#am i making sense LOL

[alphadog]

ok but if a song being featured on patrick's medley does not count as a debut then that means we could eventually get golden leaked in london version full band wams/get busy living/all this ringing etc right

[ebonytails]

i need to be honest with you all i need to be on tumblr more

[cdmodule]

Something very interesting I noticed is that the osc is full of people who headcanon every character in existance as autistic but the second there's a canon & visibly autistic character in a show, he immediately gets infantlized to hell and back and people think that him getting shipped with another adult (both are adults) is weird or even predatory... Sure theres no bias at all ?

[morganinez]

what healthy relationship?

we all know what you have with Jacyn isn't one.

and you drove ani away a long time ago.

well ani and are still friends

that has to mean something

[eldrith]

So I just saw your list of wips and I saw that one of them was for a reader who was previously betrothed to Aemond or Aegon and you weren’t sure which one. Well, allow me to propose this:

Reader was engaged to Aemond, but then she sees how Aemond killed Sunfyre and realises how ruthless Aemond really is, that he would kill a baby dragon to take out his brother. I feel like the angst for this could be incredible because it’s Aemond’s own ambition that lead his beloved to run to the blacks and fall for Jace? And obviously the reader would stay with Jace cause he would love her and never do something like that?

Of course this is just a suggestion and either way I’m so looking forward to the fic and to all your others!! I love your writing so much.

Okay I loveee this idea! I was considering this but I keep getting hung up on the fact that reader wouldn’t leave after Aemond killed luke yet did for a dragon… but maybe I can find a way around this lol. do u know what I mean???

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[lilislegacy]

imagine being someone at new rome university and not knowing percy is the same guy as “percy jackson, son of poseidon, two-time hero of olympus, former praetor” because the thought doesn’t even cross your mind. like… he’s percy. he’s a total frat boy. on a normal night, he walks into a party, refers to everyone as bro or dude, socializes with every living (and not-living) person in the room, makes at least 50 sarcastic comments, plays 12 rounds of beer pong, drinks way too much, and then skates around campus on his skateboard yelling “I LOVE NEW YORK” (which makes no sense, because they’re in california) until someone calls his girlfriend to come get him.

and then one day there’s an attack, and frat boy percy is all of a sudden a fighting machine. he’s yelling battle cries alongside the praetors frank zhang and hazel levesque as they lead everyone into battle. (why is he with the praetors? and why…. why in the world do the praetors seem to be following his lead?) his sword slashes through armies of monsters faster than you’ve ever seen. he’s controlling the entire river surrounding the camp, creating huge waves as tall as skyscrapers that crash down all around him, wiping out monsters and causing mass destruction to his enemies’ ranks. the sky is suddenly dark above you, ice-cold water droplets are slashing through the air, and the wind is blowing so aggressively that it’s making it hard to stand up steadily. because he’s somehow created a hurricane.

and he looks terrifying. you can feel the power radiating off of him. he’s like a god. or maybe a monster. it’s hard to tell. you’re a little scared of him, to be honest. but also in total awe, because it’s extraordinary. he’s extraordinary.

frat boy percy is not who you thought he was.

[chemicalarospec]

fob saying "it's been 17 years since we played with My Chemical Romance" is so important cuz idk about the rest of y'all but I got so caught up in the dnp anticipation that I forgot the original reason this day was a big deal was FOB and MCR playing together again!!

[supernovaa-remnant]

actually the hardest thing about writing a fic set in somewhere other than the canon universe is tip-toeing along the line of a character being ooc and a character being slightly different from canon due to different circumstances. because I don't want the character to be unrecognizable from the canon character, but there's also bound to be some differences.

it also does not help that, in terms of the dsmp, I tend to write in some ungodly mix of canon, fanon, cc persona, and ccs other characters (ex. manhunt!dream or arg!bur) and the percentage of each trait depends on both my mood and the setting.

[inkedberries]

i have a headcanon that Yoichi trims AFO's hair because i can't help but compare AFO's nicely trimmed hair to Yoichi's and i thought someone had to have cut AFO's hair for him and it is only logical for me to assume it was Yoichi who did. I think AFO would only trust Yoichi to be so close to him with a sharp object like a pair of scissors lol

I think Yoichi would have also liked cutting his brother's hair at first, because it would make him feel helpful in a way? And I just think even when AFO put him in the vault, AFO would still go there to get his hair trimmed by Yoichi.

and once Yoichi joins the resistance, he offers to do this for Kudo as well.

[ameliadoesstuff]

something about s1-3 zane is just. oh this guy is so silly and friend-shaped. look at his friendly boy swag. like????? how could you ever hate him. the ultimate silly

not to hate on his titanium era because frankly it is very cool. but the essence of s1-3 zane is unique and uncapturable. he is just a little guy you can put in your pocket. his default facial expression is so inherently funny. there are no thoughts behind these eyes. i would trust him with my life.

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[cruel-hiraeth]

꒰ DEVOTION ꒱ OKKOTSU YUUTA X READER

cw: mdni. yandere yuuta. alcohol mention. implied drugging. implied noncon. a/n: a quick elaboration of this thought (yuuta is the king of gaslighting).

There’s a hickey on your inner thigh.

It’s a conclusion you arrived at as you pulled on a pair of fresh underwear this morning; there’s no other way to explain the amaranthine bloom on the supple (and otherwise unmarred) flesh. The spot is tender to the touch—its sensitivity proof that it’s indeed fresh.

Yuuta listens thoughtfully when you bring up the suspicious mark, nodding periodically as you walk him through your concerns.

Rubbing your temples, you sigh. “I’m just confused, Yuu, because we didn’t fuck last night.”

“We didn’t make love, no. We both had a bit to drink and fell asleep before anything could happen.”

“So—” you point to the mottled skin “—what’s this?”

He leans closer to inspect the mark. Jet strands fall across his vision, and he pushes his hair back when he sits up. “Honestly? It looks like a bruise to me.”

“But my bruises are never this color,” you frown.

“A bug bite, maybe?”

You shake your head. “My skin isn’t raised and it doesn’t itch.”

After a few beats of silence, you clear your throat. “Yuuta. You didn’t, um…” Your eyes flit your boyfriend’s, and you get lost in the serenity of his gaze—the slow swell of the sea on a hazy day. He looks at you sincerely, without any judgement or frustration; you can’t bring yourself to finish the question.

“I’m sorry. I’m not trying to be accusatory; I’m just at a loss.”

He smiles softly with a tilt of his head (it’s your favorite expression of his—one that’s etched into your memory). He spreads a palm across your thigh, his thumb gently stroking the spot in question. “I want you to feel comfortable saying anything you want to me. I’m your safe space.”

Your heart swells at his words. He’s too good for you, truly.

He continues, “Maybe it’s just a fluke. As long as it heals, I wouldn’t worry too much.”

You nod. “I’m not sure why I was so worked up. It seems silly, now. Thank you, Yuu.”

Yuuta wraps his arms around you and pulls you into a warm embrace; you bury your face into his chest with a contented sigh. He rubs your back, trying not to think back to last night, willing his cock to behave. But he can’t stop replaying the highlights in his mind: the little pill he slipped you when you weren’t looking, your precious snores as he spread you out on the bed, and your angelic expression as he had his way with you, leaving a surprise on your thigh—

A mark of his devotion.

[moon-light-bow]

I don't know how to explain it, but I think it's SO interesting that Fiddleford keeps the photo of Emma-May and Tate visible on top of his desk to "keep him grounded" (whatever THAT means...), while he kept the photo of him and Ford at BMU hidden in his desk (which he brought with him to Gravity Falls for ABSOLUTELY NO REASON).

I mean, the text doesn't outright say that it was hidden, but considering that Ford had to RANSACK Fiddleford's notes to even find it after living with him for MONTHS....

[darlingfreddie]

I feel like I’m the only person that liked Freddie in the movie and felt bad for him most of the time? I think he was a bit of an asshole sure, but I understand why you know? The others left him out all the time what else was he supposed to do? He threw a party with all those random people all because Roger didn’t think to invite him to dinner lmao

I see what you're saying! I think if bo rhap wasnt based on a real person or didnt claim to be an authentic portrayal of 'Freddie's story', then these plot points would've worked fine for a fictional character. But i think its the fact that this movie claims to be all of these things and in the process, paints Freddie as this giant, selfish douche bag, that's the problem with this portrayal.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.