#analysis: moon

[birdy-babe]

I’m sick to my stomach

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.

[pixeldoodles]

Am I losing it? Is any of this intentional? Idk here’s some interesting things I noticed.

[astrogossipp]

moon notes. 🌕

Disclaimer. these observations do not have to resonate with everyone and everything, all expressed in this post is based on personal experience and research.

"The moon in our birth charts represent the inner us, our emotions, house, mother, deepest feelings, instincts, our basic habits and reactions, unconscious and also our comfort zone."

masterlist🧿

☾ aries moon

Aries moons are extremely protective of their romantic partners, possibly due to the difficulty they have in getting along with just anyone. When they find someone they can love, it feels like a miracle to them. Their tired eyes hold many secrets, yet they also invite others to share their own. Aries moons are deeply committed to their beliefs, prioritizing prayer if they believe in God or disregarding criticism if they're into crystals and spirituality. Being misunderstood frustrates them, especially if they have Virgo personal placements. Moon in Aries individuals often experienced a challenging and powerful childhood, shaping their view of home and family as constant challenges. They need to feel comfortable with their partner before starting a family to avoid repeating the same attitude they received from their parents or relatives. Aries moons live in the present, are passionate, and tend to be impatient. They take criticism to heart and become defensive. They crave excitement and can get bored in peaceful environments. Their needs, desires, and crushes are short-lived and sometimes vague.

☾ taurus moon

Individuals with Taurus moons display distinct traits influenced by their emotional development. Those with undeveloped Taurus moons may struggle with giving and receiving affection until adulthood. Conversely, a developed Taurus moon suggests a nurturing childhood marked by stability and material comfort. Taurus moon individuals exude groundedness and stability, attracting attention and commanding respect effortlessly. They uphold high standards, seeking the good in everyone while grappling with occasional indulgence. Despite their serious initial impression, they are actually fun-loving and seek positive energy. Partners may find them challenging to understand due to mood swings, yet they offer deep emotional healing and encourage appreciation for the ordinary. Taurus moons prioritize building secure and cozy environments, cherishing routines and loyalty. Affectionate and sentimental, they value reliability and comfort above all, making them steadfast companions with strong emotional needs.

☾ gemini moon

Gemini moons possess a natural charm and wit, fostering pleasant company with their curiosity about life. Yet, within their comfort zones, a sense of nervousness and restlessness often accompanies them. These individuals thrive on constant mental stimulation, becoming moody when deprived of it. Childhood experiences shape their communication skills, sometimes marked by instances of feeling mocked or uncomfortable, particularly by siblings. In adulthood, they seek partners who value open dialogue and opinion sharing, craving discussions on diverse topics. While they appear approachable, earning their trust to reveal their fun side can be challenging. Gemini moons enjoy sharing their interests, often trying to influence others' preferences. In matters of love, they can be shy yet straightforward and may send risky texts. Despite attracting attention effortlessly, they remain indifferent to others' desires to emulate them, focusing instead on genuine connections and mental engagement.

☾ cancer moon

People with a Cancer moon are very empathetic and in tune with the emotions of others. They are peaceful and seek familiarity, but can become moody. They hold onto old memories and have a forgiving nature, especially with loved ones. Drama is avoided, and they are focused on justice and fairness. Cancer moons are ambitious and career-oriented, valuing hard work. They desire to build a happy family environment, but can be hindered by their tendency to feel deeply and get hurt easily. Letting go is important for finding love and affection. When drunk, they may have the urge to fight or dance with strangers. Sharing is caring, and balance is sought in all aspects of life.

☾ leo moon

Individuals with Leo moons seek attention and love within their inner circle, exhibiting both a craving for admiration and generosity towards loved ones. Creativity and a sense of justice define this placement, alongside a remarkable capacity for forgiveness, even towards those who have wronged them. They may have experienced embarrassment due to past forgiveness, learning the lesson of discernment. Leo moons prioritize self-love affirmations and enjoy disproving others' opinions. Trust issues develop early, leading to a reluctance to share personal secrets. They are non-competitive except in defense of friends, showing jealousy in childhood friendships. Quick to forgive, they use sympathy to mend relationships, disliking prolonged conflicts. While disliking long conversations, they engage enthusiastically in mysterious topics and detective documentaries, demonstrating a thirst for knowledge. Despite a dislike for subjects like math, they persist in pursuing success, reflecting their determined nature.

☾ virgo moon

Virgo moons are known for getting attached to people very quickly. They admire those who work hard for their dreams and love to party. They seek soul ties with people who match their personality and are drawn to confident individuals who appreciate beauty in everyone. Cooking for loved ones is how they show their love, as they likely paid attention to their mom or grandma while cooking as a child. Virgo moons are ambitious and goal-oriented from a young age, but tend to care less about school as they get older. Despite this, they are kind and make even disagreeable statements sound agreeable. Virgo moons are sensitive and experience emotions mentally, which can lead to moodiness. They have a tendency to focus on details and can struggle to see the bigger picture due to early conditioning. It is important for them to be light-hearted with judgments towards family and future family. They find contentment in the little things and prefer simplicity. Virgo moons need to feel useful and thrive on routine, or else they become self-critical. They are trustworthy and reliable.

☾ libra moon

Libra moons are known for their desire for peace and harmony. They are social and sympathetic individuals who like to have the last word in arguments. Although they strive for the best, this focus can sometimes prevent them from enjoying the moment. They are fond of giving compliments and expect the same in return, but their egos are fragile and can be easily crushed. Libra moons are often taken advantage of due to their people-pleasing nature. They are also known for their strong attachment to their mothers. Libra moons may have been obsessed with their appearance during their teenage years, but as they age, they prioritize personality over looks when choosing a partner. However, one negative trait they possess is complaining even when they chose to help someone. Libra moons are indecisive about trivial things but are confident in important situations. If you are a Libra moon, it is important to work on being honest. Overall, talking to a Libra moon can feel like talking to yourself, but with agreement on every point.

☾ scorpio moon

Scorpio moons are the sweetest people. They are attentive, caring and very focused on making sure others feel good. They can get anxious but it's cute. They respect the privacy of others because they want their privacy respected too. Scorpio moons are great at comforting people, even if they feel awkward about physical comfort. They may have family issues and they love alone time. They love watching horror movies and learning from them. Scorpio moons are clever, perceptive and seek intense emotions and experiences. They value strong relationships and commitment. They live by the motto "all or nothing".

☾ sagittarius moon

Individuals with a Sagittarius moon placement exhibit traits of optimism, cheerfulness, and a love for freedom. They dislike routine and prefer spontaneity, which can lead to conflicts with more structured individuals. Despite their impulsiveness, they are trustworthy and forgiving, often giving second chances to those who betray them to avoid confrontation. They possess a genuine interest in other cultures and exhibit respect towards all races without discrimination. While they may avoid seeking advice from others, they are likely to turn to their mothers for guidance. Sagittarius moons thrive in social settings, preferring nature and the company of many friends over isolation. They are attentive listeners, willing to invest time and effort in understanding others, even when tired. Additionally, they have a diverse taste in music, gradually exploring various genres as they mature. Overall, Sagittarius moons embody positivity, openness, and a deep appreciation for diversity and connection.

☾ capricorn moon

Honestly, Capricorn moons have a hard time understanding their emotions and because of this people usually end up thinking that they are detached or emotionally unavailable. I hope they know that it's okay to admit how you truly feel and if they ever try to communicate with anyone please listen to them cuz they are trying hard. They always seem to need advice in relationships, even for small issues. They romanticize a perfect relationship and search for advice to make it a reality. They tend to force themselves to feel numb about the things that hurt them the most. All this happens because they are unable to understand their emotions and it takes them time to do so. They don't like ranting, but when they do, they pour their hearts out then act like they didn't. They're sensitive individuals who want to be understood, despite some people talking harshly about their detached emotions. Capricorn moons usually have a problematic relationship with their parents and may have experienced abuse growing up. They're reliable and levelheaded people who are well-organized and realistic. Tradition, authority, and security are highly regarded, and they are no risk-takers.

☾ aquarius moon

Aquarius moons are known for their observant nature and love analyzing other people's actions. They tend to feel like they don't fit in with their peers and value independence and individuality. These rebellious individuals don't take criticism well and take pride in their thoughts. Aquarius moons have a lot on their mind and are often thought of as stoners because they find themselves lost in thought often. They may make sex their love language because they want to please others and themselves. These people tend to enjoy aggressive music and may judge others for not liking the same artists as them. Aquarius moons have a great sense of humor and are always interesting to talk to. They tend to get lost in their thoughts and may zone out while telling their life story. Overall, these people are never boring and always leave an impression.

☾ pisces moon

Honestly, I could go on for pages about Pisces moons. They're the family member who knows everything and wants to come off as lovely to strangers. They avoid confrontation and might disagree with something just to be left alone. Pisces moons want to feel spoiled and financially stable. They either think about money, sex, or how depressed they are. They're also prone to falling for fictional characters or celebrities. If a Pisces moon is dating a Virgo sun, it feels like paradise, but they might not admit it. Pisces moons are hardworking to the point of forgetting to eat and might have trouble with spicy food. They romanticize toxicity and have remarkable intuition. They can get lost in the suffering of others and are known for their odd sense of humor.

this post was created by @astrogossipp on tumblr <3 if reposting my work please give credits.

[nyxofdemons]

i cannot get over the way that blitz screams "LET'S GO" like he WANTS to fight with him, like he's ASKING stolas to lash out at him and tell him blitz is right, stolas DOES think he's insignificant and he wants him gone if blitz doesn't accept his feelings immediately, just so blitz has a reason to keep being angry and vent out everything bottled up inside of him.

i think all of this comes back to how blitz would rather people hate him than miss him, because at least then he feels like he's getting what he deserves, and he will actively sabotage relationships to MAKE people hate him so he knows they have a good reason - like his breakup with verosika and everything he did to her. if he GIVES her a reason to hate his guts then he gets to know exactly what it is he did wrong, and it's not just because of who he is fundamentally that's so despicable. i think he's TRYING to do the same thing with stolas here - on some level his anger is justified, of course, but i don't think this is entirely that. i think he's trying to provoke stolas into lashing out at him so they can have a huge argument, and blitz can make him feel as small as he does right now, and if stolas gets angry and hates him for whatever cruel things he's going to say, then blitz gets proof that stolas doesn't really love him, gives his self-loathing monster a taste of validation by knowing he is definitely the reason that all of this fell apart, and reaffirms his own warped self-image that he is incapable of receiving love or creating a good relationship.

blitz isn't expecting stolas to take him at his word - that this is nothing more than sex, and he actually thinks of stolas as nothing more than a privileged rich asshole he HAS to put up with - he's expecting stolas to fight back so blitz can keep yelling. but stolas loves him too much to lash out (at least right now,) and he's so aware of the power imbalance between them and feels too guilty about their transactional relationship to try and argue. HE'S being entirely honest about his feelings (and he's distraught and off his meds), so he's assuming that blitz is being honest, too - he really can't stand stolas, and he's been perceiving their interactions as stolas' classism being malicious rather than simply ignorant, so of course there's no way blitz would ever want to be with him. and blitz can't grasp that stolas genuinely cares, and doesn't want to fight with him, until it's too late to backtrack.

[onehelluvafan]

Confirmation that even just receiving the crystal is a painful memory for Blitz because he associates it with the end of their arrangement 💔

[lunaapudleonem]

Astro observations about ✨synastry placements✨

4th house synastry placements = i've noticed that if romantic partners have a lot of planets in each others 4th houses or one partner has a stellium of planets in another partners 4th house, that can indicate very close relationship since the moment the two individuals met. They feel like they're with someone who's like family to them so it also might happen that some of their flaws and weaknesses are exposed at the beginning of the relationship. For example, it is not unusual that very early on one of them helps the other partner when they are sick, sleeps over, goes grocery shopping with them or cooks for them/with them. They also might cuddle a lot and have a hard time separating from one another when they are together (since 4th house synastry placements can indicate clinginess in the relationship). Talking about each other family situations, bonding over family trauma and discussing about their everyday routine is also most likely to happen early on in the relationship.

5th house synastry placements = these placements can indicate that the relationship between the two individuals is very amusing, fun and dynamic. These placements can sometimes indicate that there is some level of competitiveness between the partners. The partners also might enjoy playing different kinds of games together, trying out new things and being creative together. One persons Mars in another persons 5th house can indicate fun and creative sex life. One persons Moon in another persons 5th house can indicate that the Moon person feels very excited and joyful when they are around the house person.

Mars - Jupiter positive aspects in synastry = great and often sex, high sexual desire between the partners

One persons Venus in the other persons 3rd house = the house person loves to flirts with the Venus person and the Venus person is absolutely mesmerised with the way the house person expresses themselves. Good communication, good banter and discussing interesting topics is what characterises the relationship. + Mercury - Mercury positive aspects and one persons Mercury in another persons 1st house can also indicate amazing conversation that starts from the moment the two individuals meet. Basically these two people can't shut up when they are together.

Moon - Mars tight aspects = be careful since these placements can indicate high fertility (it is even higher if there are 4th and 5th house placements in the synastry)

Chiron - Venus/Moon aspects = these relations between the Chiron and the planets can be very hurtful, it can indicate sometimes a toxic relationship

[elcarimercanto]

We know that Blitzø's rant at the end is what caused Stolas to finally break and let those tears finally slip but I would like to acknowledge just how strong Stolas was after hearing this...

He just poured his heart out to someone whom he's in love with, practically admitting his feelings, and then they go and do this.

Stolas had so much hesitant hope before this when he said he wanted Blitzø to stay with him. He even had a slight smile on his face.

But the utter disappointment and shock right after when Blitzø thinks his genuine feelings are just a joke is absolutely devastating.

Blitzø thinks it's just an act, a game. He thinks Stolas's feelings are just a little show, so he puts on one too, even openly saying he loves him.

Imagine being Stolas and the person you love says they love you, but it's just playing pretend to them. I have no idea how Stolas was able to fight back tears and hold it together right then and there.

He just looks so...defeated

This was the moment where Stolas gave up

[geekgirles]

Just Look My Way

Can we please talk about the way the lyrics have changed from the original to showcase Stolas' growth and character development?

I was already surprised that what originally looked like it was just going to be a fan video ended up becoming canon content, but when I heard the different lines my mind exploded, you guys.

Note the difference, the major difference, in treatment!

In the original version, which released back in season 1 but before Ozzie's, Stolas' line was actually:

"Come now, my little impish plaything, we've both made our choice."

Keep in mind the original most likely included this line as a reference to what both Striker and Stolas said in regards to Blitzo's relationship with Stolas. Even our dear owl boy referred to him as just a plaything while saving him from D.O.R.K.S! Which most likely only helped cement Blitzo's internalised belief that Stolas would never see him as anything other than a cheap thrill.

Here, however, Stolas is cementing him as his dearest! A loved one! Someone he values and cares for! That is a huge difference from being just a sexual partner!

And the second line. OMG, THE SECOND LINE.

Unlike the original, where Stolas speaks of a choice that, realistically, was never there (as it usually is the case with relationships where there's a power imbalance and, moreover, were born out of transactional needs), this time he is reaffirming Blitzo's agency and independence. The implied choice is clear: Stolas will present the asmodean crystal to him so he no longer relies on his Grimoire and sleeps with him out of necessity. All that's left for Blitzo now will be to choose if he wants to remain by Stolas' side even then. And the choice is his.

As a quick aside, I also love the constant symbolism between Blitzo and the Moon.

Technically, compared to Stolas and the Earth, both are just satellites, nowhere near as important as a Goetia demon and member of Hell Royalty or a planet brimming with life and where beauty and wonder happen at every corner. And yet, without them neither can thrive. Stolas is as fascinated and dependent of Blitzo as the Earth is with the Moon. Without the Moon, there's no tides; it brings inspiration and romance to countless souls, brightening the night sky, just like Blitzo brightens Stolas' life.

Blitzo is Stolas' moon, and I just think that's beautiful.

Every word in this line in particular just oozes character development, too.

The original was:

"What's left for me in this broken house if I cannot have you?"

This is no longer about Stolas using Blitzo to escape his boring routine and his horrible marriage to Stella, it's about Stolas being deeply and hopelessly in love with Blitzo and not knowing what to do to convey that in a way that will reach him.

Once again, Blitzo has stopped being a mere plaything or boy toy and become so much more. He has become an essential part of Stolas' life he doesn't know what he'll do without but knows he'll have to let go of if that's what Blitzo wants!

Now, I must admit I am not exactly a fan of this change in these particular verses. On the one hand, I understand it's meant to reflect Stolas is trying to understand Blitzo and see things from is point of view, but I also feel it robs the moment of the raw feeling the original conveyed:

"Is this how she'd feel? Abandoned, all alone, left to fend for herself, for a semblance of happiness that doesn't have to end?"

"She" clearly referring to Via.

I just think it would have been more powerful to keep it and allow that juxtaposition between the most important people in his life to help Stolas understand Blitzo better. After all, he loves them both dearly and unconditionally, but his actions have also hurt them both very deeply.

I just think it'd be fitting if one allowed him to understand the other better.

Nevertheless, if there is something this song has taught me, is this: we are so not ready for the next episode.

[zombie-bait]

Full Moon

Ok so I don’t normally post about Helluva Boss but the newest episode touched on an interesting concept I haven’t necessarily seen represented in media. Back when I was on Twitter (derogatory) a few years ago there was this now deleted viral thread where someone discussed how their struggles with mental health affected their relationship with their partner and I haven’t stopped thinking about it since. 

This is such a good, short example of how anxiety and depression can play tricks on you. It becomes so easy to envision yourself as a nuisance, a constant burden to those closest to you because they cannot possibly genuinely enjoy your company, right? But in doing so you create this arbitrarily cruel version of the people you love, people who would otherwise never behave like this outside of your own mind.

It's mean. Because your mind wants to be mean to you under these circumstances. It wants to put everyone else's emotions and desires above yours, both in worthiness and validity. And that starts bleeding into your understanding of other people, especially those you care about.

Now. Helluva Boss.

"Can I get a fucking MINUTE to think after everything you put me through you pompous rich ASSHOLE? Treat me like one of your little butler imps, you can’t just dismiss me like that! I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we’re smaller and not as important. Well I’m not letting you, BITCH! Let’s go!" - Blitz

I find it really interesting how Helluva Boss decided to approach this conflict between Stolas and Blitz. Obviously, the difference in power matters. It's the underlying tension of their entire relationship and their lives. Stolas is burdened by the mountain of expectations thrust upon him from a very young age while Blitz is constantly reminded that he can NEVER be part of that world, that he is "smaller and not as important" not just in Hell's hierarchy but in his own life and family. Stolas very literally has power over Blitz (through the grimoire, the arrangement, his position in society) and Blitz uses their relationship as an excuse to reverse those roles. But that power dynamic, in one form or another, never truly goes away. And for Blitz, it's a lot easier to paint Stolas as this manipulative symbol of power and himself as nothing more than Stolas' plaything. It's easier to be angry than to be vulnerable and accept that someone might care about him.

"Dismiss" is the keyword in that quote. All that Blitz has been able to process is that Stolas has decided to end the relationship that they have. He feels ls like a choice has been taken away from him so he lashes out because he's not ready to emotionally tackle what the rest of Stolas' offer might entail. If Stolas hates him, just wants to play with him, then he is justified in his anger, his self-destruction, his isolation. If the world is mean, you're "allowed" to be mean back.

But

In that moment he forgets that Stolas is someone he actually cares about. Someone he's known for way too long and clearly wants to keep in his life, no matter how reluctant he can be to admit it. Someone who is not innately cruel or manipulative but sad and desperate for connections in a lot of the same ways that Blitz is. And Blitz immediately sees that he's miscalculated something.

Somewhere along the way the fictional version of Stolas that he's allowed himself to be mad at and the real one that he's not ready to admit he cares about have merged into something real that he has actual power over. Stolas can get hurt and Blitz can be the one who does it. He has once again allowed his greatest fears (which Stolas so frequently symbolizes) to co-opt his loved ones, to give him an "out" even though he didn't actually want one in the first place.

I'm definitely not the first person to say this but I think this is an example of the miscommunication trope done right. Their individual struggles are what cause them to be unable to connect during this conversation or to even have a proper conversation in the first place. There is no convenient misunderstanding or third party fabricating this rift. Both of them have preconceived ideas of what the other one is thinking but those ideas are flawed and rooted in self-hatred. They also both shutdown in their unique ways when the conversation starts heading in the direction they'd feared it would.

Blitz and Stolas work because they're both fucked up in similar ways, because they want similar things. That's the same reason why they're uniquely designed to hurt one another. A fear of rejection and a yearning for happiness. To borrow a quote that has been used by literally everyone from Spiderman to Evangelical preachers, "hurt people hurt people."

anyway, I really liked this episode.

(twitter thread screenshots sourced from this reddit post)

[v3rmin-l0rd]

Something I deeply enjoy is how many times Alucard is positioned by the moon, either in a cool dynamic way or because its simply night time when hes doing stuff

theres def more but these are just some (a lot) of my favs + what I could find

[ottersandfandoms]

Full Analysis/breakdown of the asmodous crystal exchange because the episode broke me and this is how I cope. Warning: long

So the first shot we have is Stolas sitting on his bed in apprehension, then Blitz jumps up on the balcony. Blitz starts the night off like any other, bringing out his bag of sex toys and just speaking in an unworried manner. Yet we have the sad music playing in the background that lets us know this is temporary. It’s NOT a normal night. Stolas knows this too and he’s just quietly watching.

Stolas finally speaks and he stutters at the beginning. This is really happening. He disregards all the other things Blitz brought and instead just asks for the book.

This is when Blitz first starts noticing something is up. We see a quick shot of his smile dropping. He was all worried about Stolas getting bored of him earlier and wanting the book back and now he began to actually think those fears are being proven true. Even if he doesn’t admit it, Blitz has a big fear of not being wanted and just pushed aside, like he has been for most of his life. 

So when Stolas admits he needs the book back Blitz panics. His fears are true. He begins to hurriedly speak and makes excuses. This book is his livelihood and the reason for his jobs so it makes sense why he is scared of losing it. He leans in and tries to initiate sex. It works every time with Stolas so why wouldn’t it work now? Stolas begins to grow sad. He does want to have sex with Blitz. But he knows that would be unfair so he gets up.

Blitz is terrified. He desperately begs Stolas for the book. Blitz is being put in a vulnerable situation and he doesn’t like it. His whole life could be destroyed if he can’t keep his business afloat. He wouldn’t be able to support himself and couldn’t support Loona. He would “do anything” to keep it.

But then Stolas shows him the crystal. Stolas presents it to him in a happy tone. He tries to be happy and hopeful even though he is clearly still very worried. Maybe everything will be ok. Maybe Blitz will reciprocate Stolas’s feelings and everything will be great.

Blitz thinks Stolas is joking. He doesn’t understand why Stolas would do this. Now his job is safe but his relationship with Stolas is not. His deepest fears are being proven once more. 

He’s not good enough.

He goes into this state of wanting to please.

When Blitz was a child, his dad clearly saw Blitz as the weakling compared with Fizz. And no matter how much Blitz tried to prove himself, it was never enough. “I can do better” is almost juvenile in its phrasing. A desperate plea and promise that might diffuse the situation. Blitz reverts back to his childlike self where he was always last choice and flung aside like he didn’t matter. Imagine how many times he said that exact sentence to his father.

Stolas explains. Stolas actually does a good job of saying what he wants. He is clear and to the point, emphasizing asking what Blitz wants. During Stolas’s speech, Blitz glances back and forth at the crystal, trying to make sense of what’s happening  and then at Stolas. Because he does want to stay. He likes Stolas. If he didn’t care, he would've taken the crystal and left, but he didn’t and chose to stay. Stolas finally just finishes his speech by confessing his feelings. He says them in a frantic way; he is putting himself out there but there is hope there too. 

Blitz thinks he’s joking. Of course he would be. Why could Stolas actually seriously care for him? How could Stolas care for him? The only possible explanation has to be that Stolas is joking. So he puts on a roleplay because he thinks it’s what Stolas wants. He refuses to accept there may be something more.

Stolas takes this as a mocking rejection. His hope has been squashed. Stolas is so used to being mocked that he immediately takes Blitz’s ‘roleplay’ as Blitz making fun of him. Stolas has been mocked by the people, the other Goatia, Stella. Blitz is just another one to add to the list.

He accepts the supposed rejection and walks away. Blitz now realizes he wasn’t joking. He is legitimately surprised that Stolas would want anything true with him. Blitz has this worldview of nobody truly wanting him; finding him useful, sure, but actually wanting him…that would be impossible. Stolas’s confession is a stark blow to that worldview and it makes sense why Blitz needs time to accept this.

This is where Stolas makes his mistake, he doesn’t give Blitz time to think through this. He takes Blitz’s confusion as rejection, not stopping to consider that Blitz is just as scared as he is. His hope is now totally gone. Both Stolas and Blitz are eerily similar in their fears. They both just want to be wanted but where Stolas shrinks away in sadness, Blitz lashes out.

And that's exactly what Blitz does now. And he doesn’t stop.

He doesn’t want to deal with his own hurt feelings so he instead blames it all on Stolas, to hide the fact that he may be blaming it on himself. The thing is, most of what Blitz says is true. Stolas repetitively called him a plaything and ‘little imp’ so it makes sense why Blitz doesn’t fully believe him. Blitz has always been the inferior one in his relationships. With Fizz, With Verosika, with Stolas, with countless demons. This has caused him this inferiority complex that he can’t escape. 

Blitz has tears in his eyes and he is truly breaking down. He has spent so long trying to convince himself that Stolas doesn’t care and now suddenly he does? He still hasn’t actually accepted that Stolas cares for him. He can’t accept that and that makes it all more painful. It has to be some lie or game and he is begging Stolas to stop playing. To stop complicating things because that will force Blitz to think about how he feels.

"Let's go!"

Blitz fully expects Stolas to yell back. he is so used to being in arguments where the other person will lash back as well. And Blitz almost wants this. He believes he deserves it.

But Stolas doesn't...

Instead he takes Blitz sceaming the wrong way. You see this heartbreaking scene of Stolas starting to cry. Stolas has spent his whole life being told to be quieter, be more controlled, less emotional. Him crying in front of someone, rather than alone really emphasizes the hurt he is feeling. And then there is of course the most heartbreaking line: “I didn’t realize you think so low of me”.

Everyone thinks low of Stolas. He is the “pathetic” Goatia prince who is constantly scoffed at and bullied. Blitz was his escape from all of that, but now he believes Blitz thinks the same as everyone else.

But Blitz DOESN’T think low of Stolas. He thinks low of himself. 

Blitz realizes he fucked up. He went too far and hurt Stolas.

He realizes that Stolas misinterpreted what he said because Blitz was never really talking about Stolas, he was talking about his own feelings. We can see Blitz actually try to reach out to Stolas. He needs to let Stolas know that he doesn’t think that. You can hear him start to say “I’m sorry-” but as he’s saying that Stolas portals him away. 

Blitz “What the fuck” perfectly encapsulates his feelings. He doesn’t understand what happened but he knows that he messed up. Blitz needs to let Stolas know that he actually cares about him and apologize for what he said and Stolas needs to understand that Blitz needs some time.

Blitz never once said that he doesn’t care, only that he doesn’t believe Stolas can.  

[jubileemon]

In the music video, Blitzø is represented by the Moon, while Stolas is associated with the ocean, initially walking on it before being submerged in it. This is actually very symbolic of their dynamic. The Moon controls the tides, but at the same time, it orbits around the Earth. Blitzø relies on Stolas and is drawn to the force of his power that he needs to accomplish his goals. However, Stolas is controlled by Blitzø's gravity as well, to the point of drowning in his emotions for the imp. They both profoundly affect one another.

Even the string that ties Blitzø and Stolas together is deeply symbolic. The majority is Stolas's blue, which is representing how much he's put into the relationship so far, as well as the massive amounts of feelings he's going through dealing with possibly losing Bitzø once he gives him the crystal. He has so much length to it because he's being so much more open about his feelings as well.

Meanwhile Blitzø's red is barely there because he doesn't, and possibly can't, put more into the relationship than he currently does. He has so much self-hatred that it's almost impossible for him to love anyone romantically, considering he doesn't even love himself. That and he's scared to put himself out there only to be hurt. He shows so few emotions and so his portion of string is immensely shorter. When it snaps, it all goes back to red on his end as all his trauma and repressed emotions about it flood back and envelope him in the moon once more.

Pay attention to the size of the moon. At first the moon was small, that is, these "walls" were thin or insignificant (this can be recognized from the childhood of Blitzo and Stolas, Blitzo was full of enthusiasm and hope, but now it is slowly fading away). Previously, Blitzo was more open, but after many events in his life, his walls began to increase (he was used by his father for profit, his best friend Fizzaroli suffered because of him, etc.), and eventually became huge and impenetrable (he does not share many things, not even with his own daughter, and he's afraid to trust Stolas on purpose). Even Stolas, with his tall stature, cannot compare with them. This literally shows that Blitzo can't trust anyone.

Stolas sees this and tries to break through them, but until they talk, the walls will not be possible to get through. It is precisely because this "barrier" cannot be destroyed that Stolas will give Blitzo the opportunity not to depend on him because of some kind of grimoire. The Moon's increasing size may also indicate that Blitzo is becoming a significant figure to Stolas. He wants to be with Blitzo not only physically (by type of sexual attraction), but also emotionally. In other words: Stolas fell in love with Blitzo seriously, not in childhood, when it was just sympathy, but real love, which is difficult to get rid of.

The symbolism of Blitzo as the Moon is very reflective of his and Stolas' relationship. Not only is it a callback to the fact that they mostly see each other once a month on a full moon to do “the deed”, but it it's also just a great metaphor for Blitzo as a character. Humanity has been fascinated by the Moon for a long time and tried to reach it for centuries and it was only in 1969 (relatively recently) that they managed to do it. The moon had always been this gorgeous, desirable, yet unreachable thing and that's exactly what Blitzo's love is from Stolas’ perspective.

Stolas' love for Blitzo is represented by the moon. First small and bright, something he can hold close and dear. Then larger, something harder to hold but something still fully within his grasp. Then at the end, impossibly large while also just out of reach

The moon also mirrors the power dynamics between Stolas and Blitzø, at the start with Stolas holding all the power, then Stolas putting himself at Blitzø’s level when he finally tries to look deeper and see what Blitzø needs and his walls. Then the moon grows larger than Stolas as he intends to give Blitzø the crystal so he doesn’t have to depend on him anymore. And now the power in the relationship shifted towards Blitzø. Whether the relationship continues is now up to him.

[allastoredeer]

It's kind of funny to think that when Lucifer points out to Charlie that they have the same blood, it's clear that Lucifer has golden blood due to being an Angel, while in battle we see that Charlie actually has red blood, probably due to being the daughter of the first human/sinner woman, which ironically makes her even closer to Alastor just on a visual level.

Another thing I love about that song is that Lucifer stresses that he will support her, but always focusing on material things and the use of his power. While Alastor, the manipulative bastard who knows everyone's weaknesses, brings out all the bonds and emotional support he's given Charlie just by being there from the beginning, how they've become friends, how he makes her laugh with his jokes, he even hugs Niffty, and all that "corny" stuff is what Charlie really appreciates, but she has no interest in material things.

Ooooh! Good point about the blood! In that aspect, she could be more closely affiliated with sinners than Lucifer or the hellborn.

Also, that's what I REALLY love about Alastor and Lucifer's song, because your right! Lucifer is focusing on all the things he can get her. Material items. Which is exactly where he went wrong.

Charlie is the princess of Hell, I'm pretty sure she has no problem buying anything. Lucifer may be able to snap things into existence, but that's not what Charlie wants. It's not what she needs.

Alastor, on the other hand, is observant as fuck. He was with the Hazbin crew for only a week before he pegged Charlie's daddy issues.

It is also very interesting that in this photo Lucifer is in the spotlight with his back turned to Charlie, and Charlie's body language is so hurt and closed off, she's literally on the brink of tears. I'm just saying, I don't think we give Charlie's feelings about her and Lucifer's relationship more credit. We tend to focus more on Lucifer's emotions and that is such a shame because LOOK at her. Charlie is not okay.

Charlie wants connection, support, and community. She wants someone to be proud of her. She wants someone who is reliable and involved.

And Alastor knows that and, when you think about it, he HAS done that.

Look at Charlie's face when he tells her he's happy to "fulfill all her bizarre request."

Requests. Not just poofing items into existence.

We've already seen examples of Alastor being involved with the hotel and doing things that Vaggie and Charlie ask him to do, such as taking the egg bois with him, sitting in on Charlie's exercise's, making a commercial, building a new wall, dealing with clogs--and I imagine he's done a lot more over the 6 months that he's been there.

(Also, not to go off topic but Alastor's back arch oh my god??????)

Look at her face when Alastor say's that she's an "impressive young lady" and that they're all "very proud of her."

He didn't even need to say "I'm proud of her," it was "we're proud of her."

It makes me wonder when the last time Charlie heard those words. Did Lucifer and Lilith ever tell her they were proud of her? I looked through the episode transcripts, and there wasn't a single time Lucifer said "I'm proud of you", even after they rekindled their relationship.

I think it's something Charlie has wanted to hear for a VERY long, and hearing it from Alastor (who's as close to a father figure as she's had, I guess), I can't imagine how much that meant to her.

Also note Charlie's face when Lucifer interrupts them to request he meet her other friends.

Charlie wants emotional connection. She doesn't want Lucifer to come in and fix all her problems, she just needs a little help. She wants his support. She invited him to the hotel so she could show him what she was working on and how much things have improved.

And let's be honest here, Lucifer went to the hotel for purely selfish reasons.

He didn't go to listen to Charlie's pitch or even consider helping with it. He already said no about setting up a meeting with Heaven and he went into the hotel already believing it wouldn't work, with no intention of keeping an open mind.

He missed Charlie and went there only to see her, which isn't altogether bad! He missed his daughter. That's fine. But by all accounts it was a selfish decision that he made purely for himself. It was to benefit him, not her.

And I think, on some level, Charlie expected that.

So when Alastor swoops in saying all the right words, knowing exactly what Charlie wants (because he's been paying attention), knowing that she doesn't need material items but emotional connection, you know, I can't blame her for looking the way she did, and I'm not surprised it sent Lucifer head-first into a whirlpool of insecurity.

Lucifer went wrong by trying to "buy" (for lack of better term) his way back into Charlie's good graces. I don't think he meant for it to come off like that, but the whole basis of his "i'm a better dad than Alastor" argument is "look at all the things I can get for you," "look at all the ways you can benefit from my status" and "we're blood-related."

Whereas Alastor's was "here's all the things I've done to help and support you," "look at the times I've been reliable" and "you've already made a found family here, you don't need a biological one."

I'm sorry, but going by the song? Yeah, Alastor kind of beat Lucifer in the dad category.

Doesn't mean he's an actual, loving, and supportive father figure to Charlie LMAO, but by all accounts, he's checked the boxes.

[pureastrologywisdom]

𝔜𝔬𝔲𝔯 𝔫𝔞𝔱𝔞𝔩 𝔠𝔥𝔞𝔯𝔱 𝔞𝔫𝔡 𝔶𝔬𝔲𝔯 𝔭𝔢𝔯𝔰𝔬𝔫𝔞𝔩 𝔰𝔱𝔶𝔩𝔢

When trying to develop your style your natal chart can be a perfect aid in exploring what things will work for you. With fashion an important factor is matching your style with your essence. You want to wear what feels like you. 

Alongside this being able to project or showcase different sides of yourself and aspects of your personality you want to play up. Embodying different signs in your chart is a really fun thing to do. See how you feel when you emulate the energy of each sign. Its fascinating to see how you interact with the world and how it interacts with you.

There are a few different areas you want to look at here - depending on certain factors which I will discuss later:

Your rising sign 

Your Venus sign

Your Moon sign 

Your Mars sign 

Your MC

Your 5th house

Your dominant planet

Your Rising sign is how you come across to people, working with this helps give a natural element to your fashion sense/ look, it’s things you look effortless in. Leaning in to your rising sign can really help boost your confidence and make you feel more authentic.

Your Venus sign is what attracts people to you. Wearing things that embody your `Venus sign will make you feel more magnetic and attractive. It is what you want to wear when you want to feel beautiful. And it will draw people into you. Perfect for a date night.

Your Moon sign is an interesting one to incorporate into your fashion sense. Personally when I wear things that reflect my moon sign I feel very comfortable in my own skin. I also feel very feminine. Something about it really brings harmony to my wardrobe. That is the best way I can explain it for now.

Your Mars sign is for when you want to feel sexy. Wearing things that emulate your mars sign will give you an aura of confidence, making you feel more bold. People will find it hard not to notice you. This is good for a night out, a more spicy date night, and comes in handy when picking out lingerie especially. Wear things from your mars sign when you want to feel powerful.

Alongside this, if you want to be noticed, try wasting something that correlates to your Midheaven if you want all eyes on you. Its a good way to stand out. This is good for a job interview also.

Your Fifth house is something I don’t see a lot of people mention when it comes to this topic. But I feel it is very Important, your fifth house rules over creativity after all. And after all, fashion is all about being creative. 

Looking at your dominant planet can also help you see what energy you naturally give off, that was you can dress to enhance that energy.

I like to be able to know the typical styles, colours, fabrics, patterns, silhouettes and things associated to each of my signs so `i can play about with it and find a balance in my wardrobe. Being able to mix and match different things to emphasise different elements of myself.

Alongside this I am releasing individual reports based on the ‘essence’ of each sign. That way you can find it easier to see a mood-board and examples of the expression of each of your signs that you wish to enhance and understand more in your chart.

It includes fashion tips, beauty recommendation and things to give you a a specific vibe for each sign. 

If you are interested dm me on here before you email me, as `i wont see it otherwise. 

The price of an Individual one is 15 pounds, there is a bundle deal of 40 pounds for three

I have made these from scratch for you guys and this mixes two of my passions together with this project so I really hope you enjoy. 

If you are looking for any other reading message me on here also, and I will get back to you. I have five spaces available from now until the end of October, so i can give each of my clients a good amount of time

Thank you for reading

Pureastrowisdom xx

[desperateknot]

Chat should I talk about how Ahab told Queequeg to divorce her wife in the Gasharpoon boss fight?

Trick question. This isn't twitter. I am not bound by the word limit here.

In the literal sense, Ahab is telling Queequeg to sever the Knot. But what is the Knot to Queequeg? It's the bond between her and Ishmael.

On a visual sense, I think the ropes on Queequeg's body could correspond to the chains on the Middle's.

And, what does the Middle's chains represent?

We have this voiceline from Meursault's Middle ID.

We can infer that the ropes on Queequeg serve a similar purpose, but they aren't chain anymore. They are the ropes she purposefully tied on herself and Ishmael:

Not only in the scene where Queequeg took Ishmael out of the Whale oil, but also in the fact that Ishmael held onto Queequeg's rope to live and return to land.

The rope, the Knot, represents their connection to each other, but this is what Queequeg had to say in Canto V:

While Ishmael is desperately (puns intended) to hold onto their relationship, Queequeg already knew one of them is doomed. The rope is already cut. And she cut it on Ahab's order.

So yes. Ahab kind of widowed Queequeg, and when it turned out that her wife was alive, she ordered her to divorce. It is also reminisced of the Little Mermaid's sisters telling her to use the Sea Witch's dagger to kill the Prince to save herself.

By the way, her iconic: Rope. Grab tight. Or sink. is not about Ishmael most likely. It's about herself. It's about herself. She was the one who didn't grab tight onto the rope and sank. You can analyse it further by saying her not grabbing tight to the rope is akin to her letting go of their relationship and her own affection in Ahab's order.

Also, Queequeg has 2 main interactions with the rope: tying it or cutting it. Tying it is associated with Ishmael, loving her, having a future with her, rescuing her (twice). The act of cutting it is associated with loyalty(?) for Ahab, separation from Ishmael, and even the act of hurting herself, using the same dagger.

Oh right. Queecliff's third skill is called "Sever Knot", which is an envy skill and has more buffs with envy resonance :]

This is the perfect segue to Queequeg's sin analysis-