#and I can't wait for my friends to see what I got them

[nochepsicodelica]

It's two in the morning and you're knocking on your own front door after a night out with your friends. Your mind has been occupied by static, not allowing you to remember that you have a key to let yourself in, so you stand there alone, waiting to be let in. You plant your hand on the wall to keep yourself balanced, looking left and right to see if anybody or any car is looking at you as they pass by.

Just as you're about to knock, again, the door opens and you flinch, your other hand flying to the wall to remain steady on your feet. You look up at your man with warped vision, blinking a little to try and clear your view of him. You can't contain your laughter when you see the stern look on Toji's face, his green eyes laced with concern you can't process in this state.

"What the fuck..." Toji mutters, to himself. What kind of friends would just drop you off without making sure that you get inside your house, safely? It's late. Who knows how long you had been standing there before you knocked. Anyone could have snatched you away.

Toji will catch you. You know he'll catch you if you just lean forward into him, like a backwards trust fall, so you set the plan in motion. You drag your feet and move your hands along the wall until you're in the safe zone, and then you just fall forward.

"Woah, hey." He's quick to hold you up against him, to prevent you from sliding down his body and to the floor. "Hey, you good? Talk to me. Can you walk?" Toji doesn't receive much of a response from you. Just quiet little giggles and incoherent mumbles. He sighs and picks you up, draping you over his shoulder. The door is shut and locked, before he makes his way to the bedroom. The light is already on, because he was awake the entire time, awaiting your arrival. Toji sets you down on the bed and briefly sits on the edge, by your feet.

"You didn't answer my calls, and I texted you like twenty times." He lifts your feet and takes their place, before setting them down on his lap so that you are comfortable. His fingers make haste of undoing the buckles on your high heels and he sets the shoes down, placing them under the bed.

You simply hum in response, not entirely sure of how you got to the room. The light is so bright and it's irritating your eyes, making it hard for you to hold them open.

"Told you to let me know if you needed me to pick you up, dummy." Toji wraps his hands around one of your ankles, his fingers kneading with little pressure, incase the area is tender.

"N-Nooo, i'm... here. Here," you babble.

It's so frustrating to be unable to get a full explanation out of you, right now. Your responses are borderline illogical and it's not doing Toji any good. He feels like his heart is about to beat out of his chest. He can't calm down, after he spent the last few hours wondering why you stopped responding to him and why you weren't answering his calls. To open the door and instantly get a whiff of your night out was enraging, not because you got extremely intoxicated, but because there was no one looking out for you by the end of your time out.

Toji understands that there is no point in digging into this, now. You can't even walk or see straight, so he settles for making simple conversation that you can easily digest.

"Did your phone die or something?"

You shake your head, side to side, and his blood boils all over again. This was supposed to be an easy conversation, but he was just so damn worried. His entire body is tense with concern.

"Fuck." He sighs, nodding slightly at your response. "Yeah, okay."

A few seconds of silence go by and Toji thinks you may have fallen asleep, but then you speak up, out of nowhere, again.

"Took lots of pictures..." you mumble, eyes closed as you dig into your pocket for your phone. Once it's in your hand, you toss it on the bed for Toji to grab. He puts your massage on hold and picks up your phone, unlocking it and going to your photo gallery, where immediately, he sees previews of the pictures of you and those so called "friends" who abandoned you on your doorstep. The only reason he cares for those group photos is because you're smiling widely, seemingly laughing, and overall looking extremely happy in every one of them, but as much as he loves the look on your face in those, he loves the pictures you took of yourself and the ones your friends took of you, more. Some you had already sent to him, others he hadn't seen until then, so he sent those pictures to himself.

Toji turns your phone off and sets it aside, before grabbing ahold of your other ankle and repeating the same treatment that he did for the first one.

"There was... ugh..." you sweep away some strands of hair that almost went into your mouth. "A man. I dropped my phone and he- and he got too close behind me when I bent down to pick it up." You nod, with your eyes as wide as they can be in this state, like you're trying to prove that you aren't lying by looking him straight in his eyes.

"That's fucking disgusting, mama." Toji's eyebrows furrow, discomfort written all over his face with this new information you revealed. He squeezes your ankle a little tighter, his mind beginning to cloud with thoughts of never letting you go out without him again, but before he even thinks of spilling these thoughts to you, he asks you the most important questions.

"Are you okay? Did he touch you?"

"Mm-mm, no." You shake your head as quickly as you can without getting dizzy. "Saw his legs behind my legs and I got up and gave him this look..." You furrow your brows and lid your eyes, a gaze that doesn't seem intimidating or warning enough, now, after so many drinks. Your face quickly relaxes after and you roll your eyes with a tired sigh. "Yup, that was the face I made and then I walked away," you say, your attitude more upbeat.

"Did he leave you alone?" Toji asks, hoping nothing more happened. If there is more, he'll have you describe this man to the best of your ability, and he will hunt him down until he can positively assure that he's no longer part of the world's population.

"Yeahhh, don't know where he went." You hum like you're trying to remember, as if you even have that knowledge. You walked away and didn't turn back around, something that finally concludes your brief inability to recall. "Think he got lost." You giggle.

"Good. I'm glad," Toji says. You hum in agreement, and your eyes fall shut, gracing you with two seconds of sleep before your head nods and you wake up, again. Your bashful smile evolves into a short laugh, one that has Toji smiling at how precious you are. "You tired, mama?"

You nod and blink slowly in response, fighting the urge to shut your eyes for longer. Your lips curl into a lazy smile, when Toji presses a kiss to your ankle, before he moves your feet and sets them on the bed so he can get up.

"Let's get you ready for bed, then."

[lo-bo-tomia]

you open up your phone and look for a picture to show them. You look and look but you can't seem to find any pictures of your friend's face. You tell them your plan and they say they've never taken a picture because it would defeat the whole purpose of hiding in plain sight when they're hiding. You remind them that they could just shapeshift into another face, and they laugh. I sure could...

What an idiot. They're desperate. They need their original form for that date. Certainly they can't go as a hawk. You're good at drawing faces, you say that.

You've been doing that your whole life, to capture people's essence. You enjoy drawing random faces you've seen by memory and sometimes the cute and funny expressions your friends make. They're not really contempt but they seem to absolutely need to go back to their original form.

So you start drawing. It doesn't take long. It looks good, or at least that's what you thought. That moron looks at the picture, and immediately shapeshifts into their original form. But something's deeply wrong. They look like... a shell of themself. It's like they couldn't remember their face even after seeing the drawing and they could only shapeshift into the drawing itself. It looks inhumane. They seem to notice right away, and break down crying. You try to comfort them. There must be a way to make them remember a vivid image of their face. You think about that old guy at the edge of the realm that knows how to communicate telepathically, even with images. And you think they could be able to show your friend their face, recover their memory or at least help them recover it. It's not a bad idea, but what about the date? The best solution would be to just tell the truth. It's a complex situation. Your friend is reluctant, and it takes you a solid half hour to convince them. But they refuse to talk. Your idea means you have to break the news. You go out and your friend shapeshifts into a hamster. It's cute, discreet, and they've got wet eyes. They want to look as pitiful as possible. The date's been waiting. You're late. Your friend points at them and you sit down next to them and say hi. They're confused. "I'm sorry, I'm waiting for someone" squeak. You didn't think a hamster could convey emotions so well with a simple squeak. But you swear that sound your friend just blurted out sounded so sad. "I know" You say "You've been waiting for this" and you point at your friend, the hamster. This didn't clarify anything. "I'm sorry, what?"

Your friend starts talking, in a very high pitched voice. "Hi Erin, it's me Alex. I know you were expecting a human but here we are"

"I swear I'm not a hamster, just an idiot. I'm actually a shapeshifter and forgot how to turn back to my original self. This friend over here is trying to help me with that. Could we maybe reschedule the hangout maybe when I look more... bipedal?" - "We were planning on blasting a memory of their original body in their mind, so that they can remember."

"Oh you mean to go to the mindreader at the edge of the realm to do this?"

"Well yea that was the plan"

"No need, that's my dad, I can do pretty much the same thing and I've seen Alex before. Just, I can't communicate telepathically with animals: I'm a little limited like that. It's not even that I literally can't it's more of a mental limit that I can't seem to shatter"

"No problem! I've got the solution" Squeaks Alex the Hamster. They immediately shapeshift into your drawing. It looks so wrong, even Erin is startled. "Yea I tried to make them remember by drawing them, but they just look like a shell of themself"

"That's terrifying, but I can work with that" Erin lays their hands out towards Alex. Their face lights up and immediately they shapeshift into their original form. "That's much better, thanks Erin, thank you friend"

"I guess there's no need to reschedule now, see you around Alex" You ditch them and go home. That seems to be a good combo. You hope the date goes well.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.

[zigrethsnotebook]

How do you manage to make even the most mundane things sound exciting?

Ford x Reader

words: 3,154

tags: sfw, hurt and comfort

a/n: this was the only note i made for myself before writing this: hnghnghng this is about moths now so yeah... enjoy:)

It's been a whole year. The twins are back from their sea adventure and the kids are staying with them for the summer again. You were on your way over to the shack. Stan had written you a letter, inviting you over. He said it'd be nice to catch up, tell you and the kids all about their time at sea and that way they wouldn't have to tell the stories twice.

The stories weren't the only thing you were excited for. Before they had left Stan had encouraged you to confess to Ford, insisting that his brother felt the same for you as you did for him. But when you told him he just went silent for way too long.

"Ford?" A nervous chuckle escaped you. "Please say something?" He looked into your eyes, his gaze blank and unreadable. "I'm sorry." The words felt like a dagger to your heart. "F-for what?" You at least wanted him to have the balls to say that he doesn't care for you. "I don't see a romantic relationship between us having a future. Especially with Stan and I going out to sea tomorrow. I'm sorry."

You just nodded, taking the words in. "...This didn’t ruin what we have, did it? Will we still be friends when you get back?" Your voice was small, afraid of his answer. "I'll always be your friend." A sigh of relief. The idea of him not being a part of your life had been the reason you didn’t want to confess to him in the first place. You only did it because Stan was so convincing that he reciprocated your feelings. Turns out you were both wrong.

You shook your head, breaking yourself out of the bad memory. After almost an entire year, you had come to terms with it. Now, you were just excited to see your friend again. Excited to have a normal conversation with him again.

Back in the shack the Family was preparing everything. The kids and Soos got the snacks and drinks ready while the Twins were busy starting the campfire. Stan watched as Ford poked around in the fire. He shook his head.

"I'll never understand it." Ford looked up at his brother. "I'll never understand how someone as smart as you could let go of the person who would have been the best thing in his life." Ford sighed. They had had this talk before.

It was pretty much the only thing they talked about the first week at sea. Stan would also bring it up anytime a night on the boat was too long and too quiet.

"We have nothing in common... That and our lifes are way too dangerous, I can't bring another person with me." He saw the disapproving look on Stan's face. "It's not like I have anything to offer. I've spent my whole life buried in books and research. I don't know how to be in a relationship."

Stan scoffed at that. "What are you talking about, Sixer? You're a catch! Times change, Nerds are the new Jocks. There's a reason I was the second choice for most of the babes we met." A bittersweet chuckle escaped Stan.

Ford sighed, focusing on the fire again. "It doesn't matter anyway. Even if I wanted to try again, I highly doubt that they're still single." Now that was something Stan couldn't counter. Mainly because it's something he hadn't even considered. You were so head-over-heels for Ford the last time you and Stan talked, it just didn’t seem likely that you'd go looking for someone else.

The kids and Soos came outside, carrying marshmallows, crackers, chocolate and Soda. Dipper was the first to sit down on one of the logs. "I can't wait to hear of all the creatures you found! It must have been awesome!"

"You bet!" Stan grinned at the boy. "But we won't start with the stories yet, someone is still missing." Ford looked at his brother suspiciously. "What are you talking about, Stanley?" At the same time Mabel's eyes widened. "Are you saying we get to see-" She was cut off as Stan stood up and called out your name, announcing your arrival.

You smiled sheepishly and greeted everyone. The kids were super excited to see you again and Mabel ran over to hug you. You hadn't realized how much you missed them. When she let go of you she practically dragged you over to the campfire. Stan, who was still standing, hugged you as well.

"It's good to see ya again, toots." You chuckled. "I missed you, too, Stan." You broke the hug and turned to Ford who made no effort to get up or anything along those lines. Instead, you just waved at him, but gave him the same fond smile you had shown the others. "The same goes for you, Ford."

Behind you, Stan frowned at his brother, obviously disappointed at the lack of enthusiasm he showed you. He quickly put on a smile as he addressed you again. "Please, take a seat! We were just about to begin with our stories."

You sat down between Stan and Soos, who just greeted you with a simple "Hey dude". You two had become friends over the course of the last year.

Soon everyone had prepared a stick with a marshmallow and held it over the fire while Stan told the most extravagant stories of their travels. You were glued to his every word, his storytelling being how you two became friends in the first place.

You were so engrossed in the stories that you didn’t notice the way Ford looked at you. He adored you. The way the warm light of the fire illuminated your features perfectly. The way your eyes seemed to sparkle with pure joy as Stan talked about heroically fighting off some beasts. Hell, he loved you.

This wasn't news to him, of course. Ford had known this for over a year. In fact, when you confessed your feelings for him, he wanted to hug you, kiss you, propose to you on the spot. But he didn’t. Because he felt like he wasn't enough.

Ford felt like he didn’t deserve happiness after almost ending the world and he knew that he would achieve it if he let himself be with you.

Back then, after you had left, Ford had told Stan about the whole thing, who took him by the shoulders and shook him, asking him if he was insane. The next day, when they were about to leave, you had stopped by to say goodbye to Stan, but refused to speak to Ford, politely making up a reason why you had to leave again.

It had crushed him. Ford wanted to sprint after you, turn you around and kiss you all dramatically like in the movies. But he didn’t. Because he had hurt you already and didn’t dare to make it even worse.

Which, of course, had made it worse anyway. The way you had parted ways meant that you were left all alone with a broken heart. And you couldn't even talk to your best friend about it because he was on the same boat as Ford.

But now, as Ford looked at you again, he felt all the feelings he had been trying to bury beneath the ocean floor bubble back up again.

"And that is how Ford and I defeated the mighty Kraken!" Stan was standing, his hands raised to the sky in triumph. All of you cheered and clapped your hands. It was so good to hear his gruff voice and exaggerated stories again. Although, you were more inclined to believe him this time.

The evening went on with more stories, smores and lots of laughter. You were so relieved to have them back in your life again, all four of them. You had missed them more than you realized.

Eventually, it turned late and the kids began to get sleepy. The fire had also died down. In a joined effort you all cleaned the place back up, bringing the rest of the snacks and drink back inside the shack.

After putting more things on the kitchen table for Stan and the kids to put away you went outside again to see if there was anything else to get. Soos came your way and you held the door open for him as you stepped outside.

Ford was still there. "That's everything. Soos took the last of it." You nodded. "Neat." You were about to step back inside again when you felt Ford's energy shift to a more energetic one. He pointed to the porch light.

"Look at that! That's a Tyria jacobaeae! I haven't seen one of these in ages. A beautiful creature, just look at the markings on its wings, the bright red color..." Ford looked at the moth in awe and when you stepped closer you realized why.

The little black and red creature truly was stunning. But if Ford hadn't pointed it out then you never would have noticed it. "It is really pretty. But there is no way I'm gonna remember a latin name for anything." You chuckled lightly as you said it.

Ford hummed in acknowledgement. "Well, it is more commonly known as the Cinnabar Moth. Cinnabar, like the mineral, of course, because of its striking color. It wards off predators, letting them know that they're toxic."

You instinctively took a step back and Ford chuckled at your reaction. "There is nothing for you to worry about unless you plan to eat the little guy." You rubbed the back of your neck sheepishly. "Haha, no. Doesn't really fit my diet." Ford and you shared a laugh together.

Another, considerably larger, moth joined the other one at the lamp. This one was bright white and yellow with little black dots on its wings. Ford nodded knowingly as he spotted it. "Estigmene acrea. The Salt Marsh Moth. Very pretty, but did you know that these little guys aren't very well liked around here?"

Even though it was a rhetorical question you shook your head 'no' and sat down on the couch Stan kept on the porch, letting Ford lecture you. He quickly sat down next to you as he continued. "They feed on most crops which means that farmers have to be on the lookout for them around this time."

God, how you had missed this. Just hanging out with Ford, letting him tell you all about a subject he was passionate about was one of your favorite things in the world.

Your gaze shifted from the Moths in front of you to Ford's face as he kept on talking about the little creatures. You didn’t try to keep the look of adoration off your face as you watched him animatedly explain the differences in their wingspans.

Eventually, he noticed your staring and turned his eyes to you, stuttering his speech to a halt. You chuckled fondly. "How do you manage to make even the most mundane things sound exciting?" He laughed and rubbed the back of his neck sheepishly.

"You just have to open your eyes and learn to find beauty in the mundane. That way you won't ever be bored again." As if on its own your body leaned towards him. You quickly stopped yourself. He rejected you once, you didn’t need to go through that again. Ford hadn't noticed.

You forced your eyes away from his and toward the moths again with a sigh. "The only times I haven't felt any boredom were the days I spent with you last year." A tight feeling settled in your chest as you spoke the words, but you couldn't stop yourself. "And today, of course."

You tried to keep your tone casual, your voice light. Ford felt an ache in his heart. He wanted you to never be bored again, show you the world through his eyes. Show you how he saw you.

"Surely you weren't bored every day of this past year, right? I bet you went on at least one interesting date?" He tried to keep his tone equally casual. Tried to keep the desperation out of his voice.

You snorted. "Yeah, right. Who'd wanna date me?" "I would." You froze. Surely you had misheard him? You turned to look at Ford again, his expression was... honest?

You frowned. "I'm not in the mood for jokes, Ford." You stood and turned, about to walk away. Ford grabbed your wrist, stopping you. "Who's laughing?" You pressed your eyes shut and stayed with your back to Ford, unable to look at him.

"I just got over you. Don't make me go through all of that again." Ford felt his heart shatter in his chest. "I am so sorry." He paused, trying to find the right words. "I was a selfish asshole. And you deserved so much better. You still deserve someone so much better than me."

Ford took a deep breath, still holding tightly onto your wrist. He couldn't let you go until you knew the truth. "I, on the other hand, don't deserve your forgiveness. Hell," A bitter laugh escaped him, "it took Stan a whole year to convince me that maybe I deserve to be happy sometimes at all, even though I almost caused the world to end."

He took a shaky breath, tears pricking at his eyes. But he wasn't done yet. "I spent the whole year regretting every word I said to you that day. Because... what I didn’t have the guts to tell you then is... I love you."

Ford stared at the back of your head, looking for any movement at all that could give away how you felt about his words. But you didn’t move for a moment, didn’t spare him a glance. Without a word, you flexed your arm and pulled hard, tearing your wrist from his grip.

You walked away from him and the shack without turning back. Ford was in shambles, his legs trembling and tears flowing freely. He wouldn't have been able to follow you.

Stan and the kids had watched the whole thing unfold from one of the windows, being attracted to the sudden noise like moths to the light. Now they stood shocked, with their jaws on the floor.

Back at home you threw your shoes and jacket in a corner before collapsing onto your bed. You were angry at Ford for treating you like that, playing with your emotions for over a year. Slowly, it settled in that Ford had just confessed his love to you.

After a year of thinking he didn’t want you that way, it left your emotions all over the place. Angry, sad and with a weird feeling of relief you cried yourself to sleep.

A soft knock to your window woke you up again. It was still dark outside. It was a big window that led to a balcony. You stepped in front of it and pulled the curtains back, revealing Ford. He looked like a kicked puppy, making it impossible for you to ignore him.

You opened the window and stepped outside to him. "What do you want, Ford?" He cringed at your harsh tone of voice. "I came to apologize... again. I know I hurt you. I know I behaved all wrong. And I'm sorry." He looked up into your eyes.

"I don't expect you to fall into my arms or anything like that. You're over me and that's fine. I won't try to win you back. I-I just wanted to be honest... but, maybe that made it worse again..." Ford shook his head, starting to pace around in front of you.

You took a deep breath. It was time to just let go of your anger and instead seize the moment while you had the chance. "Ford." He turned to look at you with big, hopeful eyes. "I'm not over you."

He took a step closer as you continued. "I thought I was. But everything that happened tonight... everything you said... I still love you." You locked eyes with him and you could see the relief flooding through him as he let out the breath he was holding.

Silence washed over the both of you, neither sure how to proceed. But the silence wasn't uncomfortable either.

The dull moonlight cast a blue hue over the both of you. You looked up at Ford's hair, admiring the way the light made it glow, when a little winged creature landed on his perfect hair. A smile crept on your face and you raised your eyebrow along with your hand to his hair.

Carefully, you held your hand out to the creature, offering your finger to sit on. Ford stayed quiet and you urged him not to move too much with one hand on his chest. The animal took your offer and when you felt every one of its six legs on your finger you brought your hand back down.

You held the little moth between you two. Its wings were light-blue with dark tips. Ford smiled at the creature. "Lomographa semiclarata or Bluish Spring Moth." He put one of his hands under yours, making you both hold it together.

"Did you know that in a more spiritual sense, moths often symbolize transformation and are generally considered as a good omen?" You looked up from the moth and smiled softly at him. "Is that so?" You let the hand you still held on his chest wander upwards to his neck.

Ford nodded lightly. "They represent positive conclusions." You let out a content breath, accidentally startling the moth into flight. Both of you followed the creature with your eyes. "...And sometimes death."

You laughed and lightly swatted him on the chest with your now free hand. "You better not die on me, Ford." He placed one of his hands on top of yours that was now on his chest and the other one on your waist, pulling you closer. "I wouldn't dare."

Ford slowly moved his face closer to yours, giving you plenty of time to back away in case you didn’t want what was about to happen. But why wouldn't you, this is the moment you spent an entire year dreaming about!

You let your eyes flutter shut and soon enough felt Ford's lips on yours. They were softer than you imagined, making you smile slightly into the kiss. You moved your lips against his in a way that felt just right. Like this was how it was always supposed to be.

Ford sighed into the kiss, finally relaxing and letting himself enjoy the moment. This was the kiss you would remember forever. Especially because he would immortalize it in his journal first thing tomorrow morning.

When you both parted you felt like you were floating. You rested your head on Ford's shoulder, just enjoying finally being able to hold him like this.

"Positive conclusion, indeed."

[sitp-recs]

Hi Liv, I loved the hidden gem list that you did in the past. I discovered so many new authors thanks to you. I love going back to my all time favourite authors but I also love discovering new ones. Would you or any of your followers have any hidden gems recs ? Could be long or short fics. Thank youuuu

I’m so happy to hear that! The hidden gems series is very dear to my heart and probably my favorite project. I started a s2 back in 2022 and have a few lists saved in my drafts, maybe I will revisit them in the new year… we’ll see! I found some additional rec posts that might interest you here, here and here. I haven’t read much this year, but if you’re looking for new-ish works I’d highly recommend the fics below, and also my reclist for the h/c fest. I’m sure my followers have more recs. Enjoy! 💜

Train Song by @fw00shy (T, 1.2k)

"Imagine: An extended summer vacation," Ginny said when she first pitched the trip to the group. "Fine," Hermione said after only a moment's hesitation, to which everyone cheered, because everyone knew she was the only one who could figure out how to make the Hogwarts Express fly.

All I Think About by @skeptiquewrites (T, 4.5k)

Sometimes all it takes is one perfect late summer night in June.

mind the gap by @cavendishbutterfly (E, 5k) - MCD

The first time Draco died was by far the worst. Once Potter started living with him, it got better.

everything you should say by icarusinflight (E, 7.5k)

They're not friends. But when Draco offers help, Harry takes it.

Tarry, Tarry, Wait For Me by @toomuchplor (E, 8.5k)

"I can't ask it of you," Draco says, quick and awkward, "I just thought you should know, I thought you needed to know, but none of this is your fault."

Seasons by @greattemptation (E, 9k)

Seconds pass, and it’s like he can see Draco worrying the sliver of glass in his heart, looking for a way to press it out, to expose the wound to the sun. It’s life; Harry can be patient.

Necro-romance by @thehoneybeet (E, 9k)

The first time Draco kills Potter, it's by accident.

like a scratch on the roof of your mouth by @eleadore (E, 9k)

Two weeks into the new year, Draco Malfoy saves Ron's life in a spectacular fashion.

coyote ugly by @garagepaperback (E, 10k)

One night, every month, Harry is a coyote. Malfoy has a silver tooth. Sometimes, he cuts Harry’s hair.

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When Harry joins the Curse Breakers shortly after his twenty-fifth birthday, he’s surprised to find himself assigned to the Department of Creatures, Cryptids, and Associated Calamities.

When the Flood Comes by @academicdisasterfic (E, 10k)

Nine years on from the war, Auror Potter is upholding the Ministry of Magic's rule of law. Senior legal counsel Draco Malfoy is challenging it.

Wobble Week 2023 by @moonflower-rose (E, 12k)

Potter can't keep his hands off himself. Draco can't look away.

With Hands Full of Dusk by @corvuscrowned (E, 15k)

Harry thought he'd found what he was searching for after the war. But as the quiet life he's earned begins to unravel at the seams, he finds himself searching instead for an elusive, mythical creature found only in lore and legend - with none other than Draco Malfoy as his companion.

Rich Friend by @sorrybutblog (E, 18k)

As far as Harry can tell, Draco Malfoy is still rich as hell. He’s just not a wizard anymore. Featuring: Draco Malfoy trying to make it as a Muggle pop star, Harry Potter as our confused and horny hero, bad driving, good music, and the mysterious magic of falling for someone.

Waking Up Slow by @sweet-s0rr0w, @ihopeyoubothstaysafefromharm (E, 22k)

'Twas the night before Christmas, although it’s July / Draco’s a shopkeeper, no-one knows why / There’s hiking and witch caves, freak snowfalls and more / Bad Christmas jumpers, nosy neighbours galore / Narcissa’s here too, but… something’s amiss / And what’s in those chocolates that’s making them kiss?

Sun Thief by BlackRose532, @floydig (E, 28k)

Or: Harry beats up a pimp and isn’t sorry about it, Draco deals black market potions, and they’re shagging. Again.

Truth to Materials by lately, @toomuchplor (E, 54k)

In which Harry learns to appreciate art and other pleasures of the flesh.

[theactualsunshinechild]

Seeing this post always immediately reminds me of a fun story from early on in my relationship that my partner and I affectionately refer to as

The Can Opener Incident

This was back in my college days. That semester I was living in a dorm that was more like a collection of small apartments on the very fringes of campus territory. My partner had come over to spend the night at my dormroom, and we were going about making some pasta in the little kitchenette. The pasta was already fully cooked and strained when we suddenly encountered a problem:

The canned pasta sauce I had bought was not a pop top, and rummaging around the kitchen for a can opener revealed that I had neglected to bring one.

Not one to settle for miserable, dry pasta on a cozy home date, I ran over to the dorm room next door and asked to borrow a can opener. They're a little startled to find someone knocking on their door at 9 PM, but they let me borrow it with no resistance. Upon bringing it back is when the problems truly began.

You see, all of my life I had used a can opener which you latched to the side of the can and twisted the knob to make the sharp ring cut into the top of the can vertically, parallel to the side of the can. This one looked similar, all the right parts were in the right places, so I gave it a shot... but nothing happened. My partner comes up and tells me I'm using it wrong, and I think to myself "oh, okay, so maybe he's used this kind of can opener before, I'll let him at it," and I hand it off to him.

The can opener my partner has used his whole life is the kind that you latch on to the TOP of the can, so instead of holding the handle at the side, you're holding it horizontally over the top of the can. I didn't know that kind of can opener even existed, so when he tried using this one his way, I looked at him like he was insane. This look quickly intensified as this method also didn't work. Things rapidly went downhill from there. He defensively explained the way his can opener at home worked, and I started pointing to the structure of the can opener and arguing why this one wouldn't work that way. We're a little frustrated, but it's nothing some pasta can't fix, so I propose I simply go over next door to the people who I borrowed the can opener from and ask them how to use it.

As I reached over to take it from him, he held it out of my reach.

"No! I'll figure it out myself!" He announced.

"What? Why? It's easier to just ask the owner," I argue, jumping around trying to get at the items.

"Because I can figure it out!"

Okay. Fine. I guess he wants to solve this like some kind of puzzle for enrichment. I give up and I wait. The fiddling begins. I'm standing there watching him try increasingly improbable methods of getting that thing to work over and over. The pasta is getting cold. He's testing methods that have already proven not to work, trying new methods that physically couldn't work, then trying the ones that have already failed us all over again. My stomach growls.

"We should really just ask," I grumble, hungry and frustrated.

"No, I've got this."

He does not fucking got this. I want my goddamn food and I do not have time for this puzzle solving.

"Give it here."

"No."

"I'm just gonna take it to the owners and ask them to show us how to use it, you can come with."

"No! I want to figure out out myself!!"

"And I want my food god fucking damn it!!"

This went on for a bit. The pasta was drying to the side of the pot and getting crusty. At some point during this yelling match I got so pissed off that I stormed out of my own apartment into the cold with no coat on.

'I need to make him see reason!' I thought to myself, making my way through the snow. One building over was where two of his friends were rooming together. I knock on their door, boiling with rage. It is 10 PM.

"Hey, can you come over? [Partner] is being completely unreasonable and obstinate over figuring out how a can opener we borrowed works and won't let me take it to the owner to ask. Please help me convince him to hand it over, I'm literally too short to wrestle it from him."

"Alright, let me grab my coat."

We head back over to my place to find my partner Still Messing Around with that godforsaken can opener.

"Let me see that for a second," says his friend, taking his coat off. I experienced a moment of relief, thinking to myself, 'Finally!' as my partner pouted for a second, but relinquished the can opener.

This peaceful glorious relief fizzled out into horror as his friend began to try to open the can the same way I had.

"That's weird. It really looks like it should work this way..." he mutters.

"Try it from the top, that's how my parents' works," my partner suggests.

"No no, that won't work, just give me a second to figure it out."

Oh my fucking god.

I stared blankly, watching them study the can opener and turn the can this way and that, both completely absorbed in finding the solution to this hour long problem. I was going to lose my fucking mind. Perhaps in that moment I really did. Shellshocked, I stood, wondering how it had come to this. I just wanted some fucking pasta and a relaxed night in, and instead I've gotten these goddamn STEM majors milling around in my kitchen at 10:25 PM arguing over how to use a can opener that isn't even mine. So I went and did what, in retrospect, I should have done ages ago: I went next door for help.

I can't imagine what my neighbor must have thought of me, showing up over an hour after borrowing their can opener, looking as if something inside of me had died, and, with a hint of desperation in my eyes, begging them tearfully to come next door and show us all how to use their can opener. Over an hour after borrowing it.

Well, whatever they thought of it all, they did oblige my pleas. Their arrival thankfully broke up the debate, and as all three of us watched intently as hawks over their shoulder, they cracked open that can of pasta for us.

Using it the exact same way I had tried at the start of it all.

It was just dull.

"I don't need a shopping list; with effort, I will remember that I need this item"

Okay but will you be able to remember that you already bought it? Because apparently I can't.

[mysecretlittlelibrary]

Hello! I don't know if you're still taking requests, but if you do, could I please request an imagine where the reader and eddie are best friends and the reader gets really injured when Venom is in a fight, bonus points if eddie has to do cpr to revive her. Thank you so so much!

~Hazard of Our Friendship~

Pairing: Eddie Brock x Reader

Word Count: 2k

Warnings: drowning mention, knives, graphic depictions of violence

Genre: fluffy angst

Summary: Your best friend has a symbiotic alien sharing his body which means sometimes he gets attacked while you're just trying to discuss a movie.

A/N: Oh darling my asks are always open~! xo hope you like it!

***

You scoff as you listen to Eddie talk. You can't believe what he's saying.

"You're crazy! You seriously think that was better than the second one?" You ask incredulously.

"I think each movie gets better than the last." Eddie says.

"What're you smoking and how do I get some because you are clearly on something." You snort.

"I liked it I don't see the problem." He shrugs.

"That's not the question though! I liked it too but it's NOT better than the second one was!" You shake your head.

"You do this every time we see one of these movies." Eddie chuckles.

"Because the second was the best! It's in a league of its own they're never gonna do better than that." You say.

"Okay fine ye of little faith and quick judgment- what could they do to make the next movie better than the second movie?" Eddie rolls his eyes playfully.

"The second movie was just iconic! When they realize and manage to replicate the intensity with which that movie hit emotionally, they'll have another masterpiece. It's not about duplicating though, they shouldn't repeat the plot, they just need to figure out how to create a similar pull. That's what I'm looking for I need a pull and the newer movies just haven't been pulling me."

"You're insane you know that?"

"I think you need to rewatch the second movie. Clearly you aren't properly remembering the absolute magic of the second movie dude." You shake your head.

"Clearly." He snorts. A moment passes and notice something change abruptly in your friend's demeanor.

"What?" You frown at him.

"What?" He snaps his head towards you.

"Your energy shifted, something changed. Why? What's going on?"

"Nothing." He says quickly.

"You're on edge. I can see it so don't lie to me. Especially because you're starting to stress me out." You tell him.

"Venom's a little- freaked. He thinks we've got company." Eddie admits.

"Not the good kind I'm guessing. Based on your... disposition."

"Just- stay close, it'll be fine." Eddie says gently resting his hand on your arm. He's clearly on high alert, eyes scanning every darkened alley you walk by. You catch movement off to one side and grab Eddie's attention.

"E- could those be our visitors?" You ask. Eddie follows your eye.

"Fuck me- it's fine, just stay behind me." Eddie steps forward and uses his arm to nudge you behind him.

"Come on Eddie, they're just some guys. This should be easy." You say.

"Unfortunately if they've come for me it's never just some guys." Eddie sighs. "Look guys- I'm sure you don't want any trouble, whatever you think you're gonna gain from this, you'll lose a lot more- trust me." Eddie tells the group. There's maybe 5 of them it seems, but you can't be sure others aren't lurking nearby.

"Yeah- that's the bastard." One of the guys grumbles and Eddie's eyebrow furrows.

"Wait sorry- do you know me or something?" Eddie asks, tilting his head.

"You fucking jackass-" The guy is clearly appalled by Eddie's perceived audacity and starts towards you and Eddie.

"Venom." Eddie calls.

"COPY." Venom replies before overtaking Eddie. You step back a bit to accommodate the size change. Also to give him room, Venom's fighting style is- messy from what you know.

You've never actually seen them fight, although Eddie didn't try to hide Venom from you, he was very intentional about limiting your exposure to him. You're not totally sure why, but it doesn't stop you from making nice with him. Eddie swears the relationship between them is mostly symbiotically beneficial, which means he'll probably be around for a while. Which means he'll be around you for a while, and you want that to be a net positive. So you always ask about him and include him in your relationship with Eddie, and bring him chocolate any time you hang out with them. Eddie swears you spoil him so you hope that means he likes you.

Venom seems to be handling the fight pretty well, I mean he can grow appendages at will, no matter how many of them there are, they can't outmatch him.

"You're coming with me." A gruff voice says wrapping a hand around your wrist.

You snap your head around quickly.

"Fuck off. Don't touch me." You take your index and middle finger and jam them into the inner corners of his eyes.

He screams as you dig your digits in deeper.

"You're ruining movie night." You drag him forward by his eye sockets and bash his head into your knee knocking him out. "Asshole." You huff.

"Eulgch gross now my hand is covered in eye juice." You frown. You bend over and wipe your hand on his shirt.

"That's better I guess." You say stepping over the guy to wear Venom has dragged the fight, near the pier.

"Not so fast." A voice grits out behind you as arms encircle your body, trapping you.

"Hey let go of me you bastard." You grunt squirming against his hold.

Your movements stop abruptly with a sharp gasp when you feel cool metal against your throat. A knife.

"Really? An 8 foot monster is stomping out your little pals and you go for the one who isn't doing shit? Coward." You scoff.

"Shut up." He spits through clenched teeth.

"Eddie!" You call out. "No rush but when you get a second some help would be nice! VENOM!" You shout, the blade digging ever so slightly into your skin.

Venom snaps his head towards you and immediately changes his focus, heading towards you and the person holding you hostage.

Your captor walks you backwards as Venom closes in but as he reaches an appendage towards you one of the others pulls out a flamethrower. Where did he get a fucking flamethrower?!

"Venom look out!" You shout but you're not quick enough.

The fire hits him. He lets out a roar of a sound. And then retreats into Eddie, who falls to his knees.

"Eddie?!" You call frantically.

"I'm fine! Just- gotta give Venom time to recover." Eddie grunts.

"If you're fine get up and turn around you dumbass!" You shout. The guy with the flamethrower is closing in on Eddie, luckily he's dropped the thing. Not really a smart move in your opinion but it makes Eddie's chances of beating him without Venom higher.

Eddie spins on his heel just in time to dodge a wild swing from mister flamethrower.

"Woah. Shit." Eddie says. He punches the guy directly in the face and the two start a proper fist fight.

"Hang on y/n I'll be right there!" He tells you between throwing and dodging punches.

"Yeah, I wasn't planning on going anywhere!" You say.

"Could do without the sass at this moment dude!" He says.

"I've got a knife to my throat I'll do whatever I want to cope with it!" You shoot back.

"Sorry about all this!"

"Hazard of our friendship! I know how this goes!" You say.

Eddie finally takes down his opponent and turns to you. He runs in your direction, Venom at some point taking over and freaking out your captor. For a guy holding a knife to your throat he's moving incredibly reckless, stumbling backwards and dragging you with him. Right over the edge of the pier. You scream as you fall back, at least you've been released it seems. Your assailant, in trying to save himself has freed you from his grasp.

The water is a bit chilly, it's not as bad as it could be, but it is only August so it'd be weird if it was ice cold. Water fills your mouth as you sink below the surface. You try to swim up, but the other guy wraps his hand around your leg. You can't swim super well as is, the extra weight hindering your movement pretty much renders your attempt to save yourself futile. Still you flail and desperately kick at your attacker's hand, hoping that you can get him to let you go before your lungs give out. They're already starting to seriously burn.

You hate open water. Besides the fact that you're nowhere near a strong enough swimmer based on the dangers of open water like this, you can't see anything and not knowing what lurks nearby stresses you out even more.

You're starting to panic. The longer you're down here, the more undersea monsters you seem to be able to imagine. You're going to die down here and some random swimming creatures will start eating your decaying flesh and your family won't even have a body to bury when they have your funeral. Or if they manage to find you, you'll be so destroyed by critters they'll have to keep the casket closed. Honestly at this point you hope they cremate you.

The panicking isn't helping. You know it's not, and yet it's all you can do as your vision is starting to blacken around the edges. You still can't get this guy to let go of your fucking leg, and dammit you're getting too weak to keep fighting him. How is he still holding on? You feel your body go limp as you lose consciousness.

Eddie's heart drops as he watches you go over the edge of the pier. You can barely swim, you hate the open water, he has to get you out of there and fast. The only problem is it feels like these goons keep multiplying and if they have to keep fighting he'll never reach you in time.

"We have to get to y/n." Eddie says.

"WE WILL." Venom says ready to fight the next guy.

"No, now V! Fuck the fighting I don't care eat them if you have to. Just get to her!"

"GREAT PLAN." Venom's smile is enough to freak out the person standing between them and where you're currently drowning.

Eddie's counting the seconds as Venom traipses towards the water, biting off heads on the way. There's not even enough movement near the surface for Eddie to tell if you're still alive down there. It's taking you two long to come up.

"YOUR STRESS IS MAKING THIS MORE DIFFICULT EDDIE."

"I'll stop stressing when we get y/n out of the fucking water!" Eddie snaps.

"FINE!" Venom dives into the water and manages to find you surprisingly quickly, dragging your lifeless body out of the water.

"Put her down we have to do something." Eddie says.

"WHAT DO WE DO?" Venom asks.

"You watch my back while I try to remember my high school CPR class." Eddie tells him, kneeling beside you.

Pressure.

There's a pressure against your chest.

It's rhythmic, consistent, and just a couple of pascals short of risking a broken rib.

Your nose is pinched and something touches your lips. Air flows into your mouth in bursts and then again with the pressure.

Suddenly you feel water coming up and you lurch forward to expell it, coughing painfully as your body tries to get rid of the water forced into your lungs when you nearly drowned.

"God drowning sucks." You choke out, your voice coming out very raspy and it honestly hurts to say even that short sentence.

"Thank fuck." Eddie sighs, his shoulders dropping in relief.

"YOU'RE ALIVE! EDDIE WE SAVED HER." Venom pokes his head around over Eddie's shoulder.

"I thought I was going to lose you." Eddie whispers, cupping your cheek gently.

"I'm almost offended you thought I'd go out that easily." You joke, coughing again.

"Stop talking! You'll hurt yourself." Eddie says.

"Oh would you relax. I'm not dead, talking won't do me in." You roll your eyes.

"YOU SOUND LIKE YOU ARE IN PAIN." Venom says.

"Thanks V." You snort.

"Venom she just almost drowned dude." Eddie shakes his head.

"I AM TRYING TO CHECK ON HER. WHAT IS THE PROBLEM!?"

"Nothing's wrong. Don't you two start. Just- can you take me home?" You groan forcing yourself up. Eddie scrambles to his feet, helping you up until eventually Venom simply takes over and lifts you into his arms.

"Venom I'm pretty sure I can still walk ya know." You say, admittedly a bit nervous in his hold. Not that you think he'll drop you, you've just never interacted with him so directly.

"YOU SHOULDN'T STRAIN YOURSELF. AND WE ARE TAKING YOU TO OUR APARTMENT."

"What? Why?"

"SO WE CAN TAKE CARE OF YOU WHILE YOU GET BETTER."

"Get better? All I need to do is shower and go to sleep, I'll be fine." You scoff.

"EDDIE WANTS TO SEE THAT FOR HIMSELF."

"You're very lucky I don't have any more energy to argue about all this." You mutter.

Eddie counts his blessings when he hears that. Of course it would take you nearly drowning to finally allow him to look after you. Little victories he supposes. Granted saving your life is definitely way more than a little victory. You are the single most important person in his life. If he wasn't sure of that before this he's absolutely sure of it now.

***

[tinylilacbun]

I feel like it would be so funny qhen the pogues find out jj already got a new job, and then find out is a job babysitting for kooks. I feel like everyone in the room would be speechless at first and pope would be like "babysit to what, a dog?" "no?? she's three. very cute by the way-and wait, is that even a thing?" "oh, poor kid🤦🏿‍♂️" and altought they all suport each other, they're all kiiind of insecure reguarding jj's new "awesome" plan, because, well, they don't think jj is actually the most patient and responsible to be around kids. I mean, how did he even got this job? How could someone look at jj and think "wow, he's so good with babies"

but then they would all change their minds on the first time jj brings reader to hang out with them, and they witness JJ turn into a role different version of himself - helping reader do basic things like braiding her hair or eat her veggies, and even nap with her laying on his chest in the couch while the pogues are all staring in... awe and confusion? lmao I would be too

Wait, can I request something with this concept?

I can so imagine them being like "Nah, you gotta be joking." And then JJ pulls out his phone showing all the silly photos he has of you both together, being all smug about it too and the pogues are completely baffled looking at him like: 😦

They're asking him various questions, like how's the pay? How the hell he managed to get a babysitter job, knowing this boy can't even take care of himself for all we know. How kooks trust JJ freaking maybank with their kid??

The pogues are concerned that their friend is being threatened to say that your parents are actually really nice and pay him well, so well that he doesn't want to bring it up.

Obviously they want proof of that and see it for themselves, so JJ asks your parents if he could take his friends with him next time he babysits before anything else and of course your parents said yes, why wouldn't they? They trust him.

And so the pogues finally meet the reason JJ has been rather busy lately as you come running from your room the second you hear his voice, crashing into his awaiting arms.

"Jayj! Missed you so much." You giggle as JJ stands up with you clinging to him, your legs dangling in the air.

"I was here two days ago." He reminds you with a chuckle and you pout.

"Still missed you!"

Then you notice his friends standing behind him, a smile growing on each of their faces. JJ sets you back down and you go to hide behind his legs, suddenly shy from all the new people as you whisper out a small 'hi'.

Kie and Sarah coo at how adorable you are, just wanting to pinch your cheeks. John B, Pope, and Cleo just give you a small wave, which you of course return.

"You gotta give her some time to warm up, and don't touch her until she says it's okay." JJ warns them, his hand ruffling your hair.

Some time later the others are actually impressed by how attentive JJ is with you, always answering when you ask something no matter how silly it is, playing with you what you want, even getting you to eat the nasty veggies.

Now you all are sprawled on the big sofa in the living room, your favorite movie playing on the tv but you're already napping on JJ's chest as he draws shapes on your back.

"I have to be honest, I really thought you were kidding us with this whole thing but damn JJ you really know what you're doing." John says, watching how gentle the blonde is with you, he's never seen his best friend being this soft with anyone, much less a kook.

JJ shushes him, pressing a finger to his lips. "Princess is getting her beauty sleep, don't you dare disrupt that, bro."

Taglist

For everything:

@my-river-lilly @pauntedblacknails @fanfictioniseverything @buckymydarlingangel @hallecarey1 @daybreakwinter @loveshineslikethesky @vase-of-lilies @white-wolf1940 @simpingbutch @mischiefsemimanaged @alina02 @teddybearsgrr @doozywoozy @angelbabydoll28 @glxwingrxse @lilymurphy03 @veryvaughnny @lokigirlszendaya @youngstarfishdinosaur @little--baby--bear @minideathgoddess @rach2602 @gh0stgurl @flourishandblotts-inc @lovelyy-moonlight @yoruse

@mythixmagic @iris-xoxo-juhu @mylettterstoyou @sunf1ower16 @sweetstars-posts @rafecameronsloverrrrr

For JJ:

@chiaraanatra @chimindity @flora-eva

[marymary-diva17]

The love that with stands time

There are loves the within the many years that go by in the galaxy, as there is a special spark that connects many lives together. Even when times change and along with everyone else, there was still a bond that keep on going. The love that still keep on going over the years, even after all that happened was still there.

y/n " This is earth" you had arrived at the planet of earth, you had come to see those who you held ver close.

optimus " incoming aircraft state you name"

y/n " hello orion it has been so time hasn't it my dear"

Optimus " y/n"

y/n " yes it good to hear your voice after not being able to speak for a while"

Optimus " y/n my dear why have you come here"

y/n " I have come here for many reason optimus and in time I will tell you and everyone else"

optimus " I understand I will send you where to land and have ratchet bridge you to our base"

y/n " yes my dear" you had soon landed your ship as soon enough a bridge had come, as you soon saw optimus come walking out of the bridge.

optimus " hello y/n"

y/n " hello Optimus"

optimus " we will have ratchet bridge the ship to the base and place it somewhere safe"

y/n " okay" the ship had soon disappeared and you looked at Optimus giving him and smile and he smiled back.

y/n " I'm happy to be here with you and everyone else"

optimus " well we are happy to have you here with us now come, we don't wish to drawn any unwanted attention" you had nodded your head, and soon followed Optimus into the bridge and soon arrived at his base. The autobot were not the only ones you came here to see and else, but that was a matter for another time.

ratchet " well you are 100% alright y/n"

y/n " thank you ratchet it good to see you"

ratchet " I'm happy to see you as well we have all have missed you"

optimus " as much I'm happy you are here but why have you come here, I thought you will be everyone else"

y/n " that was the plan until I came here to help with the cause on here, the council had agreed to it"

optimuus " well it good to have more help here"

ratchet " the rest of the team shall be coming in by now beware of the humans"

y/n " I can't wait to meet them" soon a bright light of bridge had come on as three vehicles had come driving inside.

miko " time to have some fun playing games ... hey there someone new here"

y/n " hello" the three humans kids were looking at you as you waved at them, soon their vehicles had transformers into their bot forms.

Arcee " y/n you are here"

y/n " hey arcee it good to see you my friend"

Jake " hey I'm Jake it nice to have someone new her"

y/n " hello there Jake"

bulkhead " y/n you are really here Miko I will love you to meet a good friend of mines y/n"

miko " wow you look cool and it good to have another female on the team"

y/n " hello miko"

raph " hey I'm raph everyone seem excited to see you"

y/n " hello raph and bumblebee how are you doing"

bumblebee " good I'm so happy you are here"

Optimus “ children this is a y/n a fellow cybertron and a friend of the team, she had come here to help us against the fight against megatron and his cons”

y/n “ hello children I have been told many great things from, optimism and everyone else here” the kids had towards you as they got to know their new guardian.

arcee " you know with you being here it will help us on here"

y/n " I have come here to help arcee but we all know it will not be easy"

Arcee " it going to be hard seeing him for you isn't it"

y/n " yes but I have come to terms with everyone life decisions"

arcee " well now you are here there will be more eyes on the kids, from any cons coming to cause trouble"

y/n " I will make sure none of them come in harm way we have seen, what has war done to our home and our people" you and arcee are watching the kids, playing music and having a good time. War had changed everyone life on Cybertronian and it good to have some, time to relax and not worry about anything at the moment.

optimus " y/n i was wondering if you care to go for a drive with me, so you can learn some of the roads here"

y/n " oh sure I will love to"

optimus " ratchet me and y/n are going for a drive we will be back by later on this evening"

ratchet " okay enjoy your ride the both of you call me if you need a bridge home" Optimus had nodded his head as he look at you and smirked, you had smiled back at home place a hand on his right check, Soon enough the two of you transformers and soon left the base.

miko " they are so cute together and perfect as well"

bulkhead " well that should be as they have been spark mates for many years now"

kids ' what"

ratchet " bulkhead ... what bulkhead meant was that in your human terms optimus and y/n are a married couple"

raph " wow no wondering they get along so well"

Bee " they are best friends as well"

raph " wow so they have a long history together but had been separated due to the war"

arcee " yes there were many reason for why she was not here with us, but now she is here and all will be good"

bulkhead " unless Megatron and the cons come around to ruin that"

Ratchet " all will be good no need to jump to conclusions bulkhead, but I and optimus and have planned just in case this happens" the kids have many questions, but they were going to ask them very much later on. Right now it was good to have you pack with them and back with optimus as well, as the two of you are enjoying a ride and falling in love with the new place that you will call home. It was great to be back with optimus your spark mate and you were hoping this peace will last forever.

[gwemmieee]

Yeah. I have a big bone to pick with women who go out of their way to gatekeep someone out of our club. Most of them are cis and straight, but trans fems who do this unfortunately exist. That instance looks like some disgusting hypocrisy to me, because most baby trans fems really emotionally lean on the willingness of this community to emphasize that you are your gender and you are valid no matter how many steps you've already taken and been successful with. That is a crucial, supportive message, and suppressing it in any way is tantamount to pulling up the ladder behind you. Which, yeah, every community has its assholes who pull up ladders.

It is also a tough line to walk sometimes for women, because most of us have learned that there are certain ways we can't entirely just open up to most masculine folks and let them into our entire lives and every space. Not without a lot of pain. So we are incentivized to wait until someone makes it clear that they're safe, before they're let into our inner lives more. This function has caused me SO much strife, because before I was accepted as a woman, it kept me outside in the cold, alone, really close to an early grave, but now that I am fully living as a woman, and even before I was doing that, my efforts to ignore this function entirely and just let any masculine person into my heart, my inner world, and my safest spaces, have not always gone well, and sometimes those efforts have backfired, made me unsafe, and deeply traumatized me.

These days, the only conclusion I've been able to find is that women need to work on what we recognize as red and green flags, for who is safe. It's pretty easy to see that the average set of red and green flags you see most non-queer white women adhere to are... crap. Truly crap. Delusional, not based in reality, etc. And that sucks because it isolates them more and it gives them more excuse to be really shitty to people, or to gossip about them in ways that really aren't fair to them.

Earlier in my transition, I still had it internalized that I had had so much trouble because I wasn't good enough, because I didn't do enough, and that's why women didn't let me in. But I was literally running around freely saying out loud that I was genderfluid, that I had no concept of manhood and little concept of gender, that I thought it would be cool if I was born as a woman, that I wanted other pronouns to be used on me, that I could be pretty gay/queer, acting pretty gay/queer, openly rejecting most masculine behaviors and modes of thought, constantly openly celebrating femininity, experimenting with gender presentation... I was a very queer little dude. And I've only been able to recognize that in retrospect. Because nobody let me in. Trans fems may have let me in, but they weren't around much in the late 00s and early 10s. I never met one. But I did meet and usually deeply connect with countless fellow eggs, before any of us knew. In situations like mine, trans fems generally didn't even get to find themselves until a bisexual cis woman took it upon herself to date them as a perceived man, and then recognize their queerness and allow them to explore gender with her acceptance and assistance. Because being allowed into womanhood was so rare and taboo that it had to happen behind closed doors as part of a romantic relationship. I was aro/ace, and I unconsciously looked to get the same experience out of a platonic friendship, but all I got was led on. Told I was a close friend but still treated like a stray animal compared to their feminine friends. Not let in.

Meanwhile, cis women, and fem-raised queer folks who at the time universally saw themselves as, yknow proudly not quite men at least, universally treated me like a burly cis man deserving of none of their support or curiosity and all of their suspicion and gossip about how "he's creepy." Consistently. Until I finally came out as a woman in 2022. And that's so 100% on them. They went out of their way to not see me for who I was and just keep me out in the cold. So yeah. The state of gatekeeping of womanhood is *bad*. And in my experience, most of it comes from people who had/have easy access to unquestioned claims of womanhood, whether that's because they're AFAB or because their transition into womanhood was really fast and made them really conventionally attractive.

But what about trans fems? Well, we aren't perfect with our red and green flags, either. It's hard to be. Personally, I've noticed there is a small contingent (VERY small) of trans fems my age who operate more like the old world transsexuals in that they really are truscum gatekeepers, often also ableist, and borderline psychopathic in the level of emotional labor they expect from you as a friend vs. what they're willing to put up with in return. And that is very unfortunate. My early transition saw a lot of them genuinely help me as incredible new friends, but then hurt me badly and burn bridges for no good reason. And I feel that there is a bit of a schism in the trans fem community between elders who usually just want to stealth out--who look down on baby transes and cringe and don't help us, or even if they do talk to us and help, there is still a very clear line denominating their actual friends and community that we never get to cross into--and the rest of us who openly embrace being queer and not assimilating all the way. But, frankly? Most trans fems I've met are the most welcoming and least gatekeeping folks on the planet. Most are that latter, queerer camp. And we operate exactly the way that we should: we let anyone safe into our inner world, even if that safe person happens to be a man. And some of us STILL see that backfire. And so even we can't be completely carefree. But we can always learn and grow and get better and better at what we actually identify as red and green flags.

wait where are all the trans guys

Historical-anthropological research, especially the work taking place before the 21st century or outside the West, tends to focus entirely on transfeminized groups. So when reading these works it’s pretty natural to ask — wait, where are all the trans guys? This is a reasonable question with a few clear answers; this post is something quick I can point people to.

The central condition of transfeminized groups' absorption into feminist activism has been to accept a kind of symmetry with select TME groups through the understanding of trans femininity as "gender variance." Under this framework, transfeminized groups' social position can be understood as a consequence of gender variance and some abstract violation of cis norms; this was proposed by people like Susan Stryker and Emi Koyama [1], among others, and continues to structure trans inclusion today. It also fails when considering several basic aspects of these groups:

Transfeminized groups are associated with hyperspecific labor practices, most frequently sex work, but also hair styling, drag, makeup artistry, acting, and other forms of 'gender work.'

Metropolitan transfeminized groups appear in the archive as highly clustered and active groups connected with, but usually intensely split from, the masculine men they fucked.

Transfeminized groups become a kind of 'third gender' on an epistemic level; they are Known to wider society before and after “coming out” in a way that USAmerican transmasculinity has only recently vaguely approached.

Transfeminized groups are heavily clustered in labor practice, social organization, and epistemic position, although this is not universal -- certain strains of USAmerican transfemininity have become a bit more labor-agnostic in the last two decades, not-so-coincidentally alongside more general currents of gender-labor liberation. The messy strains of trans male identity recovered from the archive and from current practice tend to lack labor, social, and epistemic coherence. As Aaron Devor notes in FTM, his 1997 history of FTM men, trans men in the 20th century tended to transition out of cities and into the countryside, finding low-profile places they could exist in. These practices, and the earlier "female husband" practices described by Jen Manion, relied on the labor-agnostic nature of transitioned manhood in order to disappear from public life. Transfeminized groups, on the other hand, are categorically restricted from the main form of economic life historically available to women -- marriage. Their labor practices are heavily constrained and have almost always revolved around some form of 'gender work:' as Susan Stryker put it, you need to get people to pay you for being a trans woman. Transmasculinity pushes away feminized restrictions on labor; trans femininity is labor.

Because transfeminized identities are so often labor-identities, and because their specific brand of 'gender work' and hormonal/silicone/surgical embodiment usually requires both specialized training and community support, nearly every metropolitan center in the world developed highly centralized transfeminized groups over the course of the 20th century [2]. As Ochoa notes, this visibility is partially due to epistemic visibility (everyone knows what a trans is), partially due to group structure (people work and train each other), and partially due to the selectively visible demands of finding clients. Fledglings come in with a way of being that is always already visible to society, but changing the body to match and learning how to fully enact and slowly contest the third-gender labor-identity they've been given takes a lot of community support.

So as labor-identities, transfeminized groups tend to a level of labor/community/epistemic coherence that has no clear counterpart. The news archives we have of trans men (as seen in Manion) position them as singular and easily absorbed back into the female gestalt; the cisgender feminist/gayguy/AIDS researchers that form the bulk of historical-anthropological work saw them as unnecessary to their grand theories of gender; the communities themselves have been materially fractured and, for the groups that rise out of lesbian-feminist activism, only partially committed to their own existence. The result of all this is that there is no clear equivalent to the "transfeminized groups" of Jules-Gill Peterson; there is no symmetry to trannydom, and while additional work to unearth trans manhood in the archive remains extremely valuable, sometimes the necessary level of label-coherence and social existence just isn't there.

[1] Stryker, "My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage," Emi Koyama, "The Transfeminist Manifesto" [2] As seen in Namaste, Invisible Lives, Prieur, "Mema's House, Mexico City," Kulick, "Travesti," Newton, "Mother Camp," Ochoa, "Queen for a Day," Hegarty, "The Made-Up State," and plenty more. Most of these works came out in the late 80s and 90s due to a combination of the feminist "third gender" craze, the burgeoning field of masculinity studies, and AIDS.

[treedaddymcpuffpuff]

Officer Tom Ludlow is hoping for a chapter 2...👀👀😘😘

He knows that you told him not to call you– but he can't stop thinking about you. Your strength and your sass and your loyalty to your friend…he could tell you’d been through some shit, even before you told him. He can spot that a mile off now, but he liked the way you carried yourself. You’d probably want to kick him in the balls if he said it to your face, but you are cute. Fucking adorable, in fact, and he can’t stop thinking about that kiss.

Goddamn.

It’s been a while since he met a woman he can't get out of his head.

He shouldn’t have looked up your address in your file, and he definitely shouldn't be watching your house now. Not in a creepy way. Just…looking out for you.

Ok, maybe it’s a little creepy, but what you don't know can't hurt you? 

All he knows is that he's got to see you again. And he's not above creating some circumstance to make that happen. 

If he could just talk to you again, he thinks that maybe you'd come around. You really had something that night. Something worth giving a chance.

He just has to convince you of that.

So maybe he slips some cash to his informants on the inside of the criminal world, and maybe he asks them to stage a robbery at your job.

He’s the first on scene—of course he is. He was waiting down the block in his car to single-handedly disarm the two criminals and cuff them at your feet like some fucked up offering of courtship.

Abby says, “hey you’re that cop from the bar!” and interrupts the uncomfortable, prolonged eye contact that the two of you have going on in the middle of the sales floor.

He smiles and rubs the back of his neck, cheeks pinking up, looking way too fucking good. He looks at you with that boyish charm and you know you’re going to melt into the earth—and you’re just frozen. Pinned to the spot.

It occurs to you that you should say something, so you settle on, “thank you.” It’s a shitty way to reward someone that just saved your life—or at least all the money in your register—and you feel like a giant bitch.

“It’s my job,” Hercules replies, with a little wave of his hand and some flexed muscles and tendons and veins to go along with it.

You narrowly avoid drooling all over yourself.

“I know how you can thank him properlyyyyy,” Abby sings, hanging up some fallen racks of merchandise casually while she embarrasses the fuck out of you.

“Abby.” Your warning growl does not help your case concerning you being fucking adorable, and Tom hides a smile under the subtle clearing of his throat.

Abby, all five feet of her which contains the audacity of a Roman Emperor or a spoiled house cat, prances up to Ludlow, and gets out her phone. Her dangling charms, glinting and sparkling in the fluorescent lights, make you suddenly very nauseous.

“You want her number?” She asks.

You will kill her for this, or puke on her—that works, too.

“How about.” Officer Ludlow takes his phone from his own pocket. “I give you my number and you give it to her.” He looks at you as he talks to her, and your heart is going to fucking implode.

“Deal, Officer.”

@johnwickb1tsch AGHHHHHHHHHH (lovingly)

[greatwyrmgold]

Obviously, the power (and even whether this gets bad enough to cause a trigger event) depends on a lot of details that your friend didn't tell us. But that just means we can fill in the blanks in a way that makes the story/powers work better.

My versions are below the cut.

Alex is the stubborn guy, Bob is the rich guy.

Version 1: The Involuntary Hermit

This version paints Bob as a bit of a capitalist supervillain...I mean, more than "deliberately depriving Alex of sunlight to drive him insane" implies.

Construction has already started, and they're laying foundations for a building that will obviously intersect with Alex's property. Every afternoon, when Alex is driving home from work, Bob's construction vehicles and supplies are in the road—not enough to actually block the road, just enough to make it inconvenient to return. There's a crane with a wrecking ball attached, parked in the lot next to Alex's, waiting.

Alex has complained to the police and City Hall and every other authority he can think about, but they say nothing Bob did is technically illegal. He considered suing Bob, but he can't afford the lawyer. He even contacted the news media, but no one with a significant audience wanted to run the story, not with how much hype there was around his new development.

Obviously, there's a Shaker element to this power, but the long-term and institutional aspects make me think Architect Tinker, specifically the terraform subtype. Alex can build megaprojects which reshape the landscape, both as an intentional design decision and an unavoidable side effect.

I've tried to narrow it down from there, but that's already got the Parahuman Knife-Twist. Alex got powers because he wanted to keep his home, but using those powers would destroy his home. (It's not like he has access to an off-site laboratory.)

I guess it needs to be something that Alex could build in his basement, but which can still have that kind of earthshaking effect. Maybe something seismic, Tecton on a larger scale? He can disrupt Bob's construction, wreck his scaffolding, topple his vehicles, but in the process he also damages his own house. And if he wants to use his powers to their fullest extent, he needs to go farther, destroying the entire neighborhood, replacing the house he knows and loves with a bunch of caves and maybe an earthy keep.

Version 2: Bound by Duty

In this version, Alex would have left long before the darkness-wall if it was just him. But it's not Alex's house, it's the house of Alex's aging relative(s); maybe grandparents, maybe parents, depends on how old Alex is. This Alex has to take care of his relatives, because no one else will. And they don't want to leave this house, come hell or high water.

Alex feels trapped, partly by his sense of filial duty, partly by the literal wall being built around the house said duty traps him in. So this feels like a Mover trigger.

Looking at the MOVERS document, I see elements of Takeoff (close relationship to the source of tension), maybe Hurdle (harassment), and Gate (long-term, but not long-term enough for a tinker power, because I don't want to write up a bunch of tinker powers). In reverse order, that's creating something that grants movement (like a launchpad or gate); a power that lets Alex "run, leap, climb and/or bound"; and an effect produced on departure.

There are a lot of ways to mix those ideas; imagine a power that could make boost pads like in racing games, or bounce pads like in platforming games, or...something not from video games. So let's look for the Parahuman Knife-Twist and build a power around that.

Alex is torn between his desire to help his family and the desire to leave. In theory there's a way to compromise those desires; living in a house surrounded by walls and whatever else Bob is building can't be good for them, right? So selling the house and moving somewhere else would be good for them, right? That's just not what they want. So a power that lets Alex move others (whether they want to be moved or not) seems like a good first step.

This Alex also doesn't have any goal more specific than "get away from Bob". He has a place he wants to escape, but not a specific destination. So maybe the movement should be unpredictable; he can decide on a general direction that someone bounces, but it's not precise or consistent.

So I was hanging out with a friend from the west coast today, and he mentioned an anecdote about some rich guy who was trying to buy up all the homes in a neighborhood, but there was this one guy who wouldn't sell no matter what, so the rich guy built giant walls on the edges of all the surrounding properties to try and drive the holdout insane from sunlight deprivation. I told my friend that this sounded like the kind of thing that would make for a fantastic trigger event. I told him I was going to turn this over to the wormblr brain trust to see what all of you would come up with

[descendant-of-truth]

Okay I waited to get this out there because I didn't want to be a bummer the second it released, but. The story in Shadow Generations was... kind of nothing. Which sucks, because it had literally everything going for it.

Shadow gets plunged into a white space where people and places from different points in time are unceremoniously dropped in due to the power of the Time Eater, and that means Black Doom is here to try to manipulate Shadow again. Shadow starts developing alien mutations that mess with his sense of identity and only make Black Doom stronger, but he's determined to use them to take him out for good.

At the same time, Maria and Gerald Robotnik are here, and of course the first thought on Shadow's mind when he discovers them is how he can find a way to save them from their original fates. So he's got two goals: defeat Black Doom, and save his family.

This setup is really good. It's immediately engaging for all sorts of reasons, from the surface-level "whoa cool alien powers!!" to the heartbreaking implications of Shadow being forced to say goodbye to Maria and Gerald again. (Because naturally, we've seen where the games go from here and we know the timeline isn't changed that drastically.)

And it's clear to see that the people involved in working on this game were passionate about it, too. The animation and cinematography is quite good, and while I have my critiques (I still don't think the character models are that great), so much effort was put into making Shadow the coolest guy ever, and I think it paid off. He's both very cool and shows a wider range of emotions than we've seen from him in a while, which is always a plus for me.

I mean, goodness knows that Shadow needed his character to be revisited and given respect after, what, over ten years? The step up that this is can't be overstated.

And yet.

The story itself is so empty.

Let's go in order:

The game opens with a narrated recap of Shadow's basic history in order to catch people up. I can't say it doesn't technically serve its purpose, but given the fact that the premise of the game is exploring Shadow's past, it's a little weird to spell it out at the start like this. If you're a newcomer to the series and don't know much about Shadow, wouldn't it be cooler to find this stuff out by progressing in the game?

It also leaves out crucial details that, while they could arguably bloat the scene, provide a lot of relevant context that a first-time viewer isn't privy to.

"At the last moment, Shadow remembered Maria's final wish... to protect her beloved planet and all who lived there."

The last moment of... what, exactly? What made him remember, what made him forget in the first place?

In order, these are the answers the scene doesn't give you:

The last moments before the ARK crashed into the Earth, which would've caused catastrophic damage.

Amy was the one who pleaded with Shadow to give everyone a chance, which echoed what Maria told him, triggering the full memory.

It's actually unclear if Shadow forgot what Maria said as a natural trauma response or because Gerald messed with his memories on purpose, but this would have been a great opportunity to clarify.

It also leaves out the fact that Shadow teamed up with Sonic to save the world after he tried to destroy it, so that's two connections with other characters he has that are completely left out in the recap. I know we're finally getting back to showcasing Rouge and Omega as his best friends, but he does hold respect for Sonic and Amy, too. Plus, his interactions with them in SA2 were so iconic, why leave them out?

Then again, I suppose Rouge and Omega aren't in this recap either... which is really weird, the more I think about it.

But even as it's describing the moment he chooses to be a hero, they don't show him in his super form alongside Sonic, he's just... what, on fire?? I don't know what that's supposed to be depicting, it just looks cool.

"Shadow didn't understand why Black Doom expected him to be the vanguard for his invasion of Earth."

A fine start, but shouldn't we have gotten a passing mention of Shadow's amnesia somewhere in here? He spent two whole games trying to remember who he was, and Black Doom's whole tactic was to exploit his desire for answers. That's important characterization for both Shadow and Black Doom that we're missing out on, here.

"Shadow the Hedgehog. The lone, dark warrior who judges the world by his own code."

This is maybe best addressed in a separate post, but. does anyone else find this description of Shadow kinda odd? "Lone warrior" I get, even with his friends he's not big on groups, but it's everything else.

Yeah, he judges the world by his own code, I guess, but his actions are all in service of following Maria's code. It's Sonic that lives solely by what he wants without much influence from others, not Shadow.

And what exactly makes Shadow a "dark" warrior? He's been explicitly characterized as someone who doesn't kill as recently as the prologue animation to this very game, where he goes out of his way to save a pilot when he doesn't need to. His entire life's purpose is protecting the world, and this doesn't involve killing or torturing people, so... what exactly is the dark part of his morality. Nothing about this recap has given me reason to believe he's anything but a heroic person with a traumatic past, and the subsequent game will only reinforce that.

I guess he did kill all the Black Arms, but that's not something the game ever treated as an immoral action. Shadow blows up Black Doom and the comet his people live on and all of our heroes cheer as he does it. It happens in the True Ending and everything, where Shadow's supposed to be proving himself as a hero for real, so that can't be the example of him being a Dark Warrior.

Is it because of how he treated Infinite, a character that this game doesn't acknowledge despite featuring a level from Forces? We'll never know. They just want you to accept the idea that he's Darker and Edgier than Sonic based on his surface-level demeanor alone, which... given that the objective of this game is to showcase Shadow's nuance, this is really out of place. Overall, not a great scene.

That said, the first real cutscene is pretty good, and it immediately showcases how unnecessary that recap was by showing how excited Maria was to meet Shadow for the first time. From that scene, we learn that Shadow was artificially made, that he's "the Ultimate Lifeform," that Maria was likely close to him, that this happened on some place called "the ARK" which is in space, etc. Why did we have a narrator tell us all of this a minute ago when we were just about to see it for ourselves?

I do have one nitpick, though - Shadow claims that he arrived at the ARK "an hour ago," and Rouge on the other end of the comm is already at Sonic's birthday party. Rouge only agreed to help Shadow get to the ARK if he would go to Sonic's birthday party afterwards, but how was Shadow supposed to have time to do anything up there if Sonic's party was that soon? I was under the impression from watching the prologue that Sonic's birthday was at least a week away, because how else would Rouge expect him to conduct a full investigation and potentially fight some huge battle before then?

Oh and the Time Eater shows up in two places at once (at Sonic's party and on the ARK), I feel like it would've made more sense to have it grab Shadow after it was done with everyone else. Now I'm gonna be forced to ask "why doesn't the Time Eater multiply" for the rest of the game. Whatever

Moving on, our first real sign of things to come is the fact that Omega does not have a proper speaking role despite showing up in the first cutscene. He's right there, conveniently next to Shadow, but as soon as you think they're going to talk to each other... you're dropped into the hub world. Speaking to Omega results in text bubble dialogue, wherein Shadow is mysteriously hit with Silent Protagonist Disease and we don't get to hear anything he says. Effectively, Omega just. talks at Shadow three times, saying nothing of interest. and it's completely optional.

I repeat: all of the dialogue from one of Shadow's best friends is OPTIONAL, and Shadow himself says nothing to him. Yeah, we're off to a great start.

(Omega even says that he's going to assist Shadow, and I just. I have to laugh. I'm so sorry Omega but in terms of physical actions, you're genuinely going to do less here than in Forces)

Shadow: "No. She's gone. I'm seeing things."

Pardon?? Seeing things??? I'm sorry but there is no way that Shadow can see and recognize Maria from that distance but not from ten feet away with her back turned. He's also never been implied to have super-vision, so the whole scene just doesn't make sense, and frankly adds nothing to the story.

Even if he doesn't mean literal sight, then 1) why did he phrase it like that, and 2) I kinda don't care. He doesn't need to be able to sense Maria's presence or whatever's going on here, because he's just as shocked when he actually sees Maria properly later. It builds suspense I suppose, but I feel like it would've been more impactful to discover that Maria was really here the same way Shadow does; in the cutscene where he saves her.

But before they can reunite, we've got the first proper cutscene with Black Doom:

Black Doom: "You defeated us, but the Black Arms live on. And this temporal anomaly has accelerated my plans to revive my forces and consume the world."

I'm gonna be real with you guys. I have no idea what he's talking about here.

The game makes zero attempt to really explain how the Black Arms "live on" despite Shadow blowing up their entire comet along with Black Doom himself, and going into the game, I kinda thought it was just... time displacement. Maria and Gerald are brought in from a time they were alive, so I thought it would be the same with Black Doom, but no - he revived himself before the Time Eater even got involved.

Which I'd be willing to accept if they gave me an explanation for it, but they didn't, and the whole foundation of the plot suffers for it.

Plus, what the heck does he mean that the temporal anomaly has "accelerated his plans to revive his forces"?? The Time Eater's powers don't... accelerate anything. At all. They pluck things out of time and freeze them in a void. How does that help Black Doom's plans whatsoever?

If the idea is that he's going to pluck his own forces out of time and bring them back that way, why not just say that? Why are they withholding such basic information from us? It doesn't create intrigue, and the story doesn't even treat it like there's a gap in our knowledge to begin with. I think it's genuinely supposed to be the whole explanation, and that's a problem because it explains very little.

Then you've got the Black Moon, and this thing annoys me to no end because guess what?? Despite gradually opening more eyes and cracking open every time you complete a level, it's never once explained what it is or what it's for. All it does is turn the white void into a red void and open a portal to Even More Radical Highway. Maybe I'm forgetting something from an optional piece of dialogue, but that only creates a different problem, which is that you should never lock basic understanding of the story behind optional dialogue.

Why does it have eyes? Is it a living creature or some weird bioweapon? It's oddly mechanical for a creation of the Black Arms; even their weaponry is organic, as this very game tells us through Omega, so what's its deal??

You'd think it would have something to do with time, considering the framing of this scene:

Shadow says "perhaps I can change their fate" and then looks to the Black Moon as though it may hold some relevance to this new plot thread, but. nope. it just takes you back to Radical Highway.

And hey, look at that, I was so busy complaining about the moon that I seamlessly transitioned into one of my biggest issues with the game: Shadow says this. and never follows up on it. EVER.

I'm not kidding, there's literally NO point in the game where we're shown Shadow trying to do ANYTHING to change Maria and Gerald's fates. There's no scene where he attempts to understand the void better, he never investigates anything, he makes exactly zero attempts to accomplish one of his main goals. of BRINGING HIS FAMILY BACK TO LIFE.

What is the point of them being here, then.

No, I'm serious, literally why are they here if we don't get to see Shadow try to save them?? By the time the final cutscene rolls around, they start fading away back to their own time, and suddenly Shadow's like

(WHY ARE YOU SURPRISED, YOU DID NOTHING TO PREVENT THIS OUTCOME)

But I'll talk more about Maria and Gerald later - for now, since we're on the topic of Shadow having odd reactions to things, how about those stages and bosses, huh?

Well guys, I'm pleased to announce that despite there being dialogue in some of the stages, absolutely none of it provides context to the locations Shadow visits or his thoughts on them! If you didn't play Heroes and have no idea that Bullet Station is where Shadow found a destroyed Shadow Android, kickstarting a new layer to his identity crisis, then congratulations, this choice of level will mean nothing to you.

And before anyone tries to be like "the Sonic Generations levels don't get commentary from Sonic on their significance to him, either," it's a problem there, too. But it's an even bigger problem here, because they went out of their way to choose levels that have real emotional significance to Shadow and then proceeded to do nothing with it.

Isn't this the game where we revisit Shadow's story up until this point? Would it have been so hard to drop a line of dialogue indicating that Shadow's not thrilled about returning to Bullet Station? Maybe add a brief cutscene where he finds the same broken android from before, and says something like "hmph, I can't believe I let that thing make me doubt myself for so long," thus demonstrating his growth?

Here's a fun fact: Shadow has zero cutscenes that happen inside of levels. This is something Sonic beats him at, by having one cutscene that takes place in a level (Chemical Plant). This should not have been a high bar to clear, but they fell short somehow, anyway.

(Space Colony ARK doesn't even use the Final Chase music. The Shadow game starts out with a song exclusive to Sonic rather than him. He actually has more ARK-related music than Sonic does and they still didn't use any of them. How did they mess that up)

This problem only gets worse when they start pulling in levels from Forces and Frontiers - games that this Shadow hasn't experienced yet and wasn't there for, respectively. Once again, on principle, this is a cool idea! Shadow getting a peek into what his and Sonic's futures have in store? The confusion over when these events take place, if they're even connected to him like the others have been? Great stuff

And hey, if he's going to Chaos Island, and we saw from the trailers that the volcano is exploding in Act 1, then maybe we could even see Super Sonic fighting Knight in the background in Act 2! The debris from their fight could even act as platforming challenges, can you imagine how cool that would be? What will Shadow think of the advanced tech on the island, or of seeing Sonic fight something so massive? Surely this is a great opportunity to elevate Frontiers even further--yeah of course they don't do that.

No Knight fight in the background, which is... fair enough, I guess, but then why bother with the volcano exploding? It only does that moments away from when Sonic is about to fight Knight. Yeah, it looks cool, but we didn't need it. The more egregious problem is still the fact that Shadow has no observable thoughts or opinions on being sent to unfamiliar terrain in the future, though.

The bosses all have dialogue, though, which is a step up on a technicality and little else. Most of the dialogue from Shadow is just him being a self-aggrandizing badass who doesn't see any of the bosses as threats - even Neo Metal Sonic, who he should really not be so confident in beating all by himself, considering that he. didn't do that before. It actually took eleven other people to defeat Neo Metal, including Super Sonic, but I guess he just doesn't care at this point.

If they wanted to, it would've been easy to make him overconfident on purpose due to his new Doom powers, make an arc out of it, but no. Shadow's just Like This now, apparently.

There's a similar power scaling issue in Sonic Generations too, where Sonic can somehow defeat Perfect Chaos without his super form, but the game had dropped location-specific cutscenes so long ago that it was hard to feel like it was even canon at a certain point. The game never cared about making sense or really being anything, but Shadow Generations doesn't get that excuse. The bosses having the most mid-gameplay dialogue tells us that they're Definitely Happening, and so I care more about them as a result.

Which takes us to the moment that I truly realized that this game had no interest in doing anything with its material: the Mephiles boss fight.

Shadow: "What's this? A seal of some sort?"

Okay real quick before I get into my big issues with this fight: I know it's a magic glowing artifact, but what about it actually looks like a seal, specifically? Does Shadow just have a sense for this kind of thing? I don't recall him ever demonstrating that ability before.

I feel like this line is just here to clarify what it is for people who don't know, but since Shadow also doesn't know, it's just kind of weird. I'm not even sure why he's in the Scepter to begin with, considering that Shadow's sealing attempt in this room was a failure, but whatever.

Of the three bosses in Shadow Generations that precede the final boss, Mephiles is the only one that can both speak and had a relevant dynamic with Shadow that would be interesting to revisit. The Biolizard is cool but doesn't have a personality, and Neo Metal had no real opinion on Shadow. (In Rivals 2, Shadow and Metal Sonic have a developing friendship, but this has unfortunately never been brought up again. If they did so here, it would only have been on Shadow's end, since Metal hadn't gotten to that point yet.)

But Mephiles? So much of his character revolves around Shadow. It was Shadow who sealed him away originally, and it was Shadow's form that he took when he broke free. He's the main antagonist of Shadow's story in 06, and even though his primary goal is rejoining with Iblis, he takes a vested interest in trying to manipulate Shadow over to his side by showing him the worst of what humans will do to him - not unlike Black Doom, honestly, though he was focused on Shadow's past instead.

Plus, it's been so long! We thought we would never get to see Mephiles again! What have you got for us, game?

Mephiles: "I will defeat you, then restore myself to the timeline." Shadow: "I don't know what you're talking about, but I will crush you all the same." Mephiles: "What? Did you forget about me AGAIN?"

*deep sigh*

Contradictory dialogue back-to-back. I see. Cool.

Mephiles should not be surprised that Shadow doesn't remember who he is, because he literally JUST SAID that his goal is to restore himself to the timeline. He KNOWS that he never existed, and therefore SHOULD KNOW that nobody he encounters will remember him. I'm convinced that he only reacted this way because the writers thought it would be funny, and that's it.

Even if it made sense, though, Mephiles isn't supposed to be funny. He's supposed to be ominous and threatening. For as much care that went into recreating this environment and his powers/body language from 06 (and I gotta say, this whole section looks extremely nice), none of that same care really seemed to go into his personality. He's just as drab as Neo Metal, occasionally repeating lines from 06 so that you know they played it and not much else.

The end of the fight features some absolutely unhinged dialogue from Shadow for no reason, though.

Mephiles: "No... I want... to exist...! Shadow: "There is no future for you. Ever."

Look, I get it, they've done nothing but fight this whole time . But Shadow has no personal beef with this guy. Even if they're going with the idea that Shadow wouldn't care to learn what Mephiles is rambling on about (kind of boring, and why wouldn't he be curious about why someone like this has it out for him), there's no reason to go so far as to say he'll never have a future. Is this the "dark" part of that "dark warrior" thing they were talking about in the beginning?? Kind of a random place for it to jump out of him, if so.

The kind of intensity coming from Shadow here would be justified if he remembered who Mephiles was, but he doesn't. As it stands, it gives off the impression that he didn't actually process a single thing Mephiles said about wanting to exist and restore himself to the timeline, and just said the first cool, edgy retort that came to mind. Which makes the sentence both less cool and even more out of character.

After this boss finished playing out, all I could feel was disappointment and a creeping sense of emptiness. If this was how the game was handling Mephiles, of all characters, if this was the extent of what they were willing to do with an idea... the rest of the game suddenly seemed much less exciting. I got to this point, realized how comparatively little of the game was left, and thought oh no.

Now, uh... where was I in the story, again?

Oh right, Shadow was about to go save Maria. I actually have no notes on that scene, it's pretty good and I liked that Maria was immediately thrown off by his aggressive fighting style and whatnot. It implies a lot about what Shadow used to be like without really showing or telling us, and that's pretty neat.

The following cutscene where Gerald explains how Shadow's growing powers only make Black Doom stronger in the process is also fine, there's nothing super specific for me to gripe about it in isolation.

And this good streak it has going is immediately interrupted by the worst, most nonsensical scene in the entire game.

Sonic: "I found you, Shadow!" Shadow: "The blue hedgehog... of all places..." Sonic: "You have something I need." Shadow: "You can wait until my business is finished." Sonic: "Yea sorry, but that Chaos Emerald and I have a date with a monster!" Shadow: "Well then, it'll be a date to die for."

This is. a really stilted conversation, no matter what way you look at it. On one hand, it's repurposed dialogue from two different scenes haphazardly mashed together, neither of which should represent their current dynamic anymore since they were both antagonistic at the time. And on the other, it just... completely lacks character from both of them. They're so unbelievably dry despite their attempts to sound quirky, it's actually impressive.

I have to ask - have the script writers not heard the incessant complaints from fans about there being too many references in modern Sonic dialogue?? Because this scene plays out like an actual parody of that trend, the kind I would expect to see on twitter or something. I initially saw the animation for this cutscene without audio due to leaks, and I thought it looked pretty cool because the animation was nicely done.

Boy, when I tell you I was stunned to discover that THIS was the actual, official dialogue. What happened here?? Why is this what Sonic cutscenes are turning into?? In a game that costs $50-$60??And people are saying it's the best Sonic game???

Somehow, the god-awful dialogue isn't even the only thing that's wrong with this scene, but I'll compile the rest in bullet points to speed it up a little.

Shadow suddenly shows up in Sonic's section of White Space, despite it not being visible from a distance and therefore giving no reason for Shadow to venture out that far

Sonic says he "found" Shadow as if he was looking for him, even though the only people Sonic has seen here other than his and Tails' past selves are people who were at his birthday party

Classic Sonic is neither seen nor mentioned despite the extremely fun potential of having him interact with Shadow

A purple portal conveniently shows up in front of Sonic and Shadow while they're talking for no reason

The boss fight with Sonic is just a cutscene (lame), and Shadow gets taken out completely by one solid bonk from Sonic (even lamer)

The fake Chaos Emerald switcheroo, while clever, is presented as if it was done deliberately when it was clearly a coincidence that it got knocked out of Shadow instead of the real one

(I guess this technically happens before the Mephiles fight so my faith in this game was already plummeting, but I was willing to tolerate this scene being bad because I could understand them not wanting to add too much to Sonic's side of things. They had completely free reign with Mephiles and still delivered nothing, which is why it really cemented itself in my head)

The one thing I really liked here was seeing Shadow almost use his Doom powers to defeat Sonic, deciding against it, and his hesitation being what lost him the match. Shadow refusing to fight Sonic on unequal terms is some really good characterization that I was happy to see.

Black Doom: "The promised time is nigh upon us, Shadow. Soon, you will be mine."

So did we ever learn what the "promised time" was, exactly? I've played every route of Shadow the Hedgehog (some more than once) and still can't remember. If he's referring to the time when Shadow awakens his full power then I guess it makes sense, but otherwise it's kind of an oxymoron considering that time doesn't exist in White Space.

Gerald: "He has grown a new body, and used the nebulous nature of time in White Space to accelerate his plans for revenge."

Shadow, buddy, your animation is positively kickin' right now but Gerald, I'm gonna need you to do literally anything other than just repeat the same lackluster explanation we got earlier as if that's going to make it any less confusing. What ABOUT the nebulous nature of time? Is time not largely just frozen here?? We're somehow around 3/4s into this story and I still have NO idea how anything works

Maria calms Shadow down from his frankly justified anger by holding his hand and talking about how she doesn't want him to be driven by darkness. They find a way to throw in the fact that apparently Maria named him "Shadow" because the presence of a shadow can show you where to find the light, and it's... nice? Very wholesome, but it feels awkwardly placed and I'm not sure anyone was seriously asking why he was named that. Like, of all the questions to spend this game's limited screentime answering, "why is he named Shadow" was probably not at the top of most people's lists.

And before you have a chance to think about it, we're already at the endgame.

Shadow: "I'm letting go of that destructive anger."

Wow, and in the very next scene after it was brought to your attention, too! You sure do grow fast, Shadow!

Okay, all jokes aside, there's not much I can say about the pacing in this game other than It's Rushed and Bad, but I think it's finally time to talk about Gerald and Maria.

Gerald first: He's mostly just here to give out exposition. His relationship with Shadow is much less focused on than Maria's, which I find to be really frustrating because I always had a lot of questions about how those two interacted. In SA2, we only know him as a grieving, hate-filled man who was heavily implied to have scientifically messed with Shadow's mind - not long after they had both just lost Maria - in order to make him inclined towards Gerald's revenge plan.

In Shadow's first game, we see a side to him from before then, when he really seemed to care for Shadow and we got some clarity on the purpose of the Eclipse Cannon and whatnot. But what were their average interactions like? Who was in charge of Shadow's training? If it was Gerald, did that ever create a sense of distance between them? Shadow never has warm, nostalgic flashbacks of him, so I assumed their relationship either wasn't as close or he has too many conflicting feelings now for those memories to be very comforting.

This game decides to lean into Gerald being a kind, supportive man, but regardless, Shadow's feelings should be a lot more complicated, no?

I'd imagine that, in a way, it's a relief to have this Gerald around again. It would make it easier to pretend that the man who used him in an attempt to destroy the world and go against everything Maria stood for was just... a fluke, or something.

But still, Shadow knows that he would do bad things to him if Maria died. It's already happened.

Dark Beginnings also suggested that either Shadow was there when he shot down by the firing squad (unlikely given the context), or he watched the recording that played at the end of SA2 enough to be able to see it in his dreams. Neither of those are good for his psyche, and would only add to the number of emotions he has to suppress whenever they interact. There is, of course, none of this nuance within the game itself, despite it being right there and ready to be worked with.

Then you've got Maria, and. hoo boy.

I take no real issue with any of Maria's traits that are on display. Her being a nice girl with boundless energy and goodwill does not make her boring, and I've always been fascinated by her character. So, I need you guys to understand that it's with a heavy heart that I must say that Maria is... barely a character in this game.

And like, she doesn't exactly have a history of being deep or complex. But we've also only ever seen her in Shadow's memories up until this point, and that means this game was a unique opportunity to flesh her out more.

When a character is as idealized by another as Maria is by Shadow, and we only see them through that lens, it's natural to assume that the depiction isn't completely accurate. I was never in doubt that Maria was kind and gentle, or that she was always there to help Shadow when she knew he was struggling, but I always wanted to know what she was like outside of that. What makes her angry? What was she like on a bad day, when she inevitably got frustrated at her lot in life? How did Shadow comfort her? What was her sense of humor like?

While we technically learn more things about Maria in this game, there's never a point where she acts differently from Shadow's vision of her. She's not really shown to have flaws, and she's only really there to be saved and offer emotional support. It's like... a textbook example of what you shouldn't be doing when writing a female character, having her be defined entirely by her relationship with the male lead and never speaking up or complaining about her own problems or feelings. They don't even make a point out of it, that Maria tempers herself to be "perfect" for other people or anything like that.

Why don't we get to see how she and Shadow would handle an argument or something like that? Especially this Shadow, who's all shaken up by everything? Wouldn't it be beneficial for both of their characters for Maria to be seen as herself, the way she was in life, rather than just the nicest moments she and Shadow had together?

I'm gonna make a comparison here that people aren't gonna like, but... I think Elise is honestly shown to be a more nuanced character than Maria is. And this is coming from someone who thinks that she was also mishandled in her game.

Similar to Maria, Elise is genuinely a deeply caring person, and lives mostly isolated with a condition of sorts that makes her life difficult. Her most important relationship is also with the male lead of her respective game, but she doesn't exist solely for his benefit. (Amusingly, Sonic actually seems to be there primarily to further her arc, so it's a bit of a role swap there.)

But we see more from Elise than just Being Nice all the time. We see her being resolute and bold in the face of danger, or disappointed when she has to go back to the castle. We watch her try her hardest not to cry and retain her strong, regal exterior when faced with overwhelming emotion.

We get to see her open up and laugh and become more confident, we watch as someone who's been forced to put her feelings aside for the convenience (and safety) of others her whole life finally break down and shout something selfish for once. And then we watch her ultimately choose to do the right thing, anyway. Her strength of character is shown to us by putting her in situations that challenge her, and the narrative never once shames her for being imperfect; it's actually encouraging her to be her real, flawed self.

Why does Maria not get this same treatment? Why don't we get cutscenes of her being excited about the new environment she's in, or frustrated that her symptoms are making it difficult to do anything here? When does she get to be selfish? Why can't she get upset at people treating her like she's frail, even if it technically "makes sense" for them to do so?

We're told, in Gerald's journal, that some of the people aboard the ARK doubted that Maria was really sick due to her symptoms not being clearly visible. Because it's his journal, we only get to hear his feelings on the matter, but in the full game, we never once get to know how it makes Maria feel, the person this is all about to begin with. They absolutely could have incorporated this into a cutscene somewhere, but they didn't.

Once again, I have to ask: what is the point of Maria and Gerald being in this game if this was how they were going to be written? Not only does Shadow fail to even attempt to save their lives, he doesn't even walk away from the experience with renewed understanding of who they were as people.

So what even happens in this story, then?? Every single aspect of it is dragged down constantly by the game's refusal to do anything with what it has:

Shadow revisits places from his past, but has nothing to say about them

Shadow visits places from the future, but has nothing to say about them

He has nothing relevant or interesting to say about any of the bosses

Mephiles trying to restore himself to the timeline is a plot point that exists solely within his boss fight and nowhere else

He doesn't struggle with any of the bosses, emotionally or physically, turning them into a boring power trip

He barely struggles with his Doom powers, the things that are supposed to be giving him an identity crisis

Sonic is not a playable boss fight and he also says nothing relevant or interesting

Classic Sonic doesn't even get a passing mention

The Team Dark friendship is supposed to be a highlight but Shadow never speaks to Omega, who also never shows up in cutscenes, and Rouge is just kinda there

Maria and Gerald never meet Rouge and Omega, or anybody else on-screen, despite it being extremely easy for them to run into each other

Shadow's relationships with Maria and Gerald are barely explored past their surface

Most importantly, Shadow is never shown making any sort of effort to save Maria and Gerald from their fates, despite it being one of his primary goals

...Oh yeah, I forgot to complain about how Shadow barely struggles with his Doom powers. I was gonna go on a whole spiel about how it would've been super easy to make into an arc and how it was wildly underutilized despite being a major selling point of the game, and the only real consistent conflict whenever Black Doom isn't on screen.

Well. Anyway. Once the White Space becomes Red Space (something that once again makes me question how far away Sonic's area is, to not be able to see this happening), Shadow magically gets over his "destructive anger" and goes to Radical Highway one last time for the epic final boss.

And it certainly is epic, I can't deny that. A massive technical improvement over the first fight against Devil Doom, and I'm not about to sit here and act like the wings aren't cool. But I can't say it feels very rewarding, since I never really understood what was going on and Shadow didn't really struggle that much to get to this point. Not to mention, he's still acting all high and mighty during boss fights, which makes it feel stale really quickly. Black Doom isn't really that interesting by himself, so Shadow kinda needed to carry that fight, but no, it's just more of the same.

One last point before I wrap this up:

Where was Emerl???

Correct me if I'm wrong, but a promo animation for a game should, in theory, provide you some idea as to what kind of things to expect in the game itself. While a lot of them take their share of creative liberties, I don't think they're in the habit of putting spotlight on entire characters who never appear in the game at all.

This is THE GAME where we bring back the people from Shadow's past that he's lost, and Emerl most certainly qualifies. He's from the more recent past, yes, but Shadow still cared about him and absolutely would have been affected by his death. There's no way that, had he been in the story, Shadow wouldn't have been determined to save him as well. But no, he's just there to be a cool lore detail in Gerald's journal.

Which means this is yet another depiction of Emerl where we refuse to acknowledge his personality. Do they seriously think Emerl is more interesting as an emotionless killing machine that Gerald researched in his spare time? Where's the fun-loving kid who mimicked everyone around him, splicing things he heard them say together to communicate and creating funny tonal whiplash? Where's the robot with the soul that Gerald gave him, that was nurtured by Sonic and his friends?

Not in this game, apparently! They went out of their way to canonize Battle and still managed to treat it with zero respect. Kind of impressive, really, and just another footnote in the trend of this game not actually caring to do anything with Shadow's past.

There are definitely moments in this game that I like, but that's kind of all they are: moments. The game's total cutscene runtime is around 30 minutes, and that means there's not enough time in any of them to get anything done. A scene that's good in isolation is tainted by the fact that it's all there is.

And it's just... so baffling to me. There are so, so many points in this game where you could have fit additional cutscenes in. We could have had one after each act, or at least after each level. Give us more cutscenes after activating things in the hub world or something. I mean, a game that claims to be this story-driven doesn't usually need an excuse to throw cutscenes at you, and they certainly didn't need to force each scene to be so unbelievably short.

If they really needed to downsize on cutscene length for some reason, then maybe they should have just made a less ambitious story. The game wants to do so many things at once, but it doesn't have the time to do any of those things justice. We could have gotten a short, sweet, well-done little story, but instead we get a story that easily needed at least two hours to tell crunched into a measly 30 minutes.

I mean, Dark Beginnings in its entirety is half the length of the full game. Think about that for a second.

This game's story was supposed to be something, man. It's getting so much praise for what feels to me like the bare bones structure of a story, and it's frustrating because I know this series can do better. The writer of this game can do better, and I know that because I've read his other Sonic material and it feels much more complete than this does.

I was genuinely looking forward to this game, is the thing. I really didn't think it would be this lackluster, because like I said at the beginning of this post, it had everything in the world going for it. But no matter how nice it feels to have a Shadow who isn't wildly out of character for once, that alone can't carry an entire story.

Shadow Generations is a mess of good ideas executed in the least interesting, most nothing way possible. Its only real saving grace is its animation, and the fact that Shadow generally feels like himself.

Except for when he's talking to Sonic. What the heck happened when he was talking to Sonic

[marimeeko]

Secrets (post war, bkdk, mutual yearning and idiocy)

Izuku quite liked settling into a habit with Kacchan, where the young ProHero would come visit the UA campus on their lunch breaks and they would share a meal together. He was still an understudy and teacher assistant, and so he didn't have his own classroom, but Katsuki could always find him through the windows.

The more they lunched together, the more Izuku happened to notice a lot of texts popping up on Katsuki's phone, sitting on the table next to where Katsuki scarfed down his daily bento.

He could see, when the little push notification popped up, the name "Pink Support Girl", popping up more and more.

He doesn't immediately think much of it, after all, Hatsume is a skilled, professional support tech now and he likely has her working on upgrades and fixes for his gear.

But sometimes, Katsuki will pick up the phone and check the message. And then, sometimes, this strange grin would show up on his face. And sometimes he would tap back a message at an alarming speed.

Izuku is intrigued by it. But whenever he hears the text alert on Katsuki's phone and sees Hatsume light up on the screen and concludes that Katsuki is very obviously in a deep back and forth...

He can't help but feel...strangely anxious.

One day, he sucks it up and asks awkwardly over lunch,

"Kacchan...are you and Mei Hatsume...dating?"

Katsuki chokes on his food a little and looks at Izuku like he's grown a second head.

"Dating?? What the hell are you talking about?"

Izuku regrets asking, but inches forward anyway.

"Sorry, it's intrusive of me! But i just... I notice you two have been texting a lot. I mean if you are, that's fine! I was just...curious?"

Katsuki's face traveled through a range of reactions as Izuku had babbled, but landed on a vague tinge of apprehension bordering on the guilt of getting caught in something.

Shit, he should have known better than to engage in those conversations too much in front of Izuku. Izuku is clever and observant, and he knew it. Of course he would catch on to something going on.

"Hell no," Katsuki didn't miss a beat, scoffing as he usually would. "There's a project I'm having her work on, it's kind of involved...she won't leave me alone with updates and shit."

Well, he couldn't exactly lie to his best friend and rival, after all...

The expression on Izukus face went from genuine confusion(and perhaps a hint of dread), to one of excitement.

"A new project? Oh my gosh, what is it? New gear? Is it new gauntlets?" The spark in his eyes showed that Izuku's nerd side had been activated. Katsuki snorted with a laugh, thinking that the teacher in training was seconds away from grabbing his current Quirk notebook to try to update his "Kacchan: GEMG DynaMight" entries in a flurry.

"Sure, sure," Katsuki accepted the assumption as his cover story. New gauntlets, truthfully, were on his to-do list, though he had prioritized them far below funding Izuku's secret suit. "I've got some big plans. You'll see." He grinned at Izuku, and Izuku recalled all the smaller grins that he had given to the texts from Mei.

Izuku smiled, now realizing that the grins were of deep pride for Katsuki, not at all of affection for a lover. He really was eager to share.

"Oh I hope so! I can't wait! If it's not too forward of me...again... is it too late to tell you and Hatsume my own thoughts on your gauntlets?" He asked, almost shyly.

Katsuki was tongue-tied, looking at the earnest, and frankly, adorable look on Izuku's face as he implored him. He felt his face heating up, feeling the rest of his resolve just melting. Izuku had no idea that this wasn't even about Katsuki's own gear...it was all for him. And Katsuki was aware enough now to know that Izuku truly wanted to help him, one of his most heroic(and attractive) features.

Katsuki felt a yearning inside; He wanted to share his secret so badly, wanted to show Izuku so many schematics and drafts that were buzzing constantly in his head as he went about daily life, but he knew, they were still years and a whole lot of money, from the point of reveal.

Katsuki caved to Izuku's request.

He leaned closer to Izuku, whose heart skipped a beat with the sudden proximity to the blonde.

"You have 10 minutes before I have to get back out to patrol," Katsuki said smoothly, only his crimson eyes slinking to the clock on the wall of the empty classroom, and back to smolder at Izuku's sparkling green eyes and flushed cheeks.

"Tell me what's in that nerdy notebook of yours."

--

B: Hey. Need to talk to you.

H: Sure, got those specs for me?? I need em asap

B: In a second.

B: I need to move all non-urgent communication to email

H: Inconvenient, inefficient. Absolutely not. Why??

B: Deku noticed how much we have been texting

B: thought we were dating.

H: lmao!!! Dating!!!

B: stfu I dont want him figuring out what is going on until it's time!!

B: Damn nerd too smart for his own good

H: 😏

B: 💥💥💥 fuck off

H: no way to speak to your engineer. Specs please.

H: also hey, just mute your notifications and turn off push if you don't want him seeing who's texting you. I'm not waiting for emails while you're out doing hero stuff in the field all day. I'll start making my own executive decisions and charging you extra at that point!!

B: UGH FINE

B: hey...

B: there's one other thing...

H: what?

B: ....I need to get some new Gauntlets made.

[atangledfate]

Change the Past? She never really thought about it. No matter how bad things got, she was pretty content with her life. But she knew it wasn't impossible. Silver was able to jump through time right? He must have had a way and, didn't sonic do the same thing once? She recalled some story about some planet. But it was probably risky, and like playing with a loaded gun. She'd read enough comic books to know it never tended to end well, and for all of Silvers attempts to change history his future was still garbage.

" yea... The past ain't easy to change. My friend silver is a time traveler actually. His future is real bad i guess... he keeps trying to fix it but, far as i know he's still been unable to change it... he's been afraid to go back after the last time. Think he's just afraid of what he'll find despite us fixing the outbreak and all..."

Kalak's tactic sounded rather awesome! So she used Rhys to lure enemies in! set a trap and then pounced on them once they were caught? It sounded awesome! like something whisper would plan up! she had a feeling Whisper and Kalak would get along well. Maybe she should set them up on like a date? then again she didn't know if Kalak was even interested like that? She'd have to get to know her better! before trying to play match maker!

" You and Rhys sound super amazing together! like the ultimate team! ah! it makes me so excited to see you guys in action! can't wait! it'll be awesome! "

she geeked out at the image in her head!

" oh how strong is Rhys webbing? like i wonder if i could break it... or if it'd be to strong... "

She paused in her thought and held her hand out taking the device and nodding to Kalak. She did need to get back before Lani yelled at her to much. She gave Kalak a thumbs up and smiled!

" Yea will do! and you should explore! see the world! and enjoy yourself! Meet new friends, and have your own crazy wild adventures! just if ya need anything you know where to find me! "

She knelt down to Rhys giving him a little farewell scritch!

" And you take good care of her ok? was nice meetin' ya Rhys! "

"Not unless you were a God, though I don't think they'd be willing to just casually change one's pass without getting an offering. Not that it's an option given we're not in contact with them." Kalak wasn't sure she'd want to risk changing her past as who knows who that could change things. Best for the wolf not to have such thoughts for a number of reasons.

"Oh, no, Rhys doesn't come with me into battle. He's a unique kind of spider in the sense he can use a magic ability. He can phase through anything and be invisible to the naked eye. Hence, I usually send him in to lay traps first then once he comes back, I go in and burn anything caught in it. I don't have to worry as I can burn any of his webbing that gets on me." It was an effective strategy she often used.

Kalak then listened to Tangle explain she should get back. "Sure, I think I might just leave the base and explore the planet. Uh, I think I gave Lanolin a device to contact me, or maybe I didn't?" The wolf honestly couldn't remember so began fiddling with the device on her wrist again. Managing to summon a commutator earpiece. "Just in case you should give that to Lanolin."

[sylvarantii]

I have some very good Christmas gifts for people this year. I'm so excited. I hope they'll love them. 🥰

[spacecatdet]

Already seen victim blaming on xitter 👍 Lets not do that and lets leave the hermits alone. Make up your own minds on if you should support Iskall. But I feel like if one of his VH team members leaving for differing morals, the hermits going back 6 plus years to remove him from thumbnails and titles, and removing him from the site and merch should be enough Doc even said they can't talk about it which could mean anything, including something legal. Mumbo said there were no minors invovled but doesn't mean others weren't since there ARE victims Just leave the hermits be, and let the victims decide if they want to come out. And stop victim blaming lmao