#and “THIS IS SOMETHING FAR GREATER!!!!!!!!!!!!!!!!!’

[deusfoundry]

18+ only mdni pls thank u :D also its my first time writing smut/something this explicit so please be kind 😭

kissing sylus is always such a dizzying experience, one that you can swear drives you to borderline insanity.

you usually catch him in one of two moods.

one, is when he likes to take things slow.

it's a few hours past midnight, hours past the time you should've went to bed if you wanted to get up early for work tomorrow. but you don't mind. really, every single bone in your body is screaming at you to stay where you are, perched right on sylus' lap.

your legs settle on either side of his thighs. they’re beginning to feel like jelly, nearly numb from being in the same position for so long. both of your hands are on his shoulders. your fingers dig into the fabric of his sweatshirt. an attempt, but ultimately a feeble one to ground yourself.

likewise, sylus' hands are glued to your thighs. his palms glide over the bare flesh, fingertips brushing against the hem of your shorts. beneath the thin fabric, he draws circles with his thumb, each drag of his rough pads on your skin brings him closer to the lace of your underwear.

he’s got no sense of urgency as he pulls away, lips lingering just a hair away from yours before leaning his head to give your neck the same amount of attention. you turn your head to the side for his convenience, and he gladly takes it as an invitation to smother the entire length of your neck.

sylus works diligently, lips moving in an almost snail-like pace as if to say that you've got all the time in the world. he doesn't move to another patch of skin until he's sure there are marks in the greater vicinity of each area he covers.

his lips travel down to your shoulder, leaving wet kisses in his wake. he takes the thin strap of your camisole between his fingers, toying with the fabric enough that it slips off. his teeth sink into your skin.

your breath hitches when that delightful mix of pain and pleasure hits your senses.

it's almost too much, the way he's taking his sweet time with you. how he pours the same amount of utmost care and attention over each inch of skin he comes across, until you somehow find yourself resting on your back at the couch.

the flimsy fabric of your camisole rides up. you find it harder and harder to breathe as he runs a hand over your bare stomach. sylus plants his lips right above the garter of your shorts. 

he tugs at the garter while he holds your gaze, an unspoken way of asking for your consent. your nod is accompanied by a quiet hum that he takes as his cue to pull your shorts all the way down, tossing the garment carelessly over his shoulder.

you're left in your camisole and underwear. it's far less skin than you've shown sylus before, who's seen and memorized every little nook and cranny of your body, but you still feel the urge to squirm. to shy away from his touch and to hide from his eyes that nearly burns holes into your skin from the intensity of his stare.

but he doesn't give you the chance to do either when his hand flies to your inner thigh, slightly spreading your limbs apart.

“don't go hiding on me now, sweetie.” his lips replace the hand on your thigh. the teeth that digs into your skin makes you whimper. “relax, we've got all night.”

other times, he's overtaken by the carnal need to devour you whole. 

he's got you pinned down on the mattress. the cool silk beneath a stark contrast to your flushed, heated skin. it serves as a reminder of how sylus can get you all hot and bothered with little effort.

you two have been going at it for what feels like hours, but it's barely been ten minutes since he dragged you from his office by the waist, the cookies you baked for him sitting long forgotten on his desk.

sylus pulls away, just enough to have you rising from the bed as your parted lips chase after him on instinct. he can feel the ghost of your lashes as your half lidded eyes flutter open. 

you pout. sylus struggles to hold down the chuckle blooming from his chest. 

"stop being mean.” 

"i don't know what you're talking about, sweetie." sylus acts innocent, but he's got a shit-eating grin on his face that lets you know he's messing with you. "am i not allowed to breathe?"

he says it like it's the most obvious thing in the world. like he's never pushed you to the boundaries of how long a human being can last without oxygen. like he doesn't place a firm hand on the back of your head to keep you from catching your breath.

sylus full-on laughs when you turn away from him, shifting your body as much as his tight grip on your wrists will allow so that you're angled away from him.

cute. he thinks. did you really think he can be denied that easily?

sylus releases his hold on one of your wrists. his now free hand finds your chin, fingers lingering above skin for a moment before he uses just enough force to turn your head towards him.

you gasp. the tiny sound you make that's barely louder than a whisper travels straight down.

for half a second, you lock eyes. but you're determined to keep up this little charade despite the hand on your chin, eyes darting to look at anything but him.

“kitten,” he feels the way you squirm beneath, can almost feel the shiver running down your spine. “look at me.”

with little hesitation, you will yourself to face him. and when your eyes find his, sylus wastes no time in capturing your lips between his own.

it's awfully pathetic, you think, the way you gasp for the second time in less than a minute. but you don't think you can pin the blame on yourself entirely when it's sylus.

sylus, who's rapidly starting to fill your senses, consuming you wholly. he's in each breath of air you take through your nose, a mix of leather and cedarwood fogging your mind. he's all you can ever think of tasting as his tongue works wonders inside your mouth.

hell, he's even in the back of your eyelids. a picture forever burned in your mind, a memory carved so deeply into your soul.

he slots himself between your legs, dragging one of his thighs up the sheets until it meets with your core.

sylus swallows each sound you make, from the quietest whimpers to the most shameless of moans, as he grinds his thigh against you. the muscle presses into you with pressure that's enough to drive you crazy, but not enough to send you careening over the edge.

 he knows this. of course he does. he notices it in the shortening of your breath, chest heaving and contracting deeply. in the frantic way in which your fingers travel across the large expanse of his back. in your soaked pajama shorts that's slowly seeping through the fabric of his pants.

“what's the matter?” and he'd be happy to give you more, to give you that push you need to reach blissful release. “tell me, sweetie, what do you want?”

only if you ask nicely.

“sy-” you manage between baited breaths. “please, i- i need more.”

“i’m not sure i get what you mean. care to help a poor man out?” his pace relents, leaning forward in a mock curiosity. satisfaction courses through his veins when he hears you whine.

his pants are starting to strain uncomfortably, the last bits of his restrain wearing thin. he wants you, as much as—no, a lot more than you want him. but he wants to make sure you get your fill first.

it's you above everything, after all.

“sylus, i need you-”

“you have me.” sylus presses against your clothed clit. “or is this not enough for you?”

you shake your head, desperate for release. “need you inside, please.”

“well,” he smirks, reaching down to move your underwear to the side before sliding right into your hole. the gasp that falls off your swollen lips is music to his ears as he starts rapidly thrusting two of his fingers in and out. “since the kitten asked so nicely, who am i to deny her request?”

[ghostlyferrettarot]

♥︎Pick a picture:💕⭐️Channeled messages from your future self⭐️💕

•Pile 1 •Pile 2 •Pile 3

❗️This is a collective reading, take what resonates and leave the rest❗️

✨️Paid Services ✨️ (Natal charts and tarot readings) Open!

⭐️If you like my work you can support me through Ko-fi. Thank you!⭐️

💕Masterlist💕

💙Pile 1:

"You are closer than you think to the life you truly desire, just trust the process."

"The change you fear so much is the door that will lead you to what truly belongs to you."

"Do not underestimate the power of patience; what is to come will be much greater than you imagine."

"Your intuition already knows the answer, it is time to listen to it and act with confidence."

"Remember: everything you have overcome has prepared you for what is to come. There is no turning back."

"Sometimes, moving away from the known is necessary to make room for the new and extraordinary."

"The love you give yourself is the first step to attracting what you deserve in all areas of your life."

"It is time to let go of what no longer serves you; the universe has something better in store for you."

"Your personal power is unbreakable. Do not let anyone or anything make you doubt your ability."

"Opportunities are in front of you, you just need to take the first step with faith and courage."

Hi Pile 1! Your future self is so wise and clever, they are in a powerful position for sure. It's time to take the first step you need, you are capable and are ready for what's next!

💖Pile 2:

"The calm before the storm is the sign that something big is coming, get ready to receive it."

"Your efforts have not been in vain. The universe is preparing the ground for your success."

"You don't have to have all the answers now. Sometimes, the most important thing is to trust the path."

"You are breaking free from what was holding you back. Peace and clarity are closer than you think."

"Your energy is aligned with change. Don't resist the inevitable, embrace the transformation."

"The time to heal has come. Emotional release is your first step towards fulfillment."

"The stars have aligned your destiny for a greater purpose, trust that everything happens for a reason."

"It's time to manifest what you want. The universe is listening to your deepest thoughts."

"You are in the process of rebuilding yourself, give it time."

"What seems uncertain now, will become clearer in time. Allow yourself to trust the journey."

Hi pile 2! You are in a transformation process and your future self wants you to know that everything will be fine, just give yourself the time you need and don't push to hard; be gentle with yourself, a big hug for you pile 2.

💕Pile 3:

"Your capacity to achieve great things is far beyond what you imagine. Trust your potential."

"The opportunities you seek are on your way."

"You are ready to receive everything the universe has prepared for you."

"Every challenge you face is an opportunity in disguise. You are being prepared for something much greater."

"The key to success is constant action. Don't stop, the universe is aligning everything for you."

"Doors are opening, and you hold the key. Don't doubt your ability to take advantage of every opportunity."

"Your dreams are valid and attainable. The first step is to believe in them as much as you believe in yourself."

"You are attracting success because you are aligned with your purpose. Keep believing, keep moving forward, the best is yet to come."

"Your capacity to love and create is infinite. Everything you put your heart into doing, becomes art."

"You are exactly where you need to be. Every step you take brings you closer to the person you are destined to be."

Hi pile 3! You are definitely working hard for your dreams and I see that you will be someone very successful! Feel that you are someone artistic, who connects with the most sincere parts of yourself when creating, this will lead you to find your way. Keep going pile 3!

💕💖Thank you for reading and tell me if it resonated 💖💕

[jessica-problems]

Les Femmes Damnées: Fuck! Marry! Kill!

Invent a lesbian. Roll 4d6 or pick:

Invent 1-3 more. Relationships between every pair start with 1d6 passion and 1d6 trust. 

Each turn, roll 2d6 for each woman's behavior(see table). Pick who she impacts, adjust their relationship stats accordingly. (Or spend 1 trust to reroll.) Journal the results.

At 15+ Passion: If Trust is 0 or less: Murder Attempt. Whoever has more trusted allies survives & gets -2d6 trust with the other’s allies. If Trust is greater than 0: Marriage. When one cheats, she gets -1d6 trust with her wife. Play until everyone’s dead or married.

Author's Note: I'm really quite proud of this one. Earlier drafts were titled Bad Women Kissing Each Other, and I still can't decide which name I like better. "Invent a lesbian" is possibly my favorite way I have ever introduced the rules of a game. Game length does significantly increase as you add more lesbians. Each additional woman effectively doubles the amount of numbers to keep track of. In playtesting, we found that 3 lesbians was a good sweet spot. I had a whole lot of fun iterating on this idea, figuring out how to express complicated passions in such a tight word count. I'm actively choosing not to spend more time fine-tuning the resource economy. This was supposed to be a fun quick thing and I've already spent almost a week on it. I'm quite proud of how much storytelling I was able to pack into what is basically "roll on this table over and over again". If I had just a few hundred more words, I think I might be able to turn this into something really special.

I also want to thank several very helpful playtesters: Misty, Chills, Neither.nor and Crox, who all gave very good feedback and suggestions. Misty also came up with the *excellent* subtitle. It captures the entire arc of the game in three words.

Counting by hand, and the word count on google docs, both put this at exactly 200 words, including the charts. And I like to think this game uses every one of them to the fullest. The 200-word-rpg official counter puts this at 224 words. As far as I can tell, the difference is in how it divides up math expressions. You have my permission to archive this game offsite. Anyone who wants to also has my full permission to hack this, remix it, or do whatever they want with it. You could get a whole lot of mileage out of just changing the words in the first table.

200 Word RPGs 2024

Each November, some people try to write a novel. Others would prefer to do as little writing as possible. For those who wish to challenge their ability to not write, we offer this alternative: producing a complete, playable roleplaying game in two hundred words or fewer.

This is the submission thread for the 2024 event, running from November 1st, 2024 through November 30th, 2024. Submission guidelines can be found in this blog's pinned post, here.

[pinklemonslices]

little tiny fic, a missing scene of sorts? just after niko outsmarts the night nurse near the end of episode 7 🫶

—

“Oh, did you guys know, zombies are real,” Niko says, and Charles is sure he would be more intrigued by that if she had said it at any other time, after any other event. He’ll have to ask her about that later. For now, he settles for a little sound of astonishment.

His mind is more occupied with what she did just before that, having managed to buy him and Edwin more time on earth — together — via outsmarting a literal transdimensional being.

“Thanks,” he breathes out, shock still bouncing around inside him like a pinball. Niko might really be an angel, he thinks. There should really be a halo floating above her head, to match her inhuman kindness.

Edwin shifts beside him, “Yes, thank you, Niko.” His voice is shaky. Charles looks over, and Edwin meets his gaze. The sight alone could kill Charles a second time, if that were possible. Despite being back in his nice, unbloodied clothing, Edwin looks just as broken as he did on the stairs, with watery eyes and an expression of clear exhaustion.

He makes a face, which Charles realizes is a sorry attempt at a smile, and his heart aches. “And thank you, Charles. For coming to get me.”

Without saying anything, Charles makes a move toward Edwin, pulling him into the tightest hug he can manage. Edwin tenses for only a second, before he wraps his arms around Charles in return.

“Always, mate.”

Charles feels Edwin melt into him, like butter in a saucepan. His head finds a place to rest on Charles’s shoulder, as he releases an unsteady sigh.

And god, Charles means it when he says ‘always.’ He couldn’t live (figuratively speaking, anyway) without Edwin beside him, Edwin sighing in his arms, Edwin rolling his eyes fondly when he cracks a bad joke, Edwin solving cases with that clever brain of his. He wouldn’t be able to stand it. Maybe he would just dematerialize, or something.

He would go to Hell a million times, if he had to. He’d run up and down that staircase a million times and throw however many molotov cocktails it took to get Edwin out safe.

There’s not one thing he wouldn’t do to stay with Edwin.

Charles holds him a little tighter. He’s not sure he’ll ever be ready to let go. Hopefully Edwin won’t mind; it might be a little hard to solve cases this way, but they could make due.

They will have to, because Edwin is solid and real against him, and they are not in Hell anymore, and it’s all Charles ever needs. Since he died, he has not wanted Death or The Night Nurse’s Heaven. He found his thirty-four years ago, and it is greater than anything they could offer.

With mild difficulty, Charles manages to pull back just far enough to make good eye contact. Edwin’s eyes are gray and green and they hold the whole world in them; Earth, Heaven, and Hell displayed in hues fit for an angel, a holier trinity than anything the bible could ever fathom.

Edwin takes a shuddering breath, and Charles wants to cry — wants to go back in time and take Edwin’s place.

“I’m glad you guys are okay,” Crystal says, after what feels like years. Charles tears his attention away from Edwin in his arms, to look at her. He thinks he should probably feel bad for not allowing her to go to Hell with him, but it was no place for her.

No place for Edwin, either.

“Me too.”

Niko nods, “Me three.”

Charles cracks a smile. “Glad we’re in agreement.”

Edwin squeezes Charles’s arm tightly before letting go of him and taking a small, singular step backward, and Charles mourns the loss instantly.

They have time, thanks to Niko, he reminds himself. Literally forever.

He hugs Niko next.

[ceilidhtransing]

I'm extremely done with electionposting but I feel like there's one huge elephant in the room that's barely being talked about vis-à-vis the whole issue of non-voters. I see so many posts to the effect of “does the result really indicate that the people who didn't vote are bad, or that the Democrats simply failed to convince them to vote for Harris?” and I have to talk about that.

Obligatory clarifications because people are understandably very heated at the moment and I know people will jump to take this entire post the wrong way:

I know that the tens of millions of people who did actually vote for Trump are much, much more of a glaring active problem than the people who didn't vote at all.

I know that it is, overall, in most circumstances, bad to assert that a candidate is just “owed” your vote, rather than having to win your vote.

I know that Trump's base is unpersuadable and will vote for him whatever happens. I'm not talking about them; I'm talking about non-voters, particularly anyone who voted Democrat in the past but didn't show up this time.

I know that it's shitty that people should have to settle for a candidate they don't like very much because that's the only way to avoid a much greater evil. It's a rubbish situation to be in, but Harris and Trump were the only viable options presented at this election, and nothing changes that.

I know that some people abstained as a (extremely misguided and counterproductive) “protest” against the situation in Gaza. But if the numbers we're seeing are accurate, Harris lost 15 million voters compared to Biden, and I really can't see all of those being “protest-abstainers”. Some of them will be, but clearly a lot of people simply didn't show up, and if you reply with something like “well not doing a genocide would have helped them!” I will just assume you haven't read this. I'm not actually talking about the “protest-abstainers”, I'm talking about the passive non-voters.

I know that the Democrats are hardly, hardly perfect and that a lot of people do not trust them to deliver the kind of meaningful change that they need. Trust me, whatever criticisms of the Democrats you have, I know. They are tangential to the actual point of this post.

But it is properly mind-boggling to me that we have got to a point where we genuinely talk about people needing to be “convinced” to vote against a candidate so thoroughly, off-the-charts terrible as Trump, and as far as I'm concerned it speaks to the incredible job much of the media has done for the last I don't know how many years at continually normalising and sane-washing him, his ideas, his actions, and his speech.

If we were to teleport back to some time significantly before the Trump Era - before US politics got quite so wild, before it became in any way “normal” for a president to rack up an uncountable number of the kind of scandals that individually would have sunk any previous president but which are apparently just the way things are now - and comprehensively describe Trump to the average voter, and then say that he's in an election against a very standard middle-of-the-road don't-rock-the-boat Democrat, and ask “one of these is going to be the president; how are you voting?” the response is very likely to be “fuck me, the Democrat obviously! jesus christ just don't put that guy back in charge!”

Trump is such an appallingly bad candidate on literally every front that I can hardly believe the conversation focuses on whether Harris did enough to convince people to vote for her rather than the fact that Trump himself has spent most of the last decade doing what should be an incredible job at convincing people to vote for her.

And I know the general adage about “people need to be convinced to vote for a candidate, not just against another candidate!” but fucking hell, when one of the candidates is THAT GUY, it really should not take much at all to convince you to vote for whoever isn't him. Where's that meme about Any Statewide Election in North Carolina that has “Adolf Fucking Hitler” winning against “Bland Normiedem” 49% to 48%? Because that's what it feels like when people talk about voters just not being hyped enough by the Harris campaign to vote for her. “Yeah, I know Adolf Fucking Hitler is pretty terrible, but Bland Normiedem just hasn't done a good enough job at winning my vote, and really both sides are bad, you know?”

The thing is that all of the things people say about “you need to run a positive campaign, not just a negative one” and “you need to earn people's vote, not just take them for granted” and “you need to have a good reason to vote for you, not just that you're not the other guy” etc I totally, absolutely agree with - in a normal election with normal politics and normal candidates! None of what we're seeing with Trump is, or should be, normal! “You won't need to vote again” isn't normal, “dictator on day one” isn't normal, running with the intimate support of a bunch of christofascists who are open about their desire to turn America into an authoritarian hellscape isn't normal, and it has been utterly maddening to see people treat this as just another standard uninspiring election and not a code red “for the love of god stop this guy” situation! To use that reference again, it is an absurdity to frame things in terms of Bland Normiedem needing to run a great campaign to convince people to vote for him when his opponent is Adolf Fucking Hitler!

There are many questions to be asked about this election, but re: people not showing up to vote for Harris, a major one that needs to be asked far more often is “how the fuck did Trump and his whole campaign become so normalised to voters that “whether you're persuaded enough by Harris's campaign” is even a serious question? how is Trump Being Trump not persuasive enough for most people?” And this post is long already, but the media has a lot to answer for regarding how they have consistently sane-washed what he's said, normalised his positions, hell, normalised the fact that he's even running in the first place given his many crimes and the way he responded to losing the last election. Trump's enormous base is absolutely the most pressing problem, but this time around that base has been directly enabled to trample everyone else by millions and millions of people apparently just not being “motivated enough” to stop him. That is also a problem.

In no sane circumstances should Trump be a candidate that you have to be extensively, enthusiastically persuaded to keep out of office, and yet here we are, talking about how well or badly Harris convinced people to vote for her when literally everything about Trump ought to have been doing a good enough job of that anyway. How the fuck did any of this become normal? How the fuck did we reach a point where anyone - especially previous Democrat voters - is looking at these two candidates and going “eh, I'll just sit this one out, Harris hasn't done enough to earn my vote”?

(And in case I haven't been sufficiently clear, please don't reply to this with any variation of “she should have done xyz!” or “maybe if she hadn't done xyz!” This is not about debating her strategies or the merits of her campaign. A different discussion is the place for that. My point is that Trump is so out-of-this-galaxy leagues worse than her in every conceivable way that she shouldn't have had to “run a brilliant campaign” in order to sweep votes from the tens of millions of Americans who aren't Trump's base. Anyone like her running against Trump should have won in a fucking landslide and the fact that she didn't is not just an indictment of “a campaign that didn't do enough to persuade people” but also an indictment of the electorate and of the media's continual normalisation of Trump. To place blame entirely on “well she didn't run a good enough campaign” - as if in a race between Bland Normiedem and Adolf Fucking Hitler the whole focus should be on the merits or demerits of Bland Normiedem's campaign rather than the fact that Adolf Fucking Hitler is Adolf Fucking Hitler - is to miss an enormous part of the picture and also to reinforce the normalisation of Trump as just any other standard reasonable candidate. It's to buy into the whole deeply false “both sides” thing that the media loves to do, where we go “well Candidate A here is a near-octogenarian quasi-fascist wannabe dictator and convicted felon running on a platform infused with Christian nationalism and hardcore authoritarianism, who refuses to accept he lost the last election and essentially tried to hold onto power by force, and who has spent the last four years in countless trials regarding all the insane crimes he got up to both during and outwith his presidency, but on the other side, how watertight really are Candidate B's policies?” and pretend the two candidates are even remotely equivalent or comparable, and this very approach is a huge part of the problem.)

[rambleonwaywardson]

Clegan Astronaut AU - Epilogue

Masterpost Read on AO3

AU Summary: the boys as modern day NASA astronauts. Taking place in 2025, Bucky is heading to the moon as mission commander of Artemis III while Buck is CAPCOM at NASA. Established relationship (obnoxiously in love).

Author's Note: We made it. Thank you a million times over to every single one of you who has engaged with this story. It means a lot to have you along for the ride.

---

Something funny happens when you fly faster than the speed of sound, nothing but a hunk of metal separating you from the sky. Time doesn’t seem to work right anymore; everything can move slow and fast all at once. You take a breath. It feels peaceful, somehow. Sacred. 

Even when you pull so many Gs that it presses a stone to your chest and strangles your lungs until they burn, as long as you can push through the tunnel vision and the dizziness, suddenly everything becomes clearer. Perspective, some might say. Others just call it exhilaration. Freedom. The feeling of being alive.

Bucky Egan is seriously addicted to that feeling. For months now, he’s gone without it. He spends more time than he should standing out at JSC’s Ellington Field, closing his eyes and breathing deeply as other astronauts perform flight tests and training exercises overhead. He listens to the rumbling sounds of the jets, wondering if he’ll ever be up there again. Free.

A jet, a prop plane, a space capsule. He’d take any one of them, really, if he can’t have all of them anymore. 

Some things are written in stone. Bucky knew seemingly out of the womb that he wanted to fly. He wouldn’t settle for anything else, wouldn’t settle at all. He was going to become an Air Force pilot, and then – once he learned that there were real people flying aboard something called the Space Station, orbiting around the planet 16 times per day – he was going to become an astronaut. From the very second he even knew it was an option, he wanted his feet to be off of this Earth. He wanted to feel what it felt like. He wanted to see what it looked like. He wanted to hear what it sounded like. 

He wanted all of it, and he never much minded the risk. Flight, after all, was his first love, and Bucky Egan will do just about anything for what he loves. A part of him always figured, if he had to die, he wanted it to be in the sky. If he had to die, it would be worth it, as long as flight was what claimed his life. Commit his soul to the stars, a supernova in the dark.

But then, of course, there was Gale. 

The night they met, two young boys standing awkwardly in a college dorm, Gale told Bucky that he didn’t intend to be an astronaut. He had Bucky wrapped around his finger from that very first smile, but he wanted to become an engineer for the Air Force. Maybe, if he got lucky, work his way into NASA’s space program. Someone back home to keep his feet on the ground may have done John Egan some good. But, in the end, it was him that looked at Gale and told him that all of that was bull. It was Bucky that pulled him along with strings tied to their hearts, convinced him to just give it all a shot – what’d he have to lose? And here he is, nearly two decades later, an everyday flyboy.

This life they’ve built, orbiting one another like a binary star system, is greater than any adventure Bucky ever could have imagined. The way he’s lived it, he figures he’s lucky he’s made it as far as he has. He’s lucky to be alive after that little stunt on the moon. He’s lucky to have the most amazing husband this side of the universe. He’s damn lucky for all of it. Maybe he’s a fool to ask for more.

But he’s not ready to keep his feet on the ground.

Not yet.

—

July 17, 2026 Houston, TX

Admittedly, this was maybe not Bucky’s brightest plan, taking a video call in the dimly lit Orion cabin, where he has to lay on his back, legs elevated, staring up at a brightly lit screen. He can feel a bit of a headache coming on, and he isn’t sure if the vague throbbing in his leg is real or just a figment of his haywire imagination. He might be losing feeling in his feet; he isn’t really sure. Is he setting himself up for failure? Maybe. This afternoon he needs to be in top form, or at least as close to it as he can get. But he’s committed now, and he’s too stubborn to move.

So here he is in the mock-up, like any other mission sim, tucked into his commander’s seat. Or, really, he supposes it’s Gale’s now. The Artemis 4 crew has been doing their fair share of sims in recent months, and Gale has been pulling longer and longer hours as they get closer to launch, as Bucky needs him at his side less and less.

Maybe that’s exactly why Bucky’s sitting here now. To feel close to his husband during a time when their careers, as usual, tend to pull them apart. Or maybe he’s sitting here because he needs the reminder, a silent dedication to who he is, what he’s meant to be doing, what he so badly needs to keep striving for.

Or maybe, he’s only sitting here because the seat of a cockpit is always where he’s felt the safest.

Safe isn’t the right word. 

In control, maybe. Most like himself. A cockpit is always where he’s best understood the world around him: sky above, Earth below, his heart strangled with a love for the unknown. The Orion capsule is another home to him. Things might go wrong – sometimes horribly, horribly wrong – but everything about it was constructed and tested with the singular goal of helping Bucky and his crew break boundaries, make history. Every single thing about it is so specific, so familiar, so carefully planned and crafted. John Egan knows this spacecraft better than he knows himself. In the chaos that is his life, it’s the capsule that carried him away from this planet that best keeps him grounded.

So he sits, laying on his back in the commander’s seat that once was his and is now Gale’s. He doesn’t really remember the process of getting here, but he remembers the intense need to be here, like he didn’t have a single other choice. When he first answered Gale’s video call, his husband stared at him for a long moment, then laughed and said something about “only John Egan has an emotional support spacecraft.” He didn’t say anything about how strange it is, considering Bucky almost died in this spacecraft. Maybe, in some weird, fucked up, convoluted way that he’ll have to talk to his therapist about later, that’s one reason he finds being in this tiny space so reassuring.

He’s not a psychologist. He’s hardly even an astronaut.

In any case, fully convinced that this was exactly where he needed to be to call his husband today – a day that has his nerves all shaken up like a can of soda – he duct taped his phone to the console above his head so that he can look at Gale without having to hold it up above his face the whole time. It fell and smacked him squarely on the nose once at the beginning of the call, but it’s been holding well enough since then. 

He doesn’t know how long they’ve been talking. Surely it’s been longer than they’d scheduled for, and someone’s gotta be looking for him by now, grabbing onto unassuming JSC employees and asking in a mild panic “Have you seen Major Egan?” Gale’s crew is no doubt waiting for him, too, perhaps just out of view of the camera, reminding him that they have to get started on some task or another. A part of Bucky feels guilty for holding Gale up for so long, but the rest of him needs this desperately.

This is the first time since Bucky splashed down in the Pacific last November that they’ve been apart for more than even a day. Scratch that, for more than 12 hours. Gale has stayed at his side, for better or worse, since the night he first laid eyes on Bucky again in the hospital. It feels like forever ago, and yet it feels like yesterday. Sometimes Bucky still wakes up convinced he’s dying, convinced that his hands don’t work, phantom pain burning through his leg, unable to speak. 

It was a long winter, and a long spring. Bucky has gaps admittedly, times when the brain fog whisked him away from reality, made it hard to stay in the moment, hard to figure out what was real. It all but disappeared with time, thankfully. He still has a moment here and there, especially when he first wakes up or if he’s stressed or nervous (not that he’ll admit to anyone but Gale that he’s even capable of being nervous), but they’re becoming less and less common.

Getting that leg to heal was a complete bitch. Turns out micro- and zero-gravity aren’t very kind to broken bones. Eventually the cast came off, and he progressed to a brace, walking with a cane, slowly, slowly working toward walking on his own again.

Gale was there the whole time. Holding him up, steadying him, cheering him on, taking the brunt of Bucky’s frustration and fear. No matter how many times Bucky lost his temper or wanted to give up or refused to get out of bed or go to PT or OT or his CT scans, Gale stayed. Gale didn’t give up on him. Gale loved him through it all.

It’s July now. Almost eight whole months since Bucky fell to this Earth, broken and barely breathing under a bright Pacific sky. It’s the dog days of summer, long and hot and busy as ever here at JSC. Gale has been gone for six whole days, training in Iceland with the Artemis 4 crew. Weirdly enough, the volcanic, rocky landscape of Iceland’s arctic desert is a perfect training ground for astronauts headed to the moon, and it has acted as such since the Apollo days. With Artemis in full swing, NASA has started sending the lunar crews out there again to conduct simulated missions that mimic what they’ll be faced with on the lunar surface.

Bucky misses those days, training and bonding with his crew – his best friends – as they bounded across the dark, eerie Icelandic rock in fake moon gear, out of their minds with excitement for what they were training to do. He’s spent much of this video call asking Gale about Iceland and their simulated missions, half wanting to relive it and half hoping maybe Gale would forget why Bucky wanted to call so bad in the first place. He can see on Gale’s face that he’s failing.

Sure enough, after indulging him for longer than Bucky honestly expected, Gale sighs and tilts his head, raising an eyebrow. “How do you feel?”

Bucky doesn’t quite know what Gale means when he asks this. The implications have changed so much over the years. 

In college, he’d ask Bucky How do you feel? when he woke up with a hangover after a night of drinking too much with their friends. Or that time he got terribly sick in the middle of midterm season and shoved through a Statics exam with a fever. When he pulled an all-nighter trying to finish a class project. When he passed Thermo by the skin of his teeth. From the first day of classes to the day they graduated.

How do you feel?

As young adults in the Air Force, or at NASA, he’d ask Bucky how he felt before going up for a mission or a training exercise. Or after survival training in the desert, wandering to the finish line dehydrated and sunburnt but alive and ahead of the rest of their astronaut class. He’d ask him after long training days or messy flights or after they’d been apart for days, weeks, months. He asked him when they both sat, shell-shocked, after losing a friend in the flames of a crash landing. How do you feel?

Before their wedding day, when Bucky was terrified of their future but knew without a doubt this was everything he ever wanted, Gale asked him, How do you feel?

During quarantine. Before the launch. On the pad. How do you feel?

Every day over CAPCOM or video call. Even when Bucky couldn’t hear him, couldn’t say anything back. How do you feel?

When Bucky came home, Gale would ask him that question several times a day. It was tough; there’s no use lying. There were times Bucky wanted to give up, couldn’t bring himself to leave the house or do much of anything. It was painful and it was confusing and it was messy, and sometimes all Bucky could do was stew in silence or, once or twice, tell Gale to fuck off. But every time his awareness drifted or he had to be moved with his bum leg, every time he woke up in pain or had to be left alone for any period of time, Gale, his voice gentle and concerned and so full of love, would ask him, How do you feel?

So what does he mean now?

Bucky doesn’t know how he feels. He should feel good. Excited. It’s about damn time this day came around. He’s John fucking Egan, not afraid of anything, born for the sky. He should feel as sure of himself as the day he climbed aboard the SLS.

So why doesn’t he?

He is excited. Don’t get him wrong. He’s been waiting for this since he woke up in a Houston hospital. But there’s a pit in his stomach and a weird, fluttery feeling in his chest and a weight settling over his shoulders that he can’t seem to shake.

He doesn’t know how he’s supposed to feel. He wants it to be the same as it was before. But it isn’t. It can’t be. 

Not anymore. 

“I’m fine.”

Gale frowns in that concerned, knowing way that he does. He looks so soft now, comfy in Bucky’s Yankees sweatshirt with his hair messy, no doubt fresh from debriefing after a ‘mission’ or about ready to get prepped for another. But Bucky squirms and looks away from his gaze; it sees right through him. It always has. 

“Try again,” Gale insists.

“I’m…” Bucky feels a weird phantom twinge in his leg. Blinks and it goes away. He rolls his eyes. At the question? At himself? Get it together. “I’m fuckin’ nervous,” he admits uncomfortably. “Of course I’m fuckin’ nervous, Buck. What if I get out there and…”

What if I get out there and I can’t do it anymore? What if I can’t handle it? Physically. Mentally. What if today just proves what we were all so worried about months ago: Bucky Egan is grounded. For good. 

“Fuck.” He can’t say any of it, can’t risk speaking the death of his career into existence. The melodramatic part of him thinks the bugler might as well start playing Taps right damn now if today doesn’t go his way. Fold up a flag and present it to Gale as the jets fly overhead.

He can only imagine the way Gale would frown and grit his teeth if Bucky said such a thing out loud.

His husband full well knows what Bucky means, though, and he’s quiet, thinking it over. Bucky can see half formed placations tumbling through his head like desperate dreams running on fumes. But eventually, he says, “it’s gonna be okay, John.” His voice is careful and easy, and he doesn’t even sound like he’s faking it. 

It makes Bucky’s heart clench.

“Gale,” he whispers, and he hates how vulnerable his voice sounds. It rings in his ears, echoing back and forth and back and forth as he roughly scrubs a hand over his eyes, squeezing them shut tight. 

He’s always felt most in control inside of a cockpit. He knows the way an aircraft moves better than he knows anything or anyone on this Earth, except maybe his husband. Flight makes him know who he is, gives him his metaphorical wings. And yet he’s also never felt more out of control than he has in a cockpit. 

If he goes up there, he has no idea what’ll happen. He has no idea what his body will do when it gets crushed into the seat by several times the force of gravity. He has no idea if the thing that used to lift him up will carry him again, or if it’ll spit him onto the ground in a pathetic heap of has-been.

So how is he supposed to feel right now?

Starbursts of pain color Bucky’s vision. Skull-splitting. All-consuming. It’s burning him alive from the inside out like a physical force trying to rip him apart. He thinks falling into a black hole would hurt less.

He feels sick. The G forces are too much.

He can’t think a coherent thought that isn’t something along the lines of ‘please make it stop.’ Somewhere, deep in his brain that won’t work, he hates himself for that. Knows he should be better.

And out of all of that – this crushing, crunching, nausea-inducing pain that has Curt yelling at him not to throw up in his suit – the words that pop up into his head like a cartoon thought bubble are “the Big Crunch.” 

It’s Gale’s favorite theory for how the universe might end. Because Gale is a space physics nerd that has a favorite theory for how the universe might end.

It’s like the opposite of the Big Bang – an exploding outward from an infinitesimal point, 0 to 73.3 kilometers per second per megaparsec in about a trillionth of a second flat. The Big Crunch would be an imploding inward, a collapsing into a single infinitesimal point at a similarly impossible to comprehend rate. Theoretically, this point could be anywhere in the universe.

John wonders if that would feel something like how he feels – crunching, disconnecting, reconnecting, blinding, unbearable. He sort of wishes it would just happen right now, with that point somewhere in this spacecraft. He’ll take the whole universe down with him. He doesn’t really mind, if it’ll make this stop.

“Gale?” He finds himself crying out the only word he can get past his lips. The only word that matters. The only word that can come remotely close to making any of this better. 

“Gale?”

Why won’t it work? Why won’t Gale save him?

He’s getting more desperate. Please. 

“Gale?”

“John? You with me?”

Bucky blinks. He looks back at his phone, sees Gale’s face, all worried and shit. It makes his heart sink, because Gale’s been looking at him like that a lot in recent months. Today is a big day, and Bucky knows Gale is worrying he won’t be able to handle it. He also knows that Gale feels guilty for worrying he can’t handle it. 

But Bucky’s worried, too.

“I wish you were here.” He says these words so quietly he isn’t sure Gale will hear them. He isn’t sure he wants Gale to hear them. He looks away from the phone as he says it, feeling too vulnerable and too raw on this day when he’s supposed to be Major John Egan: cool, cocky, composed. 

He can pretend for everyone else. Everyone besides Gale. He’ll tell them that he’s ready, even if he isn’t.

He won’t ever be ready until he does it anyway.

The lights are dim around him. In the glow of the console in front of his face, he strokes his fingers gently over the tactile buttons beside the screen. They feel so familiar; he thinks he could press one with his eyes closed and know exactly what it would do.

“I wish I was, too.” Gale’s voice comes back soft and real, bringing Bucky’s attention back to his phone screen. The way Gale’s face is so open and genuine – so unlike what the rest of the world gets to see of him, with a crooked half-smile half-frown accentuating the mix of emotions in his eyes, wide and searching Bucky’s for some answer he doesn’t have – makes Bucky want to pull him through the screen and hug him tight.

He wants Gale to hug him tight. He wants Gale to pull his feet back down to this planet and tell him he’s safe and protect him from everything that has hurt him so badly. He wants Gale to make sure the stars keep burning at night and the world keeps turning and the darkness doesn’t swallow them whole. He wants Gale to quiet the buzzing in his brain and the ringing in his ears. The little voice that’s telling him he can’t do it, can’t do any of it. He wants Gale to come home right damn now and make all of it go away.

But Gale won’t do that. Because he knows that, right this very moment, Bucky needs to climb the rest of the way up this mountain. He needs to stand at the top himself in order to understand that he can do it, he can make it. Gale can’t do anything but stand beside him.

“Do you think I’m ready?” Bucky asks. He says it with a mindless air, looking away as he traces his thumb over the bottom of the console, but there’s a jagged edge to his voice that gives him away. He doesn’t know if he wants Gale’s reply. There was a time when it didn’t matter what anyone else thought – even Buck. Bucky Egan would do what Bucky Egan wanted to do, whatever he convinced himself he was capable of doing.

Some things change. Sometimes forever, and sometimes only for a moment.

He makes tentative eye contact with his husband through the screen. Gale nods – a curt, somewhat hesitant little thing. “Maybe,” he says honestly. “You’re ready to at least try. But if it doesn’t go the way you want it to, you just keep workin’, and you’ll try again. You’re Bucky Egan. Nothing can keep your feet on the ground forever.”

Bucky is about to say something snarky and maybe self-deprecating back, but before he can, there’s a voice in the background of Gale’s side of the call. His eyes widen and he looks off screen, putting a hand up to whoever was trying to get his attention. He looks back at Bucky and sighs. “I gotta go, darlin’. You’ll be alright, hear me?”

Bucky forces a smile. “Yeah. Yeah, obviously.”

“I love you,” Gale says, shoving every bit of adoration he has into those words, and Bucky wants to bottle it up somehow, hold onto it for when he needs a reminder. 

“I love you, too,” he says. 

The corner of Gale’s mouth lifts into a shy smile. “Ad lunam, ad astra,” he says, and then he’s gone.

Alone again, Bucky reaches up to turn off his phone, and he lets his hand fall down to rest over his chest. He rubs his thumb over his wedding band, twists it around and around his finger. “Ad lunam, ad astra,” he whispers to himself. 

When the master alarm starts blaring through the cabin seconds later, red lights flashing in Bucky’s eyes, his heart rate shoots up as he instinctively starts thinking through every single thing that could possibly be wrong. His eyes scan the console in front of him, searching for system statuses that aren’t there, and he blinks in confusion before he shakes his head, remembering that he isn’t in a training exercise. Someone’s tracked him down. 

He turns off the alarm and lets silence fill the cabin again. 

“You know, when you said you were gonna find somewhere quiet to flirt with your husband, we thought you meant your office or a shady tree or somethin’.” 

Bucky turns his head awkwardly to see Rosie outside, his head ducked down to peek through the hatch at him.  

“It was quiet before you came and scared me half to death,” Bucky retorts. He reaches up and rips his duct taped phone off the console, picking the tape off and rolling it into a ball. 

“If that scares you, you’re in the wrong place,” Rosie quips. He freezes, just for a second, his eyes going that little bit wider, and Bucky sees the moment he realizes what he said. A harmless joke. A truth, if nothing else. Something that would’ve made Bucky throw a meaningless little insult right back at him a year ago. 

Everyone’s been walking on eggshells for a while now. No one would dare even insinuate that John Egan doesn’t belong here, especially not while he’s working so hard to claw his way back. 

But he takes Rosie’s words for what they are, rolls his eyes, and brushes a hand back through his hair. “If you ain’t a little scared you’re doin’ it wrong. Or you’re crazy.”

Rosie lets himself smile, shaking his head, and he crawls in through the hatch. He pulls himself into the seat beside Bucky, where Curt would usually sit. Bucky sticks the tape ball to his shoulder, and Rosie grabs it, shoves it into his pocket before Bucky can bug him with it any more. 

“Man, can you believe we spent weeks cramped up in this thing?” he muses, his eyes skimming over the industrial walls of the tapered conical cabin. He’s talking about the real Orion capsule, not to mention the hundreds of hours logged in this very simulator. 

Bucky glances around. This glorified minivan of a spacecraft is the stuff of his childhood dreams, like something straight from science fiction. “We’re astronauts, Rosie,” he points out, as if he doesn’t wonder every day how he managed to make it this far. “I can’t believe we left the planet at all.” Rosie scoffs, and they share a look, like neither of them are certain anything that’s happened in the last year was real. 

Bucky shakes his head, adding, “not like we ain’t used to it.”

“At least on the station we got more than one cramped space.”

Bucky doesn’t ask the question that surges through his brain at the mention of the station: Do you think I’ll ever go back? He isn’t ready for the answer. And he doesn’t want to hear ‘I don’t know’ or ‘Of course you will’ or ‘You’re John Egan, you can do anything.’

John Egan couldn’t sign his own name with a pen a few months ago.

Instead he looks over at the fake window on the side of the fake capsule, assessing the distance from it to him. It’s so close. “Felt like that window was a world away during the return trip.” He remembers being led over to it. The feeling of Beary Egan’s fur between his fingers. The throbbing in his head. The unbearable burning in his leg. The nausea in his stomach. Everything spinning around him.

But out the window, stars. So many stars. And he was going to get to them one way or another.

Rosie looks at the window, then back at Bucky. The crew physician remembers all of it, all too well. Part of him wishes he could forget the worst parts, but another part of him feels a need to be the keeper of those memories. He thanks the universe everyday for guiding all of them home. “Everything seems further away when your body doesn’t know if it’ll make it to tomorrow.”

They’re quiet for a long time, just two crew members in a capsule mock-up. It has snapshot memories flashing through Bucky’s mind, and he rubs his thumb over his wedding ring again to ground himself. He thinks about Rosie’s words. “I made it,” he whispers. 

“Yeah,” Rosie agrees. “Yes you fuckin’ did.”

It’s a truth that John has been trying to remind himself of every single day for months. He made it; he’s alive. 

But is that enough?

What do you do when the best experience of your life was also your worst? What do you do when the thing you love nearly killed you? What do you do when all is said and done, when there’s nothing left to do but forgive, even though you will never, ever be able to forget?

What do you do when the universe tries to strip away your identity, leaving nothing but a trembling shell, the pieces strewn about for you to pick up one by one?

You rebuild yourself, step by step. And what do you do when the edges don’t fit anymore, rough corners scrubbing at wounds that won’t heal, nothing but sheer grit and determination gluing you together?

Is it enough? Do the pieces fit well enough for you to be whole again? Will time sand away the jagged edges, sew together the messy seams? Pieces lost and pieces gained, and all you can do is search in the dark for who you were and who you thought you were and who you still can be. 

And you wonder, is it enough?

Bucky holds his hand up in front of his face. Out in zero G, there’s no up or down. You’re weightless, every part of you. Holding your hand up in the air takes no more effort than holding it out to the side or down or back or forward. On Earth, though, there’s good old gravity. 9.8 meters per second squared. 32 feet per second per second. A reliable force keeping your heels on the ground so you don’t just float away. With the way Orion’s seats are oriented, Bucky and Rosie lay on their backs, staring up at the tapered ceiling of the capsule and the screens set up in front of their faces.

Here on Earth, holding his hand up in front of his face takes effort. He’s not weightless down here, and as he experimentally pinches his fingers together, he watches the way they shake.

He bites his lip, takes a breath, closes his eyes. He doesn’t open them.

Gale once told him about the conversations he had with Dr. Huston – the fear that even if Bucky even made it home, he may never be the same. Now he wonders if that fear came true. Is he the same? Will he be the same? He doesn’t know.

He wonders if Gale does. He wonders what Gale sees now, when he looks at him.

He squeezes his eyes shut even tighter.

Ad lunam. Ad astra.

“You’re gonna be fine, John.” Rosie’s voice cuts through the ringing in Bucky’s ears, quieting it. “This is what you’re meant to do.”

Bucky swallows thickly, willing his voice not to come out a strangled mess. “What if… what if I’m not anymore? What if it doesn’t come back like it’s s’posed to?”

“You’ve been training.”

“What if I never...”

“Take a breath.”

Bucky does. There’s no room for panic. No room for doubt. Just him and the sky. 

“Open your eyes.”

When Bucky releases himself from the darkness, his hand is perfectly still in front of him. He straightens his fingers, bends them again, straightens them. They don’t shake.

“You’re ready, John.”

—

The sun is bright over Ellington Field late that afternoon, and Bucky pushes his aviators up the bridge of his nose. He tugs at the collar of his flight suit as he strides down the runway, adjusting it beneath the straps of his parachute pack, and he squares his shoulders, lifting his chin. He feels the hard pavement beneath his boots, hears the beat of his footsteps. The ground crew waits for him.

When he stops in front of the Northrop T-38 Talon, he squints against the light reflecting off its sleek white side, and he feels his breath catch in his throat at the sight of this beautifully engineered machine that will launch him into the blue. He curls his fingers into a fist, spreads them out wide, and slowly, steadily, he presses his hand to the nose of the jet standing in front of him, just waiting to come to life. The T-38 jet trainers are used by NASA for training exercises and keeping the astronaut corps’ flying skills up to par. He knows this aircraft as well as he knows Orion, but he hasn’t flown it since last July, a whole year ago now. 

“Hey there,” he whispers, letting his eyes roam over it – the fuselage, the engines, the wings, the tail, the wheels. A beautiful bird. It was designed long before Bucky was even born, but it doesn’t look it. “Long time no see.”

“Worried she won’t remember you?”

As Bucky’s eyes stay trained on the ground, studying the wheels, his hand still pressed to the nose, he feels someone else’s presence at his side. He looks up, pulling his hand away. Curt’s there, watching him with a teasing smile on his face. He’s wearing the same gear as Bucky: blue NASA flight suit, G-suit, parachute pack, a helmet tucked under his arm. His other hand grips the shoulder strap of his harness.

“Not one bit,” Bucky replies.

Curt chuckles and pulls Bucky into a tight one-armed hug, as if they haven’t seen each other in months even though Curt makes a point out of bugging him every day. “You ready?” he asks when he pulls away.

Bucky nods and grins in that wild, daring way, as if he hasn’t had a single doubt this whole time. As if he wasn’t just freaking out to Gale and Rosie over what he’s about to do. He brushes his hair back and gazes at the jet again. “Let’s see how well I remember her.”

After passing his sunglasses off to a ground crew member, he climbs the ladder leading to the Talon’s second seat, behind Curt’s. They each stow their procedure documents in the cockpit and hang their helmets on the rail before hopping back down for a walkaround inspection. This thing’s been checked at least twice over by ground crew already, but Curt and John don’t fly without giving their own seal of approval.

When Bucky climbs the ladder again and, at long last, settles into the tight cockpit of a real, flight-ready jet, adrenaline rises in his chest at the same time that a sense of belonging presses him into the seat. He sits back, and staring at the instrument panel just beyond his fingertips feels something like coming home. He can’t stop the grin that spreads over his face. The crew chief helps Curt and Bucky strap in and connect their G-suits, and then Bucky slides his helmet over his head so he can hook up to the oxygen supply and comms. He sighs deeply; for the duration of this test flight, this jet is a part of him, or he’s a part of it.

Ladders stowed and systems checks complete, Curt gives the signal for air, and the ground crewmen oblige, pumping life into the Talon’s engines. Once they’ve completed the last of their pre-flight checks, Bucky hears Curt’s voice buzzing in his ear. It crackles over the comms, a sound Bucky hasn’t heard coherently since he was bounding along the side of Shackleton crater.

“It feels damn good to fly with you again, Major.”

“Cut the crap, Biddick,” Bucky teases. “Without me around, you’re officially NASA’s best pilot.”

Curt scoffs at that, and Bucky imagines him rolling his eyes as he double checks the takeoff and landing data. “Should’ve left your ass on the moon… astrofag.”

Bucky rolls his eyes right back, but he can’t help but laugh. Whether he’ll admit it or not, the name is growing on him. He shrugs, reviewing the same numbers. “Only one way to get back there.”

Chick’s voice cuts in from the tower, and it makes Bucky feel something like relief to know Harding is here for this, rooting for him. “One step at a time, boys.”

As Curt starts taxiing, Bucky looks out over the side of the aircraft. The wings of the Talon and the still-open canopies shake as the tarmac rolls by beneath the wheels, bumping them along. He and Gale have taken their prop plane out a few times this month and last; Bucky even took over the controls for a while one time. But this, today, is his first time back in a supersonic jet trainer. He’s only flying second seat, leaving most of the piloting to Curt, but today is a major stepping stone toward feeling whole again: today he finds out if he can handle supersonic flight.

Since his neurologists cleared him for it a couple months ago, he’s been training for this day in earth-bound simulators. At first, the Gs were too much for him, leaving him feeling weak, pathetic, and discouraged as he passed out or started feeling sick at embarrassingly low G forces. But it’s been coming back to him in recent weeks. 

The Talon – capable of flying at Mach 1.3 and climbing 30,000 feet in just one minute – can easily pull 7 Gs. Bucky thinks he’s ready. He wants so badly to be ready. He wouldn’t be flying today if anyone thought he wasn’t ready.

They’re at the end of the runway, staring down the length of it as Curt pivots the Talon so its nose points straight ahead. When Chick clears them, they lower their canopies, and Bucky feels the cabin pressurize. He blinks in surprise as they lurch forward, and then they’re barrelling ahead, faster, faster, faster, until they lift up off the ground, ascending into the clear sky.

He breathes deeply as they climb, picking up speed as they shoot up into their airspace, approaching 16,000 feet. They coast there for a minute, making sure everything is still in order up at altitude. 

“Doin’ alright back there?” Curt asks as they both check their systems again.

“We’re go back here,” Bucky affirms. “Let’s fuckin’ do it.”

“Your wish is my command, Major,” Curt says. He lowers the nose of the jet, and they pick up speed as they drop again, getting up to about 500 knots, three-quarters of the speed of sound. Curt brings the stick back then, sharply pulling the Talon’s nose up, and Bucky watches the G-meter gradually kick up to 5 as they shoot upwards. The force presses him back into his seat, making it hard to breathe, and he clenches his muscles as he feels his G-suit get to work trying to keep the blood from draining away from his head. The needle creeps toward 6, goes a little over it. He grits his teeth hard, feeling his heart start to beat harder, faster as his vision starts to tunnel. His head feels funnier than he wishes it would, but he forces himself to focus, strains to breathe, determined to keep going. 

“Fuck,” he mutters, tensing his lower body as he and his suit fight to prevent G-LOC.

Chick’s voice crackles in Bucky’s ears. “You’re doin’ fine, son.”

Curt keeps pulling back until they’re up around 20,000 feet and the nose passes vertical; they’re now flying inverted. The nose of the Talon is like an arrow, going wherever you point it, and currently it’s looping them over backward at Curt’s command, with the ground through the canopy where the sky should be. The G-meter starts to chill out, dropping again as they lose speed. Bucky’s vision clears as the blood returns to his head, and he breathes in deeply.

Through the canopy, he catches a glimpse of two lonely, fluffy clouds in the distant sky, and below, little buildings and invisible people and dark, sparkling bodies of water spread out across the Earth. Stardust, he thinks, smiling just a little bit as he watches the world around him, trying to see it through Gale’s eyes. Bucky’s always found it beautiful, but more than anything, he’s always cared about the flight, the adrenaline, the excitement. Gale cares about the beauty, the wonder, the imperfect perfection.

“You still with me, Bucky?”

“Yeah,” Bucky assures Curt. “I’m here.”

Curt expertly flips them around and levels back out, upright once again and coasting along at a smooth 400 knot clip. “You ready?” he asks after giving Bucky some time to recover.

“I didn’t come all this way not to be.”

“I don’t need the sass,” Curt shoots back, but it’s light, like normal. “You have the controls.” Bucky’s pretty sure he hears the word ‘asshole’ muttered at the end of that sentence, and it makes him smile.

He shakes the stick in confirmation, and suddenly he has all the power of the Talon right there in his hands. His eyes flick down to where his fingers grip the stick, his heart skipping a beat, but his hand is perfectly still. “I have the aircraft,” he says, and he hopes Chick is still listening.

He sends them into a roll, feeling giddy as his head gets snapped to the side and his body seems to remember exactly what it’s supposed to do. Flying this thing is ingrained within him, like riding a bike – a bike that’s 46 feet long with a 25 foot wingspan, 3,000 pounds of thrust, a 55,000 foot altitude ceiling, and a top speed of 858 miles per hour. 

He asks the plane for a little more, a little more, pushing them higher, faster, forward. He hears Curt whoop loudly into the comms: “Come on baby! We’re fuckin’ back!” And Bucky hasn’t felt this alive since he was on the moon.

After a few minutes of unfiltered glee at the helm of his long-lost ship, feeling pieces of his soul sink back into him, he banks them around and hands the controls back over to Curt for the grand finale, their final test of the day. At about 32,000 feet, they enter a shallow dive, using it to increase their speed again. Bucky feels himself being pressed back, but with a more comfortable amount of force this time as the sky blurs by. He watches the airspeed indicator. Mach 0.92… 0.96… 0.98… 0.99. The indicator jumps, out of sync, as the bow shock passes.

Bucky nearly gasps as they hit Mach 1… 1.02… 1.06… 1.11. 

A strange feeling of calm descends on him. They’re flying faster than the speed of sound; they’re flying faster than anything else on Earth. There’s a certain beauty to it that Bucky’s missed in the last eight months, and he blinks away stubborn tears as the world starts to make sense again. He looks out the window, sees nothing but blue skies, and he lets oxygen fill his lungs as he grins beneath his mask. He laughs, and he hears Curt laugh with him.

—

Back on the ground, once the canopies are up and Curt’s parked them squarely in the Talon’s hangar, the crew chief secures the ladders to the side of the aircraft, giving the pilots their exit. He asks Bucky if he feels alright, and Bucky nods once his helmet is off, leaving dark, sweaty hair sticking up in all directions. “Never better,” he says.

In his head is a steady mantra: I am an astronaut. I am an Air Force officer. I am a pilot.

He just proved it to himself, even if he still has more work to do. He is a pilot. He is all of those things. Not was… he is. 

He climbs down slowly, gripping tight to the sides of the ladder in a way that has him second guessing how much brain power he needs to dedicate to his grip strength. Just a few months ago, his fingers wouldn’t listen well enough to do even this. But he studies his hands for just a split second, one foot on the rungs of the ladder and the other hanging mid-air, and he realizes that his fingers are working just fine right now. His legs feel a little weak as he steps down, down, down, and he holds his breath as he lowers himself the last big step to solid ground. His head goes just a little fuzzy, and for a nerve-wracking half second, he worries his knee might give out and send him crashing to the pavement, but his toes find contact, and he lets himself hop down. His head clears. He takes another deep breath.

His heart is beating fast; he still feels the adrenaline thrumming in his chest, and it makes him feel so goddamn alive. The world around him feels so unreal, the feeling of Curt clapping him on the shoulder so far away that it makes Bucky stumble to the side. He laughs and shakes his head before turning to press his hand to the jet one more time. 

“Next stop, flyin’ her yourself,” Curt says.

For the first time in months, Bucky actually believes it might happen. It’s not even a half-truth said to the media, a manifesto spoken to shove him through PT, a dream to get him out of bed in the morning. It’s right here in front of him, just inches away, and he’s so close. 

He doesn’t say any of it out loud, but he knows Curt can see it, too. They all can see it. Someday soon, John Egan won’t be grounded anymore.

He tucks his helmet under his arm and takes his aviators from the crew chief with a nod of thanks before putting them on. With a glance over at his best co-pilot as they walk away from the aircraft, out of the hangar, he ruffles Curt’s sweaty hair. “What the fuck?” Curt says, but he’s looking somewhere out ahead of them when he says it.

Bucky squints into the early evening summer sun at a small silhouette running fast toward them. After a second of confusion, he laughs and sinks down to his knees just in time for a wriggly husky to crash into his chest. “Pep!” A second one runs up to his side, licking at his ear before going after Curt. “And Meatball,” Bucky laughs. Pepper shoves her nose into his face, making him lean his head back, pushing her away even as he curls his fingers into her thick coat. “What the fuck are you doing here?”

“Flyin’ looks good on you major,” a voice calls out. Bucky’s heart skips a beat, and his head shoots up, his hands freezing in the middle of scratching Pepper’s ears. Meatball trots away, toward the group of people approaching them. 

There’s Benny and Marge – here for support and for media updates respectively – as Bucky expected. Then there’s Chick, fresh from the tower and looking something like a proud father, or maybe just a relieved boss.

And then there’s Gale.

Bucky’s husband – the same one that Bucky was supposedly video calling in Iceland just hours ago – is now also in a NASA flight suit with his hair gelled back. He’s walking across the tarmac to him, illuminated by the sun. 

“Holy shit, man!” Benny exclaims, giving Bucky a firm, excited side hug before slapping Curt on the shoulder. “Bucky Egan is back.”

“That’s right, you can’t get rid of me,” Bucky jokes as Marge comes forward to hug him. He knows she’ll want some pictures of him and Curt by the Talon in a minute, but for now she just whispers in his ear that she’s proud of him, and she squeezes him tight.

Chick pulls him into a rare hug, patting him on the back. “You did damn good,” he says. “Damn good.”

And then there’s Gale. He stands in front of Bucky, looking a little sheepish but tall and proud and beautiful. He raises an eyebrow, and Bucky can’t do anything but stare at him for a long moment. He stares, and stares some more, before finally he blinks and surges forward. Gale grunts at the force of Bucky’s body hitting his, but he firmly plants his feet and wraps his arms around him. “Hello to you, too.”

“Hey, angel,” Bucky whispers. He presses his nose into Gale’s hair, inhales the scent of his shampoo and product. He smells like Houston, like the gulf, like waking up to sunlight shining through the windows, like all the things Bucky loves. He smells like home. “All that about what you were doin’ in Iceland today was bullshit, huh?” 

Gale shrugs. “Surprise?”

Bucky grips the fabric of Gale’s flight suit, twisting it in his fingers. “Were you… did you see?”

Gale nods. “I saw all of it.”

Bucky bites back a grin, hiding it against the side of Gale’s head. He hears Marge take their picture. It’ll be framed and on his desk within the week.

—

By the time the sun’s gone down, the Talon tucked away in its hangar and the ground crew gone for the day, Bucky is back at Ellington Field, sitting on the hard pavement of the runway. There’s the lightest breeze drifting around him, carried in off the bay to relieve Houston from the oppressive heat of the daylight. Major Egan is still in his flight suit, adorned with patches – his name, John Egan, written in neat script beneath a set of wings; the NASA logo; the U.S. flag; his ISS mission patch; and finally, Artemis III.

There’s a crescent moon peeking out of the darkness, set against a backdrop of dark blue-black sky pockmarked with the stars that have guided Bucky his entire life. He stares up at them, the moon and the stars, his mind jumping from one thing to the next. Running through his flight today, everything good and bad about it; thinking through how much further he still has to go until his body is 100% ready to fly alone again; wondering if Gale is looking for him, if he knows Bucky well enough to know where to find him. He’s remembering walking on that moon – every day he works to reconcile it all in his brain, what went wrong and what went right. He’s thinking about what it will be like when Gale goes up there in just a short four or so months.

He can hear footsteps walking over the pavement, and he breathes out in a huff. His husband knows him like the back of his own hand after all.

He spares a glance over as Gale settles on the ground beside him, pulling his knees to his chest in a way that Bucky thinks can’t possibly be comfortable anymore at their age. They sit, close enough that their arms brush, and they look up at the sky that has laid the path for their entire existence.

“Everyone’s headin’ to the Hundred Proof,” Gale says. “Thought you’d wanna drink to being back in the cockpit.”

Bucky hums. “Guess that’s somethin’ I oughta do.” Since he was released from the hospital last December, the Hundred Proof has become a place of celebration and camaraderie again, rather than one of collective grief and worry. His Artemis portrait went up on the walls of the bar just before the new year, along with Curt’s, Rosie’s, and Alex’s. Soon enough, Gale’s ISS portrait will be switched out for his Artemis 4 one, too. Buck and Bucky; one is never far behind the other. 

Bucky crosses his legs and leans forward, resting his elbows on his knees, still looking up as if he can see the entire universe if he only squints hard enough. “We’ve been through a lot together, haven’t we?”

“Have we?”

Bucky looks over at Gale again, scoffing in disbelief, but he finds Gale hiding a smirk as he presses his cheek to his knee, watching Bucky. His hair is messy again from running his hand through it, the gel never holding for long, and Bucky rolls his eyes, reaching a hand out to ruffle it some more. 

“It’s worth it,” he says matter of factly, letting his eyes drift back to the stars.

Gale scoots closer and lets his head fall against Bucky’s shoulder. “It’s our life,” he agrees. He doesn’t need to emphasize the our; it’s as if there was never any doubt in this universe that his life would be John’s and John’s would be his.

“Sometimes I can’t really believe I made it here.”

“You were never gonna take no for an answer.” Gale doesn’t know exactly which part of Bucky’s life they’re talking about. He wasn’t going to settle for less than the astronaut corps. And he wasn’t going to settle for less than Gale either. 

“I said sometimes,” Bucky mutters, but there comes a point, no matter how badly you’ve always wanted something, where it doesn’t feel real anyways. He doesn’t quite know what he did right to make it to this very spot, even if he can trace his exact path, every single step and crossroads and difficult decision. Sometimes, all he feels is fucking lucky.

Gale scoffs and turns his head, pressing his nose against Bucky’s neck, above the collar of his flight suit. He kisses the delicate skin there. “I never had a doubt,” he whispers. “I’m proud of you.”

Bucky leans back, pulling Gale with him until they’re both laying on the hard ground. It’s uncomfortable as hell, but Gale curls against Bucky’s body anyway, shifting so his head lays right over his heart. Bucky’s fingers curl into his hair. They don’t shake. They don’t even hesitate.

“It’s a damn good life,” Bucky breathes out, the words floating up to the heavens and wrapping around them both. He means it with everything he has. 

Gale hums in agreement. With his ear pressed to Bucky’s chest, he can hear his heartbeat, steady and strong. It’s a sound that he took for granted before, but he never, ever gets tired of it now. He squeezes his eyes shut and silently counts along. One. Two. Three. Four.

“You’ll come home, right?” Bucky asks. Few people in this world would be able to distinguish the slight tremble to his voice, the way it jumps almost imperceptibly, nerves twining through it. But Gale hears it loud and clear. With his cheek pressed to Bucky’s chest, he feels the rise and fall start to slow, feels the way Bucky is nearly holding his breath.

Gale closes his eyes, bites at his lower lip. He knows that Bucky knows better than to ask that question. Both of them know that their line of work has never, not once, come with guarantees. They know better than anyone that promises like that are as good as empty. And yet, without promises, what is there to keep them moving forward?

So Gale buries his face in Bucky’s chest and says the only thing he can say. “When have you ever known me not to come home?”

Bucky scoffs quietly at that, but Gale knows that’s all he wanted to hear. They both know that, technically, the odds of him making it home are high; the opposite outcome, statistically, has little to no standing. Bucky takes Gale’s hand, and he mindlessly fiddles with Gale’s fingers in a way that feels normal and domestic, like they’re just any other married couple in this funny little world. Like they’re just them – awkward teenagers and reckless young adults and newlyweds all at once.

Gale could count the days until he launches out of this planet’s orbit. The hours. The minutes. He could mentally tally them as they tick by, pulling them closer and closer to the next adventure, the next mission, the next dream. The clock is running.

But, despite it looming over them, with all of the excitement and adrenaline and worry that it entails, at this exact moment, beneath a sky full of stars, it feels far away. He could count down the seconds. He could feel the anticipation of it winding through his body with every beat of his heart. 

But instead, he focuses on Bucky. He counts his husband’s heartbeats, the purest sign that they are both alive, that they are both exactly where they need to be. One. Two. Three. Four.

“Ad lunam, ad astra,” Bucky whispers into the night.

Gale hides a smile against the fabric of Bucky’s flight suit. It smells like flight – fuel and sweat. He focuses on that, on the rise and fall of Bucky’s chest, on the feeling of warmth between them, the sticky summer air drifting through their hair. 

“To the moon, to the stars,” he repeats back. And with a soft smile, he lets himself breathe.

[eimearkuopio]

Also I know a lot of my students who are non-native English speakers definitely used AI for the first draft of their work, and some of them then didn't do enough editing/refining for it to no longer count as cheating. They're legit allowed to use AI in a limited capacity! But they have to tell us how much they used it and they still need to submit something that is of a better quality than "whatever the AI spewed out" to get a good grade. It's not racist to point out that in the UK, many of the ESL students aren't white! They're not Americans from non-English-speaking households, they're kids from other countries who know that a UK degree will give them a greater social cachet when they go home; and that's true, but the students who got their degrees pre-COVID had to do far more work much more limited tools, and I know most of our students are fucked up after COVID, but I've heard horror stories of Engineering* students who can't do the maths that they need to do in order to build things that will not collapse and kill people, so there's really only so far we can give people a by based on the aftermath of COVID. Especially if they think they can build a career on whatever nonsense chatgpt spews out.

AI is the new version of the electric calculator. It's disrupting our existing paradigm, and to insist nobody ever uses it would be foolish and doing a disservice to our students who will have access to AI in their careers. But we need to come up with new assessment methods, and I can tell you from the inside that we are working our asses off to try to do that properly in a way that assesses student ability meaningfully and in a way that is consistent with current technology. It will take time. But you wouldn't believe how much some academics genuinely care about doing their job properly. In my case, I care about it so much that when colleagues' fuck-ups made it impossible for me to do my job properly, it resulted in a full-on psychotic break. I'm the canary in the coal mine. AI is one of the many many toxic issues that nearly killed me this summer. Here's hoping we can learn enough from what I went through for it to have been worth it. 😞

*not going to say which uni I heard this story at but it wasn't about anyone I've had any interaction with and it was admittedly third hand

[intermundia]

Looking down from orbit, we can’t actually see Venus’ surface at all. Instead all we see are endless, thick, churning clouds that completely conceal the rest of the planet. If we could withstand the plunge down through Venus’ sulfuric acid clouds, we’d reach a landscape that is eerily calm, but with air pressure more than 90-times greater than at Earth’s surface.

The surface of Venus is comparable to the bottom of Earth’s oceans, but with a key difference. At about 900 degrees Fahrenheit, this is the hottest planetary surface in the solar system... In places, it’s so hot, the ground actually glows, like metal coming out of a forge.

Venus’ snow line suggests something may be freezing up there. But even its highest peaks are far too hot for that something to be water. And that points us to substances that solidify at much higher temperatures.

Deep in Venus’s lowlands, like valleys, it’s hot enough for compounds like lead sulfide to vaporize, drift on the wind, and as the winds flow up into the mountains of Maxwell Montes, the temperature drops just enough for the compounds to freeze out of the air.

At 820 degrees Fahrenheit, Venus’s atmosphere may coat its mountain tops not in snow, but in a metallic frost.

Solar System: Storm Worlds on NOVA

[fel-09]

The Mystery of the Painting "A Feast Where Only the Devil Is Not Hungry" Part 1

The winter air hung heavily, the breath of the world stilled, as though it feared disturbing the darkness that pervaded the land. The sky, suffocated beneath layers of cloud, offered no warmth, no light. Instead, the earth lay beneath a thick blanket of snow, pure in appearance but cold and lifeless. It was the perfect setting, for the cruelty that would unfold was one that could only be understood in this stillness, where nothing moved except the slowly dying world.

The Reader stood alone in the snow, her silhouette barely distinguishable from the blackness of the surrounding forest.Her hands were red with the color of blood , moved delicately over the body of the woman at her feet. She was not so much performing a killing as she was crafting. The woman’s body lay in a grotesque, unnatural pose. Her stomach, split open as though the body itself was nothing more than a shell, revealed the entrails spilling out like some macabre sculpture—organs twisted and twisted further still as they spilled into the snow. Her hands, lifeless and pale, clutched at the unborn lamb in her grasp, a twisted symbol of purity, dying before it could breathe.

The scene was a grotesque masterpiece. The lamb, innocent, its skin still soft with the potential of new life, would not see the world. This was no ordinary sacrifice; the Reader was not just killing a body—she was sacrificing a soul. The blood spilled not only to paint the earth beneath her feet but to give life to something darker, more ancient than what was born. The innocence of the lamb was, in a sense, never meant to belong to this world. It was merely a tool to create the greater work—the work that was the body itself, mutilated and twisted beyond recognition. In this dark artistry, flesh and blood became instruments of creation, the artist merging with the act of violence, until there was no separation between the two.

As she worked, her movements were careful, almost tender, as though she were aware that what she was doing had purpose beyond the suffering that accompanied it. Her eyes were focused, but not on the woman before her. No, her gaze was fixed somewhere else, deeper, as if she were seeing beyond the body and the blood into something far more profound. It was a ritualistic process, one she had performed countless times before, but each time felt different—each time, she was creating something new, something that transcended the boundaries of her own understanding.

But in the midst of this, she became aware of him. Hannibal Lecter, standing on the periphery of her creation, watching with quiet fascination. He was a figure shrouded in the same dark mystery as the world around them. His presence was not a disturbance but a reminder of a certain inevitability—of fate, of the role he played in the grand narrative of darkness that surrounded them both.

The scene was an enigma, a moment suspended in time as Hannibal Lecter watched in silent awe. The woman before him, covered in blood, worked with an almost reverent precision, her hands stained but steady as she crafted a grotesque beauty from the suffering around her. The body before her was nothing more than a tool, a sacrifice, a vessel through which something far darker would come to life. The lamb, innocent, yet fated for an end that no one would mourn, save for the creator herself.

But it was not just the body that held his attention. No, it was the way in which she moved, the precision in her actions, the detached calm with which she did the unspeakable. He felt the pull of her artistry, and it was not unlike the first time he saw her

He remembered the museum, the cold walls of history that held masterpieces of human creation, but none so moving as the one before him now. The guide—his annoyance palpable He was not competent in understanding the art in front of him and it was with such difficulty that he explained to him what was before him, his ignorance even more so—tried his best to convey meaning, but there was only one thing that truly mattered: the painting titled „The Feast, Where Only the Devil Is Hungry.“

The painting depicted where a man on the one side of the table ate everything in front of him, his side was full of delicacies, even human remains, he could even bite his fingers ,on the other side, a demon , he half of the table was empty on his plate only 1 pea that he had to eat an ironic case.

Hannibal’s mind had been consumed by the piece ever since he’d first laid eyes on it. At first, it had been unsettling, a thing of pure dissonance. The table, the vast array of food, the grotesque presence of the human form—mutilated, twisted, and devoured by its own appetite. The figures at the table were not feasting, but feeding from the very essence of their destruction. The faces twisted in agony, yet the hunger remained, an insatiable, unrelenting force.

But it was not just the imagery that haunted him. It was the underlying message, the unspoken truth hidden within each brushstroke. The feast was not just a physical act—it was a metaphor for the darkness that consumed every human soul. The insatiable hunger for power, for control, for satisfaction at any cost. The very soul of humanity devouring itself, with no regard for the consequences. It was a grim truth, a truth that felt... familiar.

And then, the guide’s voice intruded, his words empty, his analysis shallow. He could not see the meaning behind the madness, the symbolism beneath the surface. He could not fathom the purpose of such a creation, a purpose that only Hannibal understood. The guide’s incompetence irritated him, as did his lack of insight into the artwork before them. He could not see what Hannibal saw, nor could he comprehend the artist’s vision.

And then the conversation turned, as the guide began to argue with a woman who had joined the discussion. She was charming, yes, but there was something more beneath that beauty. A sharpness, a darkness hidden in the delicate curve of her smile. She argued that the painting was not for deep contemplation, but for enjoyment for eye. It was a visual experience, not one to be overanalyzed. Her words, however, held a deeper meaning than she let on.

Hannibal watched with rapt attention, his gaze narrowing as he examined her. Her presence was magnetic, but there was something in her eyes, something that betrayed her attempt to hide her true self. She was not just an admirer of the art; she was its creator. He knew it instinctively. The moment she spoke, he could feel the pulse of recognition—a recognition that sent a shiver down his spine.

She was the artist. She was the one who had birthed this grotesque beauty. The „Feast, Where Only the Devil Is Hungry“ had been born of her hands, her mind, her soul. And yet, she tried to hide it. She tried to divert his attention, to feign ignorance. But Hannibal could see through the veil. He could see the truth in her eyes. She had created this masterpiece, and now she was standing before him, attempting to distance herself from her own creation.

The realization was a sharp one, cutting deep. He had heard of the artist—of her disturbing, grotesque works, of the way she used blood and flesh to create art. And now, here she was, in front of him, trying to mask her identity. She did not want him to know. But she had underestimated him.

As the conversation continued, Hannibal’s thoughts grew darker, more focused. He was no longer merely admiring the painting; he was consumed by the artist herself. She was an enigma, a puzzle that only he could solve. And he would. He would have her, as he had claimed so many other things in his life. She would not escape his grasp.

But for now, he watched. He watched as she tried to hide, tried to pretend, tried to convince herself that she could outrun the truth. She would not. Not from him. Not from the darkness that she had so expertly conjured.

And the feast, where only the devil was hungry, would continue—its creator waiting for the moment when she could finally embrace her own hunger.

____________________________________

It was very hard on my part to write this fanfic because I was very tired first of all and secondly I wrote it through Dictionary some places because I didn't know some words

the part 2

[staticespace]

[ID: Two Bluesky posts by Ro Salarian @/rosalarian.bsky.social

"Please don't leave disabled people behind in your revolution. Please do not see us as sacrifices for the greater good, or dead weight. Please see our lives as worth saving, too."

The quote comment on it by the same user:

"There are gonna be disabled folks who can't contribute anything to The Cause. They have no money, no energy, no physical ability, no time. They will need to receive and will never be able to give back. You gotta save them, too. Especially them."

End ID]

I've admittedly been struggling with this.

I can barely get any work to survive and my ability to contribute in my own house has been steadily decreasing. The only reason I've been able to survive the way I have is because I have a dad and a sibling who are, by grace and mercy, gung-ho for me. I'm one of the more fortunate disabled people I know, and I'm still drowning in debt.

But this is...reassuring. I don't have to feel bad for not doing more. Kinda like, "Hey, seriously, look at all you're dealing with. Don't feel terrible for not being energetic about being an activist."

I hope that the things I write on my art blog are able to carry others through tough times, but as far as carrying the weight of the process... I'm afraid I don't think that's something I can do. Sending messages and calling, sure, I can still help there on occasion, but money, volunteering, and other such activities are a bit out of my physical and mental scope.

And this post helped me realize it's okay for me to say that.

[stump-salsa]

This one image of papyrus is really interesting to Me.

[skyshipper]

HAPPY STAR WARS DAY! MAY THE FORCE BE WITH YOU

[impossible-rat-babies]

vierapril day 26--weapon

"and failing that, i'll have my trusty warrior of light box the ears of all concerned."

[royalberryriku]

Nope, more just hoping for any chaos in general to be helpful. Like, this wasn't a deep analysis or a concrete "I think this will ruin the military", in fact I didn't even mention it bc I didn't think it would be affected. However, I do think it'll help right wingers lose confidence.

As for revolution, it really depends on what theory (as in what specific type of revolution) is being referred to. I personally think a greater land back movement and stronger push for fighting for civil rights is on the horizon since a lot of people are, as you're saying, banding together. Meanwhile, I personally wouldn't agree with a Trotskyist revolution because I think that IS outdated and tbh never a good idea to begin with for a number of reasons (I have my own criticisms of the base theory but I won't get into that here lol).

I think it's important as well to note that I do very much agree with you, *but* it's also important to recognise you have to have enough love to fight for what's right and protect people you care about. I know that's obvious to say and probably something you already meant here, but I think it's applicable to resistance against systematic oppression in the sense of uprisings as well. Like I literally don't think the system used right now in the US is a sustainable one and tbh I personally see it as very totalitarian so I wouldn't put my energy waiting for it to be fixed from the inside.

Uh, basically, what I'm saying is actually more simplistic and not implying much beyond what I stated at face value; I think the failures to meet the expectations of right wingers (especially far right groups who have used Trump as a reason to become more active) will make them lose morale and slow down their ability to be as reactive in the long term, and potentially (though this is more just a hope than realistically what I think will happen) said failures making it difficult for governing bodies to remain as organised as, say, during a Biden administration because they'd be so focused on the mess Trump is causing due to his incompetence. Again, that's just a wistful hope, not so much a "I think this will definitely happen". I'm more focused on how continual failures will make him appear less of a figure for right wingers to follow and potentially lead to some advantages for activists to push the opposite.

But either way, yeah no, I agree that we should be all banding together. Been saying exactly that the whole time too.

He really talked Trump into naming it DOGE huh

[group-dynamic]

Bartender: Hey, man, how's it going?

Me: Yeah, you know, it's good. Just thinking about how Gil Galad's kingship was haunted by Elrond. Like his first great failure after being crowned when he'd barely come of age was showing up too late to stop the destruction of Sirion. How he probably felt a deep personal responsibility to find Elwing's missing boys at least but couldn't even do that. Like, I know he probably got redirected by Cirdan toward all those refugees and stuff, but he probably really wanted a win, especially because he was kinda orphaned by then himself and knew how cruel fate was to the sons of greater destiny. Like all his family who'd been king before him died, like, horrifically? And then when Elrond returns all fine and he comes to Lindon and he's chosen the fate of the elves, Gil Galad's physically haunted by him again. See, but this time he chooses to be haunted by Elrond. Because I think he wants to fix what he sees as his first great failure by restoring a bright future for this kid which was robbed from him when Sirion fell--and it's probably like he wants better for him than what he got, too, because he got this kingship in exile thrust upon him when all he was doing was hanging out with Cirdan making ships or something with the other non-combatants and refugees like he and his mother who were fleeing war and violence and he was like fourth in line to the throne so he probably found out in one fell swoop that all his family's dead and oh, you're king and your destiny's out of your hands. So he's like, I'll make Elrond herald and give him all the experience and guidance on this leadership stuff I never got while also giving him better control of what kind of future he has. Then--get this--he never even marries or has kids and when his reign is coming to an end. . . Which, by the way, he probably foresaw his own death which is fucked-- because he gives Elrond his ring before the war of the last alliance, metaphorically making him his heir and also giving him the opportunity to shape his future. . .Yeah, yeah, cause Elrond wouldn't have been considered suitable to be a lord or a king or anything after he was raised by wolves the sons of Feanor. So when Gil made him herald it was like helping him gain political experience and any status he lost. So anyway, then Gil Galad dies, but in some ways he's spent a greater part of his life dedicated to the act of restoring Elrond to the path he should have been on in an alternate reality where he was raised as Earendil and Elwing's son and like correcting that first failure--but also changing Elrond's fate because Elrond has the ring, like, he literally has Gil Galad's legacy and power in his hands, something he wouldn't have had (or needed?) before. But he decides he won't be king. He'll use that power to guard the place that fulfills the legacies of both him and Gil Galad. He's rebuilt the home he lost, something Gil Galad was trying to give him, and then he makes it a place for all the orphans and the wounded and the refugees--like he even fosters a bunch of future orphan kings and like--

Bartender: Like the ending of Hamilton?

Me: *mumbling into my empty glass* Yeah, exactly like the ending of Hamilton.

[depvotee]

Okey, I'm going to say this:

I think some of you, only consume Elden Ring (and all souls like) through video essays, lore videos and theories of the game, which mind you nothing inherently wrong with liking the game and consuming it that way, the problem comes when you take these YouTuber's word as gospel when they we're just proposing a theory instead of going ahead and analysing the lore by yourself and coming up with you own conclusions, that's always been the way of these games, everyone sees everything differently and although there's *some* wide spread theories, that doesn't make then canon, so, the moment when something that you don't like/is part of your personal headcanon happens, y'all lose your minds.