#also the fact that there's three anime characters and basically none of them interact with the game canon characters
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mythalism · 3 days ago
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i'm back in the building.
i'm still on my first playthrough, slogging through it but i think i realized what it is about this game that feels more like a chore than an actual gaming experience. i talked about the cinematics and like that's a whole thing i have beef with in the world where we have mocap and also just genuinely amazing technology for animation development but WHATEVERRR.
as a person who enjoys story games even without creating my oc, like red dead 2, the witcher series, the reason i find veilguard lacking is that rook is neither an every man character (ala hawke & shepherd 🩷) nor are they an empty enough canvas to fill in (ala hof, inq, tarnished in elden ring) it kinda feels that even as a player you have to suspend disbelief for your own character.
like for example in the witcher, all of geralt's choices cross over through three games and really you can dress him & comb him how you like but the choices are story related and you can still find satisfaction in them. same with red dead 2 and arthur where the game is more rigid storywise but still, you can unlock two endings depending on how you approach arthur's personality as a person.
and the crux of the issue is rook is not a person. they are in every way, a video game character. the infantile gameplay (left off from the mmo no doubt with no tactical view, quest summaries, limited "loot" boxes, no interaction with fauna, no actual crafting just upgrading) the juvenile writing / "storytelling" (telling fans to interpret the plot however they want, trick saying it's possible the evanuris aren't even all gone which renders the entire game pointless if we did all that and elgar'nan is in turkey getting new veneers fitted.) the fact that rook is basically woe. storyline be upon ye. (taash's identity being chosen for them ???, telling either low app, high app, or rom inq what to do w solas and yes the dialogue option of yay let's save him! also exists w low app inq?? which is to say to stop solas isn't the same as having low app but they didn't even let players choose that lol you can still change inq's mind)
like the whole game is an mmo without the multiplayer aspect. the storyline is loosey goosey because well most multiplayers are bc they go through rancid updates and additions (fallout 84 comes to mind specifically, and considering how badly that flopped idk how bioware saw the reception and went yay!!!!! lets do that!!!) and all your companions prefer to interact w each other than you because well. yeah. you're a player. you're not playing a character, you're basically playing yourself or at the very least a very conceptual idea of yourself in this fantasy realm.
anyway i have a nuke enroute to ea's HQ. that's all 🙂‍↕️
i just read this like an old man reading the morning paper, sipping coffee and nodding along like 🙂‍↕️ mhm mhm 🙂‍↕️ 🙂‍↕️
i completely agree with all of this and it really clicked for me how much the multiplayer bones of the game impacted the story and choice specifically. like obviously ive known about the multiplayer foundations for like 5 years and how it’s sooooo clear in the gameplay but this just made it click for me that it’s literally to blame for the story too… of course none of the choices are truly significant. multiplayer games fundamentally cannot have significant choice that affects the world because not everyone will make the same choice. the only MMO I’m super familiar with is ESO and when i think of the choices you’re allowed to make in that game versus what you’re allowed to do in veilguard…. yeah. they’re both shallow, and usually only cosmetic. it makes sense to me that the choice like minrathous vs treviso is pretty much just cosmetic, and then it takes content away instead of adding something new. the companion choices seem to really only manifest in some new banter? except for maybe emmrich? like it’s so clear that they had this multiplayer foundation, which is mutually exclusive with meaningful player choice, and then were told to build a single player RPG on top. it was literally an impossible ask.
also hard agree on everything you said about rook. i literally hate rook LMFAO they are so nothing - like a voice acted MMO character… i do want to play the game a second time but i want to play a veil jumper elf and genuinely the fact that my dalish elf character would have the dread wolf in her back pocket and just never ask him a single fucking question on anything that she and her entire culture have devoted their lives to figuring out and learning is so fucking infuriating I cannot stand to put myself through it
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cassioppenny · 11 months ago
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i think the problem with pokemas to me is that there isn't actually that many interactions between cross generation characters. like it's a huge crossover game but red and silver haven't interacted ONCE???? you barely see characters becoming friends with characters outside of their game not counting the ocs. they haven't even the obvious interactions like irida meet bw era ingo. like. that's such an easy cool interaction and im fucking sick and tired of pla submas shit.
why bother with a crossover if the characters just usualy stick around with the other characters from their game
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archoneddzs15 · 4 months ago
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Sega Mega CD - The Laughing Salesman
Title: The Laughing Salesman / 笑ゥせぇるすまん
Developer/Publisher: Sega / Compile
Release date: 17 September 1993
Catalogue No.: G-6006
Genre: Point & Click Adventure
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A Mega CD game based on a 1989 anime based on a Fujiko Fujio manga. Basically, this game is a point-and-click adventure based on a black humor series that plays off human weakness, carelessness, and stupidity for comic effect. The game features three unrelated episodes, each focusing on a different character, and each with multiple endings though none of them could really be described as "good". The game proceeds mostly in standard adventure game style, with the only real interaction being dialogue choices or clicking on objects to investigate them, though there are a handful of minigames sprinkled throughout that will also affect the story outcome.
Overall, I had a tiny bit of fun with its wacky speech and story, though I have to comment on the fact that the graphics look like something out of an Amiga CD32 game. This game kind of reminded me of games like Beneath a Steel Sky, maybe a touch of Dark Seed perhaps? All audio and music are not coming from the CD, by the way, which is kind of a shocker considering it is coming on a disc! This explains why I could not find any hidden CD digital audio tracks in it.
In regards to the manga and anime, I actually enjoyed it a fair bit. It's no Naruto, but it's definitely not Boku no Pico either.
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regallibellbright · 2 years ago
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Since you would like lists, ignoring the top three because I agree they’re obvious, organized by game and then major character status rather than me scoring them any particular way beyond “the main cast and then these two specific supporting characters I might be willing to rank above an actual playable character” for the following reasons:
Shiki: Attentive to detail; attachment to a beloved childhood stuffed animal she’s implied to have somehow permanently brought to life and carries around as a comfort object; willing to make someone strip in the street (even if no one can see them) because his loose button was bothering her SO DAMN MUCH; *gestures* Everything about her identity crisis and fight with Eri
Joshua: Special Interested in Shibuya so hard he became its god, which lets him avoid people; low empathy; fan of a children’s property that’s designed in the style of Yu-Gi-Oh! or Pokemon and therefore total autism bait despite the fact that he is at minimum five years older than the target demographic; spends an entire week infodumping; I’m just gonna reiterate the “became a god to avoid people” thing because I feel like that’s important enough to bring up twice; also lets him avoid having an uncomfortable conversation with Neku as a bonus
Beat: Struggles with school and parental expectations; impulsive and emotional; high empathy; remembers people by defining aspects of their appearance and presentation rather than names (and none of them really seem to relate to their FACES, more like hair color); spent like a week being mistaken for his dead best friend and didn’t stop wearing the mask and hoodie to make himself more identifiably Not Neku despite it actively bothering him he was being mistaken for Neku; cannot recognize the original Mr. Mew’s species despite accurately and consistently calling Shoka “Kitty Girl” and I feel like that’s. Something.
Rhyme: Hacker deliberately designed not to fit into gender binaries with a love of aphorisms that feels a bit like using scripts. Like, all of that’s kind of self-evident, also side note that goes without saying but trans swag points can also easily just go in the autism swag points bucket too.
Rindo: Into Pokemon Go equivalent; struggles with in-person interactions versus text ones; anxiety; unironically finds Motoi’s whole thing inspirational and uses them as scripts; he, Fret and Nagi spend the whole week failing to notice when people are lying to them because they’re taking people at face value (except for the whole “You’re dead and have psychic powers” part) and that counts for all three of them but I feel like Rindo gets extra points for the Motoi thing and the “didn’t realize Shoka was Swallow” one
Fret: I can remember comparatively few reasons that are exclusive to him at the moment, but he combines a lot of things from Rindo, Nagi, and Beat and that still adds up to autistic swag. Also, canonically spends the entire game masking. Might be convinced that his “Kweh?” thing’s an echolalia bit or something
Shoka: Everything I said about Rindo except she figures out who Rindo is way earlier and probably also had Motoi pinged by the time the game starts; has a big comfort hoodie which she wears all the time and will pull over her head and stuff to emote with which also seems to be a bit oversized on her (given the sleeves relative to hands); Special Interested in Gatto Nero hard enough it starts her turn towards Shibuya over Shinjuku; figured out who Rindo is but had too much anxiety to actually say it until literally dying
Shooter: Is basically the protagonist of a toyetic kids’ show a la Yu-Gi-Oh or Digimon, like, basically canonically in Another Day but he’s still the #1 seed in the Slam-Off in Week 2 and has an honest-to-goodness RIVAL it still counts in mainline canon, and is therefore as supremely autistic as any given toyetic kids’ show protagonist
Kaie: Nonspeaking-of-some-variety computer expert and fortune teller, like Rhyme this is self-evident enough I can just leave it at that
Personally I might be willing to list the last two above some main cast members if I were actually ranking them properly but I’m not sure. Where does one consider these relative to each other. But I could also easily be convinced for like, almost any random character in the cast under the right arguments, this was just me running down the protagonists and then going “Okay but Shooter and Kaie are just. PARTICULARLY autistic too.”
this is going to be so interesting because the seeding will be entirely based on my own perception of each character's autism. if you want to make a case about why a certain character should be high on the list, go for it, it will make things easier for me tbh, but 3 of the 4 top seeds (neku, nagi, minamimoto) are already set in stone and absolutely not budging, so save your propaganda for them for when the tournament starts!
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rishi-eel · 4 years ago
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thinking (yet again!) about the differences between the bad batch story reels and the season seven arc and like... some changes just blow my mind because all it did, really, was make the bad batch less likable.  
lets star with the whole “reg” thing. if i remember correctly, in the originals “regs” is said twice. the first instance is by crosshair when taunting jesse in the LAAT. the second is said by hunter: he tells tech (who’s hacking into the cyber center) that he and wrecker are going to “go get the regs” (i.e. rex and jesse). that is, hunter only used it among his squad when the others were not present (much like how cody informs that the bad batch are defective clones out of earshot. these words are descriptors, but there’s also an offense associated to being referred to by them). the idea that hunter has restraint referring to regular clones this way in their faces connects, i think, to how hunter was a tad more apologetic to jesse in the original script. “he means regular clones. don’t take it personal. it’s just that we don’t always follow protocol” carried an actual sense of hunter trying to convince jesse that it’s nothing to do with him.   
it’s interesting, i think, that in a context where you have clones and defective clones, that the bad batch (as defective clones) would find a way to talk about other clones in reference to themselves in a way that normalizes their own existence. it also introduces the idea that the bad batch experience a level of disconnect, and even animosity, in regards to other clones. all that can be conveyed by only using the word twice. the season seven episodes added three more instances, and in all of them the bad batch members comfortably throw the word around the clones who “are regs.” the sense of separateness (which, again, was already established/achieved by using it just two times) is only made stronger (thus more needs to be done to portray a sense of reconciliation or coming together. the reels succeed this to an extent because that barrier wasn’t built up as high). 
so yeah in the original... wrecker didn’t say “we always get shot down when we travel with regs,” he kept quiet as he helped people out of the wrecked gunship (in fact, wrecker lost a lot of subtlety going from the reels to the final eps, which i’ll get back to). hunter didn’t fake-compliment rex with a “not bad, for a reg”! and oh boy crosshair’s comment implying that echo is worthless and expendable because he’s a “reg”... yeah that was not in the reels either. in fact, not only does crosshair not call echo a reg, the meaning of his original dialogue was completely different.
in the original, after hunter voices his suspicions echo might be dead, crosshair suggests that if alive echo could be cooperating with the enemy, making him a traitor. rex takes this as an attack on echo’s character and crosshair explains that no, he’s not intending to insult echo, by saying: “oh i don’t blame him, if i were left for dead, i wouldn’t be so loyal.” and like!!!!! that’s such a radically different line of dialogue because crosshair seems to blame rex for having left echo behind, actually. if you betrayed the republic to survive, or even out of spite, i don’t blame you even if you now present a threat to myself and my family, is such an interesting, empathetic sentiment. and that contrasts with the lack of regard given to rex, making it read like he’s condemning rex for leaving someone behind. crosshair doesn’t seem to understand, as an experimental commando clone, the pressures rex as a legion captain is under, because he’s seen a less expandable (they’re a specially trained four man team, if one dies that’s 25% of the unit gone. is there a replacement for that member? you get the idea). so you’ve got a clash between different povs, but also crosshair being shown as having a set of morals, chief among them being that you do not leave anyone behind. so remember when rex says to move out and crosshair goes “commander cody is in no position to move” yeah i’d say that’s crosshair making sure cody isn’t being left behind. when crosshair saves anakin? that’s because he saw anakin go off on his own and followed him. because you don’t leave people behind. and like... the idea that yeah crosshair is an asshole. he’s unpleasant and that’s deliberate. he doesn’t care if people like him and he’s not trying to be liked. but that he values the lives of other people and looks out for them? that makes an interesting, flawed and multifaceted character. that got lost in the dialogue change because its no longer suggested that crosshair holds these values.
as for what i said earlier about wrecker: he lost subtle, nonverbal moments through the addition of lines that are either anticlimactic or only serve to make him seem loud or ditzy in an exaggerated fashion. he didn’t laugh when the LAAT came down. he was quiet as he helped people out of the downed gunship (no comment about regs!). he didn’t say “boom” when the ship exploded in the background after he flipped it over (the difference? a character moment that’s actually cool and impressive vs something that’s corny). when wrecker comes to crosshair’s aid by picking rex off of him, there was no quippy one liner. there was no need for anything to be said for it to be understood that wrecker is acting as a barrier and it trying to intimidate rex. when he’s afraid to get onto the elevator? that’s conveyed visually through camera angles and through hunter picking up on the fact that he’s scared. he doesn’t scream (if you can call a comical “aah what is that thing oh no its going to get me” a scream) when the organic decimator almost gets him. when they walk across the pipe? wrecker doesn’t whimper or talk to himself for comfort. he is scared of heights, that’s already been established, but he’s also a grown man and a soldier like he’s keeping that to himself? like we see wrecker hesitating to walk on the ledge but doing it anyway because he has to. in a piece of dialogue that was cut, tech said “does anyone want to know the odds of us making it across alive?” to which wrecker (who’s you know already having a bad time) interrupts with “don’t even think about it, tech” (if ur curious, this exchange was replaced with: wrecker: “keep walking tech!” tech: “that’s fine, but if you fall don’t take me with you” which???? uuh weird exchange). also, the fact that wrecker was mostly dealing with his fear silently means that when hunter tells wrecker to hold on because they’re almost there... that’s because hunter knows he’s scared and is checking up on him. basically... any kind of serious moment was cheapened by having wrecker talk in them. now i don’t want to say that DBB is a bad voice actor, but his expertise is making animal noises. he’s not able to do a realistic, deep voice, meaning that whenever wrecker talks he kind of sounds like a joke. it’s fine when wrecker is actual being lighthearted and jokey, but otherwise? the emotion just does not come across as genuine, which breaks the stakes or weakens credibility.  
and god the whole plot point about the bad batch being suspicious of echo was nonexistent in the reels. the “don’t worry, echo says he’s got a plan”/”that makes me feel so much better” exchange between rex and tech is in the original, but tech’s sarcasm isn’t from doubting echo’s allegiance, it’s because they’re planning to land on admiral trench’s ship and echo having a plan (that he himself doesn’t know) doesn’t exactly soothe his anxieties. rex acts like tech’s being a big joker and playfully shoves him, telling him to get on board. which is an interesting interaction because these characters are kind of starting to bond?? as for tech and echo, they kinda become nerdy friends really quick. like when tech warns echo not to send the signal right away because he first needs to make it look like it’s coming from skako minor, echo’s like “oh yeah good thinking tech.” and when echo figures out a way to shut down all the droids at once tech is impressed and lightly shoves his shoulder. again there is none of that “oooh maybe echo’s a traitor maybe he’s with the techno union” shit. like i understand that the writers wanted to up the stakes but it falls flat because the idea of echo being a traitor isn’t credible. it does not seem like an actual risk or possibility. so all it did was make the bad batch seem like assholes, cutting away at some very nice character moments.   
ok this is a long post and you might ask yourself “but tumblr user rishi-eel, why do you care so much about the story reels, this stuff isn’t canon now” and there are a couple reasons, first, i think it managed to tell a better story overall. so the question is: why is that? because you would expect that writers reworking the plot would add improvements and not downgrades. and to be fair, the s7 episodes had a bunch of upgrades, but not when it came to the characterization of the bad batch. another thing to consider is that changes were made in the context of setting the bad batch up as future protagonists of their own spinoff series (something the original arc was not intended to do because there were no plans for a bad batch series). were the characters made flatter and more archetypal to add to marketability? was the reg/defective clone rivalry (and dichotomy, even) amplified because this separateness serves a narrative in which the bad batch are heroes and the other clones villains?  
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immaturityofthomasastruc · 4 years ago
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#10: Felix, Part Two: The Episode Itself
Here’s Part 1
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So, uh... here's the thing. I was going to divide this post into three parts, but I had to cancel the third part where I analyze the stuff involving Astruc defending the episode on Twitter, specifically a certain scene that really showed off some serious double standards in regards to the way Adrien is being written, because Astruc deleted most of his tweets regarding the episode. I wonder why he did that? I thought he wanted to expose himself publicly and interact in a peaceful way.
So yeah, instead of a big three-parter, this is going to be a two-parter, and I apologize for that. I might be able to do a third part if anyone has any screenshots of some of the tweets Astruc made after “Felix” aired. If you did, I would really appreciate it, but if not, it's fine.
Either way, let's just get this over with, because I have SO MUCH to talk about. My friend, can your heart stand the shocking facts about Season 3, Episode 23 of Miraculous Ladybug, “Felix”?
So we start off with what Gabriel does for half of his scenes when he isn't Hawkmoth, monologuing to his (possibly) dead wife, Emilie about how Ladybug and Cat Noir's Miraculous will soon be his and all that crap. Sure, he's sent God knows how many Akumas after Ladybug and Cat Noir, and they've all failed miserably, but I'm positive he's getting close to his goal.
After he finishes cleaning his and Emilie's silver wedding rings that sadly don't allow them to transform into Ultraman Ace, Gabriel goes to check on Adrien, singing to a statue of Emilie (glad to see the apple doesn't fall too far from the tree), intending to tell him that he is Hawkmoth.
Gabriel: There is something important I have to talk to you about. I think about telling you every day, but I don't know how to find the right words.
Adrien: I think I already know, father.
Gabriel: But, how?
Adrien: I've noticed how close you and Nathalie have become. If she can make you happy again, then... as far as I'm concerned, she's already part of our family.
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Yeah, apparently it's obvious that Gabriel and Nathalie are close or something, with how casually Adrien assumes they're planning on starting a relationship. I mean, it's not like Nathalie is close to Gabriel because she's his secretary or something like that.
Gabriel's response isn't any better, as he immediately jumps down Adrien's throat for daring to assume he might try to move on from his wife.
Gabriel: How could you possibly think such a thing?! Nobody could ever replace your mother! As long as she is still in our hearts, she lives on!
Even Adrien's face shows he's a little taken back by his father's brief outburst.
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Part of me likes to assume that Plagg is trying to not break out into laughter at how crazy Gabriel sounds, while Nooroo is mentally questioning the sanity of his master.
Plagg: Wow! Your father's like a piece of tomme cheese, where the rind's so thick it's almost impossible to get inside the center.
Adrien: Don't be so hard on him, Plagg. It's been a year today since Mom... went away forever.
Oh my God, just say she DIED already! Why are so many kids' shows afraid to say the D-word? How can I cite an episode of Caillou of all shows as something that that actually talked about death to it's audience in a nuanced way?
It turns out that Adrien's aunt is visiting for the day, as it's the one-year anniversary of Emilie's “going away forever”. We also learn that the gene pool in Adrien's family is so shallow, a toddler could swim in it, because Emilie's sister looks exactly like her.
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Even better, her name is Amelie. I bet the parents thought naming their kids Emilie and Amelie was hilarious for like three minutes.
And of course, she also brought her son, the asshole of the hour.
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Someone cue the Imperial March.
So Felix is finally here, and of course, he looks just like Adrien. It's almost like the animators didn't want to create any new character models for this episode, so they thought nobody would notice if they just reused a few. Seriously, towards the end of the episode, we see Felix wearing the Cat Miraculous on his hand, and none of the animators noticed it.
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So while Adrien is happy to see his cousin, Felix isn't. I'll talk more about it in a minute.
Amelie mentions that the wedding rings are actually heirlooms in her side of the family, so she naturally wants them back. Of course, Gabriel, being Gabriel, responds accordingly.
Gabriel: These rings are obviously very special to me.
Amelie: And they're very dear to me too, Gabriel. Those jewels have always been in the Graham de Vanily family, not the Agreste's.
Gabriel: We'll discuss it later.
“Yeah, yeah, these rings are priceless family heirlooms or whatever, but why can't you think about how important they are to me?”
Meanwhile, Marinette and her friends are planning on recording some messages for Adrien to cheer him up on this day, but Marinette isn't sure what to say before she decides to confess her love to him. I'm sure Adrien will get the message and return Marinette's feelings this episode... and Cliff Hanger will finally escape that cliff he's been hanging from for years.
Speaking of, Adrien and Felix are hanging out in the former's room where we learn that Felix's father passed away recently. We don't know how long, but with the way they talk about, it's clear the funeral wasn't too long ago. Keep this in mind.
So while Adrien leaves the room to get a chess board for the two to play a game of, Felix, for no reason, decides to search through Adrien's things and crush a piece of cheese that Plagg had been aging for two weeks. And here is the interaction that helps this episode go from mediocre to aggravating, just because of what they imply here.
Adrien: Listen, Plagg. Felix lost his dad not so long ago, he's probably not himself.
Plagg: I'm sorry, but there's just no excuse! You never touch my cheese, and yet, you just lost your mother not so long ago, right?
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Yes. The show is actually implying that Adrien is better than Felix because Adrien isn't acting out because his mom “went away forever”. Keep in mind, we know that Felix just lost his father, while Adrien has had a year to cope. I'm not saying he can't be sad anymore, as everyone processes grief differently, but you can't set up Felix as a foil to Adrien just because they both lost a parent, as their situations are entirely different.
Oh, and when Plagg's statement upsets Adrien, it isn't because he's angry at Plagg for making the comparison, it's because he mentions Emilie. And this argument is never brought up again.
I still can't believe this episode is basically saying that even if you lose a loved one, that's no excuse to get emotional. This isn't just a horrible lesson to teach children, but it pisses me off on a more personal level. Why?
My grandfather died last year after a long battle with lung cancer.
He had been in and out of the hospital for a few years at this point, and part of me was relieved that he was finally free of the pain. I tried not to let it bother me, as I had already mentally prepared myself for the day he would die whenever he was readmitted to the hospital. But it was still painful to go through because he was so important to me. Instead of simply telling someone how I was feeling, I threw myself into my schoolwork in an effort to distract myself from actually confronting my emotions. After seeing A Beautiful Day in the Neighborhood, a movie where the main character made peace with his father on his deathbed with some encouragement from Mr. Rogers, it made me think about how unhealthy it was to bottle up my emotions, so I started to open up more about how I was feeling. When I told my mom (who was his daughter) about why I was so conflicted regarding his death, she said it was completely understandable, as she had been an emotional wreck as well. I also talked with my therapist about how this was affecting me mentally.
What does this have to do with the episode? I don't think Felix had access to this kind of emotional support when his dad died, or that he tried coping the same way I did initially.
And the worst part is that this could have been used to teach people a lesson on how to cope with losing a loved one. Maybe Adrien could have helped Felix find a healthier coping mechanism, or simply help him open up emotionally, teaching him that it's okay to be upset when someone close to you dies, but that you just need to be honest about your feelings.
But no, rather than portray Felix's actions as a troubled youth lashing out because he's angry at the cards the world dealt him, Felix does several awful things this episode for no other reason than because he's evil, even though he has a good reason to hate Adrien and Gabriel.
So the very next scene, we see Felix has stolen Adrien's phone and is going through the messages that Adrien's friends sent him, but not before insulting his crush on Ladybug. I'm not sure if that's supposed to reflect the fandom's criticism of Adrien's crush on Ladybug, but I wouldn't be surprised if it was.
Nino's Message: Hey, my dude! I'm not quite sure what to tell you, except that, you're my man, dude! And bros are always there for their guys!
Felix: (Mockingly) “Bros are always there--” blah, blah, blah! Moron.
Rose's Message: Unicorns have a saying: even when there's nothing but gray skies and rain, all it takes is one little sunbeam for a rainbow to appear!
Felix: Loser.
Max's Message: It's one hundred percent proven, you should feel fifty-two percent happier with a healthy dose of laughter. So Markov has uploaded a few jokes for you! Starting with--
Felix: Freak.
Chloe's Message: When my mother left for New York, I felt so sad. It felt like she was... (sighs) She came back, and I know how lucky I am. So, you can count on me, my Adrikins.
Felix: Chloe. Just as annoying as usual.
And that line right there is the only time Astruc actually liked writing Felix, as it gave him the chance to satisfy his need to insult Chloe.
And then when he sees Marinette's message, he deletes it because... hell if I know
Again, this scene could have worked if it was interpreted as Felix saying stuff that he wasn't dependent on others for support and that he could easily power through life on his own, but nope! Instead, he hates Adrien's friends and only deletes Marinette's message instead of all of them simply because he's evil, heart blacker than Don Cheadle.
Felix continues to show how awful he is by dressing up in Adrien's clothes and—Oh, son of a bitch, SERIOUSLY? This is the SEVENTH evil doppelganger plotline we've had in THREE SEASONS! You're telling me this isn't doing the same thing over and over again, Astruc?
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Yeah, so Felix records some messages to send to his friends that, once again, could have worked if this episode was actually teaching a lesson about dealing with grief.
“Adrien's” Message:  First of all, thanks so much for all your messages, guys, really. Sending me messages on today of all days... (angrily) to remind me how sad I'm supposed to be feeling? Why, that's great! Really, Thanks a lot!
But because nobody ever considers how Felix is feeling, it's never acknowledged, because that would actually involve writing him with complexity.
Gabriel gets a message from Lila, who recently became one of his confidants to spy on Adrien, tells him about the fake message, and decides to use the negative emotions felt as an excuse to get rid of his in-laws. No, seriously.
Gabriel: All this disappointment might just help us get rid of our unwanted guests.
To be fair, I'd probably do the same thing just so I wouldn't have to talk to some of the people I hate at my job.
And so, Hawkmoth akumatizes Alya, Juleka, and Rose into the Punisher's Trio, who are basically just their previously akumatized forms Lady Wifi, Reflekta, and Princess Fragrance. Because why would you expect anyone to use an original character model for this episode?
All joking aside, this development raises several questions. First, why wasn't Nino one of the Punisher's akumatized? He's Adrien's best friend, so shouldn't be just as upset as everyone else? Hell, the whole reason he was akumatized into the Bubbler in Season 1 was just so he could throw Adrien a birthday party after Gabriel said no. Then there's the fact that Chloe could have also been akumatized because she's just as close as Adrien, which is another wasted opportunity here.
Second, why bring back Reflekta and Princess Fragrance of all villains? It doesn't even make sense when you consider their motifs are based off of the circumstances that led to them getting akumatized in their respective episodes. Juleka became Reflekta because of her anxiety over easily blending in, so she got the power to turn everyone into an exact copy of herself so they could understand the feeling. Rose became Princess Fragrance when Chloe destroyed her letter and perfume bottle dedicated to the prince of a foreign nation, so the perfume bottle was the basis of her powers. At least Lady Wifi makes sense as the akumatized object this episode is a tablet used to record the messages to Adrien, but Reflekta and Princess Fragrance have nothing to do with the plot of this episode, and just feel tacked on. If it was just Lady Wifi or the Bubbler, I'd get it, but this just doesn't work.
Third, what exactly is this show's obsession with Reflekta? We saw in Reflekta's first episode that her powers had a huge drawback as if either of the heroes is zapped by her, she can't get their Miraculous, like what we saw happened to Cat Noir. Yet, this is the second time this season that Hawkmoth had the bright idea to bring back Reflekta (even giving her a giant robot to amplify her powers). At least Lady Wifi and Princess Fragrance's powers worked together well (Lady Wifi could freeze someone in place, while Princess Fragrance can brainwash them with her perfume), but Reflekta just feels like the odd one out here.
Fourth, and most importantly, why did we only get to hear the line “At your service, Princess Fragrance!” A single time this episode?
So the Punishers head to Adrien's house to take their revenge, but see Felix, still dressed in Adrien's clothes, and are naturally confused. Adrien pretends to be Felix by running away while laughing evilly (so not too far off from how Astruc sees Felix), while the real Felix and Nathalie put up a good fight against the Punishers.
And then... here is the moment that shows just how skewed Astruc's view of Adrien really is.
Felix pretends to confess his love to Ladybug as Adrien, trying to force a kiss on him, making Ladybug punch him in the face by claiming that the real Adrien “would never be so pushy”.
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BULL. SHIT.
Yes, Ladybug doesn't know that Adrien is actually Cat Noir, but it's clear that this scene is meant to solidify just how Felix is far worse than Adrien because according to Astruc, he would never do that.
But maybe I'm being too hard on him.
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It's not like Adrien has ever forced himself onto Ladybug, right?
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I mean, imagine if the show just ignored something like that.
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All while trying to teach kids the importance of saying no when someone harasses them.
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Can you imagine if someone was that oblivious to their own hypocrisy?
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I'm not saying that the lesson is a bad one, but you can't call someone out for doing something bad, and then ignore one of your main characters doing the exact same thing!
Even in the context of the episode, the comparison doesn't work. We know that Felix is only doing this to make Adrien look bad, and has no romantic feelings towards Ladybug like Adrien does. Felix knows what he is doing is wrong, while Adrien doesn't. Whenever Cat Noir tries to kiss Ladybug, he is never aware that what he is doing is wrong, and while he is almost always stopped from kissing Ladybug for one reason or another.
Like when the episode tried to compare two different characters reacting to losing loved ones when there are different circumstances regarding them, the comparison DOESN'T WORK.
And to add insult to injury, Cat Noir shows up just to insult Felix by implying he doesn't have a lot of friends because of the way he acts, because why would he? After all, he's a complete loser that nobody would want to be friends with, and if you like him, you're an idiot for thinking so! At least, that's probably what Astruc was going for.
Ladybug summons her Lucky Charm, leading to a brief Mexican standoff, until Felix steals the tablet containing the Akuma, making a deal with Hawkmoth that he'll help out the Punishers as long as he gets the wedding rings. Do you hate Felix yet? Come on, do you hate him? WHY WON'T YOU HATE HIM, GODDAMN IT!?
This whole bit is completely pointless as Ladybug immediately finds a way to stop all four of them and de-evilize the Akuma.
And when it looks like Felix is actually apologizing for his actions this episode, it's naturally a ruse he put on to steal one of the wedding rings from Gabriel to give to his mom. Because why would Astruc even think of portraying him sympathetically, or at least have him learn a lesson?
So Felix stares out the window with an evil look in his eye (possibly foreshadowing another appearance), as Gabriel takes Emilie's wedding ring to wear for himself, and the episode mercifully ends.
It also means that I never have to watch this episode ever again.
Do you understand why it took so long for me to fully analyze this episode? Hell, it would have taken longer if Astruc didn't delete his tweets defending the kiss scene and how Cat Noir is totally a gentlemen unlike Satan, I mean Felix.
What else do I have to say about this episode that hasn’t already been said? Well, I do have one thing.
I’m not that big a fan of Felix.
I think he’s an okay character in fanfics, but I’m more indifferent to him and fanfics that ship him and Marinette together. I don’t know, maybe that’s because there are so many Felinette fanfics that are heavily seasoned with salt, or it could just be because I’m complete Love Square and Lukanette trash.
But just think about the fact that the scathing criticism of this episode was delivered by someone who isn’t that into Felix. That is how bad this episode is.
In addition to being an obvious mouthpiece for Astruc to yell at fans why they’re idiots for actually liking Felix, it does so by touching on delicate subject and trying to act like it’s easy to tell how Felix is worse than Adrien when the circumstances are nothing alike.
But the fact that Astruc takes a popular character just to portray him as a complete menace just to antagonize his fans is ridiculous, utterly ridiculous.
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braintears · 3 years ago
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❌ trigger warning for c*owns if you're scared of them! also t/w for b*uises and a*use. 
BASIC INFO:
 😈 full name: jakko the jester.
👺 nicknames: jak, snowball, the royal frickup. (lol jk) ⭐ fun fact: he's an ablino! 
👤 age: 19! 
🎩 gender: male. 
🌈 sexuality: home of sexual.
 👽 species: human. 
🔮 powers: none. 
🚩languages spoken: english. 
PHYSICAL APPEARANCE: 👢height: 4'9! (like me 😞) 
❄️ hair color: snow white but he wears a jester cowl/hat to cover it because he's totally self conscious about it. 
👀 eye color: icy blue. 
👻 skin color: an alabaster white. 
👁 type of eyes: his eyes are sunken and sad but they are also big and doe-like. 
💀 additional notes: his pupil's aren't black, they are a light blue. 
🤡 face details: his face is covered in colorful makeup. his lips are sparkly and dark blue. though he has a pretty face, it's also covered in deep bruises and he almost always has black eyes. (this is caused by the lion tamer, my other oc who really isn't a good guy. i'mma make a bio for him one day.) jakko also has long, feather like eyelashes. 
👚 regular outfit: he wears a pink and blue body suit that has lots of glitter and big frills on the sleeves. he wears a jester cowl with big white bells connected to the three tassels. his shoes are heeled and they're two different colors. on his neck, he wears an extremely large ruffled clown color.
 👗 sleepwear: he wears a real frilly and ruffly nightgown. it's pink and blue as well. he keeps his clown collar on when he wears it. 
PERSONALITY:
 💬 brief description: his personality is /very/ strong; he has lots and lots of emotions. he's also kind of obnoxious. the jester has a major addiction to sugar and anything sweet.
 🐔 first impression: very intense, lots of energy. you may also think he's nervous because he's constantly moving and shaking; nearly buzzing and vibrating, but that's just his overload of energy and excitement.
 🐥 once you get to know them: he'll probably bake you lots of sweets and never leave your side. he's loyal. 
🐷 default expression: a wide, toothy smile.
 🦆 alignment: chaotic good.
 🦇 habits: talking real loud and jumping up and down. 
🐛 intelligence: he's . . . not that bright. but he has a big heart so i guess it all works out! 
SPEECH:
 👾 voice description: it's loud and peppy sounding. he talks like a valley girl. (a very excited valley girl.) 
💉 swearing?: NEVER! 
💭 do they think before they speak?:
 i don't even think he thinks at all. 
LIFE: 
🎀 occupation: being a full-time jester at the carnival and always an international glamour-puss. 
💖 past reltionships: although he's very flirty, he really loves the Lion Tamer. He loves no one as much as he loves that piece of poop. doesn't mean that he isn't open for shipping tho! 👀
 INTERESTS: 
💚 likes: cotton candy, making people happy, hugging people
. 💔 dislikes: salt!
 🍔 favorite food: cotton candy, hands down. 
🐖 favorite animal: cats, rats or tarantulas.
 🎨 favorite Color: either pink or blue. 
🤢 least favorite food: seafood or anything savory or salty. 
👿 least favorite animal: ducks. 
🖤 least favorite color: duh! black. 
MISCELLANEOUS: ♫
 songs that fits character's personality:
 bubblegum bitch- marina and the diamonds 
theme from valley of the dolls - donnie warwick
 laughing on the outside - bernadette carrol
 if - bread
 send in the clowns - judy collins 
sunshine, lollipops and rainbows - lesley gore
 💖 HI GUYS, THANKS SOSOSO MUCH FOR READING!! I HOPE YOU LIKE MY FOOL !! PLEASE COMMENT OR MESSAGE ME IF YOU WANNA INTERACT W HIM !!! 💖
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I finished watching Loonatics Unleashed and I have Some Thoughts. I guess this is like a part 2 to the other post I made about the show so yeah.
I swear I don’t intend for everything I write to be an essay but whatever. It’s all under the cut. No massive story spoilers, but I will talk about episodes and will warn accordingly. (But who actually cares about being spoiled on the plot of Loonatics Unleashed?)
Alright so I finally figured out why Ace has laser vision. ...It’s kinda dumb but it’s because rabbits eat carrots(in cartoons). It’s... a reason at least. Still kinda sucks that it’s his only power when everyone else got 2 and some change. Kickass swords don’t count, even if they are magic. Seriously; Transformation. Duplication. Imitation. Tons of other “ation”s. They could’ve leaned into his trickster side but no. He eats carrots... so he got laser vision. Also he only ate carrots like three times in the show so wtf...
Okay so the pacing... improved somewhat in season 2. Don’t get me wrong there were still problems in some episodes but at least they learned how to build the stakes until the climax. They still sometimes went from zero to eighty after the opening credits, but at least it wasn’t zero to a hundred. Much less whiplash was had is what I’m saying. 
I don’t think I really mentioned the villains before but they’re uh... generally not very good. They’ve got cool gimmicks but most of the time they’re just two stereotypes and a cliche in a trench coat. Season 2 brought back classic anthro characters to be villains a few times, and while they still weren’t well written and just referenced old bits half the time... at least they weren’t dehumanized humans. 
I also don’t think I mentioned the animation so... it’s fine. It’s got cut corners but all cartoons do. Sometimes fight scenes look cool, sometimes they’re stiff. Sometimes the slapstick is well timed, sometimes it’s not. Sometimes the facial expressions match the voice acting, sometimes they don’t. Speaking of voice acting, it’s good. There’s not really anything stand out to perform in the first place but everyone does a good job with what they have. 
Okay random note before getting deeper into things... the intro themes were... not good. I swear the first song ended on a note that it wasn’t supposed to. The second song fixed that but added people announcing the characters which... is just worse to me. Not much else to say because I skipped them after the first few times. 
(Very mild spoilers for the general plots of episodes past this point.)
Ace and Lexi improved a little in the second season, but I still find them kinda bland. Ace still just feels like zero calorie Bugs Bunny. His wit is confined to being the leader, snarky comebacks, and some decent sleuthing skills... and that’s really it. He doesn’t really play around with the villains the way Bugs would. Ace was also supposed to have an arc learning to use his magic sword which... didn’t really happen. Lexi’s defining trait outside of her powers is still that she’s “the girl” which... sucks... Uh... she upgraded to Gamer Girl in the second season which while neat, amounted to nothing outside that one episode. At the very least she was never kidnapped for more than 5 seconds?(That “honor” goes to Zadavia) They also never really brought up their backstories in a meaningful way again, which sucks. 
I still like the rest of the team. Slam got an episode about wrestling that built on his backstory and was fun to watch. Duck discovered that his egg powers work differently in water which was neat and matched him being a waterfowl.(Lexi’s powers work differently in water too but it’s never brought up again). Rev is still Rev and I still love him. He got an episode about his family and struggle to impress them(specifically his parents) despite his career choice which was also neat, but I will be coming back to this episode later. Tech is also still Tech and I also still love him. But uh, every character and also me wanted to see him get out of the lab more, and then he got like a nibble of an episode to get out of the lab, and then the show was over. Oof.
Speaking of Tech, it might be for the best he hardly ever left the lab because his powers are... possibly way too effective against all the robots and machines the team fights. Now, him being “overpowered” could’ve been used as a fun writing challenge. Robot goons aren’t a good option for villains anymore. Fighting against him in a city filled with metal is harder. Villains can’t rely on simply killing him thanks to his regeneration. Fight scenes including Tech would have to be handled in a fun and interesting way. But... no. In a team with two tech guys, the one with super speed and flight comes with while the one who can control metal and literally can’t die stays behind. Oh well. Doubt they could’ve added him into more fights without accidentally dumbing him down anyway. 
Oh crap I forgot to talk about Zadavia! Uh... she exists. She’s the team’s boss who sends them out on missions. Uh... I can’t talk too much about her without spoiling what little overarching plot this show has, but just know that she’s neat, but affected by the usual sexism going on in the show’s writing.
(Character and episode spoilers past this point.)
You know, for being The Loonatics the main cast wasn’t very loony. You know who were though? Basically all the villains. Yeah I don’t wanna go there but oops here I go anyway. It’s pretty messed up that all the main characters’ zany traits were dialed down, while the defining feature of practically every villain (besides their stereotypes)is that they’re insane. I mean, if you’re looking for good mental illness rep in The Looney Tunes you’re gonna be disappointed, but at least in the shorts almost every character was a little unhinged and a bit of an asshole, making none of them stand out for those traits specifically. 
Also messed up is that a lot of the villains are disfigured and made fun of for it by the main cast. Hot take of the century, but I think making fun of people for having a big head or only one eye is... bad. Oh and if they’re a woman then they’re also judged on how hot they are. Actually all women in the show are subjected to sexist writing. I remember like one episode where women were treated with a sliver of respect for a split second and that was in the obligatory “the cast comes across an island of amazon women” episode. However since most of the time was spent painting them as villains until the “actually sexism is bad” ending, there was hardly a moment of reprieve from the bullshit if a woman was on screen. 
I’m not the best person to speak on this but uh... it’s fucked up that since literally every notable human is a villain, all the people of color are bad guys, right? Like, obviously it’s not as bad as some of the shit the old shorts pulled, but that’s like saying getting punched is not as bad as getting stabbed. It’s true... but I’m sure most people would prefer neither. 
And here’s where I bring up that Rev episode I mentioned earlier. Rev’s parents are racist against coyotes (cartoons sure love to make carnivores allegories for black people don’t they?) and obviously with Tech E. Coyote being his close friend, that causes trouble. ...Right? Uh, no. They say some racist crap to Tech, and that’s it. There is not even an attempt to correct their behavior from anyone. It’s just treated as some unfortunate quirk. In fact the episode’s conflict actually revolves around Rev’s brother, Rip. Honestly, I doubt that they could’ve handled a decent “racism is bad” episode anyway. But they could’ve also... just not brought up racism if they couldn’t handle it? I’m sure having no racism topic at all would be better than having Tech just take the parents’ racist bull crap lying down and then help Rev impress them with an invention he doesn’t get credit for. Also at one point Rev says if Tech wasn’t a coyote and a guy he’d kiss him, which has two uncomfortable implications, but this section is already too long. 
(Spoilers end here.)
Overall... yeah the show’s not very good. Of course it wasn’t. It was always going to be a little garbage. And no not because of the darker style or strange setting or any of that superficial crap. Team dynamic shows are popular and with Teen Titans doing so well WB probably thought they might as well shove out a 2 season Looney Tunes version to grab a little more cash, probably minimizing the budget to squeeze out as much profit as possible. If anyone working on the show was passionate about it, I doubt they had the budget or time to act on most their ideas. 
Still, there were things to like. There are some funny jokes throughout the show, a few of which even managed to come out of Ace’s mouth. Danger Duck was literally just Daffy and he’s always great. Ironically, Rev and Tech were the most fun to listen to, and also to watch interacting in general. Slam didn’t do much but was a sweetheart who deserves success. There managed to be some decently twisty twist villains, if only because Disney ruined my brain with their ceaseless and lazy attempts at them, and I wasn’t looking out for them in this show. And, while almost nothing was properly developed, at least the concepts and characters are fun to think about?
I can’t say I’d recommend this show to everybody, but uh... if you’re a Furry with low standards and too much free time like me, maybe you’ll like it? Just go in with low expectations so when nice things happen you’re decently surprised. 
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Yandere! Minos Griffon: Head-cannons.
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I’ve been wanting to do head-cannon’s for Minos for quite a while now, but the problem was I didn’t want to rush it and just spew out a bunch of head-cannons; because I didn’t think they’d be that great if I did that; but I watched the episode’s he was in again and with them in mind, I decided to write these. 
I hope you all enjoy these because I really love this series, The Lost Canvas specifically and I deeply believe that the characters in the anime, like Minos and, most especially, Alone, are not given enough attention. Plus I thought this would be a cool way for me to get back into writing since I haven’t written anything on here for a while. ^~^ 
Anyway, Please enjoy. ^~^ 
Warning: Due to the mentions of possibly adult subjects and dark and possibly triggering theme’s, this post is ONLY for those over the age of 18 only and not easily triggered. Minors please do not interact or read. Thank you. 
“ Entertain me won’t you? My beautiful puppet. “ 
As a judge of hell, Minos, the most sadistic and cruel of the three judges is one who delights in chaos simply because it brings entertainment for him--something that he has found increasingly difficult to find among his long life and otherwise boring duties as a Judge Of Hell-- but none more so than seeing someone or a multiple someone’s dance on the end of his cosmic strings to escape, no matter how futile that attempt may be. This only makes it all the more unfortunate for you when you happen to catch his attention, but it’s also something that at first inwardly shocks him when he finds himself interested and intrigued by a human, much less one without a cosmo.
Upon noticing this Minos will find it little more than laughable and you a passing interest who happened to catch his eye by chance when you, instead of cowering and begging for your life like the other humans, when your home was destroyed, instead stood up against him with defiance and resolve burning in your hues, how your lips curled up into a defiant snarl while you glared up at him with little intimidation and fear, regardless of how you knew he could easily kill you if he wished, despite your friends and family avidly advising you against it, something that was quickly met by anger by his men, who, outraged by your insulant tongue, quickly began moving towards you with the intent of silencing you. 
As much as he knows he should’ve simply allowed his men to kill you, he doesn’t and instead, with command clear and obvious in his voice, speaks against it, all while his gaze remains on you, his expression tinged with intrigue. Not giving any response to the confusion and surprise this causes in his men, Minos, silver eyes never leaving your face, approaches you, stopping only when he is standing directly in front of you. Primitively doing this as a test of sorts to see whether or not your courage and bravado would wither away once he stood before you, his intrigue only grows when it doesn’t, causing his eyes to narrow in amusement. Reaching out a hand of his, he takes a firm hold of your jaw amidst his cool, surplus clad hand and once he does, it’s only then that he sees the smallest hint of fear, by way he could feel your pulse quicken regardless of how that glare of defiance did not leave your eyes.
It’s then, while looking into your eyes and watching for any change of emotion, and listening to any change of pattern in your heart, like a griffon observing it’s next meal, that he comes to a decision: He won’t kill you. No. Destroying you would be too much of a waste, it would be too boring, instead, he’ll toy with you, play with you and see just how long it can take him to get fear to shine in those eyes of yours; until you're begging him for death. While he continues to hold your jaw in his grip, his lips curl into an anticipated smirk and before you can ask what he finds so amusing, his invisible strings are already wrapping themselves around your body, leaving you stunned for a long moment, due to knowing what that meant before your eyes shift back to that glare. The smirk remains, cruel and sadistic before his gaze returns to the people who had survived the onslaught he and his men had done, causing the town to be near rubble and when his gaze lands on one of your family members in particular, before glancing back at you, despite your best attempts to hide it, fear, more so for them, comes to you quickly, causing you to throw curses at him demanding he leaves them alone, to which he responds, the smirk still not leaving his expression and instead only growing as sadistic amusement dances on his tongue.
“ Whether I allow them to live or not is entirely up to you. Come with me like a good little doll, unless you want to watch as I break your friends and family right in front of you. “
It’s an amusement that only seems to be elongated upon noticing the way you deflate inside at hearing your family and friends beg the judge not to take you, including the ones who had shown courage and glares along with you but it’s a decision that you’ve already made, to keep them alive, despite how much you loathe the very idea. 
So beings your new ‘life’ although it is hardly what one would call life, stripped of your friends, your loved ones and your freedom, although Minos keeps you well-fed to keep his doll from death, the room that you are kept in at first is more so a dungeon than an actual room. Ensuring the comfort of a human is very low on the griffon's priorities after all and for a long while your sleeping arrangements will involve you sleeping on the cold floor with only your body heat to keep you warm at night. The most freedom you have is going to the toilet and bathing in the bathroom connected to your cell-like room and eating when he delivers you your food; anything else is off-limits to you to ensure no chance of escaping; and if you do try and escape, his punishments are cruel. One's which involve denying you clothes, or food until you beg him on your knees. Why he does this is simple, or at least, in his mind, as it’s to ensure you learn and accept your place as his doll and he, your master, one who gives you what you need to survive and can deprive you of them if you do not behave, it is all very dehumanizing, but a strategy that Minos believes essential, for his dear little puppet to learn proper obedience and it’s a method that slowly but surely works as, despite how much you tried to escape, defy and go against his wishes, the denial of basic human necessities atop of everything else quickly begins to eat away at your senses.
If he believes it necessary, Minos will not hesitate to break one or several of your bones with his Cosmic Marination, mostly to prove to you how powerless you are against him, or to escape him, before having those same bones mended and healed while you are unconscious, most likely due to having passed out due to the agonizing pain of the several broken bones. For a long while, Minos will purposely play and toy with you, giving you small tidbits of hope at escape, only to destroy them and then punish you for being foolish enough to believe such a thing. That this punishment is your fault. 
Yet despite how he enjoys knowing that he’s slowly breaking you down, a large part of Minos does not want to take that part of you away and have you become entirely submissive, at least, not entirely. Your courage and the will that burned in your eyes was what initially lured him to you, despite how he would never admit it, due to him being a rather prideful and arrogant man, like a certain god of death. To anyone who asks, be it his fellow judges, specters, or other gods, Minos will only shrug it off, referring to you as a means to keep him entertained, but he will never admit that his interest in you steams far beyond that of simple amusement, at least, now it does. His pride keeps him from admitting such a thing, but overtime you, his dear doll, have grown on him, very much in fact. Those moments where he will allow his fingertips to brush over your soft skin when he’ll thread his fingers through your soft, long hair; all while you're forced to sit atop his lap due to his strings; are moments that he has come to crave like the chaos that comes with every holy war. But that will be subject to change as his obsession with you, one that he will be in denial of for a large amount of time until the moment he finally accepts it, grows more and more.  
The strings will remain bound to you, but instead of you being kept in that cell-like room, you will now be kept in his private chambers, and due to how your rebellious nature and defiance has dwindled you’ll be given more freedom while you are inside of his room, but even then the threat that if you try to escape, he will hunt down and decimate your family as easily as he did your town, hangs over your head. You have no problems believing that to be true, especially with how keen he now seems to keep you by his side, often taking you to meetings he has with other judges solely to show you off. The means are cruel and sadistic, but it is one that, just like his initial treatment of you when he first brought you to the underworld, feeds into his sadistic side while also asserting his dominance once again, making it clear to you as to who the one in control is, despite his….Ill-advised but growing infatuation with you. 
How he will show you off will defer in two ways depending on whether or not you misbehave or behave. One is dressing you nicely, something that he can easily do given his authority and position as a Judge Of Hell, one of his arms being around your waist as he sits there with a satisfied and smug smirk, mentioning just how lovely you look, to both you and the other judges and the other is a far more inhuman way. Despite how he may find your stubbornness and defiance cute, Minos’s patience is not immune to coming to a grinding halt if he believes punishment is order and he will strip you of all your clothes, put a collar around your neck, and have you sit on his lap as punishment, the only thing that makes it less horrible is the fact that he sits you in a way no one can see the flower between your legs, only to whisper in your ear as you bury your face into his neck from shame and embarrassment, while his fingers thread through your hair. It is a means that quickly puts an end to any misbehavior; as you know, he can get quite creative with how he uses those strings of his.
This way of showing you off is one that is only given more cause by the irritating and annoyance he will feel; if he believes that you are acting ungrateful, especially with how kind he is now, or trying to, be to you. Letting you sleep not only in his room but also in his bed while ensuring your comfort while seeing to your needs and going out of his way to ensure that you had something to eat, instead of giving you food from the underworld. Things he would never even consider doing had you just been another human. During these kinds of displays, although you only see them as what they are, a type of punishment, your only relief is how he has yet to act on the desire you see whenever he looks at you in such a vulnerable and submissive state. Although you wonder how long it will be until that happens, despite how Minos has said, time and time again, that he’ll wait until you come to him.
If any of the specters that he commands show an interest in you, he will not be happy, but will simply give off a remark saying that it would be best if they’re interests lay elsewhere, but if that specter persists Minos has no problems putting that fool in his place. If the fool still does not get it and tries to so much as touch you, Minos’s strings will wrap around that specter's neck and snap it in half faster than you can say hell. You are his doll after all and the judge of hell does not take lightly to anyone, specter or human, trying to take what he now believes is his. 
“ You’re always so lovely when you dance for me. “
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hopeymchope · 3 years ago
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Godzilla Singular Point
I came into Singular Point with some trepidation because Godzilla’s history in anime is both very recent and extremely bad. The three anime movies released between 2017 and 2019 are easily the worst work of famed writer Gen Urobuchi and honestly contain more bullshit than I can even get into here. Those movies and this series were both Godzilla anime properties commissioned by Netflix, which didn’t get my hopes up very much. Thankfully, Singular Point is a very different beast from the anime trilogy. One could argue it’s very different from most Godzilla media, actually — at least from my perspective. And I’m still a pretty entry-level fan of Toho’s Big G, all things considered.
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Let me just warn you right up front: This smartphone-based virtual assistant is basically the breakout star of the series. 
When you think “Godzilla,” you probably don’t think “incredibly dense sci-fi concepts,” but with the big G’s first-ever anime series, the writers clearly set out to change that perception. Before the first kaiju even appears, the lead characters are plucked from obscurity and dropped into a mystery that involves fourth-dimensional time travel, physical objects that look different from all sides, theoretical math concepts, self-propagating A.I., and a whole lot more. And it’s NEVER made clear how all of it connects to the rampaging kaiju! Although we spend a lot of time investigating a red dust or sand that is very obviously tied to the monsters in SOME way, no one ever makes a connection that explains the relationship. Maybe we’re supposed to wait for a later season to connect the threads... but let’s get into the idea of “another season” later.
I like to think of myself as someone who typically enjoys hard sci-fi, but even with the characters spending loads of time trying to explain the high concepts driving the story, I was never able to fully wrap my head around what was going on in the mystery at the center of GSP. I rewound and rewatched a few explanations, but I still walked away feeling lost. I eventually settled on some vague, loose understandings of most of the ideas mentioned, but those understandings were subject to being ripped apart in subsequent scenes when I was shown or told something completely at odds with what I thought I knew. I can’t say I was ever bored with the thick, dense scientific concepts on offer — trying to find purchase with these far-out ideas kept me glued to the screen — but damn, I sure wish I was able to comprehend them.
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What do we want?! DENSE SCIENTIFIC DISCUSSION AND DEBATE! When do we want it?! AFTER THOROUGH RESEARCH, TESTING, AND PEER REVIEW!
Another weird thing about this show is that the lead characters remain in separate locations and on separate tracks for the entire duration. We have Yun — a mechanical engineer and programmer who has an amazing grasp on physics and human behavior. And we have Mei — a grad student who is deeply invested in theoretical science, UMAs, cryptids and other far-flung concepts. Both of them are basically geniuses in their fields, and even though they take opposing views of just how flexible reality is, their shared ability to think “outside the box” becomes the crucial component in solving the mystery at the core of the series. Because they don’t even know one another (despite being separated by like, ONE degree), they only ever interact via text messages and behind screen names, which feels pretty damn weird. At least  I immediately liked both of them, with Yun being the standout to me because of how his lowkey reactions to crazy shit generates a lot of humor.
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This soundtrack cover LIES; you will never see these characters in a room together like this. 
Alas, we don’t get to know the characters a whole lot beyond what we learned of them in the first two episodes. It’s not long before they’re trapped in a series of complicated exposition dumps, endlessly attempting to explain the high concepts of the show to other characters as well as my dumb ass in the audience. The fact that I liked them in the first couple of episodes carried me through more than half of the show, but I was always hoping to see them share more of themselves or just display more emotion. Anime as a medium excels at emotional storytelling. But despite the major, world-altering events the characters are constantly warning us about, none of them seem to have many emotions about said events. 
Further complicating matters is how, when major events finally occur in this show, they are often kept off-screen. One character shockingly dies, but the portrayal of that death is so piss-poor that I didn’t even realize it’d happened until someone mentioned their death in the next episode. After that vague death, I was particularly sensitive to anything that looked like it might possibly be lethal. Yet a later event that is played up as a tragic, fatal occurrence ends up... fine, somehow? It’s not clear how the character survives, because — even after one of our heroes is left screaming their name in despair as they seemingly die — nobody ever talks about or explains how he’s just fine a couple of scenes later. And near the end of the series, there’s a major transformation that occurs for one of the characters, and we never see it happen nor do we understand HOW it happened. It’s just that suddenly, this character is extremely different due to off-screen reasons that are only vaguely verbalized.
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I guess these two really bonded at some point for some reason? And what you are seeing here is literally the height of emotion shown in the entire show.
Even though the overarching story of the series so far pretty clearly wraps up in episode 13, we then get a post-credits tease for a potential second season. So the question becomes: Would I watch that?
Well... Godzilla Singular Point is a series with a lot of issues that kept me at arms’ length from it — tons of extremely confusing dialogue, highly frustrating choices in direction that lead to baffling storytelling, characters who are mostly exposition-dumping — and yet there’s still some foundational work here that I appreciated a lot. When the action occurs, it’s pretty cool/fun. And when urban destruction occurs, it can be awe-inspiring. The human characters, though little-explored, have likable and interesting foundations to them that could be expanded upon. And I didn’t even mention the soundtrack, which features a variety of musical styles combined with the classic Ifukube theme music and an OP that is an absolute banger. (I have a weakness when it comes to music; a good soundtrack can carry me through even the blandest series sometimes.) Even the core idea of centering a Godzilla series around hard science and mathematical concepts is a compelling one, I think! I just hated the execution of it; they went waaaaay too far on poorly explaining incredibly complex, mind-bending concepts for my pea brain to handle it. They spend so much time trying to explain things, yet somehow they never succeeded for me. 
Ultimately, I’d probably give the show another chance. But if I do give another season a chance, it’ll be on probation. I wouldn’t watch the entire season unless I could see within four episodes that they’d definitely improved things.
Would I recommend that anyone watch the series as it currently stands? I mean... not really? I guess if you really dig complex math, hard theoretical science, and/or Toho’s stable of monsters, then maaaaaaaaaaybe give it a shot. But otherwise? Naaaahh. It’s not good enough at anything to make it stand out from the anime crowd. I didn’t hate it like I hated the Godzilla anime films, but Singular Point is still something that both casual viewers and most fans can comfortably ignore for the time being. It’s not a complete disaster, and it’s not without its highlights... but it’s definitely disappointing in my opinion.
OKAYOKAYOKAY, so let’s talk about the kaiju for a bit! 
Below will be SPOILERS revealing all of the kaiju that appear in Godzilla Singular Point and giving my feelings on them. 
Godzilla — It’s interesting to see a version of Godzilla that borrows some ideas from Shin Godzilla. Shin G has been incredibly unique until now, but this Godzilla manages to fold some of Shin’s distinctive aspects in with the more classic/typical versions to build a fun new depiction. Be forewarned that Godzilla doesn’t show up until the series is halfway over, and he doesn’t get a ton of screen time, either. He’s used quite sparingly and kept in hazy settings, often framed from the neck-up when they show him. It’s a little frustrating that they felt the need to shroud him so much, but I respect the fact that whenever Godzilla is shown, the destruction he causes is on a scale far beyond anything that the rest of the kaiju ever do. He is pure devastation. 
Rodan — He’s easily the biological kaiju with the most screen time in Singular Point. Rodan is first introduced as one gigantic pterosaur, but if you’ve seen ANY trailers for this show then you already know that his depiction transitions into an asston of smaller pterosaurs, all of whom are also called “Rodan.” (Apparently the word Rodan is both singular and plural, like the word “buffalo.”) Although he looks kind of cool at first, pretty soon Rodan showing up isn’t special or threatening anymore. Rodan appearances go from “a big goddamn deal” to “some bland background noise” before the series is even 1/3 finished. The design might be a little too far removed from the original for my own taste, but even if I didn’t think that, I wouldn’t be able to care for this Rodan simply because he’s rendered so unimportant and unimpressive.
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If you go out in the woods today, you’re sure of a big surprise... 
Anguirus — Now check this guy out! Anguirus gets one of the coolest fights in the show and also demonstrates some powers that are well beyond anything we’ve seen him do before. Because he sticks to unpopulated areas, we never see him do much damage to Japan, but he is definitely holding all the attention when he’s on-screen. He’s a highlight for me — a total badass who is very unique in his abilities. And the stated origin for his name is goddamn adorable.
Manda — Yup, Manda is in this series... but I don’t have much to say for him. It seems like the creators of the anime didn’t have much to say about him either. His role amounts to little more than a repeated cameo, and in most of those cameos you only ever see his tail. When we finally see his full body, it’s done so briefly and kept at a distance, leaving me with no real impression. I had to look up his design online and... yup, that sure looks like Manda. Final score: MEEEEHH.
Kumonga — I definitely did not see this appearance coming! Kumonga is much smaller here than you may be used to, but she gets to star in the most suspenseful sequence in the series and easily earns the most exciting cliffhanger moment at the end of an episode. I was utterly glued to the show during her screen time, which comes with a lot of icky twists. Good ones! I honestly like Kumonga here more than I ever have previously.
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NEW PHONE WHO DIS
Salunga — Uh, who? This is the one monster that isn’t based on a classic Toho kaiju but instead is a brand-new creation. I suppose that everybody who touches the Toho Kaiju franchise wants to make their own mark on it in some regard. But a big part of the fun of this series for me personally was the anticipation of seeing new interpretations and designs of classic Toho monsters. And so, given that he kind of resembles both Baragon and Gabara, I never stopped wishing they’d just used one of those guys as the basis and namesake. Taken on his own, however? He’s... pretty neat. Not unique or exciting, but solidly above par.  He resembles a cross between a lizard/dinosaur and an ape, plus his head has some nifty coloration. 
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Our Jaguar!
Jet Jaguar — I guess Jet Jaguar isn’t exactly a kaiju in the traditional sense because he’s a Giant Robot. However, if you want to consider him one, then I wager he probably gets even more screen time than Rodan! We meet him almost immediately when the series begins. Initially an odd pilot-driven robot that was constructed at the whim of a quirky old factory-owner with too much disposable income, Jet Jaguar grows and changes over the course of the show, ultimately undergoing a transition in episode 7 that makes him pretty damn impossible to dislike. In fact, I utterly adored him by then. This is definitely the best Jet Jaguar I’ve ever seen. His design is recognizably similar to the original yet utterly distinct, too. Like many of the other kaiju here, he’s not nearly as big as he was when he was first introduced to the movies, but his size is ideal for battling the smaller-scale monsters that we spend most of the series on.
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missnight0wl · 4 years ago
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Unpopular opinion: I wish dating was never introduced to HPHM.
I was always rather open about the fact that I don’t have much interest in dating content in HPHM, so you might say it’s very subjective rambling. But I think I also have some more objective arguments for that statement, so… hear me out (or don’t; I can’t tell you what to do).
Some spoilers for the Festival Fun TLSQ, the Celestial Ball TLSQ, the First Date TLSQ, the Valentine’s Day TLSQ, the All-Wizards Tournament TLSQ, and “Cooking Up Trouble” SQ.
First of all, I want to address the most obvious counterargument for my wish: “but people want dating!”. Yeah, I know. But here’s a thing. A long time ago, almost at the very beginning of the game’s existence, when we were only speculating about any love interests, people were referencing one article. The article where the creators claimed that romance is planned for the future (among other things). And if you ask me, it was their mistake. It was a mistake because it created expectations which they had to react to. The problem is that they were never ready to introduce such type of content. I mean, just look at the past events. Andre mentioned dating when he was first introduced back in Y3 (!), and he said then that most people don’t date until they’re in the fourth year. And yes, the Celestial Ball was eventually placed as Y4 Achievement, but the main story was well into Y5 already! What I take from this is that at best, they had only a rough idea for the ball when they wrote Andre’s comment in Y3 (if it took them so long to actually create the quest). And so, I have to wonder – why they even talked about dating in Y3 if they were not ready? Now, I’m not saying that nobody would ask for dating if Jam City didn’t mention it in that article, or Andre omitted that topic in Y3. There’d definitely be people still wishing for some romance. But there’d be no actual reasons to expect that. Because HPHM was created as a mystery story (even if people don’t remember about it anymore), and a mystery story doesn’t really need romance.
The second thing I’d like to point out for the sake of this discussion is that the dating quests require quite a lot of work from the devs team. Admittedly, the quality of those efforts is sometimes questionable, but still. I’m also no tech or game design expert, but here are some things which I believe make dating quests more time-consuming than most of the others:
Designing outfits. Each of the datable characters is given a new outfit (+ new outfits for MC). I also want to notice that most of those outfits are one-time-use. Well, except maybe for the bundles available to buy for real money…
Creating new locations/characters. To be fair, some of “regular” quests require those too, although the majority uses things already existing and being used in the main story.
Creating new animations: dancing, holding hands, pecks on the cheek, more (new) dancing.
Creating multiple routes for different date options – and even if it’s mostly copy-paste, it takes time nonetheless.
To be clear, creating new things for the game is not bad. My point is that basically every dating adventure required ALL of that invested in one single quest – and pretty much none of that can be reused outside of dating. In fact, they’re not even reusing those animations completely for each new date. The kiss from the Valentine’s Day was different from the recent one, the Festival had new dances added to make it more diverse in comparison to the Celestial Ball etc. And what those unique quests have to offer? One cute moment with your date, which is… kind of meaningless. I’m sorry, but dating stories are basically irrelevant in the bigger picture. I mean, yeah, they’re adorable, but that’s it. And it’s just NOT proportional to all the work put into them. Because look…
The dating quests add very little to nothing to flesh out the characters – and if they do, it has nothing to do with dating.
The Celestial Ball did a pretty great job at adding to Rowan and Ben. People often criticise MC for “forcing” them to come to the party, but the problem was clearly about them feeling not good enough to go (not necessarily about them not wanting to go), and so I really loved working on their self-confidence. Bill also grew a lot in that quest, overcoming his rejection from Emily Tyler. Andre discovered his styling talent, so he was no longer “just” a brilliant Quidditch player. Even Penny had some insecurities to face as she wanted to prove that she’s not only popular but she can also create fantastic decorations. So… couldn’t it just be a quest about FRIENDSHIP and our friends growing? The whole dating subplot felt kind of forced to me, or maybe rather detached. Not to mention that THAT was kind of a dick move to leave Rowan and Ben after using the argument:
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The next quests were more oriented on dating itself, but at the same time, they’re focused less on the characters’ individual personalities. Sure, there are some differences between dates, but it’s more about distinction than adding anything new. For instance, in the Festival Fun TLSQ, every character yells out loud that you’re on a date (unless you chose to keep it a secret), MC just points out that it’s unlike them in the case of Talbott, Jae, and Chiara. Next example: I thought it’s pretty amusing that Jae writes dreadful poems with cheap rhymes, but it turns out that the note with Butterbeer could also be left by Barnaby. I know that in MY playthrough, Barnaby didn’t leave it, but I can’t see it as Jae’s characteristic, simply because it wasn’t written for his character – it was written to fit Jae and Barnaby, so it’s kinda meaningless in my eyes.
Another thing is that even if those dates added something individual, it’d be relevant only for a limited audience. Like, I’m really happy for people who wanted to date Badeea, but for me, she barely existed in this quest. It added NOTHING to her character. During the First Date quest, Tulip revealed that girls in her family are being named after flowers (her cousin is called Marigold), which is a pretty neat fact, but I wouldn’t know it if I didn’t put extra effort to see different options. And believe me, there’s a big part of the payers who don’t do it. I’m still seeing on social media people being surprised that Rowan’s gender and House are connected to MC’s.
And speaking of that already: this is why the dating options are being cut off. And honestly, it sucks, but I get it, I really do. The devs have to spend the same amount of time on a character dated by 6% of the players as on a character dated by 36% of the players. Let’s add real money to that, and let’s say that 10% of all players buy gems/energy on TLSQs. Jam City will make more money out of that 36% than out of 6% - it’s as simple as that. At the end of the day, they are a business. Would it be nice to make all players happy? Of course, but it’s easier to keep the majority happy.
The dating quests don’t really matter for the main story – and they won’t matter more in the future.
Why? Because it’d be too complicated at this point. All we’re getting (and what we’ll ever get) are subtle differences in dialogues. And you know what? Even that doesn’t matter much. For example, in Y6, there’s a scene where Talbott calls MC to the Owlery and offers his help in searching through the letters. He talks then about their friendship, and if you took him on a date, he mentions it as well. The thing is that Talbott is pretty heart-warming here in general, how he opens on us being friends:
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Sure, that one additional line is pretty cute, but again, is it really a satisfying pay-off from the dating quest, considering how much was put into it? And I don’t think they even can do more because they always have to keep in mind the players who didn’t manage to finish TLSQs in time or just didn’t want to do it.
I don’t want to be only negative about dating because that’s not really my point, so here are some ideas on how to invest all of that time better (and no, it’s not just the lore and in-depth history of the Cursed Vaults because I know I’m in the minority who cares about it):
More outfits for NPCs which could be used for variety. I don’t know about you, but I’m sick of seeing characters like Penny, Merula, Ben, or Talbott in their full school robes ALL THE FREAKING TIME. Ideally, I wish every character to have three outfits: full school robes, some variety of a uniform (so something like Tulip and Barnaby) used in the school but outside of classes, and something totally casual used outside of the castle.
More animations between characters like hugs, patting on the arm etc. Anything which could be used almost on a daily basis, and which would make our interactions looks more natural and less stiff. Seriously, I’ll take a supportive hug instead of a peck on the cheek ANY DAY.
More character-centric quests. So many of our friends need their own SQ: Tulip, Badeea, Liz, Diego. The rest could probably also use them to expand their characters – because those SQs do a great job at this. Like, I took Jae to the festival, and it was alright, but to be completely honest, his “Cooking Up Troubles” SQ was SO MUCH BETTER for his character. We learnt new things about Jae, we had some really cute friendship moments (like this and this)… And it was a super simple quest with only seven parts in total! It just needed to be written: no new locations, animations etc. Yet, the pay-off was just… better, more meaningful.
Another thing that could be done in those character-centric quests is more focus on the relationships between our friends because, in my opinion, this is needed as well. I want to talk here a little about the “All-Wizards Tournament” TLSQ, which I think is really underrated. This is probably because of people claiming that Jam City is reaching too much to reference the books events AND because of Rowan’s absence. And don’t get me wrong, those are valid objections. But when it comes to the characters… this TLSQ was pretty great. We saw a lot of our friends' insecurities (Barnaby, Jae, Liz), we saw their more competitive side (Andre, Badeea)… Badeea was especially interesting to me as she showed that she can be quite cunning when she somehow learnt about the first task. She also didn’t reveal that information to Merula and Ismelda because they were occupying the training dummies, but she did share with MC (meaning that you really want to have her on your side…).
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It somehow made me think about the situation from Y5 when she admitted that she tricked Jae into thinking that she knows Apparition by using an Invisibility Cloak. It’s nice to know there’s more to her than meets the eye, which was also cohesive with the main story (even if we don’t see it much). The TLSQ also showed some dynamics between our friends, like Jae and Andre (which I mentioned here). And of course, I really enjoyed the ending conclusion: that some tasks can be dealt with only when you work together. Again, I’d love to see this theme being explored more because it creates such a compelling contrast between Jacob and MC. Jacob didn’t have many friends at school. We only know about Duncan and Olivia, and it’s still unclear if Olivia was an actual friend or a colleague they worked with. Not to mention that it was implied that for some time, Jacob was working all alone. Meanwhile, MC has basically the whole army at this point. It’d be interesting to see that this is one of the things which makes MC stronger than their brother.
Now, the reason why the “All-Wizards Tournament” TLSQ could focus on all of that is because we didn’t waste the time on all of “secret admires mystery”, “oh, who should I choose” etc. So, just as a thought experiment, let’s think about how the Festival Fun could improve if we’d eliminate the dating aspect. First of all, more characters could get more screen time, like Badeea, maybe Tulip… Liz? Diego (our dancer!)? Ismelda? Even Talbott didn’t have a big role unless you chose him as a date. The plot could also be more dynamic instead of a whole bunch of stalling. I’d leave the investigation with Andre because I think it’s a great addition to his character, but it’s also fucking sad that any development he’s getting is around dating. Like, the boy deserves so much better. So, let’s change that! Let’s say he asks MC for help because he’s styling some summer outfits for the upcoming festival, but one of his fabrics is missing. Perhaps it’s a bit more expensive material, so they suspect that Jae might’ve “borrowed” it to make some money. Jae, of course, is deeply insulted because he’s a smuggler and an occasional cheater, but not a thief! They argue with Andre, but eventually, they come to understanding. Then, MC remembers that Badeea wanted to experiment with painting methods, so perhaps she decided to incorporate some fabric into that. We find Badeea and Barnaby, they don’t have what we’re looking for, but there’s some action going on there, maybe including Talbott… Long story short, it turns out that Tulip needed it in preparation for Cruppies race or something. I don’t know, I’m coming up with it pretty much as I write. The point is that the time spent on talking about dating could’ve been used on something more specific, individual, which could be more meaningful in the light of the main story. And since there’d be no routes, all of that would be relevant for everyone after completing the quest. Want it to be even better? Make it a regular side quest, not time-limited.
All right, but couldn’t we just have both: characters development and dating? Of course, that’d be ideal. But as I said before, Jam City is a business and rarely any business is ideal. They’ll always prioritise a limited number of things, and since people whine about dating, we’re getting dating. And again, I’m not saying that dating is totally worthless, and I get that people find it cute and whatnot. I just believe that what dating ultimately adds to the game is not proportionate to the time and effort those quests require to be created. That it could’ve been invested better. Dating is basically stopping us from getting better content (at least in some areas). And we’re kind of asking for that…
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redheadscribe · 4 years ago
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Fate Winx Saga Review
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This is the Winx Club
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This isn't
Ah Winx Club, I remembering waking up early in the morning to watch it on Saturday, I thought that it was a cool show and my favorite character was Bloom during the first three seasons when it was under 4Kids. I thought that the characters were cool, the setting was pretty awesome as well and overall it was fun. Years later I was pretty shocked that it is still going on though from what I heard it has lost a lot of it’s quality with season eight being a mixed bag and an okay art style. Now Netflix has acquired the rights and there were two separate shows that they produce.
The first being World of Winx, an animated spin off show showing the girls hiding out on earth helping people and dealing with an evil version of Tinkerbell? In all honesty I was a little confused like how was this a spin off? Was it a spin off from season four as Roxy is a supporting character in this universe? That part confused me but overall it was a pretty good show but at this point I don’t think Winx Club fans wouldn’t mind a reboot that got the She-Ra treatment. Needless to say Winx Club is a popular show that was big in Italy and other countries but it is not what it used to be. Especially when we have this show to talk about Fate: A Winx Saga.
When I first saw the trailer I was pretty confused because none of the shots in the trailer reminded me of Winx Club. Also none of the characters were recognizable as they white washed and replaced Flora, and also white washed Musa. The only three characters that were recognizable were Bloom, Stella and Aisha. However there personalities have changed so much that I can’t even say that this is a faithful adaptation. I know in adaptations there has to be certain changes that you have to make because either to budget or they can’t fit it in and some stuff has to be cut. The least the show could do was get the fashion right, I mean the only one who should be wearing red is Musa while Bloom is the one that wears different shades of blue. Then again the fashion overall is a big joke and they really should fire the costume designer as I looked and she has had no experience dressing up teenagers. Rants out of the way lets see how they butchered the characters.
Let’s start with the leading Pyromaniac herself, Bloom. What the hell did they do to my girl? As a fellow redhead myself it is safe to say Bloom was the one I lean towards to the most even though I did see myself in Tecna, and Flora. Bloom is a stuck up bitch in this show and has to make it all about her, which was one of the problems in some of season four and later on. She is also unbelievably gullible and really stupid. She basically believes anything that Beatrix, a psychopath and a known liar about the whole Not Domino city, yeah I don’t care about the name of this said city in other world. She is a problematic Pyromaniac something that cartoon Bloom season 1-3 would be horrified about, and surprisingly bland.
Now, this Bloom could have worked if there were either more episodes or just better writers. Think about it, she is a girl who discovers that she has these unknown powers and when her emotions get the better of her and harm her family she could be a little distant and closed off. She is angry and confused because she doesn’t understand what is happening which can lead her to feeling a lot of emotions. Though I do hate the fact that they ruined Mike and Vanessa but I forgot that this is a teen drama and as a teen drama parents are assholes, it is the law of teen television. There could have been a nice arc of Bloom dealing with the fact that she has been lied to her entire life, feeling angry and betrayed but then going back to the Bloom we love from the first three seasons as she realized that she was the same person, she just now has a place where she can feel at home while also having awesome fire powers. However we got the worst of Bloom that is shown post season five.
Now lets get to Stella, and I will try my best to contain my rage when I am writing this. Did a person who worked on this show really thought that it would be a great idea to change Stella and make her Diaspro? You know we could’ve added Diaspro and Stella in the same show, she and Stella could’ve been friends due to the two girls being royalty, but then both Stella and Sky would realize that she is a toxic person and break away from her. This is not Stella and the cartoon Stella wouldn’t be caught dead in some of the outfits that she was wearing, maybe the last episode outfit but that’s about it. They could’ve done something with her wardrobe, they could have her dress up as a old woman when her mother was around trying to impress her, and then dress up in clothes that the original Stella is known to wear. Stella is a stereotypical mean girl and there is nothing nuanced about her portrayal. This is not Stella this is Diaspro with Stella’s name.
Now let’s get on to Aisha, she is a fine characters but this isn’t Aisha as she has none of Aisha’s personality she is not even a princess of Andros and well she has no story outside of helping her white friend. Aisha was a standout of season two and had one of the best character entrances in the series. She doesn’t get a story of her own and she is relegated to just being the best friend that get’s Bloom out of trouble. The actress Precious Mustapha deserves way better than what they are giving her.
Now it is time for everybody’s favorite white-washed duo Terra/Flora and Musa. There have been videos and posts that are going over how stupid Netflix and Rainbow for doing this. Just to give everybody context, Musa’s appearance is based off of Lucy Liu and Flora is based off of Jennifer Lopez. I think that speaks for itself in how Netflix and Rainbow screwed this up especially when there are plus size Latinix actresses they could have casted. Now let’s get into their character, weirdly enough they are the ones that have the most interesting friendship dynamic, Terra is a fine character but she is not Flora and Musa is a lot more cold hearted and instead of being a fairy of music she is a mind fairy who is an empath. Now music in a way can evoke emotions and connect people on a deep level but her empathic powers are so undefined. Terra is a fine enough character and her family is pretty interesting.
Now lets get into the boys, Sky, Riven, Dane, and Sam. If there is one thing that I could applaud the show is that anyone can be a fairy or a specialist, it’s just a pity that they excluded the witches. Then again the witches do get the short end of the stick even in the cartoon. Sky is bland, and the actor only ever had one expression throughout the whole show. Riven is, well Riven has always been a jerk but cartoon Riven had some more well likable features than TV show Riven. Dane, he’s fine I would have liked him more if he wasn’t taking so many stupid pills when it came to Riven and Beatrix, boy he needs to find a better man to crush on becuase, Riven is not worth it at all, even if I didn’t like his performance I could definitely see him crushing on Sky way more than Riven. Sam is a fun character and I was glad to see a male fairy added to the school but that’s all I can say about him the boys are okay. If there was one thing that I enjoyed about World of Winx is that they didn’t include the boys and there was nothing lost from it, it was just the girls kicking ass and taking names.
There is not much to say about the school staff and Dowling is a fine character that is a lot like Faragonda, only really ever helps Bloom and reassuring her she is special. I wish there was more done with Terra’s father and all but nope any positive family interaction is bad in a teen show. Overall the school staff, I don’t think that we can even call them a school staff they were a joke.
Now let’s get into the villains, if there is one thing that fans of the first four season can agree on is that the villains were always a standout for each season one. That being said the only effective villain is Beatrix, even though they could have just done the Trix. Let me just say this, The Trix were a great villain for the first season and well they went downhill like the whole cartoon show. Also what is the deal with Rosalind and Sky’s father. To be fair Sky’s dad in the cartoon show has always been a jerk but a jerk that raised a psychopath like Beatrix is too much. I am a little nervous about how they will do if they actually introduce The Trix, Lord Darkar, and Valtor or even the Wizard’s of the Black Circle. Needless to say the villains were just bland.
That is if they actually even use the villains from the cartoon show because so far we have the rather bland Rosalind, I just don’t care for her and there is no need for her to be in the show, Daphne does not deserve this. Then there is Sky’s father and I don’t care and Luna and wow does every teen show have to have terrible parents. How is a cartoon show from the early 2000s is more diverse and interesting than this? I just don’t care at all about the villains except for Beatrix.
There is also the fact that the show is only six episodes and that really does hinder the show as the show could’ve used more episodes to flesh things out then maybe just maybe this show would’ve been interesting. I also see that there are some writers and producers from the Vampire Diaries that are attached to this project and well that explains why some aspects of the show seems dated. Overall Fate, is a bland show that definitely does have better writing than Riverdale but that is not saying much. The characters are bad, and the fashion is terrible something that was a main aspect of the show. The world is generic getting rid of the epic sci-fi fantasy world and Rainbow should’ve just rebooted the animated show.
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ladyloveandjustice · 5 years ago
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Winter 2020 Anime Overview: Toilet-Bound Hanako-kun
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Ok, so let’s get this out of the way first, 1. I adore this story so much and 2. Toilet Bound Hanako-kun has a horrible, horrible English title that is not actually at all representative of the story’s content and I have no idea what happened when it came to the team choosing that name. To the average English-speaking viewer/reader, this name 100% implies gross stuff and bathroom humor, and there is none in this show. 
A Japanese reader on the other hand, would be more likely to recognize the name Jibaku Shounen Hanako-kun as a spin on the classic ghost story “Hanako-san of the Toilet” only A BOY THIS TIME WHHHHA?” Basically, the story goes that a girl named Hanako in a red skirt haunts girls’ bathrooms in Japanese schools and if you knock on the third stall and call “Hanako-san” three times, she’ll appear. She might grant you a wish or pull you into Hell or something else, it varies.
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(Her Wikipedia image, aww.)
Anyway, I dunno why the English title didn’t at least go with “Toilet Ghost Hanako-kun” or something that would have gotten the premise across even a  little better (HE NOT TECHNICALLY BOUND BY THE TOILET EVEN, HE CAN GO ANYWHERE IN THE SCHOOL GROUNDS THE BATHROOM IS JUST HIS HOME BASE), but our boy Hanako haunting the girl’s bathroom only leads to broad jokes about our heroine being tasked with cleaning the bathroom and “dude you really shouldn’t be in here” comments, it’s pretty incidental. 
Now that THAT’S out of the way, let’s talk about my LOVE FOR THIS STORY
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Hanako-kun tells the story of a “regular” high school girl named Nene Yashiro, the mischievous and mysterious school ghost she befriends, and all the other weird monsters, exorcists, spirits and curses they encounter. It’s got a gorgeous, colorful bold aesthetic and art style that combines gothic and cute! It has a great mix of humor, intrigue, angst and fantasy action. basically if you love ghosts, monsters, Japanese mythology and legends, supernatural-human relationships, supernaturally fueled angst and drama, stories about trying to fix an unfair system the world has set up, wistful romance, a good shoujo manga with a Lot of Feelings (yes this is a shonen technically I’ll explain that later), weirdo dorks becoming friends AND MUCH MORE...this story will have something that will resonate with you. It’s got a lot going on, and it’s a ton of fun.
Hanako-kun is really one of those surprising stories that fits right into a hole in my story-loving heart I didn’t realize was still there, or that I’d actually been carrying since childhood. I love ghosts, see, and have since I was a kid!!! I knew this, but I kinda forgot how intensely I love them until this show reminded me again??? That’s because regular ghost stories/mysteries/whatever- I like them, but they don’t quite do it for me in the way more character-driven ones exploring the nature of being a ghost and humans and ghosts trying understand each other etc do. Stuff that really gets into the tragedy AND the fun fantasy aspect of ghosts, and plays the long game with it- and Hanako-kun scratches that itch perfectly.
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Getting a little bit deeper into the premise of Hanako-kun, Nene is a very brave and sweet but not-all-that-bright girl (or, to put it more bluntly, she’s an idiot in the best way) who has a lot of romantic fantasies and insecurities and is VERY focused on them. After hearing a rumor at school that “Hanako-san of the bathroom” will grant wishes, she wishes to be able to confess to her crush and finds out its actually a weird ghost boy her age named Hanako haunting the bathroom! A lot of things happen, and she ends up cursed and bound to Hanako-kun, but also ends up slowly forming a friendship. 
Turns out Hanako is the ghost in charge of the “seven mysteries/wonders” aka seven powerful supernatural entities that haunt this school (he’s number seven). These apparitions only supposed to terrorize students a LITTLE, because apparitions need to have rumors spread about them to remain in the human world.
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(‘HAVE YOU HEARD?’ Oh hey shadow girls from Utena see you’ve moved to a new school.)
The rumors also generally dictate how powerful and dangerous the apparitions actually are- but SOMETHING MYSTERIOUS is changing the rumors around the school and making the apparitions go berserk and actually harm humans. So Hanako needs a human assistant to change the rumors and help him calm and seal the apparitions! That’s where Nene comes in.
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Hanako himself is a very fun character- he’s very chaotic and revels in his whole “ gremlin ghost” persona, and is upfront about being a bit of an asshole. BUT he also makes his kindness, often good intentions and the fact he’ll have his friends back when it counts obvious from the beginning. B U T! He’s also got darkness and hidden depths to explore, and a lot of his persona is affected and masks deeper issues! 
Our ghost boy is genuinely A TAD unstable deep down (as in he straight up has several untreated PTSD symptoms and that’s as disastrous as you’d expect) and packing some serious tragic backstory, as you might expect from a kid who died young and carries around a butcher’s knife, and it’s gonna come back to bite him and and all who care about him hard. 
 Especially when an overly enthusiastic exorcist named Kou Minamoto shows up! Kou is another one who’s very dumb and very good, a wannabe-shonen-protag with a heart of gold and strong sensitive, domestic side. He rounds out our main trio. Also he gets a tragic, emotionally intense relationship with yet another ghost boy that sings to my heart.
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(Yes Hanako’s helping Nene to do the thing)
You may be able to tell, this story has INTENSE good-shoujo vibes despite technically being a shonen in a way that I love- it’s story very driven by big emotions, a variety of fucked up and tragically complex relationships, teen hormones running wild, etc, and it’s just delicious. 
Nene is the normal-person-audience-surrogate-girl in a way that is more common for a shoujo protag, and the way her emotional connections to everyone, her sweeping romantic fantasies and her interiority are consistently in focus when she’s there- yeah, she’s definitely a plucky shoujo protag, 100%. And I’m all about that!!!
 One thing I especially appreciate (though this comes across more strongly in the manga than the anime thanks to the anime rearranging things) is when Nene finds out about Hanako’s Heavy Baggage, she actually takes some time to herself to consider whether she can handle dealing with someone with these intense issues as a kid who’s never encountered stuff like this before- it’s not assumed by the story that the Sweet Girl is Obligated to help the Tragic Boy. I go into more detail about this part in this part here, but it’s that kind of attention to Nene’s needs that makes her role in the story work. Hanako and Nene and everyone’s struggles to get the hang of and properly navigate honest communication and mutual support in relationships are often really great and real-feeling
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The story has a lot more things I love packed in to it- a dorky-but-still-deeply-unsettling villain gang who’s screwed up interactions are just as fun as our protagonists, yokai, A CURSED LIBRARY, some great ladies in addition to Nene, meditations on the nature of life, death, themes about fighting nihilism, and so on...I could seriously go on forever. It’s good stuff, and there’s lots of good weird supernaturals to meet.
The story’s also got tons of intrigue! The overarching plot and Hanako’s Mysterious Past is still in the process of unfolding, but it’s been great drama every step of the way! As mentioned before, the story also really relies on funny character dynamics, interaction and development to carry the whole thing and balance the drama.
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The anime itself does have some pacing issues bc they crammed a lot into the first season and rearranged some stuff- an entire two chapter arc was skipped and was unlikely to be covered in the anime and some parts are noticeably rushed. I still really like the anime and it’s a solid adaptation. I love how much of the manga’s detailed aesthetic it managed to keep as well as the amazing voice acting and it made a few small but important additions. But there are some notable bumps- of course this just led me to go binge the manga (up to volume 12 is legally available digitally) and BOY DO I NOW LOVE THIS STORY EVEN MORE. 
Now obviously, just because it is Exactly My Shit in a lot of ways doesn’t mean Hanako-kun is the much quested for “unproblematic fave”, there’s several caveats you should probs be aware of- its shoujo vibes also mean some classic shoujo ~Problematic tropes~ and a couple shounen ones. 
THE LIST:
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-Just as a general content overview thing: if this wasn’t clear the show deals heavily with death, body horror and other horror aspects. There’s heavily implied suicide and abuse and so on- as mentioned, the main character is traumatized and shows a lot of symptoms of PTSD, and Nene has to struggle to navigate her relationship with him because of this, as does Kou.
-Hanako himself has the whole ~loveable pervert~ and ~slightly possessive shoujo bad boy~ schtick going as part of his mischevious persona. In the anime so far, he never actually gropes or comments on not-in-his-naughty-mags-people’s breasts or anything of that level thankfully, but he’s very flirty, clingy, will loudly bring up porn, fond of the ol’ *says something that purposefully sounds sexually possessive* HAHAHA U THOUGHT I MEANT SOMETHING DIRTY RIGHT LOL ACTUALLY I DIDN’T.”
(My unnecessary ‘this part is kinda interesting!’ ramble: Nene always lists “sexual harassment” among Hanako’s flaws (she loves listing them), but doesn’t get visibly uncomfortable with his flirtiness or seem to mind it most times, which at least makes the whole thing more tolerable for me.
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(since she doesn’t seem to mind that part and its clear he does it bc of actual affection for her, it’s actually p. cute how huggy he is.)
 The one time it does cross the line and genuinely upset her, it’s treated seriously, Hanako is genuinely regretful and apologizes. That’s one of my fave moments in the story and the way it’s handled is well done.
 This incident that he’s honestly pretty socially clueless as kid who died young and a lot of his bravado is to cover that up and keep people at a distance- this is a trope into itself that can use unpacking but I do at least appreciate that this is a considered character trait that’s part of his whole messed up package rather than something that thrown in there Just to Be a Fanservice Trope. (Especially since the manga confirms he never acted particularly pervy while alive, further cementing this is an affected persona). 
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-There’s a running gag around Nene’s insecurity over her thick ‘daikon shaped’ ankles and boys treating her badly for it. 
One one hand, her body image issues are relatable, on the other, it feels cruel and annoying just how much the show finds ways to bring it up and humiliate her over and over again.
(My unnecessary “this is part is kinda interesting” ramble:The one thing i did realize that despite bringing it up constantly, we at least have no “i’m going to do this to lose weight” or “go on a diet” rhetoric,like this is just part of Nene’s body type and she knows she can’t change it? Which is kinda interesting. And I’ve spotted what might be foreshadowing something plot relevant’s going to happen with her ankles (I DON’T KNOW HOW, BUT GOD I PUT NOTHING PAST THIS STORY) so uh yeah??? either way it’s not good tho)
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-”Obsessive and twisted love” is a running theme in this story, and while it’s generally acknowledged as unhealthy, it can be played for comedy in a way that could make viewers/readers uncomfortable. There’s a couple characters who’s entire thing so far is “obsessively in love with this one person” (and the one only focused on in the manga so far is one of the least interesting characters tbh ugh)
-The antagonist of the show is a member of a main character’s family, and the manner he acts towards pretty much everyone, including (and really especially) his family member,  verges on seductive. This is presented as deliberately unsettling and treated as a marker of how unstable and scary he is- and though the backstory between them hasn’t been fully delved into, it’s pretty much all but confirmed he abused this family member physically and emotionally.
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-The story has like, A LOT of queer subtext and pretty-heavy queer coding for one character especially, but the few times queerness blatantly comes up in the story, it’s played as a joke in the “haha that’d be kinda weird” way (aside from the rando boys who have a crush on Teru, handled pretty neutrally). It’s not as malicious as a lot of animanga can get (ONE MANGA INCIDENT ASIDE), but it’s something to Be Aware Of, and it makes it clear we’re unlikely to see subtext rise to text and makes some moments feel baity.
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-And probably more I might have missed! The manga also has Some Shit in addition all the Good Shit that hasn’t been adapted yet, an early arc has Hanako crossing a serious line etc. 
BUT despite how messy it is, I think it’s clear I have a lot of love for this story. In fact, I wouldn’t trade away a good chunk of its messiness (DEFINITELY SOME JUST NOT ALL), it kinda works for the characters and works in the “this story really feed my inner teen” way. Some of the trashy parts are exactly My Trash, basically. 
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So, I knew I’d ramble on for a while when I talked about his show, but if you’ve read this far, thanks, and I hope that means you’re gonna check out and maybe enjoy this story, bc i need more people to join me in Hanako Hell.
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malibvnghts · 4 years ago
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———  BASICS!​
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Name: annie  /  micchi  ,  you there . . . and whatever else people wanna use
Face Claims: mostly QIU TONG from tamen de gushi . . . but it’ll vary from time to time
———  THREE  FACTS!
1. i am working towards my license to practice as a pharmacy technician and it’s a wholeass struggle because i’m 2 weeks away from the end yet i keep procrastinating
2. genshin impact and animal crossing  (  pocket camp & new horizons  )  are the only 3 games i play consistently on a near daily basis
3. flex but i have a honors bachelors of science  (  in biology  )  ,  a minor in sociology  ,  a minor in forensic science and a college diploma for completing the pharmacy technician program and oneshot my licensing exams  (  passed on my first try  )
———  EXPERIENCE!
            i began my writing hobby . . . writing fanfiction and poorly written  “  original  ”  stories and it’s all thanks to my grandfather who urged me to read and write at a young age  (  he’d paid me an allowance for each story i wrote  )  .  from there  ,  i entered writing on the crunchyroll forums  ,  then briefly on tumblr before turning to twitter then back to tumblr  ,  and here i am . . . for the past . . . i guess 4 to 5 years or so . . . though i have a love-hate relationship with the rpc . . .
———  MUSE  PREFERENCE!
Gender:  i enjoy writing female muses more . . . but my male muses are definitely more popular  !!  as for making muses  ,  i don’t really have a preference for which gender they are  ;  i just go with the flow when i’m trying to writing and see how it feels  .
Single or  Multi: i started as a singlemuse blog but honestly  ,  a multimuse blog caters to my needs much more  ,  especially when i’m seeking different flavors  ,  if you catch my drift  .
Memes:  i love memes . . . they’re definitely the best way to either get to know me or interact with my muses  ;  they’re quick and easy  ,  doesn’t even require any sort of plotting  .  i encourage everyone to send me memes  ,  doesn’t matter if we’ve interacted or not  .  memes are my favorite icebreaker  .
Plots:  i enjoy plotting but only if we kinda know each other . . . which sounds weird but i’m basically someone who is pretty chaotic when it comes to plotting  ;  there’s no linearity when plotting with me  (  @ambivalent-auguries​ knows this . . . and anyone that’s extensively plotted with me knows this  )  .  but also because i’m very anxious and often am afraid that i don’t come up with good things so i don’t tend to plot a lot  .  so this is a welcome to come hit me up  !!
——— FLUFF / ANGST / SMUT
Fluff:  mehh i’m not great with fluff  ,  tbh . . . it’s hard for me  ??  i enjoy soft things from time to time  ,  but i can’t force it  ??  i prefer it comes naturally  ,  instead of trying to force myself to write it  .  also again  ,  reserved for people i do know and their muses and that i’ve kinda sorta plotted  .
Angst:  my lifeblood . . . there is not a single moment where there’s no angst  .  i love putting my muses in difficult positions  ,  giving them questionable backgrounds that may put them in situations where their hands are forced . . . i just . . . fucking love angst and welcome it at all opportunities  (  i mean  ,  hello  ,  none of my characters are happy  )  .
Smut:  nervous laughter . . . my guilty pleasure  .  i love writing smut and almost nearly in need for smut . . . i enjoy one night stands  ,  hate fucks  ,  desperate fucks  ,  making love . . . everything  .  it’s my go-to when i’m stressing out tbh . . . give me messy relationships and sex  .  
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            all in all . . . i hope this doesn’t deter you from writing with me  ??  i promise i’m super chill and enjoy making friends . . . even though i seem like i have a lot to say at times  ,  i also enjoy listening to other’s talk  .               come plot with me  (  this is an open invitation  )  ,  send me random memes  (  also another invitation  )  .  my dms is always open and as is my discord  !!
tagged by stole it from : @noctuxcellus​ ​ tagging: just take it :ok_hand:
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plush-anon · 3 years ago
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SCOOB! Stream of Consciousness Review
Here we are folks - I finally review the originally cinematic, fully CGI animated Scooby Doo Movie (one year later... I did not queue this as I thought I had last June - damn you, Tumblr. I’m not changing much here, so enjoy as it was intended).
Created by a team who have professed their affection for this mystery team and their meddling dog too, will this be a lush experience fit to satisfy any Hanna-Barbera fan? Or will it be a hot garbage cash-grab, littered with Easter eggs and references that do nothing to hide a meatless mess of outdated memes and shallow character development?
LET’S
FIND
OUT
Below this cut is my entire stream-of-consciousness review on the SCOOB! Movie, as experienced. SPOILER warning here - I’m digging into everything, no plot points spared. 
Here we go~
And we start off with a decent shot of the California coastline (looks like the kids backstory is front and center), some 90s hip-hop synthwave song about California, and OH SWEET JESUS THESE MODELS LOOK TERRIBLE
Ahem
Yeah, this is a problem right off the bat - some of these people in the opening shots look remarkably unfinished - think three shades above “Rapsittie Kids: Believe in Santa” level - and the animation on them is less than stellar. 
On the plus side, we do see a fantastic variety of ages, sizes, and races - there’s a brief blink-and-you’ll-miss-it Sikh man on roller skates playing a sitar - but when the designs look rushed in the opening shots, it’s not a fantastic sign. At least they’re brief, but it’s hard to see if this is a lower level of the film’s style due to rushed animation, or if they didn’t care to polish it up as much, given that it’s maybe a 30 second scene. 
Still, kudos to actually going for variety in the crowd shots. Minus kudos to making most of the clothes look like Play-doh draped over a Barbie doll. I’m not even kidding on that one, the clothes are super basic and barely have any sign of texture or creasing or even fabric/cut variety. Almost reminds me of the first Toy Story movie’s design for human clothes, yeesh. 
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Ahh, our first introduction to Scooby Doo at a Greek gyro food stand. That’s foreshadowing right there folks! 😉
Sadly, he is really weirdly animated in his run sequence - he looks out of proportion as he’s running on his hind legs, and the human animation has really bad consistency - some background characters are really janky, while others actually move really nicely. The characters we immediately focus on seem to be pretty smooth at least, but that’s still very strange.
On a side note: Ruby and Spears Sub Sandwich shop. Nice 😁
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They are reaaaally pushing the super over-the-top dramatic music for a bike cop chasing a dog that stole gyro meat
Why
It’s not even interesting chase music, just generic super-hyped-up chase music
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And now we finally get to see a young Shaggy, standing next to a tie-dye food stand called Casey’s Confections that… sells meat. Hm. Guess WB hasn’t learned after all these years 🙄
Unfortunately, I’m not a huge fan of the kid they got to play him, Iain Armitage. He’s not a bad voice actor by any means, but he just doesn’t sound right for Shaggy. I know that as a kid he’d be much less likely to have a cracking/squeaky voice, but he sounds… it’s hard to pin down a word, but - precocious? Darling? Either way it doesn’t quite match, especially given how Shaggy sounds when he grows up via Will Forte. Just… no connection there. 
I tie it down to the particular vocal twangs and nuances the gang usually has. I’ll touch base on that note later I think, once we hit the teenage versions of the gang, but for now I’m just not feeling it. 
----
On the one hand, I empathize deeply with Shaggy and his Spotify’s unsettling ability to pinpoint his insecurities with song choices, and also deeply enjoy that one small gesture where his fingers kind of shake & tighten around his phone while he takes a deep breath to calm himself- it’s a very nice, subtle sign of frustration
On the other hand we just passed two guys with no nipples and an unerring likeness to a Ken doll in those Barbie movies, so I’m distracted by that now
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(between this and Fred’s no-nipples in Happy Halloween SD!, is WB just terrified of giving men nipples in animated movies now? what gives?)
Also distracted by the thrifty lesbians who bought those two shirts that come together to make a heart in the middle, on the store’s 2 for 1 day
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happy pride y’all!
---
Finally got context for the two sand piles!
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Very, very sad context, but still! Progress!
Basically Shaggy’s practicing talking to people in order to learn how to make friends, since he either has no idea how, or has never had a friend before. So he’s trying to learn the right way to do it since his own attempts have failed
And him talking to these sand piles not only counts as practice, but he’s using them so that his mom thinks he’s spending time with friends like he told her
Ow :)
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So ketchup leather is apparently a thing that exists
I’m learning so much today!
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Given that Shaggy has no friends at this stage, but he’s still called Shaggy, I’m kind of wondering if that was a mean nickname that everyone called him, but he was just grateful for the interaction/pretended it was from friends, so he kept it 🤔
Actually, take it back, his mother is calling him that. Family nickname, maybe…?
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Shaggy has Blue Falcon (classic) and Dynomutt funko pops
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noice
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Oof, you can reaaaaally hear the age in Frank Welker’s Scooby voice. Can we get Scott Innes back? He sounds almost identical to his performance 20+ years ago :/
Also talking waaaay too much - even SDMI Scooby wasn’t this wordy, and he NEVER shut the hell up 
----
Okay wait
So Shaggy met Scooby on Halloween day - then met the rest of the gang hours later?
Huh. And here I was thinking it would have been a few weeks minimum 
Although I have to say there is a lot here to work with, if it paces out how I think it does
Shaggy meets Scooby. Bare hours later, he buys him a collar (instead of his mom? weird) and asks him to stay with him, despite not really knowing him. Then, only a couple hours after that, he finally makes some friends… but only when Scooby is with him. 
Given that it looks like the gang are all around the same age in the same neighborhood, there’s a solid chance that they’ve taken classes together at the same school. If none of them met/knew/made friends with Shaggy then, but only did so AFTER Scooby came into the picture, that might lead to the argument we know about later when they split up; afterwards, S&SD go to the bowling alley, then get abducted by the Blue Falcon, plot continues. This could make it seem like they were only friends with him at the start because he had a dog. 
And the brief scene earlier with the music device shows that he tries to tamp down on his anger/doesn’t really address it - could lead to something more later 
hmmmm 🤔
---
Wait what
These two kid bullies just came out of nowhere, stole Shaggy’s candy… and then started on about how Halloween is only a marketing ploy to get companies to rot your teeth and go to the dentist more, before throwing the bag through a window and telling the two that ‘your blood sugar will thank us for it!’
Are - are these the brainwashed children of a Karen? Is that what I’m seeing?
I mean we could have had a Red Herring cameo, but apparently informing children about candy conspiracy theories is more important :/
----
Daphne: It’s Halloween - no one should go home without their candy
FD&V: *none of them have candy/candy bags*
???????
(Wouldn’t it make more sense if the bullies had stolen their candy too? What the hey man)
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I do find it neat that we actually get to SEE the wires the ‘ghost’ uses to fly in full effect - that’s actually pretty cool, and not really something we get to see up close in older Scooby shows. Most of those just have the bad guy randomly flying about, and the wires revealed after the fact 
---
Actually, given how FD&V react to this ghost almost immediately… have they already been solving mysteries? It seems like it, given how smoothly they move together to capture him
That’s kind of odd in kids. Like, even in PNSD they weren’t perfectly in-sync on stuff
This then leads to the gang solving mysteries together… in spite of the fact that all Shag and Scoob did was hide in the wardrobe that had the stolen goods, while FD&V captured the dude 
Granted, they do ask Shag and Scoob if they wanna join in and say yes, but that seems like an strange jump after what could have been a one-time deal
I just find that a touch odd - esp when they could have had a five minute scene or so of them wandering around the house, touching on some old SDWAY traits. Heck, show that they’re SCARED in some way, and don’t immediately move to tackle what looks like a murderous spirit at age 8-9 or so. Even just showing the kids learning about each other would be enough, but what do I know. I’ve only watched Scooby Doo everything since I was 4 🙄
---
Ahhhh, and now for the updated rendition of the theme song
Where they’re all still kids doing everything the teenage gang did in the theme song
It doesn’t look as good as the OG, though - kind of like a computer game simulating the SDWAY intro using the PNSD kids in CGI. It’s honestly strange to see, and a little jarring - especially when we then transition to the older teenage gang right in the middle
Like, we don’t get to see you guys age through the song as you’re chased by/catch different monsters? That could have been pretty neat honestly - shows how long they’ve been doing this
Tho I gotta admit, seeing the Spooky Space Kook with his OG sound effects is pretty awesome, brief as it waoH MY GOD FRED WHY ARE YOU HAVING A ROMANTIC BEACHSIDE DATE WITH THE MYSTERY MACHINE 
THAT WASN’T IN THE ORIGINAL AND NO ONE ELSE GETS A CHARACTER INSIGHT SHOT LIKE THIS
WHY
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Huh, looks like Ruby & Spears gave up their subway sandwich shop for a coffee shop
That apparently the gang goes to in order to eat malt shop food
okay?
----
Ah, and here’s where we finally look at the voice acting of the older teenage gang. Buckle up folks, cause I gotta lot to say
We’ll start with Fred, bc honestly? I think Efron actually fits him pretty dang well. He’s got a different cadence from Welker, true, but as far as an update goes? I think he’s a solid fit. Very much in line with the all-American kid that Fred’s kind of been slated as for the past 50 years or so, but updated more for the modern perspective. I call it solid (and possibly a replacement for whenever Welker decides to retire). 
Next? Oof. Velma is, IMHO, the weakest casting. Velma, no matter her voice actress, has ALWAYS had some form of nasal twang to her voice - that’s part of what makes her Velma to begin with, and helps her stand out. Nicole Jaffe, Pat Stevens, BJ Ward, Christina Lange (PNSD), Mindy Cohn, Kate Micucci, Linda Cardellini -heck, even Haley Kiyoko from ‘The Mystery Begins’ and Sarah Gilman from the ‘Daphne and Velma’ movie understood this! They all had that nasal twang to their voice - differing between actresses, of course, but still recognizable as Velma. Gina Rodriguez though? Honestly, it just sounds like she’s acting it straight. Not bad acting at all, by any means - she just doesn’t sound like Velma, and doesn’t seem to be trying to. (Honestly wondering if she was only hired bc she voices Carmen Sandiego in the reboot cartoon for the lolz fun reference! type connection) 
Daphne is sort of similar in voices, but hers is more of a pitch her voice hits - Heather North, Mary Kay Bergman, and Grey Delisle Griffin all have that pitch they hit naturally when speaking. Amanda Seyfried? Does not - in fact, her voice is actually deeper than I was expecting - but it’s not quite as big a difference as it is for Velma. It fits her character type okay, and she does well with it overall.  
And finally, the most controversial one: Will Forte’s Shaggy. 
I’ll go ahead and say this: he’s not Scott Menville levels of bad Shaggy voice acting. If I were to place him on a list, I’d probably put him around Billy West level - kind of sounds similar via vocal tics (voice cracking, likes and zoinks, etc), but his own voice just overtakes the impression he’s seeking to hit. When I hear him speak, I don’t really hear Shaggy; I just hear Will Forte trying to do an impression of Shaggy. 
In comparison: when Scott Innes took over for Shaggy, it was like Casey Kasem’s, just a touch more of a twang to his voice and just a dash over-the-top - but it was still Shaggy, and you didn’t doubt that for a minute.
Same thing for Lillard, but maybe moreso - he was pretty much the most perfect casting for a live-action Shaggy there could be at the time Scooby Doo (2002) was made. Him taking over for Kasem from there made perfect sense: he was honestly the best cast Mystery Inc member of the live-actions, and a lot more recognizable to the general public as Shaggy than Scott Innes was. He could also do different emotions with Shaggy that not a lot of the other voice actors had the chance to do (mainly bc script), so for future stuff they have that flexibility, if they wanted to play around a little more. 
With any luck Forte will get better over the course of the movie, but honestly the casting could have been so much better with Matt Lillard and Kate Micucci. 
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Shaggy Rogers, evading taxes since 2020
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siMON COWELL??!? 
WHAT THE
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WHY?!?!?
ALSO HIS CHARACTER DESIGN STYLE IS COMPLETELY DIFFERENT FROM THE REST OF THE GANG WHAT IS EVEN GOING ON?!!?
IS HE SUPPOSED TO BE THE SD CELEBRITY CAMEO
LIKE
IF YOU WERE GOING TO DO A CAMEO FROM AMERICAN IDOL WHY NOT RYAN SEACREST 
HE TOOK OVER FOR CASEY KASEM ON THE AMERICAN TOP 40 WOULDN’T THAT MAKE MORE SENSE
aaauuuggghhh
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Also he’s there as a potential investor in Mystery Inc as a detective agency
A music industry professional… is interested in funding a detective agency.
Like… did he miss out on Josie & the Pussycats? Is that why he’s here?
----
Wait a minute
Oh noooooo
I know why he’s here
I remember this spoiler
Shit
-----
And once again, here is your reminder to tell Simon Cowell a great big fcuk you
Only this time it’s for making Shaggy and Scooby feel worthless and saying that friendship is worthless and cannot be counted on for anything worthwhile
Simon Cowell: Professional Dickhead
---
Welp, at least this gives a solid reason why they leave: Simon Cowell was being a professional dickhead, and the gang didn’t really say anything against him or interrupt him on his whole ‘Shag and Scoob are worthless spiel’
Or, well... Daphne stepped up some, but more to say ‘they’re our friends!’ rather than ‘that’s entirely wrong, our friends aren’t worthless!’ Better than nothing, but yeesh
----
Ahhh, Takamoto Bowling - the emptiest bowling alley in the evenings this side of Coolsville 
(no seriously, the past few times my dad has taken my sister and me bowling pre-pandemic, no matter the day or time? it’s ALWAYS got more than 6 lanes of people there, what the heck)
Also Scooby wears three bowling shoes, which honestly makes more sense than I thought it would - that pup goes spinning and sliding every which way on a normal floor, bowling alley floors would be like ten times worse
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here’s a nice little detail - when Scooby sees one of the bowling pins peek out with red eyes and he yells that to Shaggy, Shaggy actually squints and walks closer to see if it actually does have eyes
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aww
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Huh, okay 
Panicked Will Forte Shaggy actually sounds more like a good Shaggy voice than normal talking Will Forte Shaggy
I can dig it
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Still kind of underwhelmed by the Shag and Scoob disguise scene - wouldn’t it make more sense to have them like, dish up hot sauce or something on a plate that nonsensically makes the robots overheat before they discover their ruse?
Idk, maybe they’re off their game after Simon ‘Dickhead’ Cowell
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Carlton Way - must be named after Fred’s only other voice actor, Carlton Stevens of PNSD
Also Hanna’s Barber Shop is next to Barbera’s Pizza! Cute.
And… Pitstop’s Pink Perfume ad. Wait, who is that? *assorted googling noises*
...ahhh, Penelope Pitstop from Wacky Races! Who, according to Wikipedia, was revealed to have Greek ancestry in the 2016 Wacky Raceland comic book, having been born on the island of Aegina
Now I’m wondering if we’ll see her in this too, given Cerberus...
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Honestly kind of fascinating to see the gang with a police radio in their van
Also fascinating to see that only main characters are allowed clothing variety and texture/creases/folds
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it’s actually really sweet to see Fred, upon hearing that Shag and Scoob are likely in danger, immediately makes a 90 degree turn in traffic
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It looks like they changes Dee Dee’s name a hair - now it’s Dee Dee Skyes, instead of Sykes
It works well for the Falcon aesthetic, so that’s cool
----
Shaggy, after Dee Dee tells them that Dastardly’s trying to kill them: Scoob, someone thinks we’re important enough to *mimes slitting throat*!
Scooby: It’s nice to be wanted.
Excellent! This movie has captured Shag and Scoob’s blasé attitude towards death! Now we’re onto a solid Scooby film :D
Dee Dee: Hmm, I hear that!
And they even have a friend to share in their attitude! Splendid!
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Christ, I can work photoshop better than Blue Falcon can, and I don’t even know how to use photoshop
I will give major kudos on his costume tho - it maintains the important elements of the OG Falcon, while still updating it with more bird-related aesthetic, like the feathered appearance of parts of his costume, the split cape resembling the tail feathers, and the talon gauntlets & boots. neat!
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Yooo, Dynomutt, I thought secret identities were still a thing with Superheroes, what the hey are you doing giving it out to a duo you literally just picked up behind a bowling alley
Ngl, I’m kinda hoping we get some scenes where Dynomutt messes up a little like in the OG cartoon - this one feels really serious, which is kind of strange
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Okay now I want to see older!Blue Falcon come in for a cameo
Mainly bc I’m getting the feeling that this one is a major dumbass, and not in the fun and friendly himbo kind of way 😑
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Wait, THAT’S our first look at Dastardly? That’s a bit abrupt, isn’t it?
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Also his ship must be pumping thousands of gallons of toxins into the air, that smoke cloud looks hideous. Forget logging into his mom’s Netflix account like the trailer said, EPA should probably be hunting him for sport with a laser cannon, jesus fcuking christ
---
Honestly kinda want a plane you can pilot like a motorbike now
---
Welp, it looks like we have a fun, mustache-twirly, puns-aplenty, loves-to-be-bad kind of villain on our hands folks! This is gonna be FUN AS HECK
---
Eurgh, this scene - the super-stiff-but-stretched-out ‘yeeurgh’ faces really squick me for some reason, but I can’t really pinpoint why
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I have decided I highly dislike the Brian Blue Falcon, or Brian Falcon for short, and would like to see Dastardly tie him to some railroad tracks
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North St for Heather North, and… wait… Funland Carnival? Like where Charlie the Robot hung out?
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Apparently that’s in Romania.
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A very yellow-greenfilter Romania at that.
 Like, I’ve seen blue washes on movies trying to portray evening in the middle of the day so they don’t actually have to shoot at night, but yellow? That’s normally used for deserts and hot days and uhhh 
NOT for evenings in a country with landscape like THIS
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odd
(I mean I guess they got the mountains and trees right, but still. Yellow filters make a place look arid, which Romania is Not, to my knowledge)
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Dude, Brian Falcon is such an idiot even Shaggy and Scooby, commonly portrayed as the idiots of Mystery Inc, look at him like he’s a moron.
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(They are Not Amused.)
Also Brian Falcon is an absolute coward. That’s new. Even Shaggy and Scooby face off against the robots directly in a Whack-a-Mole game and destroy some. Dude, get your head in the fcuking game already, yikes
--
Woah, Laff-a-Lympics, Wacky Races, Hex Girls, The Banana Splits, Penelope Pitstop, Space Stars, Posse Impossible, and Hong Kong Phooey easter eggs in one shot
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Geezus
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Another nice moment: when cornered by Dastardly, Shaggy moves to stand in front of Scooby to protect him
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Dastardly (to Shaggy): I don’t care about YOU. You’re not REMOTELY important!
*proceeds to shoot Shaggy THROUGH the ceiling and up into the highest car on a Ferris Wheel where Brian Falcon is hiding like a man baby*
Welp, so much for a fun and zany villain. Time for this Plush Anon to kill a bitch *cocks shotgun*
I will, too - kudos to the animators for hurting me so badly with the face Shaggy made right before being shot because
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OW
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Ehehehhehe, yess, the infamous ‘Dick’ scene
Dastardly: No, I’m a DICK. With a D!
You sure are, you sack of dildos with a D!
This scene had to be put in on purpose - if this had been released in theaters, I just know the adults would be dying in laughter 🤣🤣🤣
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Shaggy: Brian, do something! 
Brian Falcon: Like what?
Shaggy: Like, drop some F-Bombs!
love it 😂
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Is it like movie law now, that if there’s an action scene with a Ferris Wheel in the background, it has to fall off and roll down a mild incline like a wheel? Because it kinda feels like it
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Aha! Dastardly said his drats! Perfection.
Now to shoot him through a ceiling to make them matter even more :D
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OOF. 
Well that hurt. 
Poor Shaggy - basically internalizing now that he’s the worthless one and weak link of the group now that Scooby is considered more important
---
Holy fcuk I’m crying
Shaggy just broke Brian Falcon down to his deepest insecurities without even trying while talking to him
He even used the words ‘imposter syndrome’ 
Shaggy hon, you’re the best
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Oh hey, Fred, Daphne, and Velma! It’s been a while since we saw you guys again, what are you doing?
Arguing about the metric system and realizing that Shaggy and Scooby reminding them to eat periodically helped them keep a clearer head...
And using the word ‘hangry’.
But then looking through a ridiculously cute photo album of the two and a video the gang took together (the video is honestly really heckin’ cute, 10000/10 would recommend)...
And then getting pulled over so Fred can have a brief ‘oo-la-la’ montage about the pretty blonde cop who honest-to-gods looks like a Barbie doll.
Where Daphne then describes how ugly Dastardly is...
Right before the petite blonde cop who’s maybe like 5’7” at best rips off her outfit to reveal it was Dick Dastardly this entire time, all 7ish feet of him.
And then kidnaps them all along with the Mystery Machine while he makes terribly fun dorky puns
...SO BACK TO SCOOBY AND SHAGGY...
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...where Scooby is making kissy faces in the mirror while wearing his Blue Falcon uniform
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Hrm, that’s not really better is it
We actually see Shaggy reading (OG) Blue Falcon’s autobiography, and making hurt but snide comments about Scooby’s ego
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Which are actually pretty clever tbh
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Cooooooongratulations, Fred Jones! You are now officially a full-on himbo!
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Alas, poor Daphne. While your knowledge of the tropes of your show might have served you well in other places, this was to be a theatrical release once upon a time, and so such knowledge falls to ruin.
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You know, I just realized - we’re never really told HOW the Cerberus skulls work, both in how each skull can be used to find the others,  and, presumably, in releasing Cerberus itself. We’re given a brief glance-over of Scooby’s ancestry (and I mean REALLY damn brief), and a quick mention that these are supposed to be Cerberus’ skulls being stolen, but… that’s it. Nothing else is given. 
Now, I read the first few chapters of my SCOOB! Junior Novelization, and it actually went into further detail about the skulls themselves and what Dastardly’s initial plan was early in the book - open the gates of Hades and obtain the seas of treasure therein. It acted as an introduction both to the climatic endgame we’ll face at the end of the movie, and to Dastardly, who uses the same disguise trick he used as the Barbie cop when he stole the first one in South America. 
(They actually DID plan to use this as Dastardly’s intro, but cut this… 3 minute scene for time. Yeah. See below video for the details - honestly think they should have kept it in. Saves time later and definitely more show than tell, compared to what we got)
youtube
I feel like that would be a better introduction to him than the one we got - hell, it would have fit in quite neatly after the revamped theme song montage. They could have the scene with Dastardly finding/stealing the first skull as an introduction (as above), then have him answer a call or something. Exposit openly “You found the key! Excellent! Now where are we going next?” 
THEN cut to the diner/coffee shop scene we had earlier. We still wouldn’t know exactly what the key was/entailed off the bat, and they could still have FD&V find out on their own - maybe by hacking the little robot instead? IDK.
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The final skull is on Messick Mountain.
Cute.
On a side note, I do love how Dastardly’s ship interior looks - very dieselpunk
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Velma just hacked into Dynomutt… somehow, and I finally get my wacky Dynomutt shenanigans!  Hazoo!
...sadly that was really dang brief. Realistic, yes, but still too brief. 
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Eyyyy, we finally get the whys of why Scooby is needed! … really dang fast. 
Also Fred says Jinkies. 
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Hey, Muttley popped up! In a shrine… to his demise… that we find out he reached when Dastardly pushed him forward into the Underworld to steal the treasure of Alexander the Great in a portal he rigged up… only for both of them to find out it was a one-way deal unless they used the key to be able to come back. The key, of course, being Scooby Doo, descendent of Peritas, Alexander’s dog. 
Eh, workable enough-ish. It’s interesting to see that Dastardly, despite how much he disliked Muttley in the older cartoons, still cares about him to a certain extent. 
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Pfff, Fred’s a poor man’s Hemsworth XD
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Sweet, we’re in ‘Journey to the Center of the Earth’ now!
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Um
O W W W
You guys really had to do the ‘me or them’ thing with Shaggy and Scooby… and tHeN hAvE sCoObY cHoOsE tHe FaLcONs?!? Just because they said he was important as “the key” and gave him a spandex costume.
Over at least 7 years of friendship. 
Booooooooooooo
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actually no I’m Not Done Yet
This whole scene is a mess.
Like
Shaggy’s turn was really dang fast… but I can still see how he gets to it. It’s at least a day between Scooby being chosen as a pseudo-sidekick and the island arrival, during which Shaggy’s talk with the main adult (who has taken up the mantle of his favorite superhero) essentially confirms his feelings of worthlessness and leaves him to stew for HOURS on end (on top of another adult, Dastardly, who also calls him “not even REMOTELY important” at the carnival before freaKING SHOOTING HIM THROUGH THE CEILING NO I AM NOT OVER THIS). Tie that to a teenager who also believes his only friends have come to think he’s meaningless baggage, and suddenly his entire support system is vanishing underneath him to one of his former idols without ANY sign of hesitation from Scooby’s part (with the exception of the collar scene, but I don’t think that that means the same to Scooby, given how quickly he bounces back)
Scooby tho… hrm. It could be that he’s clinging to the good feelings Brian Falcon inspires in him (by choosing him as the next possible Dynomutt), as a way to overpower how FD&V hurt him, while also building on how he came to love the duo because SHAGGY loved them so much. But the movie doesn’t frame that up… at all?? At least compared to Shaggy. 
Idk, maybe I’m missing something, but this scene is a mess through and through
Boooooo
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Scooby: *tries to leap into Brian Falcon’s arms like he did with Shaggy but falls*
Brian: Uh, what are you doing?
Scooby: Rhaggy never missed. 
Damn straight he didn’t
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oh hey, it’s Captain Caveman
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I was wondering when we’d see him.
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AAAUUGGHH
It’s that blink-and-you’ll-miss-it scene from the trailers I sobbed over - the one with Shaggy holding Scooby’s collar
Fun fact it actuALLY FADES INTO THE FLASHBACK
THAT WAS NOT A TRAILER THING THAT’S ACTUALLY HERE IN THE MOVIE
OW
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Oh No
Fred is here, alone, after that whole scene with Dastardly saying he had a use for Fred
...while that’s likely Dastardly in a Fred suit (that sounds creepy just typing it), I’m still going to enjoy this brief but absolutely lovely hug Shaggy and Fred share...
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(seriously tho, look at this, it’s a genuinely close, squish-your-lungs-out kind of hug, I love it)
...as well as Shaggy, who's still hurt from his fight with Scooby, immediately gearing up to go help him after hearing Dastardly’s trying to kidnap him.
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Brian Falcon and Scooby Doo now have to take on Captain Caveman in gladiatorial combat in order to claim the final skull of Cerberus
I love cartoons sometimes
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Captain Caveman just put the smackdown on Brian Falcon and punched him into the ground up to his CHEST
Then smacked him so far into a wall he cracked the stone around him!
GodDAMN is this satisfying 😆 altho minor question here: how did he gain the rank of Captain? Do cavepeople have a naval force?
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He just whirled Scooby around his head, then spun him so fast his costume broke off
I may have to look into some Captain Caveman stuff now, that’s fantastic
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Shaggy and Fred - sorry, “Fred” -  just smashed through to the colosseum in the Mystery Machine
And Dynomutt just fired missiles at Captain Caveman to smash him into an Amigara-shaped hole of himself
I REALLY love cartoons sometimes
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Oh No
Just as Shaggy starts trying to apologize, “Fred” kicks him in the back, rips off his disguise to normal Dastardly self, and kidnaps Scooby atop the skull, before revealing he destroyed the Falcon Fury jet
New tagline for this movie? Shaggy Rogers and the Terrible, Horrible, No-Good, Very Bad Day
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...at least the rest of the gang is back together?
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Brian Falcon: *Immediately tries to blame Shaggy for inadvertently leading Dastardly to them, while storming up to get in his face*
Fred: *upon realizing BrianF is blaming Shaggy for everything, without a SINGLE moment’s hesitation, immediately leaps in to defend Shaggy and physically push back Brian Falcon several feet*
We stan one Himbo, theydies and gentlethem
Also?
Velma (sneering): What kind of hero blames other people for his problems? *Walks over to comfort Shaggy with Daphne, while Shaggy looks dumbfounded they’re defending him bc he also blames himself for Scooby’s kidnapping*
This. This right here, is the kind of Mystery gang content I wanna see.
I don’t care how the rest of this movie goes now, this scene right here is ambrosia to the Scooby fan’s soul, and therefore makes this entire movie worth it, outdated memes, lingo, and all
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Cackling rn - Fred and Brian Falcon are in a point-off a la the Spiderman meme 😂
or, more specifically, the post-credits sequence of Spiderverse where they’re arguing about who started pointing first
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It gets better when Velma and Daphne try to pull each other off of their pushing fight, and Velma grumbles “Toxic Masculinity” I’m crying
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WOAH
More super Shaggy stuff here (apart from being flung through a building roof without a scratch) - he pushes apart both groups effortless, and even knocks them back several feet
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If we estimate Dynomutt as… we’ll say 450 since he’s made of metal, Falcon at 220, Dee Dee at 160, that’s about 830 lbs on one side
Then Fred, Daphne and Velma on the other (hmm, 180, 150, 130?) would be around 460 lbs
Dang boi
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Oh honey no, it’s not your fault
But dang if he didn’t get a good message from it, one I’ve done my best to transcribe here:
“I was afraid that... things were gonna change. And they did change. But like, that’s okay! People can grow. But it doesn’t mean that we’re growing apart. Because the one thing that will never change is that Scooby Doo is my best friend! Ten years ago, a little boy made a promise to a stray puppy that he’d never leave him no matter what. And I’m gonna keep that promise! Now it’s time we stopped that mustachioed menace from opening the gates to the {underworld} and letting loose that fearsome {Cerberus}. So what do you say we get out {of here}, and go get my always-snacking, never-lacking, often-napping dog back? Who’s with me?”
Honestly not a bad message for kids. Things will change, people will change, but that doesn’t mean you have to stop being friends. (Obvs real life exceptions apply, but that’s not a bad note honestly)
...shame that that conclusion comes right the FUCK outta nowhere
Like
How, exactly, did he come to this conclusion? WHEN? What inspired him to realize this, what was the impetus for this specific line of thought, that it’s okay for friends to change?
It kinda feels like this should have been either the happy ending speech given after they’ve saved the world, or one at the start of the third act, like if Shaggy arrives when Scooby thinks he’s chased him away and ruined everything, and Shaggy & the gang still save him. And Scooby asks him why he did that - when Scooby tried to change himself to fit what Brian Falcon wanted, instead of treasuring the friend he still had, or maybe why Shaggy reacted the way he did. THEN Shaggy gives the speech we hear, a la:
“I yelled at you because… like, because I was scared. I was scared that... things were gonna change. And they did change. But like, that’s okay! People can grow. But it doesn’t mean that we’re growing apart. Because the one thing that will never change is that YOU’RE my best friend! Ten years ago, a little boy made a promise to a stray puppy that he’d never leave him no matter what. And I mean to keep it!” 
At least that would make a little more sense to me. Again, not a bad speech, but a little rearranging would help to really hit home. 
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Okay, now we’re back with Dastardly in Greece, and suddenly the background people all look MILES better than the ones at the start of the movie. Did they just forget to polish the first two minutes of film, what the heck?
Also, Dastardly’s ship is literally the entire length of the Greek ruins presented o_O
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HOLY SHIT THE SKULLS TURNED BACK TIME AND MADE THE RUINS INTO AN ENTIRELY RESTORED PALACE WITH THE GATES OF THE UNDERWORLD BEFORE THEM
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They’re also colored a very atmospheric neon arrangement that’s surprisingly quite tasteful ^.^
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The Mystery Machine can fly now!!! eeheeheeeheeheeheeheeee
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And so we finally see Cerberus, a massive, towering figure with sharp teeth and pffffffhahahhahaa why are all three heads wearing Spartan helmets
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To its credit, they’re also wearing basic body armor, wrist guards, tail spikes, etc, but the helmets are killing me 🤣 who thought to stick that onto the dog? Did Hades forget to remove the armor after winning the Gods’ Pet Costume Contest, or was it like that horse in the ATV costume - it felt safer so it didn’t let anyone take it off?
Or was this a precaution against Herakles coming back? These are questions - hilarious, hilarious questions 😁
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Awww. Scooby immediately runs to the battered Mystery Machine to rip the doors open for the gang!
And… wait. THIS is where that wonderful hug was in the trailers? I thought that was at the end of the movie when everyone was safe!
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This now does not bode well. But we’ll worry about that later. Time to enjoy this gorgeous wonderful hug of the entire gang, and Shag and Scoob apologizing to each other for fighting 🥰
Yet another scene to make the rest of this movie worth the rest
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(halfway wanna frame this shit and put it on the wall, it’s that lovely)
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Fantastic! Dastardly is now in Hell, where I’ve been wishing him this entire movie! :D
And dang… he actually apologizes to what he believes is a dead Muttley. Who is, naturally, snickering at all of this. The two bicker predictably, but eventually hug and make up, too happy to see each other to resort to old habits. Honestly a nice little scene, all-in-all. 
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Back to the gang and they’re doing the glowy eyes in the dark bit! I actually haven’t seen that in a Scooby movie forever, it’s neat.
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Also Fred is now going full Liam Neeson over his van, war paint and all, using the tire cover as a shield and… holy shit. 
HOLY SHIT
THE ASCOT IS BAAAnnnnnd it’s gone. Boy, that was… short. 
Fred just ran full-tilt at Cerberus, screaming like a mad man, before getting flicked away by its big toe, and losing the ascot and makeshift shield. It punched so hard his facepaint came off
It was fun while it lasted y’all
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Heyyy, Shag and Scoob just came up with the plan, and it’s actually solid! I’m so proud, and so is the rest of the gang! Also willingly going to distract Cerberus while the rest figure out how to close the gate and stuff Cerberus back in
I love my boys 😊
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Annnnd there goes Brian Falcon like the coward he is
To… call his dad? And admit he isn’t a hero.
Only for Dynomutt to point out Shaggy and Scooby are taking him on and are terrified. 
This then cuts to Shaggy and Scooby running around in a chariot and gladiator wear, running back and forth a la the door gag from Cerberus to the OG SDWAY theme
I think I love this movie
(although they’re hinting at Dynomutt being resentful of OG Blue Falcon essentially abandoning him to his incompetent son, and I really wish it had been touched upon more
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that’s actually rather heartbreaking, when you stop to think about it, and there’s a lot that could be done with an additional two minutes of screentime) 
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Huh, another good message for kids: it’s okay to fail and be scared, so long as you keep going and try to do what’s right.
Two good messages for kids in one movie. Not too shabby, on the whole. 
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Brian Falcon just flew in and punched the three-headed dog, then jumped into its mouth as it tried to eat Scooby, resisted the MASSIVE JAW STRENGTH, and got them out of there safe and sound
Finally, something heroic!
-- 
I was wondering where Dastardly and Muttley got off to - apparently they’re off to take a money bath.
Aight
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Shag and Scoob have now convinced the Rotten Robots to turn into bowling balls to knock Cerberus off their feet a la the classic marbles pratfall back into the underworld
That is a sentence I just wrote
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OH FCUK NO
NO
ABSOLUTELY NOT NO
YOU ARE TELLING US THAT AFTER ALL OF THIS - ALL OF THIS - ONE OF THEM HAS TO STAY IN THE UNDERWORLD TO LOCK THE GATE
THAT OCTOBER LEAKER WAS RIGHT WHAT THE HELL
LITERALLY SO
I mean i know its a kids film specifically Scooby Doo so happy ending but what the literal FUCK
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WAAAAAAAAAAAAAAAUUUUUUUGGHHH
SHAGGY NOOOO
“Buddy, back when we were kids, you saved me. Now, it’s my turn.”
and he dOES THIS WHILE HOLDING SCOOBY’S HEAD TENDERLY IN HIS HANDS
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AND WHEN EVERYTHING REVERTS IT’S JUST RUBBLE AND RUIN AND SCOOBY’S LEFT SOBBING OPENLY AT NOTHING
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AND THE GANG ALL COME TO CLING AT HIM AND CRY OVER THEIR FRIEND WHO THOUGHT HE WAS WORTHLESS MOST OF THE MOVIE AND THOUGH THAT THE GANG THOUGHT THE SAME ABOUT HIM
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AAAAAAAAAAAAAAAAAAAAAAAAAAAAUUUUUUUUUGGGGGGHHHHH
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WELP, TIME TO COPE WITH INAPPROPRIATE HUMOR
Shaggy: I yelled at my dog, got him kidnapped, and ended up helping the bad guy to open the gates to Hell. Guess I’ll die. 
Dee Dee: Well actually, this is more Dastardly’s fault because -
Shaggy, yelling as he slams his hand against the lock: GUESS I’LL DIE!!!
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Ah, so the writers wrote themselves into a corner, and the only way out was a Deus Ex Machina (at least, I think I’m using that term correctly…) 
Because to get Shaggy back, a giant statue of Alexander the Great and Peritas appears out of nowhere - literally, since it definitely wasn’t there before - with an inscription Scooby has to read to get Shaggy back.
This would have been a lot more effective if we’d seen it when Dastardly arrived in Greece - maybe even as the marker for where the gate to the Underworld was. Have Alexander facing one way, and Peritas facing the other. You open the gate on Alexander’s side, and come home on Peritas’ side. Having this unfold into the gate gives it more purpose than “magically appears right the fcuk outta nowehere” and you could have a pun with the “backdoor” escape. Everybody wins!
And if that’s too good for ya, how about a brief lingering shot by it at some point as Dastardly flies into Greece, behind where the gate materializes, or directly across from it on the plaza? Maybe have one of the gang kick it after Shaggy leaves, and say ‘This is all your fault! Why would you make something like this?’
It’d still be a magical contrivance, but at least it would make some fcuking SENSE.
(Granted it DID lead to this hilariously ominous shot, so maybe I shouldn’t complain:)
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Velma: I finally figured out what you guys are! You’re the heart of Mystery Inc.
Me: YEAH BABY! *flips over table* I’VE BEEN SAYING THAT SHIT FOR YEARS AND NOW, I’M FCUKING VALIDATED AT LAAAAAAAAST!
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Shaggy: *rips off Dastardly’s face to reveal…*
ALL: SIMON COWELL??!?
Me, choking on food: I’m sorry WHAT?!?!?
Velma: *takes off mask again to reveal*
ALL: DICK DASTARDLY?!?
Dastardly: Drat! No one ever goes for the double unmasking. 
So I was right all along - Simon Cowell truly was a Dick this entire time.
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And so we close on the gang unveiling a Mystery Machine paint job on their official detective agency building, Brian Falcon living the good life as the DJ at their party, the Falcon team gifting a sleek new Mystery Machine to the gang (which honestly looks pretty unique - it’s not the classic, but it is something new that isn’t awful, so kudos there), and the gang on their way to another mystery.
So, at the end of the day is this a good Scooby movie? 
Meh? *waves hand in meh motion* But it definitely had its moments. 
This Scooby film is flawed as heck, no doubt about it - the plot has a MAJOR problem with telling instead of showing, some parts feeling out of order or WAY too short, and of course the deus ex machina ending. I honestly would have loved some more time for their first mystery as kids, where we actually got more character moments/bonding from Fred, Daphne, and Velma as they solved it the more traditional route, as well as not framing FD&V as super duper mystery solvers right off the bat??? 
The stuff with Blue Falcon isn’t AWFUL, per se, but it is ridiculously satisfying to see him get smacked around. Captain Caveman was honestly one of the funniest bits in the movie, same with Dynomutt. 
As far as the character stuff? It all felt fairly natural, progression-wise. Shag and Scoob don’t have this big break-up with the gang - they’re hurt by the literal Dickhead’s comments the gang don’t speak up against, and go to blow off some steam together. Shag and Scoob don’t have this giant blow-up argument - it builds over the film into a hurt spat they both recognize they overreacted to almost immediately. The gang (FDV) go looking for them almost as soon as they leave, and, upon hearing they’re in danger, turn and head towards them to save them, realizing how important the two are to Mystery Inc along the way. They defend each other, help each other, have some of the Best Dang Animated Mystery Inc hugs I ever did see - THIS feels more like the Gang I’ve been waiting for forever to come back to DTV (and in a rough sense, did). While I do wish we’d gotten more screen time of FD&V, what we got wasn’t too bad. 
Weirdly enough, at the end of the day, I’ve actually grown more accustomed to Forte’s Shaggy - it feels like it fits this different style a touch more than I originally thought, and holy hell if I didn’t come close to tears at that ending gate scene, he knocked that one out of the park.  Velma still doesn’t feel much like Velma, but I did get used to it by the end. I kept cracking up at Efron’s Fred, and no complaints on Seyfried’s Daphne.
Jason Isaacs as Dick Dastardly absolutely killed it. Blue Falcon Crew was okay (excepting Mark “The Racist” Wahlburg - it was just him talking, no real effort. You could recognize Wahlburg right off the bat, acting as a goofy douche) and freaking Captain Caveman was awesome. Apparently they combined both Billy West and Don Messick’s recordings for Muttley (awesome!!!), so this may very well be Don Messick’s final role in a Scooby Doo film. 
It got off to a rough start, but ended well enough. The animation was solid, the writing has some unexpectedly clever and funny moments sprinkled throughout, with some pretty fun action sequences on the side. Watching this, I really do believe that the people working on it love Scooby Doo and all things Hanna-Barbera… at least in their own way. 
I ended up buying this instead of just renting it ($5 more, why not) and I am honestly glad I did so. Despite its flaws, it has some great moments with the gang as friends, and I have been Craving That Shit for DECADES
And if these writers/directors ever did another Scooby film? I think I’d be up for giving them a chance - at least so long as we got some more absolutely BEAUTIFUL hugs with the gang
I hope you enjoyed this stream-of-consciousness reaction to SCOOB! (2020)... a whole ass year LATER, admittedly (I didn’t switch my Save Post to Queue, curse my hubris), but hopefully y’all’ve been entertained. Good night everybody!
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hirazuki · 4 years ago
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Ooo I'm curious about your hot takes on the Inuyasha reboot after reading your tags 👀
Ahaha, where to start XD Idk if they are hot takes, but here are my thoughts in bullet point form for coherency, I couldn’t figure out how else to organize them. Under a cut, as usual, because it got lengthy... as usual :D
We are 13 episodes in, and I still have no idea wtf is going on or what the series is actually about. And yes, I’m aware that we didn’t know of Naraku’s existence or of the overarching plot until at least episode 16 of that series either and Inuyasha was still very episodic in nature at that early point too, but here’s the thing: Inuyasha did not build upon a pre-existing series. For better or for worse, Yashahime has certain expectations to live up to that the original anime didn’t, by virtue of its being a sequel. Unfair? Maybe, but tough; that’s what happens when you make a sequel. Additionally, despite us not knowing The Main Plot™ of Inuyasha until later, the basic framework for it was laid out clearly by... episode 2? I think? Find and collect the Shikon Jewel shards. Boom, done. Were there distractions or fillers? Sure, but you never got the sense that the characters simply up and forgot about the shards. Even in fillers, the shards often made some kind of appearance. With Yashahime, there’s like three potential storylines going on: 1. The most obvious: most of our main cast from the OG is missing; where are they? Apparently no one in-story cares! :D Inuyasha, who’s that lol. I’m all for a sequel focusing on the new generation with cameos of the old crew; after all, they already had their own series. But this is like... no one cares about them? No one talks about them? And the more characters go about not mentioning them, the stronger their absence is felt. Like, for instance, Kaede knows Moroha is InuKag’s daughter. Moroha grew up on her own, doesn’t know her parents. Kaede doesn’t mention them to Moroha, doesn’t even spare a passing thought about them for the audience’s benefit, Moroha doesn’t ask. Kagome’s family in the present day meet Moroha, recognize her as Kagome’s daughter and... say nothing??? Souta shows Towa Kagome and Inuyasha’s old photos, but doesn’t say a word to Moroha?! Like. It makes no sense. By people not even acknowledging their existence, it makes the fact that they are nowhere to be found even weirder. Also the new gen girls don’t care about their parents or finding out who they were/are... like, okay, it would maybe be in character for one or two of them, but all three don’t give a fuck??? 2. Kirinmaru/the rainbow pearls: Idk how familiar you are with the story, but similar deal with Naraku and the shards here. Kirinmaru is being set up as the villain, still a mysterious figure; our new gen trio is supposed to collect the rainbow pearls that... some of his henchmen have? Or he is after them? Or is that Riku? Unclear. ANYWAY the new gen girls often forget all about the pearls’ existence :D 3. Setsuna’s memories: Setsuna’s dreams have been stolen by the dream butterfly and they need to get them back, because without her dreams she has no memories and is unable to sleep. Cool! Finally a solid, easy-to-follow plot line! Except wait! Towa, who supposedly made it her goal to get Setsuna’s sleep back, forgets all about it! All the time! Like, none of them make an effort to look into this other than being like “oh yeah, know anything about the dream butterfly?” to random folks every now and then. The Inugang back in the day was putting some grad school level research towards their goals, just saying. It just feels like everything’s all wishy-washy and there’s nothing really solid tying the series together. People just remember shit exists when it’s convenient.
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Character development is MIA. I’m not expecting ground-breaking char dev in 13 episodes (though I do know 12 episode series that were phenomenal in that regard), but like... I do expect the series to focus on building the dynamics between the main three characters. So far, the series is more focused on teasing the audience with glimpses and promises of the OG cast instead. The creators are using nostalgia and bait (esp of a certain pairing) to drive interest in the series, rather than developing the new characters as fully-fledged characters for their own sakes. 
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Moroha is was the only thing I actually liked about the series. She is a little spitfire and you can somehow instantly see both Inuyasha and Kagome in her, while she also remains very uniquely herself; I have never seen such a successfully developed main pairing child in any series. She featured quite prominently in the first few episodes -- and unlike both her parents, she’s got a great memory and knowledge of lore -- where she balanced funny moments with badass fighting moments and being the token supernatural encyclopedia. It was great! And then... they’ve like... forgotten her. She’s been left behind so many times by the twins. She’s the butt of every joke. She’s become the type of comic relief that’s, well, insulting. More like a buffoon than anything else. And it’s basically all for the sake of giving the floor to Towa :/
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Setsuna is okay. Not offensive, but unremarkable. She’s got her dad’s personality but like way toned down due to her different growing up circumstances, which is nice, but like... I feel she isn’t given any room to grow or breathe or anything. She’s also basically there as a device to enhance Towa’s development.
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Towa... oy. I tried to like her, I really did, but she just doesn’t work for me. They set her up having a very Kurosaki Ichigo type deal with beating up bullies and getting into trouble at school and shit -- I’m fine with that. That’s cool. Esp if it’s linked to not feeling like she fits in bc she’s a hanyou? Awesome. Except once she travels back in time to the feudal era it’s all “Oh killing is bad you shouldn’t kill people” and “even though they attacked me I can’t possibly hurt them” and “you need to empathize and talk things out” and “friendship is magic” and shit. It feels like she had a personality transplant, it literally makes no sense. Her design is totally nonsensical too -- out of everyone at her school, she’s the only one dressed in a bright white suit? Do protags not wear the school uniform? Someone should tell Kagome lmao. She’s a pro at hand to hand, and she can absorb demons’ powers and fling them back at them like a personified Tessaiga, and she has a lightsaber sword, and she’s immune to miasma, and -- like... you get it. It’s too much. It’s way too OP for the type of universe that Inuyasha/Yashahime is set in. She’s hanyou for fuck’s sake; remember all the training Inuyasha had to go through? When he couldn’t lift his sword? When his sword attacked him? Sango, Miroku, Kagome, even Sesshomaru all had trouble with their weapons and had to work to become stronger. But Towa? Nope. Towa is straight out of the Yas Queen/Girl Boss manual, so she gets a free pass on everything.
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UGH they are doing the VLD/bad writing thing where things happen (like, BIG THINGS) and none of the characters actually react to them. Or stuff happens and there are no consequences. No one ever talks about anything. It’s wild.
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Everyone has amnesia!! :D People either don’t know or don’t remember anything or anyone. People who absolutely should know things all of a sudden magically don’t know them. Like, Kohaku -- traveled with an undead priestess, spent years in the company of demons, traveled with Sesshomaru... and yet had NO CLUE that Setsuna is Sesshomaru’s daughter or that she is hanyou, despite her living and working with his team of demon slayers all this time. Like... how, man. How. And Kaede! Don’t get me started. Since when does she perpetuate random demon-boogeyman type stories as facts? Demon children will kill each other in the nest so that only the strongest one will survive, therefore Setsuna must have killed Towa when they were infants. O_O What are they, sharks? Has she been hanging out with Kisame? Wtf?? And she’s speaking about Sess’s kids as though she doesn’t know him or anything about him, when she has had Rin under her roof all these years. It just makes. no. sense.
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Things that happened in the original series are happening again now! Because that’s the best we’ve got, recycled plot elements wooo! No, but really, characters that died or things that were resolved in Inuyasha keep coming back. Why? What was the purpose of bringing back Kinka and Ginka? To have a foil for Towa and Setsuna as twins? Someone please tell Sunrise they can just create new characters. Like, it’s one thing to have call backs to the original or cameos, references, whatever. But like... this is entire (dead) characters and interactions.
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No one knows how long it’s been since the original series ended. Fans initially heard 20 years from promo material, then “over 15″ and “10 years since” in-series regarding two different events, and now in a future episode summary we’ve gotten 18 years since Hosenki II gave Inuyasha the black pearl. But like, which black pearl? Because the one in Inuyasha’s eye doesn’t exist anymore, but Hosenki II had told Inuyasha that it would take 100 years for him to produce one. So, are we retconning that or where the fuck did it come from? Also, this doesn’t help one bit, it just confuses things even more. Back to the point, though, we have no coherent timeline or real frame of reference whatsoever, and I’m betting it’s in large part to keep the mystery of who is Sesshomaru’s wife going, as it keeps Rin’s age very vague. Everything is vague and mysterious in Yashahime, to the point where no one knows what’s going on, in fandom or in-story even. It’s kinda like how too much plot twist/shock reveal ruins a story, too much mystery does the same. It’s insane that both shippers and antis of that ship can lay equal claim that the “18 years since” announcement works in their favor.
tl;dr: Idk man, Yashahime is a clusterfuck of a series. Even if the mother of Sess’s twins is either of the characters I ship him with, I will still not like the series. There’s no saving this writing. Every episode feels like this:
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