#and . that people can return to it so many years later

[rose-writes-for-march]

March for More: Little Prince

MASTERPOST

If there was anything Phantom hated the most about being crowned king—

“Your Eternity, it is with great respect that I summon you here today for a formal audience.” Ra’s al Ghul says, bent over in a formal bow from where he stands just beyond the barrier of the summoning circle.

—it was this bastard.

“al Ghul.” He greets with a scowl, “What a surprise. I thought you might’ve gone and Ended already, given how long it's been since you bothered me last.”

The man jerks upright from his bow, a frown on his face though Phantom knows it isn't directed at him, and waves a hand behind him in a 'come here' gesture. Phantom follows the movement, spotting a boy in... armor(?) being forcibly escorted forward. Phantom is almost impressed by the fight the boy is giving, having at least ten men trying to so much as move him beside the old man.

"Ra's. We've talked about this, haven't we? I don't take sacrifices." Phantom growls, voice edging into ghost speak at the blatant disrespect the old man is showing. "I should kill you for bringing one before me—"

"Apologies, Your Eternity, for interrupting, but this boy is no sacrifice." Ra's cuts him off, body angled to glare at the boy while keeping the King in his sights. He moves his hand slightly, and the escorts reluctantly back off. As soon as one man's hold slackens, the boy growls and forces the rest off of him with an impressive efficiency. As the fight continues, Ra's addresses the king again, "This is my grandson, Damian al Ghul, I trust you remember him?"

And, unfortunately, Phantom does.

It wasn't that long ago for Phantom, thanks to time shenanigans. A summoning not unlike this one, when Phantom was freshly crowned and still finding his footing, had seen Phantom in this very room before this very boy—only many years younger than he currently is. Phantom is as livid now as he was then when presented with a kid and a marriage proposal.

"Is this some joke to you, Ra's al Ghul? Surely you understand your offense." Phantom can feel his features distorting, fingers blackening into claws, eyes thinning into slits, crown flaring from a soft borealis to a piercing ice. "My demands were simple, were they not? My patience is not as eternal as my reign, and should you offend me further, it will become as nonexistent as you'll find yourself."

"Your Eternity—"

"Your demands were met," Damian interrupts, standing tall under the full force of Phantom's misplaced ire as his eyes whip toward him. He stands beside his grandfather willingly, despite the earlier fuss, looking much more put together than the disgrace beside him.

He seems to have straightened out his suit, and at his feet sit the majority of his escorts, all properly knocked out. Phantom considers him for a moment, "Met, huh? And how is that? I remember my demands were to never be bothered with such a thing again, and yet here you both stand."

Ra's seems properly subdued under Phantom's ire as he always is by the end of their talks. It's gotten almost fun to watch the man back down when he knows he's lost. But Damian, for some Ancients-damned reason, seems to want to force the issue. "I admit you're right; the demands of that summoning were met. However, the requests of this summoning have changed."

Now curious and somewhat impressed by the boy, Phantom lets his features fall back into uncanny rather than monstrous. Plus, he is kind of required to hear the requests, no matter how much he'd rather skip it and get this over with. "Fine, let's get this over with, I suppose."

Damian bows and Ra's follows his lead a second later. Once they are both in position, Damian speaks, "Great King of Eternity, Savior of the Dead and Forgotten, I offer my body and soul to you in full trust and respect." He lifts his head, meeting Phantom's as he continues the formal spiel, "Allow to me the honor of your name and title, the right to you and your people, and your trust so that I may ask of you a favor in return."

Phantom can feel the proposal just beyond his skin, like the whisper of wind playing in his hair and spelling out shivers on his spine. It is an honest proposal, proper etiquette and intention behind every word. It makes Phantom even more curious.

"You must be desperate or stupid," he says, not yet accepting the whispers on his skin, not until he knows the favor, "You are no longer a child and are now doing this willingly, or as willing as you can. Tell me your wants, and I will consider."

Damian fully raises from the bow, Ra's doing the same before walking forward to take Phantoms attention. "Your Eternity, I wish to—"

Phantom holds up a hand, "I did not ask you. You'd be a fool to think I'd let you ask me of anything, vermin, regardless of the summoning rules." He turns back to Damian, offering a hand to tell him to continue where he was so rudely cut off.

Damian glares at Ra's as he sulks, but doesn't pay him any mind as he steps forward and meets Phantom's eyes again. "I fight under Lady Gotham's name to protect her and her people from those that would cause harm." Oh, Phantom knows of them. Lady Gotham's Knights, a famous bunch among the ghosts of Gotham, for good reason. "Recently, she has come under attack from a foe that neither my allies nor I can defeat. For giving myself to you, I would ask you to rid of this foe."

Phantom almost laughs. Such a small favor, such a silly thing to ask for a practical god of the underworld. He lets his mouth tilt into a grin, "So the answer is desperate, huh. I do not accept." With an easy motion, Phantom removes the proposal from his skin and with it the binding of the summoning.

Damian seems to lose the composure he's kept such good control of, a deep glare on his face and a growl splitting his lips. Before he can get too angry, Phantom speaks again, "I will help Lady Gotham without the need of your sacrifice. She is one of mine and has claimed you, Little Prince, which makes you mine as well. Now, what am I fighting?"

[tinfoil-jones]

Jerk Ford AU: The Worst Timeline

Out of all the scenarios and alternate timelines / other AU's this one could cross over into or adopt elements from (You can see a Reverse Portal Scenario Here and Here), the worst and most destructive alternate timeline for Jerk Ford would be Drifting Stars.

If you don't know, Drifting Stars is a popular AU where during the events of Not What He Seems, Mabel goes through the portal instead of Ford coming out. And now Mabel and Ford are together in the multiverse.

Stanley never stopped being involved with family because he was never kicked out, so Mabel and Dipper have actually known their Grunkle Stan their whole lives, they've even visited him a fair few times and stayed over, the summer that the events of the show takes place in is just the first time they stayed for an entire summer.

Imagine if, about five years before the show starts, little 7-8 year old Mabel falls into the bottomless pit and somehow gets ejected to the only other thing out in the multiverse with the same dimensional signature as her; Jerk Ford, her great uncle who has been missing for twenty five years.

Jerk Ford sees this crying little kid and he takes pause because, for one thing what is a kid doing in Mystery Flesh Pit National Park in the Body Horror Dimension, and another thing why does she have an eerie resemblance to his nephew, who was only ten years old the last time that he saw him?

Jerk Ford at first was considering leaving her to the lost and found at the tourist outpost of the national park, but then she called him "Grunkle Stan." (Because she is mistaking him for Stanley, and Grunkle why did you cut your hair?) And it's all over.

Jerk Ford, a multidimensional space hobo vagabond who has been trying to get home for the past twenty five years at this point and has had absolutely no contact with his family for obvious reasons, he just goes YOINK THIS IS MINE NOW.

And why is this the worst timeline for the Jerk Ford AU?

You know that scene in the Lion King when Rafiki is holding up Simba to the valley? Well, imagine Jerk Ford doing the same thing with Mabel. Except she's like this:

Because Jerk Ford already has poor impulse control when it comes to pettiness without his brother to reign him in, and now he has Mabel who is a very similar brand of unhinged as he is, they're just subjecting the entire multiverse to a path of glittery destruction the likes have which have never been seen before and will hopefully never be repeated.

Jerk Ford was already wilding all on his own now he has Mabel who has so many ideas. And she has this pathetic, lonely man wrapped around her little finger.

Also, Jerk Ford is a known runner. He does not fight if he doesn't see himself winning, and he'll usually go out of his way to not kill people. He just lacks the trigger-happy 'shoot now journal about it later'-gene that most Fords have. (He has very specific exceptions)*

But in a scenario where he has Mabel? Where he isn't facing consequences all by himself? He isn't letting anything in the multiverse so much as breathe rudely in her direction. So now, he isn't just some jerk or mostly harmless nuisance, he is stacking bodies (not in Mabel's line of sight, obviously).

The (Jerk) Ford Hate Club is besides themselves. Now, stopping or killing Jerk Ford isn't their only prerogative, they also need to 'rescue' this small, innocent child from The Worst Ford and his influence. Unaware that the terrible-flavoured beanboozled jellybeans that keep making their way into their catering were all her idea.

When Jerk Ford and Mabel return in 2012, Dipper is besides himself because, sweet Moses his sister is alive! She's really alive!

But she's been with with The Author who he hates, and being raised by him for the past five years has had obvious effects on her development.

She's still happy go lucky and nice, she's not a jerk at all like her Grunkle Ford.

But she's basically a supervillain who is on the FBI's Most Wanted List in every dimension she's been to that has one, and some organizations both official and criminal consider her a bigger threat than Jerk Ford (relative to body size).

Her sunny disposition did not change at all; she's blowing up whole buildings with a damn smile on her face

It's terrifying. This is the worst Jerk Ford timeline.

*While he was in the multiverse, instead of celebrating Jewish holidays the traditional way there was no point without his family, he would travel to different parallel Earth dimensions to kill Nazi’s. He would try to be a little more traditional, and halt the killing spree while he had Mabel with him, she was too young for murder.

[pretend-i-don-t-exist]

figure skater shen yuan bc ive been having dreams

Shen Yuan was a prince of the ice. Graceful, beautiful, talented. He was hailed as a prodigy from a young age, when his father took him to the ice rinks to celebrate his birthday, and his mother, a retired hockey player, noticed how quick he took to the ice. There were lessons, coaches, training. Shen Yuan did not mind. He liked skating; it felt like dancing, flying through with inexplicable warmth in his chest despite the freezing cold.

His family had money, with lots of it set aside for them to spoil him. Where his brothers studied business management and took managerial positions in their grandfather's company, Shen Yuan trained in the ice rink his father gifted him and followed the instructions of the coach his mother chose after rigorous vetoing. He first competed when he was twelve, on a national level. He passed the qualifiers, but failed to make it to the finals. It was a good start, his coach had told him despite the disappointment— he's young, he can always aim for gold in the future.

Shen Yuan's teen years are interspaced with school life and many, many absences in order to focus on skating. He... missed out on a lot, but he never minded. He may not have a best friend, or any close friends at all really, but he did win the Junior Grand Prix at fifteen, and then the World Juniors at seventeen. By then, his coach was pushing him for the Olympics— he'd already reached the minimum age limit.

He didn't win anything at his first Olympics. A year later, and he won gold. For three years in a row, he reigned as the defending champion. He was at his prime, he'd been told. Twenty-one years, and already three gold. Isn't that almost unbelievable? Shen Yuan felt as if he was riding on a high, soft cloud, soaring through the skies without anything to stop him or to cushion his fall.

Because he fell, and he fell hard.

The doctors said there wasn't anything they could do— surgeries, various medications. He quickly deteriorated, especially for someone with his level of activeness snd health. His twenty-second year passed without his feet touching the ice. They never told him directly to his face, but Shen Yuan knew that it was impossible for him to skate again.

He spent his days on a hospital bed. It was painful to scroll through social media and see people talking about how tragic his story is. The many well wishes of his fellow skaters, the ones he talked to and— he supposed— befriended, hurt more than he thought they would. He deleted everything, except his immediate family's contacts, and returned to his old roots: reading.

Webnovels were fun to read. It gave him something to do when he can't muster the strength to stand, reading aimlessly and commenting his thoughts as they were. His family didn't care what he did; they were just happy that he was spirited again, presumably thinking that he'd gotten over his slump. Yet, when the doctors tentatively cleared him for skating, Shen Yuan took his skates, the blades left covered, and hid them deep in the shoe cabinet for him to forget.

He has better things to do now— namely, commenting on the shittiest novel he's ever read and cursing out its author. Airplane Shooting Towards the Sky always had a reply on every of his comments, each with an emoji more nonsensical than the last, and even had the audacity to dm him about how dedicated he is.

Shen Yuan sent him a middle finger.

Then Airplane kept talking to him, anyways. Sneak peeks of fanart he'd commissioned, little tidbits that Shen Yuan hounded him over for not using them in his novel, games that Shen Yuan doesn't quite have the dextrexity to play. It's okay though, becase Airplane was the worst player to ever exist, since he's somehow worse than Shen Yuan when it comes to games.

Then they call, because Shen Yuan never really had the time to internalize what stranger danger means. Shen Yuan, begrudgingly, comes to tolerate the hack author. So, when Airplane's apartment building burned down in an unfortunate fire, Shen Yuan invited him to his penthouse. It's large enough for two. It's not like he's going to use anything else other than his bedroom and the bathrooms. It'd be nice to have someone remind him of when to take his meds, too; it's in the contract for Airplane's stay. A win win for both of them.

Shen Yuan is sure that Airplane wouldn't recognize him as Shen Yuan, the media's darling Tragic Ice Prince. It's been a long time, after all. Until Airplane begins to write a new book that strangely resonates with Shen Yuan a lot, too much even, and Shen Yuan gets a bit too invested on it.

Well, Airplane can stay until he finishes his book. Not a big deal at all.

[lostatsea-blog]

Before the Morning Sun - Part 2

Lucy Bronze x Ona Batlle

A series of early morning moments between Lucy and Ona - This one is Ona's POV before the Champions League Final

Ona’s POV

The warmth of the sun drifting through the gap in the curtains roused me from my sleep. I could feel the strong, protective body behind me and it brought me a deep sense of comfort and peace. This had become our normal now; sharing a bed and waking up in her arms – it was very rare we spent a night apart.

I could tell that Lucy was awake. I could tell in the pattern of her breathing and the tension within her body. I was not yet read to face the reality this day would bring, so I made a sleepy mumble and moved closer to her. Her arm, which had been holding me loosely around the waist pulled me closer to her warm body. Such a simple move, a simple sign of love and even now, over a year later butterflies erupted in my belly. This last year with Lucy, in Barcelona, had been more than I had ever dared dream. While people often saw the goofy public Lucy, they did not see the loving side or the protective side that I got every day. Little things like stopping to get my favourite breakfast, making sure I had eaten before training or a game, walking Coco when I was struggling or ill and being my biggest cheerleader in every game we played. I wanted desperately to hold on to all of that but deep in my heart I knew that it was about to come to an end. Today was Champions League final day; today was also likely to be Lucy’s last game in a Barcelona shirt – the last game we played together.

Lucy had played for many clubs in her career. Never staying beyond her contract; always looking for the next adventure or the next challenge. Lucy is not motivated by trophies like people think (she doesn’t even display any of her medals or trophies) she is motivated by winning. When she told me that she was going to see if she could renew her contract with Barca, I had been stunned. I knew I was a large motivating factor in that and it had made me worry that she wasn’t doing what was best for her.

When Lucy told me that Barca had insisted she take a pay cut to re-sign I had been furious. While Lucy might be in her 30’s she is still one of the best players in the women’s game and Barca, the club I have loved my whole life, were treating her like a has-been. I felt like they were using her feelings for me to manipulate and take advantage. Lucy’s dream has always been to win the World Cup. She wants to be playing in the next world cup and to do that she needs to be playing at the highest level. Lucy had been considering taking the offer; she said that money was not her sole motivation in her decision and I knew she was talking about me. When they then told her they could not guarantee she would have a significant role in the team, I knew I needed to give her the push to make the best decision for herself. I could see the turmoil on her face. Even though her moving would break my heart, I reminder her to not lose sight of her worth and not to settle for anything less than she deserved. I want to be there to see Lucy win the World Cup, even if that means Spain lose.

Today we face Lyon in the Champion’s League final. I have dreamed of sharing this with her; of winning my first Champions League with her but I know it will be bitter-sweet. At some point today she will tell me she is leaving Barcelona and these peaceful, early mornings will be few and far between. While the distance will be hard, I love her too much to allow her to make the sacrifice that staying here would mean.

Knowing this might be the last time we play together, I must make the most of it. As she sees my eyes begin to open, she blesses me with the most gorgeous smile and I can not help but return one of my own. This woman has brought so much joy into my life and I will hold on to that no matter the distance between us.   

[neverenoughmarauders]

Let's talk! So I agree with most of this!!!

However... there are a few things I would challenge, because this post is based on a lot of interpretation, which is consistent with canon but it is only one interpretation. And I love canon. I also love opening up everything that isn't canon to explore multiple universes and situations that could be true (and see how that has ripple effects for our understanding of the story).

We do not know when the war started, but we have a window from 1965-1975

While we do not know when the war started, there are a few pieces of evidence to suggest it started in 1970, which is a year before the Marauders started, not long before.

“You can’t blame them,” said Dumbledore gently. “We’ve had precious little to celebrate for eleven years.” [Nov 1981]

Now 'little to celebrate' doesn't necessarily equate with the war, either way. Things get bad before wars break out, and things can have gotten a whole lot worse a few years into the war. Yet this is one of the first pieces of information we get in the series, so it seems probable it is JKR giving us the time of the start of the war.

In fact, late 1960s/1970 seem like a strong marker to fit other anecdotal evidence. For example, we know that by the late 1960s (which is when Molly and Arthur married) things were clearly not that well in the wizarding world.

“Well, that’s not very long! I know why it’s happened, of course. It’s all this uncertainty with You-Know-Who coming back, people think they might be dead tomorrow, so they’re rushing all sorts of decisions they’d normally take time over. It was the same last time he was powerful, people eloping left, right, and center — ” “Including you and Dad,” said Ginny slyly. “Yes, well, your father and I were made for each other, what was the point in waiting?” said Mrs. Weasley.

Another piece of evidence we have for any sort of timeframe is that Voldemort returned to England after Dumbledore became Headmaster. We know Dumbledore was not Headmaster when Remus was bitten, in early 1965. While I am a firm believer that Voldemort made bad stuff happen before he returned to the UK, I doubt we can say that the war started before his return.

Finally, we know that Eugenia Jenkins was ousted in 1975 because she wasn't seen as sufficiently capable of handing the situation with Voldemort, so it feels unlikely the war started later than that.

In any case, it is my interpretation that the war started in 1970 because that's the most direct piece of evidence we have ('last eleven years') - and my key point is that the fandom isn't wrong for interpreting it as such or around the time the Marauders started school in 1971.

Lily and James as people who made chilling choices during the war

I keep seeing this interpretation that James and Lily murdered people, and while I agree with the idea that Harry does not have the full picture of his parents during the war, it is just this - an interpretation.

Here are some of the things I rarely see discussed in relation to Sirius' view of the war, and which I (again just interpretation) view as likely to be similar to James' own views, given how close they were:

'Well, times like that bring out the best in some people and the worst in others. Crouch’s principles might’ve been good in the beginning — I wouldn’t know. He rose quickly through the Ministry, and he started ordering very harsh measures against Voldemort’s supporters. The Aurors were given new powers — powers to kill rather than capture, for instance. And I wasn’t the only one who was handed straight to the dementors without trial. Crouch fought violence with violence, and authorised the use of the Unforgivable Curses against suspects. I would say he became as ruthless and cruel as many on the Dark Side. He had his supporters, mind you — plenty of people thought he was going about things the right way, and there were a lot of witches and wizards clamoring for him to take over as Minister of Magic.' 

'I’ll say this for Moody, though, he never killed if he could help it. Always brought people in alive where possible. He was tough, but he never descended to the level of the Death Eaters. Crouch, though ... he’s a different matter ...'

To me, it seems clear that Sirius does not view himself in the same boat as Crouch. 'Crouch fought violence with violence' 'he became as ruthless and cruel as many on the dark side'. At no point does Sirius say 'and so did the rest of us Harry.' In fact, this is very much part of Sirius' 'she’s got the measure of Crouch better than you have, Ron' speech to the trio.

Moody, on the other hand, Sirius seems to want to exonerate by pointing out that he never killed if he could help it. As Sirius puts it, Crouch, though... he is a different matter.

Tangent... Sirius really appears to dislike dark magic. He doesn't like people who aspire to it, and he rates people who distance themselves from it.

'Snape’s always been fascinated by the Dark Arts, he was famous for it at school. Slimy, oily, greasy-haired kid, he was,'

'Crouch fought violence with violence, and authorised the use of the Unforgivable Curses against suspects. '

'And Snape was just this little oddball who was up to his eyes in the Dark Arts and James — whatever else he may have appeared to you, Harry — always hated the Dark Arts.'

Going back to the POA scene, I think it's an entirely merited interpretation that the fact that Sirius finally stops his plan to kill Peter, something he has been obsessed with, is because Harry is right. James wouldn't want them to become murderers.

“Get off me,” Harry spat, throwing Pettigrew’s hands off him in disgust. “I’m not doing this for you. I’m doing it because — I don’t reckon my dad would’ve wanted them to become killers — just for you.” No one moved or made a sound except Pettigrew, whose breath was coming in wheezes as he clutched his chest. Black and Lupin were looking at each other. Then, with one movement, they lowered their wands.

I get the fun with interpreting it as them not having the heart to tell Harry that James would have been okay with murder, but it is again, an interpretation, and one which relies on interpreting how the circumstances of the war would have changed them, rather than relying on anything in canon that points to this being directly true of Lily and James. (In fact, Sirius' distaste for the unforgivable curses makes me think Harry goes further than Sirius and James by the end of the war, and that's also interesting to explore.)

In canon, we see a Lily who cries when Order members die, a Lily and James who are not at all prepared for Voldemort turning up at their doorsteps, a Sirius who still judges Crouch for using the unforgivables freely and murdering DEs unnecessarily, and a Lily and James (and Sirius) who trusts Peter with their lives (and we don't know if Lily or James ever suspected Remus). If anything, an equally valid interpretation of Lily and James is two people who grew up in war times and never let it change their values.

Hello! We need to talk about the marauders era war!

The war during the Marauders' time was far worse than most of the fandom portrays in fanfics. When Voldemort rose to power, long before the Marauders were even in their first year, it plunged the wizarding world into their version of a civil war. The Marauders grew up seeing headline after headline about the damage Purebloods (or muggles depending on your household) were inflicting on their world. They lived through supplies shortages, canceled Hogsmede trips, and saw Muggleborns hunted even in everyday spaces like Hogwarts’ halls.

At the end of Prisoner of Azkaban, Sirius and Remus wanting to kill Peter wasn’t just about revenge for betraying the Potters, though that certainly was part of it. The war had left them with trauma that Harry, only a third-year at the time of the Shrieking Shack events, couldn’t fully comprehend. It had left them with callousness, grief, and the knowledge that Harry didn’t have: James and Lily Potter would have 100% hunted down Peter and killed him themselves if they had survived Halloween.

Loyalty to the Potters—especially James—was everything. To Remus and Sirius, Peter wasn’t just a coward; he was a deserter, a double-crosser, and a murderer who had caused more death than just James and Lily’s. Peter’s spying had likely led to many of their friends dying—Remus and Sirius were smart enough to piece things together. Betrayal was the worst crime in their eyes, and they knew far more about Peter’s war crimes than Harry did. They had spent countless hours with the Order, hunting men like Peter, and knew now that Peter had ratted everyone they loved out to Voldemort.

Harry, on the other hand, grew up in a time of peace after Voldemort’s first fall. When Harry entered the wizarding world, everyone praised his parents. Everyone called them hero’s. James was brave and loyal, Lily was kind and courageous. Harry came to believe they were perfect, putting them on a pedestal and imagining they could never do anything as terrible as killing someone.

Harry told Remus and Sirius that he thought James and Lily would never want their friends to become killers. Harry told them to spare Peter’s life, in the name of his parent’s honor.

What Harry didn’t realize—at the time anyways—was that his parents had been raised by their experiences in the First Wizarding War. They, like the other marauders, had killed to protect themselves and fight for their friends. The Potter’s had defied Voldemort three times before turning 21, they were on the front lines. Although James and Lily were good people, they had to make tough choices during the war. With their lives and their loved ones’ lives at stake, their decisions weren’t always about what was “right,” but about survival.

The real difference between Harry's war and the Marauders' war wasn't just the time period in which they fought; it was how each group perceived the consequences of their surroundings and the outcomes that followed their responses to those circumstances.

For Harry, the war was about lost innocence and a chance to do things differently, to live up to his parents’ legacy. Harry’s belief that his parents would want mercy for Peter was noble, but it came from a completely different world and time.

For the marauders, the war taught them that surviving often meant making tough, sometimes chilling choices. Loyalty was everything, and betrayal at Peter’s level was something that couldn’t be forgiven. This is how the war shaped Sirius and Remus into a “loyalty or death” mentality that was shown in Prisoner of Azkaban.

[rapidhighway]

hmmm thinking about how both Knuckles and Licho have been stuck in a single place for as long as they remember, Knuckles completely isolated and Licho unseen by anyone for a very very long time hmm

[ghostzzy]

woke up to an email from ao3 alerting me to a new comment on tsnm that immediately made me burst into tears

[perfectharmonyloveschaos]

Why can I see this exact exchange happening between Ezra and Ursa after Ahsoka?

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[writerfromthestars]

DPxDC PROMPT ---- Self-Defense

Danny gets a job in Gotham as a self-defense instructor.

It satisfies his protection obsession, because he's teaching people to protect themselves.

He is teaching at a local gym. Basically, the gym gives classes, and finally decided to institute a bit of self-defense in the curriculum, because it's Gotham, after all. (Don't ask me why they didn't have it before, idk)

And Danny came rolling in with fake credentials, beat the other applicants, and got the job.

Jason has been going to this gym since he returned to Gotham, so he decides, what the hell, might as well try this class. it'll probably be a light, relaxing thing.

Wrong.

The first time Danny and Jason spar to gage Jason's skill level, Jason holds back, so Danny wins, but Danny requests a rematch, because he can tell Jason's not giving it his all.

Five minutes later, Jason is on his back on the mat, gazing up into sky blue eyes, and he hasn't been thrown like this in years. He was too big once he came out of the Pit, and honestly, the fact that this guy can manhandle, flip, and pin all 6' 4'' of him is extremely hot.

Danny is happy because he's fulfilling his obsession. Meanwhile Jason is pining for this man, and Danny is oblivious. Jason is slowly dropping hints of his interest, and Danny is misconstruing them in a platonic context, and Jason is getting to know him and falling more and more in love.

You know what, what the hell, let's add de-aged Dani in too.

One day, Jason follows Danny home. (he's a bat, they don't do boundaries like normal people do.)

He sees him head to an elementary school, and panics because is this perfect soulmate of his, like, a kidnapper or something?

He sees him pick Dani up and resigns himself to following this guy because he might be involved in trafficking thing or something, and then he's duty bound to shoot Danny, which is really quite a pity.

Instead, he sees them go home, and Danny being a good Dad, and he's just like "aaaaahhhh he's a good parent how many boxes can he check that i didn't know i had."

Eventually they end up dating. Don't quite know how it happens, but it does.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[lokissweater]

Hi!!! Hope your doing wonderfully 🫶I absolutely adore your work! And this is the first time in asking anything, but if you haven't yet can you do a shy guys x popular reader with a lil spice but no smut! I'd appreciate it 🥹 have a lovely day or night 🩷

YUUUMMYYY oh my goodness i spiced but i think i spiced too much and if i did i am SO SORRY IM JUST A FREAK!!! but i hope you enjoy this piece and thank you so much for sending in a request!! MWAHH <33

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∘˙○˚.• DON’T BE SHY ∘˙○˚.•

{pairings (separate): shy satoru gojo, megumi fushiguro, & yuji itadori x popular f!reader}

summary: how the boys are pathetically down bad for favorable you <3

warnings: college!au, mentions of drinking, HELLAAA sexual mentions and theming mdni, no smut but girl damn near it, pining af, cursing, aged up characters, afab!reader, pet names, they want you BAD in each of their stories HEHEHE, mentions of alcohol.

word count: 5.3k

authors note: WHO WANTS MLB!MEGUMI BC I SURE FUCKING DO!! HES COMING NEXT MY LOVES but here’s a little something to keep you fed in the meantime <33 I HOPE YOU GUYS LOVE IT! ILY!

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∘˙○˚. SATORU GOJO ∘˙○˚.

satoru wasn’t by any means a loner in college.

he had his own cute little group of friends and his own cute little outings and his own cute little interactions with his classmates, his rank on the popularity scale running somewhere around the middle (something he can thank his gorgeous eyes and gorgeous face for), but never even coming close to where you were at, a place many tried to reach but never had the qualities that you did— your place being at the top.

but satoru was too shy for his own good. too timid as he watched your breathtaking magnificent self walk down the halls and right by him in between classes— surrounded by people, you barely even noticing him, but him already memorizing the exact scent of your perfume you chose to wear that day, watching with love struck eyes and sweaty palms as his sickingly sweet obsession over you only grew by the years.

you were an absolute goddess in his eyes. you could never hurt him or be mean to him even if you tried, and it was a little pathetic how much he liked you— his little boyish crush that only shrunk him down to the mere size of a lady bug, his increased bashfulness when you’re around only doing him more harm than good as it started to affect his studies and sleep schedule.

but that wasn’t your fault, oh absolutely not.

it was his. all his. he wanted to take the blame for everything. he doesn’t care what.

even when you accidentally bumped into him at a party one night because you were a little tipsy, him stumbling over and you apologizing profusely as his heart stopped upon realizing it was you. and even when you accidentally dropped your red solo cup on his favorite blue washed jeans later on, your alcoholic beverage leaving a patch of wet on his thigh that made you apologize profusely to him again, satoru shaking his head and telling you repeatedly that it was his fault. he was in your way. he should be sorry.

you could dump an entire twenty five ounce bottle of smirnoff on his head and he’d still tell you he was to blame. that’s how much he liked you.

so as you gently took his hand and tugged him to stand up, you leading him through the crowd, your fingers interlaced with his? satoru went into a fucking frenzy.

his cheeks burned as you led him up the stairs and to the nearest bathroom, your lovely skin tight dress squeezing and hugging you in every right way in front of him that he internally panicked as he felt his dick stretch against his jeans, him wanting to end it all as he hoped you didn’t notice it and think he was a pervert.

“oh my god i’m so sorry—” you pulled him in and shut the door behind you, silencing what seemed like twenty different people calling out to you, for your attention, satoru swooning over the way you paid them no mind in return and focused entirely on him.

he felt so lucky.

he awkwardly sat himself at the edge of the tub as you crouched down and rummaged through the cupboard below the sink, your lips in a cute pout.

“i always get so stupid when i’m buzzed and i totally didn’t see you when i was walking…”

your tone was whiny and apologetic, and satoru’s heart physically could not take it.

“it’s— it’s okay..” he mumbled shyly, cheeks pink. “it was me i—” he averted his gaze once you turned to look at him. “i wasn’t paying attention…”

“but are you okay though?” your voice was immensely sweet and doting, it almost sounding like you were babying him as you walked over to him with a damp hand towel.

and he was all fucking over it.

he stiffly nodded and looked down at his lap, throat closing.

“i put a stain remover on this so i at least don’t leave a red mark on your jeans!” you smiled, an enchanting one at that as your clear lip gloss glistened under the dim light. “and i’m really sorry again! i hope i didn’t ruin the party for you…”

his eyes shot up and he shook his head frantically. “n—no! you didn’t it’s okay!” he tugged at the collar of his button up, feeling a little hot. “y—you did nothing wrong...”

you gleamed, and as satoru reached a trembling hand up for the towel to clean himself off, you pulled it back with a cute shake of your head.

“i’m doing it, silly! i’m the one who spilled it.”

“but!—”

you got down on your knees in front of him and his hands literally slapped over the edges of the tub as he gripped it tightly, his knuckles turning pure white as you calmly spread his legs and inserted yourself in between, your face fucking hovering over his dick and his cheeks turning even pinker as lewd thoughts dashed across his sick mind.

you noticed the look on his face and laughed.

“are you nervous? don’t be! i’m just gonna clean you up and ill be out of your way love.”

satoru didn’t want you out of his way, not ever. and the way you called him love had him already picturing you in a pretty white dress with a veil walking down the aisle to him.

he swallowed.

you had your arms resting over his thighs for support as you rubbed a circular tugging motion over the spot on his jeans, your eyebrows pinched in concentration as you tried to get the red stain out, your soft hair slipping from your shoulders and landing over his lap with satoru’s fingers itching to touch it.

“at the last party i threw, i also spilled a drink on a guy.” you giggled.

he felt a twinge of bubbling jealousy.

“did you—” he nervously looked at you. “did you also… help him?”

you smiled cutely. “nope! because he was making out with someone in the middle of my kitchen and he was in my way.”

thank god.

you huffed and leaned back to sit on your calves. “like— have some decency. i get you want to have a little kiss but if you’re doing it right where the vodka mix is? blocking it? i’m not helping you. your girl can help you.”

satoru giggled a little, and you folded the towel neatly and settled it beside you, proud of your work at removing the stain from his pants as you set your hands on your hips.

“and what about you?”

“me?” he mumbled.

“mhm!” you raised a silly brow and leaned closer to him, satoru inching backwards nervously at the proximity. “have you ever made out with someone like that?”

“well— well—”

satoru’s never kissed anyone.

“well what?”

he ran a slow embarrassed hand through his fluffy white hair and grimaced.

satoru is timid, shy, friendly, and a dork. but one thing he isn’t? is a liar. especially if it was you— even though all he wanted to do in life was impress you and have you not think he was a fucking loser.

“i’ve never uh—” he struggled. “kissed… someone.”

his words were so quiet and mumbly, completely ashamed of himself as his cheeks continued to glow pink.

but your eyes widened.

“what? you’ve never kissed anyone?”

he shook his head, eyes to his lap.

“but you’re so hot?”

satoru shot up. “h—huh?”

“yeah!” you grinned. “you are! have you ever had a girlfriend?”

he shook his head again.

“what?! how?!”

you placed a shocked hand over your mouth, your voice soft and astonished. “what a crime…”

he smiled shyly at your compliments, reduced to absolute putty in your hands at the moment as he couldn’t believe you thought he was even remotely attractive.

you confidently swung your arms up and threw them around his neck, and he froze.

your eyes were really suggestive, your gorgeous face looking up at him and his wide eyes looking down at you, your fingers gently running across the back of his neck and hair as he almost whimpered at what you were doing.

“wanna kiss me?”

“y-you?” he choked out, and you giggled softly.

“uh huh! o—only if you’re okay with it—” you pulled away a little, shoulders deflating. “i just figured—”

satoru noticed the way you started to lean back, your arms slipping from around his shoulders and his hands shot out then— grabbing your wrists as he pulled you back in and settled them around him.

was this real? actually? or was he just really drunk?

“yes!” he settled down a bit, sheepish. “yes i—i’m okay with it.”

you took in his eager bashful expression, and grinned.

“okay!”

you leaned and kissed his soft lips, pulling satoru in as his fingers shakily snaked over your waist and around you, not believing for a second that he was actually kissing you.

and you moved your lips slowly and delicately over his, trying to pry his mouth open more with your tongue and guide him on how to kiss you back, him diverting all of his focus to that as he tried to mimic your movements.

it started with innocent pecks at first, you trying to ease him into it and not make it overwhelming for him as you carefully amped up the difficulty little by little.

and he got the hang of it, fast, and you squeaked a noise of surprise when he suddenly shoved his long tongue in your mouth and slid his hands further down to your ass, squeezing as if he had every right to, completely forgetting that he technically didn’t.

what a greedy little thing… but you loved it.

he instantly pulled back.

“sorry i’m sorry!” he sputtered, pulling his hands to his chest like he’d just touched something scalding hot. “i don’t know why i—”

you giggled. “it’s okay! i liked it.”

“y—you did?”

“uh huh!” you nodded, leaning in seductively. “maybe you should do it again… and maybe underneath my dress, to get a better feel y’know?”

satoru couldn’t even respond as you latched your lips back on his, and he kissed you back desperately, wanting to impress you and do good for you so he could properly earn the right to feel you up like you had requested.

but he got greedier, and his hands were back on your ass squeezing and palming the fat of it, breathing heavily through his nose as he started to tug your dress up a little to feel your skin, the lace of your panties grazing his fingertips and making him fucking light headed.

his body was literally numb as you pulled apart suddenly, both of your lips swollen and red.

“wanna go to my room?”

∘˙○˚. MEGUMI FUSHIGURO ∘˙○˚.

“if i can’t do it i’m turning the car around.”

“megs you cannot do that when we get there though!”

megumi shook his head. “and why not?”

“because you’ll scare every one away! what the hell is ‘with this treasure i summon—‘“

“yeah so that way everyone will think i’m a freak and leave me the fuck alone!”

you and megumi have been best friends since middle school, carbon copies of tweedle dee and tweedle dum as your personalities matched with each other’s so identically yet so differently at the same time, that you both bickered every waking second you were together.

which was all of the time.

though you had a better reputation than megumi did. you were popular, beautiful, and everyone wanted to get to know you as your unique personality struck joyous chords with anyone that was lucky enough to come across and get to know you.

all things megumi would never admit out loud to your face.

and he was just regular— popularity and social statuses something he didn’t give a shit about as he kept to himself and didn’t speak to a single soul unless it was yours.

“but i thought you said you wanted to come with me!” you whined.

megumi huffed and made a sharp turn as he drove. “you dragged me i told you no i don’t like parties and you started crying—”

“okay and?” you grumbled. “what so now i can’t cry in front of you? i can’t show my emotions and use my right of freedom of speech?—”

“oh my god.” he dragged an exasperated hand down his cheek. “you’re putting words into my mouth—”

“and you’re putting knives into my heart with how much you hate me.”

he parked on the side of the street and turned off the ignition, hooking his keys on one of his belt loops before he gave you an annoyed look.

“am i not in the car.”

“you are.”

“and am i not here at this party with you.”

“you are.”

“so what more do you want.”

“a kiss.”

“fuck off—” megumi pressed his hand flat on the side of your head and nudged you away before stepping out of the car with pink cheeks, your laughter ringing through the air as you shut the door and ran to catch up with him.

“just be nice please. my friends sometimes wanna talk to you and you look like you’re plotting.”

“maybe it’s because i don’t wanna talk to them.” he mumbled.

through his hard exterior, you knew megumi was just shy, and often times had difficulty talking to people or expressing himself— you really being the only exception in his life.

that’s why in every social situation that you dragged him to, he clung to you like sticky stubborn gum and never left your side— you of course not minding at all and it actually making you feel better to have him always there, your thing being interlocked pinkies as you navigated.

“no it’s because you’re shy and that’s okay!—”

megumi scoffed and kept walking, but the minute you both walked across the lawn and up the steps of the porch, he turned around and let you in front of him— his pinky out like usual.

you smiled softly to yourself and looped yours with his, pinkies closing like a lock before you pulled him inside.

it was dark and humid as fuck already, and you tried your best to politely push through the crowd of hammered and sweaty people in search for the kitchen, you not realizing how megumi literally pushed and shoved people behind you so they wouldn’t topple you over, them too inebriated to care.

“y/n!”

“hi guys!” you gushed, your crowd of friends beaming at the sight of you and handing you drinks without you even having to ask, you passing one back to megumi smoothly.

you both mostly spent the night mingling and drinking with your friends, playing little games and giggling quietly whenever someone would ask megumi a question and he would just stammer in response, blushing and grumpy at your teasing once he got the interaction over with.

and at some point, half of your friends had gone to the main area to dance, and you turned to him.

“megs.”

“yes.”

“do you wanna dance with me?”

“fuck no.”

“whyyyy!” you whined, dropping your forehead on his shoulder.

“because i don’t like dancing.”

“no one’s gonna notice anyways! it’s dark over there like completely.” you looked at him. “just come with me please.”

“no.”

“i’ll give you a kissy.”

megumi gave you a deadpanned look. “what is it with you wanting to give me a kiss?”

you ignored his comment. “i’ll do anything.”

“nope.”

“fine.” you stood up and tugged your dress down. “i’m just gonna ask some other guy and maybe when i tell him he’ll get a kiss out of it he’ll do it—”

megumi quickly grabbed your wrist, eyes narrowed.

“are you actually?”

“yes.”

his heart dropped.

“you’re gonna pimp yourself out for a dance?”

“yes! you know i love to dance—”

megumi stood and grabbed your hand, dragging you to the dance floor as you cheered and happily skipped behind him.

upon arriving, he remained stiff, bored, and fucking nervous with flushed cheeks and crossed arms while you danced, gently swaying and moving to the beat as bright neon laser lights occasionally drifted across the crowd— illuminating red cheeks and sweaty bodies.

it really was incredibly dark, and megumi could barely even see you standing in front of him as the bass of the music drummed through his body.

he let you when you reached up and uncrossed his arms— instead wrapping them around your waist as you threw your arms around his neck, him swallowing thickly.

“dance megs.” you spoke gently in his ear. “like this just sway—”

you moved your hips a little more, and though he didn’t exactly copy you, he stiffly just kind of swayed with you.

“i hate dancing.”

you laughed. “do you hate me?”

“no.”

far from it actually.

“then this should be fuunnn! just let loose a little.”

“i am letting loose.” he grumbled.

“you feel like a little stick though.”

“a stick?!”

you giggled loudly, throwing your head back as you did, the sight making megumi melt.

“yes! i’m gonna start break dancing if you don’t.”

he gave you an incredulous look. “huh? you’re not serious.”

“that i am.”

“y/n i’m moving with you i’m dancing—”

“but your arms are just around my waist! you’re not even moving with me what are you talking about?!”

“what are you talking about?!”

you huffed and stopped moving. “i’m gonna dance with someone else—”

you let go of him and turned but megumi only pulled you back.

“no you’re not and you’re not kissing them either so don’t even think about it—”

“you can’t tell me what to do—”

you pushed at his chest with both of your hands, trying to get him to let go of your waist— his strong grip not letting you.

“why are you being such a brat?!” he exclaimed.

you broke free and started walking.

“a brat that’s gonna dance with someone else!—”

megumi flew and grabbed your shoulders, spinning you back around before literally smashing his lips to yours, your eyes widening in complete shock.

there was your kiss.

he pulled away. “s—sorry i—”

you shook your head and grabbed his cheeks, bringing his lips back in to yours as they moved sloppily and fast, almost matching with the music as his arms engulfed around your waist and pulled you in.

you swiped your tongue over his and whimpered, you figuring he couldn’t hear it over the music but being dead wrong as he felt the blood rush to his dick the minute he heard it.

you pulled away. “what are— what are we doing?”

his chest heaved as he looked at you, cheeks pinky like always and eyes blown wide. “i don’t— i don’t know—”

you wiped your wet mouth with the back of your hand. “do you wanna— stop? i—”

you didn’t know why you were asking, knowing damn well you didn’t want to stop.

“fuck no.”

“okay—”

and his mouth was back on yours, kissing you and running his hands up and down over your body in absolute need, you doing the same as you ran your hands over his chest and down, down, down…

“can i—” you spoke in between kisses. “i’m gonna—”

megumi did it for you and pressed your hand flat against his groin, you palming him slowly as he took in a sharp inhale and broke from your lips, his arms coming up to wrap around your shoulders with his cheek mushed up against the side of your head, eyes screwed shut at how good it felt.

you continued to palm him through his jeans, going a little firmer when you felt his breath literally tremble in your ear as he shook.

“shit—” his arms tightened around you. “wait—” pant “i’m gonna cum in my pants if you keep—”

“do it.”

“no!” he choked and his hips pressed into your palm, wanting more. “let’s go— to the car. the car please—”

you nodded and pulled back, but stopped.

“megs if we do this we can’t go back, okay?” your chest heaved, a little fidgety. “we can’t— we can’t go back to being just friends i don’t wanna be just friends—”

he shook his head and looped his pinky with yours, leading you through the crowd and speaking over his shoulder.

“we won’t.” he started.

“i don’t wanna be just friends anymore either.”

∘˙○˚. YUJI ITADORI ∘˙○˚.

being good at math had its perks.

yuji was able to get by in every math related class, never had an issue with studying, and even tutored some of his friends and classmates as a side job to pay for his college classes and tuition.

but the minute you approached him one day— you, one of the most popular girls on campus, president of your sorority, life long crush and the most gorgeous girl he had ever seen, asking if he was able to tutor you on wednesdays?

being good at math became a blessing and a curse.

yuji thought he was well off at math… but if he was to tutor you, he wanted to be fucking albert einstein at it so he didn’t look like a fucking idiot if he happened to come across a topic he didn’t know how to teach.

and as he sat on his desk chair in his dorm, textbooks and materials laid out and ready to go as he wiped his clammy hands on his pants for the thousandth fucking time, he heard you softly knock on his door.

oh fuck.

“hi yuji!” you greeted sweetly, him smiling back at you as he stepped to the side to let you in.

“hey! were you able to find my building okay?”

you both walked over to his desk and sat down, you right next to him on an extra chair— your perfume engulfing his senses and your pretty hair over your shoulders neatly.

“oh no i was fine!” you got your little notebook out with your pencil case. “one of my friends is dorming in this building too so i knew where it was.”

he nodded happily and politely, shitting it inside but doing a damn fucking good job at not showing it— though the reddening of his cheeks was something he couldn’t control no matter how hard he tried.

since you could only see him once a week, the duration of the tutoring sessions was a lot longer than the rest of his clients, and though yuji literally offered to tutor you for free whenever you wanted, you profusely denied and mentally decided to pay him double for his kindness.

you nervously fiddled with your fingers as he opened the textbook and flipped through the chapters you needed help with, and upon noticing, he frowned.

“sorry is it hot in here? i could open—”

“no! it’s okay!” you shook your head. “sorry i just— i’m really bad at math so i’m sorry if you can’t get anything through my head…”

you giggled nervously, and yuji just about cried.

“oh! don’t worry about that! that’s why i’m here to help.”

he beamed, his smile so big and bright that you found yourself copying his exact expression.

he was so nice.

“right!”

and he did help. yuji was exceptional at teaching, and concepts you had found hard to grasp before during class by your own professor was easy peasy with him, his bubbly and animated way of teaching you something that pulled you in and kept you engaged.

after two hours of tutoring, yuji sat back on his desk chair and exhaled.

“phew, let’s take a break! is that fine?”

“mhm!” you chirped, putting your pencil down and smiling. “you’re really good at teaching yuji, like really good.”

“oh thanks!” he blushed, giving you a cute little smile. “i— i like math so i just, teach y’know..”

you nodded. “what’s your major? is it something to do with that?”

“oh no—” he shook his head. “i’m majoring in finance so i get a lot of math classes.”

“huh?!” you gasped, completely astonished. “i thought your major had something to do with teaching i’ve— i’ve never understood math before until you… you’re brilliant!”

he gulped, your praises washing over him and making him feel tingly all over.

yuji gave you a wobbly shy smile. “t—thank you y/n!”

you grinned kindly, your pretty face making him want to word vomit how gorgeous he thought you were and maybe even sort of ask you to be his wife.

“do you um— are you thirsty? i have—”

he shot up clumsily and walked over to his mini fridge. “i have water? here—”

he didn’t even let you respond as he took a bottle of cool water and handed it to you, you taking it gratefully.

“i— i also have these!”

he reached in again and gave you a little glazed donut pastry, wrapped neatly in a clear bag that had the bakery’s logo on the front.

“oh no yuji it’s okay!” your eyebrows pinched together in worry. “i don’t wanna take what’s yours just the water is fine!”

he shook his head and closed the fridge, sitting back down on the chair next to you. “it’s all good! it’s your reward for hanging on for two hours of tutoring.”

his smile was so kind and sweet, and you bit your bottom lip as you softly thanked him.

“how’s um— how’s your sorority going?” yuji asked.

“my sorority?” you tilted your head to the side. “how’d you know i’m in a sorority?”

“oh! well—” he went completely fucking pink. “s—sorry you’re kind of popular so i just heard..”

you hummed and quickly nodded. “no it’s okay! i didn’t know people were talking about me like that.”

you laughed a little, and yuji thought you were so humble.

“it’s going great! it’s really kind of you to ask.” you crossed your legs and leaned an elbow on your knee, your chin coming down to rest on the palm of your hand. “it’s a little stressful to manage but i love my girls so, they definitely make it easier.”

yuji lit up. “that’s great! i’m glad it’s going well… i— i know i don’t know much about sororities and things like that but i have no doubt in my mind that you’re the most qualified and deserving of a position like that…”

your eyes softened, and your heart literally ached in the best way over his compliment.

“thank you yuji… seriously. you’re so nice!”

you giggled, and it made him gnaw at the inside of his cheek.

the tutoring session continued after that, and just when you had reached your final hour, you slumped over his desk and groaned softly.

“i’m sorry yuji… my motivation is running out.”

he laughed softly. “it’s okay! it happens. if you want we can stop here—”

“no!” you shot up. “i have to get through it i’ll be so mad at myself if i don’t.”

he looked at you, his eyes gentle. “you’re doing really great so far y/n.”

you blushed, “thank you…”

you stood suddenly and reached over to flip through the pages of the textbook, completely unaware of the way your boobs were practically shoved up his face as his breath hitched, hands tightening on the arms of his desk chair.

you really hadn’t noticed, you innocently wanting to just look and see how many chapters you had left to cover, but when you sat back down and quirked an eyebrow over yuji’s flushed face and blown out pupils… it clicked.

was he interested in you like you were with him?

maybe…

“i need motivation.” you sighed.

he cleared his throat and tried to regain his composure. “i can— i can give you another donut at the end?”

you giggled. “it’s okay! i have an idea.”

he tilted his head, curious. “what is it?”

“maybe we can do like a reward system!”

“a reward system?”

“yeah!” you nodded eagerly. “for every page we cover, i get a reward!”

he sat up and smiled, “oh right! i’ll give you a donut after each page then!”

but you shook your head, and he deflated. “no?”

“do you know about hickeys?”

he choked, eyes widening dramatically. “a—about— well, yeah, i do.”

“maybe that could be my reward! a hickey for every page.”

you smiled at him so fucking cutely, as if you didn’t just ask him for something so raunchy, and his throat literally dried up at your request.

holy fucking shit.

“you want—” he wiped his hands on his pants. “you want a hickey from— from me? really?”

“yeah! only if you’re okay with it, definitely not if you’re not.”

“no i—” his eyes darted from your neck to your face. “i am…”

holy. fucking. shit.

your tutoring session resumed, and yuji literally could not teach you a single damn thing anymore, knowing that by the end of this page he was going to do something that only took place in his dreams.

after a bit, he turned the page and shifted his body to face you, nervous and clammy.

you smiled sweetly and took his hands, yours soft and heavenly as you placed his on your shoulders.

“only if you’re okay with it.” you murmured again softly, tone nurturing as your pretty eyes looked into his.

“i— i am.”

“okay! whenever you’re ready.”

yuji breathed in shakily and out, gulping before coming closer to your gorgeous neck and planting his lips on it.

your hands came to rest on his thighs as he sucked— slowly and carefully, not wanting to suck too hard and accidentally hurt you as his tongue flicked over the spot, the pressure of his mouth making you shudder as he continued to suck and create a pretty purple bruise.

he pulled away when he was finished with a wet smack, his breathing heavy as he searched your face for any indication that he did well.

and you glowed, looking at your reflection on the little mirror that sat on his desk. “it’s so pretty! i love it!”

a hesitant smile spread across his face. “r—really? you can be honest i—”

you looked at him. “no it was amazing! it felt really good!”

his dick twitched.

“okay let’s keep going now!”

well the motivation definitely worked, and funnily enough, you both got through the next page a lot quicker than before, yuji almost immediately turning to face you after turning the page.

this time, he placed his hands on your waist as he sucked. and he sucked, harder and wetter than before as his fingers pressed into you— his tongue running over your new hickey and dragging over the previous one too before reluctantly pulling back, his dick a literal bolder at this point as you squeezed your thighs together, both of your chests panting.

you had barely reached a quarter of the next page when yuji set his pencil down and turned, his cheeks flushed and eyes wide.

“can i please just give you another one?”

you nodded quickly, eagerly, as you both stood and he latched back onto your neck, his arms around your entire body desperately, grazing his teeth against your sensitive flesh and full on making out with it as he messily sucked and ran his lips all over your neck this time, a moan slipping from you as he did that it made you slap a hand over your mouth in embarrassment.

“s—sorry—”

“don’t be don’t be—” he breathed quickly, walking backwards until the back of his legs hit the bed and he sat, pulling you with him and grabbing at your thighs for you to sit on his lap.

you listened, your neck littered with yuji’s hickeys as you subconsciously and softly grinded on his crotch, him groaning into your neck and biting down harder as your breath hitched.

yuji lost it at this point, all forms of moral out the fucking window as he dragged his long wet tongue from the side of your neck and up to your cheek, kissing and licking deviously at it as his hands squeezed hungrily over your plushy thighs.

he pulled back, eyes half lidded.

“can i—” pant “can i give you hickeys on your tits?”

————————————————————————

taglist!! <33 (THANK YOU THANK YOU!):

@cupcaketeddybehr @soobiary @roachfun @waterfal-ling @saebaey @hiraethwa

[saylorsuniverse]

BAD AT LOVE --- paige bueckers

summary: you’re uconn’s golden girl, paige bueckers, next victim. but this time, things don’t go as planned – for either of you.

Warnings: pining (mainly paige) playgirl!paige, paige being cocky, reader is hard to get, also reader and paige are two years apart in age

author’s note: lmfao sorry this is so long, and a little all over the place, but yeah. i might write a part 2 of this.

word count: 4.8K

—

Paige Bueckers had it all: the talent, the fame, the spotlight, the money. And girls—so many girls.

Even before you arrived at UConn for your first semester, you’d already heard the stories from your older sister: how Paige would have her arms around one girl at her game, then kiss another at a party later that night. How she’d spread a few well-placed rumors about a boyfriend, only to swoop in as the comforting shoulder to cry on—and inevitably end up in bed with her. How she wielded charm and sweet talk like a weapon, effortlessly getting anyone she wanted.

Your sister’s warning was simple: you were her type—young, naïve, beautiful. But Paige Bueckers was toxic, and you were to stay far away from her at all costs.

It was easy to avoid her. Paige was a couple years older than you, so the odds of crossing paths in the classroom were slim to none. While you spent hours at the library, she was either at the basketball courts showing off or out partying with her teammates. And when you visited your sister at her off-campus house—which, coincidentally, she shared with one of Paige’s teammates—she always made sure to get you in and out as quickly as possible before she had the chance to even see the back of your head.

You’d never seen the blonde. Not in person. And you were certain you never would.

But bliss can make you careless. It can blindside you at the wrong time, in the wrong place, and with the wrong person.

It all started one afternoon before English class. You sat alone near the front, like always, your nose buried in a book, when Paige approached your desk—casual, as if this wasn’t the first time she’d ever spoken to you directly.

“Hey, mind if I sit here?”

The request wasn’t unusual. Different people sat next to you all the time—but only if they were fifteen minutes late. Paige, on the other hand, was five minutes early.

“Sure,” you replied coolly, your eyes flickering up to meet hers—striking, attractive, impossibly blue. 

She flashed a brief, effortless smile, and that’s when you realized you were looking at her a second too long. Heat rose in your cheeks as you quickly returned to your book, pretending not to notice as she pulled out the chair and sat beside you.

“You’re KK’s roommate’s little sister, right?” Paige asked casually—too casually for your liking, as if she already knew the answer but wanted to hear you confirm it.

Your eyes shifted from your book to hers, locking onto those piercing blue ones. You blinked, caught off guard by how she knew that. “Yeah, I am.”

“I knew it,” she said, a slight smirk tugging at her lips. “Thought I was seeing double the last time I was at KK’s house.”

Your stomach twisted. The last time you were at your sister’s house, you stayed over the night, and apparently you both were unaware of the basketball star’s presence.

“You always this quiet when someone’s talking to you?” Paige laughed, her voice light, teasing. She waved a hand slightly in front of your face, snapping you out of your daze.

“No, sorry,” you muttered, quickly slipping your book into your bag just as the professor started class.

It wasn’t much—hardly even a conversation—but it was the first real interaction with Paige, and more than enough for her to continue these interactions.

After that, it was the little things: a nod of acknowledgement in the halls, a quick “hey” whenever you both happened to be at your sister’s house. Your sister wasn’t thrilled about it. She warned you not to fall into Paige’s so-called “trap,” and you assured her there was nothing to worry about. You weren’t going to fall for her. It was nothing, you told yourself. Nothing at all.

But deep down, you couldn’t deny it. 

Paige was absolutely stunning—tall, with long blonde hair and piercing blue eyes. She wasn’t just beautiful; she was captivating. And the truth was, you couldn’t help but notice the way her attention made you feel.

It wasn’t long before those brief interactions turned into something more—like you were actually friends. Paige started sitting next to you in junior-level English, sliding into the seat as if it were hers all along. She’d impatiently doodle on your notebook or pass notes to spark a conversation, her handwriting a mix of careless loops and sharp edges.

On the days she wasn’t in class, she’d wait outside afterward, leaning casually against the wall with that undeniably attractive smirk, ready to catch your eye as you walked out.

The day she started showing interest in you felt inevitable, though you wouldn’t have admitted it then.

You found her in her usual spot—leaning against the wall, one hand tucked in the pocket of her tracksuit, the other gripping her bag strap. And there it was: that little smile, just for you, as your eyes met.

“Game day?” you asked, glancing at her blue basketball tracksuit that somehow fit her too perfectly. She nodded, her gaze steady on yours, as if waiting for something you weren’t quite ready to give.

You had to admit it: Paige was magnetic. The more time you spent around her, the easier it was to see why everyone else fell so hard. She wasn’t just stunning—she was sharp, charming, and knew exactly how to hold your attention. The way she looked at you when you spoke, her eyes dipping from yours to your lips, was enough to make your pulse quicken.

“Well, good luck today, player,” you said, forcing yourself to break the spell. Her silence was too heavy, and her stare too dangerous. “I’ll see you around.”

Her smile faltered instantly. “Wait, you’re not coming?”

You hesitated, and Paige pounced on the crack in your resolve. She stepped closer, a flicker of vulnerability crossing her face—so brief you wondered if you imagined it. “I was really hoping you’d be there,” she said, her voice softer now. “It would mean a lot to me.”

Her words landed harder than you expected, and it threw you off balance. This was her game, wasn’t it? The sweet talking, the subtle charm, the way she made you feel like the center of her world. You’d seen the aftermath of Paige’s attention before—heard the stories about the girls she left behind. You weren’t naive enough to think you’d be different.

But there was something unsettling about the way she looked at you. Like she wasn’t just playing this time.

You sighed, trying to steady yourself. “I can’t,” you said, your voice firm despite the pull you felt toward her.

Paige blinked, her smile slipping away completely now. For the first time, her confidence wavered. “Why not?” she asked, the words quieter, almost hesitant.

And just like that, you felt the shift. Paige Bueckers wasn’t supposed to look like this—unsure, uncertain, even vulnerable. The cracks in her polished exterior made her all the more dangerous, and for a moment, you wondered who was really laying the trap here.

“Good luck tonight, Paige,” you said, stepping past her before the heat of her gaze could melt your resolve.

You didn’t look back, but you could feel her eyes on you as you walked away, and it sent a thrill through you that you couldn’t quite explain. 

It wasn’t that you needed Paige’s attention. You were never the type to chase after it—in high school, people offered it freely, drawn to you for reasons you never quite understood. But you hated to admit it: the thought of having UConn’s golden girl wrapped around your finger was exhilarating.

And yet, there was danger in that thrill. Paige wasn’t just anyone. She was magnetic, larger than life, and the kind of person who always seemed to be in control. But what would happen if the tables turned?

The idea stuck with you, lingering like the heat of her gaze even as you tried to brush it off. Maybe it was her charm, or maybe it was the challenge she posed—a test of your willpower against hers.

You didn’t need Paige. You told yourself that over and over. But maybe… maybe you wanted her to need you.

The thought made you pause, and you felt the weight of your own hesitation. Was this what she wanted all along? For you to think about her, to wonder what it would feel like to have the upper hand? Or was it something else—something she wasn’t used to feeling herself?

Later that evening, as you sat in your dorm, her voice echoed in your head. I was really hoping you’d be there. It would mean a lot to me.

Three rhythmic knocks on your door broke your concentration, pulling you away from your computation analysis homework. You turned from your desk, ready to answer, when you noticed something sliding under the door.

A blue sticky note was attached to an envelope: Got these for you. Please come to my next game. - P.B.

You laughed softly, shaking your head as you opened the envelope. Inside were two courtside tickets to her game against Notre Dame, each adorned with a little heart drawn in the corner. Typical Paige. You rolled your eyes, but you couldn’t help the small smile tugging at your lips.

As you slipped the tickets back into the envelope, another set of knocks came—slightly firmer this time. Slowly, you opened the door to find Paige standing there, one hand holding a single red rose. She wore a plain white t-shirt and black sweats, her hair loose and slightly messy, like she’d just come from her game.

“Paige,” you said, instinctively peeking your head out to check for any wandering eyes in the hallway, “what are you doing here? How did you even know where my dorm is?”

She gave you that signature smirk, leaning casually against the doorframe. “I have my ways,” she said, twirling the stem of the rose between her fingers. “Besides, I figured if I couldn’t get you to come to my game with tickets, maybe this would help.” She held the rose out toward you.

You hesitated, your fingers brushing hers as you took it. “You do realize you can’t just show up to my dorm unannounced, right?” you said, lowering your voice but unable to mask the mixture of annoyance and curiosity in your tone.

Paige shrugged, her smirk softening into something almost genuine. “I figured it was worth the risk. You’ve been on my mind a lot, and I’m not great at subtlety.” She glanced past you, into your room. “Can I come in?”

Your heart skipped a beat at the question, and the weight of her gaze felt heavier than ever. You could feel the choice pressing against you like a double-edged sword: let her in and risk falling into whatever trap she’d laid—or shut the door and risk the regret of never finding out what this could turn into.

The consequences of the first option would have to wait.

You stepped aside, holding the door open as Paige slipped past you into the room. She moved with that same effortless confidence you’d come to expect, glancing around like she was taking in every detail. Your desk covered in notes and open books, the unmade bed in the corner, the pair of sneakers tossed haphazardly by the door—your space laid bare before her.

Paige turned to face you, her smirk softening into something more sincere. “Nice place,” she said, the rose still in your hand catching her eye. “Aw, you kept it.”

You raised an eyebrow. “I just got it, Paige. What was I supposed to do? Throw it out in front of you?”

Her laugh was low and warm, and for a second, you felt the room shrink, the air between you both growing heavier. “I guess not. But I’d like to think it’s more than just politeness.” She stepped closer, her hands tucked into her sweats pockets, and you could feel her presence in a way that made it hard to focus.

“What are you really doing here?” 

Paige shrugged, leaning her shoulder against the wall near your desk. “I meant what I said. You’ve been on my mind. And, well…” Her eyes met yours, searching. “I don’t know what it is about you, but I can’t stop thinking about you. That’s not something I’m used to.”

Her honesty caught you off guard, and for a moment, you didn’t know how to respond. This wasn’t the smooth, overly confident Paige you’d expected. There was something vulnerable in her gaze, something real.

“And what happens if I say I don’t feel the same way?” 

Paige tilted her head, her smirk returning faintly. “Then I guess I’ll have to work harder to convince you. I’m not giving up that easily.”

You shook your head, trying to fight the small smile forming on your lips. “You’re ridiculous.”

“Maybe,” she admitted, stepping closer. She was close enough now that you could smell the faint hint of her shampoo, something fresh and sweet. “But you haven’t kicked me out yet.”

“No, I haven’t,” you whispered, biting your bottom lip nervously as you took a small step closer to her.

You could practically hear the faint voice of your sister yelling in your head, telling you to get her out of her room before you become another one of Paige Bueckers’ victims. But the warning felt distant, muffled by the way Paige was looking at you now—her gaze steady, almost hypnotic.

And the truth was, you liked where this was going. The spark of tension, the thrill of standing so close to her, and maybe—just maybe—you were starting to like Paige too.

Paige tilted her head slightly, her smirk melting into something softer. She reached up, her fingers lightly brushing against yours as she took the rose from your hand and placed it on your desk. “I knew you’d let me in,” she murmured, her voice barely above a whisper.

Your breath caught as she leaned closer, her hand lifting to tuck a stray piece of hair behind your ear. The air between you felt electric, charged with something unspoken and undeniable. Her eyes flicked down to your lips, and without thinking, you tilted your head slightly, closing the space between you.

Just as her lips were about to brush against yours, you raised your hand and gently pressed a finger to her lips, stopping her. Paige froze, her eyes widening in surprise.

“You need to leave,” you said softly, your voice steady but laced with reluctance.

Paige blinked, momentarily caught off guard. “What?”

You stepped back, breaking the spell as you pointed to your desk. “I have a computation analysis exam tomorrow. And I need to study.”

A slow grin crept across her face, and she let out a breathy laugh, stepping back as well. “You’re serious?”

You nodded. “Dead serious.”

Paige shook her head, running a hand through her hair as she smiled at you, her confidence quickly returning. “Alright,” she said, her voice light but teasing. “But just so you know, this isn’t over.”

You rolled your eyes, walking toward the door and holding it open for her. “Goodnight, Paige.”

“Goodnight,” she said, pausing in the doorway. She glanced back at you, her smirk softening into something almost tender. “Good luck on your exam, by the way.”

You shut the door behind her, leaning against it for a moment as you let out a shaky breath. Your sister’s voice echoed in your head again, louder this time, but all you could think about was how close you’d come—and how much you already wanted it to happen again.

That was when it all started.

The whole rollercoaster.

You had just played yourself right into the hands of Paige Bueckers.

The realization hit you like a perfectly timed crossover, leaving you unsteady, off balance. Paige Bueckers had a knack for pulling you into her orbit, and you’d just handed her the ball. You knew better—at least you thought you did. But there you were, caught between wanting to stay in the game and knowing full well she’d leave you in the dust if it suited her.

It wasn’t like she did it on purpose. Not really. Paige was... Paige. She had this quiet confidence, this magnetic energy that turned heads and made hearts trip over themselves. When she smiled, it wasn’t just a smile. It was a weapon, disarming and dangerous. And when she looked at you—really looked at you—it was like she could see right through you. Past every defense, every carefully constructed wall you thought you’d built to keep people like her out.

It started innocently enough. A few casual conversations. A couple of late-night texts that turned into marathon calls. You’d talk about nothing and everything—her games, your struggles, the kind of stuff you never expected to share with someone like her. She had a way of pulling you in, making you feel like you were the only one who mattered, even if just for a moment.

And maybe that’s what scared you the most. Because Paige wasn’t just anyone. She was Paige Bueckers. The golden girl. The star everyone wanted a piece of. And here she was, making you feel like you were something more than just another fleeting connection in her whirlwind of a life.

But that was the thing about whirlwinds—they didn’t last. They blew in, caused a mess, and left just as quickly. You told yourself you wouldn’t get swept up in it. You told yourself you wouldn’t let it go beyond what it was. But you also told yourself a lot of things.

And then there was that night in your room.

The one where her hand brushed yours, lingered for just a second too long. The one where her eyes held yours a question in them you didn’t know how to answer. The one where she leaned in, so close you could feel her breath on your skin, and said your name like it was something sacred.

You should have walked away. You should have never opened the door. But instead, you didn’t. You let her get closer. You let her in. And now?

Now, you were in over your head.

You hadn’t seen Paige in a few days, not since the night in your room. Your English professor canceled class because he was out of town, which meant no more doodling her name in the margins of your notebook, no more stolen glances when she wasn’t looking, and no more Paige waiting outside the door, leaning against the wall like she owned the place.

This was good, you tried to convince yourself. The time apart gave you space to concentrate on your studies, to focus, and to practically forget about the tall, muscular, attractive blonde who made your mind reel at the simplest thought of her.

But the universe, as it turned out, wasn’t about to make it that easy.

The party wasn’t your scene—too loud, too crowded, too much of everything. You’d only come because your roommate had dragged you along, promising it would be “chill” and that you’d “have fun for once.” Instead, you found yourself tucked into a corner nursing a half-empty cup of something vaguely alcoholic, counting down the minutes until it was socially acceptable to leave.

And then you saw her.

Paige.

She was across the room, laughing at something one of her friends had said. Her head tilted back slightly, her smile brighter than it had any right to be under the dim party lights. She looked... effortlessly perfect, as usual. Her golden hair fell over her shoulders, and she was wearing a fitted sweatshirt and jeans that somehow looked better on her than they should on anyone else.

You froze, heart thudding painfully in your chest. Part of you wanted to turn around, disappear before she saw you. But it was too late.

Her eyes found yours.

The laughter in her expression softened, replaced by something unreadable. She said something to her friends and started weaving her way through the crowd toward you. 

"Hey, stranger.”

"Hi." 

Paige glanced at your cup and grinned. "Is that what they’re calling ‘liquid courage’ these days?"

You rolled your eyes, grateful for the hint of humor to break the tension. "It’s more like ‘liquid regret.’ This stuff is terrible."

"Yeah, I’m not surprised," she said, crossing her arms and leaning slightly closer. "So, what’s a studious Computer Science nerd like you doing at a party like this?"

You shrugged. "Roommate dragged me here. Said I needed a life."

"And do you?" Paige asked, her tone teasing but her gaze steady.

"Do I what?"

"Need a life."

You laughed nervously, rubbing the back of your neck. "I guess that depends on who you ask."

Paige stepped closer, her smile fading slightly. "I would’ve asked in class, but... you weren’t there."

You blinked, caught off guard by the shift in her tone. "Yeah, well, in case you don’t check your email, no class this week. Guess you’ll have to doodle in your own notebook."

Her lips quirked up in a half-smile. "Guess I will. But it’s not as fun without you sitting there, making it obvious you’re trying not to look at me."

Your cheeks flushed, and you glanced away. "I don’t know what you’re talking about."

"Sure you don’t," Paige said, her voice softer now. "Always playing games with me."

You punch her arm lightly, rolling your eyes at her comment. "Don’t even right now, Bueckers. I know the rumors about your little reputation. I know the effect you have on all the girls like me."

Paige raises an eyebrow at your words, her lips curving into that confident, knowing smile she always wore when she was about to push your buttons. She leans down, her face inches from yours, and whispers in your ear, "And what effect do I have on you?"

The air around you feels charged, every word she speaks a spark that ignites something deep inside. You try to pull away, to keep your cool, but it’s hard when she’s this close—when the warmth of her breath brushes against your skin, making your pulse quicken. You swallow, trying to steady your racing heart, but the words come out before you can stop them.

"T-that’s not what I meant to say–” you try to explain.

“Mhm, sure it is,” Paige intercedes, her smirk still remaining.

“No, seriously, I didn’t mean that. What I meant to say was–”

“That you’re in love with me?”

The feeling of alcohol coursing through your system and Paige’s insistence ticks you off slightly.

You scoff, rolling your eyes once again, but you feel a rush of something you can’t deny, something that’s been simmering since the moment you two first crossed paths. Without another word, you push past her, your heart pounding harder than you’d like to admit. You make a beeline for the door, desperate to put some distance between the heat building up inside you and the air in that crowded house.

But Paige follows you, steady, unrelenting, like a predator following its prey. She was not going to give up on you that easily.

"Hey," she calls from behind you, her voice more serious than the playful, teasing one. "Where are you going? Was it something I said?"

You ignore her, picking up your pace. Your mind is spinning, and your head feels a little dizzy from the alcohol. But you have to leave. You need to get away from Paige before you do or say something you’ll regret.

Paige was a player, you remind yourself. You’ve heard the rumors—your sister had made sure to fill you in on the stories. Paige was a heartbreaker, someone who never stuck around, who used people for a good time and then moved on without a second thought. And as much as you liked her now, as much as she made your chest tighten and your heart race, you knew how this would end. You’d be just another girl who’d fallen for her charm, only to be left behind in the dust.

You repeat the warning to yourself like a mantra: You will end up like one of those girls.

But then, her voice calls out again, softer this time, a touch of desperation in it.

"Hey, wait up."

Before you can react, you feel a firm hand grab your arm, spinning you around to face her.

"What are you doing?" Paige’s expression is a mixture of confusion and something else—something that might be vulnerability, but you can’t be sure. "Why are you walking away from me? What did I do?"

You want to push her away, keep the distance between you two, but the way she’s looking at you—like she’s trying to understand, trying to make sense of your actions—it makes it harder to breathe.

You yank your arm out of her grasp, taking a step back. "I can’t do this, Paige. I can’t be just another... another person you mess with."

Her brows furrow, her lips parting like she’s about to argue, but you’re not finished.

"I know the stories. I’ve heard them. And I’m not stupid, Paige. I’m not going to let myself fall into whatever this is and get my heart handed to me like all those other girls you left behind."

There’s a long pause, her eyes narrowing slightly, but she doesn’t say anything at first. Instead, she takes a slow step forward, her voice low, almost careful.

"I’m not…" her voice drones off, trying to put her words together. "I’m not here to break your heart, if that’s what you think."

You shake your head, feeling your chest tighten. "Then what are you here for? Because I don’t see anything else, Paige. You don’t stay. You don’t do commitment, and I don’t want to be your next... your next victim."

For a moment, it feels like the ground beneath you has disappeared. You’ve never seen her like this—quiet, almost... hurt.

"You think I don’t care about you?" she asks, her voice sharp now, but there’s an underlying pain to it that makes you freeze. "You think I’ve been trying to play you this whole time?"

You don’t answer, unable to find the words. Your stomach twists painfully at the thought that maybe you’ve misjudged her—that maybe, just maybe, there’s more to this than you’ve been willing to admit.

Paige steps closer again, but this time there’s no teasing, no playfulness in her movement. She’s serious, her eyes locked onto yours.

"I’m not perfect," she admits, her voice steady now. "I’m not going to sit here and pretend I’m the ideal person, but what I’ve been trying to tell you is that I want something real. I want you."

You blink, unable to process her words. "What do you mean? You don’t do real."

Paige takes a breath, as if steadying herself before continuing. "I know I’ve got a reputation. I’ve messed with people. But I’m not that person anymore. Not with you."

Your heart hammers in your chest as her words sink in. You want to pull away, want to keep the distance between you, but everything inside you is telling you to listen, to give her a chance to prove that she’s more than just the rumors.

"But why me?" you ask, your voice cracking slightly, a mix of disbelief and longing. "Why now? Why would you want me when I’m just another girl you don’t need?"

Paige’s expression softens, and she reaches out, gently cupping your face in her hands. "Because, for once, I don’t want something casual. I want this—us." Her eyes search yours for any sign of doubt. "You may not believe me, and hell, I don’t even know how I ended up here. But right now, with you, I don’t want to go back to the way things were. I want something more than what I’ve been doing."

Your breath catches in your throat, and for the first time, you wonder if maybe, just maybe, Paige Bueckers isn’t the heartbreaker you thought she was. Maybe she’s just... scared. Scared of what this might become, just like you are.

"I don’t know if I can believe that," you whisper, voice trembling. "But I don’t want to run away from this anymore, either."

Paige’s eyes soften, her lips curling into a small, hesitant smile. "You don’t have to believe it all at once. But please… just... give me a chance."

You hesitate for a beat, then nod slowly, letting out a shaky breath. "Okay. One chance. But if you mess this up, I’m out."

Paige laughs softly, relief washing over her features. "Deal."

Without another word, she steps in close, brushing her lips softly against yours. The kiss is gentle, a promise that maybe, just maybe, you can figure this out together.

And for the first time in a long while, you let yourself believe it.

[obxsummer]

leave me again // jj maybank

pairing: ex!jj maybank x routledge!reader

request: Routledge reader and JJ broke up during the 18 months and now she watches him with Kie? 🫢👀

summary: based on the song by kelsea ballerini; after two years together, you return to outer banks only to lose jj to kiara in a blink of an eye.

warnings: minor szn 4 spoilers, angst hehehe

navigation

--

You didn’t understand. You really didn’t. 

How could you go from such a beautiful relationship and one of the happiest times of your life to watching your best friend get together with your ex-boyfriend? It seemed like such a cruel joke to watch people who had been with you your entire life turn against you in this way. 

It took less than a week for JJ to cut things off after everyone came back from El Dorado, claiming he needed to reevaluate everything and take time for himself. Apparently, that didn’t last long, because three days later, you caught Kiara sharing his bed in Sarah’s rental condo, looking like the happiest he’d ever been.

"I can explain, just-"

The scene in front of you was sick. You'd heard JJ yell out in his sleep, something that was more common than not with his nightmares. Instincts had you in front of his door before you knew it, wanting to comfort him in case he needed someone. You didn't expect to find this.

JJ, shirtless, next to Kiara, of all people, who was wearing the boy's shirt. In bed. Together.

Whatever JJ wanted to say, you didn't give him a chance to hear it. Lips tucked in a thin line, you gave a nod. "Sorry for interrupting, hope everything's okay."

And with a smile on your face and no room for explanations, you closed the door.

“Are you still avoiding them?” Sarah’s voice came from behind as you watched JJ and Kie prep the boat for the upcoming dive. 

You huffed, “Do you blame me?”

She stopped to stand beside you, her eyes watching the duo on the boat move together. “There’s no chemistry.”

“Not a bit.”

Sarah watched you carefully as if she was waiting for the dam to break. In the almost three weeks JJ and Kie had been ‘together’, you hadn’t cried and you hadn’t lashed out. You’d told her the second you found them in bed and they started spewing excuses, you just apologized for interrupting and dismissed yourself with a smile.

John B was concerned. As your older brother, it was his job to defend you and watch out for you, no matter the circumstance. When the two of you first got together, John B made JJ swear that he wouldn’t do anything to hurt you, swearing there would be consequences. While you’d kept your cool, he did not and JJ managed to catch himself a black eye and swollen cheek as a result. 

“Has John B talked to them?”

“Has John B what?” Your brother interrupted your question as he joined the two of you in the shop, hauling a hefty backpack. He reached out to grab your shoulder and squeezed it lightly. “You okay?”

You nodded in response, clamping your mouth shut and looking back at the water. Kiara was going down on the dive with JJ, something about not leaving him alone which made your eyes roll. Pope and John B were going on the boat, leaving you, Sarah, and Cleo on shore to be lookout. 

“Are you lying to me?”

You’d lost so many pieces of yourself in the moments shared with JJ, allowing the vulnerability you had believed he would never take advantage of.  It was no surprise John B could see through the cracks you’d inevitably let form. You sighed, head dropping between your shoulder blades as you let out a steady breath. “I’m fine, Bee. Promise.”

John B was unconvinced by your words but didn’t push. He heard your almost silent crying at night. It was obvious you were hurting by the way you closed yourself off and hid in your skin. He hated that his so-called best friend was the one to treat you this way and cause you to feel like this. 

“You can take a break,” He reassured as his backpack dropped to the ground as he pulled you into a full hug and placed a kiss on your head. “Nobody would blame you.”

You hugged him back and fought off the tears that burned your eyes. There would be a point and time to talk about all of this, but it wasn’t here and now. If you were being honest, there was nothing you’d rather do than run away from Kildare right now, but it wouldn’t be the best option by any means.

“You guys ready up there?” JJ’s voice echoed around the morning air as he called out to John B. 

You hugged your brother tighter before letting go, forcing a smile on your lips. “Be careful, please?”

He rubbed your head lovingly, smiling when you tried to shove him away. “Always.”

You stepped away to give him time with Sarah and started to head back toward the house when someone called your name. JJ’s shoes stomped against the new wooden deck, the sound getting louder as he got closer. You froze in your spot as he rounded to stop you from walking away. “Can we talk?”

You stared at him for a moment, wondering how someone you loved so incredibly much could make you feel this way. “There’s nothing to talk about.”

When you moved to pass him, he grabbed your elbow gently to prevent it. “Please, I just want to get this out before… in case I don’t-”

“You’ll be back.” It was hard to avoid the instinct of reassuring him. He swallowed thickly and met your gaze. He would be back, you just didn't know if you'd be here to see it. The two of you hadn’t been alone since everything went down and there was plenty of awkwardness to show. 

“I just… I’m sorry. About everything. I should’ve told you, but it all happened so fast and-”

“Did you ever love me?” The question came out of your mouth before you could think about it. You wanted to ask it for a while, to find out exactly what went through his head when he let Kiara climb in bed with him that night.

The opening and closing of his mouth was enough of a response to shatter you. Tears formed faster than you liked as you nodded.

“Figured," You breathed out, "Goodbye, JJ.”

You left him on the dock and didn’t look back as you walked away. From him, from Kie, from the friends you considered family until they made you feel like anything but. You swore then and there that you would never fall for someone in that way again. 

After all, staying only made you get real good at pretend.

--

Coming back from the dive had been a mess of chaos. Kie and JJ were at the hospital recovering from nitrogen in their blood while the remainder of the group came back to the house with the amulet, hoping to figure out what was inscribed inside. 

John B called your name as he entered the house, practically bouncing in excitement to tell you what they’d found. You’d opted to stay back after speaking to JJ on the dock, which they didn’t fault you for, knowing you needed time alone.

When silence followed JB’s call, he frowned. Something wasn’t right. The main floor was empty, not a sign of you or your relative presence in the area. Room empty too, leaving John B to question where the hell you went. They had the Twinkie and the dirt bikes were outside which meant if you went anywhere it would be on your own two feet.

“John B.”

The tone in Sarah’s voice told him his intuition was right. She met him in the doorway of your room with a piece of paper in hand, holding it in his direction. He didn’t even need to read it to know the answer to his question.

You were gone. And you weren’t coming back any time soon.

--

part two here :)

a/n: i hate this i'm so sorry

navigation

[not-neverland06]

forgotten promises

pt two of broken promises (I know I'm so creative with names)

bodyguard!logan howlett x fem!runaway reader

a/n: SMUT 18+ MDNI they, like, never use protection (don't be silly, sheathe your willy) but I’d like to make it 100% clear now that she has a magic uterus and there will be absolutely NO baby-making. Just rocking unprotected sex 😎👍 If you’re tagged in this, it does not mean that I am permanently adding you to my taglist. It just means I saw you in my comments/reblogs/inbox asking for a part two and this was the easiest way to let you know I made one. If you would like to be added to the taglist, feel free to ask.  Summary: Life on the road isn't exactly glamorous. Cramped spaces and too many cheap motels have you and Logan at each other's throats. You feel eyes tracking you everywhere you go but you're afraid to tell him, afraid it will be the end of the road for the both of you. One cheap bar and an explosion later and your whole life is flipped upside down.

“What are you doing?”

You glance over Logan’s shoulder at the register. The man behind it isn’t looking at either of you, just disinterestedly scrolling through his phone. 

“Isn’t this what you do?” You ask, motioning to the pack of beef jerky you’re stuffing down your jacket. 

Logan scoffs and shakes his head. “No, kid.” He takes the bag from you and rolls his eyes. 

“Well, then how do you pay for this stuff?”

“Normally, with the money I get from my jobs. But your dad wasn’t too forthcoming with my last paycheck.”

You feel that familiar burning churn of guilt roiling around in your gut. You’ve definitely added another complication to his life and it makes you feel like nothing more than a burden sometimes. “Oh, Logan, I’m sorry.”

Logan glances down at you. He gives you that familiar appeasing look, squeezing you closer, and drags you towards the register. He tosses the snacks and drinks onto the counter. The guy just barely glances up at you both. 

“Will that be all?” He asks in a tone that says he could care less. 

“Yeah,” you answer, eyes drifting towards the magazine rack. Your face is plastered on the cover of a cheap tabloid. 

LOCAL POLITICIANS DAUGHTER STILL MISSING

Exclusive interview with family on PG. 6

Your eyes go wide and you turn your face further into Logan’s chest. He gives you a confused look before his eyes are snagged by the same thing that caught your attention. 

“Why don’t you go wait in the truck?” You nod and slip out of his hold, being mindful to keep your face away from the security camera near the front. 

That keeps happening. You hadn’t thought you would have made news, but your father was making this a part of his campaign. Claiming you’d been taken by a mutant bodyguard and that he’s been praying for your safe return. “Experts” have been claiming that with no ransom demanded you’re being turned into a message for anyone who goes against mutants. 

Now, mutants despise you and everyone else thinks you’re a martyr. In a few years, you’re sure you’ll be turned into some true crime documentary where people you’ve never met before are crying over your disappearance. 

You slide into the truck and let out a deep sigh. You’d thought running away would be freeing. But even a hundred miles from him, you can still feel the cold grip of your father’s hand around your throat. 

“Twenty on pump seven,” Logan tosses the cash on the counter, eyes drifting to you in the truck. It was instinct at this point, always keeping an eye on you. Especially since one of your father’s more fanatic supporters had spotted you in a shitty diner a week ago. They’d called the cops and tried to bar you and Logan from leaving. 

It hadn’t gone over well for him. 

He’d been trying to keep you a little more hidden since then, but it left a sour taste in his mouth. He’d gotten you out of that house to show you what real life was like, to give you a taste of freedom. 

He felt like he was no better than your father, keeping you cooped up and covered constantly. 

When the kid in front of him doesn’t say anything, Logan clears his throat. He gives him a quizzical look but the boy’s eyes are stuck on the door. 

“I swear I know her,” he mutters. Logan’s eyes drift towards the TV behind the counter and he sees an old news story of you. They’re using the footage of the acid attack, claiming you’ve always been the mutant movement’s target. 

“Can I get twenty on pump seven,” Logan repeats, voice firm. The kid finally looks at him and whatever expression Logan is wearing is enough for him to finally start moving. 

The second the receipt is in his hand he’s rushing out the door. He doesn’t know how long it’s going to take that dumbass to piece two and two together but he can’t risk dawdling. 

He fills the tank up, eyes scanning the gas station the entire time. He’s had a cloying sense of paranoia ever since the incident in the diner. He knows that at some point this little run of yours is going to come to an end. 

He doesn’t know if it’ll end with cops finding the two of you. Or if you’re going to realize the real world isn’t all that fun and leave him behind. He knows that a girl like you, one who's used to the finer things, is never going to be satisfied by the life he can offer. 

But he’s hoping that you come to your senses later rather than sooner. He’s enjoying traveling with you a lot more than he wants to admit. 

He gets in the truck, starts it up, and glances over at you. You smile, the smile that makes him feel things he doesn’t like admitting to himself or you. 

“All good?” You ask. 

He nods, driving off without a word because he doesn’t want to tell you the truth. Doesn’t want to admit what you both know to be a fact. The time you have together has an expiration date and he’s worried it’s creeping closer. 

Logan’s inside some shitty roadside motel. Whatever he’s talking about with the owner is clearly getting heated. You can see the way the anger’s growing on his face. His body is tensed up and he looks like he’s five seconds away from leaping over the counter and taking the greasy man leering at him down. 

There’s a final word exchanged between them and then Logan is storming back towards the truck. He slams the door closed so hard you’re surprised the windows don’t shatter. Normally, you sleep in the trailer. It’s not always the warmest or coziest, but you make it work. 

It’s too cold out tonight to do that and Logan doesn’t have a spare tank for the heating. He’d thought he’d had enough for a cheap room for tonight, but clearly, he doesn’t. There’s a tense silence in the truck as you mentally debate saying anything to him. 

His fists are wrapped so tightly around the steering wheel you can hear it creaking. You shift, sitting up straighter in your seat and uncurling your legs. There’s a stiffness to your joints that has you groaning. It’s involuntary, ripped out of you simply because you’ve been sitting for too long. 

It catches Logan’s attention and he glances over at you. There’s a resigned sort of guilt on his face and it makes you feel sick to your stomach. He’s used to this type of lifestyle, and sometimes you think he’s embarrassed to share it with you. 

You’d never judge him for roadside motels or living off cheap gas station meals. You know you were privileged living up with the wealth you did. But there is something infinitely more satisfying about being poor and happy than there ever was being rich and miserable.

“Look, kid,” he lets out a heavy sigh and you mentally prepare yourself for what you’ve been expecting. You were a fun time, a nice ride, but you’re becoming a burden and he can’t deal with it anymore. 

You let your nails dig into the thin skin of your palms so you can attempt to ground yourself. “I need to make some money tonight, so I just need you to bear with me for a while.”

Like there is every time he doesn’t boot you to the curb, a relieved rush of air expels from your chest almost violently.  “Okay,” you say tentatively, the word dragging out while you try and understand his meaning. 

“I just,” he stops and it looks like he’s struggling to find the words to say to you. You wait patiently for him to finish, or try to at least. “There’s a bar nearby. I’ll find some work there,” his words are ominous. They give you nothing and convey so much. 

Clearly, he’s hiding something from you. You can tell that much from the way he’s avoiding eye contact with you. He pulls out of the motel’s parking lot and turns the radio on. You’ve learned that's his way of telling you he doesn’t want to talk without being a dick about it. 

You want to respect his space because you still feel like an imposter. But it’s hard. He’s being oddly cagey about this. 

The drive is short but it feels like you’ve been transported to an entirely different town than the one you were in before. He takes only backroads and middle-class homes turn into shady shops with barbed fences. Caged dogs bark at the truck as it drives by and you get a sinking feeling in your gut. 

Perhaps it’s a little classist of you to automatically assume a few low-end homes equate to a bad neighborhood. But instinctually you know something is off about this place. 

He parks in front of a run-down bar. Even from here, you can hear loud shouts and jeering coming from inside. You don’t know what’s being said but they’re certainly passionate. Logan turns towards you, the expression on his face so serious you feel like you’re about to be scolded. 

“I need you to stay here. I won’t be gone long, just an hour at most. But you need to stay in the truck.”

Your jaw gapes and you scoff at him. “Logan, an hour that’s rid-”

He cuts you off with a stern call of your name. Your mouth snaps shut and you narrow your eyes at him, teeth gritting together to keep your tongue at bay. “Stay here, I mean it. Got it?”

You nod and he repeats your name, sounding aggrieved. “Fine,” you huff. “I got it.” He lingers for a moment. You don’t know if he doesn’t trust you or is just reluctant to leave you alone. You’re reluctant to be left alone, especially in a shady dark parking lot like this. But clearly whatever is going on inside is worse than whatever could happen to you out here. 

“I’ll be back soon,” he makes this whole thing sound so grave. It makes your brows furrow and doubt churn in your gut. What could he be doing in there that’s so awful?

He gets out and you watch his form under the flickering street lamps until you can’t see him anymore. You sit quietly in the truck for at least three minutes before you already feel the boredom set in. 

You’d thought you’d be able to last longer. You used to go for hours dissociating at your father’s galas. This is different, though. You’re a little afraid to let your guard down here. 

You try to listen to music but you feel bad wasting his gas so you just turn the truck off and huddle under a blanket in the trailer. You try and let yourself fall asleep but you don’t last long. 

It’s too cold outside to really get a good rest and you can hear people moving around outside the trailer. After about an hour of rolling around and frozen limbs, you figure enough is enough. 

As much as you don’t want to provoke Logan or give him any reason to get rid of you, you can’t stay in here all night. Besides, Logan said he wouldn’t be long, you can always just lie and say you were worried about him. 

Satisfied with your excuse you leave the comfort of your blanket behind and slip into Logan’s jacket. You tuck the truck keys in your pocket and walk out into the snowy night. It’s less cold outside than it was in the trailer, you can see why he wanted a motel room for the night. 

A few people linger by the cars, smoking and muttering to themselves. You slip past them, ignoring the feeling of their eyes burning into your skin. You’re sure it's because you look like you don’t belong here. 

The noise in the bar gets louder the closer you get and it reminds you of the night Logan had snuck you out of the house. But you’d had him to lean on, right now, until you find him, you’re on your own. For all the noise coming from the building, the bar is surprisingly empty. 

Only a few old men are sitting around, drinking beers in silence. The bartender cleans glasses behind the counter, sparing you an odd look before getting back to work. There’s not very far for you to look before you figure out that Logan isn’t anywhere nearby. 

“Excuse me?” The bartender spares you a fleeting glance before barely grunting in greeting. 

The floor underneath you tremors and you glance down at it in surprise. You can hear something going on underneath. You figure that has to be where all the noises are coming from. “I’m looking for someone. Tall, mean as hell, he’s got this hair,” you swoop your hands up by the sides of your head, trying to mimic the odd fluff of Logan’s hair. 

“Downstairs.” You nod and move around the bar, trying to get to the door behind him. He reaches out, grabbing your bicep and stopping you before you can get far. “It's a forty-dollar entrance fee, sweetheart.”

Your brow furrows in confusion and you frown as you dig around in your jacket pockets. You’ve come too far to be deterred now. Ignoring the moral implications, you slip Logan’s wallet out of his jacket and give the man forty dollars. 

He nods towards the door and you give him a weak thank you as you slip past him. Opening the door is like breaking a seal. The noises bombard you almost immediately, so much clearer than they were before. 

You still can’t understand what they’re screaming but there’s a violent atmosphere slipping around you as you head down the stairs. The heady smell of cigars and cigarettes threatens to suffocate you. Your eyes water at the smoke in the air. 

You’d think you’d have gotten used to secondhand smoking after being around Logan, but he’s less inclined to hotbox the car if you’re beside him. The second your feet hit the floor you’re being jostled to the side violently by the people around you. 

It’s nearly impossible to elbow your way through the crowd, but you’re determined to figure out what’s in the middle of the cage that’s got them all excited. You can hear the people around you screaming out bets and numbers you don’t understand. 

For one nauseating moment, you think this might be a dog fighting ring, that Logan gambles on it to earn his money. It makes you want to turn around, to shield yourself from the truth. But this is something he tried to keep hidden from you and you need to know the truth about whoever you’re traveling with. 

You can hear the announcer, but you can’t get close enough to see anything yet. “Are you gonna let this man walk away with your money?” There’s a resounding NO! from the crowd that makes you jump. 

A booming voice shouts over the throng of voices, “I’ll take him!” 

“Our savior ladies and gentlemen!” You shove through two men, ignoring the way they complain about how their beer sloshes on their sleeves. 

“Hey-” You glance over your shoulder as one of them reaches for you.  You flick your wrist, sending him and his friend tumbling back into the crowd. You roll your eyes and turn back towards the cage. 

Your eyes widen and so do Logan’s as you finally see what exactly is going on. He’s cage fighting, this is what he’d been so secretive about. Honestly, it’s a relief compared to the brutality you were bracing yourself for. 

You can see his lips starting to form the shape of your name but the man from before is barrelling into his side as the bell goes off. You wince, jumping away from the cage as you hear the meaty impact of his fist against Logan’s face. 

The people near you scream, shouting for Logan’s blood. It’s easy to figure out that he’s been beating everyone he’s gone up against based on some bloody faces in the crowd. It’s smart, easy money. He can always heal, and can never really be beaten, not when he’s literally got fists of steel. 

You’re surprised that no one’s ever caught onto this scam of his. You also wonder why he had been so adamant about you not seeing this. Sure, it’s brutal watching blood spray against the mat. But you don’t care. Besides, he’s ridiculously attractive in just his jeans as he pummels into some guy. 

Maybe that’s not a normal line of thinking. 

You shake your head, shelving that for later as the fight dies down. The man is limp on the mat of the cage and Logan is leaning against the wall, smoking a cigar and pointedly not looking at you. 

You feel that familiar twisting feeling in your stomach and wonder if this was a horrible idea. You should have just stayed in the car like he asked. You’re sure it would have only been another hour of tirelessly rolling around before he came back. But you couldn’t help yourself. 

He tells you so little about himself. If you get a chance to learn more, you’re going to pounce on the opportunity. Maybe it was a violation of his trust. You sincerely doubt that he would ever willingly have revealed this sort of lifestyle to you, though. 

He seems to be under the same misguided intention that you need to be sheltered. It reminds you a little of your father. That might be a cruel comparison but it’s the same suffocating feeling of being kept in the dark to suit their needs. 

The guilt you’d been holding unfurls and blossoms into anger. You find yourself retreating away from the cage and rushing back up the stairs of the bar. You don’t want to watch him fight any longer. You don’t want to look at him. 

You just want him to treat you like an equal. Not like some little girl who’s going to run at the first sign of things getting hard. 

You burst through the door of the bar, ignoring the cold laughter of the bartender behind you. He clearly seemed to think you couldn’t handle a little blood. He wasn’t the only one. 

You’re only a couple of feet from the truck when you hear footsteps loudly stomping through the snow behind you. “What the hell were you doing?” You scoff, unbelieving that he would have the gall to shout at you. 

You whirl around on him and it catches him off guard. His right foot slides against the slush as he tries to stop himself from ramming into you. “I’m not a little girl, Logan! You don’t need to hide stuff like that from me.”

He crosses his arms and glares down at you. “I wasn’t hiding anything,” he insists. But the tone of his voice gives him away. He doesn’t like that he was caught. “I don’t need to tell you jackshit about what I do for money.”

You can’t believe how he sounds right now. Why is he getting so defensive about this? “I don’t care what you do for money, alright. I just don’t get why you felt like I couldn’t know about this.” You hate the way the hurt is audible in your voice. You wear your heart on your sleeve, even when you try and cover it. 

In the same way, he’s masking his feelings with anger, so are you. Just with less success. Something draws across his face, some emotion you can’t discern. His voice goes cold and quiet as he shoves an envelope full of cash into your hands. 

“Go back to the motel. Get a room.”

He storms past you and walks towards the trailer. You follow after him, slightly dumbfounded by how he’s behaving. He rips his motorcycle out from the back and rolls it into a parking spot. You watch him do all this with your tongue glued to the roof of your mouth. 

It’s only when he starts to head back towards the bar that you realize he’s not coming with you. “Logan!” You call out, trailing after him slightly. He barely turns back to face you. “Are you,” the words die on your tongue and you can’t find it in yourself to finish. 

Are you angry?

Are you leaving?

Are you going to ditch me at the next bus stop?

Instead of asking any of your ridiculously pining questions, you turn on your heel and storm towards the truck. You rip the door open with more force than necessary and drive off without looking back at him. But you know he watches, know he keeps an eye on you until he can’t see you anymore. 

Your rides with him are normally silent, but this one feels painfully so. 

You nearly get a room with two beds. But you feel like if you do it will be a horrendous mistake. Reluctantly, you give the man behind the counter enough for a room with one bed large enough for the both of you. 

You’re not exactly excited about sharing a bed with him, not after how he behaved tonight. You grumble to yourself as you drag your bag inside and toss it on the ground. You picture putting up a wall of pillows between the two of you, just to be petty. 

It’s as you’re showering that you realize you might not even have to. He might not come to join you tonight. He won’t know what room you’re in. And he’d made it pretty clear how pissed he was at you for sneaking into the bar. 

Maybe you’ve finally pushed him too far. You’ve been toying with the boundaries of his patience for a while. Little tests to determine whether he truly wants you around simply to have a warm body ready beside him. Or if he wants you because he genuinely cares for you. 

You suppose tonight, whether you want it or not, you’ll finally have the truth. 

The thought keeps you awake. You toss and you turn for hours, fighting with yourself. You should be happy, finally figuring out what’s been haunting you. But you’re not. You’re petrified. You’d rather keep living a lie than finally accept that he truly doesn’t want you. 

You throw the covers off, the scratchy material only further adding to your irritation. You stomp into the bathroom, slamming the door closed behind you. You turn on the sink splashing some cool water over your face to try and rid yourself of the warmth lingering under your skin. You don’t know if this feeling of being uncomfortable in your own body is from pent-up anger or anxiety. 

You don’t care. You just want to sleep this night away and pretend it never happened. But, of course, the universe has other plans. The motel door creaks open as you’re hovering over the sink, debating whether or not you’re nauseous enough to throw up. 

You tilt your head slightly towards the sound. Growing up in your house, filtering through rooms like an unheard ghost, allowed you to get good at recognizing footsteps. Logan has finally decided to grace you with his presence. 

You listen to him as he creeps silently across the room, landing on the squeaky bed. You press your ear against the door and can hear the way the sheets rustle and he cusses under his breath. There’s worry staining his voice and you figure you shouldn’t drag this on much longer. 

You open the bathroom door and flip the switch, turning the lamps on like a disappointed mother waiting up for her teenager. You cross your arms mutely and lean against the doorframe as he winces under the sudden light. 

He jumps, just slightly, and glares over at you. “Thought you weren’t here,” he accuses. He tries sounding angry, but you have a sudden rush of clarity in that moment. Where you would normally focus only on him being upset with you, you can see the truth of his concern.

Same as you, he doesn’t know where he stands in this whole situation. You doubt he had a clear plan when he rescued you from your tower like some ridiculous storybook knight. He most likely thought that you left, the same way you thought he would. 

You remain silent, though, still a little too flustered to speak coherently. Instead, you examine him. There are cuts and blood all over his shirt. Splatters of it on his face. Though, you know if you looked there would be no physical evidence of him ever being hurt. 

His brows furrow the longer you stare, a wall building between the two of you. “Kid?” He questions, equal parts worried and defensive. Does he really think you actually give a fuck about him fighting?

You shake your head and walk back into the bathroom. You rustle around in the cabinet underneath the sink until you find a washcloth. Wetting it, you bring it back out to him. You station yourself between his spread legs, holding the cloth between you like a peace offering. 

He looks doubtful as he glances between you and it. Finally, he lets out a rough sigh and simply nods his head. But when he reaches for it you snatch it back, much to his chagrin. You offer him a small smile and tilt his chin up towards you, gently wiping some of the dried blood off his cheeks. 

He doesn’t flinch or hiss away from the less-than-gentle fabric. He stares at you unblinkingly, like if he closes his eyes for a moment he’ll wake up and this will all have been a dream. “You don’t have to do this, kid.”

You roll your eyes and crane your neck to get a better look at him. “Would you shut up?” You whisper teasingly. 

His lips quirk slightly and you can see his shoulder slump in relief at the sound of your voice. “So, she can talk.” You can’t help the little laugh that comes out of you. He grins fully at that and his hands come up to rest on your hips. 

His thumbs rub soothing circles along the sides of your waist as his hands dip a little lower. “What are you doing?” Your hand drifts down to his neck to wipe some blood off there as well. 

He shakes his head and shrugs, “I don’t know what you’re talking about.”

You lift your gaze to his and your lips fall flat, “Logan-”

He cuts you off before you can finish. In one smooth motion, his hands drop to wrap around your thighs. He lifts you slightly and drops you onto his lap. He grins at the slight huff of surprise that rushes out of you. 

His arms go back to your waist, pulling you closer to him and grinding you a little against him. You bite your lip to stop any noises from escaping. As much as you wouldn’t mind what he’s thinking, you need to talk. 

“Logan,” you scold. 

He smirks and tilts his head patronizingly, “Something wrong, sweetheart?”

“It’s not happening,” you tell him firmly, hand still working on cleaning him. 

He sighs and one of his arms drops away from you. He cups your hand in his, stilling your movements and forcing you to meet his gaze. Gently, he takes the cloth from you and tosses it somewhere you can’t see. “I’m fine,” he whispers, eyes searching yours. 

It’s hard meeting his gaze. The worry and anxiety from the night still weigh heavily on your shoulders. He repeats himself, fingers tilting your chin up to face him. “Alright?”

“I don’t care,” the words come rushing out of you before you can stop them. His brows raise in shock and he gives a slight chuckle of amusement. A lump grows in your throat and your eyes grow wide. “Wait, I don’t mean-”

You cut yourself off and rub your hands over your face, trying to get your head on right. Logan’s patient, rubbing your back and clearly trying not to laugh at you. You finally take in a deep breath and face him again. 

“I don’t care about the fighting,” you can see his shoulders tense slightly like he doesn’t believe you. “I don’t care, Logan. You do what you have to survive and I’m not gonna judge you for that.”

“What if I enjoy it?” He cuts you off, tone harsh as he glares down at you. There's experience in how quickly he doubts you, how quickly he tries to get you to change your mind about him.

You wonder how many times he’s been rejected just for being a mutant. You’ve only ever been rejected by one person because only he ever knew. Your father. And that hurt enough for one lifetime. 

You can’t imagine going for as long as he has and constantly being called a monster for something he can’t control. Your brows furrow and you lean into him until your lips are brushing. He remains stiff beneath you but you don’t let it deter you. 

“I don’t care,” you tell him, pressing your lips to his before slowly pulling back. You wait for him to respond, physically or verbally, but he’s still looking at you with that cold unfamiliar gaze. 

You wonder if maybe it was a mistake, to bring it up at all. But just as the thought comes he’s surging forward. His lips catch yours, his hands digging so desperately into your shirt you know it rips. 

Your arms go to his neck, holding onto him so you don’t slip off his lap. You haven't been this close for a few days. You think it might have made you both feel on edge. There’s a relief that comes from not just having sex with him, but also just being intimate and close to one another. 

It’s a reminder that you’re not alone, that there’s someone here beside you to be a partner and a pillar of stability. You’ve never had that before. Someone that you can rely on and trust fully. You don’t think he has either. 

He craves you the same way you do him. Each kiss, every shared breath, is treated like it will be your last. You don’t know when your father will finally catch up to the two of you. You don’t know when the police might finally recognize Logan. 

There’s no definitive future for either of you. It’s a real possibility that this could be your last night together. And neither of you wants to be upset with each other. Because you were never truly mad. You were always just worried. 

Your hands drop to his shirt, dipping to find the holes in it from his fight and ripping at the flimsy fabric until you can just yank it off. He smiles against your lips at the eager way you move atop him. But he can’t tease you, he’s already annoyed with the buttons on your shirt. 

He pulls back, glaring down at the fabric like it's insulting him. Without another word, he slices through it, leaving it in tatters on your shoulder. You grin, shrugging the rest of it off. “That was yours.”

He grips your hips tightly and leaves marks where his fingers are as a reminder that he was here. He flips you over, leaves you breathless as he hovers over you. “I really don’t give a fuck, sweetheart.”

You’re addicted to his voice. How breathy and desperate it is when he’s with you. It’s a level of vulnerability you rarely get to see from him. He can’t hide himself when he’s with you like this. He wants you just as badly as you do him. 

It gives you a confidence rush like no other, makes your ego grow ten times its size. If you can make a man like this fall to his knees from nothing more than a kiss, then you’re capable of a lot more than you give yourself credit for. 

But you don’t want that tonight. You reach for him before he can go much further, grabbing him by his hair and tugging until you know it stings. He nearly fucking moans at your rough touch, eyes fluttering open to meet yours. The green of them has been wholly consumed by his desire for you and it makes you ache for him. 

“Not tonight,” you tell him. There’s no room for argument in your tone. As much as he might want to taste you, devour you, all you want is to be as close to him as possible. You want to be covered and filled by him in every way you can be. 

His head falls against your thigh, a rough groan tumbling from his throat at your words. You drag him towards you, pulling him up your body until you’re face to face. You smile softly up at him, lifting your head so you can meet his lips again. 

You’ll never get enough of kissing him, of tasting him. Sometimes you have to stop yourself from reaching across the seats and kissing him while he drives. You’ve nearly made him wreck a few times and forced him to pull over so you could both have some fun in the back. 

Addiction isn’t the right word for what you feel for him. It brings along its own negative connotations. The taint of dependency and toxicity. With addiction, it’s a parasitic relationship, hurts you but makes you feel good. 

This is just goodness. This is a kind touch for the first time in your life and finally feeling safe in someone elses arms. This is opening yourself up to him fully and not once feeling like you need to mold yourself into something else to make him happy. It’s accepting him as he is, a broken dog who likes to fight to punish himself. You don’t want to change him or make him “better.” You just want him to be happy. 

You use your powers to help yourself, flipping him over and straddling his hips. You drag his jeans down his legs and flick your wrist, sending them flying somewhere across the room. He watches you with eyes filled with awe, hands drifting over your curves like something to be worshipped. 

You know he’s waiting for it, for you to sink yourself down on him and finally be filled. But you wait, hover over him even as the muscles of your thighs tremor. “You don’t hide things from me anymore,” you warn him. You’re not asking, for once, you’re demanding what you want. 

He doesn’t look angry like you’d been expecting. Instead, it only seems to turn him on more. “Ya know,” his hands drift to your hips, dragging you down and over his cock until it’s wet with your want. Your nails dig into his chest until there’s blood beading under them and you’re trying not to let your noises slip out. 

“I kinda like it when you’re all bossy like this.” 

“Logan,” you grit his name out. It takes everything in you not to look as affected by him as you feel. “No more hiding shit.”

He leans up on his elbows. His hand drifts to the nape of your neck and drags you down until your lips are nearly touching his. “Yeah, I got it, sweetheart.”

Like a taut rope being cut, you sink into him, your hips finally drop and he guides you down every inch of him until you feel like you’re so full you can’t breathe. He lets you linger for a moment, and get used to this feeling while he steals the very air from your lungs. 

He’s greedy with the way he touches you. His hands always moving like he’ll never fully be satisfied with how much of you he can feel. He’s always reaching for you like he needs to make sure you’re actually real and not just something he’s dreamt up. 

Even with how impatient he is, you’re always the one that moves first. You roll your hips over him, moaning at how he feels inside you. It’s like he’s perfectly molded you around him. He always manages to brush against the spots that make your eyes roll into the back of your head. 

The second your hips begin to roll, he’s wrapping his heavy arms around you, grinding you down into him. He keeps you trapped in place, using you like a toy as he bounces you on his lap. Your mind is fuzzy, every bad thought and feeling shoved out while he makes you go dumb on his dick.

You love how boneless you go. You don’t have to think now, don’t have to worry. You wrap your arms around his shoulders, shifting yourself further on top of him until you're practically burying yourself under his skin. 

Not thinking always comes with its own consequences, though. Your powers slip a little out of your grasp. The walls trembling and the drawers and cabinets opening and closing. The both of you have gotten used to the noise, know how to drown it out, and just focus on each other. 

One of these days, you’ll need to figure out a way to have sex with him without bringing the room down around you. That’s a problem for later though. His whispered praises and grunts of your name filter through your mind until there’s nothing left inside you but him. 

“Fuck,” he hisses in your ear, “you’re so fucking tight around me. You close?” He grunts, hand drifting down to rub tight circles on your clit. You dig your nails into his shoulders, nodding your head frantically against his neck. “Words, sweetheart.”

“Shit,” you can barely think of your own damn name. Let alone what you want from him. “Fuck off,” you hiss. He chuckles at the attitude and you almost expect him to stop, just to be a dick because you were a brat. 

But he’s just as close as you are and he’s too selfish to tease. Wave after wave of pleasure crashes down on you as your body shakes against his. He follows quickly after you, warmth shooting up inside you and almost leaking down your thighs. You feel stuffed, like your body’s been pushed to the limit and further. 

You both sit together in silence for a while. You ignore the way your skin sticks to his uncomfortably, instead reveling in the warmth he provides you. Anyone else, and you’d be rushing to get away from them. 

You’re always extra sensitive after sex, every little thing setting you off. But there’s a comfort to the way his hairy ass chest brushes against your breasts and his arms squeeze around you. It’s a nice grounding feeling. 

The tips of your fingers drift over his arms, following the path of his veins and brushing against his fingers lazily. He flips his palm over, encasing your hand in his own wordlessly. Little things like that ease your worries. Makes you feel like something more than just a quick fuck. 

He breaks the silence first, which is rare for him. “I’m sorry about tonight.”

You frown and peer up at him. “I told you, I don’t care about the fighting.”

He sighs and shakes his head, “Not that. I shouldn’t have gotten so fucking mad at you. You didn’t do anything wrong.” You want to interrupt him, assure him that you both acted pretty childishly. 

But you understand it’s difficult for him to express himself verbally. He usually prefers silent acts of apologies and expression, you don’t want to mess him up before he can get out what he wants to say. 

“I don’t want to be like your father.” Your face screws up a little and you shift uncomfortably on his lap. He loosens his grip, giving you room to leave if you want to, but you stay put. “I’m trying not to coddle you, sweetheart, or hide you away from the world. But I don’t like you seeing that shit.”

“You’re not my dad, Logan. He wouldn’t give me a choice,” you try and joke but it just seems to make him more irritated. Sighing you straighten up, bracing yourself on his chest and staring down at him. 

Your head tilts to the side in contemplation and he almost looks uncomfortable under the attention. “I’m not so fragile or sheltered that I’m going to shatter at the first taste of the real world, Logan. I mean, for god’s sake, I’ve had acid thrown at me and bodyguards since I could walk. I know how dangerous it is. Whatever you want to hide from me, I’ve seen worse.”

You let your words sink in for a moment and he looks at you like he’s seeing you for the first time. You know that it’s odd for him, to comprehend a girl who was afraid to go into a bar swallowing down an illegal fighting ring like it’s nothing. But you’re not lying. Everyday little things are what you’re unused to. But you’ve lived alongside violence your whole life. 

“Look, fighting, sleeping in shitty motels, and your truck, that doesn't bother me. But I don’t like when you hide things and I don’t,” you take in a deep breath, mentally preparing yourself for the worst. This is what you’ve been trying to tell him for weeks. 

A few little words have your tongue tied and make you desperate to cover yourself up again. He can see the shift in your expression, and feel how tense you get. He sits up a little more, thumb rubbing soothing circles over the back of your hand. 

“I don’t want to just be someone to fuck you, Logan. I didn’t come with you so you’d have easy access pussy,” he looks thoroughly amused at your crude words, but there’s something else lingering in his expression. Something like hurt. 

“Is that what you think?” He asks, tone distant. You can’t find the words so you simply nod. He sighs and shakes his head. He eases you off his lap and you worry you’ve truly fucked this up somehow. 

He goes into the bathroom, returns with a wet washcloth. He still doesn’t speak and you’re on edge the entire time he cleans the both of you up. You can see he’s thinking, biting his tongue, and trying to figure out what it is that he wants to say to you. 

You’re impatient, five seconds away from just demanding a response from him. He tosses the cloth and drops into bed beside you. You draw the sheets up to your chest, glaring down at him while he rubs his hands over his face with a tired sigh. 

When he opens his eyes again he laughs at how close you are. “Jesus,” he wraps an arm around your waist, dragging you down into his chest even though you fight him. It must be easier for him to speak when you’re not staring at him. 

“I didn’t go back for you so I could fuck you, kid. I… care about you,” there’s a long pause before he says the word care. You think it’s funny, that he can’t bring himself to admit what he actually feels. But you’ll take it, you’ll give him the time he needs to come to terms with the truth. 

For now, you let yourself fall asleep, feeling just a little bit better about the road ahead. 

Things get easier between the two of you. And somehow harder at the same time. You don’t walk on eggshells around each other, no longer afraid of scaring the other off now. Which also means that you find it easier to bicker with him about little things. Like, not just tossing his trash everywhere in the truck. You’re practically living out of the trailer, the least he could do is help you keep it tidy. 

You know it’s weird for him. Suddenly having someone nag at him not to be a slob or to take breaks in between driving so he doesn’t wear himself out. It’s an adjustment you see him struggle with sometimes. 

You try not to be too pushy, but there’s only so many times you can flick crumbs from his burgers off your seat before you lose it. “Logan!” You snap, glaring at him as you stand up only to find chip crumbs squished into the fabric of your leggings. 

He glances over at you and shrugs, “What?” 

You glance between the crumbs and him with a glare but he doesn’t seem to be connecting the dots. “Fucks sake,” you grumble, passive-aggressively wiping the truck seat off before you slam the door and storm towards the diner. 

You’re sick of being cramped in the truck. You’re sick of the greasy food. You’ve begun to crave salads lately. Which is beyond weird. But the novelty of shitty food and milkshakes wore off a hundred miles ago. 

Logan catches up to you, huffing with irritation as he swings the door open for you. You take a seat in the booth near the corner, snatching up the menu and pointedly staring at it and not him. “Really?” He demands. When you don’t answer he tips the menu down, forcing you to meet his gaze. “What is your problem?” He hisses, trying not to draw attention to you both. 

You lean in, voice a harsh whisper. “How hard is it to just not make a mess? We live out of that damn truck, the least you could do is keep your crumbs on your side.”

He rolls his eyes and leans back in the booth. You’re both sick of having the same fight. But there’s really nothing else to do anymore. When you’re stuck together for so long, it’s the small things that get to you. 

You’re going to say more but the waitress pops in front of you out of nowhere. “Hi!” She beams and gives you her name, the bows in her hair trembling at how hyper she is. “What can I get you both today?”

You and Logan place your orders, and he shoots you an odd look when you only order the salad. “We’ve got a couple more hours ahead of us, you’re gonna get hungry.”

You cross your arms and shrug, “No, I won’t.”

He licks his lips, sucking on his teeth and leaning against the table. “Yes, you will,” he argues with a stern voice. 

You narrow your eyes at him and give him a bitter smile. “Kiss. My. Ass.”

Your stomach grumbles for the third time and you know that Logan can hear it. You’re pointedly not making eye contact with him. It feels like it's louder than the music at this point and you really don’t want to prove him right. 

Without a word, he begins to dig around in the center console. You glance towards him, confused, “What’re you doing?”

He doesn’t say anything, just tosses whatever he’s grabbed onto your lap. You glance down at it and frown. It’s somehow cold as you unwrap it. You pull the parchment paper away and let out a relieved sigh. 

He ordered you a wrap from the diner without you realizing. You take a bite, your hunger steadily easing away. “I’m sorry,” you mutter, pointedly looking out the window. 

He glances over at you and scoffs. “What was that? Couldn’t hear ya, kid.” 

You roll your eyes and turn to glare at him. He’s already looking at you, a teasing tilt to his lips. “I said I’m sorry,” you snap. “I shouldn’t have been a bitch.”

He shakes his head and waves you off. “I haven’t exactly been pleasant myself. I’ll,” he huffs lowly and forces the words out, “clean up more.”  

“I think we’ve just been stuck on the road too long. We’re gonna end up driving each other insane.”

His eyes glance along the signs on the highway. There’s a notice for food and shopping at the next exit and he nods towards it. “We’ll stop at a motel for a few nights. Take a break.” You want to ask him if he’s sure that’s smart. 

It seems risky, to slow down for so long. But you need to walk around, breathe fresh air, and stretch your legs. You’re too selfish to tell him not to stop and keep going. Instead, you nod and smile at him. “That sounds really nice.”

He gives you a slight smile that’s gone as quickly as it came, reaching over and resting his hand on your thigh. You move closer to him and he turns the radio up. You wonder why he doesn’t want to talk anymore but you don’t push it. You’re too excited to finally get out of the truck again. 

The town is nice enough. It’s small, with only a few shops where you buy some new shirts to replace one’s that Logan has torn up. The motel you’re staying at doesn’t have a washing machine so you have to use the laundromat to wash your clothes. 

Logan says he’s going to see if he can find a quick job nearby. You wonder if that means a real job or a more bloody one. You decide not to ask questions, instead taking the little change you have and figuring you’ll try to get the smell of grease out of all your clothes. 

As you load the machine up and put your quarters in you can’t escape the feeling of someone watching you. You’ve been on high alert ever since Logan stole you away from the house. But this is different. 

You’ve gotten used to your own paranoia, you know when it’s real or not. You walk away from the machine, glancing out at the glass walls near the front and trying to see if there’s someone out there. This, oddly enough, doesn’t feel like a police stakeout where they’re going to track you back to the motel and bust Logan. 

This is something different. There is a deep-seated primal fear in you that makes the hair on the back of your neck stand up. Your heart races as your eyes search the dark street outside. What little glow comes from the streetlights isn’t enough for you to clearly make anything out. 

But you feel them, tracking your every move. They’re somewhere nearby, you can’t see them but they see you. You feel sick to your stomach. You glance at the door before racing towards it. You turn the lock, slowly backing away and keeping your eyes trained on the street. 

You look into the shadows and find shapes and movements where there are none. Your eyes spin as your brain crafts a horrible image of some monster waiting outside for you. When the timer for the washer goes off you let out a sharp scream, spinning around and clutching your chest as you glare at it. 

“Fuck’s sake,” you mutter, angrily running your hand over your face and trying to catch your breath. You put the clothes in the dryer and by the time you're done, the feeling is gone. You don’t know if they were never there to begin with, or if they got bored and left. 

You’d told Logan that you didn’t need a ride, you’d just walk the short distance back to the motel. Now, you use the phone on the front counter and call him, telling him you’ve changed your mind after all. 

By the time he picks you up, he looks incredibly concerned. You know you sounded panicked when you called him. You still feel upset about the whole thing. But when he asks what’s wrong you just tell him you got a little scared walking back in the dark. 

You don’t tell him someone was watching you because you know he’ll make you pack up and leave again. You want some stability. Even if it's just for a week. So, as stupid as it is, you lie to him and say everything’s fine. 

When you try to go to sleep that night you feel like you’re being watched again. Even with the curtains closed their eyes burn into you. You toss and turn under the heavy weight of the sheets, struggling to get comfortable. 

There’s a low grumble behind you before Logan throws his arm over your waist and tugs you back into his chest. “Stop movin’ around,” he demands, his voice barely audible. You smile a little at how tired he sounds before forcing yourself to settle down. 

He doesn’t give you much choice, using his body as a weight to keep you pinned. You still feel their gaze, even more now, but his proximity brings you enough comfort to get a little bit of restless sleep. 

Logan’s up before you, he always is. He comes in with cheap coffee and free breakfast from the lounge. You push the sheets off your legs, your shirt sticking to your back from the cold sweat of your nervous sleeping. You feel a little more at ease this morning. 

You wonder if you’re developing some late-in-life fear of the dark. You don’t know why you were so upset last night, you feel perfectly fine now. It’s almost like it was all one bad dream. Logan walks over, handing you the coffee wordlessly and rustling around in your bag for something. 

He pulls out the envelope of cash you keep stashed away and frowns at the contents. “Found a job,” he mutters, stuffing the envelope away and turning back towards you. He leans against the desk, face pensive. 

You rub your eyes, trying to wake yourself up a bit more so you sound coherent. “What is it?” You take a sip of the coffee and your face screws up at the aftertaste. 

“Fighting,” his tone is clipped and you wonder what’s got him up in arms. He walks past you, heading into the bathroom, and closing the door behind him. You tilt your head, gaze following him curiously. He doesn’t normally close the door, he usually likes to invite you to join him. 

Something happened and you wonder if he’s hiding the same thing you are. You close your eyes, taking in a deep breath and closing your mind off to the fear from last night. 

By the time Logan is done in the bathroom, you’re feeling more awake. You can’t just dismiss what happened last night. You’ve never gotten scared like that before. You refuse to ignore your instincts, but you’re also not going to let whoever that was terrify you into going back on the road. 

You don’t want things between you and Logan to grow more tense than they already are. The time away from each other yesterday helped a lot. You no longer want to strangle him when you hear him breathe. You’ll just stick closer to him today and see if you feel the eyes on you again tonight. 

“So,” you start, testing the waters to see if he’s still in a bad mood. He glances over at you, eyebrows quirked in curiosity but you’re tongue-tied as you stare at him. However many weeks you’ve been with him and you’re never gonna get used to seeing him straight out of the shower. 

The towel is draped low on his hips, giving you a taunting look at what lies underneath the white cloth. Droplets drip down his abs and you’ve never wanted to be water more than you do right now. It’s unfair, just how attractive he is. 

You always forget what you’re going to say. You can’t think when he has a shirt off, it’s infuriating. Scoffing, you turn away from him and shake your head. You hear him chuckle, you know he knows what you’re thinking about. 

“What’s wrong?” He creeps up behind you, arms wrapping around your waist and tugging you back into his chest. 

“Logan, dammit,” water soaks into the back of your shirt uncomfortably and you tilt your head to glare at him. 

He smirks down at you, “Cat got your tongue, kid?”

You roll your eyes and push away from him. “I can’t even remember what I was going to say.” You snatch a shirt from the dresser and shove it into his hands. “Put this on.”

He scoffs and gives you a disbelieving look. “Are you serious?” You wait for him, gaze expectant. You’re not gonna be able to think when he looks like this. Sighing, he acquieses and tugs the shirt on. His lips fall into a sarcastic line, “Happy?”

Like a switch being flipped you finally remember what you were going to ask him. “The job you told me about. Where is it?”

You can see on his face how little he wants to divulge that information to you. But you know he’s going to tell you. You two made a deal not to hide things, although, you might be breaking your side of that right now. 

“Some shitty bar a few miles from here. Listen-”

You’re not gonna like it. 

I don’t want you tagging along. 

You should just stay here and read or some shit.

You wonder which one he’ll pick today. “You wouldn’t like it, it’s just a shitty little place where I can make some quick cash.” Look at that, it’s rarely ever your first pick excuse. You must be getting better at reading him. 

“I’ll come with you,” you tell him because you’re not asking. You’re not staying by yourself tonight and you both need the money. You grin at him even as his face falls in disappointment. “Maybe I’ll fight.”

He doesn’t even say anything and you immediately regret what you said. The look he’s giving you would put you six feet under if it could. “It was just a joke,” you mutter.

“Wasn’t funny, kid,” he tells you, tone clipped as he moves around you to grab his jeans. “I don’t even want you in those places, let alone fuckin’ fighting.”

You purse your lips and take a seat on the bed, handing him his jacket when he begins looking for it. “I have abilities too, you know. Maybe I could win a fight.”

“Don’t,” he snaps. “I win because I can take the hits people deal me. You can’t,” you don’t bother arguing with him that you heal too. You understand what he means. You might be able to recover physically, but there’s a mental aspect to being knocked on the ground. There’s humiliation and fear in cage fights, you probably wouldn’t be able to handle that side of it. 

He waits for you to say anything else but when he realizes you’ve dropped the subject he lets out a relieved sigh. “You’ll stay in the truck,” he tries. 

You give him a deadpan look, slipping the keys out of your purse and handing them to him. “No way in hell, but I’ll stay by the bar if it makes you feel better.” He stays silent and nods but you know he’ll try and convince you otherwise when you actually get to the place. Tough luck, though, you don’t think it’s safe for either of you to be apart tonight. Even if it’s just staying in the truck. 

The setup of these places is always the same. Though, this bar seems to be particularly disgusting in comparison to other ones you’ve been to. You position yourself near the corner, your back to the wall so you’re less likely to be noticed in the crowd. 

The fights never last more than a few minutes. And that’s if Logan is feeling generous. Most of the time you only need to be here an hour before people get pissed off and go home. Someone bumps into you and you hear a small, “I’m sorry,” before they rush to claim a stool. 

The crowd’s already begun to die out. Most leave while they still have a little money left in their pockets. You duck your head down, catching the eye of the girl who’d bumped into you. She looks young and incredibly skittish. Her eyes keep darting to the tip jar near the bartender. 

She quietly asks for water but the bartender just shakes his head, tugging the jar closer to him. You don’t know why you’re drawn to her, maybe it’s because she looks like one of those sad pound puppies, but you take a seat beside her. 

“Water,” you order, slipping him some change. When he gives it to you, you pass it off to her, spotting the greedy way she eyes it. You know a runaway when you see one, she clearly needs a little help. But Logan’s got enough on his shoulders, you’re not gonna bug him with adding another person to the mix. 

“Thank you,” she gulps it down like she hasn’t drunk anything in days. You feel your stomach twist with empathy. What little cash you have in your wallet, you slip into her bag as you pass by her. Logan will have made enough for it to be spared and it's the least you can do. 

Not everyone is as lucky as you to have someone help them navigate a new life. 

Logan grabs his jacket, wiping blood off from under his nose and heading towards you. You know he’ll want a drink before you go, he always does. Before he can say anything someone’s shouting the name he uses in the cage. “Hey, Wolverine! I want my fucking money back.”

The big man he’d knocked down earlier takes a step towards him. His friend tries to hold him back, but there’s no stopping him. He’s already had his ass kicked once, what makes him think this is going to be any different?

“Not your money anymore, bub.” Logan scoffs and turns back towards you. You just want to leave now. You don’t want to stay for a drink or go get something to eat. You feel the eyes on you again, but when you turn to find them there’s no one there but the girl. 

And she’s not looking at you. Her eyes are wide and staring at something else. “Behind you!” She screeches, and both you and Logan whirl around to find the man barreling towards him with a knife outstretched. 

Logan moves so quickly that you stumble back slightly. He grabs the guy's arm, twisting his wrist until the knife drops to the ground. He shoves him back against the wall, claws out and pinning him there.

“Shit,” you whisper, glancing around as the few patrons of the bar stare in horror at Logan. The people counting his money stop and tuck it back into the cash box. You clench your eyes shut in irritation, he’s not gonna be getting paid tonight, that’s for sure. 

There’s a strange noise behind you, like someone cocking a gun. You turn around slowly, gasping when you see the bartender pointing the barrel of his shotgun at your chest. He’s not aiming it at Logan, he’s aiming it at you. Like he somehow knows that’s the only way to get him to back off. 

It’s not like he was going to kill the guy, besides, he came at him with a knife first. What’s the difference if Logan’s a mutant? He’s defending himself. Why does no one understand that?

“Get out of my bar,” the old man warns lowly, taking a step closer to you. Logan turns around and finally spots what’s going on. 

“Pay me and I’ll be on my way.” You know you’d be able to heal from the shotgun blast, but you don’t exactly want to go through it. 

The old man laughs and shakes his head. “You’re not getting paid, buddy. Get the fuck out of my bar before I put a hole in your little girlfriend.”

Your eyes narrow in disbelief. You debate with yourself for a moment, if this is smart or not. But the guy’s being a prick and you’re sick of people treating mutants like they’re less than nothing. You flick your wrist and the shotgun goes flying out of his hand. 

You glance over at the cashbox and it comes floating towards you, landing easily in your outstretched palm. “Be thankful I’m not blowing a hole in you,” you warn, glaring at the cowering man. You walk forward and he stumbles back and you try not to focus on the sick feeling of satisfaction it brings you. You grab the tip jar and shove it towards the girl at the end of the bar. “Good luck, kid.”

Logan releases the man from the before, taking a step towards you. You feel the hairs on the back of your neck stand up and rush towards the exit of the bar. You need to just get the fuck out of this town as quickly as possible, you’re not safe here anymore. 

Logan seems to agree with you. He gets into the truck and doesn’t turn back to the motel. Instead, he turns onto the highway while you keep your eyes peeled on the trees outside your window. There’s someone out there, still following you. 

“Something’s wrong with the suspension,” you glance up from where you’d been working on breaking open the cashbox and frown. Logan’s glaring down at the steering wheel, it seems like he’s struggling to get it to turn properly. 

“What?”

He scoffs and glares at you, “How should I know?” He pulls over to the side of the road, opens his door, and lets in a rush of cool air and snow. You toss the cashbox to the back of the trailer and follow after him. 

He goes to where he’s pulling his motorcycle and you feel like you notice an extra bump under the tarp. “What’s that?” You take a step towards it just as Logan pulls it back. You have to bite back a laugh when you see the girl from last night curled up next to his motorcycle. 

She gives you both guilty looks and slowly sits up. “I’m sorry,” Logan offers her a hand and she gets out of the trailer. He grabs her bag and drops it at her feet. “I didn’t have anywhere else to go.”

“Find a different ride,” he growls, already heading back to the truck. You open your mouth, prepared to argue, but you can’t force her on him. As much as you might want to help her. She’s better off away from the two of you.

“You’re just gonna leave me here?” She snaps at him, a little attitude finally showing through. 

“Yep!” He gets in the truck and you know he wants to drive off immediately but he has to wait for you. You shoot her an apologetic look as you follow after him, slipping into the seat beside him. He starts the engine, driving off slowly, eyes drifting towards the rearview mirror. 

You bite your tongue, trying not to point out how cruel he is leaving her on a snowy highway in the middle of nowhere. He glances over at you, “What?” He snaps. 

You shake your head and shrug. “Nothing.” You’ve barely finished speaking before he’s slamming on his brakes. 

“God dammit,” he mutters, running a hand over the stubble on his jaw. You can’t help the grin on your face, reaching over to open your door. It doesn’t take long for the girl to catch on, scooping up her bag and chasing after you. 

“You’re such a softie,” you tease him. 

“Shut the hell up.”

Rogue is nice, if not a little odd. She claims to be a mutant too but doesn’t want to give specifics on her abilities. You don’t want to push her but you are curious about the gloves she wears. “What kind of name is Wolverine?” She asks, spotting Logan’s tags. 

He glances over at her and smiles slightly, “What kind of a name is Rogue?”

She goes to say something but you throw your arm out, holding her back as you shout, “Logan, watch out!” He tries to hit his brakes in time but the tree’s already coming down. The truck slams into it and it’s like time slows down, only for a moment. 

You can feel the impact of your body against the windshield, the glass dragging along your scalp and skin. It’s like a million razors each slicing into you. And then, you’re flying through the air, head snapping so hard against the ground you can’t see anything. 

You hear something happening around you, a roar that doesn’t sound human echoing through the air. There’s the sound of metal crunching and someone is screaming in the distance but you can’t see. It’s not like a total void of darkness, there’s just nothing. 

You feel the blood slowly leaking down the back of your skull and something lands harshly against your head. You don’t think much time has passed. When your eyes finally open, however, you’re not lying on the pavement. 

The world around you is foreign. It smells like a hospital but it’s not like any you’ve ever seen. X-rays are hanging on the wall and paperwork is scattered on a desk near the bed you’re lying on. 

Your mind is blank for a moment. Slowly turning back on while you process the sudden change of scenery. You don’t even remember closing your eyes, you don’t know when your vision came back to you or how long you’ve been here. 

The terror sets in quickly. You throw the blankets off your legs, staring down at the pajamas you wear in disgust. Someone had changed you. They’d run tests and done X-rays on you and you don’t remember a second of it. 

You rip the needle out of your arm, tossing it to the floor and running towards the door. Your feet slip on the metal floors as you run but you’re afraid to stop. Everything around you looks more and more like a lab. 

Did someone from the bar call some government agency? You’ve heard horror stories from your father about the tests the military has run on mutants. You’re starting to worry that’s what's happening to you. 

But you doubt the military would make it so easy for you to escape. This has to be something else. You’d heard other voices when you’d been lying on the ground. People who had been trying to help. Could that be who took you?

“You caught on quicker than your friend.” You nearly fall flat on your face, flipping around to see who spoke. But no one’s there. You’re completely alone. “I’m just grateful you didn’t choke out one of my associates.” it’s coming from beside you now. 

It’s all around you, the voice floating through the walls until you think he might be in your mind. “Much faster than your friend,” he sounds gleeful and it makes you even more anxious. “I’m a telepath, darling, nothing to fear. If you’d just take that elevator and come up to meet me.”

You’d have to be an idiot to actually listen to the voices in your head. But you don’t see another way out of here. So, reluctantly, you follow the floating voice’s instructions and slip inside the elevator. 

When the door opens up again you don’t have a chance to step inside before someone’s pushing you back. Logan stands in front of you, hands clamped tightly around your shoulders while he looks you over. 

You sink into his arms, hugging him tightly to you. You’d been terrified you were all alone here. It’s more than a relief to see him again. “You’re okay?” He asks, pulling back to look at you one last time. 

You nod, throat too dry to try and form a coherent sentence. You glance over his shoulders brows furrowed at the people awkwardly watching you reunite. There’s a man in a wheelchair smiling at you, “Ah, glad you could make it.” The floating voice, of course. “Logan here was quite worried about you.”

Logan turns to glare at the man and you offer a slight smile. There is something comforting about him. You’re not exactly threatened by an old guy in a wheelchair. The redhead behind him, however, is bugging you. Something about the way she’s looking at Logan doesn’t sit right with you. 

“Welcome to my school for the exceptionally gifted,” something about the way he says that makes you tilt your head in confusion. You don’t know what he means until there’s a puff of smoke behind him and some kid is walking by with their hair on fire like it’s nothing. 

Mutants. It’s an entire school for mutants. You think you could pass out again. 

“It’s the best place we could have ended up, Logan. This is amazing.” You’ve been going back and forth for an hour. He won’t see reason. He keeps saying you need to leave. That you don’t know these people and it could all be one big trap. 

You don’t understand him, why he’s so desperate to get away from people like the both of you.  You’re rejected in every other corner of society. You could have something real here. 

It hits you at once. That’s the problem. He’s not ready for something real. He’s not used to it because he’s never had it before. At least you could pretend at a sense of normalcy living at home. It’s an entirely new concept to him, sticking to one place for so long. 

“We don’t know these people,” he hisses, leaning over the bed to argue with you. You narrow your eyes but your conversation is cut off by a knock on the door. You sigh, walking away from him and swinging the door open. 

Jean is on the other side, a surprised look on her face when she sees you. “Oh, I’m sorry. I was trying to drop these off to Logan.” You glance down at the towels in your hand and give her a strained smile. That’s a flimsy excuse if you’ve ever seen one. “I must have the wrong room.”

You step to the side, opening the door wider so she can see him. He doesn’t even look at her, too busy angrily unmaking the bed. “No, you have the right one.” You hold your hands out expectantly, “I can just take those for you.”

The look on her face is priceless and finally causes a real smile to grow on your lips. She wordlessly hands you the towels, looking disappointed. You don’t know if it's because of what she was trying to do, or because she couldn’t do it. 

Before she leaves you call out a quick, “Tell Scott I said thank you again. Wouldn’t be here without him, after all.” Her shoulders tense and she rushes back down the hall. Whatever little crush or interest she has with Logan is going to need to be dealt with on her own. 

You’ve got enough shit going on without having to worry about her too. You shake your head and slam the door shut, tossing the towels on the desk. Logan sits on the bed, watching you with an odd look. 

“What was that about?”

“She’s into you,” you tell him bluntly, waiting for his reaction. He doesn’t even blink, just glances between the towels and you before shrugging. 

“Not interested.” You don’t want to admit that you feel any relief. There was never any real doubt. But it’s still nice to be reassured. 

You slip into bed beside him, taking his hand and forcing him to meet your gaze. “I know that this isn’t what either of us was expecting, but this is good, Logan. We don’t have to worry about pretending we’re something we’re not. We don’t have to worry about my dad or anyone finding us.”

He doesn’t look entirely convinced. But he lets out a heavy sigh and drags you closer to him. He tucks your head under his chin, placing a brief kiss against your forehead. “If you want to stay, we’ll stay. But I’m not putting on that fucking costume.”

You laugh a little, peering up at him with a grin, “Deal.” 

There’s a place for you here, even if there isn’t in the rest of the world. You can be safe here, you don’t have to worry anymore. You don’t have to fear the eyes on the back of your head because they can’t get you here. 

end. — I do not own the characters or the comics/movies Wolverine/X-Men, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

General Taglist: @evasmlp ♡ 

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@mrs-ephemeral @wolviesgirl @allilium @insomniachox  ♡ 

Asked for part two: @enchantedbutterflies @strawberrylore @ittoscumdump @enananawoah @wotcherboo

@cali0101 @fluffy-b33z @pcrushinnerd @izbelross @saltwaterburns

@likeficsinthewnd ♡ 

[gaddaboutgriffon]

The Year of the Dragon.

(Name edited, credit to @jedipirateking for the suggestion.)

A joke the fandom has been making for a while is that Tim is forever stuck at 17. What if we make that something the rest of the Batclan notice too? (I am not following cannon.)

It was just after the annual Family picture day and the new group portrait was taking the place of last year’s and looking at it they noticed 15 year old Damian is now almost the same height as Tim. And Tim is pretty much the same as last year.

Jason and Damian take the opportunity to tease Tim calling him a shrimp and other short jokes. Which Tim rolls his eyes and goes to work on a case or something with Wayne industries. But Bruce, Dick, and Alfred are more concerned, may feel guilty thinking letting him be a vigilante stunted his growth. And looking back at the photos they have of him notice that he wasn’t growing as much as a normal teen boy should have.

Bruce decides he is going to be more active in running Wayne Enterprises while Alfred plots to cut back Tim’s coffee limit. And Dick is going to help out coordinate the patrols. (He had to move back to Gotham when the Bludhaven city spirit forced all the people out before the city got blown up. It’s a long story but dick has been really down and unmotivated after that.)

Tim is not taking any of this well, and feels like his family being stifling. So he decided to start going through the basement and vault of Drake manor. Which he has been putting off since he didn’t really have time for it between patrols and WE. And in the family heirlooms vault, shoved way in the back with covered in dust and many other things sitting on top, he finds an oak box with an ornately caved dragon on it. Opening it up he finds it is velvet lined and has a large pendant that looks a silver dragon curled deep violet amethyst egg. And next to the pendant is a scroll made of thin leather.

He pulled out the scroll first and tried to read it but it was too faint of lettering to make out in the somewhat dim vault light. But what little he could make out it it was really old 14th century English and mentioned something about a coming of age. He rolls it back up and puts it aside to instead pick up the pendant. When he touches it there is a faint static shock that surprises him other then that the silver and purple necklace doesn’t seem out of the ordinary.

His phone lets off a chime to remind him that diner is in an hour, so he pack the pendant and scroll back in the box and places it in his bag with a few other items he finds interesting and wanted to look into more later. Then returns to Wayne manor to eat before patrol. It isn’t until he wakes up the next morning he realizes that he should have probably read the scroll before touching the pendant.

He wakes up to knocking on his bedroom door and someone yelling at him to get up. He had gotten into the habit of locking his door back when Damian first moved in. He yelps in surprise, falling over because his center of balance is all out of whack when he tried to stand. Now he is fully awake and takes stock of himself.

Scales?

Scales! Why are his arms covered in scales?! His hands look like a mix of paws and talons. He struggles out of the sheets to look at the rest of himself. His pjs are stretched and torn in places to accommodate the new digigrade shape of his legs. Not to mention he now has a long tail and wings and a longer neck. He rushes to his personal bathroom and awkwardly stands up on his two legs so he can get a good look in the mirror. And yep that is a distressed dragon face looking back at him. He catches himself making a weird keening sound as he plops down to sit on the bathroom floor.

Moments later he hears the sound of his bedroom door’s lock being picked. Bruce calling his name and Duke explaining he had heard animal noises from the room. Tim scrabbles to try and get the balcony door unlocked so he can escape and find a way to change back before anyone can see him, but moving on all fours and the new talon hands he is not used too take up too much time and the bedroom door is open.

Living in a family of vigilantes, their reaction time and fight or flight instincts are quick, and Tim is tackled to the floor by Duke while the others start looking at every inch of the room for clues as to what happened to their seemingly missing brother.

Bruce is looking at the dragon in Tim’s pajamas for a second before saying, “Tim? Is that you chum?”

Tim tries to answer but all that comes out is a warbling chuff. Which takes Tim by surprise and has him nearly start to cry in panic. He can’t Talk!

“Hey, you’re ok Tim. Deep breaths. Duke get off him. Breath with me Tim. In 1, 2, 3, 4. Out 1, 2, 3, 4.” Bruce spoke in his soothing a scared child voice. Tim was half annoyed at himself for how much it helped.

“B, Look at this!” Dick said holding the box with the scroll and dragon pendent instead open. Now the gem is a very pale see through purple with only a sliver on the bottom the original color.

They take it down to the bat cave and get to work deciphering the scroll. Turns out the Drake family line are descendants of some ancient medieval prince named Aragorn and that there was a family tradition that on the sixteenth birthday the child would have to live a year in dragon form to let it catch up in maturity. But after the dragon form catches up they will be able to freely shift between forms. But if they don’t follow the tradition they don’t age properly, and the longer they put off the tradition the longer they have to spend as a dragon.

And that is all I had time for before bed. So who does this affect the family dynamic? What about the relationship between Tim and Damian? How do we bring Danny Phantom into this? Does he think Tim is a ghost dragon at first?