#also there is always fic

[justfriendsbestthings]

‘Had a really bad week so I dropped a load of money on Omar Rudberg to make myself feel better and it always works’ - a guide to irresponsible financial decisions by mimiwhatsherface

[iamanartichoke]

I don't know who needs to hear this, but as a creator -

I am fine with "the audience" -

downloading my fics

printing my fics

copy/pasting or screenshotting my fics

sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3

making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss

doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc

I am not fine with "the audience"

doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity

feeding my work into ai for any reason whatsoever

Save the fandom things. Preserve the fandom things. Respect the fandom things.

Enjoy the fandom things.

[bizarrelittlemew]

i can't wait to be 30+ and still in fandom and i can't wait to be 40+ and still in fandom and i can't wait to be 50+ and still in fandom and i can't wait to be 60+ and still in fandom and i can't wait to be 70+ and still in fandom and i can't wait to be 80+ and still in fandom and i can't wait to be 90+ and still in fandom and i can't wait to look back on my life and know that i loved things deeply and passionately and was inspired to create and was part of communities with incredible people from all over the world brought together by the stories that touched us

[lil-lemon-snails]

don't let him hear you say that!

[ash-and-starlight]

The world needs more Yue and Zuko friendship, I squeal just thinking abt the parallels. They deserve a life changing field trip together and if u have abt ideas I’m all ears 👀

Hiii anon this ask fermented in my inbox and in my brain for so long,, so take this??? Post canon yue lives/no war au arts?? Anyway aside from the Parallels and their political position & their duty before hoes grindset I think they could learn a lot from each other. With zuko learning the gift of patience & diplomacy from yue & Yue learning that allowing yourself to feel anger and speaking up can actually be Good.

anyway hypothetical life changing trip outcome: zuko takes an intro gender studies class and yue says fuck

(oh and also must not forget the crush on sokka)

[sp0o0kylights]

“Dustin isn’t coming.”

“What?” Eddie says, all frantic and jovial movements freezing instantly.

His eyes narrow on Lucas--the bearer of bad news. “Why?” 

“Family emergency.” 

Mike makes a face. “I saw his mom yesterday and she was fine, so is this a…?” 

He makes a gesture that is entirely incomprehensible to anyone who isn’t Sinclair and his terrifying girlfriend.

(At least, Eddie thinks Max is Lucas’s girlfriend this week. It got a little hard to keep up after the third break-up-make-up marathon, and he frankly, stopped bothering to try.

It helped that she barely spoke--The only time notable being when Eddie had mockingly asked Sinclair if he needed a cheerleader when she’d first sat in, upon which she’d asked Eddie if he needed new kneecaps with a look in her eye that said she was serious.)

Wheeler Jr.’s gesture however, made her put her book down.

“You think he’s having migraines again?” She not so much asked as demanded, which had Mike shrugging. 

“Dunno." Lucas says. "Dustin didn’t say.” 

“Gotta be, if he called Dustin.” Mike mutters, Lucas shuffling his papers about as he begins to set up for Hellfire. He was the last in the room, practically late, which Eddie had planned on harassing him for had he not announced Henderson’s absence. 

(Fucking freshmen. They just weren’t terrified of Eddie like they used to be.) 

 “Robin must be sick or something, otherwise he’d call her.”  Lucas finishes as he finally sits down. 

“Didn’t the Marching Band go on some trip?” Mike turns to address the rest of the table, and gets nods from Jeff and Gareth both. 

“Yeah they’re marching in some parade in Indianapolis.” Jeff confirms. 

“So his last resort was Dustin?” Max is getting that tone in her voice, the one that makes everyone at Hellfire very uncomfortable. “Typical.” 

She pushes away from the table, making a show of gathering up her things before rising easily to her feet.

Eddie trades looks with the elder Hellfire members as she makes her exit--the kind that says they’re all going to be talking about this later. 

They knew their freshmen had some weird obsession with the former King, of course, but Mayfield too?

What the hell was up with that guy?

At least Eddie thinks, right before things are once again shot to shit, they can go back to playing the game.

He can make it work this early into things, and if Henderson isn't’ a fan of what he’s about to do to the kid’s character in his absence, well. 

Maybe he shouldn’t be fucking absent then. 

“So what, Max, you're gonna go over there and make it worse?” Mike snorts. 

Fatal mistake.

Eddie almost strangles him for it, if only because it prolongs this entire unnecessary conversation. 

Max performs a military perfect heel turn, coming straight back for Wheeler Jr., which makes him right about fall out of his seat in panic. 

“What was that, Wheeler?” 

“I’m just saying--!” 

“We don’t know Steve’s having migraines.” Lucas reiterates, pinching the bridge of his nose. “Maybe it’s something else.” 

“Does Steve get migraines a lot?” Grant asks, because despite all appearances he’s a terrible gossip and gets sucked in far too easily.

Eddie throws a pencil at him for it. 

“Hel-looo, we have a game!?” He thunders, but unfortunately for him, precious Stevie-Weavies headache now has everyone’s attention. 

“Yeah, though he’s really good at pretending he doesn’t.” Lucas answers with a put upon sigh. 

“There’s a whole pattern--he ignores it until it gets super bad, then he has to call Robin or Dustin to come get him when he inevitably gets stranded at work or the like, grocery store.” 

“Well who else do you think he’d call?” Mike scoffs again. He does a lot of that, when discussing Harrington. “It’s not like his parents are--Ow, Max!” 

“Close your mouth before I close it for you.” She hisses and Mike, shockingly, does just that. 

To Eddie, she says; 

“Your ass isn’t any better, or did you forget I live across from you?” 

Eddie--who had an insult primed and ready--promptly shuts his mouth.

(Fucking! Asshole! Freshmen!) 

“Maybe I should go too.” Lucas says, hedging a look between his girlfriend and his DM. 

“No.” She snaps, pointing a finger at him.

 “If you go, then this idiot,” she flicks her finger to  Mike, “will go and then we really will make it worse. Stay here before your bichon frise has a fit about all his sheep abandoning him.”

Then she’s turning on her heel again, storming out. 

“What the hell’s a bichon frisé?” Gareth asks in the aftermath, frowning. 

“It’s a type of ahhhh--” Jeff clearly thinks better of the explanation, eyes sliding to Eddie.

Who’s scowling.

“I know what a bichon frisé is, Jeff.” He snaps. 

“I don’t.” Grant loudly complains. 

Jeff attempts to both calm Eddie and explain while Mike and Lucas spend far too many minutes looking after Max. 

“Enough!” Eddie howls, temper finally getting the best of him. “Are we playing or do you also need to go sit by the King’s bedside?”  

“Thank you,” Mike says, like he wasn’t a third of the entire problem. “Let’s play!”

They make it about ten entire minutes before getting knocked off track again. 

In fairness, not that Eddie would ever admit it--the second meltdown is his own fault.

xXx

Hellfire is Eddie’s domain. 

It’s one of the few places where he could relax without getting harassed or hounded, and having his freshmen--his!--abandon him for King Fucking Steve had set him off. 

So he’d made a few comments about it.

Maybe introduced an NPC who sounded suspiciously similar to Harrington, only to instantly kill him off. 

Made another couple of nasty comments. 

Who cares? It worked him through his snit rather nicely, and his boys all knew to leave him be.

Except, apparently, for Lucas. 

“Dude, would you lay off?”  The kid finally snaps, pencil slamming down on the table. 

Which is the most backbone-like thing anyone has ever heard Sinclair say, and he gets far more whistles for it than he should.

Eddie pins him in place with a glare. 

“What was that Sinclair?” He snarls, voice as menacing as he can make it.

(It’s pretty terrifying, he’s practiced quite a bit with it.) 

Sinclair flinches, but doesn’t back down. 

“I said lay off. Steve has migraines because of--” He stops, before seeming to come to a decision. “Because of me. He took a hit for me, and I owe him a life debt for it.” 

To Eddie, he says; “You get what those are, right?” 

Mike rolls his eyes. “It wasn’t just for you--”

“That time with Billy was!” Lucas is quick to snarl. “But you know what Mike, you’re right. It wasn’t just for me. He T-boned a car for all of us!” 

Sinclaire is on his feet now, which is the unfortunate moment that Eddie realizes he has once again lost control of the room. 

A situation he firmly blames on Steve Harrington, because he’s petty. 

“Or did you forget that part? That’s you, me, Will, Nancy and Jonathan right there! Nevermind the tunnel. Or the junkyard! 

“We had the junkyard handled--”

Lucas scoffs. 

“We absolutely did not.” 

“I don’t get why you’re all making such a big deal out of this. He’s the fighter. That’s what he does. That’s why we brought him to the tunnel.”

“You recall what happened at Starcourt, right?” Lucas challenges, furious. “You did see him after, right?” 

This, finally, seems to shut Mike up. 

“Shouldn’t you be mad at him for that?” He says after a moment, and the rest of Hellfire has completely put aside all actual gaming to watch this play out with a morbid sort of fascination. 

Eddie allows it, only because he’s trying to breathe the way Wayne taught him to before he loses it entirely and throws both of the idiot kids out of the drama room. 

“He pulled your sister into it.”

“Have you met Erica!? You can’t pull her into shit!” Lucas spits furiously. “That wasn’t D&D, Mike. It was the Upsi--real life.” 

Lucas is quick to correct himself, even in the heat of the moment--as all the kids are, like the entire school hasn’t clocked that they have some weird ass secret they’re terrible at hiding.

“And if we’re playing those games, then who pulled him into the tunnels? Who made him come to the junkyard?”

“Dustin.” Mike says snidely. 

“You don’t get to blame Dustin when Steve was the only person around.” 

“There were people around! They just weren’t people who--weren’t--who couldn’t--”

“Finish that sentence.” Lucas demands 

“Be trusted.” Mike spits out, like it hurts him. 

“Exactly.” 

“El went through way more than Steve ever has! El--”

“El was using her po--doing mage things! And also, she shouldn’t have had to go through all this shit either! We can’t rely on her to save the day every single time, Mike--and look at how hurt she gets!”

“She--”

“She hides it from you, you know. How bad she hurts. Cause she wants to put your feelings first.” 

“I--”

“Will does too.”  Is Lucas’s parting shot. His backpack is in his hands in a blink, papers and character figure shoved wildly into it, before he’s storming out the door in a poor mimicry of Mayfield.

“Harrington T-Boned a car?” Grant says, in the resounding silence. 

“That BMW of his hasn’t had a scratch on it--” Jeff says, with an inquisitive tilt to his head. 

“He didn’t use the Beamer.” Mike interrupts, angry and sulking. “Are we playing or not?”

“I’m gonna say not, given we are down two players.’ Eddie tells him through clenched teeth. 

“I’m going to be so mad if Steve doesn’t have a migraine.” Mike grumbles, as he begins packing up his stuff. 

The rest of Hellfire follow his lead, after one look at Eddie’s face convince the lot of them that it’s best to flee now, before Eddie unleashes all his pent up rage. 

“Not as mad as I’ll be, Wheeler.” Eddie promises darkly.

And it is a promise--because now, he’s going to follow all his stupid (sans Mike, who isn’t in his good graces either but at least stayed) freshmen--and go visit one fallen King.

If Harrington doesn’t have a headache now, he will when Eddie’s done with him.

[tinartss]

first (and only) crush

[faunandfloraas]

Honestly I think a lot of people who have never made a gif for tumblr don't get that it does actually take time and effort, its not just rip it from a video and post it- you have to download the video, in my case I have a video player installed that grabs continuous caps, figure out what parts you need, you have to open those in photoshop or gimp, depending on where you got photoshop you might be paying for it every month and then on top of that is actually sizing, cropping, colouring, sharpening, adding text, etc. etc. like it is something that takes time and effort for which the only real reward is creating something that makes you happy and hopefully people reblog it with a nice or funny tag, so maybe keep that in mind the next time you think gif makers are being mean or unfair for being upset about reposts. It is its own little artform that is fairly unique to this website, and that's a big aspect of why I have always loved tumblr, if all the gifmakers stopped posting things would be a lot more boring around here.

[technically-human]

To relive a death

@williamvapespeare commissioned me to draw anything with the boys being gentle to each other and Edwin comforting Charles in general, so we went with this!

The idea of a character who is dead having to go through it once a year is very dear and near to my heart (how many dead blorbos do you have, I hear you ask. Too many) but at least these two have each other

[baeshijima]

hmmm.... thoughts about composer!reader, whose pieces are always created for and featured in mr reca's films/projects.

people aren't sure when it first started, but in the release of one of his prior films was an ost. of course, it's not unusual to have music in such projects, but that one had felt... different, somehow — in the way its composition struck the chords of many, with billions across the cosmos instantly scouring for who made that piece.

it, of course, didn't take all that long when your name was featured in the credits. however there was barely any information aside from your name and credentials. (seriously, how could there not even be a single photo?!) no one knew what you looked like for quite a long time, only ever recognising your name and your music; even despite the numerous interviews, mr reca had never disclosed anything about you other than your talents. it came to a point where everyone believed they would never see your appearance.

well, until all hell broke loose during the annual intergalactic film awards, that is.

everyone already knew the drill — if mr reca had directed a film that year, it would undoubtedly win the adapted/original screenplay, cinematography, directing, production design, sound, music (original score and song), and film of the year awards, which also led to you winning both the music awards. usually, the composers would be the ones to collect said awards. however, the masses have become used to mr reca being the one to collect them on your behalf with thank you's also on your behalf.

that's how it's been ever since you made your mark in the universe, and so it really is understandable the uproar created by those in and out of attendance when the one who went collect the two awards wasn't the esteemed director, but a completely unfamiliar person; you.

you are definitely younger than they originally thought, having believed it must have been someone of a senior status of sorts to have consistently created such masterpieces. all eyes are trained on you as you step on stage and into the limelight for the first time, the light enhancing your features and formal attire when approaching the mic with a small flashcard in hand. your mouth opens, and the audience leans in with baited breaths as they await your first words.

...only for nothing to come out.

everyone watches a little dumbfounded as you try to talk once more but, aside from gaping like a fish, your efforts remain futile. it doesn't take long for you to clamp your mouth and eyes shut, even raising the awards in front of you in an attempt to shield your face from the crowd.

you... you were just really shy. or maybe a little...socially awkward, perhaps...? if this was the reason you never showed yourself, then they're beginning to understand why...

it passes in a blur — quite literally in that of brown. one moment you are alone on the stage, the next you have the presence of the renown director standing slightly in front of you, as though acting as a shield from the many prying eyes.

"apologies," he begins, his usual smile on display, "but my dearest composer has been suffering with a sore throat these past few days. on their behalf, we thank you all kindly for your support in our work."

and then he swiftly leaves with you tucked under and shielded by his coat, murmuring unreadable words to you as you both disappear backstage and leave everyone in a state of frenzy; to both those inside the ceremonial hall, and to those watching live elsewhere.

(it was only discovered after the awards ceremony concluded what the director had said to you, with the uploader being dubbed as a holy saint for their contributions to society. while the visual aspects of the video itself were not the clearest, barely anyone had it within themselves to complain when the audio was clear as crystal:

"and here i thought you were going to be brave and face your stage fright after all that pep-talk you gave yourself on the way here."

"i'm sorry... i really thought i could do it this time..."

"now, now, i'm merely teasing. you made a big step just making an appearance here today. i know how much courage this took for you, and i'm proud of you for facing it."

"really...?"

"but of course. i'm always proud of you, [name]. there is not a moment where i haven't been.")

(it also was not long until the cosmos was taken by storm when various pictures snapped during the awards ceremony spread. the millions of candids featuring you were one of the most liked and shared, with the top spot joined by the sequence of pictures taken of mr reca's soft expression when watching you onstage, into his realisation of your predicament, into him running onstage and shielding you from the cameras when making your way backstage.)

(...the drastic influx of fan accounts dedicated to both you alone and to you and reca should really be a studied phenomenon.)

[carrotanikerok]

so Bill had read Statement Abnegation if you had't read it then GO AND DO IT RIGHT NOW. RIGHT NOW I'M SAYING- also ford had read it too.

[ghostbsuter]

Danny had been around Gotham for a while.

The crime was never ending, but since Batman's arrival, it had gotten better.

The unmistakably CLANK! From around the corner had him jump, wary now. The man walks around the wall, eyes on the black car with— with Batman's symbol at the front.

A child sitting on the ground with a car tire next to him, the Bat Symbol a stark contrast to the shadows.

"Shit, kid. You're bold to rob Batman." Danny didn't really realise he was speaking until the kid looks up, spooked.

"What the fuck?" The kid was clearly of Gotham breed, yelps with a glare.

"I'm impressed," Danny doesn't give the kid the chance to talk, not with the way the tiny terror seems to be glaring and holding his wrench.

"You're quick, got eyes for details and know how to work around cars."

The suspicion in the kids eyes didn't lessen, having gotten up to press himself against the wall, eyes never leaving Danny.

"Here," Our local spook threw a card on the hood of the car. It was his business card.

"If you need income with far fewer risks than stealing from Batman, call me."

He didn't really wait to see the kids reaction, just leaving, bot before shooting a look into the sky the kid clearly caught.

As danny left, the kid looked at the entrance of the alleyway, back to the car, and then to the card.

They had talked for too long. Jason had to leave now, lest Batman actually caught him.

With one last look to the tires and the car, he leaves eith a scowl.

Just barely missing the man with the cape.

[cjlouwho]

Make It Ours

aka the one where Tommy asks Buck to move in

It started a little ridiculously. Buck didn't usually decorate his place for Halloween, but in his excitement over Bobby being back he'd gotten way too much for the firehouse and had a lot left over. So he took some paper bats home and hung them from his ceiling.

That should have been the end of it.

“We've got enough candy for a small army, I'm sure,” Buck said, resting his head on Tommy's chest, a hand softly rubbing over his pec.

“We don't really have any kids that come out to Harbor. A few of the kids whose parents are on shift will stop by, but that's about it.”

“Were you a Halloween fan growing up?” Buck asked, chills running up his spine as Tommy's fingers massaged his scalp.

“Oh yeah. We didn't really have the money to afford costumes, but I'd make stuff from old sheets or clothes that didn't fit me anymore. There was one year where-” Tommy stopped suddenly, and Buck looked up at him to see him staring out over the loft. “Are your bats animatronic?” he asked.

Buck's eyebrows furrowed. “What?”

Tommy nodded his head in their direction. “They're moving.”

“Oh,” Buck glanced back briefly. “Probably the air coming on. Makes them swing sometimes.”

Tommy halfway settled back into the bed, but it didn't last very long, because soon enough one of those “decorations” started flying directly into the bedroom. Then there was another, and another.

“Evan, you have bats!” Tommy exclaimed.

“I- oh my God, I have bats!”

Ironically, Tommy did not love all things that flew. Buck had known this since they went to the zoo two months into their relationship and ventured into the butterfly exhibit. That's when he saw Tommy dripping with sweat, barely taking a breath and clutching Buck's hand until he asked what was wrong.

And now, watching a 6'2 man made mostly out of muscle race to put on a shirt and shorts, foregoing underwear completely, so he could duck out of the loft with a yelp was truly fascinating.

The fact that he only stopped briefly to give Buck a kiss and tell him to grab his things and meet him at his place was the icing on the cake.

That man was inside me twenty minutes ago, Buck thought, a baby bat swooping above him. He felt nothing but pride.

Within an hour, he was bringing a suitcase and work duffel into Tommy's place. Tommy, on his part, had emptied him two extra drawers to go along with the one he already had there. He'd made space for him in the bathroom as well, and cleared a section of the kitchen counter because, “I figured you'd bring some of your cooking stuff with you.”

He wasn't wrong.

It took a few weeks for the bat issue to be resolved, due to the fact that Buck's landlord was out of town and no one else seemed to know what to do.

Once the place had been cleared of the bats, it took extra time for Buck to be able to air out his place and clean the droppings that had been so graciously left behind.

It didn't help that he had a pretty busy schedule, taking extra shifts before he knew he'd have a bat problem.

Eventually, Buck ran out of reasons to keep himself at Tommy's place.

One morning, as he got ready for his 24 and Tommy got ready for his 48, he decided it was time. “I think my place is now free and clear of everything the bats left behind,” he said, pouring coffee into Tommy's travel mug, then swapping it out for his own. “I'll be able to pick up all my stuff after my shift and get out of your hair.”

“Hm," Tommy hummed. "You should just move in here." It was so nonchalant it sounded the same as when he ordered his usual from the taco bar down the street.

Buck froze mid pour. “I- I should what?”

“Move in with me,” he repeated with a shrug, “if you want.” He walked over to Buck and pressed a kiss to his temple. “Think about it, Babe. I gotta go. Love you.”

“Yeah, I- I... I love you too.”

Tommy grabbed his mug off the counter and headed out the door, leaving Buck feeling like a deer in headlights.

Part of him wanted to chase Tommy out the door and ask, “How dare you ask so casually?!” The other part was eternally grateful Tommy exited briskly and gave him time to think it over.

Because, wasn't it too soon? He'd only ever done this moving in together thing one other time, and that wasn't exactly for a good reason.

They'd only said I love you for the last couple months. The words still sounded new, still made his heart swell every time they came out of Tommy's mouth. Still blushed when he said it back.

And did Tommy actually mean it? He did have a dry sense of humor that was sometimes easy to miss. Maybe this was one of those times. It was just a joke and he was meant to brush it off with a laugh.

He wasn't sure how long he actually stood there with a half filled mug of coffee in front of him, but eventually his phone dinged and pulled him out of his thoughts.

Stop panicking. Yes, I meant it. Seriously, just think about it.

Buck rolled his eyes, but couldn't help the smile that rose on his face.

Hate you. Be safe.

He only had to wait a few seconds for a reply.

Love you too. You be safer.

*****

“I'm kind of freaking out,” Buck said as Maddie grabbed her lunch from the fridge.

“Why are you freaking out?”

“Tommy asked me to move in with him.”

She paused briefly, eyebrows going up as she stood at the counter. “Really?”

“Yeah, yeah. Wh- Why really? You think it's too soon, don't you? It's too soon. That's what I thought when he asked, well suggested is more like it. He suggested I move in, and then told me to think about it, and then he left for work and then I left for work. And he told me not to panic and that he actually meant it, but-”

“Buck, I didn't mean anything by my really,” she interrupted, reaching out and squeezing his hand. “Honestly, I figured that was gonna happen once you stayed with him during the whole bat thing.”

“Really?” he asked, surprised. “I- I mean, you did?”

“You already spend more time at his place than your own. The bats were taken care of, what, almost a week ago?”

“Yeah.”

“And how many nights have you stayed at your place since then?”

“Well... Well, I had to work a couple of those days,” he tried to reason, “and then it made more sense to go to his place because we wanted to see each other but we were both tired from work.”

“You don't have to explain yourself, Buck,” she assured him. “I'm only saying it's not actually all that surprising.”

When Buck didn't look any more relieved than when he'd come into the call center, Maddie continued, “Have you made a pro/con list?”

He pulled a piece of paper from his back pocket and laid it on the countertop for Maddie to take. “Of course I did.”

She picked it up and read it over. “Great butt is number three? Did not need to know that.”

“It- It's a very detailed list,” he replied seriously.

“I can see that,” she agreed. “Although I can't help but notice there are no actual cons on this list.” She slid the paper back to him.

“That's why I'm freaking out.”

“Is this a bi crisis?” Josh asked, walking into the break room. “Because, if so, I feel like I should be involved. Also, I've been listening and I have something to say. May I?”

Buck nodded his head, resting his hands on the countertop. “Please. I- I could use all the help I can get.”

“Great. First of all, why are you trying to talk yourself out of it?”

“Because... Because, seven months ago I didn't even know I was bi, and then there was Tommy. And it's been great. He's funny, and kind, and he listens, and he's so hot-"

"Okay," Maddie waved for him to move on.

"Even when we argued, you know, we stuck around and worked it out. It's the healthiest relationship I've ever been in. It's the happiest relationship I've ever been in.”

“God, this sounds awful,” Josh deadpanned.

“Yeah, listen, Buck, if you don't want him I'll take him,” Maddie added with a smile. “I don't think Howie would mind.”

Buck grinned. “I'm just saying, it all seems so fast. I keep trying to think of reasons to say no, or wait a few more months, but I- I can't.”

“Okay, maybe you can't think of a reason to say no, because there's no good reason to say no,” Josh replied. “How's it been staying with him while the bats took over your place?”

“It's... It's been great. I thought there would be a big adjustment, but there really wasn't. He hasn't seemed bothered by my stuff being there, and it's been nice having someone to, ya know, come home to,” he added, a blush rising on his cheeks.

“Have you had any of the big conversations yet?” Maddie asked. “You know, kids, marriage, stuff like that?”

“Mhm. We agree on everything.”

Josh glanced at Maddie before replying. “I really don't see the problem here, Buck.”

“You don't think it's too soon?”

“I think,” Josh sighed. “I think life is really short, which you probably know better than anybody. And if Tommy makes you as happy as it sounds like he does, then you're the only one stopping you from that happiness.”

Buck rubbed the back of his neck, letting out a deep breath. “Sometimes, I still feel like a fraud,” he admitted. “Like it all came too easy. You know, I- I've heard how rough it was for Tommy to come out and all the crap he went through for years. I figure out I like guys and get a boyfriend in the same day, six months later he's asking me to move in and I can picture my entire life with him.”

“I think that's your brain messing with you,” Josh said. “Because to me, it sounds like you've had thirty-three years of searching for something that feels real, and good, and settled. And you've found it with Tommy.”

Maddie nodded. “I agree. He's good to you, Evan. Everyone can see you two love each other. I can honestly say I've never seen you happier or more sure of yourself. You don't need to doubt that. You need to let yourself have a win.”

A smile started to grow on Buck's face. He was pretty sure he'd already made up his mind, but there was still one thing that worried him. “What if it doesn't work out?”

“Then you do the opposite of what you're about to do,” Josh answered simply, “and you move back out.”

*****

Tommy already knew Buck was at his place before he got inside. The giant Jeep in his driveway was always a dead giveaway.

Half of him expected Buck's things to be neatly packed up by the door, ready to move back into his loft until his lease was officially up.

The other half expected him to be sitting on the couch with a downcast look on his face that said I'm not ready to move in with you without having to actually say it.

What he didn't expect was the door to swing back on him due to it slamming into boxes.

Once he managed to hold the door open and scoot inside, he looked around at well over twenty boxes that were littered around the entryway of his place, leading into the living room.

“Evan?” he called out, a smile already on his face.

“Here!” he exclaimed, exiting Tommy's bedroom and hurrying down the hall. “Here, I'm here! So-” Buck paused briefly to give Tommy a peck on the lips, then continued through the maze of boxes as he headed for the kitchen, Tommy following behind. “This isn't everything, obviously, but I don't actually think I'll be bringing all that much from my place. The bats pooped on a lot. Like, a whole lot. Plus, I like your furniture. The kitchen will have to have some new appliances, but I already ordered what the bats, you know, pooped on. You need to let me know what appliances have a family history for you- if that's a thing- before I throw them out. Some of this stuff is, well, it's terrible. Why don't you sharpen your knives, Tommy? Mind blowing. I know the boxes are kinda a mess, but I didn't want to unpack without you because that feels like me just taking over, ya know, and I don't wanna-”

Buck was stopped by Tommy grabbing hold of his hand and pulling him in close. He wrapped his arms around Buck's waist, and Buck's arms rested over Tommy's shoulders.

“I'm guessing this is a yes to moving in?” Tommy asked, nose scrunching up in a smile.

Buck let out a deep breath, grinning back. “Yes. It- It's a yes.”

“You didn't freak out too much?”

“I didn't freak out at all,” Buck protested weakly.

“Evan.”

“Okay, I freaked out a little,” he replied, ducking his head, “but not for the reasons you think.”

Tommy tilted Buck's chin so their eyes met. “What reasons?”

“I... The fact there wasn't a reason to say no. I- I freaked because it felt like it should feel too soon, but it didn't. It doesn't. It feels right.”

That's when Tommy leaned in for a kiss far less chaste than the one Buck had given him when he opened the door.

“Do we have to start unpacking tonight?” Tommy asked when they parted, resting their foreheads against one another.

Buck shook his head. He brought his hands to the nape of Tommy's neck and drew him in again, his tongue parting Tommy's lips. Clumsily, they began making their way toward their bedroom without letting one another go.

“Maybe we could work on christening the place then?” Tommy suggested, his nose brushing up against Buck's cheek. “For good luck or whatever.”

“Mmm,” Buck moaned, grabbing at the hem of Tommy's shirt and pulling it over his head quickly, tossing it on top of a box. “You have the best ideas, roomie.”

Tommy snorted at that, his head tossing back in laughter. “God, I love you.”

Somehow, they managed to make it to the bedroom, and Buck gently pushed Tommy down before crawling over him, leaning down to whisper against his lips, “I love you too.”

[beannoss]

So I've been thinking about them:

Specifically I was wondering what the moment was (if there even was a specific moment) that cinched it for Twilight developing feelings for Yor.

[Spoiler warning: this post references manga chapters not yet animated]

I think for Yor it's pretty quick. Like, this moment here:

Not that Yor fell in love with Twilight then (ymmv) or that she's fully aware of her feelings, but it's explicit that she felt connected to him here and attached in meaningful ways.

But for Twilight, it wasn't so clear. For a while I'd kind of decided that it just came over him slowly (and I think there is something to that) and that there wasn't any singular moment which stood out. But that didn't feel quite right. The more I thought about it, the more I thought there were two stand-out moments, only one of which Twilight actually (semi-)clocks.

The first, which I think passes him by entirely, is this:

In my view, this laugh is an entirely authentic response. I think he is, despite himself, delighted by this woman who 1. just unexpectedly saved him from being stabbed, and 2. did it by sending the guy flying across an entire alleyway.

This is accentuated in the anime, I think, by the jaunty, puckish music that makes up the first part of their marriage theme song. I am dying for the reappearance of this music in some fashion, btw, it's so fun and cheeky and I'm hoping foreshadows their vibe after various revelations and particularly when they start working together as Agent Twilight and Thorn Princess:

The second moment for Twilight, I think, is more subtle for all it's more impactful. Or at least, the degree of its importance passed me by on initial read/watch, and I think it's deliberately downplayed by Twilight himself. Because he does actually clock it but if he looks more closely at it, well... then he might have to do something about it. And maybe that something won't comport with what the mission needs, and then what?

It happens when Twilight first bugs Yor, and then poses with Franky as SSS agents to test whether she knows Yuri is with the SSS.

It's clear in the lead up that Twilight recognises he has some feelings about/for Yor, and he doesn't want to spy on her; he doesn't want to mistrust her at all. He has to convince himself to take seriously that she may be a potential threat.

And even then, the convincing only sort of mostly works, because he hesitates again:

Which is, by the way, bananas. At this point, they've been a fake family for maybe a handful of weeks? Twilight is an experienced, accomplished spy with a finely honed and necessary sense of paranoia. Of course he should be suspicious. Her brother is an SSS agent! Canonically, the SSS are both Twilight- and SSS self-described as Twilight's greatest existential threat. It shouldn't be a question whether or not to verify Yor's knowledge here. And yet.

We all know how the rest plays out. He decides that listening in isn't enough, he needs to confront her insofar as he's able. I wrote previously about Twilight's relationship with Anya and the pivotal moment for him in how his view of his relationship with Anya changes based on Anya's (and Endo's) choices. I think a similar thing happens in this scene with Yor.

See, it would have been enough for Yor to continue to deny, continue to not call on Yuri's help, to prove she didn't know, and to put Twilight's mind at ease.

Endo takes it further.

Y'all: THIS IS ABSOLUTELY WILD. It borders on levels of impulsive foolhardiness that Twilight should actually take as a negative for the person playing his wife for Operation Strix. Yor even alludes later to the problems this could cause!

The SSS are indiscriminate; if Yor was facing down actual SSS agents, first assaulting and then threatening them would 100000% land her in custody. Were it not for Yuri, it may even get her disappeared, based on how casually and frequently Yuri references having people executed. It would absolutely put the Forgers at risk, in general and in the implicitly sexist Ostanian society, because if Mrs Forger behaves this way, how does Mr Forger behave? And why can't he control his wife? The Secret Police are not known for their leniency, their modesty, their discerning, their temperateness, their mercy. They are known for the exact opposite of those things. And due to being a spy, Twilight probably knows they're actually much worse than even their public reputation.

And here's Yor saying: you can question me but if you threaten my brother or my husband, I will fucking end you. Bodily.

Of course, it's entirely in keeping with her character, and it's an entirely revealing moment of who she is. And I think this is the moment for Twilight. He's already been trusting her bit by bit, as he says above, intuitively. I'd suggest that maybe even more than that though, Yor taps into something Twilight deeply wants: backup. Someone and somewhere safe. Maybe we could describe a person fulfilling that role in an adult relationship as a partner...?

It's because he doubts his intuition (his wants, his feelings, things he shouldn't be countenancing) that we get to this point where he (overzealously) tests her.

She blows his test right out of the water.

The SSS are basically the group he fears most; this is reiterated throughout the story. He doesn't trust them specifically because of who he is and also just generally. He doesn't trust their judgment. He doesn't share their values or their priorities. He doesn't like them around. He doesn't like them looking. He doesn't like being anywhere near them. (Also, he's right.)

And here's Yor. Not only standing up to them on his behalf but actually going on active defence on his behalf.

(I pause here to note 'on his behalf' is a bit, mm, tricky, since it's actually technically on Loid's behalf and I have Thoughts and Feelings about Twilight & Identity. But for the sake of the impact of this moment on Twilight, we'll take it as writ that in this moment there's no appreciable difference between Twilight and Loid.)

I think from here on out, it's incredibly difficult for Twilight to ever doubt or distrust Yor. He perceives her as firmly in his corner, that if the chips are down — if his worst enemy and his worst fear come knocking — she'll be on his team, unflinchingly. He may not think there will be much she can do (heh.) or much she can offer given the power of the SSS and her civilian status (I reiterate: heh.), but it matters that he believes that she'll be by his side.

And you know what? He's right. She will be.

That isn't something he's had since he was a little boy. Even WISE doesn't seem to offer that to its agents, given Nightfall's thought here:

Twilight's had to rely on himself for decades and now here's this astonishing woman who will threaten the Secret Police for his sake. Of course he trusts Yor. Of course this moment widens the cracks in his barriers. And further: of course those cracks start to reach into those walls deep, deep inside that protect his heart. This is all before getting to other moments, like when he reflects on how Yor is creating a better world in ways he (thinks he) can never aspire to do himself. That she loves Anya openly, freely, with such dedication, to the point of sacrificing her own needs. That she just never gives up, she persists and persists and persists, always doing her best. That she reminds him it's okay to accept peace and to rest. That she wants and tries to take care of him... On and on and on.

Of course we get to this point:

I'm particularly taken with his body language a little later in the scene. He manages to get himself to sitting but he's still sprawled, open, even as he can't wrap his mind around what exactly is happening or why, and he's feeling vulnerable for all that. But at the same time, this is Yor. And she's safe.

In my view, if the Mole Arc hadn't happened immediately between this moment and the earlier where Yor declares herself unhappy, it would have been clearer how much stress he felt specifically due to Yor's apparent sudden unhappiness with their arrangement. The stress got subsumed (conveniently, ahem, Endo) into the stress and violence of the Mole Arc, but I think it rattled him pretty profoundly. It's also additionally why her warm greeting hit him as hard as it did: relief across multiple lines, such that he had to remind himself not to relax, despite Yor's apparent return to normal.

And there may be added layers to Twilight's reactions to Yor's bad moods due to his familial history, as pointed out by @unhappy-sometimes in this post; the inverse, of course, is that Yor's general good-naturedness would add layers to Twilight's sense of security with her. And the apparent loss of that, all the more devastating.

Rounding out the original moment though, I think this in many ways demonstrates the point:

Twilight throws away the bug. That is also wild. It isn't like that bug could only be used on Yor; it wasn't somehow modified to only respond to her person. It was a device that could be used and reused on different targets, on people who actually are worthy of being bugged, etc. But instead of pocketing it for later use, Twilight throws it away.

Actually: he not only throws it away, he crushes it first. Perhaps because he couldn't stand to have that particular device around, the device he used when he doubted Yor?

Seems kind of irrational, Twilight.

Seems kind of telling.

I mentioned my last Twilight meta about his relationship with Anya: in that, I suggest Twilight recognised entering into a compact with Anya, which subtly modifies, for him, the motivations around Strix. I think something like that happens here, too. If Yor is willing to go to such apparent extremes to protect him, he'll do his utmost to protect her.

I've had this meta in my drafts for a while, but I'm chuffed by this panel from the most recent chapter, as it kind of underscores all this by Yor's positioning of herself:

(Of course the point is there isn't a dichotomy: they'll protect each other, as indicated by Yor's if I had to choose: she won't have to choose.)

Back to Twilight, at this point, he can still justify all this as being within mission parameters. Of course he should protect Yor: she is an innocent civilian and if anything happens to her it would threaten Strix. But if/when this line is tested, if/when there comes a point where protecting Yor is actually the option that may put Strix at risk or put him somehow in opposition to WISE, then we'll see.

And more importantly, Twilight will see, too.

[crustycrackhead]

Gideon always liked the way Kremy looked when he smoked, but like in an ironic way, of course. Noticed how the burning embers perfectly reflecting in his golden eyes, Gideon Nathaniel Coal, was never a man of flowery poetry… but for Kremy, his buddy ol’ pal, he can’t help but think he’s as beautiful as a sunset in autumn.

Kremy and Gideon make me miserable and sad and I cry at nights for them— I don’t need them to have sex, I need them to be like… okay 😭, like damn, bitches can never win, I hate them, I hate them (I love them but they make me suffer)

Also this drawing started because I was inspired by this one author on AO3: Never_Eat_Sour_Wheat, @pedal-mail , I love their writing sm! They inspired me to draw this lil Drabble lol 🚶🚶🚶

[mint-fixates]

I want to make an AU where Bill was never evil but his personality is still the same outside of that so the Pines twins show up to stay with their Great Uncle Stanford and he introduces them to his husband who's just. A funky little chaotic triangle creature from another dimension. He gives them deer teeth as welcome presents and both he and Ford (who is extremely accustomed to his weirdness after 30 years together) act like that's a Perfectly Normal Thing to Do. Dipper is LOSING it, Mabel is LOVING it (she makes a necklace and earrings out of them)