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firegirl888101 · 3 days ago

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Insatiable Madness (11)

|Sagau Yandere Fatui Harbingers x Reader|

Now is your time to survive. Will you swallow your words? Or spit them and face the consequences, both good and bad?

Reader is Gender Neutral!

"Alright... I can do this. This'll be a piece of cake." You paced yourself, walking around your room to clear your dooming thoughts.

"Nothing bad is going to happen; this isn't like back then. I'm in my room, where I can control what happens and when something happens. How much worse could my situation possibly get? The worst characters in the entire game are here, in my house already. It physically can't get any worse!"

"Shut up! You sound like a cult of fat Mitachurls dancing around a fire!" A Harbinger's voice shouted from downstairs, banging following their shouts.

"Break a hole in my ceiling and I swear to your archon I'll gouge out your eyes and bury them in my back garden!"

"Shuuuut up." The same voice shouted back quieter, going completely silent when another voice scolded them. You guessed it was a scolding, as their voice sounded authoritive despite being muffled. Pierro, perhaps.

This idea of yours better work. You're not fighting your past experiences for nothing! If these characters don't reply to you and make you sound (and look) like a dunce, you're done with the universe.

Speaking of being done with the universe, how on Earth did this even happen? It's not normal for fictional characters to know of the existence of people who created them. Are other games like this too? Or is Genshin Impact special in some way? And if it's just Genshin Impact, who's to say other Hoyoverse games don't have the same level of intelligence behind the characters?

It's a good thing you uninstalled Honkai Star Rail a month ago, who knows, it could have been the Stellaron Hunters in your house instead. Although... Arguably, you somehow think they'd be a lot better compared to the Harbingers.

Anyway, it's time to start your plan.

You booted up Genshin, eyeing the Celestia background hesitantly with shaking fingers, the sun in the background feeling more real considering your current circumstances.

Pushing your chair inwards in a hurry, you scrambled to get your notebook beside your PC to re-read the notes you wrote before. You didn't want to freeze up in the middle of your SOS speech, so you took it upon yourself to write key points of your argument and read them if you start feeling the anxiety creep in.

Ugh, thinking about how possibly the entirety of Teyvat was going to hear your voice scares you even more.

No, take deep breaths. The characters left aren't as evil as the Fatui, or have smart people such as Dottore or Sandrone. The only person you currently see as a threat is Albedo, but he shouldn't be a problem since his goal is to destroy Mondstadt.

You read your paper again:

Introduce yourself formally, keep it classy

Ask Aether what the FUCK the Harbingers think they're doing!!!

Beg Explain you could really use some help

Ask if there's any way someone on the other side, perhaps Albedo, could construct a portal to get these mangy, whining, murderous babies out of your house

Be polite, thank for listening, and wait for reply. Patience is key

If this little golden teenager with a ratty plait doesn't answer you, you're throwing your TV remote at your PC. ...Actually nevermind, it might come useful in the future.

Your screen suddenly loaded, the blinding white loading screen with each element fading to show the landscape. Your screen looked exactly how it did yesterday. With your Childe team, minus Childe obviously, in their idle animations outside of the Spiral Abyss portal in Mondstadt.

Okay, this is it. It's better to at least try rather than run away with cowardice. If you don't try, you'll never know whether it's actually possible to communicate with other characters. Also, in the small hope that the Harbingers leave your house, you can delete the game and start a new life. ...Hopefully.

You hesitantly went to the character selection screen and selected Aether, putting him in a team on his own with no other characters next to him. Noticeably, Arlecchino and surprisingly Wanderer aren't in the character menu either. Did the Harbinger's travel to Teyvat alter the course of history on their side? Interesting...

Now, where to communicate with him? Well, considering Signora is alive, the timeline must be just before or during Inazuma. Would staying in Mondstadt be a better place? Oh, who cares. You've got the guy in your party anyway. As long as he's there, it should be fine, right?

You selected the waypoint closest to Albedo's lab in Dragonspine, running to the camp and occasionally stopping to avoid freezing to death by using the orange seelies.

Then, you turn Aether's avatar to face you, his breath creating white vapour in the cold air of the mountain.

"So, uh, hello...!" You started, mumbling quietly as you scooch your chair back away from your desk.

No. Follow step one correctly, and be confident about it. You coughed before starting again, voice stronger but still quiet as to not alert the Harbingers.

"My name is Y/N, and I really need your help. I'm not sure what's happening on your side of things, and to be honest, I don't really care. If you haven't noticed on your journey by now, The 11 Fatui Harbingers have gone missing. Well, in your world anyway." You began.

"They somehow and miraculously ended up here, in my world. Specifically, my house. From what they've told me, they want to give me over to the Tsaritsa. I have no idea what that means, all I know is she'll probably kill me."

You waited for a response, any glitching similar to when Childe wasn't working in the abyss or visual cue to show someone (or something) was listening. You didn't see one, but continued anyway.

"I need your help to transport them back to Teyvat. I know what you're probably thinking, 'but the Fatui have been causing me problems on my journey to find my sister'. Unfortunately for you, they become important in developing your journey across each nation. I'm guessing you're currently in Inazuma or Liyue since Signora is still alive, even though I've brought you to Natlan? Ugh, this is so weird." You shook your head with a small grimace.

"Anyway, I'm really hoping you can hear me. If the Fatui of all possible people who could know of me are aware of my side and my existence, surely you and/or the Archons must know too? Maybe even the Abyss? After watching your journey in Natlan I can't stand them, but they did prove a long theory I had..."

You trailed off, hoping that maybe nobody replied to your speech because they were waiting for a moment you would stop so they could input. Alas, nothing changed. Aether was still as blank as ever, face unchanging to the world around him.

You tried everything to get a reaction. Kamera mode, Teapot mode, equipping different characters, changing locations, reloading the game... but nothing worked.

What were you doing wrong? If the Harbingers knew of your existence, surely that would have been because you used Childe a lot, right? There's nothing else you can think of that could be the cause. Unless, perhaps, the 'players' existence is a known fact throughout Teyvat? No, that couldn't be right. You've talked to NPC's and read hundreds of theories using lore found within the game. Not once did it ever mention a higher being above the Descenders, nor the Phane for that matter.

You hit the pause button in Genshin, huffing an angered sigh as you pushed your chair out aggressively. You'll have to try again later, that's the only thing you can do right now. Considering the Harbinger's have no idea what resources exist in this world, you're pretty sure it will take them awhile to figure out how to get back to Teyvat.

'Awhile' may sound like a long time, but you know Dottore will somehow cut that word by 3/4. Anyway, you'll have to save asking about a possible way to create a portal another time. Right now, what's more important is grasping a connection of understanding.

Well, you better start sorting out another problem that will soon come. The problem which Pulcinella actually pointed out, too.

Food.

And you know what you need to get more? Money.

If only Pantalone were useful in this world, then, he would be able to pay for all the expenses you'll need these next few weeks. You know, now that you're actually thinking about it, he's probably the most useless Harbinger here.

You sat up from your chair and left it pushed out, convincing yourself that this plan wasn't completely over. In truth, it wasn't. There was nothing wrong in trying again, was there? Sure, this session might have failed. But who's to say it won't work the next time? Or maybe the time after that?

...Right?

You left the room after eyeing your computer screen once more, scowling at the Genshin merch on your desk. That reminds you, you need to burn all the Harbinger merch the second you can. Maybe all your merch in fact. Okay that's a lie, although this instance has definitely scarred you for life, it won't stop you from keeping a few non-Fatui items.

Unfortunately, if you'd just looked at your desk one more time, you would have noticed Paimon waving frantically at you with a face of panic, shouting through the screen trying to get her voice to be heard on the other side.

... ... ... ... ... ... ... ... ... ... ... ... ... ...

"Okay, group time. We need to discuss something." You called everyone to the living room, snatching the remote from Pantalone's hand and turning the TV off.

"Pardon me, it was my turn to watch the television tonight." He excused himself aggressively, trying to swat the remote back into his hand.

"Not so funny when it's your turn, is it?" Dottore laughed at him, pausing his writing to mock the banker.

"Are you aware of how long I had to wait until I could have a look at my channel? I only just received the remote!" He complained, glaring at Dottore through his closed eyes.

"Hmph. To me, it looks like you're sleeping laying on the sofa like that." Sandrone scoffed, her posture straight.

"Alright, Alright," You quietened them. "Pantalone can get the remote back after I say what I need to."

After a short while of waiting, everyone except Pierro, Signora, Capitano and Childe had arrived in the living room to listen to what you had to say.

"Where are the other four? Why is there always someone missing when I need to say something important." You asked the Harbingers, sighing in frustration.

"Heh, Childe is out of commission at the moment." Scaramouche snickered to himself, eyes closed imagining the pain he's going through.

"That's not a 'where', it's a 'what'." You deadpanned.

"He's in the landing with Capitano. I brought him there since these two were taking over the sofa." Arlecchino answered.

"And... Signora and Pierro?"

"Signora's in the guest bedroom, fretting about her nails growing in a different direction that how'd she'd like them to. Pierro's still in the office signing paperwork that clearly isn't helpful to our situation at this moment in time."

"Thank you, at least someone's helpful." You nodded to her, Arlecchino nodding back in an understanding as she leant against the wall with her arms crossed.

"We need to talk about food. As Pulcinella reminded me earlier today, if we don't get more food we'll run out in about 3 days."

"Does that even matter?" Scaramouche interrupted you. "The majority of us don't even need to eat, you're just wasting your resources by feeding us. Besides, who would want to eat your aw--"

"What he means to say is," Pulcinella coughed to interrupt the puppet. "Yes, this is indeed a tough predicament. How are we to get the resources we need?"

"Well, we'll have to go to the shop and buy some. But to buy, we need money."

"Money? I have plenty of that." Pantalone questions with a bored tone, his head leaning into one of his hands.

"Stop forgetting what I told you earlier, you damned diva. Your money is useless here. If we want to get money, we'll have to work." You hushed him quickly.

"Work. Yes, of course." Arlecchino thought out loud. "But how do we work when we know nothing about this world?"

"Ugh, it's not that different to Teyvat! So, who's feeling like working?"

Nobody replied, everyone looking at eachother urging them to say yes instead of them.

"...Right, well, let's eliminate the people who can't work. Signora can't, as it would be way too risky. If the police somehow recovered the damaged footage and released it to the public, I'd be dead meat she'd blow her cover immediately," You started.

"Pulcinella and Pierro also can't, as they look way too old to be working. They'd be considered retirement age from looks alone. On the same topic, Columbina and Sandrone might have to stay behind too because of how child-like they look. Columbina might be able to get away with it, but it would still turn some heads in my opinion."

"Hah! It seems you're worth some praise." Sandrone commended you, letting out a hearty laugh in satisfaction. "However, this does cause some problems on my end of the bargain."

"And what problems would that be?"

"Why, exploring your world's machinery, of course! Becoming an engineer would be the perfect way to learn more about your world."

"Yes." You gave her a dead look. "And tell me, you're planning to become a professional's apprentice to learn? Something tells me your pride wouldn't let that happen."

"It can't be that difficult." She scoffed to herself, voice quiet and eyes narrow.

"I wanted to see more of this world..." Columbina sighed sadly, interjecting Sandrone. "Oh well, I suppose I can do that by asking you questions instead~"

"Right..." You sweated nervously.

"I have no objections." Pulcinella nodded with his eyes closed, being in agreeance. "We can discuss Sandrone's means to learn later, as I believe it would be an excellent idea."

You sighed once more, not bothering to argue more, and continued your rambling.

"Capitano is also a no in terms of getting a job. That helmet really stands out, and considering he can't and wouldn't want to take it off, I guess he's not going outside ever. Anyway, so, uh... We'll discuss who wants to have what job and when they'd like to start tomorrow. I'm going upstairs to tell Signora what's happening. Arlecchino, Pulcinella, could you both respectively tell Childe and Capitano, as well as Pierro this information?" You told them, head looking back over your shoulder before turning straight to walk up the stairs.

"Of course." They both replied, leaving to do their own thing.

As you were walking up the stairs, you could hear Pantalone and Dottore arguing for the remote. Funnily enough, it was Columbina's abnormal dry tone that caused the two to stop fighting and find something to watch together. Huh, you wished you could do that.

You knocked on the guest bedroom door, hearing Signora scoff and call out to the person on the other side telling them to enter. You walked into the bedroom silently, sitting on the bed waiting for her to talk to you.

She was sitting on the chair in front of the mirror, fiddling with a nail file whilst muttering about the state of her fingers. Beside her fumbling form was some nail varnish. Hold on a minute, aren't those your mothers?

"Signora, you wouldn't have happened to find the nail kit in front of you in my parent's bedroom, would you?" You asked her, feeling your annoyance begin to grow.

"Hm? Maybe I did. What's it to you?" She glared in the mirror, eyeing you without turning around.

"What's it to me??? Did you seriously just ask me that? You're using a dead woman's nail file and nail varnish!" You argued.

"Well, yes." She shrugged, a wicked grin growing on her face. "I'll have to make do with what I can get. If it weren't for the surprisingly beautiful colour and necessity of my manicure, I would have put the thought out of my head immediately."

"But those are just excuses! Look, if you really wanted a fucking manicure, you could have just asked for my stuff in my room."

"And how, for Teyvat's sake, was I supposed to know you had supplies in your room?" She eyed you strangely.

Well, she has a point. A dumb point, but one you'll accept as long as she stops using your mother's marriage anniversary nail kit.

"Just...! Just pass the nail kit to me and I'll give you my manicure bag. Stay here, and stay out of my parent's room." You warned her, snatching the nail file and nail varnish with haste.

You speedwalked to your bedroom, dumping the items on your desk with the thought to put those in your bedside drawer later. Stopping for a moment to look at your monitor still showcasing Genshin, you sighed and continued pacing the room to find your manicure bag. When finding the bag, you quickly swiped it off of the shelf and returned to the guest bedroom.

"Right." You started, dumping the bag and opening the zip to let her see what was inside the bag.

"Is this alright for you, your majesty?" You mocked her, unable to stop yourself from speaking. "You'll have everything you could possibly need for your nails in here. From different colours, to charms, to glitter. Capiche?"

"Hmm..." She fiddled with the bag, having a look at the colours you've given her. "Since you're here already, why don't you make yourself useful and do my nails for me? Do whatever you wish with them in terms of colour and point, I'd like to see how nails in this world differ from Teyvat." She ordered you with a wave of her hand, one leg over the other.

Is she actually joking?

"Are you kidding me? I'm not doing your nails for you!" You exclaimed, outraged at the suggestion itself.

"Oh, please. Don't act as if the suggestion is atrocious. Aren't you the one who often mentions our wrongdoings when we're minding our own business? Who's to say we can't do the same?"

"A normal person." You grumbled under your breath with squinted eyes. "Murder and stealing are two very different things."

"I hope you're as good as talking as you are making excuses." She rolled her eyes, laying her hands out in front of her. "Not only that, but doing nails. If I don't like them, you'll have hell to pay."

Well, looks like you don't have a choice in terms of doing her nails for her. What a prissy bitch.

"Fine." You scoffed at her, dragging a spare chair in the corner of the room to sit down.

You looked through the bag of colours you had, deciding to do a red and black gradient whilst leaving her nails relatively long and sharp. Perhaps you could add little light blue dots to the black gradient to highlight her eyes? Yes, that sounds like a good idea.

"Those are the colours you're choosing?" She raised on eyebrow with an uninterested frown.

"I'm sorry, your highness, were you expecting a pretty baby pink?"

"Continue." She rolled her eyes.

Filing and washing her nails to the perfect size, you began to paint the nails delicately. As you were working, you noticed Signora begin to soften her features, a small almost non-existent smile on her face with satisfaction in watching you work.

"Do you do nails often?" She asked you with a gentler tone, tilting her head to get a better look at you painting her smallest nail.

"Not really." You denied, shaking your head. "I only have this many colours because my mother liked to gift me stuff like this."

"Ah..." She made a noise of understanding. "So that's why the majority of your colours are still sealed."

"Yeah. I never used them because I saw no need to, occasionally I'd help my mother do hers if she went out to party with the neighbours. Also most of my Pinterest references use a specific set of colours."

"...Pinterest?"

"It's a type of catalogue." You tried your best to explain, fanning the nails hoping they would dry quickly.

"You can save pictures that other people post and use them for references. I like to use it for clothes and nail inspiration for my mother."

"That sounds... exquisite." Signora noted with wide eyes. "You mean to tell me different people from all over can post these pictures? And others seeing the pictures can use them as they wish?"

"Yup. Although, you saying that out loud makes me think you're thinking of something illegal." You deadpanned.

"I'm not!" She accidentally recoiled, slowly putting her hands back out when realising. "It just seems like a power not worthy on humans. Surely you would use such a powerful idea for messages instead of just pictures?"

"You're literally just describing a forum."

"Hm?"

"Nevermind!" You stated, grabbing the blue and adding dots to the black. Instead of ending it there as planned, you decided to add glitter and put a couple specks onto each dot. You looked back at the nails from a distance, finding satisfaction in your work.

"What do you think? If you don't like them, I don't care. To be fair, this is the first time I've done nails in awhile."

"I suppose they're... alright." Her cheeks turned slightly pink, hesitating in how to answer. "They're much better than what I thought they'd be. Your world has such vibrant colours for varnish, usually I just stick to black."

"I noticed." You put all your materials away, attempting to zip up the bag.

Before you could zip up the bag completely, Signora stopped your hand by placing hers over your own.

"Hey, don't move your hands so much! I just finished your nails!"

"Ahem. I believe we had a deal? You do my nails, and I'll do yours? Although I would rather spend my time doing something else, I am not one to back out of an agreement such as this."

Somehow, despite the day not going to plan, you don't hate how it ended. In fact, you feel as if you've grown a little closer to Signora today.

"Oh, and whilst I'm at it," She paused. "I better have a look at what clothes you have in your wardrobe. From what I see now, I don't think I'll like what I'll see in there."

You take back what you said earlier.

Has anyone noticed I like the word 'prissy' a bit too much?

Anyway, Insatiable Madness is going to have longer Views from now on 🥳

I like this part a lot, it's definitely one of my favourite Views I've written so far!

Please don't expect too many happy, nice and generally fluffy scenes.

This is Yandere, a genre which should never, under any circumstance be considered normal. It's abusive, unhealthy and leads to a lot of victims facing awful conditions which they never should or ever have to endure no matter who they are.

This is fiction that I'm writing, meaning it's all taken light-heartedly IN A FICTIONAL SENSE.

If anyone, by chance, is currently in conditions where a loved-one or yourself has suddenly become distant and/or being hurt when away from eyes please get help. Talk to them, or if it's you, talk to someone you know you can trust.

If you can't talk to anyone, find authorities who can help you. Call 999, as it is in the U.K, or your local emergency service. They will always help you, and will never deny your rights or freedom.

Thanks for reading this, I hope all who's reading knows this information already, but I thought I'd include it since who knows when it comes to where you are in the world and whether your education programs taught critical information like this.

✨Elusive✨ Taglist!:

@valeriele3 @pale-value @pix-stuff @yumi-genshin-writer @yuii-v @itz-luna @annoying-mary @etherisy @khalhaimdad @haikyuusboringassmanager @magica-ren @sweatyexpertdeputyduck @booksandteaplusart @9140 @whatamidoing89 @raesleepyhead @nasidibakar @shikanosn @purpleamethystsblog @chihawari @esthelily @stuffyfrenchflowers @conspicuous-mayonnaise @sielt @katsumikumo @greyhoundwires707 @carminerin @raidendeeznuts123 @angelofdarkness2 @shellofthewell @ginnxy-galaxy @clara-maddenlin @bk-4-trash-fire @uniqaal @tnsophiaonly @vianitry @dottoreandcolumbinaslovechild @melou008 @lsleepysimpl @steadybreadbluebird @thebigkessydisaster @eliciana @kamit-frog @twst-kumi @idk098 @kurayamioterasu @mmeatt @the-lazy-perfectionist @florelll @vvzhyxx @averycuriousperson @starlaisopaque @liyuedragonmorax @lovelive-animequeen1029 @mayythammyy

Quick Reminder Here! If you no longer want to be on the taglist that's completely fine; I take no offence whatsoever so please don't hesitate to tell me. ^^

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drabblejester · 3 days ago

Note

I love your impression of Sampo!! Like yeah, he'd do This™ and That™ as according to your posts. Like, I think yours has the most simplest yet most accurate depiction of Sampo here!

Could I request Sampo, Gallagher, and Mr. Reca would do on their first date? Inspired from the other ask you did for 'overhearing the confession'

-G⭐

what VARIOUS HSR GUYS would do on your FIRST DATE!

requested by: G⭐�� !!

pairings: sampo, gallagher, and reca x gn!reader

content warnings: none!!!

comments: TYSM FOR THAT MY LIEGE.. i usually ‘dumb’ my sampo down actually bc theres no way i can fit all my thoughts on him into one little postHEEHE!!!

GALLAGHER:

he’d take you to his bar!! easy as that. it’s nothing grand or special, just his good ol bar. he serves you up a few drinks and you have a great time!

mostly, you guys talk. gossip about people, random tabloids you both found, fun facts about the other, etc. that’s also how you get to find out about misha and sleepie (and you adore both of them <3)

he’s much more gentle and warm towards you, quieting down his voice a bit so he isn’t that startling. he still has his drawl and everything, just in a lighter tone. in general it seems like he just got a bit younger!!

he jokes about you helping him out with the bar later, and you agree. so as a ‘second’ date, you guys get to work together! yippee! you get paid with free drinks and your first kiss with him <3

SAMPO:

you guys go visit some historical sites in belobog together!! he’s VERY knowledgable in them, and takes his time with you. you cruise through museums and even out in the cold, pointing at abandoned machinery and cool architecture

he absolutely talks more than you no matter how talkative you may be. partially out of ‘i want this date to go well and for them to see how cool i am’ and also out of ‘I AM SO NERVOUS RN’. thankfully he has a very engaging voice, and you love listening to him ramble :3

he tells a few tall tales in between, typical stories and fairytales that kids would like to hear. makes sense seeing as how he does talk with hook a lot.. and even at your age, they’re still fun and interesting! he’s an incredibly good storyteller

and at the end of the day, he wraps his dingy little jacket around your shoulders and takes you back to wherever he lives. he gives you a few snacks and the most delicious DIY hot chocolate ever before asking you SO many questions about how you thought of the date. you mumble something good before you fall asleep, which is enough for him <3

MR. RECA:

as he said before, he wants to cast you in the starring role of a romance movie with him as your lovely boyfriend. he makes PLENTY of jokes about it too, constantly rambling about how fun it’ll be. it counts as a first date i guess???

you two are an AMAZING duo together onstage and offstage!! his performance is amazing to the point where you actually feel like you’ve fallen for him impossibly more… the role he’s playing is a cheesy romantic ol guy, and AEONSS ABOVEE if you don’t treasure it

he lets you customize your role however you want! so you decide to simply play as yourself to max out your reca romance exposure. he plays along and switches the script around just for you, before going on set to dance around with you a while more

at the end of the day, both of you make lovely comments on your acting (although you weren’t really playing a character), laughing about certain moments in the scenes before he sends you home. and of course, he waits for you to enter your house before he leaves, just like his little gentleman role in the movie <3

i’m going to make some ramen my lieges do you want any

#writing blog #x reader #honkai star rail #ask blog #honkai star rail x reader #hoyoverse #headcanons #gallagher #gallagher x reader #hsr gallagher #sampo #sampo koski #sampo x reader #mr reca #mr reca x reader

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if-whats-new · 3 days ago

Text

What's New In IF? Halloween edition! Issue 27 (2024)

By Brij, Dion, Bex and Jen

Now Available!

Itch.io - Keep Reading below

If you read the zine, consider liking the post: it helps us see how many people see it! And sharing is caring! <3

~ EDITORIAL ~

One Issue just wasn’t enough!

Halloween might be over, but not at WNIF! So here it is, u a second Halloween edition Issue! Next to the regular WNIF stuff we included a recommendation section full of the best games to play in this time of the year, so be sure to check it out.

We want some feedback!

As we’re starting to get a hand of things, we would love some feedback from you guys! What you enjoy, want more or less off, how we could improve... Anything goes! We even have a nifty form!

Still looking for members!

Due to the severe changes in the Zine team, we are once again looking for free hands with a couple of hours to kill, and minds, looking to make a little difference in the community!

If you too would like to help us out in a more official capacity, please shoot us a message! You can check out the available positions here, but if you’d like to help in any other way, feel free to contact us as well! (We added a new position, so check it out!)

No Small Talk for some time!

We hope you have have a fa-boo-lous time reading this issue!

BRIJ, DION, BEX AND JEN

~ BE A PART OF THE ZINE ~

THIS ZINE ONLY HAPPENS WITH YOU!

Want to write 1-2 pages about a neat topic, or deep-dive into a game and review it in details? Share personal experiences or get all academic?

WRITE FOR THE COLUMN!

Prefer to be more low-key but still have something to share? Send us a Zine Letter or share a game title for Highlight on…!

WE WANT TO HEAR FROM YOU!

Came across something interesting? Know a release or an update announced? Saw an event happening? Whether it's a game, an article, a podcast… Add any IF-related content to our mini-database!

EVERY LITTLE BIT COUNTS!

~ EVENT SPOTLIGHT : BITSY JAM ~

Fuu, already #85?

Bitsy is a little engine for little games, worlds, and stories created by Adam Le Doux that makes game making look easier than ever! I mean really! You can use it to make a game in your browser just by drawing it! Thanks to the simple pixelated graphics and limited colour palette you can make basically anything from simple short stories to complicated masterpieces.

The first jam (with a yummy theme: Breakfast) took place on April 8th 2017. Now it’s a monthly occurrence, each time with a new challenging theme that the creators themselves (or even possibly you) get to vote on.

Petrichor, temporary, intentionally bad, tomatoes, no dialogue, long distances, secret place, bitsy fest jam, lost media and waiting are just the ten most recent ones. This month’s theme is game manual - the theme can be the core of the game, or just a small reference. Anything really. The main point of this jam is to have fun and make something! (Just make sure that your game is made in one of these: bitsy, mosi or bipsi.)

So why not give it a shot?

~ ENDED ~

The 6th Spooktober Annual Visual Novel Jam is over, the winners have been announced and you can check out the results!

The Revival Jam 2024 is also over and the results are out!

Strip IF to it’s bare bones and all it become beautiful text. That’s what The Bare-Bones Jam is about. You can now check out all 14 submissions!

Phantasia Jam is a three month-long game jam to create a fantasy narrative game, with the theme of “Hidden Magic”. There’s 17 submissions to check out.

~ ONGOING (VOTING) ~

The voting for ECTOCOMP 2024 has officially started! To vote and participate as a jury, you must do so by giving between 1 to 5 stars on each entry page of the jam. The voting period ends on November 30.

All entries for the Halloween Jam have been submitted and you can now vote for your favourites!

~ ONGOING (SUBMITTING) ~

Disabled Rep VN Jam has a very simple premise but a very important message.

Once upon a time, a game jam was held to create stories around the theme of fairy tales… and that game jam is the Once Upon A Time VN Jam. It’s running from October 1st to January 31st.

Concours de Fiction Interactive Francophone 2025 is for all French-speaking enthusiasts. Submissions are accepted until March 3rd 2025.

Are you perhaps a fan of more somber, melancholic themes? Then check out the Dying Year - Visual Novel Jam! You have until the end of the year to participate.

The Black Visual Novel Jam is all about working with creative professional developers who work in visual novels to bring more Black stories to life. The goal is to create a space where Black creators can show their unique storytelling through visual novels.

Bare your teeth and sharpen your claws because the Monstrous Desires 2024 Visual Novel Jam is here! Dedicated to the love of entities, horrors, and monstrosities, this jam will be full of romantic Visual Novels (VN) that heavily focus on a monster may it be original or from classics, folklore, modern media, etc.

The October Bitsy Jam is here! The theme is game manual and you have until November 11th to submit your projects.

~ OTHER ~

Jams are a great way to find new games! Don’t be afraid to check out submissions from previous years as well. There might be some gems hiding between them!

~ NEW RELEASE ~

Trick-or-Treat (Twine) is all about virtual trick-or-treating, grab your costume and have fun! @softest-punk

The Traded Groom (Unity) is a romance story where you marry a man you’ve never met. @maneki-mushi

Lydia’s Labyrinth (Ren’Py) is a choose your own adventure where you try to get to the end of the labyrinth. @doublefreegames

The end of an obsession is a fictional sequel work to It gets so lonely here.

The Virus Game HALLOWEEN is here.

In Ghostship Delgado (Amstrad CPC) you find yourself on the quarter deck of a mysterious, seemingly abandoned historic ship…

As always, don't forget to check out the submitted entries to the events mentioned in the previous pages. They deserve some love too!

~ NEW RELEASE (WIP) ~

Camp Maple Wind (Ren’Py), you saw your sister die there 18 years ago and now you decided to return as the new camp counselor. @tailorfae

Dusk and Dawn (CScript) is a urban fantasy inspired by CYOA’s like Slayers V4. You’ve failed college, what do you do now? @tuskhansworld

Circus Eyes of God (Twine) is a horror interactive fiction where you decide to join a mysterious circus. @circuseyesofgod-if

In Tether (Twine) your an interpreter for a new lord under the occupation of another country. Will you rebel? @runcriedthecrawlingif

Return back to your hometown where you and your friends used to be team of detectives until the incident.... in Return to Misty Cove (CScript) @fluorescent-if

In Red River Academy (CScript) you and your group of friends are murdered in cold blood. But you were brought back, is this a second chance at life? @bratlinwrites

You step out for some fresh air, only to find yourself lost and stranded in the forest overnight in Fickle Solitude (Twine)

In Ice Cream For Love you are a bearfolk ice cream maker. However the newest dietitian-in-training has problems with your product. @atelierursine

In Demon Daycare (Ren’Py) you’ll have to baby the adult demon prince Belphegor. Hope the money is good!

~ UPDATES ~

Devil's Liminal (Ren’Py) released Chapter 2.

Crown of Exile (Twine) Vinia Path is released on Patreon. @ramonag-if

Tales of Wocdes: The Silver Protector (Twine) heritage features have been updated. @tales-of-wocdes

College Tennis: Origin Story (CScript) added halloween bonus to Ko-Fi. @collegetennisoriginstory

Sins of the Crown (CScript) added new content to their demo. @pariahinteractive

The King's Hound (Twine) released a rewritten demo. @the-kingshound

The Mighty Shifter (CScript) released Chapters 4 & 5. @miss-briar-novels

Lucid fate (Twine) released Chapters 3 & 4.5. @lucid-fate-if

Eldritch Tales: Inheritance (CScript) released the final part of Chapter 2.

Saturnine (CScript) added new content to their demo. @satur9-if

Shattered: Oblivion (CScript) reworked their prologue.

Strings of Fate (CScript) released partial Chapter 3.

Text Your Life (Ren’Py) added Chapter 2 Day 1 to their demo.

The Good People (Na Doine Maithe) (Ren’Py) released the first five chapters of Shae and Maeve's routes. @moiraimyths

Tri City Monsters (Ren’Py) released Chapter 3 for Akello. @tricitymonsters

Bridge Ices Before Road (CScript) added new content to their Prologue. @bridgeicesbeforeroadif

Aphni's Quartet: Nightbloom's Veil (Twine) released Chapter 2. @marblesstorystudio

The Brightest Stars (CScript) added the first part of Chapter 3 to their demo. @brightest-stars-if

Weeping Gods (CScript) added new content to their demo. @jcollinswrites

~ OTHER ~

The Kickstarter for Keyframes has started, and even though the main goal has been reached there are still some stretch goals! @blankhouse

The ChoiceBeat Zine Issue 12 is out. We thank them for mentioning our Zine! Go check it out!

Amare Fortnightly Bulletin Issue 27 is here for all your romance needs! @amaregames

Never Gives up Her Dead has released a deluxe version of their game.

The People's House has been officially submitted for publication.

As always, we apologize in advance for missing any update or release from the past week. We are only volunteers using their limited free time to find as much as we can - but sometimes things pass through the cracks.

If you think something should have been included in this week's zine but did not appear, please shoot us a message! We'll do our best to add it next week! And if you know oncoming news, add it here!

~ MAYBE YOU NEXT? ~

We did not get a submission this week. But if you have an idea for a short essay, or would like a special space to share your thoughts about IF and the community...

Shoot us an email!

~ HIGHLIGHT ON ~

A couple of games that we thought were cool.

Your favourite game here?

Do you have a favourite game that deserves some highlighting?

An old or recent game that wowed you so much you spam it to everyone?

Tell us about it! And it might appear here!

H/T = Horror/Thriller H = Halloween themes S = Supernatural C = Creepy

~ RECOMMENDATIONS (COMPLETE) ~

Halloween Scrooge (H) by Vanade of Hamilton Hour (Ren’Py)

A short Halloween spin on A Christmas Carol... and you can flirt with the ghosts! //submitted by anon//

Killer Chat (H/T) by @rosesrotofficial (???)

After asking too many murder-related questions online (for your book), you get an invite to a... serial killer chatroom?! What the fuck?

A Zombie Head Went Missing at the Party Full of CUTE MONSTER GIRLS!? (S) by MaroonDrops (???)

Half gorgon Jade Mason finds herself dragged to a party full of monsters, she doesn't have high hopes.

Therapy with Dr. Albert Krueger (H/T) by dino999z (Ren'Py)

Has work been feeling more tiring than usual?

Your mood, confusing and uneasy?

Then it sounds like you need our newly patented ★DREAM THERAPY★!

A Series of Interactive Stories Where No Matter What You Do You Are Immediately Killed by a Werewolf (S) by Luke Burns (Twine)

The name just says it all.

AL - A Choose Your Own Adventure (H/T) by Gabriel Cornish (Twine)

You are a student going on their first date in a long, long time. Only problem is your apartment is trying to kill you with your own clutter!

Spooble: A Search Engine Story (H/T) by All the bees (Unity)

Are babies supposed to do that?

Cal's Costume Conundrum!! (H) by amarvelous (Ren’Py)

Which costume is the best? Cal needs to know! Infiltrate her siblings’ Halloween party, interview the guests, and crown a winner!

Restore, Reflect, Retry (H/T) by Natalia Theodoridou (CScript)

This is a haunted game about a haunted game. You've played this game before. You may not remember, but the game does.

Model Employee (H/T ) by Nth Circle (Unity)

If you want to get ahead in your career, you gotta be willing to take some risks.

Contrition (H/T) by akfedeau (Twine)

As a priest, it’s your job to listen to your parishioners’ darkest secrets and absolve their guilt. But when a sinister stranger comes to the confessional one Halloween night, you realize it’s your soul on the line.

Quoth the Raven… (C) by gamedevillibrarian (???)

Edgar Allen Poe's 'The Raven', with some spooky ambiance. What else do you need?

Hallowmoor (H) by Mike Snyder (Twine)

Your quest: infiltrate Castle Hallowmoor, find the potion, and make it out alive.

Keeper’s Curse (H/T) by CParadis777 (Godot)

Stranded on a remote island after your Lightkeeper duty has ended you must ration and scavenge for supplies while awaiting your delayed relief crew.

Dicentra (H/T) by caffeine (Ren’Py)

You play as Basil, a young boy lost in a forest of watchful trees and unfriendly guides.

Tales from Castle Balderstone by Ryan Veeder (Inform7)

This is Castle Balderstone, and tonight is the night when the greatest spook-crafters convene to share their hair-raising handiwork with each other.

Muertos by Medley Games (Twine)

You are a lost undead wandering the Aztec afterlife, only to come across a strange city.

Dawn of the Damned (H/T) by Melancholy Marionette (Unity)

Anxious to attend your job interview at Aurora Antiques, you arrive to discover a room full of melancholy mannequins. One, in particular, captures your interest, drawing you closer.

Seance (S) by Alex Rose (???)

A murder case has gone cold, and the NRPD has asked you to help them solve it, on account of your abilities as a psychic medium.

~ RECOMMENDATIONS (WIP) ~

Samsara (H/T + S) by Amelia (???)

After being killed by the same hands in every past life you decide to take your killer's life instead. //submitted by anon//

Parasitical (H/T) by @parasitical-if (CScript)

You grew up under the masked faces of their Exalted, under the stories of Earth past. Rusted metal and cracked plastic; His bone and His flesh. Conflicting worlds, conflicting times, and soon, it might all come to a head.

Seven days in Purgatory (H/T) by @sevendaysinpurgatory-if (CScript)

Seven days in Purgatory is a psychological thriller ripe with philosophical musings and sensuality.

Taste, hear, think, feel, love… Run. //recommended by Dion [team]//

Did we miss your favourite game? Don’t worry, there’s still a chance! Fill out this form and we will include it in our regular Highlight on.... section!

WE LOVE TO HEAR FROM YOU ALL! WHETHER IT'S GOOD OR BAD, OR EVERYTHING IN BETWEEN...

Thank you for keep updating! I really don't want to miss any IF updates but it's hard to find everything. So thank you for all the effort.

@waywardartisanoafhound-blog

Have something to say? Send us a message titled: Zine Letter!

As we end this issue, we would like to thank:

our awesome anons! For sending us their game recommendations!

And a special thanks to Bex [team] for all the work she’s done for the zine.

And as always, huge thanks to all you readers who liked, shared, and commented on last week's issue! What might be tiny actions are huge support and motivators to us!

Thank you for cheering us on this journey!

~ ~ ~ ~ ~ ~

It come with sad news that me (Bex) is having to leave the Zine….for now at least.

I joined back in August and honestly it was crazy time, especially with the sad passing of Marjorie. I honestly enjoyed what we’ve made of it and don’t regret it in the slightest. Life has sadly go in the way of me and I just don’t have the time to continue you this on. I’m hoping the New Year will bring peace and with it me back to the Zine.

Love you all ❣

And we will see you next week in our traditional colours!

BRIJ, DION, BEX, JEN

WHAT'S NEW IN IF? 2024-ISSUE 27

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incandescentflower · 3 days ago

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You can always tell when the writing for two characters and their conflict is compelling because you start to see continuous fights break out about which character is "right."

But in the case of Let Free the Curse of Taekwondo in particular, it really feels like the entire point of this drama is being missed by a mile to engage in that kind of thinking.

It does remind me of that quote from Blueming that my mind comes back to from time to time.

About pain, it's an absolute thing for a person. It's not something you can compare. If I feel pain, then it is pain. No body can judge you.

Some very wise words about how pain is not something that can truly be compared. And I do think those ideas continue through this narrative as well, but with the nuance of what if it's the person who you love that hurts you because you are both trying to manage that pain.

I know for many people it comes down to how one person treats the other - either directly (Dohoe pushing on Juyoung, challenging him, trying to make it seem like he can cut off Juyoung because it doesn't matter) and indirectly (Juyoung keeping a relationship with Dohoe's father who was both their abuser, pushing him to confront things he isn't ready to confront, thinking he needs to protect Dohoe from himself by keeping the gym even when that is the opposite of what Dohoe says very directly).

It's interesting because I identify with Juyoung's way of dealing with this trauma more, but it doesn't make it the correct way. And I do feel like the story is trying to say that. The 12 year separation really emphasizes that you can't make someone else deal with their trauma on your timeline no matter how much you love them. Love isn't this magic balm. You can't save someone else. But love can be a brightness in the dark, love can be hope. It's a really beautifully nuanced message.

And when you love someone you can hurt them and be hurt by them. You have to be able to see outside yourself and listen to the other person's needs to be in a relationship. And sometimes you have to decide that loving that person is too harmful to you.

It's Dohoe we see struggling with this, thinking loving Juyoung might be too harmful to him, thinking him loving Juyoung is harmful to Juyoung.

Juyoung is not thinking of that harm so people want to protect him, but that is about his own issues he also needs to deal with. He is just as responsible for figuring out his boundaries and deciding what he can manage and what he can't. He has to communicate his truths to Dohoe. There is still so much that he has held back.

And we see him start to do it. We see Juyoung calling Dohoe out on not saying how he feels and retreating so quickly. We see Juyoung saying what he needs. We see them starting to communicate, starting to smooth some of those edges and we can only hope they keep doing that.

Juyoung apologizes to Dohoe, but it seems like it's for trying to push Dohoe too hard too fast. Dohoe is being very clear about what he needs and Juyoung is now finally listening.

It's like a quote from To My Star (another Hwang Da Seul drama) I think of often:

I really like people like you. People who have their walls up. They seem really strong.

Dohoe's shutting things out is what has helped him survive. You can't just open the flood gates up all at once. Dohoe's avoidance is his protection and you can't just bulldoze it down.

This is a dance of loving someone where their needs are in direct conflict with yours and trying to manage that and figure out how much you can accept a little less of them or give a little more of yourself and hopefully bit by bit you come to some place in the middle together.

#let free the curse of taekwondo #this is such an accurate portrayal of a relationship that has faced trauma #I just can't stop thinking how viscerally real this all feels

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livelaughloveluffy · 2 days ago

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comfort - roronoa zoro

a/n: i for sure need these headcannons so bad at the moment😭😭 luckily, i should be starting some antidepressants soon!! i'm a bit nervous about it but it's definitely worth the shot, since i have tried literally everything else 😭 anywho, only the fluffiest fluff for now 😭😭😭😭 its all my heart can take

nothing but fluff here 💗

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when he comforts you:

-the green haired swordsman was the type of man to notice something was up before you ever had the chance to say anything about it. while he may not seem like it, he always has his eye on you.. he notices the slightest shifts in your mood, body language, the way you speak, the glimmer in your eyes, he'd never come out and say that.. but he shows up in smaller ways

-he'll spend a lot more time with you. invite you to watch him work out or drink with him under the stars, just making himself more present in your life, he'll never let you really be alone, unless you asked him for that.

-you may have to initiate it.. but the second you looked at zoro with teary eyes asking "can you just hold me for a second?" he'll grab you and pull you into his arms so fast... and he's not letting go anytime soon. his tight muscles enveloping your body, the rhythmic sound of his heart beating against your cheek is a sense of calm you can't experience with anyone other than him... it isn't until you lightly slap his arm with gentle giggles saying "okay.. zo, i can't breathe when you're holding me this tight.." that he loosens his grip on you (the absolute tiniest bit)

-the swordsman isn't the chattiest when it comes to talking through problems, but if you want advice, his straightforward and blunt outlook is surprisingly more helpful than you anticipate at times. zoro doesn't beat around the bush when it comes to his advice, so he'll only tell you if you really want to/are ready to hear it.

-you'll catch him staring at you more often than usual. this man always keeps an eye on you. it's his silent check in.. his casual way of asking "you doing okay?"

-when you're sick, injured, or on your period: while he is mr tough guy ™️, he does not play around with you and your health. he'll grumble and pout when you aren't resting. his typical methods of forcing you to rest (but also still make you feel useful) is to have you lay on his back while he does push ups or dragging you to take naps with him. he doesn't outwardly express his worry but you'll find yourself waking up from naps with his watchful gaze on your face, his brows slightly furrowed, his gruff voice asking "did ya sleep okay? were you comfortable?" and he'll only relax when you reply with your typical soft sleepy smile, pressing a gentle kiss to his cheek, whispering "yeah.. im okay... since you're here with me."

when he needs comforting:

-again, zoro isn't the chattiest guy in the world..so you can tell he needs you when he wordlessly pulls you close to him, burying your face into his chiseled chest, his rapid heartbeat sounding off in your ear, one hand tangled into your hair holding you head close to his heart, the other tightly gripped around your waist. the rugged soft murmur in your ear asking "can we stay like this for a bit?"

-one of his favorite ways to unwind is up in the crows nest with a bottle (or ten) of sake, with you by his side. resting your head on his shoulder as you both stargaze with the ambience of the crashing waves beneath you

-the swordsman also loves to throw himself deeper into his training as a distraction.. so he's absolutely thrilled when you one day approach him asking for help improving your fighting techniques and combat maneuvering.. be prepared to work hard though.. he'll train you until the sun goes down, eventually all his worries washing away when he sees the smile of satisfaction on your tired face after finally perfecting what he taught you.

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a/n: getting to write this with the soft patters of rain outside my window healed a part of my soul 😭😭 this is truly the quickest and easiest time i've had writing for zoro so hopefully that streak continues 😭😭😭

a/n: enjoyed this fic? here's my masterlist!!

#one piece #one piece fic #one piece fanfic #one piece headcanons #one piece fluff #one piece x reader #one piece roronoa zoro #op roronoa zoro #roronoa zoro #roronoa zoro x reader #zoro x reader #zoro x you #one piece zoro #op zoro #zoro fluff #fluff fic #via's fics

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a-blog-for-venting-i-guess · 1 day ago

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Optimus’ attitude towards Megatron’s betrayal at the end of tf one is very ironic when you take into account earthspark’s premise. (I know they’re separate continuities but hear me out)

TF One’s ending shows Optimus does not think any relationship with Megatron is salvageable. Even before the final fight, Optimus’ first words are,

“We could’ve built the future together.”

Megatron doesn’t process it until the banishment, (his answer to this, “I’ll build it myself,” before charging to attack, and his later shock at the banishment, suggest to me he didn’t even realize that Optimus wasn’t offering some form of Olive Branch or forgiveness) but it’s clear to me Optimus had already given up on his best friend. There was no going back to what they had. But at the same time, part of Optimus desperately wants Megatron to understand why he also chose to let go.

“We could’ve built the future together.”

“We were given the power to change our world but you chose to destroy it, just like Sentinel. You betrayed cybertron and its citizens. And you betrayed… me.”

“It didn’t have to end this way.”

Yet as always, Megatron refuses to take any of the blame.

“This isn’t over… Prime.”

Optimus even had an internal monologue about it. The conflict is key. He acknowledges the line between friend and foe can be blurry but is adamant that once it’s crossed, there can be no going back.

“The line between friend and enemy is not as clear as I once believed. Once it’s crossed, there is no going back, because some transformations are permanent.”

This line is especially fun to think about with Earthspark’s existence. Yes, they are separate continuities, but regardless, it proves Optimus in Transformers One IS WRONG. People can change. They can see they screwed up and try to make amends. It is possible for Megatron to do this.

Whether or not TF One Optimus is willing to give his Megatron another chance should said Megatron ever see the error in his ways is another layer to this. One that, if a sequel of some kind is ever made, I hope they explore.

Granted that would mean this Megs would need a LOT of character development, but I’d love to see him realized he messed up and then Optimus is the one that acts cold in response and has to warm up to the idea of forgiving Megs.

I would love to explore this in a fanfic. But I am both lazy and lack wider knowledge of this franchise and its characters. And unlike Star Trek I don’t feel confident enough to fake it till I make it. So I’ll just think of various scenarios in my head.

#transformers one #megatron #transformers one spoilers #tf one #optimus prime #tf one spoilers #d16 #orion pax #transformers #megop #transformers earthspark #transformers analysis #tf one analysis #transformers one analysis

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dduane · 19 hours ago

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I just read the part where Kirk experiences the Enterprise's point of view in The Wounded Sky to someone else, where she sees the crew as children she is training up to the Great Desire of exploration for exploration's sake, especially Jim. His reaction, essentially: "That was really pretty. ....And then he blows her up."

I hadn't thought about that before! I checked the copyright date, and it looks like The Wounded Sky came out a year before The Search for Spock, so you were writing without knowing that sacrifice would eventually happen.

How did you feel about that? Do you wish that writing decision had been made differently? (If, as a Trek writer, you're allowed to comment on other Trek writers' choices!)

You know, I tend not to think a whole lot about such issues. First of all, because (in the long run) it gets you nowhere in particular that's useful. And secondly, because it's not a thing that, as a Trek writer in any medium except film, you have the slightest power to change.

Now, at this end of time I think we can safely say that no one's going to hire me on to write a Trek film. And also that no one at that end of the creative spectrum is going to pay the slightest attention to anything I say, either. Both of those situations are just What's So, and neither of them bothers me. (Since I have universes of my own to manage at the moment, and that's where my attention properly lies.) So as regards my opinions about other writers' work, I'm pretty much off the hook.

If I had been on screenwriting duty for that film, would there be things I'd have wanted to do differently? Hell yeah. From the premise up. But the important thing here is: would those things necessarily have worked better on the screen / with the audience? Impossible to tell. And speaking as someone repeatedly given permission to work in someone's universe, the main thing to be aware of is the expectation that your chief responsibility is to do what best serves the characters and the IP of which they're part. (There's a post over at Out of Ambit with a lot more of my thoughts on the subject:)

The other thing to remember is that, though I've worn the Canonical Hat in my time, novel work is by definition non-canonical. Doing it, you are at all times working with the understanding that the licensor rarely views your work as anything better than a corporate side hustle—a way for the IP to make some cash on the side—and will ignore you and the stuff you've created unless given pressing reasons to do otherwise. (Such as when they might make some unexpected money off it... at which point you remind yourself as forcibly as necessary that what you did is Work For Hire; they own it, lock, stock and barrel, and you should not realistically expect to be given any credit.)

And, if you understand the rules and enjoy the work enough, all of this is okay. The reward is not in making a lot of money doing it, or even in having aspects of your work openly assumed into canon. The reward lies in being allowed to contribute to a given universe in public (and, yeah, getting paid for it by the licensor). It's not payback: it's payforward. And you're left an astonishing amount of freedom to bring your vision to that universe. (Sometimes... as one colleague has McCoy say... you have to be "very, very careful" to get away with it. But it can be done.)

The truth is that even in the 1980s, I was sharing this level of playing-in-a-universe with a goodish cohort of editors and writers: a big roomful at least. Now I'm sharing it (retroactively speaking) with hundreds of them. With the best will in the world, even in the 80's the licensors (as regarded film) couldn't have realistically polled/listened to all of us regarding our creative opinions about the screenplay end of things. As for what that'd look like nowadays... I'll leave you to your own deductions. 😏

Anyway, thanks for the question. It's always nice to know that there are people who want to know what you think. 😊

#Star Trek #Star Trek novels #Star Trek: The Search for Spock #canonicity #screenwriting

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madridfangirl · 2 days ago

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Star crossed lovers (Jude Bellingham fic)

Chapter 14

(Series Link)

Jude * female reader. Mature Language in parts.

Synopsis: A chance encounter in a tiny Madrid cafe with the newest superstar of her fav club. The two couldn't be more different, yet both feel the pull toward the other. Would this girl be the one he finally falls for? Or would life come in the way of these star-crossed lovers?

....................................................

‘The things I do for lov…’

Ananya froze. Suddenly very alert. While Jude was still lost in her scent.

She shut her eyes, firmly. Burying her head in the sand like as ostrich. As if that would make the last few seconds not real. As if she could go back in time & change what she nearly said.

It couldn’t be, could it?

Surely it was a slip. Surely she couldn’t have meant to say THAT word. How could she, when they hadn’t even been together for two months yet? Last time it had taken her six months to come NEAR this feeling. It was too soon. WAY TOO SOON.

From the way Jude was happily sighing behind her, babbling something incoherent as his lips traced the back of her neck, she could tell he hadn’t heard any of it. Some respite, at least.

But the numbness refused to leave her body. She was still, like a statue. Only moving due to Jude’s movements behind her.

After a few moments, he noticed it too, and tried to turn her around. But she resisted.

‘Dove?’

The fondness and care in his voice was too much to bear. His proximity was too much to bear. The warmth of his touch, his breath on the back of her neck were all too much to bear. She suddenly wanted to bolt out of the room but that would alarm Jude in a thousand different ways. So she took the easy way out.

‘Feeling a bit uneasy. Be back in a bit.’

She removed his arm from around her and headed straight to the washroom, keeping her back to him throughout. Not letting him see her face.

He sensed something was off but attributed it to exhaustion, and let her have a few moments in peace.

Jude picked up his phone, and saw a few messages from his teammates checking in on him. Of course the word would have spread, since he left in a rush and said it was an emergency. He’ll have to come up with a story on the way back, something that doesn’t invite too many questions.

Ananya sat down on the covered toilet seat and buried her head in her hands. Her heart was going at a million miles per second, practically threatening to burst out of her chest.

She knew what it was like to be in love. She had been in love before. But last time, it was gradual. She could tell the signs, the milestones along the way. They had met in college, were classmates, then friends, then more than friends and then ultimately fell in love. Everyone around them saw where it was going from very early on, but the two of them had taken their time. Not rushing into anything. Letting feelings develop & grow over time. Letting destiny take its course. And when the confession happened, it felt like it was a long time coming. Like it was always meant to be this way.

Was this, with Jude……….like that in any way?

Ananya started pacing around the small space, trying to analyse her feelings. Trying to logically break it down.

Her brain was leaning towards a no.

They had known each other for only two months. Too short a time to develop such strong feelings. They hadn’t spoken about many crucial things which would be a core part of life if they actually do decide to…..be together like that. To think of a future like that. At the end of the day, falling in love was also a conscious decision, right? Some part of your brain allows you to take that step at some point along the way. The head over heels stuff was only for the movies. Real life didn’t work that way. Actions have consequences in real life, with real people involved, who can get hurt in unimaginable ways due to this torturous feeling. So yes, it was a conscious decision. Had to be, right?

And she didn’t remember making that decision in this case. Her brain hadn’t given her that signal that now the waters have been tested enough, and it was okay to take this massive leap of faith where she could either fly or fall face first in a deep, treacherous valley. So how could this be love? How could she possibly feel that way for him?

Her heart had a mind of its own though.

No logic stood a chance when it came to matters of the heart. Unfortunately, she knew that all too well. Had first hand experience of it.

If it wasn’t love, why did she yearn to comfort him always? Why did his pain physically affect her senses? Why did his smile uplift her spirits? Why did she feel this gravitational pull towards him? Wanting to be in his arms - his safe, warm, steady embrace? Why did a single message / call from him completely change the way her day was going otherwise? Why was she always looking for ways (even cutting corners sometimes) to be able to spend more time with him? Why did she secretly beam with pride every time he was on the pitch? Why was his individual performance starting to become as big a thing she stressed over as the overall result for her favourite club?

Her brain had no answer to all this. Like she knew it wouldn’t.

But she also remembered what happened the last time her heart had overruled her brain so decisively. When she was falling for her ex. At that time, they seemed poles apart. But now, in comparison to her & Jude, they were the perfect match.

Her heart had won. And it led to PAIN. Sheer, absolute, heartbreaking pain. The naiveté of first love, of assuming this would be it, the joy of finding the boy of your dreams, the realisation that you never wanted to be close to any other like this. Because how could anyone else make you feel this way? It seemed impossible.

All for that boy to promise the moon and then walk away at the first sign of trouble. Saying it’s too hard. That they were too different. That they wanted different things from life. No relationship could ever survive when only one person was fighting for it. Hers didn’t either.

And here she was, on the precipice of that free-fall again.

With a boy who had absolutely no idea what all she was thinking right now. Who’d probably freak the fuck out if he heard what she nearly said. Who had NEVER BEEN IN LOVE BEFORE. Who didn’t even know what that feeling entailed, and what came after it. Because falling in love was still easier, but staying in love was the harder part. Shit gets real then.

Jude had often said that they were young and this was their time to have fun. She knew he didn’t believe in thinking 5 steps ahead in his personal life, like she did. He was more a ‘go with the flow’ kinda guy, not an over thinker.

And they were having fun, a lot of fun, she couldn’t deny. But what if that’s all he wanted? What if this was the definition of dating for him? What if this was it?

His life revolved around football right now. His family knew it, his friends knew it, and they supported him in their own ways. And hers should revolve around her career too - that’s the reason she had moved half way across the world to not miss this amazing job opportunity.

Being in love would mean taking important life decisions together. At least that was her definition of it. No, they weren’t ready for that. Far from it. And she couldn’t dump the complex twisted inner workings of her mind on him right now. They needed time, a lot of time, before they could get there. If they even wanted to get there. Yes, this was the right way. To wait, and not rush into anything. To not let her idiotic heart ruin this with such slips. She had to be more careful. She will be more careful. She won’t falter like this again, she couldn’t.

With a fresh resolve, she washed her face, finally looked at her own self in the mirror (she was avoiding that so far for some reason, as if she would herself call her own bluff), cleaned up a bit, took a deep breath before unlocking the door.

Jude was sitting up against the headboard, waiting for her to come out. It had been a while. He wanted to give her space but was starting to wonder if something was up.

His eyes followed her closely as she picked up her phone from her desk and came back to bed. Keeping her back to him throughout.

He checked the time; precisely 30 mins before he absolutely had to leave.

But a weird feeling engulfed him, an unpleasant feeling. A sinking feeling. Why hadn’t she said anything? Why hadn’t she looked at him?

‘Ananya?’

His voice was low, soft. Almost tentative. Jude laid on his side, watching her back. He wanted to reach out, to hug her from behind, but something stopped him.

‘Hmmm.’

‘All ok?’

‘Yeah.’

Her voice gave him zero confidence. He didn’t want to leave like this. And for the life of him he couldn’t figure what had suddenly happened to her. They were absolutely fine just a while back. Happily engaging in pillow-talk. And then poof!

Was she PMSing? He had heard mood swings were a part of it. Would she be pissed if he asked her that? Probably. Best to stay away from this topic.

But he hated this distance and silence between them. He reached for her upper arm, stroking it tentatively.

‘Is it me? Have I done something?’

Had he gone overboard today by pushing that guy’s topic? Did his immaturity / impulsiveness become too much for her?

The little tremor in his voice made her turn around immediately. Guilt hit her in loads, again. First the Arjun thing and now this. He shouldn’t be dealing with this stuff right before a crucial match, definitely not because of her.

Instinct took over, and she forgot all else, pulling his face close and placing a soothing kiss to his lips.

‘I’m just a little tired, yeah? Been a long day. Tough day.’

He nodded earnestly, lapping up every word.

‘I get it. I do.’

‘I know. Come here, baby.’

He laid half on top of her. Face tucked into her neck and chest. One arm over her waist. One leg over her legs. As she stroked his shoulder, arm and back gently.

‘Just forget everything and focus on the match, yeah? Score for me tomorrow.’

‘Will you watch me?’

‘Obviously.’

They stayed hugging like that for 5 mins. Quiet. Drawing comfort from each others’ touch.

Suddenly, a thought hit Jude.

‘Jobe’s gonna be here in a few days.’

‘Oh nice.’

‘Yeah, his Christmas break has started.’

‘Am sure you’d love having him with you.’

‘Yeah, really looking forward to it.’

Silence again. Then Jude decided it was stupid to beat around the bush. He leaned up on his elbow, looking down at her.

‘Wanna meet him?’

‘I…uhh….are you sure?’

‘Yeah. He knows about us. You’d like him. He’d like you. I know it already.’

Her head started to spin. Was it too soon to meet his family?

But Jobe was more like Jude’s best friend.

Rubbish. He was still family. Probably the closest bond of Jude’s. What if he doesn’t like her? She hardly knew anything about him, other than the titbits Jude had told her. What would she even talk to him about? Did he know much about her? Had Jude spoken to him about her?

Why was it bothering her like this? It’s shouldn’t matter so much, right? Didn’t she just decide to consciously take things slow?

‘Earth to Ananya. Come back.’

‘I….have you asked him? Does he want to meet me?’

‘Not yet. Why wouldn’t he?’

Ananya could think of a zillion reasons.

The simplicity of Jude’s thoughts were both his strength and also a blind spot sometimes. But this was Jude - who always believed life would find a way. It wouldn’t hurt to borrow that child-like optimism maybe, at least in this one case.

‘Ok.’

‘Ok?’

‘Yeah let’s do it. I mean, if he wants to, of course. Don’t wanna impose on your time together.’

‘You know the amount of mind space you’d unlock if you stop overworking that pretty brain of yours?’

‘Brains can’t be pretty.’

‘So we are ignoring the point?’

‘It’s easier said than done, Jude.’

What did he know about chronic overthinking? Only those who were plagued by it knew what it felt like. Others should just zip it and keep their suggestions to themselves.

Jude felt her mood shift again. Almost fully convinced she was PMSing. Otherwise he couldn’t make sense of the last 30 mins.

His alarm buzzed then, and Ananya put her fingers in her ears to protect them from the obnoxiously horrid & loud sound.

It was time to leave. No more dilly-dallying.

‘I’ll check with him & then let’s plan something?’

‘Cool.’

‘We’re good, yeah?’

‘Yeah.’

‘So I’d get my agreed upon special reward if I score tomorrow?’

‘If you don’t manage to piss me off somehow, then yeah.’

He left soon after, after a quick kiss, and Ananya just shut her eyes, shut out the world (her brain included) and allowed sleep to numb her restless thoughts.

Jude didn’t score the next day, but his assist was spectacular, and the team won. One more league match was left before the Christmas break; everyone wanted to leave on a high.

They spoke briefly after the match, and Jude told her the plan was a go.

It was happening. She was going to meet his brother on Friday. The person who knew Jude the best. In two days.

But god showed some mercy and she was so caught up in work the next few days that this somehow went on a back burner.

Until Friday night, when she was in the car with Agnes, on the way to Jude’s place.

She was supposed to reach by 7 pm but the conference had run over. It was already 8:30. So much for first impressions. Universe never stopped conspiring against her after all.

When Jude answered the door, it was 8:45. She started blurting out her apologies, without even greeting him.

He didn’t hear a word, eyes too focused on the navy blue dress once she took off her coat. The fitted knee length dress, black stockings, black heels, hair partly tied back, glossy lips.

The look was blowing his mind. And he suddenly wished Jobe was not in the house with them right now.

Because now he won’t be able to do what that attire actually deserved. But no force in the world would stop him from getting a quick taste. Not even her explicit exhaustive warnings of keeping his hands to himself in front of Jobe.

Jude cut her off mid-sentence when he dove in for a kiss, grabbing the side of her face. His other hand slid down to cup her butt, their usual make-out routine. Ananya froze, trying to look around with her peripheral vision.

Before she could push him away, Jude broke the kiss and shrugged at her. As if to say it was her fault somehow. But now was not the time to put him in line, she’ll have to do that later. With one final stern look, which he pointedly avoided, they walked into the living room, hand in hand.

His brother was lounging on the couch, and stood up to greet her.

Neither Ananya nor Jobe knew what an ideal greeting would be in this setting - a casual side hug or a nod or a handshake? So they ended up doing a silly little wave to each other while muttering a quick ‘hey.’

Jude of course was oblivious to the awkwardness, as he went to fetch the dinner tray-table. His chef had truly gone over-board today when Jude said it’s gonna be a special intimate dinner, preparing a proper 3 course meal.

Both Ananya and Jobe helped set the dining table as Jude went to fetch the wine. Neither had much faith in Jude’s abilities to manage single-handedly.

‘Sorry you had to wait. I know you guys have your dinner early. You should have started, really.’

It was something she was still getting used to with Jude. He preferred to have dinner done by 8 usually, a healthy habit for athletes.

‘No it’s fine. Don’t worry about it.’

‘Thanks. How was the amusement park yesterday?’

The brothers had visited a famous Disney park in Madrid, which had caused quite a stir, and the authorities nearly had to shut the place down.

Jobe chuckled, shaking his head in amusement.

‘Started out fun, but then got a bit mad. Like I knew Jude was popular here but man, this much?’

‘And this soon.’

‘Yeah, exactly. They had to call bouncers to escort us. Bit nuts, that.’

‘I’d say get used to it. Fans have really taken to him. Never seen so much love for any player here in 5-6 months, not since Ronaldo of course. We are a tough fanbase but he has truly won us over at rocket speed.’

‘Oh, you’re a Madrid fan?’

Jude chose that moment to emerge with her favourite bottle of wine, and answered for her.

‘Lifelong. Diehard. Like us for Birmingham.’

‘Really? That’s interesting.’

Ananya wondered what would be running through Jobe’s mind with this piece of information. Would he take her for a fan stalker? She couldn’t blame him for that line of thought - it would be a fair question to ask. Something that Jude had never bothered to ask.

But no question came, and she didn’t want to venture a clarification on her own.

Instead, a different question came.

‘So, when he fucks up on the pitch, do you give him stick as a fan or his girlfriend?’

‘I don’t fuck up.’

Both Jobe and Ananya ignored that, not even bothering to look at him.

‘Who says I give him stick?’

‘He does.’

As if the words weren’t enough, Jobe also pointed his fork at Jude.

Ananya turned sharply towards her uncomfortable boyfriend, cocking her head to the side.

‘Honesty. That’s what I meant.’

‘Did not.’

Jobe murmured while mock-coughing, bursting into a giggle and Ananya eventually joined him, chuckling at Jude’s misery.

It broke the ice between the two, but the cost was Jude’s annoyance. After a few moments, Ananya reached out to gently stroke his arm.

‘It’s fine. I do actually give him a hard time when he isn’t himself on the pitch.’

‘Good on you.’

Jobe nodded, and the conversation started flowing easily from thereon.

Ananya asked about how his season was going, and the boy’s eyes lit up. Passion for football was common between the brothers. As was their gratitude to be able to play professionally at big clubs. He opened up even more, telling her about the team and standings so far. Jude added titbits in the middle, as to how Jobe was more a striker like their dad, his pride for his baby brother all too visible in his eyes.

Theirs was a special special bond - she could gather that in 20 mins with them. Denise & Mark should write parenting books. She’d tell them that when she……..no, let’s not go there.

Jobe was curious about her work, having heard a few details from Jude. He listened with rapt attention when she described (at a very surface level, in simple terms) some of the recent investment banking mandates she was working on.

‘So you’re smart smart then.’

‘Told ya.’

Jude chimed in again, as she looked between the two sheepishly.

‘Went to a fancy university I’m guessing?’

‘Yup - the best in India, right?’

Both sets of eyes turned on her, the praise making her a tad uncomfortable.

‘Yeah, I mean, it’s supposed to be…yeah. Not a big deal really.’

She muttered under her breath, but it didn’t seem to register with them.

‘Also working on her Stanford MBA application.’

‘Cool.’

A few moments of silence then, and she thought they had moved on from the subject, thankfully.

‘So what do you two talk about then?’

Jobe blurted out, smirking. The implication all too obvious. Ananya’s instinct was to laugh at the joke (the timing really made it funny) but she also wanted to come to Jude’s defence.

Meanwhile, Jude threw a napkin at Jobe, completely unaffected by the banter, returning his brother’s playfulness.

Ananya reached out for Jude’s hand, squeezing it lightly.

‘Football. We started with football, and moving to Madrid.’

‘And bad Spanish.’

‘Yeah, that too.’

They smiled at each other fondly, reminiscing their first meeting in that sweet little cafe, and Jude leaned in to place an affectionate kiss on her cheek. Jobe leaned back in his chair, observing the two, but mostly his brother.

‘And then he blackmailed me with my love for RM.’

‘Guilty as charged.’

Jude raised his hand all too dramatically, as he proceeded to narrate the Clasico & Zidane story.

It was less than 2 months ago, but somehow felt like they had known each other for a lot longer.

The evening went by pleasantly, with good food, good company and good conversation.

When they were having dessert (Jobe & Ananya, coz Jude still had a match left before the break so he had like 2 bites of the pudding), Ananya asked what she thought was a harmless question.

‘So, anyone special in your life?’

Jobe stilled, unsure how to answer that, and Jude looked down, smiling to himself.

She again looked between the two brothers, trying to decipher this unspoken language, and wondering why it was such a complicated question.

Then, an unpleasant thought hit her. What if the brothers had more aspects in common, like their approach to women? What if Jobe was how Jude used to be (before he met her)?

But the boy was 18, EIGHTEEN, for crying out loud.

Though Jude was like that at 18 too. She had never gone into the specifics of his earlier life but had gathered enough to know it had been like that from 16-17, since his meteoric rise to fame.

She secretly hoped it wasn’t true for Jobe, who she saw more as a kid, as Jude’s baby brother. Jude would know of course, she could ask him later but she really didn’t want this piece of information.

Damnit, why did she have to bring up this topic and make things uncomfortable? The boy would think she’s nosy, like many others who must ask him such invasive personal questions. She shouldn’t have assumed it was a simple question; nothing was simple with these boys.

‘I’m sorry…..’

‘It’s complicated…..’

Both spoke at the same time.

Ananya quickly took control of the situation, desperate to put this behind them.

‘Conversation for another time, yeah?’

‘Yup.’

Then she gave an irritated side-eye to Jude, who was still smiling to himself and hadn’t offered to help her or break the awkwardness in any way. Far too amused for her liking.

It was already 10:15 - 90 mins had flown by.

Wine, exhaustion and lack of sleep started to take its toll on her. She yawned, but quickly covered her mouth to not let it show, and started to walk around the living room to regain some energy.

‘Hey you guys were playing FIFA?’

‘Yup - we started when you texted you were gonna be late.’

‘Who won?’

‘Half-time. I’m up 2-0.’

Jude beamed, while sticking out his tongue to Jobe.

‘Please. He cheated, like always.’

‘I know right. He cheated with me too - no way I would have lost like that otherwise.’

‘Don’t wanna say sore losers but…..’

Jude shrugged. And the other two stared at him, thoroughly unamused.

‘Oh shut it. I’ve beaten you way too many times for you to be so smug.’

‘Ummm no you haven’t.’

‘You even checked the console once when you lost 4-0.’

‘Hit yourself in the head or something? Don’t know what you’re talking about.’

‘Oh you don’t wanna admit in front of her, is it?’

‘There’s nothing to admit.’

‘You and me - now. Let’s finish the game.’

‘You’re on. That ok with you, dove?’

‘DOVE?’

‘Just zip it.’

Ananya was seated on the couch, going between the two like a tennis ball, realising she had accidentally opened a pandora’s box. Clearly another thing in common between the brothers - tough competitors, hated losing, especially when it came to any football related stuff.

‘I mean, yeah, fine with me.’

‘Cool.’

They moved in sync and sat on either side of her on the couch. Determined to make the other eat his words. Their large frame making her feel like a minion.

She noticed how they hid their hands from the other, to not let any hint slip by. This was going to be a hard fought war.

‘Gimme a good luck kiss.’

Without waiting for a response, Jude dove in for a quick peck on her lips.

‘That’s not fair.’

‘Yeah? Go get a girlfriend then.’

‘Isn’t it funny how you’ve NEVER said that to me or ANYONE before?’

Jude knew what Jobe was implying, and that he was right. His previous thoughts on relationships was definitely not something he was keen to discuss right now.

‘Just shut it & play, you donut.’

‘How’s donut even an insult? Seriously how do people call you smart & mature & ahead of your age?’

‘Because I AM THAT.’

‘Yeah, so mature yet doesn’t even know how to drive? You’re embarrassing, bro.’

‘BOYS, let’s go back to the game, yeah?’

Ananya was on the verge of bursting into a fit of giggles, multiple times during their (sometimes childish) banter. But somehow managed to keep a straight face.

‘And Jobe, good luck to you too.’

‘Thank you for being fair. Unlike him.’

Jude scoffed at his brother, then looked at Ananya questioningly. She shrugged, mouthing ‘it was the right thing.’

Jude scoffed again, and physically pulled Ananya close to his side. Jobe just shook his head at his childish antics.

An evil thought hit Jude then.

‘Jobe - why don’t you tell her what your fav team was growing up?’

‘Birmingham. Duhh.’

‘I mean, outside of Birmingham, you jerk.’

Jobe went quiet.

‘Ananya - can you guess?’

Jude had no intention of letting this go.

But how was she supposed to guess this?

‘Ummm United? Liverpool?’

‘Nope.’

Jude just looked victorious, while Jobe was avoiding her gaze.

Then it hit her why Jude would be asking her that.

‘NO.’

She turned towards Jobe, feeling betrayed.

Surely not that god-forsaken team. Not Madrid’s most bitter rivals. Not the club Ananya detested with a vengeance.

‘OH YES.’

Jude giggled next to her.

‘It was just for a year or so, like when I was 10 or something.’

Jobe muttered sheepishly, somehow sad about losing her favour.

‘He even had a jersey. Wanna guess which one?’

‘OH GOD NO.’

‘Hey, that was a gift from my friend.’

‘Coz you loved him so much.’

Ananya just slid even closer to Jude on the couch, as if physically repulsed by the revelation. Jude gave himself a thunderous pat on his back. While Jobe looked at his brother with disgust, which Jude paid no attention to.

‘Like I said, it was just for a year.’

Jobe just left it out there.

‘It’s fine.’

Ananya recovered from her initial shock, realising it was childish to hold that against him. Or anyone. She was still sticking to Jude though, subconsciously, which he liked very very much.

15 mins into the second half, the score was 2-1. A very tense, intense battle.

But she was struggling to keep her eyes open. It had been a long day, and a super long week. Her head leaned against Jude’s arm and Jude slid down into the couch so she could put her head on his shoulder. Which she gladly did.

Jobe smiled to himself, not laced with sarcasm this time. He had just never seen his brother so attentive with a girl before. It was a different look on him, a good look, suited him somehow.

Ananya fought hard to keep her eyes open, but 5 mins later she was fully gone. Out like a light on Jude’s shoulder. Both her hands loosely wrapped around his elbow.

Jude paused the game, and Jobe yelled ‘what the fuck’ but shut up immediately when Jude shushed him, looking at Ananya’s sleeping form.

‘I’ll be back.’

Jude whispered softly, and moved carefully to pick her up. She stirred a little with the movement, her head finding its place in the crook of his neck. But his arms were familiar and comfortable.

‘What’s happening?’

She mumbled, half asleep.

‘Taking you to bed.’

‘Mmmm but the game?’

‘It’s over.’

‘Who won?’

‘Who do you think?’

‘I knew it.’

Jude smiled and placed a kiss on her forehead, while carefully navigating the stairs. Her open hair were blocking his vision but he’d never tie them up willingly.

He gently placed her on the bed, and she cocooned into her usual sleeping position. Jude tucked her in, but when he started to move away she felt around for his hand.

‘What happened, babe?’

‘You’re not coming in?’

‘Jobe needs a few things. Be back in a bit yeah?’

‘Ok, come soon.’

Jude kissed her forehead and she smiled in contentment, falling back to sleep in next 15 seconds. He turned down the lights and quietly made his way down.

The game somehow didn’t seem as important anymore.

They finished it off soon. Jude won 3-2. A hard fought win. But he didn’t rub it in Jobe’s face much, given the way he was sulking already. In fact, Jude reached over, grabbed his face and gave him a sweet peck on his cheek. Jobe didn’t pull away from the warmth and comfort that was his brother. A steady presence by his side, always.

‘Hope I didn’t put you in trouble.’

Jobe said as they were wrapping up to go to bed.

‘Nah, its fine. And I got you back for that.’

‘Yeah that was evil.

‘Evil genius you mean.’

‘Just evil.’

‘Meh.’

Jude picked up her bag, her phone and some of his stuff as the brothers went up the stairs.

‘She’s nice.’

Jude turned back and smiled. Jobe smiled even more looking at his silly face.

‘She is, isn’t she?’

‘Who are you and what did you do to my commitment phobic brother?’

‘I honestly don’t know.’

‘It’s crazy though. Like look at you, bro. No one else knows?’

‘Nope.’

‘Didn’t think you had it in you to keep a secret for so long. Especially from mum.’

‘I think she kinda senses though, but just letting me be.’

‘She always lets you be when it comes to girls.’

‘Don’t start complaining now. She lets you be too.’

‘Rubbish. She refuses to acknowledge I’m a grown adult.’

‘Coz you don’t act like one.’

‘Please, like you had to talk to her when I wanted to take that trip this summer.’

‘Coz you are her baby.’

Jude shifted the stuff in his hands to put his arm around Jobe’s neck, pulling his brother into his side.

‘And mine too. You’re everyone’s baby.’

‘Stop calling me a baby.’

‘Then stop having that face.’

They mock wrestled for 30 seconds, before falling into a hug.

As they were about to enter their adjoining rooms, Jobe grabbed Jude’s arm.

‘You look happy, bro.’

‘I am happy.’

‘Then I’m happy for you.’

Jude gave him another kiss to his cheek, and Jobe just smiled affectionately at his overly touchy brother. Jobe was convinced Jude would die if someone tied his hands for a few hours. He couldn’t function without grabbing / hugging / touching the people he was close to.

‘Tell me what she says about me.’

‘Even if it’s bad?’

‘Yeah. But we both know she liked me, despite the fiasco you tried to cause.’

‘We’ll find out.’

‘Have you told her yet?’

‘Told her what?’

‘What you feel about her.’

‘Yeah I always tell her how pretty she is. How I love being around her. How happy she makes me.’

‘What else?’

‘What do you mean?’

‘Is that all you’ve told her?’

‘I mean - I tell her a lot of things. Good things. Seriously what do you mean?’

Jobe just shook his head in amusement. Sometimes he couldn’t understand how he was the younger one and Jobe was supposed to be the older one. His brother could be so thick sometimes, not seeing the obvious, not seeing what Jobe could see in a few hours. It was written all over his lovesick face.

But it was not his place to intervene. Not unless Jude fucks up somehow and needs Jobe to spell it out to him. Hopefully they won’t come to that.

‘Nothing. Was just saying generally. Night, bro.’

‘Night, BABY.’

‘Such a prick.’

Jobe muttered under his breath as he shut the door in Jude’s face.

Jude retuned to his room, hearing Ananya softly snoring under the covers. He really should record that sometime, because she flatly refused to acknowledge her snoring. It was cute though, so he let the sham continue.

He removed the covers to see if she managed to get up & change. But she hadn’t. Still out like a light. It was a torture not being able to do what he wanted with that dress, and with her.

But he’ll have to wait till morning.

The stockings looked super uncomfortable to sleep in so he decided to take those off. He had wondered all night how high they went up her legs. Turned out they went super high, till her upper thighs. He reached for the ends, and slowly pulled them down, one by one, letting his fingers graze her legs in the process. Then he lifted her fitted dress up to her waist, letting her have some flexibility to move her legs while asleep. The whole thing he didn’t wanna take off, not wanting to test his restraint that much.

Morning couldn’t come fast enough.

When she felt the bed dip next to her, she automatically moved towards the source of that movement, into his waiting arms. He pulled her into his side, letting her find a comfortable spot to snuggle into. The sound of her soft snores and the feel of her soft body lulling him to sleep, despite a certain part of his anatomy demanding his attention. He willed that part to calm down, promising it enough attention in the morning. Right now, what he had in his arms was more important.

Jobe’s words rang in his mind.

Yes, Jude was happy. He was very happy being with her.

...................................................................

There you go.

Honestly, after the events of last few days, I didn't think I'd come back to writing this soon. But your messages brought me back. I love love love reading those. Thank you so much for all the love you shower on Jude & Ananya.

And yes - Ch 15 is clear in my head too :)

#jude bellingham #real madrid #bellingham #jude #jb5 #jb #jude bellingham smut #jude fanfic #bellingham x reader #star crossed lovers #jude bellingham fic #jude bellingham imagine #jude bellingham one shot #jude bellingham blurb #desi girl #jude bellingham angst #jude fic #jobe bellingham

69 notes · View notes

ravixen · 1 day ago

Note

ùhi!! can you do a hip hop team reaction to the other members teasing them for having an obvious crush on you? thank you so much!! <3

svt + teased for their obvious crush

➔ reaction || requested || hip hop unit

➔ warnings: none || 0.9k words ➔ notes: fluff ; heya, thanks so much for sending in this request! it was super fun to write - knocked it out so fast. pls reblog if if you liked it!

SEUNGCHEOL: it's a gamble teasing him because sometimes, he'll turn to you with an annoyed frown and you'll know you fucked up, or sometimes he'll turn to you with a frozen smile and you'll know you fucked up. but when it comes to his obvious crush on you, the members will take their chances because when will they ever get to see him squirm uncomfortably like this again? when he talks to you, he really turns on the charm: boyish smile, well-timed hair flips, low chuckles, and cutesy reactions to everything you say like he can't decide whether to be cool or cute. behind you, mingyu and soonyoung exaggeratedly mimic his actions with mingyu pretending to be you and soonyoung pretending to be a johnny bravo version of seungcheol...while somehow not being far off. when mingyu pretends to faint into soonyoung's arms, falling perfectly into a fake dip kiss, seungcheol's expression darkens and you look over your shoulder to see what all the fuss is about. luckily, soonyoung shifts mingyu into a loose chokehold and you write it all off as seventeen shenanigans. that was close, though, and his members' survival instincts must kick in because they bow with a flourish and hightail it out of there. they wisely don't cross paths with seungcheol for the next 24 hours.

WONWOO: he's actually really good at schooling his expression into one of nonchalance in front of you. if seokmin comes over and tries to be annoying, wonwoo is a pro at grabbing his ear and turning him away without breaking conversation with you. you have no idea what's going on, but seokmin seems to be taking it in stride, so you do, too. it's only when you walk away that wonwoo's mask fades and he's left burying his face in his hands, his bright pink ears giving him away. he's a fun one to tease because unlike with seungcheol, there's not really any repercussions, though it does take some practice to know exactly how to push his buttons. what gets to him is persistence. some people get bored with how he doesn't react, but it's because he learned that if he bites his tongue, they'll eventually stop and leave him alone. and so far, it's worked...but not with his members. seokmin has nothing but patience when it comes to dumb things, which is why he promptly plops into your seat when you're gone and rests his cheek on a fist. he peers up at wonwoo with wide, innocent eyes and mocks everything wonwoo's been saying with a baby voice, speaking even with wonwoo's hand over his mouth.

MINGYU: you'd think that he'd be used to all the teasing since he's literally been the victim of seventeen's bullying loving for a decade, but he still remains susceptible to the psychological damage. does that mean he has a strong mentality or a weak one? it could really be argued either way, but he doesn't have the brain capacity to think about that right now; he's too focused on listening to you vent and the way your hands are flying everywhere as you describe the asshole that cut you off in traffic today. "man, that sucks." seungkwan nods in sympathy before elbowing mingyu. "I know someone who would love to be a personal chauffeur if that meant helping out and seeing you everyday." he loves seungkwan. he also wants to strangle seungkwan. luckily, you don't notice the way he freezes. he supposes that he has to count his lucky stars that you're way too oblivious to catch onto his feelings. if that's how his friends act in front of you, imagine how they act in private. whenever he's video calling with you, he tries his best to ignore how his members make kissy faces behind his phone. he literally pulls his phone in close, crowding the screen with his forehead, just in case you see their actions in a reflective surface. but who can blame them? he's such a good sport about it, and his reactions are funny.

VERNON: his fake laughs are so obvious. when he laughs for real, he sounds like a dying seal, and everyone knows it. that doesn't mean that you're not funny; you're hilarious! he always has a good time with you. but when you're around, he gets so nervous that he just crosses his arms, nods along, and is like wow, that's crazy haha. though he does have his moments of craziness—he's a seventeen member, after all—he has a naturally toned down personality compared to his friends. the issue is that he overcorrects his behavior to not make his crush obvious...to you. to his members, it's apparently clear as day. anyway, this means that he might come off as so chill and nonchalant that you've gone from there's no way he has a crush on me to does this guy not like hanging out with me. or at least that's what joshua claims. after vernon's conversations with you, joshua comes over, slings an arm around vernon's shoulder, and says, in a horrible approximation of his voice, by the way, "yeah, what's up, I'm vernon haha. no way, dude, that's so wild. yeah, crazy. anyway, you wanna go get dinner some time so that I can finally put my friends out of their misery? they're sick of my poor attempts at flirting." someone stop joshua before vernon meows in embarrassment.

#seventeen scenarios #svt scenarios #seungcheol scenarios #s.coups scenarios #wonwoo scenarios #mingyu scenarios #vernon scenarios #g: svt #m: seungcheol #m: wonwoo #m: mingyu #m: hansol #t: reaction #s: request #anonymous #ravixen

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igglemouse · 2 days ago

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What's Going On In The Iggleverse?!(11/03/2024)

Hey everyone! Welcome back to the Iggleverse or as it is tagged. Sims OF OUR Times! Or Soot! This post is here to hopefully encourage those behind to just jump in since if you fall behind with how often I update it might be hard to catch up! Any ways, lets get started!

The main focus this week was on Frida, the heir furthest in her life, and she has plenty of going on including her friend dating her ex and she has no idea about it! Well, I'm sure that information will come out eventually.

Honestly though, Frida has enough going on in her current life, including her present boyfriend Pascal Alcocer. Yes, THE Pascal, one of the hottest young soccer players in the world! A future star!

With that success comes the inevitability of financial success and while Frida has some career struggles herself he suggests that she doesn't need to worry about it and can just focus on being a mother. She's not really vibing with that though. Is it a red flag?

Frida's main issue was with Martin Lucena, a local entrepreneur who has successfully shut down her food stand and even comes to her front door to brag about his accomplishment. Not even her being pregnant stops him...

BUT Pascal stops him! His traditional values might mean he fits Frida into a box she might not want to be in but the plus side is, well, he's willing to fight for her. I do not think Martin will be seeing Frida anymore...

Which is good because she is due any day now, any minute now, and any second now! I am expecting to post 8.4 sometime this week! Will we meet our first potential heir then?!?!

As for Gracelyn the last time we saw her she was at some strange ritual where...well, who knows what was going on. Either way, her man of Destiny, Niklas, was busy putting some kind of ward of protection on her house and who knows why?!?!

And Niklas continues to impress. Randomly coming over and doing chores and in general just being a stand up guy. Is this relationship really fated to be?

I was supposed to post Zer on Friday but delayed it since I enjoyed my Halloween night instead so this means very likely monday you will get Zer!

Frida 8.4 is also certain to be released...

And also...Zer might not be the only new heir releasing this upcoming week.

So it should be a week for the Iggleverse! Thank you all for the comments, reblogs, and likes the past week!

#The Sims #The Sims 4 #ts4 #Sims #Sims 4 #sims legacy #my sims #generation 1 #soot #sims of our time #soot summary

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lovesjill · 1 day ago

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favorite neighbour

JACK CHAMPION - JACKBER - NOV.3ST - M.LIST

warnin: everything is safe here, headcanons and maybe one shot

_______

you lived next door to the champion family. the family consisted of only two people and a cat. anna champion and her son jack. nothing is known about anna's husband. your family was on very good terms with the champion family, but not you and jack. he irritated you to the core.

all because this idiot's room is literally next to yours, and you constantly see each other from the windows of your houses. and it irritates you so much, because this idiot is constantly looking at you.. you always thought that he was some kind of pervert, but luckily there were curtains and you always covered your window with them.

_______

neighbour!jack champion who constantly spies on you and watches what you do, he always likes to watch your actions.

neighbour!jack champion who is constantly trying to get your attention, even just one look from you makes him happy.

neighbour!jack champion who secretly asks your parents about your hobbies and interests because he wants to get to know you better

neighbour!jack champion who leaves gifts for you every day, either under your window or in your school locker. flowers, chocolates, notes. he just wants to make you happy and smile. he has been your secret admirer for a long time

neighbour!jack champion who really likes you and wants to get closer to you by any means and soften your attitude towards him

neighbour!jack champion who comes to your house and brings various sweets and pastries that his mother prepared for your family, he actually brought it to you so that your cold attitude towards him would at least melt a little

neighbour!jack champion who enjoys your pouty face when he comes to your house. he also enjoys you hiding behind the wall while your parents praise him and accept treats

neighbour!jack champion who tries to get up very early and tries to leave the house at the same time with you to go to school with you, keeping you company. he always denies it and says:

«I-I did it by chance.. it's just a coincidence that we left at the same time!»

neighbour!jack champion who sometimes gets sad because you hate him so much and don't go to see him. he thinks it's because of his clingy side, he always tries to please you.. but he likes you too much. or it's because of his profession as an actor, maybe you think he's an arrogant star and can hurt you. he often wonders why you don't like him so much

neighbour!jack champion who always helps you and drops everything he's doing. are you hurt? he's always there and will help you with your wound. do you not have enough money for something? he's always there. are you having problems at school? you know he's always there. sometimes you just can't refuse his help and you have to accept it

neighbour!jack champion who loved you with all his pure and tender soul from the very first time you met. he simply cannot hate you, every day his love only becomes stronger and stronger

neighbour!jack champion who can no longer stand your attitude towards him and can't stand the fact that he can't confess his feelings to you. so one day he finds a moment to talk to you but you ruined the moment and you had your own plans

_______

«you! stop being such a suck-up all the time! i don't need the help of a stupid actor neighbor! do you think i don't see the real you?! you're an selfish and haughty bra-»

you are immediately shut up, and... in an interesting way. he kisses you and pulls you towards him, placing his hand on your waist and the other on your cheek.

you in shock

«I always loved you, that's why i'm always there and helping you» - jack said in a gentle voice, moving away from your sweet lips, you are still in shock and cannot utter words

_______

neighbour!jack champion who started dating you the very next day, because you both finally figured out all your feelings for each other. he was very happy to finally achieve mutual love from his neighbor girl

(you actually apologize to jack for your behavior for a long time, and said that you won't do it again. jack at one time assured you that he never took offense at you)

sorry, i have a busy schedule right now. i go to school tomorrow.. 😭 i will try to post chapters on time, i will also post the masterlist soon. by the way, jack looks so much like his mother (if anything, her name is really anna)

#scream #scream vi #jack champion #jack champion x reader #jack champion x y/n #ethan landry #ethan landry x reader #ethan landry boyfriend #ethan landry headcanons

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supersaiyanjedi14 · 3 days ago

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SABEZRA WEEK: Day 6 (Nov 2): Stars

*For ten years, the stars separated them. For a few brief moments, they were reunited. Now, one seeks to cross those stars one last time.

For most of Ezra’s life, the night sky of Lothal was the only one he had ever known. The visible constellations, the twin moons shining down, even the way the clouds obscured the night lights. All of this had been as constant to who he was growing up as his name. Seeing that sky again for the first time in a decade should have been one of the most welcome sights imaginable.

But something critical was not here. Or rather, someone.

As Ezra looked out into the twinkling blackness, all he could think about was how Sabine was not here to share it with him. Right now, she was underneath a very different sky with very different stars, ironically one he had also become extremely familiar with. He had already known that Sabine had stayed with Lothal all this time, but he hadn’t really appreciated until now how much she had made the planet into a new home for herself, standing post for him to finally come back. Now here he was, but without her here, the victory felt hollow. Instead of standing here at the top of his old comm tower, gazing up into the beauty of the Lothal expanse alongside him, she and Ahsoka were still on Peridia, a literal galaxy away and just as able to get back home as he had been.

He had hoped that the stars would be what reunited them. Instead, they had returned to what they had been for the past decade; a cage with thousands of twinkling diamonds for bars.

His senses picked up a presence approaching. Without even turning back, he could tell who it was. As saddening as it was to not have Sabine back here with him, the three other faces he had missed so badly had gone a long way towards lifting his spirits. The warm, gentle aura of Hera Syndulla announced her approach before she even stepped off the lift. He did not turn to greet her even as the door slid open and the sound of her boots came clicking across the floor.

“Not going to give me advance warning?”

Ezra let out a light chuckle and finally turned to face her. Beyond the age lines and the flight jacket she now constantly wore, she was almost completely unchanged from when he last saw her, a sense of permanence that had been a relief for him. “Didn’t want to rub it in.”

“Funny,” Hera smiled, “Kanan always tried to pull the same modest act.”

“So you’re probably sick of it?”

“On the contrary, I find it endearing.”

Ezra laughed and turned back over the railing, the night sky just as flawless as ever, the light pollution of Lothal City notwithstanding. A twinge of sadness reentered his mind as he thought back to his master, the man who had been as much a father to him as anything for four years. “I wish he was here. I could really use his help.”

Hera sighed. “So do I.” she walked over and placed a comforting hand on his shoulder. “But,” she said, pushing her own clear sorrow away with the practiced ease only a mother at war could do, “I have a feeling he’s not the only one you’re missing right now.”

Leave it to Hera to pick up on what was bugging members of her crew. “I can’t help it. I’m finally home, but it feels like it was for nothing.”

“Don’t say that.” Hera said it sternly yet gently. “You just said it, you are home-“

“And she’s… they’re not.” He corrected himself mid-retort. He didn’t want to come across that he was only worried about Sabine. Ahsoka was stuck out there too. “It took all that effort just to bring me home, and now they’re stuck out there too, Thrawn’s back, and we’ve got next to nothing to work with.”

“Which is why we’re working to figure out how to address the situation,” said Hera, “something I think we can both agree will go better once you get some rest.”

“But they’re-“

“Ezra,” Hera interrupted, now turning to look him in the eye. It was baffling to be so much taller than her now yet still fall under the same effect of her gaze. “You can stop being noble for a moment. I know you do care about Ahsoka and bringing her home, but she’s not who’s really on your mind and we know it.” She paused, then gestured to the tower. “I should know. I saw the same stuff from Sabine here all this time.”

Ezra blinked for a minute. “She was?”

Hera smirked. “You two are a lot alike, after all. And more importantly, it is because of Kanan that I understand how you both feel.”

Ezra knew there was no use denying it. He lowered his head for a brief moment, the rose up to look at the stars again. “You know, those stars kept us apart for so long. Now we’ve just switched places.”

Ezra felt Hera’s arm wrap around his shoulder as she pulled him into a comforting one-armed hug. “If being a pilot has taught me anything, it’s that stars are never a wall. They’re a road, one we all travel down.” He turned to look into her loving face. “That road will lead Sabine back to us. Back to you. I promise.”

Ezra grinned. She was right, of course. After all, she had found her way to him in the first place. And if anyone could find him again, it was Sabine Wren.

#star wars #star wars rebels #ezra bridger #sabine wren #hera syndulla #sabezra #sabezraweek2024

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anominous-user · 5 months ago

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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