#also this is the meta version of my last shit post

[booksandabeer]

Thunderbolts Ramblings

Hi hey hello, I am back after a short self-imposed hiatus. Can I interest you in 2500 words of chaotic ramblings about the Thunderbolts movie? Fair warning: I only just saw it for the first time last night, so I'm still sorting through all my many, many thoughts. This is not a review or meta or anything really. I guess this is what people call A Reaction Post? Ew.

Maybe it's a little bit of everything.

First things first: I really enjoyed watching this movie. Yes, it is flawed. Yes, there are things that I would change, but it is a coherent and cohesive creative work that actually has ideas, features great performances, and that was obviously made with love and care—and that alone makes it easily the best thing the MCU has put out in years, and I'm glad I decided to go and see it in theaters.

(I will put the rest under a 'keep reading' for length and spoiler reasons)

TB is a good, very competently made movie that manages to be incredibly entertaining and funny, and at the same time takes its themes and characters seriously. It has great pacing and momentum, is tightly plotted (a lean 2 hours runtime; imagine that!), finds smart and organic ways to deliver exposition, and all the actors have great chemistry with each other. The score by Son Lux fucking slaps! Practical effects and stunts! Real locations! No 30-minute CGI slop battle at the end where the majority of the audience checks out after ten minutes and starts looking at their phones!

I have to say that for all the promo noise that was made in advance about how the movie was basically made by an all-star team of A24 below-the-line people, it is not able to shake the ugly-ass Marvel “house style” completely, but we get a sleeker, more stylish version of that dreaded flat grey aesthetic and it does actually work here because it makes sense within the context of the film’s plot and more importantly as a visual representation of its themes. The effect of the void looks extremely cool and scary—people actually gasped out loud in my theater when it took the little girl. (Honestly this was horrifying in the very best way because it interrupts a scene at the exact moment when I started to roll my eyes at the cheesiness of it all…and then it did THAT and HOLY SHIT.)   

Like I said above, this is a very funny film. It’s also a very sad one. It’s about sad, broken, lonely people and it deals with depression, isolation, and suicidal ideation in a way that is surprisingly nuanced. Could it be more nuanced? Of course. Is it at all subtle about its central metaphor? Absolutely not. But maybe let’s all calm the fuck down for a second here and remember that this is still a superhero movie in the Marvel Cinematic Universe and there are limits to what they can and are allowed to do within the narrative and commercial restraints of that world.

And honestly? The world is on fire right now and we are going through a real bleak fucking moment in time (to put it mildly), so I cannot find it in me to be a cynical asshole about a movie in which the Power of Friendship saves the day and evil is defeated via the most dramatic group hug in the history of ever. That said, while I loved this as the climax of the movie and the solution to the Bob/Void conflict, I wasn’t fully convinced as to how all of the characters actually got there. Yelena, sure. But that’s because they did some excellent character work to establish her connection with Bob, and it’s similarly very understandable why Alexei would follow her into the void immediately. But Ava? Walker?? And least of all, Bucky who has never even met Bob and just knows him as that weird Sentry dude with a bad bleach job and a suit that even Homelander would deem too tacky, and who, oh yeah, almost killed him literally five minutes ago? I don’t buy it.

And speaking of my pal, my buddy, my Bucky…I don’t really know what to say here, so let’s just get it over with. He’s barely in the movie. Seriously, it’s a CA:CW situation all over again. If you’ve watched the trailers then you’ve already seen 95% of his scenes. The remaining 5% of his screen time he pretty much spends standing around in the background making reaction faces. Look, I had no great hopes or expectations, so I’m not mad or even surprised at all, but I am still a little disappointed and, frankly, just confused as to what the thought process is here. I simply don’t understand what’s the deal with Mr. Baseball Cap and his Marvel Parliament (cannot believe I just typed that out, what a truly ridiculous & self-important name) continuing to refuse to give Bucky anything of substance to do in these projects. Just…why? You have this widely beloved character with so much juicy narrative potential, so much fascinating backstory to explore, whose own harrowingly traumatic journey makes him uniquely suited to the very story you’re trying to tell with this movie, AND you have a very popular and incredibly charismatic performer playing him who also just so happens to be riding an absolute career high at the moment…and you give him almost nothing meaningful to say or do? Why???

That said, every time he shows up and he actually gets A Moment? He’s fucking electric. I of all people shouldn’t be surprised by Sebastian Stan anymore and admittedly I am very biased—I’m not that far gone down the fangirl rabbit hole not to realize that—but it is truly wild how every time the camera is actually on him it’s like oh ok, hello, the movie star is here now, everybody else can shut up and melt into the background please. Every other actor just looks small by comparison (with Pugh being the only real exception). He brings both a razzle-dazzle and a gravitas to the role that feels completely at odds with the ridiculously little narrative weight that is afforded to his character. What a waste. No wonder Sebastian has seemed monosyllabic and quiet at best and listless and lowkey shady at worst during interviews. Because what really is there to talk about for him? Not much, really.

Let's just run through the other characters quickly because this already getting so long.

Yelena: Florence Pugh is the undisputed lead, and Yelena the beating heart of the movie. I love that she got such a central role here and got to show so many different facets of her character. She’s on fire. I don’t care how fucking cool and how checked out of the MCU you are (while simultaneously talking about nothing else and seeing this on opening weekend, lol), but if you seriously want to tell me that you don’t feel anything at all when she says “But I have so many [regrets]!” in a devastatingly tear-choked voice, then I think you’re either a liar or dead inside. I would also like to once again express my gratitude that they are dressing her in clothes that she can actually move and breathe and fight in. And guess what? She still looks unbelievably fucking hot. 

Ava: I’m not a big Ant-Man person (I’ve only seen the first two movies once and the little interest I had in the third one died the moment I saw that disastrous trailer), so I barely remembered her and therefore had no great expectations, but I liked her, I thought she was really interesting and a great counterweight to the more impulsive and abrasive Yelena. Hannah John-Kamen seems to be a graduate of that very particularly British School of Jaw-Acting. You know that kind of jaw-forward type of performing…very jaw-y…jaw-based? See also: Keira K., Hayley A., etc., you know the exact type of actress that people on this website keep insisting is somehow both uniquely and universally appealing to all bisexual women…and I just cannot confirm that. Sorry. Anyway, H J-K is good in the movie, I look forward to seeing her again and also congratulations to her agent for negotiating that special “with” billing in the end credits because…what. How? But hey, good for her.    

Bob: This is maybe unfair to the character, which is quite well-written, and to Lewis Pullman, who does a great job portraying the wildly different personalities (?) of Bob/Sentry/The Void and yet manages to hold on to an emotional throughline AND be endearingly funny at the same time, but all I could think about while watching this was that this guy is tailor-made (or, you know, genetically engineered…ha!) for the tumblr/AO3 whump girlies. The fanfic is going to be wild. Good character, good performance, GREAT decision to immediately depower him and therefore set him up for an “learning to control/balance your abilities with the darkness inside of you” arc in the next movie(s). Still, I will always wonder about what could've been if my beloved Steven Yeun hadn't had to drop out of the role.  

Alexei: I have very complicated feelings about this character. Objectively, he is an awful, awful person who has done terrible things to people—including the ones that he claims to love. Thanks to David Harbour, he’s also got a big boisterous personality, a striking physicality, and he’s legitimately and wildly hilarious. He made me laugh out loud multiple times! And yet, I cannot help but be very skeptical about this #GirlDadification of a character that literally trafficked human beings and was ultimately fine with handing his “daughters” over to an organization that enslaved them, mentally and physically abused them, groomed them to be child soldiers, forcibly sterilized them, and had them kill other little girls when, again, they were still children themselves. Idk, kind of makes the bile rise up in your throat while you’re still laughing at cute jokes about Wheaties boxes and pee wee soccer teams.      

Walker: Speaking of complicated characters…I have to say, I enjoyed him immensely in this movie. Which, mind you, is very much not the same as liking him. There’s already a lot of heated discourse about the character and if he deserves a redemption arc and whether or not he’s actually given one in this movie. I honestly neither understand the Walker stans who truly think he’s a poor little meow meow with a heart of gold and is really just misunderstood good guy nor his haters who are up in arms because they seem to think that the movie also genuinely believes that and portrays him as such. I think they’re both wrong and that the movie actually does a great job of showing that he’s a pathetic little asshole who blames everybody but himself for his failures and takes out his insecurities on other people that he perceives as weaker than him, while also not forgetting that he is still a human being worthy of some empathy. And bless Wyatt Russell for leaving behind any vanity and throwing himself into portraying this character as a deeply, deeply unpleasant person. Even his fighting style is ugly—all brute force and no finesse. The fact that any of the team members can stand to be in a room with this insufferable man for even just a few minutes without throwing a punch at him says much more about their humanity and innate goodness than it says about him and his supposed redeemability.        

Valentina: I realize that I’m probably the only person in the world who thinks so, but both Valentina as a character and Julia Louis-Dreyfus, as an actor, were the weak links for me in this movie. Despite having seen her appear in one tv show and two movies now, I still do not understand Valentina’s motivations in the slightest—there’s never any explanation given for why she does what she does or what she ultimately hopes to achieve with it (see also her assistant Mel, a complete non-character, whose reasons for working for her evil boss—and continuing to work for her even after she clearly recognizes her as evil and sort of kind of but not really "betrays" her to Bucky et al—are even more opaque). Valentina's shame-room scene only makes her less legible as a person and a villain, and except for one brief moment, she herself doesn’t seem to be bothered or affected by it at all, so I don’t even know why it was included. JLD did not work for me here, not because she isn’t a very talented actress, but because she’s simply miscast and/or misdirected. She clearly has a lot of fun dialing it up to eleven playing the hubristic comic book villain, but since all the other actors give performances that are at least to a certain degree grounded in an approximation of realism, she just comes across as tonally off and like she’s in a different movie than everyone else.    

Sidenote: I have to say that it did amuse me endlessly to see this awful woman who carelessly uses and abuses enhanced humans like they are little more than glorified dolls for her to play with under the guise of wanting to “protect the world” (lol) standing behind the bar of Avengers Tower pouring herself champagne in the very spot where a certain someone mixed his cocktails and monologued about his own greatness. Was this intentional? Honest-to-god lèse-majesté in an MCU movie? Please be serious, that’s never going to happen. But my god, did it make me cackle with glee!

Stray thoughts because omg this is so long:

If I was a Taskmaster/Antonia fan, I would be rioting in the streets right now. Why even bring her back if this is what you're going to do with her? I know the MCU iteration of the character wasn't exactly popular, but wow, to give her such an unceremonious and meaningless death was just mean, bordering on cruelty.

I was pleasantly surprised that aside from the dishwasher joke, the "disarming" Bucky scenes were handled sensitively and seriously. Yeah, sorry I just do not find disability jokes funny. Bonus points to Ava for immediately picking up Bucky's arm to return it to him.

I'm not going to touch the final end credits scene with a ten foot pole because the discourse about what happens in it and how a certain character is referenced/talked about is already absolutely bonkers unhinged in many different ways and I have no desire to wade into that. Folks are being real normal about it, that's for sure, and I would remind them that these are fictional characters, who cannot be blamed for stupid things they say or do or don't say or do. Blame the writers, directors, producers, executives, who are the ones who actually have agency and authority over what is shown and said on screen.

Ok, one thing about that scene because I was so distracted by it that I almost missed everything else: WHAT in the everloving 90s bodice ripper cover model hell is THAT HAIR??? I mean he looks good, because he always looks good, but wow. Yes, yes, I know most of you like that hair. It's fine. The new suit is badass though.

I have so many more things to say, but I will stop now. I'm not even sure if anybody will read this far, but hey thanks if you did and let me know what you thought of the movie.

Just to reiterate, in case this wasn't clear: I liked the movie. I liked it a lot, even. Now, don’t get me wrong, I’m not about to go shout from the rooftops that Marvel is so back!!! or something like that. But. This is a giant step in the right direction. More of this please.

[juanabaloo]

it's 2024 and Eliza's Faith Lehane is STILL the MVP!

so yeah, yet another Eliza Dushku appreciation post!

(I'm remaking this in 2024 to keep it positive. Felt like my last version of this got overly negative about a certain character and ship.)

Yes I am still not over the fact that Faith didn't have a last name until 2 years AFTER BTVS went off the air. She literally DID NOT HAVE A LAST NAME the whole time she was on the show. (Neither did Kendra BTW.)

In the literal dictionary sense: Faith is technically a minor character in terms of screen time. (Whaaaa???) She was in 20 episodes of BTVS and 6 of ATS. She was never listed in the main cast for either. She was not in the BTVS (or ATS) 20 year cast reunion.

We know Eliza played Faith as having a crush on Buffy. In cons Eliza consistently supported the idea of Fuffy (Faith x Buffy). If your view cuts off the right gif caption, it's Eliza saying "me and Buffy should've made out."

26 years after her debut, and people are still talking about Faith Lehane! There's gorgeous gifsets and insightful meta essays and brilliant shit posts and cute text posts and amazing webweaving poetry posts and even polls about Faith. And all the same for Fuffy! (I'm not even talking about the fanfic, even though new Faith and Fuffy fanfic is still getting posted.)

(also pretend there's a gif here from that 2022 movie Crush where Chantal says "I post to tumblr all the time. That's mostly just like Buffy, Faith...")

Faith and Fuffy are still inspiring people, even though the show has been off the air for 20+ years now!

So... also proud to be a part of FUFFY Nation. Sometimes I get a little choked up (like Buffy here) and sometimes I get impressed and thoughtful (like Faith here).

Happy Faith Lehane Day y'all!

Faith debuted 26 years ago on October 13th. The show would not have been the same without her. And neither would we!

-----

I make no gifs! GIF credits:

top (sweet on her) is from BTVS 7x20 by raggeddypondond (Kelly's growth) from lactose-intolerant-nihilism (drink and porch) both from BTVS 7x19 by shelly-johnson (left con quote) is from thisyearsgirls (right con quote) is from goaskmalices (damn) and (right in the feels) both from BTVS 7x18 by cwladiesdaily

[relaxxattack]

Piggybacking off the last anon, what is it you like about Jane so much? I find my feelings on her kind of mixed but I lean towards positive.

okay i haven’t read act six in probably like 5 years so bear with me here. *cracks knuckles*

jane is sooo so interesting and it’s really a shame people miss like everything fun about her.

pre-scratch she used her detective work to literally succeed at tearing down the crocker cooperation, to the point that HIC has to fucking abandon ship and head into another universe to have another shot at her evil empire. pre-scratch jane is also fucking hilarious! if you didnt enjoy her antics with john as nannasprite you must just have no heart

meanwhile HIC breaches a new universe, and her FIRST fucking order of business is to NEUTRALIZE JANE CROCKER because of how goddamn detrimental she was to HIC’s plans the first time around.

not ONLY does HIC pump subliminal messaging and brainwashing into nearly every aspect of jane’s life, she also tries to straight up mind control her basically whenever possible! she ALSO sends assassination attempts after jane 24/7! (people will seriously try to say that jane lived a safe normal life… as if she wasn’t almost killed by walking into her backyard.) this is because HIC is fucking scared of jane, as she very well should be!

jane is also NOT a boring weepy annoying crybaby like everyone and their mother complains about. jane is literally the most fucking supportive friend and emotion-repressing dumbass you could ever hope to meet. jane combines john’s emotional repression and jade’s intentional cheerfulness together into one of the most fucked up cases of emotional repression in the whole comic

act 6 suffers from a LOT of shitty writing choices, but it’s not jane’s fault the whole act turns into a soap opera— and she’s ALSO not the only one who acts all soap-opera-y either! literally all of the alpha kids suffer from this, people just like jane the least so they project it all onto her. despite the fact that she did her very fucking best to NEVER talk about her feelings, to the point where she ONLY started telling people about shit when she was mind-controlled or took mind altering substances to make her do so! and you can say “ohhh that’s stupid she shouldn’t repress things in the first place how dumb” but, one she’s sixteen, and two, everyone eats that shit up when it comes from like. literally any other character.

people (cough hs2 writers) act like she would actually be “pushy” with a relationship on jake— as if she wasn’t literally the one who helped him make the decision to explore dating dirk?? because she thought it was the right thing to do???

jane is incredibly thoughtful and mature and people really throw all of those traits out of the window with preference for a version of the story where she Comes Inbetween Their Fave Gay Pairing as if she wasn’t, again, the one who got them together. jane is also extremely interesting in terms of queerness; she’s got the makings of a really interesting arc, not to mention she’s the only human girl that dresses mainly masc! there’s a lot there that people just don’t care to explore.

people just have less patience for the prospit kids in general. not to mention homestuck fans love to be misogynistic and berate jane for stuff they love the men doing, or claim she’s coming between them when she’s not, etc etc. and then because no one was writing fun meta posts about her, nobody ever rereads the comic to grab little scenes or lines to expand the online discussion about her! and then because there’s no discussion about her, people assume she’s boring and don’t go looking for bits to start discussing, which cycles on and on forever until we have the ripple effects we see of that misogyny today. which mostly consists of, “oh i hate jane because she was a villain is hs2”, or, “i know hs2 isn’t canon but i still don’t care for jane because she doesn’t do anything that interests me.” (and she’s only not interesting because of the cycle i mentioned before causing NO ONE to have meta discussion about her).

idk, it’s been a while since ive read so i could be talking out my ass but that’s what i’ve got.

TL;DR: jane is fucking COOL, she just suffers from intentional fandom ignorance. and she’s also a canonically hot, fat, masc woman, so i don’t know what else you could possibly want.

[theinsideofablackhole]

Rain World - THE EFFERVESCENCE and some various theories built off of it

EDIT: now that Watcher's out my actual reading of all this is a bit different. Once I look at that more I might post a new thing so... Watcher quasi-spoilers I guess?

Firstly, consider:

Anyways,

You know that weird shit James said on an art month stream last year or so I think? Someone asks him what the deal with Hunter being "karmically imbalanced" is and he says this:

"It takes a certain level of karmic alignment to sort of translate the barrier between realities."

Lydia chuckles because of this quote afterwards. Obviously, her subliminal pointer gives away that this statement is a Rosetta Stone-esque lore revelation that will educate a new, objectively correct model of Rain World's reality - and the coming story that will break it.

Remember the rambling in the Ripple trailer? To summarize: droplets fall upon a body of still water, which send ripples outward. As more and more droplets fall, these ripples form countless interactions and create a chaotic "effervescence."

Each droplet symbolizes a singular "unit" of the cycle. Each "unit" is probably either the life of an individual or an entire reality. For this particular post I'm going with droplets as realities.

Overall, I think this ramble can be used to visualize how the cycle behaves according to the perspective of a Slugcat. (Fair warning that it's basically a very loose adaptation of the timeline-based cycle theory that I know Some of you hate.)

Ripple Collisions and Reality Transfers

While each droplet and its ripples (each reality) initially exist as its own distinct entity, their ripples eventually collide with those of another droplet. Here, the barrier that separates realities is lessened, and transfer is possible. When you die and wake up again, your Essence™ (whatever comprises You™, not sure what) is carried along this collision to a living version of You, in a parallel reality. This transfer expends karma (or expels a Karma Flower, which also gets carried with you).

It may be initially strange to think that collisions conveniently occur at the exact same moment a creature dies; rather, it's important to remember that karma seems to exist on its plane and that the ripples do not sync with time in the same fashion.

"Karmic Alignment" and Hunter

You also need a certain degree of "alignment" to be properly carried through the collisions of these ripples. Hunter is misaligned in some way, which is correlated with their illness & general karmic fuckery (note: idk whether alignment or illness is the root cause).

This misalignment creates friction when crossing between the barriers of realities. Hunter outright cannot perceive the existence of Flowers and they live on borrowed time before this dealignment rips them from their life entirely; completely unable to be carried along the ripples.

After Hunter dies, it's a bit of a toss-up. A super-Karma Flower is created that persists in Monk and Survivor, and Hunter will apparently "wake up again" anyway according to Moon. Even in this truly dealigned state, Hunter's Essence™ will return somehow.

I kinda doubt Hunter simply turns into a Flower, because of the meta aspect of repeating runs as Hunter (which I see as a part of the experience) feels symbolic of a more "complete" return to form.

Perhaps their inability to translate the ripple barriers means that they're forced to persist and return within the same reality they were doomed in. Hunter's shambling Rot corpse in Downpour is actually a very decent analog for this, though I'm not 100% satisfied with this answer because the reset symbolism is lost.

Ok But What About Watcher

First, let's look at the words of the unknown-possibly-Pebbles-considering-where-the-voicelines-come-from-iterator from the ARG.

They greet their "shadow", claiming that they "have drifted, (...) dispersed in the multitudes of the waves and the ripples." This seems to suggest that this individual is unwillingly moving through these realities at speeds or distances beyond normal, or they're possibly even shattered between all these realities.

According to the iterator, the shadow has a "thread" that they can follow to eventually return to how they once were; their preferred reality or an unfractured Essence.

The shadow is most likely referring to the Watcher... assuming the Watcher even is the Slugcat we play as. After all, the speaker does say they've been watching the shadow instead.

I think the iterator and the shadow (our slugcat) may be the same being; they together make the Watcher. The iterator is fragmented across realities (which is possibly fucking up those realities in turn, i.e. the various references to "cracks and crumbles"), but the shadow acts as some kind of extension or envoy whose behavior can help reunite the iterator into their whole.

Going by teasers like the pink sky region, the clear lack of rain in the Badlands region (due to the locusts, which I presume are a new end-of-cycle threat), and the generally fantastical nature of what we've seen (especially in that weird whale), I think the Watcher DLC definitely takes place in an alternate reality. Or alternate realities, plural?

Maybe the shadow ferries together the fragments of the iterator so that it can perform something greater, when it is reborn whole.

It's 2am and I think it's fun to pretend that whatever I just wrote is a comprehensive thought, closed off with a nice little bowtie, so I'm just going to say it is

[blizzardsuplex]

arospec!RS: a meta ramble

(disclaimer: this is pure headcanon of an ultimately fictional/put-on version of a real person, I do not claim to know anything at all for certain, this is entirely just for fun. Also I probably missed some things RIP)

So, full disclosure: I myself identify as being, orientation-wise, on the asexual and aromantic spectrum. Just in case someone who reads this doesn’t know what either of those mean, I will (probably poorly) operationalize them, very simply, as follows: asexuality is experiencing little to no sexual attraction, aromanticism experiencing little to no romantic attraction. Pithily, the first means a lack of desire to bang, the second a lack of desire to smooch.

This of course assumes the split attraction model, where who you want to sleep with and who you want to romance aren’t necessarily the same. In addition, what constitutes a “lack” or “little” enough to fall under these labels is, in itself, pretty nebulous. This is why asexuality and aromanticism—ace(ness) and aro(ness) for short—is often thought of as a pole or trend on a spectrum with allosexuality and alloromanticism (which just means the full experience of sexual and/or romantic attraction), rather than a point by itself. Some people who identify as aces or aros don’t feel them at all, or low enough that is doesn’t matter. Some people have their levels of attraction fluctuate depending on this or that circumstance, or even nothing specific at all. And some people only start experiencing any sexual or romantic feelings after there’s lots of groundwork laid in terms of platonic closeness.

With that assumed and established, here comes my actual headcanon: RS is not on the acespec, but he is on the arospec. I tend to specifically label him demiromantic (so he only feels romantic attraction with people he already gives a shit about), but regardless of specificity those arospec tendencies are there.

Why do you think he’s not on the acespec?

It’s Roddy Strong, guys. Have you guys seen and heard things about how much of a manwhore he was, especially in the early to mid 2000s? That guy got around (and, according to Excalibur, was best friends with his local STD clinic).

In slightly more seriousness: across a couple of recent (as in post-joining AEW) interviews, he has directly stated that, until meeting Marina Shafir (which we will touch upon again later), his relationship with women in general was pretty weird/poor. The first half of that is that sometimes he’d instantly be attracted to this woman or that—that is, want to sleep with them. That plus the references to him doing things like picking up women and talking about getting blowjobs in wrestling venues or whatever over the years leads me to conclude that he is, in fact, allosexual (and probably heterosexual, really, though my thoughts on his feelings towards men is worth another post of its own).

Why do you think he’s on the arospec?

Here’s where it gets juicy.

First off: you may be wondering what he thought of women he didn’t want to immediately sleep with. The answer is: nothing. In his own words, he didn’t want anything to do with them at all—not because he hated women, but because he literally didn’t know how to interact with them beyond the bounds of sexual attraction.

Now, this on its own may raise eyebrows for reasons totally unrelated to orientation. To that, I have to note here that, thanks to his A+ childhood that we will kind of have to get into later (again, RIP), this aloofness was not just reserved for women: he was pretty distant with most men, too. It was only in his mid to late 20s that he started opening up to people (his fellow wrestlers, who were mostly, yes, men) and stopped pretending to be a “meathead quiet guy who let wrestling talk” for him.

I mention this because he has also directly said that without opening up to these guys he would have never been able to form actual lasting romantic relationships with women. According to him, making actual friends he could be emotionally close to and vulnerable with (which, by the by, is something he desperately wanted during his childhood that he didn’t really get) is what allowed him to realize that, oh, wow, he’s capable of having and maintaining normal relationships—and that it was probably similar with women, right?

...well, I say “romantic relationships”, plural, when I really just mean romantic relationship, singular. Marina, who he is by all accounts extremely happily married to and raising a kid with, was only his third ever girlfriend in his life. His first was a cheerleader in high school, his second a decade long on-again, off-again relationship that ended in divorce—and, if he had it his way, that number would’ve been even fewer; he has also gone on record saying that for a long time he only had a girlfriend not because he was romantically into her but because “that’s what someone like him is supposed to do, right?”, which is a sentiment I’ve seen echoed in ace and aro spaces so often it’s not even funny.

Speaking of Marina, Roddy’s relationship with her is very interesting. When they met, he immediately wanted to sleep with her—but she was in a relationship with someone else at the time. Since this was post-power of friendship teaching him how to open up his heart or whatever, though (LOL), he decided to try and be friends with her instead (his first close friendship with a woman, apparently, that he described once as “having the training wheels on”). Clearly, it worked out!

But the statement that personally solidified my headcanon, especially my demiromantic hc, is this: he has said that he realized that how he acts around his close friends is exactly how he acts around his wife—minus, explicitly, “physical intimacy stuff”. From how touchy he is with his best friends, he clearly doesn’t mean physical intimacy in general. He’s definitely sexually attracted to Marina/women and always has been; it’s non-sexual closeness with anyone that he he didn’t feel and eventually did.

Okay, but...isn’t he just traumatized?

Well, yes. Yes he is (and if you don’t know about his childhood, I made an equally messy lore dump doc about it). He’s even mentioned that how he used to be with women was probably heavily influenced by his relationship with his mother. Also, if you’re not in ace/aro discourse spaces, you probably aren’t aware that the topic of “do people who are ace/arospec because of trauma still count as ace/aro” comes up on occasion.

Let me state my opinion on it: yes, traumatized aces/aros get to use the label/identify with the community if they want to. No, I do not think RS uses the term himself; he’s like a 42 year old white dude, IDK if he even knows that the “A” in LGBTQIA+ stands for asexuality and aromanticism. I do think he’s aware that he has an interesting relationship with attraction, though—and that’s where I will stop being delulu, if anyone is still reading this, LOL.

[fellthemarvelous]

Staged and Good Omens: The discontinuity of a story within a story within a story.

I'm watching the third season of Staged again right now, and I think I've figured something out.

The discontinuity that people are talking about of Good Omens 2.

Staged 3 was a very modern version of A Christmas Carol. Ep 1. Is there a version? (David and Michael work with Simon again) Ep 2. Who's Playing Who? (Scrooge, episode was a farce) Ep 3. Past (Michael and David are co-dependent af) Ep 4. Present (Michael and David fail to write a script) Ep 5. Future (David tells everyone they are doing a live show) Ep 6. Knock, Knock (Simon gets even, ending is sad but not really because they are just taking a break and breaks don't last forever, and Simon gets a job offer based on his script for Knock, Knock, the one story he didn't write.)

The epic trainwreck that is David and Michael's live version of A Christmas Carol is actually a hit, but everyone else has to convince them to stop the show because it can't go on forever. So they end it with Michael and David agreeing to take a break from working together even though it makes both of them sad.

But the whole premise of Staged was that everything was filmed on iPads, computers and cell phones. And it was submitted to Simon so he could piece it together.

Simon Evans wrote Staged as a love story between David and Michael. Simon writes what he sees and finds ways to incorporate fiction into reality. He saw them on Good Omens together and he saw the chemistry between David and Michael, and he turned it into a comedy about these two eccentric actors who clearly love each other. And they agreed to star in it.

They improvised most of it, but Simon laid out the framework of the plot for them to follow, and then he let them be themselves.

The entire show has layers upon layers of meta weaved into it.

Anyway, my point is...

This post is one of several that covers the different ways discontinuity seems to occur during Good Omens 2. The evidence is very compelling.

I'm not here to point all that out because I don't have the strength of some of the meta writers in this fandom, and they're already on top of it, but if we look to Staged as an example, what is the plotline that Good Omens 2 is following?

Good Omens 2 is a modern version of.... Ep 1. The Arrival Ep 2. The Clue (A Companion to Owls) Ep 3. I Know Where I'm Going (The Resurrectionists) Ep 4. The Hitchhiker (Nazi Zombie Flesheaters) Ep 5. The Ball Ep 6. Every Day

What are the stories happening around Aziraphale and Crowley? They're the focal point of season two, but what else is happening?

Neil Gaiman has said that everything means something. They aren't just showing us these things by accident. There is a story happening outside of Crowley and Aziraphale's relationship. And we are all looking closely for that person doing a very odd thing just out of sight or objects being moved around without knowing how they got there in the first place.

There was literally an entire scene in Staged where they are trying to figure out who is playing Scrooge and Simon is so anxious that he keeps moving his plant between two different spots in the room. It also ends up with Georgia accidentally planning her own birthday party because David is in Tokyo. But then they cut at one point and you learn David was actually in his bedroom and not a hotel room in Japan and Georgia didn't really just plan her own birthday party. That chaos was scripted. David has to change clothes, they have to go several minutes back in the scene they just did, but as Anna points out, the sun is not in the same place it was when they started the scene. And then Michael loses his shit at Simon and storms off.

You think that's the reason Simon left, but then we get the episode where Georgia tells David Michael wants to write the script and then tells Michael that David wants to write the script. She does it so she can get them alone in a room together because people love watching them argue. They find out she set them up about six hours later. They are hungry and hot and annoyed and mad at her so she gets Simon to come back to work with David and Michael. Simon comes back from cosplaying as a dentist, brings the food Michael ordered hours ago, and sits down to write. Michael gets pissed off at Simon again because Simon forgot the prawn crackers, so he throws his food at Simon.

Some of these are of the past. Some are of the present. They were all filmed at the same time though so you don't know what happened when or why.

These scenes are all cobbled together. They tell a complete story though. The order just isn't exact.

The story we are seeing in season 2 isn't the real story. It was happening around Aziraphale and Crowley, but with them at the focal point, you get a romantic comedy and it distracts you from what's going on in the background.

There is more than one story in season 2. It's basically a jigsaw puzzle that we can try to piece together, but we won't know what's actually happening until we get the much needed context of season 3.

There are clues all over the place in Good Omens 2. The story is being told through so many other methods except for the one that makes the most sense to us because someone doesn't want us to see what's coming, so we get distracted by Nina and Maggie, Jim, Aziraphale and Crowley.

We know Muriel and Saraqael are up to something. We know Shax and Furfur are up to something. We know the Metatron is up to something. What we don't know is where God went. We hear God's voice in Companion to Owls and we hear God's voice speaking through and with Jim when Crowley orders him to tell them what is going on. It ties directly to the first time Crowley and Aziraphale ever worked together.

We know that Aziraphale is going to Edinburgh and he knows exactly where he's going because he and Crowley have been there before. It challenges the concept of good and evil because Crowley does the good thing and gets sucked into Hell. Right next to Gabriel's statue.

We know that Aziraphale picks up a hitchhiker even though he doesn't want to, and it turns out to be Shax. She reminds Aziraphale of the time that Furfur caught them working together. There were zombies and human magic tricks and Aziraphale uses sleight of hand to save Crowley from being dragged back down into Hell again.

The episode titles of Staged 3 all represent different chapters of A Christmas Carol. But it was more than that because Michael is upset with David for doing adverts without him after they were both asked to work together at first. They love each other and they love working together, but it's preventing them from doing other things they want to do. Hence the break from working together.

It's a story within another story within another story.

And I think that's what we are witnessing in Good Omens. Things aren't happening in the right order. Beyond the sadness of Aziraphale and Crowley splitting up, there is still the next apocalypse to deal with. The story we are getting in season two isn't happening sequentially. It's being manipulated to hide the signs that things are already underway by giving us a love story as a distraction.

And it works very damn well. Because the love story was beautiful.

Staged 3 ending

Good Omens 2 ending

[wildglitch]

What if Zombies!Spidey x DCU LETS GOOOOOOOOO-

O K-

So, This is the (Probably not the last, don't worry) post with ideas for my What If Zombies!Peter In the DCU AU. This is the post that (Finally) Focuses on the DC side of things. This post Is also going to be mainly focused on Peter and what he's up to cause he's the focus of this AU, but I’m probably gonna make another post with info on the other heroes, so If your interested in that, don't worry cause I am thinking about them (Bucky & Loki = Brainwashed bros)

Its also part 1 of Idk since this post kinda got away from me with its length (oops)

Anyways, without further adieu, let's start :D 

-So! starting this off with something fun and not that serious that I just found out. this should have probably gone in the first post but I didn't know this until now so here, a +1 info on “facts about the zombie apocalypse” tm. 

Ok, so at this point you know I like to play around with the timeline right? Ok so, I’m researching the dates and events things take place in right? Turns out, the snap happened in either May or June, and one source even said that it happened on May 31. Now, with this in mind and the fact that I said the apocalypse lasted between 7-8 months, what happens if you subtract 8 months from May? You get October. And if you add the date to it? Guys…I accidentally made it that the zombie apocalypse starts on Halloween! That's just insane!

The official timeline now is 7 months of the zombie apocalypse, no more no less, sorry, I don't make the rules :^ (omg I made Antman & the Wasp a halloween movie lmao. It fits)

-Alright so, Peter, Head Scott/w the cloke and T’challa are on a plane on their way to Wakanda when all of a sudden, well, how many of you seen the Young Justice Episode s1e19 Misplaced? (Btw have I talked about how much I love Billy batson? I will one of these days ok, and that's a threat) well anyways

Airplane squad: *”peacefully” traumatized on a plane to Wakanda

Airplane squad: *the people on the plane fucking fazes out of reality leaving him alone to fly the plane*

Peter: *Panik*

Peter: *feels a pull wanting to take him but fighting it off as he tries to fly a fucking plane*

Peter: *also fades out of reality but much later the other and is now falling to certain doom in the middle of the ocean*

Peter: “Oh What the F-”

Ya that-

I mixed aspects of the snap and scene from misplaced as their way of splitting up. And, they did split up. A high speed plane plus the time it took them to disappear firmly separates Peter from the rest of the heros. And thus the adventure commences

-unlike Billy who can fly, Peter falls head first at top speeds and a thousand meters high into the ocean.  This can happen a few different ways

1) Peter is stranded, and is found by Young Justice or any superhero team that was passing through the ocean and thinks “Oh shoot, that's a child”. And this is how he ends up with the league. This one is kinda fast and there wouldn't be any identity reveal since at this point this Peter has no concept of such a thing. But a good way to work around this is memory loss. Not really my cup of tea but I can very much see this happening considering how hard he hit his head

2) …So Peter fucking dies-

Listen! I somehow started off with my 2 most opposite extremes of ideas, but hear me out. The fall? It kills him. But lets say that some cult or the league of assassins or some shit find his body, realize he’s a “meta” and decide “Yeah, this is a good revival candidate” And they revive the poor sucker. He is held captive HYDRA style and they try to turn him into a weapon. Obviously, he escapes, set free onto the world with a few months of trauma and a stolen one way ticket anywhere. And that anywhere just so happens to be Gotham. I’ll let your mind take it from there

3) This is the last version of events I’m gonna mention and I think this one is the one I'm sticking with, purely for the comedic potential I can see coming out of this. So Peter fought back the spell right? Well unlike the snap where he was fighting a force of nature were he would not have won, Peter was fighting Loki off, which,

Peter: Fighting off that staticy feeling that's trying to take him

Loki: *Genuinely struggling to get this non magic kid to corporate with him*

Loki: Damnit CHILD! I'm trying to save your worthless life!

Peter: *Legit almost wins and gets left by himself in the zombieland* 

Loki: …What did they feed you?

Yeah, so since Loki had to focus on getting that idiot spider child to cooperate, he loses track of everyone else, and all of a sudden, the fuzzy mental image he had of everyone dissipates, and Peters becomes the full focus. This lets him save the kid from the crash, but he now doesn't know where all of the others are, including his brother, and now he can't really get to any of them.

-Peter is saved with a spell that's basically the bubble from steven universe but Loki style. He can breathe just fine, but he can't get out or call for hell. He spends many Hours like this.

-Ok so, Loki is a god. We have established this, I keep mentioning it (sorry) he himself brings this up multiple times. What is something gods tend to have sometimes? Avatars, people who act out their will on Earth. You see where I'm going with this? Since Peter is the only mortal from his world he has access to, and because he is stuck on the watchtower, he decides to make a deal with Peter to make him his Avatar and have him look for the others (Thor). Peter, after having most of the situation explained to him, accepts his offer, with a few conditions here and there that prevent Loki from taking full advantage of him. But at the end of the day, they are both desperate and accept the others' offers and conditions with little fuss.

-Deals and conditions for the avatar contract between Peter and Loki

Loki’s Mission: Find the other mortals and spread chaos as his agent Loki’s Offer: Slight magical aid, “ability boost”, Protection from other magical entities, Godly guide and knowledge and Loki wont force Peter into doing anything too grotesque Loki’s conditions for Peter: He will be able to access anything Peter is seeing and be able to take control of any situation if he sees it fit, he must go on the missions he sends him on, And if the situation ever truly demands it, he will listen to everything Loki tells him to do Peter’s Mission: Finding his friends and finding a cure to his world in this new one as Loki’s Agent. He must also make good impressions on other Magical being in this world as to not shame the god he’s representing Peter Offer: His loyalty and tentative trust, he won't argue too much and will do his absolut best to find Thor. he will Listen to Loki and do what he says Peter’s Conditions for Loki: Will become his Avatar as long as he gets to keep being a hero and doesn't have to hurt or kill people. He will only do a mission once a month, and he will not advertise the Avatar bit. Peter gets free will, He can refuse to do something as long as he isn't demanded of it.

With this, a hand shake, and some blood, The deal is made in the bubble in the middle of the ocean.

-Peter is now Loki’s Avatar, Moonknight style, Yay! They don't really like each other that much due to circumstance but it's fineeeeeee. I did this because 1) I thought of a scenario that didn't really make sense unless Peter was somehow talking to him 2) It’s a little nod to the fact most of the fics have the snapped souls with Peter on his adventure. I thought that this way he can still have his voice in his head , it's not that crowded because it's only one voice, and it's not that Intrusive because Loki isn't going to be with Peter 24/7 only when he needs him, he's using some of his powers, or when he can sense distress or danger coming from Peter- Other than that he's stuck at the watchtower trying to plan his next moves. And 3) Cause the thought came to me and i thought it was fucking Holirouse.

-With Some trickery, Peter sneaks onto a boat and spends his time hidden under the deck pretending and hides like a corner spider the whole trip

-Peter in his, Hasn't been around actual living breathing humans for such a long time, self, breaks down and cries at the docks. Coincidentally, The bats are doing a drug bust there and a wearhouse not 10 feet away from him blows up. 

-Peter in his typical fashion, Puts on his mask and runs into the building looking for survivors.

-The bats, not knowing what happened, see’s this costume stranger helping the thugs get away and immediately clocks him as a villain. Opps

-They fight, misunderstandings happen and now, The friendly neighborhood Spider-Man Is on the front page as gothams hottest new Rogue. Well shit

-Peter being the smart guy he is, squats at an unoccupied apartment and claims it as his. Then Loki shows up after weeks of radio silence, takes one look at the place and says, hell nah, and fixes the place up with magic making the place more than livable. With some (probably magical) persuasion, the guy renting out the place actually puts him on the lease with 50 bucks of monthly rent. Does Peter feel guilty…well? Gotta roll with the punches man. Plus, this place looks nice, ignoring his 20 something neighbor that has enough blood on him to turn his white hair dye red that had sent his spider sense. This is fine.

-With some help from the voice in his head and walking through dark alleys at night, he finds a guy that works for immigration and was selling sketchy (But legit) identities. Not really trusting the guy but in desperate need and ID for the lease he was about to sign, He coughs up all the savings he had, took a Photo, and Ben P. Riley was born. He said he didn't trust the guy.

-Peter has decided to go by an alias for a few reasons, like not knowing if there was already another Peter Parker in this reality and not really wanting to risk it or the plain fact that he didn't really trust anyone in this new reality with it  (Loki and his magical guidance, he has firmly decided to never give out his name so freely ever again). His name is one of the last things from his past life that he can call his own, And if his “Villainous” identity was revealed as Peter Parker, he didn't know if he could handle it. The most simple reason was that he just missed his family and wanted something in this new life he was making for himself to remind himself of them. Ofcourse, he still added that P in there middle so as to not completely erase himself.

-Peter spends a full month just trying to get used to living in a society again, This causes some problems and misunderstandings.

-After many series of misunderstandings and mishaps, everyone thinking he's evil, Peter decides, YK what's, If I can't beat them, join them. Peter starts going out as the “Villain Spider-Man” doing sketchy shit (normal teenage shit) and causing a commotion in Gotham. Peter counts this as his act of mischief and Loki agrees when he sees the kid sell his own photos to the newspaper. Peter isn't actually doing anything evil, it's just his presence that brings fear. The fact that the bats have caught him breaking into multiple high security facilities doesn't really help his case

-Peter spends his months looking through files and files of info searching for the others, but has just about no luck on anything.

-Peter, forced by a mission, goes undercover in Gotham prep to follow one of Loki’s leads. He doesn't really know what he's doing here, but this Tim guy is pretty nice

-Cause of the amazing pictures he keeps selling to the paper, the company hires him full time as their photographer for special events and even lets him write a few articles when they see the notes he puts next to his pictures that provide contexts and stuff like that. This job opens Peter to search to a whole new horizon.

-With Peter's new job, hes sent to many different cities which introduces him to many different people

-He meets Jimmy Olson on a trip to Metropolis and hits it off pretty well with the older man. Jimmy introduces him to his friends and coworkers Lois and Clark, both of whom are just a delegate. Though that Clark guy as not stopped setting of his spider sense since he met him

-The next place he went to was a city called Fawcett, where he was sent to help with a story with one of the local reporters who was apparently his age.

Boss guy: Ben, meet Billy. You two will be working together on the report for this years summer festival

Peter: *Looks at Billy*

Billy: *Looks at ‘Ben’*

*Insert that one Spider-Man meme*

The two sniff each other out as godly “employees” and exchange numbers. And thus, a friendship was born as Billy decided to keep an eye out for any other reality travelers, and Peter is put as one of his emergency contacts to help him get out of shit since he was “technically 20 according to his ID”

-Peter is also sent to Gothams sister city Bludhaven. Peter,ends up meeting a weird police officer that keeps expecting him to take pictures of the guy. But he's nice enough and bought him a hotdog and a cinnamon roll(even though he now thinks he's allergic to them), so the weird outweighs the good.

-On his trip to Bludhaven, Peter decides to go out as spider-man. Not to cause trouble, but to go sightseeing and swinging without the interference of a bat. He ends up sitting upside down on an old building (like that one Atsv scene)  working on some leads he has when all of a sudden, Nightwing appeared right behind him dangling off the side of the building like a mad man giving him a heart attack. Nightwing is about to confront the spider after his sneak attack was caught, but before he does, Peter holds out the cinnamon roll towards the vigilante as a peace offering rushing out the words “Please don't hit me!” and Nightwing just stares. He stares long and hard looking between the treat and the Spider mask. Peter was about to run from them when Nightwing sort of just…sits. Or sits at the best of his abilities with no gravity defying powers. He actually does a pretty good job at it. Nightwing takes to offering with a nod and the 2 just sort of sit there in silence. It's awkward and weird, and quiet but for some reason he doesn't feel as uncomfortable as he thinks he should. Even less when he feels the ringing of his spider senses slowly die down as the minutes pass until it's just a constant hum at the back of his head

-They don't talk after that but from here is a turning point as to how the Bat clan view the spider.

More? Nay I say! (There will be a part 2 to this specific post, but it has gotten too long and I need to go to bed. So hopefully this will do for now :^) Plus this feels like agood stoping point since I feel like that ending would mark the ending to an arc

Please let me know what you think of this AU. I love seeing other people's ideas and thoughts. It fuels me lo

And make sure to keep an eye out for Part 2 of this post.

Later

[ask-returntale]

INTRODUCTORY POST

Welcome to @ask-returntale! This blog is run by @wiltedsystem, though my UT/DR blog is @stained-glass-spirit.

You can begin the story HERE. It will be told in a partially interactive format, with asks serving as filler entertainment in the downtime as well as other driving forces of the story.

You can view the soundtrack HERE.

Please read the Q&A under the cut for more information about my UT/DR AU and what will be put on this blog.

"What is RETURNTALE?"

RETURNTALE is an AU focused on a particular timeline based on Undertale, post-True Pacifist, where Frisk 'saved' Flowey from being stuck in the Underground - though, unlike most other takes on this premise, nothing special happened until approximately ten years later.

It was an extraordinarily boring affair til then. Understandably, Flowey hadn't been happy about being trapped in a flowerpot for the last decade or so. Something had to change...

As for more details, well. Everything will be revealed in time. Many years of torment and suffering will be unfurled before you, layers peeled back until you reach the CORE of this world. I hope you're ready to join me on this journey.

"What characters are central to this AU?"

Flowey/Asriel, Frisk, and a new human named Ash will be the primary focus, with secondary focus given to the Dreemurr family as a whole. Additional lore and depth will be added and explored surrounding the baphii (boss monsters) as well.

In contrast, meta-narrative elements such as Gaster's presence will be considered, but mostly ignored in favor of some other things we have planned for you. Besides... for a story like this, a different puppetmaster is more appropriate, don't you think?

Fret not, your other favorites will probably RETURN in some capacity too - they just aren't the stars of the show, so you can't ask them questions. Only the main three can hear your inquiries.

"How should I refer to (Character)?"

Ash, bodily, uses any pronouns and is genderfluid, so that one is up to you and your preference. You may depict those stats on type or paper or whatever else as you please.

As Ash is a plural system, for individual alters, things may be more specific. This section is in hell so come back later when I've iced it.

As for the ones you Actually came here to see...

Not unlike canon, Frisk uses they/them and is otherwise unlabeled. This will not change.

Flowey uses exclusively it/its when I refer to them but doesn't actually give a shit, Asriel will respond to anything masculine or neutral, and...?

Oh, you'll have to wait for the rest of those names. I've come up with them, but I don't need you to know them quite yet.

Check back here later.

"Why does AshSys look like a chibi version of you?"

It was made in my image. I don't think they're all very happy about it.

"What content warnings should I be aware of?"

I would consider this blog to be rated somewhere around late T or early M, probably. Consider it for older audiences but non explicit.

Most topics presented within Undertale - as well as many aspects pulled from Deltarune - will be touched upon, including the absolute eldritch mindfuck that comes from living in a video game world, or something adjacent to it anyway.

There also will be sexual topics and violence discussed or portrayed (gasp! the horror!) because it's been ten years and sometimes adults like sex and violence. Hopefully not in the same breath without prior consent, though. This will include gore in the future, though again, not graphically so.

But yes, generally assume this blog will end up sort of strange, at times upsetting, and relatively unhinged. I will try my best to make this story intriguing in tandem.

"Can I dub this / make fanart / etc?"

Yes, please just link to me either here or @wiltedsystem for credit if you use any of my assets or designs. If you post a video to YouTube, please tag @/WILTEDSYS (no slash).

[ennn]

How are you feeling about the aaa finale? idk I’m loving this show so much and I’m so afraid of being disappointed by the ending. I was still hoping for everyone to come back but now I’m accepting that they are gone, gone and the way it’s going Agatha’s coven will only be her and Billy and I like him but not nearly as much as I love everyone else

And then there is Rio, hopeful I’m just being too pessimistic but I fear the show will just end with her still being the antagonist, they will fight, there will be a truce and she won’t kill Agatha and Billy and they will part ways. The only way we will get that kiss is in the flashback which will be worth it but I still wanted more. idk the interviews usually makes me excited for what’s next but this time it made me conflicted

but Jac saying the show will be all about Agatha to the very end was nice to read. I can’t stand all this talk about where is wanda??? who knows but not in this show hopefully!!!

Hello Anon! Well, I would say my emotional state towards the finale has been about the same for the past few weeks, which is a mix of absolute excitement and nerves.

Probably not the best for my emotional and mental health so maybe I should be glad this is a limited series! My body certainly will be.

I was entertaining the thought of dead coven members possibly coming back but Lilia's death was so beautiful and her choice despite it being also her destiny, and her arc was about accepting the life she had and making the best of it and embracing her power.

As for Alice, it's possible she comes back, but it's also possible her character gets closure and moves on, given that we do know there's a scene with her post-death coming up. And Jac Schaeffer seems big on delivering emotional satisfaction at the end of her stories (not to say she's guaranteed to deliver, but it's her goal at least).

Putting the rest under a cut because omg this got long

I have some meta thoughts brewing about this episode's take on destiny and fate and time and death (alongside other death personifications in media) and as hinted at in the latest Schaeffer interviews, there's definitely stuff the show wants to say about it.

On another note, I've mostly processed my feelings about the tragedy of these two as star-crossed lovers in this post if you haven't read it it may help. For me it's still hard to get a read on Rio as they're building new lore with this version of Death. This is definitely not the same Lady Death from Marvel comics.

But I do think that it's actually a good thing that Agatha and Rio are getting into open conflict, the same way Agatha and Billy are having it out in the open, because the characters need to deal with their shit.

And I feel like... especially from the last episode, the show isn't setting up Death to be evil, or necessarily bad. Death is Agatha's antagonist because – as Schaeffer puts it – she refuses it, she refutes it. Lilia ran from her visions because she wanted to avoid seeing death but ultimately embraced it. Agatha's a rule-breaker, a trickster but witchcraft is inherently rooted in nature.

There isn't a simple or clear answer here on what's right or wrong, which is why I'm really interested to see how the finale unfolds. Schaeffer genuinely seems to love ambiguity and the discussions around her shows.

Like yes, Agatha and Rio are going to fight. That's not really new for them? Okay maybe the scale of this will be. But as we've seen with all these reveals, what really matters is how and why and all the details in its crafted execution.

And again, Schaeffer has said that she's aiming for an emotionally satisfying conclusion. Even if the stories for these characters continue beyond, this series is designed to stand on its own. And the Agatha-Rio relationship has been important to the show, from the very first episode.

I'll also be making a predictions post for the finale for funsies, if you want to see what my guesses and expectations are.

[cdroloisms]

also, (sorry to soapbox, i promise this will be the last of it), as an added note to the little conversation from yesterday about dreblr--i have to say that there's been ,,, uh, a slightly concerning amount of "us versus them" rhetoric especially about c!tommy apologists recently, as far as i've observed. and look, i get how the fandom's history plays into this, but dreblr isn't some separate special "better" version of the dsmp fandom. we're just dsmp fans who tend positive towards c!dream, which is a valid way of enjoying the story, but you know, so's hating c!dream's guts, lmao. people aren't unable to have valid opinions on the story or on c!dream just because they're negative about him and positive about c!tommy, which is like, literally just normal too, lmao, c!tommy is the generally good-aligned character we follow for most of the story and c!dream is the generally evil-aligned character that hurts him? being an analyst in dreblr doesn't automatically equal being "more correct" just because it's dreblr, and dismissing others' opinions just because they're a c!tommy apologist or whoever apologist isn't exactly a helpful way of approaching meta, either.

obviously no one is obligated to interact with anyone in this fandom that they don't want to interact with--we're here to have fun, it's not actually a professional field of analysis and debate. that being said, there is nothing about liking c!dream that is inherently superior to other dsmp fans. i know i've made a lot of general posts about dreblr versus "the greater fandom" which probably haven't helped with this feeling -- they're largely generalizations based on my experience in this fandom, and i don't want to come off as meaning that bad analysis is something that is Only found outside of dreblr (i've definitely been guilty of shit analysis more than a few times, lol) or that there's nothing that the rest of the fandom outside of c!dream apologist spaces has to offer. when it comes to individual enjoyment of the fandom and the characters, the point im making isn't that everyone has to do outreach to communicate with a c!tommy apologist or anything, lmao -- just that, you know, the general shady comments about how much better we are at analysis than those darn c!tommy apologists when they're not really relevant don't reeeeeally have to be as common as they are.

[x-for-a-y]

re: my last post (again) here are my thoughts on what kind of reasonable lasting or short-term effects being goners would have on the doatk cast in a post-canon revival setting:

jake: i already headcanon him as being disabled, something akin to chronic fatigue or insomnia or POTS. so getting all the wires out... either his preexisting conditions make recovery harder or the lasting effects themselves are mainly just exacerbating his old issues. but regardless. rollator jake real guptill: the main thing he'd have to deal with is just being fucking Out Of It. getting used to having direct, normal control over his body again. like in the long-term he'll be alright it's just going to be a rough first few days being back in his body edmund: this would be easier to determine if he were less ambiguously human from the get-go so. fuck it. heightened allergen sensitivity acquired star warriors: kirby bounces back fine, he just needs a few days to relax some, and his friends like bandana dee notice he's more tired & give him some help & kindness. meta knight also probably could use some time off but he's not going to give himself any, & his crew certainly can't get him to, so eventually dedede's the one who buckles down and makes sure all his buddies are feeling well again demo: she's fine. i don't have anything else to say hamood: now on one hand that's a fucked up transformation. on the other hand that's a lot more to clearly get reset back to normal. & on the other hand he's, what, 5? i think he does end up with slightly out-of-whack proportions from all this- his wings in particular turn out on the side of too large -but it'd probably take another 8 years for stuff like corrective surgery or just physical therapy & shit to be considered at: unfortunately i never watched this show so while the long-term effects are pretty up in the air i don't think the short-term effects are any worse than what can be covered in, like, a couple episode's time. like maybe jake needs a good pep talk or two from people to feel comfortable in his body again & finn has to learn to not run away from his issues. something like that kebian + will: will goes home and vents a little about the experience to his partner(s? i don't watch all his stuff). kebin, meanwhile, only turns to a bit of introspection out of competitiveness for what ian does, and thinks to himself that maybe the wall is a little fucked up then goes no further; ian takes up yoga/other mindfulness-focused athletics in order to feel more at home in his body. korone: probably spends the first few days aching like a motherfucker, the sort of full-body soreness you only get from like climbing a mountain or a way-too-intense workout. once it stops hurting to breathe she probably goes back to gaming just to keep her mind off stuff & maybe picks up streaming again not long after but it's at least a couple weeks before she's at base physical performance again. morty: dude i don't know. i think it makes the most sense for him to fuck off & resume a lifestyle of peaceful hedonism & self-care. no way he's going to start being introspective about stuff until he's like. 40. i don't watch the show dreem himself i have nothing to say about but, going with the assumption that the puppet, me, & you are all versions of the same person: physically i can just say they deal with generally reduced stamina, mentally meanwhile. for their own health & safety they log the fuck off most places and try to enjoy the music they like without getting bogged down in the awkwardly online social kinds of things and then. i don't know, some kingdom hearts shit happens to it- it spends time offline & otherwise with friends trying to figure out its own emotions -and it regrows a heart/soul. mozart: he got hit with the hypermobility beam! oh shit! knee braces wrist braces a brace for the spine, you name it he uses it. bonus roommate: two dimensional in the adam ruins everything animated insert way. yeah it's fucked up. yeah he'll never fully be, like, a regular human.

[jade-of-mourning]

sooooo I’ve recently stopped being dead to the world

I had to backtrack and reread down to your answer to my last ask (which,,, thoughts,, when you manage to beat them into submission pls pls pls pls share everything) because I haven’t touched tumblr in a hot second but then I saw your post about lok s1 (and specifically s1 korra) and,,,

okay so this is me and my dumb hyperfixation talking but how do you think the rest of tlok would’ve gone if makorra wasn’t ruined. like just in general, what do you think would’ve changed?? if anything??

keeping this short but like. brain worms are munching. cuz the way their characters developed and how they each influenced each other. how would that have ended like. romantically. like what if korra burned bright and bright and bright and offered her soul and her strength and every one of her fingernails in love and mako bit his lip hard enough to offer blood in a kiss. what if they were a little bit insane by the end of everything.

sorry that doesn’t make any sense!

love

🐌

hey snailon!!! i've missed you <3 i've been hella busy myself (cough i have four ap tests in a row next week) but it's always lovely to see you around haha

hmm there are definitely a fair share of really well written meta regarding a not-slanderized makorra, but i don't really have any specific links on me rn. i'll just give you my sparknotes version of what i'd imagine, which might end up combined with stuff i've read from other people that i don't remember reading

i'd probably postpone them more than the series did — which, granted, they did write it with one season in mind, so i'll give them that. (i would argue that it's still a valid explanation for certain writing choices, because even though the books were commissioned before the release of their predecessors, it's not like the writers get to just rewrite the ending spontaneously bc episodes aren't constructed chronologically lol) okay ignoring that tangent

i'm okay with the love triangle in season 1 as it is because even though it's insane, it also checks out on all parts for korra, asami, and mako in terms of backstory and personality at this point in the story. korra is socially unaware because she never interacted with people her age or really Society, asami is desperately lonely and values good intent above all else, and mako is also impressively socially stunted and has the pressure of financial concerns as well. (if it were up to me, i would either just commit to korrasami or makorra from the start and add in the third if going in the throuple direction. i'm going off on a tangent again)

i have conflicting feelings about endgame. on one hand, makorra is so full circle by concluding the way they do here — mako's first encounter with korra he treats her like he doesn't give a shit that she's the avatar, the first person to ever do so; yet, by the end when korra's absolutely devastated and believes her only value was as the avatar, mako tells her straight up that he doesn't care if she's the avatar or not, as he has all along. it's genuinely so cute and i could honestly write so many more words about it than i did. but at the same time, i just would like to think that after the shitshow love triangle, they would put off getting together, perhaps as an overcompensation upon recognizing how they hurt asami.

since the latter route is the au i've decided to follow, so be it. in endgame, korra and mako still have their full circle moment and spinny-hug, but instead of kissing in front of naga they just longingly pine into one another's eyes. excessively so the viewers know. okay cut

season 2 they are rekindling their friendships with asami and asami is tired of watching them dance around their feelings for one another and also maybe pining just a little bit for korra but huh what. i would actually have to rewrite the entirety of lok to shift s2 into a readable mess. korra is still amazing as always and saves the world as always. oh also throw in some korrasami with the family betrayal theme. yeah i don't want to think too hard about this

see the struggle is that i love krew!friendship in season 3 so much but at the same time i feel like end of season 2 is the perfect time for a makorra get-together instead of a makorra breakup, seeing that korra has literally changed the entire world all by herself because she is so amazing. so alas, we'll go with end of season 2. mako no longer lives under his desk to hide from korrasami and in the two weeks between s2 and s3 they are done with their honeymoon phase so they'll just be as they are through s3 tbh. honestly there was so much makorra shipteasing throughout canon s3 that i don't really think there'd need to be too much rewriting. they're still the level-head/kick-the-door-down-subtlety duo within the krew dynamics and they're still clearly very important to each other specifically. the makorra hug before korra goes up to face zaheer might be drawn out even more and maybe something sweet couples say idk. (i have so much rizz i know wht i'm saying)

korra gets even more trauma for a lifetime (again), and three years pass. korra writes to asami once as in canon because by the time she feels human enough to pick up a pen, she doesn't even know how to talk to mako, let alone try to address the guilt of ignoring the guy who devoted himself to her so thoroughly. asami understands what it is to lose. mako (& bolin) has lost more than anyone else once perhaps but i think that the trauma repression means that that was never processed and he would be terrible to talk to about any of this. he's been there, but he doesn't understand it, if that makes sense.

okay so korra comes back, makorrasami dinner (ig the shitling that canon wu is is there also), makorrasami train fight, then we have remembrances and beyond the wilds — y'know, the korrasami/makorra episodes respectively. korra is now experiencing feelings for both of them Oh Fuck. by default i would say that masami has been hooking up through these three years but since makorra was a thing through s3 then i retract that; however, their friendship has rekindled very deeply as the only two members of the krew left in the city. and mako & korra have not discussed what they were or what they want to be at all, just been adamantly dancing around the subject.

blah blah kuvira blah blah city blows up then the wedding then bam!!!! mako's love confession to korra is actually a love confession to korra (wdym "i'll follow you into battle no matter how crazy things get; i've got your back and i always will" ISN'T a confession of love). korra is joined by both mako and asami after tenzin leaves, asami grieves, and the three of them have a moment together that has very heavy implications for throuple-ism. then bolin pulls up very devastated that he has missed the final krew party. cue the laughter, cue korra's final delivery of "i'll always try to restore balance" bc it should've been here instead as the three of them stare at the changed city before them, and cut.

(yes krew should've had the final scene together. i've said it before that i don't think korrasami was particularly well written, but i still like them and the ending is still very sweet. however, i hate that they completely disregarded the rest of the cast for the final episode instead of giving them a scene together, even if not the very last one, bc of how that translated over into the entire fandom… i mean what. and the spirit world vacation is a sweet sentiment but also i feel that korra would never immediately go leave on a vacation immediately after everything that just happened and her declarations of duty. i don't think i articulated that very well. but yes.)

[thewebcomicsreview]

Oh hey, Homestuck 2 updated! I was expecting this to be an 11/11 update since that's a Homestuck arc number, but it's the least important of those by far.

Egads! What a despicable plan, devised by a devilish dame with a dastardly disposition. The wretched wiles of a wayward woman with a penchant for the wicked. A hullabaloo most hideous and heinous, hammered out by-

One of the biggest mysteries of Homestuck 2 is who's narrating Candyland with Calliope gone, and the more narration-heavy style of the new team is really calling attention to that. This is very flanderized Jake English dialogue. Also a dramatically more active Jake English than we've seen all...ever?

Under no circumstances can you allow her to get to The Point.

Gonna have fun with that MacGuffin name, huh, writers? It occurs to me that Jake was supposedly a spy the whole time but this is the first indication that he's actually been telling the resistance anything instead of just calling himself a spy as a cope.

I like this art a lot. But also what the hell is Meenah doing here? Last time we saw her, in the epilogues, she was out in space and stole the Ring of Life from John before escaping into a server beacon. Did it lead her into the black hole (lmao get owned), or is this an alternate timeline ghosts? Are her eyes closed in order to drag out that reveal?

JAKE: Shit, sergeant! Cant you add her to the groupcrab? MEENAH: groupcrab MEENAH: cod damn thats good MEENAH: i just been callin em prawnference calls

As fish puns go, "Prawnference calls" is excellent.

MEENAH: idk but hypothetically speaking if i was posted up in my big mean bitch pants just gettin my empress on and you told me insturgeonts were tryin to shore up on some kinda mythic skaian artifact

So, Meenah has her eyes closed to prevent me from knowing if this is the alpha version or a doomed ghost, and now she's dropping very vague hints about what the plot point is. This does feel very homestuck, in that it's teasing out the reveals to maximize speculation. Skaia is, of course, related to SBURB, and thus this is confirmation of the fandom assumption that they're going to start a new game, without actually saying much else.

I have no idea why this air vent is Sweet Bro and Hella Jeff style, but Vriska kicking the sound affect is still funny.

The comedy quotient has increased notably under the new team.

VRISKA: John, she's a Vriska. She can handle herself! I'm sure she can take anything this fake-ass timeline can throw at her! JOHN: what?

Wait, John doesn't know? I thought "Everyone 'knows' candyland is fake and that why they're acting so weird they're just LARPing" was kind of my headcanon for a lot of the weirder candy stuff.

VRISKA: This whole universe is like someone's shitty RP, and everyone's out of character! None of this reads! VRISKA: Like, who the FUCK is Yiffy!!!!!!!! Why should I or anyone CARE????????

I'm so meta even this acronym

JOHN: a long time ago i was supposed to go back and defea- VRISKA: SNOOOOOOOORE! VRISKA: Your ecto-human-guardian-si8ling or whatever is pro8a8ly sending a squad of 8ozos to apprehend your ex as we speak. So I say the less we talk and the sooner we 8low this gru8sickle stand, the sooner we can get there 8efore we lose access to our shortcut. JOHN: yeah when you spell it all out like that i can see what y- JOHN: wait, WHAT!!! JOHN: why didn't you just say that earlier?! VRISKA: John. That's what I've 8een doing this whole time! VRISKA: Now, c'mon! Race you there!!!!!!!!

I don't ship them or anything, but this John/Vriska dynamic where John is kind of the oblivious straight man to all this wacky nonsense is one that Homestuck has been very light on since Act 6.

That was a good update. It was funny, it moved the plot along, and it gave us stuff to speculate about! And the art was really good!

[bandedbulbussnarfblat]

Alright, here are some screenshots from the new iwtv s2 trailer and me theorizing over them like a rabid fangirl. Hafl meta, half madness.

ok, so this bit of dialogue here where they are talking about Daniel and the interview

Armand: He wants you in pieces for the privilege of putting them back together as he sees fit. Louis: It's his job. Armand: It's his drug. He's reveling in it. You should end it.

Is Armand bitter? Is this how he saw his and Daniel's relationship? If so he is big mad. Like, this man has had decades to stew in that post-breakup anger. Memory is a monster and all that. So he's had plenty of time to do that thing where people breakup, get pissed off, and only remember the bad times. We twist our own memory all the time, that's one of the ways people get past shit. So Armand has probably twisted what he and Daniel has. Because my boy does not handle rejection well.

Or maybe he is projecting? Messing with Louis' memories (which it seems like he did. though i do believe he thought he was helping Louis at the time. a monster in love is still a monster) could very well be putting him back as Armand sees fit. That's what he may believe he did to Louis. Though the definition of 'as he sees fit' could have multiple meanings. I think personally that Armand sees (or at least justifies) messing with Louis memories as for Louis own good.

Either way, he does not want Daniel poking into Louis' head.

this is just some loumand cuteness. look, Armand kisses Louis on the cheek. i think Armand is or was probably pretty affectionate when him and Louis were alone together. I remember that interview with Assad saying there was a tenderness to Louis and Armand's relationship. there's a whole bunch of cute little shots of them together. but they are hard to get a cleat shot of because they sort of fade into each other in the video.

like, i know in my heart the loumand breakup is coming this season. but i'm going to enjoy it while it lasts. bc this version of loumand has got me hooked. i have to confess, i was never really a big fan of loumand in the iwtv book. the whole claudia of it all ruined it for me. but i am so fascinated to see how these two made it work for 77 years.

and this. the way Claudia and Armand look at each other when they first spot each other. that quick second before the mask can slip into place. they do not like each other. they are enduring for Louis' sake. at least until he picks one of them.

then like a split second later, she has this tight smile on her face. my baby girl is not happy

look at their faces y'all. this is during Louis' 'life is shit' bit of dialogue. where he tells Claudia to stop feeling sorry for herself. he also says they 'can't be running away again' do they find other vampires before Paris? According to her diaries, they were in Romania in 1941. And Louis says something about they can't be the only 'good ones'

We also know they were in Paris, Nov 14 from Claudia's diaries. The interview is set in 2022. Louis mentions earlier in the clip him and Armand have been together 77 years. So they'd have to have gotten together in 1945. Given how quickly things happened in the book, I'd say they were probably only there a few months.

this has to be Allesandra. it has to be. I can't wait for this Armand backstory stuff.

y'all look at this fuckery. Santiago is kissing some woman while riding a motorcycle. idk if she is a victim or another vampire. and i think possibly the bike might be flying? I can't tell. It looks pretty cool though.

oh look, a scythe. i wonder what that could possibly be foreshadowing. they have to have the scene, the way they've shown a scythe in a few different teasers/trailers now.

this might be Madeliene, but I don't know. The hair doesn't fit what we've seen so far. my theory is that this is Madeleine's sister who dies via vampires. in the books she lost a daughter, and it was why she was so eager to play mother to Claudia. Having a child that could almost literally never die would have had to seem like, the greatest thing ever. switching it to a sister would be fitting, seeing as Claudia is playing the role of sister to Louis

So my thought here, (and I know I am theorizing based on nothing but vibes) is that Madeleine is looking into the vampires bc her sister went missing after going to a show at the Theatre des Vampires. And at some point, Claudia will reveal what they are to her.

That may be why she looked so scared in that other teaser we had. These pics are from it and they are blurry af, so sorry bout that

This could be the vampires warning her to mind her business. Why not kill her outright? Bc they like to play with their food. Or bc Claudia wants to keep her, and Armand knows he has to get Claudia out of the way to be with Louis. So he could just like, order the coven to not kill this one human. And then later 'convinces' Louis to turn her into a vampire, so Claudia will have her own companion and gtfo

like, i know it's hard to tell from this one shot, but Armand seems to be on the verge of having a full on tantrum. while saying Lestat's name over and over. Probably bc he heard how much Louis was talking about Lestat to Daniel. he's probably mad jelly, but like, in both directions.

look at this shit. Armand straight up hisses and pushes Lestat away with his vampire powers. (this I think is may not 1945 Paris, but around when they first meet. idk though)

this is how Lestat seemed to be dressed in the image above. and given the whole look of him (you know, in full health) i think this is around the time Lestat meets the Children of Satan

y'all I am screaming. this is Lestat drinking Armand's blood. did they fuck? did Lestat hit it and quit it?

At least Claudia gets to tell Louis off for picking Armand over her. But she definitely was not loving Paris.

as witnessed here, by Daniel reading from her journal "fuck these vampires"

so here we have Daniel saying he wants to get out alive (then we have him making this strange face where it looks like he wants to cry, another shot of Armand) while this other dude says that Daniel fears Armand and that he should fear the other one. Who tf is this guy? Are they still in the penthouse? Did Daniel leave and go out somewhere to meet this guy? Who is this man? Maybe another vampire that paid a visit? Is he this Leonard guy we've heard about? bc that does not look like David Costabile, but tv hair and makeup can perform magic, so maybe it is?

here we have Louis throwing his cup of blood at a painting. it's ok baby boy, you are entitled to a hissy fit every now and again

Here we have Louis hallucinating Lestat, so that's fun.

And now bitch ass tumblr says I can't post anymore images, but i am only halfway through the trailer. so I guess i will post and reblog

[thegeminisage]

as someone who wasn't around in 2014....can you tell me what it was like? (stucky) can you give me a taste of the gardens of babylon etc

what was it like...this is such a fun question i want you to know i gave serious thought to my answer and also discussed it at length with my 2014 friend last night and i know already it's gonna be so long. sorry that i answered your ask at fuck o clock in the morning i am scheduling it to go up later and also at the time you sent the ask in to make sure you see it

ok so like. i mean, you're on the fandom website, right, so i assume youve been in fandoms. idk if youve ever been in a really, REALLY big fandom, at the same time that said fandom was also producing content (even if the source material was not). think d*stiel post nov 5, or undert*le circa late 2015/early 2016, or z*lda after totk came out, or h*rry p*tter as the seventh book was being released. (i'm censoring to avoid a false positive of anybody's blacklist except in the case of the last one, which i am censoring out of <3 disrespect.) like there's something REALLY luxurious about being in ANY large and active fandom and it's mostly the power of crowdsourcing. st*r tr*k 2009's tarsus iv headcanons. the storm trooper lore re: the f*rce awakens before the second two movies came out. everyone just kind of agreeing that dean w*nchester was a teenage hooker. you know?

like, that's "just fanon," sure, but part of the beauty of it is that no one person makes up fanon, we all gather in the biggest writing group in the world and collectively go insane and bat ideas back and forth. there are a hundred THOUSAND fics about bucky barnes on ao3 and that's just the people who were writing, not even counting artists and gifmakers and meta-writers and people who just reblog stuff. i can't possibly begin to put an accurate number to how many people are in any given fandom at any given time, but imagine (on the low end, i'm sure) there are THOUSANDS, perhaps tens of thousands, of people going nuts about stevebucky at all times. tens of THOUSANDS people doing "yes and" with each other on the internet 24 hours a day seven days a week. it's just like being in any fandom, you log on to your dash and see what the mewchies posted while you were gone, but in a fandom so huge and so active you were getting bombarded with idea after idea after idea every single second, so if you don't like one you're spoiled for choice in what you engage with next. it didn't even matter that cap3 was two years away or that it sucked when it finally got here because we collectively wrote cap3 a million times over. like, genuinely, it was a mass creative exercise. it's the biggest writing group in the world. for better or worse, we were shaping our own version of that universe, without any input from or regard to the people who actually created the characters and movie, in a way that compelled most strongly to our own tastes and demographic.

what made this particular movie/fandom special though was a few things. firstly i still genuinely believe it was ahead of its time...marvel shit pre disney was allowed to be political in ways it is ABSOLUTELY not now. like, cap2 could say "the government is secretly full of nazis and they all need to burn" in 2014 two years before the 2016 election and 7 years before jan 6. like you just couldn't say that now. "war bad" is an oldie but goodie, but "our entire government is corrupt and needs to be torn into flaming pieces and cast into the potomac" is um. pretty radical. so is, by the way, "men as victims" and "men having emotions" etcetc. like, not in fandom, fandom all but invented that shit, but as far as dumb superhero movies go. i can't tell you the number of metas i read AND WROTE discussing steve rogers and masculinity and how all that was portrayed, intentionally or not, in that fucking film. i had entire separate universes built up in my head for steve who was born a cis girl and steve who decided later in life that "nonbinary" or "trans woman" was a better fit and then steve who was born as a cis boy and remained a man his whole life but felt weird and different ways about being queer which clashed with the weird and different ways BARNES felt about being queer. i'm not saying the film (or the fandom! good lord) was perfect, it was a product of its time, but it was also WAY ahead of its time too. it was weird to expect the next film to come out and actually, like, be good. it wasnt, but we fully believed it would be and that wasn't delusional behavior because the last one had been. i would never have that kind of faith in a marvel project now because they've been bought by disney.

oh yeah and that's the other thing too like. speaking of queer people. gay marriage wasn't legal in the US on a federal level until 2015, and you couldn't just flip on your TV and see them whenever you wanted. ten years doesn't seem like that long ago in the grand scheme of things but like, we lived on glee and cw/mtv queerbait (disclaimer that i personally only participated in cw queerbait) and that was it. we had crumbs. and like when people write gay characters theyre Just Gay, but if you decide to be crazy stupid in a slash fandom you can decide these layered characters are gay and that's even better rep than um whatever was going on in other pieces of media. these guys are both so lonely and out of step with time and lack other people with "shared life experiences" (girl what the hell was that) and their connection w each other keeps them afloat in a world that doesn't want them so like of COURSE it seems like it's supposed to be romantic. and like, i could and did make myself and my tumblr buds crrrazy (and got made crazy by them) thinking about:

how steve's size when small and again when big interacted w his gender identity and his sexuality and how that sexuality manifested. barnes's identity As A Man hinging on his ability to go to war for his country bc Thats What Men Did but now he's no longer fit because theres worms in his brain. loss of bodily autonomy which usually happens to women and natasha being later in that journey than steve and bucky are and so close to being at peace with it but not there yet. stigmatization of seeking treatment for mental health issues lessened by the presence of sam who could have been a Macho Tough Guy but actually gives off strong Talk About Our Feelings And Be Soft vibes. don't even get me started on the relationship (predatory) between steve and rumlow and how it parallels the one between barnes and pierce (and if any of you motherfuckers BREATHE a word of that h*dra tr*sh p*rty shit in my direction i will END you) and the stigma that comes from being preyed on when vulnerable As Men. steve's depression and ptsd and him getting triggered by, yes, the fucking ALS ice bucket challenge. the collective belief that he was conscious when he was frozen even though nobody said that so that he and barnes could have that in common too. the headcanon about barnes having roma heritage - shoutout to not easily conquered my beloved, and the 14k smut coda i wrote for it✌ speaking of smut, i would be remiss also not to mention there was a STRONG element of collective lust involved. i'm immune to 99% of it bc im ace but the winter soldier was uh. VERY graceful. you know? i didn't write 14k of porn because i was uncompelled. we were on one. we went fucking crazy. fandom in general but especially big fandoms have a kind of nonstop endless well of creative energy born from obsession that is the absolute envy of people like my mortal enemy grrm. we NEVER quit.

also, HISTORY (and other vaguely educational subjects). we were all so desperate to know how steve and bucky would have lived in the years we couldn't see them it sparked a sitewide interest in 1940s american history. there was a thing about bananas tasting different now because of a plague. m&ms being invented as wartime candy. stuff about how shoebox apartments looked and how rations worked. 1940s recipes and radio shows. the 1940s queer movement and how it interacted with ballroom dancing and private drag get-togethers. how amputations work and how prosthetic limbs work in real life so we could extrapolate it to fantasy. how to hand-draw that fucking arm in photoshop. why soldiers are trained to say their serial numbers when captured. what ww2 was like. what dog tags are for. what did they get in the ration packs. what brand of cigarettes did they smoke. what brand (and i am being so serious, i STILL own a tube) of LIPSTICK did peggy carter use. caloric intake of someone with a 4x speed metabolism and how much famine peanut butter he'd need to eat daily to keep from starving to death. oppression of irish immigrants and their children/grandchildren back in the 1940s. the difference between conservatives and fascists, back when there was a difference. what activities generally took place on these mysterious but ever-present new york city docks. just exactly HOW many terrible movies and tv shows has sebastian stan been in ranked by his resemblance to james buchanan barnes in each one. (i personally went through his entire imdb list at the time and then made a venn diagram.) electroswing! teachers and professors would have killed for their classes to have the kind of enthusiasm a bunch of mentally ill teenagers and 20-somethings on tunglr dot edu were showing about this one very specific set of subjects. this film also sparked my love of fight scenes. if you've read this fic or this fic and liked the Big Fight Scenes in them, you can thank cap2 for leading me down that path.

and then yes there was also discourse. my personal most hated thing was the above mentioned h*dra tr*sh p*rty (DO NOT GOOGLE THAT, i will just tell you it's nazi rape porn🤢 and i hope everyone involved is having a bad day today) and also the fact that SOME FUCKING PEOPLE can't understand "don't be shitheads about a fanfic where the author can see you doing it." but then ofc people were also sexist about nat and racist about sam and minimalizing those guys (and every other character besides tony really but sometimes him too) for the two white male leads was a whole thing. and on the funnier side of things you had (justifiably, i suppose) bitter st*ny fans who HATED what those two got in avengers and got real mad when stucky started outpacing them on ao3. and people complaining about the characters being too uwu soft. and then other people arguing whether or not barnes counted as disabled when he was missing a Whole arm. and THEN discourse about was it ethical to remove the arm and build him a new one ESPECIALLY without his consent (if people don't know they're being ableist in their fanfics hypothetically is it still ok to kill them with hammers?) and why was tony doing it if that guy killed his parents and is it ok that we keep making tony not that mad about his dead parents is it not enough that barnes stole his limelight as the guy who gets shipped with steve but what if all three of them fucked but can you really fuck the guy who offed your folks but ACTUALLY isn't it cringe to like tony anyway since RDJ and gwenyth paltrow are bad people and who says chris evans are sebastian stan are such good people etcetcetc. and let us not even get started on the plausibility of the avengers tower fanon after age of ultron came out and it turns out nobody became friends and they all still hated and mistrusted each other. and whether or not the avengers could be considered found family if the other characters were constantly getting shafted into being barnes's little support animals. and then ofc every once in awhile one of the actors of people involved creatively would say something ranging from mildly controversial to absolutely horrible on the internet and we'd all fight about THAT for awhile like a dog with a bone. i mean. typical infighting of any fandom tbh.

but i was very happy. it was all the most enormous thought experiment and creative endeavor (and semi-educational adventure??) that we all participated in daily for like two-ish years without stopping ever. i loved doing it. AND, when you click with a piece of media like that, you also click with other people who clicked with that same piece of media, so in addition to the sheer level of dopamine going into my brain at all times i also formed decade-long friendships that will certainly last the entirety of my lifetime, and when we're in our 90s in nursing homes i will be able to say, "we are friends because i wrote 14k of smut for your fanfic" or "we are friends because i couldn't get enough of your gifsets" or whatever because you know, we quite literally went to stucky together.

[officialgleamstar]

:3 Any class (and subclass) headcanons/ideas/theories for Lark? Vaguely related, I can't stop thinking about the fact the he just whistled up a fucking portal last episode?????

i have always assumed lark was a ranger, which is one reason why i was so flabbergasted by grant being the kiddads' ranger. i still think he should be a ranger, a horizon walker ranger specifically, even if it would be dumb and unbalanced for them to have two rangers. literally it makes the most sense. lark is the most ranger guy ever. however, i already made a full post about ranger subclasses for grant, including the reasoning for horizon walker that also applies to lark (namely what you said - WHISTLING TO SUMMON A PORTAL? HORIZON WALKER TYPE SHIT.) SO i will delve into some different ideas instead

if he's not a ranger, then i would guess that he is a fighter, battle master subclass, or a rogue, assassin subclass, with likelihood (in my opinion!) being in that order. thats the tldr. heres the long version LOL:

fighter - fighters are known for being able to wield a wide array of weapons, which makes sense for lark, since he is such a doomsday prepper. he would want to be able to use any weapon he got his hands on. also, indomitable fits lark really well in my opinion. if we wanna talk gear, i'd probably give him chainmail (flavored as bullet-proof vest), two martial weapons (two daggers), a light crossbow and 20 bolts (flavored as a pistol and ammo), and the pack i'm not sure on. i dont think im gonna do gear on every single class but its just part of being a fighter to me to consider that-- subclass wise, we have a few options, listed in order of most to least likely (subjective.)

battle master - the most likely one to me, though now that sparrow seems to be set up as more of the leader than lark, that might change (though i do think that maybe sparrow just takes the head in talking since he's more. uh. sociable than everyone else rn LOL). given how much enemies monologue in dndads, 'know your enemy' would be a super useful skill, and i think if he was spec'd out similar to gerard from neverafter (mostly in the ability to grant other players extra attacks), this would make a lot of sense for him.

champion - listing this because on a meta-level, its extremely easy to play, which makes it an easy pick for anthony. however, i dont think it fits him character-wise because lark would never heal himself LMAO though, to be fair, i dont think the kiddads will ever level up that high

arcane archer - not the best subclass, but very cool to me, and fitting for how all of the kiddads are gun-heavy. banishing arrow would be super useful and fit the general theme of planes and dimensions.

eldritch knight - not as likely, but i think it would be sooo so cool for lark, especially if the eldritch part came from his connection to the doodler. ohhh the drama of gaining power from the eldritch being you swore to eradicate… plus, we get LARK CASTING MAGIC, even if its not as powerful as anything his family can do! so cool!!! this subclass isnt as good for range, but i could see anthony allowing war magic to apply to ranged weapons rather than just blades for the cool factor.

samurai - in general, this subclass is not lark. however, i wanted to mention it because i think their 18th level ability 'strength before death' specifically is very lark. basically, if you get knocked down to zero HP, you can use a reaction to get an entire turn and then you go into death saves. theoretically, you could use this to heal, but its lark - he absolutely would use it to go down swinging.

rogue - other people have made this point for me, but rogues are good for guns if you flavor hand crossbows as such. i actually dont really like rogue for lark, but i dont have a reason why LOL it just doesnt really? do it for me. however, i agree that its likely to fit due to what we know about lark, so i will play my own personal devil's advocate here. i think it makes sense for lark to be the sneaky attacker while the others draw most of the attention, especially since it seems like there would be three magic users (terry jr, nicky, and sparrow) in the group. magic can be used sneakily, but im sure nicky and sparrow at least would lean towards showiness, lol. plus, i think it would be really interesting to flavor 'slippery mind' as like, lark growing a resistance to the doodler after so many years under its influence! once again, subclasses are listed most likely to least likely.

assassin - this works from both an in-character and a meta standpoint, and from what i've seen, this is what people mean when they say lark should be a rogue. its an easy subclass to play, so its good for an NPC. character-wise, with lark's extreme paranoia, it makes sense that lark would spend time studying how to most efficiently kill people. he doesn't want to risk anyone in a drawn-out fight, he's not grant. he just wants things dead as fast as possible.

scout - am i just saying this one is likely being its the ranger-flavored rogue subclass? maybe. but like liSTEN LARK SHOULD BE A RANGER HE IS LITERALLY A RANGER HE IS-

phantom - not very likely, but SEVERELY COOL from a character standpoint. walk with me here. phantom is a rogue subclass where you talk to the dead, but imagine that reflavored as lark being able to talk to like, eldritch beings, even beyond the doodler? or like, maybe the spirits of those killed and used by the doodler? holy SHIT!! it would be COOL.

unfortunately none of this has an explanation on lark whistling a portal Which Is Why He Is A Horiz- [shot] im guessing he has a magical item tho!!!