with the director and the intimacy coordinator, if you like," Ewan suggested, a little flushed and extremely sweet.

You poured him a cup of tea while you discussed the romance that your characters might have developed over the years that the series skips. You imagined romantic scenes that might have led up to that kiss and concluded that they were a toxic couple, but possibly better than Rhaenyra and Daemon.

"You know, I love the way you act and I love that I discovered your process," he confessed. "I think the admiration part is not going to be too hard to act out."

"Oh...my process is really ridiculous, everyone laughs at me. I'm glad it at least works. But it gives me a hard time at auditions," you laughed nervously.

"Well, it's true that it's fun to watch. But it's certainly worth it. I don't think you have anything to envy the others, you're...magnetic." He said it with a seriousness that moved you, adding to his intense gaze. "I'm sorry I wasn't smart enough to tell you sooner, because I've been thinking about it since the day they put me in the same room you were in, back at the audition.”

You froze a little, so you just said what you felt in the simplest way and with the most honest smile.

"Thank you."

Ewan took the last sip of his tea and before he left you remembered one of the thousand questions you had for him.

"Is there a reason you haven't removed the scar? Something to do with method acting?"

"Scar?"

You touched his cheek, where the scar began, and Ewan understood instantly.

"Ah, gee, I completely forgot to go through makeup. I'll get a telling off tomorrow."

"Not if you sleep on it until tomorrow" you joked. "Let me help you, I love fake wounds."

You stood next to him, towering over him a little, and lifted the thin layer of silicone with the delicacy you had seen in make-up artists. You were envious of the woman who was in charge of characterising a person as curiously attractive as Ewan. He also smelled exaggeratedly good.

When you took it off, you threw it into the creepy teacup from earlier.

"I've almost run out from, the costume department before," he justified himself. You took the opportunity to wipe that part of her face with a makeup remover wipe. "I usually do this part myself..."

"I know, but I like it..."

And while you were stroking his face with the excuse of cleaning it, Ewan was watching your lips, and didn't notice that you had noticed. You pushed the wipe away, stroking his chin, and at the same time, you both pressed your lips together. A strange kiss, something special, sweet and soft. You stretched it out, standing almost still, afraid of what would happen if you broke apart. When you finally did, you looked at each other with a look of confusion, though neither you nor Ewan pulled away.

It was a dangerous idea, he was your partner, and you had been unprofessional. You broke away.

"I think you should rest. I've distracted you too much." Your tone came out agitated and Ewan rose slowly.

"No, it's all right. I liked it. I liked everything. Didn't you?" He had emphasised the word 'everything' and was looking at you with lambent eyes.

"Yes...I loved being with you."

He said goodbye with a smile of his, and you bowed at your door like a little girl. Most of the team had already gone to rest and you barely noticed.

You had to put on more concealer than usual the next day because of the lack of sleep you'd had from that strange kiss. Ewan had kept his promise and had arrived a good while earlier to re-rehearse the scene. You did it without the kiss or the lights, just with the director's instructions and with your cheeks flushed as you exchanged glances.

"Did you practice with the kiss?" the intimacy coordinator asked you.

You were completely silent. Ewan answered for you.

"Not really, maybe it's better to give a first kiss at the moment of the shot. More realism."

"Well, then I guess you've worked out the sexual tension and dynamics of your characters."

Ewan nodded and smiled, which made you smile. Had he put hours of sleep into your little meeting yesterday? Yes, he had, and he told the woman who was putting on his scar who asked him who had removed it the day before. When you returned to the set, lights on, costumes on, cameras rolling, Ewan looked at you in the distance, asking you with his eyes if you were ready. You nodded with a shy smile, and began to act when they shouted action.

Aemond, still dressed and coming from the castle library, walked into the empty throne room to watch you. You walked behind him, in a smart dressing gown, your hair loose and trying uselessly not to make a sound. Aemond then spoke aloud.

"They will never forgive our family for what I did."

You approached Ewan, who still wouldn't look at you.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." You leaned into him a little, as the director had recommended. He was so tall and so tense that you felt as safe as if you were leaning against a stone pillar. "This pantomime of repentance can only convince Mother...but not me." Then Aemond would look down to see you out of the corner of his eye, which made your character - and you - nervous.

"What pantomime do you mean?"

Then you looked at the throne, now there was no laughter to disturb you, only the terrible seat of swords before you. And Aemond was looking at it too.

"It's impossible to fool you, it always has been. It is a brutish, chaotic, ugly object, but always that which I have desired."

After a pause, he turned fully around to look at you, his height becoming primordial in that short distance. In that low light, Ewan's visible eye looked into your eyes, dropping to your lips subtly.

"Though I think I was always more subtle with another of my longings..." he whispered in his velvety tone.

"That you tried at least" you replied trying to keep your composure. If they knew how hard you were struggling not to fall to your knees at that moment they would have nominated you for an Emmy by now.

"When I get the throne I'll need someone as clever as you to accompany me. There is no woman in the seven kingdoms who compares to you."

He stroked your face gently, something that coming from Ewan was tender and expected, immensely pleasing, but then you remembered that Aemond could never be so gentle in the face of his urges, and you let your own out. You pressed yourself against him, pressing your lips together with all the assurance you had longed for the night before. You could feel Ewan intensify your kiss even more, placing his hand on your neck. All the possible kisses that had been going on in your head during the night were now dwarfed by the kiss that was happening right there. As fierce as your characters, with the longing you had just discovered that you and Ewan had shared for a year and a half.

It was only when they shouted 'cut' that you broke apart, catching your breath and barely breaking away. Some applause, chatter and comments from the team, you could hear little of what they were saying. You pulled away flushed, laughing at the sudden intensity. You looked at the director as Ewan smoothed his jacket.

"Let's look at the shot, I think it was simply perfect, congratulations."

Another round of applause, and you felt Ewan brush your unruly hair out of your face, stroking it as he ruffled your hair.

"What a pity not to have to repeat this scene..." He confessed.

"That's the thing about being so talented," you joked.

"Obviously..." he removed his patch and turned back to you to ask in a quieter voice, "although I'd love to have more private acting classes with you..."

You smiled at the hint.

"I'll give them to you if in exchange you let me remove your fake scars again."

"Deal."

[jasmineoolongtea]

― in between ⋆⭒˚.⋆

― the ways in which they act around you when you're in that in-between stage ༘ ⋆｡˚

contents: gojo x gn!reader, geto x gn!reader, nanami x gn!reader, megumi x gn!reader, yuji x gn!reader, yuuta x gn!reader, headcannons/drabbles, fluff a/n: heavily based on in between by gracie abrams. if she releases it in the secret of us deluxe edition, i might just explode with happiness. btw thank you sm for blowing up my last post, literally insane of you guys and a big kiss to all of you. also genuine question for you guys, do you prefer the layout i have for my headcanons, drabbles or longer fics? i'm trying to see which one you guys prefer

gojo satoru never lets his phone ring for more than a couple seconds when it comes to you. doesn't matter where, when or what it could be about, the second he hears your personalised ringtone or sees your name flash across the top of his screen, he's scrambling to try and answer it as fast he possibly can. he could be in the middle of fighting a curse, deep within the throws of battle with a laser focus on the target in front of him and it all goes out the window the moment you call his phone.

you'll never know about it though. for some reason, satoru keeps this fact to himself like it's the biggest secret in the world. he'll always pick up the phone with a carefree lilt to his voice, sometimes even choosing to tease you for calling him when you could have just texted instead. quietly inside, he thanks the universe for giving him the opportunity to hear your voice again.

"gojo," god, he loves the way you say his name, maybe one day he'll manage to get you to call him satoru. "are you sure you're at home right now?" there's a tinge of concern that permeates your voice and he swears his heart beats twice as fast just thinking about the fact that you might be worried about his well being.

"of course! why'd you ask? don't tell me this is your way of asking to come over right now?" you sigh at his antics and he laughs it off, it's like a routine you two do. he keeps jokingly throwing out these more than friendly offers to your constant dismissal but secretly, he hopes one day that he can stop pretending like they're just that.

there's a loud crash coming from his side of the call which only serves your suspicions as you quip back. "no, gojo. i'm asking because i'm hearing noises like you're beating someone up." he curses faintly under his breath at the curse who's off groaning in pain in the distance after being punted into a wall with a flick of his wrist.

you pause for a second as your voice softens "is this a good time to call because if not i can just-"

"no, no." he cuts you off, "i've got all the time in the world for you."

geto suguru hates it when you cry and hates it even more when you're away. he never thought it would be possible to hear a heart shatter in front of him but that's what he hears every time you shed a tear. you're the definition of angelic as crystalline tears stream down your face and his heart swells with warmth when you allow him to comfort you in his arms.

silently, he pledges to burn down whatever has brought you so much grief and pain as a newfound sense of anger courses through his veins. but before he can do anything, you turn to him with watery eyes and a quivering lip as you ask him to do the unthinkable.

"stay." you plead quietly.

"okay." he responds, a soft, comforting smile gracing his expression. he'll never say it out loud but he knows that it's a request, just like many others, he'll accept a thousand times over if it means he gets to stay close to you, even if it's nothing more than this.

if he thought it was painful to see you cry, then being away from you was possibly a fate worse than death. whenever he has to bear the misfortune of being separated from you, there's a part of him that you've taken away with you and is only reunited when you return to him. absence is said to make the heart grow fonder but he's pretty sure it's humanly impossible for his to do that as you're already the one it beats for. even across the distance of a phone call, it's still not enough for him to hear but not see you as it simply makes him crave your presence next even more.

he's rarely ever let anyone in like this before but the day you see him exhausted, dishevelled and broken and still choose to remain at his side, despite his protests, is the day he's sure that you're the only thing he'll ever want for the rest of his life. you claim it's under the guise of being friendly yet even satoru hasn't seen him like this. you might not know it but he does.

he doesn't say much, instead choosing to bask in this moment of mutual comfort and closeness as even at each other's worst, you both know that you'll still be okay.

nanami kento says that he's new at this when you toe that delicate line between the two of you. you're new to this too. he's scared and you're scared, however, the fear is not enough to stop this. when does the line of being just friends end and the line of calling each other lover start? or is there a secret in-between stage that the two of you are stuck in like right now, where the other waits with bated breath to see if someone takes the risk to make the first move?

you've been friends for as long as you can remember running into each other that one fateful day within the rectangular walls of jujutsu tech. however, there's always been a whisper of something else there as well. it's been something the two of you have danced around with lingering glances and silent, 'accidental' touches in public spaces. the two of you have seen each other through the growing pains of adolescence, nights of broken hearts and awkward first dates and now with an added layer of professionalism as recent coworkers.

when it was nanami who was the one who rescued you from those times when you were left cold and alone in a random restaurant somewhere, you know that you've had enough of waiting on somebody who doesn't care about you. as he places his hand on your shoulder, ushering you into his car with his jacket dropped across your figure with the utmost care, he knows that you deserve so much more than whatever this world can offer and he can only dream of being the one to give this to you.

between you and him, there's an invisible wall of all the labels you have each barricade the other behind in an attempt to hide under a sense of familiarity but now in this moment, you want nothing more than to tear it all down with your bare hands. he reaches out to you, threading his fingers through his and in one swift move, he's done the impossible and has crossed over the holy ground that lies beneath you.

"do you think this is a good idea?" you ask him, your voice barely above a whisper.

"positive." he responds, more resolute in his answer than in anything he has been in his life, and you swear sparks fly when you kiss.

fushiguro megumi loves your eyes and your smile and you love how he talks late at night when there's no one there. it's like a silent agreement between you two, one that you always honour. whenever one of you guys can't sleep, you will go to each other's dorm rooms and knock twice and you guys will stay up and talk until either the sun comes up or you both fall asleep.

it doesn't take a genius to say that megumi is a guarded person, with his walls so high you might even lose sight of him behind them, so it only makes it even more precious when you're able to see him like this in the dim light of the moonlight pouring in through the window. his skin is illuminated by the glow and the way he sounds when he's speaking with his soul bared open in its entirety makes you want to forever immortalise this moment in your memories. you think about all the people who have missed out on experiencing him like this with how his eyes sparkle with passion and how he breaks out into a grin at the slightest joke, leading you to mourn silently for their loss. however, you think of how vulnerable he lets himself become around you, knowing that you'll stay here with him no matter what, and the sweet nothings you hear him whisper to you when he thinks that you've fallen asleep and you realise this a secret you'll want to keep just between these walls.

on the rare occasion that megumi loses his battle to sleep first, he'll silently reach out for your hand and pull you closer to him. you're not sure if he's doing this consciously or unconsciously but you chose not to comment on the growing red glow of his ears as you sink into his touch.

usually, however, what happens is that you fall asleep first as you make your way onto the pillowy fortress that is either of your guys' beds. as you begin to drift off, he's always there watching over you like your very own moody guardian angel. this is the most he'll let himself indulge in your closeness, for now, as he takes comfort in the familiarity of this in-between stage.

itadori yuji tells you that you're beautiful, funny and smart like nothing he's ever seen. he swears on everything he loves in this world, a list that includes you but you don't need to know that yet. you brush off his compliments with practised ease as you try to fight the burning sensation that is spreading across your face. deep down, you can feel your heart fluttering at his compliments but then you think about how you shouldn't be feeling this way about someone who's your friend.

"itadori, you're exaggerating," you say, shoving his shoulder playfully. he pretends to feign hurt, rubbing the impacted area with a slight pout. adorable, you think to yourself before bringing yourself back into the present moment.

"no, it's true really! if you don't believe me, i'll just keep saying it over and over again." he asserts, ever so confident in his stance. it's all true to him, just like how the sky is blue and the grass is green. he'll be the first one to say how pretty, amazing and talented you are in a room full of your biggest supporters and he'll be the first one to say it again when there's no one else.

you roll your eyes half-heartedly at him, trying your best to act nonchalant despite wondering if he might ever feel more for you than your current state of friendship. "you don't say that to your friends. what about nobara, you don't say this to her, do you?"

"yeah, but she isn't you," he responds back. you don't answer him, choosing instead to point out an ice cream stand in the far distance and he lets you tug him along with you. it's okay, he knows that you're scared of whatever lies ahead for you two. he understands that you're worried that he might like you in that way, although he thinks that it's a bit stupid you're still so unsure about it when he wears his heart on his sleeve whenever it comes to you. whatever is it, he'll be happy to go along at your pace, just as long as it means he gets to be by your side like this.

okkotsu yuuta is so good to you and it makes you want it more than everything in between. is it greedy to say that you want more than whatever you two have right now? the longing stares, the lingering touches and the way your faces light up when you spot each other in a crowded room. sure, those were all fine for a bit but how long were you able to survive on just that when he was right there next to you as a constant reminder of the possibility of something more.

you never thought that you would be able to meet someone like him, someone who treats you as if you were the best thing to ever happen with so much care and love radiating from his very being. the way his hand brushes your cheeks when you get even the smallest cuts makes your heart feel like it's about to fall out of your chest with how he takes extra care to scan over your appearance for anything, pausing for a second on your lips. you think to yourself, he must be doing this on purpose, and you want to curse at him for playing with your heart but when he smiles at you with those half-moon eyes, you can feel all of that melting away and more.

the only person you can blame here for your current predicament is yourself really, you were the one who drew the line in the sand when the two of you first met. just friends, you said but in your defence, you had just learned about his history and how cold and empty his has been as well as how much you've been hurt in your own past, so you decided to do what was, at the time, what you thought was best for the both of you. only now, every day you spend with him makes him wish that you would one day wake up and finally take that jump.

yuuta also shares your sentiments, actually ever since he first saw you he knew that you were the one he wanted to live and breathe for, but he doesn't say anything for fear of scaring you off. he knows about your worries, your doubts and your fears and as much as he wants to tell you that you should throw caution into the wind and that he'll take that step for you, he also knows that he can't. so for now he'll do his best to quell your nerves with a gentle hand on the small of your back and a fleeting kiss on your cheek that you'll someday trust in yourself and him to fall headfirst into this new unknown territory, outside of this in between.

[briefinquiries]

Tyler Owens x Reader: The Storm Inside Your Mind

Request: Anonymous said: "tyler x reader with panic attacks"

Word count: 2k

Warnings: panic attack tw

A/N: obviously stole some of Kate's trauma for this one... I feel like I've written a few fics where reader has panic attacks now, so sorry if this sounds repetitive at all. But as always, thank you all for the kind words, replies, and comments on my work. It's super encouraging and very appreciated!!

The team isn’t chasing today. Instead, you set up the RV and some tents at a campsite, hoping to enjoy what little time you had left of tornado season. 

Tyler gets a fire going while Boone and Dexter drag the camp chairs around it. There’s only half an hour or so left of daylight, and the crew decides s’mores will do just fine for dinner. 

Boone makes a joke about s’mores meeting all his nutritional food group needs, everyone laughs. Tyler settles into the chair beside you, his knee gently grazing against yours to catch your attention. 

When you look at him, he winks. A silent toss of affection. A sweet reminder that it’s you and him, even amongst the chaos of all your friends. 

The sun sets, casting a thousand shades of pinks and purples through the sky. It’s mesmerizing– the evening is perfect. 

It’s amazing how quickly things can fall apart.

All it takes is one note– 

Dani grabs their guitar and begins strumming softly to no tune in particular. Then Boone shouts out a song request that makes your breath catch. You try to be subtle, but you notice Tyler’s eyes lingering on you, because he can read you just as well as he can read any storm. 

You offer him the best, most reassuring smile that you can– and it must be good enough, because he looks back towards the fire. 

You pick at the skin around your nails, because it’s always been a good distraction. But even that isn’t enough when Dani plays the first note– 

“Took my love and I took it down,” they sing softly. 

And then suddenly, you can’t breathe. All you can hear is your best friend asking you to turn up the volume to her favorite song when it had come on the radio only minutes before everything had gone so, so wrong. 

Normally, you can talk yourself down from these moments, you can practice all the grounding exercises your therapist taught you and move on. But you feel the sense of panic creeping up your throat and it’s strong and fast. You don’t think you can deep breathe your way out of this one without anyone noticing.

In a rush, you stand up from your camp chair and mumble something incoherent about needing to go. It’s not very subtle, but it’s all you can manage before stumbling into the RV– aiming for the bathroom. 

Tyler calls your name, but all you hear is the sound of your friend screaming it over the increasing winds as they reached for you. 

From there it only gets worse– 

It comes in waves– memories of Fleetwood Mac still playing from the radio while you sat in the car and frantically tried to decide which way to run– the realization that no matter where you went, the tornado was going to consume you– knowing that the overpass was the worst place to go, but your alternative was remaining out in the open. Your name tumbling from your friend's lips as she begged you to help pull her up the ramp because her shoes kept slipping. The sound of her scream when the chunk of debris sent her flying into the storm. You losing sight of her body after only a second– 

The bathroom door rattles. “Y/N?” Tyler calls with a knock. “What happened?”

“What happened?” your friend’s dad had asked with tears spilling down his cheeks after the officer told them that their daughter was dead. “What the hell happened?” 

“There’s no storm,” you whisper to yourself. “The skies are clear– there’s no storm.”

Tyler calls your name a second time and knocks harder– the door rattles. You grip the edge of the sink and bite down harshly on your lip to keep yourself from screaming. Because despite the calm conditions outside, the storm inside your mind is here– it’s rattling the door and shaking the RV– it’s creating dark clouds, and causing them swirling around in every corner of your body– winds are flying through your stomach and your chest, the air is heavy, it’s harder to breathe– 

You put your hands over your ears and sink to the floor helplessly. 

“Y/N, answer me,” Tyler’s panicked– you can hear it in his voice. “I swear to God, I’m gonna kick this door down–”

You try to inhale– to tell him not to do that– that repairing a door will be expensive. But instead of finding your words, all you can do is choke out a desperate sob. The storm has stolen all your air– it’s sucked it right from your lungs… 

Before you can try again, the entire bathroom shakes when the hinges on the door break loose with a bang. Tyler’s eyes land on you– huddled on the floor, gasping for the breath you can’t find. 

Except– it’s not Tyler. It’s your friend’s dad. He’s come to get you– to kill you like you killed his daughter. 

You attempt to push yourself backwards on the floor, but the bathroom is small and soon, you've only managed to wedge yourself between the toilet and the wall. You try to speak again– to tell him how sorry you are for getting his daughter killed– but you can’t. Clutching desperately at your chest, you heave and heave, squeezing your eyes shut. 

The storm inside your mind causes the clouds to start swirling around chaotically– 

The storm inside your mind rips trees right from the roots– 

The storm inside your mind destroys everything in its path– 

“Baby–” a familiar warm voice cuts through the fog. And then, suddenly, someone grips your knee, causing your entire body to seize. 

“It’s me,” a gentle voice murmurs. "Hey, it’s me.“

Through your foggy haze, you recognize Tyler’s touch– and when you open your eyes, you see him squatting down to get on your level. 

But your knees– you open your mouth to say, except all that comes out is a gasp– a plea for help. 

“Okay, it’s okay. Look at me, baby,” he says. “It’s okay– you’re okay.” 

“I– can’t–” you gasp, your own hands flying up to grip his forearms for some sort of lifeline to reality. “I can’t– breathe–” 

“Okay, okay, okay,” he says. He’s trying to stay calm, but you can hear the uneasiness in his voice. “With me.” 

He gives a deep, methodical inhale before letting out a slow, intentional exhale. “Just do it with me. Slow, like this.” 

He continues, and you try to match his pace– to breathe with him, but it feels like the storm has stolen your lungs– ripped them right out of your chest– 

“Tyler–” you beg, your voice hoarse. “I can’t–” 

“C’mon, with me,” he repeats earnestly. He’s looking at you with terror in his eyes, but you find comfort in their familiarity just the same. “We’ve done this before, you know how to do this.”

“I– I–” you stammer, but the words won’t form. 

“Shh, with me. Everything’s okay. I’m here. We’re both okay,” he assures you. His gaze is just so tender and soft and careful while his thumb grazes your cheek. 

“I- I can’t-” you choke again, “Please–”

“Shh-” he soothes. “Look at me, nothing else, just me.”

Your wide, desperate eyes meet his. You don’t say anything, just shudder and gasp frantically.  

“With me,” he repeats.

Tyler slow and calming, in and out breathes. After a few seconds, you latch onto the sound, mimicking it, and then finally follow along. 

“There you go,” he whispers.

Your facial features slowly start to relax as you’re able to breathe properly.  Without your loud, choking sobs, you’re able to hear your heartbeat pounding in your chest frantically.  

“Good job,” Tyler sighs. “Look, it’s just you and me, we’re okay, we're both safe–” 

But he can’t even finish his sentence before you lean forward and reach for him. Tyler takes advantage of your gesture and quickly grips under your arms, yanking you from the corner and pulling you forward. He sits back on the floor, back resting against the door frame while he rests you on his lap. As soon as he’s settled, you wind your arms around his neck– desperate and longing for some sort of comfort. 

Strong, sturdy arms wrap around you as you hide your face into his chest. You breathe him in, letting his familiar scent wash over you. The sound of his heartbeat races in your ear (bum, bum, bum, bum). It reminds you that you’re both here– right now. Not stuck in an underpass, not chasing a tornado. But here– on the floor in the RV bathroom. 

“It’s okay,” Tyler soothes. Upon feeling your shaky body pressed against his, he squeezes tighter. “It’s okay, baby. I’m here, I got you.”

You melt against him in response, bunching the fabric of his shirt into your fist, trying to communicate just how badly you need him to hold you right now. 

And that’s exactly what he does— until you can finally breathe on your own again. 

And then the wave of guilt comes.

Suddenly the realization of everything hit you– what a basketcase you’ve been, running off like that, having a meltdown in front of everyone– you probably scared the shit out of them. And then there’s the door– broken right from the hinges. 

Slowly, you pull back. 

“Are you okay?” Tyler says before you can even open your mouth. He brushes the strands of loose hair from your face.  

You exhale a deep, shuddering breath that you can feel down your entire body. “I’m okay,” you say, your voice raw. 

“Baby, you don’t have to run from me when you’re having a panic attack. I’m here for you, you know that.”

“I know,” you whimper. “I know– I’m so sorry– I didn’t mean to freak out–”

“Shh. Hey, hey, hey. It’s okay,” Tyler says. “You don’t have to apologize. I just– I want you to come to me when you’re struggling. I want to be able to help you.”

“I just—” you start, but you stop when you notice how choked up your voice sounds. You take a slow breath. “I can't think clearly when they come. All I could think about was getting away. I didn't want to scare you– I wanted to prove to you that I was doing better– that I wasn’t going to freak out all the time. But it–” 

As soon as you feel the tears burning behind your eyes, you dig the heels of your palms into them frustratedly, like you were physically trying to push them away. 

“It was the music. That was her favorite song.” You didn’t even have to say your friend’s name for Tyler to know what you were talking about. “I just… I heard that first note and I panicked– I just felt like I had to get away.” 

Tyler nodded in understanding. “You don’t have to hide from me,” he whispered. “Next time, you drag me to the bathroom with you and we’ll get through it together, okay? I think that’ll save us many doors in the future.”

You exhale a puff of air, your best attempt at laughter. 

“I’m just sorry you have to deal with me all the time. You have enough on your plate,” you groan, rubbing your tired eyes. 

Tyler sighs. “Baby, I drive around and chase tornadoes– shoot some fireworks into the air when I’m really feelin’ it. I think I can handle being there for you on top of that,” he says. “I love you. And I want you to be okay, always. That’s all I’ll ever want.”

Nodding slowly, you lean forward and rest your forehead on Tyler’s chest. 

Strong, warm arms anchor you to safety. You hold on to Tyler– letting the sound of his heartbeat (bum, bum, bum, bum) block out any noise from the raging storms inside your mind. 

[spirits-having-flown]

“matthew, it is with heavy heart i say goodbye. the times we had together are honestly among the favorite times of my life. it was an honor to share the stage with you and to call you my friend. i will always smile when i think of you and i’ll never forget you. never. spread your wings and fly brother, you’re finally free. much love. and i guess you’re keeping the 20 bucks you owe me.” - matt leblanc

“i am so grateful for every moment i had with you matty and i miss you every day. when you work with someone as closely as i did with matthew, there are thousands of moments i wish i could share. for now here's one of my favorites. to give a little backstory, chandler and monica were supposed to have a one night fling in london. but because of the audience's reaction, it became the beginning of their love story. in this scene, before we started rolling, he whispered a funny line for me to say. he often did things like that. he was funny and he was kind. 🤍🕊️" - courteney cox

“oh boy this one has cut deep... having to say goodbye to our matty has been an insane wave of emotions that i've never experienced before. we all experience loss at some point in our lives. loss of life or loss of love. being able to really sit in this grief allows you to feel the moments of joy and gratitude for having loved someone that deep. and we loved him deeply. he was such a part of our dna. we were always the 6 of us. this was a chosen family that forever changed the course of who we were and what our path was going to be. for matty, he knew he loved to make people laugh. as he said himself, if he didn't hear the 'laugh' he thought he was going to die. his life literally depended on it. and boy did he succeed in doing just that. he made all of us laugh. and laugh hard. in the last couple weeks, i've been pouring over our texts to one another. laughing and crying then laughing again. i'll keep them forever and ever. i found one text that he sent me out of nowhere one day. it says it all. matty, i love you so much and i know you are now completely at peace and out of any pain. i talk to you every day... sometimes i can almost hear you saying "could you BE any crazier?" rest little brother. you always made my day... ❤️🕊️” - jennifer aniston

“matty, thank you for ten incredible years of laughter and creativity. i will never forget your impeccable comic timing and delivery. you could take a straight line of dialogue and bend it to your will, resulting in something so entirely original and unexpectedly funny it still astonishes. and you had heart. which you were generous with, and shared with us, so we could create a family out of six strangers. this photo is from one of my favorite moments with you. now it makes me smile and grieve at the same time. i imagine you up there, somewhere, in the same white suit, hands in your pockets, looking around— "Could there BE any more clouds?” “ - david schwimmer

“shot the pilot, friends like us, got picked up then immediately, we were at the nbc upfronts. then... you suggested we play poker and made it so much fun while we initially bonded. thank you for that. thank you for making me laugh so hard at something you said, that my muscles ached, and tears poured down my face every day. thank you for your open heart in a six way relationship that required compromise. and a lot of "talking." thank you for showing up at work when you weren't well and then, being completely brilliant. thank you for the best 10 years a person gets to have. thank you for trusting me. thank you for all I learned about grace and love through knowing you. thank you for the time i got to have with you, matthew.” - lisa kudrow

friends cast remembers matthew perry 🤍🕊️

[cheeseceli]

Petnames with stray Kids

Pairing: skz!ot8 × Gn!reader (individually)

Genre: fluff, headcanons

Synopsis: which pet name would the stray kids boys use when referring to you

Warnings: mentions of food in Seungmin and Lee Know's, I think that's it

A/n: I had this idea for a while but only wrote it now. Hope you all like it <3 | 1k event

Chan

I've said it before and I'll say it again, he would call you by a pet name in your language. However, if he had to choose an English one, it would probably be "baby". It's something that he finds endearing and at the same time it shows his protective side.

"I miss you [ ]. Just a few more months and I will be back home."

Lee Know

I believe he would call you something in his language. It's the idiom he learnt first, the one he carries more meaning. He might not be the best with words but he wants you to be sure that he loves you, so he always tries to call you something that comes deep for him

"Have you eaten already yeobo? I just cooked some lunch, I can bring it to you."

Changbin

"Babe." I am a firm believer that he has thousands of pet names for you, going from the sweetest to the cringiest ones in a matter of seconds, but babe would probably be his favourite. It's neutral to anyone who listens to it, however it seems special every time it's between the two of you. It's perfect.

"Babe, are you free tonight? I thought we could go on a date."

Hyunjin

He has a big vocabulary of petnames, but they all start with "my". My love, my angel, my dearest and the list goes on. He doesn't even want to be possessive about it, it's just that this was the way he found to express how important you are to him.

"My love, are you coming to practice today? I really wanted you to see our rehearsal, I think you will like it."

Han

"Darling". I know it's kinda a consensus that he would call you "baby" but bro calls everyone that 😭 I believe he would like you to be different. Darling is something that still sounds like him but also has a greater meaning (you).

"I'm almost finishing this track. Would you like to listen to it darling?"

Felix

Calls you "angel". He thinks it's only fair that he portrays you well, and no other word could do you justice. Besides that, I think he would also call you a nickname, a variant from your own name that no one has ever called you before. Nothing else could be more you than that, but it's also something that would be exclusive to the two of you.

"Angel, my mom is on the phone. She said she misses you."

Seungmin

"Honey". It's just so sweet and light, so he thinks that it matches you very well. I don't think he would be the type to say petnames all the time but when it does happen, it's always the cutest things that leave his mouth.

"Honey, I'm on my way home. Do you want me to bring dinner?"

I.N

He's another one who I think would call you a Korean pet name, but for different reasons than Lee Know. It's probably because Korean is his mother language, so it feels more like home. And at this point, you are his home.

"Jagi have you seen my silver ring? The big one?"

Masterlist | you'll probably like: first relationships with skz

Dividers by @saradika-graphics

Taglist: @yuyubeans

Reblogs and feedback are always appreciated <3

[totalswag]

nonsense — DREW STARKEY

authors note i've wanted to write a singer!reader drew fic for the longest time. i've read some singer!reader fics lately and it gave me some inspiration to write my own. i hope you guys enjoy reading. this was also requested by an anon not long ago, so if you’re reading this enjoy 🩵. the song choice is nonsense and just think to when sabrina is performing this song at coachella.

summary performing at coachella for the first time with friends and your lovely boyfriend supporting you in the crowd.

warnings none!

Coachella.

This is your first Coachella where you are performing. You will be playing live in front of millions of people. This is the last weekend for the festival.

Tens of thousands of people travel from all over the world to attend Coachella. The festival features sculptures, art installations, and other open events in addition to music.

When your manager called you about being invited to perform you couldn't believe your ears. Now, here you are about to step on stage.

Standing in a circle backstage with your crew, discussing everything you've prepared for over the last few days and having fun out there. This is what you always do before a show.

Second weekend of the festival.

Walking on stage seems like a surreal experience for you. Looking around, you can sense the intensity of the enormous crowd in front of you.

The weather was lovely, with the sun still shining and the breeze brushing over your skin. 

"Hello Coachella, my name is Y/F/N, what's yours?" You smile into the microphone while waving away.

You began by introducing the crowd to yourself, your backup dancers, your music, if everyone is having a great time, etc.

Interacting with your fans is one of your favorite parts of singing on stage. You value your interactions with them since you like conversing. When you read comments on your shows, they usually mention how fascinating you are.

After singing a few songs from the set list, you took a little breather and spoke to the crowd saying a joke, making them laugh.

You begin the next song by sipping from an old-fashioned soda bottle while seated in a chair. As you take a seat, you glimpse your boyfriend, Drew, along with a couple of your friends and security. 

You two make eye contact. Butterflies fill your stomach. You offer him a small wave, and he smiles and turns around, presumably blushing.

Fans up close captured the brief interaction with their phones out. We'll see it on social media later today.

Drew and you began dating in the midst of season three of Outer Banks. The first outing was Pougelandia, and fans began to speculate about your relationship because it came out of nowhere.

To be honest, Madelyn Cline and you were close friends before she began filming season one of Outer Banks. She’s the one who introduced you to Drew.

"The last song I'll be playing for you guys is nonsense, so if you know the lyrics, sing along," you cheer, lifting your free hand in the air, moving it around with excitement.

"Is it possible we get my amazing dancers out here," you turn around, pretending you have no idea where they went, "guys come out here, we could perform some sort of choreography, you know" as you gaze at your dance crew coming out the set.

Nonsense is about Drew.

It is one of your favorite songs that you have written. When you first released it, many were unsure who it was about until photos of Drew and you emerged.

Think I only want one number in phone

I might change your contact to "don't leave me alone"

You said you like my eyes and you like to make 'em role

Treat me like a queen, now you got me feelin' thrown, oh

You dance with your dancing crew, who are behind you and moving in sync. The choreography is muscle memory for you guys because you've been performing this song for a few years now.

But I can't help myself when you get close to me

Baby, my tongue goes numb, sounds like "bleh bleh bleh"

I don't want no one else (no no) baby, I'm into deep

Here's a little song I wrote (a song I wrote) its about you and me

When you sing the last line of the pre-chorus, you gesture to Drew in the audience, who moves his head side to side while listening to you sing and blushes when you point to him. You giggle into the microphone.

Fans started cheering louder as they watched you motioning to your lover in the audience.

You continue to move around stage all throughout the song.

You go around the center of the stage as your backup dancers finish their final few dances. One of your backup dancers grabs a chair for you to sit in.

At the end of nonsense you always come up with rhymes. Started doing this after the first performance and can't stop doing it.

Told him he makes me weak to my knees

Everything about him just so dreamy

By the way he's name Drew Starkey

When you say your boyfriend's name, the crowd cheers. You saw his response as he mouthed the words "I love you," dropped his jaw, and put his hands over his heart.

"Coachella, you've been amazing to me these past two weekends. Thank you so much. Can we please give a huge around of applause for our amazing dancers, come on out guys!" Excitement in your voice when you call your dance crew out on stage.

Once you guys made it off stage, you guys began cheering with a bunch of energy. Everyone gave each other hugs.

"Water is calling my name right now" you groan with urgency.

Approaching your manager, holding a cold water bottle for you- thanking her a few times as you open the bottle. You were about jugging down the water when you heard Drew's voice approaching.

"Hi baby," you squeal, dragging the y in baby, and rush into Drew's arms, wrapping your arms around his neck. Being in his arms sends relief in your body.

He smells so good.

He chuckles, "You did so well out there, so proud of you," and delicately places you on your feet.

"Thank you," blushing to the point where your cheeks were red. "Did you enjoy the outro of nonsense?" You inquire with curiosity, despite the fact that you already know his response.

He softly grins that makes your heart flutter, "Mhm yeah I did" kissing the top of your head, wrapping his right arm around your shoulder, pulling you closer to him.

"Why don't we get something to eat?" "How's that sound, baby?" Drew asks, his arm still around you.

Your ears and eyes light up from his request, “obviously yes.”

Before leaving you heard the voices of friends turning the corner. The rest of your friends, as well as Drew's cast members who are also your friends, returned to stage, thrilled to see you.

It was so good to see them.

Drew and you returned to the van to change, drove to the Airbnb to relax before returning to watch other artists perform after the sun had set with your friends.

my taglist!

✰ if you would like to be added to my taglist and be notified whenever i post please let me know in the comments or in my ask box. if there's a line across your name that means i couldn't find your account.

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[megameatymatt]

NSFW Alphabet - Matt Sturniolo

Summary: what sex with Matt is like

requested?: nope

TW: smut!!

A/N: feedback, interaction, and requests are appreciated!

--------------------------------------------------------------

Aftercare - do they or how do they take care of you after?:

Matt always makes sure you're okay afterwards, he'll run you a hot bath and give you kisses. He'll also say things like "You were so good for me baby"

Body part - theirs and your favourite:

You love Matt's eyes, the way his pupils dilate when he's filled with lust, or how his eyes widen when he's angry. You love them.

Matt is a tits guy. He loves grabbing them when he's fucking you, he loves leaving hickeys on them, and he loves squishing them when he hugs you from behind.

Cum - their favourite place to cum:

Matt would be a little scared to cum in you, not wanting to risk it. But when he does he fucking loves it. He loves watching his cum drip out of you. But most of the time he'll cum on your stomach.

Dirty secret :

Matt would let you dom him/ he loves it when you do. But he'd never admit it.

Experience - their body count:

I feel like Matt has zero bodies, but if he does it's probably 1-3. You would have to teach him a few tricks, but he'll also do some of his own research to surprise you.

Favourite position:

Matt's favourite position is missionary. i know its been said a thousand times, but that's cuz it's true. He also loves when you ride him.

goofy - how serious are they during sex?:

Matt isn't goofy at all. He feels laughing or joking around will make things awkward or make you feel bad about yourself.

Hair :

Matt doesn't let it grow much, mostly because that's his preference.

Intimacy - How intimate are they during the moment?:

He's giving you kisses, complementing your body and insecurities. Maybe even light a few candles. He just wants to feel close to you.

jerking off - masturbation:

Matt doesn't masturbate a lot, he doesn't see the use of it when he has you.

Kink(s):

Matt doesn't really have any kinks. Maybe like hair pulling. He wouldn't wanna do too much, afraid of hurting you. However, if you mention anything you like he'll gladly do it to you

Location - their favourite place to do it:

Matt loves doing it in an actual bed (preferably yours since he doesn't get much privacy at home) It's just the most comfortable for the both of you. It's also convenient for cuddling afterwards.

motivation - what turns them on:

everything you do gets him a little bit excited. But for some reason, when you have an attitude or get really bold and flirtatious around him it really gets him going.

No- something they wouldn't do:

Matt wouldn't do anything that would hurt you in anyway , like BDSM is a big no-no.

Oral- do they give or receive?:

Matt loves it when you give him head, but he really loves eating you out. It's mostly for his pleasure

Pace:

His pace definitely depends on his mood, but he prefers to go slow

Quickies:

Matt doesn't really like quickies. He'll do it, but not often. He prefers to take his time with you.

Risk:

Matt doesn't take many risks, car sex is as far as he'd go.

stamina- how long can they last?:

When Matt's dom, the most he can last is 3 rounds, But when you're on top its usually not long till he's a mess.

Toys:

Matt doesn't own any toys himself. but if he ever finds out you have a toy he'll use it on you during sex to add to your pleasure.

Volume:

When matt is dom he's groaning talking you through the whole thing

"You're so good for me baby"

"keep these legs spread"

"fuck, you taste so good"

But when you dom him, he's a whimpering mess. He's moaning your name begging to cum

Unfair- how much do they tease?:

Matt loves to tease you, but it's never for long because he can never hold himself back. Matt loves it when you tease him though.

wildcard:

While Matts driving, he'd love to find a place to park and fuck you on the hood of his car.

X-ray:

you've probably seen it, i know i've seen it, Matt is long.

Yearning - how high is their sex drive?:

Matt goes feral when he's with you. Especially when you wear his favourite outfit, He just can't control himself.

Zzz- how quickly they fall asleep afterwards:

Matt is pretty tired after fucking you. But he doesn't fall asleep until he's given you aftercare and made sure you're okay.

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what���s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[cherry-romper]

Loving You Sounds Like a Song

Playlist

+ Midoriya, Bakugou, Todoroki, Kirishima, Kaminari, Sero, Iida, Momo, Jirou, Mina, Ochaco, Asui, Mirio, Amajiki, Aizawa, Hawks, All Might, Dabi, Twice, Compress, Shiguraki

Midoriya; Head over Heels - Tears For Fears

I wanted to be with you alone

I'm lost in admiration, could I need you this much?

Something happens and I'm head over heels

One little boy, one little man - funny how time flies

Bakugou; Everlong - Foo Fighters

I've waited here for you, Everlong

Come down, And waste away with me

Breathe out, So I can breathe you in

And I wonder...if everything could ever feel this real forever.

You gotta promise not to stop when I say when.

Todoroki; Say Yes to Heaven - Lana Del Rey

Give peace a chance, Let the fear you have fall away

Say yes to heaven, Say yes to me

If you go, I'll stay, You come back, I'll be right here

And if you fight, I'll fight

I've got my mind on you

Kirishima; Lover - Taylor Swift

Can I go where you go?

Can we always be this close forever and ever?

I've loved you three summers now, honey, but I want 'em all

I take this magnetic force of a man to be my lover

All's well that ends well to end up with you

Kaminari; NEON - DPR LIVE

Your kisses make it go neon

Neon, I want to know you

Neon, lose the night with you

Girl, I'm liking your body, but more than that I love your, uh

Colourful smile, you make me wonder what's under, uh

The way you make the light go blurry

Sero; Coast - Hailee Steinfeld

You the wave upon my ocean, pounding rhythm and motion

Just relax and let the riptide pull you close

Baby, all I wanna do is coast, with you

The starts come down, you drown 'em out

I'm sinking deeper into you

Iida; This Charming Man - The Smiths

Will nature make a man of me?

Why pamper life's complexity, When the leather runs smooth on the passenger seat?

This man said, "It's gruesome that someone so handsome should care"

A jumped up pantry boy, Who never knew his place

Momo; You've Got The Love - Florence + The Machine

I know I can count on you

But you've got the love I need to see me through

When my food is gone you are my daily meal

When friends are gone I know my saviour's love is real

Jirou; Wait a Minute! - WILLOW

I'm here right now, with you

I'll run my hands through you hair

You wanna run your fingers through mine

You left your diary at my house, And I read those pages, Do you really love me, baby?

Mina; DESERT EAGAL - Beyonce

Soft to the touch, let you hold somethin'

Soft kisses on some fat lips

Put on a show and make it nasty, Desert Eagle in the backseat

Oh, I keep it classy, let you love me like a lady, yeah

Ochaco; Strawberry Skies - Kid Travis

Girl you brighten up my world

Cant you tell I want you by my side?

We're gone with the wind, Hair in your face, Put my hand on your waist

Strawberry skies, all on your lips, 'cause I love how it taste

Hope that you catch me when I fall

Asui; Honey - Kehlani

I like my girls just like I like my honey, sweet, A little selfish

'Cause I'm a beautiful wreck, A colourful mess, but I'm funny

All the pretty girls in the world, But I'm in this space with you

Don't walk away, or would you wait for me?

Isn't love all we need? Is it love?

Mirio; I can't Help Myself - Four Tops

You know that I love you, I cant help myself

I love you and nobody else

Leaving just your picture behind, And I kissed it a thousand times

When you snap your figure or wink your eye, I come running too you

But every time I see your face, I get choked up inside.

Amajiki; Halley's Comet - Billie Eilish

But in my dreams I seem to be more honest, And I must admit, you've been in quite a few

But you're all it takes for me to break a promise

Silly me to fall in love with you

Midnight for me is 3AM for you

I was good at feeling nothing, now I'm hopeless

Aizawa; Adore You - Harry Styles

I get so lost inside your eyes, Would you believe it?

You don't have to say you love me

You don't have to say nothing

You don't have to say you're mine

I'd walk through fire for you, Just let me adore you

Hawks; Where u Goin' Tonight? - Mac Ayres

Just don't stand so close to me... Unless tonight, you'll be my only

All of the things I tried to keep low, Feeling like I been changing

Tell me where you goin' tonight? I'll meet you there if that's alright

Could I be the one to do the things that you like?

Burnt all my bridges, baby, But at least I'm staying warm

I been working on forgiveness, Said I don't think its catching on

All Might; I Was Made For Lovin' You - KISS

Tonight I wanna give it all to you

'Cause girl, I was made for you, And girl, you were made for me

Can you get enough of me?

Feel the magic, there's something that drives me wild

Dabi; LET THE WORLD BURN - Chris Grey

It's dangerous 'cause I want it all, And I don't think I care what it costs

I shouldn't have fallen in love, Look what it made me become

And I know you think you can run

But I just cant let you go

I'd let the world burn, Let the world burn for you

This is how it always had to end, If I cant have you then no one can

Twice; Caraphernelia - Pierce The Veil

There ain't a think that you can do that's going to ruin my night

This dizzy dreamer and her bleeding little blue boy

Hold my heart, it's beating for you anyway

Ill burn your name into my throat

What's so good about picking up the pieces?

Mr. Compress; Never Ever Getting Rid of me - From Waitress

I will never let you let me leave, I promise I'm not lying

I'm gonna do this right, Show you I'm not moving, Wherever you go, I won't be far to follow

I'm gonna love you so, You'll learn what I already know, I love you means you're never, ever, ever getting rid of me

Shigaraki; No Mercy - DeathByRomy

My boy hates everybody but me

He's sinister, but to me, he's sweet

In love with a monster, Daddy thinks I've lost it

My boy's a bullet in your brain, I show no mercy

Your nightmare is the man of my dreams

It turns me on when he makes you bleed

[maefansblog]

Colin's Feelings for Penelope

Buckle up, because this is a long one.

Colin has always had feelings for Penelope. It did not just happen because of her glow up or because he was jealous. It also doesn't happen overnight. They are true friends who turn into lovers.

Feelings can start as admiration, protectiveness, care, friendship, pride, and turn into jealousy, lust, and love.

As he says in Season 2, "Our relationship has taken shape so naturally over the years, one could take it for granted," Colin tells Penelope. "You have always been so constant and loyal, Pen."

I've said this in another post, but Penelope's makeover revealed who she truly was, while Colin's makeover was to cover his insecurities. Colin fell in love with Penelope because she truly stepped into herself. As Lady Danbury said that all Penelope had to do was be herself.

When Colin apologizes in the garden in Season 3 Episode 1, it almost feels like a love confession.

In Lessons, he encourages Penelope to be herself-even referencing how they first met!

Colin's relationship is so strong with Penelope that he remembers how he and Penelope first met. He even recalls it fondly, calling her charming.

Colin is constantly chasing after Penelope in Season 3!

He is constantly touching her and wanting to get her alone.

Colin has so many longing looks where he is pining for Penelope. I'll describe a few of them. In Season 1 Episode 8, when looks for Penelope across the ballroom and catches her gaze before going up to her. In Season 2, when Colin returns home, and the world stops when he catches Penelope’s eyes.

Like in Season 3, when Penelope leaves Colin when she says things changed. He has such a lost puppy dog look. Then, with Goodnight Mister Bridgerton, he is so disappointed in himself and longs for Penelope to return. He has a longing and jealous look when Penelope is talking to Lord Basilio and Lord Remington during the Full Moon Ball.

The longing at the sweets tent, after the balloon rescue, when Lord Debling dances with Penelope at the Innovation Ball, the mirror pine at the library, before and during the wedding dance, when Penelope wears her nightgown, at Francesca's wedding and before the big Declaration at the Butterfly Ball.

Colin ALMOST confesses his feelings at the Willow Tree and before Penelope first danced with Lord Debling at the Innovation Ball. His words got jumbled and his nerves got the best of him. Normally, Colin prepares words before saying something important and he had no time to prepare.

Colin intended to confess his feelings when he went to the Queen's Ball (in Episode 4) and interrupted Penelope and Lord Debling's Dance.

I think Colin had rehearsed his speech a thousand times in his head. He probably imagined a thousand endings, (a few with his heart shattered, a few with them waiting years until they are together, a few with them courting, a few with them engaged, many wet dreams, a few with them married and having a family).

To Colin, if Penelope reciprocated his feelings, his idealized mind was that they were going to be together forever. I think he *tried to wait to propose,* in order to treat Penelope as she deserves.

When Colin cuts in the dance, he is not going to let anyone steal his girl. When Penelope left him on the dancefloor, he had already felt the sting of heartbreak. Yet when Penelope exited alone for her carriage, he began to hope again and could *not* let her leave without telling her. Chaos Colin definitely kicked in, and he was running on pure impulse.

He chases the carriage down with the sole purpose of confessing his feelings. He has no qualms with being alone with Penelope because he's been alone with Penelope before, and no one bats an eye.

Again, he's dreamed up a thousand endings. Colin saw his entire future realized, knowing that all of them ended happily ever after together.

We know Book Colin and Show Colin are separate people and separate stories.

However, a part of me thinks the show Colin kept the part of "I wouldn't have compromised someone without rendering a marriage proposal" stuck.

[Also, Book Colin doesn't start the day off thinking he was going to marry Penelope. He follows Penelope to the church, gets jealous that she might be meeting a Lover, is shocked that she is Lady Whistledown, they argue, he gets a little turned on, she states that she doesn't believe she's beautiful, then Colin declares she is. He knows he's going to marry her in that moment, compromises her, and then immediately proposes.]

I don't think Colin intended to propose. (Although I make jokes that he did! 🤣) He had imagined it. However, once she said she reciprocated his feelings, he was going to marry her. He had no control of his impulses. He was locking her in. He was going to propose.

He kisses and compromises her with no thoughts but Penelope, Penelope, Penelope... like she is a siren. (Book reference.) His face looks like he's hypnotized and living out his wildest fantasies. This was Penelope, and this was love. (Another Book reference.) So when they arrive at Bridgerton house, he is firm that he loves Penelope, she has feelings for him (he doesn't know if she loves him yet), and they are going to be together forever. He has the look of "Yes that's my wife!"

When he exits the carriage, I think he had proposed so many times in his dreams that he forgot to actually say it out loud. He happily asks, " For God's sake, Penelope Featherington, Are you going to marry me or not?"

Then he locks in. Telling his mother, family... probably getting no sleep to get their new home set up. Colin is ready for forever with Penelope.

He publicly claims her.

He reassures her on multiple occasions that he cares for her, has feelings, and even loves her.

Colin tries to protect her the only way he knows how. He does this by helping her with Cousin Jack in Season 2, offering to help her find a husband at the beginning of the season, saving her from the hot air balloon accident, and even her mother's wrath.

He tries to protect her, but feels like he fails and makes things worse. Especially when he thinks she's been kidnapped, only to find out she's Lady Whistledown. When the Queen interrupts his wedding to try to capture Lady Whistledown, Colin wants her to give up, but she can't because Penelope is Lady Whistledown. He tries to solve things with Cressida, and Cressida increases the money for Blackmail. Although I made a joke in the next picture, it does show why Colin would be upset.

Even when he is mad he loves her and wants to be married to her. He ravished her on the street and was giddy to dance with his bride on their wedding day!

Penelope has also changed the way he views intimacy.

From their first kiss, the world as he knew it shattered. Colin came to a realization that he had deeper feelings for Penelope than he had never thought to examine because they had been such close friends for such a long time. She completely opened his eyes.

The carriage kiss and more demonstrated the passion that can be expressed through combining emotional and physical intimacy.

The mirror scene was something that could never compare to anything else. It was definitely love making.

The modiste kiss was a confirmation that Penelope truly loved Colin. She wanted Colin to return to who he really was instead of the fake persona that he was putting on. With this news, Colin is filled with passion and an overflow of love for the person who sees him as he is and loves him all the same.

This is why to mix physical intimacy, while Colin was angry at the beginning of their marriage, feels wrong for Colin. He is tortured by this. He sleeps fitfully, but his love for Penelope has transformed him so much that he can't go back to his beginning persona and fake intimacy. He knows true intimacy and doesn't want to sully it.

He can't stay away from her, though. He won't give up Penelope. That's why he sleeps on the sofa that they first made love to be close to her rather than choose another room in the house.

Which makes Colin's Declaration of Love so great in the end. He doesn't take away Penelope’s chance to reveal Lady Whistledown. She is sharing with the world who she is. He doesn't try to change her. He has fallen even more in love with her because he knows even more about Penelope. Colin doesn't have to fake who he is or his feelings for Penelope because he knows that Penelope accepts and loves Colin for being himself.

Colin and Penelope's final intimacy scene shows them both coming together on equal levels, knowing each other fully, and loving them all the same. He is able to love and be loved. He is able to let Penelope take the reins in certain aspects of their relationship, and he is secure enough to let her. (The puns were just naturally there.)

So Colin has had true feelings for Penelope. Their relationship progressed so naturally. He was her friend. Eventually, they turn into lovers. This is why Colin Bridgerton is top tier. This is why this couple holds such a great spot in my heart. 💕

Thanks for reading and diving into the mind of Colin Bridgerton! 💕

[astrophileous]

HI! i love your works and writing so much!! 🩷can i make a request for spencer x fem!reader, where spencer sees reader play with children (whether it be henry or a different child) and gets turned on? later, smut with a breeding kink?🩷 FEEL FREE TO IGNORE IF YOU DONT WANT TO DO IT🫶

OKAY BUT A DISCLAIMER FIRST: smut is so fucking hard to write ISTG!!!! It took me far too long a time to finish this and now I might have just acquired a newfound level of respect for any fic writers out there who regularly whip out smut in every fic. With that said, I hope you bear with me bcs I'm new and generally inexperienced in writing smut, so I hope this is to your liking 😭😭😭 ty for the request and waiting so patiently!! ❤️

Warning(s): fem!reader, 18+ smut content minors dni, oral sex (f receiving), unprotected sex (p in v), breeding kink, praise kink (?), talks of impregnation, profanities, this is just porn without plot tbh

This blurb was written as a part of the "Zara's Birthday Bash and Road to 1K" celebration.

Zara's Birthday Bash and Road to 1K Masterlist / Criminal Minds Masterlist

"What's going on with you?" you asked as soon as the front door was shut behind your back.

Spencer turned around at your question. "What? Nothing's going on with me."

"Don't lie, Spencer. You've been awfully quiet since we left JJ's house." Your statement drove Spencer to tear his gaze away, but before he could take another step, you had seemingly transported right in front of him. "Talk to me. What's going on? Did something happen?"

"Nothing happened, sweetheart. Just forget it, okay?"

"No, I wanna know. Tell me."

Spencer's jaw clenched at your display of persistence. You didn't miss the way his eyes turned a few shades darker as he pinned you with his relentless stare.

"You really wanna know?" Spencer murmured.

Before you could give him a verbal answer, your fiancé suddenly pushed himself forward, trapping your body with his as your back collided against the wall. You gasped at his proximity. The atmosphere quickly shifted as you felt Spencer trailing his nose against the length of your neck.

"You wanna know what's going on? The truth is, I've been going insane," Spencer admitted against your ear. "You're driving me insane."

"Spencer, what are you talking about?"

Against what you thought was possible, Spencer propelled himself further into you, to the point where the air you breathed out became the same one he inhaled. Spencer's knee shoved itself between the apex of your thighs, making you gasp from the unexpected friction that his movement caused.

"I watched you back at JJ's. The way you acted around Henry? I can't stop thinking about it, sweetheart. It's driving me crazy."

"What?" An involuntary gasp slipped past your lips when Spencer's teeth lightly grazed your pulse point. "What are you—"

"I want us to have a baby."

The shock you felt was undoubtedly written all over your face. Spencer pulled back just the tiniest bit so he could stare right into your eyes. The gentleness in his pupils contradicted the desperation found in all of the ministrastions he pulled so far.

"I know when we talked about it in the past, it always seemed like such a distant thing. But after seeing you today—how you doted on Henry? I can't help it, sweetheart." Spencer's fingers strayed towards your cheek, tracing an invisible line until his touch met your jaw. "I want to have a family with you, and I want it to happen sooner rather than later. You own my forever, angel. There's no doubt in my mind that you'll become as amazing a mother just as you are a person."

The admission rendered you speechless. Time arrived into a screeching halt where it stayed there for seemingly thousands of years. Spencer was assessing you with worry in the consequent silence, trying to solve the cipher in your countenance that could give him a clue to what you were thinking.

Just as he was about to call out your name, you lunged forward out of the blue, claiming his lips in an earth-shattering kiss.

The two of you molded into one another like a pair of fitted puzzle pieces. Fire was raging inside your chest when you pulled away, first telltale signs of arousal stirring in the pit of your stomach.

"I wanna have a baby with you, Spencer. Please, I love you so much."

Spencer groaned wholeheartedly at the confession before diving back to kiss you even more fervently than before. Amidst the roaming hands and pleasurable gasps, the two of you somehow managed to stumble into the bedroom you had shared together for the past couple of years. Shed clothes littered the entire path you trudged, and in the blink of an eye, you found yourself naked on the bed with Spencer hovering above you clad in only his boxers.

"You're so beautiful," Spencer mused before taking one of your nipples in his explorative mouth. You writhed in pleasure while his fingers toyed with your other breast, making sure that no inch of your beauty escaped his attention. "Can't wait to see these full of milk, sweetheart. You'd look so beautiful pregnant with my baby."

You could only mewl when Spencer's lips trailed further southward, peppering kisses beneath your navel, just a sliver to where you needed him the most.

"Spencer, please. Ah. Don't tease."

Your fiancé chuckled at the desperation he heard in your voice. If it were any other day, he would have taken the time to edge you even further for the next few hours. But Spencer could feel his boxers getting tighter by the minute, and not wanting to prolong it any further, he slid downward until he was met with the view of your glistening folds.

"Fuck. So wet and gorgeous. Wish you could see how pretty you look, angel."

The moment Spencer's mouth touched your most sensitive part, you were gone for. His tongue lapped your juices like he was a man lost in a dessert while you were his oasis. The moans fled your throat when his lips wrapped around your taut clit, sucking and circling it with his tongue until you thrashed around uncontrollably. He then used his left forearm to pin your torso down, while his other hand started prodding the entrance to your heat.

"Oh my god, Spencer—mmphh," you whined when two of Spencer's fingers were snugly sheathed inside of you, going in and out until the whole room was overpowered by the obscene sound of your squelching wetness.

"You're so wet, angel. Holy shit," Spencer marveled as he fixated onto the movements of his fingers inside of you, the digits shining from your arousal that coated them. "So warm and tight, too. This all for me?"

"For you, Spencer, only for—oh, only for you. Feels so, mmhh, so good."

Spencer knew you were getting close from how tightly your walls were gripping his fingers, along with the way you were grinding your hips against his hand as if trying to amplify the pleasure you were reeling from. But right before the coil in your belly snapped, Spencer promptly removed his hand from your heat, making you whimpered in protest from the loss of contact.

"Patience, angel," Spencer said, leaning down to give you a quick kiss. "I want to be inside you and feel you around me as you cum."

He made quick work in removing his boxers, revealing his erection that was already red and leaking pre-cum on the tip. Spencer hissed when he gave himself a few lazy tugs, aware of your burning stare as you watched him with a raging want.

"Ready, sweetheart?" Spencer asked, waiting for your nod before sliding his tip in. You moaned into his neck until the entire length of his cock was snugged inside, clutching Spencer for dear life as the man cursed against your cheek. "You feel so good around me. Fuck. You alright, angel?"

You could only nod meekly in response. "Need you to move, Spence. Please, move."

Spencer didn't need to be told twice. He drew his hips back until the only thing engulfed by your pulsating walls was his tip, before ramming back into you with enough force to knock the breath out of your lungs.

In no time at all, your fiancé was moving in and out of you vigorously. The lewd sound of skin against skin echoed within the four walls of your bedroom, fueling your desire until your whole being was consumed by everything Spencer. You swore you could almost feel every ridge and vein of Spencer's cock as it slid in and out of your weeping hole, but your hazy brain would argue that it was plainly your lust talking.

"Spencer." His name came out as a gasp as you felt the imminent climax rising higher and higher. "I'm so—ah, s-so close. Please, please, please, I need to—"

"I know, sweetheart. I know you are. Can feel you squeezing around me. Shit. Milking me so good, hm? Gonna milk me, angel? Gonna milk my cock dry?"

You couldn't think of any other reply to Spencer's crude words except to moan even louder.

"I'm close, too, sweetheart. Fuck. I love being inside you like this. 'M gonna cum so much, gonna have my seed so deep inside you until your womb is filled to the brim."

Your walls fluttered at the thought of being full of Spencer's cum, and this little knowledge didn't evade your fiancé's notice as he picked up the pace of his thrusts.

"You like that, huh? Like the thought of my cum in your womb? Can't wait until you're all big and round, sweetheart. You're gonna make such a beautiful mommy."

"Wanna be a mommy, Spencer, I wanna have your baby!"

"Yeah? You want that? Wanna be pregnant with my baby and make me a daddy? Have a part of me inside of you, huh? Shit. Can picture it now, sweetheart. You'll look so gorgeous pregnant. Most beautiful mommy in the world."

Spencer's hips stuttered slightly. The mental image of you pregnant and barefoot, walking around your shared home carrying his child was doing abominable things to every neuron in his brain. That thought alone, along with the way your pussy was getting tighter around him by the second, was inevitably going to push him over the edge.

Without ever abating his pace, Spencer's fingers reached down towards your clit and started rubbing as if there was no tomorrow. You let out a scream at the added sense of pleasure that Spencer's fingers sent to your belly.

"That's it, angel. Just let it go for me. Let go and I'll give you every drop of my cum."

Another powerful thrust, coupled with a delicious stimulation to your bundle of nerves, had you cumming around Spencer's cock like you had never been before. It was one of the most intense orgasms of your life, and you couldn't do anything but wail and moan as Spencer continued to move inside you through it all.

Mere seconds later, Spencer's own undoing crashed into him like a truck. You felt his cock throb before warmth flooded in, spurts of cum painting every inch of your walls until Spencer was sure there was nothing else to empty. He collapsed on top of you as soon as he was done pulling out, panting breaths and a satiated smile as he buried his face in the column of your neck.

"So—" you began once your breathing had evened out, "—we're doing this, huh?"

Spencer looked up at your face. "Are you having second thoughts?"

"No. Definitely not. There's no one I'd rather do this with more than you, Spencer." You smiled, tucking a strand of your fiancé's overgrown curly hair behind his ear. "Although, I do have to say, I didn't expect you to be that type of guy."

"What type of guy?"

"The kind who gets territorial and borderline obsessed with the thought of impregnating their woman."

Your statement caused Spencer to laugh, crinkling eyes and head thrown back in a way that made your heart fall a little deeper for the man. You closed your eyes and sighed when his hand rose to cup your cheek.

"Can't help it, sweetheart. Any guy would be driven wild to have you as the mother of their child. I'm the luckiest guy in the world."

Spencer's proclamation was sealed with a kiss to your lips. It started out innocent enough before escalating in desperation with every minute that ticked by. Spencer swallowed all of your whimpers even when his hand started to meander downward, all the way past your abdomen, and right under your navel where your arousal was beginning to awaken once again.

At the first swipe of thumb on your clit, you gasped against his lips.

"Spence, what are you—"

"Sshh, we're far from finished, sweetheart. Didn't think I'd be done with you so quickly, did you?" Spencer smirked. "I'm gonna keep fucking you through the night, however long it takes, and fill you with loads after loads of my cum to make sure you are pregnant once this is all over. Now, you just lie back, angel. 'M gonna make you feel so fucking good."

[di-42]

I can't believe there are still people out there defending Aziraphale and not seeing how selfish he is and how cruel he's intentionally being to Crowley, because he never really loved him. Aziraphale only used Crowley when he needed something.

Just because you love Aziraphale you can't keep denying the hard evidence in front of your very eyes!

If you ever needed a reminder of said evidence, here it is, just look at him!

Just learn to read the subtext, ok? Here the subtext clearly says: oh my god, oh my god, oh my god, the Metatron is talking to me! I'm so thrilled!

And here: I'm so excited I might jump up and do the time warp! I can't believe this is happening! After thousands of years my hard work as an angel is finally being recognized! Look at my face, this is the best moment of my life!

The subtext to this one is easy: would you mind terribly if I kissed you, Metatron? I've just been offered everything else I'd always wanted in my life, now I want you Metie!

In contrast, now look at these pictures and their subtexts

Oh, how annoying having you around, Crowley.

But did you have to come to the church tonight?

You are the most undeserving being in the universe and I despise you.

I would smite you alright. (Oooops, that might be read in two different ways. But you know which one I mean, of course).

Oh, you again? Bugger.

So you see. Aziraphale clearly is the villain in Good Omens, if you don't trust this evidence, what can you trust?