#also while you can disable YouTube | Explore Tumblr posts and blogs

blindbeta · 7 months ago

Text

Exploring How Toph Beifong Could Be Played By A Blind Actress and Refuting Reasons Some People Believe She Couldn’t

[Image Description: Toph Beifong from Avatar: The Last Airbender. She is waving her hand in front of her face after joking that she spotted the great library, tricking the Gaang only to remind them that she is blind. She rides on Appa who is flying above a desert landscape. End I.D.]

The live-action adaptation of season 2 of Avatar: The Last Airbender is underway. This means people are discussing Toph again, much like they did during pre-production of season 1. I have seen and even participated in promoting the idea of Toph being portrayed by a blind actress. Similarly, I have come across push-back against the idea.

Instead of if Toph Should Be Portrayed by a Blind Actress, Let’s Focus on How She Could

(should and could are bolded for emphasis)

This post will address common misconceptions that serve as barriers to the idea of a blind actress portraying Toph.

A Few Notes Before We Start

These points come from posts on online forums, YouTube comments on videos related to the casting of Toph, and tumblr posts. No one will be specifically called out here, as while these points may be attributed to certain individuals online, they represent much wider views that are shared by many, even without malicious intent. These common misconceptions stem from unchecked ableism and general lack of information. Keep in mind that my intention is not to call out any individual person, as ableism is a widespread, collective problem. The reasons I refuted in this post showed up repeatedly and were not isolated opinions of one or two people.

1. No, it would not be too difficult to find an actress who is Asian, blind, and the right age

[Image Description: Toph as The Blind Bandit uses earthbending to create three pillars of rock that shoot at an angle from the ground and smash into her opponent, throwing him against the arena wall. End I.D.]

This point suggests that it is difficult to find candidates fitting Toph’s description. I suspect this is due to racism and ableism, in that a white and abled person is considered default and therefore believed to be more common, especially by Western studio standards. This is not truly the case. People of color and disabled people are auditioning, especially for the comparatively few roles that seek them out specifically, such as Avatar: The Last Airbender.

Blind Asian people exist. Some of these people are also actresses. Some have backgrounds in dance or martial arts, especially because many actors do similar activities to increase endurance and versatility. Finding a pre-teen or teenager to play Toph would not be as challenging as many people believe, especially those who already underestimate the amount of blind people in the world and their abilities.

Those who argue this point may be under the impression that a blind actress would be out of reach due to low numbers and lack of interest in auditioning. Blind people are auditioning. The reason you don’t see them on screen is because most of them are ignored in favor of abled actors. For example, in this video, Molly Burke discusses not being chosen to play a blind character whom she was told was based on her own life. The actress chosen to play the character was not blind. You can watch it here.

Additionally, Netflix has the ability to hold a widespread casting call. They are not a tiny studio doing productions in someone’s backyard. They have access to a wider pool of actresses than the average person might think, particularly if said person is not familiar with the resources big studios often have at their disposal.

In fact, Netflix is doing just that. Below is a link to their casting call, which encourages blind and low vision actresses to audition.

Link to casting call here with alt text.

2. Some people believe Toph isn’t really blind and therefore the actress who plays her needs to be able to see

[Image Description: Toph as The Blind Bandit using bending, with shots showing her hands and feet. As her bare foot slides sideways across the ground, the camera zooms out to show her sensing vibrations. The image turns greyscale, with circles of white vibrations emanating from around Toph’s body, where they expand and flow outward. End I.D.]

The rationale behind this is probably the same as it is for Daredevil, meaning some don’t consider Toph to be blind because of the way she uses her bending.

An argument could be made that Toph’s powers erase her blindness or that her powerful abilities make her less relatable to the average blind person. However, I suspect that many sighted people engaging with these discussions of Toph’s casting are not also concerned with questions of erasure or relatability. In discussions questioning her blindness, the evidence given mostly centers on Toph’s physical abilities rather than relatability to real blind people.

Her bending aside, Toph is certainly blind. She experiences ableism from her parents and general community. Blindness shaped her life in a lot of ways, even with her bending, which is also influenced by her disability.

We see Toph being guided while running on the airship, needing assistance while walking on ice, and struggling to travel in a desert. She uses her other senses, including hearing and tactile senses. She has limitations regarding how she is able to interact with an unaccommodating world, such as inaccessible reading and writing systems.

There are also lifestyle and cultural implications of blindness extending beyond the inability to see. Being blind is not only about what one can and cannot do, which is true of Toph’s experience as well. Blind people may have different values, experiences with family and friends, different senses of humor, or may place higher value on other sensory experiences compared to sighted peers.

Whether or not Toph is good blindness representation can be argued. However, she is still a blind character. Her blindness influences her whole life, even as she is more than her blindness at the same time. Her life as a blind person is about more than limitations and abilities. Reducing her, and any blind person, for that matter, to only these facets of her experience oversimplifies what it is like to be a blind person.

Claiming that she isn’t a blind character because of her ability to do x, y, and z can be incorrect for a lot of reasons.

Blind people are more than what we can do or what we produce. Our experiences are rich and varied. Our lives are inherently meaningful no matter our abilities or limitations. It is both ableist and inaccurate for sighted people to attempt to put us all into boxes.

Additionally, blindness is a spectrum. [Bolded for emphasis.] You can read about it at the following posts on my blog:

here

and here.

Here is a good list of legally blind YouTubers with various types of visual experiences.

According to various sources on the blindness spectrum, about 85% to 95% of blind people have some remaining vision:

93% according to RNIB

This Perkins School For the Blind fact sheet estimates about 90 to 95% of blind have some remaining vision

American Foundation for the Blind estimates about 15% of blind people are totally blind and discusses the spectrum of blindness here

The spectrum of blindness is important because our experiences become even more diverse when the spectrum is considered. This means that assumptions about what we can and cannot do become even harder for sighted folks to guess accurately.

This accuracy is important if sighted people are going to try to put limitations on blind people, which they have no business doing anyway. They are not the authority on what blind people can do, what we cannot do, or what is good for us. Only blind people can answer that for themselves.

Lastly, blind people are already used to navigating and interacting with their surroundings. They have had anywhere from months to a lifetime of experience, which would translate better to Toph’s ease with her blindness and confidence in her bending.

While an actor wearing contacts to obscure their vision might stumble around and have difficulty on set, someone who is actually blind could lend Toph’s character a much more relaxed, confident attitude in addition to possessing experience navigating in a way that works for her. She is used to being blind. Therefore, an actress who is also used to being blind brings a lot to the performance in terms of physicality, attitude, and the ability to focus on portraying the character, rather than simulating blindness.

Which leads me into the next point.

3. The idea that Toph doesn’t move like a blind person relies on stereotypes of blind people

[Image Description: A GIF from the episode “The Runaway”. Toph, Sokka, and Aang all con some con artists and cheer after their victory, Toph raising her arms high before snatching the prizes. They all run away. End I.D.]

There is no specific way of moving like a blind person. Like sighted people, the way blind people move may be influenced by many factors, such as level of vision, how long they have been blind, their mobility aid, navigation techniques, familiarity with their environment, level of confidence, feelings of safety, other disabilities, energy levels, cultural factors, and more.

While there are mannerisms that are recognizable to blind communities, there is no one way to move like a blind person. Just as there is no one way to look blind.

The ideas of “not moving like a blind person” or “not looking blind” come from stereotypes of blindness. In fact, these ideas can be so pervasive that blind people who don’t fit stereotypes may be accused of faking. I explore this subject here.

In this video, Sam from The Blind Life discusses the experience of performing blindness or being pressured to act more blind than he is. Link here. He explains while he has some vision, he uses his cane to indicate to others that he is blind. This is one of the main functions of a cane. Sam explains feeling pressure to adhere to certain stereotypes about blindness or risk being accused of faking.

Similarly, in this video linked here, Molly Burke discusses the stereotype that blind people’s eyes look noticeably different from sighted eyes. This includes the inaccurate belief that all blind people have cloudy eyes, blank eyes, eyes that are always closed, or eyes that simply must be covered in dark sunglasses to protect the sensibilities of sighted people. Molly explains that while blind people can certainly have these attributes, not all of us do. Molly laments that the phrase, “You don’t look blind,” is either used to invalidate her or to praise her for passing as a sighted person, which is ableist.

Just as blind people don’t look the same way, we don’t move the exact same ways either. That applies to Toph as well. For example, she prefers to keep her feet on solid ground for bending purposes, orientation, and possibly due to cultural factors valuing stability and connection to the earth.

4. The idea that accommodations would be impossible to provide is rooted in ableism

[Image description: A GIF of Toph and Zuko sitting beside each other on the floor at the Ember Island theatre episode. Toph punches Zuko’s arm. Metaphorically for the purposes of this post, she is punching ableist ideas that have nothing to do with Zuko. End I.D]

Here is a thread I shared in the early days of this blog, wherein the topics of blind actors and accommodations are discussed. The entire thread might also be helpful for this post, as I explore the same points, which shows how common these misconceptions are. While this may seem to be an isolated online disagreement, none of these arguments are new. That is why I believe this topic is important— these arguments about accommodations being too difficult or a burden on others also pop up in conversations about other workforces and other disabilities.

A blind character not being played by a blind actor is one thing. A blind person not being hired for a job they are qualified for due to resistance to providing accommodations is not so easy to ignore, not so seemingly isolated a concern. These barriers don’t only apply to blind actors looking for work. They apply to all blind people looking for work.

That means most of this isn’t really about Toph, nor the opinions of random people online. Instead, I hope to highlight common patterns in ableist thinking and dispel these ideas using a character people care about. This is, of course, in addition to my own desire to have a blind actress play Toph.

With that said, let’s explore what work accommodations might look like using examples of blind actors.

Dionne Quan is a blind actress who has an extensive filmography for voiceover work, including popular characters such as Kimi from Rugrats. In this article from when the character was first introduced, she discusses how she performs. Link.

Quote from the article: “Most of the recording was done in a studio with just a mike and a stand for the script. I had the lines in braille, and I would read them on the way over to get into character. You have to have your bag of tricks ready to go.”

Most of the work Quan discusses involves typical acting stuff. The accommodations given to her are similar to adaptations that might be made in an office setting. Additionally, with all the technology available now, it is easy to make a script accessible through large print, VoiceOver and memorization, Word document instead of a PDF, a Braille display, etc.

And as of August 2024, Quan can add adult Toph Beifong to her list of characters. Which is super exciting and, I thought, an appropriate fact to include in this post. You can read more here.

To continue the discussion of accommodations for actors, I would like to discuss Ellie Wallwork. Wallwork is a blind actress who has performed on Doctor Who.

She describes her experiences on set, such as blocking scenes and using tactile accommodations in this short video from the SeeSaw podcast. Link here.

Transcript:

Elie Wallwork speaking:

“Obviously, markers are just normally flat bits of tape on the floor. I had to have some sort of tactile ones so I knew where I was stepping onto. And it takes longer. It definitely takes a bit longer. I guess the thing that frustrates me about the industry is that sometimes casting directors will think, ‘Well, how could a blind person possibly do this, do that? How could they do stunts? How could they even navigate around set?’ But it’s perfectly possible if you— for example, with the crew that I had on all the productions I’ve been on, they’ve all been really kind, really patient with me and able to understand that, yeah, okay, it might take me five minutes longer to block a scene, but that’s fine because it means it’s authentic.”

End transcript.

You can listen to the full episode here.

Lastly, I find that many sighted people are not generally knowledgeable when it pertains to what blind people can or cannot do. Examples of this lack of knowledge include frequent questions about how blind people read, exist in online spaces, cook, etc—and these are simply from posts on my own blog.

Here is a link to a discussion thread that explores ableist assumptions people often make what blind people are or are not able to do. It particularly relevant for this topic. Link can be found here. Please remember that while I did respond to some folks who expressed opinions colored by ableist assumptions, that post is not about them. Just as this post is about addressing ableism in general rather than from a specific source.

The point is: consider why abled people are so comfortable stating what blind people can and cannot do, when one of the most common questions about blindness is still “how do you use a phone or the internet?”

People who aren’t blind often fail to grasp what our limitations actually are. Many people are still surprised to learn that technology or accommodations exist for us, despite having access to various forms of technology themselves. They struggle to understand that we can live our daily lives, possibly because they personally cannot imagine themselves without the vision they rely on, such as that time a professor asked blind content creator Stephanie Renburg [quote] “How do you live?” when the conversation was supposed to be about school accommodations [Link here].

This brings me to an assertion that is often made when sighted actors obscure their vision in order to play blind characters. It is often noted that it was too hard for them emotionally, mentally, and physically. Because of this reaction, the assumption is made that a blind person cannot possibly perform the role.

For example, in the article linked here, this is stated about Jamie Foxx in his role as Ray Charles. “Some actors, including Jamie Foxx as Ray Charles in “Ray” (2004, best actor) and Blake Lively in “All I See Is You” (2017), have chosen to wear ocular prosthetics, rendering them literally blind during their performances. But this creates a new problem: Unlike real blind people, who can spend years honing their orientation and mobility skills, the blindfolded sighted person becomes lost, confused and frightened with the sudden loss of sight — Foxx told interviewers he began hyperventilating as soon as his eyes were glued shut with the custom prosthetic eyelids that the filmmakers affixed over his eyes.”

Being blind is different from a sighted person temporarily obscuring their vision. Blind people have a better handle on being blind because we’ve been doing it longer. Blindness is part of our lives. Of course blind people are going to have an easier time portraying blind characters. This means most of the concerns people bring up when discussing sighted actors struggling with being unable to see won’t actually apply to blind people who have been at this for far longer.

I also wanted to address the idea that hiring blind actors would cost more, according to the assertion made in that thread about hiring blind actors, which you can read here if you haven’t already. While I can understand why someone might believe hiring a blind actor would cost more, I believe it would actually cost less.

Blind actors can use their own canes or other assistive devices used by the character, which saves money on expensive materials

Blind actors likely already have experience with O&M training, saving money and time that would otherwise be spent training a sighted actor, such as described here

Blind actors don’t need contacts or prosthetics, which may otherwise be used help an actor simulate blindness

And blind actors would have an easier time navigating sets, dancing, or doing required physical activities while blind, which reduces the learning curve that sighted actors with obscured vision need

A few Disclaimers:

1) Blind people learn from our communities and through life experience. While we naturally have more experience being blind, our knowledge is enhanced through learning from other blind people and participating in training designed to improve our life skills. I maintain that a sighted person obscuring their vision for a few hours will not have the same level of experience.

2) Reminder that blindness is a spectrum that a blindfold cannot replicate.

and 3) This post is not to say that sighted actors cannot do well or cannot put effort into their performance. According to the article above, Charlie Cox won an award from the AFB for his commitment to portraying Daredevil. However, just because there are sighted actors willing to put in the work does not mean blind actors can’t. I wanted to include this disclaimer in case someone sees the AFB article I shared and worried I’m trying to disparage actors who have already portrayed blind characters and happened to do a good job. After all, I love the original performance we received from Michaela Murphy, who originally voiced Toph. That doesn’t mean studios should not make an effort to cast more blind actors moving forward, nor does it justify any of the silly or explicitly ableist reasons people give for why sighted actors must be chosen over blind ones.

Let us return to refuting those excuses with the last thing I wanted to address.

5. Some people are concerned that a blind person might get hurt doing martial arts, but so can literally anyone else

[Image description: GIF of Toph dressed in Fire Nation attire. She punches through a rock.]

Kids can get hurt in any kind of sport, yet society doesn’t try to keep children from these activities for their own safety. However, disabled kids—and adults for that matter—are often reminded that we are being kept out of spaces for our own protection. Which we didn’t need, nor ask for.

This need to protect disabled people can be not only infantilizing, but hypocritical as well. For example, a blind person might be discouraged from playing recreational sports in a misguided attempt to protect them. Conversely, structures that keep blind people at risk are allowed to stay firmly in place, such as discrimination around transportation, inaccessible infrastructure, and poverty.

Blind people play sports anyway. Often, these sports carry their own risks of injury, as most sports do. Blind people have the agency to understand this and consent to it. Examples include blind football [link] and goalball [link].

Here is a video of Sadi the Blind Lady discussing goalball with Eliana Mason, a Paralympic athlete who plays goalball professionally.

Transcript: “Goalball is sport for blind and visually impaired athletes. It was created after World War II for blinded veterans and is now a Paralympic sport. The coolest thing about it is that everyone wears eyeshades so no matter what your level of vision loss is—because blindness is a spectrum— it equalizes it. The ball has bells in it and the court is straight with tape over it. It’s on a volleyball sized court. It’s three on three. And basically in offense, we are throwing the ball as hard as we can with a lot of technique involved, about 30 to 45 miles an hour to have it hit the ground and roll and hit the other players on their bodies. And on defense, you are throwing your body out and diving in front of this 3 pound ball and blocking it. So essentially you want to get hit with the ball.”

End transcript.

Getting hit with a ball, especially in the face or stomach area, is going to hurt. That is okay, because as long as safety precautions are taken, pain might be part of the experience depending on the rules and anticipated possibility of injury.

Martial arts and dance, which are backgrounds sought specifically in the Netflix Toph casting call, can also lead to accepted forms of pain or discomfort. While one could argue that sports injuries could and should be preventable, this post is more concerned with the expectation of pain, injuries, and what steps are taken to prevent them, such as protective gear or an experienced coach / teacher.

A blind person auditioning for Toph knows that martial arts will be involved. She will spend time learning choreography, building trust with co-actors, and figuring out works best for her. This structure is similar for blind people playing football or goalball or tennis or fencing or whatever else they want to do.

Lastly, people who aren’t blind also experience pain or injury during sports. Same with martial arts or dance.

The actress who plays Toph might get hurt. She might not. Some pain might even be an expected part of training. That is no reason to exclude a blind person from participating. That is no reason to say Toph couldn’t be played by a blind actress. [Bolded for emphasis]

Lastly, anyone training actors on fight choreography already knows how to do so safely. That fact that this is choreography is also helpful, allowing for memorization of actions and reactions. Conversely, the sports and physical activities I listed above are not choreographed, with the exception of dance, and are therefore less predictable. Therefore, if blind people can get head injuries playing on a recreational blind football team, a blind actress can handle fight choreography.

Closing

Thank you for reading all of this. My points still stand whether or not a blind person is actually cast for Toph.

Too Long, Didn’t Read:

Unchecked ableism can lead to oppression even if it is unintentional

Blind actors exist

A blind actor would better capture Toph’s ease and confidence with her blindness

Blind people can do a lot more than sighted people usually think they can

Blind people also face discrimination and limitations that sighted people may not have considered

Blindness is a spectrum and most blind people can still see something

There is no one way to look or move like a blind person

Accommodations are not that difficult to provide

Hiring a blind person would actually cost less money

Most of the popular reasons people believe Toph cannot be played by a blind actress are rooted in ableism

This post is not only about Toph or actors, but an example of how unchecked ableism can be harmful

For example, low employment rates for blind people, inaccessible online resources, or Toph-related posts shared without image descriptions

Toph Beifong could totally be played by a blind actress

#blind #atla toph #toph beifong #atla #netflix atla #netflix avatar #Toph Beifong casting Netflix #ableism #blind characters

1K notes · View notes

strange-aeons · 3 months ago

Note

hello mr. strange,

i watched your most recent video about omegaverse with some friends and felt the need to enjoy it on my own too, but alas, when i opened it on my own youtube (which is set in french as i suffer from being french) the title had been automatically translated. i payed no mind to that and started playing the video when my ears were attacked with some ai text to speech version of you video in french. while this was funny for the first five second i quickly switched back. i missed your unusual voice.

anyways i was wondering if that (i checked theres also a spanish ai dub available) was normal and wanted on your part, as a way to spread omegaverse propaganda to non english speakers.

have a good day.

As far as i can tell it's a new feature youtube just introduced. I didn't enable it and idk if there's a way to disable it??? I'll check that out before uploading my next video

896 notes · View notes

jasperxkuromi · 9 months ago

Text

Play ideas for chronically ill, disabled, or otherwise bed bound/low energy littles

Hi all! I am chronically ill. I am not comfortable sharing my specific diagnosis, but I am more than okay with talking about disability in general. Everything below is based on my own personal experiences and activities I like to do while stuck in bed. Everyone's body and experiences are different. I may list some things that just aren't an option for you, and that's okay. You are more than welcome to add on to this post with activities you do too!

🐛 Open the curtains and cloud watch! I like to look for clouds that remind me of animals or characters and day dream a story about them. If the weather is nice, consider opening your window a little bit and letting some fresh air into your room.

🐦 Bird watch! I have a bird feeder outside my window that I painted myself from a kid's kit. There are also bird feeders that have suction cups that can be stuck right on your window. You can also make your own seed ornaments. You could pick yourself up a kids book or two on learning to identify birds.

🌷 Get a window planter. You may need someone's help to set one up, but once they are in place they are fairly easy to care for. I like pansies and marigolds because they remind me of childhood, and they are low maintenance and do well in containers.

📖 Audiobooks are great for middles who want to read chapter books. If you have a library card you can borrow tons of audiobook, ebooks, and comics through hoopla and Libby for free. There are some audiobooks for younger kiddo books, but honestly I think YouTube is better for that.

🖼️ Scrapbooks and journals! Being penpals with another little is also an option, but I do recommend using basic internet safety and common sense. (I don't think you should do this if you are under 18). You could always scan/take pictures of your letter and send it digitally to your penpal instead.

🛏️ If you spend a lot of time in bed, and have the money to do so, I really recommend getting items to make your time in bed more comfortable. Extra pillows, or even a reading pillow can be helpful. Lap desks or bed tables can give you space to color or set up play scenes with small toys.

🌟 You can also decorate the area around your bed to make it more child like! Fairy lights, glow in the dark stars, bed canopies, posters, and the like.

🪑 I have a floor chair I use for times I am playing outside of my bed. Being close to the floor helps me feel small, but not having back support hurts after a short while. I have an adjustable one that I can lay flat on the floor as a sleeping mat. Very helpful for the times when I need a quick nap after playtime.

🎨 Check the seasonal and kids sections at dollar stores and Five Below. I usually find fun craft kits that can keep me occupied for a bit for really cheap.

🧶 Do your own crafts! I like the knit and crochet. Some people can do them in bed, but I find it difficult to find a comfortable way to do that. However making friendship bracelets in bed works out pretty well. They make great gifts, even for non little friends. Or you could make matching ones for you and your CG or favorite plushie!

🪀 Make your own sensory bin! You can find tons of tutorials and ideas online. Bonus is you can get most of the items you would use at the dollar store. There are tons of other DIY sensory toys you can make as well if you look around. Glitter/shaker bottles are pretty popular too.

🐇 Cuddle with your stuffed animals. Tell them stories. Play pretend. Read to them. They will appreciate all of it.

🎮 If you have an old 3DS stuffed away in a drawer somewhere, pull it back out. 3DS are fairly easy to install homebrew and there are toooons of kiddo friendly games you could get (check 3ds.hacks.guide for this, do not follow tutorials on YouTube or random websites as they very well could be outdated)

💊 Decorate your medicine organizers with stickers. If you use mobility aids you can decorate them as well! Fake flowers are great for decorating mobility aids and there are tons of ideas you can find online.

🍼 I have stomach problems that makes it hard for me to eat enough. I often drink Ensure to make sure I am getting enough calories/nutrients. I get the strawberry flavor and sometimes put it in my sippy cup and pretend it is strawberry milk 😋

😴 If you need rest, rest! You deserve to get as much sleep as your body needs. Babies and toddlers take naps all the time! Trying to just exist with chronic health issues is difficult enough. You don't need to push yourself.

#age regression #age regressor #agere #sfw agere #age dreamer #agere blog #agere community #age dreaming #chronic illness #chronically ill #disability #disabled #sfw interaction only #sfw regression #sfw little community #sfw littlespace #agere little #safe agere

1K notes · View notes

all-the-fish · 1 year ago

Text

Oh, you know, just the usual internet browsing experience in the year of 2024

Some links and explanations since I figured it might be useful to some people, and writing down stuff is nice.

First of all, get Firefox. Yes, it has apps for Android/iOS too. It allows more extensions and customization (except the iOS version), it tracks less, the company has a less shitty attitude about things. Currently all the other alternatives are variations of Chromium, which means no matter how degoogled they supposedly are, Google has almost a monopoly on web browsing and that's not great. Basically they can introduce extremely user unfriendly updates and there's nothing forcing them to not do it, and nowhere for people to escape to. Current examples of their suggested updates are disabling/severly limiting adblocks in June 2024, and this great suggestion to force sites to verify "web environment integrity" ("oh you don't run a version of chromium we approve, such as the one that runs working adblocks? no web for you.").

uBlockOrigin - barely needs any explanation but yes, it works. You can whitelist whatever you want to support through displaying ads. You can also easily "adblock" site elements that annoy you. "Please log in" notice that won't go away? Important news tm sidebar that gives you sensory overload? Bye.

Dark Reader - a site you use has no dark mode? Now it has. Fairly customizable, also has some basic options for visually impaired people.

SponsorBlock for YouTube - highlights/skips (you choose) sponsored bits in the videos based on user submissions, and a few other things people often skip ("pls like and subscribe!"). A bit more controversial than normal adblock since the creators get some decent money from this, but also a lot of the big sponsors are kinda scummy and offer inferior product for superior price (or try to sell you a star jpg land ownership in Scotland to become a lord), so hearing an ad for that for the 20th time is kinda annoying. But also some creators make their sponsored segments hilarious.

Privacy Badger (and Ghostery I suppose) - I'm not actually sure how needed these are with uBlock and Firefox set to block any tracking it can, but that's basically what it does. Find someone more educated on this topic than me for more info.

Https Everywhere - I... can't actually find the extension anymore, also Firefox has this as an option in its settings now, so this is probably obsolete, whoops.

Facebook Container - also comes with Firefox by default I think. Keeps FB from snooping around outside of FB. It does that a lot, even if you don't have an account.

WebP / Avif image converter - have you ever saved an image and then discovered you can't view it, because it's WebP/Avif? You can now save it as a jpg.

YouTube Search Fixer - have you noticed that youtube search has been even worse than usual lately, with inserting all those unrelated videos into your search results? This fixes that. Also has an option to force shorts to play in the normal video window.

Consent-O-Matic - automatically rejects cookies/gdpr consent forms. While automated, you might still get a second or two of flashing popups being yeeted.

XKit Rewritten - current most up to date "variation "fork" of XKit I think? Has settings in extension settings instead of an extra tumblr button. As long as you get over the new dash layout current tumblr is kinda fine tbh, so this isn't as important as in the past, but still nice. I mostly use it to hide some visual bloat and mark posts on the dash I've already seen.

YouTube NonStop - do you want to punch youtube every time it pauses a video to check if you're still there? This saves your fists.

uBlacklist - blacklists sites from your search results. Obviously has a lot of different uses, but I use it to hide ai generated stuff from image search results. Here's a site list for that.

Redirect AMP to HTML - redirects links from their amp version to the normal version. Amp link is a version of a site made faster and more accessible for phones by Bing/Google. Good in theory, but lets search engines prefer some pages to others (that don't have an amp version), and afaik takes traffic from the original page too. Here's some more reading about why it's an issue, I don't think I can make a good tl;dr on this.

Also since I used this in the tags, here's some reading about enshittification and why the current mainstream internet/services kinda suck.

#modern internet is great #enshittification #internet browsing #idk how to tag this #but i hope it will help someone #personal #question mark

1K notes · View notes

romanarose · 5 days ago

Text

What: An event to highlight disability visibility in the Pedro Pascal and Oscar isaac fandom! Writings or art MUST include some disability. In the header, I have chosen 4 characters with canon disabilities, but you can write for anyone! For examples:

Marcus Acacius losing eyesight Llewyn with a reader with a reader with epilepsy Javier Pena x Steven Murphy and Steve has cancer

Fics and art can be NSFW, friends, romantic, canon characters only, x reader, solo fics, ETC. If you want to explore a bonus chapter within a series you already wrote, that works, but,

MUST BE NEW CONTENT!

Who: Anyone who wants to make art or write a fic!

Where: Tumblr, but if you want to post on ao3 and send a link that works!

When: Through the month of April!

Why: It's important for all of us to look at the beautiful diversity of this fandom! There have been many discussions around race and gender/sexuality biases especially in the PPCU recently, and I want to not derail, but rather add to this conversation.

Rules: I'll try to keep it simple

Not a dead dove event: While dark content can be discussed or shown and I am not a dark hater, please no dead dove, non con etc. Not for this event.

Minor characters are allowed, but obviously no NSFW minors. You want to have Marc and reader in their teens, thats fine! but not smut.

No minors!: I am aware I cannot stop nor do I wish to stop minors from reading, but interacting with this event is strictly 18+

Non-disabled people can write, and disabled folk can write for disabilities they do not have, but do research: Reach out to friends who have a disability you want to write about. Watch youtube videos. Read book and blog posts. I'll link some resources at the bottom!

TRY not to fall into trope or harmful traps. Again, I'll link tropes in the bottom, try our best!

Try to end light. This is about the beauty of diversity. Like with my pride event, I'm not naive to hardships the disability community faces and we can explore that, but lets not let that be the main focus.

Readmore: Use the READMORE option! I'll reblog all fics but ONLY if theres a readmore

Add alt text to any pictures. I have literally done this maybe twice and that's my fault. it takes a minute, I have no excuses, but its very important for people who use aids online.

And this isn't a rule but a few notes. try to avoid the inspiration porn shit. If you don't know what it is, look it up and if you're still not clear you can ask me! Also, I recognize major depressive disorder , PTSD, anxiety ETC can be disabilities, these are things that are depicted a fair amount in fics already. If you choose to write to draw with these disabilities, that is okay! I'm still more than happy to include your work! I just want to gently encourage people to think of other disabilites we can try to include so others feel welcomed!

And as always with my events, I want to encourage you to think beyond the standard x fem reader. It's all wonderful and beautiful, but if you wanted to write reflecting your experience as a black disabled woman or a trans disabled man or writing about Santi's experience being queer and disabled I WOULD LOVE TO SEE IT ALL!!

Events tend to not have a lot of art, so I'd really love to see artists participate too!

HOW: SEND ME THE LINK ASKS OR DMS! asks in preferred so I can keep track. Do to internet safety, I wont look at anonymous links. If you have to be on anon bc you use a sideblog (looking at you, Haru!) then tag me in your fic or post, I'll open up a dm with you on that blog and you can send it there. I''ve had issues in the past trying to keep things organized so this is best for me! Everything will be reblogged, and then put into a masterlist!

I will be posting the masterlist on my new blog, @cosmic-kid-in-motion. I wanted to start the event here where I actually have followers, but the final product will be on my new blog, transferring things over.

I am so excited to see what you all come up with!!!!

Disability Visibility Project: An online page talking about disability issues. The sight is ran by Ali Wong. She also has a book of essays from different people called Disability Visibility, I HIGHLY REC. We read this book and used this site heavility in my intro to disability class, its why I named the event this!

Ableist tropes in media

Youtuber who is a friend of mine, Andy

Deaf awareness by same youtuber

Another youtuber I like

Disabled palistinian comedian

If anyone has other links they recommend im all ears!

I also open for any questions, and if any other disabled tumblrinas wanna open up for questions, comment below! You totally dont have to, but a wider range is always great! I have a few physical and mental disabilites and like I mentioned, I took a class. Im also good friends with the tuber i linked above and he's done a lot of disability advocacy and I've learned a lot from him, So I feel confident but if theres another I dont know I'll open it up! Any input or ideas are welcome!!!

Im so excited to see what everyone comes up with!

#ppcu #disability awareness #pedro pascal #oscar isaac #oscar isaac fandom #marc spector #anselm vogelweide #joel miller #ezra prospect #event #fan event #fanfiction event #fan art event #joel miller x reader #santiago garcia x reader #steven grant x reader #javier pena x reader #im so bad at tagging

131 notes · View notes

copperbadge · 1 year ago

Text

So the ADHD Handbook post struck a chord with a lot of people...

I don't think I have it in me to write the book I suggested, mainly because most of what I want to write about is variable by situation. I can't actually offer a magic formula for getting a good assessment, all I would be able to do is say "Here are the warning signs, here's my personal story, shit's just rough". Which I could do but it'd be basically an entire book of "shrug emoji". The best possible way would probably be to offer it as a workbook, like "Here is a page for you to record every communication with the clinic doing your testing. Here is a page for you to write down possible other approaches to getting your medication if the pharmacy is out." etc.

I do think I might write it as a novel of some kind. Possibly even a novel about someone writing a handbook, I haven't decided. I had a dream last night about the book, in which I saw a woman watching a revolution taking place in the distance, thinking, "This is not what I intended when I set out to write a self-help book." Baller way to start a novel, honestly.

Anyway there were several suggestions for books in the notes, so I thought I'd compile those here. I have read none of these, so I can't vouch for their contents, but I'm including what my readers said about them.

@blogquantumreality linked to How To ADHD by Jessica McCabe, who is a well-known ADHD youtuber (I haven't found her videos super helpful but they're also not aimed at me). @knitsinweirdplaces added "The last section of the How to ADHD book is literally called 'how to change the world' and exactly points out we can advocate for a more disability friendly world that traumatizes ADHDer less in the first place. It's the only book I've read that hits the balance of 'your brain has immutable challenges' and 'these strats may help' right. Bonus, it is inclusive of people who use adhd meds and those who don't/can't."

@theindefinitearticle mentioned "I read how to keep house while drowning recently and it's been much more practical for me in terms of actual usable advice." This book has also come up numerous times during National Clean Your Home Month as a helpful guide to cleaning.

@buginateacup said "The year I met my brain is the only one I've read that actually felt like it was making useful suggestions for living with ADHD."

@cabloom said "iampayingattention on Instagram wrote How Not To Fit In."

@grison-in-space said "Do you have any idea how over the top excited I was when I found I Overcame My Autism and All I Got Was This Lousy Anxiety Disorder?"

@doubleminorforroughing wrote "Please read Devon Price. He wants to tear it all down and I love it." I will add that I don't think I've read Laziness Does Not Exist but I have read Price's shortform work extensively and I think he's been very influential in rethinking how we frame laziness and productivity in relation to both work and neurodivergence, so I can second the recommendation.

#sam has adhd #adhd #thebibliosphere #incase you want the follow up

794 notes · View notes

bengiyo · 6 months ago

Note

Hello 👋

All of your favorite horniest sex scenes?

Hello! I've been busy, so this has taken forever to get to!

I don't always need the guys to bounce around on each other and gyrate enthusiastically for it to out as horny. Oftentimes, I find myself more drawn in by the building desire between the characters, and the explicit acknowledgement of release. I like when the sex feels like it's also revealing something to us about the characters. I've highlighted many of these before, but it's fun to revisit.

Ghost Host, Ghost House Episode 4 Couch Scene

youtube

I will never get over this scene, and especially the director's cut of it. These guys knew they liked each other almost instantly, and it was so rewarding to see them reach a place where they could express that. Bonus points for discussing the logistics of gay sex.

This show has been on Gaga and YouTube for a while, but it's also now available on Viki!

La Pluie Episode 6 Floor Scene and Episode 7 Bed Scene

I liked this scene so much that I wrote about it. Again, there's a lot of anticipation between these two, and you can tell how far it's built up because Patts has to dial it back down when Saengtai wants to stop. It's especially important to me because Saengtai does blow Patts in the next episode. If you're on iQIYI, there's an extended cut of that at the end of the video lists.

Mood Indigo: The Post-Funeral Scene

These two are so horrible for each other, but damn are their sex scenes compelling. Theirs are the kinds of scenes only possible between two people you know can never work long term. I was so glad that we got back to Haruhiko in Playback, and the first thing he did was blow Rio in a car. If you haven't seen the Novelist, and you're itching for hornier BL, it's right there.

The End of the World With You "You're Soaked"

From the same team as The Novelsit, we got to experience baby's first fuckboy in this incredible show. Again, I love when we get scenes with couples who aren't ready to work, because they're allowed to have raunchier sex. They get to amp the intensity of the physicality because they need to give a reason why someone was so caught up and missed the warning signs. I actually love the car scene later as a more romantic intimacy scene, but we're focusing on horny here.

Jack o' Frost Birthday Sex

A common theme here with the Japanese offerings is that people are allowed to have more interesting sex scenes right before they split. This is true even in Jack o' Frost. We get a really great oner from the leads that precedes their breakup and Ritsu's accident. I think this might be my favorite of this list because the actors have to build the entire scene together since there aren't any cuts.

Gameboys 2 Bed Scene

Cairo and Gav are one of my favorite pandemic couples we got on screen, and I was quite relieved for them when they finally got to have this moment. We also confirmed they switch, and I love that.

Wedding Plan: Namnuea Showing Off His Stamina

No list for me would be complete without including them. I really loved seeing two gay men go at it after clearing out all of their misunderstandings. They had already had sad goodbye sex. It was thrilling to see them having enthusiastic, athletic sex. This also leads directly to one of my favorite emotional payoffs for a closeted character of all time.

Kiseki: Dear to Me Reunion

The second couple stole this show, but damn if I didn't love the way these two played out sex across multiple years between their characters. These two really suffered, and I really love the way Taro Lin and Hsu Kai captured the changes between these two as Bai Zong Yi grew and matured. This really was a solid sex scene.

Love Class 2: Sungmin and Joo Hyuk

I just really wanna thank them for reassuring me that if Korea wanted to, they could deliver.

Sleep With Me Jeans Scene

I am not a lesbian, but I share their beliefs. This scene was so good. I loved that these two, who have different kinds of disabilities, were able to have a very fun sex scene. I really like when it's clear both characters want to be there.

Only Friends: Boston and Top in the Car

Despite my eventual disdain for this show, I was impressed with Neo and Force for giving this incredibly selfish sex scene between their characters. This entire scene is about injured egos, and it's a standout scene from this show. We won't discuss the rest of the show here.

Thanks for the ask!

279 notes · View notes

librarycards · 8 months ago

Note

Hello! I am trying to read “the right to maim” by jasbir k puar and I am getting almost nothing out of it, bc of the depth + breadth of academic concepts :( I’m particularly frustrated by it bc it seems to talk about subjects I think about, talk about and do daily, like disability, transness, and (anti)colonialism. I’m most of the way through the intro and it’s gone almost entirely over my head except for a couple isolated paragraphs that are meaningful.

Do you have any advice for how I can get the most out of this book? My main limiter is time, bc I got it out from the library and it is highly requested so I can’t have it for very long

Hi anon! First of all, in terms of time, I recommend piracy. I recommend it in general. I'm not going to post links here in order to protect the places I use, but dm me if you want them.

If you're having difficulty with the concepts (which makes sense - right to maim is a challenging book!) I recommend going back to basics with some background reading. You can get some of Puar's rec'd background reading from the bibliography, and from the keywords she uses in the preface of the text. a few that I see (i'm looking at the PDF now) include debility, rhizome/rhizomatic, soverignty, biopolitics, homonationalism, impairment [in the disability studies sense], precarity, and neoliberalism. if i was teaching this preface, i'd have students break down each of these terms (and probably others, this is just from a skim) using outside readings. it's totally normal to feel overwhelmed when jumping into a scholarly text w/o any context, and most people who use and cite this book have past experience reading Puar's interlocutors and existing familiarity with this language.

you can get up-to-date while reading using resources in tandem with this text. For example, you can read Puar's discussion of debility at that link to get a sense of the context. You can read a decent summary of Foucault (the coiner of the term "biopower") and his thought at Brittanica. I recommend using Google Scholar for terms you're not familiar with, and taking quick notes so that you don't have to google them all over again each time. if you think you have enough context with a new word but aren't 100%, keep reading and use other clues. think about academic reading like learning a new language. the strategies are very similar! because it basically is.

I recommend using the annotation strategies i just mentioned in this post (and/or developing your own). i also recommend looking up Puar's talks on youtube - she's a well-known scholar who does a lot of events, and has spoken extensively about this book and its genealogy (especially in relation to praxis / Palestinian liberation). You can also read her talk with the hosts of Death Panel, my absolute favorite podcast.

Below, I'm going to give you an example of how I close-read, annotate, and analyze a paragraph from Right to Maim (and, by extension, other academic texts. This strategy may not work for you 100%, but hopefully it gives you some solid suggestions. Overall, remember that learning to read scholarly work takes time. A long ass time. Even when it's about things you've experienced yourself! Academia has its own conventions, verbiage, knowledge base, etc, and it's a learning curve for everyone. Don't expect yourself to read as fast or get as much as someone more familiar with the conventions of academic writing - anticipate reading all of these works many, many times, and getting more with each reading. Progress is more important than perfection, and improvement, even if slow, *will* happen, as long as you don't give up. <3

Below is a quote from the preface to Right to Maim, where Puar lays out her argument. I recommend everyone highlight/remember paragraphs like these (pretty much every ac text will have something like this in the beginning as a roadmap) to anchor their reading practice and help them get the most from a book (emphasis mine):

In The Right to Maim, I focus less on an important project of disability rights and disability studies, which is to refute disability as lack, as inherently undesirable, and as the sign, evidence, or fetish of injustice and victimhood. I am not sidestepping this issue. Rather, I centralize the quest for justice to situate what material conditions of possibility are necessary for such positive reenvisionings of disability to flourish, and what happens when those conditions are not available. My goal here is to examine how disability is produced, how certain bodies and populations come into biopolitical being through having greater risk to become disabled than others. The difference between disability and debility that I schematize is not derived from expounding upon and contrasting phenomenological experiences of corporeality, but from evaluating the violences of biopolitical risk and metrics of health, fertility, longevity, education, and geography.

In the bolded part, Puar outlines what she's not doing: she's not taking a mainstream (white, colonial) disability studies approach, which is, in her words, to refute disability as "lack." She's stating that her goal isn't simply to prove disabled people as equal to able-bodied people, or to claim that disability can be good and liberating (though it is/can be!). Her point is to look at the conditions in which people become disabled, and stay disabled. Often, these conditions are violent and unjust. Acknowledging this injustice kinda throws a wrench into western models of disability pride.

So, if she's not interested in just arguing that disability ≠ badness, what is she arguing? she's looking, in the latter half of the paragraph, to how people become disabled in multiple ways. One, using the verbiage in the book, she's interested in how people become debilitated - physically incapacitated in a way that may not line up with the social category of "disability"). She's also interested in how "disability" as a social identity is constructed - that is, why do disability rights groups look at Palestinians maimed by the IOF and see an injured civilian, but not a disabled comrade? words and context matter immensely. she's looking at why, and what are the implications.

that last sentence sums up the distinction she's making: "The difference between disability and debility that I schematize is not derived from expounding upon and contrasting phenomenological experiences of corporeality, but from evaluating the violences of biopolitical risk and metrics of health, fertility, longevity, education, and geography."

the difference, she argues, between disability as western disability studies sees it and debility as experienced by people under colonial occupation isn't because we experience our bodyminds differently, or because Palestinians (for example) magically aren't as hurt by occupation as their white/western counterparts would be. rather, the reason she's using debility over disability is because the category of disability isn't objective: it's informed by biopolitical forces such as the ones she listed. her meta-argument is that what we call "disability" can't be divorced from its settler colonial context, not because colonized peoples are immune to disabling violence, but because the category of disability (and health, and violence) is itself affected by settler colonialism.

in "right to maim," Puar is offering a major shift in the way we collectively discuss disability, because the category is not applied equally across sociopolitical, geographical context. it means Palestinians and others living under occupation are either left out entirely, or unsuccessfully co-opted into western-/colonizer-centric disability discourse that doesn't acknowledge the different conditions under which they live. ultimately, "right to maim" means to make that difference, and its implications, visible.

Let me know if this makes sense! it's wordy and tedious, but lots of academic texts are. i hope that breakdown helps you make some more sense of Puar's main argument/the architecture of the text, and maybe serves as a model for future engagement. :)

#palestine #reading #academia #ask #anonymous #do not be ashamed of having a hard time. we have ALL been there. everyone has been new to this language/these conventions before.#keep trying and you will get better. i promise!

234 notes · View notes

ad-ciu · 6 months ago

Text

Guth: Reading Irish Myths & Legends

Now that I am a Real Grown-Up Academic (tm), I have been trying to find a way to support my students and the general public by making medieval Irish literature more accessible to people who, be it a lack of time, disability, or any other factor, find sitting down and reading the original texts challenging.

What I settled on was creating a Podcast where I sit down and read out of copyright translations of Irish legends which I have called Guth: Reading Irish Myths and Legends.

If that's all you need to hear, you can go check it out right now! It is on Spotify (here), Podbean (here), and YouTube (here), and should be on Apple Music in the coming weeks. Alternatively, it is embedded here:

youtube

For those of you who need a harder sell, or want to know more about it, check out below!

So, why Guth? Well, I have encountered several different Podcasts and YouTube Channels out there which are doing something similar, recording audio of them reading medieval Irish legends. While several of these are quite cool, there are issues.

In terms of more benign issues, to get around the issues of copyright, people in these alternatives tend to retell stories, and while that is very cool as an example of something like an oral tradition, it means the stories are often being altered and changed by a non-expert audience. Elements that are not very important are being given great importance, areas that are very important are cut, and sometimes things are incorporated from other texts to make an unspoken composite (or, alternatively, sometimes people cut a section of a text out and retell it independent of its broader context).

These aren't bad, but, it means these other Podcasts and Videos aren't really suitable for my purposes of supporting my students and giving people access to the actual stories.

In terms of the big problems, there is at least one Podcast on a similar topic being presented by someone who I have reason to suspect is faking having a PhD. Further, there are at least two people putting out content like this that are actively forging content and passing it off as authentic who just so happen to also be Fascists. So, not ideal.

I hope Guth can serve my students and interested members of the public by providing a solid academic perspective on a text. Each episode I open with a discussion of our manuscript sources and the date of the text (a lot of other pieces out there will describe tales as 'ancient', when in actuality they're a 14th century scribe just vibin'). I then read the text exactly as it is translated, including using reconstructed Old Irish pronunciation for all the names that appear in the text. Lastly, I conclude with a brief discussion of secondary scholarship I think is particularly relevant for the interests of the public.

All of that to say, I hope people enjoy Guth, and that it can serve people who are interested in the actual medieval tales rather than the various retellings that are circulating out there.

#mythology #irish mythology #celtic #celtic mythology #podcast #ireland #guth #Youtube

210 notes · View notes

tealvenetianmask · 9 months ago

Text

Blitz is dyslexic (petty post about why I'm right with proof from recent episodes)

Disclaimer: I don't have dyslexia, so I can't speak from personal experience, BUT neurodivergent people tend to find each other, and I've been very close with a few people with dyslexia, to the point where I've extensively edited their writing. I've also learned quite a bit about dyslexia while working in the education field. Okay- let's go.

I hear way too often (yes, I'm referencing a certain youtuber here) that Blitz can't have dyslexia because we sometimes see him reading and we sometimes see him writing without errors. So when he shows spelling and grammatical errors in his texts and notes to self, that must just be him being rude/trying to be cute/being lazy.

And if the errors were just slang and abbreviations, maybe the people making those arguments would have a point. But they're not. And I'm convinced that he has dyslexia. So what gives? Why the inconsistency (assuming it's an intentional choice on the part of the writers)?

Most dyslexic adults CAN write correctly with extra effort. It's just harder. In the learning disability world, we sometimes call it self- accommodating. With any disability, that means doing work that neurotypical people don't have to do in order to overcome the obstacle that the disability poses- and often, no one else sees that work or understands that it's necessary. For people with dyslexia, that often means that they have to check and double check their writing.

When YOU AND I (if we're both non-dyslexic people) write casually and don't put in effort, our spelling is going to be mostly correct. And if we use slang and abbreviations, it's a choice. When someone with dyslexia shoots off a quick text, it's going to look messy, and they'll probably only do it in a text to someone they're comfortable with. THAT IS THE DIFFERENCE.

Let's look at some recent examples from Helluva Boss.

Blitz is writing notes to himself here, so he doesn't have any need to make them presentable. Cute inside jokes with himself are possible (i.e. the horses and nicknames that we sometimes see), but the spelling mistakes here don't really make sense as jokes. They also wouldn't be easier to write than the correct words for someone who isn't dyslexic. Mok(backward S)ie isn't shorter than Moxxie, and remembr isn't much shorter than remember. The spelling is also phonetic, which fits with how many people with dyslexia spell in initial drafts. He just isn't watching for and correcting his mistakes, because why would he in this situation?!

Okay, different situation . . . the apologies. I would argue that Blitz IS putting in physical effort here, even if it's not emotional effort. He brings entire gift baskets full of his favorite foods for the people on his apology list after all. Here's what he writes to the DHORKS:

I think "sowy" IS meant to be cute here. It's not phonetic after all. He put a little effort into drawing them a cute little horse too. And then the cherubs . . .

I think this is pretty interesting. Blitz actually bothers here to fix his spelling mistake. He spells everything right on the inside too, even though he's telling these guys "fuck you." Notice that he runs out of room and has to write sideways. And notice the nice block letters on the front. In terms of why he's trying so much here, well, it's to prove to Stolas that he can put effort into apologizing to people, isn't it? And that means that the unintentional errors get fixed!

Now, Blitz tries to text an apology to Stolas (and obviously stalls for emotional reasons), and we see him typing it in real time,

Yeah . . . it's a combination of shorthand and just plain old misspellings. He's focused on choosing the right words, not on getting the spelling right, and it's impossible to say he doesn't care at this point. Someone who has an easy time writing correctly spelled text might use some shorthand, but just like we saw with Blitz's notes to self, they wouldn't likely intentionally misspell completely unnecessary things, especially when trying to come off as genuine.

Sigh. I rest my fucking case.

If you'd like to see my thoughts on that text conversation from Western Energy, go ahead and click on the link- it isn't really about dyslexia, and I do actually think that Blitz is pretty literate in spite of his disability and limited education, but it does explain why I think the conversation goes the way it does.

#My helluva meta #stolitz #blitz #blitzo buckzo #blitzo #helluva blitz #helluva neurodiversity #should be obvious but this doesn't negate other neurodivergences that he clearly has #People rarely have just one condition

255 notes · View notes

intothestacks · 1 year ago

Text

As a children's librarian, people who harass fans of Harry Potter indiscriminately really worry me.

Here's why.

1. The majority of Harry Potter fans are children.

I've had people call me disgusting and scum and an embarrassment to my disabled community. I've been suicide baited and have received death threats. All of this can be heavy enough stuff for an adult to deal with.

And then I think of how most of my 700+ elementary-aged students are huge Harry Potter fans. Because, you know, Harry Potter is a children's series. And they also have access to the internet and social media like TikTok and YouTube.

Now imagine the stuff that's been said to me being said to a kid. Because Harry Potter's main audience are KIDS.

2. This black-and-white mentality isn't healthy.

Very few things in life are cut-and-dry good vs bad. And if you employ this kind of thinking in one area of your life, odds are you'll apply it to other areas too(more on that in a moment).

And people who go out of their way to harass people who like Harry Potter don't seem to particularly care about any context beyond "If you like Harry Potter in any way whatsoever you're scum".

It hasn't mattered when I've pointed out that I absolutely and unequivocally think Rowling's TERF views are awful and scummy and wrong. It hasn't mattered that I try my best to consume the content only in ways that won't monetarily support her, (which kids typically can't do, btw). It hasn't mattered that it's literally in my job description to keep up with children's media to procure content for my patrons as well as to be able to hold conversations with them.

3. Saying "You're not allowed to read this without being harassed" is no different from saying a book should be banned.

This is ironic, seeing as the people doing the harassing are also often up in arms about queerphobic and racist book bans (as they should be) while demanding book bans of their own.

Because in their all-or-nothing way of thinking, book bans are only bad when the "bad" people do it.

No. Book bans are always bad, no exceptions.

Book bans aren't bad because they're banning the "good" books, they're bad because banning access to different ideas is always bad. Because every book has a lesson to teach us (perhaps not the lesson intended by the author, but a lesson nonetheless).

#school librarian #librarylife #libraryland #school libraries #the real life of me #libraries #elementary school #canada #harry potter fandom #harry potter #hp fandom #book banning #purity culture #kidlit #children's literature #children's librarian

919 notes · View notes

tangents-within-tangents · 11 months ago

Text

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities (and if I was I couldn't speak for everyone). What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs.

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people.

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (most likely caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before:

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding:

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful.

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual:

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience.

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation.

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life.

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation

325 notes · View notes

userpeggycarter · 11 months ago

Text

TOPAZ AI TUTORIAL

i was asked to do a tutorial for Topaz AI (a software that enhances screencaps), so here it is! :)

[tutorial under the cut]

i’m going to gif a 720p YouTube video from 12 years ago as an example. it’s the bottom of the barrel when it comes to image quality, but in the end, you won’t believe it was once so shitty. here’s the gif, without any editing:

THE APPLICATION

Topaz AI is a paid software for image enhancement. you can download it for free, but your images will have watermarks. here's a random link that has nothing to do with this tutorial.

you can use Topaz AI as a Photoshop plugin or use the software separately. i will explain both methods in this tutorial.

USING SEPARATELY

it’s the way i do it because it’s more computer-friendly, the plugin can take a toll on your PC, especially when you’re dealing with a lot of screencaps.

you first take screencaps as you normally would (if you don’t, here’s a tutorial on how to do it). open Topaz AI and select all the images. wait a while for the software to do its thing.

on the left, there is your screencap untouched. on the right, is your edited version. if you click the edited screencap and hold, Topaz will show you the original, that way you can compare the versions even better than just looking at them side by side.

Topaz AI will automatically recognize faces, if any, and enhance them. this can be toggled off, by disabling the “recovering faces” option in the right panel. it’s always on for me, though. you can tweak this feature by clicking on its name, the same thing for the others.

Topaz AI will also automatically upscale your screencaps if they’re too small (less than 4k). it will upscale them to achieve said 4k (in this gif’s case, the original 1280x720 screencaps became 4621x2599). i suggest that you let the app upscale those images, giving you more gif size flexibility. you can change into whatever size you want if you want something less heavy to store. don’t worry though, even these “4k screencaps” are very light megabytes-wise, so you won’t need a supercomputer. it might take a while to render all your screencaps, though, if you’re on a lower-end computer. (the folder with the edited screencaps ended up being 1GB, but that’s because it contains 123 screencaps, which is a lot of screencaps for 4k giffing).

two options won’t be automatically selected, Remove Noise and Sharpening, you will need to enable them to use them. rarely i don’t use Remove Noise, as is the best tool to remove pixelization. the Sharpening option depends on the gif, sometimes your gif will end up too over-sharpened (because of Topaz’s sharpening and later your own). that said, i used the Sharpening option on this gif.

next, select all images by clicking the “select all” button. you will notice that one of the screencaps’s thumbnails (in my case, the first one) will have small icons the others don’t have. this is the screencap you enhanced. you will need to click the dots menu, select “apply”, and then click “apply current settings to selected images”. this way, every screencap will have the same settings. if you don’t do this step, you will end up with one edited screencap and the rest will remain untouched!

all things done, click “save X images”. in the next panel, you can select where to save your new screencaps and how you want to name them. i always choose to add a topaz- prefix so i know what files i’m dealing with while giffing.

just a note: if your way of uploading screencaps to Photoshop is through image sequence, you will need to change the names of your new screencaps so PS can perceive that as a sequence (screencap1, screencap2, etc). you can do that by selecting all the screencaps in your folder, then selecting to rename just one of them and the rest will receive numbers at the end, from first to last. you don’t need to rename them one by one.

here’s the first gif again, without any editing:

without Topaz enhancement but with sharpening:

without sharpening, only the Topaz enhancement:

with Topaz enhancement and sharpening:

her skin is so smooth that it is a bit unrealistic. i could have edited that while tweaking the “Recovering Faces” option and/or the “Remove Noise” option, but i prefer to add noise (filter > noise > add noise) when necessary. this way, i don’t risk not enhancing the quality of the screencaps enough.

i added +3 of noise, making the gif look more natural. it’s a subtle difference, but i thought it necessary one in this case. you can continue to edit your gif as your heart desires.

VOILA! 🥳

AS A PHOTOSHOP PLUGIN

if you have Topaz AI installed on your computer, Photoshop will recognize it. you will find it in filter > Topaz Labs > Topaz AI. while in timeline mode, select the filter. the same Topaz AI window will pop up and you can tweak things the same way you do when you use the software separately. by using the plugin, you don’t need to upload your edited screencaps or use screencaps at all, a video clip (turned into a Smart Layer, that is) will suffice. the downside is that for every little thing you do, Topaz AI will recalculate stuff, so you practically can’t do anything without facing a waiting screen. a solution for that is to edit your gif in shitty quality as you would edit an HD one and at the very end, you enable Topaz AI. or just separately edit the screencaps following the first method.

this is it! it's a very simple software to use. the only downside is that it can take a while to render all screencaps, even with a stronger computer, but nothing too ridiculous.

any questions, feel free to contact me! :)

247 notes · View notes