#also: my characterisation of them is always a bit of a game of 'spot the author/literature reference'

[kikizoshi]

Godos Fluff Headcanons I Absolutely Adore

(...and some general lifestyle headcanons thrown in)

-Nikolai likes to cover Fyodor with his cloaks/capes sometimes when they hug (like in those long, rocking hugs). It gives him a feeling of comfort, like Fyodor's safe and nothing can hurt him. Fyodor likes it too; to him it feels like an extra layer of endearment and makes him feel safe, secure and loved (plus it's warm).

-Nikolai is one of the few people Fyodor trusts entirely with his ushanka. This isn't a small thing--he usually doesn't even like to let people touch it, but he even trusts Nikolai to spot clean it for him.

-Nikolai absolutely loves to take care of Fyodor, which works well, because Fyodor likes being taken care of. This extends to cooking (where Nikolai will often ask Fyodor to pick one new dish to try to go with whatever staple meal Nikolai's making that week), making him tea most days and keeping the berry preserves stocked up, and nursing Fyodor when he's sick.

Nikolai doesn't enjoy trying to get Fyodor to remember to eat, or sleep, or shower, sometimes, but he takes Fyodor's health even more seriously than his own most of the time, and so is usually trying out some new method to achieve at least one of these things.

-Nikolai worked as a stage actor before he took up terrorism, and practiced a lot at home. Fyodor would often watch his practicing, occasionally give feedback, and they might talk a bit about the story afterwards. This was a common before-dinner activity for them, which was mostly for fun, but also helped Fyodor get out of his work headspace and into his home headspace, and of course Fyodor's psychology-based feedback often helped Nikolai with his nuances in his delivery.

-Dinner is a very important together time for them. Both make a point of having dinner together as often as possible, so that they're sure to have time together to talk. Though late-night conversations are also common with them, there's always a chance of Fyodor being sucked back into work or Nikolai needing extra time to work something out/rehearsals or shows taking place at night, so they make dinner the designated time together. Also, since their dinner is usually a dish Nikolai made, Nikolai likes to share the food with Fyodor, and Fyodor likes to appreciate the shared food with Nikolai.

-Depending on how late Nikolai's shows ran while he was in a play and what came after, they may have dinner together as late as 1 or 2 in the morning, but still, they always ate together (Fyodor was almost never ready to go to sleep by then anyway, which I'm sure helped, but the idea that he shared his usually alone-time with Nikolai is sweet to me).

-Regarding the dishes: generally the system is that Nikolai cooks and Fyodor cleans. The everyday dishes are usually washed by Fyodor, since he goes to sleep much later than Nikolai and often has several cups of tea and snacks long after Nikolai's gone to bed. Nikolai puts away the clean dishes in the morning, long before Fyodor wakes up.

-Regarding their sleep schedules: Nikolai (according to himself) tends to find his moods and general thought process annoyingly mercurial if he ends up more than an hour off his sleep cycle, and so is fairly regular with going to sleep around 23-24 and getting up around 6-7 (giving up his precious productive night hours was hard on him--the time past 1-ish when your brain lets you be creative--but he soon learned to replace them with alcohol). This of course can be completely thrown out of balance when he has rehearsals/shows, but the rest of the year, he sticks to it religiously.

Fyodor has no such trouble with moods and, like Nikolai, finds his best hours to be in the early morning. So, he generally goes to bed around 3-5 and wakes up at 11. Unlike Nikolai--whose body, like a clock, always keeps him asleep for exactly eight hours--Fyodor relies on alarms and always gets up at 11, unless he has somewhere to be earlier. He doesn't generally go to bed earlier though, so he just tends to be (more) tired on those days.

-Fyodor's usually tired (either from his sleep schedule, physical ailments, or both), and his energy levels tend to range from moderate to low. At first this irritated Nikolai for a bit, I think, but he eventually came to learn what Fyodor's low-energy emotes meant (which can look kind of funny when Nikolai reacts to an emotion that seemingly isn't being expressed).

-Nikolai loves swing dancing, but Fyodor doesn't usually have the stamina for it. So instead, when the dancing itch arrives, they waltz or do some slower dance with a bit of verve. Dancing's difficult in the narrow living room, but they manage (and, when Nikolai's brother and sister-in-law come over, he swing dances with them, which Fyodor enjoys watching).

-There's a park a few roads down from where they live, and they often in the late spring and early summer enjoy playing violin and cello together out in the greenery. Nikolai especially loves when the birds twitter while they're playing.

-Speaking of birds, Nikolai also loves going out with Fyodor and pigeon-spotting. Sometimes he'll take a bag of breadcrumbs to sprinkle for the birds they come by. He does this alone too, but enjoys sharing this activity with Fyodor.

-Nikolai also, when he has more free time, enjoys bird-watching. He keeps a journal of the different birds he sees, how many, etc. When he gets up at about 6, they're really active, and sometimes he'll luxuriate in an hour of peaceful bird-watching and documentation from the kitchen window. (Unfortunately, the window view is onto the street, so he doesn't see as many as he would in a park or garden, but he still sees enough to be somewhat satisfied.)

Fyodor isn't very interested in birds in and of themselves, but he loves listening to Nikolai's enthusiasm, love for and musings about the little creatures, and so will often ask about Nikolai's recent sightings when he knows Nikolai's been bird-watching.

-Fyodor loves to use terms of endearment. 'My Dove' and 'Dear' are his favourites outside of 'Kolya' (and its variants). Nikolai likes to take inspiration from the moment to make pet names, so may say something like 'My Little Red-Nose' (when Fyodor's sick) or 'Drowned Rat' (when Fyodor's wet and upset about it) (I imagine most of them would be animal or food related, but my imagination has a rough time keeping up with Nikolai's), as well as 'Fedya' (and its variants). He might also call Fyodor 'Fedka' if he's feeling derisive enough, though I can't imagine Fyodor would ever call Nikolai 'Kolka'.

-One thing Nikolai loves about Fyodor is that, when Nikolai gets into one of his black moods, where he can't seem to enjoy or appreciate anything, and, in general, just wants to sink into nothingness, Fyodor understands and doesn't judge him, nor expect more. Fyodor will usually take up the cooking (which... his food is usually bland and tasteless, but neither care all that much in those times), keeps the lights dimmer/curtains drawn, and most of all lets Nikolai come to him.

He also doesn't complain about lack of hugs, though they're very important to him. Nikolai finds hugs disturbing in a black mood, because he can't feel anything from them, and so they just distress him. It is harder on Fyodor than I think he usually admits to himself though, not being able to hug or pet or really comfort at all his friend who's in so much pain.

-Fyodor doesn't like being around drunk people, but Nikolai often relies on alcohol to get him into the right headspace to work. To compromise, Nikolai tries not to get more than tipsy around Fyodor, generally going for lightly buzzed, and usually does it while Fyodor's working. (Though this does go out the window sometimes if Nikolai wants badly enough to numb his emotions.)

-Fyodor gets miserably sick relatively frequently (~3-4 times a year), often with the changing of the seasons, which usually knocks him out for a solid two weeks. Nikolai hovers and cares for him with all the terrified devotion of a mother whose baby suffers from scarlet fever. The sheer nervous energy emitted from Nikolai tends to overwhelm and tire Fyodor out, but he still finds Nikolai being there to take care of and be with him to be more comforting than if he was alone (him having to comfort Nikolai tires him out, but also helps him feel more at peace). (Occasionally, maybe a little less than once a year, Fyodor will have a seizure bad enough to keep him in bed for a few days, and the dynamic's about the same as when he's sick.)

-A few times, Nikolai kept vigil over Fyodor's sick body (the first time being after a particularly bad seizure left Fyodor bedridden for five days, a few months into their friendship). It… Well, let's just say it never ended well for Nikolai. Fyodor eventually managed to calm Nikolai down enough about his frailty to get him to compromise on sleeping close together (though Fyodor first tried sending Nikolai away, Nikolai worked himself into an even bigger panic when he couldn't see how Fyodor was doing).

-Nikolai is absolutely terrified of doctors. He's also a borderline hypochondriac. Thankfully, Nikolai's aggressively healthy (except for some minor stomach issues and some major mental issues), so this isn't often a problem. However, the few times it was, and Fyodor genuinely needed Nikolai to go to a doctor, it always took a very long and drawn-out discussion to convince Nikolai that the doctors weren't going to torture him to death (Fyodor never learned what exactly Nikolai was afraid of, but it seemed something along the lines of what you'd expect from a BCE Chinese torture chamber, or Yosano's clinic).

-Needless to say, Fyodor's spent many a night listening to Nikolai's fears and explaining why they're likely not one of The Horrors. He might have gotten tired of it, except Nikolai's fears were usually so creative and obscure that Fyodor actually often found them fascinating.

[morelikeravenbore]

🦋 Writer Interview Game

Thank you for tagging me @theladyofshalott1989! Everyone go read her Like Moths to a Flame series pls (it's on my to-read list and I'm really looking forward to it!)

When did you start writing?

I've been writing for as long as I can remember. When I was a kid, I used to hand write entire novels lol. At school, they'd assign us a little writing project and I'd show up with like 28 chapters, ongoing. I remember reading one story aloud once and the whole room was dead quiet after, and one girl goes: "whoa." anyway, eventually they were like, hey I think this kid is gifted (or autistic LOL but why not both.)

Are there different themes or genres you enjoy reading than what you write? 

Not really haha. My brain really goes: HEY WE REALLY REALLY REALLY LIKE THIS ONE THING AND WE'RE NOT INTERESTED IN ANYTHING ELSE. I mean, I do enjoy reading non-fiction, and I love the classics, but mostly I like fiction/romance/light fantasy stuff. 

Is there a writer you want to emulate or get compared to often? 

Nah. I just write like me. I guess the HP series had a huge influence on me since I was SO obsessed with it, which is probably why I write past tense/third pov limited. Sometimes I'll re-read a lot of Austen and end up using a bunch of old timey words in my next chapter, but mostly I just write and it comes out sounding like me. 

Can you tell me a bit about your writing space? 

I don't have one. I write 99.9% of my work on my phone wherever I happen to be. My brain is chaos but it works for me. (Right now I am writing this on the beach while my dog digs holes beside me.)

What's your most effective way to muster up a muse?

It's kinda rare that I can't find a muse. Usually I just burn myself out, so reading, resting and rotting helps restore my creative energy.

Are there any recurring themes in your writing? Do they surprise you?

HahahhA y'all this is too personal for me *sweats* but yes: grief and shitty parents. No, that does not surprise me. I also seem to have a thing about orphans and red heads.

What is your reason for writing?

I don't know how to stop.

Is there any specific comment or type of comment you find particularly motivating?

With fanfic, when people tell me my characterisations of canon characters are spot on, or when people tell me my original characters feel like canon characters, hehe.

How do you want to be thought about by your readers?

I don't want to be thought about by my readers at all, which is why I'll always write as an anonymous gremlin. And as far as my characters and stories go, I honestly don't give much thought to it. People are free to think what they like, it doesn't really bother me.

What do you feel is your greatest strength as a writer?

Getting inside my characters heads, I think. Understanding their motivations and writing them as real and flawed and human as I can.

How do you feel about your own writing?

Honestly, I love it haha! Sometimes I might cry for three days believing that I'm absolute garbage, but that's just life innit. Mostly, I write because it's one of the greatest sources of joy in my life and it just makes me happy.

Np tags: @galaxiasgreen @lyworth @gingerlegacy07 @sloanesallow @thesuperiorfeeling

[muninnhuginn]

💫 Lu Guang, 4 8 6 9

Hi ^^. Sorry for the delay on thi-- wait, I only just spotted what 4869 means now. Somehow my mind hadn't pieced it together until just this second. Um, anyway. Thanks for the ask!

These asks are here for reference.

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?

Either a visual novel or a video game. Basically, it has to be branched, so if you're playing as Lu Guang, there are always multiple choices at any one time and what you choose can cause everything else to spin out entirely differently. Also, the idea of photos as "save points" you can return to and maybe "game over/death failstate" triggering a loop... mechanics-wise, it just really seems to slot together?

8. What's something the fandom does when it comes to this character that you despise?

Okay, so 'despise' is a bit strong here, but I'm really not a fan of the whole "Guang Guang" nickname considering the only time we hear it in canon is Qiao Ling semi-jokingly calling Lu Guang it and Cheng Xiaoshi immediately being all "heh, like he's a puppy (mocking)" (because guangguang sounds like wangwang which is onomatopoeia for dog barking). Like, I guess I could see Cheng Xiaoshi doing it to tease Lu Guang, but I see a lot of fanworks where they jump straight to Cheng Xiaoshi using it as an endearment and it just doesn't vibe with me. I guess I just think that there are plenty of other legitimate ways to modify Lu Guang's name that don't have that association?

6. What's something you have in common with this character?

Trap question! Lu Guang is one of those characters where I actively have to step back and make sure I'm not projecting too much when trying to analyse him. I need to properly think back to the source material when trying to fill in characterisation gaps to make sure I'm guessing what he would do rather than just basing it on what I would do. I don't really struggle with this for Cheng Xiaoshi or Qiao Ling or any of the other characters, just Lu Guang.

I'll just go for the most obvious common trait though, which is that Lu Guang is generally a very low energy person. Sure, he can be motivated if he finds a good enough goal (hi s2 spoilers), but for the most part, he just kind of quietly rolls along with no real ambition and gets adopted by the more extroverted characters.

9. Could you be roommates with this character?

He's definitely down the better end of potential roommates, I think. I've technically only had housemates before rather than roommates so I know it's not exactly the same, but one of the things I struggled with in terms of housemates was in terms of the whole "unspoken rules". Now, Lu Guang is great at laying down the rules. And also, he's not a super chatty person, which suits me fine. Though, I may overcompensate a bit to try and fill the silence at first, I think once I'd run out of steam it'd just be fairly chill, not much pressure.

[cynicalmusings]

WAAA I HAVEN'T INTERACTED IN SO LONG!!!

life just got so busy ;=; with exams, upcoming colleges i have to think about applying, my future – it's really held me back from breathing and interacting with what i like :( BUT I AM HERE TO INTERACT ONCE MORE!!! maybe i can finally draw again bwoah, it's been weeks since I've picked up that dusty ol tablet

anyways, that writer ask game heehoo o_o : 🌈 🍉 🤍

it’s good to see you again! hopefully things will calm down soon for you.

(don’t worry; i haven’t properly touched my genshin writing in ages, so you’re not the only one who’s let dust gather in some creative areas…)

now, onto the ask game:

🌈 - is there a fic that you worked *really fucking hard on* that no one would ever know? maybe a scene/theme you struggled with?

cyno’s dark fairytale au is… pretty hard work. i love working on it, don’t get me wrong, but the elaborate writing style paired with actually having to follow a planned out storyline and make sure the plot is tight and makes sense etc. as opposed to winging funky little oneshots is quite difficult sometimes, considering i have the attention span of a hummingbird (do hummingbirds have short attention spans? they just came to mind for some reason.) i’ve also talked sometimes about how i pride myself on that 100 followers special fic, because it took time. i had to visualise the character designs and do some brief research on mask designs (primarily venetian masks), and it took me literal weeks to choose which waltz/ piece to assign to the characters that matched their personality and their scene best. then i also needed to write the whole thing up, and the level of detail in that is up there with my dark fairytale au. i’ll always be a tiny bit salty that it has below 100 notes whereas some random brainrots i slapped down on a whim get, like, five times as many, but hey, what can you do?

🍉 - in what ways has writing helped you process trauma and/or navigate through your own life?

i use writing (and reading) a lot as a sort of escape mechanism. when i’m stressed or going through a tough mental spot, it really helps to lose myself in fiction and especially in fictional characters that i like, and not have to worry about real life for a bit. call me painfully self-indulgent, but sometimes i imagine how certain characters might comfort me if i came to them with my troubles, and it actually helps me wind down a bit. i realise it’s… slightly worrying that i’m literally coming to fictional characters in my own brain for comfort instead of real people, but, uh… it’s nice, so… good for me….?

🤍 - what's one fic of yours you think people didn't "get"?

oooh…. i don’t know, actually. i already sort of mentioned my 100 followers special, and i don’t want to repeat myself, so let me look through my masterlist quickly.

…funnily enough, this isn’t actually on my masterlist, but maybe that continuation of a the kazuha royalty au i originally got as an event request ages ago. i did a touch of worldbuilding here and there and it was pretty fun, and i remember being somewhat proud of the reader’s character development; something which maybe might not have been ‘gotten’, or at least registered that much, by the audience because of the reader meaning to be self-insertion-y instead of a full-fledged character, and i definitely leaned more heavily towards making them a character of their own for that. i don’t really regret it, though, because i enjoyed writing for them and treating them like a character rather than a blank slate— to be honest, i find writing a reader with a clear personality more satisfying than one without, even if it’s not really the point. basically, i’d rather be compelled by a character than see myself in their shoes 100%, even if it means sacrificing some of that self-insertion. to be honest, i could go into a full-fledged essay (ramble) about how i write reader inserts and why and some pet peeves i have with their characterisations (or lack thereof, in some cases), but i’ll spare you poor souls for now.

[scrawnytreedemon]

Zelink for the ship bingo? :0 any game!

OH GOD, THIS IS?? Gonna be a doozy. Buckle in.

SkSw:

WW-PH: Link/Tetra:

Spirit Tracks(in theory! I haven't seen the game yet, can't speak personally):

Nearly all other instances:

RIGHT! getting onto individual analysis,

1, SkSw: By far my favourite of the bunch, and a longtime delight. Whether you construe their relationship as romantic or not, doesn't matter-- They've got such a wonderful arc of trust and unbreakable love. Zelda starts off incredibly worried for Link, constantly fretting and deeply unsure of his abilities. She steps in to defend him, willing to go up against Big Boys like Groose to do so. As the game progresses, however, and Link grows, in strength and in character, Zelda, and everyone else for the matter, put more trust in him-- By the end of the game, they're on equal footing, and, oh god, oh man, I'm gonna crybhfgjfhdgkjdjd--

2, WW-PH: Nothing to say except, tough girl, sweet boy? Phuck yeah!

Jokes aside, Link and Tetra's arc is also one of trust and vulnerability, but from a different angle. Tetra's a hard-as-nails, independent, morally dubious young girl who's landed herself as captain of a ship full of Big Boys, and sees Link as little more than a useful, if rather weak coincidence she can use to her advantage. However, as the pair grow,(really as Link grows and Tetra is thrown out onto the sidelines as her royal heritage is revealed and she's forced to take on a 'princess' role, one that notably feminises her and lightens her skin), again there's that theme of growth of trust! They take down Ganondorf together, build a new Hyrule together, and isn't that just what dreams are made of?

3, Spirit Tracks: Nothing much to say, other than the dynamic looks super sweet, and there's an interesting play with gender and presentation on Zelda's end? Love it to bits, 12/10.

Now... Onto the potatoes of this, I think. Get your gravy.

This... There's going to be more objective analysis and criticism, obviously, but alot of this is also going to be deeply coloured by my own personal experiences of heteronormativity and alienation. This isn't a commentary on anyone else's enjoyment of the dynamic-- I hope I've made that clear --But, just... I guess I should get to it.

Link and Zelda,

Zelink.

As one anon put it, the vanilla icecream of shipping.

Mild, sweet,

And incredibly heteronormative.

The Golden Relationship; the one toted by fans and Nintendo alike as "the ship".

Everything else, anyone else, is a deviation. It slots neatly into the expected hero-damsel dynamic that we've had, since, well, the beginning of time, almost. It's almost as dust of the earth as it gets. The issue for me being... They don't spend time much, really. Link is barely characterised half the time as little more than a slightly lackadaisical vessel for the player, and Zelda is a sort of guiding light; a dignified keeper of the plot, Righteous Guardian of Hyrule--

The culmination of all Hyrule presents itself as: wise, smart, beautiful, dainty but compitent, ready to lead a charge should need be... but rarely unruly. Rarely ever. Always right.

Obviously, it goes without saying how Breath of the Wild's iteration of this duo changes it up immensely. Zelda is a far more flawed, and in her attempt to put on a strong face, a far more emotionally vulnerable character than any of her gentle predecessors could ever hope to be. While this pairing and her character fail to hit that particular sweet spot in me, it's deeply intriguing, and I hope, perhaps vainly, that they'll develop her and her relationship with Link even more in the sequel-- Honestly, when it comes to this? An equality between her and Link is, I think, what would be best. A mutual understanding; vulnerability.

I think that's what puts me off from Zelink, on the whole. Link is bound to her, by destiny, by guidance, ever-performing his knightly duties, and Zelda is bound to him for strength, for protection. There's little emotional substance, half the time, save for small, precious moments, many with another face, because it's a dynamic inherently dependent on the war-- On danger.

It's all impartial, situational. There's nothing personal here.

And if that were it, if this were truly explored from that angle(as it is, to an extent, in BotW), then I think I'd like that-- Especially if it weren't romantic, I feel.

But that's not the vibe we're told to get: not from the fans... not from Nintendo.

Nintendo tends to be largely neutral on certain matters, such as pairings-- Honest to god, for the best, in my opinion-- But Zelink is that one blind spot where that ethos falls away. Here, Nintendo expects us to see it as some grand, destiny-bound romance, I feel,

And the pre-Skyward Sword manga, from what I know, cements this best.

It's why, quite frankly, I don't care for the idea of it being canon. Genuinely.

It undermines what little weight Ganondorf via Demise had on all of this, this horrific cycle of blood, pain and despair, always bracing for the next wave, of the sisyphian climb of this civilisation, and turns it all into a grand goddess' love for a boy bound to her by fate and destiny manifest.

I hate that.

For something like this, something where no one has any choice, where greatness is thrusted upon them, this endless state of being used that Skyward Sword even condemned, to be seen as good.

To get onto personal experience, before this blog, and this "persona," as it were, I used to have an art account where I largely posted TLoZ, frequented by my family. My very Christian, somewhat socially-conservative family. I would perform straightness, in the form of either pushing aside or pursuing M/F romance, because I was extremely uneasy about the types of conversations anything otherwise would arouse.

This was at a time where I wasn't even sure if I was bisexual, let alone divergent in my gender, so I felt a constant pressure to tamp it down and keep it out of the spotlight, relegating my explorations via art to DMs with the friends I'd make.

Here, on Tumblr, where peppy-queerness is the status quo, there's this tendency to gloss over unpleasant things and make them soft; sweet.

I think I've talked enough at length why that alienates me.

So, yeah... I guess, Zelink on a wider scale kinda just, sums up my unease about the often hegemonic status-quo of shipping, and on the whole I'm just kinda eh about it all.

Again, I think it should be very clear that this is not a reflection on my opinions of people who create Zelink content, who are attached to these characters. That sort of weirdly-tribalistic thinking is awful, and only brings about needless conflict-- Early 2000s-2010s kinda shit, y'feel me?

I hope this all made sense, kinda. I've just got... alot of feelings.

[zeta-in-de-walls]

Hey guys, I was having thoughts on the meta-side of the Dream SMP. Okay, so we know that Technoblade has done much of the scripting for this present arc, Tommy, Dream and Quackity have also done some in collaboration, presumably doing each of their own characters and motivations, and Tubbo and Fundy have also been involved too. Uh, this will be rambly as it’s a lot of unsorted observations.

Obviously these are my thoughts, and ideas purely based on my observations as a viewer but you can definitely tell that they’re all very aware of the fanbase and are likely very influenced by them. I could see this even in the Pogtopia arc where Tommy started reusing phrases before when debating ethics with Wilbur, eg ‘let’s lose as winners, not win as losers.’ or something along those lines and how Techno made a callback to his only universal language is violence speech in his wither monologue. 

But wow, the scripting is definitely becoming a lot more obvious in this new season of the SMP. Not a bad thing at all, by the way, it’s just a difference. Clearly they’ve gotten more detailed plans and are more ambitious with what they convey in minecraft, with more players taking inspiration from Wilbur after how well he executed it. It’s also the difference in how the various people write, I’m sure. 

Tommy and Tubbo have streamed the SMP for the longest and have very gradually evolved into the roleplaying and their respective approaches to it are very interesting. Tubbo’s streams are typically chill and usually involve him working on some sort of project - he’s very chaotic when with other people but is usually very reactionary when it comes to the roleplaying - doing most of his best stuff when bouncing off Tommy, or occasionally Quackity. On his own he doesn’t like to lead bits but is among the best at making other people’s bits work. Same with the RP! His character’s in a weird spot right now as the other writer’s seem to be writing him in quite an unflattering way and he doesn’t do solo, emotional performances all that much meaning he’s less sympathetic right now then he really should be. Like, Tommy garnered loads of sympathy during his exile as he gave a very expressive performance where Tubbo’s character also presumably feels very isolated and alone and he’s being manipulated by the people around him but he gives a lot less. This has made it easier for the audience to start siding more with Technoblade, the literal mass-murderer, over the traumatised kid who was manipulated into exiling his best friend and continues to face terrible choices with no good options.

 While I can of course make less meta theories on why Tubbo should be appreciated more and what it says he’s got no real support and is compartmentalising his problems, in the end it’s how his streams work. Tubbo does plot related streams, and he does streams where he simply vibes - and even in the serious streams, he can joke around and cheerfully lampshade the goofiness by doing things like joking about wanting a good review from Techno while kidnapping him - that stuff is priceless and does not fit into the melodramtic scripts but it adds so much to the SMP and why it is so much fun to watch. Tubbo’s really good at making content better! He’s not afraid to look ridiculous, he will also unapologetically avoid engaging in too much melodrama himself when he doesn’t feel like it. I consider his character highly underrated in the plot right now.

Tommy knows what he’s doing. Even before the roleplaying really took off, Tommy liked to play a character and lead bits and the SMP shifting in a more scripted direction suited him exceptionally well. Tommy focuses heavily on streams with lots of content, only rarely doing more chill stuff - especially more recently. He has always approached streams with a plan - but usually their extremely loose and he has said that he’d sometimes just come up with an idea 10 minutes before the stream and improvise from there. Tommy’s good at improvising and seems to work best with a very loose plan. Where I think Techno likely came up with the plan for Tommy to get exiled from L’Manburg and then join forces with him, Tommy likely filled in how to play his character and - wow.

Tommy’s writing seems to be incredibly simple - each exile stream had no major plot points or anything and the plans that are there don’t even make logical sense (let’s throw a party in one day and let’s invite everyone but have Dream not send out the invitations so no one shows up - and I’m going to do this even with Philza and Fundy literally in the call.) but Tommy pulled every one of them off very well and proved to be compelling enough that no one cared at all whether the plot made sense nor did Tommy make much effort to justify that sort of thing - ‘cause he knows how the SMP works and how much the audience will go along with it. And instead, Tommy focused entirely on his characterisation and spent all his time exploring it. That’s how Tommy works - very simple plans, then improv in character into an engaging bit. He’s managed to pull off the most ridiculous things like that, and has confidence that the other streamers will support it - that’s how he’s prepared to try insane things like pretending to be Clarencio the llama. And, like Tubbo, he’s always willing to throw for content. 

Then there’s Technoblade. He’s streamed the SMP a lot less - though he’s done so much more recently - but he’s spent a lot more time playing on the SMP, doing tons of grinding. He here for the RP but is also committed to playing the game itself very optimally. He seems to have a much larger view, taking in the bigger picture, of the story where Tommy has a very personal view. His approach to content is all about the fanservice. 

He’s always trying to create big epic, moments, that both look and sound awesome. Like the butcher’s army plotline which let him both seem like an underdog, a victim against a mean group, and also an incredible badass figure who outplayed them all and came out as victorious. The butcher’s army were really given an antagonists role there, and were really made to seem unlikeable. Then he met up with fan-favourite Tommy and suggested a team-up with him. (This is also leading to the ultimate fanservice that is the Sleepybois team-up.) Techno’s got a very, dry self-aware sens of humour too and he’ll often make simple meta observations about the SMP - like noting that the pacing’s fast or teasing in the chat in the middle of wars. He’s also made himself into a bit of a meme what with logging just to say his name and leave. 

I don’t know how much it’s just Techno of course, but the plot really seems to be heading in a direction that suggesting that Technoblade was Right. L’Manburg’s seeming corrupt, and Tommy is being seen as Theseus. At the time Techno first made the Theseus speech, I felt like the comparison seemed unfair - but now it’s like the plot itself has bent over to make the comparison make sense, and Techno’s one of the writers of the script. Techno also of course, prepared a vault to show Tommy so he could say ‘welcome home Theseus dramatically - total fanservice as fans were indeed talking about how cool saying a line would be, and then he absolutely did. The way Techno calls his viewers chatting as the voices in his head is also fanservice. It’s not like actually true, as Techno ignores the chat if they tell him information his character doesn’t know and meanwhile all the streamers interact with their chat too - so all chats have always been a part of the story and calling them canon is absolutely meaningless. Not a bad thing though - it is nice and makes the fans happy and makes them feel included. I don’t know if this sounds critical by the way - it’s not meant as such at all - all the streamers love engaging with the fandom, and Techno’s approach to giving lots of fanservice by providing so many epic moments is great. I just wanted to highlight it. 

And those were some meta thoughts on the SMP right now and its writing. I don’t really think I had a point or argument. I just wanting to make some observations and my impressions. If you’re curious I am course a Tommy fan first. I love how he’s evolved with the SMP most of all and I appreciate his character-driven storytelling. His main weakness is probably getting too into bits and going too far and it’s so nice that the SMP is a place where even his weaker ideas are supported rather than shut down. I like how he’s able to improv so well and simply how he streams. Perhaps unsurprisingly, I love Tubbo best when he’s with Tommy as they bring the best performances out of each other. I find Techno interesting as a contrast to both of them, as he approaches so many things in such a different way. 

[morwensteelsheen]

farawyn and borodred for the ship ask game thing?

thank you so much!! :)

okay i’ll start with borodred because for some unfathomable reason i actually got there first —

1. What made you ship it?

One of my favourite Types of ships is the Elder Statesmen Of War-type set-ups, where it’s less about people brought together through theatrical romantic gestures and more about the steadiness of people who are going through similar (immensely difficult) circumstances, who know that in their hearts they’re always going to put their duty to that cause first, but still seek out human comfort in other people who will understand what their priorities are and why.

I think there’s also a lot of similarities about the kind of helplessness they both face despite having this tremendous innate strength. Both of them still have to deal with family dynamics that are complex (made more complex by the war) and that can’t be fixed just by their own sheer will power; both of them die these utterly unnecessary deaths (not that death makes a ship but I think in this instance it actually points to the constant tragedy these guys face); and both of them are meant to be the principal figures of their families and people and are ultimately sidelined by the cruel mechanisations of war and the forward march of history or whatever wanky term there is for it — my apologies to ep thompson's ghost, dont haunt me bro.

Plus there’s obviously the interesting thread raised when Faramir starts bitching about Gondor and likens Gondor (and by very explicit extension, Boromir) to Rohan. That always made me go ‘Hmmmmmm, wonder what else Boromir liked about Rohan,’ lmao.

Anyways for me the ship is the equivalent of Star Wars’ Kanan and Hera or (my OTP to end all others) Luke and Wedge, just people getting by on love and duty and without big ol fancy romance.

2. What are your favorite things about the ship?

The fanon, I think, really makes it, as with so many other LOTR ships. battlefield manners, by themightypen is essentially the definitive take for me on them — these two guys who are just so fucking exhausted, man, but still overcome by defensive love for their families, even if their (foster-)siblings are naïve fools. That I just love, love, love. Plus I think they’re unique for their ability to pretty comfortable explore the relationship between Gondor & Rohan in advance of the Ring War without having to stray too far into AU, which I always appreciate.

3. Is there an unpopular opinion you have on your ship?

Not really, tbh, except in that I don’t think Boromir is necessarily as laddy as people like to portray him. I’m happy to play into it in, say, my modern AUs because I think that’s a fun and sweet niche for him, but I am a bit 🤪 about Boromir as this kind of reckless, drunken playboy (not least because I think that’s a much funnier niche for Faramir to fill, at least when he’s younger). Chapter Four of Swaddledog’s Hearts and Minds gets my preferred Boromir characterisation absolutely spot on, I think.

And now, sigh, the ultimate OTP, Farawyn —

1. What made you ship it?

For starters, I think I am obsessed with Éowyn in a way I’ve never quite been obsessed with any other fictional character. I came to reading LOTR at this moment in my life where I was intensely frustrated about everything — trapped inside permanently (helplessly!) because of the pandemic, just starting a new political organisation that I truly believed in but that was still making me feel like shit, facing down an untenable about of work, and, fundamentally, really, really hating being a woman and what that means. And along comes Éowyn, who is bitter, who is cold, who is ANGRY, and who doesn’t perform joy or softness or gentleness just because people expect her to. She’s this seminal Woman Of War in so many ways, I think the kind of person a lot of us wish we could be. She’s got her emotional taps cut off at the source, she holds her head high and faces down unimaginable personal and political terrors, and at the end of it all still has this abiding love for her family that, I would argue, is almost unparalleled by anyone else in the book.

After all that, she gets this incredible moment of emotional catharsis (or what we expect to be emotional catharsis): “no living man am I!” She undertakes THE greatest martial act of the Ring War, and in that moment there’s this unbelievably sophisticated dialogue happening about gender (“Éowyn it was, and Dernhelm also”), and leadership (Merry finding his courage not because of the immediate scenario of the Witch-king, but because he’s spurred into it by Éowyn’s presence), and love and care.

And then we learn that no, actually, this glorious act of violence wasn’t the emotional catharsis we thought it would be. She gets to ride to war, she gets to throw herself headlong at death, and in the end that hopeless act of individualism isn’t really what does it for her. She’s still left desolate and despairing, and actually all of her problems haven’t gone away.

And then we need to rewind a bit, because along comes Faramir, who is gentle, and is kind, and does seem to believe in joy, but not because people expect it — actually it's made abundantly clear nobody expects it — but because it’s something quite innate to how he figures the world. And he’s a huge fucking nerd too. I have a lot of thoughts on Faramir’s flaws and why I find them endearing, which I won’t put here, but almost immediately you get this sense of a guy who’s quite melodramatic, good humoured, and very much not made to live in a time of war.

But he’s also clear-headed about war and what it requires (tactically, if not strategically, though that’s a post for another day), but who is kind of cynical and weary of it in his own unique way. And it’s a unique cynicism given his personal circumstances because he’s the second son of The great family of Gondor, he’s apparently — though with some big ol’ question marks hanging about the extent — very able to command some of the elite units in the realm, and what’s more than that, he’s got all these fantastical powers (the light mind reading to start, to say nothing of this apparently magical ability to command animals too. bruh.). By all accounts he should be this brazen hot mess, but he’s not. He’s desperate to claw his way out of this war-torn cage of expectation his people have for how a man should comport himself in time of war. Is it a little naïve? Sure. A little fussy? Absolutely. But does it point to that same desperation that Éowyn has? Yes! But also the practicality, like, neither of them are really enjoying the circumstances they live under, but good fucking god are they both able to Make It Work.

So finally we get to the Houses of Healing and what is the finest and most aggressively romantic writing of LOTR. Seriously, it’s so fucking much. It’s breathtaking. It reminds me quite viscerally of this fabulous quote from Les Mis:

The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.

At some point I will devote more time to talking about the two reasons line, and the blissful Queen of Gondor speech, but I think to me that big, important line is: “And then her heart changed, or at least she understood it; and the winter passed, and the sun shone upon her.”

It’s not about Éowyn changing herself entirely (though, I think, it really does bear mentioning that she does change, and that’s every bit as important to understanding that scene as it is romantic), it’s about Éowyn coming to terms with how to live with herself as herself, and how to live in communion with someone else. She can’t just cut people out anymore, and she can’t just treat them as objects of infatuation as she did with Aragorn, she has to reckon with people as they are. And that’s sort of the moment where I knew I was about to plunge fully off the deep end with these two and never know a moments’ peace again, lmao.

2. What are your favorite things about the ship?

Someone on here once called Farawyn a love letter to women and, by god, yes, exactly that. I love the capacity for emotional intimacy, that is beautiful in ways I can’t express. To me, though, my favourite thing is the promise of life they speak of. Not as in oh they shag loads and have babies (though not opposed to that, obviously), but in the sense that unlike Aragorn and Arwen, who are always going to be buried under/burdened with the crushing weight of history and tradition, Éowyn and Faramir are going out yonder those hills and they’re going to do some real cottagecore farming shit. Obviously with all the trappings of rank and nobility and whatnot, but they, unique to anybody else in the books, get to sow this new idea of what life should be. They are, outside of Aragorn, the single most powerful people in Gondor. Éowyn’s got the ear of a king, a steward (which is essentially a prime-ministerial deal here), and functionally her own prince (if the hobbits are to be believed when they refer to it as essentially hers). I suspect that, in life, there were remarkably few arguments she wasn’t winning, and that Ithilien probably trended towards the jumped up noble hippie camp Tolkien so desperately wanted Oxford to be (or, in other words — Cambridge, lol).

3. Is there an unpopular opinion you have on your ship?

Yeah, man, everybody stop treating Faramir like he’s a big fucking crybaby and Éowyn like she’s some kind of shrieking 2010-era tumblr girl.

One of the single most important lines defining Faramir’s character is when Denethor roasts his ass for always trying to appear noble and lordly, if you ignore every other piece of textual evidence we have about him, what part of that line makes you think Faramir’s some simpering daisy? And why would you want to link tremendous emotional intelligence and care with being too limp-wristed to function, lol??? Like I struggle loads with writing Faramir, because I have never once in my life tried to be noble or self-restrained, so find it hard to get into that mindset, but better, I think, to imagine him too closed off than to do this wilting flower song and dance lmao.

And stop making Éowyn out to be this over-emotional angst machine. She’s got problems, yes, and she’s sure as shit got a lot of angst, but at almost every point in the book where we’re overtly dealing with her emotions, she’s sublimating them into something else. One of the most serious times we see her cry is when she’s fighting with Aragorn about riding out, and after that moment she literally tries to kill herself. Those tears aren’t standard, man, that’s a real watershed (lol) moment for her. You have to read around what the text is saying to get a better feel why everybody’s constantly calling her cold and distant.

[imnotwolverine]

A special request

Henry Cavill x reader oneshot

Word count: 1.566 (it was supposed to a drabble mkey?) 

Disclaimer: just fluff

Summary: One of your fanfiction stories has made it to the silver screen, starring Henry as your lead. During a talkshow the two of you meet for the first time and fluffy awkwardness ensues. 

Author’s note: I dreamed this last night and I swear I was still blushing by the time I woke up - woops. 

‘Welcome, welcome Henry! Do sit down.’ The applause slowly died down as Henry sat down, smiling at Graham.

‘Thank you. Thanks for having me Graham.’

‘Now. I’d like to kick in this door straight away. We have a little surprise for you.’

‘A surprise? Okay.. haha’ Henry smiled, raising an eyebrow at the audience.

‘Don’t worry, don’t worry. We’re not going to kidnap you or anything.’ The audience laughed. ‘Now! You’re currently touring for your newest film and we found something that probably would..eh..tickle your fancy.’

‘You did?’ Henry gave a hesitant look at Graham.

‘Before we bring out the surprise, I’m curious; you received the script, which was based on a fanfiction..about you. Did you ever get to read the original story? The fan written one?’

‘I..did..actually. Wait. Please don’t tell me you’ve managed to get her here.’

‘Well..’ Graham shrugged and snickered happily. ‘..time to see for yourself.’ Graham jumped up from his chair and gestured his team to bring in “the present”.

Squinting your eyes and laughing hesitantly you walked up the stage - near losing your footing as you were to occupied with the bright hot lights that shone at the red couch. Meanwhile Henry looked over his shoulder at his “present” and it was clear to anyone he was struck with confusion.

Wait. THIS was the writer?

Graham was first to shake hands with you, allowing Henry some time to quickly scramble up to his feet.

‘Hello dear! So good to have you here and welcome to the Graham Norton show!’ The audience applauded happily as you grinned, your eye soon to land on a slightly flabbergasted Henry.

‘Hi.’ You giggled.

‘Uh..hi.’ Henry outstretched both arms, pulling you in for an awkward hug, leaving you no time to even register what was happening.

Graham chuckled and sat back down, twisting in his chair while you and Henry quickly took your place on the couch, a blush on both your cheeks.

‘So! SURPRISE!’ Graham smiled, flailing out his hands and near throwing his cards in the excitement.

‘This is..a surprise for sure.’ Henry breathed, looking back over at you.

‘First impressions?’ Graham cooed, seeing the nervous but curious looks the two of you shared.

‘Eh…damn you are way bigger than I had expected.’ You blurted out, laughing giddily. ‘I guess pictures DO only tell half the story.’

Henry laughed shyly, looking at his knees for a short moment before he looked back up at you, intrigued by what he saw.

‘Thanks..I guess? And as for me..well..I’ve never seen a picture of you or anything. So I must admit my imagination had run a little wild on what ..you..would look like.’

You raised your eyebrows, slightly surprised: ‘But you have thought about it? Wow. So do you always do that when reading someone’s story?’ You turned slightly, folding your arm over the backrest and pulling up a leg to get more comfortable.

‘Eh…’ Henry’s mind blanked for a moment as his eyes quickly flicked back and forth between Graham and you.

‘Admittedly..no.’ He licked his lips, looking at the audience for a slight as he continued. ‘I..guess this is a good moment to admit that I have read your work. All of your work. And I read your stories WAY before my agent even sent me that script.’

‘Really? Oh…’ Your face flushed bright red at the thought - all those paper thin plot lines to indulge in pure Henry smut? Yes. He read all of them.

Henry smiled, also leaning back on the sofa and moving an arm over the back rest - near mirroring your pose.

‘I really liked them.’ He said matter of factly, searching for eye contact with you. You smiled awkwardly and the fact the audience was “awe”-ing right now, didn’t help much in making the situation any less awkward.

‘Ha..That’s..good. Good. Wow I hadn’t expected that.’ You resumed, sitting up a bit and looking at Henry. He smiled warmly.

‘Okay. Maybe for the audience: just to kind of …share a little intel here.’ You looked at the audience. ‘I write fanfiction that includes what you best can describe as ..porn? With him being one of my regular characters. So. Yes. This is.. strange.’

The audience let out a loud chuckle, some people wooing.

‘Yea..well I’m glad they picked the romcom story to be filmed. Otherwise I might have had to make a career switch.’ Henry shrugged, grinning at the thought. You laughed.

‘Yea..even movie magic would have a hard time translating that in a PG-13 kind of way.’

The two of you snickered and Graham finally leaned back in.

‘Now Henry. You HAVE read all of her material. And you say you DID have some ideas on what she’d look like. I am probably not the only curious about what it is you were expecting?!’ The audience agreed with Graham and you also shrugged, admitting the curiosity was there.

Henry gave an exasperated look at the audience, then directed his attention back at you.

‘Well. Let’s first of all say I definitely didn’t expect anything close to what you look like, so bear with me. From the stories you wrote I could distill that you were at least medium height, probably dark or red haired and I figured you’d have green eyes since your first stories included a lot of characters with green eyes.’

‘Well, you got that right.’ You shrugged, seeing Henry hesitate.

‘I however didn’t expect you to be this…pretty? Eh..goodness this really puts me in the spot now, doesn’t it?’ Henry smiled awkwardly, hoping you wouldn’t get mad.

You however didn’t mind. If anything this was pure gold for your smutty heart.

‘Thank you…Hmm..Gosh this makes the whole situation even more weird. But I guess I could have expected as much. A few weeks ago someone reached out through my DM’s, asking if I wanted to be part of this show. I initially thought someone was pulling my leg. But alas. I got curious. Asked for their contact info. Contacted them. And yes. This was REAL…and now I’m HERE. With you! Life is so weird.’ You rambled, shaking your head in slight disbelief.

‘Well I’m glad you accepted the offer. It’s ..truly nice to meet you. For real now. Not just by reading your work.’

You smiled. ‘It’s nice to meet you too…Henry’ He grinned and you finally, finally dared to take a real, close look at him.

‘You really are one handsome man. Yeeus. In my mind you had like..some medium okay skin, some hair out of place and perhaps a crooked tooth or something. You don’t however. And your eyes are SO much more blue than I had expected. And that heterochromia..’ You gawked in amazement. ‘..okay..now I’m really just babbling. Sorry.’ You sniffled and quickly reached for the glass of wine that stood forlorn on the table.

Henry smiled and followed your movements with quiet curiosity. What he was thinking? Nobody knew.

Graham had been uncharacteristically quiet for some time now and was leaning in to intervene, but decided against it, sitting back in his chair. There was something going on between the two of you that was close to actual real chemistry. Sparks flying and all.

You noticed Graham’s hesitance and gave him a questioning look.

‘Oh please continue.’ Graham smiled, folding his hands in his lap like an excited school kid.

‘Eh okay..’ You turned your attention back to Henry, his blue eyes studying you. A giddy smile tugged on both your lips.

‘So do you write from own experiences?’ He asked.

‘I guess I do. Pretty much everything I write does come from my perspective, my experiences. Though of course..I fill in a lot too. Like..characterising you.’

‘I thought you characterised me pretty well.’ Henry smiled, seeing another shy blush cross over your cheeks.

‘Really?’

‘So much so that I maybe..saved some of your stories on my phone just so I could read them when I need it. Like…’ Henry pulled a face. ‘..like when I am feeling a bit lonely I’ll read the romcom stuff. When I’m fed up or annoyed some of the short stories - love your Geralt work - and when I’m a bit horny..well….’ The audience laughed. ‘Yea. It’s quite unique to be able to read porn about..yourself.’

‘Oh gods.’ You shrunk away a bit as Henry offered you a cheeky smile.

‘It’s…really good.’ Henry gave you a warm, unapologetic smile as you quickly drew in a breath, calming your nerves.

‘Dearness me. In a way you are fanboying over my work and I am fangirling over your work. And that’s all fun and games till you actually meet each other. Are we like…each others fans?’ You asked.

Henry’s smile grew as he tilted his head.

‘I guess we are, hmmm.’ Henry smiled, thinking.

‘Yep.’ You nodded, also somewhat lost in thought.

A quiet moment snuck in as you both took on a pensive expression.

...

‘He—.’ ‘Heyy.’ You both spoke simultaneously.

‘Ladies first.’ Henry quickly added.

You smiled: ‘If you have any special requests…I mean..I’d gladly…write..for you.’ With every word you became more confused, seeing Henry burst out in laughter, shoulders shaking.

‘That was just what I was about to ask.’

‘Hmm? Really?’

‘Really.’ He smiled, leaning in slightly. ‘First request. How about ..a first date?’

[ardenttheories]

ardent, I have a real rough question to ask you. is it worth it to read hs^2? Ive been avoiding reading it because I didnt want to ruin what I loved about homestuck, but seeing the amount of art and interaction makes me feel like I'm missing out. I know it's not going to be good, but do I still take the risk? are there homestuck fanprojects you'd suggest instead?

An anon asked:  Hi, may I ask what is your opinion of fan creation inspired from Homestuck? I'm not the biggest fan of where homestuck is heading but was wondering on your opinions of fan comics. I'm leaning towards reading them over Homestuck2 because of some of the writing that Hussie and his team of writers have produced in Homestuck2 feels off and a bit weird for Homestuck. (Ps. Have a lovely day.)

I forgot to answer the anon when I first got it, but since both mention fanvantures, I’ll combine the two!

I would absolutely not recommend reading HS^2, personally. There’s just a lot wrong with it that I genuinely don’t like and am deeply uncomfortable with. Futanari Jade making Rose cheat on Kanaya to have a baby she then completely abandoned is really just the tip of the iceberg, from what I’ve read and seen; there’s also just an outright lack of care for triggers (the warnings for which were taken off chapter by chapter, so you’ve got no idea what you’re going into anymore) and so much bullshit around facts from Homestuck not being taken into consideration during writing (for instance, Rose tells Terezi about the Exiles despite Terezi being the one who told Dave about them back in Act 5).

It’s uncomfortable, sloggish, uncaring, actively written to ruin Homestuck for fans, and overall just unpleasant to read. Not only is it a bad continuation, it’s just bad fiction in general. Some of this of course is exacerbated by the writers themselves, which is another reason I refuse to read it; I do not want to support them in any capacity. 

I wouldn’t say you’re missing out. There’s some genuinely interesting things in HS^2, but a lot of it is overshadowed by how bad it is. That’s why I stopped reading, personally. You could always give it a go, see what you think and if you can handle it or if it appeals to you - because it’s different for everyone! Some people genuinely like it, and that’s okay, too - but I wouldn’t recommend it.

If you read the Epilogues just fine, you should be okay? But if they were rough for you to read, I’d definitely say HS^2 will be worse. You can still enjoy the content on the peripheral, though; for instance, acejams/sarcasmprodigy draws some HS^2 bits, but only really the designs that she likes. Consuming fan content while avoiding the comic itself is no issue, as far as I can tell.

That said, I’d 100% recommend reading fanventures. There’s a lot of benefits to them, actually!

Firstly, since they’re made by fans doing it for free, there’s a lot of love that goes into them. You know that what you’re getting is going to some degree be a homage to Homestuck, and that even if it’s an AU or divergent somehow, it’s still going to be loyal to characters you love. 

There’s a lot less - and I mean a lot less - bullshittery in fanventures than HS^2 proper. It’s done for fun, for love! It’s going to connect with you, as a fan, a little more, because it’s literally written by fans for fans; by people who know what the fandom wants because they’re actively part of it. 

Also, the writers don’t want to ruin the characters, so that’s an incredible bonus.

That said, here are a few fanventures I’d recommend:

SOULSTUCK: A fanventure that takes place in the Soul Eater universe, following Roxy and Dirk as they work towards getting that sweet, sweet final Witch soul to become a proper duo. I haven’t read too much of it, but the art is beautiful, the writing is well in character, and it’s also pretty faithful to the original Soul Eater while staying uniquely Homestuck, too.

Guidestuck: A pretty wellknown fanventure that started up again recently, following a kidswap universe where the kids’ initial sprite prototypings (the Harlequin doll, Jaspers, Bec, and Cal) are the kids (Cal Strider, Bec Harley, Quinn Egbert, Jaspers Lalonde), and our kids are their associated items (John’s a plush toy; Bro and Dave are dolls; Jade is a puppy; Rose is a cat). Also features a very unique look at what Alternia would be like if the lusii were the sapient species, and the trolls the symbiotic one.

TLCstuck: Double Death of the Author: A fairly interesting redo of Homestuck, taking control of the narrative a little after Game Over - so, essentially completely changing the story of Homestuck partway through Act 6. There’s a FAQ to give you more information - on how it’s written, how it’s changed, and how it works overall. 

Note for TLCstuck, though; it’s very explicitly ship-neutral. This means that although characters’ sexualities remain the same, no actual shipping generally happens in the comic. It also, since it continues from Game Over, doesn’t have a lot of the content that occurred in the Retcon timeline - including DaveKat and Davepeta (alongside the other combosprites). Keep this in mind on whether or not you want to read it, but I think it’s still a good read regardless.

Act 8: Might be one you’ve seen in the tags before! Unsurprisingly, it picks up after Act 7, and works a little like TLCstuck in that it changes the narrative from that point on. Just before the kids can go through the door to Earth C, the white door explodes. It’s animated beautifully, drawn amazingly well, and is well written! If you want to continue Homestuck’s story with the Retcon changes, this would be best for you to read. 

Well, that, or...

Act Omega: Like Act 8, it picks up after Act 7, only this time before they can claim their reward, a foe we’ve seen before appears to take the win from their grasp. It’s incredibly well animated and drawn from what I’ve seen so far, with an amazing initial fight sequence. It’s well written, and even from a cursory read-through, they reintroduce most of the main characters (including the Alpha trolls) for a second try at characterisation. Pretty nifty!

Homestuck: Subscript: I know significantly less about this one, except that there is some gorgeous art and design in it. It’s an interesting take compared to the others, since it actually happens on Earth C - so it’s more of a HS^2 replacement than anything else I’ve shown so far. It’s also incredibly different, though, and takes a little more a of a Candy route in so far as it focuses a lot more on relationships. It depends on your tastes!

Karkat goes to a Convention: Everything I know about this comes from a friend talking about it. It’s entirely satirical, I think, and a bit of a pisstake more than anything else? It’s quite literally what it says; actual Homestuck Karkat ends up at a normal, everyday convention. From what I understand it does get more detailed and involved as it goes on, but it’s also good for laughs. 

Abodebound: A webcomic a friend of mine wrote! It’s a completely original fanventure, essentially a fansession. There’s music and animation, as well as Homestuck-eqsue writing and original comedy, and some really sweet videos. I’ve never read it all the way through (life’s a bitch like that) but it’s what inspired me to create my own fanventure, and for something completely original but with the same feel as Homestuck, it’s pretty spot-on. 

Also, though it’s never been finished, what little exists of Heinoustuck is a delicious treat if you’re into horror. And Prequel -or- Making A Cat Cry: The Adventure is a really good Skyrim comic done in the old Homestuck style. Definitely NOT Homestuck, but it’s got the same art and humour, as well as games and animation - so it’s pretty sweet to look into, if nothing else. 

[daughterofhecata]

B, L, R and U?

Hey!

[fanfic ask game] 

B: Any of your stories inspired by personal experience? 

A few, yes. Often it’s not the big plots, but small details that draw from experience, but I’ve also been pretty open about the fact that major parts of out of hell, black vultures and sometimes suffering is just suffering were inspired by my own depression and sucidal thoughts, and particularly the recovery bits in out of hell and black vultures and the setbacks and resurfacing feelings that Skinny is battling with stem from my own experiences.

L: How many times do you usually revise your fic/chapter before posting? 

Definitely twice, if it’s a multichap way more often. I don’t keep count, but I’d guess that I’ve reread and subsequently edited/corrected some chapters of SCARLET and out of hell a good dozen times.

R: Are there any writers (fanfic or otherwise) you consider an influence? 

Asp Spreng has definitely had his influence on me. Particularly when it comes to word choice and specific metaphors or images I’m trying to evoke. It just bleeds through that I listened to A Lot of his music during the time my style really formed (ie ~the last ten years).

U: Share three of your favorite fic writers and why you like them so much. 

Uuuh, okay, I feel a little weird about tagging people out of the blue, but here goes nothing. I’m still completely in love with @goingbadly‘s MorMor fics, because the dynamic is immaculate, those are my favourite versions of Jim and Seb, their relationship and especially the descriptions of Sebastian’s feelings and thoughts always stick with me for a long time after, and so does the mood(? emotion? tone?) of the stories (I reread Sforzando last year and died a little again. the good way.). @linndechir has also written some of my favourite stories, particularly the characterisations are always spot on, and some of my favourite quotes (fanfiction or otherwise) are from her stories (even though we haven’t really had any fandoms in common for years). And although I feel bad about having to single out someone from the DDF fandom (because like, so many good writers and I do consider most of them friends?), I’ll go with @miyai as the third, because without Hatef--k and Poison I wouldn’t be in this fandom as deeply as I am (maybe not at all, actually), and I love the way those stories (and Like War (A Love)) are written, the emotions they evoke, and the dynamic/relationship and its development between Skinny and Peter.

Thanks for the ask, nonny!

[stardust-steel]

Will you do it too? 👉🏻👈🏻

Thanks for asking me Buu 💕

1. If published and in DB fandom have 17 counting in Ao3 and ffnet (different pen name )

If unpublished or counting other fandoms, above 30 but I would rather not discuss them because they are not me now :3 *also hides her 67 page google docs of ffs )

2. Average length of fic to be honest I don’t find this a meaningful question as I write whatever I want to explore and whatever length that comes to is what it needs.:3 most of my stuff are long and/or multi chaptered though and definitely the upcoming ones are. Whoops

3. I wouldn’t say fav trope but I tend to gravitate to slow burn, angst, hurt comfort, fluff and subversive. I also love found family tropes and tend to attack POV of characters like this

5. Easiest part of writing is the actual writing itself, when the idea is still hot and it’s like I’m the messenger , the thing writes itself and i am only the channel

I hate the editing process but that’s probably the most important bit to turn raw brilliance into better polished refined elegance

I hate writing summaries

4. Fav part of writing is to be honest when some long time later I’ve forgotten what I wrote and I reread them

and it’s like discovering a fav author who wrote everything I wanted to see except the author is me. Don’t mean to be conceited, just lovely to see what I wanted to see

6. Pet peeve? I don’t really have one for writing, does the summary writing count ?

7. Writing habit - having multiple docs and copies open of the scene so I can try different versions. I used to write down specific scenes I wanted and connect them all later together , move things like a jigsaw. With the upcoming fics I’ve started outlining them though because they are plot heavy and I want to fix that down so I can focus on character

8. WIP line

... this is hard

“That hurt like a bitch”

“I’m sorry, would you prefer to be dead?”

Healer Vegeta AU

9. An idea for a fic I have? This was strangely phrased

-Hunger games Kakavege fic which will parallel all of dbz and possibly super

-The epic teen fic myself and @greydivide are working on :3

10. Fav line from a fic - is it my fic or someone else’s? If someone else, I’d have to pick @engineerdz Guiltless fic line when Vegeta says something like “where are your shoes?”in lieu of addressing more important things (context he’d just been kissed by Goku)

If it’s my fic, maybe sorry I have to pick 2... in Agent Oblivion when Goku screams at Agent V “Stop calling me that!”

And in Call It What You Want when Goten asks this:

Goten: uncle Vegeta how do saiyan tell they like eachother

V: they don’t, they just fight

Goten: but you and dad fight all the time, does that mean you like eachother

V: chokes

11. Fav scene ? If it’s from someone else’s fic, aaa so hard so many good ones!! Please don’t be offended if not chosen it’s 130am for me here lol. I’ll go with Caecus by @capsulecrisistime because it broke my heart when Vegeta gave up, or Once again @engineerdz Guiltless fic when they first kiss, first kiss!! or @vakaara Cold day fic when Vegeta was very cutely being not- jealous over Broly, @dulcineawrites Take Care gift fic when Goku bandages Vegeta’s palm.

If it’s my fic, probably the whole sequence in Agent Oblivion when Goku uncovers who Agent V is all the way to when Vegeta sacrifices himself again and Goku’s all NO I WONT ALLOW THIS and gets Merus to link their life force together

Or in “Call it what you want” when Goku’s laughing at Vegeta after 18 kisses him on the cheek as thanks for saving Marron (I’m still kind of 👉👈 proud of my characterisation of 18 here, I’ve been told it was spot on with the kakavegeness too)

12. Ah treasure fic is hard to choose. At this point I’m going to assume it’s referring to my fics.

Maybe Agent Oblivion because it literally is all my epics thrown together - identity mess, Goku and Vegeta slow burn, endless saving eachother, Vegeta fighting off Majin a second time and facing punishment for his crimes like the dignified royal prince he is and both him and Goku being all badass in THIS NEXT CHAPTER COMING 😆😆 and well it was written through as a way cope with a loss and tough point of my life. So yes. But I treasure all my fics to be honest because so much heart was involved

13. Think I accidentally answered this up there

14. Vegeta Goku, Goku Vegeta. I have a fondness for 18, Merus and relate to future trunks as a person for reasons

Since writing a 17 POV fic I have become more attached to him too

But favourite??? Without a doubt Vegeta and Goku

15. This is more chapter titles than story for me

Agent Oblivion (I feel that’s unique, you won’t find another like it)

The Defiant One

Scratching The Surface because it was from Scratch the cat’s POV about kakavege. I know I’m lame but it was a pun I couldn’t resist 🤣

16 does kakavege tag count? Otherwise slow burn

17. Teen and up, I always try to play safe and put M

18. All my fics have dry humour, and theme or something greater I am exploring through the characters, if you look for it. All of it

If you’re talking a smaller scale answer I insert an allusion to stardust in every fic because “we’re all made of star stuff” (Vegeta and Goku’s home planet has been reduced to stardust after all)

19. I think this so similar to many authors response - have fun

I stress out a lot over what I write and whether the jigsaw fits but It truly should be fun because it’s fic and what you love

20. This fic is not yet out (hunger games kakavege and healer vegeta!) so for now I’ll say “This space between us “ because it’s my realistic take on Goku and Vegetas relationship or Agent Oblivion which has been repeatedly told to me to be very unique not because of the identity mess but because every layer from the villain to the plot to the twists has been very different and good diff

This was told to me, I am not saying it of myself

But ask me again in a couple of months and I might say that Hunger games fic

Thanks for asking me @baby-buu-buu

[bigbrotherlouis]

the bag of chips scene from 'i ate you up the day we first spoke' for the director's cut meme!

whoohoo i actually loved writing this scene and i’m so glad someone asked about it yeeee

(director’s cut meme)

everything eases back into normal. tk picks nolan up for practice, because nolan’s car is inexplicably always out of gas, (this is true, i read an article about it somewhere) and ties nolan’s ties for him on game days, and follows him into his living room to eat all the good snacks nolan hides on increasingly higher shelves.

“how did you even get those?” he asks when he comes out of the washroom and finds travis eating illegal all-dressed his mom had sent down in his last care package. he’s pretty sure they were hidden, like, on top of the cupboards this time. he literally had to throw them up there. (food, when you move countries, is a really big deal. i always want to keep the mutlicultural aspect of a lot of hockey players in mind, because i was a young multicutural person in the united states, and home foods is usually a good way to do it. all-dressed are pretty distinctly canadian, and my cousin gets her parents to send them to her in california, so i borrowed that from her. also i liked the image of TK climbing on the counters to try and get at a bag of chips.)

tk shrugs and crams a handful of chips into his mouth. “smart thinking.”

“those are mine.”

“i don’t see you eating them,” tk says smugly and nolan thinks about it for precisely point two seconds before he launches himself at the sofa. (no thoughts, head empty)

it’s a familiar ritual, this one. tk cackles, going limp so he can noodle off the cushions onto the floor, the bag still clamped in his hand. he scrabbles backwards until he’s out of reach of nolan’s admittedly long arms.

“sucks to suck, babe,” he gloats, except nolan is not emphatically giving up, those are his chips, and he’s not going to let his idiot of a best friend eat them all. tk grunts when nolan lands on his lower half, hard, and pins down his legs so he can’t escape. he sits on tk’s knees and ignores the yelling. (travis “has never shut up once in his life” konecny strikes again)

“mine,” he says savagely, snatching the bag out of his hands. tk huffs, shoving at his legs.

“it’s rude— not to— share— fuck, patty, what are you doing in the gym?”

“some of us don’t skip leg day.”

“yeah, well, some of us aren’t built like a fuckin’ ox,” tk complains, as if he’s not just as in shape as nolan is. “i can’t even fuckin’ pinch you because you’re wearing jeans.”

“now who’s the smart think—  fuck!” (not you, pat. not tk either but still not you.) he shouts, flinching and rubbing at his side. that pinch is definitely going to bruise. tk uses it as a distraction to roll them, nolan’s shoulders thudding painfully against the floor, and straddles nolan’s stomach with his thighs. there’s another struggle but tk gets hold of nolan’s arms, pins them under his knees so nolan’s fists are at his sides. he’s effectively trapped. (too many nolans but what do you do when writing m/m. also this isn’t specific to this scene, but especially in hockey with all its nicknames, i like to write people’s internal narrative with whatever name they probably think of themselves as. that’s why nolan isn’t pat/patty here, and why tk is usually not travis)

“still me,” tk says, grinning at him with undisguised glee. he works the chips free and sits up, putting his weight just under nolan’s ribs so all the breath gets knocked out of him for a second.

“fucker,” nolan hisses, trying and failing to wriggle his way out. “what the fuck, teeks?”

“that’s what you get for not growing up with brothers, bro. gotta fight to survive. survival skills.”

“bud, you don’t even know. sisters have nails and they’re not fucking afraid to use them,” nolan says, his best murder glare in effect. he probably still has the scars in some places. (i know i do) tk snorts.

“sorry, i don’t see you scratching me here,” he says.  

“let me go and i’ll scratch you up real good,” he threatens and then his brain catches up with his mouth, his face going red as he realises what he’s maybe implied. “uh.”

tk doesn’t take the obvious chirp, just raises an eyebrow. there’s a considering look on his face, one that makes nolan want to squirm more and it settles somewhere down deep in his stomach. (so i wrote this scene because i needed a turn for both of them, relationship-wise. iirc, there’s been a few places where tk’s interest might be noticeable, but nothing super concrete for pat or for the reader. meanwhile, on tk’s side, he needed clear signals that pat’s into him before he tries to tell him again.)

“uh,” he says again because his brain is just fucking offline and his arms are still locked under travis’ legs and travis burns hot because nolan can feel it against his skin, through his t-shirt, and this is all going to get incredibly, incredibly awkward in about three seconds. (unfortunately, i love a good run-on sentence to build tension) he’s pretty sure popping a boner because a teammate is sitting on you is, like, not something you can get away with by laughing.

tk shifts, sitting up the tiniest bit, and reaches out the hand that’s not currently occupied with the fuckin’ chips— probably all crushed to hell now, anyway (foreshadowing!! also strategic last mention here so we know that tk is still holding them, and then they aren’t mentioned until the shoe drops for optimal dramatic effect) — and brushes his fingers against nolan’s cheek. he traces the blush from his cheekbone carefully down his neck, pausing to thumb at his jaw, and then bumps his fingers against his collar, where it disappears down into his shirt. (i really liked building the tension here. also this is fully just projection bc i would love to touch patty’s blush once in my life)

“you’re glowing, pat,” he says, so soft, and it makes nolan go redder. he glowers at a spot by tk’s ear, unwilling to look him in the face and see whatever is written there. (would tk actually tell nolan he’s glowing? probably not, but fictionally it gives the reader a good picture of what nolan looks like to someone else. i didn’t want to overuse red-- which didn’t quite feel like a strong enough word-- or blush, so glowing it was.) tk hooks his index into the collar and there’s a moment when nolan thinks he’s going to pull it down, see if his blush goes all the way down his chest— it does, if he’s embarrassed enough. it’s fucking terrible— and he turns his head away, dragging in a breath through his nose. he’s, like, so incredibly fucked that he can’t even think about it without going dizzy. (you’ll probably see this a lot if you look for it in my writing, but i like to add in a “like” or something similarly bro-ish when things get particularly emotionally fraught, to keep it more realistic. also i think it’s funny. anyway, i like the contrast of tk not being able to take his eyes away from something he wanted and nolan not being able to look at it. characterisation, wahey!) it’s better to just not look.

of course, it’s the exact opposite of what tk wants.

“hey,” he says. “look at me.”

nolan refuses, a muscle ticking in his jaw. (this is hot to me idc) tk lets go of his collar to pull on his hair instead, just a little tug of a piece by his ear, and nolan can’t quite bite back the punched-out sound that he lets out. (also hot.)

“look at me,” tk says again, an edge to his voice, and nolan does. tk won’t stop until he does, he knows that well enough. (another look at their dynamic and how well they know each other) he lifts his chin, just a tiny bit, because he’s not going to do anything without a fight. tk’s hand tightens in his hair and it keeps him in place, nailed— ha— to the floor. (i write for the people whose brains make inappropriate jokes at the wrong moments) he couldn’t move if he wanted to, watches helplessly as tk leans down.

the hope in his chest is so thick, nolan thinks it might actually smother him, stop his heart. he’s breathing fast and shallow, almost on the verge of panting, and jesus fuck, isn’t that embarrassing. he’s so desperate, he could squirm with it and he briefly remembers travis months ago, writhing on his very rug and how much nolan wanted to help. he can smell snow again, sharp in the back of his nose. (this does the double work of calling back to an earlier scene-- ya girl loves a good callback-- and also building the anticipation some more. the snow reference reminds the reader that this is still a werewolf au, even in the midst of this. also, once when i was like fifteen, i read something about how to write kisses/romance and it talked about picking one or two aspects of the kiss to focus on-- breathing, hands, the feeling of someone’s mouth, etc. i still use that advice.)

tk shifts his weight and nolan has enough time to think holy fuck, is this happening? before travis fucking konecny upends the bag of all dressed-flavoured crumbs all over his face. (OKAY a lot going on here! it’s one of my favourite moments, really. first of all, here’s the resolution of all the chips talk! sure, i could’ve just abandoned them, but the subverting of expectations was a lot more fun and the story still wasn’t quite ready for them to kiss yet. second, this is tk chickening out. he had two choices and he chose violence. or, like, the buddies option, which is amusing to me because this is not buddies, boys. finally, the full name was necessary to convey nolan’s disappointment and anger, as was the full description of the chips. nolan is upset, and he’s going to notice these things, and that shows up in his internal narrative.)

“got ‘em,” he crows over nolan’s sputtering, letting himself get bucked off onto the floor. nolan wipes furiously at his face, all his feelings a confusing mix of horny and angry and confused, all with the thick overtone of humiliation.

“you’re a fucking dick,” he says and it’s flat, but tk is gloating too much to care. (he’s not, he’s trying to cover, but nolan’s too embarrassed to realise)

“you should’ve seen your face, pat.”

nolan glares daggers at the carpet, the chips spread out everywhere. it’s going to be a bitch to clean up. tk had better help. (makes sure the punch landed, and to give a final resolution.)

he leans against the sofa and waits for tk to tire himself out, listening to the laughter and trying not to get too angry or, like, cry. his neck feels hot, prickling uneasily. he rubs at it with his hand, startles when tk kicks him gently in the ankle. (in order for tk to not come out of this looking like an asshole, i needed him to make up his obliviousness by being observant in other times. and in order for tk to notice patty being mad, i needed to give patty actions that could be noticed, like not laughing along with the joke)

“sorry if i made you mad,” tk says quietly, all the giggles finally worked out of him. “you looked tense (no shit bud) and i thought it would make you laugh.”

it’s not tk’s fault nolan thought he was gonna, like, kiss him. (”like” again, to break up a too-honest moment) it was a dick move but tk doesn't have a cruel bone in his body, so: “it’s fine,” he mumbles and shrugs his shoulder. “it was funny.”

tk preens for a second. “i know.”

“you owe me a bag now.”

“i’ll buy you a family-sized pack. i’m sure they’ll ship it down here, amazon or ups or somethin’.” (patty’s attempting to be normal and tk is attempting to make amends.)

nolan nods and scratches at his face, tipping his head against the couch cushions. (little motions like him scratching his face aren’t super necessary for like plot or development, but it helps humanize characters and i like to add them in whenever i can, as long as it’s not overkill. they can also be helpful in pointing to emotional state without directly saying it.) it’s quiet for a few seconds, just the sound of them breathing heavier than usual, and it would be so normal. should be normal, by all counts, but nolan still kind of wants to crawl into a hole for while. wants to push tk out of the apartment and eat ice cream and google ‘how to stop a crush,’ like his sisters used to do when they were upset. he’s already googled it, a few days ago, and there was nothing but maybe someone’s offered good advice since then. (people make an impact on you, and family even more so, and i always like reminders of how close nolan seems to be with his sisters. also, it’s funny.)

tk flicks him on the wrist. (this is something that tk does consistently through the story, and even though it’s not super important to this scene, it establishes a behaviour in the larger story. that’s important too!)

“pat,” he says and it sounds it’s not the first time. nolan blinks.

“yeah?”

“i just asked you if you were hungry.”

“oh. uh. no, not really,” he answers truthfully. tk wrinkles his nose.

“do you, like, have anything in your fridge to eat?”

“mm, probably not.”

“typical,” tk mutters under his breath, as if he ever has anything regularly stocked besides protein powder and bacon. (protein rich foods that are easy to eat after a full moon, or after a workout) at least nolan has eggs pretty consistently. (also a protein rich food that’s less easy to eat after a full moon, but are easy to make when you aren’t a werewolf) “wanna go get sushi?”

nolan thinks about it. shoves his sweaty hair behind his ear and considers going out to their favourite place and pretending he’s not still fucking mortified. and, like, a little turned on. it makes him nauseous. (i get such physical reactions to emotional things that i write everyone into having them) 

“no,” he says. he’s not facing tk but he can still see him deflate, his shoulders hunching over. “i don’t— no.”

“okay. that’s… okay.”

“i think i’m getting a migraine,” lies nolan. “think i’m just gonna lay down.”

“do you need me to stay with you? keep you company?”

nolan’s shaking his head before tk even finishes the thought. “no, trav. i’m fine, i promise.” (the trav here works as a signal that something isn’t right! it’s why tk looks at him for so long in the next line.)

tk studies him for a long minute, his eyes searching the side of patty’s face presented to him. nolan keeps his expression as blank as possible and stares hard at his feet.

“text me if you need anything,” he says finally, the words coming out slow and gentle. it’s a lot to handle. “i’ll come back.”

“i know. i will.” he won’t, but that’s not for tk to know. he doesn’t move when tk goes out the door, squeezes his eyes shut when the door doesn’t slam into its frame, (tk’s taking care of him, still!) and decides to leave the pile of crumbs to deal with later. (the climax of this scene happened a while ago so this is another little reminder of what happened, just so it’s solidified in the reader’s head after the longish comedown. i end scenes a LOT like this-- two actions, and then a callback-- because they’re simple and effective, and usually sound great!)  /fin

ahh thank you so much for asking!! this was really fun to, like, process through and remember my logic for! i was actually really nervous writing this scene, because i knew the tension and the break had to be PERFECT for it to land right. but i do like how it turned out so at least there’s that. ily!!

[radramblog]

Top 5 Games, ever...?

This was sort of on my mind, considering the recent GOTY post I made. Come explore the hyperfixations that managed to stick around long enough to be my top 5 list. 

5. Uhhhhhh

So turns out I haven’t figured out what number 5 is yet. I suppose instead I’ve got to split it among the honourable mentions, huh.

Kirby Super Star Ultra is probably the best game from the GBA/DS era of the series and is just a blast to play. It introduced Masked Dedede, and all the banging music and memes that come with it, and probably deserves a spot here just for that.

The Binding of Isaac: Rebirth removes all the awkward Flash Stuff from the excellent original, and adds so, so much more content- the game’s final expansion still isn’t out yet as of writing but even now there’s just so much to unlock. While some aspects of the game can be pretty unforgiving, you probably aren’t going to be exposed to the worst of it unless you get into it pretty hardcore, and if you do, you’ll get used to it. It’s a roguelike, after all.

Speaking of roguelikes, FTL: Faster than Light is chaotic yet serene, brutal but fair, and a bunch of other pretentious dichotomies wrapped into a neat little bow. It takes some getting used to the mechanics, but once you get the hang of it, building your little ship up and up in the face of all odds is extremely satisfying. Have fun dying hopefully not too many times.

SPEAKING of permadeath, Realm of the Mad God gets a spot here just out of sheer hours I’ve spent with it. After a messy few years with a not-so-great owner lead me to dropping the game, it seems finally to have recovered and has devs and community that actually freaking care about it, which is nice. Also, it’s free, and the recent transition to unity has the game looking better and playing smoother than 12-year-old me could ever have dreamed of.

Terraria isn’t just 2D Minecraft btw, its actually more of an RPG/Metroidvania thing, you probably know at this point, but its pretty good hey. Still haven’t fully dove into 1.4 but considering I thought Red was done at 1.1 I’m not complaining with what I have played.

 4. Fallout: New Vegas

(...ish??)

I’d argue that between the primitiveness of the original Fallout games (I’ve tried to get into them, but I just can’t) and how…meh… the other Bethesda ones are, New Vegas is the only one in the series to stand up strong. Obsidian’s excellent writing and tweaks to the gameplay of 3 make New Vegas feel like an actual world, rich and characterised, which was something I found lacking in previous open-world RPGs I’d played up until that point (which admittedly might just have been Skyrim). It’s a game that challenges you to make choices that actually matter for more than the mere moments of an altered dialogue tree, both in dialogue and character building, which helps make the game actually replayable. It is also the first game in a long time that really sold the idea of DLC on me, seeing as each of the game’s 4 expansions adds an entire new region of world with its own stories and unique gameplay, tying together with the main plot but standing on their own. I am excluding Gun Runner’s Arsenal from this for obvious reasons, though it isn’t like GRA is a bad DLC or anything- on the contrary, the sheer scope of modifications and munitions makes playing a repair/science-based character incredibly fulfilling- but it just isn’t at the same scope as the other 4 (Courier’s stash barely counts seeing as its just oops! All preorder bonuses).

New Vegas is one of the few games I have actually 100% completed, achievements and all, but I’m still pretty sure there are bits I’ve missed, paths I haven’t taken, characters I haven’t talked to. Despite its inhospitability, the Mojave is always a comfortable place to return to.

 3. VA-11 Hall-A

(Hey look, my phone background)

Vallhalla is a masterclass in storytelling, atmosphere, and aesthetic. Like all good cyberpunk dystopias, you get themes of class and transhumanism and artificial intelligence, but they aren’t the point of Vallhalla. Through the window and lens of cyberpunk and PC98 nostalgia is focussed a surprisingly human story centred around the protagonist, Jill, which through multiple replays still hits me in the feels just so. Of course, Jill’s story is not the only one being discussed, as every single patron of the bar has their own life going on, and the glimpses we get imply a rich, often interconnected, world. Glitch City is, frankly, a shithole, and it’s not like you don’t get some assholes coming into the bar while you’re working it. The first patron you serve, in fact, is a great example of this- Donovan D. Dawson, essentially a parody of J. Jonah Jameson, is a colossal prick and knows it- but its clear he has his own system of morals and it is mentioned that he’s excellent at his job, much as he gripes about it. He’s rude and more than a little sexist, but frustratingly charismatic and authoritative, and he’s just one of many people who show up throughout the game. Vallhalla is the perfect game to sit down, grab your preferred beverage, and just relax with.

 2. Total Annihilation

(This image is on the steam page for this one, despite blatantly not being from vanilla TA)

I think I actually need to explain this one. Total Annihilation was a game released in 1997 made largely by Chuck Taylor, who would later go on to produce spiritual successor Supreme Commander. It’s an RTS game featuring exclusively robotic units with a fairly chunky aesthetic, allowing the visuals to age better than some, and a fully orchestrated soundtrack by Jeremy Soule, who would later go on to do work on a whole bunch of stuff, most notably Skyrim.

Total Annihilation is an intensely nostalgic game for me, being one of the first games I ever got to play as a kid outside of edutainment stuff, and I’d argue still holds up today (especially with the excellent Escalation mod). What it lacks in story (it’s pretty basic, but functional) it makes up for being miles ahead of its time mechanically, being the first (?) RTS to function in 3 dimensions- heights of things actually matter, hills exist and certain units climb them better than others, shooting down airplanes is difficult without anti-air but possible if you aim *just* right. While appearing pretty similar and having largely analogous units, the two factions of Arm and Core are well fleshed-out in terms of aesthetic and playstyle- Arm preferring fast and cheap equivalents to Core’s slow but powerful- and the unit variety is sufficient that strategies can vary wildly based on the map. Both campaigns as well as those from the game’s expansions are challenging, but satisfying, limiting the units you can produce to force exploration of different playstyles.

Total Annihilation isn’t something I tend to binge play for hours anymore, but I’ll pick it up for a bit every so often, and I don’t see that stopping for a long time (especially due to the recent steam release).

 1. Pokémon Emerald

(At the top, where it belongs)

Yeah, this was inevitable. Pokémon is my favourite series ever; Emerald is my favourite in the series. Go figure.

Emerald, being the final game for the franchise’s days on the Game Boy, reflects everything Game Freak had learned in the first 3 generations of the series’ history. The game’s balance is challenging but fair, never spiking so tough that it is insurmountable but never holding your hand either. The AI opponents are throwing odd combinations of mons and moves at you from every corner, double battles are everywhere but rarely mandatory, and the variety of available mon both before and during the postgame is excellent. The added features on top of Ruby and Sapphire are great- Battle Tents serve to replace 3 of the contest halls (they should have all been under one roof to begin with) and provide a taste of what would later be available in the Battle Frontier. The Frontier is probably the single most expansive and challenging postgame in any Pokémon game, providing the game with a longevity that is sorely needed due to the inaccessibility of Pre-DS multiplayer. The game also manages to tie together the plot of both Ruby and Sapphire into something that feels natural, and provides the series’ first ever actual cutscene, which felt a lot cooler at the time than it sounds now. The return of animated sprites gives the Pokémon a level of life far beyond the static sprites of RSFRLG, and in my eyes wouldn’t feel the same until Black and White several years later. The return of the Pokégear phone in the form of Match Call, as irritating as it is to some, makes the world feel alive in a way that Sinnoh and Kanto probably never will, in addition to making grinding a fair bit less tedious and more beneficial. It is, altogether, probably the perfect Pokémon experience, and in my opinion only one other game comes close (its Platinum).

Oh also, they got rid of the font from Ruby and Sapphire, thank fuck, that shit is atrocious.

[firesign23]

For the writer meme! 😏- your most risky line😢- a line that made you cry

😏- your most risky line

I always presume this is meant to be risque, in which case... you know even my smut isn’t even close, right? LIke I was all “There must be something in the threesome fic, or the spanking ficlet, or...” and yet...

Closest I probably have is a risky risque for characterisation reasons bit of the infamous yonder table sex I will make room for if I have to:

“Good,” he murmurs, catching the lobe of her ear between his teeth. “Move the damned papers.”

Gooseflesh breaks out in the wake of his words, in the firm certainty they carry. She neatly stacks the letters before her as his mouth teases her mercilessly, her ear, then the hidden spot behind it, the nape of her neck; she moves quicker, hoping the ink does not smudge, and shoves the pile onto the second chair before standing and turning to face him. He’s close, close enough she can see the darkness of his eyes, the tiniest glimpse of teeth as his mouth parts, close enough she can feel it, kindling for a fire.

“Unlace your breeches, but keep them up,” he commands--a practicality, she knows, but there’s something in his eyes… reverence, always, but also a man who knows what he wants. 

Her fingers quickly loosen the knot as he watches, and when she’s done his arm moves to her hip and encourages her to turn so his body is flush against her back, his hand tugging at her ties of her shirt, exposing her breasts to the chill air, pressing kisses against the muscles of her back as he slides it off.

“Bend over,” he says. “Stretch those lovely long arms of yours and hold on to the edge of the table.” She hesitates for a moment, and his breath is at her ear once more. “We don’t have to. I want to be deep inside you, but there are other ways.” And gods, there’s this growl in his voice that’s echoed in her clenching cunt and she does it, the wooden smoothed by years of use. “Comfortable?” He’s kissing her spine, his hand at her ribs, and she’s distracted, wanting to arch into him but he’s behind her and so her instincts of pleasure are warring with what will give her contact. She nods. “Tell me if you’re not.”

😢- a line that made you cry

Oh my god, when I was writing When I Sorrow Most (which I usually call the Kill the Jack-man fic because that was what my brain actually supplied, aka the lesser known time I killed Jack Robinson), I think I teared up about three paragraphs in and didn’t stop until I posted the damn thing. Rereading it now, I think this was my favourite bit though

“We were going to get married,” she says.

“No you weren’t.”

Phryne smiles despite herself. “No. We were having too much fun with the alternative. But we could have. We were supposed to have time.”

Writer Ask Game

[kieren-fucking-walker]

Hello! I’m excited to do this as I don’t rec much, reccing things terrifies me because I hate feeling like I’m picking/playing favourites and leaving people out, and I also am just generally bad at picking my favourites of anything because I like too many things too much. I also am very bad at bookmarking, keeping track of fics I read, and generally being able to recall the names of fics to be able to rec them. So, with all that in mind I thought I’d start with something easy, on the understanding that this isn’t by any means an exhaustive list and I’d be more comfortable with this being “ten fics I like” rather than a top ten because there are far far too many fics I love in this fandom to ever do a list of favourites. So, in no particular order: 

Ten fics under ten thousand words (that I love):

Hypocrite by Lynds [@gold-from-straw​] - Rating: G, WC: 1.6k, Pairing: N/A

Summary: How can Todd possibly expect to be forgiven if he still can't forgive everyone who hurt him? Why I love it: This is one of my favourite explorations of a very specific part of Todd’s character, and it’s worth noting that the characteristics are spot on. I come back to this fic over and over again, and while in many ways it’s painful it’s also real and honest and just a beautiful bit of writing concerning Todd and his guilt.

Dork Greatly's Holistic Laundry Service by obscureenthusiast -  Rating: G, WC: 2.8k, Pairing: Brotzly (kind of)

Summary: Dirk very generously offers to help Todd with his household chores... an offer which Todd eventually takes him up on. The laundry gets a little out of hand when Todd remembers a game he and Amanda used to play and Dirk enthusiastically joins.

Why I love it: Cute!! It’s cute silly fun of these two bonding over laundry and sock puppets, gentle ribbing and acting like children. It gets even better when Farah joins in, I’m a sucker for those three being dorks together. 

My Mind Is My Own Worst Enemy; It Keeps Trying To Convince Me That You Are by DontOffendTheBees [@dont-offend-the-bees​​​]  -  Rating: T, WC: 1.6k, Pairing: Brotzly

Summary: His voice is so familiar and yet also just so… wrong. There’s something missing in it. Some vital aspect of Todd that Dirk didn’t even notice until it was gone.

Why I love it: ANGST! This appeals to every single one of my angst tendencies, and as I’m using this rec list to rec things I love I have to give a shoutout to the most wonderfully angsty fic I’ve read. I love this fic. I love the premise, I love the tension, I love the way it’s written, I love how awful the situation is. I love the way this fic is resolved, I love that it’s plausible, realistic in that. It’s incredibly emotional in all the worst ways and that makes it one of my favourite short fics ever.

Cut To The Feeling by zaphodthebb -  Rating: G, WC: 2.1k, Pairing: Brotzly 

Summary: Post Blackwing rescue, Todd is awake and on guard duty. He's had too much coffee. Also, Dirk can't sleep.

Why I love it: I’m such a sucker for post-big-things fic and this one nails the feeling perfectly. You can feel the exhaustion, the way smaller things they didn’t have time to worry about before catching up to them now they can stop for a moment. Both Dirk and Todd feel tired and real and it’s just a lovely read. 

split the secret up by piggy09 [@sharkodactyl] -  Rating: T, WC: 5.1k, Pairing: N/A

Summary: He asks if Dirk can hear it and Dirk just laughs, the sound reassuringly human.Well, not reassuringly. Reassuringly would mean Todd had to be reassured.It’s just – it sounds human. Which is good. Because Dirk is human. Definitely

Why I love it: Why don’t I love it? The idea of the Blackwing subjects being Eldritch in some way is a concept I’ve explored numerous times because it appeals to me so much, and if it appeals to you then you want to read this fic. It’s eerie and unsettling, the ability to hit the tone of not-quite-right is perfect, the pacing is astounding and it’s so hard to write a fic like this and keep the idea together as well as it’s done here. I love experimental styles of writing and when they turn out like this it’s not hard to see why. I love this fic a lot. (I would also recommend reading on desktop not mobile because the formatting of this fic adds so much to it!)

Catharsis by ben8615  -  Rating: T, WC: 1.3k, Pairing: Brotzly

Summary: Dirk is broken as heck, so why not have him cry it out? That's it. That's the whole story. You can all go home now.

Why I love it: The title and summary say it all really! This is such a lovely little fic about Dirk getting some catharsis in a way we all know he desperately needs, and paired with Todd taking care of him so gently? It’s such a perfect, wonderful little fic that just feels quiet and safe and wonderful.

objects in mirror may be closer than they appear by sharlook [@aceabed]  -  Rating: T, WC: 8.8k, Pairing: Brotzly

Summary: You’re alone, with your arms wrapped tight around a pillow at god knows what time in the night, and there are tears running down your face because you can’t seem to stop thinking about it, not even in your dreams. And then clutching your covers you get an idea. (In which Dirk has nightmares about Blackwing, goes to Todd for help, and is really, really, really in love.)

Why I love it: This fic aches in such a beautiful way. It doesn’t shy away from the ramifications of what Dirk went through and how that plays out for him, his fears and paranoias feel real and present in a way I really appreciate. The choice to use second person is a really good one, it’s a tricky pov to pull off but this definitely gets it right and is better for it. The development of Dirk and Todd’s relationship, particularly looking at Todd’s reactions to Dirk’s worries through Dirk’s eyes is just wonderful and it’s well worth a read. 

Those Grey Days by TheRoyalPrussianArmy [@theroyalprussianarmy​]  -  Rating: G, WC: 2.4k, Pairing: Brotzly

Summary: The bad days weren't always days. They could creep up, like some small, silent predator and deliver a swift bite that poisoned its victim's outlook. A blue sky could turn into grey one heartbeat after a laugh. The gentle sound of the wind in the trees would suddenly become overwhelmingly irritating. Even so much as a door closing or footsteps across the floor could lead to a strong desire to cry and scream, to rage and throw things. They would always pass, of course, but in the moment they were devastating.

Why I love it: We all know I love a good Todd characterisation, and I love a good exploration of the shitty realities of bad mental health and letting other people help you with that. I really really love this fic for both of those reasons, it’s unflinching without being gratuitous, and I really love the way it doesn’t promise sudden miraculous recovery at the hands of someone else, but ends on a gentler kind of promise of having people be there for you if you let them be. Also I’m a huge fan of the way this is written, it reads so nicely and it’s more than worth it. 

Light Work by  juniper_and_lamplight  [@juniper-and-lamplight​​​​]  -  Rating: T, WC: 2.8k, Pairing: Farina

Summary: Tina had, with her typical blunt insight, poked at Farah’s motivations for baking the cake herself. “Is it some kind of control-freaky thing? Like you can’t trust anyone else to get it right?” And while Farah couldn’t honestly say no to that question, her real motivation ran deeper.

Why I love it: This fic is wonderful. I always think we need more Farah insights, and this fic does just that in such a beautiful way, catching on her idiosyncrasies and the character building is to die for. It’s such a simple idea and yet the story itself manages to be rich and full, the imagery is simply gorgeous and every little snippet of a look into Farah’s life as it was in the past and is right now just delights me. Honestly this fic will leave you with a sweet, warm feeling all the way down to your toes and dwelling in the comfort of knowing Farah is loved by herself and others in all the ways she deserves.

or make a home by reptilianraven [@actualbird​​]  -  Rating: T, WC: 6.6k, Pairing: Brotzly

Summary: “Perhaps,” Dirk says in his best ‘yes, I’m bullshitting you, but I’m your boyfriend and you love me still’ voice. “The universe wants it this way.”“The universe wants you to always forget to put the cap back on the toothpaste,” Todd says, unimpressed, screwing the cap on himself.-Or Todd’s adventures in dating Dirk Gently, the mundanities of which unsurprisingly turning out to not be very mundane at all (featuring, among other things: intergalactic wormholes, regular periods of lying down on the floor, and several annoying habits that concern toothpaste and toothbrushes.)

Why I love it: You know those fics you read that make you want to throw your face into a pillow and scream with emotions? Yeah. This fic is so ridiculously good. The beauty of mundane daily rituals that make up part of a relationship! The way those things grow together, evolving into each others spaces and lives, this fic explores that so well. The portrayal of their relationship is so soft and tender, so happy and bright and silly and sad and everything a relationship should be. Honestly I can’t overstate enough how much I love this fic, I can’t go on and on here, but I’m about 99% sure this fic invented love-in-small-spaces kinda way. Also, sidetracking from all my other comments, if you like Mika’s song Tiny Love and the reprise of it then you’ll love this fic because I listened to it and immediately thought of it. Beautiful, emotional, fic. If this fic was a blanket I’d burrito myself in it and never leave. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

There we go! I obviously have far more than ten fics that fall into this category and hopefully more of them will be cropping up over the course of this week if I can find the time to make that happen, but as this is something I’m lowkey scared of doing I’m pleased enough to have this much! Thank you so much to @dghdafeedbackfest​ for organising this!

If you read any of these fics and like them please let the author know! Also check out some of their other stuff, because a lot of these authors are writers I love in general! 

[britesparc]

Weekend Top Ten #399

Top Ten Skeletons

It’s Halloween! Wooooooo! Spooky noises! Pretend cobwebs! Too many sweets! Bwahahahaha!

Anyway, now that’s out of the way, on with the list. Dead simple this weekend. Basically, coz it’s Halloween next week, I wanted to do something vaguely ghoulish. And what could be more ghoulish than a skeleton? It’s like a skinnier version of you without all the juices or wobbly bits.

Are skeletons scary? I guess if you saw one ambulating its way towards you then yes, yes they are. But they don’t quite hit the gory heights of zombies, ghosts, or demons when it comes to putting the willies up people (also, technically, none of them even have willies). You can cover them with blood, pus, and bits of rotten flesh, but the more you do then the blurrier the line becomes between zombie and skeleton. It’s for this reason that I’ve excluded the likes of the Cryptkeeper, or Iron Maiden’s Eddie; for me, they’re both too raggedy of skin to be classed as a straight-up skellington.

I take this stuff very seriously.

So, what we have here is a list of ten bone-bags, minus any soppy organs (okay, technically, a few of them appear to have eyes). They run the gamut from sublime to ridiculous, from scary to, well, children’s preschool picture books. They are my favourite set of stiffs, out and about without their wet bits.

Enjoy – if you dare!

Jack Skellington (The Nightmare Before Christmas, 1993): I mean, come on; if we’re talking about skeletons at Halloween we have to talk about the Pumpkin King. He’s literally royalty. Delightfully skinny and bony, he’s a tortured, poetic soul who loves to bring joy and also make you wee yourself a bit. Has a ghost dog. Can take off his head to recite Shakespearean quotation. And marks a disturbing trend of skeletons with faces that look, well, like a normal head with a skull painted on.

Big Skeleton, Little Skeleton, and Dog Skeleton (Funnybones, Janet & Allan Ahlberg, 1980): cheating a bit by including three characters – and already we’re onto our second dead dog mention – but these two dudes and their hound (are they father and son? Brothers? Lovers?) know how to party. They live (or, well – anyway…) to scare, and if they can’t find anyone down a dark, dark street or some dark, dark stairs, they’ll just straight up scare each other. No messing.

Manuel Calavera (Grim Fandango, 1998): our second dubious skull-face, but at least Manny has the excuse that he’s all Día de Muertos-ed up. A wonderfully multifaceted character – part hero, part patsy, sometime Grim Reaper – in a delightfully art deco vision of the afterlife, he’s a joy to inhabit and spend some time with.

Skeleton (SuperTed, 1982): I’m not sure if Skeleton was a fixture in the original SuperTed books, but regardless, he just couldn’t be the same without Melvyn Hayes’ voice work (apologies to the original Welsh actor). Partly it’s the delightfully bonkers premise that appeals – for some reason this teddy bear has, for his villains, a literal cowboy, a fat explorer, and, well, the campest skeleton in all of fiction – but, regardless, Skeleton (for that is he) is a delight, from his shiny round head to his bright pink slippers.

The Children of the Hydra’s Teeth (Jason and the Argonauts, 1963): long before dinosaurs broke from their paddocks, spaceships blew up the White House, or Marvel decided to cast middle-aged men as twenty-year-olds, the most impressive special effect was Ray Harryhausen’s sublime, wonderful, joyous depiction of an army of skeletons rising from the ground to fight real-life human actors. A simply stunning feat of stop-motion, the skeletons imbued with exquisite characterisation, and the choreography just spot-on. Really quite creepy when you’re a kid, too.

Murray the Invincible Demonic Skull (The Curse of Money Island, 1997): our second LucasArts adventure game character, and another one that I guess is technically a cheat. Because Murray is literally just a skull. Does that count as a skeleton? Well it’s certainly a bit of a skeleton, so I’m allowing it. Because Murray is very funny: one part vengeful demonic undead pirate, one part grumpy doorstop. You can pick him up and carry him about! He talks to you! He’s so cool.

Archie the Skeleton (Scotch commercials, 1980s): This is the way it’s going to be, with Scotch’s lifetime guarantee… he’s a well-to-do skeleton with a collar and tie (and slippers again, if I remember rightly) who just wants to tell you about how long Scotch VHS tapes will last. A staple of ‘80s adverts, with a nice design and voice, and it was always good fun to watch stop-motion animation during an ad break. Re-record not fade away, re-record not fade away…

T-800 (The Terminator, 1984): whilst we all obviously think of the Terminator as Arnold Schwarzenegger, I’m raising a glass here to what’s on the inside. The moment when that mechanical endoskeleton emerges from the burning truck, striding through the fire, is simply terrifying, revealing for the first time the inhuman monstrosity that pursues our heroes. It’s vaguely human-shaped in its orientation, but also unquestionably mechanical, with servos and pistons and its glowing red eyes. All capped off, creepily enough, with human teeth. It’s a movie monster, and despite being made of metal, it still counts as a skeleton, so there.

Héctor Rivera (Coco, 2017): one of those characters who starts out like a scoundrel but reveals a heart of gold, Héctor is a great Pixar creation, lovingly brought to vocal life by Gael García Bernal, which is ironic coz he’s dead. Comic relief, guide to a strange new world, best friend-slash-big brother to main character Miguel, Héctor reveals tragic hidden depths as his backstory is uncovered, becoming a hero and inspiring one of the biggest tear-jerking moments in Pixar history (which, let’s face it, is really saying something).

Bones (Quake III Arena, 1999): sometimes in this list I’ve picked characters who generate a real emotional connection, like Manny or Héctor. Sometimes I’ve picked ones who cast visceral, terrifying imagery, like the Terminator or the Hydra’s Teeth. But sometimes you just want to look at a skeleton running round with a bloody big rocket launcher, leaping through the air and shooting dudes in the face. Bones was always a great character to see in Quake III because, well, he’s just a skeleton. Nowt fancy about him. I don’t remember his backstory, such as it was. I don’t remember if there was any tactical advantage to playing as him, if his hit box was smaller or anything. He’s just, well, a skeleton. Running around. Shooting people. And sometimes that’s all you want.

So. That’s it. Oh yeah – no Skeletor. That should be obvious; he’s not a skeleton. He’s got a skull face, but the rest of his body is totally ripped (and blue, natch). He’s just some dude who is alive but who’s got a skull for a face. I mean, yeah, sure, that’s pretty badass, but he’s most clearly not a skeleton.

Also: Death. I had Death on the list for a long time, but really the fact that he’s more of a metaphysical concept than a character dissuaded me (I’ve not read enough Discworld to specifically call out that iteration, for instance). But, for what it’s worth, as simple imagery goes, I do love a skeletal Grim Reaper, especially if he’s allowed some kind of characterisation that runs counter to his appearance.

Anyway, happy Halloween! Cue the music! “This is Halloween, this is Halloween…”