#also worth noting that a lot of the concepts are actually inspired by the movie ‘Birdbox’

[camping-with-monsters]

So I’m actually developing another original story besides Bliss which I’m calling “Duck Duck Goose”. It revolves around fairy tales, but more specifically around the nature of “Grimm Fairy Tales”, partnered with their original absurd or violent natures.

Here’s our protagonist:

Einin, a pregnant woman presumably somewhere in her mid-twenties, is on the constant run from a giant creature known as the “Mother Goose”, who bares a grueling and unsatisfiable appetite. With it’s most favored source of sustenance being naive individuals currently conceiving, Einin’s current status of pregnancy has made her target to this monster. It chases her down relentlessly, and all that Einin can do is find ways to divert it in any way possible in the hopes that she can give her growing body a well-needed rest.

With a scent so strong, the Goose is always bound to find her. The only source of constant socialization is her bright yellow umbrella, to whom she refers to as “Ducky” as if it’s its own entity. All of the escaping she does usually wears her down, and has driven her to the point of talking to the umbrella— and claiming that it talks back. Everyone in their right mind knows it’s nothing more than an object. But with Einin’s emphasis on wanting to protect the seemingly important umbrella, it makes one consider her motives as to why she’s dead set on always having it where she can see it. Perhaps it’s a comfort item? But it can’t be that easy, right?

In her consistent attempts to stray as to hopefully one day lose the Mother Goose’s reign, being that staying in a single place for long usually means the Goose will continue to come back, she occasionally meets with other peculiar individuals: A girl cloaked in a red hood who mounts the back of a giant wolf, two bounty hunter siblings apparently made of candy, a mysterious man of many fables and stories passed around about his grand accomplishments, and so on. She’s not sure of dubbing any of these encounters as “friends”, though. Not that she doesn’t want to, but circumstances have made staying in one place and creating meaningful bonds a task too dangerous for her own good. Usually, she has to run from them, too.

Oh, and if you’re wondering, this is the Mother Goose!

[prettyoddfever]

an overview of the Panic guys' personal style in the pre-split years

I realized that if you're looking at a bunch of pre-split pictures jumbled together today then you might miss out on noticing some of the changes that we saw happen over time back then. So here's an overview...

2005

In the early Fever era the guys all dressed up onstage and then wore casual clothes offstage when they could. They talked a lot about how they were putting on a show. There were many factors determining whether it was practical for them to change out of their outfits after a show in this season since they were an opening band in a van, but the point remains that their onstage style was different from their normal personal style:

It's worth noting that from the beginning Ryan was the most likely to incorporate pieces of his onstage wardrobe into his street wardrobe (like his pinstripe pants). Ryan & Brendon both wore their stage clothes to greet fans sometimes, but Ryan was a bit more likely to keep his dress clothes on before/after a show.

EARLY 2006

The same idea continued. Ryan wore a lot of waistcoats & sleeve garters and also talked about his interest in old-fashioned costumes from period movies.

SPRING HEADLINING TOUR:

SUMMER 2006

This separation between their street & stage clothes only grew stronger for the band's first national headlining tour. They started wearing stage makeup and had actual coordinating custom costumes complete with an outfit change during intermission. Once they were offstage, they went right back to their normal style (when possible). Ryan usually tried to wipe off the main concept of his makeup before greeting fans on his way to the bus, and Brendon would perform in his street clothes with the opening bands while he was out of character. They were performers putting on a show and there was a clear separation:

Ryan told Kerrang in summer 2006:

“I’m kind of an introverted person. I keep to myself a lot. It’s part of the reason I dress how I dress onstage. I’ll wear makeup to put on a costume so I feel like I’m not so much myself as I am a storyteller or an actor. It definitely helps my confidence.”

Side note: Jon was pretty much the same guy the whole way through. He was willing to wear something nicer onstage for the sake of the band’s image in 2006, but various comments he made sounded like his goals for a stage outfit were just to be as comfortable as possible and still feel like himself. He often chose to wear his own plain blue or black dress shirts even though he did have ornate custom shirts made for him with the rest of the band's summer costumes. Jon also did not appreciate makeup lol. So whatever he wore onstage in the last half of the Fever era after joining the band is mostly a reflection of him being a great team player.

AUGUST 2006

The theme of their stage outfits changed for the European shows in August 2006, but the same idea continued where the band wore their different real-life styles offstage. Notice how Ryan wore his grey blazer onstage at Leeds:

The band had some time off in September 2006. Ryan told MTV that “We’ve all been a bit more creative lately. I know as far as I’m concerned, I’m getting really excited about writing, and I’m taking guitar and vocal lessons. We’re all just doing our homework for this. We’re going to keep writing on the road... I’ve been studying people — a homeless guy in Scotland, a blind accordion player in London — and they’ve inspired the lyrics I’ve been writing. And so in that regard, I guess you could say it’s going to be a bit of a concept record, because it’s based on an idea. It’s taking place in a mixed reality, in a place that’s not real... It’s going to be more of a modern fairy tale.”

In fall 2006 Ryan was mentally shifting towards the next album.

EARLY OCTOBER IN AUSTRALIA

The band resumed touring in October in Australia, where Ryan lost the rose vest and had to face a sudden change in his stage outfits. Here's a general overview of the onstage/offstage clothes:

OCTOBER IN EUROPE

Ryan had bought a jacket in Australia... notice how he started to increasingly merge his onstage & offstage clothes this fall:

NOVEMBER – DECEMBER 2006

Ryan's offstage style during the NRWC tour had a common vibe going on, regardless of whether or not the band had dressed for promotional appearances earlier in the day. Brendon, Spencer, and Jon still favored their usual casual vibe when they could get away with it.

Ryan's NRWC costume was the closest to his personal style (he'd take off the jacket towards the middle of the show for his costume change but the jacket was definitely there onstage). The last part of 2006 felt like Ryan was starting to want something different from being in a band, or at least no longer needed an actual costume while performing. (I know this fall was a tough season for Ryan, but the point is that maybe he didn’t need to rely on elaborate makeup & costumes or hide behind those in the same way that he used to). His makeup designs in October were sometimes pretty simple. Then his makeup during the NRWC tour still involved some very cool designs, but others weren't as dramatic as the summer tour or August. Meanwhile, Spencer had started doing his own makeup regularly in October and Brendon really stepped it up for the NRWC season too. Basically, it was noticeable in late 2006 that Brendon and Spencer seemed to still want a clear divide between their stage outfits/personas versus their real-life casual selves, while Ryan was blurring the lines.

THE FIRST HALF-ish OF 2007

The guys were still figuring out what direction they wanted to go in with their music during the first half of 2007.

Brendon wore his casual tshirts & jeans offstage and then gravitated towards a white shirt with a jacket and/or black tie when he was onstage (with the exception of the casual acoustic performance with Mark Hoppus).

Ryan carried over some elements from the Fever era to the band's first show of 2007:

He wore a few tshirts and random pieces in early 2007 offstage. But he really gravitated towards his black vest with a white shirt:

The point is that Ryan seemed to prefer to wear the same style clothing both onstage and offstage.

Spencer and Jon wore their casual stuff offstage and then wore button-down shirts when they were doing a show:

AUGUST – SEPTEMBER 2007

We'd noticed that once Ryan found a new direction, he threw himself into it 100% and didn't look back.

It was clear to me that the band had found their new direction for the second album when I saw Ryan's clearly-defined style start around August. His hair was no longer straight. He still used his black vest at first, but this whole vibe was so different:

And again, Ryan dressed in a similar style both onstage & offstage. His style at the gifting suites at the VMAs in Vegas + the VMA rehearsal was more casual, though:

Meanwhile, Brendon wore these 4 button-down shirts onstage & for some band-related stuff:

and then returned to his normal casual style offstage when he was able:

Nothing really changed for Jon, except he got a bit more casual even onstage & on some red carpets. Spencer still had his black shirt:

LATE 2007 + EARLY JANUARY 2008

Again, Ryan continued his new style while working on Pretty. Odd. in the studio. The other guys dressed more casually... and Spencer now had a bonus black shirt. Brendon's red button-down was worn for a couple performances.

Side tangent... so the first 4 images in the next set are from heavily styled photoshoots. I thought it was interesting how the outfits that Brendon, Jon, and Spencer were wearing felt like costumes; they wouldn't wear that casually irl. However, Ryan did. He fully adopted the style of this era and lived it offstage too.

LATE JANUARY & FEBRUARY:

THE EUROPEAN TOUR:

Ryan and his British-rocker retro haircut continued their love of vests & scarves.

SPRING IN NORTH AMERICA

Brendon wore some blazers & flip flops offstage while Spencer dove into the vibe of the era. Jon was stilly comfy and barefoot onstage.

Ryan wore flip-flops or t-shirts occasionally, but his style this season was pretty consistent overall and relatively the same both onstage & offstage. He added more color & florals this season.

LATE JUNE THROUGH MID-AUGUST:

Spencer wore his same general outfit onstage, but returned more to his casual t-shirts offstage. Brendon continued to wear tshirts offstage and the same few button-downs onstage. Ryan's faux-British-rocker accent peaked this season while they were in Europe. He also seemed to be in a period of change with his offstage style.

LATE AUGUST IN AUSTRALIA

This was the point where I knew Ryan had found a solid direction for the next album (and in hindsight we know that several songs that would end up on TYV's album were already in progress). Ryan was veering away from the visually chaotic & colorful scarf/vest scene of the Pretty. Odd. era and heading towards a more structured retro suit vibe. Ryan was asked at this point if he felt like Panic was paving their own way and he replied "We're trying. I don't think we've started it really yet."

Meanwhile, Brendon & Spencer stuck to the same general outfits onstage as a sort of uniform. The outfit that Brendon wore onstage was very different from his irl style... he still seemed like he was a performer getting into a role. (Keep in mind that the band sometimes wore their stage clothes to meet & greets, so those shots aren't always a reflection of Spencer's offstage style).

SEPTEMBER – MID NOVEMBER:

the same idea continued...

AFTER THE PRETTY. ODD. ERA (LATE 2008 – SPRING 2009):

Ryan literally wore a suit on the airplane to South Africa and that is the best way I can summarize his commitment to that look lol.

Jon, Brendon, and Spencer still had the same general style...

Basically, Ryan went through phases that tied into what he wanted out of a band. In 2003-2004 he was an emo kid with gauges who loved Fall Out Boy and had worked at Hot Topic, but by 2005 that pop-punk phase was everything he looked down on and wanted to get away from. In the last half of 2006 he was super into stage makeup & elaborate theatrical shows, but by 2007 that was everything he looked down on and wanted to get away from. He threw himself fully into whatever phase he was going through, but he also had the ability to drop that and move onto investing himself just as strongly in his next phase.

There's more in this post that's related.

[wanderersrest]

An Abbreviated History of Mecha Part 1: The Mighty Atomic Prelude (The 50's and 60's)

Welcome to An Abbreviated History of Mecha anime. Today, we're starting at, as Fraulein Maria would say, at the very beginning. We're taking a quick peak at the beginning of the canon, which means that we're starting back in 1950 (specifically 1952). I should also confess right now: there are two series on here that are demonstrably NOT mecha shows. However, due to their sheer influence on Japanese media as a whole, I feel it is important to bring them up as being honorary mecha shows due to their sheer influence pop culture.

Tetsuwan Atom/Mighty Atom/Astro Boy (1952)

Starting us off is Osamu Tezuka's seminal manga series, Mighty Atom. Known over here in the west as Astro Boy, this series would be what kickstarts a lot of the modern anime and manga industry due to its sheer popularity. Astro Boy would also be one of two series that would be emblematic of how Japanese pop culture would portray the recent use of atomic energy. It should also be worth noting that realizing that Astro technically is a mecha is what got me to start using a broader definition of mecha instead of the classic giant robot definition.

Due to its fame, Mighty Atom has receive multiple adaptations throughout the years. Of note are:

The original 1963 anime.

New Mighty Atom (1980) which updates the series to 1980's animation standards.

The 2003 anime, which does the same, but to the standards of early 2000's anime.

The 2009 CGI movie.

Gojira/Godzilla (1954, honorary mecha series 1)

1954 would also give us Ishiro Honda's Godzilla, the movie that would make tokusatsu-styled live action stories in Japan. Godzilla, alongside RKO's King Kong, would play a large part in popularizing the concept of kaiju. And boy will kaiju play a big part in the history of the mecha canon. As we'll see soon enough, the history of tokusatsu heroes, kaiju, and robots are all intertwined with one another.

Godzilla has starred in numerous movies since the original, but for stories based off of the original there are:

Godzilla Raids Again (1955), a direct sequel.

Godzilla, Mothra, King Ghidorah: All Out Monsters Attack (2001), a Heisei-era production that uses the original '54 Godzilla as a manifestation of the horrors of World War II.

Shin Godzilla (2016), a re-imagining of the original movie set in contemporary times directed by Hideakki Anno.

Godzilla Minus One (2023), the most recent outing inspired in part by GMK.

Tetsujin 28-go/Gigantor (1956)

(Oh hey, this gif again!)

Tetsujin 28-go is the creation of one Mitsuteru Yokoyama and is generally regarded as the grandfather of the giant robot style of mecha. Tetsujin is unique amongst mecha in that it is controlled not by a pilot riding inside of it, but by a little kid with a controller. Tetsujin 28, alongside Mazinger Z, would help to codify a lot of the tropes common to the classic superhero mecha anime that would be prevalent in the 70's. Like Mighty Atom, Tetsujin would receive multiple adaptations throughout the decades.

Shin Tetsujin 28-Go/The New Adventures of Gigantor (1980), which updates Tetsujin's design to look more in line with something like Mazniger Z.

Tetsujin 28-go FX (1992), sporting a radically different look that's more akin to something out of the Brave Franchise.

Tetsujin 28 (2004), a faithful adaptation of the original manga (at least I think it is) directed by Yasuhiro Imagawa.

Cyborg 009 (1964)

Created by Shotaro Ishinomori in 1964, Cyborg 009 is another classic human-sized mecha series. Cyborg 009 would be the first of many hits for Ishinomori, and he will be mentioned again later in this series.

Oh boy... I am not a Cyborg 009 nut, but in terms of adaptations, Cyborg 009 has:

The 1966 Film

The 1980 Film

009 Re:Cyborg (2012)

The Call For Justice Trilogy (2016)

The 1968 Anime

The 1979-1980 Anime

The 2001-2002 Anime (I actually remember when Toonami aired this series!)

Cyborg 009 vs Devilman (2015 OVA)

If you want to follow someone who follows a lot of Shotaro Ishinomori's works, I'd recommend checking out YouTuber Mercury Falcon for more info about Ishinomori.

Ultra Q and Ultraman (1966, honorary mecha series 2)

(The urge to use a gif of Ingraman is strong)

Ultra Q and Ultraman are the first two entries of Tsuburaya's legendary Ultra franchise, with the latter in particular being one of the most famous pop culture icons of all time. Ultraman's influence on Japanese media is so large, that I'll be mentioning it at least once in relation to other series later on.

Ultraman, like Godzilla before him, would get the Hideaki Anno treatment with Shin Ultraman in 2022.

Giant Robo/Johnny Sokko and His Flying Robot (1967)

Another one of Mitsuteru Yokoyama's classic manga series, Giant Robo deserves a mention due to its influence on tokusatsu. Giant Robo would usher in an era of tokusatsu that would rely on using giant robots as the main protagonist.

In terms of adaptations, there are two animated adaptations, but only one will be listed here:

GR: Giant Robo (2007)

If you want to learn a little bit more about the history behind Giant Robo, I'd recommend checking out blunova's video on Giant Robo for more info on this important series.

Conclusion

As the 60's would lead way into the 70's, we would see a lot more live action tokusatsu series involving giant robots. Of course, this would be untenable due to how expensive it was to do tokusatsu effects for television. However, one robot would appear in animation that would change everything.

(Read in the voice of Tessho Genda) AND ITS NAME IS...!!!!

[roachliquid]

I've been fascinated by the idea of sapient zombies since my child-to-teenage years, when Xanth books were purchased and devoured with full enthusiasm from my understimulated brain. Funny enough, Piers Anthony's weird sex ideas didn't leave that strong of an impression, but the choice that he made time and time again - to humanize monsters, showing them not just as creatures of destruction but thinking people with their own cultures and customs - that one stuck with me. And I loved the arc when people realized that zombies - formerly believed to be mindless due to their sluggishness and low reactivity - were revealed to, in fact, be people who were simply impaired by the nature of their bodies.

Every time I see another zombie movie, I find myself thinking "what if we didn't default to seeing them as mindless killing hordes?" There have certainly been movies that don't default to this - Night of the Living Dead used the concept very effectively to create genuine horror - but it feels like about 90% of the genre just thinks "mindless masses that it's acceptable to shoot". And I hate that.

It's why I really enjoyed Warm Bodies, a story that uses the concept to talk about depression and the harms of social isolation. Return of the Living Dead is another great entry, that plays the concept for both comedy and horror while acknowledging the humanity and suffering of those afflicted with the zombie disease. I love stories that explore and humanize these concepts, and I'm always looking for more of them.

Naturally, I've come up with a few different concepts of my own, starting with a Resident Evil RP character who was virtually unkillable but otherwise just having the weirdest day of their life. One of my recent takes involves a disease that overheats the brain, causing severe and permanent damage unless the patient can be refrigerated while the initial stage of undeath runs its course. The fact that this requires people to exercise compassion, and not just lock you in a room as soon as they see a bite, is of course the point. After a certain period of figuring things out, allowing victims to turn violent requires malice.

The trouble came when I tried working out how to adapt this concept to a setting without freezers. I've been batting around the idea of a post-apocalypse isekai for a while, largely as an excuse to write SHODAN-inspired cyber femdom, but then - as inspiration took hold, and I remembered one of the silliest post-apocalyptic settings of all time - as a broader parody of the cultural climate that gave us the Fallout games. But also just, in general, because "out-of-context environment where you have to survive" is a deeply compelling concept.

It's worth noting, I love silly worldbuilding. I love when things simply don't make any plausible sense and you can tell it was done that way because the writer(s) just wanted it to happen. Xanth is similar; the worldbuilding is an absolute mess because it's constantly focused on delivering More, Sillier Ideas. I eat that stuff up like I used to eat marshmallow cereal.

So when I set out to create this New Kind of Undead, I naturally got silly with it at once. My first idea was that you catch the disease when you're bitten by a weird beetle, because... shit, IDK, I just like beetles. Refrigeration isn't an option to protect the brain, so fuckit, we're doing live embalming - lifesaving measures for the freshly undead involve replacing most bodily fluids with alcohol. This is of course objectively ridiculous, because zombie virus or not, being embalmed should just kill you - but fuckit, it's for the bit.

Then I remembered the idea I had to parody Fallout's ghouls with people who were typically called mummies. And I went "hmm" and thought, you know what, covering an undead person in bandages makes a lot of sense, actually. Especially if they're still fresh and decaying, but even afterwards, that skin's not gonna grow back, you know? Protective coverings are in. Living mummies are in. And-

hey, wait a minute, I need to rethink that beetle bit.

[miekasa]

fluff alphabet: levi ackerman

↯ pairing: levi ackerman x (fem) reader

↯ genres and warnings: modern au, fluff…. obviously, no real warnings i don’t think, oh spoilers for his ova? 

↯ word count: 3k lol don’t ask me how

↯ notes: i was going to take requests for this for valentine’s day, but i figured i’d just do them all in one post lolol. i feel like i haven’t posted for levi in a while, so here we go

Activities — What do they like to do with their s/o? How do they spend their free time with them?

If you ask Levi to do something, there’s a good chance he’ll try it at least once for you. Unless it’s something he’s said he explicitly dislikes or doesn’t want to partake in, he’d gladly try it out with you.

He strikes me as the kind of person to like trying new restaurants. Not necessarily the trendy or popular or exclusive ones; but local places with good recommendations or reviews.

Down for late night drives, but you have to be the one driving. He’ll drive if you become too tired, but he prefers to sit in the passenger seat and just let you take him wherever. He doesn’t mind, and it’s a sign he trusts you.

I also think museum dates would be some thing he enjoys. Not history museums—I feel like the concept of stolen artifacts on display would piss him off more than anything lol—but art museums. That’s not to say he’s extremely into art, but I think something about a museum environment is somewhat calming to him. He doesn’t mind.

One more activity I would say suits him is watching movies or shows together. Levi’s the kind of guy that catches you watching a series and expresses how it looks stupid or boring at first, but still hovers around and backseat watches it anyway. After a while, he just gives up and starts actively watching it with you and becomes invested. He just won’t admit it.

Beauty — What do they admire about their s/o? What do they think is beautiful about them?

In the least cheesy way possible, everything. Levi sees people, and his s/o in particular, as a whole person, rather than the sum of their parts. He understands that everything about you—physical, emotional, or otherwise—contributes to the person he loves. There’s something to appreciate about all of it at different times.

He’d probably admire and/or find little habits you have beautiful in some way or another. Probably things you might not even notice about yourself unless he pointed them out to you.

Personality wise, he’d admire it if his s/o were blunt and/or the kind of person to stick up for themselves or their friends. A little bit assertive; not going out of your way to make other people feel small or be rude, but simply refusing to shrink to make room for others.

Physically, again, I don’t think he has a preference for most anything, but if I had to pick, I’d say he’s a thigh/ass guy.

Comfort — How would they help their s/o when they feel down/have a panic attack, etc.?

Levi is observant, so he would be able to tell when you’re struggling perhaps before you’re ready to realize it yourself, and long before you’re about to burst.

However, he would ask you how he can help. For as observant as he is, he’s also not a mind reader, and if there’s something specific he can get you, he would want to know, even if it’s seemingly small or superficial.

He would be pretty proactive about it, too. The second he figures out how he can help, he’s on it. You need a new desk to work from home? He’ll have it built by that weekend. You’re feeling overwhelmed and behind on your tasks? He’s already doing the ones he can do without your help.

He does his best to try and help you relax if the issue is a stressor, and if he could, he would eradicate the root of the stress from your life completely. Unfortunately, in the real world, that’s not always possible, but it’s nice to know that he’s willing. 

The other obvious answer is tea, but allow me to expand it more generally to food. Going along with the theme of acts of service being his love language, Levi would try to provide the basic necessities for you in order to allow to focus on solving your problems and/or feeling better. If not worrying about dinner is one thing that can help you, Levi’s happy to cook for you.

Dreams — How do they picture their future with their s/o?

Simple, but fulfilled. Levi just wants to be happy—to have someone to care for, and to have someone who will care for him.

Truthfully, I don’t think he’d mind children later down the road, and I think he would be a good parent. It might not be something he talks about outright at first, but as time progresses, and perhaps the timing becomes right, it’d be something he would want to consider.

Equal — Are they the dominant one in the relationship, or rather passive?

It’s equal. Levi doesn’t want to have more power, nor does he want to be passive. However, there are things he doesn’t mind handing over to you, and conversely, responsibilities he doesn’t mind taking on himself.

Compromise would be a big part in the relationship—not for the sake of compromising on your dreams or ambitions, but rather, to reach a middle ground if there’s any kind of argument.

I think it’s a give and take with him. And I don’t think he would want it to be any other way. He doesn’t strike me as someone who’s on either polar end.

Fight — Would they be easy to forgive their s/o? How are they fighting?

When you do fight, it’s a lot of pointed frustration. He doesn’t raise his voice, but he can get snippy, and a little closed off—speaking in clipped sentences, using underhanded phrases, focusing on past points. What drives him crazy is the aftermath of the fight, and if you give him the silent treatment, he’s bound to crack much sooner than later.

He’s quite easy to forgive. Canonically, he doesn’t like to fight with his friends or the people he cares about, and he would rather reach a solution as quickly as possible.

We saw that with Isabel and Farlan, despite the way he was firm on his decision for them to stay behind, they were able to break his resolve pretty quickly. He cares a lot about the people in his life, and I don’t think he’d like to go long with a riff between him and you. Especially if he thinks he might regret not talking to you about it sooner.

He’s one to keep a promise, but not to hold a grudge. That is to say, he understands that forgiveness goes both ways, and to work in a healthy relationship, both parties have to forgive themselves and each other at some point.

Gratitude — How grateful are they in general? Are they aware of what their s/o is doing for them?

Yes and no. It might take a minute for Levi to understand the depth of your actions—especially the ones that appear more mundane or are not as explicitly romantic.

Once he does, he is very aware of them, and as such, if very grateful. He didn’t every really think he’d be able to create and be apart of the kind of loving relationship the two of you have. He really cherishes it.

Honesty — Do they have secrets they hide from their s/o? Or do they share everything?

He has secrets by way of omission. He doesn’t lie to keep things hidden from you, but sometimes he doesn’t tell everything about himself, especially towards the start of your relationship.

It’s not always with malicious or even self-protective intent. He just doesn’t share because he doesn’t think it’s important, or that you might care. If you pry long enough or insist that you want to know just to know and because you care, then he’s happy to share.

As previously mentioned, it might take him a while to realize just how much you care about him, and his past and interests by extension. 

Inspiration — Did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?

As your relationship progresses Levi comes to learn that you genuinely find him attractive not just physically, but emotionally and psychologically. That you actually want to know him and that he’s worth knowing.

So, his biggest change is in the way he approaches his thoughts about himself and his self worth. But he also begins to pick up on your habits, your interests, and tries to understand your general approach to life, too.

He would probably change you in some ways, too. Most notably in the way you organize and clean your space, probably. He’s not sorry about it.

Jealousy — Do they get jealous easily? How do they deal with it?

No, he doesn’t. To him, jealously would imply that someone has something he wants. Firstly, you’re not an object to him, and secondly, he has you. There’s nothing more to it.

He’s not childish, nor is he out of check with his emotions, so he wouldn’t lash out on you, especially if it’s not your fault. In his small momentary slips, you wouldn’t even have noticed he was jealous at all.

He wouldn’t like it if someone was repeatedly making advances on you, especially if you’ve explicitly told them off/they were making you uncomfortable. In situations like that, he would simply try to get the both of you out of there/away from the person as quickly as possible.

There’s also an element of trust to this with Levi. He wouldn’t expect you to try and make him jealous out of spite; and he would trust that you wouldn’t play on the advances of other people if you notice them.

Kiss — Are they a good kisser? What was the first kiss like?

He is a good kisser. Mainly because he’s very perceptive to what you want and how to give it you.

The first kiss was sweet. Knowing Levi, there was probably quite the build up to it, so even if it was sweet and innocent, there was a layer of tension and a crash of emotions coming forward in the moment. It was memorable, to say the least.

Love Confession — How would they confess to their s/o?

I have imagined this time and time again… and I think it really depends on the foundation of your relationship/friendship with him before.

In the most generic scenario, it would probably be a little backwards—you would have, intentionally or not, gone on some dates before he realized what his feelings really were, and then take it from there.

If you were friends for a while before hand, it can probably go the implicit dating route—that is you’re both exclusively emotionally invested in each other, and basically involved in most relationship aspects without having realized it or put a label on it. You kind of naturally morph into a relationship, and it probably takes a verbal confession or kiss or two to solidify it.

It can also go the sexual tension route, and one day one of you finally snaps and makes a move. The verbal confession would come in the aftermath, but your actions will have solidified and expressed your feelings long before that.

Marriage — Do they want to get married? How do they propose? What would the marriage be like?

Again, yes and no. Without taking into account the legal aspects, the actual concept of marriage is that juxtaposition of sweet and powerful that Levi likes; the idea of devoting yourself to someone and receiving a special kind of love for the rest of your life.

And while all of that is beautiful to him, there are the unfortunate cultural norms or marriage, especially in a modern au. The legality of it all, especially the financial defaults, would be a headache. Not to mention all the fluff and grandeur and gender expectations about it. He thinks all of that fucking sucks.

Above all, he doesn’t get why people expect him to pay for what’s basically an expensive document that tells the federal government he lives with you and loves you. He could do that without them in his business.

If you want to get married, then the proposal is sweet. Intimate, and probably a call back to something in your relationship, or a significant date/event for the both of you. He wouldn’t dare do it in public or even involve anybody else, other than maybe asking a friend or two.

Marriage with Levi is much like being in a long-term relationship with him. The way he acts in marriage isn’t exponentially different than the way he had been acting as your boyfriend. It’s all still very quiet, very sweet, very domestic.

Nicknames — What do they call their s/o?

He calls you by your name, unless you ask him to call you by something else. He might call you by an actual nickname, that is a shortened version of your name, if that’s the name you usually go by.

He’s not big on pet names and they slip out from time to time, but not in place of your actual name on an every day basis. If anything, he calls your name with a very unique tone to his voice. He rarely calls for anybody else with the same tone and/or emotion.

On Cloud Nine — What are they like when they are in love? Is it obvious for others? How do they express their feelings?

It’s not… not obvious to his friends, but he doesn’t look like he’s been shot by cupids arrow or anything. If you know Levi, you might pick up on the fact that he seems a bit happier, less stressed, has taken up new hobbies/habits, etc. But there’s not he’s not shitting rainbows and sunshine all of a sudden.

Love is very personal and intimate for him. He would do his best to express to you that he loves you and loves the love he receives from you, but he doesn’t feel that everyone else needs to know.

So, it’s somehow simultaneously noticeable and unnoticeable when you’re together in the presence of other people.

PDA — Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss when others are watching?

Levi isn’t big on PDA. He’s not hiding your relationship, but he doesn’t care to boast it to every person he meets, either. If somebody asks him, he’ll happily say that he’s in a relationship, but he doesn’t bring it forward himself.

He’s not hiding it or shy, but he doesn’t feel the need to be all over you in public. He doesn’t anything to prove to anybody. Besides, nobody wants to see that shit. He knows he wouldn’t.

There are some displays of affection, though. Hand holding isn’t abnormal, though likely not in a casual space with your friends or family. He’ll brush is hand along your arm when he’s walking past you, might ruffle your hair if the occasion calls for it, squeeze your thigh under the table.

Quirk — Some random ability they have that’s beneficial in a relationship.

He’s canonically good at math. This comes in handy when you’re at restaurants and trying to calculate a tip quickly. Somehow, he knows how to figure out 18% of your bill in 3 seconds flat.

It also comes in handy when you’re trying to organize things. Along with math comes a pretty good understanding of spatial reasoning. Somehow Levi is always able to put away your left overs using the smallest and least amount of tupperware possible. It’s kind of ridiculous, he might be a wizard.

Romance — How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?

In the traditional sense, he might not appear romantic, but he’s the kind of person to say or do or gift little things that would take a much deeper romantic understanding of his partner than some grand, generic act like buying a thousand roses.

His romance is tailored to you and your relationship, not general expectations of what it means to be “romantic.”

Support — Are they helping their s/o achieve their goals? Do they believe in them?

Levi is very devoted to you, so if you ask for his help, or he can help without stepping on your toes, he will. He wants you to not only succeed, but feel fulfilled through your achievements, and he’s happy to help you get there.

He believes in you wholeheartedly. If it’s something you really want, Levi wouldn’t dare doubt that you could achieve it.

Thrill — Do they need to try out new things to spice up your relationship? Or do they prefer a certain routine?

He doesn’t feel the need to try out new things based on expectations, but if you want to try something, or if he wants to try something, you can have a conversation about it, and eventually try it out.

There’s a sort of established routine in a domestic sense; a sharing of a mutual space and the behaviors associated with that. But there’s not, like, established date nights or “week-a-versaries.”

In that sense, he can be pretty spontaneous; bringing up new places to go or activities to try when the idea strikes him. But I suppose it’s never something… too adventurous? Not dangerous, at least lololol, he’s not going to randomly suggest you go skydiving as a bonding exercise. 

Understanding — How good do they know their partner? Are they empathetic?

Very well. Levi kind of makes you his business—in the most non-intrusive way possible. He’s perceptive and picks up on things about you with relative ease, and genuine interest.

He can predict how you might respond in a situation with pretty good accuracy, can guess what you might pick off the menu at a new restaurant, if given a choice has a good sense of which option you’ll choose. Very much a “I knew you would say that/do that, I don’t know why I even asked,” kind of person once he gets to know you. 

He can be pretty empathetic, and I think he would be in a relationship.

Value — How important is the relationship to them? What is it’s worth in comparison to other things in their life?

Your relationship is pretty damn important to Levi, and he devotes a significant amount of time and attention to it. Not in the place of giving time for himself, his friends, family or interests; but he is very much devoted to you.

However, he’s not the type to give up solid opportunities (ex: financial, for his family/mom, career-wise) for the sake of a relationship, especially if he’s not in the position to do so; and he wouldn’t want you to give up exceptional opportunities that align with your goals for him either.

Everything is relative in that sense, I suppose. He cares for you, deeply, and knows that you do, too. That, contrary to popular belief, is what enables you both to be strong enough to bend and not break.

Wild Card — A random fluff head canon.

I’ll give you a few :)

If you want him to, Levi will do your hair for you, and he’s pretty fucking good at it, too; hair type or texture be damned, he’ll take his time with it, and do it well for you.

When he’s alone, Levi hums himself to sleep. Usually singing/humming his mother’s favorite songs and/or songs he remembers hearing as a child.

He always gives you the lighter bags when you take your groceries upstairs/into your house. He doesn’t tell you, but he knows you don’t like to ‘make’ him do all the work.

He always makes dinner if he gets home before you.

He’s a pretty good artist, and has even drawn you once. He’s never told you or shown you, but he keeps the picture folded up in his wallet. Or behind his phone case.

XOXO — Are they very affectionate? Do they love to kiss and cuddle?

Affectionate in private, yes. He doesn’t mind it if you’re all over him, and truthfully, has his moments where he’s shamelessly all over you, too. Especially in the morning, he’s a cuddle bug.

Kisses are always good, he would never oppose them. He’s quite easy to persuade with kisses, actually. And most physical touches; he doesn’t get them often, so he kind of melts when he does. 

Cuddles, too. Again, all of this is private and in the comfort of your own home. His favorite way to cuddle is to either have you completely on top of him, or to lay his head in your lap. Because he loves the feeling of you playing with his hair.

Yearning — How will they cope when they’re missing their partner?

Levi will take part in things you like or things you’ve claimed in your shared space.

For example, he might find himself eating your favorite foods more often, sitting on the spot on the couch your sit in most often, rolling over to your side of the bed in his sleep.

He also likes to look back on pictures of the two of you. He doesn’t particularly like to be photographed, but he likes having these physical memories of your relationship, so he’ll indulge you when you want to take a picture together. And they come in real handy during times like this.

Zeal — Are they willing to go to great lengths for the relationship? If so, what kind of?

Levi will definitely put up a fight for you, so long as it’s mutual. He wouldn’t pour his effort into someone or a relationship in which he feels like he’s not receiving the same.

I’m not sure what great lengths there would be to go to in a modern au, but he definitely believes that relationships are hard work, and as such, is prepared to put in the work when things get hard. He’s not a quitter, and he knows that love is foundation and requires time and energy.

He cares about you too much to let you go without reason.

[oh-boy-me]

I just read both the australia and museum post and the chaos levels are top tier, but like imagine the chaos that ensues if lord diavolo discovers about amusment parks and immediately just buys tickets to disneyland. Lucifer is basically the dad trying not to loose his children(lord diavolo included). Lord diavolo wanting to ride a loopy rollercoaster and just having the time of his life! (Also I highkey see diavolo ordering lucifer to make a disneyland in devildom tbh) Also mouse ear headbands!

This..... this took forever

Hey there anon!  Sorry it took literally a year to answer this!  If you’re still into Obey Me, I hope this was a pleasant surprise.

Also for the first time ever a scenario post is being put under the cut for length purposes.  This scenario is 2.6k words Jesus

Please note that the last time I went to Disney was in 2015, so anything that’s newer than that is taken from the extensive reading of Disney advice blogs I read in preparation for this post.  Anything older than that is likely from experience.

Also, I tried my best to keep this spoiler free for the attractions that can be affected by it.

--

So the Devildom DOES have the concept of amusement parks.  I slept on this ask for so long that we’ve learned about Devil’s Coast.  It seems to be more akin to a smaller-scale theme park, though.  Small-ish.  I’m used to NYC idk what constitutes as small.

Something like Disney World is on such a larger scale!!  When Diavolo heard about that, he knew they had to go.

They are going to Disney World in Orlando because it’s the only one I’ve been to.

Lucifer is REALLY getting tired of these field trips, but there would be no weird animals, and there would be no sobering lessons on global extinction events at a family-friendly amusement park.  He.  He can handle this.

Solomon has actually been banned from all Walt Disney theme parks.  We’re talking blacklist-level banned.  He’s barred from ever entering any Disney park ever again.  However, this was back in 1976, so this must be, like, his son or something, right?  There’s no way this is the same guy.  Thought the security guard who let him in.

What did Solomon do to get banned?  When asked, he only gave a curious hum.  “Yeah, I wonder.”

The place is split into four parks, so they’ll spend one day in each.

Barbatos continued to flex his power as the only one in the group with a brain cell, being sure to get them all fast passes.  He even set time back just for the passes while they were booking the rides they wanted to cut the lines for, so if they don’t get used he’s going to be very snippy.

Also for convenience sake this is taking place in an AU where everything is the same but COVID doesn’t exist to shut down some rides and attractions.

Day 1: Hollywood Studios

MC and Simeon basically have to coerce Lucifer into letting everyone run free instead of making them all line up with a walking rope all day.  He relents on the condition that everyone checks in periodically so he can at least know they haven’t killed anyone.

Nobody will check in except for maybe Beelzebub and those at Purgatory Hall.

Levi immediately gathered his fellow Star Wars fans (which basically meant calling over Mammon Belphie and Asmo and then pulling in two unsuspecting people suddenly given the title of “Star Wars fan”), and made a beeline for Galaxy’s Edge.  There’s a LOT to do there and damn it if he wasn’t going to hit all of it.

First up for their group is the interactive Millennium Falcon Smuggler’s Run.  They fail the mission.  Levi’s pretty pissed, but everyone agrees that it was fun nonetheless.  They really felt like they were doing a mission in the Falcon!  Plus, the gameplay element was totally up the alley of most of this group.  Simeon does feel a little nauseous from Luke’s jerky steering, though.

Did you know that Diavolo loves Toy Story?  He does.  He’s very much enjoying the Slinky roller coaster with Barbatos.

Barbatos would rather be spending time at the shows and performances, but oh no god forbid we don’t get an autograph from Doc McStuffins.  Lucifer please come find him and save him.

Lucifer somehow wandered into the Frozen Sing-Along Celebration.  He wants out.  Barbatos please come find him and save him.

In general, Lucifer isn’t a fan of these sorts of places, so honestly he’s just hiding from the others and waiting for today to be over.  Barbatos told him that there are parks that don’t revolve around rides and characters, and he’s holding out for those.

Luckily for them Diavolo wants to do LITERALLY everything, and that does include the shows, so Barbatos and Lucifer can have at least some fun today

Levi, Asmo, and Beel are about to start their relay for getting character autographs when Satan shows up out of nowhere and starts dragging everyone over to the Tower of Terror.  Solomon bars all attempts to flee on a certain Avatar of Greed’s side.

The line to the Tower is so long, and honestly?  Satan feels like the ride didn’t live up to the literal hour they waited to get on.  Like yeah it was fun, but way too short.

He voices those thoughts, and Levi, who Satan knows is afraid of heights, is pretty fucking livid and drags him to Rock n Rollercoaster as revenge.  Satan hates roller coasters.

As for the others, Asmo and Luke have a lot of fun on the thrill rides.  Mammon and Simeon do not.  Beel is a little spooked by them but still manages to have fun, while Belphie and Solomon think they’re alright.

Eventually, Simeon gets too sick to move, and they assign him to Luke.  They say it’s because he’s too short to ride some of the rides (even though he’s literally not, screw you guys.)

Barbatos messes with time a lil bit so they can enjoy the Fantasmic Show and Fireworks to wrap the day up.

Levi is very jealous of Diavolo’s Doc McStuffins autograph.  Somehow Asmo has Buzz Lightyear’s number.

Day 2: Animal Kingdom

Satan is vibrating

He literally instantly sprints to the Kilimanjaro Safari.  And good for him; that’s something best done while the sun isn’t high up.  The whole gang actually agrees to check that one out, and while Satan isn’t thrilled to be within 50 feet of Lucifer, he’s glad Simeon is there because he remembers how his presence lured animals out in Australia.

Simeon also finds himself pulled along the trails by Satan and parents watch in horror as a gorilla gives him a friendly pat on the back.

If you didn’t know, Animal Kingdom is divided into the two continents of Asia and Africa, as well as the secret eighth continent Avatar (2009).  Diavolo heard great things about the Flight of Passage ride, but he totally forgot to tell Barbatos about it, so they’re stuck on a three hour wait line now.

Levi takes Luke on the Everest roller coaster because Simeon saw it in the distance and looked like he was about to cry.  Levi wouldn’t shut up about how the yeti effect needs to be fixed and Solomon had to explain that the effect literally couldn’t support itself.

Simeon, having escaped a roller coaster for the first and only time on this trip, grabs lunch with Lucifer and Solomon and they enjoy the Lion King performance together.  Solomon’s the only one of them who’s seen the movie, but the others still found it fun.  Solomon keeps making up random plot points that don’t exist, though.  Remember when Simba was captured by pirates?

Mammon found the Bugs Life show very scary.  Normally Asmo would laugh at him, but he’s afraid of any bug he’s never seen before and at least Mammon was afraid of the things that were supposed to get you.  They agree that bugs are still not their friends.

Satan has many things to say about the Dinosaur ride and most of them aren’t good.  Belphie thought it was pretty ok, though.  Lucifer can’t believe there was a sobering lesson on a global extinction event at this family-friendly amusement park.

Diavolo is still in line.  Barbatos abandons him.  He accompanies Luke to the kiddie fossil thing and actually finds it more tolerable.  Oh yeah that’s the other secret ninth continent, Dinoland.

Beel and Belphie spend most of the day together at the various petting zoos.  Belphie comes back knowing more than he ever wanted to about conservation.  He thought Rafiki’s Planet Watch was going to be about watching other planets, not this one!

Asmo gets very interested in the costumes of the performers, as well as the parrots in the bird show.  He could probably make some really colorful designs with those as inspiration.

Nearby, Mammon runs into Kevin and squawks in surprise.  The zoo staff spend the next two hours trying to find the bird that escaped.

Diavolo says the ride was worth it, don’t worry.

Honestly this park has a lot of stuff that wouldn’t translate well to a funny scenario post so this part might be a little short compared to the others.  I can only talk about a zoo for so long.

Anyone remember the Honey I Shrunk the Kids 4D show?  Apparently it closed in 2016 to make room for more Star Wars stuff.

Anyway, at the center of it all there’s the Tree of Life, which is really pretty all day.  Lucifer is thrilled to have a decently obvious meet-up place, too.  They get to catch the brief awakening show at night.

They’re very bummed to learn the Rivers of Light show isn’t happening anymore, so Levi pulls it up on his phone so they can watch it in spirit.

Then Satan learns about the Wilderness Explorers badges and the others spend the rest of the time preventing too much collateral damage over the fact that nobody told him.

Day 3: Epcot

Finally, Lucifer thinks.  Boo, Luke thinks.

Beel didn’t expect this park to be that interesting to him (he’s much more into the wonder and immersion of Hollywood Studios and Magic Kingdom), but then he learned about the restaurants.  China, Norway, France, Mexico, Germany, Morocco, Italy, Japan, Canada--Canada?  Huh.  Canada.  There’s so many different restaurants from so many cuisines to try, and yeah he knows that it’s definitely not the same as going to the place and it’s overpriced (sorry Lucifer), but it’s all right there.  He makes certain to take MC on a deluxe Epcot restaurant tour.

Oh yeah MC.  That’s the first time we’ve heard from them in a while.  They’re doing whatever you want them to I guess.

Levi buys so much from the Japanese gift shops that he has to go back to the hotel for a bit to drop his bags off.

Satan and Diavolo aren’t much better, but their stashes are more varied.

Also, Diavolo found Mouse Gear, and bought everyone a pair of ears.  Lucifer says that everyone has to keep them on because it’s what Lord Diavolo wants, but he is by far the most upset about them.  Mammon snaps a picture and Lucifer throws his DDD into the lake.

Asmo and Belphie decide they’re gonna take it easy this day, and they nab Solomon and Barbatos for some exhibition hopping.

Luke finds Mission Space and please father no Simeon thought he was safe he thought he was safe here no please

Aside from that, though, Luke honestly finds this part of the park boring.  He’d have been more interested in these attractions elsewhere, but as a kid he’s in Disney for roller coasters and Mickey Mouse.

Simeon is very grateful that Luke doesn’t have much that he wants to do, because it means that he can enjoy the Gran Fiesta and Living with the Land boat rides and have a single moment where he doesn’t feel like he’s about to be sick.  He’s not even afraid of the rides; he just gets motion sick easily.

Asmo makes sure to see the Chinese acrobat show, and Mammon catches that with the show-hopping gang since there isn’t much he wants to do here either.

Epcot has alcohol and Solomon hasn’t been able to drink in ages so he really wants to spend some time doing that with MC.  No demons allowed, thank you very much.  He doesn’t hold his liquor as well as he’d like you to believe, but he just gets really talkative when drunk so it’s ok.

Epcot is a nice day to take a breather and Lucifer and Barbatos definitely needed a breather before tomorrow.

Day 4: Magic Kingdom

This is the day Diavolo has been waiting for.  The crème de la crop, the best park for kids and kids in a future king of the Devildom’s body.

Also I feel like now is a good time to mention that this probably isn’t a reasonable order of events because I don’t remember the map layout of these places idk Disney city planning

This time.  This time, Levi, Asmo and Beel are gonna get those autographs, dammit.  Levi doesn’t even know who half of these characters are but hell if he’s not getting their autograph.

Mammon actually really loves the mascots too, but he’s embarrassed about it so he’ll only try to get one if he can use the guise of MC wanting one.  MC, please help him out

Belphie isn’t big on rides, but he does have a soft spot for the more retro ones like Dumbo and Seven Dwarves.  And like I said before, Beel loves Magic Kingdom for its wonder.  So Belphie is perfectly happy being led (read: piggybacked) around by Beel today, because their favorite attractions match up pretty well here.

Actually, Beel’s favorite Disney movie is Lilo and Stitch, but.  RIP Stitch’s Great Escape ride 2004-2018

Diavolo and Lucifer take a moment to enjoy the Carousel of Progress, and they reflect on how much the Human World is always changing and how much about it they still don’t know.  It really does make them think, like.  Grandma found the VR games at Christmas!  The Devildom doesn’t have grandmas!

Mammon is terrified of the Haunted Mansion ride, and Satan has literally never felt so much schadenfreude in his life.

Mammon’s afraid of most rides to be fair, but he likes water rides, so Levi eventually takes pity on him and they go on Splash Mountain together more than once.

The Peter Pan ride broke down

Luke wanted to go on Space Mountain and Simeon was the only one around, so.  RIP Simeon ????-2021

Diavolo was That Guy.  If you know, you know.

Beel accidentally spun the teacups way too fast.  Not even Solomon got out of that one unscathed.

Following that, Solomon manages to drag Barbatos onto the Jungle Cruise while Lucifer is busy.  What is Lucifer busy with?  Riding the Buzz Lightyear shooting ride over and over until he hits every single target and gets a perfect score at a Disney ride, something that is normal to want and possible to achieve.  Anyway, Barbatos finds it really charming and Solomon finds it a nice break that he didn’t know he needed.

While looking for a food place that sells water for a reasonable price, a kid runs up to Asmo asking for a picture and autograph.  He’s kind of confused, but goes along with it to make the kid happy.

Turns out, Asmo’s so naturally charming that they mistook him for a prince.  Other groups see that family and follow suit.  Mammon eventually catches wind of it and shows up to charge a fee.  The parents are pretty sure Disney doesn’t charge fees like that, but their kids really want a pic with Asmo so they hand over the two bucks.  (“Oh it’s so low” come on Mammon’s not a dick to children.)

And that’s the story of how Mammon and Asmo ended up in Disney Jail.  You’re very much not allowed to pretend to be a cast member and then charge money for it.  Lucifer has to bail them out as their “guardian,” and as punishment they aren’t allowed to opt out of It’s a Small World.

Small World isn’t that bad imho, and those like Diavolo, Satan, Simeon, and Levi would like it a lot.  But Lucifer has been playing parent all day, Belphie does not like the noise, and Solomon has literally been on this ride at least fifty times.  Very mixed feelings on this one, but it feels fitting to end with that and a fireworks show.

All in all though this wasn’t the worst trip Lucifer’s been on (cue everyone applauding for some reason).

Barbatos by far had the least fun of them all because for four days he was stuck in a park where the mascot is a fucking rodent and he wasn’t allowed to annihilate Mickey Mouse where he stood

“Disneyland Devildom when” “Lord Diavolo, no”

Masterlist

[shihalyfie]

Neverland, the role of “nostalgia” in Kiuzna’s narrative, and the 02 quartet’s unusual immunity to it

In general, the 02 quartet (my shorthand for the four human characters introduced in 02 who weren’t in Adventure, namely Daisuke, Ken, Miyako, and Iori) have a position in Kizuna that you can call “shockingly favorable” in that they’re kept safely out of the most dangerous parts of the plot in ways the others aren’t. This especially sticks out when we get to the Eosmon incident reaching its climax, when Takeru and Hikari are placed in the same situation as their Adventure seniors, despite the movie and its surrounding media generally portraying them closer in line with the others in the 02 group than the Adventure group.

To be a bit blunt about it, the obvious main reason the story is set up this way is meta -- a lot of the climax’s effectiveness depends on the audience getting sensory impact via recognizing things from the original series (including 02 as well; how convenient it is that all of the international Chosen are in the positions 02 fans would recognize!), and so it’s obvious that said climax would evoke imagery related to the series that was Digimon Adventure, while the 02 quartet would be treated extra-kindly by the narrative due to the need to give them compensatory action screentime given certain real-life events. But just because the originating reason is meta doesn’t mean there isn’t also a story reason for it, especially considering the relevance of 02′s themes in Kizuna’s narrative, and the surrounding circumstances regarding both series.

Before we get into anything else, the first thing that needs to be established is that Menoa and Eosmon’s lure is pretty obviously depicted as working on a subconscious level. This is why everyone else in the narrative agrees that what they did is “kidnapping”, despite her insistence that she’s just doing what they wanted. While they can’t not admit to having moments of weakness, nevertheless, it’s likely that most if not all of the people Menoa kidnapped consciously knew better and had learned better lessons than this a long time ago; if Menoa had consciously offered Neverland to her victims, most of them would have probably said no! But as Daisuke said back in 02 episode 49 -- when he witnessed his own friends being subjected to something similar at the hands of BelialVamdemon -- there’s no sin in having feelings of worries or troubles (and, by extension, irrational feelings in general), and Eosmon’s abilities and Neverland happen to be able to directly target them. In fact, we ourselves got to witness this internal conflict when Menoa made her direct offer to Taichi and Yamato to join Neverland; they briefly considered it because of the circumstances, but were snapped out of it quickly with Agumon and Gabumon’s intervention, and were really, really mad at themselves for considering it shortly after.

We saw the process of how Ayaka became one of the kidnapping victims at the beginning of the movie -- it happened right after she complained that she wasn’t fond of the idea of becoming an adult at this point. So it does lend some truth to the idea that Menoa’s working off something with these cases, and that Eosmon did specifically target people who had those wishes to some degree. Moreover, note carefully how this kidnapping (and some others in the movie) is portrayed; Eosmon doesn’t actually emerge from the device in question (it’s obvious that nobody notices the giant butterfly monster), and the victim’s consciousness and partner are whisked away thanks to being caught by the device camera. In Ayaka’s case, because her phone was sitting on the table, pointed at her. The fact that this is not how the kidnappings are portrayed all the way to the end of the movie is a very significant point.

So let’s talk about Neverland and its construction. The whole thing is based on Menoa’s own very, very warped view of what “happiness” is. This means that Neverland is only an “ideal world” or “utopia” in a way that makes sense to her -- and once you learn the full extent of her backstory, it becomes apparent how she came to the mentality she did, and, more pertinently, how she ended up projecting that on everyone else. Hence, how she came to decide that she knew better and should decide for everyone, because she thinks she gets the right to decide on everyone’s happiness based on her own experiences. (She doesn’t.)

The way Neverland is constructed is that everyone has “their own places” -- their own individual islands that recreate “memories” of everyone being able to be together with their partner, forever. So in other words, it’s not just that everyone’s being turned into children; it’s that they’re being kept in an eternal loop of their best memory and unable to “move forward”.

Here are three very significant parts about this, which will be important to keep in mind as we go deeper into this analysis:

Menoa’s view of this utopia requires people to be separated -- for all she claims this is a utopia where people can play together, she discourages fraternizing and encourages everyone to stay only with their own partners. This is, presumably, to lessen complications with said memories, because what might be one person’s best memory might not be for another, and also because she thinks one person being alone with their partner is happiness enough in itself. As we’ll be seeing later, this is very much not the case for everyone.

A lot of these memories in Neverland -- and Menoa’s own mentality, as we eventually find out -- are heavily dependent on the concept of rose-colored nostalgia, or, that is to say, conveniently omitting or forgetting about all of the bad things about one’s past in order to portray it as such a wonderful thing that nobody should ever move on from. And in the end, that probably applies to real-life childhood in general, too; as much as it’s so often put on a pedestal for being a time when “everything was simpler”, you can also easily argue that it wasn’t actually all sunshine and roses, it’s just that the process of forgetting things or the grass-is-greener phenomenon makes you conveniently forget all of the bad things and frustration that came with it too.

Because the concept of needing to stay in the past forever is based on the idea that it’s preferable to growing up, these memories thus have a strong premise of “things you cannot do anymore” -- something that, bar going back to the past and never moving from it, you will never get back or be able to sufficiently recreate. It’s unlikely the islands themselves are one-to-one recreating their specific memories in the way they happened, but rather seemingly presenting them the opportunity to “constantly do over” things they want to recreate or do again, as long as those things are associated with a happy thing that isn’t as easily accessible anymore.

In the case of the five Adventure group members who were brought into Neverland, these “memories” that they’re seen trapped in are, of course, from Digimon Adventure.

It is of course foolhardy to pretend that the main reason for this wasn’t meta, since, of course, there’s a huge point to be made here about the relationship between Adventure and nostalgia, plus the simple fact that this is what we’re most likely to recognize and be nostalgic for, but it also makes sense within the context of the narrative; Menoa has an extreme bias towards the happiness of her childhood revolving almost entirely around her partner, and, of course, Adventure was when these kids first had their most formative meetings with said partners. (This is also probably the in-story explanation for why the other international Chosen from 02 appear at or close to their 02 selves; beyond the meta reason of it being a way to make them recognizable when we only knew them for such a short time, it also approximates when they met their own partners.)

On top of that, Adventure was not all sunshine and roses for its cast! After all, there was a ton of drama and emotional trauma and stress from running away from enemies trying to kill them, or trying to save the universe, and glossing over that is also foolhardy -- but this is also where our concept of “rose-colored” comes in. Menoa’s not offering the kids the entire adventure; she’s offering them a small slice of the moments when they were able to be happy, the moments that made them want to stay in the Digital World for a whole 110 years’ worth of time at the end of Adventure -- she’s basically offering them that very thing they wanted and had ripped away from them at the end of Adventure when the time dilation phenomenon stopped. Take out all of the bad stuff, and suddenly, the events of Adventure seem outright romantic -- it’s the whole school of thought that fueled Adventure’s inspirations of Two Years’ Vacation and Stand By Me, in which a lot of stressful stuff happened and yet you still can’t help but think there was something magical and romantic about it. (I cannot emphasize enough how much of a cultural impact Stand By Me in particular had in Japan, to the point where it’s considered the epitome example of a “coming of age story” and “summer adventure”.)

Let’s take a closer look at what’s on each of the Adventure kids’ personal islands:

Hikari is probably the one in the most unusual position among this group, since she didn’t join until over the halfway point, and the first arc she got involved in revolved around everyone wanting her and Tailmon dead. Thus, the memory we get to see her involved in is the Numemon factory in Adventure episode 49. Although this was in the middle of the Dark Masters arc (and, uniquely, very close to the end of the series where a lot of stress was involved), due to the limited amount of time she got to be in the Digital World, this was the one time she got to do something really cool and awesome and impressive for herself that had nothing to do with the others (again: see how the requirements for these islands require not fraternizing with friends and being isolated).

One thing that the Adventure kids got to do that wasn’t in play in 02 was that there were a lot of “romantic experiences”, involving strange adventures and things like phone boxes on the beach, and, very significantly, “Digimon friends” -- ones that the kids made a huge note of bonding with over the course of the series. This contributes to a certain sense of whimsy that was involved in this adventure that the 02 quartet ultimately never ended up getting to foster, because the lack of the time dilation phenomenon meant that they spent much less time in the Digital World overall (more on this in a bit), and once the time dilation stopped, it meant that these kinds of “whimsical” experiences were ones the Adventure group was permanently torn away from once that adventure ended. That dropping of the time dilation phenomenon not only cut that initial adventure short, it also prevented any future ones like it from ever happening again.

And, of course, this is an extremely rose-colored memory, because shortly afterwards, the Numemon ended up all sacrificing themselves for Hikari. But hey, when you’re in a space that can eternally loop good memories forever, everything’s fine as long as we conveniently never get to that part, right?

From this point on, you’ll notice that all of the memories that show up on these islands are from before the halfway point of the series, because after that, things started getting increasingly pear-shaped and much more difficult to disentangle the stress, mental breakdowns, and witnessing of deaths from. (Hikari’s probably wouldn’t have come from such a late incident if she hadn’t joined the party so late.) Although there still were looming threats around the horizon in the beginning of Adventure, they weren’t always immediately apparent to the kids at every turn, and in fact, the beginning of the series involved more of a “well, we’re in this situation and probably need to get home somehow” aura than it did a “the world is in danger and all of us might die” aura. (It’s also in direct contrast to the 02 group, who were given the details of the crisis and what they needed to do roughly from the get-go.) So in other words, if you want to have some rose-colored nostalgia about the romanticism of this adventure, these are some of the best episodes to pull from.

Takeru’s is obviously from the Village of Beginnings, corresponding to Adventure episode 12, when he and Patamon got to have a fun romp through the village, play together, meet Elecmon, and learn about how Digimon are born. It’s also very much something he did without the others, only with Patamon, and had a lot of “fun and happiness” associated with (later solo episodes with Takeru had a lot more upsetting events more intrinsically tied with it), and, again, it’s extremely rose-colored -- it wasn’t even a day later when Angemon died in front of Takeru’s eyes. But hey, that’s even more reason to pick a moment from before then to stay in forever! Can’t have trauma if that trauma never happens, right?

Also, note that Takeru is one of the few here who’s confirmed to be aware of the partnership dissolution issue at this point, and, unlike Koushirou, isn’t confirmed to have accepted a forward-thinking mentality about it yet -- this is a very, very prime time for his fears of being separated from Patamon again to have a nasty relapse.

Mimi’s is the closest to the midpoint of the series, from the affair with the Geckomon and Otamamon castle (from Adventure episode 25; the metal railings here resemble the stage railings from that episode). It’s from the period of time that was a “lull” -- when nobody actually knew about the encroaching threat of Vamdemon quite yet, and for all it was worth, there was no longer any danger. So Mimi got to live happily in the comfort of the castle and play around with the Geckomon and Otamamon...which, of course, also conveniently excludes the affair where she went on a power trip, made everyone miserable due to her selfishness, and immediately felt guilt over it.

Mimi’s associations with this incident are not entirely negative; she was clearly still having fun singing for them in the end (note how her clothing during that scene involved her regular outfit, which she has on here), and she still had a positive impression of her relationship with the Geckomon and Otamamon as per Adventure episode 47 and 02 episode 6 (and as per 02 episode 15, even though everyone’s initial encounter with TonosamaGeckomon ended badly, nobody actually has any lingering grudge against him). So if you filter out that whole affair with the power trip and the resulting embarrassment, it was a meeting with a bunch of fun Digimon friends, a romantic little castle, and a fun stage session where Mimi got to sing.

Jou’s refers to the Infinity Mountain incident in Adventure episode 7, and even from the get-go you can already see the level of rose-coloredness in Jou’s gesture -- in the actual incident depicted, Jou went to the mountain out of a sense of obligation and stress, and the initial climbing involved him having a bit of a bickering moment with Gomamon. But once they did get up there, it was actually their first time the two of them got to really “bond” -- and not only that, their encounter with Unimon had Jou even look on it with fascination, before the Dark Gear had ever come into play.

So in the end, Jou really would have found the incident enjoyable and worthwhile if not for that, and from there you can understand why it would be appealing for him to revisit that setting and finally get to have a bit of calm fun with Gomamon there -- especially since, again, the Neverland islands have a very strong preference for isolating the kids from others, and this was one of the few times Jou got to have a major moment of calm like this alone with Gomamon, with a slight reprieve from the constant feeling of stress and duty.

Koushirou’s most prominently resembles the “sealed room” in the factory in Adventure episode 5, and while Koushirou certainly continued to make a large number of exciting discoveries after that, this was the situation where Koushirou, with no one else but Tentomon to worry about in the immediate vicinity, got to have the largest sensation of “novelty” -- where he first came upon the fascinating discovery of data manipulating reality around him, and he actually got to see the world change around him by wiping things off a wall.

And, of course, there were other things going on like Tentomon confronting him with his first existential crisis, and how things quickly went south with Andromon...but we don’t have to remember that part for now, right?

An interesting thing about Koushirou: the circumstances of how he was “kidnapped” in the first place are actually somewhat obscured compared to the other four in this scene, since Menoa presumably needed him conscious in order to get his list out of him, resulting in his kidnapping scene also involving an emerging Eosmon and not having him be instantly taken the way we see Takeru and Hikari (more on this in the section below). It’s thus unclear whether he’d be in their boat had his position in Menoa’s plan not been unusual -- said memories in Neverland involved “gathering information and learning more”, something he still actively involved himself with even after the events of Adventure, and he’s also the first one to reach a forward-thinking mentality about the partnership dissolution phenomenon. Either way, once he was already dragged into Neverland, it’s natural that the place could find a good memory for him in the same way it did for the other kids who were “manually” dragged in, but the actual method of entry and whether Koushirou's post-Adventure life put him in a mindset similar to that of the 02 quartet (again, see below) is a bit ambiguous.

So here’s an interesting part about how the 02 quartet gets involved in this story: their own encounters with Eosmon happen during a part where the method of kidnapping has abruptly changed. As many have pointed out, this is also when the degree of the targets Menoa wanted had also suddenly escalated, because while her previous claims had involved the idea of kidnapping like-minded adults (who, indeed, were entertaining thoughts of nostalgia to even some degree), she was now kidnapping actual children, ones who weren’t even nearly at the point of the supposed drudgery of adulthood that Menoa claimed they would eventually have, and with her arrogantly deciding she knew better for all of them. The part that becomes particularly intriguing about this is that the exact same thing happens with Miyako -- she is explicitly stated to have connected her laptop to the Internet, resulting in an Eosmon physically emerging and chasing her instead of instantaneously snatching away her consciousness through a camera like her own fellow 02 group members Takeru and Hikari.

So in other words, the 02 quartet’s favorable position in this incident doesn’t just have to do with being lucky enough to have gotten Koushirou’s warning about the Eosmon early; they (or at least Miyako) also seem to have a certain degree of outright immunity to it, much like the young children who aren’t old enough to have nostalgia yet. (Also, keep in mind that Takeru was caught thanks to a security camera; “excess caution with electronic devices” alone wouldn’t necessarily have guaranteed their safety.)

Recalling that, for the most part, Takeru and Hikari are usually treated more like 02 group members in the context of this narrative yet are, in this one case, treated as being potentially nostalgia-prone, it stands to reason that the main difference between the two of them and their fellow members in the 02 group is the fact that Takeru and Hikari went on the adventure in 1999, and the quartet did not. So in other words, the reason the 02 quartet isn’t as prone to this is not so much that they’re fundamentally different-minded people, as much as they have a distinct lack of an experience they can be attached to the way the Adventure group is to their own 1999 adventure. (Remember that Menoa’s kidnappings work heavily on subconscious feelings; you can’t blame anyone for having these kinds of feelings no matter how much they’ve consciously learned.)

As I said earlier, it’s foolhardy to pretend that Adventure was all sunshine and roses, and, likewise, it’s also foolhardy to pretend that 02 was nothing but suffering for everyone involved. Both series involved a lot of balancing of funny, silly moments to be treasured as much as they involved stress (which is why people are so attached to both, after all). So the question is not so much how happy they were in their childhoods as much as the nature of what that happiness came from, and what relation it has to their current lives. And when you look at what experiences the 02 quartet had back in 02, you might notice a thread of the fact that it is significantly harder to romanticize the events of 02 than it is Adventure.

Let’s put it this way: Let’s say that the 02 quartet was kidnapped into Neverland and placed onto islands that fit Menoa’s view of happiness. What, exactly, would you pick from 02 itself that would work? What kind of “happiness” did they have back then that’s so romantic, so impossible to replicate now, that they’d want to go back to because it’s better than their lives now once you disentangle all of the bad stuff?

...Not much. Not much at all, actually. Hanging out in the computer room together? Doesn’t seem like they cared that much about the computer room part as much as the fact the others were there bantering with them (which would put a huge nail in Menoa’s islands mandating isolationism). Going out on a picnic together? No reason they can’t just go on another picnic again (and if the BD box is to be believed, that’s exactly what they did, and they even added Ken to it while they were at it). Hanging out with their Digimon in real life and doing silly hijinks? They’re...probably still doing that now, actually. Getting to find true happiness at a Christmas party? That’s a party from the real world (again, something they most certainly continued to do thereafter), one where the happiness came not from the romanticism of anything that happened to do with some adventure, but just the happiness of being surrounded by true friends, which, again, Ken is still clearly getting to do by the time of Kizuna.

Once you look at the circumstances of what the “adventure” of 02 was to the 02 group, you may realize that it doesn’t really resemble the traditional romantic image of an “adventure” much at all. Sure, they were blessed with being able to regularly go back and forth between the Digital World from the get-go, but it meant that -- especially without the time dilation in play -- the Digital World became much less of a picturesque area associated with a one-time memorable adventure as much as something they had to squeeze in their after-hours while juggling it with their school. The circumstances they encountered their Digimon and the Digital World in were at a point where it had a certain level of “mundane” to them, compared to their seniors; it wasn’t a “fantasy adventure in the Digital World” when so much of the story also revolved around real-world events as well, and you can’t really find many “mysterious fantasy” events in 02 that resemble much of those in Adventure. The closest might be...Daisuke seeing Numemon pile out of a vending machine in 02 episode 1? (Not very romantic.) Daisuke getting chased around by a Tortomon in 02 episode 22? (Really not very romantic.) Iori getting to tour the ocean with Submarimon? (Implied to more about relief from how much he was holding himself back than the uniqueness of the experience in itself.) Ken’s long-time-ago flashback from 02 episode 23 about meeting Wormmon for the first time? (Defeating a Gazimon is hardly that impressive; the important part was him bonding with Wormmon, which he’s...uh...still doing now?)

There weren’t any lasting relationships with Digimon friends like the ones in Adventure, maybe encountering some civilians once and not seeing them much again after that, especially since the lack of time dilation meant not getting to spend as much time visiting them much at all (think about all of the really fun experiences that the Adventure group probably had that weren’t shown in the actual Adventure TV series, just because it probably didn’t have enough drama that would make a good TV episode plot). This means that there’s very little, if at all, of 02 that represents something this group would want so badly to recreate that they can’t already do now; everything from back then was either something comparatively mundane, or something they actually would not want back. Unlike with Adventure, where a lot of the kids had irreplaceable moments that only happened to be spoiled a bit later, a lot of the “really awesome accomplishments” from the first half of 02 were explicitly against Ken, someone whom they’d probably rather not dwell on fighting again because of how much they love him now; many of those good memories are “retroactively poisoned” because of that, and it’s much, much more difficult to make a rose-colored version of those memories disentangled from the bad, because of how fundamentally intrinsic that retroactive poisoning becomes.

And, when you think about it, the mandate of “you have to be alone on your own island” would pretty much break these four in particular, especially since the 02 group is portrayed as the type to need mutual support more than anything else, and so many of the events that represent “happiness” specifically involved the happiness of each other being present. It’s not to say that the 02 quartet had no moments of happiness when alone with their partners, but, rather, being with each other provided so much more fulfillment to them that Menoa’s offer of a memory of their past that requires them to be alone probably pales in comparison to anything they could do now in each other’s presence. Maybe, like with the other kids depicted in these scenes, they could be buttered up with something nice if you successfully got them into Neverland, but it’s not like they have any real wistfulness about anything from back then to the point that they’d be subconsciously drawn towards it instead of having to be dragged in kicking and screaming -- and especially in the case of Miyako, the same one who managed to evade an Eosmon here, who was offered a similar “chance to be alone” back in 02 episode 49 and didn’t take very long to decide she hated it because of how much of her happiness comes from getting to be with others.

By the time of the end of Adventure, the Adventure kids’ ideal situation was to have a romantic and fun 110-year adventure with the sights and fun of the Digital World, with all of the weird fantasy surrealism and less of the world-saving, and that’s something they never got to have (and that Menoa was inherently offering them). By the time of the end of 02, the 02 quartet’s ideal situation was...to find a way to get back to normal life and hope their friend feels a little better, and that “ideal situation” is still persisting even into the time of Kizuna, so it’s hard to imagine they really want more than that.

And, again, when you extrapolate this into what Kizuna’s trying to say about real life, adulthood, and nostalgia: it is true that Menoa’s projecting a belief that absolutely does not apply to everyone. While it’s true that many people feel that childhood had a certain kind of magic that you can’t get back in adulthood, there are possibly just as many people who aren’t really all that nostalgic to begin with, either due to trauma or something about their childhoods being miserable, or, even in the lack of such miserable events, simply enjoying the added freedom and expanded range of ability that comes with adulthood to the point they consider it to be more than worth the tradeoff. The 02 group basically represents this crowd -- Ken’s life right now beats out his past in pretty much nearly every respect, and while there are certain concerns about not being able to meet up as often, they’re finding the same ways to do the same kinds of over-the-top hijinks they did back in 02, with arguably even more range now that they get to exploit Digital Gates to do world travel and act without worrying about their parents. They’re basically like the adults who see Menoa’s creed of “childhood is better because adulthood sucks” and go “sorry, can’t relate.”

That said, remember: this isn’t because the 02 quartet is somehow mentally stronger or anything, but rather just a byproduct of what experiences they've had and haven’t had. Takeru and Hikari’s position is unique here -- for all intents and purposes their mentalities are portrayed as closer to the 02 group’s, but they did still have the experience their seniors had and are thus still capable of being close to their position in this one regard. In the end, everyone is different, it’s no sin to have feelings based on those differences, and “being able to relate” to one’s position is also an important key here; because the 02 group’s position is so alien to Menoa’s, it’s unlikely they could have tackled her problems nearly as intimately as their seniors could.

What we learn about Menoa’s backstory establishes that she forced her vision of nostalgic happiness on everyone based on her own perception of her past in such a warped, rose-colored manner. She conveniently omitted or forgot about details such as the fact that her life as a “child” involved feeling ostracized from everyone and that she herself was guilty of neglecting Morphomon. Not only that, she herself claims that she’s the only one who knows what this feels like -- that nobody relates to her -- and thus, you can see that she came to her conclusion that her experiences are universal by the power of sheer extrapolation, hence why she thinks everyone inevitably loses their partner upon reaching adulthood despite pretty significant amounts of evidence to the contrary. (For all it’s worth, the fact that she still considers herself as having “become an adult” at 14 just because she got into university at that time is pretty conceited.)

Menoa’s existence as being so starkly in contrast to the 02 quartet’s is very likely because her entire character was built up from the ground that way -- her entire backstory of skipping grades into university is heavily based on 02′s initial development premise and Ken’s own backstory, meaning she explicitly represents the path that Ken and the other 02 kids chose not to take, and the timing of certain events in her backstory seems almost deliberately engineered to prevent her from witnessing some of 02′s important answers to Kizuna’s conflict, most notably her inability to witness the final battle and the important lessons everyone present learned about following one’s dreams without restraint, and how that relates to one’s partner. Menoa’s mindset is basically that level of incompatible with 02′s themes of “moving on from the past” and “not caving to arbitrary societal expectations”, to the point her character could only get to this point by going out of the way to exclude her from 02′s story and events, because she’s fundamentally built as a character who started off on a very similar path as them (getting to integrate her Digimon partner into normal life, having a similar backstory to Ken) before veering off on a very different one.

Moreover, about that backstory, and the reason why 02 was conceived as such a criticism of the concept of “skipping grades into university”: the concern that someone in this position will be kept from making any friends their age. Menoa puts the moment of “being with one’s partner” on such a pedestal and considers herself to be “the only one who knows what this feels like” partially because she has a fundamentally warped view of friendship itself. Even the Adventure group, which may not have had quite the absurdly tight level of bonding the 02 group had, still broke out of the illusion via Taichi and Yamato reaching out to them, and Taichi and Yamato giving each other mutual support helped them make the decisions they did in the movie. The movie is titled “bonds”, and “bonds” doesn’t just refer to those between human and Digimon partner, but also bonds between each other; Taichi, Yamato, and Sora slowly drifting away from the others at the start of the movie has very strong relevance to their respective existential crises, and the role that Taichi and Yamato play in supporting each other, and Mimi’s in supporting Sora in To Sora and even beyond that, say a lot as to how they’re already expected to be much better off than Menoa was.

It’s not that adulthood is inherent drudgery; it’s that Menoa’s own circumstances really are that warped to the point where she sees her very unusual experiences as fundamentally synonymous with how life is supposed to work in general. She was so obsessed with “being independent”, “being useful to the world”, and “being on her own” that she had no mentality of making friends or connecting to others besides her own partner, and once her partner disappeared, she seemed to make no attempt to rectify that. So of course her life in university following that ended up being not nearly as fulfilling as she’d hoped, since she was getting no real emotional support from anywhere, and, as 02 itself also drove home, apparent “approval from society” only ever makes you as “happy” as a Dark Seed-implanted child if you’re not also being supported by your loved ones in the process. Her adulthood sucked, and she decided that everything about her rose-colored childhood meant that childhood is fundamentally superior in every way, and thus decided that keeping everyone else in it would be “saving” them from the terror it involves -- even though (even if they’re not aware of the specifics of everything) the 02 quartet is not the kind to be able to relate to this at all, and, eventually, Taichi and Yamato, who do understand her position a bit better due to their own experiences, are able to get her to reconsider a little.

[fallen-gravity]

awaken the stars, ‘cause they’re all around you

Stanford Pines never really believed in soulmates.

He can't imagine the idea that there's one person out there for him in the multiverse who would stop at nothing to love him for who he is, despite everything he is and everything he's done. He can't imagine that someone out there is meant for him, someone who will stand by his side until the end of time.

Or maybe he'd just been looking at it from the wrong angle.

Notes: 

HAPPY BIRTHDAY, @stariousfalls!!!!! I can't believe we've been friends for upwards of five years now?? You've been a huge inspiration of mine from my first day in the gravity falls fandom back in late 2014, and now you're one of my closest friends. I've been spending the last week and a half working on this behind your back, because I wanted to surprise you with a gift I thought you'd love!!

7.5k words of fluff was....not my original plan, but fluff brain wanted to go feral for you, I guess.

Huge, huge shoutout to @ariasofelegance  for helping me keep my mouth shut about this, I absolutely would've internally combusted without your help & support

AO3

Ford never saw the appeal of romantic relationships.

One night when he and Stan were kids, they snuck downstairs in the middle of the night after their parents were asleep to dig through Pa’s “Secret stash” of movies he thought he was good at keeping a secret. They’d thought for sure they’d be coming across bootleg cuts of action movies that were still playing in theaters, or documentaries about how all of the politicians in power were secretly aliens. 

What they actually found was much more…sensual. They were both horrified, to say the least, but each time Ford had to turn away to prevent himself from gagging, he’d hear Stan beside him struggling not to laugh. 

For years, Ford was convinced coming across those tapes before he was old enough to fully comprehend what was happening in them is what had turned him off to relationships altogether. It certainly didn’t help that he was never able to experience romantic relationships firsthand, as every time he tried asking someone out in high school he’d just be laughed at or called a freak.

Though college was another story entirely, his feelings towards romantic relationships never seemed to change. He went out with a girl from his dungeons, dungeons, and more dungeons club for a few weeks, a guy from his advanced physics class for almost two months, and even tried going out with Fiddleford for upwards of nine months, but he never felt that deeper connection with any of them, no matter how much he wanted to feel that connection. 

It’d be forty more years before he learned the term aromantic, but when he was still in college he would brush off his parents’ questions about his relationship status by telling them he was too busy working on his thesis, which technically wasn’t all that far from the truth anyway.

Still, the faint sense of yearning never seemed to leave him be. Whenever he found gaps in his schedule, he would spend hours in his university library reading up on the science of relationships and their place in society. Though he no longer remembers most of the papers he read, one scientific study that’s always stuck with him was a dissertation written entirely on the concept of soulmates.

Everyone has a soulmate, the paper claimed. Though it may be decades until you properly meet, your path always leads to the moment that you and your soulmate are finally united. Once finally together, not a single force on earth can tear you apart. Even if you are apart physically, the stars will always align to bring you together. Weirdest of all, the paper mentioned soulmarks, which were described as “the phenomenon that a person’s very soul is marked with a piece that belongs to their soulmate, which may appear as a physical anomaly on a person’s body, such as an oddly-shaped birthmark”. 

Ford had thought for sure that somebody must’ve moved a romance novel into the sociology section of the library as a joke. The only sort of anomaly he had going for him was his polydactyly, and thinking too much about how that could connect him to a single person who was destined to love him gave him a headache. 

Nowadays, though, Ford tries not to give it much thought. He’s perfectly happy right where he is, watching the sunrise from the deck of the Stan O’ War II through the steam visibly rising from his coffee mug. 

He sighs contently. 

“Mornin’” Stan’s voice sounds beside him, gruff with sleep. When Ford turns to look at him, he’s rubbing at his eyes with one hand while he holds a steaming cup of coffee in his other. He’s already donning one of the sweaters Mabel mailed to him, a deep blue with a tropical island and a treasure chest stitched across the chest.

Ford smirks. “You’re up early” 

Stan cocks an eyebrow as he sips from his coffee. “A’course I am. I always get up early when we’re docking to see the kids”

Ford blinks, the teasing smirk on his face melting into a gentle smile. “That’s today?” 

“Haven’t you checked the calendar lately?” Stan tosses a second handmade sweater at Ford. This one’s the same shade of maroon as his journal covers, and pictures an angry cycloptopus squirting ink towards the bottom left corner of the sweater. “The kids are on spring break. They talked to their parents about letting us have ‘em all week” 

Ford is quick to pull the warm sweater over his head. “All week?” 

He can’t help sounding like a broken record, but it’s been months since the last time he saw the kids face to face. Sure, they talk over video at least once a week, but nothing beats seeing their smiling faces and having them nearly tackle him to the ground in a hug in-person. 

“Heh, you miss em too, Sixer?” 

As little as two years ago, Ford would’ve flinched at the nickname. But Bill is gone for good, and Ford knows that Bill is gone for good, and Stan made a promise to do anything in his power to help him reclaim the nickname. He brings his mug close to his face without taking a sip, allowing himself to take in the warmth in his hands and the steam in his face.

“Not as much as you, clearly” Ford smirks, and Stan crosses his arms over his chest.

“You bet I missed them more than you. I’d been taking care of them all summer before you showed up and fell in love with them in half that time”

Ford smirks as he finishes up his coffee and heads into the navigation room to set their course. “By that logic, wouldn’t that mean that I miss them more, since I had less time with them?”

“Hey!” Stan groans as he follows him into the room. “It does not. It means that you don’t know them like I know them, genius. Everyone knows that it’s all about how much time you’ve spent with a person that determines how close you are with them” 

Ford laughs as he enters the coordinates they need to get to the seaport they were meeting the young twins at. From the looks of it, it’d be three hours before they arrived. 

“Mm, and who put that study together? Was it you?” 

Stan doesn’t reply with words, just a noise that sounds halfway between disgruntled and baffled. It makes Ford laugh even harder, and he wipes at his eyes with a wrist. Out of the corner of his eyes, he sees Stan’s overdramatic pout melt away until he’s laughing too. 

The sight of it makes the smile on Ford’s face widen. It’d been decades since the two of them were able to just be like this. It’d been so long since the last time Ford heard Stan’s genuine laugh that he’d gone and forgotten what it sounded like altogether. When he was still traveling the multiverse, he searched far and wide for a shred of hope, something to keep his anxieties and nightmares from catching up to him.

What a fool he’d been to ignore his childhood memories of home. 

The trip is a quiet but familiar one. Ford can’t talk much when he’s steering because he needs to be on constant lookout, but Stan remains in the room to talk at him and keep him company anyway. The sun is well over the horizon by the time they reach the seaport, and call it instincts, intuition, or something else entirely, because Ford spots the kids sitting on a bench in the near distance the moment he and Stan step foot onto the dock. 

They’re squished closely together, watching a video on Mabel’s phone. Whether they’re aware of it or not, they’re swaying their legs back and forth underneath the bench in perfect unison. On the ground beside them are their backpacks, overstuffed with so many things that both of them are popping open. 

Most importantly, neither of them have noticed that Ford and Stan are approaching them. 

Ford exchanges an amused glance with Stan, and clears his throat to catch their attention. 

The phone nearly stumbles out of their hands in shock when they look up and meet their eyes.

“Grunkle Stan!” Mabel squeals, standing to sprint past Ford to knock Stan off of his feet. Ford chuckles at the sight, but not quickly enough to hear Dipper’s “Great Uncle Ford!”, and before he knows it he’s hitting the floor too. The young twins are laughing messes, and stumble over each other as they try to stand to their feet and help their Grunkles up. 

Mabel spits out the hair that stuck to her mouth, and pulls a hair tie seemingly out of thin air to tie her hair up into a ponytail. It’s only now that Ford realizes that she and Dipper are also both wearing sweaters, and if Ford had to guess, it looks like Mabel made both of these sweaters as well. Mabel’s is a galaxy print with actual twinkling stars, and Ford makes a mental note to ask her later what she did to make it glow like that. Dipper’s is also space themed, though his pictures the big dipper splotched across a black night sky with a bright orange meteor shooting through the center.

“You have to tell us about everything you’ve encountered”, Dipper beams, once Stan finishes brushing himself off. 

Stan cocks an eyebrow. “Two years’ worth is a lot to get through, kiddo”

“Exactly!” Mabel beams, turning to pick up her backpack and put it on. “Which is exactly why you can tell us on the way to the hotel!” 

“Hotel?” Ford and Stan ask in unison.

“Surprise?” Dipper giggles. “Our parents rented us a hotel room for the week cause they figured you’d appreciate some time away from the boat” 

“It’ll be like our summer in Gravity Falls all over again!” Mabel grins. “But in reverse! You’re in our territory now” 

Stan laughs. “You’re the boss, kiddo”

“You bet I am!” She beams, and hands Dipper his backpack. “Now c’mon! If you tell us all of the horrors you’ve encountered out at sea, we’ll tell you about all the horrors we’ve encountered in high school!”

“I...think I remember those horrors pretty well already, thank you” Ford smiles sheepishly, adjusting his glasses. “But we’d be more than glad to tell you some of our own stories”

It’s a short walk to the bus stop, but Ford honestly wouldn’t mind if they walked all the way to the hotel on foot if it meant an extra half an hour with the kids. They’re just as eccentric as he remembers, attached at the hip but still wildly different people all on their own. Dipper’s still hanging on to every word he’s saying, and Mabel’s still skipping along like she’s in her own world. 

Once they reach the hotel and check in, Dipper collapses face first onto one of the beds the moment he steps into the room, groaning. 

Stan smiles. “Something bothering you, kiddo?” 

He turns on his side to look Stan in the eye, his face smushing into the pillow. “Mabel didn’t let me get any sleep last night. She insisted on getting to the seaport three whole hours early because she insisted that she had this gut feeling that you guys would have the same idea and we’d magically show up at the same time” 

Mabel pouts, and sits on the bed besides him. “Well it’s not my fault you stayed up late reading that dumb book of yours. Plus, would you rather have kept them waiting for three hours?” 

Dipper removes his hat and places it on the table beside him, exposing just enough of his forehead through his hair to reveal his birthmark. It has the same faint glow to it as Mabel’s sweater, and Ford wonders how the two could possibly reflect off of each other. 

“Their boat has beds and a fully stocked kitchen, Mabel. They can afford to wait. All we had were those strawberry pop tarts that you ate five minutes after we got there”

Ford can’t help but smile softly at their banter. He missed them so, so, much more than he could’ve ever imagined. He’s got half a mind to stow them away on the boat at the end of the week and homeschool them both himself so he never has to be apart from them again.

Apart. The word still feels like a knife twisted into his chest. There’s nothing he regrets more than trying to separate the young twins from each other two summers ago because he’d been so caught up in projecting his own fears onto the pair. He’d tried apologizing to Mabel over the whole ordeal, but she stopped him before he could even start to tell him he had nothing to worry about.

He only wishes he could learn to forgive himself as easily as she did.

“...Can we, Grunkle Ford?”

He blushes. Had he just said all of that out loud?

“Can we...what?” 

“Take the boat out! Not right now, since Dips is being a grumpy-grump and insists on wasting precious time with a nap, but we’ve been talking about it all week”

From across the room, Stan snorts. “Let me get this straight,” he takes his jacket off and hangs it up in the closet. At this point Ford swears his eyes must be playing tricks on him, because Stan’s old burn scar is glowing just as Mabel’s sweater and Dipper’s birthmark are. “All the time you spent groaning and complaining about fishing every time I took you in Gravity Falls, and now you’re asking to go fishing?” 

“I was thinking more along the lines of a joy ride,” Dipper yawns from under the covers. “But if agreeing to go fishing is what gets you to say yes, then sure” 

He’s smirking under the covers, Ford can tell, because he inherited that expression from Stan.

Stan’s about to bite back, but Dipper must not have been exaggerating about how long he and Mabel were waiting for them at the dock, because he’s already out cold. Stan smiles at him, gently ruffling up his hair before he takes a seat on the adjacent bed, kicking his shoes off so he can kick his feet up on the bed and relax. Ford sits beside Stan, and Stan slings his arms behind him to support his head in his hands as he glances over at Ford. 

“They make you wanna retire the whole ‘treasure hunting’ thing and move into the city to be closer to ‘em too?”

Ford chuckles. “I’ve already considered hiding them away on the boat twice today already.” He taps at his chin. “Though I suppose that moving in with them would go over better with their parents then taking them away to live on a boat” 

“Hmm…” Stan taps at his chin as well. “Being stuck in the same stuffy high school for four years, or living on a boat traveling all over the world whenever they feel like it? I dunno about you, Sixer, but I have a pretty good idea on what the kids would prefer”

“Grunkle Stan? Grunkle Ford?” Mabel’s voice suddenly chimes in, and Ford blushes, wondering how much of that she just heard. 

“What’s on your mind, pumpkin?” Stan asks. 

“Well, uh, Dipper was right about us only eating once really early this morning, and I was wondering if you’d be willing to, uh” She twirls her hair between her fingers. “Cook something for us? For old time’s sake?”

Okay, it’s settled, Ford’s never letting these kids go again. 

“Sure, kiddo. Soon as your brother’s up we’ll head right back up, okay?” 

“Okay!” she beams, and crawls back into her side of the bed, staring at Dipper like she can will him into waking up on command. 

Though Ford would’ve been okay if they’d had to wait hours for him, it’s really only about twenty minutes before Dipper opens his eyes again and nearly shrieks in surprise at Mabel’s face hovering three inches from his own. He smacks his hand into her face to shove her away, and she giggles as she rolls off the bed and onto the floor. 

Beside Ford, Stan smirks. “Better get up before we leave without you and all our food goes to Mabel, kiddo. You’ve got plenty of time to crash in Ford’s bed on the ship, since he never seems to use it anyway”

Dipper yawns, rubbing at his eyes as he kicks the covers off. “I hadn’t even realized I’d fallen asleep”

“I didn’t realize you were even capable of sleep, bro-bro” Mabel punches him in the shoulder as she walks past him to put her shoes on. He glares at her wordlessly, and Ford has to cover up his snicker with a fake cough. 

This time, the bus ride and the walk back to the ship are a quiet one. Ford never really lets himself let his guard down and relax for an extended period of the time, so he cherishes any moment he can get where he finally feels like he doesn’t constantly feel the need to check over his shoulder for signs of danger. Most of the time, if you asked him about his heightened senses, he’d call them a curse. But on days like these, when he can hear the birds chirping and the waves smacking gently against the boats in the seaport, he’d almost go as far as calling it a blessing. 

The kids take a seat at the dining table as soon as they enter the kitchen, and Stan grins at them from over his shoulder as he clicks the stove on. “Whaddya say, Stancakes?” 

Dipper and Mabel grimace in unison. “Ewwww, Grunkle Stan, you promised lunch!” Mabel scrunches her nose, and Stan’s grin only widens. 

“Ah, ah, you said like old times. That means I get to decide what to make, and you have to eat it because I’m your legal guardian”.

“Well I wasn’t even awake when you were talking about old times, so I’d say that cancels out” Dipper crosses his arms over his chest, and Ford can’t help but smile warmly at the three of them as he reaches into the cupboard for his favorite coffee mug. The younger twins clearly had just gotten two copies of the same mug, but crossed both of them out so they’d say #1 GRUNKLES on them instead of #1 UNCLE. Stan has the other one, of course, but he keeps it on his bedside to hold small treasures and keepsakes because it’s, in his own words, “Too special to waste on something as ordinary as coffee”.

Ford sits himself in the seat between the younger twins at their okay, and after some back and forth banter between the four of them, they end up settling for burgers. Truth be told, this is the first time Ford’s eaten a meal in a group larger than two since the last time he and Stan visited the young twins in the winter, and he can’t help but smile into his food at the thought. The closest he’d come even remotely close to eating with others in his research years was his very, very brief time at the truck stop diner, and the experience had soured his view of...well, other people for near decades.

Now, though, he’d burn his own research dozens of times over before he’d even consider eating alone.

Stan’s chair scraping across the floor as he stands pops Ford out of his bubble of serenity. 

“Now that that’s taken care of,” Stan cracks his knuckles, smiling mischievously at Dipper and Mabel. “I think I remember a couple of kiddos finally promising their Grunkle Stan he could take them fishing”

“Promise is a strong word-” Dipper starts as he stands to place his plate in the sink, but Stan’s already placing a fishing hat on his head before he can finish his sentence. 

“Course you did! You wanna take our baby for a joyride, you gotta earn it first”

Dipper turns to Ford, like he’s expecting him to back him up.

Ford chuckles. “I don’t know, Dipper. That sounds perfectly reasonable to me”.

Dipper scoffs, sitting back down at the table. Mabel laughs. 

“Aww, C’mon, Dipper! Aren’t you all about the supernatural? For all we know, Grunkle Stan and Grunkle Ford could be harboring magical glowing bait that only attracts, like, magical talking fish men, or something!” 

Dipper raises an eyebrow. “Didn’t you just receive a bottle message from Mermando last week?”

“Exactly!” Mabel flashes a grin. “That must mean that he’s in the area!”

Stan laughs. “You tellin’ me you only agreed to go fishing so you could kiss and make-up with your long-distance fish boyfriend?”

“Grunkle Stan, what kind of person do you take me for?” she gasps. “He’s married! You know I would never want to break apart such a loving couple!”

Ford’s smile only warms. Where else could he partake in such a conversation that doesn’t turn heads and result in judgmental whispers? Where else can he just be like this, surrounded by loved ones who are just as weird, just as out of the ordinary as himself? In his younger years he thought for sure his place would be among the monsters and cryptids everyone in his childhood made him out to be, but even in the weirdness capital of the country he felt more alone than ever. 

“...Don’t think you’re immune, Sixer” Stan’s voice cuts into his thoughts, and before Ford can ask what he means Stan is smacking a homemade fishing cap on his head. “It may ruin your badass image when we’re monster hunting, or whatever, but we’re fishing with the kids.” Stan gestures to them with his thumb. They’re already outside, leaning over the railing to look out at the water in a perfect mirror of each other.  “If they have to embarrass themselves by humoring me for a few hours, so do you” 

Ford waits for Stan to join the kids outside before he takes his hat off to admire the stitch work. It’s not perfect, and nowhere near the fancy embroidery he and Stan have found in various markets across their world travels. But it’s personalized, and Ford knows it comes from a place in Stan’s mind that’s been stuck behind lock and key since he was seventeen.

Ford runs his hands along each individual letter, which reads POINDEXTER, before placing it back on his head to join the others outside. 

Stan has, miraculously, already pulled out his joke book. Stan’s laughing too hard at his own joke for Ford to really make out what the punchline is, but the younger twins’ collective groans is all he needs to know about it. When Mabel notices him stepping out of the doorway, though, her expression shifts entirely. 

“So…” she draws out, stepping towards him. “Is there a trick for attracting merpeople to your boat? I mean, asides from being super cute, obviously” 

Ford chuckles, taking a glance behind her to make sure that Stan is out of earshot. “Stan’ll kill me if I tell you this, but they’re really attracted towards shiny things. If you tied one of his gold necklaces around a fishing pole and dangled it into the water, the boat’ll be surrounded in minutes” 

Mabel offers up her pinkie finger. “I won’t tell him if you won’t”

Ford interlocks his pinkie with hers, smiling. “I think he’ll notice when a whole family of merpeople show up”

“Hmmm…” Mabel taps at her chin with her free hand, visibly mouthing a plan to herself. “Oh! I know! Come with me,” she beams, and before Ford can even open his mouth to respond she’s already dragging him back into the kitchen. She kneels down on the floor and opens the cupboard below the sink. “Got any empty bottles I can use?”

Ford blinks. “Empty....bottles”

“Yeah!” Mabel pulls a neatly folded piece of paper out of her skirt. “If I can send out my response letter the same time we throw Stan’s necklace over, he’ll never be able to tell the difference!”

“Wait, wait” Ford shakes his head. “You really are dating a merperson?”

“Listening skills, Grunkle Ford” she taps at her forehead, folding the letter back into her pocket as she continues to dig through the cupboards. “Used to date. We met at the Gravity Falls Public Pool, where he was stuck, but then I drove him to the lake in a golf cart I stole from the pool grounds because he really missed his family, and then he was my first kiss, and then we were in a long-distance relationship for like, two months, and I kept every single bottle he sent me, but then we had to break up because he was arranged to marry to prevent a big undersea war.” She picks up a bottle, shakes it, and puts it back when it’s too full for her liking. “I know it sounds, like, super complicated, but it’s all okay, because we’re still pen pals!” 

Ford laughs, shaking his head. “No, Mabel, I had to ask because I, uh…” his cheeks warm, and he clears his throat. “Before I...came to term with my orientation, I...dated a merperson too” 

The bottles in the cupboard rattle as Mabel’s head smacks against the doorframe. She’s rubbing the spot where her head hit, but there are stars in her eyes. “Really?” 

Ford’s cheeks burn even hotter. “Yes,” he whispers, and takes a knee so he can get at her eye level. “Technically he was a siren, but yes, we dated for about a month. He promised me he wouldn’t entice anyone else while we were together, but I guess there wasn’t anything...there.” He turns to help her shuffle through the cupboard, and finds a near-empty bottle of olive oil that’s definitely been sitting down there for at least a year. He hands it off to Mabel, smiling. “I’m glad that things worked out with you, though” 

To his surprise, Mabel drops the bottle and throws her arms around him in a hug. “I can’t wait to introduce you! He’s gonna love you”

Ford huffs a quiet laugh, and pulls her close as he winds his arms around her as well. The hug only lasts for a few brief moments, but it feels to Ford in those moments that time itself had stopped. Mabel stands, taking the bottle in one hand and offering to help Ford up in her other. 

Mabel places the bottle in the sink and turns the water on to rinse it out before she turns back towards Ford, stretching her arms up in the air as if she were warming up for an exercise. “Alright, here’s the plan. You tell me where Grunkle Stan keeps all of his jewelry, and I’ll sneak in and take his necklace while you distract him. Got it?”

Ford smiles. “Got it”.

As Mabel splits away for Stan’s bedroom, Ford heads back out to the deck. Dipper’s leaning over the side of the boat pointing at something jumping out of the water, rambling excitedly to Stan beside him. He’s holding his fishing hat in his hand to stop it from blowing into the water, and his hair is bouncing in the breeze. It’s just enough for the edge of his birthmark to poke through his bangs, and even in broad daylight it seems to be emitting a faint glow.

“I found it!” Mabel cheers, bounding up from behind him. She’s wearing the chain around her neck, and for some reason the gold seems much dimmer in contrast to her sweater. She takes it off and hands it to him. “You wanna do the honors while I go and throw this overboard?”

Ford smiles, ruffling her hair. “Sure thing.” He walks over to where Stan and Dipper are chatting and picks up one of the extra fishing rods. Making sure that Stan’s too engrossed with his conversation to notice, Ford starts wrapping the chain along the line, and at the signal from Mabel, he tosses his line as far from the boat as he can manage.

Five minutes pass before Mabel squeals so loud that Ford’s afraid his glasses might shatter. He reaches for the gun he knows he’s got stashed in his pants pocket, but when he turns to run to her aid she’s leaning halfway over the boat wrapping her arms around a young merman in a tight hug.

“...so good to see you again!” She’s beaming. “I didn’t think you’d be able to find us so quickly!”

“Yes, well, you were easy to track down after we figured out the coordinates to the seaport” the young man says in a thick Spanish accent. “It is good to see you too! My family was so excited to meet you”

“Your family?” she gasps. “Did they all come with you?” 

“Of course!” he grins. “We merpeople are very family oriented. Wherever we go, we go together” 

Ford winces at the uncanny familiarity of the statement. Mabel must recognize the statement too, because she responds with “Oh, that reminds me! There’s someone I want you guys to meet! Wait right here,” she says, and comes bouncing back over to Ford. Taking his hand in her own, she starts to drag him back to where she’d just been leaning. “C’mon! He’s the one I was just talking about!”

Three more merpeople emerge from the water when she gently knocks on the side of the boat again. “Grunkle Ford, this is Mermando!” she grins, gesturing to the young merman she’d just been conversing with. “He’s the one I helped reunite with his family after they were separated by tragic circumstances.” She wraps her arms around Ford in a side-hug. “Mermando, this is my Grunkle Ford! He was also separated from his family by tragic circumstances, but I helped with that too!” 

Mermando laughs. “Even when you think it’s the end, family always finds its way, doesn’t it?”

Ford laughs, shaking his hand. “It always seems that way to me”

“Awwww!” Mabel squeals. “I knew you’d get along!” She grins, and turns her attention back towards Mermando. “Before I forget, though, did you see where Grunkle Ford threw that gold necklace? If I don’t get it back my Grunkle Stan’s gonna kill me”

Mermando laughs again. “I was wondering if that belonged to any of you!” He takes off his shell necklace to reveal that he’d put Stan’s necklace on around his neck. He takes that off, too, and offers it to Ford. “I much prefer this one, anyway” he clicks his shell necklace open, revealing it to be a locket with a picture of his family inside.

Ford takes the gold necklace back, and he means to thank him, but a bell ringing from elsewhere in the port interrupts him before he can open his mouth. Mermando turns to Mabel, taking her hands in his own. “We must go. I’m so sorry we have to leave so soon, but we merpeople recognize the sounds of fishing boats very easily. We’ll try to come back later this week” He opens his arms for her once more, and Mabel wraps his arms around him in a quick hug before she watches him and his family swim away. 

“I am so glad that all you were doing was hugging,” Dipper shudders as he and Stan approach Ford and Mabel. “I’m not sure my stomach could handle witnessing you two kissing a second time” 

“Awww,” Mabel punches him playfully in the shoulder. “You’re just jealous that I had a boyfriend before you did!” 

Dipper cringes. “If you having a boyfriend before I do means I didn’t have to be the one dating a fish, then I’m glad you were the one who got stuck with him first” He punches her back, and gestures at Stan over his shoulder with his thumb. “But anyways, I came over here because Grunkle Stan says he wants to get out on the open water before everyone else gets the idea, or something”.

Ford pockets Stan’s necklace and makes a mental note to put it away sometime later tonight when Stan is too distracted to notice. “Tell Stan I’m going to untie the rope from the edge of the dock, and when he sees me back on board we’re all set to go.”

Nodding, Dipper bounds off towards the navigation room where Stan must be waiting, and Ford steps off of the boat to take care of everything else. On the way to the bow, he traces a hand along the white painted STAN O’ WAR II, and a feeling of warmth sprouts in his chest. Once back on board, he waves to Stan as he passes besides the navigation room once more, and takes a seat on one of the beach chairs they liked to keep aboard. 

Most days, Ford prefers to be the one at the wheel. But every once in a while he just wants to be. All he wants to do is lean back in one of their beach chairs and let the sun warm his face. It’s a good kind of warm, the same way spending time with the kids and heavy rain hitting his bedroom window and planning new escapades with Stan feel warm. After so, so long of only knowing unbearable burns, it feels indescribable to have a constant back in his life that heals, rather than hurts. 

“Mind if we join you?” Dipper asks, and Ford glances over to see both of the young twins dragging a chair behind them.

Speaking of healing constants.

“Sure,” Ford says, and can’t help the warmth spilling through his tone. They pull their chairs up on either side of him, and curl up to enjoy the warm breeze. Dipper places his hat on his lap to let the wind blow through his hair, and Mabel stretches her arms out behind her head to act as her own pillow. Ford chuckles silently at the pair, and closes his eyes to let himself relax.

All is quiet when Stan finally finds them a spot out on the open water without a single other boat in sight. The water is nearly still, save for the occasional small wave that gently sways the boat. The sun is at its afternoon high, turning the water beautiful shades of teal and aqua. Fishing is tedious, but it’s careful work, and gives Ford something to put all of his focus into. Two whole hours pass before any of them catch a thing, and Stan laughs himself to tears when it’s Dipper who pulls up a single sardine. 

Typically Ford prefers much more immersive activities, but right now there’s nowhere else he’d rather be. The sun is starting to set before they realize they aren’t going to have much luck catching anything, and instead decide to take the boat for another ride around the harbor to look for a better place to eventually watch the stars. 

“...Great Uncle Ford?” Dipper approaches him shyly once they’ve anchored the boat.

“Yes?”

He tugs shyly at the edge of his sweater. “I…” he starts. “I know you’ve told me that the multiverse was dangerous, and all, but...was there ever anything you enjoyed about it?” He pauses. “What were the sunsets like?”

Ford chuckles, patting at the seat beside him, and Dipper’s eyes light up as he sits down.

“You’re right,” Ford starts, folding his hands together. “I wouldn’t wish what I went through on even my worst enemies, Dipper. It was practically impossible to get any decent amount of sleep and even harder to find food digestible by human kind. I lost some of my best years to the multiverse when I could’ve gone on to become the most renowned scientist in the world.” Ford turns his gaze away from the sun setting on the horizon to meet Dipper’s eyes, but he’s frowning, eyes cast downwards towards the deck of the ship.

“But,” Ford adds before the poor kid can get too lost in his own head, placing a reassuring hand on his shoulder. “It definitely had its perks.” He smiles. “The sun in Dimension 18.2 would emit a sound that mimicked a lullaby every night as it set. Dimension 47’23 had three moons that would shift phases before your very eyes. I haven’t told Mabel because I’m afraid she’ll try activating a portal of her own and run away, but in Dimension 25-12, everyone and everything looks like a watercolor painting. There’s danger in the multiverse, but there’s beauty in equal measure”

“Do you ever miss it?” Dipper fiddles with his hands, like he’s trying real hard not to say the wrong thing. “I mean, I know you don’t miss being lost, or having no idea if you’re ever going to see home again, but...is there any dimension...where you could’ve seen yourself staying, if you thought you couldn’t make it back?” 

Ford shifts in his chair so he doesn’t have to twist his neck so much to look directly at his nephew. “Occasionally,” he muses. “I met the most friendly faces in Dimension 52, so my mind does tend to wander there from time to time” he smiles. “But rest assured, there is something in this dimension that makes it my favorite”

“Oh yeah?” Dipper’s eyes light up. “Over every other dimension you’ve passed through? What is it?”

Ford gently nudges Dipper’s shoulder. “You and your sister”

Dipper’s cheeks turn bright red, and he looks as though he’s struggling not to bury his face into the collar of his sweater and disappear. “Really?” his voice squeaks.

Ford nods. “Everything I had in those other dimensions were fleeting, Dipper. At a moment’s notice everything I grew to love could disappear in the blink of an eye. The very thing happened to me in Dimension 52. When I fell asleep, I woke up in a new dimension I didn’t recognize. Things may have been more advanced, and there may have been dimensions crafted to give you your greatest desires, but in the end nothing ever lasted.” 

Now it’s Ford’s turn to divert Dipper’s eyes, gaze casting towards the floor. “Stan was cut from my life completely in the dimension that claimed to be a perfect world. I had nobody. Even in dimensions that actively worked towards my happiness, I was all alone” Ford shakes his head, and turns his gaze once more out on the horizon. The sun is still touching the horizon, but it’s dipped just low enough that some of the stars are beginning to show in the sky. 

“But...here, at home, everything is consistent. I don’t have to worry about waking up in the morning to find that everyone I love is gone. I can keep everyone in arm’s lengths, even when Stan and I can only communicate with you and your sister over a video call. I’m…” Ford gently squeezes his hands to reassure himself that this is real and now. “...happy. Happier than I’ve been in decades” 

Beside him, Dipper yawns, and when Ford spares a glance over at him he’s smiling at him sleepily.  “We’re really happy you’re here too, Grunkle Ford” he murmurs, and his eyes slip closed. Ford’s cheeks flush pink, and he has to choke back a laugh because that’s one of the first times Dipper’s felt comfortable enough to call him Grunkle. 

Ford stands, so as not to wake Dipper from his nap. A small glance to his right and he catches a glimpse of Stan and Mabel leaning against the side of the boat watching the sunset just outside of earshot of his current conversation with Dipper.

“You finally bore him to sleep with all your nerdy science talk?” Stan asks as he approaches, sparing a glance behind him at Dipper. “Was starting to think that the poor kid would never get a nap in” 

“Yes, well,” Ford smirks. “I’m sure it helped plenty that you bored him to death by taking him fishing first”

Stan gasps in mock offense, and slugs him in the shoulder. “Hey, at least I’m engaging them in something they can actually interact with, unlike your kooky alien stories, or whatever”

Ford can’t help the laugh that escapes him. “Bold statement coming from the man who dedicated thirty years of his life rescuing me from said kooky aliens” he says, returning with a punch of his own. Stan opens his mouth to argue back, realizes he has nothing to say, and closes his mouth. The sight of it makes Ford laugh even harder, keeling over and slapping a hand on Stan’s shoulder to support himself. It must be contagious, because it’s not long before Stan is laughing too.

Ford removes his glasses to wipe the tears from his eyes, and cleans off the lenses with the edge of his sweater. Once his eyes adjust after he puts them back on, his throat nearly catches in his throat when he glances back out towards the water. He’s just able to catch a shooting star before it disappears over the horizon, and the boat’s just far out enough on the water that there isn’t an ounce of light pollution obscuring the rest of the stars in the sky.  He takes a few steps back so he can look up and admire more of them at once, and if he looks close enough he can see them twinkling. 

Before he can ask the others if they’re seeing the same thing, a bright flash of light coming from somewhere on the boat cuts into his thoughts. He turns, to make sure that none of the lights in any of the rooms are on, but no, they’d turned those off when they’d started fishing. Scratching at his head, he turns to Stan and Mabel to ask if they have any idea where the light is coming from, but that question catches in its throat as quickly as it formulated.

They’re the ones emitting light.

Or, rather, Mabel’s sweater and Stan’s shoulder, approximately where his burn scar should be. Those are emitting light. 

...Surely it must just be the reflection of the starlight on the water, right? That same bright light must have woken Dipper from his nap, yes? 

He turns heel to ask Dipper the same question, but freezes in his tracks before he can take a single step forward. Dipper’s forehead is glowing too, the same way it has since he and Stan docked the boat this morning. 

It...It can’t be, can it?

Gripping his forehead, Ford takes a number of steps backwards until his back hits the wall. Maybe...maybe he just needs to call it a night. He’s been awake since sunrise, maybe his vision is just blurring because he needs to lie down? 

He waves his hands in front of his face, but no, those don’t look any different. He squints, to make sure his hands aren’t shaking, but no, they’re perfectly still.

He squints at Stan and Mabel, just to try and see if his eyes are watering, and-

He gasps. 

Mabel’s sweater, Dipper’s forehead, Stan’s shoulder; they’re not glowing; they’re twinkling like the stars. It was hard to tell in broad daylight, but now that they’re surrounded by a thousand shining stars, the resemblance is unmistakable. 

But...that’s not possible. If he can see them twinkling, but none of them have said anything about it, that could only be if those were…

...soulmarks. 

Ford suddenly feels like he’s going to pass out. 

He slides to the floor.

Is...Is that even possible? Ford thought for sure that study he read years ago was nothing but a joke. Someone...who does everything in their power to bring you two together, no matter the cost? Someone who, even though you may not meet for decades, will feel as though you’ve known each other their entire lives? Someone who will do anything for you, no matter the personal expense?

Someone...someone like Stan, who spent a painstaking thirty years teaching himself quantum physics to rescue someone that anyone else would assume dead? The man who sacrificed his very mind, his very life, so he could be spared physical torture?

Or...someone like Mabel, the first friendly face he saw after emerging from the portal? The one who forgave him so easily after he tried to separate her from her brother? The one who insists on calling him a good person, despite all of those he knows he hurt? 

Or...Dipper? His kindred spirit in all things supernatural? The one who, alongside his sister, sacrificed himself as bait for the most dangerous being in the entire multiverse? Who saw memories of him at his very worst, and apologized to him for snooping?

After everything he’s been through...could things really work out that well in his favor? To not have one soulmate but three, and the guarantee that they’ll never leave, because they’ve already expressed how they love him so? 

There’s a tear streaming down his cheek at the thought, but he’s too distracted by a fourth light suddenly emitting from...himself to really notice.

He spares a cautious glance downward, and notices a pulsing light emerging from his chest in perfect time with his heartbeat. If he looks closely, he notices that the light travels down his arms and ties itself into a translucent bow around his fingers. If he looks closer still, the light looks as though it’s slinking faintly across the deck of the boat and reaching towards the gentle twinkling of Stan and Mabel’s marks.

Ford places a hand to his forehead, throws his head back, and laughs his throat dry, paying no mind to the tears pouring down his face.

[saeyoungs-sunflower]

yo!!! what are the rfas nighttime routines with mc?

Welcome back to another episode of ‘Sunny is drinking alone and decided to get her shit together and do some requests’ (I am a horrible influence, if you are under the drinking age please be responsible). Anywayyyy here ya go anon! I very well may read this back in the morning and edit it again but will let you know! <3

***

RFA nighttime routines with MC

Zen:

❤︎ Zen’s all about a pamper y’all

❤︎ he wants to stay looking fresh and healthy but bbygirl he also wants to make sure you’re well looked after

❤︎ is it even a nighttime routine if you don’t have an elaborate hour-long skincare regime?

❤︎ well yes Zen not everyone is as extra as you like you might as well be chewing gum

❤︎ if anyone actually gets that dumb joke then i am so sorry but also you get 10 points

❤︎ whilst i don’t imagine Zen to usually be that tired in the evenings, his muscles are always tired after a show/day of rehearsals

❤︎ so he would have a bath but he also gets home pretty late and doesn’t wanna faff around ya know?

❤︎ so shower it is

❤︎ oh you think that because he’s a grown ass man that he could be away from you for like 10 mins to shower on his own? well you thought wrong

❤︎ actual puppy

❤︎ sometimes it turns into ~sexy times~ but most of the time he just enjoys the intimacy/closeness and enjoys it when you take care of each other

❤︎ and boy when you shampoo his hair he literally turns to putty

❤︎ when you get out of the shower he L O V E S to do your hair

❤︎ king of braiding

❤︎ but he L O V E S it even more when you do his hair

❤︎ pretty sure you heard him purr once

❤︎ then he sneezed lmao

❤︎ you’re both pretty much out as soon as you get into bed but you always fall asleep in each others’ arms

❤︎ to conclude: nighttimes are about taking care of each other

Yoosung:

★ so this man FINALLY got his life together once you started dating

★ you helped him find his motivation and drive again so it’s actually a pretty production evening most of the time

★ your goal is to get everything done early on so you can relax properly later

★ soon as you both get home? homework/work straight away

★ you also try to make a habit of cooking dinner together every night

★ but you know how it is sometimes you just wanna order a takeaway and that’s chill too

★ do what you gotta do boo

★ once you’ve finished dinner aND DONE ALL THE WASHING UP (don’t you dare leave it until the morning Yoosung i see you), you play LOLOL together !!!!

★ he found that it was SO much more rewarding to play once everything he needed to do was done, and he didn’t have that horrible nagging guilt whilst he had down time

★ then all that’s left to do is get ready for bed !!

★ …

★ …Yoosung?

★ GO TO BED FOOL

★ “mC oNe MoRe gAme” “you said that an hour ago.” “i MeAn iT tHiS TiMe”

★ EVENTUALLY you drag him to bed but he’s always grateful when you do because he only realises how tired he is when his head hits the pillow

★ and he also gets  s n u g g l e s  so it’s always worth it

★ to conclude: nighttimes are productive but also relaxing

Jaehee:

☞ this poor woman works so hard

☞ even when she quits working for Jumin and you guys open the coffee shop, she still always pushes herself to the max

☞ ya girl gets tired

☞ so you know what that means

☞ BUBBLE BATH TIME

☞ some things only bubbles can heal

☞ wow what that’s so deep Sunny ah yes wasn’t it thank you Sunny aren’t i inspirational yes you are Sunny

☞ you two always go a but overboard with the bubbles lmao but this woman only deserves the best o K

☞ similarly to Yoosung’s, you guys like to get everything done that needs to be done before you relax, so once you get out of the bath you can do whatever ya want!!! how swell is that!!!!

☞ usually end up watching a movie/one of Zen’s musicals because why not hmm?

☞ Jaehee likes to get an early night, so y’all are all snuggled down and ready to sleep at a reasonable hour, ready for your shift in the morning

☞ on a serious note, this woman is pretty affection starved so you make it your MISSION to shower her with love before she falls asleep

☞ i’m talking kisses, cuddles, the whole shebang

☞ when you’re cuddling you like to have a good gossip about the RFA and all that and you always end up all giggly and it’s just the best

☞ to conclude: every night is like a teenage girly night in that she never got to experience

Jumin:

♚ although he doesn’t like to show it, he’s always exhausted after work

♚ he has a lot of pressure on him and he constantly has to be focussed and alert, so by the time he’s walking through the front door he’s running on very little energy

♚ therefore he appreciates a quiet night with the love of his life <3

♚ of course, every night you have a nice meal and a glass of wine W I N E and chat about your day

♚ Jumin has learnt to appreciate the smaller things in life after meeting you, so he adores listening to your voice as you talk about what you got up to that day during dinner

♚ you could be reading the phone book out loud for all he cared, he just loved listening to your voice

♚ he’s usually too mentally tired to do anything like reading in the evening, so most of the time you end up either watching a film or cuddling on the couch

♚ you have enlightened him to the concept of slouchy clothes

♚ yes, Jumin Han has learnt to appreciate joggers and a hoodies what about it?

♚ honestly just the sound of Elizabeth purring and your breathing is enough to bring his stress levels to 0

♚ he’s tried meditation, he’s tried mindfulness, but nothing was as healing as having you in his arms whilst you stroked his hair

♚ after you’ve done the essentials like showering and brushing your teeth and all that jazz, you get into bed and just talk

♚ normally you end up talking about your future, and he goes to sleep every night dreaming about the life you will have together, and then wakes up every morning excited to make that life a reality

♚ to conclude: nighttimes are for recovery and comfort

Saeyoung:

☀︎ honestly? every night is different lmao

☀︎ Saeyoung is a spontaneous guy, so no evening is the same when you’re with him

☀︎ which is amazing, because it keeps things exciting and fresh !!

☀︎ however, there are a few things that don’t change

☀︎ like fAMILY DINNER Y’ALL

☀︎ every. night. without. fail.

☀︎ it’s SO important to you guys that you have time to catch up with each other and make sure that Saeran feels a part of the family because sometimes he likes to hideaway and doesn’t know how to include himself

☀︎ so dinner time is the family bonding time, and then you go back to doing your own thing

☀︎ do you find brushing your teeth boring? do you wish you could make it more fun? do you have a energetic red-head in your life?

☀︎ well then LISTEN UP

☀︎ TEETH BRUSHING DANCE PARTY

☀︎ EVERY. DAMN. NIGHT.

☀︎ like is said, this man keeps you on your toes lmao

☀︎ is this a bathroom or a nightclub the world may never know

☀︎ did someone say cuddle monster??

☀︎ because that’s Saeyoung lol

☀︎ idek why but i always imagine Saeyoung to be very physically affectionate, and not necessarily in a ~sexy~ way

☀︎ he just really appreciates physical contact

☀︎ it grounds him and reassures him that you’re really there and really love him

☀︎ I AM SO IN LOVE WITH THIS MAN IT’S A HUGE PROBLEM

☀︎ to conclude: every night is exciting and spontaneous, there’s never a boring night with Saeyoung

V  / Jihyun:

❁ V is also a man that appreciates a quiet night in

❁ he’s had so much chaos and drama in his life, that quiet domesticity is utter bliss to him

❁ evenings are typically spent in a companionable silence whilst you do your own thing

❁ reading, drawing, whatever! there’s just something so comforting to him about being with you, without even needing to talk

❁ music has become an VERY important part of your lives

❁ we all know that Jihyun is a man who appreciates the arts, and music is no exception

❁ he’s had a stressful day? he’s feeling overwhelmed? put on some soothing music and you can actually see the tension melt away

❁ always trying out new recipes for dinner

❁ most of the time they turn out delicious, but some are just complete abominations i am so sorry

❁ but really? it doesn’t matter because you made them together and you had a good laugh about them

❁ one thing that you recently started doing was reading together in bed

❁ and i don’t mean reading two separate books oh no no no

❁ i’m talking the same book

❁ what a plot twist

❁ every night you take in turns to read out loud to each other

❁ it takes a while to get through book this way, but it also mean that you both appreciate every damn word because how could you not when they’re coming from the literal love of your life??

❁ to conclude: nighttimes are spent in quiet bliss

Saeran:

☽ every evening begins with a walk

☽ it’s a must

☽ Saeran just l o v e s nature, and it’s the perfect start to a relaxing evening

☽ Saeyoung picked up on the fact that you both like evenings to be a calm time, so when you two get home he tries not to be too crazy

☽ but we all know this bitch is out of control so it doesn’t last long lol

☽ Saeran secretly finds it so entertaining but bless he would never admit it

☽ Saeran finds a pleasure in the ordinary

☽ he has never experienced ‘normal’, so he finds so much comfort in everyday activities such as washing up, cooking, setting the table…things like that

☽ he hasn’t had much time to form his own hobbies/interests, and is still experimenting to find things that he enjoys

☽ so he loves watching you do your hobbies

☽ it really doesn’t matter what it is, he just finds watching you concentrate on something you care about so fascinating

☽ often you will offer to teach him and share your interests, and his face always lights up when you do so

☽ this precious boi i cry

☽ he just loves to learn i C R Y

☽ when it comes to showering and all that, he prefers to do that alone

☽ don’t get me wrong, he adores you and cherishes every moment he spends with you

☽ but he’s easily overwhelmed and needs time to himself

☽ it’s also important to him that he’s able to care for himself, so something as simple as washing his face on his own helps him feel like he has some control

☽ to conclude: nighttime is the time for self-care and exploration

***

Thank you so much for the request, anon! I hope these were what you were looking for. Have a wonderful day💛

[aseriesofunfortunatejan]

So I’m guessing people who complain that the black protagonist of Soul gets turned into one of the marshmallow thingies for “most of the movie” just... didn’t watch the movie?

Light spoilers -

I mean, he technically gets turned into a cat, but I don’t see many people complaining about that, so I’m guessing most don’t know about it. His body stays onscreen for most of the movie and he and 22 are surrounded by black people.

I’m also seeing complaints that 22 is white and - no she’s not? She is not born yet. Maybe she’ll be white, maybe she won’t, that hasn’t been determined yet. She even clarifies early on that the voice she uses isn’t her real voice. (Note that I’m focusing on the movie and the experience it provides, and not the potentially wrong casting, for which Pixar should be held accountable.) H-e-double-hockey-sticks, I thought for sure she was genderless up until the last quarter of the movie.

Even if she were white... I feel like a white person being positively impacted by black culture and building love and respect for it should be a positive? I mean, some IRL racists have made it a negative, but in the context of the movie, 22 falls in love with the life of a black man and with the black people that surround it.

Again, her future body hasn’t been determined yet... so it isn’t about a white person taking away from the black community either. At all. Besides, the movie doesn’t touch on how the circumstances of one’s birth impact their lives - and honestly, I feel like it should have, but the fact of the matter is that it doesn’t. It focuses on enjoying the life you already got (...or will have).

Joe Gardner isn’t *replaced* by 22 and his voice is the one she continues to speak to his surroundings.

I don’t know... I’m not in a position to tell anyone that this movie is great representation. But having personally enjoyed it, I would tend to recommend it to someone who is looking for a movie to identify with.

The way I look at it is that Pixar’s initial idea wasn’t Joe Gardner and his life, it was to explore the movie’s final message and use the different realms to do it. Whoever the protagonist was, they would have spent some time as a blue thingie, and been turned into a cat too, but Pixar chose to tell the life of a black man. Since the protagonist was going to switch bodies anyway, is it worth it to change him to a white man just so we don’t have a situation in which a black man becomes a cat?

In the very context of this movie, I’d tend to say it isn’t. But I understand that black representation has been terrible enough that taking away black characters is a current worry. This is why I started typing this boring post to begin with - I feel like people should be reassured, that this movie doesn’t do what it’s rumoured to do, and actually shows black people onscreen for its entire length. Reminder; Joe is far from being the only black person in Soul. He may have a stupid voice, but the others don’t.

I hope black people were able to identify with this movie and that more (and better) reprensentation will continue to come. Please let me know if I got anything wrong - I understand that the concept of Soul just adds more to this bullshit that the Princess and the Frog started, but I hope that its actual contents can be inspiring to others like they felt to me. Seriously, the frog completely replaced Tiana, it is far from the case here.

By taking into account the fears of real life, and criticism from people who haven’t watched the movie, I’m making it seem a lot more complicated than it is. I think Soul can be enjoyed with no worries, not too many questions, just take it for what it is. Its context and characters feel very natural and real.

[davidmann95]

JJ Abrams Superman Movie officially announced, with Ta-Nahisi Coates writing

Anonymous said: Just a few days after you said you were happy with DC taking a break from Superman movies and just focusing on him being on tv again, they go and announce a new Superman movie. How do you feel? Coates is an exciting choice, I think

Caught me red-handed! But to be fair a couple times I said that I left a caveat of ‘barring extraordinary circumstances’, which I’d say this qualifies as.

There’s only so much to go off of at this point, but even these tidbits open up a lot to think about.

* As out of left field as Coates feels at first blush - he’s a Marvel man! - it’s not entirely shocking that he’d be on WB’s shortlist to be their ‘how to fix Superman’ guy: he got a MacArthur Genius Grant the same year as his #1 bestselling book about what the American Way actually means, after which he got into superhero writing with a run that ended up having elements incorporated into a cultural moment in Black Panther, and then Between The World And Me was cited as the inspiration for the Watchmen show that substantially drew on Superman iconography and won 11 Emmys. People are already talking about him admittedly not being a DC or Superman guy (though in that same interview he notes his love for the DCAU, specifically including STAS), but if he’s here he’s got something to say and, y’know, probably read a decent amount of Superman stuff either since then/prior to this or to get ready for the gig, so can’t say I’m worried.

* Related note: I’m seeing folks concerned about how much control he’ll really have over the project, which is fair. But that it’s his involvement that’s being touted over JJ Abrams’ (the guy who, like him or not, rebirthed Star Wars as a going concern to the tune of over $2 billion), and that they’re formally announcing and hyping it up as TA-NEHISI COATES’ SUPERMAN MOVIE™, COMING 202X before even having a director or lead actor attached, says to me that whatever his vision is it’s one WB’s going all-in on for the time being.

* I’ve seen plenty of discussion already about the appropriateness of this potentially starring a black Superman given both the dynamics/thematics of Superman as a character, and more significantly the implications of Coates maybe only being brought onboard to do ‘the black version’. That is a conversation I have precisely zero qualifications to wade in on with my own takes, but given that he is a dude with enough options that he could probably even turn down an opportunity on this scale, and the aforementioned weight being given to his role in this, I think it’s safe to say whatever we’re going to get is something he’s onboard with.

* Also seen concerns re: his pedigree as a fiction writer - another one I’m not that qualified to weigh in on, I’ve only read the first year or so of his Black Panther and Captain America runs (though I got the rest of his BP on Comixology while it was free, gotta check it out sometime), which were solid if a bit more workmanlike than you’d hope, along with the (other category altogether) Between The World And Me some time ago, which was...considerably more than solid. I know however his fiction novel debut in The Water Dancer was well-received, his Marvel work rather than staying ‘grounded’ hasn’t shied away from the sort of outré high concepts you’d want to see in a Superman movie, and the main criticism of his runs of ‘they’re too slow’ wouldn’t likely have the space to apply in a 2-3 hour Hollywood blockbuster, so again, not too concerned.

* Perhaps time will make me eat my words, but hot take: there is a basically 0% chance this is about Calvin Ellis or Val-Zod. Yes, yes, the DC movies are reportedly embracing the multiverse an excuse to do standalone stuff, but the two examples of that thus far in Joker and The Batman are still broadly rooted in the conventional trappings of those characters even if they’re separated from the ‘main universe’. Maybe someday the options might go further afield, but right now, when Superman hasn’t had an unambiguous silver screen hit in over 40 years? They’re not going to pour a quarter-billion dollars into a movie with the premise of “last son of the doomed planet Krypton, imbued beneath Earth’s yellow sun with powers and abilities far beyond those of mortal men and raised with the noblest ideals of truth and justice, Some Other Guy Most Of You Don’t Know protects the world...as Superman!” Not even getting into Val-Zod being just one member of an ensemble cast from a largely overlooked book and having the baggage of being Zod’s kid, and the EVERYTHING of making a four-quadrant tentpole film about Super-Obama (when you haven’t even been able to make your regular Super work) - this is either going to be Clark, or if they do make Superman black or brown but still want some distance it’ll be a Jon movie so it’s still got the direct connection to the original and the ‘son of Superman’ pitch in its corner too.

* Abrams is an interesting partner. He’s Hollywood’s big nostalgia guy, and that’s...probably not what Coates is going to be going for here. I assume he’s basically there to keep things familiar enough for WB’s tastes, which itself raises questions about the nature of Coates’ pitch and how it was internally received even if they’re clearly very publicly committed to it.

* Michael B. Jordan probably won’t really be the guy - he apparently talked about it, reasonably concluded he didn’t want to face that inevitable scale of backlash after what he already went through just playing the Human Torch, and the tradition is to cast an unknown in the part - but I guess never say never. Heck, while I sure wouldn’t bet on it I don’t think Ryan Coogler ending up involved is out of the question either; Coates’ previous screenwriting experience was working on a project with Coogler and Jordan that evidently didn’t come to fruition (Wrong Answer, a drama about a 2006 Atlanta public school cheating scandal), and they seem to have maintained a relationship as they had a public discussion regarding The Water Dancer in 2019.

* Ok I know making fun of Snyder people is passé at this point and usually more “NO SUPERMAN MOVIES MAY BE PERMITTED UNTIL THE CIVILIZATION-REDEFINING FIVE-FILM SAGA IS COMPLETE” howling into the void is barely worth notice, and “this is solely WB retaliating against us for bending them to our will!” in response to a Superman reboot would normally be just an amusing side-note too. But trying to get #HenryCavillSuperman/#HenryCavillIsOurSuperman trending in response to the possibility of a black Superman...I mean obviously so fucking many of them are fully aware they’re just not saying the quiet part loud, but what’re the percentages here?

So that’s what I’ve got so far. How do I feel about it all? It’s odd; given that there are basically no actual details beyond a name attached I’d never thought about in this context, and that this came with no forewarning just as the prospect of Superman in movies for the next long while seemed as dead as it ever had been, it’s so ill-defined and seems so unreal that I don’t feel much of anything about it yet? Plus I’m no longer driven on a day-by-day basis by a savage, all-consuming desire to slake a thirst for quality Superman stuff long left unquenched the way I was even a couple years ago, which likely also plays its part. But objectively? This is a guy formally, nationally recognized for being smart who’s also a journalist and comics fan being given Superman, with what sure feels like a lot of leeway and presumably a blank slate, which is basically the abstract concept of a perfect pick. So yes: I formally rescind my “please no Superman movies in the 2020s” plea.

[piracytheorist]

I watched and react to Lindsay Ellis' 100 minute long "apology" video so you don't have to

First of all, the word apology is in quotes because she herself on that video mocks the whole concept of an apology video, which is fair cause truly that whole concept is fucked up, but I didn't want to call it excusing either because that's not what she does either... for some parts. Long post ahead.

So into the video, homegirl starts by saying she was recently in a restaurant. Recently. Restaurant. I'm not gonna make a deep research to find out where she lives, she mentions she's from Tennessee but idk if that's where she lives now, so unless she's somewhere in like Australia or New Zealand or any other place with significantly low numbers of covid cases... what is she doing, not only going into a restaurant during a fucking pandemic, but also telling it to her entire 1 million subscribers specifically and the whole world in general? I think it shouldn't be said it's irresponsible as it is, it's also a bit insensitive considering so many of us don't get to have that kind of luxury as it is now, either as customers that don't get to enjoy an evening/night out or as restaurant owners that watch their businesses collapse. Small thing to complain, but still.

That said, personal note, because I know some of my followers live down there in Australia or New Zealand; I'm happy for you, but I'm also jealous, and in a weird way right now being in a country with few covid cases is kind of a privilege. So enjoy that for yourselves.

Ok, second, introducing the concept of cancel culture, she goes on to talk about some cases where two white people made some well-intended but overall insensitive jokes and she talked about how their behaviour was, particularly, white privilege. Ignoring the fact that she's showing her own privilege by saying that she went at a restaurant during a pandemic, she says it all in the whole meaning of how cancel culture focuses on targeting, bullying and verbally lynching a person who acted on their privilege instead of looking out to tell them "Yo what you did was shitty but look out to do better" and how that either originates or is strengthened by nazis who pretend to be cool progressive lesbians of colour on twitter (that latter part is my own description, but similar to what Lindsay said). And the whole point about cancel culture is valid - she the use of the ol' "Listen to voices of POC" and that it is not valid because behind those "Queer progressive POC" accounts hide nazis... but she ignores the fact that another way to see that is "Are you white? Have you considered shutting the fuck up?"

And I say that as a white woman myself. I am very well aware that there are topics I cannot touch upon. Like, I have my thoughts, ok? About all races, religions (at least the major ones), sexualities, gender expressions. I can't help the thoughts... but I try my best to control my actions. There are times that I think something and I go like "Wow, can you realize how much the internet would drag you if you said that on a post?" so I shut the fuck up because a) I recognize my privilege and b) I'm mostly uneducated on most things I may have problematic thoughts on. Lindsay... idk exactly how educated she is, I know she has degrees, but in this case that doesn't seem to matter because she doesn't seem to have the concept of Shutting the Fuck Up White Person. That's what the "Listen to voices of POC" started for. Because historically POC have been the ones to be silenced and ignored by white people. So it doesn't matter if you're a woman, if you're bisexual, if you're educated, whatever whatever. If it's not your area, learn to shut the fuck up. And it's there that the problem begins, that Lindsay doesn't seem to get that idea.

Later on she says that a person on twitter compiled a thread of Lindsay's "sins" aka screenshots of problematic (or not) tweets, and though she (tbh rightfully so) considers making that compilation weird and creepy, she goes on to address every tweet on that thread.

I'm not gonna go down all of them cause from my judgement, some were legitimately very far-fetched to make her look problematic. And look, I don't think she's problematic. It's just that she has a lot to say and sometimes it feels like she has a need to say it all.

At the beginning, she mentions that twitter is garbage. Which, agreed, I've hateposted about that hellsite tons of times. But she's been knew it was. She had people bully her about her tweets before, and she kept at it, white person speaking, and like at some point you're like... is it fucking worth it? You know twitter is garbage. Is the clout you'll make on it worth it? You know people will judge you. You know they will take your sayings out of context. You know there are people obsessively following your page just to spot the tiniest piece of stuff you didn't think three hours on before posting so that they can crucify you over it. You been knew, we been knew. So I'm asking again, is it fucking worth it?

She even said it wasn't the first time she was cancelled, it's just that this last time has been the biggest one (... yet). So... why are people fucking obsessed with that fucking site? I'm a former bully victim, I detest and oppose bullying of any kind, but after a point, when you see a minefield, you gotta know that if you go skipping around without a second thought... ya gonna get hit. I may understand some people staying on twitter out of spite and/or in the hopes of "fixing" it... but again that's kinda hopeless and we all know that. There’s a saying in Greek that translates to “No matter how sugar you pour on it, shit won’t turn into lokum.” And that’s exactly what twitter is. Shit that people try to make functioning. It won’t.

I know the Shut The Fuck Up may be a bit excessive but... we all have opinions, yeah? It's a bit frustrating too considering she makes long videos that clearly have a lot of thought put into them, and then she goes on twitter and posts whatever the fuck comes up in her mind like... you should know better. In a way, Shutting The Fuck Up is also a way to avoid being seen as a bigot when you're not. Let oppressed groups do the talking for you, 'kay?

On another "receipt" she admits she was wrong, quote: "It was insensitive and careless. I definitely should not have said that." At the same time she says that she was influenced by her environment, and she also doesn't actually apologize. In a way she's sincere because a good sociopath would have searched and found that a good apology includes the words "I'm sorry" or some variation, and not trying to explain yourself by the circumstances surrounding you. So, it's sincere, but it feels a bit void. No-one cares what brought you to do this, we only care to see if you’ve changed from that.

I'm also putting the word receipt in quotes because I just think the whole concept of "receipts" is fucking weird, and as I said, some of them are completely pointless and taken out of context to make Lindsay look like the next Hitler. But I don't have another word for it so I'll go with that.

The next "receipt" is about her tweeting about the film The Prince of Egypt and mentioning the scene of killing the Egyptian first-borns, and being accused for anti-semitism because of it. First of all, your problem there ain't the film, it's the Bible, a work that was created by people who thought that a woman is a man's property, and then later on translated and modified by people with similar or worse problematic ideologies. The Prince of Egypt is a film that is inspired by the book of Exodus but at the same time... it doesn't fully excuse the plagues. They're portrayed as a necessarily evil, but whether that bothers you or not depends on whatever your relationship is to God and the fact that he allows covid to be a thing right now. But on the video, Lindsay talks about the portrayal of the plagues and how they're excused so that the Jewish people can be free.

But... it feels a bit... maybe she hasn't watched the full film in some time, and considering she doesn't really like it, I understand why she's making the mistakes on thinking it does. Yes, the film shows the plagues as a necessary evil. But the whole song The Plagues is about Moses being torn in two about the whole thing. "And even now I wish that God had chose another. Serving as your foe on his behalf is the last thing that I wanted." When he warns Rameses about the last plague, the "camera" shows the depiction of the previous massacre of the Jewish children... and Rameses' son is at the bottom of the children being dropped in the water.

It not only foreshadows the boy's death, it also compares the two massacres. It's like "Your father did that to the Jewish people, so the God of the Jewish people will do the same to your people." The scene where the Egyptian first-borns are being killed is haunting. It's dark, without music, eerie... you're not supposed to be happy about it. So I don't see how all that's excusing. In a way, to a people that at the time was enslaved and even now still faces discrimination, it could feel like vengeance. There's a big talk about morals that can be done there but again; WE'RE WHITE. We should consider shutting the fuck up. At least on our own, if talked about with someone who’s part of Jewish culture, that’s another thing.

Lindsay also says that in the film it looks weird that from the moment we see Rameses lamenting the loss of his son, the film cuts to the Jewish people singing about Miracles. And like... again I guess she hasn't seen the movie in some time, cause that's plain out wrong. At the time Moses sees that the son is dead, he already looks depressed. When he hears the cries of the people crying for their children, he breaks down and cries too. When the Jewish people walk out and sing for not being slaves anymore, that's when he starts smiling a little, and more when they're finally out of Rameses' kingdom. And again, it's about the liberation of an enslaved people whose culture we're not presently a part of. Like, the death of the Egyptian children was a bad thing - in retaliation of the same thing happening to the Jewish babies - but whether it’s being excused or not has context behind it.

I'm also talking a lot about it because she mentions she likes the film Noah from 2014, and she shows a small clip from the flood scene where the people on the Ark are depressed (that's not the right word but I can't find it right now) because they witness the deaths of the people who weren't on. I haven't seen the film, so I don't know how much that impacts the survivors later, but she's completely ignoring the fact that The Prince of Egypt also frames the death of the first-borns as tragic and that also Moses breaks down over it.

On my own opinion; I'm agnostic and anarchist af so while I also disagree with the depictions and the actions that God took to free the Jewish people... it's a fucking fantastic film. Animation, voice acting, music, directing... But at the same time, I've watched a bit of her videos and I may be a bit sarcastic here but I don't trust the taste of anyone who watches Treasure Planet and only refers to it as "Disney's space pirate flop" instead of the underrated masterpiece that it is. But I'm also mentioning it not-so-sarcastically, because underappreciated as it is (because Disney deliberately made it flop by the way), Treasure Planet has not had a widely massive impact. Speaking as someone who adores Treasure Planet, it has had a huge impact... to those few who've watched it. So while I meh'ed at her calling Treasure Planet what she did, it was just that; a meh.

But The Prince of Egypt? It has had an impact on ME, an agnostic anarchist. I cannot even begin to imagine what impact it has had on the millions of Jewish people worldwide. So when someone who has studied Media (or whatever, I'm not gonna search through the "Lindsay Ellis is cancelled" results on gοοgle just to see what she has studied), and decides to make a... while a bit understandable, not so well-studied critique on a film with that kind of impact... Have you considered Shutting the Fuck Up? She says that on twitter, she got responses on said tweet where people talked about how important that film is to them. Is that what she needed, to learn about this film's impact? For her to not know that... it's a bit hard to accidentally be that blind about that aspect, especially with her studies.

It's once again difficult territory to wade through - and she deliberately placed herself in it. And as I said, her problem is with the Bible. Not with the film.

So... yeah. I don't think it was anti-semitism on her part, but definitely not a good, well-thought move to make.

Next is her talking about the time she wore a niqab in a non offensive (I guess) way on an old video. She mentions she addressed it on a stream where they laughed about how... cringe-y of the time the whole concept of the video was. And again, the "Not thinking before acting" as well as White Privilege comes out, both in the video and in the way she presents the circumstances behind it. What inspired her to do it doesn't fucking matter. What matters is that she didn't think. Though she says she regrets it, she seems she only does so because she got responses from Muslim followers that told her "Please don't do that." Again, the fact that she needed someone else to say it... that's uninformed. And honestly, when you have such a following, you have a responsibility to know better. Money from patreon and youtube ads carry that. She does say she regrets it though.

Next, is her being called out for her "Dear Stephenie Meyer" video. In it basically she talks about how a lot of the earlier hate for Twilight was because of the fact that society hates teen girls and hates what they like and consider it inferior, and since a lot of teen girls like Twilight, the society had to hate Twilight. At the end of the video, she even said "I'm sorry" towards Meyer. That's a very quick summary and she had some good points, but this is Stephenie Meyer we’re talking about.

Oof. There's a LOT to unpack here.

For those of you who don't know, Twilight as a whole franchise has a ton of issues with racism, particularly against indigenous people and the very real, existing Quileute tribe. Lindsay says that at the time she made that video (2018), the backlash on Meyer was not so much about said racism. And boy, that's plain out wrong. She just didn't do enough research for it. And again, it's not deliberate. I'm not accusing Lindsay of racism. But Twilight was problematic (and even I as a semi-follower of the Twilight Rennaisance, as well as most of the fellow fans I've seen, admit that openly and we hate Meyer for it), and as I had watched that video, I know she did research on it. I find it outright impossible that a search for "Twilight criticism" wouldn't turn up some mentions about the Quileute racism, especially in 2018 with the fandom’s resurgence. There's an entire page from the Burke Museum in Seattle talking about the misconceptions of the tribe in the books and how little benefit the tribe has seen from having their culture appropriated by a white woman. Saying that it wasn't a common criticism is either a poorly put lie or an open confession that she didn't search much. Maybe she only searched about Stephenie Meyer and misogyny. I don't know.

Look, it is true that at the time of late 2000′s, the criticism was what Lindsay said; all about hating teen girls. I'm sure that there was criticism on the racism, but it was either less promoted or was trumped by the former type. But ignoring it completely, when at the time she made that video the criticism on racism was already getting more and more recognition... just why, Lindsay?

So again, I don't think it's deliberate. But it's poor pre-thought, poor work on it, and again when you have such a big following (and while Lindsay keeps saying how she's not that much famous on youtube, when you have a million subscribers and ten thousand patrons... ya ain't unheard of either) you have a responsibility to know better and research better before you do anything on it. Youtube is Lindsay's job, and she doesn't do a very good job at it when it comes to recognizing her white privilege and working beyond it.

Then she says that she talked with some indigenous (she doesn't mention they're Quileute btw) people about it; some said they hated the depiction, some said they liked that they were represented. Although why you would like to be represented by Jacob in Eclipse and Breaking Dawn, I have no fucking clue. In any case, it feels like because there were indigenous (no mention of Quileute talking with her, again) people who were okay with the inclusion, she felt that it was okay to make the whole Meyer apologia video without a single mention to the racism fact.

She also showed a video of a Quileute woman talking about how after Twilight, they were able to get back land that was taken from them. Given back by Obama, by the way. And... including this clip feels like... an excuse. Saying that Twilight, despite being racist, was somehow okay because it brought attention to the real Quileute tribe, and I hope y'all see why that is messed up. Meyer could have handled the issue better, and included the characters with much more respect and given them credit and some idk money from the millions she made appropriating their culture (though Lindsay mentions that last thing), but Lindsay thought that apologizing to Meyer anyway for being against her due to internalized misogyny in the late 2000's was the right move. It is true that at the late 2000's little of the known criticism was about the racism, but it's still a big fucking problem and purposefully ignoring that to apologize to Meyer... not a good look.

Again, blind due to white privilege, and acting without trying to see the whole picture. She says that Meyer, a white, rich, Mormon woman does not deserve the harassment she got, and again I'm against bullying but like... Meyer fucking sucks, and we ought to at least recognize that. She's not the one who deserves an apology - the Twilight fans *cough*me!me!me!*cough* who just wanted to enjoy the books and films (horrible as they were) in peace are.

By the way, the Quileute tribe has a fundraiser so that they can move their land to a higher ground where they won't be affected by tsunamis (and to her credit, Lindsay mentioned it and shared the link, but she said that another youtuber brought that to her attention, and again, where's the fucking research, Lindsay, pretty much every Twilight Renaissance post I've seen about the anti-indigenous attitude mentions that fundraiser and you're telling me it didn't come up in your searches) so if you can donate you definitely should: mthg.org

I mention around how Lindsay doesn't say "I'm sorry", and while as most people, I'd rather have no apology that a performative apology, it feels a little icky, that while she recognizes some of her screw-ups... I'm not sure if she recognizes that said screw-ups that-veer-towards-but-are-not-exactly-or-intentionally racism, ableism, anti-semitism, and transphobia... that shit is the shit twitter nazis thrive off of - and not to cancel people, but to build their own bigotry and take the attention away from actual hate crimes happening. And as a youtuber with a million subscribers and ten thousand patreon supporters, again, she should recognize her privileges a little more. Am I blaming her for nazis using her poorly thought tweets? Should she be super duper careful and spend a lot of time on her tweets to make sure nothing remotely problematic is on them?

... I mean, why the fuck do y’all think I hate twitter?

Next, she mentions being called out for "saying" that "trans-men are less oppressed than cis women" which she says is not what she said, but instead that "she's spoken to trans men who told her that they experience less misogyny after coming out". She even openly mentions it as "anecdotal" in her original tweet. And while I get that, my question is.... what's your fucking business about it? You're cis, shut the fuck up, let trans people talk about it.

Like, fuck. We haven't reached a time where acceptance of LGBTQ+ people, especially trans people, is at such a high that cis people by themselves can openly discuss about the experiences of trans people. Shut. The. Fuck. Up. Just show your support for trans people, let them do the talk about their lives and experiences, and share their content if you want your followers to know about trans experiences. If trans men experience less misogyny after coming out (and like, I understand why that would happen in some cases), that's not your area to gather twitter clout from. Think before you tweet.

~

TW: suicide mention, skip to after the ~ symbols if you want to avoid.

Next one is not problematic, it's just proof that Lindsay has no filter on twitter... which is probably the core of all the issues on this post. So condensing the whole thing; a Zack Snyder fan said "I don't like when people say that Zack Snyder hates his mother". A film critic was discussing with Lindsay about Snyder fans, and Lindsay, having never seen any Snyder fan actually say what the fan above said, responded in an obviously sarcastic way "I have it on good authority that Zack Snyder hates his mother." The next day, Zack Snyder's daughter killed herself, and twitter flooded to hate on Lindsay. Of course by the video, Lindsay seems to be upset by the whole thing and how bad the timing was for the post she made - and it is irrational to blame her on that. But! Zack Snyder's mother died in 2010, btw, from what I saw, and like... I think that some discussions around celebrities should be kept private, and this specific conversation between Lindsay and the film critic should have been private. Again, not problematic, but seems to show how Lindsay doesn't think before tweeting.

~

~

Next, she admits she was wrong about defending yellowface on the film Cloud Atlas and saying that it wasn't as bad as blackface. "My bad", no "I'm sorry". Again I don't know if an apology is what I "wanted", after all I'm also a privileged white woman, but idk some recognition that stuff like what she said are what twitter nazis thrive off of would have been nice. Because again, the good intention is there, especially by acknowledging how bad blackface is.

Anyway, some final thoughts, no I don't think she's problematic, or racist, or transphobic, or anything the twitter nazis like to label her as. I just think she's bad at tweeting (like many many people including yours truly, twitter sucks we've established that), and that as a youtuber with such an audience, she should understand her privileges a little more. Though she said she’ll step off from twitter and only use it to promote her books and other creators, so she did learn something from that.

As I said, we all have problematic thoughts. We all think of stuff that, if given a bit more thought, we’ll go like “why the fuck am I like this”. Our actions, on the other hand, is something fully on our control. And twitter thrives on people not putting too much thought on their actions, and letting their quick thoughts control them.

In conclusion, know your privilege, fuck twitter, and STAY THE FUCK AT HOME (except for you, Aussies and Kiwis, go all out - literally)

[passionate-reply]

Whether you’re a Superman, a judge, a mom, or a dad, we can all appreciate the avant-garde genius of Laurie Anderson, the topic of this week’s installment of Great Albums! Find out what made Anderson’s breakout hit the most unlikely chart smash of the 80s, and what the rest of this amazing LP has in store, by watching my video or reading the full transcript below the break.

Welcome to Passionate Reply, and welcome to Great Albums! Today, I’ll be discussing one of the most unique and unforgettable albums around: Big Science, by Laurie Anderson. It’s very possible that you may not necessarily recognize her by name, but this album’s big hit has been riffed on and re-used many times throughout Western popular culture, so when I play it for you, it just might seem hauntingly familiar.

Music: “O Superman”

Put simply, “O Superman” is not your conventional pop hit, by any stretch of the imagination. It features little more than a sparse, barren electronic instrumental, and Anderson’s eerily vocoder-treated voice, not so much singing as acting out a one-woman stage play. It has much more in common with the avant-garde, minimalist works of 20th Century “modern classical” composers like Philip Glass and Steve Reich than it does anything you would hear on pop radio in the 1980s.

While you might assume that it entered mainstream consciousness through being used in some art film, it actually was a bona fide pop hit--particularly in Great Britain, which has always had a pronounced affinity for surprisingly weird chart entries. While the single was initially given only a small release, like most of Anderson’s earlier work, the prominent British radio DJ John Peel discovered it...and fell in love with it. And thanks to his frequent playing of it on the air, a lot of other people fell in love with it too, propelling it to #2 in the UK charts. I think it’s a testament to just how different the media landscape used to be, once upon a time in the 20th Century. Nowadays, the radio doesn’t really have room for idiosyncratic tastemakers like Peel, and the independent DJs who remain certainly don’t have the reach that Peel did. I suppose it’s the 20th Century version of sea shanties and other oddities becoming trends on social media.

But anyway, setting aside the strange legacy “O Superman” has as the world’s least likely hit single, we can appreciate it perfectly well as a moving work of art. “O Superman” is not really a pop song, but what it is is, perhaps, a desperate plea for comfort and protection. The figure, or concept, of “mother” seems to be the focus of the text, and serves as the apparent “final resort” of its insecure, searching rhetoric. We get this idea in a microcosm in the famous opening line, inspired by an aria by Jules Massenet: “O Superman, o judge, o Mom and Dad.” It’s an appeal to any and all higher powers, but culminates with perhaps the most primal, intuitive authority we can understand: our parents. Towards the end of the piece, the narrator begs to be held in the arms of “Mom,” but they’re described not as soft and warm, but “automatic,” “electronic,” and “petrochemical,” creating an uncanny conflation of innate human connections and the harshly artificial, technological conditions of modernity. Have we made the promises of technology and science into some sort of idol, looking to them for reassurance, and projecting onto them a goodwill or benevolence like a mother has for her children? Themes of high technology, as well as the search for safety and security, are found throughout the rest of the album, as is the stark, minimalist instrumentation.

Music: “From the Air”

Expanding somewhat on the references to aeroplanes found on “O Superman,” opening track “From the Air” is narrated by the captain of a doomed flight, instructing the passengers how to handle the imminent “crash landing.” It’s many people’s very worst nightmare, and plunges us straight into the sense of fearing for our lives, in a situation that’s completely beyond our control. A bold move for the very first track we hear! “From the Air” leads with somewhat plausible suggestions, like a very dated request that passengers “extinguish all cigarettes,” but gradually becomes increasingly surreal, adding to that nightmarish feeling. Anderson delivers her lines with a palpable sense of authority, that stirs you to want to obey her character even as they prove their unreliability. A taut, unresolved saxophone-driven ostinato throughout the track provides a constant sense of tension and anxiety, which certainly suits the mood. Until the end of the song, at which point it abruptly cuts off--presumably to represent the crash occurring, and the sudden deaths of those on board.

I like to think of “From the Air” as a sort of dark counterpart to “O Superman,” the latter of which is the opening track of the second side. While “O Superman” deifies technology as a source of maternalistic comfort, “From the Air” presents us with the ultimate failure of technology: slick and polished until the end, but unable to provide any real hope of meaningful security. That human desire for security is interrogated more directly on the final track of side one: “Born, Never Asked.”

Music: “Born, Never Asked”

While “Born, Never Asked” is much more laconic than tracks like “From the Air” and “O Superman,” it’s no less probing and thought-provoking, presenting us with a world of people who are, fundamentally, “free”--and yet deeply unsatisfied. “You were born,” quips Anderson, “and so you are free.” But we’re all too busy asking for a bigger answer, and some explicit, deeper meaning to our existences, that we can’t appreciate the simple freedom to live our lives however we want to, in the absence of any overt goals. The track begins by establishing a stately, handclap-driven backing, which serves to underscore the plainness or simplicity of its message, and is ultimately overtaken by a mournful violin outro--perhaps the embodiment of our emotional turmoil, as we seek the comfort of clear answers despite the fact that they never arrive. If only the world were as simple and well-defined as it seemed to be when we were children, filled with unthinking and unconditional love for our mothers!

“Born, Never Asked” asks us to question what it really means to be “free,” and whether or not it’s even satisfying or helpful to possess “freedom.” It’s worth noting that all of the pieces that comprise Big Science were chiefly intended as part of Anderson’s much longer magnum opus, entitled United States, which she completed in 1984. In that context, criticism of the value of “freedom” is perhaps also criticism of certain traditional American moral values. While “O Superman” prominently mentions “American planes,” I think the track that has the most to say about being American is the title track of the album.

Music: “Big Science”

The title track of Big Science takes us to a desolate and mostly empty landscape, defined more by its potential to be moulded into something habitable than anything it already, innately is. It’s a frigid perspective on America as terra nullius, a wasteland filled with nothing but ultra-recent and ultra-artificial capitalist “developments” as opposed to any real history or meaning. With its chilling coyote-like howls, and nods to Western movies and dependence upon cars, it can easily be contextualized as particularly American, but ultimately, the human drive to “improve” our environment through questionable (and perhaps even destructive) means is fairly universal. Much like the emotionally unsatisfying sense of freedom bestowed upon those who are born, in “Born, Never Asked,” the title track of Big Science shows us a world full of endless possibilities, but devoid of any true happiness born of those possibilities.

The term “big science” dates back to the Mid-20th Century, and has been used to describe the increasingly large scale of many significant scientific efforts, particularly those supported by world governments...and particularly, their militaries. During and after the Second World War, it became increasingly necessary for nations that wanted a place on the world stage to rope science into the military-industrial complex, especially in light of the development of atomic weaponry. Given the album’s thematic emphasis on the way we look to science and technology to provide some aegis of protection, and often in harmful or destructive ways, it’s a very fitting choice for the title.

I think that connection to the nuclear bomb is also an important key to interpreting the album’s cover art. On the cover of Big Science, we see Anderson lit very harshly from the right--so much so that her sunglasses are rendered completely white by the powerful light. While her pose is very deliberate, and perhaps even stilted, she appears to be raising her arms as though to shield herself from whatever is casting this bright light. Is Anderson perhaps portraying an atomic scientist, observing a nuclear blast with its signature burst of radiant light?

Overall, however we interpret this gesture, the black and white imagery and completely empty backdrop seem to pair well with that sparse and minimalistic instrumentation. Anderson appears on the cover with her signature costume, a solid white suit which, when paired with her short hairstyle, gives her a somewhat androgynous appearance. It also looks a bit like a labcoat, often worn by scientists and doctors--figures who culturally embody the principle of benevolent authorities backed by the power of technology and science.

Whenever artists who only briefly felt the spotlight of mainstream success are discussed, it can be tempting to ask whether or not such figures “deserved” more or better. In the case of Anderson, though, she never expected “O Superman” to become the breakout hit that it did, and never followed it up with anything actively pursuing the pop charts. In the wake of her most famous work, Anderson went right back to doing what she had been doing: making great, but totally avant-garde, art. She’s a figure of “art music,” and the “art world,” through and through, performing her elaborate multimedia works at museums, appearing in a number of festival-circuit art films, and accepting honourary degrees. Anderson has had a perfectly successful career, dwelling precisely in the realm of her choosing, and I don’t think there’s any better outcome than that. If you like Big Science, you’ll find plenty more striking and evocative works throughout the rest of her long and ongoing career.

Music: “Sharkey’s Day”

My favourite track on Big Science is “Sweaters.” With a Celtic-sounding melody, a grating fiddle, and perhaps the most vocally hated musical instrument of all time, the bagpipes, “Sweaters” is a dirge about an ancient subject: falling out of love. But despite its backward-looking folk setting, the jump from “I no longer love your eyes” to “I no longer love your sweaters” anchors it into the realm of the totally mundane...if not banal. Overall, though, what I think really makes it stand out on the album is its sense of levity. As I’ve discussed earlier, Big Science is loaded with really heavy themes about technology, Americana, and the meaning of life...so a song that’s not only about a romantic relationship, but also about sweaters, pens, and pencils, jammed into the middle of the first side, really feels like a sort of palate cleanser while you’re listening to this. That’s all for today--thanks for watching!

Music: “Sweaters”

[sexycraisinthanos]

I’m gonna infodump about my favorite movie

Rise of the Guardians

It’ll be under the readmore, but TL;DR: Watch Rise of the Guardians and read the books

Rise of the Guardians is a 2012 animated film released by Dreamworks. The story is childhood figures (Santa, the Easter Bunny, the Tooth Fairy, Sandman, and Jack Frost) trying to defend the children of earth against Pitch Black, (The Boogeyman) 

It’s based on a book series called Guardians of Childhood, written by William Joyce. Who, if you don’t know, writes children’s book. Guardians of Childhood is more of a “Young Adult” series compared to his other Guardians books (The Man in the Moon, Sandman: The Story of Sanderson Mansnoozie, and Jack Frost are all part of the series, but they are picture books.)

He’s also written other books you may be familiar with.

The Leaf Men and the Brave Good Bugs and A Day with Wilbur Robinson 

Sound familiar?

Maybe you’d recognize them as their movie counterparts, Epic (animated by Blue Sky Studios) and Meet the Robinsons (animated of course by Disney)

Also Rolie Polie Olie, which was a favorite Disney Jr cartoon growing up for me, and was also a book series. 

I could honestly go on and on about William Joyce, his work was a part of my childhood a LOT (even credited for working on some of my favorite films like Buddy, Robots, Toy Story, and A Bug’s Life) and that’s probably why I love ROTG so much.

I read all of the Guardians books and own all of them save for Jack Frost and The Art of Rise of the Guardians and the books are not cheap, but what books are? I have HARD COVER BITCHES. Half of them were gifts and I also own the ROTG DVD.

The art in the books (all drawn by William Joyce himself) is really good (this is my favorite art from the books)

And the animation in the movie, as expected from Dreamworks, is beautiful. 

You get to see all their unique homes and they’re such varying types of environments. Of course, you have the North Pole, where it’s chaotic and wonderful. Just look at this concept art 

And then you have the Tooth Palace, where the Tooth Fairy does her work

It’s very obvious that there are some Indian inspirations in the design because Tooth herself is actually Middle-Eastern (in the books it’s explained in depth more and one of my complaints about the movie is that they whitewashed her even though her concept art in the ending credits shows her with brown skin)

The Warren, where the Easter Bunny paints his eggs

Which is something you never really think about because people only focus on the North pole so seeing so much thought put into it is really nice

We never see where Sandy works/lives (in the MOVIE. But the GAME on the other hand lets you explore EVERYONE’S homes and that’s a whole nother story)

We DO however see Pitch’s lair and

it’s rightfully spooky. When you actually see the scene play out in the lair, you get all confused and don’t know which way is which and it always unsettles me which is GOOD because that’s what it’s SUPPOSED to do

What’s really unique about ROTG is that there’s a source material (and as of now there are eight books (five novels, three picture books) and the series isn’t DONE yet) and instead of turning the books into a movie even though the plot is literally RIGHT THERE, they took the source material and turned it into a prologue. The movie takes place about 300 years after the books do and since the books are supposedly still ongoing, and William Joyce was CONTINUING to write the series while the movie was in production. (Three books have come out since the movie came out.)

I love how challenging that must have been for William to try to include stuff from his previous books in the movie AND to try and link the movie to his newer books despite some continuity errors (also worth noting that he has written a book about Santa and his wife, but Mrs. Claus is YET to be seen or even mentioned in the movie) but I appreciate the effort he put into it and I can’t wait to see what else he’ll come up with.

The characters look a BIT different from their book counterparts

Jack is voiced by Chris Pine and his voice is WAY TOO DEEP and the creators can’t agree on an age for him (book age is 14, but he can age himself up and down to a certain point and some producers said they imagined him 17 or 18) and (imo) I think Jack’s design was pretty lazy (a blue jacket with brown pants) compared to everyone else’s. I mean you have North, who is 

BIG

His design is based more on the worldly Father Christmas than the Saint Nick/Santa that we know. 

When he’s not in the Pole he’s wearing his big red fur coat and a cossack hat

Because he’s Russian

I’m pretty sure he canonically was raised by bears but that may have just been me imagining it. His book appearance is way different because when we meet him, he’s not Santa yet. So he’s still young

Of course, as the books go on, he looks like Santa

Bunny has the most drastic character change from his book design, as depicted by this fanart (which i couldn’t find a credit for that wasn’t pinterest so if anyone knows please tell me)

And there’s a CANONICAL reason why he looks so different (two actually)

Once they put Hugh Jackman in the role, they wanted a more dry Australian ranger-type design for him, and then the robes got in the way because of how he was moving, even when they changed him to just a lab coat, so they decided to forgo clothes altogether

Fun fact about Bunny. He’s a Pooka, a shapeshifting folklore creature that can turn into either a rabbit, goat, cat, dog, or horse. (or even a human with animal like features) Which actually gives a lot of people the headcanon that Pitch uses the souls of all Bunny’s dead people (yep he’s a sole survivor) as Nightmares

But he’s a different kind of Pooka. He’s an alien technically. And this breed of Pooka CANNOT eat chocolate because it does things to their body. Like giving him six arms. Or making his ears into helicopter propellers. 

This is relevant because he uses chocolate in battle multiple times. So the canonical explanation for why Bunny looks so different is that he ate too much chocolate and it permanently changed his body.

Which I love. I could go on about him but all the characters are interesting

Tooth has probably the second most confusing design

She’s based off a hummingbird with dragonfly wings, which aesthetically makes so much sense, but in the books she has regular feather wings. I also don’t like how weird her proportions are. Her feet are tiny nubs, her head is too big for her body (her body is actually pretty nicely designed it’s just every other part of it that bothers me) and I already mentioned the whitewashing

PITCH on the other hand had the biggest glow down compared to the books

He’s just wearing a black robe and, apparently, he doesn’t even have sleeves, which you can’t even really tell because it’s just all smudgy and shit

I mean I guess that’s the point, that he looks like he’s clothed in shadow, but it’s frustrating to look at especially compared to his book design where he’s wearing a FABULOUS coat

Meanwhile Sandy has the PERFECT character design

He’s just ROUND and wears a bathrobe made of sand. Like it’s not even that different from his book design (his hair has more frills than the book version) because it’s such a perfect design and I love how he’s animated. You can’t see it that well because the gif quality, but the sand also sparkles and it just makes it so fun to watch on screen 

The movie itself has its share of flaws. (the movie likes to pick and choose the rules it wants to follow about its universe, a huge plothole, and some cheaply constructed arguments between characters that really just make me annoyed because I don’t want to see the easter bunny making a child cry I want to see him get into a fist fight with Santa it’s like you don’t even KNOW your demographic) But I love it and there’s SO MUCH I could talk about. There are characters in the books that weren’t in the movie and there were characters in the movie that weren’t in the books (because they weren’t born yet but IRRELEVANT) 

It was a HUGE flop despite critics praising it. Like 8,000 people lost their jobs over it that’s how big a flop it was. But it’s such a dear movie to me and it’s clear that William Joyce holds this series close to his heart (dedicating it and the movie to his late daughter) which makes sense because it’s based on stories he told her when she was young and I’m so honored that he chose to share these stories with us. I just love the series and I should do a re-read at some point

[nmoroder]

L4D(2) Actor AU

This is a (not complete) list of headcanons for the Actor AU me and my bro came up with during our Expert runs and running extremely low on morale. We created this as a sort of ‘happy’ AU which would also give some room to our own ideas, so some of this stuff below may only slightly be related to original. We understand.

This post won’t be updated but instead followed by other ones if something else arises, so check ‘l4d actor au’ tag on my blog for more!

Overall setting

The Left 4 Dead universe itself is a series of 90-min movies divided into first and second season, L4D1 and L4D2 respectively. This list will further refer to them as S1 and S2;

L4D is a series about, of course, zombie apocalypse, but teamwork and forming bonds between people are brought to spotlight. Both seasons consist of episodes where four Survivors try to find a solid ground and safety with every episode ending on a cheerful note but every next one starting with the cheerfulness destroyed. The episodes share their names and events with Campaigns;

Originally, L4D was created by a team of enthusiasts, consisting of friends, families and family friends, so they are all very immersed in process and really giving their best. Their collective is also the reason their funding isn’t very high and they’re mostly using their own equipment and props; this makes the series look less expensive and polished but retains the atmosphere and the main goal: to show people growing warmer to each other and learning to stick together;

The actors’ names are mostly created by combining the face model’s first name and the voice actor’s last name, though some other versions do take place (see S1 and S2);

The safehouse graffitis are inspired by the fans’ responses from forums and contests, so it’s some sort of communicating with audience through screenplay;

The Third Strike, more commonly known as Black and White Mode which occures after second incapacitation, was firstly discovered as a camera malfunction but then the team liked it so much that they decided to leave it as a feature and add the heartbeat effect and stuff;

Main plot line consists solely of canon Campaigns (that means it doesn’t include Last Stand and Cold Stream) but there were also suggestions to shot additional episodes - the Mutations. After S1 success, the authors posted their ideas on different ‘modes’ and fans added theirs as well and thus during S2 some more episodes were made using, for example, a male synchronized swimming team to create the Hunting Party mutation. The original Hunter actor also participated and the swimmers required to copy his behavior; they did it so well that sometimes the whole Survivor team was being overwhelmed once they began the take;

There are no stuntmen on board so every fighting scene is shot with original actors. When it requires to shove someone off with a weapon (e.g. Zoey shoving a Hunter off Louis in the L4D1 intro), after the take actors always ask each other whether they hit too hard, should they improve the movements etc. Different actors have different range so it’s a tricky thing to cooperate but they still manage (I’ll come back to this topic in L4D2 section);

Most Infected, especially Special Infected encounters are improvised, bringing more life and realism to the Survivors’ response. The Hunter is responsible for a fair share of their shock as they noticed him stuck at a saferoom ceiling only after a while (this is a reference to the glitches that allow the Hunter to get stuck under the roof in Versus);

There was a suggestion to run a Kickstarter campaign to gather money for a fanservice episode especially for shippers. While it was most likely a joke from actors who didn’t mind shipping, it’s still a suggestion and not in work.

L4D (Season 1)

Zoey shares the zombie movie obsession with her actress; Sonja was the most familiar with the topic among original team and provided a lot of help with setting up the scene, behaviour writing etc. Along with Louis and Boomer actors, she was the creator of original idea and can consider herself a founder of the series. She is also older than Zoey as a character, being already in her 25s while Zoey is a college student;

The original Boomer actor was a CGI specialist and offered his skills for post-processing while also playing an Infected role. He came up with the idea of a Boomer Infected himself and suggested his large physique to do the role with a little touch of computer graphics and makeup;

While discussing the major characters and personalities worth including, Zoey’s actress instantly remembered her neighbor, the big buffy tattooed guy who was her childhood friend, worked as a driver and spent his weekends with his favorite bike. She figured that it’s a nice image to have in a zombie apocalypse setting, and thus Francis’ actor made it to the set;

When it came to the image of a war veteran refusing to give in to monsters, Zoey’s actress was also the one to suggest another person to fill up the space: her father. He was younger than Bill was written to be but did the impersonating well. He’s got an overall friendly but bickering attitude towards Francis’ actor so most of lines written for Bill and Francis interaction were the ones actors remembered from their own conversations, slightly exaggerated;

Zoey’s actress and Louis’ actor were co-workers for several years and bonded over their mutual interest to zombie theme and shooting. She foud out that Sean attended a shooting range in his spare time and asked him to take her out too; thus she both found out he aces in ambidextrous shooting and got him to teach her how to wield a hunting rifle. The weapon preferences were carried over to respective characters;

Hunter’s actor became a surprise for the team as Francis’ actor brought him over saying that the guy’s got a fantastic voice (and a music band) and physique to make some badass new Infected for them. They got him to voice the crowd extras of common Infected but also came up with an idea of shrieking hooded parkour bastard to rip someone’s guts out, thus creating the Hunter as another Special Infected;

As the next Special Infected concept came out of the shadows - a lanky coughing tongue-twisting zombie who would grab the Survivors and restrict them, Hunter’s actor brought another person to the set. It was his music band co-participant who did drums and back vocals and also had an ability to eject the most horrible coughing sound out of his throat while being (seemingly) healthy. He took over the role of a Smoker;

Hunter’s actor is named Mike after Mike Patton, the voice actor for Infected and SI like Hunter and Smoker. Smoker’s actor is named Mike too but the fact that he plays drums and does back vocals is actually a reference to Faith No More, the band where Patton actually does vocals and Mike Bordin does what Smoker’s actor does. It sounds complicated but originally the idea of Hunter and Smoker actors sharing a name came from Patton voicing them both, and then I found out about the band and two Mikes present so... that was a weird but happy coincidence;

The fact stated above was the reason the team came up with nicknames just for two Mikes on the set - Hoodie and Tongue respectively. The tradition was carried over to S2 where the new Hunter actor would receive a patronizing nickname Kid from Survivors (see S2)

Of all Infected actors, Hunter’s actor was the least level-headed and even Francis’ actor sometimes doubted his past decision to bring him in. Nevertheless, Hoodie’s cheerful attitude and energy helped the collective stay positive and fuelled during especially hard days. It also brought out the less lethargic and melancholic part of Tongue and made him more lively about things;

Despite Hoodie being the Endless Energy Core which people tended to adore, he was still in a lousy relationship with Witch’s actress (her name, by the way, is different from the voice actress - it’s Rose). He kept a charmer’s attitude towards her even though she was a married woman; Rose tended to be neutral or mostly positive towards most colleagues but this behavior pissed her off big time, leading to Hoodie being injured by her stage costume claws after she punched him in the face for a really bad dating joke. Hoodie toned it down afterwards but their relationship didn’t improve much up until the end;

Witch’s actress is keen on baking and sometimes brings some to the filming set;

Since the budget was comparatively low, the team couldn’t afford a lot of crowd extras so they hired a group of people to then create an image of a Horde attacking by using CGI. That’s why there’s so much repeating common Infected on-screen;

The first season included all L4D1 original Campaigns, leaving The Sacrifice out as it was added later in a DLC. As S2 came into development stage, the team wanted to add an episode with the old Survivors team but Bill’s actor was unavailable at the time and was overall not hot with the idea of shooting movies anymore; so eventually they plotted the episode (The Passing campaign) to feature Bill being dead. The fans were shocked to find it out and demanded to know what exactly happened, thus leading to actually shooting The Sacrifice as a bonus episode to S1 (and requiring Bill’s actor to come back despite his attitude).

L4D2 (Season 2)

The collective decided to take a sharp turn on the new Survivors and create them being unacquainted and sort of separated at the start but growing closer as time passes by. The idea of S1 Survivors being almost a family to each other sounded great and played along just right but the team wanted to delve deeper into relationship problems and also have a change of scenery - and so they did;

The Infected team for S2 still consisted of some old faces (Boomer, Tank and Witch) but some had to leave the set for the time being and were unable to rehearse the roles, this being Hunter and Smoker actors. They got into music harder than zombie movies and planned to go on a tour so they could only leave their old Infected sounds as a legacy;

The new Smoker actor was a treasure Coach’s actor brought to the set. Since Coach was in fact a college coach, he kept a close eye on some problematic students under his wing and picked out the one he’d considered perfect and at the same time worth looking after. The guy was recovering from compulsory drug treatment and had some ugly scars all over his arms, making him an easier candidate for makeup;

Hoodie, on his part, brought a replacement on his own, and it was his brother - four years younger, even more insanely into parkour and a huge fan of L4D series, he made a perfect new Hunter. Despite being only a few years younger than Hoodie, he instantly became treated like a restless constant-questioner child, a literal piece of sunshine on the set, so the team came to call him just Kid. He adjusted to the nickname after a couple of weeks, though being seriously surprised at it at the start;

The actors of Ellis, Jockey and Charger all come from one family, being two sons and a father. Coach suggested the family as well, being their close friend for many years and pointing out Ellis’ actor appearance being something close to the laid-back mechanic they wanted for the new Survivors team;

Although fluently speaking in a Southern accent, Ellis’ actor isn’t very fond of it as he tried to get rid of it and move to a different state; the role obliged him to use the accent again though and it wasn’t hard to recreate, but he still didn’t take pride in it and was mostly annoyed with it and Nick’s jokes written in script;

Ellis’ actor is also the one more frequently complaining about amount of money the actors receive for their work on set. Their funding increased a bit since S1′s popularity strike but still;

Most of Ellis’ stories were written based on actual on-set incidents, usually featuring Nick’s actor (see below);

Nick’s actor, Taymour, is married to Witch’s actress and is a big fan of her performance in S1. When she heard the idea of having a snarky self-centered ladies’ man in the new Survivors team, she immediately knew who’d handle the role at his best. She also rehearsed the role of Witch just to make sure nothing bad happens to her husband on-set (also see below);

Nick’s actor suffers from constant bad luck incidents. He can accidentally break or twist something without serious effort; he’s also allergic to artificial blood and he is the reason the filming set actually features painkillers and functioning adrenaline shots. Despite all that, he’s got a positive attitude about bad luck and got used to being in a state of constant non-obvious danger, unlike others who geniunely worry about his well-being and fear that one day an accidental injury might end him once and for all;

This trait is also the reason Nick’s line “Can’t you see I’m limping here?” made it into the script - it was improvised after Nick’s actor badly hit his leg and was the last to make it to a saferoom during a take. The team liked it and decided to leave it in;

Nick’s actor treats his role with all respect and doesn’t consider it a small one despite the not so large fee. He’s also a complete opposite to the character, being a very friendly and kind-hearted guy to everyone on set; he can however switch back to his script personality with startling speed and it scared some of the new actors at first. Despite playing an asshole which is very different from real him, Nick’s actor enjoys it a lot and overall finds great joy in working with the team and bringing them together;

Bringing back the topic of being gentle to each other, Nick’s actor takes great care when it’s required to hit or shove someone in the take, keeping it mildest possible, unlike for example Ellis’ actor who can smash you in the face without a second thought;

Nick’s actor and Witch’s actress keep their loving attitude on set as well, sometimes making it hard to shoot scenes featuring a Witch killing; as they were shooting the Witch Bride scene where the same actress took place but had a different outfit and makeup, they ruined several takes by driving the dialogue in unwanted directions, e.g. “Ellis, go kiss the bride! No wait, I’ll do that myself” or “N: Sounds like my ex-wife... W: I still AM your wife, darling! >:C”;

With her husband on stage, Witch’s actress is probably closest to her role - she will tear apart anyone who dares to hit on Nick’s actor or mean any harm to him (as if his own harming isn’t enough...). The only one she’d go loose is Ellis’ actor, being an old close friend;

Ellis’ actor was the one who introduced Nick’s actor to his future wife. They’ve actually been close friends since the university and Ellis’ actor was among those who obviously saw Nick’s actor and Rose being in love but completely oblivious to it. Ellis’ actor is still kinda jealous that she took his best friend away and they can’t hang out anymore like they used to, but they get quite a lot of time on set so he’s less irritated about that;

Nick’s actor is especially supportive towards Rochelle’s actress, Shanola. She feels self-conscious because of her character’s rating being lower than expected and blames it on her performance, but Taymour keeps reassuring her that she’s doing amazing. Rochelle’s actress is also the one least accustomed to shooting a weapon and handling violence of any kind so it was hard for her to get her head into action. With the team fully supporting her, the progress sped up tremendously;

Ellis’ actor’s name is Jesy and he gets salty about people misspelling it or mistaking it for a female name. It was the inspiration to include the “El kinda sounds like a girl’s name” part of Ellis’ dialogue;

The team is overall friendly towards shipping dynamics in the series’ fandom, with the only one explicitly stating otherwise being Ellis’ actor. He’s espeicially upset with Nellis ship as people started shipping actors over it too; he stated multiple times that he and Nick’s actor have been best friends for so long that it’s simply wrong to imply any romantic and/or sexual relationship between them. He once stated in an interview that he’d rather believe an Ellis/Hunter ship and the fandom exploded with it on the next day, much to the actor’s chagrin. The Hunter’s actor, or Kid, however, wasn’t that upset and supported the idea. The team made no confirmation to any ships yet;

Nick’s actor is neutral to most ships including Nellis and doesn’t see why his friend is so angry about it. His personal favorites are Nick/Witch for obvious reasons and Nick/Hunter for less obvious reasons that he doesn’t state. He jokingly suggests Jesy from time to time to start a Kickstarter campaign for a Nellis-centered episode; it’s still unknown whether they’ll take it serious one day.

[virareve]

Jaime x Brienne Fic Exchange Recommendations

The time to cram has come! T-minus 12 or so hours until the author reveals so I thought I’d make a little plug for some stories I enjoyed that came out of the @jaime-brienne-fic-exchange

First off, I am VERY behind on reading the collection. I received a concussion around the time that the fics came out so my reading has been limited first by the light sensitivity, then the work catch-up in week 2 ( I had to take off work due to the concussion), and now me on short weekend vacation (yay!). I’ve perhaps touched thirty fics at this point (I still have to get to my gift fic which was posted today :D ) so this is by no means a whole evaluation of what’s been put out. The whole collection has been extremely high quality and I hope to come back later and post some more recs. I thank the mods for taking the time to wrangle with keeping this so organized. It’s been a blast.

Modern AU:

Man With a Heartbeat  You’ve likely seen this story come up in recs a million times but it’s Just. That. Good. With a unique writing style, and a cast of characters that includes some cameos by some personal book faves (minor as they are), this one is sure to sweep you off your feet with it’s very different take. I mean...antique dealers? I don’t think I’ve ever seen a fanfic touch on this before and I was 100% here for this. Also Brienne was highly relatable lol.  Lesson Learned: ALWAYS plan your proposals or at least make sure the desire for marriage is clearly communicated and understood between both parties. #rip

To a Distant Stranger Jaime is super hot rocker who runs into Brienne again and again and again, despite her attempts to create distance between them after their implied (crazy off the charts, soul-mate inducing chemistry) hook-ups. Eventually he drops his rocker life and takes up as a bartender and true lurvvvveeee blossoms. :D  Lesson Learned: No bartender experience is needed when the course of true love doesn’t run smooth.

all these people think love’s for show (but I would die for you in secret) The author wouldn’t know this but the majority of my first bookmarked fics on AO3 were spy AUs. This sexy piece hit a very weak point for me since spies and schmexyness makes me go weak in the knees. (Also this title is prob my fave line from my fave TS song, did Author have to go so hard at me like that? It was a double whammy T.T) Jaime and Brienne are BRIMMING with sexual tension and from the first meeting I was already sitting on the edge of my seating thinking “Now kiss!” The author makes it worth it with some very bonding, emotional adventures that make the payoff feel so worth it. 

if one thing had been different (would everything be different?) I just adore the premise that Jaime is Brienne’s landlord here. Lots of sexiness going on and feels where Jaime’s been nursing a crush for one LONG hot minute (read: several years) on B and our girl is sure he’s been bullying her FOREVER (tbr Jaime’s flirting isn’t as clear cut as the boy would like to believe)

Just as Sweet (just as thorny)  OOOHHH this had me feeling many things because I just wanted Jaime and Brienne to be in love but man, many feelings having to be sorted out since Jaime and Brienne met and developed feelings under the cover of Jaime’s fake persona. Selwyn Tarth also makes a fun cameo that helps Jaime’s chance at making it with his girl and Brienne’s life at the end of the story is on the up and up (romantic relationship aside. Did I mentioned I love spy AUs? This read is a MUST.

My Best Friend’s Wedding Brienne hires a professional party date who is (of course) our man JamLan. I have a huge weakness for fake relationships so this just knocked me down after all the spy AUs I read from the exchange. It’s all the parts you love about the movie The Wedding Date and more. The fic also gave me a lot of feelings about one of my favorite places in the world Mackinac island which I was delighted to find out in the AN actually served as a source of inspiration for this fic. :D

Backpfeifengesicht I know you’ve seen this recc-ed before so I’m going to say that what everyone says is accurate. It’s funny, it’s sexy and the friendships are top notch. I’m personally rather proud that I posited a question about the type of table mentioned in this fic and sparking a discussion that descended into who the author might be based on height of various authors around the fandom. Yes, I will take credit for that madness XD 

The Knight and the Thief Cat Burglar AU. There’s a bunch of sneaking around here that hit’s me the same way as it does with Spy AUs. Of course Jaime wins the day with his biggest steal yet, one sapphire-eyed wench. 

The One That Got Away Jaime and Brienne meet in College after knowing each other in high school. Reading Jaime try and fail to convince Brienne of his affection was a humorous trial and half. Favorite line in this fic: “You’re not just the one that got away. You’re the one. Period.” A very swoon worthy story that builds up perfectly. 100% worth the read!

Jaime, Brienne, and the Bachelor Party on Wheels Having attended uni in a college town where partying was the main event, seeing these bicycle drinking carts was a common occurrence and I knew as soon as I saw the title, this fic was going to be a must read for me. Jaime and Ygritte as good friends was the friendship I didn’t know I needed and I am totally taking notes now to put it in fic at some point. There’s a lot of rowing references I wasn’t familiar with but all the innuendos were very clear in their intentions. ;)

Book Canon AU:

A Matter of Honor Oh man this one is sexy as hell. This fic delves into ‘what if the Tarth’s were the wealthy noble house with royal favor and the Lannisters were the disrupted, down-on-their-luck Lords Paramount?’ A lot of fun is involved in this battle of wills, whether it’s Brienne, deciding to stick by her vow to marry despite her reservations about her husband-to-be,  Selwyn Tarth, trying to convince to break her betrothal, or Jaime, trying to decide if maybe he actually is into his potential new wife. There is so much fun and sexiness here that I couldn’t get enough. I may have also read this three times...XD

A Wench’s Kiss Have I ever mentioned how much I love a clearly communicated  sex scene where both parties involved know each other’s needs? Well you do now! While the roles here are clearly defined as to who is who in this Dom&Sub role-play dynamic, it is very clear that every action done is done as communicated by the partners preferences and needs. 

Other AU

Brienne Tarth and the Quest for the Lost Swords  Brienne is Indiana Jones and Jaime is the Nazi lady from movie three with a better heart and better intentions (in the end). Fortunately, the end for these two is much better then it was for Indy and his doomed lady love (Jk I was always team Marion but stillll).