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heyclickadee · 2 days ago
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I sketched this out a week ago hoping I’d have time to clean it up, but, well, time got away from me. A five or so year younger Phee, Lyana, and Shep having some fun while Phee’s on one of her regular Pabu stopovers for the “A day with Aunt Phee” prompt for Pheebruary. (I’ll do the rest of the prompts eventually—life just got busy).
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youryurigoddess · 28 days ago
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So one thing led to another, and I’ve just paid a visit to the first (that we know of) confirmed Good Omens S3 filming locations. Due to the obvious sensitivity of this material, please tag it accordingly and share only with the fans consenting to know potential spoilers.
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A fellow Good Omens fan has mentioned that residents of a certain Edinburgh area had unexpected guests recently, knocking on their door and telling them they are filming in their street soon. Imagine their surprise when a polite question about the details led to the offhand answer: “IT'S ONLY GOOD OMENS”.
For those unaware, the City of Edinburgh Council has been working really hard on promoting the city for film and TV industry for a few years now (the effects of which we saw in S2), and has a set of very clear and very publicly available guidelines regarding the modus operandi here.
The Good Omens production has both large scale and a high impact on a specific location due to the crew size, amount of technology used, and requirement for crowd control in most of the exterior and interior scenes (e.g., bookshop, pub, or coffee shop windows), which is why not only the local authorities, but also residents were informed about the filming with an at least 8 days notice:
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Ironically, I just had happened to have a trip here planned and a hotel booked within walking distance to the locations on the attached TM and parking plan map, so it would be a waste not to use this opportunity for the greater good of the fandom. Can’t stay long enough to see the actual crew, so unfortunately the hair photos will have to be made by someone else. Disappointing, I know. But there’s still a lot to be excited about!
According to the provided notice, the filming will happen within one working day with the required set-up planned for the day before, mostly in the afternoon hours. The attached map shows planned parking suspension and SYL dispensation on two streets close to the chosen locations, which is where the trailers and equipment vehicles will park:
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Location One turns out to be, rather surprisingly, a cosy corner bookshop. The shop — one of the Edinburgh’s oldest surviving secondhand bookstores — is very small, but crammed with a wide ranging library of beautiful books to serve readers and collectors, including antiquarian true first editions and signed copies.
It’s giving Muriel’s sweet and whimsical charm, but the bits and pieces of the unpublished Good Omens sequel point out not towards Whickber Street, where the angel currently resides, but more towards a new in-universe location. Maybe one that will be opened in the future post-Second Coming, maybe one that will remind one of the characters about a home base of operations back in the heart of London’s Soho (and theirs— wait, who said that?).
Notice that the road closure includes north and south sides of the pavement visible in the last photo, so both indoor and outdoor shots could be expected:
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Location Two seems a bit more complex, since it’s basically a skewed triangle consisting of one longer street and a short side street diverging from it. Conveniently for the filmmakers, the architecture here is uncharacteristic enough that it could be easily presented as British, Scottish, or even American. I’m personally a bit partial to the last option since it would make sense story- and budget-wise, especially now with the two people previously adamant on shooting the US scenes only on location there not on the production team anymore.
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The contrasting structures and materials visible here easily offer background for multiple potential contexts and scenarios, so much in fact that it’s easy to imagine more than one scene being shot here for cost- and time-effective reasons. Some of the buildings along the cobbled road have the right look and feel for historical flashbacks, as you can see below. I find the two separate entrances next to each other particularly lovely:
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A considerable part of the buildings in the area, however, belongs to a more modern complex that communicates a very different personality and function. With a bit of camera and post-production magic, it could transform to a wide range of settings — please let me know your thoughts and ideas if you have any!
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Specific filming times and more detailed information are consciously not shared out of concern for the crew and cast members who clearly don’t want them to become public knowledge. Those of you who live in the area and might visit the set anyway, please don’t forget to make sure that your presence won’t bother them as well as other locals. And remember to keep any new photos and information contained with tags so that you won’t spoil it to the people who would rather wait for the movie itself!
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vaguely-concerned · 3 months ago
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I think there is no better illustration of the more intimate, internal angle veilguard chooses to approach its characters and themes with than the fact that like... listen in this game we get to follow so much pain back to its source, and we find it really does permeate everything in thedas today on a level that evokes a kind of cosmic horror. the bones of the earth itself are broken open and drenched in trauma; the world is mired in suffering down to the core and the marrow. as above, so below. as outside, so inside. on the big scale, and the small. all of creation is a throat gone to bloody shreds from screaming in agony, when you allow yourself to listen. (maybe that's why we usually don't, or can't, bring ourselves to listen.)
...and yet the thing that makes me personally so desperately gnaw-my-own-arm-off sad that it feels like I could die from it is that in a run where you save minrathous, lucanis never gets out from the ossuary in his mind. what's worse, no one even knows he's in there. he's still in there. and there is no rescue on the way, because he's locked down so deep inside himself this time that there's no way for anyone to even understand there's a need for it. would he be able to welcome one, if someone did realize it and tried to reach him? You know him -- you can open the door, but he won't walk through. He won't move. There's nowhere to go. the way he says 'it doesn't matter what I want' with such utter, leaden, final resignation in the wrecked treviso cutscene is going to haunt me forever. it makes perfect sense to me you can't romance him after that, I'm not sure he's ever really here completely in that version of events, at least within the timeline the game takes place. he's just standing in the shitty awful ossuary torture room all alone, and no one's coming to find him.
and what is that, next to the millennia of suffering screaming through all of history and creation? well. nothing, of course, not really. a single plucked string in an endless deafening symphony of despair. one singular trapped and broken soul among the untold millions that have gone before and the untold more that will surely come after, that are being made as we speak in the conflicts and tragedies unfolding through the game. but more importantly it's also everything. to me. and to the game too. the game says this also matters. just as much as anything else, this pain matters and deserves to be loved and comforted. even in the face of all the suffering in the world, beneath the systems perpetuating all the banalities of evil, for good or for ill sometimes, we matter to each other. and what would be the point of anything, if we didn't? that's where hope lives. as long as you're alive, the right key might still arrive to gently open the locks of your mind, the right hand might reach out one day and you will bring yourself to take it. you don't know what tomorrow's going to be. if in the meantime the only thing we have to gain in staying is each other -- isn't that enough? isn't that everything? why does this one guy saved mean the world saved to me, a little bit? hello. hello. hello. there's stuff going on in the deep here.
when I say that the deep thematic spine of this game is so good and solid that the occasional clumsiness and false tones of the writing on top of it simply cannot hurt me... I think this is part of what I mean. works for every single one of the characters of course! lucanis' is the predicament that speaks to me most viscerally. for. uh. personal reasons there simply is no time to get into at this juncture lol. but just as much the idea that davrin can die before he could see the world freed from the blight and the need for wardens, or that harding can get cut down right at the beginning of a great revelation that could change everything and heal things no one had even dreamed could be healed. all of them are like this. each and every one of us has a world and so many stories inside that matter, and it's not to dismiss the larger systemic forces and evils that create so much of the suffering in the world to focus in on that for one installment of the series -- only to view it from a different angle that brings other things to light than what we're looking for normally in this series. it's worth looking at what's actually here.
(have you ever heard the poem 'good light' by andrea gibson? it's very good. you should check it out if you haven't, you can find it on youtube. it has these lines:
Come make it count Our finding each other like we found God Come root for the salt Come believing we can heal it all, even everything Even everything that has ever been done I know how much the pain of this world weighs But I can still tip the scales in light's direction Whenever I have your name on my tongue
and yeah. I think that's basically what I'm trying to say here.)
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fumifooms · 1 year ago
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The Nakamoto household - facts & theories masterpost
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Table of contents:
the hierarchy & general situation
The parents
The Maizuru situation
The siblings
The other retainers
Izutsumi
Toshiro
Conclusion
I also made tldr summary charts here. This post is about collecting facts about the setting and characters, but it’s gonna be a lot of analysis on what it means through the lens of Toshiro as well, his relationship and place in everything etc etc. They have entangled drama the scale of Daltian Clan. Things are so interwoven it’s hard to keep topics neatly in their own section, because of this pictures may be relevant at several point of this but I mostly won’t be putting them in twice, you might have to do some scrolling up while reading if you want the visual proof to accompany statements. Unlike with Chilchuck’s family there’s less ambiguousness and more intricate details and implications so it’s less theorizing & headcanoning and more stringing together all the crumbs canon gave us. I also dig into some cultural parallels, especially since characters from Wa are the most culturally coded in the series. Also disclaimer that I’ll be calling Shuro Toshiro through this whole thing because that’s his actual name & Shuro isn’t even a nickname he’s shown to like, for accuracy’s sake. The servant girls have real names but are always called by their code names so I’ll call them as such, except for Izutsumi who was named Asebi which I won’t be using.
The general situation
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To start off, what’s the situation in canon? All three kids of the head of the house, the three sons (Toshiro and his two younger brothers), are sent out on a vague mission to find something interesting for his father to pick the heir. Each son is thus on their own journey, out with their own group of retainers for an unsure length of time, during canon it’s been 2 years that Toshiro left the house for this mission, and they seemingly all drifted towards dungeons. It’s important to remember that this state of things is the exception and not the rule, and before this the sons lived at home and had different uses of their time, and the retainers had other jobs than care after them. See the next paragraph.
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The household offers ninja services, no exaggeration or misuse of the term, mostly spyint but also "covert maneuvers" which could include anything including assassination of people high up. That’s the job of their servants/retainers at least, the heads themselves are more like managers probably, possibly samurais themselves though especially since as we see with the heirs (besides the samurai armor) they also got trained in fighting as their skills showcase. I need to dig into the history of samurais more before I can draw the parallel confidently though. The Nakamoto household is noble/wealthy, distinguished as the Adventurer’s Bible puts it, but it works for and puts its service at use for "their local lord". It buys servants, but also has families who have served it for generations like with Hien. The comic shows that there aren’t only women servants, it’s just the ones we see all happen to be because Toshiro’s retainers are only a small team of all of Nakamoto’s servants.
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Above, in a page showcasing characters’ relationships with their party leader: 父親の部下を借りている状態なので、 距離がある。Doubtlessly there must be a translation of this already somewhere but I’m lazy and impatient so I turned to machine translation instead, this translates into: "Since he is borrowing his father's subordinates, there is a distance between him and them". Calling the servants retainers is what most of the fandom does and it’s accurate so I’ll be calling them this.
Hien and Toshiro were childhood friends which means the servants do have some degree of contact not even just together but with the heirs too, or maybe just specifically Hien, since both their parents were ninjas for the Nakamotos she ended up getting raised there and they let her play with him as an exception? They did end up drifting away as adults as their relationship got more professional, so it’s possible. The servants eat and sleep in shared spaces, separate from the masters, though Maizuru has her own bedroom, if the room configuration at the in is to be believed + it’d make sense since she’s governess/head servant. I’m hesitant wether to say it’s implied that this group of 4 retainers was always a bit of a team or it wasn’t and got formed for Toshiro specifically. We know that Benichidori had little contact with Toshiro before they were sent out together for example, but we do see all three girls with Izutsumi in Inutade’s extra when they were younger, and them eating in the same japanese styled room etc. The inn they stay at on The Island is western styled though they do have futons rather than beds (there’s only one bed in their shared room and Hien has it because of her rank).
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From Izutsumi’s Adventurer’s Bible profile: "Maizuru, who was also Shuro's governess, is the one thing Izutsumi fears. After Izutsumi was taken in by the Nakamoto family, Maizuru forced her through a harsh training regimen of speech, common sense, and fighting skills. Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn't touch her within a set time frame: "Ninja Art: Babysitter." "
Maizuru, called a governess, is the one training the girls, at least some of them, we know for a fact she was the one to train Izutsumi for example, and in general she’s the one in charge of the ninja girls we see. She was a ninja herself but retired from frontline missions, but has a central role managing the servants instead. Inutade for example is strong but not stealthy, and it’s said that it’s Maizuru’s job to choose how to train her and what role to give her in consequence. Her training includes manners but fighting as well, notably kunais and martial arts. Hien is shown to use bombs and Benichidori is implied to be good at disguises, Inutade uses a bold weapon like a club but it’s implied with "ogres and clubs just go together" and Maizuru not knowing where to put her to use that it’s uncommon for Nakamoto servants to use those. Their board game artworks also show their specialties neatly. When brought into the household, the servants are given new names and their whole lives become devotion to the house and their duties. The names might be intended to act as code names due to them being ninjas? It’s implied that they never use their non-code names anymore once they start serving the household. Maizuru’s training also contains language and "common sense"… Critical thinking? As well as implied etiquette. This isn’t surprising, as she was the one put in charge of raising not only Toshiro but his brothers as well.
Oh yes I want to mention that all the retainers’ "first deaths" are in the dungeon during canon, considering our main cast we’re used to death being permissible because dungeons make resurrections possible, but it’s relevant to remember that these people never died before. Never. These girls are professionals, ninjas with a sometimes very dangerous job. Messing up means death, permanently.
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From what we see and with who we see, the hierarchy is:
Father (head of house, his word goes)
Mother (has status which puts her wishes above others’ and give her some control over the house, it’s unsure how much though, but hierarchy wise she’s very much above the rest but below the father)
Maizuru (governess, in charge of (at least some) servants and raising Toshiro. Two dots)
Hien (leader of their squad, trained servant from a family devoted to the Nakamotos. Two dots)
Benichidori (trained bought servant. Two dots)
Inutade and Izutsumi (bought servants. Power wise from their rank it’s unsure just how much the difference between Inutade (who has one dot), Izutsumi (who has none) and Benichidori (who has two) is, since Hien is team leader between the four servants at least that’s measurable. Inutade gets some janitor duties, and Izutsumi has a curse put on her so she doesn’t run away I suppose. Power wise it’s unsure, but socially/role wise Inutade and especially Asebi are treated worse.)
I didn’t add the sons because I’m talking more generally about the power structure and it’d depend on each sibling, like Toshiro’s wants and directives during canon trump Maizuru’s, but Maizuru is also his nanny and manages the girls so she has a lot of importance and sway even on the final decisions.
The parents
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I am so pissed I forgot that we know Toshiro’s father’s name, Toshitsugu, from these panels showing the progression of the family tree. I am so pissed I’m adding this halfway into writing this whole thing, I am not gonna go back and replace every "the father" by his name atm.
The father is the part of this puzzle most important yet most shrouded in mystery, or rather a lack of details. What we do know paints a pretty full and vivid portrait: impulsive and cares mainly about his own entertainment. Maizuru calls him a fool, his sons are exasperated and go "This again?" when he summons them saying that they’re boring/dull, everyone knows he’s having an affair and he often has undignified demeanor, but what he says goes so yes Maizuru will take Izutsumi under her wing, yes the sons will be going out right away into the world to find you the 8th world wonder, yes whatever you want lord. He seems to have little care for how his action affects others, like crashing into Maizuru’s room at night and asking she take care of a catgirl, or sending out his sons suddenly with kicks to the butts. He does what he wants hen he wants and others have to comply.
Like we see with Izutsumi and Inutade, he tends to take a liking to slaves here and there and buy them on the spot, usually at entertainment places, like sumo wrestling matches for Inutade and a freakshow for Izutsumi. The Adventurer’s Bible states him acquiring Inutade as "By coincidence, Shuro's father came to see her first match; he liked her and bought her for the Nakamoto family." and Izutsumi as "She was on display as a "cat-girl" in a sideshow when Shuro's father took an interest in her and bought her." In Maizuru’s extra, he calls Izutsumi a "souvenir" he got for her, and he’s drunk so it could well be assumed that buying Izutsumi was a drunken whim, and that he mitht be alcoholic. You can’t really say that he picks them out because he sees potential in them to be a ninja or would be useful, since with Izutsumi she had no fighting training and Inutade doesn’t fit the skills they seek like stealth and she has trouble fitting in. You could assign noble goals to him like maybe wanting to help or relating to the misfits, but I think with what we see of him it’s more likely that he likes to pick up "oddities", like a catgirl at a freakshow or an ogre, especially since one of the only things we know of him is he wants his sons to bring back interesting trophies from their travels. Toshiro, about his father buying Inutade, says: "People in power desire ogre as servants, and ogres are chosen as opponents in tests of strengths or military exploits. My father bought her for similar reasons."
Also from this we can infer that he goes out to events often, like circus and sumo wrestling, again mostly for entertainment from what we see. I like to think it’s implied that he used to travell maybe still does, due to his own liking for it as a test and because he visits various places like the sideshow, plus his forearm scars in Toshiro’s extra… But him being a samurai in service of a lord could definitely explain that.
This all paints an interesting picture doesn’t it… The Nakamoto’s lifestyle is super encased in rules and social propriety, duty and hierarchy. Old noble man who’s been surrounded by propriety all his life and just wants some spark of interesting stuff happening amongst the humdrum of his lavish cushioned life at home, and is shitty to people around him in consequence and due to his privilege allowing him to. He’s despicable, but from his 3 appearances he becomes an interesting well-fleshed character, at least proportionally to the screentime he gets…
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We also know that the affair with Maizuru is well known at least inside the household, so there’s no genuine secrecy around the topic. Makes sense that the wife would hate her guts.
Ahh yes the mother. Little is known about the mother, except that from Maizuru’s profile "Shuro’s mother can’t stand the sight of her, to the point where there are areas on the property Maizuru is forbidden to enter. Maizuru, however, is impressed by his wife’s strength of character." From this I glean that she does have enough power/respect in the house that she can make rules like where Maizuru is allowed to go. Also the implication that otherwise Mazuru would have access to EVERYWHERE in the house despite being only a (high-ranking) servant is a bit interesting. Wether the mother’s "strength of character" is overt and hot-headed or understated and cool-headed is unsure, but I imagine the latter more. I could see Maizuru’s angle in many ways, from being able to tolerate "that fool" aka the father both just in general and with knowing that he’s cheating on her, to knowing how hard it is to be respected as a woman and admiring her putting up with it all and still being able to have sway in the household. This is I think the only mention of the mother anywhere. Doesn’t seem like she is an important figure to Toshiro at all: in fact we hear about her on Maizuru’s profile, and seeing all of this we can see the importance of her in Maizuru’s backstory and life, moreso than Toshiro’s. I imagine she’s a bit of a recluse, which is part of why Maizuru not being allowed to roam the full house is important, because them running into each other at the house is high.
It’s unsure how much contact the parents have with their kids. What we know is that they left the principal tasks of raising the kids, or at least Toshiro, to servants. Toshiro’s profile says that he’s more attached to Maizuru than his parents, and that’s the phrasing. From the comic where their father summons the sons, it does seem like they’re more or less used to interacting, with the sons’ "This again?". So it’s not that they’ve only interacted with them few times enough to count on fingers, but how meaningful were those interactions? From Toshiro’s profile we know he has a complex where he thinks he’ll never get recognition from his father or be able to measure up to him… But is that more born out of secondhand gossip and expectations, or from direct interactions with him that made him feel that way? Likely a mix of both, especially since the father does seem to be very dismissive, uncaring and insulting with his sons. Oh, but it’s definitely notable that in the Hag monster tidbit (below in Maizuru’s section) six years old Toshiro runs to his father scared shitless for help against the shikigami, and his father casually helps him without batting an eye. Toshitsugu knows how to deal with Maizuru’s shikigamis, and he does so efficiently and without any sense of worry or urgency. Although the event traumatized Toshiro and he was very scared, it doesn’t seem like his father offered any comfort, beyond just helping getting rid of it and letting him cower behind him without comment. Toshitsugu gives hungover vibes in that one imo haha. It’s shown he was already training as a ninja, perhaps this event only reinforced Toshiro’s complex, seeing his father, the samurai the achieved man who has expectations for him, so unfazed and uncaring like that.
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The Maizuru situation
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Let’s establish a timeline first. It’s left vague how much time she’s served the Nakamoto family for, or how she came to be in their service. The central point is that "She was put in charge of raising their children at a young age". If straight from his birth, Maizuru started taking care of Toshiro when she was 15 years old. If from toddler age, then 16. It’s uncertain if when she stopped getting front-line espionage missions, but we know it’s late rather than early despite having kid raising duties. But well, since she’s also in charge of the ninjas she’s definitely has a multitasking role even now.
The dad prob has around 5-10 years more than Maizuru, I’d say. We only see half of his face and only a good few years in the past, around ~3 years ago probably with the shuro quest and a good 7 years with Izutsumi as a kid, but visually those are the vibes I’m getting. From Toshiro’s birth, it’s possible that the father was 15 when the baby was born too? But conception would have been closer to 14 years old then, and yeah I don’t think they marry and have kids that young. Toshiro is 26 years old in canon and is unmarried, and the heir hasn’t been officially picked, so marriage and kids don’t seem to be in the family’s priorities. Even if Maizuru do say that the father would love if Toshiro brought back a wife.
Now the elephant in the room: she has an on-and-off affair with the father and it has been si for many many years, at LEAST 7 years since that’s when we see that comic of him going into her chambers about Izutsumi, and in the comic above, Hien in that panel has an ambiguous age. Regardless it’s definitely implied that it’s a long, long-standing thing. Hien’s phrasing above makes it sound as if it’s not purely physical, as if feelings are involved, "he’s head over heels for his confidante", and who knows if this relationship is part of why Maizuru was chosen to be the governess, or even hired at all.
It’s in the feud with his father that we learn about maizuru’s affair and how after learning it he started shutting her out emotionally. It’s left vague when Toshiro learned about it, Hien made it sound as if everybody always more or less knew but I don’t think Toshiro started shutting her out when he was still pretty young. Regardless, the two are implied to be linked, his dislike of his father/complex and how he stopped getting along well with Maizuru/being emotionally open with her. Is it that he now feels as though Maizuru is actually on his father’s side and not his own, that after all if she had to choose she’d pick him over Toshiro too? Or is it that, because his father’s known to be a self-centered frivolous jerk, that knowing she lets it happen, "can’t seem to shake it", he respects her less? He has an irresponsible reputation and she does give off the vibe of needing to clean up his messes, so that wouldn’t be unplausible either.
On the flipside from her perspective, since he learned she was his dad’s mistress he emotionally shut her out, which can partly explain why she’s SO fussy with him and happy at the slightest hint of happiness or compliance, like when he listens to her and eats, or maybe even being happy that he lets her help him dress and keep tidy (imo this is supported by how they interact in the page showing him interacting with all his party members). She wants to regain that closeness they once had and for her baby chick to be alright as he’s slipping through her fingers. Man so sad to think about him rejecting her when he’s the only thing in her life. She’s raised him for 26 years, no wonder she’s so attached to him, the only thing in her life she feels true unconditional attachment for. Maizuru says that she thinks Toshiro’ll be a better head of the house than the father, too. The respect and care is somewhat onesided, given freely from her side but repressed from his end. When she cares for Toshiro is when her demeanor immediately and drastically softens. She gets easily carried away when it comes to him, rambling enthusiastically or smiling widely or tearing up. Her tendency to ramble or tell anecdotes about Toshiro is shown making Hien and Benichidori go "Here she goes again…" twice through canon.
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With Izutsumi’s timeline we see Izutsumi was taken into the Nakamoto household at 10 yo, and since in the comic with Maizuru and the dad she’s shown as stinky and all I imagine she arrived there the same day, so Maizuru was in charge of her since she was first here. In fact if we assumed that it’s the same day as when he bought her at the circus show, then we could assume that buying her was a drunken whim like mentioned.
Since Izutsumi was taken in at 10 and she’s 17, this would mean that Maizuru is 34 years old here. She looks younger without makeup, but lower than that is mathematically impossible besides maybe 33 if Maizuru and Izutsumi’s birthdays line up just right.
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Time for the second elephant in the room!!
Maizuru’s magic
Maizuru is the only person in the Nakamoto household, anyone from Wa really, who we see using magic, I doubt she’d be the only one who can use magic in the household but as the governess it wouldn’t be unplausible I suppose. From what we see, the magic is estimated by Marcille to be an "appropriation of gnomic magic" with an eastern script. For my analysis of written magic (though with only a brief glance over Maizuru’s magic), see this post.
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If you scroll up and read the little section on Maizuru’s profile, Ninja art: babysitter: "One of the curses put on Izutsumi is Ninja Art: Babysitter, which manifests as a terrifying hag shikigami. Unless Maizuru touches the victim within a set time frame, this terrible curse makes a hag appear and chase them around with a carving knife. Maizuru originally created it in an attempt to keep Shuro from getting lost, but it ended up traumatizing him…"
From Izutsumi’s profile: "Maizuru, who was Shuro’s governess, is the one thing Izutsumi fears. […] Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn’t touch her within a set time frame: "Ninja Art: Babysitter." It was put on her when she was 12. Since Toshiro had it as a kid, presumably the curse can be lifted off rather easily, Marcille was confident on reverse engineering it as well. It’s unsaid what the time frame is, it’s kept vague everywhere and Izutsumi herself says "who knows" how long it is. Izutsumi ran away despite the very real risk of it killing her. Essentially, Maizuru can put people in a timebomb collar
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… MAIZURU WHAT THE HELL
As we might have expected, Maizuru being given the task of rasing a child at 15 did not go perfectly. This, a babysitting technique??! This comic happens when Toshiro was 6 and so Maizuru was 21. Interesting to note that Toshiro didn’t even know it was Maizuru’s doing before this conversation during canon, and he doesn’t know how to bring it up or deal with it how it affected him. Maizuru seems surprisingly uncaring of Toshiro’s feelings on the matter here, oblivious to his conflict her and fondly recalling it all.
This curse is a shikigami. From her profile: "A shikigami user, Maizuru has a variety of shikigami that have been sealed in paper as her servants. Her favorite seems to be Gyuki, a bull ogre." Now don’t ask me when Gyuki appears, I do not remember it. But before we go into the cultural/historical basis for this practice, let’s take a second to recognize the parallel that Maizuru has servants she keeps sealed unless useful in the moment, even despite having enough "attachment" to have a favorite. She’s the governess in charge of the other servants, and she has shikigamis, which she has used on the heir and the runt at the bottom of the hierarchy alike.
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Shikigami, in traditional japanese folklore, are conjured to exercise risky orders for their masters, such as spying, stealing and enemy tracking. Shikigami are said to be invisible most of the time, but they can be made visible by binding them into small, folded and artfully cut paper manikins.
Shikigamis are from onmyodo, onmyoji is a profession-legal title historically but it’s what you call a practitioner of onmyodo, and so I feel content in saying that Maizuru is an onmyoji, or based on it. Her outfit reminds me of a shinto priest. It’s interestingly closer to a shinto priest outfit than a miko/shrine maiden’s (in picture below, 2 instead of 5), and I feel like red being chosen for the inner sleeve is a very charged decision since the white & red color combo is the shinto clothes color combo. Especially white clothes with red inner sleeve. Shinto priests can be women nowadays but they’re rare, and onmyojis can be considered shinto priests though it’s a more complex than that. Image below as example, source. Now I don’t think Maizuru has the role or prestige of a priest at all- But the association with onmyodo and spirituality is definitely meant to be made I think. Onmyojis are usually clothed similarly to this.
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The babysitter ninja art seems to be based off of the hannya yokai. "They were once human women who were consumed by jealousy and transformed into demonesses", twisted by anger and resentment. Interesting considering her being a mistress to a man whose wife hates her. Hannyas are associated with wisdom because of its name, but there is nothing positive about them. At its highest level of "demonic corruption" if I can call it that, their body tend to become serpentine, fun link to make with her name being from the snakeberry plant.
Other cultural ties or symbolism on Maizuru’s character could be found in the motif of cranes due to her sleeves, in the tales of the crane wife, origami cranes (called orizuru, from deformation of 鶴 "tsuru" aka "crane". All names are written in katakanas in Dungeon Meshi, but thus if we had had the kanjis it’s possible her name would have been written with the kanji for crane), tennyos, and japanese crane symbolism in general. I thought cranes might have been associated with motherhood, but seemingly not in japanese culture at least, I was thinking of storks haha.
Ok speaking of her name. Maizuru is the name of an existing japanese city (舞��), meaning "dancing crane". From @room-surprise’s work in progress research paper on Dungeon Meshi characters’ names: "Maizuru is her ninja code name, and comes from “maizurusou”, which is maianthemum dilatatum, the snakeberry plant/two-leaved Solomon's seal/false lily of the valley. Lily of the Valley is a plant associated with motherhood and virtue… So Maizuru being a false Lily of the Valley implies that she is a false, replacement mother, and also hints at the way that Toshiro became cold towards her when he realized she was his father’s mistress, and not a pure, virtuous mother-like figure that he thought she was. Also, lilies are toxic to cats, which makes sense since Maizuru and Izutsumi have an extremely bad relationship." For more details I’ll leave it up to Room when the paper is ready to be released. Edit: It’s out!! Click here! Incredible meta that goes into a ton of details not only about Maizuru.
So some big themes of her character are: (false) motherhood, spirituality/magic, control, cranes, woman’s jealousy.
The siblings
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Alriight so besides Toshiro the eldest at 26 years old, there is Toshiyuki (Toshitsuge in one fantranslation) the middle son and Toshizane the youngest (Toshikage in one fantranslation). They were all said to be raised by Maizuru. "A strange level of distance" is interesting. Why strange? I feel like this implies they do interact regularly, and that they’re all rather civil wirh each other, but they still have little bond to speak of. That wouldn’t surprise me, especially since even inside the family etiquette and propriety and rules are enforced, the summoning by his father feels very formal and they all listen to him standing in silence despite having snappy inner thoughts. It’s unsure if they were largely raised together or apart, but since Maizuru was their (at least main) caretaker/governess it implies that they were imo. They were put in competition with each other for the title of heir to the house, though it’s unsure to what degree. It’s examplified by their family all having names that start with "Toshi" that the legacy is very important and thrust upon them, cogs in a machine almost. They all think the same thing when their father summons them and has a spiel, so they’re used to the same sort of treatment and they are indeed brothers for being on similar wavelengths haha.
Toshiyuki, as seen in the comic about his retainers, the poor soul sent into Darkest Dungeon, is brattish. Rude, selfish and rather lecherous, does not hesitate to be mean to his retainers and complain he wasn’t given women retainers. Visually he looks what, 14 years old top. I wonder if Maizuru stopped using her babysitter ninja art on the heirs after it traumatized Toshiro, and if so maybe that explains why Toshiyuki Knows No Fear In His Heart™️ and that’s why he can spout off stuff like that.
The retainers for the youngest brother, Toshizane, don’t seem to be as clad in ninja gear as the other two, seems like the priority is to take care of the very young young master there? Rather than truly go adventuring and dungeoneering, perhaps. Not that it’s ever said by anyone that their quest is to go into dungeons specifically, only to find something "interesting" to bring back, but both Toshiro and Toshiyuki are shown to have ended up drifting into dungeons. Toshizane looks young, I’d clock him 8 years old personally. He’s drawn looking rather innocent, especially the headshot doodle above and in the Toshitsuge complaining about his retainers comic. ALTHOUGH on the latter, interestingly as we see with Toshiro having a smug smirk in that same panel (or alternatively a smug indifferent/uncomfortable "i don’t care about this, even though you want it so much" look which at the very least is very exaggerated from how he emotes in reality), it’s Toshiyuki’s unreliable/exaggerated vision of his brothers and it doesn’t necessaeily reflect reality, though it’s still interesting to note that that’s the vision Toshiyuki has of his brothers/the impression Toshizane gives off. That can imply juicy dynamics for the brothers, for example if Toshiyuki feels as though he’s in competition with his brothers, feels superior to them, that instead of pushing the shitty family dynamic angst onto his father he puts the blame for it all onto Toshiro. Toshizane seems maybe too young to notice the tensions and seriousness around him, maybe more coddled… IS WHAT I WOULD SAY BUT in the comic where their father send them away he’s as well-behaved and serious as the others, so clearly he has a grasp on his role.
When talking about which retainers go with who, it’s said it was the father’s choice. I’d like to assume it wasn’t an airheaded/random choice. Maybe he knew that Toshiyuki would be weird about having women in his team of retainers? And wants to forge their character or protect them in the way they need. Though how Toshiro’s party only has women isn’t only pointed out and commented on by the comic with Toshitsuge but also in the main Dungeon Meshi story, both Marcille and Chilchuck going "his party is fully made up of women", one more loudly than the other haha. So it does feel like a somewhat pointed/purposeful decision, if not that the 4 girls were already a team like I mentioned.
The other retainers
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Already made an analysis of Hien and Benichidori’s relationship (+ moment compilation) here. Honestly my juices are exhausted so quick rundown:
Hien’s parents both serve the Nakamotos, so she grew up with the family and was even a childhood friend of Toshiro. She assumed he and her might end up in a Maizuru-Toshitsugu situation ‘just because that’s how things are’/‘it’d be a natural development’ if we’re to believe Hien, ahh what growing up at the Nakamotos�� with those role models will make you believe is normal hah, and was surprised when it ended up not in that way at all. They grew more distant with time, in good part because of the professional nature of their roles in relation to each other (truly a reversal of the Maizuru-Toshitsugu situation). She’s the leader of their lil squad, under Maizuru, she’s very confident and she gets the perks, like getting the bedframe in the shared inn room. For all the details just read her page. She has two dots, showing her rank as a full fledged ninja. I made a more in depth more speculative reading of her in this post.
Benichidori was bought, by "the Nakamotos" so we don’t know who made the final decision. She’s perceptive and submissive, her specialty is implied to be disguise. She never had much contact with Toshiro before she became part of his party. She has facial dysmorphia where she fears the judgement of others if she doesn’t wear makeup and highly values beauty, in her extra her anxiety really shows and she ends up angrily snapping at Hien. Benichidori ends up taking a big liking to Hien and from there on they’re implied to be inseparable. She has two dots, showing her rank as a full fledged ninja.
Inutade is said to worship Toshitsugu because he "saved her" from her horrible life conditions, buying her personally from the sumo matches, she’s extremely grateful to the family and is happy to do any work they give her and is highly satisfied with her current living conditions. She seems to find Toshiro intimidating, though. She was separated from her parents from before she can remember and raised as a sumo wrestler in inhumane betting matches, where her front tooth broke. It seems she has very littke ambitions and dreams besides obeying orders day to day, but after Izutsumi fled away she was happy for her and mused that she’d love to go out and find her one day. They’re so besties Izutsumi gave her a dream of her own I’m sobbing… </3 She has one dot, showing she still has to be attributed her role and earn her stripes.
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Their approval rating of their leader. The highest total score from all the parties.
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Izutsumi
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Sighh where to even begin. Her timeline was put in Maizuru’s section of this post but the rundown is "taken away from parents and turned into a beastkin" at 6 yo (the human half of her soul), "sent to a sideshow on the island of Wa" at 7 yo and bought by Toshitsugu at 10 yo when he took an interest in her when he visited the sideshow. Maizuru put the curse on Izutsumi at age 12, so from then on she always had to not stray much far from Maizuru or risk death, it’s unsure if Inutade’s extra is from before that time, before she was 12, so she could still attempt many many tries to run away. If that’s the case, then Maizuru’s curse was very much treated as a last resort, honestly beyond everything else I can see it being a pain that Maizuru would need to touch her every so often on Maizuru’s schedule as well. The alternative is that, not unlike Kabru who had no regrets dying in a dungeon rather than staying with Milsiril, she’d risk her life to get a taste of freedom. Besides, you know, being a slave and having a timebomb collar with Maizuru’s curse, her frustrations with her life with the Nakamotos is most concisely put in the comic just up above, Inutade’s extra.
She has no dot tattoo, meaning she’s at rock bottom of the hierarchy. It makes sense, since unlike Inutade she’s rebellious and needs threats to obey orders, and even then might try shifty business.
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This last part where Izutsumi tries sleeping with Toshiro is most interesting to me. So she’s sought out contact with Toshiro before, she considers him "the stuck-up guy" but she doesn’t exactly hate him. I wonder if this comic is set in the inn on The Island or back at the Nakamoto household, because if that’s the latter it implies that she could get access to his room if she’s sneaky.
Oh oh also, this is fanon but since Toshiro’s weapon is one used usually on horseback, and with the steadfast and upright character of horses I associate Toshiro with horses a bit, though this is wild fanon. What’s interesting is that the plant Asebi was named after is a plant infamous for being toxic to horses. Hehe hehehe he wears a ponytail… Hm now that I think of it hairdos have importance for samurais, should look into that.
Toshiro
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God. Ok. Everything was leading up to this guy. Need to split open his head like a geode and vibecheck his brain crystals. Let’s get some interesting details out of the way first.
His weapon is a tachi, not a katana. The wikipedia on tachis is more in depth if you want, but I consider the article I linked to be in deoth and digestible. Tachis are heavier and longer blades than katanas, and make for better horseback weapons than close combat. The way Toshiro uses one instead of a katakana shows that he’s extra strong… And does make sense, since most monsters won’t fight in as close quarters as human fighters. If katanas aren’t a thing in the world yet could make a difference, since tachis were invented first, and once the katana was invented and spread tachis became something more common in higher-ranking samurais. In the monster tidbit of the Hag, it’s shown that even at 6 years old Toshiro was training and learning ninja skills, his first instinct to the shikigami besides running being to fight.
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Toshiro knew that Izutsumi wanted to leave, for sure. He may have been sympathetic, if his cryptic look back at her in the ‘Toshiro interacting with his party members’ page means anything. As seen below though, him being sympathetic doesn’t necessarily mean that much. Also, Toshiro had to have known about the curse on Izutsumi, where if Maizuru doesn’t touch her once in a while she’d die. "Asebi must have ran away, leave her" can be seen as subtle support for her to gain her freedom, but it could just as easily be seen as him leaving her behind to die. Because the outcome options are 1) she gets killed by Maizuru's curse, 2) she finds a way to break the spell, 3) she finds a way back to them.
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He’s very conflict averse. Wether it be in relationships like with Laios or the status quo. Will not stand up for 99% things including himself. He obeys his father quietly despite his anger and dislike. This is the same guy who can't even get himself to speak up to correct the butchering of his name, the slippery slope that got him tangled in the Laios party seemingly without resistance. It’s very japanese etiquette from even nowadays, never saying a direct no to not be rude. ALSO THAT PANEL, has Toshiro beaten an ogre before?? Is that a brother of his?? Does seem in character for Toshiyuki the most, unless Toshiro was desperate to earn his father’s attention with feats. On the right I’d say the ones in the foreground are two of the brothers, maybe the third being the one to gesture to the ogre. It’s worth noting that inheritance laws during the Edo period often made the heir the son with "the most merit".
When with a goal that’s important to him he’s fine with even starving for it. Although what we see him be like that about in canon is Falin, aka self-admittedly in the post-canon proposal comic "the first person he has liked this much", which for him I feel is like admitting she’s one of the first things he has truly wanted for himself and fought for, soo… It’s more like an exceptional freaking out moment than something that would be recurring, most likely. How disheveled he got is a testament to how much he would forego propriety and rules for people of his status for the person he cares about most. Maizuru says the first personal request he’s (ever?) made was for them to help him rescue Falin.
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Which ahh yes, his crush on Falin. I do think idealization plays into it, he doesn’t know Falin that well for sure, but it’s more complex than that too. Falin is pretty and can have an ethereal energy to her, she’s caring and gentle kinda motherly which Toshiro would find soothing I imagine, BUT MOST OF ALL. She’s weird!! She’s just weird enough to allow and be charmed by!! Shuro was fully shaped by his upbringing and environment of nobility, social etiquette and whatnot. Yeah she’s weird and quirky, but still quiet and sweet-mannered enough that he’s like "Yes, she wouldn’t bring shame on my family name". And why would he be charmed by her weirdness? Because all he’s ever known is rules!! Conformity, fitting in!! Unlike the others he knows, she is weird without being overbearing as well. "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" She’s like his comfort character. MOREOVERRR I had totally forgotten about it, but Toshiro was shown watching a snail behind a bush and losing sight of everything else (like Maizuru calling him) as a kid in the Hag monster tidbit, the moment he fell in love with Falin it was when she looked enthralled at a caterpillar and he mentions how "most girls would have screamed or recoiled in disgust", and in the beach chibis page he’s crouching and collecting shells thinking about Falin… He likes bugs and crawly critters guys, he wishes he could be cottagecore too… It’s a genuine shared interest… . Someone pointed out that Toshiro & Falin’s relationship probaboy references this japanese folk tale, and I think that’s very interesting to note.
And Maizuru is like his mom but it’s a Thistle situation where they can’t just be a normal family and normal affectionate either- and when he learns about his father having a thing with her he feels weirded out. And like. Who knows how much he even got out of the mansion. He got homeschooled. He’s distant with his brothers. The family is in shambles
Shuro’s issue is that he was taught to be perfect and have the upmost respectable behavior, so if something annoys him he has to be righteous about it and that it’s the annoying thing’s fault or moral failing. Bro just let yourself be petty sometimes it’s healthier. With the feud with his father it’s explicitly stated that the pressure and expectations of the family name weigh on him a lot.
But then, that makes his beef with Laios so understandable doesn’t it. Not justified, but explained certainly.
Laios & Shuro and the whole mess coming to a head
I’ve made an analysis of the Laios-Shuro fight from Laios’ pov before, here. This is the Shuro pov analysis. Yes yes in The Fight, Shuro is dehydrated sleep-deprived and underate, he’s majorly off his rocker, BUT his frustration and the underlying issues are still things he felt on any day and it’s interesting to note.
Toshiro has been raised from his birth with the priority of propriety, nobility, etiquette, rules, conforming elegantly, appareances and reputation are everything. He’s modest, humble, quiet, stays in his lane and bottles all his feelings up. Wait who is this loud guy coming up to me being inconsiderate and loud af?? Does he not see me blinking in morse code that I’m not enjoying this and want him to leave?? Was he raised in a barn?? He’s overbearing and rude and way too friendly- He’s weird wtf! Not conforming to basic etiquette is illegal??! And people just… Let him do whateve he wants?? He lives well, no one stops him or kills him?? What the fuck, I’ve followed rules and etiquette thoroughly all my life, and it’s thankless work I get no recognition for, meanwhile he gets to be oblivious af and do whatever he wants without getting clapped?? Resentment, frustration, dislike, anger anger anger, jealousy.
Laios might even remind Toshuro of his dad in a way, because he SEEMS impulsive and like he does whatever he wants without a care to people around him, without thinking of how it might affect them. Doing things without thinking through the Implications. And interestingly this is a bit paralleled to to how Shuro is serious, strict, and big on the duties that come with having a leader role and the family dynamic it brings, like Laios’ own father, who Laios also dislikes… Dealing with his anger towards Laios, especially knowing that Laios doesn’t mean anything bad by it like Toshiro admits, is probably very healing to him. He stops repressing and thinks through his issues a bit, realizes what parts of his life he’s unhappy with and where all the negative feelings come from. I do think he bottles up his dislike for his father a bit, he has to at least for appearances. His beef with Laios is repackaged internalized anger for his father, but it’s ALSO repackaged frustration from his etiquette-bound lifestyle. He says it himself, when Laios is like "You never told Falin how you feel…? Alright, when I can I’ll tell her for you buddy!!", "that’s the part of you that I envy". Laios’ ability to just come out and say what he wants to, what he means. He wishes he could be free of all the rules more, that he had te courage to speak out, like with Inutade, or talking things out with Maizuru, or nit having to act like he’s not angry with his father. This narrative point of Toshiro envying Laios’ ability to say things freely and being frustrated by not being able to himself is ESPECIALLY examplified by their first interactions, the basis of their relationship: Laios enthusiastically befriending him, giving him a bad nickname and roping him into joining his party, with Toshiro never turning it all down despite wanting to, too hesitant to act possibly rude.
And now is time for the laishuro addendum… Because of personal experiences it’s a bit of a sensitive spot to me so while I see timelines in which I enjoy it I’m very picky… This is all further theorizing from me btw I’m not pushing my view here onto ppl as facts, but I think there’s more interesting bits and scenarios to bite into here. Laishuro has very cute and sweet potential. I personally don’t see the "Oh wait Laios is just girl Falin… 😳" angle because to me if anything that’d just make Shuro disillusioned with Falin lol, but like yes make Shuro learn that it’s ok to be weird with Laios 🥺 They DO have differences first of all, important ones, especially from Toshiro’s perspective. Laios is overwhelming, whereas Falin is soothing. Laios is loud and asks things of him where Falin is a calm, quiet presence. Laios pushes himself onto Toshiro, whereas Falin is content on just doing her own thing in her corner alone.
Hot take but the ultimate laishuro timeline is the one where he DOESN’T bring Laios back home, because he knows he’ll be seen as an oddity and clown by his father, and he doesn’t want Laios to be treated like the tapdancing monkey there to please and entertain his father the way he himself has always kind of been. Wouldn’t inflict that onto someone he loves. He can recognize when people are taken advantage of (mostly) like Inutade, and it doesn’t settle right with him. He might be especially sensitive to it in Inutade’s case because it’s about seeing his dad in a better light than he deserves, though. His father is his weak spot, THE weak spot.
It gets me so emotional thinking about it actually because seeing Laios played like a fiddle by his father, Laios so happy to find someone who’s enthusiastically listening to him ramble and engaging, would destroy Shuro emotionally I think. Like. On one hand being like "Oh of course my dad would find Laios fun, unlike me his boring son", super angry as coping mechanism for his intense sadness of not having positive parental attention, and then on the other he’d see Laios being treated as a clown and identify with it and that would remind him of how he gets treated similarly which he’s in denial about (more or less, but since he puts up with the family rules and follows along he hasn’t given up on getting recognition. He wants his father’s approval, and he couldn’t blame Laios for being happy with it despite how hurtful that attention truly is without Laios’ knowledge), which would be such an overwhelming conflicted mess of emotions and his worldview would shatter a bit because he has to repress it all even now, and he’d have a breakdown.
And similar deal but if he brought Falin home… Bc ok yes he idealizes her and doesn’t even know her all that well, but like I said imo what he sees in her is that "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" So meanwhile with Laios he’d have mixed feelings on him getting treated like a clown and identify with it, bringing Falin home and having her be demeaned would be like having his perfect comfort character dunked on and he gets reminded that the world can’t have anything good actually. With both Toudens it’d make his resentment towards his father even worse, he might snap. I’m not the biggest on gendered analysis tbh but Kui evidently does like to do it to some degree, with the genderbending changing their life considerably and different fantasy cultures having different gender roles and all, but Shuro idealizing the Touden sister as something perfect he cannot attain while being jealous and frustrated at Laios for being something he cannot attain is like. So compelling actually. With Maizuru’s hannya of female rage weaponized there could be a theme of pushing the blame and responsibilities of things onto women too, the responsibility to raise and to manage and to dish out the work and to clean after mens’ reckless decisions. Anyways just a tangent.
Shuro on a bad family angst day is everything I love in a blorbo… He can be a lil shitty as a treat to make his healing arc more fulfilling. Toshiro snapping after he sees how they treat Laios/Falin and he gives up the family headship to LEAVE. Maizuru arc where she has to choose between loyalty to the clan and loyalty to Toshiro, will she stay with the boy she raised or go home… To me Maizuru is much less sympathetic than Shuro, but she is pretty tragic and her selfless love for Shuro is her one redeeming quality. Babygirl take no shit no more, but also better yourself and turn your life around please and thank you… She is so evidently taken advantage of but like. What else does she have? So she just takes care of and loves the boy she raised like her own kid and goes about her daily life in servitude and doesn’t think too much about it all.
Shuro is awful a nickname but also, I think Shiro would be a good nickname for Toshiro, because it gets rid of that ‘Toshi’ first part of his name that all the male members of his family share. It severes the link to his father and the tied pressure from his family.
Laishuro brotp turning slow burn romance would be so lovely. I think college au for laishuro would be peak actually… Shuro so is the repressed "I am so normal" guy who has a furry liberation identity crisis arc… I also quite like the potential he’d have with Namari, as both work-oriented misfit foreigners cast out of their homes, and she’s also bolder so it’d be good for him, and he could bring her stability… That’s a topic for another day tho. Even he and falin are sweet tbh, they could have traveled around together even if just as friends… Bc yeah she does value him as a friend at least somewhat, she says she’ll visit him~! Mostly I want Izutsumi-Toshiro brotp fancontent.
Conclusion
The household is very hierarchy oriented, and honestly the system doesn’t seem to make anyone happy, or at least not healthily so. Sighh feudalism.
Obviously their situation are very different, but still Toshiro and Izutsumi react to the same conflict in opposite ways: when a hierarchy and lifestyle of rules and duty is thrust upon them, Toshiro obeys and believes that it’s how things simply are, always having it been drilled into him since being a baby and being privileged enough to live ok with things as they are, meanwhile Izutsumi rages and eventually breaks free and never wants to submit herself to rules or hierarchy ever again, even if that perceived hierarchy is a mutually beneficial professional party dynamic or having a role inside a well-meaning team, like Laios’ party. WHICH IS WHY THEY SHOULD HANG OUT AND HAVE AN ARC TOGETHER. LET HER INFLUENCE HIM TO GET WILDER AND THINK OF HIMSELF MORE. FUCK INHERITING THE HEADSHIP. THE SIBLINGS NARRATIVE.
As always if I find more stuff to add i’ll edit it in. Rn I’m thinking that I’ll look into ninja & samurai feudal history and try to find specific terms that might fit their roles and situations more. I should reread try to cover Izutsumi’s end of the Toshiro-Izu dynamic as well.
I greatly recommend this paper for more excellent meta on all named Dunmeshi characters and their culture!
Ah yes yes, I forgot to talk about it but we don’t know what Toshiro’s retainers have been doing with their time on The Island, especially while he was dungeon diving with Laios and co. Although in the anime’s ed in this shot we see them "stealthily" follow him around, so presumably when he’s not in dungeons they’re tailing his moves.
Afterword here, it has summary charts about the power structure & relationships and complementary pages and artworks, couldn’t put them in here because SIGH 30 pictures per post limit.
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dr-spectre · 7 months ago
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Ranting about Salmon Run...
As someone who loves this mode and thinks it's the best multiplayer mode in Splatoon 3. The scale system in it is dogshit and needs to change in the next game. It's genuinely awful and terrible game design in my opinion.
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In order to get scales you must encounter a King Salmonid, the amount of scales you get is determined by your current rank and if you win or lose. Now to even get to a King Salmonid, you must do several matches to increase the chance of encountering one. Guess how long each Salmon Run match is... 300 seconds/5 minutes. Actually it's a little bit longer than that because you have to take into account queuing times, the wait time at the start of the match and the 10 seconds you get to prepare in each round.
Let's say you need to do 5 matches to even encounter the King Salmonid, you have to go through a little over 25 to 30 MINUTES to get a CHANCE to fight the king. AND GUESS WHAT! EVEN IF THE ICON IS FULL! THERE'S STILL A CHANCE YOU WON'T EVEN GET TO FIGHT A KING!!! WHY!??!? WHY IS IT LIKE THAT!??! I WENT THROUGH 5 MATCHES WHEN THE BAR WAS FULL AND YET I DIDN'T ENCOUNTER A KING AT ALL!!!! IT WAS A GIANT WASTE OF TIME!!!!!! (aside from ability chunks i guess) I GOT OTHER GAMES TO PLAY!!!!!
This icon is a fucking lie, a god damn lie i tell you! Even if it's full, your other teammates have to have theirs full as well apparently. So.. YAY! AWESOME! ughhhh........
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Now let's talk about when you actually get the scales, there's a very high chance you will get barely any scales because you lost and you're in a low rank, OR, you won't get a single gold scale for several Xtrawaves. Meaning you have to go through the process of building up the meter again and again AND AGAIN to get a chance to get a single fucking gold scale. Do you see the issue here? The insanely long grind? It's fucking horrible.
Oh yeah and by the way, the chance of you getting a gold scale gets higher when you're in a higher rank, however this becomes an issue when you realise that the higher ranks are REALLY REALLY hard and it's near impossible to make it to the Xtrawave unless you have an amazing team. So yeah, good luck trying to maintain a high rank and actually beat the King Salmonid to get a chance of getting a gold scale!!!!!!!
Man... This is giving me a god damn headache.
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Now, let's talk about the rewards you get. I'm gonna come right out and say it, you are never EVER getting any of these rewards.
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Unless you actually hack the game or you abandon every aspect of your life just to get a bunch of fucking pngs for your splashtag, you will never EVER EVER EVER GET THEM! They are flat out impossible and if you see someone have any of these, they are a hacker and need to get reported.
And the gear that people actually want, well... LOOK AT THIS!
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WHY ARE THERE SO MANY 800 BRONZE SCALE ITEMS!??! WHY?!?!?! WHYYYY?!!?!? Sometimes in Xtrawaves you may not even get 10 OF THESE! SO WHY MAKE IT TO WHERE MOST OF THE GEAR PEOPLE ACTUALLY WANT 800 GOD DAMN SCALES??!? If you got like 30 or 50 each time then maybe it would make sense, BUT NO! IT'S LIKE 5 TO 12!! WHYYYYYY!!!!!!!!!!!!!!! I have been playing this game since launch and i only have the Octoleet Armor. THAT IS IT! There is a difference between rewarding the player and just doing monotonous grinding.
I am glad that Splatoon doesn't do what other games do nowadays and just has microtransactions to skip through grinding and pay an insane fee for currency. But like... Overwatch 2 is less grindy than this, you can comfortably get skins in that game for characters you like just by doing challenges and playing a bit of the game every day, and that game has SKINS THAT COST 58 BUCKS AUD!
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That's all i wanted to say, I'm getting a headache just typing this because my god man, this is just awful game design and a poor way of rewarding the player and keeping retention time. Truly awful.
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bamboozledbird · 6 months ago
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IGNITE: A Teen Wolf S1 AU (Reader's Version) // Prev. / Chapter 4 / Next
Characters: Stiles Stilinski, fem!reader, Scott McCall, Lydia Martin, OMC Pairing: Eventual Stiles x Reader, but man are we talking slow burn Word Count: 4.5k Warnings: Canon typical gore/violence, parental death (rip to your fake mom), depictions of depression (apathy, dissociation, 'numb little bug' vibes), alcohol as a coping mechanism, season 1 Lydia behavior (her comments on addiction are wrong and insensitive and she's knows it) Tags: Canon has been lovingly scrapped for parts, author is a chaotic bi and it shows, prolific overuse of the em dash, the slowest of burns i fear
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Summary: You can always smell ash long after the fire is gone. Perhaps, that’s why you still can’t breathe without choking on the past. It’s been four years since your mom died. Four years since she burned alive. Four years since you didn’t. You survived, but they must have buried your heart with her because most days you feel like a shadow, some horrifically sad creature caught halfway between a ghost and a lamb for slaughter. 
You can’t scrub the bitter smell of hospital from your memories, not even with denial. Maybe, that’s why death and disease follows Stiles wherever he goes now. It’s been eight years since his mom died. Eight years since he didn’t. Eight years since he decided that he wouldn’t let anyone he loved die ever again. He survived, but Beacon Hills’ bloody underbelly is making it pretty damn hard for him to keep his promise.
Time never stops turning. The grief never dissipates. Children soldier on—but in a town where all the monsters under the bed are real, and old family secrets rattle in every closet, how long can two fragile, breakable humans survive?
Maybe, the real question is: How long will they want to?
Chapter Summary: Your life somehow becomes further entangled with Stiles and Scott's strange secret world, and Lydia is concerned in her own aggressive way. 
A/N: this is in fact a scott mccall stan account. i love that boy like he's my own. you can also check me out on ao3 (dork_knight) for the full lore version!
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The drive home was ultimately uneventful. No need for tasers, silver bullets, or wolfsbane goop. You would need to get gas before you left for school in the morning, but you supposed that was a relatively minor inconvenience when the other end of the scale was being torn apart by a fanged monster. 
Your jaw cracked with an aggressive yawn as you slowly stumbled through the garage door, fumbling for the light switch on the wall. You flicked on the light and paused, shivering a little as the cold air from the vent above your head skimmed over your bare arms. After a moment of hesitation, when that little persistent wriggling in your ear wouldn’t go away, you ducked back down the concrete steps to poke around the garbage can. Underneath a few Styrofoam take-out boxes, there were four empty beer bottles. The glass bottles clinked against each other as you nudged them out of the way, unearthing the real object of your paranoia. A drained bottle of 100-proof rye whiskey was cradled between two sacks of trash from the night before. You just stared at the bottles, heart and lungs wound tight, and then you dropped the lid back on top of the can.  
When you reentered the house, you were careful to keep the noise to a minimum. It wasn’t that late, only a little past nine, but you didn’t want to disrupt your dad’s slumber. Usually, he was a night owl—which, of course, was really just a pretty way of saying chronic insomniac, another thing you’d inherited from him—but it’d been a hard liquor night. Your dad always went to bed early on hard liquor nights. You didn’t know if he actually slept or if he stared at the ceiling, watching memories play on spackle until dawn streamed through the cracks in the blinds. Probably the first. You hadn’t ever heard him cry through the thin walls, not even once. You, however, couldn’t ever stop crying, not on the nights you trembled for something potent enough to mask the scent of the coconut oil your mom used to remove her makeup. The echoes of your mother had seeped into the walls, saturated the insulation with the faint sounds of the 70s pop rock vinyls she put on when she was in a good mood. They faded sometimes, but they always came back. You desperately hoped, and you hopelessly feared, that they always would. 
You rubbed at your eyes with the back of your hands aggressively and slipped under the covers, still in your plaid skirt and black t-shirt. Mascara smeared against your silk pillowcase, blurred your vision as it melted into your waterline. You stared at the wall until the silver swirls in the teal wallpaper started to sway. The teal was so dark it almost looked velvet with the lights off, and you had a heavy-eyed impulse to stroke it, but your hand was too leadened to lift. 
Your lids slipped shut, and in the haze between consciousness and slumber you felt the vague sensation of something solid against the back of your head. You murmured something incomprehensible and pulled your arms closer to your chest, taking in a breath of sharp whisky and a familiar woody cologne. You kept your eyes closed, and the warm weight cupped your skull for a moment. There was a brief kiss pressed against the top of your head and then the warmth was gone. Something large caught in your throat, and you squeezed your eyelids until your forehead wrinkled, forcing yourself to fall into a restless sleep filled with dreams of pancakes swimming in bourbon and howling beasts. 
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Stiles was waiting for you by your locker when you arrived at school the next day. His friend—Scott, you reminded herself—was leaning against the locker next to him. Scott’s eyelids were heavy, and there was a coolness underneath them that stained his tan skin with a swathe of puce. Puce: From the French term ‘couleur puce,’ meaning ‘flea color.’  You dug your incisor into your tongue once you recognized that the intrusive internal narration was in Stiles’s voice. You didn’t even know if he spoke French, but it seemed like the kind of weird detail he’d know. You ran your tongue over your teeth and shoved your fists into your jacket pockets, thumb poking through the hole in the lining from previous twiddling—when the hell did you start thinking about the kinds of things Stiles would and wouldn’t know?  
You pivoted sharply, and your traitorous leather boots ruined your attempted exit when they squeaked against the freshly waxed floor. Stiles’s head popped up from his hushed conversation with Scott, and he waved vigorously when he made eye contact with you, “Hey! C’mere!”
You tipped your gaze towards the tiled ceiling and sighed. It was inevitable, really; you had to get your English binder before homeroom—homeroom, yet another reason to hate Wednesdays. It was one of your few classes with Lydia, and there wasn’t ever any actual teaching to distract you from the disgusting goo-goo eyes she gave her boyfriend. Studying was your only respite.
“Patience,” you nudged Stiles out of the way and spun your combination into the padlock, “work on it. It’s an essential skill.”
Stiles scoffed and leaned his shoulder against the locker next to yours, arms folded over his chest, “Essential. There’s nothing essential about wasting time. It’s actually unvirtuous if you think about it.” 
You swung her locker door open, blocking out Stiles’s frown, and rested your backpack on your knee so that you could unzip it. “Was there a point in there somewhere, or are you stalking me again?”
Stiles ducked around the locker door and placed his hands on Scott’s shoulders, shoving him a little closer to you, “Scott had a question for you.”
Scott’s eyes didn’t look so tired when he reared his head back to stare at Stiles. They had an intense conversation for a moment. There weren’t any words exchanged, but you got the gist: Scott was pissed, and Stiles was relentless. In the end, Scott lost the battle and swallowed thickly, “So, uh, you know a lot about supernatural stuff. That’s cool.” Stiles rolled his eyes and smacked the back of Scott’s head. Scott glared at him before mumbling, “Do you have any more of that wolfsbane…potion?” towards his muddy Converse. 
You directed your annoyance over Scott’s shoulder, more than confident that the real culprit of this request was the idiot avoiding your eye-line. “What? You already burned through your goo sample? Are the streets finally free from the demon beast of Beacon Hills?”
Stiles held up his hands and shook his head, “This is all Scott. See, me, I’m a fan of not being a greedy little bastard, but Scott—” This time Scott smacked Stiles with a resounding thwack. Stiles rubbed his shoulder, mouth agawk with indignation. 
“He…dropped it.” Scott glowered at the side of Stiles’s face, “‘Doing something stupid.” 
You smirked, “Sounds about right.” You shoved your binder into your backpack and brushed your hairs out of your eyes, “I’d give it all away for free, but it’s not up to me. Sorry.” Zipping your backpack shut, you slung one of the straps over your shoulder and shrugged, “You could always buy some more, but I’d strongly advise against such a dumb financial investment.”
Scott rubbed the back of his neck and gave you a smile. It was small but riddled with warmth—like he just couldn’t help it, like sunshine leaked through every one of his pores, and you were filled with the sudden urge to buy the stupid wolfsbane gunk for him. “That’s what I figured,” Scott looked at Stiles pointedly. His voice dropped a few octaves and a growl slipped into the end of his sentence, “But someone thought we should ask anyway.” 
The bell rang, and Scott flinched, smashing one of his ears into his shoulder. He turned around, a little dazed, and Stiles trailed after him after giving her a distracted wave. As you watched them leave, a parasitic impulse wrangled through your throat, prying the hinge of your jaw open as you shouted, “Hey!” The hallway was abuzz with various conversations and clomping feet, but your voice was still a bit too loud for the short distance between you and definitely too urgent for 7:45 in the morning. 
Stiles turned around first, almost tripping over his sneakers, and then he yanked on the scarlet hood of Scott’s jacket until he stopped too. You shifted your weight from one foot to the other and licked your bottom lip, suddenly realizing how dry it was. “I, uh,” you sighed and took a few steps forward so that you didn’t have to raise your voice, “I could talk to Maggie. I bet she’d cut you a deal if I asked.” You let out a little laugh and raked your fingers through your hair, accidentally dislodging the satin bow tying your hair out of your face. “I know, actually. I know she’d give you some for free. She’s a terrible business woman.” 
Scott’s smile put the moon to shame, and Stiles looked like he’d been waiting for you to change your mind since the moment you told them no—when the hell did he start thinking about what you would and wouldn’t do? 
“That would be awesome,” Scott ducked down to grab your black ribbon and held it out to you with an open palm, “thank you. I’d owe you big time.”
Stiles looped his arm around Scott’s shoulders and smirked, “We’d. We’d owe you. I’ll stop by the store and bless you with my scintillating conversation sometime.” 
“Don’t worry about it,” you smiled softly at Scott, taking your ribbon from his hand. You attempted to tie your hair back in a neat bow, but it was difficult without a mirror. You assumed it was halfway decent because Stiles didn’t take the opportunity to tease you—you, on the other hand, had no such qualms about mocking him. You smiled at Stiles, far too sweetly to be considered congenial, and sneered, “Seriously. Don’t worry about it.” 
Stiles’s eyes narrowed, face curved around a smirk that screamed trouble, and Scott slapped his hand over Stiles’s mouth before he could say something to make you reconsider, “Thanks again. Let me know if there’s anything I can do to pay you back. Name it, and we’re there.” Stiles winked at you with a glint in his eye that was as vexing as it was bright, and Scott rolled his eyes as he hauled him away by the nylon material of his backpack, “C’mon, dude. My mom’s gonna kill me if I’m late again.”
You watched Stiles’s buzzed head bob amidst the congested crowd of students, all shoving each other in their rush to get to class on time, until you couldn’t hear his surly complaints anymore. You rubbed your hand over your chapped lips, swallowing hollowly, like you could erase every impulsive word that’d spilt from your stupid mouth.
You were still thinking about what you’d gotten yourself into when you walked into Mrs. Farias’s classroom—and that must be why you forgot your copy of Metamorphosis in your locker. You groaned internally and dropped your forehead against your desk, bumping it against the cool laminate finish a few times, before ducking out the door with a hall pass. 
The halls were empty—silent too. You could hear your own footsteps and the tick of the large clock above the main office as you walked around the corner, and then, just as you approached the hallway your locker was in, you heard something else. Voices. Angry voices. One familiar—your face scrunched as the recognition wriggled through your ears to your brain—and one not. You cautiously glanced around the corner and frowned. Jackson, Lydia’s arrogant prick of a boyfriend, was talking to a hulking, leather-clad stranger—or rather infuriating him based on the murderous look in the man’s dark eyes. 
The stranger looked a good five years too old to be in a high school hallway, but the grown-out stubble and over-defined muscles weren’t of immediate concern. You were more focused on the color of his face. His skin was pale, clammy, and quite honestly a little corpse-like thanks to the purply-blue tinge carving out the hollows of his face. You assumed that he was too strung-out to care if anyone noticed their altercation because you could hear him from halfway across the hall. 
“Where’s Scott McCall?” His voice was deep and gravelly, as expected, but there was a desperate undertone you hadn’t anticipated.
You could only see the back of Jackson’s head, but you knew exactly what his face was doing when he puffed out his chest and folded his arms—no one else could make a smirk look quite so punchable. It was a gift, truly. “And why should I tell you?” “Because I asked you politely,” the man leaned forward, bared his canines, and you couldn’t believe that Jackson didn’t even flinch, “and I only do that once.”
“Okay, tough guy,” Jackson sneered, meeting the man’s challenge with another step forward and a shrug that reeked of false-superiority, “how ‘bout I help you find him if you tell me what you’re selling him. What is it? Dianabol? HGH?”
“Steroids,” the man’s voice was dry, and if he didn’t look like he was about to double over and puke all over the floor, you’d say the menacing glimmer in his eyes was a little amused. 
“No, Girl Scout cookies. What the hell do you think I’m talking about?” Jackson tutted, maddeningly haughty, and shook his head, “By the way, whatever it is you’re selling, I’d stop sampling the merchandise.” He let out a low patronizing whistle, and you kind of hoped that the stranger would suckerpunch him in the throat for it. “You look wrecked.”
The man didn’t punch him. Instead, he pushed himself off of the locker he was slumped against and started staggering stiffly down the hall, “I’ll find him myself.”
Jackson grabbed onto his broad shoulder and yanked. The veins in his bicep bulged with the strength of grasp, “We’re not done here.”
Your limbs suddenly remembered how to function. You ducked back behind the brick wall and closed your eyes, waiting for the inevitable sounds of bone colliding into flesh. Your right eye cracked open a sliver when the noise never came. Instead, there was a loud thud and the echo of clanging metal. You peeked around the corner again and froze, eyes wide and throat dry. Jackson was pinned against a locker by his neck. You’d already noticed that the stranger was tall, but you didn’t truly realize just how large he was until now. Jackson was a lot of things, but he wasn’t small. He was captain of the lacrosse team—everyone within a ten-mile radius knew that thanks to his constant reminders—and if anyone on campus was taking steroids, he would’ve been your first guess. But next to this sickly beast of a man, Jackson looked meek and mousey, and you didn’t even get to savor it. After a brief moment, no more than a second, Jackson’s assailant sniffed the air and slowly turned his head in your direction. It wasn’t an accident; he wasn’t surveying his surroundings. His eyes landed on yours, and he didn’t look the least bit surprised. 
The man’s irises were dark, nearly black, and they didn’t stray from your face. You forgot how to breathe, feeling distinctly like a rabbit trapped in a fox den as your heartbeat hammered against your ribs. He spared you after a few seconds of paralyzing eye-contact and turned his petrifying gaze back to Jackson’s neck. You recoiled, slipping back to your spot around the wall, and pressed your back against the bricks until the sound of your heartbeat wasn’t so loud in your ears. 
When you found the courage to look down the hall again, the man was gone, and Jackson was bleeding from the back of his neck. There were four distinct punctures along his cervical spine, trickling crimson droplets onto the stark white collar of his polo. The gouges were small, almost like…nail marks. Baffling. This town was fuckin’ baffling.
You poured over the incident all day, barely conscious enough to take down notes and roll your eyes at Stiles’s badgering and bad jokes. You’d never been more ready for the final bell to ring, not even during sex education with the extraordinarily sweaty Mr. Peterson. 
You twisted your pendant around its onyx chain as you walked out of your last period, winding and unwinding the charm over and over again as you mulled over your thoughts. Scott didn’t seem like he was on drugs. You didn’t exactly know him, but he was the least aggressive person you’d ever met, and he had to be eternally patient if Stiles was his best friend. You spun the medallion again and shouldered your way through the cramped halls to the parking lot, scolding yourself. What Scott McCall did or did not inject into his bloodstream wasn’t any of your business…even if his alleged dealer looked like he was on death’s door and had a habit of throwing teenage boys around when he got mad. 
You’d just convinced yourself that you didn’t care what happened to Stiles’s best friend when a discord of honking stopped you in your tracks. You flitted your gaze around the parking lot, searching for the cause of obnoxiously loud cacophony; your shoulders wilted along with your resolve when you spotted the guilty party. The man from the hallway was sprawled on the asphalt, and Scott and Stiles were scrambling to help him off of the ground. 
Your feet reluctantly trudged towards the peculiar trio, arms tightly folded over your cropped sweater. You would’ve laughed at how wide Stiles’s eye stretched when he finally noticed your presence, but you were a little preoccupied with the fact that he was currently trying to stuff a ghoulish grown man into his front seat. You watched him struggle to hold up approximately 200 pounds of solid muscle with his spindly arms, absentmindedly lamenting that you couldn’t truly appreciate the humor of the situation. “Hey,” you slanted your head and searched Stiles’s face for any sign of an SOS signal, “you good?”
“Ayup,” Stiles nodded emphatically, and Scott shot you a weak thumbs-up from his squat next to his tipped-over bike. 
You looked between the two of them, waiting for the truth to crack through the awkward pretense, and narrowed your eyes, “You sure?” 
“We’re good,” the man barked from inside the jeep, teeth bared. It was a little less intimidating now that he was slumped over and at the mercy of a sixteen-year-old with a dork complex, but you still flinched. You couldn’t help it. It was a small twitch, but Scott still managed to track the minute movement from his low perch. He glared at the man, shockingly firm for such a sweet-faced boy, until the stranger stopped scowling at you. Mr. Sour Face turned his head towards the window and stared intensely at the hazy tree line over the hill. Your fingers relaxed. You hadn’t even realized that you’d dug your nails in your palms until the stinging stopped. 
Scott jumped to his feet and pulled his bike up by the handles, rushing through his weak explanation, “Stiles is just…doing me a favor. Derek needs a ride, and all I’ve got is my bike.”
Letting out a flimsy snort, your brow pinched, “So…he walked here?”
“Uh,” Scott squinted, and Stiles nodded behind him, “yeah?” 
You pursed your lips, ignoring all the students who’d started shouting over the beeping horns, and watched Derek grit his teeth and clench his fists through the dashboard window. You looked back at Stiles and chewed on your lip. Stiles was taller than you, but he was on the scrawnier side of lean and wouldn’t stand a chance against a man of Derek’s size—even if he was barely clinging to the rapidly fraying threads of consciousness. “I could use a ride to work,” you pulled the backseat door open before you could talk yourself out of it. 
Stiles lurched towards you and slammed the door shut, narrowly avoiding your fingers, “Normally, I would seize any opportunity to have you further indebted to me, but—that’s Lydia Martin.” His eyes bulged out of his head, and he leaned against his jeep, slipping down the blue frame as his legs went boneless, “Walking towards me. Cool. Cool, cool, cool.”
The prospect of riding in the same car with Mr. Resting Bitchface was being more appealing by the second. Lydia didn’t even look in Stiles’s direction. Her cutting green eyes were fixed on you and you alone. “Are you an idiot?” Lydia snatched your wrist, mauve manicure digging into the delicate skin on the inside of your wrist, and yanked you back to the sidewalk.
“What?” you went brainless for a moment, taking in all the glory of an enraged Lydia Martin. 
Lydia’s cheeks were flushed pink from anger and adrenaline, “Or just suicidal?”
The shock had worn off. Now, you were thoroughly pissed, “What?”
Lydia’s eyebrows, perfectly tapered and freshly threaded, knitted together until she was in danger of developing a unibrow, “Do you have any idea who you were about to get in a car with?”
Your eyes flicked to the side, and it took gargantuan strength not to roll them too. “Stiles?”
“What the hell is a Stiles?” Lydia’s riptide of fury gave way to confusion, but her soft features sharpened abruptly when she returned her attention to your scowl, “I meant Derek Hale. Obviously.”
Your hip cocked to the side as you crossed your arms, “And?”
“And he’s a murder suspect,” Lydia’s lips curled into a vehement sneer. It was so strange to finally see it first-hand. Lydia had such a sweet face, cherub cheeks and doe eyes—a clever smile. She hadn’t quite mastered disdain when you were friends; the ice queen routine wasn’t performance ready until you’d drifted apart. It was an awful face, you decided; it completely erased the last few pieces of the Lydia you knew.
“In an animal attack,” you muttered under your breath. 
Evidently, it had been a long time since someone dared to disagree with the Lydia Martin because she was struck speechless. It didn’t last for long, but it was still satisfying. “He’s dangerous,” Lydia hissed. “He went completely off the deep end after his family died. Seriously, his life is like a textbook precursor to violent behavior; he’s a profiler’s wet dream.”
“Because his family died,” you repeated. The numbness eroded some of the snark in your voice. 
Lydia either didn’t notice or didn’t care about the glaze creeping over your eyes. She continued, barbarous and unashamed, “Because he watched them turn into charcoal, and his sister was just ripped in half. At best, he’s unstable—but his little hobby of trolling for minors is a bit of a red flag, don’t you think?”
“Charcoal,” you spoke—more of an echo really with its resonating hollowness. Your eyes were on Lydia’s face, but your mind was somewhere far away. A lifetime ago, with the ashes of everything you once knew. 
Lydia’s eyes went wide, and her mouth gaped into a perfect little ‘o.’ Her dainty fingers twitched by her sides, and then she smoothed out the non-existent wrinkles in her flouncy mini-skirt. “Most of his family died in a fire,” her voice was much softer this time, a bit of tenderness accidentally rooting through the cracks in her veneer. Lydia looked away and gripped the thin strap of her handbag, “Accidental house fire. It was all over the news like five years ago.”
You stared at Lydia, and for the first time in the last four years, you didn’t miss her. For the first time in such a mind-numbingly long time, your anger strangled your heartache with a wrought-iron grip that felt a whole lot like hate. It was always going to be like this, you realized. You would just have to walk around with all these what-ifs, if-onlys, and what-really-happeneds needling your heart with every thud—always. You had to learn to live with this: knowing that Lydia was never going to apologize and that there would be no closure. Ever. 
“Right.” You laughed, shark-like, with your canines on display. You hoped it would make all your constants sharper. “So he’s gotta be a lunatic now.”
“Y/N…” It was surreal to hear your name out of Lydia’s mouth after so long. You didn’t know if you liked it, and, currently, you didn’t even know if you cared. Lydia chewed off what was left of her nude lipstick and then squared her shoulders, “So we’re just going to pretend that he wasn’t completely strung-out and totally embracing the heroin-chic aesthetic?”
You slanted your head a bit and then let out another serrated laugh. There wasn’t any point in having it out, you decided, because Lydia didn’t care. She got to move on and erase your entire existence—live her perfect, popular girl life without all this suffocating quicksand binding her to the past. Must be nice, you thought venomously, souring your tongue, stinging your eyes. Showers were probably just showers for Lydia. She didn’t singe her skin until the water went cold, imagining what she’d do, what she’d say—how she’d hurt her back. Must be so fucking nice.
“Lydia, I really don’t think you really want to get into all the things we’re pretending,” your voice was tight, strangled at the ends. You would not cry. You could not cry. Lydia sensed weakness like blood in the water, and you refused to give her the satisfaction. 
“Fine,” Lydia’s curls spilled down her back like strawberry wine as she pivoted in her designer heels, “ride off into the sunset with a 'roid-raging creep. Don’t act surprised when you turn up dead in a crack den.” 
Truthfully, Lydia had a point, but at this moment being contrary seemed far more important than being right. “It’s kind of difficult to act like anything when you’re dead,” you called, eyes zeroed-in on the back of her head as she slid into Jackson’s Porsche with a sensual grace you would never possess. Lydia was too far away to hear your retort, but you felt a little less like punching something after you said it. 
You didn’t notice that Stiles and Scott were gone until the threat of bitter tears stopped burning your sinuses. The last thing you needed was to cry like this upset you, even if the only nearby witness left on the vacant sidewalk was yourself. You scoured the parking lot for even a flash of powder blue, but the jeep was nowhere to be seen. Probably long gone by now—your spat with Lydia must have taken longer than you thought. It was certainly louder than you meant it to be. Little clusters of ambling students were looking at you a little too long to be casual, and the indiscreet whispering once they turned back to their friends forced your legs forward. 
You didn’t know where you were going when you started your car, but far, far away sounded pretty damn good.
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yourcutelittlegayfriend · 2 years ago
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So this is basically just a thought I come up after watching the movie, I haven't got a chance to read the book but I'll try to when I have free time.
So short summary this might be headcannons I've come up for the time being before making a whole series about this.
This series might end up as Yandere Platonic Batfamily x Nimona!Reader
Nimona!Reader headcanon:
Reader is gender neutral since they can shape-shift into anything and anyone, the concept of being a girl or a boy is confusing to them, They are Y/N simple as that.
Y/N's power is like Nimona's minus the magic sparkles you see in the movie, their body shifts each cell to anything they want but like her or even Beast Boy they have telltale signs that it's not just any animal or person.
When Y/N shifts into any animal they have the hint of red on the skin, fur, scales or feather while if they shift to a person they have red stripes of hair on their head.
I would like to keep Nimona's red/pink-ish hair because why not? it's Iconic and I love it, really pops out in Gotham that Y/N is a the main character.
The rest of the other physical description is up for the readers to decide.
The setting of their origins goes back to the mid-early Gotham days, where the corruption is it's highest, a perfect plot to explain why they became so hateful to the city and later to the world.
Batfam Headcanon:
Bruce Wayne
Let's start with this bat pajama wearing vigilante
As I told before Y/N is already a citizen of Gotham at the beginning ahead of Martha and Thomas Wayne time and few generation of Wayne's and the original known influencial families in Gotham.
When Young!Bruce met Y/N it was the day Bruce fell in a cave/well at the back of the Wayne mansion
Except instead of Thomas rescuing Young!Bruce it was Y/N who did
Y/N save Young!Bruce and calm him down, he still became afraid of bats but the memory was tied together with their first meeting making it hard for him to forget Y/N
Young!Bruce and Y/N (who shifted to a young child) became friends behind Thomas and Martha's back
The two loving parents would always listen to their son telling stories about his new friend who can shape-shift
They only smile and encourage him to talk about his new friend because they thought Y/N was an 'imaginary' friend he made up after the traumatizing event.
Then here comes the canon event, I got two scenarios with me first is that Y/N was there when the death of the Wayne's happened and they shifts into a large deadly bat after the trigger was pulled and killed the mugger making Young!Bruce traumatized and call them a monster.
Second that Y/N was gone and came back after that night and Young!Bruce blames them for not showing up when he needed them because they promised to protect him.
Fast-forward to the present Bruce became Batman and already when through Dick, then him now as Nightwing Barbara from Bat-girl to Oracle (still in the process of healing), Jason, Jason's death, adopting Tim and making him Robin, Stephanie to Robin before Spoiler as well as adopting Cassandra before Damian came after Talia introduce and told Bruce to 'get to know his son' unfortunately no Duke yet because in order for him to be introduced everything in the batfam should have settled in including Jason but I will put him later on the series and He'll have his own introduction to Nimona!Reader.
Reread that again Jason's death but no reconciliation with him and here comes the next part I love.
Imagine this setting, it was raining in Gotham and Bruce as Batman was in pursuit of the Vigilante named Red Hood.
After finally cornering him, Bruce found out about Red Hood's true identity being the revived Jason Todd, his late Robin and son.
But before he could apprehend Jason, the younger male only smirk and whispered something before a pair of red blood bat wings emerge behind Jason.
A person rose up from Jason's back having a that familiar her color and a pair of glowing eyes looked directly at Bruce's as the mysterious person's with uncanny features that stood behind his son tickled the back of his brain.
Before he could utter a word he was cut off by a one strong flap of wings, soon Jason and the figure was up in the sky, the large bat wings flew up in the middle of the moon's form and their large wings spread open as if to mock the symble of the Batsignal before disappearing.
Headcanon for Nimona!Reader relationship with Bruce
At first I was planning on making Nimona!Reader as Young! Bruce's childhood first love before making it a sibling relationship
Still open to a romantic one if people are ok with it but I'm more fine with a sibling dynamic
You already see Young!Bruce as your Brother and you still do even after the harsh fall out the two of you had.
You already knew he was Batman by scent but never bothered with telling him or showing yourself
It's fun to wreck stuff at Gotham and making the big bad Bat frustrated and angy.
The only thing he's glad about is you never interacting with the Joker
for the Yandere part is that you being a big influence to his younger days being his only friend and literally the one who save him from the well/cave accident.
You became one of his fears and inspiration to become Batman
and seeing you again made his feeling from before come back and resulted to needing to find you and to reunite with you again.
Jason Todd/Red Hood
I'll pick him as second since I think I should put the order of how close the members of the Batfam are to Y/N
I can imagine him as Ballister to Nimona!Reader but more dark and is actually a villian that Y/N is going to join and become his sidekick
I was planning on mixing two version of Red Hood/Jason Todd maybe Arkham!Red Hood/Jason and Young Justice League!Jason Todd? weird but I need to this two version of him to connect for the plot I have in mind so stay with me
So Jason died by the Jokers hand at Arkham and his dead body was snatched and revived by Ra using the lazarus pit and became the League of Assassins puppet for a few years before escaping and became the Arkham Knight
He started a few solo missions, killing criminals and making a name -remember not Red Hood yet- first before moving on the recruite people not yet joining forces with the scarecrow
Y/N saw the Gotham news and found out about The Arkham Knight and was like
News reporter: He's a criminal
Y/N: He's awesome
News reporter: He blew up a building and killed people
Y/N: He's fucking metal
News reporter: He's Evil
Y/N: He's perfect
After that they broke into one of Jason's secret hideout and tell him about becoming his sidekick making Jason's ptsd come back about being a robin and Batman's sidekick
Jason threaten you with a gun since he's still angsty and depressed because of Bruce but you're more stubborn than him
First time you ever shape-shift he asked you if you were Beast Boy/Garfield's relative but you genuinely don't know who that is
He freaked out a bit but warm up to you little by little since your actions remind him of his kid days and unfortunately when he was Robin as well
As Arkham Knight he needed you for escape plans, distraction but most importantly on stealth missions seeing that your shape shifting powers was handy
But stealth missions are the ones you hate so when you end those missions You.Break.'Some'.Shits
He was pissed of course but quickly shut his mouth when you already had everything covered, now he doesn't even get bothered by your 'metal' moments
Then the whole Arkham happened, Gotham City was still fixing and healing but then the criminals still came back, Batman is still alive (Scarecrow didn't get to expose his indentity as Bruce Wayne because Jason save him in time) but didn't make up with Bruce and after that he finally became Red Hood
Headcanon for Nimona!Reader relationship Jason
When you met him you already smelled Bruce's phantom scent on him
It's smelled normal like a lingering scent but enough to tell you that Bruce is not Jason's biological father but still somewhat close with him, how you have that skill? I'll call it a weird mutation you have being a shapeshifter
You call him Boss but you actually treat him like a younger brother or act like mother/aunt-ish around him most of the time
Jason always think you could as well be his younger sibling but we all know your older than him by a few decades.
I kept Nimona's red colors since I think it'd be fucking awesome that two of the person that hated Bruce or became Bruce's nightmare and pain in the ass are both wearing or have the color red in their character palette. (Tim......is orange? Idk fckn know some of the fandom give him the orange color)
Damian Al' Ghul-Wayne/Robin
Before anybody say 'why jump to him quickly?' Well Lemme tell you something, Lemme tell you something
Damian's origin is connected to Y/N's origin story, remember when I told that Y/N existed early mid-Gotham days?
Well guess what Y/N was the connection of Ra to the Lazarus Pit and they became one his inspiration to use it.
Damian's grandfather speak highly of you, how you were the perfect being in this world that could widthstand the force of the Lazarus and continue to live forever.
Damian became influence by his grandfather's, mother's teaching and stories about you that deep down he wished to see you face to face
He still is an annoying brat from time to time but after staying at the Wayne and finally experience the life of living instead of surving he tone down for a bit
Ra's words still linger but now he has his own morals he keeps.
The first time he meet you might actually be pretty normal, him in his civilian Identity and you guys being you.
I guess maybe at the park? him just looking out for Titus and taking for a walk and you were just in the grass or the swings chilling.
He wouldn't care for the first minutes but when he saw Titus getting pretty close with you and he just watches as Titus let's you pet him.
He was intrigued and decided to introduce himself since he was in the midst of getting lessons about 'making friends'
Headcanon for Nimona!Reader relationship to Damian
How about like Mother-ish Aunty as well? and Damian also thinks you have a caring moments since you usually care even though you act crazy
Crazy? I was crazy once, they lock me in a room, a rubber room, a rubber room with rats, Rats makes me crazy, crazy? I was Crazy once-
and casually talk about killing and blood, lots of blood, buckets of blood.
He has alot of respect to you since you're this high being his grandfather talks about everytime
Likes that you can shape-shift into animals more
Follows you around after discovering your real identity and doesn't mind your 'metal' moments as well
----
This is not the last of headcanon but I might add more in the future for now I'm just gonna put this in before I forget.
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justcallmecj · 9 months ago
Text
Potion Gone Wrong
(This was the first prompt I got as a suggestion. I make sure to put the names of the commentors and the original comment at the beginning of every chapter. I also specify which platform they commented on.)
"Some suggestions ig, I’ll come back to this chapter if I have more -A potion gone wrong turning Y/N into their dragon form but the size of a cat and a character of your choice has to take care of them." Courtesy of- Your Imaginary Friend on Quotev
(Just as the suggestion says, Y/N was in Alchemy class and with a potion gone wrong, they were turned into their full dragon form, with one condition. They're now the size of a normal house cat. Until Y/N is forced into their dragon form, the story will be in their POV. After that it will be the POV of other characters. I was given free reign with who the one taken care of you is but I'm so freaking indecisive that I just did a wheel of names. I got....VIL.)
(Also, after writing the platonic relationships, I really wanna write romance soooo- You're dating Vil.)
Y/N's POV
        What the heck does this recipe even mean? Crewel-sama assigned the whole class to make a potion. We haven't been previously taught how to make this potion specifically. He told us it is "to test our problem solving knowledge.", but from the evil glint in his eyes and the small chuckles of laughter I can hear from him, he's getting a lot of enjoyment from watching us struggle.
        Unfortunately for myself, I let myself be partnered up with Ace and Deuce. The Idiot Duo. Honestly, I'm the only one working right now. The other two are just sitting there, bickering with each other. Just my luck I guess. I already tried to get them to work, with no prevail. I eventually resorted to tuning out their voices so I could focus.
        I looked back down at the recipe book. What's the next ingredient I need to add?....Dragon scales... A shiver makes its way down my back. I found the two dragon scales on the cart of ingredients next to our work station. By looking at it I can tell its a normal dragon scale. From a true dragon, not a fae type dragon. True dragons shed scales regularly, unlike we fae types. And the red color of the scales shows that it wasn't even from a ice type. I relaxed a tad.
        The book said to gently place the scales into the cauldron and to make sure the potion doesn't splash on you. Nothing was said about what would happen if it did. As a precaution, I grabbed a pair of tongs and grabbed one of the scales with it. Carefully I placed the scale inside the cauldron, making sure nothing would splash. Now, it was time for the second one.
        I only caught a small hint of Ace and Deuce arguing behind me. It was too late when I realized that Ace had decided to smack Deuce upside the head. Deuce's body lurched forward and ran into me. My grip on the tongs loosened and the scale fell from my grasp. It hit the liquid in the cauldron and splashed. Right. On. Me.
        I felt a cold breeze sweep across my body, and soon, changes happened. Ones I recognized, the ones of changing from dragon to human form. But for once, I didn't trigger the transformation.
Crewel's POV
        "OH CRAP!!!", the voice of one of my students yelled. I whipped around and found Mr. Trappola and Mr. Spade standing over something that has clearly caught their attention. While making my way across the room to them, I realized the disappearance of a certain student. Y/N L/N, the dragon student. They're hard to miss, even within a crowd, and since I'm unable to find them right now, I can only assume what had happened.
        A small shove moved Ace and Deuce out of the way and stared at the same things they were. On the ground was a small, white dragon. I immediately knew what had happened and who the dragon was. Y/N.
        I felt a vein on my head bulge slightly from annoyance, but I ignored it for the sake of those around me. Gently, I leaned down and picked up Y/N. Their chest rose and fell peacefully, they've fallen asleep. I turned to face Ace and Deuce. "What. Happened."
Vil's POV
        Why in the world would I be called by Crewel-sama to his room? I wasn't given any context about the reasoning. One thing I do know though, right now, Y/N is in that class. That made me worry just a tad.
        When I got to the Alchemy room, Crewel-sama was sitting at his desk. His eyes were fixed on something in his lap, but I couldn't see what it was. He heard as my heels hit the floor and he looked at me. His face looked almost relieved to see me.
        "What is the reason you called for me, Crewel-sama? Seems out of character for you." He placed his hands on whatever laid in his lap.
        "I'm glad you were able to make it here, Mr. Schoenheit. There was a problem concerning Y/n during class today. A type of incident." he said. Uh oh. "Mr. Trappola and Mr. Spade said that if I were to notify anyone, it should be you. I understand their sentiment.", with that, he reached for what was in his lap and carefully placed it on his desk.
        There laid a small, white dragon. Reality was quick to click into my head. Crewel-sama quickly filled me in on what happened, said that I could take care of Y/N until Crewel-sama found out how to reverse the spell or when it'll wear off. I accepted the offer and took Y/N into my arms, careful not to wake them up.
        "Please Dear, stop running around my bed like that. I just made the sheets this morning." I groaned. Y/N woke up as soon as I returned to my dorm room. Ever since, they've been running around non-stop, making small messes around the room. They've seemed to have reverted to the mind of a baby dragon. Wanting nothing but to have fun.
        It's not like I completely minded. It made me happy to see my lover having what looked like the time of their life, and they looked beautiful while doing it.
        Y/N has never actually shown me their dragon form. They said that it was an inconvenience to turn when all I really needed to see was them, not the dragon. I've heard the whispers and mean words of people around school. All those words sharpened to point at Y/N. They said it doesn't bother them, at least not anymore. But in a way, I knew that they had become someway self-conscious of their dragon side.
        I don't know why though, they looked beautiful, majestic even. In a fumbling, clumsy, baby type way. Adorable really. Their white scales reflected the light that came through the window. The e/c of their eyes shone like colored ice. Their small, harmless horns weighed their head from side to side, causing them to wobble around. They tripped over their tail multiple times.
        Suddenly, Y/N stopped running around. They turned and slowly walked up to where I sat on a chair at the side of the bed. They plopped down like a cat deciding to rest. Their head laid flat on the bed and their eyes stared into mine. I followed their example, my head resting right in front of them and my eyes staring back into theirs. Honestly, I felt ridiculous. Is this really the same lover that I've been dating for so long? I've never seen Y/N act like such a child.
        A grumbling sound echoed from Y/N's stomach. "Hungry, huh?" I learned that Y/N can understand what I say to a certain extent. I've had to simplify my speech so they can properly understand. Their only response was another stomach rumble and a small growl. I took that as a 'yes'. What should I feed them?
        "What do you want to eat?" Y/N immediately jumped down from the bed and ran towards the door. They clawed at it. I stood and opened it for them. Faster than I've seen them run, they dashed down the hall. I had to actually run to keep up. I soon found myself in the kitchen and Y/N sitting quietly at the foot of the fridge. I opened it and they took to searching for something to eat.
        They suddenly climbed up my leg and eventually perched themself on my shoulder. They were heavier than I remember them being on the way to Pomefiore. It was actually really adorable to watch as their eyes darted among all the food in the fridge, as their tail and wings spread slightly to keep balance.
        Y/N's eyes steeled as they eyed something. I grabbed the item. Some cooked meat that Rook had made. He had hunted a rabbit earlier today and left some left overs for someone to take. Guess Y/N had settled on their dinner. "Alright then Dear, I'll get it ready for you." I grabbed a plate from a cupboard and placed the meat on it while Y/N patiently sat on the counter. I was going to cut it but Y/N leaped onto the meat and immediately started tearing it to shreds. A little terrifying, but they are a dragon. Guess it's just in their nature.
        It didn't take long for them to finish eating. After that I took Y/N back to my room and got them to settle for the night. They seemed tired but surprisingly refused to sleep. They nudged their snout into my hand repeatedly. "Fine, I'll pet you, but only for a little while. You need to get your beauty rest soon My Dear." I told them as I rubbed my hand up and down their head and snout. They climbed onto my chest and peacefully closed their eyes in contempt. Quite hums sounded from their throat. Just like a house cat.
        After a good 20 minuets of petting Y/N while they laid on my chest, I got a call from Crewel-sama. He said that the potions effects would wear off by tomorrow morning. As relieved as I was that My Dear would be back to their normal self within a couple hours, I couldn't help but feel a little sad that this adorable form of theirs would be gone. But, really, I shouldn't. Maybe now they'll feel comfortable showing me their dragon form. In all its glory.
        My eyes fluttered open. After waking up a bit, I heard the sound of breathing to my right. Looking over my eyes landed on the sleeping form next to me. Their white wings laid over their body like a blanket as they laid on their side, rolled in a ball like they always do. Y/N's face showed nothing but pure peace as they slept comfortably. I couldn't help the smile that formed on my face as I admired the beauty of my lover. I'll wait to wake you, Dear.
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iliketangerines · 11 months ago
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PLEASE PLEASE PLEEAASDER
Your male reader is so good!?
Kung lao x male! Reader whose part of the Lin Kuei
Please I would love something fluffy but if you like also suggestive and or smutty I would also be content but just male reader in general :)
cherry blossoms falling
a/n: i have such a hard time writing characters that aren't gender neutral when it's just fluff or suggestive
pairing: kung lao x gn!reader
warnings: none :)
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Kung Lao remembers you from the night that the Lin Kuei had ‘attacked’ Madam Bo’s restaurant
you had been a tough opponent, tall and broad and strong, and devastatingly beautiful when you had ripped off your mask to reveal your smirk
and now, you stand in front of him at the Wu Shi Academy as their instructor for training to become champions for Earthrealm
you ask one of them to spar against you, as a sort of demonstration, and Kung Lao eagerly raises his hand to go and fight against you again
you smile at him as the two of you circle each other, and he gives you a cocky smile and a smart remark
you stay silent but return his grin, a glint in your eyes, and Kung Lao lunges toward you, trying to catch you off guard
you easily dodge, parrying his attacks and moving away from him like oil moving away from water, and Kung Lao glares in frustration as he keeps on trying to land a blow
none of his hits land and after what felt like a few excruciating minutes, you finally make your move and easily flip Kung Lao onto his stomach and pin him down with a knee to his back
he pants into the ground, and he can see in the corner of his eye the others laughing at him
you get off his back and pat his shoulders, wiping off the dirt from his uniform, and ask the others to come and spar against you
none of them do well against you and all of their spars end similarly to Kung Lao’s
by the end, you say that you’ve finished evaluating them, and that they should go and have lunch, take a break before the real training begins
all four of them head to the dining room, and Kung Lao piles food onto his plate before going outside to eat his food by a cherry blossom tree he found outside
he climbs up onto the branches, being careful to not spill his food and settling himself down comfortably in one of the large grooves, and he starts to dig in
the shade provides a bit of blessing from the beating sun, and the slight breeze manages to keep Kung Lao cool and composed as he eats
and then you appear underneath the tree, peering up at him as you ask to join, and Kung Lao nearly chokes on his food but agrees
you hum and scale the tree easily, settling next to Kung Lao and pressing your weight into his shoulder at the lack of space on the branches
even sitting down, you still tower over him with your height, and he can feel himself growing flushed and warm
Kung Lao shovels food into his mouth, trying to distract himself from how your arms press into his and how he can feel the definition of your muscle pressing into him
you seem to be content to sit in silence as you watch him eat, and Kung Lao wonders why you’re watching him so intently
he ducks his head beneath his hat, trying to compose himself as his face grows red, but you tilt up his hat to see him better, brushing a stray hair from his face
Kung Lao chokes on his rice, and you hurriedly pat his back as he hacks out the grain
his face is fully flushed now as he takes a gulp of water, and you smile at him with that dazzling face and grin
a cherry blossom falls from the tree, and you grab onto it from the air and tuck it behind Kung Lao’s ear, telling him that he looks beautiful like this
you then tell him that you look forward to training with him before you hop off the tree and head to the training rings, stretching out your arms as you do so
Kung Lao watches dumbfounded and raises his hand to touch the blossom tucked behind his ear as his heart thumps in his chest
it seems that you liked him too
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thefirstknife · 7 months ago
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I want to be optimistic about the future, but as somebody who has been through 4-6 EoS events and witnessed several others friends have gone through, with a lot of the rumors/news breaking about future plans for the game itself, and some changes introduced in TFS I'm slowly starting to get a bad feeling about things. I'm not giving up on the game, but it's feeling hard to be hopeful when I'm starting to get similar vibes to the other EoS events I've been through.
I'll mostly focus on this article from Jason Schreier because I don't really trust any other rumours that are floating around. I know a lot of people are super depressed about everything and it's easy to spiral into doom and gloom, which I want to avoid because it just stresses people out, over things they can't really change, and primarily over things that are far from confirmed.
Obviously we don't know anything for certain yet, but from what little the devs told us when this happened:
While our team is taking time to help support each other, we want you, our community, to know that we expect no disruption to all of our previously communicated content plans. Our content roadmap remains unchanged. This also includes our future plans for next year and beyond.
Nothing is changed and plans are clearly in place. It goes without saying that this can be flipped on its head at any point, but it also has to be said that it would be quite strange for a franchise of this scale to simply go down without an honest attempt to keep it going. Obviously various media ends all the time and studios are shut down and all that, but I feel like people are jumping on that conclusion way too easily and simply over unconfirmed rumours which puts people in a mindset that "the game is over." According to devs and Jason's report, it is clearly not planned to be over. We have yet to see if that works out.
Either way, we're set for this year for sure and there's clearly a plan they've already hinted for next year. What concerned people the most, I think was this (more under):
The company also plans to continue updating Destiny 2, although it will no longer pursue regular paid expansions as it did in the past, according to the people familiar. During one recent meeting, a company leader told attendees that sales of each expansion had declined year over year, including June’s The Final Shape, so they would be moving away from an annual release model. Some staff said they’re optimistic about the vision for Destiny 2 under new director Tyson Green, a Bungie veteran who took the helm earlier this year. In the coming months, the people said, Bungie will look to retain and attract players with smaller-scale content drops modeled after Into the Light, a well-received update in April that added a new mode to the game. Rather than selling this content, they said, Bungie will aim to release it for free along with overhauls to activities that it hopes will appeal to hardcore players. Other vague plans for the future include a storyline that will feature characters and worlds that Destiny has not yet explored.
Personally, I don't necessarily see this as something bad. I've actually been in favour of stopping yearly expansion for years. A big expansion every year is a big thing to commit to and it simply cannot be up to the best standards every single year. Some years will simply be smaller or "worse" and they won't engage people as some others. To this day people are still demanding expansions the size of Forsaken, every year, and that is simply mathematically impossible to make. So we get stuff like Shadowkeep and people flip out (Destiny died back then too). In my opinion, I think expansions every 2-3 years with smaller content drops in between is much better and healthier, and would result in better expansions.
We don't know if expansions are ever happening again; this report seems to imply not, but nobody really knows what state Destiny will be in 3 years from now, if it still exists. Until then, I'm perfectly fine with smaller content drops and updates. Obviously we don't know what that will look like; maybe it will be bad, but maybe it will not be bad. We simply don't know. I think people just heard "no expansion every year" and assumed that it's all over and no other content will ever be interesting or engaging ever again, which is something I simply don't see. For example, this episode has quickly become one of my favourite content in Destiny ever and it's not an expansion. I feel the same about some seasons which I enjoyed more than some expansions.
This is a matter of preference of course. Some people only tune in for expansions so for them "no expansions" effectively means no more Destiny. A lot of people also wonder about stuff like raids, which launch with expansions; what about those? Are we ever getting a raid again? We don't know, though it's worth noting that some raids have launched with DLCs and seasons, so launching a raid without the expansion could still be possible. We'll simply have to wait and see.
A lot of people are also concerned about the confirmation that Destiny 3 was never in development. I don't find this surprising at all and firmly believe that people who believed in D3 in the first place have not been fully aware of just how much devs never wanted to make another game from scratch again. This is from when they announced vaulting back in Arrivals:
With Destiny 1, we solved the “ever expanding, exponential complexity” problem by making a sequel in Destiny 2. We left behind all of Destiny 1’s content and many of the features players grew to love. We believe now that it was a mistake to create a situation that fractured the community, reset player progress, and set the player experience back in ways that took us a full year to recover from and repair. It’s a mistake we don’t want to repeat by making a Destiny 3.
I don't think anything has changed about their opinion on this over the years. It may have become even stronger actually, given how much content exists in the game right now and how much content would permanently disappear, alongside everyone's progress and collections, if they restarted everything. Not only that, but they know that a new game would have to launch with basically no content that would have to be built up over the years and would result in the same anger from players that plagued D1 vanilla and D2 vanilla. Nobody would enjoy going from 9 raids (maybe 10 if there's a reprised this year?) to 1 raid. Like I'm not sure if people realise this, but D3 will have no content in comparison. People were exceptionally mad about Beyond Light which reduced the amount of content and items due to vaulting; D3 would have less than that.
So I'm not sure why people expect and want D3. I never vibed with that idea. Not in any foreseeable future. I don't want to restart my progress, I don't want to lose everything I collected, I don't want to wait for years to get more than 3 strikes in the game. So the confirmation that this was never in development is not only super obvious to me, it's also relieving.
I think these are mostly the things that people are panicking over, from stuff that is now known a little better from Jason's report. When it comes to other rumours and leaks, we simply don't know if they're true and how detailed they are so I will not be stressing about them and I'd advise everyone else to not stress about them either.
We all love the game very much and the idea that it will end one day is very upsetting, but it will. One day it will end. Is that in 2 years or 20, we don't know. I'd like for people to definitely move away from the doomposters on twitter, to not latch onto any rumour or leak, and to give developers space and patience, as well as do anything we can to support those that were laid off.
I personally also think that the content creators with the biggest platforms should use the current anger and despair to pressure Bungie or Sony into making meaningful changes. Instead of posting about how "it's so over, goodbye everyone, Destiny is dead," I think they should be encouraging fans to bully these corporations with the one thing they understand best: money. Hey corpos, we ARE still interested in Destiny, we WANT to keep playing, we WANT it to keep going and we WILL bring our money if you do something about this situation. Because I don't trust any of these people who are claiming they're big fans and also how their livelihoods depend on making content for this one game, but are so easy to doompost and give up and say that the game is now over. How would anyone seeing this feel other than concerned and in despair?
Is it possible to change anything? No clue. Corporations can obviously be bullied into action, but we simply don't know how much effect we have here. Still, I'd rather try.
And I'd definitely try to stay positive, or at least neutral. We currently have no confirmations about anything being over, and plans for future content exist. Things will likely be different, but that doesn't always mean worse. And if it is? Well then it is and people will stop playing.
And of course, if anyone lost interest over this and over these reports, that's understandable. Taking a break from it all is recommended. Whatever happens, happens. If the game is still there and the interest is regained, everyone can always come back. No one has to decide right now whether they'll keep playing or stop forever. We can change our minds later depending on any new information and the state of the game.
The point of this whole thing is basically; we don't know anything for sure and overthinking about what-if scenarios that are years out is not very helpful. Venting concerns and talking to others can help though, which is why I want to try and stay as reasonable as possible in a situation where we genuinely don't have any proper confirmations.
We'll see! I'll keep playing while there's something to play and while that something is interesting to me, no matter how small. I hope this helps keeping people at least a little bit less stressed about the whole thing.
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painted-bees · 1 year ago
Text
Migraine addled feelings and thoughts about art and me.
My relationship with art is a little strange haha
When people ask me about...what I want to improve on, or what kind of critique or advice I am open to receiving, or anything of that sort, I don't really have an acceptable answer for them.
The simple matter of the fact is that I'm not...actively aspiring towards improving my technical skill. Being good at drawing/painting and taking the serious steps nessicary towards that end isn't really...fun for me, personally. Not as a goal, nor as an intentional part of my process.
I literally just draw for fun. My goal is to have as much fun as possible with each piece I make. If I am not having fun with a drawing, I stop drawing it. Simple as that.
I worry that this kinda chafes some people when the topic of constructive criticism, etc, is brought up. When someone asks me if I am open to critique, my "no thanks" isn't out of arrogance, but rather because critique takes time and energy, and there are artists out there who'll be thankful--rather than indifferent--towards receiving it. Very likely, the critique is a valid and very helpful observation, no denying that. But it is a bit wasted on me, I am afraid.
I approach my drawings as a hobby--like video games. That's my relationship to the craft. Some people might think I am very good at it. Others undoubtedly think I kinda suck at it, or that I could be much better if I took it as seriously as they do (or would). But that's not my goal. I just like drawing and making characters and story things, and sharing them with people who like it. I don't wanna be the best at it, I am not even very interested in striving towards my own "full potential".
I learned years ago that when art stops being fun, I stop making art. And I have learned that technical improvement comes naturally when I just draw a lot. It comes very slowly--on the scale of years--but it does come. I get bored of a technique and try on a different one, or get annoyed at a particular limitation and put the effort in to overcome or problem solve around it. But the pace is driven by personal enjoyment, not a desire for improvement nor even a fear of stagnation. So long as I am having fun, I don't care if my work stagnates. Like playing the exact same level of a game over and over again that is challenging enough to be rewarding, but doesn't exactly contribute to bettering your skill. I don't look at a piece I finished and consider the ways in which I could have done it better. Of course it could have been done better but I made it the way I did, I enjoyed it, and it's done, now. My concern is that hopefully next piece won't fight me and will be just as fun and rewarding to make.
There are people, excellent artists from both professional and hobbyist circles, who find a lot of joy and satisfaction in honing their skill and seeing the steady improvement in the work they produce. I am just not one of those people, haha.
And hopefully that's okay!
Most importantly, the nature of my leisurely enjoyment isn't a belittlement of anyone's hard work and dedication to the craft. We all make art for different reasons, towards different ends, and find joy in different ways♡
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jadeylovesmarvelxo · 2 years ago
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This is just a lil story that has been nagging at me for days to be written :) I may post a longer more fleshed out version eventually ❤️
Smut, 18+ minors go away, fwb who fall in love ;) the usual.
Not canon because my fanfics refuse to entertain the fact that Eddie is dead. Kay?
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🌸
This thing between you and Eddie had started a few weeks ago, when he gave you a lift home after your so-called boyfriend (now dumped) abandoned you in a storm for Jenny Turner.
"Hey, you need a ride?" you looked up and saw Eddie Munson in his van, the window rolled down as he peered at you worriedly.
The wind was howling and you were freezing, you couldn't believe David had been such a jerk and just left you in this storm, all because Jenny flashed him a dimpled smile and batted her eyes.
Or it was just the fact that he was a huge jerk.
You were beyond angry at him and accepted the ride because it would piss David off and you wanted to get home.
Eddie walked you from his van to your front door making sure that you were going inside safely.
That's when you kissed him and one thing lead to another and you had minblowing sex that lasted for hours.
Thank god your parents were away because Eddie could make you scream...
It was a one-off you both told each other as you dressed quickly that morning, ignoring the love bites between your thighs and on your breasts or your faint nail marks on his back.
You didn't think that you'd end up in the back of Eddies van the next day, on your knees as you sucked him off, his hand fisted in your hair and grunts of pleasure emitting from him and his big brown eyes wide and full of awe.
"You're incredible baby, so good" He groans and comes hard, his cheeks flushed, smile firmly on his face.
It was all you could think about was feeling him deep inside you again, the way his body fit perfectly against yours.
Eddie's lips between your thighs were heavenly, you were so lost in the pleasure that you could happily stay there forever.
Eddie pleased you in ways you never thought could be possible, you fit together so perfectly.
The sex was off the scale in terms of how amazing it was and you found you liked being with Eddie, waking up in his arms in the morning after the nights you shared.
Hooking up with him happened again and again and before you knew it you were staying at his more and more often.
Some nights you wouldn't have sex, just listen to him as he strategised campaigns for dnd or he would read to you, making up funny voices for different characters or play the guitar for you.
With him, you could just relax and be yourself without having to impress anybody or trying to be someone you just weren't.
At school you gravitated towards each other, he would find any excuse to be near you, you both would find excuses to exchange secret touches.
A caress on the back, fingers touching for a few seconds. Your gazes would constantly find each other and when they did it was like no one was around.
Just you two.
He would hold doors open for you, let you pass him in the hallways or cafeteria with a dramatic flourish that always made you smile.
Your friends would ask why he was hanging around you and giggle that the freak had a crush.
You told them to shut up and not call him a freak and honestly you were so smitten with Eddie you didn't give a shit what they thought.
Eddie could also make you laugh like no one else.
It didn't take you long to realize that you had fallen in love for the first time. You were just nervous to say anything in case Eddie didn't feel the same way.
Little did you know Eddie was having the same worries, his brain going a mile a minute.
He loved you. Truly fallen in love for the first time and it was exhilarating and terrifying. He hadn't felt this way about any woman before.
The truth was he had started to say it when you would fall asleep, falling into a deep sleep where you would cuddle into his chest
He would brush the hair away from your forehead, pepper your head with soft kisses and whisper I love you very, very softly. Almost impercetible.
Maybe one day he would work up the courage to tell you properly.
❤️🌸
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blossoming-sun · 1 year ago
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So.... I made some pj mask AUs based off the prompt/trope people on pjmcord gave me (school au, angels and demons au, fae au)
School AU:
Premise: I know you probably meant just a normal school AU, but I'm actually incapable of writing something without fantasy elements, so its a school au: but they all still have their powers. In this au, the government knows about monsters and magic and stuff, and although the general population doesn't know about them, its not exactly "keep secret at all costs" information. So that nobody dies when the magical kids are too young to fully control their magic, they're kept seperated from ordinary kids in the education system until a certain age. So basically all the nighttime kids are in a class, and teacher is a new, human, teacher fresh out of uni and teaching his first class. These kids are a nightmare for him (/pos) and he struggles not to be killed every night.
Other stuff: There is a lot of drama between the villains and heroes, especially at lunch break. The main friend groups are the terrible trio and the pj trio, but the other characters have friend groups as well, and its not uncommon for everyone to just play nicely as one big group some nights and then all hate each other the next. The sidekicks do exist in this AU, but they're not allowed in the classroom because they're not students. This does not stop any of them: the ninjalinos sneak in to play with night ninja at break, Romeo is always making a machine of some sort, its very hard to keep moths out of the outdoor playground, octobella hides Percival in her bag, etc. The whole au would probably just be teacher being like: "Apophis, I'll put you in detention until the end of time if you try to trap bastet in a pyramid again!" "Kevin, don't put that in your mouth! No, I don't care what Howler dared you do to!" "Romeo, what did I say about stealing stuff from the maintenance room? You can't take over the world with the wifi router!"
Also, the heroes are monsters in this au, so owlette is a harpy, an yu has more dragon features, etc
Angels and Demons AU
Lore: Angels and demons usually hide which one they are, their wings and stuff can dissapear at will and they don't have to use their powers. Furthermore, its a contemporary!angels and demons au, so while everyone has angel or demon blood, some have the full features (horns, slitted pupils, angel wings, halos, etc) when they show their true forms, others merely contain some angel or demon blood and no affects from this (which is most common). There are also powers, which can be pretty much anything. Physical features aren't required to have powers, but they're usually hand in hand.
Other stuff: Amaya is the only one with wings and a few extra eyes, while connor has a halo, and greg has a few small feathers (not enough to fly with or form wings), but has the power of strength. The villains are all demons. Luna has wings, NN has horns (like an oni) and romeo hasn't shown his true form yet. However, Armadylan and An Yu are also demons! The PJs didn't trust armadylan at all at first because they're racist you can't trust demons, but after they met an yu, realised that maybe not all demons are bad and didn't choose to be like this. Also: pharaoh boy is a fallen angel, but bastet refuses to talk about what happened to make him lose his light. The rest of the power heroes are all angels. And for the characters I haven't talked about yet:
Wolfies: no features or powers, except their werewolf powers(werewolf blood dominated the demon genes)
Armadylan: 4 horns on his head that stick out from his helmet, as well as a tail beneath the armadillo tail on his suit. Canon powers
An Yu: Black and red scales, slitted red eyes, fangs, claws. Canon powers
Ice Cub: Has three halos, no powers until his exposure to the asteroid though
Newton: two sets of wings, four eyes (haha), canon powers
Speedy twins: demon tails
Bastet: small wings behind her ears
Octobella: gekko swears she's a demon, but she's not (she's a cecaelia)
feel feee to ask me about the other characters, i was too lazy to write them all (rip)
Fae AU
So, in this AU lilyfay is the only fae. She's from an alien race of space fae, idk. The problem is, she's the first of her kind to visit earth in hundreds of years, and nobody really remembers the rules of the fay anymore, or that they exist. Which means that there are many shenanigans.
Lilyfay loves to clean, but unfortunately power Q is already pretty clean because of PJ robot, so except for when gloop attacks, she needs to find other places to clean. She occasionally just shows up at the flying factory to clean it (romeo is not good at keeping his lab tidy). And Romeo freaked out the first time but he got intrigued after that. When Romeo disrespected her the first time she refused to take that shit and turned him into a fawn (fae will sometimes transform humans into creatures if they don't like them), but only for one night so that he would learn his lesson. After this, Romeo takes up some of the Creideamh Sí so that he won't get deer'd again, which starts with giving Lilyfay milk when she shows up and progresses to the two of them having tea parties together. The duo kind of become friends, but lilyfay will not hesitate to kick his ass if he lies to her or offends her in some other way. Nobody else knows about their secret.
Lilyfay also has a garden in power Q, that has a ton of hawthorn saplings among other things. She and An Yu tend to the garden, but An Yu isn't allowed to touch the hawthorn. Lilyfay would love to drag the gang back to the land of the fay, but she's enjoying earth a lot and figures that she'll stay, for now at least. Also, her true fae form is hidden behind a human disguise (I don't think that lilyfay would be a changeling, but i'm going to incorporate some elements of changelings in for funsies) she can also play instruments and loves to dance, but she and her friends only ever play just dance and take turns so that she doesn't have to (by law) drag them away forever.
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appliancealliance · 1 year ago
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So Dafuq had an interview with one of the ST theory channels, specifically EliteCameraman, which I know quite a few of you do not bother watching because of the AI voiceover. So uh, yeah, I watched it for you so you don't have to. I'll say this, Elite Cameraman and Dafuq do actually keep in contact with each other, so these are actual messages from Dafuq himself. Any personal thoughts I interject below will be marked with || thought || and is not part of the interview
[ID:A series of Discord messages between EliteCameraman and Dafuq?!Boom!
EliteCameraman: First let's start with more general questions and after these I'll move on to more specific questions about the next episode Which episode are you most hyped for in the foreseeable future? Dafuq?!Boom!: 73, 74, 77, 80 are all fire episodes tbh
EliteCameraman: Also you said that we'll be getting more episodes compared to before after episode 79 and since now that season 24 is starting how do you think the upload schedule will be and how long the average episode length will be because the last couple episodes before 71 were quite the long episodes. Dafuq?!Boom!: I was expecting the episodes to come out faster, but stress after 70 pushed hard, so I started of slow and still going quite slow. I'm also trying to improve combat in the episodes which I think takes quite some time. I think at some point soon episodes will be rolling out faster.
EliteCameraman: Who is your favorite character in skibidi toilet? Dafuq?!Boom!: I have multiple
EliteCameraman: Are you excited for any new characters that you'll be introducing like the detective cameraman who was in the secret scenes? ||from the full season 23 video|| Dafuq?!Boom!: There's many more old and new characters coming in very soon.
||I skipped a troll question here. it wasn't that relevant, but it was about some fake troll scenes dafuq made about the naked microwave man||
EliteCameraman: blud must be trolling How do you think the astro toilets will effect the power scales? because from what we've seen so far they seem like they can actually hold off against the titans but it looks like they have a different plan. Dafuq?!Boom!: We have yet to see the strongest yet.
EliteCameraman: A lot of people have been wondering about simp cameraman ||browncoat cameraman|| and if he'll ever return. And as you know I'm quite a fan of simp toilet because of his incredible beliefs. Can you give us some info about if he'll return and if he does, will he still side with the alliance or join the dark side. Dafuq?!Boom: I have some interesting plans for him. ||so browncoat confirmed as not dead?!||
EliteCameraman: (crying skull emoji) Did you ever see a theory that guessed everything correctly even stuff that we haven't seen yet? Dafuq?!Boom!: No theories have guessed entire plot correctly, but partially some were very close
EliteCameraman: How long will episode 72 be? Dafuq?!Boom!: 3-4 minutes EliteCameraman: damn blud's been grinding fr fr This episode truly will be a new beginning for the series for the first time ever we got a conclusion for one of the evil characters and the last battle really had some crazy consequences. Do you think people are ready for what's about to come? Dafuq?!Boom: Y'all ain't ready.
EliteCameraman: You said we won't be seeing the titans in episode 72, are we going to see a different P.O.V from the last fight in the bunker once again or is it fully uncharted territory from now on. Dafuq?!Boom: Not bunker, but with territory of Alpha-Hills complex (huge territory).
EliteCameraman: We saw that all the titans have suffered some damage, normally whenever they go back to the bases for repairs it takes them about 10 to 20 episodes to come back, will it be the same or will we see them getting fixed on the fly just like how they got upgraded on episode 69 part 2? Dafuq?!Boom!: Now that the Alliance is dominating and pushing Skibidi Toilets, they don't have plans to retreat. Unless something truly unexpected happens.
||that doesn't sound ominous at all||
EliteCameraman: Also about the astro toilets, how was the claw astro toilet able to speak English while we haven't seen any other toilet speak normally? Does it have to do with their helmets because they all seem to have helmets and we don't know their uses. Dafuq?!Boom!: Skibidi Toilets posses all earthly languages. They just chose to speak on their superior, far more complex "skibidi" language. EliteCameraman: Thx for the answers bruh, now Imma leak it all.
End ID]
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moldwood · 1 month ago
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hii i remember a while ago you mentioned getting a bunch of udemy courses for blender & i was wondering if there were any character modeling ones that you tried and liked (or if you know of any other good ones elsewhere)? i have some that im looking at rn but its hard to decide what to start with when they all seem just slightly different lmao
(also idk if u remember but i am the same person that asked about ones for environments/buildings way back then as well. i did get some of them & made a little progress & then got distracted by Other Projects & havent touched blender since & now im switching gears to character stuff lmao. as one does)
yes i do remember you! you activated my trap card once again. now you have to sit and read my ramblings for 30 minutes. or just skip to the bolded sentence i got and finished this one, but if you remember the basics from your environment courses, i don't know if i would recommend it more than anything you can find for free on youtube tbh. if you feel like you've forgotten basics, it's a good place to start as the course starts from an absolute beginner level for hotkeys and adding materials and etc. or if you want a certificate! they do go very into texture painting and baking the details of your sculpt onto your lower resolution model, which the next one i'm going to recommend does not. but again you could always find how to do that for free elsewhere. i did it before the 4.2 updated videos, so i can't say anything about the new ones, but i don't think they cover manual retopology, more complex clothes, hair, or using UDIMs. and now my brief ramble on retopology: there's nothing wrong with just doing a decimate modifier if it gets the job done, but if you're wanting a model that moves, you definitely want to do it manually to make sure it deforms properly! there are a TON of videos on retopology, i would poke around different ones to see what method works best for you when the time comes, and watch (or at least skim) this to understand Why certain things in topology work like they do (like how to topologize a forehead to get a crease when someone raises their eyebrows). (though you don't always need topology to get things like that done. warning for auntie whispers's creepy self done semi-realistically.)
ornithopter course is goated for your hard surface modeling and rigging learning needs. includes learning about UDIMs. harley davidson goated for an even more complex hard surface model, but does not cover rigging or UDIMs (i think. i haven't done this one yet. just based off the preview). hard surface modeling is good to know for props, weapons, uhhh cars, carriages, things that can be a Part of a character without being the character. BUT ! it's nothing you can't logic your way through though using everything you learnt so far/in the environmental courses and a little youtube + reddit searching.
for something free, i definitely recommend this playlist by bran sculpts. it's a bit less guided than the course so you might have to pause here and there, but he goes at a medium pace and says everything he's doing. the hotkeys in the corner can be a little hard to see because of his ui scale early on, but he covers the things i listed earlier that the (original) course didn't; retopology, clothes, and hair (again idk because i haven't taken the 4.2 version). does not cover hair particles, so you will have to go elsewhere for that, but the method he does use is Very Very good.
flycat is a character sculpter who i recommend watching once you're familiar with the process. they do something a little different each video, so there's always something to learn, but they are very efficient and talented. you will have to either slow the video speed down or buy the video on gumroad to see everything they're doing, but i've gotten most of it through just slowing it down.
then for specific things, it's best to just search around! all those slightly different methods have something to offer, and what one person does might not make sense for the specific thing you need so you can always try another method. curly hair is definitely something that i'm always finding new videos on because i'm never quite satisfied with how i can get it to look.
i will also always plug the art of effective rigging (and to a lesser degree alive) for if you're planning on getting into making models move. the same guy does have a character creation course, but i haven't looked too much into it. looks like another good option though, but a little expensive compared to the other options out there
i think the biggest thing with character creation is that since it is what the most people are interested in (as far as i can tell), there are going to be a LOT of things out there to teach you for free. since they are free, they will all be missing something, so enjoy the process and look things up as you run into things you don't know while making your own models. anything you do for a humanoid model applies for a quadruped or... etc, you just will have to look a Bit harder if you're having a specific problem, or experiment and use your big brain.
other misc things: i always keep this chart on hand, very useful when transitioning from head to neck topology or hands to wrists, etc etc
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shape keys can carry your animations if that's what you hope to do eventually, 2d face sprites can be controlled with bones, never be afraid of mixing mediums (taking a picture of a model from blender then drawing on top of it for example), unreal engine can be used as a compositing tool and floral scatter tool and water generator tool, annnnd my last advice is to look out for humble bundle sales. there were a few blender focused ones last year that had a bunch of really good add-ons (and a course or two) for cheap, like shaders plus, florapaint, retopoflow, and claydoh, along with like 20 others all for 35 bucks. right now, there's this concept art bundle, some of which are focused on character creation in 3d software. they tend to use zbrush and substance painter, which is a shame that they are so expensive. if only there was some way to GET these programs INTO your PC for cheap -- free even! ... .COM
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evelhak · 1 year ago
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Hey! So we talked about Kuroko and Haizaki, and now I’m curious in your vision of other Kuroko interactions.
Not shipwise, since I know you only do kagakuro, but in terms of dynamics, what are your fav characters to write Kuroko with?
Lets say, top 3 GoM and top 3 non-Gom?
Oh my friend how you're letting me go nuts again.
May I suggest you get a cup of your favourite drink and maybe some snacks?
Also how do you expect me to choose...? Hmm okay, to make things slightly easier for myself I'll exclude Kagami of course since I've been talking about them a lot already and I also believe I've talked about Momoi at length at least twice in relation to Kuroko so I'll define GOM in the strictest sense for this, but I also won't count either of them as non-GOM haha. I hope that makes sense.
Okay, not surprisingly, I'm going to start with Aomine. I love writing him with Kuroko particularly because when he's at his worst they are absolute poison to each other and they don't really even know it for lot of the time or at least understand why, and that makes for peak relationships drama. (It's complex and I love it.) They have a particular way of feeding each other's weaknesses. When Aomine is stressed out, average Kuroko's communication style and philosophy actually makes him worse in the long run. Also Aomine at his worst makes Kuroko worse. This is because Kuroko's weaknesses at his most stressed resemble some of average Aomine's weaknesses (anxious, lonely and pessimistic) while average Kuroko's optimism and understanding actually give Aomine more room to spiral down because what he's subconsciously looking for is pushback and someone he can trust to practically force him to get it together and average Kuroko is always going to be too accepting for that. However. Here's the cool part. Aomine at his best has some of the strengths of average Kuroko (loyal, secure, taking care of others) which is why when he's getting better he's drawn to Kuroko's typical idealism and particularly when Kuroko is getting worse, Aomine actually steps up, and can empathise with Kuroko at his weakest because while it's a rock bottom for Kuroko it's all actually pretty mundane to Aomine and he can stay quite level-headed about it. Meanwhile Kuroko at his best can direct the same qualities productively as Aomine at his worst does destructively (confidence, independence, stubbornness), and that's why at his best Kuroko appears like he has got the answers Aomine has been looking for after all, because Aomine is actually looking for trust but he needs hard proof for it unlike Kuroko who at his average is just able to trust that things will turn out alright for no particular reason. This is in a nutshell why I love writing the larger scale of their dynamic. It just makes for such interesting plot twists.
Also it's so God damn funny sometimes. Like, I was writing a scene where Kuroko is pretty significantly sick and Aomine is pretty significantly enlightened and although it was a rather serious scene in my story, I just happened to come across a song from some musical that illustrates the inherent comedy of their practically reversed dynamic a 100%.
For contrast here's bit from Kuroko's POV when he had to take care of drunk Aomine:
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I just find them hilarious to write and they bring me so much joy.
Then, I suppose the next one will have to be Kise. I just love how they poke at each other's insecurities and how incompatible their communication styles are. You're probably seeing a theme here? I just love it when characters' personalities collide in a way that causes a lot of friction and ultimately provides opportunities for growth, so long as both are eventually willing to go out of their comfort zone. Of course it's only so satisfying because there's so much they can help each other learn, which is true here as well. Kise and Kuroko can both be particularly annoying to each other, because Kise has this habit of putting the burden of interpretation of how serious he is on the other person and that really doesn't work with Kuroko so he's often particularly dismissive of Kise. And while Kise seems like he's bothered by it I think he actually finds it reassuring because it means that with Kuroko he can be as goofy, flirty, needy and attention-seeking as he pleases with zero consequences because Kuroko just deflects it. Obviously Kise actually doesn't want the kind of attention from his friends that he gets from elsewhere, so at his core he doesn't actually feel rejected by Kuroko, he feels quite secure. Meanwhile, I think Kuroko secretly likes the attention he's getting from Kise, because everyone needs some attention. Kise is getting too much so he finds Kuroko relaxing and Kuroko is getting too little so he finds Kise refreshing. And annoying. Because Kuroko actually craves direct and genuine interaction the most, and that's why Kise's way of avoiding it can get really tiresome for him, meanwhile Kise becomes instantly self-conscious and evasive when Kuroko attempts to get some unambiguously genuine expression of feelings out of him (unless they're on the basketball court of course where it's suddenly okay to let things go to your feels). So, as I want to develop their communication I end up writing stuff where Kuroko is quite fed up with their shallow interactions and attempts to get more under Kise's skin, which of course is way too much emotional work for Kise. But it slowly gets better, of course.
A lot of their interactions for me are also based on how Kuroko needs more of Kise's easy breezy "do things for the heck of it and don't think about the deeper meaning" attitude while Kise obviously needs the exact opposite and Kuroko is a great person to make him think about what things he's just doing because it's easy and provides instant gratification, and which things he would actually find meaningful in the long run. Kise has opportunities to make Kuroko less serious and Kuroko has opportunities to make Kise more so. I think Kuroko very much dislikes any shallow or vain feelings that he has and rejects them, but Kise can help him be more comfortable with that part of humanity, while Kise is scared of his deeper feelings, and Kuroko can help him with that instead. So both can find that the feelings they dislike in themselves or make them anxious still have their place and it's better to get acquainted with them.
It takes quite some time for them to get to a point they can understand this because it's obviously not fun trying to consciously work on your insecurities, but when they get there it's really satisfying.
Now I kind of feel like showing this development. So, here are three scene's from Kuroko's POV. Although two of them are with Kagami, but they are talking about Kise.
First one is a conversation on the phone.
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About ten chapters later with Kise:
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And then about 20 chapters later:
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I just wanted to show you because writing this kind of development makes me so excited. (The sport they're talking about is quidditch/quadball.)
The third place is a really tough one because I enjoy writing Kuroko's interactions with every GOM and I think the reason I'm going to have to pick Midorima is actually not because I inherently prefer him, it's because his interactions with Kuroko naturally happen more because he lives closer than Akashi and Murasakibara. But this is how it is because the more I write interactions with characters the more I begin to like them. Kuroko and Midorima are a blast because of their completely opposing conceptualisations of the world. The funny thing is that they might not actually be as opposing as they seem, it's just that they are looking at the same thing from different angles and describing it in language that leads them to believe they disagree more than they do. Yes they also have completely different strategies to getting where they want but maybe it's not as stark as they sometimes seem to believe. This is where the most friction in their relationship comes from and I have done my absolute best to be fair about it, because I am so much more likely to see things in Kuroko's way and I despise horoscopes. So I think another reason I like to write these two so much is that it challenges my objectivity in a particular way.
Anyway, basically Midorima describes fate as something that is above humans while Kuroko basically says you can make your own fate, if you really simplify it.
But. I have these song lyrics in my mind...
"You can plan a pretty picnic, you can pick the perfect time, but you can't expect the weather to be fine".
That thought is still true for both of them. They would both agree to that from their different perspectives. So their views are not actually complete opposites. Just their reactions and how they deal with it, are.
As funny as it sounds, Midorima is actually uncomfortable with the 'supernatural' or abstract unseen realm of things, and that's why he's looking at sources outside of himself to control his thoughts about that which is uncertain. Meanwhile Kuroko can just casually be like "hey what if a meteorite hit the bench" and "cool let's go look for ghosts I've never actually seen one" because he doesn't fear the uncertainty. He is the uncertainty. For Midorima that is his pressure point. Kuroko gets strength from the thought that anything can happen because he feels familiar with and in control of the uncertain, so he believes he can work it to his advantage. For Midorima the idea that anything can happen is daunting because it feels like it pulls the rug from under him and his hard work. He just genuinely doesn't understand that realm of things, much like Kuroko just genuinely doesn't understand cold hard facts and numbers. And that's why they have trouble understanding each other, because they are always approaching things so differently even when they desire the same conclusion.
Anyway. I wanted to do something with Midorima that I felt canon didn't really do. I wanted his way of thinking to get Kuroko off guard and even question his view of reality a little. I wanted Midorima to be able to foresee something about Kuroko because of his strange relationship with fate and I wanted Kuroko to dismiss it because he thinks his way of thinking is above Midorima's. And ultimately Kuroko would be wrong. I thought this would bring more depth to their relationship.
I'm going to show you one key scene in that plot to illustrate some of the tensions in their interactions. This is Kuroko's POV and they are at Suutoku's cultural festival where Midorima is doing fortune-telling from tea leafs.
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Alright, that's it for the GOM. I wonder if there's a limit with post length...
Then the others.
Well, there's Ogiwara. And he was not so discussed in depth in canon that I have definitely developed some of his personality on my own. He was obviously contrasted with Kagami and Aomine a lot and explicitly said to have some similarities but the way I see him, he is also similar to Momoi and Kiyoshi in a particular and pretty defining aspect, and that is that he can control the emotional atmosphere of the room. So, while Aomine and Kagami have a lot of physical presence, Ogiwara and these other two characters have a lot of social presence. But the way I see it Ogiwara is also the least manipulative of these examples, pretty chill in the way that he has less of an objective, like it's rarer for him to try to manipulate things to a particular end although he generally could if he wanted to. And I think that's because he mostly just wants everyone to be happy and to have a good time, which aligns well with Kuroko's instincts, so it's no wonder if their friendship was a pretty uncomplicated one before shit hit the fan.
There's actually very little conflict between them in canon that has anything to do with them as individuals. However that's also what makes the relationship kind of stagnant and less interesting because when there's no outside force, then there's nothing about them as people that makes them push each other enough to create the level of conflict and opportunity for growth as there is with some other characters. In some ways that's refreshing, but only as a breath of fresh air. Basically in a story it just makes for nice filler. There isn't enough meat to write for an extended period of time.
That's why, if I wanted to keep Ogiwara in the story in any meaningful way, I had to make something up, and I do enjoy what I came up with. A lot. One key aspect is miscommunication that is due to the fact that although Ogiwara is socially very smooth he doesn't quite understand that Kuroko is actually significantly less so, probably because Kuroko still has emotional intelligence and the ability to match a more a dominant personality (I mean this in a broad sense, not like dominating or something) in a way that makes interaction feel smooth, because the other person is the leading force whether they mean to be or not because Kuroko can pretty much just make it so. (Like in Kagami's case it's more like Kuroko is redirecting a lot of Kagami's emotions so he's not actually dominating it's more like he's Kuroko's 'material' unlike Ogiwara who actually means to lead the interaction.) So, Ogiwara has a habit of implying things, hinting at things, speaking with gestures and believing that Kuroko understands what he's saying, but actually the implications go completely over Kuroko's head. For example, their whole promise: Kuroko didn't understand that more than anything, for Ogiwara it was about staying in touch. Of course facing each other in a game was important and exciting in and of itself, but Kuroko took that way more literally than Ogiwara meant it, and became so single-minded about this one thing he thought his friend wanted from him, that he actually kind of forgot about talking, which led Ogiwara to misinterpreted it as Kuroko not missing their everyday interaction as much as he does. Because Ogiwara thought the implication of their promise was totally clear, while to Kuroko it wasn't. It takes kind of a lot to start seeing why things that are totally clear to one aren't so for another, so they repeat this miscommunication several times and it stretches out into the future so much that it turns out Kuroko's view of their childhood is in some significant ways different from Ogiwara's view of the same events.
Writing more of them together I also found that Ogiwara sees Kuroko in a quite different way from most people and can sometimes say stuff that other people probably wouldn't say:
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I'm not saying he's right or wrong, and out of context it may seem like he's undermining the fact that Kuroko didn't have much options, but it's more complicated than that, just too much to explain here. I just put this here because it's interesting contrast to write someone with a little bit different perspective to some things, because his key points with Kuroko have been so different from that of the other characters in the canon timeline which Ogiwara was mostly absent for.
A character whose interactions with Kuroko I actually write way less than I would like is Furihata. Because they have similar temperaments in ways pretty much no other characters do, and I feel they would make the kind of friends who are perfect for peer support and venting to, if either of them could just be a little more proactive about it, but that's the difficulty with a similar temperament, isn't it? It's not just my fault, it's not just that the story is already so bloated from these other relationships, it's that both of them are also going to respect each other's space too much and are generally the type to just sort of let things in relationships develop in their own time. Obviously they both have a lot of drive to make things happen when they need to, but when they don't need to, they are both the type to be more likely to just sit back and watch things develop. So circumstances would need to force them closer to get closer. So far such circumstances happen here and there but not that much. Most often it's Furihata needing emotional support and Kuroko being there, because he has already gone through the same thing. This happens several times in my writing. It takes a while for things to turn the other way around because Furihata is more likely to seek comfort from someone, and Kuroko is more reserved in that way, but once Furihata grows aware of their similarities and differences he also makes more effort to make sure Kuroko knows he can be relied upon too, which fits quite well with Furihata's growth into a captain which is part of my headcanon too.
This is probably his sharpest moment so far, after Seirin's darkest moment in my story. (Kagami's POV)
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Then there's Yagi who practically counts as an OC because I've invented like 90% of his personality but I love him so I'm going to talk about him. Yagi is sort of like if Aomine and Furihata fused in some ways. His insecurities come from lack of experience and skills but he reacts to them in a similar way as Aomine to his overwhelming skills, feeling like he's alone and no one can possibly help him. He's more even-tempered and timid, but his negativity comes through in a passive-agressive way and he basically needs someone to kick his butt at all times and he punishes people emotionally if they don't. You can imagine this creates some very intense conflict with Kuroko whose gentle approach to helping Yagi integrate into the team just... doesn't work AT ALL because he's an even harder person for Kuroko to be tough on than Aomine. Kuroko can kick butt when it's Kagami or another openly aggressive person as long as they are not being vulnerable. But Yagi is like... Nope. Nothing is getting through because he wants someone to boss him around but you're supposed to figure that out on your own and Kuroko wants someone who will tell him what they need from him. Match made in heaven right. Well, still it's not hopeless once Kuroko does figure out which string to pull (with the help of Aomine haha). But yeah, it's a minefield. (Not to mention Yagi also starts out as homophobic.) But they do develop when Kuroko realises that he needs something new to help him stay out of sight and Yagi is exactly that because he's radiating negative, passive energy as much as Kagami is radiating positive, active energy so when Kuroko uses both of them he has a double cover as the neutral point between these two energies. But what makes this difficult for Kuroko to figure out is that while Kuroko is technically using Kagami to hide himself he's not using Kagami in a sense that he would need to control him. Kagami is doing what Kagami wants, and Kuroko is using that which Kagami would be doing anyway. But Yagi isn't going to do anything unless someone makes him. It is when Kuroko realizes that Yagi is actually begging to be used, that the game changes. Despite of appearing otherwise Yagi has basically zero ego. He just wants to be useful but he wants other people to tell him how. (Akashi should have used someone like Yagi not Mayu lol.) This was difficult for Kuroko to get, because despite of being as team-oriented as he is, being a shadow was still always a sacrifice for him. Had he been able to he would have wanted to be more "normal". And he still does have enough ego to want to create something for himself and be in control even if it's in a less traditional more subtle way, and he mistakenly believed Yagi would want the same. But Yagi doesn't have that kind of desire. Kuroko is willing to sacrifice himself. Yagi enjoys it. Yagi is a "soldier". Well, in this case, Kuroko is the trickster and Yagi is the rabbit= the star of the magic show who isn't actually doing anything but who things are being done to.
Or...? (Kuroko's POV)
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I just love to play with metaphors.
I don't have the best action writing skills to get the most exciting games out of this idea (and a lot of it is probably so out there that it wouldn't even work) but I am actually very proud of how it plays in the interpersonal and metaphorical realm of the story.
Okay. That's it for now. Looks like I didn't run out of space. I hope I managed to keep you interested.
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