#and I don't understand how this all fits with 'the Organization'

[rudolphsb9]

Why are there monks?

[good--merits-accumulated]

it's MY fic and I call the shots (eg: move aside pseudo-medieval gay romance. no more romance. Time For Brothers Who Kill Each Other Now)

[violexides]

something I’ve noticed is that it’s difficult for people to reconcile the idea that there are a lot of Islamic theocracies that force Islam through the regime itself and persecute other religions, but also that there are a lot of Muslims actively being suppressed for their religion and killed (who are not trying to convert other people to Islam, either). 

and i think it’s especially hard because like, in the US, we mostly see the Islamophobia in the US and then the Middle East (like Iran which the US has nonexistent diplomatic relations with due to a tense history most are fairly familiar with) and that kind of covers the extremes but like. there are a LOT of other places in which Muslims are persecuted like China for instance that gets talked about less. 

and overall i have issue with the whole Islamic theocracies critique because i think it could be expanded to a general critique towards theocracies less so than the religious component of it but nevertheless i think reconciling all of this is kind of important because like... 

speaking as a Muslim here I can understand why from a place of not knowing formerly-religious atheists or agnostics would be Islamophobic. but you kind of have to see the nuance behind all of this and, dare i say, talk to some Muslim people too because to put it informally. girl WHAT are any of these governments talking about since when did God say this shit 😭

[fratboycipher]

obligatory welcome guide for redditors

A lot of the guides I've seen don't actually seem to understand how reddit works in comparison to tumblr so

your blog is basically your own small subreddit. some people curate this heavily to fit a theme, like a sub, most people don't

reblogs are culturally equivilant to upvotes but functionally equvilant to crossposting

there is an algorithm. it sucks and nobody uses it. turn it off in settings. everything is generally chronological

likes are functionally equivilant to saving a post

you've probably already seen this but change your icon and put something in your bio or people WILL assume you're a bot. personal info not required

generally, anything you would put as a comment on a thread should go in the tags or the replies of a post. only add comments in reblogs if you want it to become part of the base post

tags are mostly equivilant to flairs, used for organization and commentary

your dashboard is an aggregation of everyone you follow

there is an r/all equivilant(trending page) but it sucks and nobody uses it

our search also sucks. your best bet is using tumblr.com/tagged/[TAG] and not /search

there are no mods

by extension, reporting something doesn't put it in front of the mods, it sends it to staff, who may or may not do anything(usually they don't)

there is no karma, there are no karma limits. anyone can reblog anything, comment/reply to anything, or post in any tag

"reposting"(reblogging) old content doesn't matter. people can and will reblog the same post multiple times, including in a row

CAVEAT. reposting someones art(NOT reblogging, making a new post) is a dick move. i know this is commonplace on fandom subs but its not necessary here. everything you post should be [OC] unless you are reblogging. or posting shitty memes

we have our own sitelore, you'll pick it up

(though im not opposed to bringing some over from reddit)

our app also sucks. we do not have third party apps and any that claim to be are scams. sorry

for desktop, most people use the XKit Rewritten extension for QoL improvements and to revert shitty aesthetic updates, much like old.reddit

we have no idea where the porn rules are at either. add a mature content flag to anything you'd get fired for looking at at work, that's about it

finally, from the bottom of my heart, fuck u/spez

[renthony]

How would one go about making an intersex character

That's a big question, and I want to emphasize that I'm only one person, and I can only speak for my own personal experiences. There is no one-size-fits-all guide to this sort of thing.

My advice is therefore the same as it would be for writing any character whose identity you don't share:

Understand that you might fuck it up, but don't let it stop you from trying. No group is a monolith, and what resonates with one member of a group might be considered shitty representation by another member of that group. You're never going to make everyone happy, so instead of trying to make the "perfect representation," try to approach things with the mindset that nothing will ever be perfect. The goal is to have a wide variety of respectful representation, not create the Perfect Rep.

Engage with media created by people who share the identity you want to represent. You can't write a respectful piece of representation if you don't know how anyone in that group is representing themself.

Research activism connected to the identity you want to represent. What are the offensive stereotypes you should avoid? What kinds of sociopolitical issues affect this group of people? Are there any organizations dedicated to activism and support for this group, and have those organizations made any resources for allies?

Work with a sensitivity consultant, and preferably more than one if you can. Many people do this as a paid service, but there are plenty of people who are willing to arrange some kind of trade if financial hardship is an issue. If you absolutely cannot manage to get a consultant for whatever reason, doing your own research becomes even more important.

Since you asked about intersex representation specifically, let me help you get started with some relevant links:

InterAct's Intersex FAQ

InterAct's collection of informative brochures & guides

Intersex Human Rights Australia: Celebrating Intersex Firsts on TV

JSTOR: Intersex Narratives: Shifts in the Representation of Intersex Lives in North American Literature and Popular Culture, by Viola Amato

Human Rights Campaign: Understanding the Intersex Community

GLAAD Media Reference Guide: Intersex People

[astrologylunadream]

You and Your FS as Parents 🍼🩷✨️ (Pick a card/Tarot love reading)

Hey it's Lunadream🤭💫 This will be a cute reading on how you and your future spouse would be like as parents!🏠🩷 hope you find your message💌

Notice: Only take what resonates because the most important thing is your own judgement!♡ If anything doesn't resonate, don't worry! It's not your message right now <3 (Entertainment purpose only. All rights reserved)

Now, shall we begin~? ^w^ Think of the you and your future spouse, and pick whichever pile that fits the energy you're feeling~🧸✨️

Pile 1🩷

Pile 2☀️

Pile 3🔮

Pile 4🍑

Take your time and choose carefully with the heart~♡

On to the readings —> 💕

Pile 1🩷

Sign energy: Facial expression, Family, Irreplaceable, Crave, Bedroom, 8th house, Fire, Saturn, South node, Lilith,♉️🪚💉🧛‍♀️

👤Your future spouse's energy: They're hot😭 Okay lol your future spouse won the genetic lottery or something, they are irresistibly attractive and a very sensual partner for my pile 1's💋💞 Magnetic physical presence, Their facial expressions are intimidating yet passionate all at the same time!🥰 There is 8th house influence in their chart, Fire energy, Saturn or 10th house aspects, also asteroid Lilith!! Taurus is also a sign for them. I think your future spouse is deeply attracted to you and understands you better than anyone else, they would take a bullet for you.😢🖤 Family oriented and they have a hot voice. Your future spouse will be very intense, but they provide more than anyone could. This is not a spicy reading but there is so many messages coming through in this reading and it's already getting hot in here.🥲 You may have been set on having a family with this person pretty early on or there is like this energetic pull towards them? They make you feel like a vampire I'm hearing, like you just have a unquenchable thirst for them😳 Yeah this is a very strong attraction between you and this person, You might feel like you can't find anyone like them. Since this is about your future spouse, I'll just say they are something else in the bedroom.🔞 Insanely seductive, I don't think you could resist them easily lol. Something about this spouse feels dangerous, maybe even forbidden.💋❤️‍🔥 Someone's family may be little scared at first. I mean, your future spouse has a bad boy/girl vibe to them, I don't know why that message came out so strongly for their energy. This could be someone from your past, or their face feels so familiar to you.🤭 I think my pile 1's get sucked into their energy, I mean I don't blame you they are a very hot spouse pile 1.😌

🍼You and Them as Parents: Fan, Enchanting, Melody, Front, Yandere, Sun, 9th house, Pluto, 6th house, Libra, 🤎👢🪽😬

Wow I think it's interesting how Melody came out and this pile is represented by my melody from sanrio~ How cute🩷 So you and your future spouse are very adorable as parents, you guys would try to be responsible and teach your kids to have a broader understanding of the world.🌏🧭 I think it would feel like a fairytale. Your spouse would be very loving with you and your kids, doing their best to be stable and reliable for the entire home. Your home would look clean and cutesy. They are very possessive, so I think they would not let anyone hurt you or your kids🫂💕 I can see they will be sometimes a little jealous or possessive over you if anyone is trying to flirt with you, you might have some people you don't know well or exes romantically interested in you, trying to talk to you. And your future spouse will get suspicious of them for a good reason too they don't let any creeps around my pile 1! I can hear them say "Ahem this is my wife/husband and we have beautiful children, aren't they adorable?"💗 Haha your spouse is very cute and funny. They are set on making sure their loved ones aren't taken advantage of. I am getting, you and your future spouse may try to appear as more well organized parents than you actually are, worried what others will think of you.🥺 Actually, you may have people on the outside who are very jealous of your family life. Like again exes or anyone who is romantically obsessed with you or your spouse will not like how things are going.🔭👀 But I can see, your spouse will protect you and show them a lesson🤗💞 You guys may look angelic like the "perfect parents" and you appear very much in love. You guys may move to a different country/place to raise your kids.✈️🏡 One or both of you may feel anxious as parents, but I think your spouse will be the one to reassure you and keep you calm about it.💗 Your future spouse is honestly so in love with you that they would make sure you are always happy, and your kids. And Your kids may look up to your spouse as an inspiring figure, also they would see both of you as a good example and kind loving parents to them. You would be such good parents pile 1!🤭💫

Thank you my pile 1's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 1 with the pink heart emoji~🩷 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🏠💞

Pile 2☀️

Sign energy: Target, Family, 8th house, Handsome, Society, 10th house, 7th house, Earth, Scorpio, Water,😴🪤🤨😭

👤Your future spouse's energy: There are some similarities to pile 1's spouse in this pile! They are of course very attractive, it seems like the cards are really focusing on that.😂 Wow even Handsome came out so they are definitely very goodlooking~ (no matter gender) They have a classy wealthy vibe, like they could come from a rich or famous family.💳💲🏤 I just realized that family has come out in every pile how fitting, their parents might not like you at first or others view you with envy or dislike for whatever reason??🙄🥺 Oh you know what, your future spouse is a somebody, that's why. Definitely giving high status, your future spouse may feel a little "trapped" from their public image or reputation they have. Signs for them are Scorpio, Libra, Capricorn, Earth and water energy, 8th and 7th house placements or Water in 10th house. This spouse of yours is desired by many, and I even think those people may want to get them in bed😡 But your spouse just wants a loving and deep relationship with someone they can trust😭💔 People do not respect their boundaries, they think they own them just because they're pretty/handsome?? I don't think you need to worry about saving them though, they are a very powerful individual, capable of a lot.✊️🏆 They might not have the best relationship with their parents, or at least not an emotionally fulfilling one. They could have had strict or pretentious parents, honestly I don't think your future spouse really had anyone who really cared for them🥺🌧 They're viewed as attractive and definitely have pressure put on them to mantain status or wealth, even certain beliefs. They are very successful, also feared and respected by others.💼🏆 I think they are emotional inside, but they haven't ever openly expressed that. Wow pile 2 your future spouse is most likely rich.

🍼You and Them as Parents: Patience, Ex lover, 4th house, Dirty, Attempt, Gemini, 9th house, Chiron, Leo, South node, 🍵😔🖕🥂

Ohhh okay so you and your spouse would also have a reputation to keep, I think it's because of their status. I can see them trying very hard to keep you and your kids safe or even out of the public eye (it depends on how known this spouse is🫢). You both would be very patient and understanding as parents, you may even have twins!👥️💞 I can see overseas travel or moving to a different country to raise your kids, this could be because of stalkers or rumors getting spread.🗣💬 If it's serious some people might literally try to f*ck up your spouse's reputation, and this might trigger your spouse as they would feel betrayed or slandered. But I can't see that happening too much because your spouse would have it under control. I can see you two will try to do things the old fashioned way, very traditional as parents.🕰💕 You both would help your kids with their homework together, You might even decide to bring your kids to a foreign school.🛫🏫 I am getting europe for some, There may be dirt on you two as parents, lies or rumors but your spouse will literally just leave take you with them if that occurs.💬✋️ Now for others in this pile, I don't see much bad reputation but instead you might be very well known or even famous as parents. People from your past will try desperately to get in with you and your future spouse, like wanting to go out for a drink or go to expensive parties but you guys will kinda be like really🤨? Lol, you're just so cute together, really classy and luxurious vibes you guys may very well be rich and dress so nicely, you are the classy parents. You two will always put your family and children first, you will nurture and protect them so well💗🏠 You guys may live in a penthouse or mansion either big city or suburbs, Married life with your spouse will be amazing, for only some I'm seeing old exes or fans trying to ruin you or your spouse reputation or trying to sleep with one of you?? Like what, there is definitely jealousy because you guys are giving ✨️power couple✨️ Take what resonates of course, but you guys are protected, and your spouse will love you and your kids very much. Also I'll just say your spouse would be glad to finally make time for the bedroom with you, they would bring wine and all😏

Thank you my pile 2's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 2 with the sunshine emoji~☀️ Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🏠🩷

Pile 3🔮

Sign energy: Tight, Situation, Wish, Adorable, Perspective, South node, Chiron, Lilith, 11th house, Jupiter,🆕️🎨🚺⏰️

👤Your future spouse's energy: I like the energy of this one, very cute.💗 Your future spouse has a bright innocence about them, You might have known them from online or been friends with them before they are your spouse.💍 Your future spouse has Aquarius or Sagittarius placements, Jupiter placements, and Lilith asteroid presence! For some this is a person from your past, for others it's someone new it depends here.⏳️ Your future spouse has been wishing to meet the one, and they feel like time has been going too slow.🕗😩 They're quite creative and maybe for some an artist? Only for some of you, I think they just have great ideas, and their point of view if different than most people.👀 They're more optimistic and hopeful, they could be the type to look over red flags or fall for the bad girl/boy.💜 They might want to heal you or make you feel better, always bringing positivity. Your future spouse is also really fun, they might decide the best thing to do is something completely random!🚀 They are spontaneous and like your best friend, also they find your moods amusing. They like to shift perspectives or share their own, very lighthearted person.🌟💖 There is a spark in their eyes, like a childlike wonder still. Which makes me curious how they will be with you as parents!🥰 Already it seems they're very high vibes and excited for life. I can hear them telling you good news all the time, haha like there is never bad new with them.🗞💫 For some this person might have certain emotional wounds regarding females that they don't pay attention to or realize. Also your future spouse gets out of every bad situation like?? Lol they're very lucky🤗🌈

🍼You and Them as Parents: Role, Short, Beloved, Sweet talk, Magic, Moon, Scorpio, Leo, Earth, Lilith,🥴👩‍🎤🫵🎶

Wow so this is interesting, It feels like you two would be very proud of eachother as parents.✨️ You would feel very good about it, also complimenting eachother on literally everything😭🩷 Like your spouse will be so proud of you and vice versa, you raise up eachothers ego lol it's so cute. As parents, you both would talk so softly and sweet to your kids and love them so much💞 The mother/feminine here will be a very good role model to the kids, they will be well loved and inspired by her. Also your singing? The kids will love it and your spouse will be blushing whenever they hear you sing to the kids🥰💓 You have a beautiful voice, whether it's speaking or humming. Something about you feels so enchanting, some of my pile 3's are giving mommy witch vibes😉 You may be into tarot, astrology, magic any of that stuff and it's so cute your future spouse loves that about you. It makes you so hot in their eyes🔥😭 Now a little more on that lol there is a lot of attraction from your spouse lol, they would be unable to hide it. One of you may be the shorter parent here, while the other is taller.💕 Your spouse would honestly be so turned on by your comforting nature, they might would even be a little jealous of your time. But they would think you are so good as a parent that they wouldn't mind that taking away your time together, later of course they would want to let you know how much they want you🫢🔞 I think you two would still have a life in the bedroom, it may be less but your spouse will definitely make it worthwhile and make sure you're getting what you deserve. Honestly they're really horny over you😳❤️‍🔥 Your spouse is very much that whenever they see you. You two would sweet talk eachother all the time, because you love eachother so much. Your spouse would just be so prideful about you, "like look at my beautiful wife/husband"💍💐 You make such sweet parents to your kids, and partners to eachother! Also something cute, I think you both will keep the magic going well for your kids, so they would believe in fairytales because of you both🥺🧸💞 I can see you both embracing your childhood again too when it comes to holidays and playing with your kids, very bright and caring, you are such good parents!🤭💗

Thank you my pile 3's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 3 with the crystal ball emoji~🔮 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🏠🩷

Pile 4🍑

Sign energy: Playful, Prove, 3rd house, Entertainment, Surface, Libra, Fire, Uranus, Capricorn, 8th house,🕳🏙🎠🪨

👤Your future spouse's energy: Your spouse seems to be very successful in their career✨️👏 They could be in the entertainment industry or own a company. They talk a lot if ideas, big ones.💡💸 They are playful on the surface but there is a deep and intense side to them. They could be trying to make it big to prove to you. Your future spouse is very unique and an individual to say the least, they could live in a big city.🏙🧳🚖 I think they're trying to turn their ideas into something solid, money making. They're real ambitous, I'm hearing "won't give up" yeah they don't. Possible placements are Gemini, Libra, Aquarius, all air signs lol, Capricorn, Scorpio, Fire energy. They could very likely have their uranus or 3rd house in a fire sign, Capricorn over the 8th, Venus in fire sign any of those could be their placements.💫 Your future spouse is fun and energetic, they could be a wannabe rapper or they like to listen to rap/hip hop.🎧😎 They are committed to their future and willing to do a lot to make it work. Either they are already rich and successful or they are trying to make it there. Business vibes, I'm hearing "top of the charts" could be a business person or entertainer.💼💲📈 When you meet this person, you may have ended a relationship or your future spouse wants to prove to you that you can start over or love isn't what you thought it was.💐💓 They are materialistic, might buy you a penthouse or something lol that energy. I can see they want to be your provider, like you are their sugar baby. They might seem like a player when you first meet them, but they are the type that is deeply committed in their relationship with their girl/boy.🌹💍✔️ Your future spouse is funny and charismatic, extroverted vibes. I think they are good at networking and getting their name out there.⭐️

🍼You and Them as Parents: Fantasize, Behind, Stress, Judgement, Highlight, Sun, 9th house, Taurus, Fire, Venus,🦇🪽🤐🪪

I'll be honest here for some it kinda looks like there is a lot of stress from you guys as parents, one of you might be behind in college or food may be an issue here😳 Maybe one of you doesn't know how to cook well, that could be it. It really kind of seems like your spouse might be kind of trying to hold on to their fantasies of big achievements still, this could be a little bit of selfishness coming from their part.🤨 Your spouse may have a hard time adjusting their focus from themselves and their career/big dreams and goals and focus on their new family life and kids.🏠🔍 I'm just keeping it real on what the cards say, but of course that won't be the case for everyone in this pile🩷 Your spouse will want to go to higher places but I think you will sort of be the one to ground them and help them to be realistic. Actually I think you compliment eachother quite well as parents because they have a lot to offer for the family and I think you can provide good judgements for their decisions.😊🙏 The masculine here will fantasize about being a famous well known figure, but they might hide this or keep it a secret because they don't want to seem irresponsible. You might get angry with them sometimes, I don't see any real fights with your spouse it just simply light scolding like "I told you"☝️🙄 and they're all "Okay bae I'm sorry let me make it up to you"🥺 lol. Your spouse will be trying hard to prove themselves to you even as you're married to them, like they will always try to get your validation because they wanna be looked up to and admired by you and the kids🥹💓 You are the highlight of their life I'm hearing, so they just wanna make you happy. I think you two will always be playfully bickering and it turns into something sweet like you're argueing about the groceries and you end up staring into eachothers eyes like "I can't stay mad at you.😍 Another thing that came out is you guys will also make great grandparents, like the funny ones that nitpick with eachother but are still so in love after all those years.😭⏳️💍 When you're feeling overwhelmed with all the kids stuff your spouse will make sure to take care of you and give you massages and all that sweetness💋💗 They will also make time to take you out at fancy restaurants and keep the romance going between you two~

Thank you my pile 4's! If you feel this resonated, you may tap the heart to claim this message!💌

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 4 with the peach emoji~🍑 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🏠🩷

Wanna see more readings like this? Check out my tumblr for accurate readings for you!💗🌊🌸

Thanks for reading! \(*^w^)/💌 -Lunadream <3

[pygmi-cygni]

writing tip - research

research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:

lack of depth

stagnant plot or development

confusing or inconsistent setting

it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.

Fantasy

I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.

'but pygmi, fantasy is made up! it isn't real!'

SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.

Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.

Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.

Let me give you some pointers to make sure the time you spend researching is relevant and well spend.

Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.

Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.

Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.

To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.

Setting

researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"

if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.

Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.

Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.

Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.

Eras

Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.

get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.

Unless it's doctor who. you guys can do literally whatever.

Plot and Character Development

If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.

All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.

xox love you

[imwritingthefout]

A mask of my own face

I love this photo it’s so silly :>

Summary:

reader is worried about ford and his recent... outbursts. they decide to check on him, but find him at the wrong time, or rather, they don't find him, but someone else in his body.

basically: reader gets fucked by bill cipher in ford's body and kinda likes it.

(the title is the song by lemon demon bc it fits)

Warnings: non con elements/ dubious consent, rough smut, p in v sex, some fluff at the end, a little angst but it’s fine in the end

also crossposted on ao3

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ford was acting… different. More distant than usual, more…. Off-putting.

He always had a sort of off-kiltered charm in the way he interacted with you, always flipping between being overly confident in himself, and tripping over his own words at the sight of you. Like something in his brain didn’t compute that you were together, that you were his. You got used to this after a few months of dating the researcher, and it evened out for a bit… but now it seems he’s reverted back to his old ways, from before you started dating.

One second he would be holding you tight, saying how much he loved you and wanted you by his side for the rest of his life, but then the next he would push you away to go ‘meditate’ in his lab. He would stay there for hours, only coming up for more coffee. (and strangely enough, to shove forks into his hands when he thought you weren’t looking)

You decided that enough was enough when one evening you realised you hadn't seen him all day. He must've gotten up before you to go to his lab, and hadn’t come up since then.

You went on a search for him all around the house, hoping he wasn't in that god-forsaken lab, but it seems god wasn’t on your side.

When you found him, you saw him sitting hunched over at his desk, writing something down aggressively. You tried to gently touch his shoulder, but the movement caused him to jump so high up from his chair he almost hit the ceiling. You, of course, were startled by the sudden movement and took a step back from him.

He slowly turned to you and his face…. His eyes…. Something about them was wrong. Maybe it was the lack of sleep on his part or your worrying, but you could swear his eyes looked… off. They were slightly different than you remembered, but you decided to brush it off for the time being, more focused on talking some sense into your boyfriend.

“Hey ford? Can i… talk to you?” you said gently, trying not to frighten him again. He shook his head a bit, as if trying to shake off some grub from his face and turned to you with an annoyed look. “Not now, honey . Can’t you see I'm working?” He said the pet name with a mocking voice, as if he was making fun of you for thinking you’re more important than his work.

“I know you are, but you're starting to worry me… when was the last time you ate? Or drank water? Or even went to the bathroom?” you tried to push back the uncomfortable feeling threatening to overtake your words, your voice slightly shaking when you asked him the questions. 

“It doesn’t matter . All that matters is finishing this page” and with that he went back to his desk, sitting down and ignoring you as if you didn’t exist.

Now you were starting to get angry. “What do you mean it doesn’t matter? Your health is important! If you don't take care of yourself then you won’t live to see your progress come to fruition!” you put your hand on his shoulder again, more firmly this time. “I made you dinner. Now you’re going to come with me, eat dinner, drink some water and go to sleep. Do you understand?” you turned him around in his chair to look at you. He seemed to flip through several emotions before deciding on one. You didn't quite know what it was, but he was smiling, so you thought he might have finally come to his senses and decided to take a break.

You were only half right.

“You know what? You’re right, toots. I'll take a break, but only if i can take you too” he brought you onto his lap in one swift, strong motion and put his lips against your neck. The sudden movement made a chill run up your spine. You didn’t know if you were more turned on or worried, but ultimately decided that maybe this’ll help ground him and bring the ford you loved back.

You wrapped your hands around his neck and kissed him passionately. It took a moment for him to register what was happening until he kissed you back, hungrily kissing you and suddenly biting at your tongue. It wasn’t something you were used to, and it definitely surprised you, but it wasn’t unwelcomed.

You pulled away a little and he went back to attacking your neck with his lips and teeth, leaving various marks that made your breath hitch. His calloused hands started exploring your body as if it was his first time, awkwardly angling his fingers to touch every part of you from your ankles to your shoulders, and finally down to your breasts.

“God you’re mine now, aren’t you?” The question confused you, since you’ve been dating for a while now, but you decided to go along with it. Maybe it was a new kink of his “yes i’m all yours” you punctuate your point by gently scraping your nails down his chest and onto the waistband of his pants. He groaned at the feeling of your nails on him, his chest puffing up to meet your touch. You chuckle at his desperation. “So needy… you’ve missed me, haven't you?” you tease him lightly, but it didn’t affect him like it usually does. Instead he seems… unfazed “sure i have” he then picks you up and moves you so you’re lying chest down on his desk, and he’s behind you, pushing your middle down so your ass is up in the air for him.

He stands up and you can hear him opening his belt buckle behind you. He seems to be struggling, so you try to turn to him and help him, but he only pushes you down more. “Stupid.. Human… clothes… ugh” you hear him mumbling, but you can’t say anything when you suddenly feel his cold hands under your shirt, feeling you up. You moan under his touch, then hiss as he pinches your waist in an unpleasant way. 

“Hey-ah!” you try to scold him, but are interrupted by the feeling of cold air hitting your sensitive area. Ford has pulled down your pants and underwear, and is now angleing himself behind you. You moan as you feel him push himself against you, his chest flat against your back. It takes him a second to push himself inside you, but when he does, he fills you up immediately. 

You groan at the sharp pain mixed with the pleasure of having him inside you after so long without him. Before you register what's happening, he starts thrusting into you wildly, with no rhythm or consistency. You try your best not to moan, but it's hard when you feel him pushing into you in such a harsh way. 

He holds your hips firmly, trying to stop your squirming. “Come on- ah~ do the thing” you hear him grunting behind you. It feels so good, but the statement still confuses you through the fog of pleasure. What does he mean by ‘the thing’? Your train of thought is stopped when his hand travels to your throat, choking you a little. The sudden feeling of lightheadedness makes you even hornier. This doesn’t feel like something ford would do, but damn it turns you on.

His thrusts start to even out, he doesn't slow down but now they have more of a rhythm. With each one the desk starts to creak under you. It’s straight up animalistic the way he pounds into you, holding onto you like you’re his toy, only used for his pleasure. You feel him twitching inside you, getting close to his release. You clench around him the way you know he likes, and suddenly he cums inside of you. You feel the pleasure inside you come to a peak as he continues to thrust at the same pace, even though he just came. 

The pleasure quickly turns into overstimulation as he continues at his rough pace, not letting you go until he finishes inside you again. Your moans turn into screams as you can't even form a coherent thought. At this point you almost reach a second orgasm, but when he suddenly pulls out at you, you’re forced to come down from your high. You whine at the loss and turn around to see him with his hands up in shock, looking down at you guiltily. 

“What's wrong ford?” you look up at him with lustful eyes, wanting him to continue. 

“I.. uh- nothing is wrong! I'm sorry!” What is he apologising for? “It’s alright, but can you please continue?” now you were frustrated, hoping he would get the hint and continue fucking you. 

“Ye-yeah sure.. Of curse” he gently put his hands on your hips, almost hesitating before feeling you up. He gently runs his hand down your stomach and lands on your thigh, stabilising you before slowly entering you. You moan at the sudden change in him. “What has gotten into you- ah!” you moan as he softly circles your clit with his fingers while he starts thrusting into you. You put your hands around his neck and he buries his head in your chest. You hear him mumbling something but you can’t understand it. 

He starts pushing in and out of you gently, and the stark contrast from just a second ago makes you confused. What is with him today? You try to dwell on it, but when he starts kissing your chest, fondling your breast with his mouth, your thought process is cut short. 

Thanks to his expert fingers on your clit and his even thrusting, you go over the edge. You moan his name as you pull him up to kiss him. It all feels like too much as he stops moving, focusing on kissing you. He pulls out shortly after, taking his time now.

“Does this mean you’re gonna take a break? I think dinner is getting cold” you say softly, kissing his cheek.

“What? Oh yeah- yeah- of course honey” when he says the pet name this time, it feels genuine, like it just rolls off his tongue naturally. You look at him, and find his familiar eyes looking back into yours- slightly confused but loving and caring. This is your ford. The one you fell in love with.

You try to pull yourself off the desk but your legs start wobbling, so ford takes you by the waist and guides you up the stairs. “I’m sorry” he apologises once again, but you reach up to stroke his cheek “it’s alright, i kind of… liked it”

You see a flicker of something dangerous in his eye before it switches to looking terrified, then concerned. “Well.. I'm glad you liked it, but I don't know what came over me. I’m still sorry if i hurt you, my dear” you thought he might be hiding something from you, but that was a discussion for another day. For now, you got your old ford back, and that’s all that matters.

“It’s.. alright. Just give me a warning next time. Jeez” you laugh a little, and you see he starts to relax against you. 

“Yeah.. i’ll try” he seems to be lost in thought, but as you enter the kitchen and he sees the dinner you made him, he suddenly loses his train of thought and looks at you like you just brought him the moon. 

“Thank you! Thank you! Thank you so much! I'm starving!” he picks you up and kisses you, slightly wincing as he feels his muscles tense up after not being in use for who knows how long. He lets go of you and you both go to eat. You’ll have to talk to him sometime soon about your worries, but you stop yourself when you see the look he gives you; full of love and adoration, like you’re the sun to his earth. You decide to confront him another day. You wouldn’t want to ruin a perfect dinner, would you?

[linkspooky]

JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. 

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

 It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

[cepheusgalaxy]

"So, you wanna make them ace?"

Asexuality 101: Making your characters asexual

Indroduction: Ok, so, from what I've seen in fandom and in general, most people don't really know how to write an asexual character. Many just quit it and make them allosexual, others just struggle their way without having much of a guide. Prime example is Alastor from Hazbin Hotel, whom many people want to involve in sexual scenarios so they go with the "asexuality is a spectrum" route. Problem is, they don't understand how asexuality is a spectrum exactly and then they just end up writing their characters as allo. Now, how to avoid this? Teaching them!

If you're looking for a good way to get started with your own asexual oc, an ace headcanon or a media charater, I've got you! (i mention sex briefly here in some parts)

My credentials: I'm ace.

The basics

What is asexuality?

Asexuality is a sexual orientation that is generally defined by the lack of sexual attraction, or a very little amount of it. Sexual attraction is many times confused with libido, which is the sexual desire. Sexual attraction is more accurately, "the desire of having sex with this specific person." Therefore, some ace people do have a libido, and do want to have sex, but mostly are just not attracted to a person.

Myths and misconceptions

Asexuals can't have sex - as many shippers say, "asexuality is a spectrum", and while some aces don't have sex indeed, they can want it and have it as well. Person to person scenario

Asexuals don't know nothing about sex - unless the ace in question is a child, they probably may know, in fact, a lot. Many ace people like reading, watching or consuming smut, and by this and other means, even if they don't have sex themselves, they pretty much know how it is and how it works. Sex is everywhere, after all. Hard to miss

Asexuality is caused by trauma - it can be! Just not always, and most aces are simply born this way

Asexuality is a medical condition - much like homosexuality, asexuality is frequently treated as an illnes and many ace people are forced into conversion therapy. Some people also hold the belief that asexuality is caused by an anormality in a person's hormones, a mental illness, etc. But it is not true! Asexual people can obviously also be mentally ill in some way, but these are different things. It is just a sexual orientation like any other!

Asexuality is caused by HRT - hormone replacement therapy, ie. taking testosterone or estrogen, is one of the most common type of medical transition for trans people. Some hold the belief that taking hormones like those can "break" your sexuality (estrogen does sometimes decrease a person's libido, but it depends on the person's organism and it doesn't take your sexual attraction away from you), and turn you asexual

Asexuality is caused by autism - this myth may be originated from the fact that many autistic people are in fact asexual, or by the fact that both asexuals and autistic people tend to be infantilized a lot. However, as much as autistic people are very commonly also ace, asexuality is not, in fact, a symptom of autism

Basic terminology

Ace - short for "asexual".

Aro - short for "aromantic"; someone who experiences little to no romantic attraction, aka typically "doesn't fall in love".

Allo - somebody who does experience attraction. "Allosexual" is someone who is not asexual, and "alloromantic" is someone who is not aromantic.

Aspec - short for "a-spectrum". The a-spectrum is an umbrella term for anyone who is in any way ace, aro, aplatonic, afamilial, or other identities that fit here.

Acespec - short for "asexual spectrum/ace spectrum". It's a part of the a-spectrum and contemplates all asexuality.

Aesthetic attraction - finding someone pretty or beatiful, without necessarily wanting to have sex with them. Many ace people who didn't know they were ace report to having used to mistake it with sexual attraction.

Sensual attraction - similar to sexual attraction; the desire to touch someone, but without wanting to actuall have sex with them. Many ace people also confused this with sexual attraction.

Aphobia - discrimination against aspec people.

Amatonormativity- the belief that everybody is happier in a relationship, wether they want it or not, and should want and seek to be in one, and the general root of aphobia.

The Split Attraction Model

If you are looking on the ace community for a while, you might have heard of the split attraction model--if you haven't, here it is:

Image description: The Split Attraction Model, a cross chart inside a square, with four ends. The first end of the cross is labelled "ace", its opposite is labelled as "alloce", the third end is labelled as "alloro" and it's opposite is labelled as "aro". The section on the "alloro" and "ace" square is labelled "alloromantic asexual", the section in the "ace" and "aro" part is labelled "aromantic asexual", the section on the "alloro" and "alloce" square is labelled as "alloromantic allosexual" and the section on the "aro" and "alloce" section is labelled "aromantic allosexual". /end ID.

The split attraction model divides all orientations in four groups: The aroaces, the aroallos, the alloaces and the alloallos. It is usually shortened to "SAM".

Many people find this model useful, because it sorts your attraction into two groups: allo- and a-, and yes and no. It's simple and easy.

Many aces do not use this model to explain their attraction/lack thereof though! Hence the first distinction of aces we have here: SAM-aces and non-SAM-aces. Basically aces who use the Split Attraction Model and aces who prefer not to!

A non-SAM ace may define their asexuality as their romantic orientation as well, or label themselves differently altogether. While a SAM ace could call themselves an "asexual aromantic" or an "asexual alloromantic", a non-SAM ace could call themselves just "an asexual". In this case, they can be neither "alloro" nor "aro".

If your character is aware of their sexuality and identifies as ace, it's good to know wether they use the Split Attraction Model for themselves or not.

The spectrum

You may have heard that "asexuality is a spectrum" a thousand times, but what does it mean?

Just like "non-binary", "asexual" can be an identity on its own, but it is actually an umbrella term for a bunch of orientations. When we say that it is a spectrum, we are saying that there is Nuance. "Ace who doesn't date", "ace who dates", "ace who experiences just a little bit of sexual attraction", "aces who like sex" and so on. 'But Angel', you ask me, 'didn't you say that asexuality is when people don't have sexual attraction?' It can be! But there IS nuance, and that's what I am here to tell you.

There are two more factors beyond the SAM that you can consider:

"Are they sex repulsed, sex favorable, or sex neutral?"

Here is the "aces can still have sex" thing. A sex repulsed ace is probably what the majority of people think when they hear "asexual". It is an ace person who doesn't like sex. Doesn't want to have it, is disgusted by it, despises sexual intimacy, etc. They are the aces who tipically just don't want to have sex, and are very happy without it.

A sex favorable asexual is someone who likes it. Sure, they don't feel sexual attraction, but who's letting it stop them, right? They like sexual acts, they are fine and happy with having sex in general, and that's what the "aces can still have sex" point means. Yes, they can, if they want to! Maybe your character themself doesn't define themselves as neither repulsed nor favorable, but it's good to know what their instance on sex is.

Sex neutral asexuals are aces who are not repulsed by it, but are not really into it either. They may have sex, they may be fine with it, they may like it even, but they generally don't have a desire or strong feelings regarding it. It's just sex, after all.

Sex ambivalent asexuals are another thing I want to touch on. They are tipically aces whose instance on sex changes! Sometimes they may feel repulsed by it, sometimes they may want it, sometimes they may not care. They are neither strictly one, nor another. Their feelings change!

It's good to see where in this categorization your character or blorbo would be.

Inside the asexual spectrum, where do they stand?

If I were to represent the ace spectrum as a linear thing, I'd do it like this:

Image description: A linear representation of the asexual spectrum, in the shape of an arch. In one end, it is written "asexual", on the other, it is written "allosexual" and on the very middle, at the top of the arch, it is written "gray-asexual". /end ID.

or like this:

Image description: Another linear representation of the asexual spectrum. One of the ends is a black circle and the other is a white circle. Between them, a gradient goes from one circle to another, passing through different shades of gray. The black end is labelled as "asexual", the white end is labelled as "allosexual", and the gradient with shades of gray is labelled "different kinds of Gray-As". /end ID.

What is graysexual, you ask me? We all know that the world is not black-and-white, and as so, sexuality is also not. Grayace is a term for a person that is also asexual, but not strictly: that is, they are the "feels a little of sexual attraction" part of the spectrum. It is called like that because when we put asexual and allosexual in two ends of a spectrum, graysexuality stands in this gray area.

Gray sexuals may:

Experience sexual attraction only sometimes

Experience light sexual attraction

Experience sexual attraction under certain conditions in certain scenarios, for example, when they are already very intimate with a certain person

And many more! Graysexuality is on itself a spectrum, but having an idea of allosexual -> graysexual -> strictly asexual is already a good guide. Graysexuality can also be described as "having partial sexual attraction".

Fun fact about gray-aces: The asexual flag has four stripes; purple, white, gray and black. The purple stripe is meant to be a color signifier of the community, the white means allosexual, the gray means the gray aces and the black stripe represents people with strictly no sexual attraction. Hence the term "black stripe asexual" (which is not very popular but I personally like).

Micro-labels

You already have a basic understanding of the asexual spectrum and how it works, so you can think on where exactly in the spectrum your character/blorbo is. To help you out further, I present you the microlabels! Much like non binary is an umbrella term with many microlabels like genderqueer, xenogender and demigender, that help one explain their identity with more and more specific explanations, asexuals also have a lot of microlabels! Here are some:

Cupiosexual - asexual person that wishes to have a sexual relationship (example: i am cupioromantic person and i am basically a hopeless romantic and a yearner. cupiosexuality is similar, but with sex)

Gray sexual - asexual person with partial sexual attraction

Demisexual - asexual person who can only be attracted to people they already have a bond with

Abrosexual - person whose sexuality is fluid, and may be asexual at one time, bisexual at another, gay at another, etc.

Aceflux - asexual person whose sexuality changes, like abrosexual, but only between asexual identities

Aegosexual - asexual person who likes the idea of sex or fantasises about it, as long as it doesn't envolve them

Lythosexual - asexual person who is only sexually attracted to people they are not close with, and their sexual attraction fades out once the become closer

Myrsexual - asexual person that uses multiple asexual identities to describe their sexuality

Aroace - aromantic asexual person

Alloace - alloromantic asexual person

Apothisexual - sex-repulsed asexual person

These are not all micro labels in the asexual spectrum, but they are quite a lot. Maybe even if your charater is not sure if they are in a certain label or not, you may find them in some of these descriptions.

Links to resources with more microlabels: Tumblr post by @aroacesafeplaceforall (no images) /

/ A slightly longer list on asexuals.net (undescribed flags) /

/ Another guide for microlabels on lgbtqia.fandom.com (undescribed flags)

Bonus questions

Is it okay if I make my asexual character autistic? Is it not stereotyping? Yes, it's okay. There are actual asexual autistic people, and I'm sure they'd love to get represented as well!

Is it okay if I make my asexual character have sex? Is it not erasure? Yes, you can do that too! As long as it is where they stand in the spectrum (as explained in the topics above), you are doing a good thing by representing sex-favorable asexuals.

Do I have to make a romantic orientation for them too? No. Your character may be a non-sam ace, and identify as ace alone!

I heard that it is erasure if I make smut fanfic of ace character X. I don't get it how! While it is true many ace people have sex, many people when writing that just ignore their sexuality when writing/drawing smut of them! The spectrum is wide, so when you are doing that, remember where they stand on it.

Why can't I headcanon this ace character as allosexual? I headcanon straight characters as gay/bi/pan all the time and nobody says it's wrong! If people don't like my headcanon why can't they just look away? Because asexual people are a marginalized group, unlike straight people, so it is as okay to make them allo as it is to take an asian or black or jewish character and make them white. Because it is not just an individual headcanon; it's a part of a much bigger problem, and by avoiding headcanoning ace characters as allo, you are confronting your own internalized aphobia, which is a good thing! If you still want to make them have sex, well, that's what I made this guide for! So you can make them have sex as you wish without erasing their identity.

I am ace and am basing myself or my own experiences here. Is it okay if I...? The answer is generally yes. If you wanna write about a different ace experience than your own, a little bit of research won't hurt, though!

Is this enough for me to write my ace character? It is a start. This is a general guide, and there are some things I haven't touched on this guide (like aphobia) so I'd advice you to do more in-depth research on topics you want to focus more on, but this should get you pretty far.

Extra

"Is Alastor from Hazbin Hotel canonically ace or aroace?" (slightly related, because some people looking for this guide to write this guy might want to know this too)

Answer: link to a post clearing this up this with some sources. Short answer though, is that he is confirmed to be ace, not aroace.

"If I didn't understand something here, or I have more questions, can I ask you?"

Answer: Yes! You can reblog this post with questions, and my inbox is also open, and I make sure to always let anon on. I will be happy to help if I can.

"One of the image descriptions on this post was off or confusing, can you change it to X so it is better to understand it?"

Answer: Of course! I will need you to signal me in either the notes or in the inbox what I need to change, though.

"Are asexual people queer?"

Answer: Yes! Because the queer community, as the name suggests, is for people who are different, odd, and are not considered "normal" because of that. Asexual people are not a part of "the norm", because we don't feel sexual attraction, and therefore, we, and by extension your ace characters too, are queer.

<2

[coronarycorsair]

How would you describe the way your brain is organized?

If you think of your brain (specifically your long term memory and your high-level understanding of the world) metaphorically and the way you store, reference, update, and judge information, what sort of thing would you compare it to?

I pretty much made these all up myself, so if yours doesn't fit any of these put it in the tags and if I run a round 2 I can make more fitting poll options.

[bitterchocoo]

Hello,I am have been reading your work for quite sometime :), I really am loving them so far 😭💗 .I saw that your requests were open, so may I be able to ask for Dazai or Fyodor with male reader who are like Sunday from HSR, and could be in a enemies to lovers type relationship :D, the plot can be upto you :>

A Seraphim or..

Osamu Dazai | M. Reader as Sunday [Honkai Star Rail]

----------

"Who are you..? An Angel.."

----------

The Charmony Festival.

A once-in-an-era event held in the Country of Festivities, Penacony.

Members of the five great families, which together make up "The Family" on Penacony. As well as staff members of the Reverie, are united in welcoming the world to their home.

The Oak Family.

The Alfalfa Family.

The Bloodhound Family.

The Iris Family.

The Nightingale Family.

All important figures in Penacony.

But one stood out the most...

The man with a halo and wings. [Name].

The leader of the Oak Family. The organizer of the Charmony Festival and a representative of The Family of Penacony. The most important figure amongst them and the one holding the most power.

Who wouldn't be interested in a man like him?

With a charming smile and a soft voice, paired with his unique appearance... he's like an Angel.. no..

A Seraphim.

----------

The first time he laid eyes on him was at the Golden Hour. The moment he saw the man himself he thought he saw the heavens itself.

A Seraphim.

He thought.

But upon further observation... Dazai soon found a different answer..

His vibe seems a little.. sinister..

His smile barely even reaches his eyes.

His voice is soft and yet his tone is firm.

Either way, [Name] had caught his interest.

.

.

.

.

.

"Your radiant glow illuminates me! Your voice is as soft as an angel! I can't believe that I've met such an angelic being! Please make me the happiest man and kill me with these holy hands of yours."

What.

What did he just said.

What in Harmony's name did he just say?

[Name] can't help but chuckle as he pulls his hand away from Dazai's hold. What was that? A proposal?

"Aha.. you're quite funny, Mr. Dazai.. but I believe you've drank too many SoulGlad." He replied, trying to keep it casual and professional.

This man, this suicidal prick..

He's all talk and flattery. It never fails to get under his skin with how buddy-buddy he is. They're only acquainted and yet this bandaged man acts as if they're old friends. Does he even know who he's speaking to? He's [Name]! Leader of the Oak Family! The very mention of his name could silence a whole room and this man dared do such things to him!

"Now now~ I only drank a few~" Dazai reassured with a smile on his face. "Don't you want to go back home to heaven with me~?"

"I believe you'll be sending me down to the fiery pit instead of going up."

"Ouch! How cruel! Then how about we go to your manor?"

"Don't make me turn you down twice."

This.. man child.. what does his agency even see in him..

----------

"Oh, Triple-Faced Soul, please sear his tongue and palm with a hot iron, so he will not be able to fabricate lies and make false vows."

"...What have you done?"

"Under the light of the Harmony, all wickedness is revealed. I implore THEM to shed THEIR light, and I'll ask you questions on THEIR behalf. Next... you have 113 seconds to prove your innocence and gain my trust."

"And if I refuse to answer?"

"You can try — and we'll see if the Harmony rejects you."

It had finally led to this.

Both of them had taken off their masks. Revealing the true wickedness underneath. The suicidal maniac and the so-called leader of the Family.

Oh how he hated that man.

Acting like a child who believes he could get away with everything. It's time where [Name] to put his foot down and stand his ground. This entitlement will not go unnoticed by him and with THEIR radiant light.. he will find the truth..

And judge him as the Harmony see fit.

"Question: Do you have an ability?"

"Yes."

"What a simple answer. You, too, understand that idle chatter leads only to poverty."

"Did you neutralize your ability when you entered Penacony?"

"No. My ability nullifies others."

He already figured that out.. which is why he's holding this "trial" with THEM. For the power of the Aeon is far more powerful than any ability in the world. "Does the page of the Book you handed over to The Family belong to the agency?"

Honestly, he never would have thought the Armed Detective Agency would use such an item to bargain their way into Penacony. Something as powerful as the Book. A page of the Book.

It's a given why he allowed them to enter the dreamscape when they bargained such an item.

"Yes."

"Is the Page of the Book in this room right now?"

"Yes."

"Is your memory free from any kind of tampering or deletion, encompassing but not restricted to the techniques of the Garden of Recollection?"

"Yes."

"Are you a former executive from Port Mafia?"

[Name] continues to ruthlessly question him without missing a beat. Dazai furrowed his eyebrows at the question. Something that doesn't make sense. How could [Name] know such things? "Yes. You even know about that?"

"Does your agency and the Port Mafia have any ability to read, tamper with, or manipulate one's own or another's mind?"

"No. Does it matter?"

"Do you love your family more than yourself?"

Okay where is he getting at here... the questions are getting more and more personal. "Yes."

"...Do you hate and wish to destroy this world with your own hands?" [Name]'s expression turned serious as he narrowed his eyes, his perpetual smile seemed to widen slightly. "...I don't know."

"Interesting. Now, the final question..." [Name] breath out, putting his hands behind his back. "Can you swear that at this very moment, the page of the Book is safe and sound in this box?"

Dazai seems to hesitate a little, thinking of a way to get around this. He always has a plan after all. "...Of course."

[Name] hums as his smile turns a little more sincere. "Looks like we can get an answer."

"Open it, Mr. Dazai... It's your last chance to defend your honor."

.

.

.

.

.

.

.

.

.

.

"Aren't you happy, Mr. Dazai? You'll finally get your wish in seventeen system hours, the end that you desire so much. Off you go, Mr. Dazai. You are free. I will wait here for your good news."

"Maybe one day.. no.."

"In another universe..."

"I can learn how to love you too.."

[lemonhemlock]

the thing is i don't care about how hard it must be for the hotd writers to adapt from book to screen with budget and time limitations (even though i am historically sympathetic enough to these difficulties and i do understand the need to make changes to fit the story in a different medium)

but what i see as understandable excuses would be shoddy cgi or costumes and less impactful action scenes or even fewer action scenes/battles. which we already got anyway, the only battle (rook's rest) is humdrum and rather spiritless. to a certain extent, i can even excuse cutting out characters or merging them or simplifying storylines.

be that as it may, the fact of the matter is that, even the scenes which should have cost the least amount of money in this whole production, i.e. the sitting-around-in-rooms-talking genre of scenes for which GoT became famous, SUCK. the politics in this show are non-existent. the characters' motivations are so wishy-washy to the point of parody. the character arcs look like they were settled via a game of russian roulette. the S2 version of characters doesn't make sense as a progression of their own S1 canon.

and this has nothing to do with money OR time constraints. it plainly only has to do with bad writing. a talented writer can absolutely have a canon-divergent vision and an understandable desire to adapt their own vision. but they have to recognise if they have the TIME or the BUDGET to bring that canon-divergent vision to life, if they can sufficiently commit to integrating those changes in a way that feels organic to the characters. IF NOT, THEN DON'T DO IT.

i get it if they're big rhaenicent stans or if they really, really like this version of alicent that lives in their heards, the one that would ditch her kids in favour of rhaenyra or if they're so enamoured by the idea of heroic rhaenyra (and that's just scratching the surface when it comes to all the points the show fumbled). but if they don't and can't fit those changes in a way that doesn't destroy the logic of the narrative, in a way that doesn't leave other characters hanging dry with no motivation left to carry out the plot points they have to hit, they should have had the maturity to drop those ideas and settle on something else that could have been easier to film with the resources available.

i said it before and i'll say it again: 1) whether fans are satisfied with the changes made to the source material and 2) whether those changes make sense in the context of the show are two separate issues that apologists sometimes try to merge in other to muddle what the actual problem is. "oh you're just mad because it's not book canon" or "you're mad because your headcanons diverge" or "we had logistics limitations" are not pertinent responses to critiquing the integrity of the show's storyline!

so i hope the writers and executives see all these criticisms and choke because they did a piss-poor job of everything and turned S2 into a goddamn hack operation

[alwaysmoncheri]

summary: you’re starting to feel a little insecure among the other women in the bau, but spencer notices and silences your worries

cw: female!reader, kissing, fluff, cheesy writing, like one sexual innuendo from derek ( what’s new ? ), mutual pinning, insecurities, anxiety, comparisons of looks to others, 925, spencer reid x reader

<3

you sit at your desk in the bustling bau office, surrounded by the brilliant minds and gorgeous faces that make up the team. as you sift through case files and organize data, you can't help but feel a subtle twinge of insecurity. the women in the bau are a formidable force – confident, competent, and effortlessly balancing the demands of the job with their own personal charm.

emily prentiss exudes authority, her presence commanding respect. jj effortlessly juggles motherhood and her role in the unit, displaying a poise you can't help but admire. penelope garcia's vibrant personality seems to light up the room, and you wonder if your more reserved nature fits into this dynamic team.

amidst the collective intelligence and strength, you find yourself questioning your place. your eyes wander to the mirror on your desk, and for a moment, you scrutinize your reflection. the nagging thought that you don't quite measure up to the elegance and confidence of your female colleagues lingers in the back of your mind.

as the day progresses, you try to focus on the tasks at hand, pushing aside the self-doubt that threatens to overshadow your abilities. spencer reid, the brilliant and socially awkward genius, that you love, is engrossed in his work on the other side of your adject desks. you've always admired his intellect, the way his mind operates on a different plane, and you’ve shamelessly loved him ever since you’d first met. 

the team engages in discussions, exchanging ideas and theories. spencer, as usual, offers his insights with a level of eloquence that captivates everyone in the room. yet, in the midst of the professional banter, you can't shake the feeling that you fall short in comparison. you not only feel as though your mind can’t contribute the same thoughts and helpful comments as the rest of the team but you feel a tinge of insecurity toward your appearance. the way you look is far from beauty standards, you try to put on make-up but it never turns out to look like emily, jj, or penelope’s. 

in a rare moment of respite, you find yourself alone near the coffee machine where you pull out your compact and check your reflection in the mirror. the longer you look at yourself, the more flaws you seem to find, and the more you think about the group’s discussions, the more judgment you feel toward yourself. 

spencer notices you from the doorway and he frowns before proceeding any closer. when you finally notice him grabbing himself a fresh cup of coffee, you snap your compact closed as if you’ve been caught. spencer glances at you, his expression kind but perceptive. "everything okay?" he asks, his tone gentle.

you hesitate for a moment, then decide to be honest. "I don't know, spencer. I can't help but feel a bit out of place sometimes. I mean, look at the other women in the bau. they're all so... confident and put together. I don't know if I fit in."

spencer furrows his brow, considering your words carefully. "you know, I used to feel the same way when I first joined the bau. I was the youngest, and everyone seemed so sure of themselves. but confidence isn't always about how put together someone is. it's about knowing your worth and embracing your differences."

his words resonate with you, and for a moment, the weight on your shoulders seems to lift. "but look at them," you gesture towards your female colleagues and spencer follows your gaze, "they are all so... stunning. I can't help but feel like I don't quite measure up." you admit sheepishly and spencer immediately understands your insecurity. 

spencer's eyes soften, and he offers a small, understanding smile. "beauty is subjective, and everyone has their own unique qualities. it's not just about appearances; it's about the way you carry yourself, your intelligence, your kindness. you have your own charm, and you're more than enough just the way you are." spencer explains, hesitantly touching your shoulder and softly rubbing up and down. his reassurance is like a soothing balm, calming the storm of self-doubt that rages within you. the way he sees beyond the surface, acknowledging your strengths, makes you feel valued in a way you hadn't anticipated.

“thank you, spence.” you whisper, turning to face him with a hint of a smile. 

"you're an incredible person," spencer states, his voice sincere as he nods his head at your thanks. "and I'm grateful to have you as a colleague and a friend."

you can’t help but smile, feeling a warmth in your chest. spencer's acknowledgment goes beyond professional; it speaks of the genuine connection between the two of you. a connection that often brought constant teasing from other members of the bau team. you know you aren’t really just friends, but you enjoy spencer’s statement nonetheless.  

“let’s go loverbirds, you’ve been on break for long enough,” derek calls from just outside the doorway, “plenty of time to do whatever you were doing.” he adds, wiggling his eyebrows at the two of us. 

spencer’s face turns beat red while you roll your eyes with a smile tugging at your lips. you then lean up to give spencer a quick kiss on his jaw and whisper another quick thank you. you turn on your heel and walk out the door, turning one last time to see spencer’s mouth slightly agape and cheeks even rosier than before. you smile to yourself, now knowing that you have no reason to be insecure, and spencer helped you realize that. 

masterlist . spencer reid masterlist . taglist

thank you for reading, my darling! remember to like! reblog! and comment! i’ll give you a smooch if you do, ily! send requests to my inbox!

alwaysmoncheri © ─ all rights reserved. please do not repost/translate/copy any of my work.

[heavqn]

Coriolanus as the peacekeeper, being completely mentally unbalanced, possessive and controlling, while he fucks the reader who is totally naive and can't refuse since Coriolanus is basically keeping her alive and feeding her, it all happens in the cabin. and they are almost discovered by her friend Lucy Gray.

It can include size difference perversion, Coriolanus has a hyper fixation with how shy and naive the reader can be, manipulation, doubtful consent.

Can you add any plot? I'm not a fan of angst though. If you take it, I THANK YOU.

i loved this request!! i kind of went totally overboard and i don't think i stuck to your request quite well but i hope you still enjoy it 😭

cw; fingering, sort of controling? coriolanus, allusion to piv but there isn't any. usage of yn like three times. i think that's all. not my finest writing, apologies </33

Being in District 12 was no party. It was as miserable as life got, until she met Lucy Gray of course. Lucy Gray had taken her under her wing, no doubt becoming like a sister to her. She taught [ y/n ] her favorite songs, her favorite stories and even let her have some of her pretty dresses.

She was basically part of the covey though she had known her for such a short amount of time. When Lucy Gray was reaped, she felt like she was too. A part of her went into that arena with Lucy Gray and she was frightened everyday until she came back unscathed. 

With Lucy Gray’s infamous return to the District came plenty of singing and dancing back in the Hob. It wasn’t until Lucy Gray was a bit way into her song when she noticed a familiar pale, blonde-haired boy watching her. Though the realization of who he was had been cut short by Billy Taupe and his drunken-state, she was both shocked and excited to know he was there.

The next day, she saw him yet again. Maude Ivory had made way to them though and she had to leave. But it didn’t stop her from inviting him to the lake, promising him only the covey knew of its existence.

On the way to the lake, Coriolanus had made his acquaintance with a few others from the covey. One in particular stuck in his mind though; [ y/n ]. She had a quiet tone and was a bit clueless to jokes that others made. He noticed how she stayed close to Lucy Gray, whispering to her and then looking at him.

And if the shyness and naivety hadn’t got him, seeing her come up from under the water definitely did. Her hair clung to her back and the make-shift bikini she wore did little to cover her boobs as he saw her nipples poking from under the fabric. 

He was fascinated by her. She was dumb, to say the least. Usually such things would turn him off and make him go the other way, but he reveled in the way she clung to his every word once the two had become close. 

They often spent time together at the lake; his idea. This particular day, he had convinced her to go skinny-dipping. “What if someone sees us?” She had questioned, voice quiet as if anybody was around to hear her. Only the covey and him knew about the lake; she knew this, he knew this. The possibility of anyone coming out this late wasn’t likely.

Though he had to admit that the thought did cross his mind as well. So he prompted her with another idea, “We could go to the cabin instead.” His intentions would’ve been clear as day to anybody else, but she was entirely lost. “What are we gonna do in there? It’s boring.” She pouted. 

Most nights at the lake were spent listening to him talking as you nodded along, pretending to understand what he spoke of. So when you made your way inside the cabin and got comfortable on the rickety bed, Coriolanus started to speak about his home. 

“I can’t even imagine what the Capitol is like.” She told him in response to his question of if she’d come home with him. “It’s amazing. Organized, powerful. Nothing like the districts. I think you’d fit right in.” His words had her shaking her head.

“I couldn’t leave twelve. My family is here; Lucy Gray is here.” He rolled his eyes. “You’d be with me. I’d buy you the finest things the Capitol has to offer.” The thought of leaving the covey left a bad taste in her mouth, but the promise of pretty things had her looking up at him with curiosity.

“What kind of things?” She questioned. He smiled, knowing he had piqued her interest. It was too easy sometimes. “Clothes, jewelry, makeup. Anything you can dream of.” His hand had made its way to her arm, caressing it as he watched the way her eyes lit up from his words. “Even flowers?” He let out a soft laugh, “Even flowers.” 

She fell into him, back meeting his chest as his arms wrapped around her waist. “You know what else the Capitol has?” His fingers went under your shirt, dragging across the skin of her abdomen. She felt that tingling sensation she often got when she was with him. 

While they talked a lot when together, she’d also had sex with Coriolanus a lot. It wasn’t a hard thing to convince her into. Her first time was in the lake; it wasn’t comfortable or convenient, but he was a desperate man. She had just talked about how she was a virgin and he was immediately interested in taking that title away from her. So it was no surprise when the next time they met up, he had her under him once again and every time after that.

He told her that she owed it to him. He was protecting her; would she rather it be him or some pervert from the district? He knew what he was doing and he gave it how she liked it. He guaranteed that none of these boys could even dream of doing it like him and she agreed. He was unfairly good at it and knew what had her cumming in no time so who was she to deny it?

She was dragged out of her thoughts as his hand went further under her top, moving to grasp her boobs. She let out a shaky sigh at the feeling, listening to him speak. “I asked you a question.” He reminded her; his voice deep and firm in her ear as he his hands continued venturing her body.

“What else?” She responded, not necessarily caring for anything else at this moment besides being held close to him. “Lingerie. You know what that is?” He questioned her, and the way her face screwed up let on that she didn’t have a clue as to what he had said. “I don’t know what that is.” She admitted softly, feeling embarrassed he had once again caught her in a stump.

“It’s a type of clothing women wear. Nice and lacey; Bet you’d look real good in it.” He spoke to her in that same deep voice he always did, but it felt heavier this time. He was building her up just so he could break her. “What do you think?” He shifted the conversation back to her, knowing she’d get riled up.

“I think–I think it’d be nice to try it on. Is it like a dress?” She asked curiously, not quite envisioning what this lingerie was that he spoke of. He laughed at her question, taking his time to trail his hands down the length of her skirt. “No, no. It’s like an undergarment; Ladies wear it for men.” He tried to explain, feeling her body melt into him as his fingers went to push her skirt up, giving him access to the place he wanted.

Her eyebrows were furrowed in confusion, again. “So it’s like fancy underwear?” Hearing the word underwear only brought more of her innocence to his attention. “Exactly. Now you’re getting it.” He praised, fingers trailing on the inside of her thighs, inching closer and closer to where she needed him.

“What makes it different from regular underwear?” She was curious now. Ladies wear it for men? Ladies always wear underwear, she thought. He smiled at how interested she was in this topic, but it was clear she was struggling with her words in the way her breath hitched and how she melted impossibly closer to him, when he finally got to the cotton of her panties.

“Well, you don’t wear it everyday. It’s for special occasions; For times between a man and his woman.” He told her, finger playing with the hem of her panties, teasingly snapping it back and into her skin. “Like–Like us, Coryo?” Her voice was but a whisper when she shyly asked the question.

He reveled in the way his pants tightened at how innocent and naive she was. It made it impossible to hold back the way he smiled into her neck, placing open mouthed kisses over her skin. “Just like us, bunny.” He whispered in her ear, finger finally slipping under her panties and going to feel how wet she was.

“Got you all hot and bothered just from a simple conversation. We haven’t even kissed and you’re already soaked.” He teased her, fingers coming out from her panties to show her just how wet she was. “‘m sorry.” She squeaked out, feeling embarrassed at his words and seeing his fingers covered in her juices did nothing to help that feeling.

He swore he could’ve cum right then and there. The way her body tensed up at his words, and the way she became beat red when she saw his fingers; he was ruined. He wanted nothing more than to be inside her, watching as she squirmed to take him; she would be so thankful for it, a mix of “please” and “thank you” ‘s no doubt on her lips with every thrust.

She was obedient; sometimes too obedient. He just craved one time when she would slip up, so he could punish her. But he knew she never would. She listened to his every word, and she’d be damned if she upset her Coryo.

He squeezed her hips, telling her she had nothing to apologize for. “It’s a natural thing. Nothing to be ashamed of.” He told her, the words like honey as they slipped out of his mouth. “Just don’t be getting this way for anyone else. Promise?” He all but commanded her, quickly discarding her panties before placing her right back in front of him; back to chest. “I promise, Coryo. Only you.” She was quick to agree with him; it’s all she’s good for. Simply a parrot of his words, aiming only to agree and copy everything he said. 

He didn’t give her anything else but the feeling of his fingers rubbing her clit as a response. The lack of warning had her surprised at the touch, shocked for a second. But he used his other hand to hold her back against him, keeping her still and pliant. “Don’t move, bunny.” He scolded her, continuing his assault on her delicate bud. 

It was hard to not move, but she persevered. Keeping her composure against him as she let moans and whimpers slip through her lips. “Coryo,” She called out his name, looking up at him with her soft eyes, silently begging him for more. 

“Need something?” He questioned, a smirk evident on his lips from how still so she was yet her mouth moved so much. He knew what she wanted, he just wanted to hear it from her. She spoke softly, the words not quite hitting his ears, but he heard her. Though he chose to tease her once again. “What was that, bunny? Gonna have to speak up.” His fingers ghosted over her entrance, feeling the way her legs so easily fell wider, giving him more room. 

“Need your fingers. Inside me, please.” She pleaded again, a little bit louder than before but no doubt quiet compared to the sound of her heavy breathing. “Why didn’t you just ask?” He smiled sickly at her, leaning down to kiss her as one of his fingers slipped inside her.

The moan she let out had his tongue easily slipping into her mouth, mixing their saliva together as their tongues glided over one another. He made quick work of putting another finger in her, curling them as they went in and out of her. The squelching sound of it all made her cringe on the inside, but the pleasure he was giving her was more interesting to act on. It was all too much; she broke away from the kiss, forehead still against his.

“Thank you, thank you.” She fed him her appreciation, knowing it was exactly what he wanted. She didn’t mind giving it to him either. She was thankful he chose her, thankful she was the one who had his fingers inside her. “Such good manners, bunny.” He responded, feeling her hand trail onto his head, grasping at practically nothing as his buzzcut allowed him little hair. 

He put yet another finger in, picking up his pace altogether whilst his other hand moved to rub her clit. The feeling of him on her skin, everywhere, had her on fire. She was going to burst into flames. She almost did–Until a sudden rapping was heard at the door.

“[ y/n ]? Are you in there?” The voice called for her, now recognizable as Lucy Gray’s. She stayed silent, not wanting to rat herself out, but when Coriolanus whispered into her ear, telling her to respond, she had no choice but to.

His fingers didn’t let up, and now he was kissing at her neck, interested in what she was going to do. He didn’t quite care about being caught; she was the one naked with his fingers deep inside her. “Yes, I’m–I’m in here!” She called back, unsure of what else to say?

“You okay honey? You sound awfully out of breath.” Lucy Gray voiced her concern, worry laced in her words as she moved to turn the door knob. “Yes! Yes, I’m okay. Please don’t come in.” She yelled back shakily; she was getting closer to the edge and if Lucy Gray came in, then it would all go away.

“Are you sure?” She questioned, wanting a final answer before she left the girl alone. “I’m s-sure, Lucy Gray. Nothing to worry ab-about.” She tried to assure her, hoping her words did what she wanted. It was getting hard to breathe with how quick and tentative Corriolanus’ touches were, nonetheless talk.

“Okay. I’ll leave you alone now.” Lucy Gray spoke to her. Whether Lucy Gray was still standing at that door or not, she couldn’t keep quiet now. His fingers curled right where she wanted, and his other hand was not letting up its assault on her clit.

“Coryo, Coryo.” His name fell out of her lips easily, arching into him, legs growing shaky at the feeling she was having. “Talking to your friend like that as if my fingers aren’t inside you right now. Such a dirty little girl.” He chastised her, but his words held no real malice.

It wasn’t long before she met her release, cumming on his fingers. Even then he didn’t stop, continuing to drag out her high. “‘nough. Can’t take more, Coryo.” She told him, shakily pushing his hands away from her. He all but laughed, doing as she asked.

“Can’t even take me inside you, bunny?” His voice was teasing. But the second she heard those words, she was up at his disposal. Ready for anything he gave her.

[marvelfanfics1]

Ok so what about big brother Rafe and the youngest cameron where she is like 3-5 years old, she is just loves her big brother so much, and dont understand why is everyone afraid of him. Also rafe is only soft when it comes to her😭���

Big, Bad, and Scary?

Pairing: brother!rafe cameron x sister!reader

Warnings: none I guess?

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It was no secret that you love and look up to Rafe, of course you do, he's your big brother after all. It's just that with everyone else he seems to be intimidating, a crazy spoiled rich boy with short temper who only seeks his father's approval.

But with you, with you he's patient and almost instantly drops what he's doing the second he hears you call for him. Somehow only you get to see a side of Rafe that no one gets to experience. Maybe it's because you look at him like he's the only person in the world, that you just want to spend time with him.

He doesn't get it. With what does he deserve all your adoration and love for him? He didn't exactly do anything to deserve that except for listening to the things you got to say and simply existing.

Rafe can't complain though, it's nice to have someone who actually appreciates him or isn't judging him even if you're just a four year old who doesn't know better and only wants to spend time with her brother, not knowing how messed up he really is.

The scary thing is he could be shouting and having an angry fit in one second but the moment you enter the room he's calm again, afraid to scare you and destroy the bond he has with you.

"God, Top, could you stop your fucking whining already?" He snaps into his phone, standing on the balcony with one hand resting on the railing, the other gripping his phone tightly.

As Topper on the other line keeps complaining he hears your small feet toddle behind him, feeling you tug on his shirt a second later. He looks down, holding the phone away from his ear. "Yes?"

You only raise your arms in response, making grabby hands. The request is clear and Rafe sighs, balancing his phone between his ear and shoulder he bends down to pick you up.

As you place your head on his shoulder he focuses back on his call, taking a deep breath, your mere presence alone has him a lot calmer. "A'ight, listen, we both know who did that and make sure he regrets it. Just- I'll text you soon. Yeah, bye."

He ends the call, pocketing his phone and turns his attention to you. "So, what's up with you, hm?"

"S'nap time, Rafey." You mumble, a yawn escaping your lips and without another word he walks back inside, making his way to your room.

You would notice when people avoid looking at Rafe, rushing past him to not accidentally set him off somehow. Like at the beach, you're just building a sand castle with Rafe sitting beside you, busy on his phone when you see a group of boys walking past, glancing at you both and suddenly speaking to each other in hushed voices.

You furrow your brows, looking over your shoulder and watching them for a moment longer when Rafe pokes your side. You turn back to look at him. "Rafey?"

"Yeah...?"

"Why people look at you like that?" You ask, tilting your head.

"Like what exactly?" He puts his phone aside to give you his full attention.

"Dunno...they always look at you weird." You mumble, mindlessly working on your castle.

"Oh, uh-" He scratches his chin, thinking about how to explain it to you. "Y'know...some people are just- surprised I guess. It's nothing bad, you don't need to worry 'bout that."

You nod seeming to accept his explanation, placing the last sea shell on top of your sand castle to finish it up.

One day Rafe took you to that outdoor movie thing that has been organized. It's unsettling how he can still look intimidating with you sitting on his lap, your legs swinging back and forth on each side of his, giddy with excitement.

"When's it gonna start?" You ask craning your head to look up at him.

"Soon, kid. Just be- hold on. Top, look over there." Rafe stops mid sentence, nudging Topper's shoulder and pointing in the direction of Pope and JJ. "Told you they'd be here."

"Yeah, great, what do you think we can just go over there and give them a mindful?" He remarks sarcastically.

"Course not you dumbass." Rafe rolls his eyes, noticing you trying to reach for your cup that was on the ground beside his chair. He grabs it, handing it to you. "We gotta wait for the perfect moment to surprise them."

After it got dark, you were still engrossed in the movie that was playing and munching on the popcorn with your back resting against Rafe's front. You make a sound of protest when he suddenly stands up, placing you to sit on his seat before crouching down in front of you.

"I'll be right back. Stay here and don't talk to anyone, okay? I won't be long." He makes sure you nod before standing straight again, ruffling your hair and walking off with Topper.

Your moment of concern of them being away is gone the second you focus back on the movie. Everything was well when suddenly the screen caught fire, people jumping up gasping and shouting in surprise.

You jump in your seat at the sudden commotion, looking around frantically and tearing up but don't dare to get up. Rafey told you to stay.

Speaking of Rafe, he was behind said screen after his little altercation with the two pogues. His eyes wide as he notices the fire, snapping out of his adrenaline haze as Topper slaps his shoulder.

"Dude, your sister..." He reminds him.

"Shit-" Rafe doesn't think twice, running off to where he left you, his anger forgotten the second Topper mentioned you. Stupid, he is so damn stupid. Leaving his little sister alone just because he felt like messing with the pogues.

He quickly finds you, feeling guilty the moment he sees your distressed expression and the tears running down your cheeks. Immediately he picks you up, placing his hand on the back of your head to cradle you against his chest.

"Shh, you're okay. I'm sorry, I'm here now..." He murmurs, starting to walk towards where his truck is parked, rubbing your back the whole way there.

Your crying subside to quiet hiccups but still cling onto his shirt tightly. He leans against the truck, still trying to soothe you by murmuring softly in your ear and holding you securely in his arms.

"There we go, all good now?" He asks as you pull away, his thumb wiping away some of your tears. You nod, the moment of shock disappearing as exhaustion takes over. "Let's go home."

He turns around and opens the back door, getting you settled in your car seat and buckling you in. Rafe kisses the side of your head before shutting the door, running a hand through his hair with a sigh when he sees Topper approaching him.

"She good?" He asks, obviously concerned about you.

"Yeah...just a little spooked but she's fine. I'm gonna get her home now, see you on the golf course." Rafe pats him on the back, rounding his truck to get in the driver's seat, glancing at you in the rearview mirror. You're already knocked out cold and he smiles at that, turning on the engine.

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