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bigskydreaming · 6 years ago

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Whats Nightwing and Deathstroke's dynamic? Why does it make you wince? Im not very familiar with it.

Nightwing and Slade actually have a really interesting and compelling dynamic in a lot of ways, that can be really good when written well and really terrible when not. My biggest issue is it is that its not sexual in the comics (Slade is a good thirty years older than him) or in other adaptations that have a version of it, like the Teen Titans cartoon. But fandom being fandom, Dick/Slade is a bigger ship than like, half his actual canon ships, so any new take on it always comes with a big sigh at all the new Dick/Slade shipping that’s gonna crop up or have a resurgence cuz of it. And I’m annoyed enough with YJ right now that I’m not giving them the benefit of the doubt that they’ll do anything new or interesting with it that’s worth having to wade through pages of new Dick/Slade noncon in the months afterwards. Its a ship that generates a lot of non-con fic in particular, or at least my old favorite, ‘dubcon’, with the dubious part of the consent referring to the fact that it usually involves mind control or brainwashing, both tropes that show up a lot in their interactions anyway. (Not that there’s anything dubious about this NOT allowing for consensual anything, just that people love to call it dubcon because….fuck if I know).

But anyway….in the comics, Deathstroke is a mercenary who’s one of the Titans’ earliest and most iconic enemies. Though at various times and depending on who’s writing him, he’s sometimes an antihero and even a semi-trusted ally of the Titans (usually with Dick specifically), other times a villain but with his own personal code of honor that means he won’t help the Titans or other heroes but he’ll refuse to take jobs that would pit him against them, and other times he’s full on remorseless and sadistic villain who hates them all and wants them all dead.

He also had three kids, his son Grant (the first Ravager), his younger son Joseph (Jericho) and his youngest, their half-sister Rose (the second Ravager). Basically, the first time he interacted with the Titans was when the supervillain group HIVE put out a contract to have the Titans all killed. Slade turned them down cuz of his personal honor code and how young the Titans were, but his son Grant accepted the contract in exchange for HIVE giving him superpowers to help him fulfill it. The process didn’t work right though, and when fighting the Titans, Grant’s powers overloaded and killed him.

Slade blamed the Titans for this, and vowed to finish the contract and kill them as some twisted way of honoring Grant. He doesn’t do Logic so good, well no, its more like he doesn’t really do parenting so good, as in he tends to have fuck all to do with his kids 364 days of the year, but then something bad happens to one of them and suddenly he thinks he’s Dad of the Year and going 0 to Homicidal in six seconds flat is the way to make up for all the times he’s let them down or screwed them over, instead of just…not Doing That.

So Slade recruited a young meta named Tara Markov (yup, that one) and trained her as his apprentice specifically to help him get revenge on the Titans. At his prompting, she joined the Titans as a spy for him, feeding him intel and plotting against them in one of the best known comicbook storylines of all time, The Judas Contract. It was up there with some of the X-Men’s best known stories like the Dark Phoenix Saga and Days of Future Past. (In the 80s actually, the Titans comic book was almost as popular as Uncanny X-Men at the time. Like way more than the Justice League. They were DC’s big hitters, popularity wise - specifically the lineup that for the most part was centered around Dick, Donna, Starfire, Beast Boy, Cyborg and Raven, with other members like the original Titans and later ones like Pantha and Wildebeest coming and going at various points in the 80s too).

Ultimately, Tara made her move and betrayed the Titans, enabling Slade to kidnap each of them one by one and turn them over to the HIVE….all except for Dick. In the meanwhile, he was approached by Slade’s ex-wife Adeline Kane - who has an equally all over the place dynamic with Slade, like sometimes she’s his worst enemy and other times she’s manipulating events behind the scenes to help him without him knowing, because she still loves him…it basically just depends on who’s writing her, same as with Slade. Also, Kane is Adeline’s maiden name, she’s distantly related to Kate Kane aka Batwoman in some extremely complicated manner I can never remember, but that’s mostly just trivia. I can’t remember a time its ever been relevant to a story, and it has nothing to do with Slade’s interactions with Dick.

ANYWAY. Point being, so Adeline, who blames and hates Slade at this time for their son Grant’s death, along with their other son Joey, seek out Dick and offer their help rescuing the Titans and defeating Slade. Joey is a metahuman as a result of Slade’s altered DNA (he has regenerative powers and is actually immortal, due to experiments the army did on him while he was a soldier). So Joey was born with powers although they didn’t activate until he was a young adult. His codename was Jericho and his power lets him possess peoples’ bodies. He’s also mute, and I’m half expecting him to show up in YJ fairly soon. If not this season then hinted at by the end of it. Also wouldn’t surprise me if they had plans to have him be gay in the YJ universe. He’s a character who was coded as gay practically from his debut. Joey/Dick is actually probably Dick’s oldest and most enduring slash ship, for the record.

So Joey works with Dick to rescue the Titans and defeat Slade, who’s captured and goes on trial for kidnapping the Titans. Joey ends up joining the Titans in the aftermath, and Adeline’s yay good, this was my Sekrit Plan all along, I did all this solely in the hopes that you would end up a superhero and have positive influences and not end up a murdering douchebag of flexible morality like your dad cuz fuck that guy, am I right Titans?

Did Adeline really just do all of that because she wanted her son to have more friends? Like…idk honestly it could go either way. Like….it IS the kind of thing she would do, tbh, so its as likely she was telling the truth as it is she just wanted to screw Slade one last time to avenge Grant and then was like hey if I take credit for my kid ending up a Titan now, I could probably play the “you owe me one” card later if I ever need to. Addy does like handing out “you owe me one” cards, just to be safe. Never know when you might need one.

The thing all this has to do with Dick is like, so it basically ended up being Dick versus Slade in the big finale, while Joey was rescuing the others and helping them face off against Tara. And for whatever reason - with multiple takes on this offered by multiple writers in the decades since - something about Dick just stuck with Slade and he’s had a kinda fascination with him ever since. Like he’s always talking about how much more he could teach Dick than what he already learned from Bruce, trying to convince him he’s got a killer instinct that Bruce just suppressed and its holding him back, blah blah, like saying he’s good, but Slade could make him great, so he surpasses both Bruce and Slade. TBH, he spends WAY more time obsessing about Dick and getting Dick to join him than he bothers paying attention to his own kids.

It really isn’t inherently sexual though, its a weird kinda pseudo father/son, pseudo mentor/mentee type thing. And its not entirely one-sided, because Dick at various times IS…tempted? Kinda? Like whenever Dick’s having some kind of crisis of conscience, or he’s pissed at Bruce or is questioning the effectiveness of superheroes or why they do the things they do or what does it all matter blah blah blah like omg I love you Dick, I really do, but sometimes you are such a drama queen, my god, blast some My Chemical Romance, experiment with drugs and chill out already, its not that deep. (LOL I kid. Well mostly). But point being, every once in awhile something happens that puts Dick in a funk and makes him second guess himself, and he spends like….a month being convinced he should reinvent himself as the anti-Bruce, that’s the solution, and this usually sends him in search of Slade except he’s always like ‘OH FANCY MEETING YOU HERE, THIS IS TOTALLY RANDOM AND NOT ON PURPOSE’.

And Slade likes to take any opportunity to try and convince him like BE A BAD GUY DICK, KILL PEOPLE FOR MONEY, ALL THE COOL KIDS ARE DOING IT. Except inevitably Slade does something that pisses Dick off and Dick snaps out of it and is like NO, IM A HERO AND THIS IS BAD, I REMEMBER NOW AND I’LL NEVER JOIN YOU, YOU’RE NOT MY REAL DAD I HATE YOU! And then they fight again, but with swords, not words, and then they’re like crap, we’re too well matched, this is going nowhere, you’re a worthy opponent, the only one I can truly respect, blah blah and then they call a breather and Slade’s like hey kid, wanna grab a beer and Dick’s like yeah but only if you promise not to kill anyone. And Slade’s like ugh fine.

And then Slade’s all, look kid, its been fun but its time you went home to your real family and your real life, this isn’t you, you’re a hero, I can’t try and turn you into something you’re not, its Wrong. And Dick’s like….umm yeah, I know, I literally JUST said that, how hard did I hit you? And Slade’s like NO SHHH, DONT TRY AND ARGUE, GO, YOU GO NOW, GO ON, LIVE YOUR LIFE, YOU DONT BELONG HERE IN THE DARK WITH ME, YOU’RE ONE OF THE GOOD ONES, GO BACK TO YOUR OWN KIND.

And Dick’s like no seriously dude, I already called my dad to come pick me up, what are you even on right now, are we having the same conversation?

Slade, sobbing paternally: I HAVE TO LET YOU GO, ALL I EVER DO IS HURT MY KIDS, I’M A TERRIBLE FATHER, ITS NO WONDER JOEY HATES ME.

And then Dick awkwardly slips out while Slade’s mid monologue, with his head thrown back yelling up at the sky and shaking his fists like WHY GOD WHY IS THIS THE WORLD WE LIVE IN WHY - because the thing about Slade is he’s actually even MORE of a drama queen than Dick, he just hides it better. Most of the time. But seriously tho.

Anyway yeah, this is like…a pattern with them basically. And Slade’s like, you’ve inspired me, I see in you the man I could’ve become, maybe even that I can still be, and he like doubles down on his personal honor code and becomes a Mercenary With A Heart for a couple years and even helps out the Titans every now and then (basically just whenever Dick’s in trouble and he goes on a killing spree, like NOBODY IS ALLOWED TO MURDER MY KIDS BUT ME - also by this point in time, Joey had died because Slade literally killed him, I forget why, it was a dumb story, but its okay Joey came back, its not like his name is Uncle Ben. But yeah, killing his kids is kinda a thing with Slade too, and he’s very proprietary about it).

And then he falls off the wagon and is like fuck, I forgot how much I like murder, ugh, you should have never tried to make me change, THIS IS WHO I AM, and Dick’s just like….I literally do not know where you’re getting these conversations from, like am I there when you think we’re having them, am I just blacking out…do I need to see a doctor??? And Slade’s like YOU WILL RUE THE DAY YOU EVER MET ME, GRAYSON, FROM NOW ON I AM THE TITANS’ MORTAL ENEMY and runs off all dramatically while Dick’s like…..wut, and all the other Titans are like srsly, dude, what is WITH you too, and Dick’s all I DON’T EVEN KNOW, HE’S JUST LIKE THAT.

In all seriousness though, ultimately my take on their dynamic is that for Slade, Dick’s a combination of seeing himself and Grant in Bruce and Dick’s dynamic, and its like….all about his regret and missed opportunities. Like, he tends to be super judgey of Bruce and critical of how he trains (and raises Dick) and passive aggressively like *I* would never do that and Dick just kinda lifts an eyebrow and is all, you’ve literally killed two of your three kids.

But like, Slade kinda views himself as the anti-Batman and thus Dick is inadvertently cast as Grant, but its like Slade can never decide if he thinks Bruce is actually holding Dick back from his full potential and he wants to push Dick the way he thinks Bruce refuses to, or if like, he blames Bruce for getting Dick involved in this life, the same life that got Grant killed, and wants to protect Dick from Bruce and from the same thing happening to him. So its this weird mix of Slade manipulating Dick sometimes and pushing him way further than even Bruce ever does and saying its for his own good, but also randomly mixed in there are these bouts of extreme protectiveness, and there’s like zero rhyme or reason to which he is on any given day and there’s never any way to predict where Slade will land and so it always fucks with Dick’s head in a big way, he’s like…I’m getting whiplash.

And then on Dick’s end, like, the thing about Dick like I’ve mentioned before is he’s a huge people pleaser? Like he’s a very empathetic caretaker type personality who sinks a huge amount of his identity into being everything for everyone, to the extent that he tends to lose sight of himself in the process, sometimes. And he’s also a perfectionist who was raised with the most demanding father of all demanding fathers ever, and has a lot of abandonment issues and insecurities that Bruce’s mutant power is to trip over and set off in the worst possible ways.

And so I think the reason Dick keeps seeking Slade out every now and then is not because he ACTUALLY wants to ever take Slade up on his offer and genuinely become his apprentice or partner and like, turn his back on how he was raised. I think the point of it for Dick is the fact that each and every time he ends up affirming for himself no, wait, this ISN’T actually what I want, I just needed to be reminded of that, to remember that. That he always pulls himself back before going too far. And at the same time, I do think on some level he likes that Slade is this kinda constant in his life, that at the end of the day Slade is like…so fixated on his potential and his achievements and his worth as a fighter and a hero, because like….Dick Grayson is a person who craves validation but will never ask for it ever.

And he’s one of those people who everyone is just so USED to liking without even thinking about it that it never occurs to them when talking amongst themselves about how great he is, that they forget to say this to his actual face? And so he never hears it? And never asks for it, because gasp, then people might think he’s needy, and that would be bad, so he mostly just goes and sulks in his apartment about how nobody likes him and he’s terribad. Except for Slade. Slade always compliments him on what a good fighter and what a good planner and what a good leader he is, so hmm wonder what he’s doing. He hasn’t committed any crimes in six months and I can’t find any reason to track him down and bring him in? Ugh, that asshole. Okay, ummm, I guess I could tell him I’m thinking of turning evil again, I haven’t done that in a couple years, he’d probably buy it.

And then later Bruce is pacing around the Batcave wrathfully shaking his fist, like “Damn that man and his sick hold over my son, if only I knew how he keeps getting his hooks into you!”

And Dick basically shrugs and plays games on his phone. “He mostly just tells me I’m special, and that’s nice to hear.”

Bruce, still pacing and ranting and fist shaking: “What kind of evil genius is he, how master a manipulator he must be to be able to get inside your head and upend your normal views of right and wrong, to make you entertain these ideas of working with him, learning from him…”

Dick: No its seriously just the saying nice things about me bit. I like that.

Bruce: If only I had a code word or phrase I could use to snap you out of whatever brainwashing he seems to be able to affect you with any time you come near him, perhaps some kind of alien tech….

Dick: You could try “I’m proud of you, son.” I mean if you’re taking suggestions.

Bruce: There’s also the possibility of a magical component to consider, blast, I hate working with magic so of course he WOULD do something like that, ugh I suppose I could ask Zatanna or Jason Blood for help there…

Dick: Cool cool, well this has been a fun and productive chat as always, so you keep doing…all that…and meanwhile I’m gonna go ponder my fixation on father figures who are 100% more committed to obsessing over their failures as a parent than like…actual parenting of their actual kids.

Bruce, ten minutes later: Dick? Where are you? DID SLADE GET TO YOU AGAIN? RIGHT UNDER MY NOSE? CURSE THAT MAN AND HIS UNNATURAL SKILLS, HOW DOES HE DO IT??!?

Anyway, that’s Slade and Dick. There’s also the whole Renegade thing, when Dick asked for Slade’s help in infiltrating the Society of Super Villains in his fake villain identity as Renegade, with you know, lots of Slade trying to corrupt him and also trying to murder any supervillains who looked as his not!son the wrong way.

And then there was the time Slade brought his daughter Rose to Dick to train and said he couldn’t teach her himself because his track record with training his kids and them not ending up dead is like, not good, and he’s superstitious or something? Idk, I forget his logic, it was probably bad though.

And Slade was like, I only trust you to be a competent teacher for my daughter, I want you to teach her everything you know! Except for like, being a hero. None of that nonsense. I FORBID you from trying to make my daughter into a hero or the deal is off. (The deal being that if Dick did this, Slade would not do crime in Dick’s city for a year).

And Dick was like, you got a deal. I will train Rose but there will be NO trying to make her a hero, I swear. /he said while crossing his fingers behind his back because duh.

And Slade was like okay, fine, you got a deal, I will absolutely still do crime and be villainous but only in every place except for Bludhaven specifically. /he said while crossing his fingers behind his back because duh.

And then Dick tried to make Rose a hero and then Slade blew up Bludhaven and that was definitely a thing, so…yeah.

In summation, Slade and Dick are weird but also very interesting but also if we get another rehash of the Renegade/apprentice arc aka the Teen Titans cartoon adaptation of that story aka the single most popular Dick Grayson fic trope of all time, like….I swear I will probably get a brain bleed.

#Anonymous

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ladyloveandjustice · 7 years ago

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Summer 2017 Anime Overview: My Hero Academia Season 2 and KiraKira Precure a la Mode

We return to our look at the summer 2017 anime. I’ve been reviewing the seven anime I watched from worst to best. Previously I talked about the two weakest anime I watched and an anime that was kind of mixed and middling. Now we’re going to talk about too anime I watched that I consider to be Very Good and would overall recommend (with some warnings and caveats regarding some stuff for one of them). Let’s dig in!

My Hero Academia Season 2

I found the first season of My Hero Academia to be pretty good but nothing to get excited about- but damn, this season officially sucked me in. I am now a Fan. Very unwillingly, I might add, but the show wrestled my doubting heart into submission with its endearing characters. fight-y fun and surprisingly good handling of growth and relationships (for the most part).

The basic concept behind My Hero Academia is that in a world where most people have some form of superpower, superheroism is considered a legit profession. Nerdy teenager Izuku Midoriya really wants to be a hero, but he’s one of the few people born without superpowers. However, when he encounters his idol, the number one hero All Might, everything changes and he soon finds himself enrolled in the top-ranked superhero academy.

MHA sparked my interest by being a superhero show (I’m a huge comics nerd) and kept me interested by having a legit adorable and sympathetic protagonist (Midoriya is very earnest and also cries a lot, both things I find intensely cute and relatable), good animation and generally solid fights and storytelling. But it wasn’t really until this season that it came into it’s own as an impressive ensemble show. It subverted quite a few expectations I had, in a really good way and delivered on some pretty incredible character work and interesting world building. Also, it has a great soundtrack.

The season opened with a tournament arc, and I usually find those pretty boring in shonen (though still good, they were easily my least fave parts of HXH, for instance) but this one really mixed things up by weaving in some really good emotional hooks for the one-on-one fights and actually *gasp* developing characters and rivalries that WEREN’T focused on the protagonist.

Rather than going the safe and expected route of having a big match-up be between Midoriya and his intimidating, violent explosion-happy rival, the series showed us a fight between explosion dude and the adorable, sweet main female character (whose superpowers were NOT well-suited for fighting his explosions) and used it to showcase her determination even against incredible odds and further her story along.

It also explored her motive for being a hero- her family isn’t well off and she wants to make some serious cash so they can live in comfort. She worried this motive was “unheroic” but was reassured it was admirable, which was nice to see, especially considering how female characters are generally discouraged from being ambitious.

But the biggest highlight of the arc was the exploration of one character’s trauma and abuse. An arc revolved around a characrer (Todoroki Shouto) having difficulty using the powers he inherited from his abusive father. The story was heartbreaking and well-done and addressed in a very moving way with a very emotional “you are not your parents, it’s your power and body, not theirs” core- but what really impressed me was that the arc’s acknowledgement that this kid’s recovery would not be instantaneous and it was going to be a long and difficult process involving many other steps.

In most shows, once Todoroki had gotten his weird therapy session courtesy of the protagonist, Midoriya, and had been able to use his powers once, it would have been over, done, he’s fixed and he can totally use them now. But instead, the show acknowledged that being able to overcome his trauma enough to use them for a few minutes didn’t mean he’s now so recovered he can just use them whenever he wants. Todoroki realized that he had a lot of unresolved issues he needed to work through and a lot of steps he needed to take before he could recover enough to be truly comfortable with using his powers all the time. “It’s not that I’ve accepted anything, it’s just that, for a moment, I was able to forget about [my dad]”, as he put it. And the show showed us that it had every intention of following him through that recovery process.

Seeing this over-the-top show about superpowers and fights where people suffer ridiculous injuries actually approach trauma recovery in a realistic and nuanced way really shocked me and also majorly tugged by heartstrings. The whole conflict also added some depth to the show’s world building- Todoroki’s scumbag dad is one of the top superheroes out there, despite being a totally horrible person. When being a superhero is a competitive profession rather than a calling you get people who aren’t necessarily “good” or into “saving people” as much as they are in it to make a profit and show off their powers. Which went nicely with the themes of the arc that followed the tournament arc.

The way the show plays around with typical shonen tropes is also great- the show has the highly gifted, arrogant once-upon-a-time-they-were-friends rival for our main character, but he doesn’t become insufferable like most of those characters because the show makes fun of him constantly. None of the other characters put up with his bullshit or take him seriously, he’s constantly called out and made fun of for his asshole attitude and the main character finds him genuinely unpleasant to be around and tried to avoid him socially. This allows his ANGRY EDGELORD nature to be funny rather than annoying, because the show’s in on it too.

And while Todoroki also could have also been a brooding asshole rival character, he’s pretty quickly to be revealed as a nice, kinda dorky guy who’s just quiet, awkward and introverted due to trauma and lack of social interaction. The show’s really self aware in how if plays with these character archetypes for the most part, and that makes it a pleasure to watch.

The show continued its solid character work, punctuated by dramatic and well done fight scenes, through the next arc. Almost every single kid on the show got a moment to shine this season, and you got to know them as characters and heroes and I came to realize- hey, I REALLY LIKE most of these characters.They’re being developed in a fun and interesting way, and they have lives and motivations that don’t just revolve around the main character. And the relationships and dynamics between the various characters are fun and heartwarming too.

And this includes the girls, who, while definitely outnumbered by the boys and underutilized compared to them, are really competent, interesting and have some great moments and arcs going. I especially enjoyed the mini-arc where one of the girls lost confidence in her ability to lead and thought a dude would be better at it, only for him to assure her she’s way better suited for it than him. Always nice to see ladies in command being respected by the dudes with them.

But that does bring us to the fact that while it has some good female characters, the show also has some pretty big sexism issues. All the older female heroes we’ve seen so far are basically walking sex jokes/fanservice dispensers and even some of the younger female characters are uncomfortably sexualized (Momo’s got the classic “oh she has to wear a ridiculously impractical costume because her powers require it” aka “I gave this teenage female character these powers specifically so I could sexualize her”). The fanservice gets to the point of distracting from the plot at times.

There’s a huge absence of female mentors so far (I hear that gets better later) and out of the entire teaching staff of the school, only one is a woman (and her character boils down to “bondage joke”) What’s more, while the girls are good fighters, their powers tend to be less offensive and "powerful” than the boys (this is especially obvs if you look at their official stats). Oh and there’s this fucker:

...who routinely sexually harasses and assaults his female classmates and it’s supposed to be funny and harmless. Every single time this asshole comes on screen u have to put up with a deluge of gross-ass comments and seeing the female characters repeatedly be objectified and have their space invaded. And no, them hitting him or other characters saying it’s gross does not make it okay. It’s still allowed, it’s still clearly there to be “funny” and “titillating” and it still uses girls being abused as a “fun” interlude. That’s NOT okay. It’s not funny. He adds nothing to the show, he just grinds everything to a halt and makes everything uncomfortable. It’s jarring, and takes you out of an otherwise well done story. I really want him and this type of “humor” to be ejected from the show.

But yeah, with those major issues in mind (and god I wish they weren’t there), I still really enjoyed MHA and can’t wait until the next season. The plot’s ramping up and I can’t wait to see where it goes next.

KiraKira Precure a la Mode

Kira Kira Precura a La Mode follows a group of magical girls with superpowers based on both sweets and animals. They run a pastry shop together and protect their city from monsters who want to suck the energy of people who are happily enjoying their favorite confections.

Okay, this is still ongoing, but I think it’s safe for me to say at this point that KiraKira is well on its way to being one of my favorite Precure shows, which considering how I’m a pretty big Precure fan, says a lot.

The writing is solid, the characters are fun and well-developed and the animation and art design is well-done and adorable.

This season added a few fun new touches to the Precure formula, including having two older girls on the team- a pair of 17 year olds hanging with the 14 yr olds (14 is the typical age for Precure protagonists). This pair is a butch and femme couple pretty clearly patterned after Haruka and Michiru- and yes, that also means they are fairly blatantly a lesbian couple.

There is in fact an entire episode revolving around Yukari (femme cat magical girl) trying to make Akira (butch dog magical girl) jealous by threatening to marry a prince and making Akira compete with him for her love. All the while, Akira struggles with whether she should share her true feelings with Yukari. This culminates in a big love confession scene that added ten years to my life. Seeing the younger girls aggressively encourage and support their relationship is great too.

So yeah, about as blatant as S-season Haruka and Michiru- which, if you understand that reference, means there ARE some scenes that try to cast ambiguity on the relationship. This one, for instance, where Akira acts flustered in response to the prince’s suppositions about her relationship with Yukari (and his incorrect assumption about her gender), makes sense in the context of a just forming relationship, but also didn’t add much to show and was likely included so the show could make it seem ambiguous if Yukari and Akira will truly enter a relationship.

However, it has been a long time since we’ve gotten lesbians this blatant in a magical girl show aimed at young girls. Ever since the days of Cardcaptor Sakura and Sailor Moon, gay subtext and text in magical girl shows has been much lighter (and heck, even fanservicey aimed-at-guys magical girl shows don’t seem to have the guts to have girls kiss).

So the fact Precure is now deliberately homaging and emulating Haruka and Michiru and doing blatant love triangle/confession scenes IS a big deal and a step in the right direction. It’s sad we haven’t progressed since the days of Sailor Moon, but it’s good we’re at least not regressing anymore. And while Akira and Yukari haven’t gotten the word of god “Yes they are lesbians” confirmation Naoko Takeuchi gave Haruka and Michiru, (at least, not any we’ve heard of in the West), I wouldn’t say it’s outside the realm of possibility that could happen. (I really doubt the “lol we’re having sex” lines similar to what we got in Sailor Moon Stars will happen though, just because Precure doesn’t do sexual innuendo).

And it’s worth mentioning, we do have an official duet song for Yukari and Akira that’s VERY blatantly romantic. “Koi” is even in the title.

Yukari and Akira are a censored relationship for sure, and it’s obnoxious and wrong those censors are still in place (though not surprising, considering this is a big corporate studio running Precure). They should be able to kiss, they should be openly dating. However, they are obvious enough that if they were a straight couple, we’d be calling them canon at this point, so I’m gonna. Also, I have to shout out that they’ve poured on Utena references GALORE with these two, and I’m super into that.

It should also be noted that Akira is allowed to maintain her butchness even after transforming into a magical girl- she gets a frilly PRINCE outfit. That’s a first for a magical girl show aimed at girls (unless you count Utena, which I don’t for various reasons). She’s never derided for her lack of femininity either (in fact she’s considered cool and attractive) which is a very good affirming message for young girls. There’s also another episode that frames rebellion against enforced traditional femininity as a good thing and has women standing up for and supporting other women who don’t follow gender roles.

To state the obvious, Precure is a show that exists in a capitalist society. So it’s focused on selling toys to little girls and those toys are often stereotypically hyper-feminine. However, it’s still valuable and positive that this show is casting non-gender conforming heroes in a positive light- if a little girl wants to play as Akira, she might have a pink compact, but she can use it to become a dashing butch prince. The lines are blurring in a good way.

Yukari is also notable as a great character- she’s not the genki girl archetype, but messy, petty and a bit cynical. She’s complex. The episodes where she struggles with whether she’s a “good girl” are pretty inspiring and carry the message girls can be heroes even if they’re not all sunshine and daisies.

In fact, all the characters in the season are ALL pretty solid. Their relationships are fleshed out and so are their arcs. The dynamic the whole team has is great. The villains redemption arcs are strong as well. And as always, it’s cute as heck and bursting with lady friendship feels.

My biggest problem with this show would be pacing- it suffers from being two rushed a lot of the time, and often tries to cram way too much in one episode rather than giving conflicts and arcs room to breathe. But that’s my only big issue.

It’s possible KiraPre could have a disappointing finale, but I at least feel confident it won’t end in total disaster. It shows none of the warning signs shows like Hachepre did- there’ve been no love triangles, bland male love interests or anything of the sort shoehorned in, so I don’t feel I have to worry about the worst happening (the “worst” being “the finale revolves around soothing a dude’s wounded ego, with the bond between the magical girls and their power being sidelined for the sake of really uncomfortable and contrived het romance”, if you haven’t seen HachaPre).

Let’s hope KiraPre’s finish is as strong as the rest of it has been!

#my hero academia #kirakira precure a la mode #kira kira precure a la mode #anime overview #summer 2017 anime

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