#am i supposed to be writing fanfic right now?

[yellowhollyhock]

you know the hardest thing about 07 fanfic is getting around the gaping plot hole of 'your training ended a year ago and Master Splinter says you've stopped writing'

Like? What am I supposed to believe here? That Leo's gone for an extra year (twice as long as he's supposed to be gone), nobody goes looking for him, he stops writing, and nobody's reaction is 'Leo is either in serious danger or dead?' Everybody assumes he just decided not to come home?? And they're right???? Like we don't see much of Leo's personality but from what we do see, a year is a long time to just not write and not let anyone know he was gonna be late

That just doesn't. Make any sense.

So here's me trying to make sense of it

When Leo first left, Raph became the Nightwatcher (as per prequel comics). Mikey starts his Cowabunga Carl thing, with Donnie's help, and enjoys it a lot for a while. It's the only time he's getting out after all. Other than training, which is not going well without Leo. Donnie's not a very firm leader, barely wants to be doing it himself. Raph is checked out and short-fused. Master Splinter tries to intervene but that largely looks like scolding and isn't much help at all.

Mikey knows Raph is the Nightwatcher. In the beginning Donnie thought he must not be, because of an instance here or there where he was too harsh, too reckless, couldn't be their brother, he would never do that. Mikey responded by pointing out the good things and arguing over the debatable things and reminding Donnie of the trouble Raph can get himself into when he's fixed on a goal or acts from a place of anger. Donnie sees the schedules continue to line up and has to concede, but that leads to the question: what is Raph so angry about? And while they haven't come up with an answer, privately Donnie assumes it's at him (for not being the kind of leader Leo was).

Four months after Leo leaves, they're still training every morning and going out occasionally. Six months in, they still train most days. Master Splinter has asked them not to go out together because of how they treat each other during training. Mikey likes his job less and also clings to it more as it becomes the only way he's ever getting out. By the time Leo should be home in a month, while each of them still practice, training together is rare.

That's when they get a letter from Leo that he might be late, and isn't sure how late.

So he's a week late. Donnie is researching every boat and airplane that left from Japan (last known general location) trying to guess what's likely to have caused the delay and extrapolate where Leo might currently be.

Two weeks late. Mikey is planning such a big homecoming party that increases in intensity with every night Leo's not there. It might be tonight, we have to be ready. He's not taking gigs and Donnie's getting stressed about money.

Raph is being the Nightwatcher and only sees his brothers for a brief time in the evenings--and lately those evening have been all about Leo. He's watching them both worry themselves sick. He'd actually allowed himself to be excited for Leo to come home, imagined they could have a good time together if he had a chance to pull him aside and talk to him about the thing he hasn't talked to anyone about: Merryweather's death. It's his big brother he wants to tell and he can't explain the Nightwatcher to his family until he's had that conversation with Leo. They fought about it before Leo left and he needs him to understand.

But now he's getting angry. Where is he? Donnie expresses concern that Something Happened; Master Splinter insists they must stay calm and not give up hope.

Three weeks late. Donnie is now insisting Mikey get focused back on work. At this point Donnie is still being Mikey's driver, in the headset and on standby every time Mikey goes out. Mikey wants him to back off (I can do this myself) so that at least someone will be home to greet Leo since Mikey might not be (your fault for making me go to work). Donnie is really hurt by the implied 'don't need you anymore' and feels guilty (which somebody really should) that Mikey's the breadwinner for the whole family. Even more guilty now that he thinks his help was more for his pride than because Mikey ever needed him.

Then a letter from Leo. Sorry for not contacting you sooner, I'm safe and well, hope I didn't worry you. I'll be at least another month. Much shorter than his letters used to be; they're more worried than ever. And this time the return address is way off course from what they thought was his path home. What's going on?

Mikey wants to write to him. Everyone else points out they don't know where to send the letters. Donnie is back to obsessing over maps, train schedules, weather patterns, anything that might hint at an explanation. Between their jobs and worrying about Leo, Raph doesn't understand how either of his brothers can still stand upright.

He becomes more aggressive out in the streets. He's worried and confused and pretty steamed at Leo for giving them nothing to go by. And even more angry at who or what could have hurt him badly enough that he doesn't want to tell his family what's going on. He's quicker to hit and more hasty to decide who the bad guy is.

Donnie and Mikey see the change. Donnie starts openly criticizing the Nightwatcher every chance he gets (trying to get Raph to fess up or better yet stay home or at the very least see that he's going too far sometimes and needs to take a break). Mikey responds by doubling down on his defense and praise for the Nightwatcher (also wants Raph to confess and knows he won't when Don's talking like that, wildly hoping to be invited along, wanting to keep Raph safe but also eager himself to have a space to let out his own building anger).

And what's Mikey angry at? The fact that Master Splinter hasn't done anything. He's satisfied with Leo's explanation. Doesn't seem concerned, like Raph and Donnie are, that something went wrong. Master Splinter replies that the Ninja Tribunal is wise and at times unpredictable. They may have thought it right to extend Leonardo's training. Donnie points out that the return address for Leo's recent letters are not in Japan; did the Tribunal travel with him? Master Splinter doesn't have an answer and still insists on remaining calm and hopeful.

Now it's been two months, one week past the second time Leo was supposed to be home. Mikey plans a party again, this time with much less support from his frazzled, sleep-deprived brothers who are trying not to get their hopes up. Raph tries to keep Mikey from getting his hopes up either. That doesn't go over well.

After three months, they get another letter, another apology with no explanation, this time saying he has no idea when he'll come home, but don't worry, he's coming.

Raph has been seeing night after night what the world can be like. He's convinced something unspeakable happened or will happen to Leo, but he can't tell anyone that. He wants to go after him, but how is he supposed to find him? The best he can do for Leo is the same he did for Merryweather: be the hero they can't be anymore. Make people who are careless with others' lives Pay. And somehow he has to keep it from his family that he thinks Leo's gone gone, or might be soon; they couldn't take it. They don't know the world like he does. He can protect them from this, for a while.

Donnie thinks Leo must need help, and that's driving him crazy because he doesn't know how to reach him. But he's going to find a way. He starts planning and saving up for parts to build his mutant finding matrix thingy. After their argument he doesn't want to ask for Mikey's help paying, and it wouldn't be right since he's been really trying to let him be more independent. He finds a job. Mikey seems bothered, they talk and work out a better working relationship that allows Mikey more independence and pays each of them separately (Mikey of course making more because he's doing more). Now with the call line job supplementing that he's able to ease the burden on Mikey and April of providing for the family (he knows Casey's been worried about the kind of work April's been taking) and he can buy the parts he needs to find Leo, go after him and bring him home. He's going to fix this for everybody.

Six months after the first time Leo was supposed to come home, Mikey finally gives up hope. He's been secretly sending letters to different places he thinks Leo might be. He stops. He's hidden nightmares about what could happen to Leo for months. He stops asking for Raph or Donnie to go skateboarding with him, stops insisting on family nights every Saturday. He gets closer to Splinter, who he's seen a change in and knows, in spite of continued insistence to stay calm and not give up hope, Master Splinter gave up a while ago. Donnie says he's just getting old (he's been very worried about his health and is becoming more micromanager about it every day), but Mikey knows it's more than that. He sees the depression Splinter is hiding. Splinter doesn't notice the same in him.

Around that time, they finally get one more letter. Leo says that he's not going to be in a place where he can get paper or postage, so they also won't be hearing from him. He doesn't say anything about coming home.

Raph had thought Leo was dead; the letter makes him furious (he's been mourning in secret for nothing? Is Leo even in trouble or just decided not to come back?). Donnie is thrilled by it; not being able to send a letter actually might help him narrow down where Leo is, and they have a more recent return address now. He's about ready to pack up and go get him, something he assumes Raph will be on board with.

Well, Raph can't leave, and he can't tell his family why (they know why). He and Donnie have a screaming match. Raph wants to know how this return address is any different from the letters before, and why they didn't go then. Donnie brings up Raph not seeing Leo off at the airport when he first left. Raph asks if Donnie's even been training. Mikey suspects it got physical, but if it did they both hide the bruises well and they're not saying a thing.

Raph starts going straight to his room when he gets back in the early morning, and staying in his room until he can hear that the rest of them have gone to bed. Once in a while he'll come out to argue if he overhears something that sets him off.

Mikey would go with Donnie to get Leo, but Donnie says Raph's right, he'll have moved on by the time they get there, it's the same as every other return address. He just needs more time to figure out where Leo actually is.

Mikey is starting to think they've run out of time, but just like Raph, he doesn't want to say that.

Batnapping happens like eight months in. Master Splinter is deeply bothered by it, gets stricter, asks his sons not to go out until Leo gets home. Raph has to get sneakier. Mikey had to negotiate to keep his job (Donnie helps). At this point Donnie is the only one who almost never leaves the sewers; April tries to get him to her place as often as possible, usually finding that asking for help is most effective.

And that's how they all live for fourish months before Leo finally (unexpectedly) returns.

[appl-cider]

couldn't stop thinking about this post so i had to make this (spoilers for s4, obviously)

[lgbtlunaverse]

I think I've been on tragedy brainrot for so long that it's had a detrimental effect on my ability to create for a source material that is both genuinely well-written and has a happy ending. I wanna write farcille fic so bad but ryoko kui did a way too good job at ending things and my ability to write post-canon fluff has been shot and hidden in a dumpster which means all my fic ideas have SUCH horrible vibes.

[iaxsl]

restarted the zolu fic after i started changing too many things. now it's zoro's pov and im back at 500 words with a better outline of what i want to write. i'll probably repurpose the old one into a luffy pov version since there were some things i really liked in it that i want to include, though it may end up being shorter than the zoro pov one.

[catastrxblues]

good morning it is now 4 am and i have just finished watching atonement good night

[sheliesshattered]

Cataloging all the HotD Daemyra fic ideas floating around my head that I definitely have zero time to write right now. In no particular order:

-First Of His Name: Realizing that he murdered his wife in pursuit of a male heir that died only hours later, that same night Viserys tells Daemon to look after Rhaenyra and restore the glory of their house, then khs in front of witnesses by stepping out the window Tommen Baratheon style. Suddenly Daemon is King, and the last line of support to Rhaenyra who lost her entire family in one day. The political mechanizations of those who want to see the Targaryen dynasty fall, a brewing war in the Stepstones, and the need for one or both of them to marry and produce heirs complicate Daemon’s long-held dream of being King. Slow burn from grief-comfort to ruling power couple.

-The Bed Is A Battlefield: One-shot set between eps 7 and 8, Rhaenyra explains to Daemon that she’s always had to keep her lovers secret for fear of what discovery would mean. But now that they are married and settled on Dragonstone with their children, she would like him to actually share her bed and not slip away in the small hours of the morning. Domestic fluff by way of Rhaenyra demanding what she wants like the queen she is.

-Vanity and Frustration: AU where Daemon and Rhaenyra marry in ep 5, and early in their marriage Daemon decides to start growing his hair out again. And as anyone who has grown out their hair knows, there are awkward stages to endure. Harmless harassment between newlyweds as Daemon grumbles about the state of his hair.

-The Last Dragon: 15 years ago, shortly after Daemon took Caraxes and fled to Essos to avoid a forced marriage to Rhea Royce, a coup executed by the Lords of Westeros resulted in the murder of King Jaehaerys and Queen Alysanne and all their descendants, as well as nearly all of the dragons. There are rumors that a few Targaryens may have escaped, and some of the unclaimed dragons fled across the Narrow Sea to save themselves -- but all Daemon knows for certain is that he’s the last of his family he knows of, possibly the last living Targaryen anywhere in the world, the last dragon rider, and the rightful King of Westeros. 

But he knows he can’t take revenge all alone -- he needs heirs, he needs more dragon riders, he needs to rebuild the House of the Dragon to a force that can burn down all those who murdered his family. And for that, he’s in need of a wife. There are no legitimate Targaryens left, at least none living openly, but there are pale-haired violet-eyed descendants of Valyria to be found all throughout Essos. He simply has to find one he can craft into a queen and the mother to all future Targaryens.

After years of searching, his sources in Essos bring him “Neera”, an orphaned young woman raised in Pentos who has the right look and strength of will to fill the role, if only Daemon can convince her that she should want to be his wife and queen, that he is different from all the other men who have offered to pay someone else money for her maidenhead. Slow burn enemies to friends to lovers, to a complication as the truth comes to light -- the truth of Neera’s birth, and the mother who gave everything to save her from the fate that befell the rest of their family.

-Her Protector: A few years after Viserys marries Alicent, Rhaenyra is kidnapped from her bed in the Red Keep late one night. She is held captive by rough men who cannot seem to decide if they should ransom her or kill her or do something far worse, and in their indecision merely leave her locked up in a cell for long weeks -- until the glorious day that she hears the screeching of dragons overhead. Her uncle Daemon has come to save her, and kills everyone who took her, then carries her back to King’s Landing himself, never letting her out of his sight.

In King’s Landing, the people rush into the streets to see her, weeping to see the Realm’s Delight returned home alive, calling her Queen and throwing flowers at the feet of Daemon’s horse as they ride through the city with Rhaenyra curled in his arms, too weak to ride on her own, too anxious to get home to wait for a wheelhouse to be summoned. It is only then, at her insistence, that Daemon reluctantly reveals that Rhaenyra is in fact Queen -- her father was killed the night Rhaenyra was kidnapped, along with her step-mother and half-siblings. If only Daemon had been there, perhaps he could have stopped it, but he had been banished by Viserys yet again. Rhaenyra swears she will never banish him, and in fact she would make him her King Consort, if he will agree.

Years pass, and Rhaenyra recovers from her ordeal and grows into a strong, just Queen, with her husband Daemon always at her side. She has borne princes and princesses, the next generation of their house, and all in life seems to be exactly as she would want it. Until a sellsword, sentenced to death for his crimes, levels an accusation that it was Daemon who planned the kidnapping all those years ago that resulted in the death of King Viserys and Queen Alicent and their children. Who is Rhaenyra to believe? The convicted murderer seeking to gain her ear by spinning an unfortunately true-sounding story? Or her husband, her uncle, the father of her children, the man who rescued her all those years ago? And even if the sellsword’s story is true -- even then, could that possibly change how she feels about Daemon?

-Yet Another Mob Story: When the Targaryen mob family split over her father’s decision to marry outside the family, Rhaenyra sided with her uncle Daemon against her father and his new wife (her ex-best-friend). Years pass in a stalemate, until one day Rhaenyra sees Daemon’s new lieutenant Criston having lunch with Alicent and realizes that Criston is a spy sent by the Hightowers. She and Daemon devise a plan to get rid of Criston without letting the Hightowers know that they’re onto them. Really just PWP, with a little murder on the side, as a treat.

-Jane Austen Emma AU: The age gap is the same! I have no solid ideas for this one but that little detail makes me crazy!

-The Last of Us AU: I’ve posted about this once before, but the basic idea a modern apocalypse AU where Rhaenyra and her gay husband Laenor and their mutual husband Harwin (and their three sons) have to try to make it to the isolated bunker house of Laenor’s sister Laena and her husband Daemon (and their two daughters), and bad shit happens along the way but Laenor and Harwin are so determined to protect their sons and their wife that they sacrifice everything to keep them safe and get them to Daemon and Laena, up to and including their lives. Eventually Rhaenyra shows up on Daemon’s doorstep in half-feral mamabear mode, absolutely willing and able to kill anyone or anything that threatens her sons, only to find that Daemon has recently lost Laena and is similarly ready to murder to protect his daughters, and they have to come to a hesitant and wary understanding and then eventual partnership and co-parenting of their collected children. Maybe Targaryens naturally run hotter than most people, so are immune to the zombie fungus?

-Dragonriders Of Pern AU: Meleys, queen dragon of Weyrwoman Rhaenys, has laid the golden egg that signals the impending birth of the next queen dragon. Daemon (or D’mon for you Pern purists), rider of bronze Caraxes, is sent on Search to find young women to be candidates for the hatching of the new queen. In the company of other bronze riders, including Corlys and Laenor, he returns to the Hold where he grew up, where his older brother Viserys is now Lord. There he meets his niece Rhaenyra for the first time, a young woman of strong will with a natural talent for the telepathic communications of dragons. When she speaks to Caraxes as though his rider hardly existed, Daemon knows that Rhaenyra is destined to be the next weyrwoman. And as he trains her in the ways of being a dragonrider, it slowly dawns on him that he would allow none but him to stand beside Rhaenyra when Syrax’s first mating flight finally comes.

Edit: omg I forgot one! This one is so clear in my head but so difficult to describe in brief, so I’ll keep it short:

-An Eye For An Eye: The night Aemond loses his eye, when Alicent comes at Rhaenyra with the Conqueror’s dagger, her downward slash hits higher than it does in canon, striking Rhaenyra in the neck in a life-threatening wound the maesters scramble to stitch before the Crown Princess’s life slips away. With what she fears might be her last breaths, she commands Daemon to protect her sons, and he swears to hear he will protect her family -- or avenge them if he cannot. While the maesters try to save Rhaenyra, Daemon sits vigil with Rhaenyra’s sons and his daughters, watching over them while they sleep and talking long into the night with Laenor. But when Rhaenyra, only barely mended, asks for Daemon to be brought to her bedside, Aemond decides that his mother’s attempt at justice falls far short of his standards, and moves to exact his own revenge while Daemon is away...

[altruistic-meme]

get to know your fanfic writer :]

i got tagged by @spaghett-onaplate thank you darling <3

When did you post your first ever fanfic? ok so ik i actually have one that's older but i don't know when it was. so my first ever posted that i can find was October 2, 2015, on Wattpad.

First character(s) you wrote for: sigh. England and America from Hetalia.

Main character(s) you’re currently writing for: Andrew Minyard and Neil Josten from All For The Game, Laurent and Damen from Captive Prince, Crowley from Good Omens, Wilhelm and Simon from Young Royals

Character(s) you haven’t written about before but plan on writing about soon: Both Laurent and Crowley (since I've only written very little for either and haven't shared them yet!) and also Wymack from All For The Game as well!

Fandom(s) you’re currently writing for: All For The Game, Captive Prince, Good Omens, and I wanna include Young Royals though I haven't touched my WIPs for.... a minute.

Platonic pairing(s) you currently write for: Andrew & Kevin, Neil & Kevin, Auguste & Laurent, Crowley & Muriel

Romantic pairing(s) you currently write for: Neil/Andrew, Damen/Laurent, Crowley/Aziraphale, Wilhelm/Simon

Your top 3 tags on AO3 (if you post your works on AO3): #1: Fluff (16), #2: Angst (8), #3: Hurt/Comfort (7)

Your current platform where you post your works: Ao3: AmericanCanada

Snippet of the wip you’re currently working on: here is a little bit from "laurent stabs damen" bc my more recent WIPs don't actually have any actual... writing going on yet.

He was led to yet another tent that looked the same as every other tent and Laurent truly wondered how anyone knew where anything was here. Even the tent the King had been in hadn’t had anything but its relative size to distinguish it from all the others. And the physician’s tent hadn’t had anything at all to signify what was inside.  Maybe that was the point. It certainly would make it more difficult to find the Prince’s tent or where the food was stored or, as it so happened, where Laurent was being held prisoner.  The tent that the Prince had brought him to was simply furnished, generously put: a pallet to sleep on, a copper pot to use as a bathroom, and a low table that had a pitcher and cup on it. Laurent wasn’t sure if those were the standard or if they had been brought in for his benefit. “No golden chains?” he asked before he could help himself.

i am going to choose to leave this open but absolutely tag me if you do it!!

[ria-starstruck]

writing hornet pov is so funny to me. i spent a whole paragraph dissecting why a certain situation wasn't actually a trap out to get her and hollow only to end with "oh, and the '''bait''' seems like, actually genuine in her emotions, so. probably not actually a trap (but we can never be too sure)"

[arimiaromage]

when you're looking up name etymology to try to write a fanfic and the character is already on the page

[asexyattorney]

That moment when you become so obsessed with a story and then you get a thought like "what if it was from x character's point of view instead" and then you go on AO3 but no one wrote the specific idea you had in mind yet and - well long story short I might be writing a Howl's Moving Castle retelling right now.

[panspaming]

Don't mind me I'm giving myself therapy in the tags

[nereidprinc3ss]

do you believe me now? | 8

it's the morning after. spencer reid suspects you’re left with some doubts after losing your virginity to him. he has to figure out why—which is hard when you're keeping secrets.

series masterlist

this series is 18+ warnings/tags: fem!reader, blood related to losing virginity (dramatized for the drama duh), super vague allusions to the BAU being hungover, mild blasphemy if anyone even cares, pondering god bc am I really a fanfic writer if I don’t get a little religious w it, emily AND hotch are here and nobody knows why pls don't pay attention to that bc we are imagining like season 11/12 spencer and I'm inconsistent w who is unit chief in this series apparently, spencer slut lore, spencer emotional wounds lore, Spencer is a traumatic situationship survivor a/n: DADDYS HOMEEEEE (me and dybmn not spencer) anyway missed these little guys and am happy to be writing for them again!! idk what my upload schedule will becoming back to this but pls lmk what u think of this part, I have no idea how you will respond but I'm being brave and ily

Friday morning Spencer comes into the office fifteen minutes late (he tried his best), in yesterday’s suit (everything in his go-bag had been too wrinkled), hair messy (no doubt from your fingers), coffee cold (he’s exhausted) and overall, in an excellent mood.

The rest of the team isn’t faring quite as well—Spencer gathers they stayed at the bar celebrating Derek’s birthday a lot later than he had. It shows through sallow skin and dark circles and the grimaces he receives on the way to his desk that are probably supposed to approximate good morning’s. 

Honestly, he doesn’t mind the dull mood—he doesn’t need the teasing and the prying questions that would be sure to come if his co-workers were at peak performance and were able to put together his unusually perky demeanor and disheveled appearance. At least Prentiss doesn’t appear to be paying him any mind. She’s always the one who can read him like an open book and has no shame in doing so aloud. Echoes from years of, ‘so who was the lucky girl, last night, Reid?’ Still ring through his mind and it’s like he can feel her finger prodding at his side. 

The Emily of it all makes him smile, though the rest of the memory leaves a metal tang in his mouth. Back in those days, there were sometimes a lot of girls, but even then he was consciously aware he wasn’t necessarily doing something he enjoyed. He spent a lot of time, actually, staring at his bedroom ceiling, psychoanalyzing himself. Repetition compulsion. The insatiable desire to repeat or reenact emotionally painful experiences. Maybe he thought if he could teach himself to subsist off of emotionless hookups, he could in some way heal from his experience with Elle. Though, he’s hesitant to think of it now as healing—it’s not like he didn’t know what he was doing when a few nights after she said I don’t feel the same I’m sorry he opened up his front door for her. It’s not like he didn’t know what he was doing every time after that. So, maybe heal isn’t the right word, when one doesn’t have the right to be injured. Or when the injuries are, in a manner of speaking, self-inflicted. At the very least he could tell himself that this time around, meaningless sex was a choice he was making for himself. Spencer hates when things just happen to him. 

But you—you’re different. You were a complete surprise. At first, a cute and unexpected complication. After a few painful and short-lived attempts at real relationships, Spencer decided he was simply not to be trusted with emotional intimacy of any kind, including that which inevitably develops from physical intimacy, and would resign himself to a life of celibacy. He tried not to like you, but you were just so damn likable. Magnetic, to use a trite and perfectly honest turn of phrase. All that to say: he doesn’t regret you at all. There is no filter of putrid shame or anguish over his memories of last night. 

Just you. Perfect. Starlit. Glowing softly around the edges like you’re not even real. 

I love you I love you I love you. A hymn with no melody. You, always reminding him exactly why he is decidedly not a man of faith. At least, not in the typical sense of the word. 

How God became the idol and not Mary is lost on him. That’s why, Spencer supposes, tapping an eraser on his desk, marriage and sex were forbidden for so many ecclesiastics. After all, if they knew what it was to love a woman, specifically to love you, he doubts they’d feel like spending much time in the pulpit. Love. Humans had that long before they had any gods. It’s primeval. It’s the most natural manifestation of devotion and worship. It will always have come first. Isn’t it a better kind of religion when a man realizes he can kneel in front of a woman rather than an altar?

A heavy hand falling on his shoulder jolts him from his theological musings—which are in all practicality useless. What’s that saying about blasphemous thinking on the FBI’s dime? Right. There isn’t one. 

“I’m scared to ask,” Morgan says as Spencer jumps slightly in his chair. 

“What?” He mumbles, looking up from the document he’d only sort of been reading.

Morgan just looks at him, strong brows furrowed and a ditch between them, angles his head and glances to the side as if Spencer is missing the obvious. He almost follows Derek’s eye-line. When that doesn’t work, Derek just says your name. Like your status is somehow in question. 

“Did you two work things out, or not? It looked pretty bad when you guys were leaving last night.”

People often misunderstand an eidetic memory. It’s not like things can’t slip his mind—Spencer can actually be quite forgetful. It’s made worse by the fact that last night at the bar feels like months ago. For a moment, he has no idea what Derek is referring to. 

“Oh. Oh! Right, we—right. Yeah, we, uh—we worked it out.” Before Derek has a chance to read his face, no doubt as incriminating as his fumbled speech and an ill-timed throat clearing, he turns back to his paperwork. “Thanks for keeping an eye on her at the bar. I appreciate that.”

It’s quiet for a moment, and Spencer’s lips twist as he can feel the incoming inappropriate comment. 

“Is that the same suit you were wearing last night?” Morgan quips, his wide grin audible. Spencer can practically hear the cartoon gleam of his friend’s bleached teeth. 

“No.”

“You dog.” Derek is still smiling as he claps Spencer’s shoulder again. “What did you say to her that worked so well?”

Spencer clears his throat again and tries to look extremely involved in logging onto his computer, speaking quickly as if he’s beyond disinterested and can’t wait for the exchange to be over. 

“I don’t know what you’re talking about. I’m actually trying to work so if you wouldn’t mind going back to your desk that would be great.” 

“Uh-huh. I’ll let you work. But I see you, pretty boy.”

Spencer tries not to blush like a teenager as he refuses to look up. 

Naturally the rest of the day is a slow descent into dread and madness as all those good feelings with which Spencer had started his morning begin to harden into something much worse, chilled by your lack of response to the text he sent you earlier. Which was essentially a rehashing of the note he left on your bedside table. 

Maybe it was too much. It should’ve been one or the other, but not both. He’s overwhelmed you. 

Okay, so maybe this is what religion is for. A last ditch effort when you can’t talk to your girlfriend so you have to try talking to God. 

But Spencer knows you, and he knows something is wrong. You wouldn’t just ice him out so blatantly if everything was okay. He catches himself glancing up toward Hotch’s window to see if the blinds are drawn, and considers faking an illness to get out of work early and go check on you. But he powers through the remaining hour and a half that he is obligated to stay at work, he bounces a pencil between his fingers, drums at his desk, and gets nothing else done. As soon as 4:59 rolls around, he’s out. 

Spencer can hear shuffling on the other side of your door as he stands in the hallway. A pot clatters. The walls hum with the rush of water through the pipes to your sink. He knocks, relieved that you’re okay and at the same time struggling with that weight on his chest—something cold that leans over his shoulders and whispers into his ear—so she just didn’t want to talk to you. 

Suddenly all sound from inside your unit ceases. For a few long seconds, Spencer’s confusion only grows exponentially. 

“Who is it?” You finally call, voice wavering. Also odd. Usually you just open the door. 

“Um… Spencer?”

“As in my boyfriend Spencer?”

He frowns, bottom lip jutting out ever so slightly as he tries to decipher your sudden paranoia. “I hope so?”

The click and jingle of several locks precipitates your much-anticipated reveal. 

“Come in,” you say breathlessly, more harried than usual and not giving him the tender greeting he’s selfishly become accustomed to—barely even giving him a second to look at you. But he steps inside, watching on in concern as you do up every single lock—the one on the knob, the deadbolt, even the chain. Is this really all because of his little comment last night about anyone being able to get in? He certainly hopes not. He didn’t mean to terrify you. 

When you finally turn, he takes stock of your appearance. Big hoodie, pajama pants patterned in little hearts. Hair pulled back hastily. Your skin is sort of dull where you normally glow. But you’re beautiful, like always. It always aches just a little bit to look at you. Spencer’s always been like that. Going breathless at a particularly good piece of art or pretty girl. Like yourself. Mostly you. 

You quickly turn to hurry back into the kitchen. “I was trying to make dinner, I—”

“Hold on,” he interrupts, stopping you with a hand on your stomach that is so non-demanding it’s really mostly a suggestion. He tries to clear his head, though you make it hard. “You didn’t talk to me all day. Not that you have to, but… I was worried.”

You glance at the floor and mumble, “I lost my phone,” with so much embarrassment he believes you’re telling the truth. “Did you, um—did you text me?”

Insecurity. Spencer knows well what it looks like on you. He softens. You weren’t ignoring him—but you’d been left in a vulnerable state without any ability to contact him or anyone. That couldn’t have been comfortable. 

“Of course I did.” He pauses to observe you. Still anxious. Still prepared to run at any second. Something, and he’s not sure what, did a number on you today. Maybe it’s sheer exhaustion, maybe it was the anxiety of not having your phone. But he has to figure out what it is so he can undo it. “What? What’s wrong?”

He watches your breathing pause—watches your eyes gloss over with tears and a frown contort your features. Oh, god. He’s done something terribly wrong. It’s been thirty seconds and he’s done something wrong. 

“Can we sit down? I don’t feel very good.”

“Yeah. Yeah, we can. Whatever you need.”

You cast a baleful look at him and now he has to wonder what that means. Spencer sets his bag on a pulled out dining chair and follows you to the couch where you settle on opposite sides—you’re curled up in the far corner, hugging a pillow to your chest with your legs folded in front of you. Spencer’s heart is beating fast. He doesn’t know what’s going on with you and he can’t figure it out just by looking and you don’t seem eager to tell him. 

He’s exhausted all his typical ways of collecting information, and now he’s at a loss. 

Eventually, the anxiety comes bubbling up. 

“Please talk to me,” he pleads. And you do. Almost instantly, like he stepped on some sort of landmine. 

“I know it’s my own fault for not having my phone on me and not being able to see your texts, but it really sucks that I had to find out from my creepy neighbor that you snuck out in the middle of the night without saying goodbye.”

The whiplash is so strong it’s almost a broken neck. Spencer reels, frowning deeply as he tries to process your impromptu speech, the sudden confrontation. What creepy neighbor?

“I… didn’t. I went to grab my stuff from the car around one, but I came right back. I left at 7:30. You don’t remember me saying goodbye?”

Your brow furrows, and your eyes dart over the design on the rug like you’re watching memories go by. He sees it in your eyes when you recall some hazy image of him holding your face, kissing your cheek more times than was necessary and whispering sweet things against your lips before he had to go. You shrink into the couch, clearly struggling under the combined weight of relief and embarrassment. 

“I forgot. I thought… he said…”

A moment passes and it’s clear you’ve abandoned the sentence. Spencer is concerned about this shadowy male figure who put malicious untruths into your head. He slides his hand under yours and twines your fingers together. Finally, finally you meet his gaze. 

“Someone made you believe I left without saying goodbye.”

And he almost wishes you weren’t looking at him as more tears pool before falling down your cheeks. You nod, and don’t make a sound. 

“No, honey. I didn’t do that. I’m sorry that’s what you’ve been thinking all day.”

“I was worried that you… or that I wasn’t…”

His chest aches. You’d woken up alone, no recollection of his goodbye, and without the comfort of even a text. 

“You didn’t see my note?”

The way you look at him then is heartbreaking. Eyes wide and wet and sad, lip trembling. 

“You left a note?”

Murphy’s Law. Anything that can go wrong, will. 

It must’ve fallen off the bedside table, or maybe he just hadn’t positioned it obviously enough. 

A lost phone, a missed note, and not even a memory of his departure. While none of these things are verifiably Spencer’s fault, he feels so, so guilty. 

“I did,” Spencer says gently, scooting closer and pulling you into him, head pressed to his shoulder as you try not to cry, and he rubs your back slowly. 

Your sulky words are muffled by his shirt. “I didn’t see it. What did it say?”

“A lot of very nice things about you,” he whispers. Spencer thought maybe he could get away with giving you all the sincere compliments you can’t accept face to face through a note you could read while he wasn’t around. That way you couldn’t refute them or stop him. It was a good plan. 

He feels the sigh of relief leaving your body against his neck. 

“I didn’t know.”

“I know. I’m sorry. That’s not… I should’ve just stayed. This is my fault.”

You keep your cheek pressed to his shoulder as you speak. 

“It’s not. You have a job. A really important job. You can’t just call out whenever I want you around.”

Logically he knows you’re right, but he doesn’t always think logically around you. 

“I could’ve made it work. I could’ve come in late, or the team could’ve called me if there was a case, which there wasn’t—”

“Spencer, it’s okay. It’s not your fault. Don’t worry about it.”

He pulls back slightly, frowning at your tone. You do look relieved, much less plagued than you’d been when he arrived minutes ago, but something heavy still weighs you down. The burden of it darkens your eyes and dulls your expression. When he cups your cheek, you glance up at him, and then away once more. 

He speaks softly. “Is that all you wanted to tell me?” 

Again he earns a moment of your eye contact, but it’s fleeting. He watches the words spin around your head as you try to figure out what to do with them—and then choose to remain silent. 

There is in fact something you’re keeping from him. 

Spencer hates to use work tactics on you, but he doesn’t speak either, hoping that you’ll feel compelled to fill the silence with the truth. Knowing how you’re not entirely comfortable with quiet. 

And you try, lips parting and the sound delayed as you wrestle with something you clearly don’t know how to talk about. 

“I… my neighbor,” you say, frowning like you don’t quite know why you’re speaking. “The one who told me he saw you leaving in the middle of the night. He also—he said…”

Spencer brushes hair away from your cheek with a thumb, stroking the high point in gentle passes as your words taper off. Now that he’s thinking about it, he did encounter a man in a dumpy robe standing in the courtyard and smoking a cigarette when he left you tangled in sheets and dozing contentedly to get his bag from the car. In fact, they rode back up to your floor in the elevator in mostly awkward silence. Spencer was sure his outfit told a story—shirt untucked and hastily buttoned only partway, no belt, shoes barely tied, duffel slung over his shoulder—he wasn’t really expecting to run into anyone at such an hour, to be honest, but he hadn’t particularly cared what this man thought of him, so it didn’t cross his mind again.

Now he remembers. 

Long night, huh? I remember those days. 

It was an inappropriate comment, but given his job he’s used to ignoring those. Mostly his mind had been preoccupied with the idea of returning to you, who gave him such a warm and sleepy welcome when he climbed carefully back into your arms several minutes later that it was like he’d never known anyone else at all. 

Now he resents that he hadn’t said anything, he hates the idea that you spoke to this man and he said something to upset you and Spencer wasn’t there. Usually he tries not a judge a book by its cover (metaphorically, of course) but he’s been around enough bad men to know when he’s looking at one. Last night he hadn’t even been cognizant enough to realize they got off on the same floor. 

“What did he say, angel?” Spencer whispers, incapable of being anything but soft with you at the moment. Even though he senses something a lot like a tide of preemptive anger rising in his chest, painted over with layers of anxiety and guilt. He should’ve found a way to stay with you this morning. 

You sniffle and let your head fall again, forehead resting against his collar. Instinctively his hand slides to the back of your neck and even at the awkward angle he finds a way to press his lips to yours hair. “Can we talk about it later? I don’t feel good.”

If it’s making you this uncomfortable, Spencer really wants to know what passed between you and this neighbor. In fact, he’d be willing to bet a lot of your strange behavior this evening stems from something that occurred which you don’t feel comfortable telling him yet. But he manages to bite back anymore questions. He doesn’t want to make you feel interrogated. 

“Yeah, you mentioned that,” he says eventually, kindly, hand tracing down the length of your back and up again. “Why don’t you feel good?”

He doesn’t miss the way you reach up to discreetly wipe your cheek. But he won’t make you talk about anything you don’t want to talk about until you’re ready, and it seems like you’re already having a rough day. Which is not what he wanted. This is so far from what he wanted for you. He’s cursing himself for how he handled this whole situation. 

“Um, I just… I don’t know. I feel… bad. I’m sorry I’m being so weird.”

“You’re not being weird, honey. You had a hard day. You’re having a normal reaction to an abnormal set of circumstances.”

You sit up, sniffing and wiping your tears like you can just make the whole thing go away. 

“No, I am. I am. It’s all okay now, right? So I don’t know why I feel like this. I don’t know what’s wrong with me.”

He watches helplessly. “Nothing is wrong with you. We’ve… it’s been a big couple of days. Mostly good, but I think you’re probably really tired. Emotionally and physically.” 

You bury your face in your hands and nod silently. He still feels like he’s shooting in the dark, but you’re not entirely comforted yet, and it’s killing him. 

“Whatever you’re feeling is okay. If this is… about last night, or this morning, or something entirely different—regardless of what it’s about, you’re not going to be… in trouble with me if you’re having complicated feelings. And you can talk to me. But it doesn’t have to be right now. We don’t have to figure it out all at once, okay?”

You press the heels of your palms into your eyes, and for a moment, his words sink into silence. When you do raise your head, nodding, the evidence of your discomfort is all over your face—reddened eyes, cheeks polished with wiped tears. But you take a deep breath and try to project whatever it is you think he wants to see. 

The back of your hand is soft under his thumb as he sweeps it, as if he could draw forth more information that way. People speak when they’re ready.

“Is there anything I can do?” He tries, all ramped brow and soft spoken. 

You’re looking at where he’s tracing swirls on your hand as you swallow and blink the last of your tears away. 

“Um… you can say no, but—do you think it would be okay for you to maybe stay again tonight?”

Spencer sucks in a breath, painfully aware that he’s about to let you down. 

“I… I haven’t been home in a week. I’ve been wearing this suit for two days straight and I don’t think I would want to share a bed with me again until I shower.” He watches you wilt and lifts a hand to stroke your hair. “But I do want to spend time with you… do you maybe want to come stay with me instead? No pressure—”

“Okay. Yes. Is that okay?”

Spencer’s brow knits. You seem even more enthused about the idea of going to his apartment, like now that the opportunity has presented itself you can’t wait to get out. Maybe you have some sort of black mold problem. 

“Of course. Do you wanna grab a few things and then we can go?”

“Um—I also haven’t showered today. Do you mind waiting?”

“Sure. Or you could use mine. With supervision, this time.”

Spencer is attempting to make a joke about your unplanned (and unmoderated) stay at his apartment last week after he left—but looking at your face now he’s wondering if he touched a nerve. 

“Like… one at a time? Or…”

He thought maybe you’d be more comfortable around him after last night—and it’s not like he hadn’t seen you naked before then, either.

“Do you wanna do it one at a time?” He asks gently. 

There’s this sparkly sort of longing in your eyes that he’s seen before, but you tamp it down like always. You’re so cautious. About everything. Even the things you’re curious about. It’s sweet and a little sad. 

“I’ve never… showered with anyone.”

The corner of Spencer’s mouth twitches as he pushes hair over your shoulder. “I know. You don’t have to. We could save like 100 gallons of water depending on how long your showers typically last, but—”

“Spencer—”

“Sorry, sorry—I didn’t—I didn’t mean it like that. I’m not trying to pressure you. You absolutely can take your own shower. You can go first so you get the hot water.”

“No,” you laugh, and it’s like a sparkling cloud of gold has settled around you, fractals bouncing off the shine of your cheeks and eyes—the sound of your laughter, the look of it, is such beautiful relief he can’t believe how good it feels, but it fades from you quickly. “It sounds… I think I want to, I just… I don’t wanna, like… do… anything.”

For a split second your veiled language mystifies him and then he realizes what you’re trying to say without saying. Something has changed since yesterday, when you brazenly referred to it as fucking, and today, when you can’t even say sex. He’s gotten as far as it being something your creepy neighbor said. Maybe. He needs to know what. 

But that’s not the topic at hand. 

“We don’t have to. I didn’t mean to imply that we would do anything like that. I don’t expect anything from you.”

You swallow. 

“Okay. I wasn’t sure.”

About what?

He says your name. No response. 

“Can you look at me, please?”

It takes you a moment, and your head raises like you might need some oil in your hinges, but eventually you manage. Spencer hopes the way he’s rubbing your leg is comforting. 

“You know I’m never, ever going to make you do anything you don’t want to do, right?”

To his horror, your answer isn’t an immediate and resounding yes. Instead you look back down and cover his hand with your own, fiddling nervously with his fingers. 

Eventually, you reply, “Yeah… I know. I just thought… I’m not sure. Maybe it’s supposed to be different now.”

“It doesn’t have to be. Nothing has to be different. We’re still doing everything on your schedule, okay? And as for the next few days, at least—I think it might be a good idea to take sex off the table altogether.”

Your eyes narrow and you hesitate. “Why?”

“Because I don’t want you worrying about it. And I don’t think it would feel good for you right now. I think there are things we need to talk about, but… we’ve probably tried enough for a while, hm?”

You give him a shy nod and hum your agreement. For a moment he lets his hand linger on your leg and then pulls it back. 

“Okay. Do you want my help packing a bag, or should I wait out here?”

“You can wait. It should only take a minute.” You pause, halfway up to look pensive. “Um, Spencer—do you think it would be okay if maybe I… if I stayed tonight and tomorrow? I just—I wanna get out of here, for a bit.”

He frowns but doesn’t hesitate. “Of course. Can I ask why?”

“It’s just… suffocating sometimes,” you call as you turn and hurry down the hallway to the bedroom. “Feels like my neighbors are on top of me, like they’re… breathing down my neck, half the time.”

Sure, bigger apartments exist—but it’s not like you’re in a studio. And you’ve never mentioned feeling that way before. That bad feeling is starting to come back—like you’re not telling him something he needs to know. But is it worse to let you deal with it yourself until you’re ready to talk or to force it from you?

A few minutes later you return, a duffel of your own over your shoulder and full to bursting. 

“So I’m an idiot. My phone was literally in the pocket of my jeans on the floor.” You drop the bag as you bend down by the door to pull on your favorite slippers. “Oh—I think I forgot my charger, can you grab it? It’s by my bed.”

Spencer of course obliges, and is secretly pleased to be in your room again, in the light this time, so he can see better. It’s sweet. The pictures on the walls, the plants and the knickknacks and the sticky notes scrawled with messy reminders on every surface and the sweater hanging over the back of a chair—the one you’d been wearing at the cafe all those months ago—it all feels so you. He wonders why the two of you don’t spend more time here. 

He lets himself linger for only a minute before remembering his task, but as he reaches down to unplug your charger, whatever dopey smile he’d been wearing evaporates. The sheets have been stripped from your bed, and he can see why—there’s a striking stain of dried blood, and several surrounding dots, soaked into the mattress. Not much, but enough to make him feel horrendously guilty. He cringes, imagining what it must’ve been like to wake up all alone to nothing but your own blood. Poor girl. Of course he’d noticed some, last night when he was doing his best at cleaning you up, but it had been dark, and he was exhausted, and he hadn’t done enough. 

“Where’d your sheets go, baby?” He asks once back by the front door with his own bag on his shoulder, setting a gentle hand on your lower back and holding out your charger for you. You jump slightly, and he makes circles on your back, wishing there was something he could do to settle you. 

“Oh! They—they got ruined. I threw them out. It’s fine. I have others.”

So you didn’t have enough energy this morning to walk a few feet to your shower, but stripping your bed, getting dressed, and walking down to the trash chute at the end of the hall had been top of your priority list. 

You swallow as he undoes the locks and holds the door open for you, and pretend like you’re not doing surveillance to either side as you stand in the hallway, locking your door again like you can’t get out of here fast enough. 

Spencer casts a sidelong glance at you and wonders if you’re intentionally avoiding eye contact. He tries not to think like a profiler. He tries not to assign meaning to your actions, but he can’t help it. He can’t not notice. 

He can’t not worry. 

And he can’t not wonder what you’re not telling him. 

-

part nine

[kaisturni]

hands on me | c. sturniolo

→ chris x fem!reader

→ plot; chris and y/n get into one of their usual screaming matches, but this one ends a little less usual than normal.

→ warnings; smut, fingering, swearing, f!oral (receiving), choking, unprotected sex (STAY SAFE), dirty talk, use of names (baby)

→ hi pretty lovies :) this is my first time writing a smut fanfic so PLSSS let me know if you guys like it, and if there are any requests, don’t hesitate to share! almost nothing is off limits ;) enjoy!

NOT PROOFREAD EEK

——————————————————————————

y/n and chris had been in a screaming match all day.

from sunrise to the middle of the night, it's taken both nick and matt holding the two back so they don't entangle and kill each other.

"whatever," nick breaths, "i'm so fucking done with you guys. i know you don't get along but this is ridiculous."

"yeah" matt agreed, letting out a sigh. "i for one am tired as shit, try not to murder the other while we're asleep," the other two brothers pace back into their respective rooms, slamming the door one after another.

"great!" y/n starts, "who am i supposed to sleep with now, guaranteed they both just locked their doors." she whispered to herself.

"god, who cares? you could sleep on the street for all i fucking care." chris yells, watching y/n stand outside of nick's door, not daring to make an advance inside.

the girl shot daggers at him, "whatever chris, tell that to your fucking brothers, they're the ones who let me live here." y/n huffs out as she shoves chris full force out of the way, preparing for a sleep on the boy's couch. but before she can even reach the end of the hallway, chris grabs y/n by the throat and slams her against the wall.

y/n hits the wall, exuding air on impact, hands gripping onto chris', which has her easily pinned on to the wall.

"did you seriously just put your hands on me?" he said lowly, closing the distance between him and

y/n. the girls heart was racing at a mile a minute, unsure of what her actions would cause next. she was so confident yelling at chris frequently from across the room, but suddenly powerless in his grasp, she was, briefly, at a loss for words.

"yeah," y/n managed to grunt out. she had never been this close to chris before, let alone feel his body inches away from her own skin. his eyes were dark and low, jaw tight and sharp, his features barely illuminated in the light. as much as she hated him, she found him punishingly attractive.

"and what are you going to do about it?" she dared to whisper to him, trying to keep as much confidence in her tone as she could, not letting him see how much she withered under his touch.

from a few heavy breaths, y/n's throat still in his hand, he shoved her into his room and shut the door behind him. he flipped the two around so she was again back against the wall.

"what am i going to do about it?" he taunted, less than an inch between their bodies, breaths mingling and eyes locked in contact.

"you have no idea what i could do to your right now," chris spoke lowly, uninterested in letting his brother's hear the way he is speaking to the girl he supposedly wants to kill.

"if only you just kept that pretty little mouth shut, maybe i could've showed you sooner," his words faded out, his hand around her neck tightened slightly, as he brushed his lips against hers, earning a barely audible moan from the girl under his grip.

"chris" y/n managed to breath out, suddenly feeling a sense of neediness and wanting from him. is it bad she could be so turned on from how rough chris was being with her? she had never seen this side of him before, the side of him that she didn't think existed to her. before this he was ready to take her head off and so was she. but now she could feel the heat rising in her legs, and shocking her stomach, anticipating what was to come next.

"what? don't act like you don't want it, you think i can't tell that you do? look at you." chris taunted, gently using his teeth to tug on her bottom lip. y/n felt like her heart was going to beat out of her chest.

unknowing what came over her, y/n remarked back "oh, i'd want this. just not with you," she could see the anger growing in his face as she continued, "anyone could do whatever you'd do better." she knew what the words she was saying would lead her. she almost hoped chris got the message.

"is that so? i'll show you you're wrong." chris swiftly tossed y/n to the bed, pinning her down, yet again cementing their faces inches away from each other.

"you'll be begging me to do this more often when we're done," beginning to leave sloppy kisses against y/n's neck. "i'd destroy you,"

"so destroy me," y/n dared.

chris smiled against her skin, wet kisses becoming dark hickies all over her neck and jaw. his lips slowly moved down to her covered chest, frustrated with the fabric, he tugged on her shirt, signaling to take it off.

y/n sat up in the bed ripping her shirt over her head, his eyes meeting with her bare chest. "no bra, huh?" he said before claiming her right nipple in his mouth, kissing, sucking, and biting on it, and doing it harder with each moan he earned from her.

"i never wear one" she admitted, eyes screwed shut in the unexpected pleasure that chris sturniolo was bringing to her.

"i hope that's not the only thing you never wear," he said against her skin, kisses continuing down her body until he reached her inner thighs, with only a thin layer of fabric separating her core and his lips.

y/n gasped as he yanked her to the edge of the bed, making her wet shorts visible to him even in the dim light. he smirked looking up at her,

"fucking soaked," he said what she already knew, throwing her head back and screwing her eyes shut in anticipation, "chris, please." she begged, thinking how pathetic it was that the few words she was able to get out gave chris everything he wanted to hear in that moment, but she didn't care. 

"since you're begging for me," he taunted, taking off y/n's barely there sleeping shorts, taking in how perfect her core was dripping under the light, practically calling his name. never would he had anticipating being in this moment, but god he knew he was lying if he said he didn't think about it.

he teased her by trailing small kisses and nibbles against her inner thigh, making her wetter by the second. before y/n knew, he was licking and sucking down her slit, arms pushing her legs further into her chest to get even deeper.

gripping the sheets with white knuckles, y/n found it impossible not to scream his name as he stuck his tongue inside her, moaning against her pussy as the vibrations drove her closer to her high.

"chris i'm gonna cum," she said panting, edging him to keep going, not wanting the pleasure to stop as she found her hands tangled in his hair. but before y/n managed to reach her high, he pulled his face away from between her legs. mouth dripping with all her juices, he brought his lips to hers, kissing her for the first time.

the two kissed each other hungrily, each fighting for dominance over the other, but chris ultimately won as he stuck to fingers inside of her, causing y/n to gasp, prompting chris to shove his tongue into her mouth.

"how am i supposed to hate you when i know your pussy is this good?" chris asked between sloppy wet kisses, his fingers continuing to pump in and out of her, wetness leaking onto his bedsheets.

y/n could feel the knots tying in her stomach, signaling she was close, “c-chris i’m so fucking close,” she said absolutely breathless, weakly gripping his moving wrist.

his two fingers slowed their pace, and she whined at the loss of contact. y/n couldn’t help but squeeze her thighs together, in order to do something to stop the aching between her legs.

“not so fast,” chris said, peeling off his hoodie and sweats, leaving him in just black calvin klein underwear. “spread,” he demanded.

y/n obliged without hesitation, aching and ready for him to be inside her. chris used his thumb to rub her clit in circles, causing her to arch her back and moan in pleasure, chris could feel his dick aching to fuck her, but he wasn’t going to let her have it easily.

“c-chris please,” she begged, “please what, baby?-

baby?

-tell me,” he said, knowing exactly what she wanted from him, “please f-fuck me- shit,”

as soon as those words left her mouth, chris removed his underwear, his length springing up, leaking with pre-cum and burning with desire.

he ran the tip on y/n’s slit, groans exiting from both of their mouths. without warning, he slammed his entire length into her, causing her to gasp at the feeling.

tears ran down y/n’s cheek as she moaned out chris’ name and profanities at the pace that he was pounding into her,

“you look so pretty when i fuck you, baby,” he growled in her ear, “look at you, doing so good at taking all of me,” he said before sensually connecting their lips.

y/n had no words to say, only muffled sounds in between kisses coming out of her mouth from being completely fucked out by chris, and it didn’t take long for her to feel her orgasm coming back.

“oh, chris, i’m gonna cu-,”

“wait, you cum when i say, okay?” he said lowly, before quickening his pace, feeling his own climax coming too.

“i can’t take it, please let me cum,” y/n pleaded, feeling completely buzzed from all the sensation going in her body.

“cum baby, i’m right there too,” he breathed out, feeling her walls clench around him causing chris to explode inside her, filling her up at the same time she reached her own high.

chris pumped a few more times in and out of her, both groaning as he pulled his dick out of her, then falling on the bed next to the sexed out girl next to him.

the two looked at each other for a moment, and chris softly kissed her, finding his way to be on top of her again. he pulled their lips apart and ran a hand through her hair,

“why do we do this? i’m tired of hating you, why do you act like that with me?” y/n said, staring at chris’ piercing blue eyes above her. he sighed, “i really don’t know,” he started, “i guess the way i feel about you just made me angry for some reason. it always made me mad how close you are with nick and matt, and i guess i kept it up too long,” he admitted, playing with the ends of her soft hair.

“you should’ve just told me,” y/n retorted, placing a gentle hand on the side of chris’ face, and he nuzzled into it. “i know, and i’m sorry. can we be done with that, please?” he asked her, cautiously.

“of course we can,” y/n smiled. chris smiled back at her, connecting their lips once more.

“okay,” he began grabbing her hand, “let’s go get cleaned up. we can have another fight in the shower,” smiling deviously at her after making the statement.

y/n rolled her eyes at the boy, and quickly followed him into the bathroom, locking the door behind them.

[comicaurora]

I’ve repeatedly seen you say that you can’t read any Aurora fanfiction “for legal reasons”. I assumed this was a joke and you’d just resolved to yourself not to read any that might change where you take the story (understandable), but the more I see you say it, the more I wonder if there’s actually a legitimate legal reason. So forgive my inability to pick up on humor sometimes— is that a joke? And if it’s not, could you elaborate a bit on those reasons?

I am not a lawyer so I only have a layman's grasp of this, but as I understand it, if I read a fanfic, think "oh that's a cool idea" and consciously or unconsciously integrate it into my future work, that ensnares me and the fanfic author in a terrible tangle of mutual theft.

Technically, fanfiction exists in an extreme legal gray area, and in the early days of the internet, authors were very litigious towards their fans using their work. In the same way that Disney will get on your ass for putting Mickey Mouse in your work, any author has the same legal ownership of their characters, and they can choose to exercise it. Some famously have, like Anne Rice, but most nowadays do not. Fandom is understood to be a beneficial ecosystem for a creator to cultivate. Most creators Pretend They Do Not See It so it can continue to exist.

But suppose you wrote a fanfic about Aurora where something cool happened, and then a few chapters later, your story showed up in Aurora itself. Maybe even with some lines ripped verbatim, for even less plausible deniability. Oh shit - you've been robbed. But your story was fanfiction to begin with, only loosely permitted to exist with the understanding that you didn't own the setting or characters used. In this scenario, I stole your work, but it was work you made out of MY work in the first place. If you got mad and litigious, the legality of fanfiction itself would immediately take center stage in the argument. Do you have a right to your work when you made it out of MY work without permission? Do I have the right to take work that was made out of my work and use it without credit? The fact that I think fanfiction is a great and fun art form has no bearing on the fact that, technically, it is IP theft. And the fact that it IS IP theft has no bearing on the fact that me seeing a cool idea in a fanfic and going "mine now" would still be a shitty thing to do.

But things can get muddier. Suppose you write an Aurora fanfic where events A, B and C happen, and then over the next several chapters of Aurora, A, B and C happen. Did I steal ideas from your fanfiction? Maybe, but it's also possible that I had A, B and C planned out beforehand, and you put them in your fanfiction because you picked up the foreshadowing and prep I was putting down. You could still be mad about it, but there's a very real possibility that in this scenario the only thing I'd be guilty of was Good Foreshadowing.

In this situation, if you got mad and litigious about it, my best defense would be ignorance. I couldn't have stolen your fanfiction because I never read it. There is absolutely no chance that I was influenced by your work; I've never even laid eyes on it.

And that is why I don't read Aurora fanfiction.

[gravegoer]

Hello, how about a part 2 of being Sevika's boss maybe when they got together or something like that thankyouuu and i love all of your ficss thank you making them hehe

Sevika's Boss ꩜ part 2

hi anon, sevikas boss fanfic got a lot of love a while ago so im happy to write part 2 !! let me know if you enjoyed i threw in some misunderstandings for fun here..maybe kind of angst?? its okay tho you make up very quickly PART 1 , masterlist

You and Sevika hung around eachother a lot, I mean that was normal right? She is your second in command afterall.

Personally, you didn't see a problem with it, and nor did Sevika.

She had grown accustomed to your presence and didn't mind all your small, loving touches and annoying jokes.

And yes, sometimes she went a little overboard for you, like what kind of subordinate stays at their bosses house to tend to them whilst they are injured? Or goes out for drinks every weekend? But maybe your relationship was starting to exceed the bounds of boss and employee.

She has definitely warmed up to you more than she did with Silco. She thinks it was your charming personality, or cute outfits, your smile...

Some people might say you sitting in Sevikas lap while you fixed up her arm might be indecency in the workplace, but you found it to be a simple and innocent task.

But this begs the question, what exactly is your relationship?

This is also a question Jinx was starting to ask herself.

"So uh...whats with you and Sevika?" Jinx asked in an almost singsongy voice.

She flipped her gun around in her hand haphazardly while she was sprawled out on your (Silcos) desk.

"What do you mean whats with us..?" You shook your head, mimicking her movements with your pen.

"I meaaan, you guys act like a married couple or something!" She threw her two hands in the air with a 'duh' kind of look plastered on her face.

You pushed one of her braids to the side to pull out a paper from under it. One of Sevikas reports from a recent trip. Her handwriting was an imperfect cursive. Sighing, you put your face in your hand while you held the paper, staring at it diligently.

Jinx looked at you quizically at your lack of an answer. She sharply pushes the paper down with the tip of her gun, "Hey, are you— Oh," She let out a nasally laugh at the paper, "Damn, you got it bad, huh, toots?"

"What? I have what bad?" You slid the paper away and tilted your head at her.

The blue-haired girl sat up and rested a spindly arm on her knee, "You're so in L word with her." She snickered at you.

"Im in—" Your face flushed at your realization. "I am not in 'L word' with her." You raised your hands to do finger quotes around 'L word.'

"Hmmmm, are you sure?" She teased, putting her gun to her chin and looking up in mock thought "I mean, you practically cling to her, you always walk home with her, and plus you talk about her all the time– hell! You talk to her all the time."

You stared at Jinx, now zoning out in thought. What were you supposed to tell Sevika? Does Sevika even think the same way about you? Would that relationship even be appropriate?

"You know what?" You stood up and pointed in Jinx' face, "Im going to do it—"

She attempted to cut you off with a meek,

"Sevikas—"

"Im going to tell her I love her," You continued, Jinx' half attempt to save your ass fell on deaf ears.

You looked up, finger still in the girls face to make eye contact with a very familiar set of grey eyes. Fuck.

Sevikas gaze faltered, and she cleared her throat, bringing a fist to her mouth, "Um. I came to ask you if you wanted to grab a drink, but it seems like you have better plans."

Holy shit. She didn't know it was about her. Is that good or bad? You only felt a few seconds of relief before Sevika just turned around and walked out. That was bad.

Jinx whistled, still under the pressure of your pointing finger, "You have some explaining to do."

You fumbled over your words before pushing Jinx' forehead back with your finger. "Ughh.. This is your fault."

You drooped back down into the large chair, putting your head in your hand and heaving a sigh.

"Just go tell her while you still have a chance. She's probably going to be moping around the Last Drop," Jinx got up from her spot on the desk, and some papers fell with her.

"That's my queue to leave, though," She hopped out of the office with a little too much energy, probably on her way to cause more mischief.

You sighed and packed up your stuff, picking up stray papers and shoving them into a random drawer on your desk.

Grabbing your bag and slinging it over your shoulder, you pushed open the double doors to your office. It was time to go to the last drop.

poor sevika

Your entrance was signified with the ding of a bell atop the door. Music was playing loudly, and people were swarmed around the bar. Your eyes scanned the nearest areas for Sevika, but as you figures she was nowhere in sight.

She was most definitely in her usual gambling spot. You didn't want to approach her while she was in the middle of a game, so you waited at a nearby table, making sure to stay out of her sight.

You could hear the groans of the men at her table, most definitely losing. Chuckling at this, you watched as a waiter came up to your table asking for your order.

You just asked for a simple whiskey sour, hanging your bag on the back of your chair.

Several minutes (and a few drinks later), you felt someone's eyes on the back of your head. Turning around, you, once again, were met with steely grey eyes. Sevika stood near behind you with her arms crossed. The game had finished.

"You get rejected or something." She deadpanned.

"No—well.. not yet." You turned around in your chair to face her, the metal back of the chair was now settled between your legs.

You held what you thought was your sixth whiskey sour in between your fingers, chin resting on the top of the chair back.

She scoffed at this, turning her head to avoid eye contact. You could have sworn a small blush coated her cheeks. But her frown made you think otherwise, her large forearms tensed before she spoke.

"Oh, so you're waiting for her here."

How cruel of you to profess your love to someone in the place you knew Sevika would be. You probably wanted her to see it, right?

"Yeah, shes already here." You said, still staring at her side profile, tracing the scar on her cheek with your eyes.

The neon lights illuminated her face and brought out every curve and angle. But your thoughts were interrupted by her stern and almost angry voice.

"I should leave then," she started to walk away, but you reached out quickly.

(I dont know why you would do that when she wasn't even in arms length to begin with.) You started to fall forward, you let out a small yelp and held onto the chair, your drink falling onto the ground. You awaited impact, but it never came.

Instead, you were met with strong arms holding the back of your chair up. Sevika was bent over slightly, both mechanical arm and human arm on the metal of the chair. And for the third time, you made eye contact with now very close grey eyes. Her eyebrows were furrowed in shock or frustration- you couldn't tell.

Without another thought, you grabbed her by the collar and pulled her lips into yours. At first, she tried to pull away but eventually melted into the heat of the kiss. She sat your chair back up on four legs, and her elbows lean on the top of the chair, encircling you.

Almost as soon and she relented she pulled away, "What the hell are you doing," She rasped, wiping her mouth with the back of a large hand.

Her lips were still puffy from the kiss, but almost more downturned than before. When you didn't respond she offered a question, "Are you drunk?"

Your lopsided grin told her all she needed to know. She knew she needed to take you home, but she was going to do so reluctantly. Afterall you were going to become someone else's girl, couldn't have her hands all over you like she usually did.

She grabbed you (almost roughly) by the arms and pulled you out of the chair, "How are you going to profess your love now?" She scoffed.

"I just did, was that not enough?" Your words were slurred and you helped her by stepping up with heavy legs.

She furrowed her brows until she came to a not-so-shocking realization. Cursing under her breath she smirked at you. You could almost see the relief wash over her face.

Her thick arm held you by your upper torso as she almost carried you to the doors. She sighed at your stupidness, why not just tell her right away, then you wouldn't have to have gone through all the trouble.

She eyed your glossed over eyes, shaking her head at the dumb smirk that held its place on your face. She could feel the quiver of your body against the cold night wind.

At that she lifted you into her arms, covering you with her cloak. You looked up at her with wide eyes, burying your face in the material. God she wanted to kiss you so bad. But she'd save that for the awkward talk in the morning.

thank you for reading ! yes i see your asks all your fics are on the way I swear !!!! much love

[a-passing-storm]

Considering making my first ever post on AO3...