#also the born again identity one

[winchesticles67]

this is my first time doing smth like this so ofc i went all out and made 20 of them.

[vultures-and-scavengers]

still salty they had cullen "proud francophobe" rutherford support gaspard "ferelden will be ours again" de chalons.

[hanzajesthanza]

nooo like reading maria janion's such comprehensive overview of vampires and what defines a vampire and how the myth changes through times and authors, as entirely expected, has contributed to my regis brainrot.

because though it's obvious how many tropes regis subverts as he literally talks about himself, it's more overwhelming when they're all summarized focused on examples from across history and the literature canon, and pretty much hitting none of them or fucking with all of them. because it's not that he just doesn't fit in within his own fantasy universe, but that he doesn't fit in within the broader canonical definition...

"my personal vision of fantasy (...) he is not the typical vampire bloodsucker, according to the dictates of the canon" ... uggghhhh sapkowski, in his witcher, by challenging all genre expectations and tropes, creates all of these characters that don't fit in anywhere, neither in their universe or in the broader canon. and thus, can only find fraternity with each other

i was just reading like 'so... so he doesn't fit in *anywhere*... 🥺'. regis in baptism of fire explaining how he doesn't conform to either vampiric expectations of vampires (socially, for his personal principles) nor of human expectations of vampires (biologically, for his literal existence). but it even goes farther when you look beyond the witcher and to the broader literary and mythological canon. in practically every understanding of a vampire he would not be recognized as one of them... and does he even want to.

[optimisticaudience]

“Hades does ancient Greek culture badly because Hermes is Asian”

Buddy, in the first game, you could literally wield an assault rifle powered by a Christian angel.

[oh-meow-swirls]

i like how chapter 3 of 1 is like. "here's like twenty quests for you to do-"

[amatres]

I know you have to choose the option but the farewell conversation that sticks most in my head in the Gallows is with Carver where Hawke can say something along the lines of 'This is how we're supposed to be, side by side' and he tells them they know it can't be like that forever.

Like, my Hawke at least spent so much of her life building her identity in service of her family. Hawke most resembles their father no matter what, and the family is shaped around them narratively (if you're a mage or not deciding which sibling you lose first and how that class effects how those siblings feel about themselves and their place in the family) and they shape themselves around their family in turn, exist for them, takes up the role of leader after Malcolm has passed. The answers of where Hawke considers home when they're asked never felt right, because they lived on the run for so many of their formative years, the true answer feels like to me to be their home is their family, the place never mattered beyond being allowed to rest and not look over their shoulder every day.

What happens to that identity when everyone you built it around is gone? Where would they consider home when it's all said and done? The Amell estate was something they got for their mother, one of the answers they can give to Varric in Act 2 on what they plan to do now is watch over their mother, Carver tells Hawke to look after her when the expedition separates them. Then their mother is gone too.

There's no final statement for this since it's just me rambling, but it's hm, sad to think about. Who is Hawke if they aren't living for the sake of another, when all those they lived for are gone and they never felt at home anywhere but in the people they surrounded themselves with?

[thebiggestmenace]

because I claimed this episode!

✨️huzzah✨️

I forgot this episode started with a bunch of hallucinations

oh, and he just got hit

I forgot how absolutely brutal Lucifer is (I know he is the devil, but still)

also is the mysterious happenings at that house Bobby? cause I feel like it's Bobby

I love Marin

Cas!!! I didn't know you showed up in this episode!! oh, jk, it's Emanuel

I forgot about Marin's story :(((

and Meg's back???

oh, and her brother's attached to her bracelet, isn't he?

did they really have to tie him up for that?

I like how a majority of Cas' memories are just Dean

I forgot they literally tortured Sam. was it necessary, though? wait, I bet you they're demons and that's why everything's so extreme

they are.

oh, that's it? they can't rebuild it?

oh, well, Cas has an idea, so maybe not?

Cas is taking it????

does Meg take care of him, then?

we did it, yippee. this isn't what I remembered? I thought it was a more Sam centric episode and I figured that's why I clung to it the way I did. glad it wasn't as sad as I thought it was, but Damn. I have Thoughts now

adding on to this, I think this is actually around the time Jared started the Always Keep Fighting campaign? so that's probably why I clung so hard to this episode? because middle school / early high school

[agatharkn3ss]

Nicky's Rio son too.

I feel there were so many lines that imply this and the finale is starting to make more sense - especially because the dandelion in the trial!

Jen explains that Green Craft™ is about the cycle of all living things - growth and decay in constant flow. So it's not just about dying but being born too.

So it would track that Rio's love for Agatha was so strong that it actually created life - Nicky. However, there would be consequences to this because proper balance had to be maintained somehow. Rio probably even warned Agatha about it, but Agatha always believes she is above the rules so in her head she probably thought she had every right to Nicky (maybe even her "prize" that she alludes to in their final confrontation). This would really add to Rio's hurt - Nicky was her son too. She thought she was giving Agatha a gift of life, but instead Agatha sees her as this cruel "evil" that "gave her nothing". To her Rio is the one who just "took."

It feels like it is also implied by Rio at the start of the episode when she says "This walk with another woman's son on a road that doesn't...". She could be referring to Nicky being her son.

But I think Agatha finally accepts her truth during the final trial when she sees the dandelion seed in her cameo. She even says "Out of Death - life" as she grows it because she finally understands the literal implications of that phrase.

That Dandelion is representation of Nicky. And sure enough, as soon as the flower grows and blossoms, it quickly enters the final stage - when it turns into the seeds that can be scattered by the wind again and continue the cycle of life. Because guess what, "dandelions produce seeds asexually by apomixis, where the seeds are produced without pollination, resulting in offspring that are genetically identical to the parent plant".

When Nicky is born, we could probably assume it was indeed asexual reproduction - Agatha says she didn't use a spell or incantation, but instead he was made from scratch (obviously a clever nod to his name). On one hand it could be read like Agatha is astonished how something this magical could happen without actually using any witchcraft. However, this also feels like a suggestion that maybe she is just amazed at how he could possibly exist. Kathryn Hahn in her recent interview alluded to how the witches didn't need men, babies were just born. So it was Rio's "dandelion seed" that made it happen.

It is the second characteristic of dandelion species is what seals the deal for me - "the offspring being genetically identical to the parent plant". Nicky as the offspring of Death needs bodies to survive in this realm. During his birth Rio says she can offer only time, because she can maintain the balance, as long as Nicky gets his bodies.

That's why she hates Rio and calls her evil - not because of Rio herself, but because of what her "genetics" did to Nicky. Agatha would rather have people believe that she is this evil witch killer that traded her child for the Darkhold, than anyone to know the awful truth that it was Nicky who was the cause of the killings.

In the flashbacks, there are those remarks about how they haven't "eaten for days" and that whenever Nicky was poorly he said he was hungry. Agatha said she couldn't create the food for him (and protect him from what's coming). She could've cooked that goat they had with them if they were really that hungry (btw, I still believe that goat is Senor Scratchy), but that wasn't the "food" that Nicky meant.

And just like Billy, Rio couldn't just take Nicky. He had to "turn himself in". It was his choice not to kill any more witches. On the day Nicky dies, he says "My mother needs me home". I think he is talking about Rio here, since he usually calls Agatha "Mama". This is the moment the decides for himself and goes home to Death.

I feel like this opens the possibility that we will indeed see Nicholas Scratch in the future (and have a role similar to the one in the comics). That maybe even he might not have "died" because he is an offspring of death, so he just exists in some Underworld realm, where he no longer needs bodies to survive. Maybe Agatha might have hoped that by killing more and more witches, she will bring Nicky back to life/this realm?

And the Ballad really was a protection spell she made for him too?

This would also be a more plausible explanation why Agatha went to kiss Rio when Billy asked "Is this how Nicky died?". I feel this was more of an apology to Rio for hating her for Nicky's treatment, because she finally understood why she had to do it?

[makingqueerhistory]

I feel reasonably certain you're the one to ask, but if not, i hope you can point me in the right direction.

A while back, you put up a quote from someone about realising their queer identity being akin to wanting to quietly change train carriages. That particular idea has stuck with me, and I wanted to find the exact quote so I could remember it properly. Do you know who it was that said it, and in what context?

I know exactly what you are talking about! The quote you're thinking of is:

"I confess that I am one of those passengers that Fate put in the wrong train. Should I have caused an alarm? I chose the second, quieter way: I applied for a rewrite of the ticket.”

Which was said by Zdeněk Koubek, who was an olympic athlete!

Here is a snippet from our article about him:

"Koubek was born December 8, 1913, in Paskov, Czechia (Now the Czech Republic). Growing up with eight siblings in a poor Catholic household, he was an active child and very fond of athletics. His family moved to Brno while Koubek was still a child, and there he became interested in track and field. With very little formal training, he managed to reach peak performance. He had a decent education and considered becoming a clerk, but chose to dedicate himself to sports. Due to his outstanding performance at 17, he moved to Prague and joined the Prague University team, also working part-time as an instructor and coach. In 1932, at the age of 19, he broke his first national record and shortly after set five more. He won two medals in the Women’s World Games in London in 1934 and set two world records. It was at this point, due to his excellent performance and his gender-non-conforming nature, that rumours started circulating. Newspapers pointed out his “masculine” behaviours. Following this, there was an anonymous request for Koubek to be examined by Olympic-sanctioned doctors to ensure he was not lying about his gender. As this happened, Koubek left competitive sports entirely. Around the same time, writer Lída Merlínová wrote a biography about Zdeněk Koubek titled Zdenin světový rekord // Zdena’s world record. Merlínová was known for her writing on queer people, publishing the first Czech book about lesbians. In Zdenin světový rekord, Koubek is written as various degrees of gender non-conforming, androgynous, and masculine, and this book also added to the controversy of Zdenek’s sportsmanship. After disappearing from sports for some time, Koubek resurfaced with The World Record Woman. Published in Prague Illustrated Newsletter, Koubek himself wrote the 20-part biographical series. In it, he spoke of how doctors had mistakenly assigned him female at birth and how this had affected his life for over two decades. He once again disappeared, this time journeying to the United States of America for six months. He held lectures and told his life story. Upon his return to Prague in 1936, he underwent gender affirmation surgery and changed his legal name. He lived the rest of his life in Prague with his wife, later joined his brother’s rugby team, and never returned to the world of competitive sports. He passed away at the age of 73."

Zdeněk Koubek

[fumekara]

IMAGINE GOJO'S SON IMITATING HIM IN EVERYTHING HE DOES

Small scenario based on my thoughts about DadGojo 

Gojo Satoru x Fem reader 

TW: SFW, just fluff (Gojo pinches the reader, but not in a sexual way), your son's name is Ame, but you can imagine it however you like. 

WC: 500

Your son had developed a habit as he grew up: that of imitating Satoru in everything he did. 

It wasn't enough that the two were identical in appearance, with the same pale skin, blue eyes and thick, white hair. If not for the difference in height, one could have mistaken them for the same person. He's like a little doppelganger. 

At only three years old, your son was chasing and imitating his father's actions and gestures as faithfully as possible for a child of his age, with clumsy, wobbly movements that made you smile every time you watched them interact with each other. You didn't know how such a small child could be so precocious and active, but this was just confirmation that Ame was indeed his father's son. 

Ever since Ame was born, Satoru had always behaved like a model father, completely in love with his son, treating him with love to the point of making him a 'daddy's boy', spoiling him in every way possible, even without your knowledge, when you had forbidden it because you feared he would become too spoiled. 

But as your son slowly began to utter his first words and take his first steps, he developed his personality accordingly. Obviously this did not go unnoticed by your husband, who exploited this habit to his liking.

You once caught them during one of their playful moments while you were in the kitchen cleaning the table. You saw your husband walking around the kitchen smiling as usual and Ame following him laughing in her high-pitched voice. For a moment you caught a glimpse of the older man giving you a sly look before walking behind you, an action that made you raise an eyebrow wondering what he was planning to do. 

But before you could realize it, you felt a pinch on your thigh that made you turn towards the culprit behind you. 

"Gojo Satoru!" you scolded him in a tone that was astonished, but also slightly amused at his audacity. Satoru said nothing and merely laughed and winked at you as he circled the table again. That's when you heard a "mama" coming from Ame's little voice accompanied by his little hand hitting you in the same spot where Satoru had pinched you and then continuing to follow your husband, leaving you speechless.  

You laughed at what had just happened and decided to go along with them and play along.

"Ouch, that hurts" you feigned dramatically as you rubbed your thigh. 

Satoru smiled at you and approached you again wrapping you in a hug "oh no poor mommy, I'm so sorry" he said in the same tone you had used before planting a series of kisses on your face and then a sweet kiss on your lips.

Ame, who had witnessed the scene, lost no time in reaching her parents. "Mama, Mama kisses" he said loudly, coming towards you and jerking his little arms to be picked up. Satoru broke away from you and picked up his son "Come here, buddy" and pulled him close to you, who immediately gave you a series of kisses on the cheek affectionately. At the end of that imitation you and Satoru hugged Ame and kissed him on one cheek at the same time, making him laugh. 

Yes, Ame really was his father's son.

[eightstarr]

at the count of three — ellie williams.

summary: how do you tell your best friend you’re in love with them? ellie has an answer! just be cool and wait for the right moment— and the next. and maybe another one, just to be sure. if you get impatient, you can always take a deep breath and count to three! (years, that is)

warnings: slow burn (childhood friends to lovers <3), little bit suggestive but no smut!

notes: born from a piece of dialogue i wrote like, a year ago and completely forgot about but somehow a week later it's 4k words? idk you're welcome or i'm sorry!!! also yes they do spend almost every scene sitting together on a couch but that's what lesbianism is all about...

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・。.・゜✧・. ────

ONE!

A movie plays on the TV, a slightly tarnished DVD of an 80’s action flick starring some oily guy and the most beautiful woman you’ve ever seen— Ellie doesn't remember much other than an obnoxiously epic soundtrack and lingering shots that made the plot twist too obvious about 20 minutes in. 

She's freshly eighteen; you’re ahead only by a couple months. It's a warm Friday night, Joel and your dad in the kitchen putting scraps together for a mildly healthy dinner, Ellie sitting on the very opposite side of the couch from where you are. It’s hot, she'd said, looking away from your comically insulted face that grew with every scooch she made from your side, a lame excuse to save her from the newly found (and fucking torturous) fluttering that sparks in her stomach whenever she sits too close to you.

From the kitchen comes the sound of a can hitting the floor, followed by Joel’s 'shit!' and then quickly, 'sorry, girls'. You chuckle, turning to Ellie and catching her staring at you. A wrinkle forms between your eyebrows at the same time a pink warmth floods her cheeks. “Dude, you’re not even paying attention.”

“I am,” a scoff, her eyes now strictly committed to the screen. “The noise distracted me,” she adds, knowing it didn't even make her flinch from the careful study of your side profile.

“Scaredy cat— ow!” a pillow crashes against your cheek, sudden enough to shock you, too soft to do any real damage. “What the fuck?”

Ellie raises her eyebrows and looks at you from the corner of her eyes, a smirk half hidden by her hand. “Don’t be rude, you're missing the best scene.”

You throw the pillow back and scoff when she catches it, your lips slightly pursed, the signature sign to tell you’re annoyed. It's almost identical to the replica of that gesture that sits at the end of her last journal entry, an overly dedicated sketch born from a wandering thought. She could make it more accurate, she thinks now, soften the line of your jaw, take the scar on your cheek a little more to the left.

The sound of water splashing from the TV catches her attention and Ellie snaps her head forward (lest she get caught staring again), just as the blonde haired love interest is walking out of a fancy looking swimming pool.

“She’s hot,” you say, fingers pulling absentmindedly at loose threads on the rip of your jeans. When Ellie doesn't say anything, you turn to look at her, “You don't think so?”

Her voice comes out a higher pitch than she’d like. “What—” she clears her throat before continuing to mumble, “I don't know, I guess.”

You laugh. “You guess?” 

“Yeah, I��� I don't know, dude, I wasn't thinking about that.”

You watch the nervousness on her face, the gulp that passes her throat, the red under her freckles. Fondness tugs at your chest and your voice softens just slightly, a smile playing on your lips. “Oh my God. Ellie, it’s okay,” green eyes find your face and she sees you hesitate for a second before you shrug. “Who cares? It's just me.”

You make it sound easy. It's the most distinct thing Ellie remembers about this moment, how suddenly safety felt like the most obvious thing. TV light on your face, your arm over the back of the couch, the same eyes she's been looking at since she was fourteen. Of course it's okay. Everything else with you is easy, why wouldn't this be the same?

Ellie shifts on the couch, the distance between you turning quickly ridiculous— offensive, even. She’s embarrassed to have let her flusteredness get in the way, but the urge to be closer doesn't feel right either. Everything she does feels like too much, everything she says too intense. “How long have you known?” she asks.

You tilt your head, less of a question and more of a guidance, “Known that you…”

Ellie parts her lips, unsure of whether or not she’s gonna say it or how, trying to will the words to come out. And they do, she remembers it well, because it was the first and maybe the only time she was this direct about it. “That I like girls.”

The smile on your face is teeth-rotting sweet, but she only gets to bask in it for a second before you widen your eyes and lower your voice to a scandalized whisper. “You what?”

Ellie rolls her eyes, cheeks burning, “Oh, fuck you.”

Your laugh fills up the room and the fluttering in her stomach feels absurd at this point, like she would actually be able to feel those annoying little butterflies flying around if she were to press her hand against her abdomen. “Sorry, sorry,” you say, and for a terrifying second Ellie thinks maybe they're loud too, and you’re able to hear them. But then she looks at you and forgets about it, easy easy easy. “It’s really okay. You know that, yeah?”

“Yeah,” she says. For once, there's not a glimpse of doubt about it to be found.

You watch another ten minutes of the movie in silence before your dad's head peeks out from the kitchen to call you both to the table for dinner.

Ellie has a habit of eating like it's her last day on earth. When you were both new residents of Jackson, hungry and scared and not at all used to the idea of a full plate of food twice a day, she couldn't help it. And you were the same, hence why your dad thought it would be good for you and Ellie to spend time together, which quickly turned to being around each other basically every minute of every day. But as the weeks passed, you seemed to be learning to adapt faster. A younger Ellie found this frustrating— especially after that time Joel complimented your table manners.

You’re just… nicer, she remembers saying, a stressed frown on her still childlike face, fiddling with a box of marbles she’d found under her new bed. She remembers how you pulled one out, your fingers brushing against her own for the first time ever, and held the clear crystal with green stripes next to her eyes, a satisfied smile at a practically perfect match. You’re nice too, Els, you’d said, shrugging your shoulders, the marble shoved inside your pocket, I think I just lie better.

Until that moment, Ellie had never thought about it that way; the fact that you could be pretending to feel more confident and comfortable than you really are to make yourself safer, to get people to like you. But when she asked, you swore you had never lied to Ellie. She used to drive herself mad thinking about that, a strange, confusing worry gnawing at her chest— she likes that you don't feel the need to lie, but what does it say about how you see her? Is it that you don't care if she likes you? Or worse, is it that you know that she already does?

You sit in front of her today at the same dinner table, four years later, and watch her practically inhale her bowl of pasta like no time has passed at all. You let out a snort and Ellie wonders if you can see it even now, if her constant thoughts of you are obvious even when she looks this busy.

"What?" she asks, an immediate frown on her face, though she's done you the honor of swallowing her mouthful before speaking.

"You're so gross," you say, chin resting on your palm, tilting your head like you're looking at some thought provoking art piece. Ellie thinks you'll leave it at that, but then you reach over and swipe your thumb over the red spot of sauce next to the corner of her lips, so soft she barely feels it. You watch her frown soften for a second before it becomes even deeper.

Ellie feels like her whole body is exploding with warmth, too hot under the hoodie she's wearing, too pink across her face. It's so obvious, she thinks, it's so— fuck, pull it together. Her gaze follows your finger as you bring it to your lips and lick off the sauce. “You’re disgusting,” she retorts lamely, her hand rough when she brushes it over her mouth, lest you notice another stain and she has to watch you do that again.

You are familiarly not deterred by her meanness. Or her attempt at it. "And you eat like a five year old,” you shrug. “I guess we both have our issues."

Ellie catches herself staring at your hands for the rest of the meal, certain that she's never noticed them in the same way before. How much time has she been wasting? You both have your issues, you'd said, but Ellie thinks she has you beat. Yours can't possibly be anywhere near this dangerous.

─────✧･ﾟ: *✧･

TWO!

Someone's knocking on her door. Ellie sniffles and lets out a groan as she gets up from the couch, sore throat, her limbs heavy and tired. She knows it's you because it's always the same three knocks; the first two firm and loud, a pause, and then one tiny one that sounds almost like 'sorry'. You’re impatient but still painfully afraid to be rude— if she loved you a little less, Ellie thinks she would make fun of it a lot more. But alas, she's cursed to smile at it every time.

She opens the door and the breeze that slips in makes her fall immediately into an embarrassing coughing fit. “It’s fine,” she mutters, at the same time you’re saying jesus christ, Ellie. “Shit. I’m okay,” she clears her throat and finally gets a moment to look at you, all pretty and put together in your best shirt and a freshly showered scent, the sun setting behind you like a perfect frame. Ellie prays her lungs don't betray her again and tries to make the brush of her hand over her messy hair look casual instead of desperate.

“Well, I was gonna ask if you wanted to come to the party with me for just a few minutes, but… I’m not sure you should be out of bed,” your worried frown is pretty, too. What a cruel fate. “Is Joel home? I can stay—”

“No, no, you’re good,” Ellie shakes her head, arms crossed over her chest like maybe it’ll cover up enough and you won't notice she was wearing the same long sleeve the last time you saw her. “He’ll be here in like, five minutes. I’ll be fine, ’m not a baby.”

You’re both nineteen by this time, Ellie remembers because you wore the same pretty blue shirt that you're wearing now for her birthday, and it was the day she realized her crush was no longer deniable. It's easier to act like nothing’s happening when she feels like she's alone in it, like there's no universe where you could love her like she loves you so she might as well let the fantasy die— but then you put on your shirt that's reserved for special occasions just to come over and bring her the cupcake you made, and suddenly Ellie can picture herself with her hands on each side of your waist, pulling you close, saying thank you with her lips brushing against yours before she kisses you. She can see it so clearly that it startles her, changes everything. Her birthday comes with a punch to the gut and a hunger she wants to tell you and only you about.

“You’re not gonna be bored? I really don't mind staying until he gets home.”

Ellie thinks (dramatically, extremely nineteen—) that if she lets you take care of her, she might actually die. It felt like she almost did last time you visited, your face serious with concentration as you pressed the back of your hand against her forehead. ‘You're warm’, you said, ‘do you feel sweaty?’ Ellie stared up at you, eyes glossy and heavy from sleep. ‘Not really’, her fingers sneaked out from under the blanket to wrap themselves around your forearm, a moment of bravery or delusion, ‘your hand feels nice’. You chuckled, ‘okay, keep it’.

She’s less feverish today, but not yet recovered from the greedy voice in her head that begs her to keep you close. If you don't go to the party now, she thinks (knows) that she’ll let herself casually talk you into staying the rest of the night. “Nah, don't miss your party,” she says. “I’ll be okay, Joel’s gonna teach me how to play that old card game.”

You raise your eyebrows. “So you're gonna argue all night.”

“No— what?” Ellie scoffs. “It’ll be good, I learn fast.”

“Yeah, because you make up your own rules.”

“I have questions about the rules, that's not the same thing.”

“It is if you cheat—”

“I’m not a cheater!”

You hum, a curious tilt of your head, and Ellie rolls her eyes before the words are even out of your mouth. “No, I guess you’d have to have a girlfriend for that.”

You watch her run her tongue over her teeth, her shoulder against the door frame. “You know I could say the same to you, right?”

“Too bad I said it first,” you shrug, pretty smile stretching your lips. “I guess I'll go, then. I’ll come over when it's done so you don't miss me too much.”

Ellie tries to maintain her composure. You know, she thinks, do you know? You must know. You can't know— “Right. Also so you can steal my food and crash in my bed, I’m guessing.”

“When you’re all vulnerable and weak? What do you think of me, Ellie?” you frown sadly, a hand over your heart.

“I think I know you,” she says, the corner of her lips lifting just a little, inescapably.

You walk to the gate and turn around as you close the lock, your hands on either side of your mouth as if she’s miles and miles away. “I’ll take the couch!”

“Yeah, sure!” Ellie yells back, her voice pretty even when it's hoarse, knowing she’ll hold on for just about ten minutes before she insists you take the bed instead.

Joel stays awake with her until around 10pm, when his yawns become too many to hide and he’s already let Ellie win three games, his smile genuine and wide while she chuckles and pretends she doesn’t notice. He leaves her with a tupperware of soup for tomorrow’s lunch and a deck of cards. To teach your friends or— I don't know, keep on the coffee table, he’d said, make you look cool. Ellie’s not sure you would find a box of cards ‘cool’, but she’s not above trying.

Ever since she moved out to the garage, she’s discovered a new type of stress at the notion of having you over. At Joel’s house, all she ever did to prepare for guests was pick up the dirty clothes from her bedroom floor and put her books in a (wobbly) single pile. Now things are different. The garage is small, but it's all hers— her floor, her living room, her kitchen. She can't have you thinking that she can't take care of things on her own.

She spends the next hour moving things around until finally, two loud knocks. A second passes; Ellie looks at the cards and considers shoving them inside one of the drawers on her desk. By the time the one quiet knock comes, she shrugs and decides to leave them on the coffee table, lest Joel was right and she misses a chance to have you start thinking she's cool and mysterious. “It's open,” she says from the couch, tiredness soon catching up with her after all that time rearranging things.

The door opens and you come in, quickly closing it behind you, a relieved sigh at the loss of that crisp, cold breeze outside. “Did Joel forget those?” you ask, bent at the waist as you take your shoes off, your chin pointing at the deck, the only thing on the coffee table. Maybe she should've been more subtle with it.

“Uh, no,” Ellie scratches the back of her neck, her legs stretched across the couch. “They’re a gift.”

She's not sure you hear her over the groan you make as you stretch your arms above your head, her legs moved to the side automatically to make space for you to sit. You fall down with a sigh and both forget about the cards— you, distracted by the warm tingly feeling of a couple drinks, and Ellie by the new jacket you’re wearing.

She lets a million different scenarios spin around her head for a couple seconds before she blurts out the question. “Whose is that?”

“What?” you turn your head away from the movie playing on the TV.

“The jacket.”

“Oh,” you look down at yourself as if you’ve just remembered it’s there. “Maya was leaving too, so she walked here with me. It’s hers.”

Ellie hums, her back sliding a little further down the couch, legs spread. “Stinks like it’s hers.”

You chuckle before you can help it, her animosity ridiculous and charming— Ellie’s better with actions than she is with words. “I don't even know what you're talking about,” you shake your head, not quite slurring, but not too far from it either. "She smells like strawberries."

Fuck Maya and her strawberry shampoo. Ellie could get some if she wanted to, maybe if she traded— what the fuck is she thinking about? She rolls her shoulders back and pushes the thoughts away, gluing her eyes to the screen. “Sure,” she says, less because she agrees and more because she doesn't wanna hear what else you like about Maya. “You had fun, then?”

“It was alright. You didn't miss out on too much,” the end of your sentence stretched out by a yawn, you cover your mouth lazily and rest back fully against the couch. “Jesse was drunk. They had to stop him from getting up on a table.”

Ellie chuckles. “I don't know, maybe he had something to say. I think I would’ve let him.”

“That's what I said,” you smile and let your head fall to the side, your cheek against the cushion. She feels you staring, enables it for a while by acting oblivious, falsely over-invested in some movie she can't remember the title of. She hears you move closer before she feels it— the shuffle of your clothes, the stupid jacket rubbing against her couch, so easily forgettable by the time your temple falls on her shoulder.

Ellie's about to fall asleep when she hears the little noise you make, something like a sniffle. For a worrying second she thinks she might’ve given you her cold, but then she feels the tip of your nose brush against her shoulder and she realizes you’re trying to breathe her in. 

“You always smell nice,” you whisper, half asleep.

Ellie swallows and prays to keep her body completely still, scared she’ll make the wrong move and have you pull away, scared you’ll lean closer and be able to hear the fast beating on her chest. She sounds breathy, “Yeah?”

“Yeah,” you say. “Like fresh rain.”

Slow like the roll of credits playing on the TV, Ellie feels how every muscle in her body settles down, relaxed, content— fucking cocky. She wraps her arm around your shoulders and hopes the scent will rub off on the jacket and remind Maya of a cloudy autumn night, rain over her garden.

─────✧･ﾟ: *✧･

THREE!

"Do you think we would've liked each other?" you ask, your legs resting on her lap while she fidgets mindlessly with the ruffled cuff of your socks. Every patrol lately ends the exact same way, a quiet walk home and a joint on Ellie’s couch. "Back when the world was normal?”

Ellie turns to look at you, blinking lazily, a reddish hue over her green. You’re not sure if she's more tired or high, but either way you're not doing much better— everything you’ve said during the past hour is the kind of thought you have when you're alone at night and your brain wanders, moments away from falling asleep. It's a meaningless question, but Ellie lets out a soft hum and thinks about it like it's worth considering. You're not sure if anyone you’ve met in your whole twenty years of life is as willing to indulge you as she is.

"Yeah," she says decidedly, in the same tone with which one would say duh. "We—" a yawn cuts her off, slender hand rubbing one of her eyes. "We would be friends, like, in college."

"I wouldn't be in college.”

Ellie frowns, takes one last inhale and discards the joint to the ashtray on her coffee table. "Why not?"

"'Cause I'm not smart like you," you shrug.

The fold between her eyebrows deepens. "You're smart," she argues, with enough conviction that you almost believe her, insisting, "You are."

"In other ways, sure—” Ellie opens her mouth to interrupt but you get ahead of her, “I’m not trying to talk badly about myself, I just don't think college would be for me.”

You’ve never been the most disciplined. It’s hard to imagine yourself staying up late to study, taking diligent notes in class. It feels ridiculous.

“I’d be working somewhere, I think. Making coffee for people or something.”

Ellie pauses before she nods, adjusting her daydream to what you’re saying, strangely committed. "Then we would meet there,” she makes it sound like the easiest thing in the world, a natural equation. “I'd go get coffee from you."

You chuckle. "You don't even like coffee that much."

Ellie shrugs, soft pink lips curved in a smirk that tells you she's sleepy and serves to warn you of the horror that's about to come out of her mouth.

You groan. “Don't—”

"Maybe I like the pretty girl that's making it."

“Awful,” you push her shoulder away, barely any force behind it, her giggles swimming comfortably around your head. “Never speak again.”

"Not my best work?" she asks, her fingers wrapping lazily around your shin. Too much, her brain warns, but then she remembers the pad of your finger over the back of her hand last night, the cursive lines with no purpose other than to be touching her— and it feels right, or like it's not enough. Too much soon turns to coward.

"Possibly your worst.”

She might be going crazy, but lately Ellie feels like you’re looking at her differently. In your eyes there's something gentle, awaiting, a tracing of your eyes over her face that says please. She chews on her lip, her eagerness painful. “We would like each other,” she doesn't think there's a world where you wouldn't, and if there was… "I'd make you like me."

You raise your eyebrows, teasing, "Oh, so like now?"

Her lips part with genuine surprise, more amused than offended. “...I made you, huh?” 

You regret the joke as soon as it comes out of your mouth, immediately brought back to your fourteen year old self, lonely and admittedly captivated by the auburn haired girl from next door. Flashes of you rushing to catch up with her, untied laces on your too tight sneakers, Ellie, do you wanna be friends? The sound of pages shuffling and her voice reading in whispers in the dead of night because you asked, can you talk to me until I fall asleep? Infatuated from the beginning, obsessed. Even now, on her couch, after spending a whole day together— do you like me? Would you like me, always?

A pillow crashes against the side of her face, her laugh almost louder than the embarrassed pounding of your heart. You pull your legs from her lap and lie back, fold your arms over your face. “You're so annoying.”

A lie so obvious it makes Ellie smile. She shifts to crawl closer, one knee on either side of you. “C’mon, I was joking,” she leans forward and you feel her knuckles tap your arm like she’s knocking on a door. The power to make you shy is still foreign to her, makes her feel drunk, thrilled. She doesn't remember having it before, but of course it was there. In little ways, in daily, simple things. Your eyes always looking for her first in any room, lighting up even after an especially bad pun, tracing her arms when the day becomes too hot to keep her jacket on. You like her, of course. How much time has she been wasting? The breath she lets out feels like it's been waiting to be let go, years spent stuck in her lungs. Ellie wraps her fingers around one of your wrists, her voice sweet, achingly soft. “Want me to tell you why I know I’d like you?”

You lower your arms just slightly, eyes peering up at her.

“Yeah?” she tilts her head.

You nod, arms coming down, unusually quiet.

Ellie grins, victorious. “Okay, but fair warning— it's worse than the coffee thing.”

You chuckle. “Is it?”

“Very.”

“Hm,” you hum, pretending to think about it, distracted by the vision of her practically sitting on top of you. Freckled face framed by the hair that's escaped her usual bun, softly lit by the warmth of the lamp on her desk. “Alright,” you say finally.

It takes Ellie a second to respond, momentarily dazed by the thought of being pretty enough for you to ogle like this. She clears her throat. “You ready?”

You tuck a loose strand of hair behind her ear and away from her eyes. “Sure.”

Ellie waits for the nerves to come, but even as she parts her lips to speak, they never do. What a kind fate. “I know I’d like you because nothing’s ever made more sense to me— I’ve been doing it since I was a kid. I like you enough for a million lifetimes.”

You look at each other, bask in a moment of understanding. Your eyes on her lips, a hand on her waist that pulls her closer. “That was worse,” you agree.

Ellie moves to rest on her forearms, cages you in, her nose brushing against yours. “I told you.”

She waits, feels herself count once again, a final time, one, two—

A hand against the back of her neck brings her in and the quiet noise of her surprise vibrates against your lips, makes her smile into the kiss for just a second before the hunger takes over. Her hips readjusting over yours, knees pressing against your sides, Ellie kisses like it's a need rather than a whim. She takes and takes and swallows every sigh you make like it's a gift, four, five, six seconds of a messy trail of kisses down your neck to say thank you before she resurfaces again.

“Love you,” she breathes out, because suddenly all that talk about ‘like��� feels stupid— immature, incomparable to what she actually feels for you. “Need you.”

You moan against her lips and it's her favorite sound in the whole world, immediately, as quick as realizing she would fall in love with you the day she met you. “Love you, Ellie.”

A kiss to your clavicle, your hands pulling at her shirt and her thigh between yours. She makes you say it three more times.

[knifedog-machina]

(Non)Humanity and Species Dysphoria: the Forced Transformation Trope

Written by Gavin on August 25, 2024.

As a nonhuman, do you ever think about why there's so many stories and myths and legends about humans being turned into animals? You ever wonder why it's usually a punishment or a curse, or why the characters try to do whatever it takes to become human again? You ever think, "I don't understand, I would love to be an animal and get rid of my human body, what's the problem?"

As a human myself, one whose system has been in the alterhuman community for years, I hope I can help bridge the gap of understanding here.

The way many humans see being turned into an animal as a curse, the way they'd be incredibly distressed about becoming nonhuman?

That is species dysphoria.

That is a human experiencing species dysphoria, because being perceived as nonhuman or other-than-human causes the exact same feelings of pain and wrongness and disconnection from their body that a nonhuman can experience when perceived as human.

(Particularly, this might be an orthohuman, someone who has a normative relationship with their human cultural and species identity, as opposed to an alterhuman, who experiences alternative/nonnormative humanity or a species identity separate from humanity. Human alterhumans can also experience this sort of species dysphoria - hi, I'm one of them.)

Imagine being your species your entire life, the way you know you're intended to be, living in a body you're comfortable in - and then having that body ripped away from you. Being forced to live in a form that doesn't match who you are, what you know you are, and desperately wanting to find a way to change back because you know you're not meant to be like this.

If this sounds familiar because it's what you experience as a nonhuman - that is how a lot of human beings feel about being transformed into something nonhuman. It's the feeling of being the wrong species! It's the desire to return to the form that you know as yourself!

The fact that orthohumans are born into the species they identify as does not mean that they could never comprehend your nonhuman experience. You can explain your nonhuman species dysphoria to an orthohuman. Given all the examples of unwanted transformation stories throughout human history, I think you're likely to find that they'll understand when you put it in that frame of reference.

"How would you feel about being turned into another species against your will, leaving behind everything that feels good and right and comfortable about your human body? That sounds horrible, right? That's how I feel, being nonhuman in a human body, and it's distressing in the same way you would hate being human and stuck in a nonhuman body."

I know that the gap between humanity and nonhumanity looks enormous. The horror of, say, werewolf mythology looks like a completely alien experience when you are a wolf, so you see being transformed into a wolf as nothing short of a wonderful experience, and you don't understand why anyone would see it as horrifying.

But if you understand that it's not about the species, but the experience of species dysphoria, of being trapped in a body that has never been yours and desperately trying to return to one that feels like you, well - that's a lot more understandable, isn't it?

Humanity and nonhumanity are not two opposite ends of a binary, destined to never understand each other. I know many alterhumans who are both human and nonhuman, and their humanity is an identity in much the same way as their nonhumanity. Humans are just another species on this planet, as bipedal tool-using social primates, and we have our species identities just like many nonhumans. You are not as alone in this world as you might think you are.

There is room for understanding and connection. Your experiences as nonhuman are not purely individual, not wholly unique, not utterly incomprehensible to human beings, and this is a good thing. The gap isn't actually as wide as it seems. You can reach out and cross it if you just remember - you have far more in common than you might think.

[papasmoke]

My name is Ruwa Romman, and I’m honored to be the first Palestinian elected to public office in the great state of Georgia and the first Palestinian to ever speak at the Democratic National Convention. My story begins in a small village near Jerusalem, called Suba, where my dad’s family is from. My mom’s roots trace back to Al Khalil, or Hebron. My parents, born in Jordan, brought us to Georgia when I was eight, where I now live with my wonderful husband and our sweet pets.

Growing up, my grandfather and I shared a special bond. He was my partner in mischief—whether it was sneaking me sweets from the bodega or slipping a $20 into my pocket with that familiar wink and smile. He was my rock, but he passed away a few years ago, never seeing Suba or any part of Palestine again. Not a day goes by that I don’t miss him.

This past year has been especially hard. As we’ve been moral witnesses to the massacres in Gaza, I’ve thought of him, wondering if this was the pain he knew too well. When we watched Palestinians displaced from one end of the Gaza Strip to the other I wanted to ask him how he found the strength to walk all those miles decades ago and leave everything behind. 

But in this pain, I’ve also witnessed something profound—a beautiful, multifaith, multiracial, and multigenerational coalition rising from despair within our Democratic Party. For 320 days, we’ve stood together, demanding to enforce our laws on friend and foe alike to reach a ceasefire, end the killing of Palestinians, free all the Israeli and Palestinian hostages, and to begin the difficult work of building a path to collective peace and safety. That’s why we are here—members of this Democratic Party committed to equal rights and dignity for all. What we do here echoes around the world.

They’ll say this is how it’s always been, that nothing can change. But remember Fannie Lou Hamer—shunned for her courage, yet she paved the way for an integrated Democratic Party. Her legacy lives on, and it’s her example we follow.

But we can’t do it alone. This historic moment is full of promise, but only if we stand together. Our party’s greatest strength has always been our ability to unite. Some see that as a weakness, but it’s time we flex that strength. 

Let’s commit to each other, to electing Vice President Harris and defeating Donald Trump who uses my identity as a Palestinian as a slur. Let’s fight for the policies long overdue—from restoring access to abortions to ensuring a living wage, to demanding an end to reckless war and a ceasefire in Gaza. To those who doubt us, to the cynics and the naysayers, I say, yes we can—yes we can be a Democratic Party that prioritizes funding our schools and hospitals, not for endless wars. That fights for an America that belongs to all of us—Black, brown, and white, Jews and Palestinians, all of us, like my grandfather taught me, together.

I want to be clear,” Romman said. “We’ve been in negotiations for days. This did not just come up…We’ve been talking about this for at least a week. In addition, the campaign told us that not getting a ‘no’ [initially upon first hearing the request] was a really good sign. For them to give us a ‘no’ the same day that Geoff Duncan [a Republican from Georgia] was on the stage—especially when it was my name—was just absolutely a slap in the face.”

[sanguineterrain]

hey sanne! hope you're having a good day!

love your fics soo much and i always jump up a little when i get a notification for when you post on ao3!

i have a request if it interests you! what if jay and reader get stuck in a hostage situation together? like at a bank or a convenience store or something? just obsessed with the idea of jason being protective and badass in his civilian identity!

thank you for your lovely fics! 💕

thanks for the request!

jason todd x gn!reader. mild violence, robbery, jason being cute and sweet and a little awkward as per, reader is guilty of judging jason by his appearance.

****

The bell above the door chimes as you enter your favorite convenience store. You haven't been in a while, but the older clerk still nods and smiles at you, saying hello in an accent you don't know. You greet him back.

He's a nice man, sometimes sneaking in a free pack of gum into your bag. Proof that capitalism hasn't squashed everyone's spirit yet.

Actually, you used to regularly stop here to get a treat on your walk home. Lately, though, the prices have been too steep for your meager wages.

Three dollars for a bag of chips is actually ridiculous. Are they 24K gold chips? Will they cure fear gas syndrome?

Stupid inflation.

You take a step back, thinking maybe the price will lower if you put some distance between you. Instead, you bump into someone's shoulder. You quickly back away, apologies on your lips.

Whoa.

The shoulder belongs to possibly one of the biggest guys you've ever seen. Even swallowed up in his red hoodie, he looks like he could bench press four of you. He towers over the packaged cookie display, which is what he'd been looking at before your misstep.

He's also wearing long sleeves and jeans in eighty degree weather, which is... a choice. Maybe he has an iron deficiency. You want to tell him but think better of it.

"Sorry," you say at the same time that he says, "Sorry, y'okay?"

His voice is soft and deep. You nod, and he barely glances at you before he tucks in closer to the shelf, as if anticipating for you to pass him.

Instead, you bump into the adjacent shelf and knock a couple Doritos bags to the floor.

"Dammit," you whisper.

Hoodie bends down before you do, startling you with his speed. He puts the chips back. He looks at you, and you look at him.

His face is young, nose crooked like it's been in a lot of fights. He has a scar traveling from his right eye across his face to his lip.

Never judging a book by its cover is great in theory, but this is Gotham. Judgment keeps you safe.

He's cute, though. His lips are pink and full. There's a smattering of freckles across his cheeks and nose.

But you're not about to interact with anyone more than you need to at a convenience store, so you turn around and hope he doesn't try to approach you.

And it's like Hoodie can hear your thoughts because a moment later, he goes to another aisle, leaving you alone. You relax and peruse the chips in peace.

Cheetos. Are Cheetos worth three dollars and tax, though?

Maybe just a drink.

You go to the fridges and stare, debating between a ginger ale and a Snapple when the bell above the door jingles.

"This is a robbery!"

Fuck. Fuck fuck fuckity fuck.

You turn and see a guy in a ski mask with a gun pointed at the cashier. The old clerk is shaking and has his hands up. Yeah, you're never coming back here again. Overpriced Cheetos aren't worth it.

But then to your right, you see Hoodie, crouched on the ground. He gestures for you to get low. You hesitate.

"Hey," he says, as quietly as he can. "I ain't gonna hurt you. I'm gonna get us outta here alive, okay? But you gotta trust me a little. C'mere."

Hearing him speak at length, it's clear that Hoodie is Gotham-born and bred. And he's certainly not from the Heights. His drawl is thick and, dare you say, comforting. It's old-school Jersey, like you could walk into a diner and find him chatting with the retirees. The thought startles you.

What was that about books and covers?

You get low like he wants and scurry over to him. He scoots back against the last fridge and gestures for you to do the same.

"This is the blind spot for the cashier," Hoodie whispers. "I don't think he saw us, so you'll be okay here."

You nod. You can't speak. Can't move. Can't breathe.

"Hey." Hoodie tilts his head to find your eyes. His eyes are a brilliant teal. What a pretty color. "Hey, y'alright? Can you make a fist for me?"

You make a loose fist. He nods.

"Good. Now..." He checks around the shelf. It sounds like the clerk is still emptying the register. "Squeeze your fist and inhale. Then release your fist and exhale. Can y'do that?"

You clumsily follow his directions. He makes the fist with you.

"Good, good. Okay. 'S okay. Nothing’s gonna happen to ya, alright?"

You have no idea how he can promise something like that.

"When I push this shelf, run for the other side, okay? And when he's distracted, you'll leave out the front."

Your eyes fly to his in alarm.

"What?" you hiss. "Are you crazy? He'll shoot you!"

"I'm really fast," he says.

Oh, okay. He's insane too. Cool.

"Hurry the fuck up, old man!" the robber shouts. "I will shoot you."

Hoodie glares venomously in his direction. "Can't let 'im get away. Ready?"

No, not ready, definitely not ready!

He pushes a shelf with one leg. It crashes to the floor. Briefly, you wonder if he's ever crushed a watermelon between his thighs. From the size of them, he definitely could crush—

Okay, not the time.

He nudges your arm when you don't move. You book it to the other side of the store like he ordered. The robber clomps across the store, leaving the clerk.

"That was stupid, guy!" the robber shouts. "Really fucking stupid!"

Bang! You yelp and duck.

"What's stupid is your aim," Hoodie growls.

There's a few grunts and a landing punch. By the time you get up, the robber is out cold on the floor. Hoodie is disassembling the gun and unloading the chamber. Then he goes to the clerk.

"Thank you, good boy," the clerk says, still wobbly with fear. "Good Jason. So good."

Jason. A name for your savior.

"It's okay, Mr. Kourakis." Jason keeps talking, but it's not a language you understand. It's... Greek?

Just who is this guy, exactly?

Mr. Kourakis nods, shaky hands grasping Jason's forearms as he steadies himself. Jason comforts him for a moment, then gently extricates himself to retrieve the money from the unconscious robber and return it to the register.

On impulse, you take a Mrs. Fields double chocolate chip cookie from the shelf on your way to the register.

Mr. Kourakis keeps talking, obviously panicked. Jason soothes him in his rumbling voice, picking up the shelf he knocked over with one hand, like he's holding a basketball.

"Sorry, um, did you call the police?" you ask, interrupting their conversation.

Jason glances at you. "No cops. They're messy and inept. I told Mr. Kourakis that I'll take care of this."

Your brows rise. Inept? Looks like your savior has a great vocabulary too.

"And by 'take care of,' you mean...?"

He smiles a little, the scar on his lip stretching white. "Not like that. I meant that, uh, I got a buddy who knows a Bat."

Right, of course. You're four blocks from the Red Hood's territory.

Jason touches Mr. Kourakis' arm and tells him something else in Greek. Mr. Kourakis nods, then wearily flips the OPEN sign to CLOSED. He disappears into the back room after that.

"You can go," Jason says, not unkindly. He types something on his phone. Then he shuts it off and looks at you. "You hurt at all?"

You shake your head. You're still trying to puzzle him out. He's the weirdest Gothamite you've ever met.

"How do you know Greek?" you ask.

You don't know why you're asking questions. You should just take the blessing and leave.

"Study abroad," he says around a smile, like he's telling a joke that you're not privy to.

"...Right. And did you learn how to disarm a robber while you were abroad, too?"

"Nope," he says mildly. "I take jiu-jitsu classes at the Y."

You look at the crumpled robber on the floor. His mask is off and he has a black eye and a drying bloody nose. You doubt they teach that at the Y.

"Thank God for the Y, I guess," you say, turning back to Jason.

He shrugs. "Gotta defend yourself in Gotham."

No arguments there.

"Yeah. And thank you for, um. What you did back there. I got—I've never been held at gunpoint, and I guess I just... I dunno..."

Jason steps forward and makes an aborted gesture, like he was going to touch your arm. He doesn't, though, instead just nodding.

"Don't worry 'bout it," he says tenderly. "'S normal to be scared. You did great."

Jeez, is this guy a counselor? He looks too young to be doing that, though.

"You didn't seem scared," you say.

Jason shrugs, suddenly tense. "Ah, I just hide it well."

"Oh. Well, anyway." You put a few dollars on the counter and hold out the Mrs. Fields cookie. "'Least I can do is buy your cookie."

Jason's eyes widen. "I—y-you don't hafta—"

"It's really no trouble! It's all I can do to thank you. Because you really saved our butts today."

You shake the cookie a little. Jason hesitantly accepts it, then glances at your money on the counter.

"You shouldn't," he says. "This place price-gouges. Chips for three bucks is insane."

You grin. "It really is! But I don't mind. I've kinda lost my appetite, in any case. You deserve a cookie, Jason."

He blinks once-twice-three times at your use of his name. "Oh. It wasn't a big deal."

Is he serious? He can't be. "Of course it was! You risked your life for me. Thank you, seriously."

You start to back up towards the exit. Jason watches you, a mix of bewilderment and bemusement.

"Well, I gotta get home. Feed my cat." You make finger guns. God, you're lame. A good-looking guy saves your life, and you lose all sense. "Thanks again."

"Wait!"

Jason follows you outside, cookie in hand. His mouth is open like he's about to ask a question. You wait expectantly.

"Um." He swallows. "Prince Street."

"What?"

"The bodega on Prince Street. I know the owner. He's got better prices. You can tell him you're my friend. To, y'know, get a discount. Not... not that I think you're—I mean, I don't—"

You smile. Jason cuts himself off, looking a little frustrated.

"You're really sweet," you say. If you were crazier, you might kiss his cheek. "Thanks for the tip. And thanks for today. Take care, Jason."

"Yeah," he says as you walk down the block. "Yeah, you too."

[langernameohnebedeutung]

there's a lot of valid takes on why Gen Z is becoming radicalised at the rate they are - all that misinformation, tiktok, red pill, the pandemic - all have good points. But I think another factor is that even politically, their sense of normalcy is entirely different to the one of prior generations. The spiral of the last 15 years, the way the Overton window has moved, the change of style and tone in political discourse, the normalisation of anti-democratic ideas, the obsession with people's private lives, the topics that are front and centre during elections these days, the changing concept of the respect and dignity expected in a public office (god I sound like a boomer) - all of that was shocking to us.

the three generations of my family, all born and raised in VERY different time periods from one another, we've all just been equally shocked and horrified again and again these last 15 years - not just by what is happening but how it is happening and by what is possible and how easy it is to make a total mockery of the democracy and the rule of law. For all of us, that was a feeling of realising that something we implicitly trusted in to the point that it didn't need talking about ... just falling away. Or proving to always have been an illusion to begin with. To someone who grows up right now, this safety and security has NEVER existed.

But for these kids - the window of their life where they start becoming politically and culturally aware basically coincides with this downward spiral and I think that makes many of them blind or numb to it. I think for many of them, that's just their understanding of how things naturally progress and politics works. That the way previous generations evaluate the current situation - this framework of intentional manipulation and misinformation and radicalisation - is just fair and acceptable behaviour and that of course politicians manipulate the discourse to get what they want and of course it is normal to tell brazen lies and spread panic if that gets you what you want and if you're loyal to the party, you parrot those lines whether you really believe in them or not. (And let's be honest with ourselves - the seed to that has always been there)

And others, who I imagine intellectually know that things are going downhill, are really stuck in this extremely mind-numbing fatalist mindset (climate change is gonna kill us all anyway, haha) which makes you hopeless and desperate. And being hopeless and desperate also makes you vulnerable to all kinds of manipulation and radicalisation - because the offer you a perspective. Or meaning.

If you think about the trad-wife and redpill stuff or generally christian nationalism but also any movement that instrumentalises history with ideological narratives, you notice that their narratives place periods of stability way back in time in periods that match aspects of their idelogy e.g. their fetishisation of the 1950s. Then they come up with some horrible bad evil enemy that destroyed that paradise and created the 'degenerate' misery we live in now. Authoritarians and ideologues and cults have always done this. It's part of constructing the mutual enemy.

Beause this way, they can create their illusion of this kind of mythical, unreachable utopia (the past) that fascists love and attach all kinds of conditions to reaching that - with no pressure for them to ever actually deliver: women staying at home, racial segregation, christian hegemony, eugenics, absolute exclusion of gay and trans identities etc. This doesn't just have the benefit of pushing their politics on a confused youth (though that's a big benefit) - it also helps them hide from young people that these last 15 years, they literally created the chaos that these kids are living in. They sowed this situation and right now, with the radicalisation of the youth, they are reaping the rewards.

And the thing is, we can blame the Tiktok or whatever but I also think it is important that we let younger people know and feel that what's happening right now - is just not normal and not sustainable.

And yes, we need to let go of the naive illusion that "the kid are going to save the world". We should never have had that. But I also don't think a radical heel-turn vilifying all of Gen Z is going to help anyone or do justice to the situation.

[takami-takami]

The Uncommitted Movement and Uncommitted Delegates have been petitioning to have just one Palestinian-American speak at the DNC for months; among a sea of speakers, including a random border patrol agent, Trump voters, and the CEO of Uber.

They were told three words and no other explanation: "It's a no."

The delegates and Palestine protesters have been working tirelessly to get the DNC to rescind this decision on the last day of the convention and apply pressure. There is only one ethnic background that is not allowed to speak at the DNC, and that is Palestinians.

Georgia State Representative Ruwa Romman is at the top of the list of Palestinian democrats that were offered— of which the Uncommitted Movement and delegates generously offered the DNC to take their pick.

In case they don't let her speak, this is her speech.

"My name is Ruwa Romman, and I’m honored to be the first Palestinian elected to public office in the great state of Georgia and the first Palestinian to ever speak at the Democratic National Convention. My story begins in a small village near Jerusalem, called Suba, where my dad’s family is from. My mom’s roots trace back to Al Khalil, or Hebron. My parents, born in Jordan, brought us to Georgia when I was eight, where I now live with my wonderful husband and our sweet pets.

Growing up, my grandfather and I shared a special bond. He was my partner in mischief—whether it was sneaking me sweets from the bodega or slipping a $20 into my pocket with that familiar wink and smile. He was my rock, but he passed away a few years ago, never seeing Suba or any part of Palestine again. Not a day goes by that I don’t miss him.

This past year has been especially hard. As we’ve been moral witnesses to the massacres in Gaza, I’ve thought of him, wondering if this was the pain he knew too well. When we watched Palestinians displaced from one end of the Gaza Strip to the other I wanted to ask him how he found the strength to walk all those miles decades ago and leave everything behind. 

But in this pain, I’ve also witnessed something profound—a beautiful, multifaith, multiracial, and multigenerational coalition rising from despair within our Democratic Party. For 320 days, we’ve stood together, demanding to enforce our laws on friend and foe alike to reach a ceasefire, end the killing of Palestinians, free all the Israeli and Palestinian hostages, and to begin the difficult work of building a path to collective peace and safety. That’s why we are here—members of this Democratic Party committed to equal rights and dignity for all. What we do here echoes around the world.

They’ll say this is how it’s always been, that nothing can change. But remember Fannie Lou Hamer—shunned for her courage, yet she paved the way for an integrated Democratic Party. Her legacy lives on, and it’s her example we follow.

But we can’t do it alone. This historic moment is full of promise, but only if we stand together. Our party’s greatest strength has always been our ability to unite. Some see that as a weakness, but it’s time we flex that strength. 

Let’s commit to each other, to electing Vice President Harris and defeating Donald Trump who uses my identity as a Palestinian as a slur. Let’s fight for the policies long overdue—from restoring access to abortions to ensuring a living wage, to demanding an end to reckless war and a ceasefire in Gaza. To those who doubt us, to the cynics and the naysayers, I say, yes we can—yes we can be a Democratic Party that prioritizes funding our schools and hospitals, not for endless wars. That fights for an America that belongs to all of us—Black, brown, and white, Jews and Palestinians, all of us, like my grandfather taught me, together."