#also we can drop gifs and icons

[happyendingsong]

STARDOM ☆ 7.28.24 ☆ SAPPORO WORLD RENDEZVOUS mayu acts as wingman to help hanan pin tam

[musezieren]

@lockespindlr plotted starter

A new day, a new babysitter bodyguard.

The young woman was dressed and ready to leave. Designer clothes from head to toe, her heels letting her appear taller than she was, but still not getting close to the man that had just arrived at her office at her family's home. Her arms crossed and dark eyes eyed him. He wasn't the usual type her dad placed to spy on her. Usually, they were... bulkier. But Nari had lived long enough in the world to know that the ones you could not instantly tell were dangerous, were the most dangerous.

"You are Mr. Spindel, right? I'm Nari... you can just call me that. I do not really enjoy being called Miss Nambu." If he ever saw an interview with her, he'd be able to tell that she sounded entirely different. No sparkly over-the-top smile. No little girl act. That was a role she played for the public, one that was impossible to keep up with a bodyguard that was supposed to be clued to her side.

Her hand raised to her face, fingers running over her eyebrow before sighing slightly. "See, usually I'd play the good girl for a while. But I have an appointment today that is rather important to me. I figure you signed a NDA, that exempts my old man, so... whatever you see. Don't tell some journalist, okay?" Her shoulders slumped slightly. She didn't really want to take him with her.

"Do you know ANY anime? Because I am kinda undercover at my anime meet-up and cosplay group, will change clothes and all. So, I can't really introduce you as my bodyguard..." Her cheeks flushed slightly red. Her father knew of her silly little special interests. But the public didn't.

[fandom]

Top 23 of 2023

Have you been aching to get your hot little hands on 52 weeks of data around original posts, likes, reblogs, and searches, all weighted and ranked and tied up into categories with a nice little bow on top? Well, today’s your day! It should come as no surprise that Artists on Tumblr reign supreme: from stunning traditional art, jaw-dropping digital art, fanart, sculptures, textile art—you name it, basically—this year’s list shows that Tumblr truly is the home for art and artists. Thank you, Artists on Tumblr, for enriching our dashboards day after day. 

Rounding out the top three, we have two iconic shows: Good Omens is live-action, and The Owl House is animated, but both have a heck of a love story at their core. The second season of Good Omens blessed us with not one but two ineffably exquisite ships, while the final season of The Owl House broke and then healed fans’ hearts in equal measure. Thanks, @danaterrace! Actually, come to think of it, the Good Omens finale kinda did the same in reverse. Thanks to you, too, @neil-gaiman! We can’t wait for season 3. 

Speaking of heartbreak and healing, Our Flag Means Death’s second season offered both in droves. The entire cast gave stellar performances, and fans couldn’t have been happier to see the kinds of representation the show displayed. Last year’s #1 topic, Stranger Things, may have dropped a bit, but trust us, you wouldn’t know it from the amount of meta, fanart, and fics in the tag. And did you hear about the live-action adaptations of both The Last of Us and One Piece? They were a preeeetty big deal this year, too. Check ‘em out if you haven’t yet (lol, of course you have). And we’d be remiss not to mention the hugely dedicated fans, fanartists, and fic writers devoting their time to all things Rise of the Teenage Mutant Ninja Turtles. Y’all deserve a little pizza, as a treat.

2023 was also a year for blockbuster movies, which of course hasn’t escaped anybody’s notice here on Tumblr. Barbie smashed box offices worldwide and left us reeling with every re-watch. How can one describe Greta Gerwig’s pink-filled opus? It certainly is one of the movies of all time. Meanwhile, with its incredible animation and soundtrack, Spider-Man: Across the Spider-Verse introduced us to a whole new multiverse of Spider-People, opening the portal to a veritable flood of incredible OCs. And then, of course, we got a fresh perspective on an old classic when cinephiles introduced Martin Scorscese’s cinematic masterpiece, Goncharov (1973), to a new generation of film aficionados who resoundingly agree that it is, in fact, the greatest mafia movie ever made. We’re so glad this underrated film finally got the acclaim it has long deserved.

In the realms of gaming and tech, the long-anticipated Baldur’s Gate 3 has basically become everyone’s new favorite D&D/dating sim combination. Of course, the Pokémon franchise, games, shows, and Hatsune Miku collabs remain perennial favorites. Elon Musk’s purchase of Twitter, sorry, we mean of course X, made waves across the internet. Similarly, the Reddit blackout drove Redditors to new venues, and Tumblr users welcomed the folks from r/196 with open arms—we’re huge fans of your memes, y’all, and you fit right in. Welcome, we’re glad you enjoy the chaos. Here’s a fun fact: if we included post metadata in Year in Review rankings, #polls, introduced in January of 2023, would have been the #5 topic on Tumblr this year. Phenomenal. 

And, oh right. Taylor Swift had kind of a big year, what with the albums, the epic global tour, and the movie and stuff. Fantastic work, @taylorswift, the Swifties on Tumblr thank you for everything.

This is Tumblr’s Year in Review.

Artists on Tumblr

Good Omens

The Owl House

Barbie

Pokémon

Spider-Man: Across the Spider-Verse

Critical Role

Goncharov

Taylor Swift

Genshin Impact

Stranger Things

The Last of Us

Rise of the Teenage Mutant Ninja Turtles

Elon Musk

196

Star Wars

Our Flag Means Death

Crowley | Good Omens

LGBTQ

Cottagecore

Baldur's Gate 3

One Piece

Aziraphale | Good Omens

[chessholic]

ー

The One With

Joey's Food

ー

Joey Tribbiani

x

Reader

Summary: JOEY DOESN'T SHARE FOOD... However it seems that rule might not apply when it comes to you.

Author's Note: Someone asked me to publish my Joey fanfics, so this one is for you. <3

ps. I made that iconic Joey's Meatball Sub, it really made me feel alive again.

New comfort food unlocked

ー

You were so tired, and hungry.

Oh dear, you could eat a horse right now. Or maybe not if that meant eating the entire horse.

Finally you got yourself inside being greeted with everyone else except Joey.

Where was he? You could really just snuggle against your friend to forget all your worries. Joey felt like home, he felt safe.

Except Chandler would disagree with you, strongly, not that you could blame him after that robbery thingy.

"It's a zombie! Everybody, run!", Chandler shouted while jumping behind Ross and pushing him towards you.

"Hey!", Ross squeaked realising that Chandler, his best friend since the beginning of time, was sacrificing him to this supposed 'zombie'.

"Hahaha", you laughed a dry sarcastic laugh while getting your jacket off.

"What happened to you?", Rachel asked noticing your disheveled look.

"Your eye bags-", Rachel was saying before you gave her a stern look that did shut her up.

Monica also gave Rachel an are-you-serious look before helping you sit down at the kitchen tables chair

"Work huh?", Monica asked already knowing what was behind your current state.

Before you started to explain Joey made a grand appearance with his iconic sandwich. It makes your stomach growl and mouth water.

Joey sat at the table next to you, he gave you a tender look before getting ready to destroy his food, with the intention of not leaving even crumbs behind.

"So. I got to work a few hours early because my boss asked me to and as we know my boss, I couldn't refuse-", you started taking a deep breath.

"I had my mom's cooking for lunch, but there was so much going on I didn't have time to eat. And when I finally did- that ass had eaten it! My food! It was supposed to be the only good thing today, and it was taken away from me", you rambled trying not to break down completely.

"Oh, this reminds me of that 'MY SANDWICH' thing", Chandler said looking at Ross who just looked back at him shooting daggers out of his eyes.

"Oh, this gets much worse. I confronted that- idiot and it got a bit heated. Long story short, I got fired", you ended your story leaving out the details of wandering around the city crying your eyes out.

"Let's celebrate!", Phoebe cheered from the couch making everyone turn to look at her.

"Yeah, you hated that job! More than I hated serving coffee!", Rachel said trying to comfort you.

"I didn't hate the job, but the people", you muttered burying your face into your hands.

"That's my girl!", Chandler cheered giving you a quick pat on the back before hurrying towards the armchair.

Your stomach made a loud noise and you felt truly awful.

"Do you have anything to eat Monica? I don't have anything at home", you asked carefully your voice cracking slightly.

"I need to go quickly to the store-", Monica started hurrying to gather her stuff.

"Here, you can have my meatball sub"

The time seemed to slow down.

Phoebe stopped chewing her hair.

Rachel had her hand covering her mouth that was hanging open.

Monica dropped her purse to the floor.

Chandler almost fell off the armchair.

Ross had a look on his face that would be expected if someone would prove to him that dinosaurs had never existed.

You lifted your head to see Joey smiling and offering his food, to you, you.

Joey had a small amount of the sauce on his face.

"I already took a couple of bites if that's okay", he said looking a bit sheepish.

"Really?", you asked voice slightly shaky, knowing that nobody else dared to move or speak.

Joey nodded and you reached towards him. But to everyone's surprise you didn't take the sandwich.

However you got up and put your arms around his neck. Burying your face to his neck you mumbled so many thank you's that nobody could say exactly how many there was.

Maybe ten? Hundred? Hundreds? Who knows.

Then you gave a kiss to his cheek before pulling away and snatching the sandwich from him.

Eagerly you started eating it and you moaned slightly at the most delicious thing you had ever eaten.

"JOEY DOESN'T SHARE FOOD!", everyone suddenly shouted after they switched glances between each other.

Joey tried to look like he had no idea what they were talking about, his face was oddly red and he was feeling warm and fuzzy.

Joey loved seeing you happy, he could sacrifice one meatball sub for your happiness.

But only one.

When Joey looked at you eating happily his favourite Meatball Sub he couldn't even see anything else than you. He didn't even care about his friends who were still shocked and wanted answers.

Joey would give you every meatball sub for the rest of his life if it meant seeing you so utterly happy.

But he wanted a bite, at least.

ー

[staff]

Tumblr Domains: That thing you do in the place they already know

Hello, [tumblr]. Look at you all here vibing. Some of you are out here providing essential services, like making art—and people happy in the process. Maybe you’re creating pfps for your followers. Or painting people’s OCs in intricate and enlightening detail. Or taking beautiful pictures of mushrooms. Or sharing your homestead life with the world. Or coming up with entire ARG universes for your followers to immerse themselves in. Maybe you’re making memes for that one show that existed for fifteen seasons and stopped airing years ago. Perhaps you’re simply fulfilling the age-old societal need of staying silly :3. Whatever it is you come here to do, why not make it official and claim your domain? 

Having a domain can add a little professional gleam to your online presence. It can be a funny little joke from you to you. It can also add an extra layer of this-is-what-this-is to your online persona. 

blog.tumblr.com will remain free for everyone.

Here’s how you get your very own slice of the internet, right here on Tumblr:

Click on your account icon and select “Domains” from the drop-down.

Register your info, pop in your payment details, and hey presto. You’re now an official Tumblr citizen. 

If you already have a custom domain purchased elsewhere, it’ll continue to work for now, but you will no longer be able to connect a new custom domain bought elsewhere to your blog.

Eventually, we will implement domain transfers (outbound and inbound) and paid domain connection.

And, to celebrate this historic moment, we’ve got a little offer for those interested in a .blog domain: 

First year (through to July 31): $3.00

First year (from August 1 – December 31): $5.00

Annual Renewal: $10.00

Curious about other available domains? Check 'em out here. More questions? The Support page has all the details!

Make it official, merge your online homes, and bring your Tumblr family along for the ride. 

[bellewintersroe]

Jenson Button x Famous!Reader 2009

you’re a famous British model and actress who’s dating Jenson Button during 2009 GP. You’re also his biggest support but you get a name for yourself in the British press as being a bit of a ‘wild child’. Cameras constantly follow you around the grid, but Jenson is absolutely smitten by your crazy antics.

warnings: headcanons mentions of sex, oral sex, innuendos, Jenson is in love with her like teeth rotting cuteness, mentions of public flashing?!

I feel like Jenson and y/n would meet a year prior to starting to go out, when she was still in a relationship with somebody else. She’s a little younger, maybe when they actually start dating she’s 22 and he’s like 29?

anyway he’s heard of her before and sees her and his friends are all hyping him up to say something, maybe they’re at an after party where there’s lots of big names.

he walks around the corner all hyped up, then sees you snogging this other fella and he’s deep down crushed.

anyway a year later you’re single and he sweeps you off your feet, absolutely buzzing that this time nobody got in his way.

the relationship moves naturally, you’re both young and still (kinda) like to party, the British press go WILD that the two of you are together. You’d attend as many races as possible, being in the front row and cheering him on each time.

there’s one incident specifically where you’re cheering from below as he stands on the podium. He’s grinning directly towards you and giggling you go to lift your top to flash him cheekily.

the camera ALL point to you but it’s his publicist that stops you, waving a hand in a panicked manner. “I wasn’t really going to!” You’d exclaim, glancing back up to Jenson whose jaw was dropped in excitement. The crowd was ‘wheeeeying’ each time you went to lift your top mischievously, but you ended up getting told off.

he’d love it when you rode tf out of him, titties in his face.

you’d get a reputation for partying together, but the tabloids make it seem far worse than what you actually do.

The uk papers love trying to get a good scandal out of the two of you, but you’re so close knit and stay out of drama it’s all aload of bollocks.

always getting caught in compromising positions, eg, he’s grabbing your bum or boobs.

you once got caught reaching under the blanket to rest a hand teasingly over his crotch.

he’d be such a tease omg, especially when he get a little cocky after winning a race.

but he really is a sweetheart, the media like to present you both as some kind of crazy, party animal couples and there’s sooo many rumours that fly around (none of them are true).

The two of you would 100% become more private and reserved as you got older, but especially in the first few years you’re a magnet for cameras.

you’d often be caught drinking in the paddock or partying, you’d become a staple fashion icon and one of the leading wags. It seems like you’re friends with everybody and anybody, causing you to become a likeable character on the grid.

I feel like Jenson would be so chilled out watching you doing interviews and speaking to whoever, but the minute somebody starts to take advantage of your kindness he’s stepping in.

Like some of the papers print the most misogynistic stories about you ever. We all know paparazzi especially the British press can be ruthless, so there’d be lots of times after nights out where they’re already waiting to hound you coming out of a bar.

One guy tries to take an inappropriate picture of you getting out of a car and Jenson punches him or hits his camera out of his hands, idk he’s just super protective over you.

would take you on soooo many holidays, deffo gets a little frisky on the private beaches and on the yachts, he loves it. He falls in love with you deeper and deeper each time he spends time with you.

Can’t get enough of you in a bikini.

sometimes he’ll get so excited to see you he play fights you and gets a little rough.

loves it when you get a little feisty omg.

when you surprise him at a race he’d wrap his arms so tightly around your front and snuggle his face into the crook of your neck omg he’s so soft idgaf.

massive softie when nobody is watching, isn’t afraid of a little PDA either in front of the right people ;)

[usergif]

HOW TO: Make Animated Neon Text

Hi! No one asked for this tutorial, but this is one of my favorite typography effects as of late — so I thought I'd share how I do it. You can see this effect in the first gif of this *NSYNC Celebrity set and the last gif of this Anthony Bridgerton set. Disclaimer: This tutorial assumes you have a basic understanding of gif-making in Photoshop. It's also exclusively in Timeline and uses keyframes for the fading effect seen on the blue text.

PHASE 1: PREP YOUR BASE GIF

1.1 – Choose a dark scene. This effect looks best contrasted against a dark background. You can definitely do it with a bright background, but just like a neon sign irl, you only turn it on in the dark/at night — so keep that in mind! 

1.2 – Determine the length of your clip. Depending on how much you want your text to flash or fade in, you'll want to make sure you have a scene long enough to also allow the text not to flash — reducing the strain it takes to actually read the text. For reference, my gif is 48 frames.

1.3 – Crop, color, etc. as you would. New to gif-making? Check out my basic tutorial here!

PHASE 2: FORMAT YOUR TEXT

Before we animate anything, get your text and any vectors laid out and formatted exactly as you want them!

2.1 – Finding neon sign fonts. It's easy as going to dafont.com and typing "neon" into the search bar!

2.2 – Fonts I used. Neon Glow by weknow | Neon by Fenotype | Neon Bines by Eknoji Studio

And to not leave my fellow font hoarders hanging, the font for "tutorial by usergif" is Karla (it's a Google font) 🥰

2.3 – Group your text layers. (Conditional) If you plan on having multiple text layers like I did and you want them to appear connected (like how the last letters of "NEON" and "sign" intersect with the wand icon), I suggest putting the layers into groups according to color (the shortcut to group layers is Command+G). If you don't group your text and just apply the outer glow settings to each individual layer, you'll end up with something like this:

—where you can see the glow overlap with the line, instead of the smooth connection you see in my final example gif. I'm using 2 colors for my text, so I made a group for red and a group for blue.

2.4 – Apply Outer Glow. Right-click your text layer (or your group if you have several layers) and select "Blending Options" to open the Layer Style menu. Check "Outer Glow" and feel free to play around with the settings until you like the way your text looks!

Your outer glow color should be darker and more vibrant than the color of the text itself. The text should be within the same color family but much brighter and, sometimes, almost white (see Step 2.2 again for my text colors).

Here are the settings for the Red Glow (the glow color is #FF3966) and Blue Glow (#00F0FF):

These aren't always my exact settings but they're pretty close to my standard. I always set the blend mode to Hard Light and usually have the opacity at 100%.

For every gif I use this effect on, I like to play around with Spread and Size. Spread will make the glow look denser and "expand the boundaries" (source: Adobe) and Size will diffuse the glow and blow it out so it covers a larger area (Adobe says it "Specifies the radius and size of blur").

2.5 – Duplicate your text layer/groups and remove glow. We're only going to be animating the glow on our text, and since doing this affects its opacity/visibility, we want to preserve the base text by creating a duplicate.

I just hit the Command+J shortcut to duplicate my groups and delete the Outer Glow effects, making sure that the "No Glow" version is above the "Glow" version:

I also put all these groups into one group called "Text" for organization and so I could apply a drop shadow to all the elements for better visibility.

PHASE 3: CREATE THE FLASHING EFFECT

This is for the effect you see on the RED text in my gif!

3.1 – The 0.03-Second Rule If you've read any of my animation tutorials before, you're probably already familiar with this rule. In my experience (and for reasons I can't explain), Video Timeline pauses every 0.03 seconds (try clicking the forward button a few times, you'll probably find a "duplicate" or paused frame). So, keep all your layers a duration of 0.03-second increments (e.g. 0.06 or 0.09 seconds can also work) and align them on the Timeline at 0.03-second intervals. If you don't follow this rule, you'll get duplicate frames when you export, resulting in a choppy final gif.

3.2 – Trim and arrange your text layers. Only on the layers/groups WITH the Outer Glow effect, trim them into several segments of varying lengths where the glow will be "on" (visible) and leaving spaces where the glow should be "off."

Typically, I'll have a mixture of 0.06 and 0.03-second text. That's when the glow will be visible. Between each "flash" of visibility, I've got a 0.03-second blank space, baby *pen clicks* and I'll write your name:

The layers shown above are arranged with a few flashes and two long segments of no flashing. This is the order and duration of each segment shown above (purple = visible segments):

0.06 blank, 0.06 visible, 0.03 blank, 0.03 visible, 0.03 blank, 0.03 visible, 0.03 blank, 0.24 visible (the long bit where "FLASHING" doesn't flash at all), 0.03 blank, 0.03 visible, 0.03 blank, 0.12 visible

(I only did this for the text that says "FLASHING" to give it a glitching effect. The other red text keeps the glow visible starting at the first long segment.)

PHASE 4: CREATE THE FADE-IN EFFECT

This is for the effect you see on the BLUE text in my gif!

4.1 – Animate using the Opacity Keyframe. Again, we're only touching the layers/groups WITH the glow effect. If you only have one layer of text, you'll find the Opacity Keyframe by clicking the film reel icon:

If you're working with groups like me, you'll find it in the Timeline panel under the group when it's expanded:

As you can see, I already added my keyframes (lil diamond babies). And luckily, it's super easy to do!

4.2 – Add the ending Keyframe first. We're starting at the end because our layers/groups are already at 100% opacity. Drag the playhead (the blue arrow attached to the red vertical line) to a spot where you want the glow to be 100% opaque — this is where the glow will be fully "on" or visible. [Again, follow the 0.03-Second Rule. You will get duplicate frames regardless when using keyframes (this will be explained in the note in Phase 5), but abiding to the rule will mitigate the amount of dupes you get.]

Then, click the clock icon by "Opacity" to place a keyframe:

4.3 – Add the starting Keyframe. Go backward from the ending Keyframe you just placed (I went back 0.12 seconds — but you can play around with the duration of the fade, just keep it a multiple of 0.03):

And drop another keyframe, this time by clicking the diamond icon by "Opacity":

4.4 – Reduce the opacity on the starting Keyframe. Keeping that keyframe you just placed selected, go to the layers panel and reduce your layer's/group's opacity to 0%:

Now, this Outer Glow will slowly fade from 0% to 100% opacity.

And just for a visual aid, here's where my fade-in keyframes are in relation to my flashing segments:

To refresh your mind, the 0% Opacity Keyframe starts when "FLASHING" is visible for 0.24 seconds (the first long segment of visibility).

With these keyframes, you'll get a smooth fade-in à la ✨light switch with a dimmer✨

PHASE 5: EXPORT

Yay, we're finished! Convert from Timeline back to Frames and export your gif!

NOTE: If you only did the flashing effect and followed my 0.03-Second Rule, you shouldn't have any duplicate gifs. BUT if you included the fade-in effect using keyframes, you WILL have duplicate frames. 'Tis the nature of keyframes. 🤷‍♀️ I had 4 extra frames where the fade-in starts, which I deleted. So, as always, I recommend checking your frames when you convert from Video Timeline back to Frame Animation — and manually delete any duplicate frames.

Sorry this tutorial is so long 🙈 I over-explain so you're not just mechanically copying steps, but understanding the WHY behind each step! Thanks for bearing with me

If you have specific questions about this tutorial, feel free to send a message to usergif and I'll try my best to help! :)

More USERGIF tutorials • More resources by Nik • USERGIF Resource Directory

[emeritusemeritus]

Hear me out! Possessive sex + Overstimulation + Brat Taming + Breeding. Both of the Weasley Twins please. 🤭

I just always have this thought of just teasing the shit out of them when they’re work and fleeing afterwards. It’s almost as if we took their job of teasing us, and I could just imagine how pent up and frustrated they can be when they can’t do anything since there’s kids and adults around. The joke shop is suppose to be an appropriate place especially when it’s meant mainly for kids..Perhaps, add a part where we purposefully flirt with one of our old classmates. You can choose who! If you don’t like this idea, I completely understand! Feel free to add some kinks if you like or story elements. 🫶

Hi Anon! I’m so sorry it has taken so long to get this out, writing has had to be on the back-burner for now but I’m slowly getting back! Sorry for the lack of smut, it’s more of the setup as I’m abit smutted out 🖤

Warnings: Sexual tension, brat behaviour, Dom!sub relationships, polyamory, teasing, sexual references, mild swearing. Flirting, mentions of pregnancy, pregnancy kink, breeding kink.

Word count: 2.5k

Wonder Witch

You knew what you were getting into the second you opened up your wardrobe and changed into the outfit you'd carefully prepared for today. Your husbands had already long since departed the flat to set up the shop for the day, leaving you just a little later to sleep in, which you were thankful for.

Today was the big launch of new wonder witch products that the twins had been tirelessly working on, perfecting the range ready for the big launch today. You'd helped with ordering violently pink balloons to decorate every orifice of the shop, had banners printed and had even managed to convince Madame Puddifoot's to make some limited edition iced biscuits for the celebration, all in the same sickening shade of pink.

The icing on the cake was the costume that you'd picked out ready to hand out and display the new items, recreating the wonder witch icon on the packaging.

The dress in itself wasn't too risky, an array of pink and gold overlapping fabric that fell just above your knee, with a pointed witches hat in a smilies style. But it also had exposed shoulders with dropped sleeves and a corseted middle which hoisted in your waist to create a rather dramatic shape, highlighting your hips in a way that you knew would drive your husbands crazy. You carefully curled your hair and applied a healthy dose of mascara to really make your eyes pop before applying an equally vibrant lipsticks that you'd found matched the colour of wonder witch perfectly. You added a little highlighter around your cheeks to give you a little bit more of a playful look and slipped on your shoes to really help bring the look together.

When you looked in the mirror, you were more than pleased with yourself. You looked hot.

Checking the clock, you saw that it was 8:53am, just in time for the store to open. You could hear the twins flapping, mainly George, the moment you opened the door towards the staircase. They were bustling ready for the big opening and the unsurprising lack of Verity meant that she was probably going to be late again.

"Angel can you put these products on the... shit." George says the second you walk down the stairs, noticing the outfit almost immediately.

"What's up with you?" Fred asks, walking over to George under the staircase until he comes into full view, noticing that his twin seems to be frozen on the spot. He turns, looking towards the direction George seems frozen at and you watch as his eyes widen also comically wide. "Holy Godric."

"Morning," you say cheerfully, leaning up to press a kiss to George's cheek before doing the same to Fred as they look at you in complete shock, mouths slightly parted. "Where do you want me?"

"Um," George says, clearing his throat though his eyes hardly move from the curve of your breasts, a prominent feature of your dress. You fight the urge to laugh, wanting to keep up your little innocent play, pretending that you had no idea why they were looking at you like that.

"You want these on the shelf?" You ask, batting your eyelashes at them, watching as Fred's tongue pokes out to wet his lips.

The little clock on the wall chimes, signalling the store opening, just as you bend down to grab the box of products and you look up with pouting lips, watching as the twins hardly react to the chimes.

"You gonna unlock the doors big boy?" You ask Fred with a singular raised eyebrows, noticing how he doesn't even attempt to pull out his wand. A frantic knock on the doors pulls him out of his thoughts and you all turn to see Verity knocking to be let it, surrounded by a large crowd of customers ready to shop the new products. You flash a little wink at George as Fred unlocks the doors with a flick of his wand, the fireworks and the tricks beginning all in perfect synchronisation. When you look back up after picking up the box of products and see your two men still staring at you, completely unaware of the swarm of customers bursting through the doors, you knew today was going to be fun.

The store was packed right from opening, a never-ending swarm of people crossing through the doors until the shop was almost too full of people, all wanting to get their hands on the new merchandise. It was an overwhelming success, the new line of wonder witch products and cosmetics and you were thankful, fortunate and insanely proud of your husbands for pulling off the ideas you'd created together. You should have been tired, drained from the day as it neared closing time but truthfully you were on an adrenaline high, on cloud nine from teasing your husbands all day and seeing their increasing desperation.

All day you'd made sure to be a little bit of a brat, an utter tease whilst trying to portray yourself as an innocent Angel- something you knew for a fact that they didn't believe in the slightest.

George was easier to rile up, always quicker to respond to your more subtle teasing. You'd brushed past him a number of times today, the packed shop only aiding your need to slowly brush your ass against the front of his trousers as you squeezed past him or to pass something up to Verity on the stairs, ensuring that he got a face full of cleavage as you stretched up. You'd caught him staring at you more times today than you could count on all your extremities, especially when you climbed the stairs above him, ensuring that he knew your bare thighs were right above him.

Fred didn't always respond to subtlety, so you knew your efforts had to be boosted when it came to him. You'd purposely licked and sucked at one of the dark mark lollipops in the most outrageous way whenever he was paying attention and you'd even heard him choke on his own spit when he noticed.

You knew you had him when you were explaining to a group of seventh year girls about the patented daydream charms and how how they worked, passing out the colourful boxes items around the group as they accepted them with eager and curious eyes.

"Up to thirty minutes of pure, blissful imagination; let me tell you it will create a very realistic daydream of your choice so you know that boy you're crushing on? You're going to have the best thirty minutes of your life."

You're met with a round of playful giggles as you smile at them, knowing you were in for a good sale.

"Have you used it?" One of the girls asks and you nod eagerly with a smirk, knowing that Fred was just behind you from the way you could feel his presence, hearing him talk only moments before.

"Not since I married him," you say with a smirk as you receive another round of girlish giggles. "Between us, those thirty minutes with Fred were some of my most imaginative creations, believe me these little things are special," you say, twisting the box in your hands. "Just don't tell George." You watch as the girls' eyes light up and they quickly shove them in their baskets. You turn then, catching Fred's eye as he pretends not to have been listening and you act as if you're bashful about what he might have heard, placing a strand of hair nervously behind your ear as you walk away, making sure to sway your hips ever so slightly, knowing he'd be watching.

By lunchtime, you'd effortlessly riled them up to a point that it was so painfully obvious what they were trying to hide that you found yourself biting back a smirk for most of the day. They were so easily and deeply affected that it was rather fun to watch, but none more so than when Dean Thomas came into the shop just after the dinner time rush. You'd taken a quick break and had reapplied your lipstick, carefully checking you appearance before you walked down the stairs back to work. Dean had been talking to both of your lives near the stairs when he spotted you, eyes briefly widening as he took in your appearance. Unfortunately for him, Fred had been mid sentence and had definitely noticed Dean checking you out, making his go silent and cause a thunderous look to cross his face.

"Y/n, hi! It's good to see you!" Dean smiles as you approach them all, careful to avoid looking at the faces of your husbands who had now both caught on to Dean's over-pleasant demeanour.

"Dean, good to see you too!"

"You look good! Who knew that y/n (*maiden name) would become wonder witch!" His hands gesture towards your outfit and then to the display of new products to the side with your likeness on.

"It's Weasley," both twins said a little too quickly, in perfect synchronisation, making you have to bite the inside of your cheek to stop a laugh spilling out at their obvious jealously.

"Of course," Dean says somewhat absently, not picking up on the sudden hostility aimed at him by the shop-owners. "So what have you been up to? Do you see the others much?"

"Didn't ask us this many questions," you hear George mumble under his breath to Fred, who has crossed his arms across his chest and is hardly blinking, watching Dean closely.

"The usual," you smile, shooting a fleeting glance at your two husbands who's red faces seem to match their hair. "Keeping these two in line, keeping the shop afloat," you joke.

"So no little Weasley's running about yet?"

You could almost sense the little eye twitch George did at the words and you were certain that Fred seemed to stand even straighter, making himself even taller to tower over Dean.

"Hopefully soon," you say, biting your lip and George's eyes flicker to you with a fire in them, your words affecting him more easily than you'd anticipated. Fred seemed to incidentally lose his footing and was knocked off balance for a second, breaking the rather playful mood that had settled between you and Dean.

After Dean had left with a few things he'd come for, you finally accepted your fate and let the veil slip enough to drop the innocent act you'd been playing all day. Fred had cornered you beside the till, a stolen moment of peace as you reached high up to re-stock the daydreams, flashing him with a glimpse of your stocking.

"Really Freddie?" You pretended to admonish as you felt his rather prominent evidence of arousal against your hip as he started to get grabby with you, nearing the end of his restraint. "This is a respected establishment Mr Weasley, there are children about!"

You shuffled past him with a little tut, hiding your smirk behind your hair, leaving him stranded with mouth agape at your sudden boldness. George wasn't faring much better, his eyes still fixed on the curve of your breasts whenever he caught a glimpse, silently watching you rile him up further and further as your act slipped away.

With one last attempt at completely flipping the switch inside of them, throwing them over the metaphorical cliff, you doubled down your efforts. It was nearly closing time and you walked slyly over to the cash register whilst George was cashing up for the night and began stretching, pointing out your chest and making some very questionable noises. You adjusted the little cold shoulder straps on your dress and readjusted your breasts in the dress, sensing your attentive audience of George who was close by and Fred who had stopped what he was doing to watch you from across the shop. You suddenly turned and walked behind George, placing your hand on his hip as you squeezed past to reach for a carrier bag, carefully dragging your hand over his lower back as you leaned down. When you began to turn and walk away, you felt a large hand shoot out and grab your wrist.

“Angel.”

His tone was clear and clipped, telling you everything you needed to do.

“I know exactly what you’re doing,” he says, moving to stand behind you in the near empty shop, an obvious erection pressing into your behind. “Keep going little brat, you’re only fuelling the fire.”

When he lets you go and turns back to his task with no other reaction, you knew it was time to slip away. You rushed up the stairs, carefully avoiding both of them, ready for the next step of the plan. You’d prepped dinner on your lunch break, wanting to get ahead for the night and flicked the oven on with a flick of your wand as soon as you made it upstairs. You kicked off your shoes, pulled off your panties and waited, busying yourself to ward off the desperate arousal you were feeling, anticipating a good but long night ahead.

As soon as you heard the familiar, incoming footsteps on the landing, you bent over in your skirt to slip the pie into the oven, giving them quite a show when they walked in.

“Fucking Godric,” you heard Fred exclaim when he stepped through the door, followed by a similar curse only moments later by his twin as they see your pussy on full display for them, peeking out from below the short skirt as you bend over.

“Princess,” he says, beginning to stalk over to you as you pulled yourself up, closing the oven. You looked at them innocently, big doe-eyes and fluttering lashes as you watched them darkly approach you.

“You were naughty today,” George says, his hand reaching out to cup the back of your neck as he pulls you into a devastatingly sinful kiss that immediately makes your nipples harden under the dress. You gasp into his mouth when you suddenly feel a hand creeping up your inner thigh, underneath your dress.

“Remember what you said to Dean, princess?” Fred asks, voice dangerously low, prompting you to nod whilst trying to catch your breath. You knew exactly what you’d said, what you’d hoped for.

“Reckon we should start now?” He asks, his hand ghosting over the curve of your ass, feeling the bare flesh underneath his fingers. “Want you knocked up right fucking now.”

“Agreed,” George adds, somehow looking and sounding ever darker and more determined than Fred. George suddenly reaches out and turns off the oven with a harsh flick of his wrist, smirking when you look up at him in confusion at him turning off the oven.

“We’re not gonna be done with you that soon,” he says with a devilish smirk. “Gonna cum in you over and over, taking turns filling you. There’s gonna be so much cum in you that you won’t know where you start and we end, get you all round from us. Now.”

“Get on the bed.”

[mxbo]

I couldn't fit the tutorial on a reply lmao, here's a full post explaining my process :]]

STAMP TUTORIAL (TF2 edition, but works for everything)

99% of the process is done on the website ezgif. Ezgif carries the stamp-making process lmao

1. Get your GIF

Tenor: Ok place to grab your GIFs. Average quality of the GIFs is good enough, and looks ok when resized to the size of the stamp. You'll find like 1 normal GIF every 4 buff characters GIF tho.

GIPHY: Average quality of the GIF is better (I don't think the web compresses the GIFs that are uploaded)… If you find what you're looking for. You'll have to SCROLL before finding what you're looking for because there are always non-related GIFs on the top of your searches or the same GIF multiple times, it's crazy.

makeagif: You will find cool GIFs, but the quality is pretty low (I think the web itself compresses the GIFs a lot). It looks bad even when resized down. And it has a watermark, which I recommend cropping because it's not even visible when resized, it just looks like a gray blob on the corner.

Google: Best option by far, quality is pretty good and the ratio of “things I was looking for/things I actually find” is SLIGHTLY in favor of “things I was looking for” (and most of “things I actually find” are just the characters rotating, not NSFW, so that's only a nice change from Tenor). You won't have to scroll much to see different and interesting GIFs. JUST REMEMBER TO FILTER BY GIFS.

You search whatever > Images > Tools > Type > GIF

Make it on your own: Aka, you download your video, go to ezgif's “Video to GIF” (then you can crop it, CUT IT. THIS IS IMPORTANT, YOU DON'T NEED TO GO ANYWHERE ELSE TO CUT YOUR CLIP, YOU CAN DO IT ON EZGIF ITSELF). Ok, I lied, it wasn't Google, this is the best oftion by far. You get exactly what you want, the best quality if you don't compress it much until after the GIF has been resized into the size of a stamp… It's just super time-consuming, and you'll have to spend like an entire hour just watching a video to find the clips.

OK, I HAVE MY GIF NOW

Hehe, his legs go pipupipu

2. Resize

Go to ezgif, this is where the fun begins (if you weren't on ezgif already). You download your GIF, or copy the link and insert it, or you'll have it there if you made it yourself.

A STAMP MAKES 99px × 56px

THE INNER PART OF THE STAMP MAKES 91px × 47px

I RECOMMEND MAKING YOUR GIF 92px × 48px

BTW, THESE MEASURES ARE FOR THE TEMPLATE I'LL GIVE YOU LATER. If you use another template, just go to an image editor and see what the inner size of the stamp is.

So, you set your GIF's width to 92px.

Then crop it, so your height is 48px.

Or you can resize it so it's directly 92px × 48px, but the crop will be in the center, and SOMETIMES YOU DON'T WANT THAT.

For example:

It's a vertical GIF whose area of interest is not in the center, so if we resize it directly-

oops-

ANYWAY

Once you have your GIF resized:

IMPORTANT: BEFORE THE NEXT STEP, REMEMBER TO CONVERT TO GIF IF THE FILE YOU'RE WORKING ON ISN'T A GIF ALREADY

Sometimes you'll be working with a webp without even noticing (EW, I hate webp) and transparencies don't work particularly well with that extension.

3. Overlay

Click on this icon.

Ok, now that that's fixed:

Extend the size of the canvas.

Select your template and Upload image!

This is the template, btw.

Then move the overlay around until it contains the GIF nicely, or just set Left to 43, Top to 20 and Generate image! (I have these numbers memorized, it saves you like 20 seconds lmao)

Also, again, these numbers work on MY template, if you use another one, you'll have to figure it out yourself.

4. Crop

THIS OPTION IS A TIME-SAVER FR

5. Optimize (optional, highly recommend)

I always set my optimization method to Lossy GIF and level 10 because I find that there is no quality loss, and the file size might drop by 30%-70% (actually crazy). These percentages don't change much in higher compressions, even though you'll start seeing a drop in quality around level 35 of compression (the default).

6. Save

YIPPE!!! Your stamp is done :D

You can save it and look at it and place it on your profile or website.

Here it is btw, in case someone wanted it :]] The Sniper GIF but correctly cropped and made into a stamp as well.

Now do that another… eleven times, and you'll have a stamp pack to make into a Tumblr post... Oof TT

There's no website that lets you make stamps faster lmao (I wish)

@sir-broken-bones (I'm @ them so they actually see it, I made this tutorial for them after all lol)

[emotsper]

Hi!!!!!!!!

You’re like the szai person on tumblr, and even tho I’ve been playing proseka for like two years, I still don’t read a lot of the stories………

So as the certified szai tumblr person, since you kinda own the tag, would you like to explain to me why szai is such a popular ship? I really didn’t read much of anything…

Have fun!!

let me be brief (1/350) (no bc its actually gonna be a long ramble. apolocheese.) (also sorry if formatting is awful im a mobile user and I literally just type whatever)

FOR REAL THOUGH. PLEASE JUST DO ME A FAVOR AND READ MMJ MAINSTORY...... not only its a good source of szai cocaina you get to experience the entire mmj mainstory. i was normal before mmj mainstory and i was less normaler after mmj mainstory.

it simply went even more downhill when i read tenshi no clover. genuinely the one event story that first made me cry (second one was ice drop event but thats a bit biased)

okay now lets get to the main meat of it. szai.

admittedly i was kind of normaler early on but one of my tipping point was Chasing the radiance event especially chapter 7. please read/watch it. please. this specific chapter sent me into my trip of insanity when it comes to szai. it also opened my eye to specific scenes in their side stories/mmj mainsto that i skimmed early on especially bc im a jp only player so fan tls may not be super accurate back then 💔

to start off, airi was a girl that was often made fun of for being tomboyish, and seeing idols for the first time made her feel a glimmer of hope that maybe she can also bring hope to other people. she finally manages to reach her goal and became an idol after several of failed auditions (very deserved especially after her hard work) while shizuku became an idol purely out of luck from the idol grand prix context her friends convinced her to join 😭😭 From the start their relationship feels a little bit doomed with how jealousy is kind of unavoidable from airis side. but against all odds, you get to see airi go to shizuku and cheering her up by giving shizuku her towel and telling her to wipe those tears especially with such a pretty face like hers (MACHINE CLANG CLANG RACK SFX) they are so crazy for this. especially when you realize that shizuku kept the towel until now. (the towel is her area upgrade item)

from this point, airi thought nothing much of shizuku yet other than her being her new rival (and that shes rly pretty) but shizuku sees airi as her main reason to keep going in this idol stuff at that time, and that was enough.

(okay purely for this next part im forgetting a bit so do remember it may not be fully accurate 🙏)

after training minori for awhile, szai went thru a mini divorce arc where airi was telling minori that being an idol isnt all fun and games and that minori should consider quitting, continuing on with how she flopped in the industry bc she was more popular as a reality show figure. but shizuku disagreed and kept saying how airi was an idol through and through and that she shouldn't have quit, but that just tipped airi off and she shouted at shizuku, unloading all her pent up jealousy that she had for awhile now. iconic as hell scene in the most angsty way possible.

u can easily tell this wasn't received well by shizuku. at all. airi you done fucked up. shizuku left her idol group the next day.

(addendum i forgot to add. shizuku truly believed that airi was the first and if not, the only person who sees shizuku as shizuku hinomori herself, without all the idol filter that people plastered on her. so when airi admitted that she was jealous w shizuku getting everything good in the industry, that basically broke shizuku. (color of myself is a nice one to read when it comes to this 🙏 also the i am we are event is a crazy good conclusion to shizukus current arc))

at this point airi realizes just how much shizuku was influenced by her past actions without her fully knowing about it. girl you done fucked up.

this scene is still one of the biggest and strongest kryptonite for szai fans. especially with what happens after.

after confronting shizuku about her choice knowing full well its airis fault, airi, angry at herself, goes immediately to cheerful*days training place (she knows the place since theyve kinda shared the spot iirc) while the rest of mmj follows. she started threatening arisa and almost threw punches but she held back and told the rest of cheerful*days that shizuku is more of an idol than everyone in the room (i may be hallucinating this one. do lmk)

they finally leave the place, and both apologies to each other. at the same time, they both admitted that they were each others idol

and then shizuku goes to tackle hug airi. what the queer

that only concludes the mainstory section btw. upon realizing it may be too much of a recap instead of actual explanation ill be brief w the rest of it (keep in mind i dont read EVERY szai story, just ones i was made aware of bc im playing on jp and story content is a bit harder to see/consume)

Main szai crazies for szai fans

1. chasing the radiance ch7. airi yet talks again about how shizukus hands are slender and elegant while hers are short and chubby (she compared her hands to a manju) and shizuku was mad at her about this and went on a long tangent about how airis gentle hands were the ones who pushes minori and shizuku forward when they think they couldn't.

this is probably the fifth time ive read this story and it still gets me. i hate these fruitsssss. please read the full chapter ive linked it near the start this chapter is so special to me.

2. my ideal idol (airi 5, jp only event for now)

Bro i Dont Even Know What Else To Say. Just Look At This Card

but if we're being serious . lets talk about this one specific card and the story shall we.

this card was a blast to the past; pre-mmj szai again.

we start off with present mmj getting ready for their turn in the joint performance with a new junior idol group that they were paired with. airi was a bit nervous and shizuku noticed it. so she offered to do something that would hopefully lessen the nervousness for both of them. shizuku softly puts her head on airis back and whispered several word of encouragements. shizuku reminisces to the past.

pre-mmj szai. shizuku was very nervous as she was waiting for her first performance ever as an idol. airi was also there, and it was going to be her first too. airi shows up to say hi to shizuku but she noticed that shizuku was really nervous and at the verge of crying. airi knew she had to do something and told shizuku to turn around, shizuku did. shizuku lets out a little surprised yelp as she feels airis hands and head pressing against her back. she could hear airi muttering some encouragement but we never get to hear what the words were, only that shizuku thought about how warm airis hands were. (i need to be euthanized)

back to the present, shizuku says that she hopes that this gesture can somehow "repay" for what airi did to her back then. i think im losing it. sorry

OKAY IM DONE IM DONE ITS ALMOST 1 AM MY BRAIN IS NOT GOING TO WORK ANYMORE IF I KEEP TYPING..... my brain can handle so little. anyways i hope this wall of text ramble can convince u to read mmj mainsto and consume more mmj stories........ i admit its not perfect or whatsoever bc i haven't read the mmj mainstory for awhile and i have a wee memory issue thats paired with my deafness so. yeah. enjoy. haha.

[sihayadunee]

🌘 THE ECLIPSE a UNION of OPPOSITES 🌒

an analysis of the mythic motifs in dune part two through the lens of mythologist joseph campbell, and some predictions for dune messiah

• Divine Couple

• Death and Rebirth

• Redemption Through Divine Union

• House of Atreus

• Lunar-Masculine / Solar-Feminine

• Goddesses

THE ECLIPSE

This motif has been connected to Dune since the first film’s promo, especially with the concluding track of Dark Side of the Moon accompanying the initial trailer. Some fans believed this theme had been dropped as it wasn’t very present in the first film. However the eclipse continued throughout the promo of the second film. This was because Part Two is where the real pay off is, already in the first 10 minutes.

This concept is intrinsic to Denis Villeneuve’s adaptation. Since the first film I have been saying that Dune embraces the Lunar-Masculine (Paul) and Solar-Feminine (Chani). However beyond just that, Dune: Part Two showcases multiple pairings of the lunar-solar dynamic.

But before we jump into that, let’s establish the meaning of an eclipses in general mythology. Typically they are a symbol of death and renewal. Common interpretations have a beast devouring the sun, or a celestial couple evading or pursuing one another. These interpretations are consistent over and again in Dune.

What we will see, is that the greater Imperium holds a Solar-Masculine identity, but when it comes to Arrakis there is a distinct shift to the Solar-Feminine archetype.

PAUL as the MOON

There are an innumerable amount of connections. Bull motifs are reoccurring throughout the first film, where he grew up on a water world. After all, the moon is associated with the tides. He takes the name Muad’Dib, and one of the moons of Arrakis has the icon of a Muad’Dib aka Desert Mouse visible on its surface. And ultimately, Paul experiences rebirth in Part Two.

The bull is a figure of sacrifice which aligns very well with the lineage of House Atreides which can be traced back to the House of Atreus and it’s curse of familial murder, betrayal and symbolic consumption. Sacrifice of the children in each new generation.

IRULAN and the GOLDEN LION THRONE

Starting here is a good place, because it shows the transition of the Solar-Masculine of the wider Imperium toward the Solar-Feminine of Arrakis. Irulan Corrino of House Corrino is the daughter of Emperor Shaddam who sits on the Golden Lion Throne. His reign is coming to a close as Paul rises on Arrakis, and with no male heirs Irulan his eldest is the successor destined for marriage. In this way Irulan becomes the embodiment of the Lion Throne, and her determination in Dune Messiah to produce Paul’s heir becomes clear. That function of the Queen Mother and how that feeds back into the Solar-Masculine as the King becomes tied to the lion and the throne once more.

In particular I would say her story is best reflected in the myth of the goddess Cybele who falls for Attis and when he falls for a mortal girl Cybele plots betrayal. Something for which she later feels guilt and tries to make amends for (Children of Dune).

PAUL and JESSICA

Their dynamic is incredibly complicated, but I think the opening of the film during the eclipse sums it up very well. You follow the path of the moon as it covers the sun, and as it meets its full coverage Paul is the one taking action in the fight against the Harkonnen. However as the moon passes by and the sun takes over again, Jessica emerges to save Paul’s life.

This was intentional by the filmmakers, as is revealed in the Art and Soul of Dune Part Two, DP Greig Fraser identified the exact time, date and location in order to shoot the sun as it appears directly behind Rebecca Ferguson.

Jessica represents the sun on Arrakis, and in this scene we see how the moon dies into the sun to be reborn in their dynamic. It also lines up with motifs of the sun goddess giving birth to the sacrificial bull. Sacrifice toward this death and rebirth.

What we see is the separation of mother and son that brings them back together in the same place. Paul takes the lead and rejects his mother’s influence, but she leads him toward the death and rebirth he must experience, and this brings them back to a common understanding.

This is also why having Jessica sit the Atreides “throne” in the finale instead of Paul (who did so in the book) makes mythic sense. Because again we return to the Solar-Feminine mother as the throne, and her son as king. But in a different context here then what Irulan aspires toward.

A SYMBOLIC UNION aka THE BULL SACRIFICE

The House Harkonnen family seal in the books is the griffin, which makes his introduction in a gladiator arena killing Atreides even more appropriate. Feyd’s birthday is also associated with a solar event. Because ultimately Feyd is the matador and Paul is the bull.

What works so fantastically about the dual, is how it is bathed in the sunlight. After all, the sun figure (day) is facing off against the moon (night) figure in this sequence. Plus the bull was the eventual demise of Paul’s grandfather who was a matador. This takes place at sunrise, and it’s a dual for the throne, where whoever is victorious inherits the Golden Lion Throne. The

Denis specially describes the dual as a symbolic union, and it works on multiple layers. This bull sacrifice, is in essence the quote from part one of “when you take a life you take your own” so Paul killing Feyd is penetration, intimacy, it is rebirth.

It is also reminiscent of how Campbell describes the sun-moon twins of Navajo myth:

The two, Sun-child and Water-child, antagonistic yet cooperative, represent a single cosmic force, polarized, split, and turned against itself in mutual portions. The life-supporting sap-power, mysterious in the lunar rhythm of its tides, growing and decaying at a time, counters and tempers the solar file of the zenith, life- desiccating it its brilliance, yet by whose heat all lives.

— Joseph Campbell's Commentary from "Where the Two Came to Their Father: A Navaho War Ceremonial" by Jeff King and Maud Oakes

DESERT SPRING TEARS and DIVINE UNION

There is a section in the Dune Encyclopedia that talks about the foundation of the Bene Gesserit beliefs. In particular the teachings of a certain ancestral memory personality, called Inanna (yes that is the name of the Sumerian goddess who was also in a divine union caught between life and death glad you asked) about the Kwisatz Haderach. It basically establishes that the entire premise of the Bene Gesserit and the Kwisatz Haderach is in essence the Divine Couple.

It specifies two mirrored dynamics the son saved/resurrected by the mother and the husband saved/resurrected by the wife. Inanna called them Au Set and Au Sar. The Kemet names for Isis and Osiris. The idea of the Bene Gesserit would have this as the mother of the KH, and the Corrino princess he would have married. But with things thrown off course, it represents outside their control.

In Dune, we see it between Paul and Chani. Like Isis who has the solar disc and Osiris who is tied to water and death, her lover has died and she is the one to revive him.

Furthermore the concept of mythical tears can be found in the goddess Freya (who arguably is compatible with sun-goddess motifs) who weeps when her husband Odin is lost to her.

But perhaps most compatible—the healing tears of a phoenix. A bird archetype similar to Isis as bird. This is where the yin-yang dynamic of Chani and Paul becomes most apparent, since the serpent is synonymous with the bull and therefore Paul who “makes peace with Shai-Hulud” encompasses the dragon (yang) as a complement to Chani’s phoenix (yin).

In the behind the scenes of Dune Part Two, the Maker Temple is said to be designed like the infinity symbol with the two circles (one of sand and one of water). Sand being death and water being life, but also the reverse. As the sandworm thrives in the sand but is drowned in the water. And Paul is stuck between life and death, literally laying between both pools, when Chani comes to resurrect him.

This film literally has three kisses. Their first kiss when Chani says she will show him the way of the Fremen, their second kiss on screen when she says he will never lose her before going South, and the third symbolic kiss of life.

This marriage/death is also foreshadowed in Paul’s visions in Part One when Chani kisses him and then stabs him. Which is where we return to Isis and Osiris because Paul’s death state (dying again as we established, after killing Feyd, similar in a way to Set and Osiris) is where we will eventually get the twins Leto II and Ghanima with Leto II being the Horus in this equation.

As the Pink Floyd lyrics say, the sun is eclipsed by the moon and this is captured in the heartbreak Chani feels over losing Paul and losing her people to the Lisan al Gaib. The Fremen way of life has been eclipsed and over taken by the Atreides and the Bene Gesserit. Here we see more of the concept of that beast devouring the sun from the beginning, verses the celestial couple dynamic.

Chani leaving the residency chamber is also reminiscent of certain myths like Amaterasu going into hiding, or the Inuit folktale about the sun goddess fleeing her moon god brother/lover who pursues her.

However the Dune Encyclopedia also talks about the concept of redemption (which is why in the film Mohiam asks Margot if Feyd is capable of redemption) of the “mate savior”. The Kwisatz Haderach. They would bring about a release from bondage through redemption and rebirth.

Which is relevant to the dynamic of Paul and Chani in Dune Messiah for Denis, because he has said Paul is going to be looking to save his soul in part three, and how Paul and Chani come back together won’t just be explained away off screen between films. It will be that continued cycle of rebirth, through redemptive love. Rebirth as a whole in Dune is worth its own discussion, since all the different Jungian descriptions of it can be found within this universe.

CONCLUSION

The eclipse, a lunar-solar dynamic representing the union of opposites, is very significant in Dune Part Two and sheds a lot of light onto what we can anticipate next in Dune Messiah, particularly in regards to the central romance between Paul and Chani and the changes Denis has made from book to screen.

[yiangchen]

it's so tragic funny that while i was watching t100, jroth was so adamant that there was nothing romantic there with bellarke, that it literally made me doubt what was very clearly being written as romantic (and it actually was. like, we know this now. it has been confirmed).

looking back, bellarke could have kissed at so many different points in the show, without changing anything else but having them kiss, and it would have made perfect sense. it would have flowed. it would have aligned with their relationship development.

just think about it. 1x09. unity day. is this a bit early? yes. but do they have the chemistry? yes. and have they had sufficient build up for two characters to have their first kiss? yes. honestly more than a lot of ships that happen in the first season of their show. especially since day trip just happened! plus, the flirting during unity day was...not subtle.

listen...she wanted to kiss him here so bad. seriously though. clarke could have and that would have been a very natural progression of this scene. it would have especially fit the early drop ship days vibe.

(or you could add in a scene where clarke finds him later, now sufficiently buzzed, they flirt some more, then she kisses him, and bellamy's like, "woah, woah, princess, what are you doing?" but he's smiling and she just shrugs with a smile and goes in to kiss him again, saying "having fun", and bellamy says, "you're drunk" and clarke is exasperated saying, "well you told me to!" and bellamy laughs, very amused, and from the look in his eyes, you can tell that he is also very very VERY smitten.)

if you still think that's too soon, yeah, i tend to agree. i love the idea of s1 bellarke in fanfic, but for the show, i prefer a bit more of slowburn. so let's push it to season 2. no, that's not a true slowburn, but still, you had to wait a little for it, and a lot of shows do this successfully. so anyway. 2x05. post iconic reunion hug, shot in a very romantic way i might add.

bellamy is watching clarke sleep by the fire, she wakes, we have some platonic gazing with firelight flickering across their faces...

we all know how the scene goes. he reassures her. he confides in her. she reassures him back.

i'm sorry, but the way they are looking at each other here? dude, if they had been sitting any closer, they could have kissed. i tend to think it would be more in character for clarke to initiate a first kiss with bellamy in s1-4, but in this scene, i 100% could see bellamy going in to kiss her after this.

(and yes, i'm aware that octavia was pretending to be asleep this whole time, but honestly, her reaction to them would have added some much needed levity to the situation. octavia is a bellarke shipper, after all. also, some people might say that this would make clarke's "i love you" to finn less believable, but i disagree. you can have feelings for two people at the same time. i mean, she literally kisses lxa very quickly after finn's death sooo yeah...plus, it would have made the bellarke angst of s2b/3 even better.)

maybe you still want more of a slowburn though, and that is perfectly fair, which brings me to s3, which in my opinion would have been one of the best seasons for canon bellarke. alright. 3x05. hakeldama yup! it was prime time for a first kiss. i mean, all the build up of s1/2 obviously, but also...this had just happened:

but anyway...back to hakeldama. this is the peak of their angst. nothing tops it.

but then, after the heat of the moment, the softness comes in. as it always does with these two. they wind up sharing the softest, most romantic scene in this entire show (fight me).

that last gif, man...at this point, i think they would both go in for the kiss. mutually initiated. god, it would have fit the scene so well!

(some people might say that this would invalidate clarke's love for lxa, considering everything that happens two eps later, but again, i disagree. like i said before, you can have feelings for two people at the same time. people might also say that this would undermine bellamy's relationship with gina, but you know what? the whole fucking narrative undermined that relationship, so i really don't care. i loved gina, but if clarke can kiss lxa right after finn's death, then bellamy can kiss clarke right after gina's death. this show is messy, okay? and bellarke are messy as fuckkkk.)

still think it would be too early? okay. season 4 then. very recently, i realized how easy making bellarke canon in s4 would have been, holyyyy. starting off in 4x03. bellamy is sleeping on the couch and clarke watches him sleep with the softest smile on her face (i'm still crying about this btw). i can't find the right gif, but you all know the smile! then clarke is struggling so bellamy wakes up and is there to support her, making a declaration that has romantic undertones, it just does!

and then clarke lowkey makes a move on him lmao. for real though?? what was this???

i would only change one thing here. he takes a seat beside her first and then puts his hand on her shoulder. so that way they are eye level (aka kissing level).

when she lifts her head off their hands, their faces would be so close. maybe bellamy would tuck a lock of hair behind her ear, not realizing how intimate that kind of thing is until he does it. i could see them kissing here. clarke would initiate. although, i think it would be so much better if it was just an almost kiss. bellamy tells her she should get some sleep right before it happens.

and then in 4x06...

it's actually so funny how she says that and then she's like 'oh no. that sounded like it implied something. i did not mean to imply.'

and bellamy's over here like 'omg she's implying.'

which leads to him literally about to confess. i'm sorry, but there is no other way to interpret....

and of course clarke interrupts, but this is the moment, you guys! this could have been the moment.

right after this, before roan's interruption, there's a pause, and then clarke kisses him. it's a quick one. the kind of kiss where she has both of her hands on his face and he's so stunned by it that his eyebrows raise in surprise and before he can even process that it's happened, she's pulled back and they're looking at each other, a bit in awe, both surprised that she just did that.

then in 4x09, we actually get to see the reunion!! and it's the running kind. just like 2x05. only this time, after they run to each other and hug, bellamy pulls back and takes her face in his hands to examine her for injuries, and once he realizes she's okay, probably after she reassures him and puts a hand on his face, then he kisses her, but they both go in for it (and i cry).

in 4x13, i would change the location of the head and heart scene. somewhere more private...a bedroom (!). so, after this moment:

and bellamy turns away, upset, clarke pulls him back to face her and takes his face in her hands. his eyes are watery. so are hers. she kisses him. one thing leads to another and we get the sex scene we deserved!! then they're lying in bed, cuddling. bellamy's head is on her chest and clarke's playing with his hair. that's when she decides to ruin the moment lmao and continues the head and heart convo with "we've been through a lot together, you and i." i can just see it so well. they would shift so that they're laying on their sides, facing one another. maybe clarke's fingers play with the hair at the nape of his neck now. when she says he has a big heart, her palm rests on his bare chest. when she says he has to use his head too, her fingers of her other hand shift from his neck to his temple. when bellamy says, "i've got you for that," clarke kisses him. their foreheads stay touching for a few breathes, then she pulls back to look at him and says that raven's premonition came true. like...am i crazy or would this have worked so well?? literally the same dialogue but...they're together.

(plus, this could have led to clarke raising bellamy's kid--august--along with madi over those six years they are separated, i'm just saying!)

maybe you still think that season 5 was the ultimate time for bellarke to go canon, and you know what? i honestly might just agree. the set up was there with clarke calling bellamy every day for 2,199 days. the potential was there. madi was the biggest bellarke shipper i swear. she wanted them to be together even more than all of us combined i think. for a bellarke kiss though, you would almost have to drastically change the course of events...unless you go with 5x13 and blecho have broken up earlier in the season. after clarke wakes bellamy from cryo (still crying about this moment, yeah!), i could see them having a moment.

before jordan walks in, maybe clarke helps bellamy out of the pod, and once they're both standing, bellamy would finally make his move. instead of bellamy asking why they're the only ones there, clarke does. bellamy tells her, "we'll figure it out, clarke, but first, i have something i wanna say." maybe he does something soft, like take her hand or brush her hair behind her ear. clarke is staring at him, not quite believing what is happening right now, but deep down, she knows. he tells her, "those six years without you were the worst of my life and i don't wanna waste any more time." clarke is wearing a watery smile, still not quite sure she believes what she's hearing. she tells him, "i radioed you every day you were gone." bellamy's whole face lights up and he tells her, "i know." their foreheads touch. both of his hands are cradling her cheeks, her hands are cradling his wrists. she whispers his name. it's the kind of kiss where the time before the kiss is excruciatingly long, but once they kiss, it becomes much more urgent as they finally give in to all of the feelings. god. would have been ICONIC.

plus, they both looked absolutely gorgeous in this scene. hello???

would have been one hell of an aesthetically pleasing first kiss holyyyy. then jordan interrupts and makes some comment about how his mom and dad were right all along :)

if not season 5 though...moving onto season 6. 6x10 to be exact. i know i've said that other times were the ultimate time for canon bellarke, but this episode is too! or right after it in 6x11. there are two scenarios that i see playing out here. (in both, blecho have broken up previously.)

in the first scenario, it's 6x10. as soon as bellamy saves clarke and she wakes up, instead of going in to hug him, i swear when i was watching it that i really thought she was going in for the kiss. that was the one and only time where i legitimately thought they were about to kiss while watching. it had never made more sense than in that moment. even with all of jroth's attempted brainwashing, my mind was stronger in that moment. it saw it coming. or at least i thought i did lmao. i know they didn't actually kiss.

but listen.

they really should have.

clarke is literally looking at him like this:

come on, man.

i usually say that bellamy should be the one initiating post s4, but in this moment, it would have been clarke.

and if not then, the other scenario is that they hug as usual. clarke gets some rest as usual. but when she wakes up in 6x11 and bellamy is at her side, they are in a separate private tent. they have that same conversation that they do. they argue about clarke risking her life again. but then...

he tells her, "hey, i just got you back." he says it firm but soft. i see bellamy initiating the kiss here, especially since he's almost lost her twice now, but once clarke realizes that this is really happening, that after all this time he wants her just as much as she wants him, she would for sure be the one initiating everything else. she would be sitting in his lap making out with him so fast jfsldkjfaslk and you know what? good for her!! they either just kiss a lot here, laying down on the bed, all tangled up together, and then they're interrupted, or maybe, just for once, they're allowed to be happy, uninterrupted, and they sleep together. either way. natural progression.

that's really the point of this longwinded post. so many times it could have happened. all of them a nature progression of the story that was being told.

then comes season 7...

there are no words.

6x13 left them off in a perfect place...

the set up was literally right there! they should have kissed in 7x01!! they should have lived happily ever after with madi in a seaside cabin situated in a field of gold!!

[r3dcam3llias]

How to Download Our Life: Beginnings and Always Mods

(a step-by-step guide!)

If you've ever wanted to download extra content for OLBA but were unsure how or where to even start, this post will hopefully explain everything you need to know!

What you will need:

Our Life: Beginnings and Always

RPA extractor

Latest version of Python

RPA repack tool

1. Finding mods.

As far as I'm aware, there are very few people who make OLBA mods, but if you do happen to come across someone who makes mods/script edits and would like to download them, you'll likely end up with files with the end extension ".rpy" or ".rpyc" Because the software used to make OLBA is Ren'py, these are ren'py script files that basically contain the script that runs the mod and official script files. (Note: Some mods that don't just simply add onto/edit/add more scenes may also include other important resource files (images, sounds etc...) and might be formatted in a ".zip" file. I'll cover how to unzip and use those as well.)

2. Find your game files.

First of all, before you do anything with your .zip or .rpy/.rpyc file(s) you're going to need to find your copy of your OLBA game's files. For Steam, you should be able to open the Steam app on your computer, navigate to your library, right-click your copy of OLBA, select "properties", navigate to the "Installed Files" tab, and click the "Browse" button.

For a direct download of the game such as from Itch.io, you should just be able to navigate to wherever you downloaded your game and find the same results. You should see your game files now like the picture below.

3. Finding/extracting the RPA file.

Now, you are going to want to navigate to the "game" folder inside the OLBA folder. Here you should find these files:

(Note: depending on whether you have the DLC or not, you may or may not have the DLC files. I do not have the Baxter or Derek DLC so I don't have those files here.) These files are basically all the .rpy/rpyc files, along with images, sounds and all other resources for the game, compressed into single files. So, in order to add our modded files, we will need to extract whichever RPA file pertains to the mod. For example, archive.rpa contains all the scripts, etc from the main game. The rest should just be DLC, so if you have a mod that only affects the main game, you will only need to extract that file. The same works if it is a mod that only affects a DLC; you will only need to extract that respective DLC file.

To do this, you can either download this RPA extractor or find your own and follow its steps. For this tutorial, we will be following the steps of the RPA extractor provided. Once you have downloaded the RPA extractor, drag the .RPA file you want to extract out of the OLBA folder, into a new folder, then drag and drop it onto the RPA extractor icon (shown below)

This should open a new Command window where the .rpa file will be extracted. You should end with something like this:

(for this example I extracted the step 3 DLC RPA file)

Now you should have a new folder containing all the .rpy and resource files you need.

4. What to do with modded .rpy/.rpyc and/or .zip files?

If the mod you downloaded just came with the files not zipped, you can skip this first part. Otherwise, you will need to unzip this zipped folder. To do this, you can either just right-click the zipped file and click "Extract All" and "Extract" when a new window pops up.

Alternatively, you can use a program such as 7-zip, which may help extract speeds for large files. Now, you should have, or already have your modded .rpa files on hand (finally!) Normally, if these files are editing preexisting material from the game or adding new scenes, at least one file, if not all of them will have the SAME EXACT file name as an already existing file. In this case, BEFORE YOU DO ANYTHING go into the folder(s) you got earlier by extracting the .rpa file(s) and look for the file(s) with the same name(s) as your modded .rpy/.rpyc file(s) and either make a copy or move them somewhere safe in case something is wrong with your modded files/you no longer want the modded files, you can put the original files back in. Once you have done this, you are going to drag the modded files directly into the folder(s) you got earlier by extracting the .rpa file(s). MAKE SURE YOU PUT THEM IN THE CORRECT FOLDERS AND EITHER OVERWRITE THE ORIGINAL FILES OR MAKE SURE THEY HAVE BEEN REMOVED.

If there are any other files, such as sounds or images or .rpy/rpyc files, feel free to just make another folder to put these in.

5. Repacking the RPA file.

Now these next steps can get really complicated, so I'll break them down into smaller steps. 1.) Download the RPA repack tool (make sure to unzip it) and the latest version of Python if you haven't already.

2.) Inside the unzipped "rpa-master" folder you'll find another folder of the same name. Inside this folder all you need is the "rpatool" file. Take this file and move it into a new folder completely outside of the "rpa-master" folder, name this folder whatever you want, it doesn't matter. (EXAMPLE BELOW)

3.) Now take the folder(s) you got from extracting the .rpa file earlier or created and put them in this new folder. (EXAMPLE BELOW)

4.) Type "cmd" into the path while in the folder with both of these.

5.) Now, a command prompt window should pop up, type in this:

 py rpatool -c

followed by the name of the .rpa file you want to make and the name of the folder(s) you are repacking separated by a space for each. (EXAMPLE BELOW)

6.) Depending on the size of your file it might take some time, but once you see the .rpa file appear in the folder, you're all done! It should look something like this:

Now, all that's left to do is put that .rpa file into the game folder with the rest of the .rpa files !! After that you can test it out and your mods should now work!

As always if you have any questions or need help doing this yourself, feel free to contact me or submit an ask!

[noahsresources]

REBLOGGING FROM SOURCE WITH XKIT REWRITTEN !

hey friends!! okay, so i can't believe it took me this long to figure out how to do this, but thanks to the new xkit rewritten extension, we can bring back easily reblogging from the source! the newest update is kind of a pain for a lot of people, and it was much easier to just click on the username of the source where someone reblogged a post from. but thankfully, we can bring it back!!

i'm not the greatest at giving tutorials, but because i think this is important for a lot of us roleplayers, especially those who like reblogging things from their respective sources for whatever reason, and also generally for the majority of us who became frustrated with the new update. so, here's an attempt at teaching all y'all lovely people how to get your dash back to the way you liked it!! with that being said, it is greatly appreciated if this post is reblogged so as many people as possible see this tip!

TUTORIAL. ( skip to step 3 if you already have xkit rewritten installed. )

STEP 1. first, download xkit rewritten from tumblr's new xkit github page. right now it only works with chrome and firefox. instructions are under the "installation" section (you may have to scroll down a bit).

STEP 2. once you install the extension, click on the xkit icon at the top of your browser. it should look like a small purple box with a white "x".

STEP 3. under the "configuration" tab at the top of the pop-up, scroll down to the "tweaks" option. it should have a yellow icon with a gear and is (probably) the third option from the bottom.

STEP 4. the "tweaks" option should be marked as "disabled", especially if you are using the new xkit for the first time or if you haven't seen this extension before. click the slider on the right side of the pop-up to turn the extension on.

STEP 5. once you toggle the extension on, a drop-down menu should appear under the extension label. you can also toggle this menu by clicking on the extension label. click on "restore links to individual posts in the post header", which should be the first option in the drop-down menu.

STEP 6. and that's it! you should now be able to click on the url next to another url and it should bring up the source that that person reblogged from. you may need to close the tumblr tab or restart your browser for the extension to take effect.

and that's it! i hope you enjoyed this tutorial and that it was helpful! if you have any questions, suggestions, or reservations, do not hesitate to reach out! please remember to reblog to spread this information! <3

[darkficsyouneveraskedfor]

Nightlife 14

Warnings: dubcon, noncon, touching, coercion, manipulation. Proceed with caution.

Note: I know what you’re thinking, why the fuck are you doing this? Well, you wanted bouncer Lee and I did too. Also, short!reader, not sorry.

Part of The Club AU

You sit on the couch, your back to the armrest, your legs bent over Lee's lap. The TV glares over you as you chew your thumb, paying little attention to the classic 70s thriller. You can't escape the pit of self-pity that threatens to swallow you up.

You feel his hand on your thigh, kneading through your thin shorts, but you don't react. He's touchy feely like that but you've learned to just tune it out. You pick at your thumbnail as you drift into your doubts.

"Y'alright?" He asks as he gently taps your leg.

"Yeah, good," you wisp out, startled by his sudden intonation, "just thinking…"

"Ah, don't do much of that. Should be tryna enjoy our time together," he squeezes your thigh, "ain’t this nice, darling'?"

"Yea–" before you can answer, your phone buzzes loudly and rattles against the wooden coffee table.

You swing your legs off of Lee and he huffs. You grab your phone as the bold word 'Dad' beams at you from the screen. You fumble to get a grip and hit answer as you stand and quickly skirt away from the couch.

"Hi, dad," you keep your voice low as you put your finger in your other ear.

"I got your message, what is going on?" He asks bluntly.

You gulp as you enter the small kitchen, trying to escape the noise of the television. You turn and press your back to counter, mustering what little backbone you have.

"Um, dad, it's about school–"

"Don't tell me I have to spend even more on this," he snips.

"No, dad, I… please, I'm sorry…" your chest fills up, feeling as if it might burst, "I have to tell you something."

"Then tell me. I have a business dinner in ten minutes."

You inhale and close your eyes. Your ears are ringing. He's going to lose his mind. You remember how he tore up the participation ribbon you got in cross country running. Yeah, he doesn't like losers.

"I'm failing. I'm going to lose my scholarship–"

"What?!" He yells, "don't fucking do this to me."

"Please, dad, let me– I schedule an appointment with an academic counselor and I might–"

"No, no, we had a deal," his anger burns through the speaker, "you've gone and wasted my money. You stupid little girl. How hard is it to maintain a B average? That's all I asked and you once more disappoint me–"

You're choking on tears as you listen to his wrath. You shake and cross your arm over your stomach. It's what you expected but worse.

"You are getting a job and you are paying rent. Fucking dropout. My daughter, a failure. A goddamn disappointment–"

You move the phone away from your face as his voice rises louder and louder. You can hear him clearly still as you tremble and stare at the pulsing icon at the center of the screen.

"Loser–"

The phone is suddenly swiped from your hand as Lee fills the doorway and you squeak. You try to take it back as he clears his throat and puts it to his ear. No! No! You clutch your hands together in horror.

"Now, you don't talk to her like that. That's your daughter, she ain't need all that. She's asking for your help– I'll tell ya who I am. Someone who cares a lot more for her than you," Lee balls his fist as he grits his teeth, "don't you be calling her all those nasty names. Ahe ain't that, she's a good lady– ah you talk a lot for a man who isn't standing in front me."

"Lee!" You squeal, "please–"

"You don't want her to come home then she won't. She's got me and I'll take care of her. Yeah, yeah, go have a fucking heart attack, you old coot."

He pulls the phone away and jabs his thumb down on the screen. He drops it on the counter and shakes his head.

"He's got no business talkin' to ya that way," he growls.

"Lee, that's my dad–"

"And ya didn't even hear half of what he said to me. You want to call someone like him your family when he ain't got no love for you," he scoffs.

You cover your face and heave. Oh god! You turn and lean on the counter, bending over as you hide behind your hands and sob. Everything is crashing down around you.

"Baby, don't cry. I was just standing up for ya, like you deserve," he puts his hand on your back, "ain't fair of ya to try to make me feel bad for that."

"You don't understand," you garble as you stand straight and drag your hands down your face, "he's all I have. My only family–"

"And you're scared as hell of him. That's not family, is it? He's pushing you to be something you ain't. You know I love you however you are."

"Love," you croak, "I… Lee, I…" you turn back to the counter and grip the edge.

You suffocate on shallow breaths as your head pulses. You can't see straight, you can barely think. It's not supposed to be like this. You weren't supposed to make your father proud. You were supposed to make something of yourself.

"Honey pie," he eases you away from the counter, keeping an arm around your back as you lean heavily, "come on, you needa breathe. Let's get you laying down, huh?"

He guides you out of the kitchen and through the front room. He takes you into the bedroom and puts you in the bed. Your eyes threaten to roll back as you suck in air.

He puts you against the pillows and wraps a blanket around you. He leaves and returns with a mewling Hickory, placing the cat on your stomach.

"Now, now, look, the little thing's so worried for ya. Give him a pet," he coos, "y'alright, honey, just calm down."

He loosens the blanket and lifts your arm above it, placing your hand on Hickory's soft fur.

"Feel that, he loves ya too," Lee coaxes, "he needs ya."

You stroke the kitten gently and slowly catch your breath. You let your eyes close and murmur. You don't know what's going on, it's as if you feel everything draining from you. A fracture forms down your middle and you know there's no way to put yourself back together.

"We're your family, blossom," Lee says, "me and Hick."

[lurkingshan]

A Time Called You: A Great Reminder to Go Watch Someday or One Day 

This past weekend Netflix dropped a new kdrama called A Time Called You in its entirety, and I became particularly interested in watching it as soon as I realized what it was: the Korean remake of Someday or One Day I knew had been in the works for awhile. If you’re not familiar, Someday or One Day (SOOD) is a beloved 2019 Taiwanese drama that is widely considered to be among the best dramas the country has ever produced (there is also a 2022 film version of the story, but that’s less relevant to this post). Now, I love Korean dramas, and I know that countries remaking each other’s best shit is very common in the Asian media landscape, but I couldn’t help but feel protective of the original work and a bit resentful of the choice to adapt something that was so original and unique and specific and put that generic kdrama sheen on it. Taiwan has a small film industry, and this is one of its jewels. We didn’t need Korea’s take on it.

And having watched the adaptation in full now, I am feeling pretty justified in that initial feeling. Let me just say upfront: A Time Called You (ATCY) is a perfectly good drama with a solid cast and competent storytelling. Had I seen it absent the knowledge of what it was adapting, I probably would have liked it a lot. But I have already seen and loved Someday or One Day, so I feel compelled to break down why it is the better version of this tale, both for my fellow SOOD devotees who are wondering how this adaptation stacks up and for folks who have only seen the kdrama in the hopes that you’ll decide to watch the original. As usual, I did the most, so reader be advised that this is long (tagging @troubled-mind as promised and @smittenskitten because I saw you were looking for a comparison of the two dramas). TL; DR: if you liked ATCY, or have seen neither version and are wondering which to watch: go find Someday or One Day, because it’s an overall superior and more satisfying execution of the same story.

The Vibe

Let’s start here because it’s the most obvious and immediately striking thing as someone who has seen both versions. SOOD has a bit of a rough and unpolished feel, which makes it feel more grounded in reality (important when you are getting into fantasy elements like time travel but you still want the characters to feel like real people). We open our story in 1998 in a record shop with a young girl playing Last Dance by Wu Bai and China Blue, a 1996 mando pop rock ballad, and thus setting the tone—this will be a somewhat raw and bittersweet story about grief and hurt and longing that will invite us to wallow in our feelings. And that melancholic vibe stays throughout the drama, even in the explicitly happy scenes, because you are always aware that the joy you are seeing has already been lost. 

By contrast, ATCY feels… emotionally flat. Don’t get me wrong, it is a very faithful adaptation. The early episodes are practically a shot for shot remake of the original drama. But it’s too polished, too shiny. The filmmaking is bog standard kdrama fare; everything is soft focus and warmly lit and too beautiful and consequently nothing feels real. It feels right in line with the standard aesthetics of recent mainstream Korean dramas, and that choice undermines the emotional weight and grit of this story.

A great example of this can be seen in the way the two dramas handle the iconic scene where our female lead runs in the rain, looking back over her shoulder to smile in delight at the male lead before continuing on her way. This is a moment of realization for him about his feelings for her—one he will later immortalize in a painting that becomes part of the mystery of the past she is trying to unravel. In Someday or One Day, this scene takes place on a regular street, in the utterly mundane surroundings of their everyday lives as they walk home, and she runs down the middle of the road as puddles gather in the uneven pavement; in A Time Called Love, they are in a picturesque park for this scene, surrounded by green and encased within a grove of giant trees, and she runs right down the middle of a tree lane that looks like it came straight out of a fairytale. One story is very much about a love grounded in a reality we can recognize; the other is pure fantasy romance.

The Music 

I already mentioned the song that anchors the Taiwanese drama above. Last Dance is hugely important to the story, both thematically and as a plot device, and in its ability to set the mood and tone of the drama. 

The Korean remake similarly uses a real 1996 ballad as its main song and time travel mechanism: With My Tears by Seo Ji Won. And, uh, the vibe is a bit different. 

Discerning listeners might recognize this as one of the many classic love ballads performed by our favorite doctors by day, rock stars by night over on Hospital Playlist. It’s a perfectly fine song. But it sets quite a different tone for our story, doesn’t it? It also is meant to be a song that a teenage boy is hankering to listen to on cassette, and listen, I wasn’t living in Korea in 1996. I have no idea how culturally accurate that may be. I’m sure there were in fact baby Lee Ik Juns running around trying to get their hands on this cheesy love song. But the edgier sound of Last Dance definitely sounds more in line with something the teenage male lead would listen to and what the music is meant to convey. And frankly, since we hear this song about 30 times in the drama, it matters that Last Dance is just an objectively better song. 

And that’s just the tip of the iceberg, because beyond the classic song each version chose to use as its centerpiece, there is also a stark difference in the quality and tone of each drama’s OSTs. Here is a compilation of the Someday or One Day tracks, including the utterly gorgeous main theme by Shi Shi. The music is hugely important in the Taiwanese drama and is used to set the mood as well as emphasize its themes, and the tracks feel specific to this story.

And here is a compilation of A Time Called You OSTs.

If you’re familiar with kdrama OSTs, you will recognize most of the artists on here, as well as some new covers of old songs. And again, the vibes are quite different. Whereas SOOD was very intentional and specific in its music choices, ATCY just sounds like every other kdrama. There is nothing on this tracklist that stands out or evokes the kind of feeling that the SOOD tracks do.

The Main Couple

The name and timeline situation in this show makes this section unnecessarily difficult, so let me just make a little reference sheet here: 

Someday or One Day

Alice Ke plays Yu Xuan (2019) and Yun Ru (1998)

Greg Hsu plays Quan Sheng (2019) and Zi Wei (1998)

A Time Called You

Jeon Yeo Been plays Jun Hee (2023) and Min Yu (1998)

Ahn Hyo Seop plays Yeun Jun (2023) and Si Heon (1998)

All of the actors here are seasoned and very good at their jobs, so I am not casting shade on any of them—they are executing their performances based on writing and directorial choices. But I cannot deny that the Taiwanese version of these characters are more compelling all around. In SOOD, the main characters have a real spark; despite the melancholic undertone of the story, there are moments of genuine joy and when they connect with each other, you feel why this bond is strong enough for them to find each other through time and despite all the trauma they endure. In ATCY, however, the characterizations are muted.

This is most evident in the difference between Quan Sheng/Zi Wei and Yeon Jun/Si Heon. Greg Hsu plays Zi Wei as magnetic, playful, mischievous, utterly lovable, and very intense about his feelings for his lady. He has a real joie de vivre about him that clearly brightens up Yu Xuan’s life considerably, and his devotion to her is not just shown, but deeply felt. Experiencing their memories, you understand immediately why Yu Xuan can’t move on from his death; he was the joyful, relaxed counterpoint to her more ambitious and serious personality. Si Heon, though? He is a nice dude and a generous partner and he is very good looking. But he doesn’t have the playfulness or the intensity that his Taiwanese counterpart does. His personality is just more moderate all around. One great example of this: upon discovering that he has traveled forward into the body of the person that would become Yu Xuan/Jun Hee’s boyfriend, Zi Wei (in Quan Sheng’s body now, are you still with me?) actively decides to find her, love her, and try to solve this time loop quagmire they are in; Si Heon (in Yeon Jun’s body) waits for a moment of fate to give him a sign, and only makes the decision to pursue Jun Hee after running into her by coincidence.

Similarly, Jun Hee is not quite as spunky and sassy as Yu Xuan and Min Yu is not as dark and awkward as Yun Ru; when Jun Hee travels to the past and takes up residence in Min Yu’s body, the differences between the two characters she is playing are not as evident. In SOOD, I could tell at a glance who is in Yun Ru’s body; in ATCY I need more context to be sure. Where Yun Ru had more of an edge, Min Yu simply reads very shy. It’s not as compelling. One scene that really stands out as an example of this: when Yun Ru is pretending to be Yu Xuan in 1998 and looks in the mirror to practice smiling, it looks downright creepy and sinister; when Min Yu is masquerading as Jun Hee and looks at herself in the mirror, she just looks awed and happy, if a bit awkward. It’s subtle, but it changes the way you feel about the characters. 

The difference in Jun Hee and Yeon Jun’s characterization also affects the couple chemistry, which is just not nearly as strong in ATCY. The characters are more muted and thus the expected sparks are more like smoldering embers. The relationship feels cozy and warm and nurturing, but it doesn’t feel vital. It doesn’t feel like the kind of relationship you would fight through time or break the rules of the universe to return to. I recall gasping or crying or laughing out loud throughout SOOD because I was constantly taken aback by Greg Hsu’s arresting presence and the chemistry he and Alice Ke generated was just emotionally riveting. When Yu Xuan told Zi Wei (as Quan Sheng) that they were officially together, that man literally jumped for joy and shouted out his love for her; Si Heon (as Yeon Jun) reacts to the same moment with a quiet smile and a hug. When Zi Wei saw Yu Xuan in Yun Ru’s body again in the finale, he knew instantly that it was her and the smile overtook his face as he reached for her; Si Heon initially called Min Ju’s name before getting closer and taking several beats to realize it was Jun Hee (ruining this iconic moment is perhaps this remake’s greatest sin against romance, my god). 

Everything between the couple in SOOD was just more, both in happiness and in despair. I liked Jun Hee and Si Heon, and Ahn Hyo Seop and Jeon Yeo Been are very competent actors whose performances I have loved in other dramas, but they didn’t achieve that level of chemistry here, the writing and directing choices worked against them, and I didn’t feel that same desperation for them to figure this out that I did with Yu Xuan and Zi Wei. 

The Story 

The Korean version is a very faithful adaptation overall (I haven’t mentioned Jun Jie and In Gyuk because his character and story is more consistent across the two shows), but does make some small tweaks to the story, some of which seem to be out of necessity due to a shorter run time (one episode and a couple hours total less than the Taiwanese original) and some just… because? The shorter amount of story time does lead to them having to cut corners on some aspects of the mythology and time travel lore, making it all a bit less clear for folks who don’t already understand what’s going on, and they put in a few nods to typical kdrama tropes like amusement park dates and hand of fate stuff that we really didn’t need—they are already trapped in a time loop together, we get it!

ATCY also messed with the timelines and ages for reasons I don’t really understand and that don’t really track. In SOOD, Zi Wei traveled forward from 2002 to Quan Sheng’s body in 2010, met Yu Xuan, and then died in 2018. In ATCY, Si Heon traveled forward from 2002 only to 2007 and did not die until 2022—but the relationship dynamics are all the same. It made sense for a young couple who had been together about 7 years and who were in their mid-20s to be having the kind of relationship problems they did—fighting about prioritizing careers and time abroad and whether it was time to get married. But a couple who has been together nearly 15 years? Who are in their mid-30s? They would have already been married probably and had a couple kids to boot. The choice to change the timeline like this had me scratching my head and accomplished nothing for the story. 

But neither of those things are the change to the story that is weighing on me most. That occurs in a very small and brief backstory for the real Yeon Jun, where the drama introduces an original character who has no counterpart in SOOD: Tae Ha. 

In SOOD, the real Quan Sheng is a closeted gay teenager who meets a tragic end: he confesses to his crush, gets brutally rejected, then gets bullied when the crush tells others about his sexuality, and ultimately decides to walk into the sea in an attempt to end his life, a choice that leaves his body in a coma until Zi Wei’s consciousness takes it over. In ATCY, this backstory changes and Rowoon is brought in for a brief but impactful cameo as Tae Ha, Yeon Jun’s cram school friend. We see that the two have mutual feelings for each other but are both struggling to confess. One day as they are driving together, they finally explicitly acknowledge their feelings, holding hands and smiling at one another—and then immediately get hit by a Truck of Doom (easily one of the most tired kdrama tropes), Tae Ha dying on impact and Yeon Jun ending up in a coma with Si Heon’s consciousness eventually taking over his body like in the original story. 

Now on first glance, you might be inclined to give the show some credit for including a new gay character and giving the original Yeon Jun a happier experience with his crush. Explicit gay representation? In a mainstream kdrama? Still very rare and a big deal if done right. But if you think for a moment longer you’ll realize we can’t give the show credit for this, because this is a textbook execution of the Bury Your Gays trope and the narrative punishment that befalls gay characters who act on their attraction. Essentially, what the Korean remake did here was reveal these two characters are gay, killed them both immediately after they decided to pursue a relationship with each other, and then had the het male lead character take over the body of this gay man and use it to enter into a relationship with a woman. Some aspects of this plot were present in the original tale, but this choice to add an additional gay character only to kill him and tie it to their moment of acknowledging their mutual attraction? Made it significantly worse. It was badly done and I will not applaud the drama for representation when they did it in such a cruel way. 

The Ending

SOOD ends on a hopeful but somewhat ambiguous note, with Yu Xuan in 2020 finding a way to go back and save Yun Ru (and Jun Jie by extension) and then breaking the time loop, sacrificing her relationship with Zi Wei in the process even as it breaks her heart (because the only way for them to meet and fall in love in 2010 was to stay in the loop). She sacrifices their romance, and all their memories together, because it’s the right thing to do—she inadvertently destroyed Yun Ru’s life with her time traveling, and she couldn’t live with that knowing there was a way to fix it. We are left with a broken time loop, original teen Zi Wei meeting child Yu Xuan again in 1998, and the hope that they will find a way to make their fates align again and be together without time travel complications. It’s just the right bittersweet touch to end the story on; their previous relationship was lost and their sacrifice was real, but there is hope for another version of a happy life together, someday.

By contrast, ATCY goes for a more explicit happy ending: Jun Hee makes the same choice to go back and save Min Ju, and to break the time loop and sacrifice her relationship with Si Heon, but in ATCY we then jump forward to 2011 to a happy epilogue to see Si Heon and Jun Hee meet as adults. And look, I love a happy ending! But what I said above about the sacrifice Yu Xuan and Zi Wei made in SOOD really resonating because of its bittersweet ending? That’s absent here, because ATCY decided they needed to put a bow on it and reassure us they would get back together. ATCY was just never willing to let us stay in the grief or commit to the darker and sadder aspects of this story, and as a result, the whole thing loses some of its impact.