#also the 2 to 3 pipeline is real

[funforahermit]

it's so funny to see how differently people react to rhys darby, and it's so apparent when you look through the notes of tumblr posts. i'd say there are roughly three camps of fans? the "he's my strange funny uncle and all the thirst is weird" ones, the "he's pathetic and swagless and that's exactly why he's irresistable to me" ones, and the "he's objectively so hot i'm gonna die" ones.

[flyingwargle]

july fanfic recommendations!

i read an obscene amount of fanfic last month with some that i must share with others, hence this post. i still over >100 fics to read so maybe this will be a monthly series? we'll see.

some fics are rated e!

sakuatsu

rotten work & other things worth doing t. 3k. atsumu and sakusa clean atsumu's bathroom together. that's it, that's the fic. lots of hurt/comfort and love and affection <3

The Sakusa Complaint Jar t. 3.6k. hilarious take on the swear jar, especially as atsumu learns he's more down bad for sakusa than he thought.

Appease and Assuage t. 5.1k. sakusa has a bad day and atsumu is there for him. very soft and raw with sakusa feeling off-kilter, and atsumu knows exactly how to help him.

come, morning light g. 5.2k. sakusa gets sick and tries to push atsumu away but eventually lets him in. very soft and domestic.

Here Is Your Verse m. 15.52. 2/2. atsumu ends his fwb relationship with sakusa because he caught feelings. they end up reconciling in the end.

when you hear hoofbeats t. 42.4k. 14/14. university au slowburn where sakusa has eds and he gets into a relationship with atsumu. be aware of the chapter warnings because it gets heavy but has a happy ending!

Stockholm Syndrome Isn't Real e. 50.2k 8/8. side sunaosa(komo). au where atsumu is a pro athlete but osamu is secretly a hacker and atsumu is kidnapped in his place. love the action, tension, and everything about this.

sunaosa

slip of the pen t. 6k. suna channels all his pining into award-winning books and osamu has never read any of them. the pining is top-tier in this.

moonsick m. 7.8k. fwb to lovers in suna's pov. is it really a sunaosa fic without one of them being emotionally constipated?

in the mood for love m. 8.3k. friends to exes to friends to lovers pipeline. i love the prose and osamu's thoughtful narration.

Litany in Which Certain Words Are Said t. 10.9k. 5 times osamu says "i love you" and 1 time suna says it back. oohh the yearning in this is top-tier!

a type of hunger m. 9.1k. i love the exploration of suna's hunger in this as an athlete and feeling like he's falling behind. good thing osamu is there for him <3

An Inconvenient Espionage e. 26.6k. 5/5. side sakuatsu. spy au, assholes to lovers. good action, good spy work, good tension 👀

somewhere to lay the flowers t. 25.6k. i've read a healthy amount of bastigod's works and trans suna has me in a chokehold. i also love magical realism and the mythology in this was woven wonderfully. suna's daughter is also a delight!

iwaoi

stumble into the sun e. 3.6k words of iwaizumi discovering that oikawa has a praise kink. it's also very soft and lovely.

Press '1' to Get a Call From Your Drunk Best Friend t. 5.4k. a drunk iwaizumi spills about his love and appreciation for oikawa. it's hilarious and fluffy and one of my favorites <3

HIPS DON'T LIE e. 8.1k. iwaizumi overhears girls talk about how good oikawa is in bed and is given a live demonstration from the man, himself.

i wanna ruin our friendship t. 18/18. oikawa comes to terms that he's in love with his best friend. features heavy themes, read the chapter warnings before proceeding. there's a happy ending!

bokuaka

Tell Me, Eurydice (How Could I Not?) t. 6.3k. lovely prose from akaashi's perspective about bokuto becoming captain and the idea of akaashi being his vice captain.

hoot if you've heard this one before t. 5.2k. bokuto and akaashi lose contact and find each other in university at a cafe that akaashi owns. lovely reconciliation fic and relationship recovery.

papers (the special, laminated ones) t. 5.3k. bokuto's parents have a tradition of laminating all his special papers and he isn't allowed to get them until "he's ready." i loved how sweet and fluffy this was, especially with his relationship with akaashi <3

Spaces aren’t Voids 7.2k. bokuto had every intention to propose until he lost the ring. a very fun and fluffy fic of a marriage proposal that doesn't quite go through but things go well in the end.

To Have and to Rail e. 12.4k. this is more humor than smut about akaashi's scientific exploration to match bokuto's stamina in bed. it doesn't go as well as he hopes (of course. good luck, akaashi)

onigiri miya: brand ambassadors (applications closed) g. 4k. bokuto is kinda slightly jealous of how close akaashi is to osamu because he's obsessed with onigiri miya. hinata feels the same way with kageyama. so what do they do? become brand ambassadors for osamu. absolutely hilarious and fluffy!

Kiss Me (Like You Wanna Be Loved) e. 56.6k. 27/27. oh the pipeline of strangers to roommates to fwb to lovers, i love it so. equal parts hurt/comfort, fluff, with the perfect amount of nsfw.

kagehina

soft serve t. 9.6k. hinata and kageyama drive an ice cream truck to fundraise money for karasuno's volleyball club. that's it, that's the fic.

Meme of the Day g. 4k. kageyama accidentally turns hinata into a meme. very fluffy and cute!

miscellaneous

yachi hitoka stop being so relatable challenge t. 4.1k. i loved this exploration of yachi being known and getting closer with the karasuno boys. she's such a precious cinnamon roll <3

north is everywhere. t. 12.1k. an exploration of kiyoko's development through high school, from being a manager out of obligation to continuing out of choice. also ace rep!

summer rolling down a cheek gen. 13.2k. a beautiful character study of kenma after the spring tournament as he thinks about the future and what comes next. beautiful prose and introspection.

[zzztlk]

Love your art style and I adore how you do backgrounds!

Got a world building question: Rabel is a demon obviously but how fantastical is the world at large? Are magic/demons something the general public know are real or is that sort of thing generally considered fictional?

Also, you mentioned Raegan has naturally purple hair, and that her family has naturally blue hair. Is that just a stylistic choice or is there a greater in universe reason for it?

Ty!! I had a previous version of the story where all sorts of crazy stuff was going on with other demons and magic and pocket realms but in this one the only fantastical thing is Rabel. This iteration's supposed to be pretty grounded in reality, but then there's Regan's hair... half treating it like a stylistic thing, half like a Scott pilgrim "university of Carolina in the sky" situation. It has no reason to be a thing, but still is somehow. The pipeline went like this :

1. She just has dyed hair.

2. Too lazy to draw the gradient I'll just make it solid purple

3. "wouldn't it be funny if it turned out it isn't dyed it's just that her family inexplicably had technicolor hair"

4. the world is now just like ours but the human genome allows for hair colors across the full roygbiv spectrum. There's blonde, ginger, brunette, cobalt (Regan's mom side), cerise (Regan's dad's side), olive (nat has this gene; their hair is black but the reflection is olive under neutral light) and then there's Regan who's puce. Unlike people with other shades of purple hair, puces tend to get made fun of since their hair is "flea colored".

[sweetteainthesummerx]

THE LOVE LASTS SO LONG (blurb 1)

In which the happy couple reaches a major milestone...

series masterlist

★・・・・★・・・・ ★・・・・★

E-NEWS

Aubrey Yang, Oscar-Award winning actress and award-winning director is set to direct the historical series Circe, based off of the book of the same title. Recently graduated from NYU with a double major in Classics and Film, Yang will take this expertise into her directing for Netflix. Since her Oscar, Yang has directed Episodes 3&4 of PERCY JACKSON AND THE OLYMPIANS, Season 2, Loverland and Boulevard 48. At the young age of 23, we hope to see her continue to thrive in this industry.

Her longtime alleged boyfriend, Oliver Bearman, enters his 7th year of Formula One racing, the young prodigy continuing his contract with Ferrari. Since his debut year, he has won 8 grand prix's and stays consistently on the podium or scoring points.

The two are often seen together at Bearman's races or Yang's premieres. Although nothing has been confirmed between the two, they have been spotted in Monaco, New York, Italy and Vancouver, where they have multiple estates.

Between the alleged couple, they have a net worth of over $40 million: we sincerely hope that a prenup is in their future.

See more: .....

aubreyyang & olliebearman posted

aubreyyang & olliebearman hard launch (and no prenup)

liked by alexandrasaintmleux, f1wags and 108,290 others

comments have been limited

olliebearman posted

olliebearman bagged a baddie 5 years ago, locked her in for forever

I can't believe I get to love you every single day, darling I can't wait to make you a mother and grow old with you. Also your stuck with me forever now love you aubs

tagged: aubreyyang

liked by aryansimhadri, charlesleclerc and 72,850 others

view all comments

f1wagsanddrrivers DAY ONES WILL KNOW THE INSANE PIPELINE

aubreyyangfan19 still remember when Aubrey was a wee baby NOW SHES GETTING MARRIED WHAT

aryansimhadri mama y papa

-- olliebearman im the father who stepped up 😤

alexandrasaintmleux photo creds for the last pic??

-- aubreyyang shout out to Alex our pro photographer

user1 im crying were getting so much content all of a sudden im choking

user4 just saw someone fall to their knees in a Walmart

aubreyyang posted

aubreyyang five years down, forever to go!

I love you my sweet boy, love your kindness, your heart and your laugh. You make me want to be a better person everyday, and I will walk by you for the rest of our lives

liked by oliviarodrigo, kimi_antonelli and 89,218 others

view all comments

oliviarodrigo shoutout to everyone who has had to see the ugly (all of the pda and excess cuteness)

-- dior.n.goodjohn word

-- alexandrasaintmleux word

-- alexalbon word

-- lilymhe word

-- maxverstappen word

-- charles_leclerc word

-- aubreyyang okay were getting flamed 😰

-- olliebearman its okay they're just jealous

comments have been limited

dior.n.goodjohn posted on their story

caption: in honour of ollie and Aubrey hard launching (in the most dramatic way ever) here is a content for the nation

tagged: aubreyyang, olliebearman

arthurleclerc posted on their story

caption: fav couple to thirdwheel

tagged: aubreyyang, olliebearman

charles_leclerc posted on their story

caption: finally

tagged: aubreyyang, olliebearman

alexandrasaintmleux posted on their story

caption: aunt and uncle

tagged: aubreyyang, olliebearman

Twitter

olliebearmanupppdates @olliebearnmanf1p

in honour of mother and father hard launching their 5 year long relationship, everyone comment down below their fav ollbrie moment

olliebearmanupppdates @olliebearnmanf1p

mine is that one time there was a platform w no stairs and she was wearing heels so he jumped off and he told her to throw down her purse and jump so he could catch her AND HE DID THATS A REAL MAN

user1 @ussssserrrr1

NAHHH bc this man is so down bad for her (I would be too shes so fineee) mine is when they were in Charles and Alex's wedding party and they looked so freaking good together RAHH

aubreyxollie @loverboysform1

a personal piece of ollbrie renaissance that is near and dear to my heart is how hes always touching her LIKE JRWOEJ the hand placements on her waist and back every time their out together

aubreyxollie @loverboysform1

also here is a collection of pap pics that make me sob and want to sleep in the highway

aubreyyangcult02 @aubreyyangmyqueen

mine is the fact that they're each others comfort people like every time their together they look so at ease bro

★・・・・★・・・・ ★・・・・★

Taglist: @callsignwidow @iloveyou3000morgan @honethatty12 @taygrls @destinyg237 @ilivbullyingjeongin @eiaaasamantha @1uvsptnik @yla-aira @ririyulife

© sweetteainthesummerx.tumblr. all rights reserved. unauthorized copying, translation, or claiming of my writing or any works as your own is strictly prohibited.

[souliebird]

[[and then I met you || ch. 5]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s and Matt realizes he needs to protect his new family from not only Hell's Kitchen but from the world.

pt: 1 | 2 | 3 | 4

words: 4.4k

It has been one week since you saw Matt Murdock on the evening news, and it feels like it has been a complete whirlwind. First, you reintroduced yourself to him and let him know he was a father, then you had a nice little outing, and to tie it all up, a trip to the doctors to confirm what you already knew. 

Matthew Murdock is the father of your daughter.

It is nice to have an official statement from a doctor and now you can start the process of changing Minnie's paperwork to include his name. You have to go to the courthouse to file for an updated birth certificate. Matt has very kindly offered to take that task on for you - he goes to the courthouse often for his job and he knows the ins-and-outs of navigating legal paperwork. You just have to go and drop off the right documentation. 

You had a brief call last night, after Minnie had been put down, and decided that you would visit his office today to do just that. You are going to kill two birds with one stone - hand over what needs to be filed and give Matt more time with his daughter. 

To your great surprise, your timid little Mouse absolutely adores him. She was not happy to have to be at the doctor's office yesterday and was on the verge of tears before he showed up. Her whole mood shifted, and she had spent the brief time you were in the waiting room and exam room telling Matt about different things around them. 

You have a feeling, when you sit down and tell her the truth, she is going to be thrilled. 

You told her that you are going to visit Matt at work today, and all morning she has been hunched over her sketchbook making pictures for him while you try to get in some hours at work. Try being the key word, as you've been thoroughly distracted by today's news cycle. 

You were half listening to a puff piece about something or other when breaking news flashed across the screen. A neighborhood in Connecticut has been leveled by some sort of explosion, killing hundreds. They don't know if it was an accident or some sort of attack - the epicenter of the blast was a school, so it could potentially be either. You pray it was a freak accident, some faulty pipeline or a weird meteor, because the world doesn't need any more horribleness in it. 

The idea that it might have been an attack makes you nervous. You've been through two horrible attacks on New York, and you didn't realize another big event so close to home would shake you so hard. 

It scares you that you have to raise Minnie in such a harsh world, where monsters of all kinds are very very real and you don't know who you can rely on. The police and government have been shown to be all kinds of corrupt and people who can shoot laser beams fight each other in the skies. 

You end up clocking out and going to sit with Minnie to get yourself to stop your doom-listening. She's got a few drawings scattered around the table and you pick up the one closest to you, smiling at her handy work. 

You recognize the shapes as her interpretation of people - oblongs with stick arms and noodle legs. Unknowingly, she's made her first new family portrait. There are three blob-people all holding hands: you suspect you're the big orange one with a smile, Minnie is the little pink one in the middle with what you guess are pigtails, and Matt is the black one with red eyes, who is also holding a stick. To confirm, you ask her.

"Is this one Mister Matt?"

Her head shoots up and a big grin spreads across her face, "Yeah!  And that's you and that's me and we're gonna go to the zoo!" There is a little flurry of motion and suddenly you are getting a picture show. She holds up the paper she was working on - there's another family drawing, but this time there's green scribbles all around you and a blue square with zig zags all over it. You guess that is some sort of animal. 

"You want to go to the zoo with Mister Matt?" You ask, examining her masterpiece.

"Yeah!" She says, pulling over another picture that you know are her versions of flowers, even if they are all different colors. "And the park!"

"And the park? Wow, that's a lot of things to do. Do you want to ask him if he wants to go to the zoo with us when we see him today?" Minnie eagerly nods at the question and that makes you smile. "Okay, we can invite him to the zoo. When are we going to the zoo?"

The question makes her bounce in excitement, "My birthday!" 

You laugh at her enthusiasm and give her a little back rub, "Exactly. We're going to go for your birthday. And get a big cake with whatever you want on it." That makes her a giggly mess and you temporarily forget all the bad things in the world. 

You hand her back her drawing before kissing the top of her hair, "How about you finish this one up and we get ready to go see Mister Matt? We can only visit for a little bit, because he's working, but I bet he'll love everything you made him."

Greedy little hands take back the paper and instantly Mouse is hunched back over her zoo scene, purple crayon in hand. You get up and go to make sure that you have everything you need to bring to Matt in order. You are extremely lucky that the doctor has the ability to print out things in Braille, so you don't need to make an extra stop to get things translated. 

You debate bringing Matt lunch, but ultimately decide against it. You don't want to push too much too fast, and you think it might be a little weird for his coworkers, to see a random person bring him homemade lunch. You know he hasn't told anyone yet about yourself and Minnie - he had shyly admitted it didn't feel real until the test results were given and you completely get it. 

You tidy up until you spy Mouse dropping her crayons into her bucket and cleaning up her drawing area. You let her do her thing, then approach, "Let's put your drawings with the other things we need to give Mister Matt. That way they won't get lost or wrinkled."

She nods like you've just said something very wise and gathers up her stack of papers before handing them over. There's five in total; the three she showed you and two more full of colorful lines. You decide you'll listen in on her explanation to Matt on those two, as you're curious as to what goes on in her little mind. 

Once everything is safe and ready to go, it's just a matter of getting shoes on. You go with your sensible sneakers while Minnie opts for her frog themed Wellingtons. The plan is for both of you to walk to the office, and after one final wallet-keys-phone check in your purse, you head out hand-in-hand.

It's mid-morning, so foot traffic is decent, but not heavy - nothing that makes Minnie too uncomfortable. Dark clouds are gathering on the horizon, and it makes you wonder if the rain that has been promised in the forecast will be coming sooner than expected and you are glad this outing is the only one you have planned. Taking Minnie around in the rain is never fun. It always seems like everything becomes more bustling in the rain and trying to navigate that with a crying toddler just makes you want to cry as well. 

But the promise of her new favorite person and mild weather has her walking like the born and bred New Yorker she is - a determined little pout with no nonsense steps. No one will be trying to sell her things on the sidewalks once she gets bigger. If she had a different personality, you'd want to teach her to say "Hey, I'm walking here" just to hear a toddler say it. 

As you spy the building Matt's office is in, you realize you should have sent him a text to say you were on your way. You did let him know vaguely what time you planned to stop by and he had assured you that they had no appointments - it was catch up on paperwork day - but that didn't mean walk-in clients hadn't come by. You're so close to already being there that you think the gesture is pointless, so you just keep walking until you get to the building.

"This is where we are going," you tell Minnie as you approach. You scoop her up to show her the business directory on the outside of the building. There aren't very many plaques to begin with, so it's easy to find the Nelson, Murdock, and Page one. "That is where Mister Matt works with his friends."

She leans out and feels over the embossed sign, running her fingers over the different letters. "'M'! For Minnie!" She says, pointing out the letter with a big smile. 

"Exactly. Mister Matt's last name starts with M, too. That word is his last name - Murdock."

That gets her to turn back to the sign, fingers dancing over the letters, brows knitting with curiosity, "How is it spelled?"

You spell out Murdock for her and Minnie repeats each letter after you. You do this a few times until she's able to say it out loud on her own. You don't know how long she'll retain the information, as spelling isn't really on the board yet, but you're happy she's interested. You set her back down and she makes a beeline up the steps, grabbing and pulling at the door with all her three-year-old strength. 

The lobby to the building is sparse, with basically only an elevator and staircase, with a door to what you suspect is a supply closet. "We're going up two staircases," you tell your daughter. 

"Two!" She confirms before taking off towards the stairs. You have a brief moment of panic that she's going to zip up both sets faster than you can catch her, but to your great amusement, she grabs a hold of the banister with both hands and pretends to use it like a mountaineering rope to climb the stairs. She even adds little fake huffs and puffs. You follow behind her, ready to catch her if she slips. She doesn't, and when you get to the floor Matt's office is on, she turns to beam at you, clearly proud of herself, "We did it!"

"We did it," you parrot, offering out your hand again. She takes it and you lead her to the correct door. The same plaque that was on the exterior of the building also hangs beside their door and Minnie astutely points to it.

"Murdock!" 

"That's right, it says Nelson, Murdock, and Page."

"Can I knock?" Mouse asks, raising her fist to do just that.

You hum, then gently explain, "This is business, which means work. For work, we don't have to knock. We can go in if it is open."

As soon as you say that she's opening the door and marching inside and you quickly follow her. 

Matt's law partners, Foggy and Karen, are in the reception area with a man you assume is a client of theirs, talking in hushed annoyed sounding whispers. He radiates intimidation, with a huge black eye and what looks to be a makeshift cast made of duct tape around his right wrist. The three of them turn to look at you and you get the sense Minnie had the right idea in asking if she should knock first. 

Your little one quickly latches onto your leg, turning timid in the space of a second and you can't really blame her. Part of you wants to turn and run. 

Karen recovers first, breaking away from the two exasperated men to step towards you and going into receptionist mode, "Hi. You were here last week to meet with Matt, right?" 

"Uh, yes, that's right. Is he, uh, available?" You ask, feeling like you no longer know how to speak English. The energy in the room is not a pleasant one and you very much feel like you've interrupted something important.

"He's on a call currently but I'll let him know you are here," Karen replies in a voice far kinder than what she uses to address the men behind her a beat later. She turns to them and points to the office you know is not Matt's. "In there. Now."

Foggy throws up his hands, like he's frustrated with whatever is going on and disappears into the other room. The man you don't know doesn't follow, eyes on you and your daughter as Karen crosses the room to knock on Matt's door before opening it and slipping into the office. You quickly decide you are not going to make eye contact with him, instead ducking your head and putting a comforting hand on Minnie's head. She's practically hidden herself behind your legs, clinging to your pants so tightly you fear they might rip.

"I like your boots," the man says into the quietness. You expect him to sound like gravel, but his gruff voice is rather soft, and you get the feeling he understands how to talk to children "My daughter used to have boots like those."

 Part of you wants to tell the man to not talk to your daughter, but that would be rude and just because he looks like he's been through the ringer doesn't mean he's a bad man. You decide to let her determine how she wants to proceed.

You feel Minnie poke her head out from where she's hidden herself. At first, you don't think she's going to reply, as you know how she is, but she surprises you yet again by mumbling out, "They're froggies." 

"Yeah? You like frogs?"

Mouse somehow tightens her grip, "I like animals." She presses her face against your leg, then admits, a little louder, "we're gonna to the zoo for my birthday."

That makes the man smile, and that changes his whole demeanor. Suddenly he looks friendly and kind and not like he's likely to stab you, "That's a good place to go for your birthday. How old are you gonna be?"

Before she can respond, the door to Matt's office swings open and Karen stalks out, followed by Matt, who seems much less agitated than everyone else. The blonde points to the unknown man, a little scowl on her face, "What did I say?"

The man holds up his hands defensively, stepping away from Karen and towards the office he was previously told to go in, "Alright, alright, I'm going. I'm going." That doesn't seem to help soothe her at all, as she grabs the man by the bicep and frog-marches him to join Foggy, closing the door behind them. 

"They didn't make you wait long, did they?" Matt asks, bringing your attention back to him. There is a cut on his lip that wasn't there the last time you saw him, and your instinct is to ask if he is okay, but you don't know if you are at that level with him yet.

So instead, you address his question, "No, no, we just got here."

He motions back to his office, a smile spreading across his face, and you almost forget about the cut, "Come on back and we can review everything." 

Minnie lets go of your pants only to take your hand again and you lead her into the other room. As you pass Matt, she looks up at him and gives a tiny wave.

"Hi, Mister Matt."

Matt's shoulders visibly relax at her greeting, and you can't help but start to smile, "Hi, sweetheart. How are you doing today?"

"Good! I maded you pictures," she says proudly. That causes him to pause as he starts to follow you into his office. You can tell he is surprised by the news - his voice gets a little choked up when he responds.

"You made me some pictures?"

"They are very good pictures," you advise, squeezing Minnie's hand slightly before letting go, "Do you want to tell Mister Matt what you drew for him?" She nods eagerly, so you point to one of the chairs in front of his desk. "Go sit like a big girl and you can tell him."

She makes a dash for the chair, and you take the time to address Matt, "I'm sorry, I should have called ahead."

He shakes his head, and as he walks past you to go behind the desk, he reaches out and brushes his hand along your arm. A little shiver runs up your spine at the touch and you tell yourself the action was so he could orient himself. "Not a problem, I knew you were coming. How is everything?"

"Everything is good," you reply, a little shyer than you intend to. "I, uh, have everything for you. Is there anything else I need to fill out?"

Matt shakes his head, "Just a signature and date. You've done all the work for me already. I don't think I've ever had to file where I don't need to actually do anything but sign the document. It's a refreshing change."

"Do you know how long it will take to process?" You ask as you move to join Minnie in sitting. "The website gave multiple timelines and I just want to be realistic."

Matt takes his seat with a cocky grin, "Not long at all, I know a few judges I can ask to push it through."

You flush at the idea of him asking a favor to a judge on your account, "That's not necessary, Matt, I don't mind waiting."

He shakes his head, getting that soft look again, "I don't want to wait. I want it to be official in the eyes of the government."  

His words make you feel even warmer, and you distract yourself by pulling the file with all the paperwork out of your purse and pass it over to him. "Minnie's additions are at the bottom of the stack. The last five pages"

His fingers twitch slightly, and you wonder if he wants to flip right to those. You get your answer quickly.

"Minnie, is it okay if I go over the paperwork with your mom before you tell me about your pictures?"

"It's okay!" She replies, her voice much more cheerful now that you are alone with Matt. "Do you needs help?"

Her sweetness makes Matt smile more and he shakes his head, "Not right now, sweetheart. I need to read, and I can do that with my fingers, but after that you can help with some other things."

"Okay," she says happily, kicking her feet a little bit.

You catch her attention and motion to your purse, "Do you want a toy while you wait?" 

She shakes her head and beams up at you, "No thank you, I'm a big girl!"

Both you and Matt chuckle at her declaration and he moves to open the file. 

"There's multiple copies of everything," you tell him as you move onto business, "One printed text and one in Braille for the courts and the same for you. I have the same at home, as well. They are bundled in packets. The court papers are on top, Braille first."

He thanks you then begins to read the forms. Mouse sits up straighter in her chair to try and see what he is doing. She can just peek over the edge, and she watches in fascination as his fingers move over the pages. You wait quietly, not wanting to distract in any way. 

"Everything appears to be in order. We will just need a signature," Matt says after a minute. 

"Should I do that now?" You ask. The response is him offering you a pen, so you lean in to sign the various forms. As you set each document aside, Matt adds his own signature. It is silly how giddy you feel just having the forms finally completed. You don't know how long you've had just blank copies, waiting to be filed. 

"And done," Matt says with a final flick of his pen on the last page. "I'm going to the courthouse on Tuesday, so I'll get it processed then. I'll push to get an updated certificate as quickly as possible."

You have to bite your lip to keep from smiling like a crazy person. This isn't some dream or far off fantasy. Matt isn't just saying he wants to be Minnie's father. He is following through, with urgency. This is something he wants and it's almost surreal for you - you are so used to promises being broken and no one being on the same page as you in your desires. Even if this is all for Minnie and not for you, it is still on the edge of overwhelming for you. 

You never thought you'd be so happy over paperwork. 

"Thank you, Matt," you whisper, leaning back into your seat to sit properly.

Immediately, Minnie parrots you, thanking Matt even though she has no idea what is going on.

"No, thank you. Thank you both," he says, and you wonder if he is also holding back from smiling. He gathers the papers and sets them aside before running his fingers over the folder you gave him and addressing his daughter. "Okay, sweetheart. Do you want to come tell me what you drew?" 

You expect Minnie to stand on the chair and even prepare yourself to balance her, but that does not happen. She hops down and scurries around the desk to be at Matt's side and a moment later, he is pushing his chair back and she is climbing up into his lap. Embarrassment rushes through you - she's only ever behaved like this with you. She actually used to fuss and cry if anyone else tried to hold her. You haven't seen her sit in anyone else's lap since she had a say in who gets to hold her.

"Minnie!" You scold but Matt quickly shakes his head as he helps her up.

"It's okay, I don't mind," he tells you even though he looks completely shocked. If he wasn't her father, you wouldn't allow this, especially with someone so new to her, but he is her father, even if she doesn't know, so you don't tell her to get down.

Instead, you give a stern frown, "Minnie, you still need to ask before climbing on anyone, okay? Can you apologize?" 

Your little girl nods, then looks up at him, "I'm sorry, Mister Matt."

"It's okay, sweetheart. Like I said, I don't mind, but your Mommy is right, and you should ask so I know you are there. Next time, you'll know. Now, your Mommy said there were five pictures. Which do you want to start with?" He asks, scooting his chair back to the desk while wrapping one arm around Minnie's waist to keep her secure. 

Once she's able to, she leans in and picks up the first drawing in the stack. It is the family portrait, and you quickly get your phone out so you can record this interaction as Minnie lays out the picture. She then takes Matt's free hand and guides it to the paper before letting go to point at the circle that represents him.

"This is you," she tells him. He quickly finds where she is pointing and begins to trace the figure. 

"That's me?" And there is definitely more than a little bit of emotion in his voice. 

"Uh-huh, and that is me and Mommy and we're gonna go to see the duckies. Mommy said we can go again. But we're gonna get ice cream too. And a balloon," she says, moving her little finger all over the page. 

You watch Matt's finger follow hers - first over the doodle of himself, then Minnie's, and finally yours. Then, he traces back to the center figure. "We're holding hands?" He asks tentatively.

"Yup!" She answers, popping the p. "Mommy says we gotta hold hands if we go outside." 

Matt licks his lips a little and you see his muscles flex under his jacket as he holds Minnie a little more firmly to his chest, like he doesn't want to let go of her. "That's a good rule." 

"Mommy makes good rules," your little one replies wisely. That makes your ego sing a little. Mouse has always been good at doing what she's told, and you are proud that she understands your rules keep her safe.

Before she moves onto the next picture, you gently prompt her. "Sweetie, was there something you wanted to ask Mister Matt?"

Matt's head jerks up at that, looking right to you with brows slightly knit. Minnie bounces in his lap just a little, squirming so she can turn to look up at him, "I'm gonna go to the zoo! For my birthday! Do you wanna go?"

His lips part in surprise at the question and before you know it, he has both his arms wrapped around Mouse, hugging her to him. She instantly responds, looping her little arms around his neck and squeezing back. He rests his cheek against her head, and you see him slightly rock her from side to side. "I would love to go with you to the zoo, sweetheart."

Minnie giggles into his neck and you one hundred percent know that the transition to suddenly having two parents is not going to be hard for her at all. It might be confusing because Matt won't be living with you, but you have never seen her so comfortable with someone who isn't you. You know it's not just because he gave her a toy. They just click together so well.

You switch from video to your camera so you can sneak as many pictures as you can of Matt and Minnie hugging. They've completely forgotten about you and that is a-okay. 

In this moment, nothing else matters to you - not the strange man in the other office or the devastation a few states over or all the other trivial things that nag you and make your stomach turn. 

Your world is right in front of you and for the first time in a very, very long time, you really, truly believe everything is going to be just fine. 

@midnightreids @cloudroomblog @yeonalie @thychuvaluswife 

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[etrangeres]

The Curious Case of Kaitou Kid

(UPDATED 11/27 JST. Sections with significant new portions will be bracketed with a ☘️)

We love alliteration in this household.

To start with an anecdote, I went to the main Animate store in Ikebukuro some 2-3 weeks after M27 began showing in theaters. I had two reasons to be there: hopefully grab some copies of the Magic Kaito Treasured Editions, and grab what movie-related merch I could. The former I managed, but the latter was a lot harder. Despite them devoting nearly an entire wall on the right side of the first floor to Detective Conan merch, every single piece of non-blind box Kaitou Kid merch had been snatched up already. This trend of Kid’s merch being sold out seemed to continue for at least a couple weeks afterward, at least in and around Tokyo.

This demonstrates something I think we all already know: Kaitou Kid is a crazy popular Detective Conan character.

…Detective Conan character? Yes, but… No. But definitely yes. But… yes?

Kaitou Kid - real name Kaito Kuroba - is such a funny character if you think about him for more than a few seconds. So I chose to think about him for a few, uh. Days.

When I say he’s funny to think about, I don’t necessarily mean in terms of who he is as a character - which is admittedly also fun, because I think Gosho Aoyama is the king of gap moe - but more in terms of his placement in the greater DCMK canon. I mean, the fact that we have the “DCMK” acronym at all signifies the importance of tying these two series together. Even though they technically take place in different worlds. You know. Technically.

So I want to (mostly) chronologically go through Kid’s history in Detective Conan, how it relates to his origin as Kaito Kuroba in Magic Kaito, and amuse myself with the strange relationship he (and his source manga) has with the juggernaut that is Detective Conan.

Before we jump into this, some basic notes:

-I don’t mean for this to come across like some academic thesis. Nor did I actually think this would hit over 18k words. I’m just Like This.

-Any translations you see here are done by me, from the source Japanese.

-There will be concrete mentions of events from M27. They are comparatively trivial in terms of the mystery the film offers, but there will be spoilers for certain major parts of the plot as they relate to Magic Kaito elements. This will be clearly demarcated, should you wish to avoid those spoilers.

The MK to DC Pipeline

So I don’t know how many people actually need this information, but for completion’s sake:

Magic Kaito is Gosho Aoyama’s debut serialization (important distinction), and it began in June 1987. Though roughly the first two volumes’ worth of chapters were published at a fairly consistent monthly rate, it grew more and more irregular after that due to the popularity of both Yaiba and (more importantly for our discussion) Detective Conan. Due to it still technically being an ongoing series, it is currently Weekly Shonen Sunday’s longest running manga. This just so happens to be followed by Detective Conan, and they lead this particular ranking by a fairly wide margin.

The manga as it currently exists came out of the one-shot “Nonchalant Lupin,” which he submitted to Shonen Magazine’s manga contest after his editor told him to “draw the story you most want to draw” (Treasured Ed. V5). The one-shot won an honorable mention. His comment in Treasured Ed V1 also mentions that he “all but became a mangaka because I wanted to write about a high school kaitou,” so he’s clearly attached to the concept. He’s also clearly attached to Magic Kaito itself; a number of excerpts from the Gosho Aoyama 30th Anniversary Book, for example, talk about how a greedy part of him immediately thought of Kaitou Kid on the silver screen when he heard about the first movie being greenlit, or how he thinks Detective Conan will one day end but Magic Kaito may not because that’s what he really wants to be writing.

Back to our timeline: the Kindaichi Case Files were gaining steam in the early 1990s, and Weekly Shonen Sunday wanted its own version of the boom. Gosho himself was approached by the editorial team at Sunday to do a mystery series, and he accepted, not thinking it would last very long - not only because he wasn’t all that interested in the idea, but because he didn’t think there would be enough material to last more than three months.

It has lasted 30 years.

I say all this not to indulge in the depressing truth that Magic Kaito only has just shy of 40 chapters, but to specifically highlight the synergy Magic Kaito has with Detective Conan - despite the existence of magic in the former - due to their shared inspiration of Arsene Lupin. Things like Sherlock Holmes and Kogoro Akechi are pretty obvious inspirations for Detective Conan that I don’t need to go into in much depth, but the idea of a “high school kaitou” still very much bleeds into aspects of Conan’s character. Many of the things Kaito is either capable of naturally or has to deal with due to the inherent nature of his position are things that are also reflected in Shinichi.

Feats of physicality (Comes naturally to Kaito due to genetics and practice; enhanced for Conan via Agasa’s inventions)

Master of disguise (A practiced skill with makeup and voice changing for Kaito; use of a voice changer and aid from people in his life to deal with disguises)

Secret identity (a flipped perspective version: Kaito has a straightforward secret identity, while Shinichi has to keep his survival a secret)

The “bumbling police” (A good kaitou story will have a morally upstanding but kinda dumb detective that demonstrates the sheer skill of the kaitou in question while putting a contrast to their morals. Nakamori is this to Kaito; though not a one-to-one, characters like Megure or Kogoro serve similar roles to Shinichi to demonstrate his skills as a detective.)

“Why are you like this????” (Admittedly the most Vibes of the list, but there’s a level of gray morality. We root for the main character while knowing that what they’re doing is at times questionable. Kaito goes without saying, but Shinichi is more likely to engage in suspicious behavior like breaking into cars, bugging people’s houses, or even stealing evidence after becoming Conan.)

Motive (The most interesting - and sometimes the funniest - overlap is the fact that they’re both after a shifty organization. It’s a bit surface level at first, but there’s a suspicious level of overlap between not Shinichi and Kaito, but Shinichi and Toichi.)

All of this is to say that pushing DC and MK into DCMK is almost comically easy once you adjust for tone (and, uh. remove Akako, I guess) because Shinichi is BUILT from the kaitou framework and tweaked into a detective. So it’s no wonder Gosho decided to throw in a Kaitou Kid cameo that turned into the character asserting himself as a recurring sub character, as opposed to a quirky crossover character.

Even if he’s still both. And also a secret third thing.

The Last Wizard of the Black Star

So, there’s not much to mention about Magic Kaito’s early run. All chapters in the pre-DC era are stand-alone stories, with the plot starting and concluding within the span of a single chapter. It was a bit of an “anything goes” era, with the genre fluctuating all over the place and a lot of things we consider “standard” in any given Kaitou Kid story not yet being fully codified. Many of these weirder chapters have their own charm if you allow the gag manga energy to take you for a ride, but if gag manga isn’t your thing then it feels like these chapters are where Kaito himself is at his most…incongruous with the character that would eventually show up in Detective Conan. (Let it be known for the record that I personally find these early chapters SO silly and would kill for an animated adaptation of Clockwork Heart, the truly bonkers third chapter.)

The biggest “what do you MEAN that wasn’t there from the start?!” is by far Blue Birthday, which is the chapter of Magic Kaito that was published immediately before Detective Conan began serialization. It took about half of the currently released chapters to introduce Pandora, a now fundamental concept that is likely to be included in ANY one-paragraph summary of Magic Kaito’s plot. It isn’t the only thing, of course; though Kaito’s card gun debuts in the very first chapter, his hang glider doesn’t show up until Chapter 10.

The other major thing worth pointing out in the pre-Black Star era is the general pacing and fundamental makeup of the stories themselves. Very few case-only (or heist-only, as it were) characters show up in these chapters. When they do show up, they tend to be pretty flat, are often ridiculous, and are there to facilitate the hijinks of the day (the gun-crazy detective, the weird robot inventor, the irresponsible prime minister).

This changes with Green Dream, and it’s an immediate change. Detective Conan has been in serialization for over half a year by this point, and already its formula is bleeding into Magic Kaito. There are multiple new characters per heist, and multiple pages with two to three times more text than before are dedicated to setting up a fundamental conflict. Kaito is also more likely to take a stance in this fundamental conflict and use his talents and status as Kaitou Kid to lead it to a conclusion. Behind all of that, though, Kaito himself is still the cheeky little agent of chaos we all know and love throughout these chapters. (As an aside, the Kid mark used on his advanced notices debuted in this chapter!)

The big watershed moment is very obviously Black Star - the Detective Conan version, in this case. In both this and the Magic Lovers case (despite his very little screen time in the latter), readers of Detective Conan are introduced to a FAR more serious version of the Magic Kaito character. This is largely because what we’re seeing in Black Star specifically is a 100% outsider's perspective. Though we’ll very shortly find out this is not Shinichi’s first meeting with Kid chronologically, it is the first time he not only hears his name, but also has any real interactions with him. Kaito wears the mask of his father in his performance as Kid, and you could very much argue his guard is WAY up around probably the weirdest child he’s ever met. So in a story from Conan’s perspective, we have no way of seeing behind that mask.

Personally, I always put a bit of an asterisk next to DC’s Black Star. This is the case that feels the most like a “crossover” than any other Kid case after this, and of course it would. It’s the very first one! It’s the Kaito and Aoko cameos that really bring this vibe for me personally; great care is taken in Detective Conan not to pull much of anything from Kaito Kuroba’s personal life except in a few stand-out cases, and those  almost never involve anyone in our core cast directly. And I don’t even mean in the “he’s only ever shown in his Kid costume” way, because there are plenty of times where he shows up not wearing that. They key for me is that Kaito is always “at work” as a disguised Kaitou Kid as opposed to as Kaito Kuroba - the hat, the darker clothes, the low-effort disguises as police or staff. That kinda thing. But the appearance of Kaito and Aoko in their casual wear or school uniforms here really makes this case stand out in a way that later cases simply don’t joke about.

Detective Conan shows us Kaito at work. It’s why he comes across as so difficult to grasp and almost intimidating in these earliest of appearances. Those vibes obviously continue into The Last Wizard of the Century, the third theatrical release and Kaitou Kid’s very first movie appearance! His grand total screen time is only a fraction of the movie’s full run, but the vibes have a heavy overlap with that first conversation Conan has with Kid on the roof in Black Star. Though there are debates regarding the movie’s canonicity, this also marks the point in at LEAST movie continuity where Kaito figures out Conan’s identity, so there’s that precedent set. (Put a pin in that, by the way.) This also marks the first time Kid disguises himself as Shinichi.

What’s more amusing to me is that Magic Kaito’s Black Star seems to have been published to coincide with the movie’s release. Magic Kaito’s very first chapter after Kaitou Kid’s appearance in Detective Conan brings Shinichi Kudo to Magic Kaito. This is his only appearance in Magic Kaito to date, whether it be as Shinichi or as Conan. Gosho mentioned in his note on the Yaiba vs Kaito chapter that he really likes crossovers (same hat), so I have to think that the limited run of Magic Kaito is likely why we don’t see more DC characters in MK. Though in a Q&A he did toy with the idea of Conan showing up in Magic Kaito one day, so…

All that said, every time I think of MK’s Black Star my brain shoots off in two directions. The first and easier to articulate direction involves Akako’s presence, but we will get to that in the next section. The second direction is the very existence of this chapter at all.

As I mentioned above, this is the first new heist for MK after Kid showed up in DC. It is also the first multi-chapter heist, which indicates even more influence is bleeding over. It was also published alongside the movie, probably as part of a promotional stunt. Something about it feels like a doubling down of sorts on the stapling of these two series together. Kid showing up in Detective Conan is a fun reference; Shinichi showing up in Magic Kaito instead of the more recognizable Conan feels like a statement of shared worlds, largely because of how it makes you think about the timeline. The Akako issue aside, it really feels like he wanted these worlds to collide. If you have your own Lupin analogue AND your own Sherlock analogue, why wouldn’t you want to pit them against each other?

Add More Staples!

It’s at this point that updates to Magic Kaito get… particularly sparse. But there’s a LOT of stuff going on across the DCMK space as a whole in these few years that feels like it’s trying to tie the two series together.

We start off with the Twilight Mansion case, which introduces Hakuba into Detective Conan. Which would be fascinating by itself, but this was also Hakuba’s first appearance in EITHER DC or MK in TEN YEARS if you don’t count his one-panel cameo in MK’s Black Star. The framing of his introduction in Detective Conan is interesting, because the paneling and composition very clearly tell the reader that the character that’s about to be introduced is either 1) important, or 2) already known. In Hakuba’s case it’s clearly the latter, but this would make very little sense to someone that isn’t as aware of his place in Magic Kaito.

Enter The Gathering of the Great Detectives, the animated adaptation of the Twilight Mansion case that was turned into a two hour special and opened with MK’s Black Star. There are ways in which it’s an odd choice, given Hakuba barely appears in Black Star at all. But I think Hakuba’s status as yet another Magic Kaito character being introduced into the narrative provided an opportunity for them to adapt a Magic Kaito heist for TV broadcast, and the chapters featuring Shinichi were the easy choice. The Yaiba vs Kaitou Kid vs Conan OVA had come out shortly before this, so it’s technically not the first time a Magic Kaito chapter had been adapted. But that was more of an altered gaiden OVA compared to this, and this TV adaptation seemed to hit you over the head even harder that there was merit to delving into Magic Kaito if you were a fan of Detective Conan.

☘️Between these two was the first of many OVAs, and the first of a couple of attempts to shove Conan into Magic Kaito material: Conan vs Kid vs Yaiba. This is an adaptation of an August 1993 chapter of Magic Kaito, and is the chapter that broke a roughly three year break in publication (it was then followed a few months later by Blue Birthday). Much of the main plot of the chapter is largely kept intact, with one fairly major (and obvious) difference: Detective Conan’s involvement. Much of the core DC cast has been dragged into the plot, which is at first a little odd considering the explicitly battle shounen-style magical flavor of Yaiba.

This OVA handles that incongruity with the “fever dream” solution. In Conan’s side of the story, things get increasingly more and more ridiculous until the final reveal that Conan had fallen asleep reading Yaiba. Which is to say that, plot wise, the OVA ultimately amounts to nothing. But that’s fine, because what’s more interesting is how early they display Kaito’s carousel of emotions in this OVA as compared to the “mainline” media (manga or movies). What’s also worth noting is that this is the first appearance of Akako in DC media, right before she gets a more mainline debut in EP219. She’s a one-scene wonder, bursting in with an ominous fortune and leaving in a very magical disappearing act.☘️

But the OVA, in the aforementioned fever dream context, excuses her existence. In the manga, though? Oh, Akako. Bane of the DCMK world. Sole reason we must argue that they take place in parallel worlds despite how ridiculous that sounds.

In the manga, Akako gives Kaito her premonition about the Demon of Light coming after the White Sinner. This is also in the episode, if memory serves. But in the episode as aired on TV, Akako features very little after that… because they fully cut the scene of her attempting to use magic at the base of the clock tower. Magic does not exist in Detective Conan, after all. It was eventually put into the episode another ten years later on the bonus DVD that came with certain versions of the Treasured Edition of Magic Kaito Volume 4.

More broadly, Akako is clearly a sticking point for the combining of these two “worlds” into one. Gosho himself takes the easy way out by ignoring Akako’s existence entirely in the Detective Conan canon, just as the TMS adaptation of Black Star did. He’s often brought up the concept of the two taking place in parallel worlds where the only major difference is the presence of magic in one and its lack in the other, as in his comment on Akako’s intro in Treasured Ed. V1: “In truth, the biggest bottleneck when it came to introducing Kaitou Kid into Detective Conan was the inheritor of Red Magic herself! So please just accept the two series as parallel worlds (lol).” He’s much more straightforward in his comment for Sun Halo in Volume 5: “You really gotta have Akako use Red Magic! (Please just assume Akako does not exist in the Conan world…lol)”

Despite this insistence she doesn’t exist, Sky Walk features an almost blink and you’ll miss it reference to her. Nakamori brings up the idea of Kid’s assistant being in play, to which Conan shows surprise at him having an assistant at all. Nakamori replies that there are multiple reports, some of an “old man” and others mentioning a “young woman.” The old man is obviously Jii, but the young woman is very likely meant to be a reference to the stunt Akako pulls in Akako’s Delivery Service, a very early Magic Kaito chapter.

As you’ll notice, Akako is still very much a practitioner of sorcery as of something as recent as Sun Halo, so it’s not as though Gosho has simply opted to phase her or her magic out of Magic Kaito. But considering there are MULTIPLE DC cases that deal with debunking the supernatural, her presence would most certainly complicate things. That being said, Magic Kaito’s world and plot do not seem to hinge on magic in an intrinsic manner (unless Pandora is literally a magic gem, as opposed to the tale of the gem being a metaphor for something), so I personally don’t see too much of an issue with magic being very rare, even in Detective Conan’s setting.

To keep with Magic Kaito for a little while longer, Golden Eye was the single heist released during this period. As far as its significance is concerned, I actually think Gosho said it best in his comment in the Treasured Edition: “Magic Kaito may be a thief story, but it’s also a magic story, so it was incredible to finally be able to mention the actual legend Harry Houdini. Even so, there’s an awful lot of deduction going on, so in this story you can also really feel how it’s been corrupted by Conan (lol).” It was a thought I had about Golden Eye even before reading his comment, so I’m a bit amused to find he actually called it out to be honest.

The following Detective Conan cases - Sky Walk, Three Instruments, and Four Masterpieces - and the movie Magician of the Silver Sky are all more along the lines of Black Star in terms of Conan and Kid’s relationship, but with an extra added pinch of “coming together for a common cause” in the movie. Sky Walk specifically also introduced Jirokichi to the mix, and he becomes the only Detective Conan character whose purpose in the narrative is tied exclusively to Kid. It’s in this way we begin to create a Detective Conan-exclusive environment for Kaitou Kid, which in turn establishes him more and more as simply “a Detective Conan recurring character” as opposed to the main character of another story that’s here for crossover shenanigans.

There’s a Pandora’s Box reference in Three Instruments that makes me want to pull my hair out because don’t say Pandora that word is important, and Four Masterpieces is a lot more “murder mystery involving Kid.” They happen very rarely in Detective Conan, but they happen basically NEVER in Magic Kaito (Dark Knight doesn’t count), so this lowkey feels like another way we’re shoving Kaitou Kid into the rules of Detective Conan.

In Magician of the Silver Sky, Conan expresses a level of shock when “Shinichi” passes the pinch test. This then marks the first time (in movie continuity, at least) that Conan is aware that Kid naturally resembles him.

But the funniest thing about this series of cases (and the movie) for me is the cracks in Kid’s mask, whether that be for Conan himself or for the reader. The final confrontation in Sky Walk ends on an almost comical note with Kaito being blasted off again via gasoline fire, and there’s a stinger at the end of Four Masterpieces showing a pathetic Kaito after Conan has just shot a mecha-powered soccer ball directly at his stomach. And that’s not even getting into the movie, whose entire first act drops us into a tense confrontation with a very suave Kaitou Kid before rewinding back to when he put on the least convincing act ever as a disguised Shinichi Kudo.

Have I mentioned he contains multitudes yet? King of gap moe. 

But we aren’t truly there yet. He’s a little silly for sure, but there are still times where the mask is on about as tight as it can be in Conan’s presence.

☘️The last two OVAs from this era - Conan, Kid, and the Crystal Mother and Follow the Vanished Diamond - have varying levels of significance. The latter matters extremely little to this conversation on the whole except for Kid finally showing up toward the end. Heiji and Kid have only ever had cursory interaction in DC to this point, and this frankly continues that trend. It’s worth noting that its release right before Movie 10 is significant specifically in this regard, though.

No, what’s way more interesting is the extremely forced adaptation of Crystal Mother. The bare bones and much of the meat remains - it’s still very much recognizably Crystal Mother in every way that matters and then some - but we’ve once again stapled Detective Conan to an adaptation of a Magic Kaito chapter. To accomplish this, they find ways to make Magic Kaito fit the world view of Detective Conan, like with OVA 1… But this time, it requires many more changes that wind up feeling a little more forced.

These changes are largely focused on Pandora and MK’s organization. Though Kid still looks at the jewel through the moonlight, all mentions of Pandora are dropped. Snake being recognized by Conan under the code name “Jackal” as an international jewel thief also has some interesting implications. A more generous reading would be that he potentially had another, more general-use, code name before joining his organization and receiving the name Snake; a less generous reading would be that the OVA has recycled Snake into an otherwise original character for the OVA that has taken Snake’s place, thereby removing any implications of a Pandora plot existing at all. Regardless, Jackal seems to have had previous run-ins with Kid. Which of these readings you opt for greatly changes the implications of Kid’s own personal plot in DC. At this point, despite pulling a very real crossover this time around, they apparently aren’t ready to commit to Kid’s motives being the same across both series.

In addition to Jackal, an assassin by the name of Rose is introduced in this OVA. Though she’s working with Jackal, her purpose seems to be to give Conan someone to confront in a more tangible manner, since Conan and Kid’s paths can’t really cross without drastically changing the story. Otherwise, the last major note I have for this OVA is the final scene. Conan hearing Kid saying he’d come after the Jewel of Destiny next is a nod to the at-the-time upcoming movie, Movie 8.☘️

The last two stories mentioned here - Detective Koshien and the movie The Private Eyes’ Requiem - are actually a lot less about Kid and a lot more about Hakuba. So let’s talk about the cosplay detective for a little while.

Hakuba is interesting to me, for a couple different reasons. One is the cadence of his appearances in Magic Kaito. He is introduced late into the pre-Blue Birthday run and is in a total of three chapters. Those three chapters speedrun his discovery of Kid’s identity… and then he’s gone until his first Detective Conan appearance. Golden Eye is his return to Magic Kaito in a short but fairly significant scene that fills out the contours of his relationship with Kaito with regards to that identity, at which point he is in all but one case thereafter.

The other reason is that he seems to slip through the cracks of “significant Kaitou Kid relationships” unless you consider yourself a Magic Kaito fan. But I think this is largely due to the line in the sand we shall not cross: Kaito Kuroba’s personal life is off-limits in Detective Conan. As a result, Hakuba is framed far more often as a detective in his own right that just so happens to have some manner of connection to Kaitou Kid in his few Detective Conan appearances.

This connection is made fairly obvious in Twilight Mansion by both having him introduce Kid’s presence in the case, and having him and Conan highlighted as the two people that are after him at the end of that case. But his next appearance, Detective Koshien, only implies a connection in passing and chooses instead to focus on contrasting him with Heiji in preparation for the movie. In an interesting move, the plot developments of the case actually give Hakuba an excuse to avoid wearing a school uniform like the other students because he ultimately settles into the “foreign detective guest” role. There are, as a result, zero indications that he and Kaitou Kid’s civilian identity are actually classmates - or that he attends a Japanese school at all.

As for the movie itself, Hakuba was Kid in disguise the entire time, so there’s very little we can discuss when it comes to Hakuba himself. But after Kid’s frankly poor performance as Shinichi in M8, his performance as Hakuba in M10 is almost uncanny levels of spot-on (which admittedly turns into a very funny contrast with his Hakuba disguise in Green Dragon).

All in all, this selection of chapters, episodes, and movies pulled more of Magic Kaito into Detective Conan (when those details weren’t flying in the face of it), while Kid himself began to more closely resemble the Kid of Magic Kaito in the small moments. In Magic Kaito, meanwhile, we’re starting to see far more obvious influence from Detective Conan in the writing and pacing of its heists.

But the gates have not yet been thrown wide to truly allow the silly in.

Throw Wide The Gates That We May Sillie

The collection of chapters that start this portion of the list are, in a word, fascinating from a Magic Kaito perspective.

We start with Shinichi’s Childhood Adventure, which does a couple of notable things. First, it confirms that Toichi was the magician that taught Yukiko how to use disguise makeup for her acting career. It was implied to be him in a very “if you know, you know” fashion in the Golden Apple case over 200 chapters prior, but this makes it inarguably clear. The extension of this confirmation is that Toichi also taught Vermouth the art of disguise, which is a particularly interesting connection to think about. As obvious as it sounds to say, this chapter is also the start of confirming that many things we know of Magic Kaito’s plot and backstory remain consistent in Detective Conan as well. The case ensures you don’t need prior Magic Kaito knowledge to pick up on Toichi being the first Kaitou Kid. That he meets Yukiko with Kaito in tow also means (unless my memory is failing me) that this is the first and only time Kaito’s name is spoken within the Detective Conan manga. It also confirms that the author that named Kid was, in fact, Yusaku.

The big part of this case that people tend to bring up in the wake of the M27 reveal is the “I’m your younger brother” conversation from Toichi to a young Shinichi. Now, 2006 is earlier than what meager sources I’ve managed to find that seem to indicate he had the familial relationship in the back of his mind, so I’m personally not sure how much stock I place in this conversation as any form of foreshadowing. What the entire case does seem to indicate regardless, though, is that Toichi and Yusaku are aware of each other on more than a surface level. At the very least, we’re meant to take away a passing of the baton, from father to son, in their relationship as friendly rivals. It has, apparently, always run in the family.

All in all, this case is a far more intentional mixing of Magic Kaito with Detective Conan because it deals with past events. It says “these things were always here, intermingling” and concretely refutes the idea that the modern Kaitou Kid was the first point of contact, retroactively entrenching the character even more into the world of Detective Conan.

We switch back to Magic Kaito for a heist with Dark Knight, which Gosho acknowledges in his Treasured Edition comment is “another story with a strong mystery feel, and a dark conclusion that isn’t very Magic Kaito-esque.” This also happens to be the first Magic Kaito case to feature Superintendent Chaki, a Detective Conan character and Nakamori’s boss as introduced in Black Star.

The following series of four Detective Conan cases all look at slightly different aspects of Kid that haven’t really made themselves known in DC yet. First is Purple Nail, a personal favorite and the case that arguably leans the most into the idea of a magic show. The focus on having an audience and the employing (and challenging) of Thurston’s magic principles give it a slightly different vibe to other cases. In relation to Thurston, Kid actually opts to approach Conan ahead of the heist to personally challenge him. In the manga, it’s the first clear look at Jii in Detective Conan. But the thing that stands out to me is the sheer level of emotional expression on display from Kid. It’s not in a small moment at the end of a case anymore, but in various moments throughout. You see his panic when Conan shows up above the building, or his sense of satisfaction when running through the crowd in the middle of his trick. All of it combined makes it feel much more like, by this point, Conan and Kid are engaged in a game.

After that is Iron Tanuki, an amusing oddball of a case. That Jirokichi used a fake notice to send a secret message to Kid pleading for help is interesting enough, given it displays a level of begrudging trust the former has in the latter. But more amusing is Conan’s choice to facilitate this upon realizing the truth of the situation, as well as his choice to stay behind and ask Kid if there was anything he could do to help to open the titular safe. If Purple Nail was their first real game, then Iron Tanuki is the first time they really came together in anything resembling a cooperative stance.

Kirin’s Horn seems like an outlier at first - and it sort of is, since Kid thought a little shock and awe was in order - but the case also demonstrates a level of familiarity. Conan remains flat on the ground because he knows how Kid works, and knows figuring out why he’s chosen to knock him out this time is the key to the case. There’s also a level of gag to this case via Kid’s choice to disguise as Genta, and the stinger of Conan getting the last laugh via something as silly as a paper taped to his back.

The fourth case, Ryoma’s Gunbelt, is where the real fun starts. Despite the rather nonstandard premise of Kid opting to return stolen goods, the general flow of the case is fairly standard for a Kid case in Detective Conan. The standout of this case, in my opinion, is the final conversation between Conan and Kid. They speak of their respective mothers in a conversation that reveals key details about each other, and do so surprisingly candidly. There’s an argument to be made that Kid knew of Conan’s identity by this point; regardless of that argument, that Conan spoke of his mother with such identifying details once again indicates a level of trust. Kaito implying Phantom Lady is his mom, while not particularly identifying, returns that trust. And that’s not even getting into the fact that a Kid case in Detective Conan is introducing a pretty important fact about Kaito’s mom.

Skipping ahead a bit, what makes this case notable is not the case itself, but rather its pair: Phantom Lady, a Magic Kaito heist published a year later that serves as an immediate prequel to Ryoma’s Gunbelt. This is the first time since Black Star that Magic Kaito picks up on a Detective Conan case in any capacity, and arguably the first time at all it does so with such a direct connection. The mentions of the Black Star served as a vague framing story for the clock tower heist, but Phantom Lady ends with a shot of the three treasures that assumes you know exactly where things go from here.

All of these cases do much more to peel away the mysterious veneer from Kaitou Kid, and give him a more candid and open relationship with Conan.

But the big thing of this stretch, and a turning point as a whole for Kaitou Kid in the franchise in my opinion, is The Lost Ship in the Sky. Now this? THIS is a Sillie Movie. Kid is playing around with goats, smirking like a fool with Conan before jumping out of a helicopter, and making the most inappropriate sounds when Conan’s hand wanders a little too far. He and Conan are actively seeking each other’s help and indulging in silly banter, even as Kaito makes a fool of himself with Ran. Speaking of Ran, this is the movie where she first fully realizes that Kid naturally resembles Shinichi. And as a cherry on top, we also get a shot of Kaito Kuroba himself.

And the movie was far from the only thing happening in April 2010.

☘️First is the OVA that was released just a few days prior: Kid in Trap Island. What starts as a standard Kid heist gets utterly derailed when the Detective Boys shoot Kid out of the sky, and now he has to chaperone them back to safety. Despite Kaito not being named in any capacity, we get to see him out of (most of) his costume and even hear about his fear of fish for the first time in DC media. Heck, Jii is even mentioned by name as well!☘️

Then there’s what aired the very same day the movie came out: Secret Birth of Kaitou Kid, the first episode of TMS’s adaptation of Magic Kaito.  After years of teasing the door open on who Kaitou Kid is behind the mask, TMS adapted the first chapter of Magic Kaito and aired it in the Detective Conan TV time slot. It, too, is an incredibly silly episode of an incredibly silly first chapter of an incredibly silly gag manga. THIS IS KAITO KUROBA, Detective Conan said. OBSERVE HOW SILLIE HE IS.

Testing the Waters

TMS eventually made 12 of these episodes. Based on the air dates, I can only assume Secret Birth of Kaitou Kid was meant to be a one-off, or at the very least it was a testing of the waters. Whatever the case, the remaining episodes got greenlit and were aired over 2011-2012. The most interesting change to the second half of these episodes is the addition of new plot points related to Magic Kaito’s organization, chiefly the new member Spider. They were introduced alongside Hakuba, who I imagine they wished to give a larger role in the episodes he did show up in. Another major takeaway from the TMS adaptation is their decision to animate Akako’s Delivery Service in The Witch, The Detective, and The Phantom Thief, albeit edited and extended to deal with the new anime-only plot points. In terms of Akako’s feelings for Kaito and Hakuba’s discovery of his identity, it’s a fairly significant chapter. Despite that, this is the only animated adaptation. I have some… complicated feelings regarding this, but now is not the time. 

As for the manga, we have a major arc in Mystery Train. This is not, in all technicality, a Kid case. If anything, his presence is pure coincidence, given he was only there to stake out the train ahead of the actual heist. Though this is a purebred Detective Conan plot, with the Black Organization’s involvement, Kid winds up a key part of their plan to convince the Organization that Sherry is well and truly dead.

Though his appearance in this case would be referenced in the future, this would be the first and last time Kid was directly involved in a major Detective Conan plot beat. This chapter was released before I had an active interest in Detective Conan, so much of what I’ve seen are second- or third-hand accounts from Japanese fans who went through the arc’s release. In short, reception was very mixed to Kid being such a major part in the resolution of this conflict. While there are those who enjoy his inclusion, either because they’re fans of Kid or because they accept the manner in which he was dragged into the plot halfway through, there are also those who consider him a “cheat” character who taints the worldview of Detective Conan by his presence alone. Gosho himself has also mentioned that he won’t be involving Kid in Black Organization plots anymore, either, due to the backlash.

My personal view on Kid’s involvement in Mystery Train is that the arc felt very much like a capital-E Event, so I bought it. There was a clear amount of luck involved in his presence there, so I could see how some may think the entire thing contrived, but it’s that coincidence that sells it for me. It’s Conan needing to fly by the seat of his pants to ensure Haibara makes it out alive, and further impresses upon us that they were half a step away from potentially fatal consequences. Nevertheless, this seems to be a case of an attempt to integrate Kid into the greater Detective Conan narrative that ultimately failed, so he returns to being largely divorced from the overall plot.

Despite this, though, there appear to be multiple chapters after this that focus on systematically introducing Kid to members of the extended cast. This starts with Blush Mermaid, Sera’s first presence at a Kid heist. What’s also unique about this chapter is the small but significant scene at the end that actually does continue the overall main plot - in this case, Sera’s misgivings over the death of Akai. Though Kid will not be overly involved in the main plot from here on out, his chapters do start featuring B Plots that touch on said main narrative. It’s… a half victory, of sorts, in terms of integration.

The other major takeaway from this case is a continuation of Conan and Kid apparently keeping a score of sorts. Due to Kid’s assistance during Mystery Train and the lack of a real theft, Conan lets Kid go. We’re in real “friendly rival” hours now.

Twin Bets pits Kid against Kyogoku, a frankly long overdue confrontation considering he’s Sonoko’s boyfriend. There’s a half-argument to be had that this also involves Kid in a major B Plot for the series as a whole, since this is a romance plot with a major recurring character. There’s also a level of intrinsic amusement in a Kid vs Kyogoku confrontation, since it comes down to (to quote my girlfriend) “guy who is literally from another manga but feels like he belongs here vs guy who somehow belongs here but definitely should be in another manga.”

Twin Bets also serves as the very first time Kid looks at the gem of the day under the moonlight in a Detective Conan chapter. It's the first case post-TMS Magic Kaito where it's applicable for him to do so; he's a bit busy with other things in Mystery Train, and he calls out Blush Mermaid for being a fake. This trend would continue in every case afterward where the plot wasn't otherwise preventing him from doing so (like the murder in Azure Throne).

Normally, this particular stretch of chapters would include quite a few more due to how many of them follow this “Kid, meet [Character]” format. But some of you may have noticed that, despite all the ample opportunities I’ve had to speak of it, I’ve avoided mentioning a certain number…

1412

Thousands of words earlier in this retrospective, I mentioned that Detective Conan’s Black Star felt the most like a crossover chapter. What I didn’t mention at the time, however, was that it also feels like one of the most fundamentally necessary Kid cases in Detective Conan. Not because it’s Kid’s first appearance, but because it introduces a piece of information about Kaitou Kid that eventually becomes baked into his identity despite the fact that it was introduced outside of his source series.

1412, the Interpol criminal code assigned to the internationally renowned phantom thief that was subsequently transformed after an author misread a journalist’s hasty scrawl as “KID.”

It feels like no small coincidence that the A1 adaptation of Magic Kaito added “1412” to the end of its title not just to differentiate this adaptation from TMS’s Magic Kaito specials, but to also indicate that this version of Magic Kaito would be the marriage of its namesake manga and Detective Conan.

In this regard and more, Magic Kaito 1412 modernizes aspects of the original story.

Technology, for example, was updated to reflect what a high school student like Kaito would be doing. Instead of reading the news in the papers, he’s scrolling through news sites on his phone. This is the most common kind of update that you see across adaptations of all stripes, so it’s the less interesting change.

The anime also modernizes with regards to itself, looking inward to find out what people associate with Kid in the modern day and adjusting the story - and the order that story is told - to account for that. This is expressed in ways both large and small. Blue Birthday, for example, is pushed way up to episode 2 of 1412 to introduce Pandora to the audience as soon as possible. Given Blue Birthday is also an Aoko-centric episode, it’s equally fitting that she gets the second episode. Jii’s significance is heightened by reworking the scrapped chapter Hustler vs Magician, a chapter that also coincidentally focused on an aspect of Jii’s past, into episode 3. This focus on major characters continues into episodes 4-6, which introduce Hakuba (chapter 15), Akako (chapter 6), and Shinichi (chapter 23), in that order.

There are also minor changes, likely made for pacing or simply content reasons. One small but frankly fairly significant change involves Kaito’s card gun. He’s shown using it in the first chapter of the manga, which also means he’s using it in the first episode of TMS’s adaptation. Since it eventually comes to be a signature weapon for Kaitou Kid, 1412 prevents Kaito from using it while in his civilian identity (like when he’s panicking about the fish with Aoko). Due to moving Blue Birthday up to episode 2, heists that originally weren’t really bothered with holding the target up to the moon include scenes of Kaito doing just that. Jii is suspiciously absent for most chapters until Black Star, so 1412 inserts him into animated adaptations of older heists, such as helping Kaito prepare the fireworks for Blue Birthday or providing an anime-original explanation of magic vs sorcery. There are similar one-offs with other characters as well, like a short scene of Hakuba being inserted into Akako’s introductory episode.

As a proper series in its own right, as opposed to a series of animated specials, 1412 also had to decide on a unified tone. Though TMS’s adaptation fluctuates wildly, 1412’s tone is a bit more even across the board. It’s comedic and dips its toes in gag vibes without taking it to absurd levels. While TMS’s adaptation of the first episode includes an entire apparatus outside the classroom window in episode 1, Kaito simply jumps out the window and makes it to the ground after running around the classroom in 1412. Though it also pulls away from some of the more atmospheric moments of TMS’s adaptation, it pulls back far more from the gag energy.

As a result of the above two points, many chapters are shuffled around or cut entirely. Chapters like Clockwork Heart, Japan’s Most Irresponsible Prime Minister, or I Am The Master are a level of absurdity that doesn’t fit with modern Magic Kaito’s energy, so they were completely cut. The Police Are Everywhere (chapter 2) was pushed back and adapted as The Princess and the Thief’s Improv (episode 15), because the emotional core of Nakamori potentially getting removed from the police force simply doesn’t work that early in the story outside the gag context. Akako’s Delivery Service was also unfortunately cut… Whether it be because of Akako’s appearance as Kid and the subsequent punchline or because of the technology Hakuba used to ascertain Kid’s identity, they apparently determined it was either too outside the tone or too difficult to adapt. Hakuba’s call in Golden Eye truly comes out of nowhere as a result, though, and that’s one fewer episode for a character that already had a bit of a spotty appearance record early in the manga’s run.

When the anime was announced, there were 30 chapters out. Seven of these were ultimately not animated, and many of the two chapter cases could be easily adapted into a single episode. They needed more material to fill out the remaining episodes, so they did this in two main ways.

The first is by reaching into some key Detective Conan cases. Black Star is a bonafide Magic Kaito case, but shifting it and Shinichi’s appearance in this adaptation to episode six - right after a series of core cast introductions - is actually very telling. 1412 was not only concerned with adapting the manga for modern sensibilities, but also with adapting Detective Conan for a Magic Kaito audience and further strengthening the connection between the two. This “adaptation” resulted in anime-original retellings of Ryoma’s Gunbelt, Sky Walk, and Purple Nail from Kaito’s point of view. Personally, I wouldn’t be surprised if this was a decision early on in the anime’s development, and if it was their existence that necessitated the tone of 1412 be evened out via not adapting the more “out there” chapters of the source manga.

The second thing they did to fill the run time was for Gosho to write an entirely new heist to function as a finale for the anime. This was Midnight Crow, the first heist to really touch on the driving plot of Magic Kaito (outside of Snake showing up to be ineffective) since Blue Birthday. Gosho’s comment on this case in the Treasured Edition is… a lot.

After a standalone anime adaptation was greenlit, the topic of what we should do for the final episode came up at our first meeting, so I said “Why don’t I write the ‘Black Kaitou Kid’ story I have saved as a trump card in Sunday and use that in the final episode?” Thus I wrote Midnight Crow! I’ll never forget how surprised the members of staff looked when I bluntly told them that Toichi is actually still alive (lol). (…) Though Chikage made Kaito work as Kid in Phantom Lady, she tried to get him to quit in Midnight Crow because of everything that happened in Las Vegas… But that’s a story for another time (lol).

The story itself has plenty of hints that Kaitou Corbeau is a Toichi-Chikage tag-team, but actually seeing him spell it out so casually sure is something.

Speaking of spelling things out, though, I also want to take an aside to touch on the Magic Kaito 1412 novelizations. Six volumes were published roughly concurrently with the anime’s run, and though there isn’t anything drastically different from what we already know from either Magic Kaito or Detective Conan, sometimes the narration can be quite enlightening. For the purposes of this, though, I specifically want to touch on that pin from earlier.

In the movie continuity, there is very clearly a moment where Kaito figures out Conan’s identity in The Last Wizard of the Century. There is no concrete equivalent to this in either Detective Conan or Magic Kaito, and 1412 doesn’t really expand on this either. I mentioned the possibility that Ryoma’s Gunbelt would have given Kaito ammo to figure out who Conan might be, but it’s not the most compelling argument. I’ve heard tell that Gosho once implied Kaito may have simply come to this conclusion on his own outside of the movie continuity, and I’ve personally always taken this stance given he seems to recognize Conan as a “high school detective” in Fairy’s Lips - and simply DOES know, no arguments, by Azure Throne.

Taking novelizations like these as fully canon is always a bit of a risk, but there’s a very interesting expansion on this particular issue in Volume 3, during the Ryoma’s Gunbelt adaptation. After Kaito runs into Conan while under disguise at the museum, the novels go into a brief explanation of how Kaitou Kid came to be known as such (aka the 1412 thing), followed by a flashback to Kid and Conan’s first meeting in DC’s Black Star. The narration then turns to what happened after the fact. This is fairly long, but as far as I’m aware these novels aren’t available in English, legally or otherwise. As such…

***

Kaito investigated the child that was on the roof of the Beika hotel - the young boy who called himself a detective, and with whom Kaito fought during the Black Star incident.

His name was Conan Edogawa.

He was a distant relative of Hiroshi Agasa, inventor and scientist, and was currently freeloading at the house of Kogoro Mouri, the famous detective “The Sleeping Kogoro.”

…And that was all he really figured out about him.

Conan Edogawa was full of mysteries.

But there was one thing that bothered Kaito.

Kogoro Mouri had a high school daughter named Ran. And Ran Mouri was the childhood friend of Shinichi Kudo.

That Shinichi Kudo.

The very high school detective that cornered Kaito during the clock tower heist.

Before his run-in with Conan, Kaito had looked into the young man that had aided the Metropolitan Police Department.

At a certain point after that clock tower incident, he had apparently gone missing.

He was not officially registered as missing, nor did it become a massive incident. But he stopped attending Teitan High School and disappeared from his home. He was apparently gone because he was busy chasing after some case a client had requested of him, but…

The elementary schooler Conan Edogawa appeared before both Ran Mouri and Kaitou Kid as if taking his place.

Shinichi Kudo, and Conan Edogawa.

Due to their mysterious nature, the two detectives continued to fascinate Kaito.

By the way…

The certain young novelist who had given Kaitou Kid his name was currently a world-renowned mystery writer.

His name was Yusaku Kudo.

Shinichi Kudo’s father.

Then there’s his mother, Yukiko Kudo, who was an essayist. She was a former actress, and once studied under the magician Toichi Kuroba to prepare for a role. Kaito had even once met her alongside his father in his childhood.

A strange turn of fate connected the Kudo and Kuroba families across multiple generations.

Did Kaito realize…?

Did he know that Conan Edogawa was actually Shinichi Kudo, who turned into a child after being forced to take a strange medicine?!

-

Professor Agasa was aware that Conan Edogawa was actually Shinichi Kudo… and it was likely only a select few others knew this. Not even Ran Mouri, his childhood friend, knew.

If Shinichi Kudo was keeping his identity a secret… then the reason he became a child must be pretty dangerous. Something that involved crime and the underworld. Just knowing the truth could put your life in danger.

It was only obvious that Kaito kept his identity as Kaitou Kid hidden.

But Shinichi Kudo must be living an even more troublesome life.

***

The narration of these novels knocks on the fourth wall fairly often, explaining that middle bit of this particular excerpt. It never confirms for sure whether or not Kaito managed to connect the dots, but the aforementioned questionable canonicity of novelizations like this means that was probably the safe choice. That there’s extra information here at all about Kaito looking into both Shinichi AND Conan is a pleasant surprise, as far as I’m concerned. But it’s also a bit frustrating that we don’t yet have even a hint of how this occurred in the manga when we now have two potential sources of that knowledge in the movies and these novels.

Which you opt to take as the more likely canon is probably up to personal interpretation, but I think I’m personally a bit more willing to go with a version of the novel’s events. I prefer to include the movies as a level of canon unless they outright contradict the manga (like M10 does, tragically), but the novel’s versions of events is probably the safer option.

But it’s the inclusion of extra scenes like these that further connects Magic Kaito - especially this particular iteration - to Detective Conan. They are holding hands so tightly now.

This all eventually culminates in Sunflowers of Inferno. Though M14 is the more obvious turning point with regards to Kid’s general behavior and personality in Detective Conan movies, Sunflowers of Inferno is a slightly more interesting turning point: all three movies after 1412 airs involve aspects of Magic Kaito, whether it be in its story or in its theming.

For this movie, it’s a very obvious example of the former. I think the plot of M19 is… strictly okay, but Kid’s motivation throughout being related to Jii is something I really enjoyed about the film. You know, assuming you don’t think too hard about Jii’s age as it relates to the timing of the flashbacks. Outside of that, Kid’s behavior in the movie almost looks as though it’s walking back from M14, but that’s only because Kid is playing the villain for most of it. Once that facade is dealt with he’s fully cooperative with Conan, to the point that the latter trusts the former with Ran’s safety. The opening scene with Kaito in his dark heist garb is also a nice bonus.

All in all, I think 1412 airing actually has the biggest effect on the movies. I’m not sure if that was intentional - movies 23 and 27 have the same director, so it could just be that her artistic vision includes MK in it - but for Sunflowers of Inferno it was almost certainly intentional as a show of fireworks after the ending of the anime. As for the manga, 1412 airing actually seems to have had very little influence on the Detective Conan chapters featuring him. Though Kid is a lot more likely to resemble the version of the character from Magic Kaito now, the manga seems a bit more concerned with introducing him to the new guard.

Meet The Fam

The Detective Conan cases in this section continue the general trend from after Mystery Train of either 1) introducing Kid to a significant sub character, or 2) running parallel to a B Plot that is concerned with the main narrative.

Luna Memoria does a couple of interesting things. First, this is the first time Conan explicitly asks Kid about investigating the jewel of the heist, since he knows Kid is on the search for a “special jewel.” Kaito is very candid in his response, telling Conan he ran into the deceased owner as the readers get a small flashback to Kaito Kuroba reverse pickpocketing the necklace. It’s an interesting conversation to have in the first Kid case since 1412 aired, especially since this aspect of Kid’s MO hasn’t really been discussed in any concrete way in DC before this point.

The second thing it does is have a small but nonetheless amusing B Plot with Okiya. While taking pictures of potential targets for his disguise, Kaito inadvertently gets a picture of Okiya’s voice changer. So Okiya joins Conan in confronting Kid in the bathroom and Very Nicely requests they get that picture back. Kaito has an “oh shit” moment, gets the heck outta dodge, and the chapter ends on a comical note when Kid can’t escape because Nakamori refuses to stop looking for him.

The next DC chapter, Fairy’s Lips, does a little bit of 1 and a little bit of 2. Surprisingly enough, Heiji has not had a significant confrontation with Kid in the manga before, and now Kid is getting himself involved in his and Kazuha’s romance plot. This chapter is retroactively significant because it’s the key jumping-off point for Heiji and Kid’s relationship in M27. But it’s also surprisingly significant for the MAIN main plot of Detective Conan by bringing in Koumei as a secondary detective that’s working to capture Kid… because he’s in Tokyo to receive a mysterious envelope addressed to him. The truth of the envelope’s contents is an Extremely Big Deal, and though by this point in the manga I was fully aware that plot developments would often happen in otherwise standalone cases now, I was personally not ready for that in a Kid case. So there’s that.

Between these two cases is the Magic Kaito heist Sun Halo, which puts a focus on Aoko for the first time in a while. It’s also very minorly a Magic Kaito version of a suspicion arc - the first one since Kaitou Kid’s Busy Day Off - though it ends with a return to the status quo. This chapter, as mentioned way earlier, also features some magic shenanigans from Akako in a more concrete way than we’d seen in a while. There’s some stuff about these chapters that are more disturbing the longer you think about them (what do you Mean Kaito just carries some blood neutralizing spray around with him so people can’t figure out his identity based on his blood), and the general tone is a lot more somber because Kaito is suffering from both pain and blood loss. It feels like an extension of Midnight Crow’s tone, in that regard.

After these three chapters is our next Kid movie, Fist of Blue Sapphire. This movie features a romance subplot between Sonoko and Kyogoku, and thus brings Kid back into it via certain aspects of the movie plot. As a post-1412 movie, the major feature of this movie is not the plot, but the thematic underpinnings of said plot.

Many post-Blue Birthday Magic Kaito heists tend to overlap aspects of Kaito’s situation with that of the characters introduced in the heist. The feature character of Red Tear is a woman who has grown to hate magic after the untimely death of her parents. The titular Dark Knight lives a double life as a notorious criminal for his son’s sake, and Kaito works to make sure his son never finds out about that double life. The thief in Golden Eye is attempting to salvage her father’s legacy. If they aren’t straight parallels, then they present what-if scenarios or twists on what Kaito is going through.

Fist of Blue Sapphire pulls something similar with Rishi, one of the movie-original characters. He’s torn up enough by his father’s death that he chooses to dirty his hands in order to get his revenge. After Midnight Crow, where Toichi himself wants to ensure that revenge is not Kaito’s only driving force, this presents a what-if scenario - an alternate path that Kaito might have chosen, had his admiration for his father not won out over his grief at his death. It’s interesting to see this particular thematic through line in a Detective Conan movie because it’s never been shown in a Detective Conan manga case before, and it’s one of the reasons I’m particularly fond of Chika Nagaoka’s Kid movies.

Another major aspect of this movie is how the sheer amount of screen presence Kid has gives the movie ample time to show what more involved cooperation between Kid and Conan looks like. The second Kid is framed for the crime, he chooses to go to Conan; if Kid looks to be in genuine danger, Conan begrudgingly comes to his aid. They spend time talking over the aspects of the case, and work seamlessly together during the climax. It’s by far the most actively cooperative they’ve been before or since, but it doesn’t come out of nowhere (and the spirit doesn’t quite go away, either). The clearest indication of this change in relationship is the line spoken by Kaito after he’s dealt with his wounds on the roof: “A magician makes you believe he holds something within his clenched fist, and a detective guesses correctly what they hold before it’s ever revealed.” It’s a stark contrast to probably his most famous line from Black Star about phantom thieves being artists and detectives being no more than critics.

Fist of Blue Sapphire happens to be one of those movies that I personally have any concrete info about via things like guidebooks. I don’t want to bloat this more than it already is, so there’s only two things I read that I want to share. 

The first is Kappei Yamaguchi’s seeming reaction to the script during recording, specifically in regards to his laugh. Normally, Kid in Detective Conan has had a sort of booming, open laugh, but twice during the recording for Fist of Blue Sapphire he opted to go for a version of the laugh as written out in Magic Kaito - an “ahaha” vs a “kekeke” kinda difference. He talks about this in the Kaitou Kid Secret Archives, but an online article on the movie from Movie Walker expands on this from Nagaoka’s point of view:

This time, we have a lot of aspects from “Magic Kaito” and Kaitou Kid’s true face in this movie. The moment I thought “This is just Kaito” was during ADR, when Yamguchi Kappei-san laughed like ‘hihi!’ Kappei-san said to me “I did it even though I thought it’d be struck out.” (lol) I could tell in those words that he met this movie with his own interpretation. I was impressed. We have a very cool Kid as a result.

It’s also in the Secret Archives interview that we get the “His speed may be at 100, but he has zero combat ability at all” comment from Gosho to Nagaoka, which is… extremely funny.

The other major thing from the Secret Archives interview (and elsewhere) is an anecdote about a certain regret. Nagaoka herself seems to be a big fan of Magic Kaito, but after M23 was released to theaters, Gosho lamented that he should have had Kid allude to Aoko. This was brought up again in a more recent Animage article: “Actually, back during Fist of Blue Sapphire, Aoyama-sensei had told me something akin to ‘We should have had Kid say “I have a better sapphire (Aoko) already” when he returns the blue sapphire,’ and I responded ‘You’re going to tell me that now, Sensei?!”

This is all to say that, despite the lack of any obvious elements akin to Jii in M19, they were clearly thinking of Magic Kaito while making M23.

☘️The next case on our list isn’t really a Kid case at all, but I consider it significant in the way it illustrates Kid and Conan’s developing relationship. Yusaku Kudo’s TV Show Case’s big twist is that Vermouth had been in disguise as Yusaku the entire time, but what’s important is that instead of being suspicious of his dad’s double showing up, Conan immediately assumes and trusts the double as being Kaitou Kid. “Kid” claims he’s here to help after Yusaku stated on the news that Kid wasn’t the culprit, and the following events snowball into interesting events and implications.

The first and most obvious is Conan’s implicit trust and expectations for Kid. He is visibly disappointed when “Kid” doesn’t respond to his deductions the way he assumed he would or didn’t pick up on details he was convinced Kid would immediately notice. It’s actually a staggering amount of trust, despite everything.

Then we have the fact that Vermouth was able to use this tactic at all. Her visiting the Kudo residence was a failsafe to ensure Yusaku really was out of the picture, so she needed a way in. Personally, I think it’s safe to assume she didn’t adjust after Conan thought it was Kid - she knew this would work from the start. Yusaku absolving Kid in the news is a perfect in for someone who was already fully aware that Kid had teamed up with her Silver Bullet before in Mystery Train. And she was right. Conan’s immediate assumption and subsequent display of trust blinded him to the possibility of the other infamous master of disguise on his list.

That this particular case works as a prologue of sorts to the minor Black Organization arc that follows is also interesting to consider. Kid didn’t appear in the arc at all, but he certainly was used as a tool for it.☘️

The subsequent DC chapters continue the “Kid, meet [Character]” trend with Amuro (and Kazami) in Queen’s Bang. He’s a fairly active part of the process, not the least of which because Kid belittled his card trick skills as they were lining up to enter the museum. Though this chapter doesn’t have a relevant B Plot, it is the first reference to Kid’s presence in Mystery Train since Blush Mermaid - and a pretty significant one at that, since Amuro was the one that actually had to deal with “Sherry.”

Siren Splash’s main character introduction is actually Azusa, which feels a bit like a follow up on the minor role she had in Queen’s Bang. This case has a couple of fun things that sort of cover the entire spectrum of ways in which a Kid case could be fun for our purposes. The least significant of these is Kid’s skates, which (if memory serves) haven’t been seen since chapter 10 of Magic Kaito. Gosho mentions wanting to use them again in his Treasured Edition comment on that case, so it’s a lot of fun to finally see them show up again.

Going up to slightly more significant, there’s a Very Ominous Comment from Kanenori about his left eye, which serves as foreshadowing to information we find out about him about a volume later. And then we have the end of the case, which is a little difficult to talk about because we don’t have any elucidating information yet. Regardless, I’ve always been amused that, despite Conan being the talk of the various police departments, he’s largely avoided being in the news… except where Kid is involved. It seems that’s finally coming to a head with the older gentleman that is none too pleased about the news story covering Conan’s victory. We don’t know what role this man has yet, but if this has ties to the main plot, then this is a very amusing way in which Kid has affected the main plot.

There’s not much else of note to say about this series of chapters, because it’s largely continuing the trends of the era that led to 1412’s release and codifying a less mysterious Kid, and an (at times) more cooperative Conan. But it’s also a comparatively sparse number of chapters; in the over seven years since 1412, Kid had only featured in four chapters here. You probably wouldn’t expect any major developments from a precedent like that, right?

…Right?

Erasing the Line in the Sand

We have now entered the modern era - specifically, the immediate lead-up to M27. Recency means some of these things are going to be a little bit harder to extrapolate on, largely because we have no idea if this is the start of something new, or perhaps just an outlier in the general trend. Regardless, some of this stuff fully makes my brain spin. Never mind brainworms - I have brain bees, and they will not stop buzzing.

We start with the most-recent Kid case in Detective Conan as of this writing, Azure Throne. This particular case is significant for multiple reasons, besides just being a good time. First, it’s Hakuba’s first appearance in Detective Conan since Detective Koshien, which means it’s been a whole seventeen years. Help. It’s arguably also the closest it comes to a proper Hakuba vs Kid case in Detective Conan, since Twilight Mansion is a little too busy with other aspects of its plot to spend much (if any) time on Hakuba’s relationship with Kid. Hakuba is also just a little insane, given his plan was to airlift the entire observation deck and sink it into a pool to trap Kid… There’s some minor Magic Kaito gag energy in that idea, and Hakuba’s never done things by halves.

Next, we have yet another reference to Kid’s presence in Mystery Train. Queen’s bang was only a couple years ago, and in Conan Publishing Time that’s no time at all considering Mystery Train was back in 2012. It’s interesting to get two references to that particular case so close together. 

And speaking of references, my third point of interest for this case is that it straight up references Golden Eye. There’s even an illustration of Cartier, the security company manager that Nakamori is thinking about when he responds to Jirokichi’s comment. Magic Kaito has certainly referenced Detective Conan before, and 1412 itself pulls heists whole-sale from it to fill out its runtime. But this is the first time it’s gone the other way around.

It’s also, somehow, the very first time Kid has assumed the Shinichi Kudo disguise in the manga. And even more surprisingly, it’s done so at Conan’s request. Sure, Kid was the one begging Conan to free him of suspicion for the murder that just happened, but “disguise yourself as me and make sure Ran doesn’t find out” was the condition Conan put forward for his cooperation.

This connects to the fifth and sixth points that I’m concerned with. The fifth point is Ran herself; she has a comment toward the end about how she can’t forgive Kid for “disguising as Shinichi every single time.” Which is, you know. Kinda weird, if all we’re considering is manga continuity. This is his very first time assuming this disguise in the manga! So in Gosho’s mind, at least, the movies aren’t not canon. Considering more recent movies are more likely to require “homework” to fully enjoy them, I wouldn’t be surprised if they were more carefully written to slot into canon more easily than early movies were.

The sixth and most hilarious point is a single aside in a conversation Kid and Conan have.

Actually, why do you look so similar to me?

Why would I know?! Maybe we have a shared ancestor or something. (To be honest… I’m not even changing my voice much, either…)

Now, the addition of that voice comment makes the whole thing sound like a gag - they do have the same seiyuu, after all - but their similarity has always been a bit of a gag… In the movies. Thinking back on it, I’m not sure it’s ever really been brought up in the manga, so this is a joke that feels almost necessary after Conan requested Kid to disguise himself as “Shinichi,” which Kid managed to do despite being not at all prepared for it.

And, you know. It’s also foreshadowing now. Not by much, considering the movie was only a few months out, but still.

tl;dr: There’s a lot going on in Azure Throne. It is probably the densest of the Kid cases in terms of its relationship to itself and its relationship to Magic Kaito. As a result of that, there’s something about this case that feels like the purest mix of Magic Kaito and Detective Conan. It also feels pretty clearly written with the movie in mind, considering it not only had the aforementioned foreshadowing, but also brought in ideas from previous movies into the manga to create synergy between them.

After that we have Green Dragon, a Magic Kaito heist that ran through M27’s theater release. Meeting Aoko’s mother is certainly a standout of this particular heist, but what I personally find more interesting is the tone. It eschews the steady creep of drama into the narrative by pulling back to something more comedic, and in some ways feels a little like a return to form. Kaito’s fear of fish is brought up again for the first time in ages, and Midoriko gets a whole host of muscle men to corner Kid.

The chapter also opens with a reference to the crimes (as Midoriko would prosecute them) Kid committed in Queen’s Bang. In terms of time, it’s been over ten years since the last MK heist referenced DC in any meaningful way. But in terms of heist count, Phantom Lady was only three heists ago.

It is at this point I must discuss the movie, The Million-dollar Pentagram. As the movie is not yet out on Blu-ray as of this writing and the international offerings were a bit spotty (especially outside of Asia), I want to give another spoiler warning for the information I’m about to go into. I mentioned earlier that later movies require a bit of “homework” for full enjoyment, and M27 is no exception. It has also turned into one of the more common complaints I see from casual DC movie enjoyers, at least on the Japanese side of things - because yes, there is a whole audience of people whose only exposure to the franchise is the yearly movie. While the most easily recognizable pieces of “homework” for this particular movie are clearly cases like Fairy’s Lips or even M21 for familiarity with Momiji and Heiji’s attempts to confess to Kazuha, it is also very much arguable that the second major pillar of this movie requires a working knowledge of Magic Kaito. Like, not just knowing who Kaitou Kid is, but knowing who Kaito Kuroba is.

Which means I’m going to be talking about a lot of this movie in concrete detail. The main thrust of the movie is, to put it very simply, a treasure hunt. What I discuss will give you very few clues as to how or why that mystery is solved, but it will end up touching on key events, motives, and emotional beats. If you’d rather keep yourself unspoiled so as to enjoy those aspects as well, please skip to my discussion on FILE.0. You can find that by scrolling to below the second horizontal line, or doing a Ctrl+F search on “FILE.0.” That being said, there will also be more concrete references to the post-credits scene everyone knows about by this point in the final section of this retrospective as well.

——

There’s a lot I want to discuss with regards to M27, but it’s frankly hard to conceive of how I’d go about it. Going through the movie chronologically would take far too long, so I think I largely just want to list up a few interesting elements and then dive into what significance I think those elements hold. For the curious, I saw this movie twice in theaters: once about a week after premier, and again when they were running English subtitles at certain locations.

Let’s start at the beginning, with the most amusing thing this movie did before it was even released: the lack of a pre-screening. Movies like these usually have a seiyuu event of some kind attached to an early screening of the movie that fans can attend via lottery a little while before the official release, but they used the framing device of Kid “stealing the pre-screening” to avoid holding one at all. This isn’t strictly related to anything I’ll discuss further, but it is amusing to think that they believed the information presented in this movie was important and significant enough that they didn’t want to risk people talking ahead of the official release. And, you know, it WAS, but we’re not getting into that just yet.

Also somewhat minorly was the cover of an-an being Shinichi and Kaito, as opposed to Conan and Kid or even Shinichi and Kid. There’s also been a handful of DC merch that includes both Kaito and Kid in the lineup, and I don’t think stuff like this has happened since 1412 aired. It’s clear in hindsight they were focusing on his civilian identity because of his motive in the film and the reveal in the stinger.

As for the movie itself, I want to start REALLY basic, and actually talk about the score of the movie. The Million-dollar Pentagram is the first Kid film since Yugo Kanno took over from Katsuo Ohno for the movie soundtracks. This normally wouldn’t matter too much, except for the fact that Kaitou Kid has utilized a variation on the same two themes since The Last Wizard of the Century. There was apparently quite a bit of back and forth as to how to handle this aspect of the soundtrack, but in the end they went with a completely new theme: The Grand Circus (華麗なるサーカス). If you’re reading this and somehow haven’t heard it before, I highly recommend you give it a listen. It serves as his calling card throughout the movie and is a much more playful tune. I can’t help thinking about Toichi’s conversation with Kaito in Hustler vs Magician about how the pierrot is the most important member of the circus (yet another reason I’m glad this chapter got salvaged in the 1412 adaptation). I definitely don’t dislike his old themes, but I do enjoy that the vibe of this one expresses a side of Kid in Detective Conan that has seen more screen time lately, but has until now had no musical motif to express it.

Another amusing part of this soundtrack is a certain melody, only a couple bars long, that repeats throughout the entire score. This melody just so happens to play during the final major reveal of the movie: that Toichi had been disguised as Yoshihisa Kawasoe the entire time. Kawasoe is a local detective that is in and out of the movie for almost its entire runtime. Toichi was, in essence, with us the entire time. Just like this melody was, weaved in and out of the soundtrack. It’s a nice touch. Kanno mentions in the Toho Cinemas guidebook that there’s very little impact to a melody introduced in the final moments, and that he wanted to inspire a sense of deja vu alongside surprise by accompanying that final reveal alongside a melody that had played the entire time. It’s kinda neat.

As for Kid’s behavior in this movie, it’s informed entirely by his desire to discover why his dad apparently went after this “potentially world-destroying” treasure, found it, and then left it alone. There’s an overlap between this and his motive in M19, considering both are more personal in nature, but M27’s motive is also far more fundamental to Magic Kaito. Kid is mentioned multiple times to have an assistant of some kind in Detective Conan chapters, but the only mention of his dad is that 1) he exists, and 2) he was the previous Kid. He’s not at all connected to Kid’s search for Pandora or his reason to be the second Kid in the first place, so bringing his dad into things as a motive feels more poignant if you know Kaito’s always been chasing him. Which is to say, it relies a bit more on knowing Kaito’s personal story from Magic Kaito.

The plot leans into this “if you know, you know” vibe by having Kaito only ever indirectly refer to his dad. When he explains why he’s searching for these swords to Conan and Heiji, he only refers to “a certain thief.” In a moment of respite, he only just barely gets to say the first sounds of “dad” before he’s interrupted by one of our culprits. It’s not said in any capacity until the very end of the movie, when the treasure is found alongside Toichi’s glove and a notice from Kid the first: “Wake not a sleeping lion.”

Going back to Heiji and Conan, he’s not openly cooperative with them until they save him from near death. It’s at that point they share info and Kid ropes them into solving this puzzle because it’s what they do best. The rest of their cooperation in the movie usually takes the shape of a “2+1” format. Conan and Heiji are obviously working together while Kid comes in and out via a number of disguises. There’s a comedy to his disguises in this film, since they’re almost too easy to see through. It’s likely in part so Heiji and Conan can be aware of his presence, since they’re technically working together. Minami Takayama also picks up on this in her movie pamphlet interview, adding that he “seems more open and honest this time, probably because that’s just how badly he wants to solve this mystery” and that it feels more like “Kaito Kuroba and Shinichi Kudo have taken a step closer” as opposed to it just being Kid and Conan this time around. Kappei Yamaguchi in the same set of interviews says he’s “basically Kaito” with Conan, even if he still mostly behaves as Kid with Heiji.

To summarize, Kid’s behavior in this movie is far more open due to the goal being tied to his dad, and with Conan specifically the mask is basically off. Add this to the comedic touch of his disguises throughout, and you’ve got some good Magic Kaito vibes despite his reduced screen time compared to M23.

But that only lays the foundation for those vibes. There are plenty of other reasons why it feels more Magic Kaito-y, given key aspects of this movie bring in more aspects of Kaito’s civilian life - and certain emotional beats rely on your knowledge of that.

To start with a more minor beat that wraps up things mentioned above: Toichi’s glove. Kaito takes it with him after discovering the treasure, and there’s a short scene while he’s flying through the sky (after a more significant moment we’ll discuss later) that sees him looking at the glove with a frankly mixed expression. The novelization of the movie mentions him smiling happily as he soars through the sky, but that is not the expression we actually see in the movie. He has Thoughts about finding his dad’s glove there, but the audience is left to guess what they may be. It’s a hole that’s nearly impossible to fill without knowing Kaito’s backstory (and, arguably, without knowing about Midnight Crow).

And we’ll get to Midnight Crow’s significance, just you wait.

The second beat I want to talk about is Nakamori. First (and more minorly) is his engagement in some true gag Magic Kaito energy. A short scene with a disguised Kaito at a hotel alongside Conan and Heiji ends with Nakamori up against the window, looking in with multiple police officers behind him, as he realizes he’s found Kid. Kid then runs, and Nakamori and his officers run across the screen as Conan and Heiji continue their conversation. Real goofy hours.

But the actual most important story beat with Nakamori is him getting shot by one of our antagonists. He’a shot while on duty and escorting another principle character, and the framing of the movie puts us in Kid’s shoes as he discovers a gun aimed at the both of them just a little too late. This decision carries with it a couple of interesting tidbits, whether they be for our purposes or for how it seemed to affect the people that worked on it.

I want to do the latter first, since the snowballing is less extreme. Yamaguchi has talked about this scene a number of times, whether it be in interviews or during seiyuu events. As a voice actor, he was surprised at his own performance as Kid yells out Nakamori’s name. It was desperate and loud in a way he’d never been before, but it still felt natural to him; he thought it was indicative of just how important Nakamori is to Kaito, and that this was less Detective Conan’s Kid and more Magic Kaito’s Kaito Kuroba.

Related to this is a comment he made at a stage event that in his heart, he’d wanted to say “ojisan” instead of “Inspector Nakamori.” But he felt that it would be too difficult to display their relationship that way, so he went with the latter. There’s a lot of character interpretation you can do with regards to what Kaito chose to say in the moment, but I also can’t deny the possibility that it simply comes down to the “Kaito and Nakamori” dynamic not appearing in Detective Conan at all. Well, at least in part.

The other major ramification of this narrative decision is actually Aoko’s appearance in the movie. Nagaoka recounts in multiple interviews, such as in Febri or Animage, that she originally felt the tension in the movie was a little too slow-going, so she suggested someone get shot. The original plan suggested shooting Nishimura, the Hokkaido police detective, but Gosho said Kid wouldn’t save him if that was the case. It was here Nagaoka suggested Nakamori, to which Gosho agreed. He then added, though, that if he was in the hospital, then Aoko would likely show up.

Thus we have Aoko’s first theatrical appearance, and her first appearance in Detective Conan at all since Black Star. Her appearance in this movie grounds Kid’s emotional narrative in Magic Kaito; it implies the existence of Kaito Kuroba in ways Hakuba or Nakamori never could, because her significance rests entirely in his civilian identity. There are scenes dedicated to Kaito watching over her in disguise as she waits for her father to wake up, only leaving once she seems to be okay. He’s on the phone with her in one of the last scenes in the movie, and his smile when he ends the call is the softest it’s ever been in Detective Conan.

That’s not all, though. In a cute example of the movie affecting the manga, Gosho told Nagaoka later on that a gesture Aoko performs - a two-handed clap to the face that helps her psych herself up - was brought back into Magic Kaito for his April serialization. We see Midoriko do the very same gesture when she wakes up after her quick nap, as it turns out.

There’s something else I want to mention about Aoko, but that fits better elsewhere. So before we talk about the elephant in the room, I want to mention the theme of the movie. Both Nagaoka and Takahiro Okura, the script writer, have described the movie as dealing with “parent-child relationships” and “inheritance.” All of the antagonists follow after their forefathers in some way, but it’s an idea most obviously expressed by Hijiri Fukushiro, the main movie-original character. The complicated feelings he has about following in his father’s footsteps, and the things he does as a result, can all too easily be compared to Kaito’s own struggles. As I mentioned earlier, Nagaoka does something similar with M23, but it’s even more powerful here because Kaito is just as determined to chase after his dad as the many other characters in the narrative are to deal with the legacies their forefathers left them.

So. 

Elephant in the room. 

The ship-breaking shot heard round the world.

Shinichi Kudo and Kaito Kuroba are cousins, and their fathers are twins.

I want to just trace this thread throughout the movie, in as brief a form as possible.

It starts with the very first confrontation between Kid and Heiji. When Heiji gets the upper hand and knocks Kid’s monocle off, cutting through the brim of his hat in the process, the moon peeks through the clouds and gives Heiji a clear view of Kid’s face. He’s immediately shocked to discover he resembles Shinichi.

Heiji has a couple of moments following that clearly illustrates he’s ruminating on this. When he first sees Conan, he crouches down and takes Conan’s face by the chin, examining him. When Kid and Conan banter on the train, Heiji sits behind them, a confused but thoughtful look on his face.

Shortly after the above, Heiji confronts Conan: “Do you have any siblings?” He brings up the physical and vocal resemblance Kid has to Shinichi, but Conan brushes it off. “It’s a coincidental resemblance. It happened by chance.” Heiji drops the subject, but there’s an argument to be had that the way Conan says that last line sure is suspicious.

The movie follows the main plot until Aoko’s introduction. In one scene with her, Heiji, and Conan, she watches the latter two talk with interest. She crouches to the ground and stares at Conan, telling him that she’s reminded of her childhood friend’s younger years when she sees him. This is the first time their resemblance has ever been phrased as “You look like Kid/Kaito,” as opposed to the more common reverse. Nagaoka remarks in an interview that Aoko’s presence in this movie presented the perfect chance to further thread the foreshadowing of their resemblance throughout the film, and personally I rather enjoy that one aspect of this foreshadowing comes from the Magic Kaito angle.

Post-credits. Yukiko is surprised to discover Yusaku has an older twin brother. Yusaku is a little…cagey, in my opinion. He expresses mild surprise he hasn’t mentioned it before, says they keep in regular contact despite not seeing each other in over 20 years, mentions he receives gifts every once in a while (including the extremely plot-relevant missing sword) and hints to Yukiko that she’s likely met him before. As she continues to guess who it might be, Yusaku attempts to change the subject to his new book; he wants her opinions on it. This is when he receives a text praising his most recent novel, signed by “TK,” and Yusaku smiles. The scene cuts to a skyline view and Kawasoe standing atop a tower of some kind. He looks at his phone: “Thank you, Nii-san! YK.” He laughs, and the disguise comes off, revealing a smiling Kaitou Corbeau.

Now, I mentioned Midnight Crow earlier, so I want to recover that pin now. Midnight Crow is a Magic Kaito case. It is the case that very strongly implies Toichi’s survival. Absolutely none of this is brought up in Detective Conan in any capacity whatsoever. Not even a REFERENCE to a “Kaitou Kid in black.” I’ve seen multiple stories, whether they be about themselves or about others they went with or saw in the theater, about people that were simply confused as to why THIS was the stinger in this film. I even have a personal anecdote myself, given I dragged my roommate with me to the movie and what surface knowledge she had did not do anything to help her understand what the heck was going on in the post-credits scene.

Within the film, in the vacuum of this one movie, the connection between Kawasoe and “the guy that wears a monocle like Kid who seems vaguely threatening” is actually really well foreshadowed! It’s even BETTER foreshadowed if you know Magic Kaito, because the relationship between Hijiri and his dad has parallels to Kaito and his dad. Because Kaito’s first disguise in the movie and Toichi’s disguise throughout used the exact same method: taking advantage of someone’s vacation, and thus their absence. Because you know this man is Kaito’s dad, the thief who found this treasure before and chose not to steal it, and is now taking advantage of Kawasoe’s klutzy nature to give Heiji and Conan information so they can find and protect it.

As far as Kaito and Shinichi’s resemblance is concerned, it was always used as a joke in previous films. Considering how long this running joke went, I imagine that made their blood relationship that much harder to accept. It was clear they were doing something different with it from the very start of this movie, though, when Heiji’s reaction to the resemblance isn’t played for laughs and it just kept coming up.

This also doesn’t necessarily come out of nowhere. The earliest piece of info that I can personally confirm is from a six-page interview with Gosho in a 2011 issue of Hayakawa Mystery Magazine celebrating the release of M15. After the interviewer implies that the similarity between Kid and Shinichi may be due to Kid being written first as a protagonist (further implying it’s a stylistic “protagonist” thing), Gosho replied, “Their resemblance is not just because of the order they were written in, but because there’s a secret backstory. There’s no way someone that looks so similar exists, you know? (lol) As for why, look forward to it, I suppose.” In the No. 22-23 2024 issue of Shonen Sunday, Gosho also has a little cheeky comment saying he’s relieved he was finally able to talk about Kid’s secret…

The other comment complicating the timing of when Gosho would have first considered this is a comment from Yamaguchi during a later screening of M27 alongside the seiyuu. According to fan reports, he mentioned being told that Kid had a “secret backstory” when he was given the offer to voice him. Combined with the fact that Gosho had apparently specifically chosen Yamaguchi despite the latter already being onboard as Shinichi, and Gosho choosing to go with a Kid cameo in DC in the first place because he wanted to introduce a regular rival… Maybe the idea of them being related existed well before that 2011 interview.

You might be able to tell, given how much I have written about M27 alone, that I think it’s a very interesting movie from a Magic Kaito perspective. It borrows from it the most by far, and I have to agree with the Febri interviewer when they said this movie has the biggest crossover between the worlds of Magic Kaito and Detective Conan by far. Because aspects of the theme, Kid’s motivations, and the entire post-credits scene are frankly lost on you if you’ve never bothered to read Magic Kaito. It’s a very funny thing for the “yearly event movie” to do, if I’m being honest, but this movie relies on the strengthening ties the two stories have made over the years. It sure did break box office records, though, so it seemingly worked out for them.

My only question at this point is whether further media, manga or movie, will pick up on the movie’s main revelation.

——

Since merch releases and promotion for M28 are ramping up, I wasn’t expecting much out of the Magic Kaito or Kaitou Kid mines for a while. Imagine my surprise, then, when FILE.0 was finally released as part of the special rerelease of Volume 1. At a mere four pages, one could barely call it an extra chapter; if it could be called anything at all, it’s more like an omake of sorts. Here we have Shinichi taking a trip to Tropical Land to plan out his date with Ran - and with Fate, of course.

It’s honestly pretty cute, the way he’s likely taking way too many notes on what he could do there. But what ends up happening is Shinichi stumbles upon a scene from Magic Kaito (Kaitou Kid’s Busy Day Off, to be exact), right as Kaito says his embarrassing line about ice cream being as sweet as it is cold. Shinichi is taken aback at how cringe this guy’s being, but he likes the idea of ending his date here by the fountain, so he takes notes regardless.

Did we really just put Shinichi in a scene from Magic Kaito for a rerelease of Detective Conan’s inaugural volume? With Kaito and Aoko, right there? It feels so small and so silly, but I still can’t get it out of my brain. The last time Kaito and Aoko showed up just as normal people in front of our main cast in any capacity was in Black Star, and I’ve already mentioned that this appearance makes the chapter feel even more like a crossover. But now, after everything that’s happened, they show up again. Maybe the line in the sand is still there, but I think it’s moved.

Final Thoughts & Hot Takes

The very nature of Kid originally being from another older series means I have no idea where we actually go from here with all of this. I have no major expectations at all for when or how or IF Shinichi and Kaito being related will be brought into the manga in any capacity, largely because there’s very little precedent for it. You have things like Ran already knowing Momiji in the manga even though they only ever had a “first meeting” in M21, or James Black knowing about Akai’s survival first being confirmed in M18, but stuff like that that’s a pretty rare occurrence. Even so, Takayama and Yamaguchi discuss the idea themselves in an Animage interview. She mentions that the movies seem more connected to the manga nowadays, while he muses at the idea of Fairy’s Lip leading into M27, which may very well then lead back into the manga.

Regardless, I don’t think anyone would argue if you said Magic Kaito felt more integrated into Detective Conan now than it did 20+ years ago, when Kid was first appearing in the manga and movies.

So to cap everything off, I think some Hot Takes are in order.

The cousin reveal isn’t actually all that bad. I’ve admittedly been on this particular train for a decade, so this was like every national holiday and then some rolled into one. I definitely have some questions about things like Shinichi’s Childhood Adventure or Yukiko’s relationship with Toichi, but for me personally none of them really snap this reveal in two. Nor do I think it dampens the way they were brought together as detective and thief, especially since I think you could reasonably argue that Toichi and Yusaku maintained their distance not only due to the divorce, but because of Toichi’s new profession. “Over 20 years ago” puts them at probably no more than a couple years before Toichi became Kid, when he was likely traveling for his magic show, as opposed to the young age they apparently were when their parents divorced. It’s also made fairly clear in DC that Yusaku knew who Kid’s civilian identity was… or at the very least, that’s how I read that interaction. If they intentionally kept their halves of the family from meeting, then it’s pretty incredible Shinichi and Kaito met at all. If the manga touches on them being related in any capacity - and again, I have no clue how likely that actually is - then it’s not going to suddenly supersede the relationship they have now. It’ll just add to it, assuming they chose to entertain it at all, and that complexity could be fun. This is all admittedly personal, of course; my shipping preference leans very heavily into “weird platonic relationships,” so that informs this particular take by quite a wide margin.

1412 is the ideal way to consume Magic Kaito. I don’t know how much I even like this hot take, but I can’t help thinking it’s true regardless. It more closely resembles Detective Conan in tone and vibes than it resembles its own source manga in a couple of key ways, so I do actually think this - over either the manga or the TMS adaptation - is the way they want people new to Magic Kaito to consume it, especially if they’re coming in from Detective Conan. That Gosho created a new finale for it, and did so by pulling out the “Toichi is actually alive” card, is also fairly telling. And if people like it enough and want more, the manga is still plenty available.

Magic Kaito has become a Detective Conan spin-off. I think I also hate this take, but I also believe it to be true in any way that functionally matters. We must respect that Magic Kaito came first - that Kaito and Aoko and Hakuba came first - but Kid’s modern popularity can be almost entirely attributed to Detective Conan. And honestly, I have to wonder if it’s still running, albeit irregularly, because of that. Phantom Lady jumps off of Ryoma’s Gunbelt, Green Dragon references Queen’s Bang and takes a quirk from the movie for both Aoko and Midoriko. The tone does a clear shift after DC begins serialization as well, and goes even further into mystery solving after Kid makes his first appearance in DC. If you didn’t know any better, you might think it was similar to something like Zero’s Tea Time: a spin-off for a crazy popular character. It’s not, and it never actually will be, because Magic Kaito came first. But I think it sort of has become one.

The line in the sand is not bad, until it is. I don’t actually mind the parallel worlds argument, largely because I can understand what kind of slippery slope Akako is for the logic-driven Detective Conan. There’s also a part of me that doesn’t really mind Kid plots being largely stand-alone, with little to no involvement with the main plot. I could even also buy the two shady organizations actually being different, if and when we ever get information about MK’s organization. But after coming this far, and developing Conan and Kid’s relationship to the level that you have, I think not delving into who Kid is when he takes off the costume becomes the more contrived option. Gosho’s said before that solving the DC plot will not simultaneously solve the MK plot due to those organizations being different; I don’t think that means Kid should be verboten from Black Organization plots entirely. I don’t think it means Kid shouldn’t maybe suffer a consequence or two for being so open and casual with Conan, or that we can’t have a running side plot involving him. But then you run into the problem of Magic Kaito being its own series, and if you erase the line in the sand - if you let Kaito Kuroba be in Detective Conan - what do you do with Magic Kaito? The two worlds have overlapped so heavily with M27 that I almost wonder if we’re at a breaking point. Maybe this is the real Pandora’s box.

Kaitou Kid is a Detective Conan character, but Kaito Kuroba might not be… yet. I think DC has claimed Kid for its own. Especially the performance of Kid as displayed by the man behind the mask. But that mask has been chipping away, and Kaito himself is usually the one speaking to Conan at this point in both the manga and the movies. Even so, to so many people, that’s still just Kaitou Kid. I’ve seen disappointment expressed at that suave gentleman thief from the Black Star and M3 era being nowhere in sight in modern times, and it’s because it was always an act. You can’t keep up that act when you choose to trust someone, and they trust you back. You just… start becoming yourself. But he’s not truly himself in DC yet, despite the few scant appearances of Kaito himself we’ve received. For some reason, Kaito Kuroba still feels like a crossover character, and his appearance some special event, compared to Kaitou Kid. FILE.0 was a surprise in this regard, but in relation to the above, I have to wonder: Should Kaito himself ever feel as entrenched in DC as Kid is?

Kaito Kuroba - who many and more know as Kaitou Kid - is such a funny character if you think about him for more than a few seconds. His popularity in the Detective Conan vacuum is more than warranted, given his back and forth with Conan, but I really do want to believe that it’s the duality of his appearances in Magic Kaito and Detective Conan that contributes to this popularity. If M27 and some of the recent trends in both DC and MK are anything to go by, maybe I’m not so far off the mark.

We’ll likely get more stuff to enjoy in the meantime, but I’m currently looking ahead to Magic Kaito’s 40th anniversary in 2027 and hoping we get another movie… Or maybe another major manga arc. If you’ve managed to read all of this, you have my deepest gratitude! I hope this adventure was as enlightening for you to read as it was for me to write.

[peachhcs]

the soft launch (more like hard launch) → social media post

hughes!sister x will smith au

hi! here’s the first post for my new au :) i figured this is a great way to introduce samy as well as her dynamic with everyone else. i’ll be posting more actual fics soon, but also please comment or send me what else you’d like to see for them!!

ps. all of these photos are from pinterest/instagram

au masterlist

samyhughes semester 1 has my heart <3

view all comments

lauren11 BAE I LOVE YOU!!

| samyhughes I LOVE YOU!!!!!

hannahduke HELL YEAH UMICH!

| samyhughes ROLL WOLVES! 🐺

user1 THE YOUNGEST HUGHES IS IN COLLEGE ALREADY???

user2 WAIT WHO IS THIRD PIC??😦

dylanduke25 can’t believe you’re roommates with my little sister i feel like this is so full circle??

| samyhughes LMAOO i feel you dyl

| lhughes_06 ur telling me

edwards.73 casually posting a pic of someone holding a high noon and then proceeds to make caption first semester which means your underage 😐😐

| samyhughes ok mom

markestapa WOOOOOO so glad ur at umich with us!

| samyhughes remember when you cried when luke told u i was coming to michigan?

| markestapa now why would u say that on the internet

colecaufield MICHIGAN MICHIGAN MICHIGAN!

| jackhughes why are you giving this energy to my little sister? 😐

| colecaufield bc i want to??

jackhughes wait a minute the 3rd pic…where is his mouth…

| samyhughes umm..

user3 luke’s michigan friends are literally her second brothers AHHHH

user4 wait who isss the guy in the 3rd pic???? she has a bf???

user5 we lost another one boys 😭

jacob_fowler24 michigan shit 🔛🔝

| samyhughes what does this even mean??

ryan.leno_4 still shoulda come to boston

| samyhughes sorry lean u should of come to michigan 🤷‍♀️

aram_minnetian okay hard launch

| samyhughes what i do best ☺️

_quinnhughes STOP STEALING MY HATS WTF

| samyhughes NO

lhughes_06 this post gets a rating of 2/10 because 1. there’s underage drinking and that’s a no no 2. his mouth is on your boob 3. i just don’t like this post

| samyhughes alright. 🫠

user6 mouth placement??????

user7 istg if that’s will smith i’m losing it

user8 her and will dating makes so much sense omg

graceccsmith so cute samy!!

| samyhughes thanks gracie!! i miss you

_willvote my man made the gram!

| samyhughes ok expose me

gabeperreault44 GET REKTTTTTTTT

| samyhughes gabe i swear 😭

_willsmith2 hi buddy i miss you

| samyhughes hi smitty i miss you too come visit me soon

user9 ^^^^ NAHH it’s so will smith

| user10 THEYRE SO ADORABLE AWWW

| user11 childhood best friends to lovers pipeline is so real

_willsmith2 looking good beantown

view all comments

gabeperreault44 good stuff good stuff

| _willsmith2 thanks gp

ryan.leno_4 everyone’s hard launching i see

| _willsmith2 oops

user1 THIS IS FOR SURE SAMY I KNOW IT

graceccsmith so cute will 🥰

| _willsmith2 thanks g😀

jacob_fowler24 damn it when is will gonna hard launch me???

| _willsmith2 next time i promise 😫

aram_minnetian ok we get it u have a gf

| _willsmith2 😀😀

user2 AHHHHHHHHHHH WILL AND SAMY CONFIRMED????

user3 them being best friends before this makes this so much better too

user4 someone get them on a podcast or some shit so we can get the backstory!!!

user5 they’re very golden retriever and golden retriever energy

_willvote i hope i’m invited to the wedding in like 10 years

| _willsmith2 ur 1 on the list

hannahduke WHEN HE POSTS HER >>>

| ryan.leno_4 she’s so lucky fr

| samyhughes 😙😙

edwards.73 invading the bf comments hi bf

| _willsmith2 hi ethan

| user6 THEY ALREADY KNOW HIM????? SHDJDJ

markestapa i was summoned and now i see why

| user7 LMAOOO i love mark and ethan

user8 mark and ethan are very big brother being protective core while samy’s at umich bc her actual brothers aren’t there

trevorzegras i am here too

| user9 LMAO TREVOR??!

lhughes_06 looking good so far smitty

| _willsmith2 thanks luke 🤝

jackhughes i’m still looking at u bc of that one pic on my sister’s post…suspicious…

| _willsmith2 pls forgive me jack it was an honest mistake

user10 THE BROTHERS ARE SO FUNNY LDJDJDKS

user11 i’m sure will’s scared of all these boys acting like samy’s big brother

elblue06 so cute will!

| _willsmith2 thanks mama hughes!

| user12 HE CALLS HER MOM ALREADY??!!!

| user13 well she is like his 2nd mom bc their families are so close. i think he calls her that regardless of him dating her daughter LMAO

dylanduke25 found out samy has a bf when i saw this post on my little sister’s feed :/

| samyhughes LMAO sorry dylan

_quinnhughes see you during the holidays!

| _willsmith2 can’t wait to come back to michigan!

rutgermcgroarty 😦😦😦 baby hughes has a bf??? and it’s the 4th overall pick from the nhl draft?

| user14 my exact reaction

samyhughes looks like i’ve taught u well🫡

| _willsmith2 i only learn from the best

this is so long my bad but i just love writing the comments for these LOL

[baelpenrose]

Alright, action plan for the Left

I keep telling anti-Voting advocates "okay so what's your plan" and they keep asking me, "okay but what's yours" Alright, bet. It exists in three parts.

Phase 1: Apotheosis Denied. Republicans have spent the last 40 years playing a very long game in order to weaken institutions in ways that only benefit them - jerrymandering, weakening institutions at state and local levels, and seizing supreme court, in order to make something like Project 2025 a reality, but it has also led to a critical fracturing of their party. At this point, they are making one desperate gambit to seize power, and if it fails, they will have a critical fracture in their party as the authoritarian wing, now a cult of personality around trump, attempts a second violent coup and is met with the violence of the state and is curbstomped into the dirt. The resulting republican realignment will be frantic, and leave them in a much weaker position - no less fascist, but weaker. Our first step, right now, because we are so far behind, has to be to deny them the apotheosis of their 40 year long game. Phase 2: Parallel Systems. There are multiple components to this one and this is where the government is going to get a little more concerned. This can start NOW, and should start NOW, but continue in tandem with phase 3. Phase 2.1: United Labor - Join the IWW. Join a union. Look into unionizing your workplace. Regardless of how small a difference you think it makes, increasing the power of labor decreases corporate power, full stop.

Phase 2.2: Mutual Aid: Set aside a certain percentage of your income each month - doesn’t have to be a lot, but just a certain amount, that you can budget for each month for helping your community. Make helping other people part of the budget. Creating this simple system, if enough people do it, will limit the reliance on corporate and state control. Do not exceed this - you will expend your resources and wind up needing to rely on others and then overdraw. Keep it to within what you can give.  Further, budget a certain amount of TIME each week to doing something that serves your community (see below as well) and getting to know them. 

Phase 2.3: Community Networking: Engage with your community in real life, outside. Set aside a certain amount of time each week to do this. If it’s working with underprivileged kids or providing childcare, taking care of the elderly, etc. You can go to a sewing circle and start talking to the people there and bring salvaged clothing that you repair and donate and talk them into doing something similar. Work your hobbies into it! Can you sew? Knit? Scarves and ponchos are never a bad thing, and you can show people how to do it - or swap labor for something you need.. Can you do carpentry? Repair furniture for people who need it, and odds are you can give lessons to people for free and put on a workshop - or swap labor for things you need. Start building these networks in your community. Also, anyone who has a yard? Start looking towards native food-bearing plants. If you’re rural, look into ethical hunting and community cookouts. Kill feral pigs, especially. There’s a shit ton of them, they’re invasive, and they’re tasty, and a cookout of them will bring people together. 

Phase 2.4: Community Accountability/Mentoring. Do you have problems in the community with crime? Kids being assholes? Have you considered, rather than calling the cops, giving the kids something to do so they aren’t shitheels? Hooking them up with mentors who can give them skills or help them explore their passions? Providing programs with volunteering? Get involved at your school as well, or form a parent group for it, this will help reduce how many of your kids wind up in the school to prison pipeline. 

Phase 2.5: Community Defense: Arm. Odds are you have at least a few disaffected veterans in the community who know the government screwed them and their families who are willing to train you to defend yourselves and who will be happy to be asked to do so - and easy enough to radicalize if they spend time with other people the state is fucking over. It doesn’t have to be everyone in the community, but realistically, you should have at least a few able-bodied people with guns from every community who are practicing with firearms and tactics to protect their community from the fascists as things escalate. This will allow considerably better protection in the event of a shooting or similar.  Phase 2.6: Community Assets: Every community should develop a battery of people who can provide at least some degree of help in a variety of situations. Become trained in first aid, CPR, etc. You won't be as good as a doctor, but you can still help. Have a community garden or three. Develop a neighborhood mechanic. Develop a neighborhood seamstress or carpenter if you know one. Trade services. Watch each other's kids.

Phase 3: Electoral Counterstroke This phase exists in two parts: Phase 3.1: Divide and Conquer: Further hasten the crumbling of the republican party. While it realigns, it will do so into a number of factions, the one most likely to win is the authoritarian, christian, culture war, racist wing. You have the ability, if you approach gun nuts and "small government" conservatives (which still exist in many areas of the country) to discuss with them their options. They will NEVER vote democrat or green or left - and they will never be leftists. BUT. They will be easy to convince to splinter from fascism and join a right-wing Libertarian party. They won't be on our side, but their defection from the fascists serves us still in that it splits a right wing further and makes a divided left much less of a gamble.

Phase 3.2: Left Surge Okay, so flat out? This year, Jasmine Sherman is not a viable candidate. They should be, by all rights, but they are not. This is partially due to ballot access tampering, but also partially because far-left candidates have a bad habit of starting their homework five minutes before class starts and then wondering why they don't get a good grade. We have four years to figure out how to get them ballot access in all 50 states, and we need to accomplish that goal, and ensure that they actually are on the ballot in all 50 states in 2028. A vote for them in 2024 is wasted, a vote for them in 2028 should not be unless we've all fucked up to a ridiculous degree. (Yes, I know they have it in 48 states. One of the two where they DON'T because both the democrats and the green party bent over backwards to stop them is CALIFORNIA. You know, the state that no left-wing candidate can win without because of our whopping 55 electoral votes. I mean it when I say they need it in all 50. We can get them there by 2028 if we aren't stupid.)

Further, your local elections should be contested. That public defender who tries to keep juvenile offenders out of jail? Push him to run as a judge and rally as much support as possible. Push left wing retired teachers to run for school board and help them run their campaigns. Push librarians who have lost their libraries to right wing culture war nonsense to run for school board. Politics is local and controlling local power controls most of the governing.

In the senate races, the party machines in almost every state have a lock, so what you're going to do is vote the farthest left democrat you can, consistently, and force the dems to move towards us. This will damage the republican obstruction capacity and begin hijacking the democratic party and make us a block the dems MUST appease.

In the House, you vote radicals, and try to encourage other radicals to run. Where possible, vote green or left-wing third party, where not, repeat the strategy in the Senate.

For state legislature, there's more play for independents - check your state races, these vary a lot more, and to be honest I am much, much more aware of my own state's political machinery than I am aware of anyone else's to the point that any advice I gave on this point would really only be relevant to CA.

There you go, actionable, intelligent planning for the next decade of how the left can effectively sieze power and specific things YOU can do to make the situation better.

[nowimjustastranger]

I have been binge-reading your tumblr all day, and AHHHH, dude I love the StCMO AU so much holy shit. I cannot get enough of it. I actually read a Rick and Morty fic somewhat similar to this? It only focuses on one perspective, though. High key recommend:

https://archiveofourown.org/works/22024960

Also love love loveee your fics! I actually first subscribed to your AO3 back when you were first writing Supernatural fanfiction, and then I found you again when I got into Gravity Falls ❤️. The Supernatural to Gravity Falls pipeline is SO REAL and there are so many similarities between Dean vs Stan and Sam vs Ford that it haunts me. I have so many fic ideas just based on episodes of Supernatural 😂. HIWTHI is actually lightly inspired by s2e20.

Sorry, I'm ranting. I had a few questions related to StCMO:

1. What would StCMO!Ford do about a Stan and Ford stuck in a death time loop together? Somewhat similarly to Deja Vu by interlude (though it doesn't have to be), but if it wasn't resolved? I gotta know how he feels about the crossbow death 😭

2. WWS!FD if Bill is constantly going after Stan through Rico and the cartel and whoever else because Ford wanted to make amends with his brother before the portal was finished? Bill doesn't want the distraction, and all of Stan's enemies are easily manipulated into deals to kill Stan off? (an AU of mine i've been toying with)

3. Does he ever feel a little bit detached after going through so many dimensions of Stans and Fords? I feel like it would be easy to become desensitized to it and forget the original perspective he started with.

Holy shit hi! Lovely to see you in the bottomless hole that is the GF fandom with me lmao. And yeah, lots of parallels with respective sets of brothers! I will absolutely read your fic rec! It looks delicious.

Death Loop

Admittedly, Ford 419"3 would have some trouble getting into the time loop, but he'd find a way if it meant safely breaking it. The hardest part for Ford 419"3 would be seeing Stan die and having to wait for the loop to reset. Lots of bad memories being dredged up. Because not only is he traumatized by his time in Bill's clutches, but the missions that go wrong had also left lingering mental wounds. Ford would have to figure out how to keep Stan and his brother alive long enough for Ford to actually break the time loop, so he'd have his hands full to say the least.

Bill is a Bitch

Ford would be having none of that shit. He'd probably enlist Lee to act as a bodyguard and have Lee deliver Stan to his brother safely while Ford handled the threats at the source (ie: wiping out all the gangs that have a vendetta against Stan). After he finished his task or removing the vast majority of threats against Stan to make it harder for Bill to find a puppet, Ford 419"3 would meet Lee and Stan at his counterpart's shack, showing his counterpart the evidence that he and Lee had collected to prove that Bill was behind the attempts on Stan's life.

Same Shit, Different Day

Ford doesn't become desensitized, per say, but seeing so much bad shit does leave it's mark on him. Instead of becoming numb to it, he had become obsessed with the safety of his loved ones. He's mentally unwell in the sense that he's constantly on alert, no longer able to truly let his guard down. Even with Lee and the niblings, unfortunately. He's more like a feral animal than a man, viciously protecting those that he considers his until death. He has insomnia due to his anxiety and paranoia, only sleeping when his body literally shuts down on him. Lee and Fiddleford are working on coaxing him to sleep a little here and there before that happens, but it's slow-going.

[ninadove]

As a (very niche portion of the) fandom, our collective attention has been captured by how much Felix adores Kagami — which is true and good and beautiful and pure. But we’ve been sleeping on how much she loves him, and today, I want to shine a spotlight on her side of the most beautiful love story ever written.

Before we begin, let me get the obvious out of the way: yes, she did try to crush his skull with a chair in Pretension, and she was iconic for that.

HOWEVER.

This is only how their relationship started. What truly matters is how the story unfolds from then on.

And boy does it unfold fast. By the end of the episode, Felix has shaken Kagami’s worldview so much that she:

Stands up to her own friends and fellow heroes in an effort to not only protect him, but also ensure that he can keep the Peacock Miraculous;

Actively challenges her mother’s teaching that emotions (in this context, romantic love) are a weakness that should be eradicated from the face of the Earth;

Is planning secret dates with Felix, even though as far as she knows Tomoe has her amok (because you can’t tell me this little genius didn’t figure out the entire Sentilore in the sewers);

Trusts Felix with said amok despite his extensive criminal record, as illustrated by how quickly and firmly she takes his hand — with a little sigh if happiness, might I add. This is especially significant compared to previous instances of hand holding between the two, when he had to make all the effort while she remained completely limp.

And then Representation rolls around. And oh, boy.

Kagami instantly calms down from her TV-induced rage upon seeing her boyfriend on her balcony — a major improvement when you consider how big of a role anger and frustration play in her akumatisations.

Tangent 1:

Something similar happened in Ikari Gozen, when Mari protected Kagami from her mother, causing her to narrowly escape Hawkmoth’s influence. More on the Marigami-to-Feligami pipeline in another post, coming to your dash someday in the not-so-distant future.

Not only does Kagami instantly relax in Felix’s presence, but she laughs — something that previously only happened in the context of Adrigaminette, and we all know how that ended. Felix is the one to mend her heart and make her laugh again, for the second time since the dance.

Our two lovebirds proceed to straight up RUN AWAY INTO THE SUNSET. Kagami presumably spent the following 350 km (300 miles) cuddled up in Argos’ arms, admiring how handsome he looks in his glittery cosmic suit which we don’t get to see because budget.

Later on, they casually discuss Ladybug’s identity, while fireworks go off in the background. Let me rephrase this: Kagami trusted the person who stole the Miraculous with her best friend’s most burning secret, not because she wants to defeat Hawkmoth per say, but because Gabriel has been getting in the way of their make out sessions and she can’t have that.

Tangent 2:

Also coming to your dash in the not-so-distant future: an analysis of Kagami’s relationship to the concepts of truth and lies, and how dependent it is on what serves her and her loved ones in the moment.

Then, of course, the core of the episode: Kagami actively participates in the play, helping Felix tell his story in a way he feels comfortable with.

Tangent 3 (lots of ‘em today):

This part is extremely important to me, because I’ve seen So. Many. People. complain that the play could have been boiled down to two lines of conversation.

And like.

No???

Firstly, this is a show, not real life: we as an audience needed the confirmation to be as climactic as possible. If it hadn’t been, I can guarantee the exact same salters would be crying about the story’s “WaStEd PoTeNtIaL”.

But let’s delve into the real life implications of the Sentiplot for a second.

Abuse survivors do not owe you a brief, comfortable explanation of what they went through, neatly wrapped up with a pretty little bow.

The play is a beautiful illustration of how art can be cathartic and therapeutic, and I need you guys to understand that this sequence means something to many, many viewers — most of them children in similarly terrible situations. If I were to bet, I would say it very likely speaks to one or more members of the writing team on a personal level as well.

So you can pry these scenes from my cold, dead hands.

The kisses… All of them… During the firework show. As the sun rises to signify a new beginning. Disguised as Adrien’s parents. For context, this is the same girl who previously found a hand kiss to be too much for her broken heart to bear.

And of course, there’s the way she looks at him like he is her entire world, like she cannot understand how anyone could ever call him monstruous. Because Felix doesn’t get the monopoly of heart eyes.

Finally, in Recreation:

THE LIES CALLBACK. THE MIRACULOUS TEAM TOOK THE TIME AND MADE THE EFFORT TO PUT A LIES CALLBACK IN THE FREAKING FINALE. You guys know I’m insane about this scene already.

So what’s my point.

Because yes, I do have a point, apart from “KSSGDJDKSS Feligami SGDHDKLS 🥰🥰🥰🥰” (which, by the way, is a completely valid meta post in itself).

While we joke that Kagami is so far out of Felix’s league in every aspect — she doesn’t perceive him that way in the slightest. As far as she’s concerned, she has achieved every fourteen year old’s dream: dating the perfect cursed prince, tortured artist, evil-genius-on-a-redemption-arc combo.

She is just as enamoured with him as he is with her, and I think it’s beautiful. 🦚🐉

[cabeswaterdrowned]

it is sooo hard to be a girl who wants to read fan fiction about straight couples from urban fantasy paranormal romance that are gay.

the fact that there’s more Jace/Alec fan fiction on ao3 than Emma/Julian fan fiction :/// why does the tsc fandom literally hate lesbians

[couldtransitionsaveher]

THE RIDDLER from THE RIDDLER: YEAR ONE

JUSTIFICATION:

"The Riddler (i'm not the og riddler anon but im insane about this version of the riddler and i don't think this one was submitted. a transfem reading of this comic really works. she's unhappy with her life, feeling inadequate about a lot of things. she also views women differently from men, but not in an incel way, if that makes sense (but also the incel to transfem pipeline is real so that's just another point for her)? in chapter 1, theres a man and a woman in front of a renewal poster, and only the man becomes a warped monster. she also values anonymity and a disconnection from her real-life self online. she constantly talks about being different and no understanding how other people can be happy (very autism very transgender). she also HATES being called a boy or man. she literally says she's not a boy in chapter 2. and her obsession with batman can be read in so many ways- as a crush, as a desire for autonomy in a monotonous capitalist society- but also as the trans "i want to be someone else", yknow? also in chapter 3 you have the line "why was i born into this body" which is very trans coded. anyways i think if she went on e and got a better haircut she'd maybe stop trying to commit domestic terrorism. or at least she'd slay while doing it.)" - Anonymous

Reminder: Submissions are always open! Submit here!

Did you make your daily click today?

[compacflt]

If you want, and only if you want to, could you explain about making Logistics a big part of Ice's career path? Not only did fit so well with your Ice's characterization, it was just so neat I've made it my HC for Ice's career path.

yes!

I got REALLy deep into the defense policy weeds in this post so I’m putting a cut to save people’s dashboards

1. when i was rewriting chapters 8 &9 last winter i did literally the bare minimum of research about the current set of high-level officers. the commander of the pacific fleet at the time had previously been the director of pacific fleet logistics ordnance & supply. So that was easy to yoink. a proven chain of succession.

2. but also: it fit ice’s (or his alter ego admiral Kazansky’s) neat, orderly, effective, collected, strategic characterization. And as professional tactics go, there would be no better promotion for a high-level officer looking to take over the fleet than DFLOS. understand the fleet by the numbers, you comprehensively understand the fleet.

3. In terms of secret-keeping logistics, ice is supposed to be kind of the best. like, because of his logistical thinking, he & maverick get away with it. Or that’s how I would’ve written it if I were a little smarter. Obviously in practice a bunch of people find out so it’s not great. but the navy AS A WHOLE doesn’t find out.

4. The field of military logistics is rigorously bureaucratic, boring, soulsucking, selfdefeating, notoriously corrupt, and yet entirely necessary for the military to succeed at any level (in the very first draft of WWGATTAI i included a famous US marine corps maxim that most people have heard at some point: “amateurs talk tactics. professionals talk logistics.” but that was literally the only good thing about the original chapter 6 which got entirely rewritten a month after i published it). So logistics as a field of specialization fit in perfectly with my secondary character thesis that rising through the boring bureaucratic ranks of the Navy sucked all the humanity & will to live out of ice one day at a time.

a couple related interesting things that I’ve never talked about on this blog & might never get the chance to again:

a) ice canonically joins the navy as a fighter pilot & ends his career as a glorified bureaucrat. that sucks. obviously the struggle to rise in the ranks is a notoriously cutthroat, political, sleazy business (you do not get to the top of the United States Navy by being nice to people), but i would also not be the first person to say that—for exemplary officers—leadership is an EXPECTATION that can counterbalance someone’s natural drive to excel, if that makes sense. You get promoted because you’re good at something (flying), but you get promoted away from the thing you were good at. There is an extent to which you have to fight for a promotion—but there is also an extent to which commanders above you pick you for the job, suck you up along the pipeline. Loss of agency—a major major component of joining the military—does still apply to upper-level officers.

B) to that end, i am reminded of one quote from Todd Schmidt’s 2023 book “Silent Coup of the Guardians: US Military Elite Influence on National Security.” This is an Army training & doctrine commander speaking: “the military has a lot of two- and three-star senior leaders that were confident, charismatic commanders at the O-6 level. But that’s the end of the story. One in fifty, maybe one in a hundred, truly have what it takes to operate successfully at the strategic level and make a real difference for their service. The problem is that they all tend to think that, since they have stars on their shoulders, they’re the one.” —I’ve been writing ice as “The Chosen One,” the officer unicorn, for two reasons: one, it provides him cover for his illegal relationship (and also asks an interesting chicken-egg question: does he get away with his rlnship because he’s so good, or is he so good JUST to get away with his relationship?); and two, he’s “the chosen one” in canon, i.e. he already has four stars in canon: canonically he is not a mediocre officer. But most officers (cough cough maverick) are not cut out for high-level leadership.

C.) in Thomas E. Ricks’ book “The Generals,” Ricks argues that (at least in the Army) mediocrity in the general/flag officer ranks is unfortunately by design. In WWII, if you were a mediocre officer, you got relieved! You got fired! It’s part of why we won: merciless culling of the general officer ranks! But between WWII and Korea, officer relief began to be associated with shame & wasted resources. Mediocre officers got promoted anyways. The military elite pipeline sucks mediocrity up the chain of command. Ricks blames this issue for (at least the Army’s) shit leadership in every post-WWII war, including but most especially Iraq and Afghanistan. There’s no penalty for mediocrity. That in turn reflects on military strategy (mediocre strategists at the helm) & the outcome of every military foray (mediocre outcomes).

D) additionally. There’s a whole neverending debate in the field of civil-military relations (an extremely interesting field of study btw) about the corporatization of the military—lots of high-level talk over the years of “running the military like a business.” If you get kinda into defense policy like me (am i still antimilitary? Idk! but i CAN easily tell you i am against the navy’s littoral combat ship program! It sucks!) then you will know that the navy is struggling right now on a lot of different fronts (procurement [shipbuilding esp. is a disaster—ford-class carriers are under budget though 👍🏽], recruitment, theatre prioritization, general preparedness, readiness against major adversaries [China in particular]). Simply, the navy is pretty mediocre at the minute. I talk a big game about ice being COMPACFLT & SECNAV, but if those are true, & if he “exists” in our current timeline, or even canon timeline (COMPACFLT in 2020), then he’s complicit in a lot of why the navy is sucking ass right now. He didn’t do his job very well. LOL. So, because I love (especially my version of) ice too much to see his legacy suffer, I am stating for the record that my timeline is a different timeline where ice saves the navy from itself and fixes all its issues & solves all its problems & makes it the pride of the armed forces & the tip of the spear of American defense :) because I said so

E.) unrelated but important. It sounds obvious but it must be said. Ice dies on the job in TGM canon. To the extent that in earlier drafts of the script, not-his-sister-Sarah even points out to maverick that ice is still active duty, in the same breath as she tells him ice is sick again. (A wise move to remove that line.) ice does not resign his commission. Ice does not retire to spend time with his family at the end of his life. Ice dies as commander of the pacific fleet. He dies on the job; he dies FOR the job, bureaucratic as it is. If you were wondering why I wrote ice so dormantly suicidal, it’s because canon (i argue) has made it clear that—since the second ice signed up to be a fighter pilot during the Cold War to the second he died active duty—ice has ALWAYS been ready and willing to die for his honorable Navy career.

[venvellan]

There ARE valid arguments to be made about "playersexuality," especially if a character is written/heavily implied to be gay/lesbian but given a straight romance. That specfic scenario isn't something I'll get into in depth right now to make this as brief as possible, but "it's ridiculous that every character is bisexual" is NOT one of those arguments. I saw it for Dragon Age 2, and I am annoyed but not surprised to see it for Baldur's Gate 3.

This will feature reclaimed use of the word queer. Tagged below, but thought it might be good to mention.

Dragon Age as a franchise is significantly less committed to queerness than BG3. Thedas was built, intentionally or otherwise, to be heteronormative and gender conforming. To a lesser extent than real life, in that same-sex attraction in Thedas is generally considered unremarkable, but oppression and othering of queer people in-universe DOES exist and it isn't hard to find. (The biggest examples: Dorian's experiences in the upper-class Imperium, the framing of Krem's trans-ness as uncommon or atypical). And DESPITE that, the bisexuality of DA2's main cast does not feel forced or ingenuine to me. The party doesn't remark on or make political statements about each other's sexuality. Sexuality is, at least to this group of people, entirely apolitical, and they all just happen to be a similar sort of queer.

PLEASE consider, then, a world built entirely void of the widespread social culture surrounding sexuality, as Baldur's Gate 3 has tried to create. Where bi or pansexuality is the "common" or "expected" orientation, or more appropriately, where the concept of orientation is absent entirely. This person just cares about personality in who they date, this one doesn't really want to date anybody, this one wants to be in a polycule, and those are all completely neutral positions to hold and inconsequential to their greater character as an individual.

In this world you could easily pluck a half dozen or so random people out from the millions and find that they all desire sex and/or intimacy with any gender equally. If there's no erasure of queerness, it follows that open queerness is more abundant. Sexuality is fluid and various as gender is fluid and various and neither are reflections of someone's personality or morals. Being gay doesn't make you effeminate because there's no preconceived notion that straightness is manly, etc etc.

That's all true in the real world of course, but the difference is that it feels like Larian has tried to craft their narrative around it being the cultural norm. YOU might think it'd be ridiculous for a half dozen random people to be bisexual, if you haven't spent the time in queer spaces to learn that there are gay people everywhere. Even if you have, and there are more queer people in your life than straight ones, you might think it'd be unlikely to pick 6-8ish random people on Earth and find that they're all specifically bi or pansexual. You may even be right, because all over the world there are restrictive dominating cultural narratives that alienate, suppress, and persecute queerness. BG3 doesn't take place on Earth, though, does it? So sit down and think about it for a minute, please.

Of course there'd still be variation. You'd find people that fit the definition of straight or gay or asexual, but there's no expectation of straightness. Sexuality simply is. If you're interested in somebody, either they're interested back or they're not. You find out, you move on. Githyanki even reproduce asexually, so they don't have any flimsy biological reason for straightness, though if you're resorting to "biology" to debate sexuality, you're too far down the pipeline to have read this far anyway. Lae'zel wants a warrior, not a man. You might happen to be both, but it's not your gender she's lusting over.

Also, bisexual men deserve to exist freely without you policing exactly how gay or straight they get to "act." And you aren't somehow less biphobic for invalidating them just because you yourself are gay, so don't think that absolves you. Yes this is about Astarion. He's a bit more overtly queer-coded than Gale or Wyll. He's not gay. Bisexual men are evidently only valid to you if they "act straight." Fuck off.

Gay people exist! Let's put that lukewarm take to rest now, please. If gay people live in a culture that allows them to exist, they exist in much greater abundance. Who would've thought? Left-handedness over time graph my love. The single greatest refutation to Straight People Whining.

Look, you can just say that you're jealous you aren't in an all-bisexual friend group. It's okay. All-bisexual friend groups are awesome.

[friends-to-lovers-tournament]

♡ FRIENDS TO LOVERS TOURNAMENT ♡

Are you a fan of the classic friends-to-lovers trope? Do you live for the moment of “Oh. Oh.” in fics? Do you scream at every instance of pining? If so, then this is the tournament for you! This tournament is brought to you by two mods, Mod Deli (she/her; 18+) and Mod Soba (she/they; 18+) , and we hope you enjoy your time here! ♡

Rules & Guidelines:

As the name implies, they have to be FRIENDS to lovers. The ship does NOT have to be canon; headcanons are perfectly fine. Edit: You can submit OCs, but there's no guarantee they will be shortlisted. It will be tough competing with canon characters so you'll want to make your propaganda super convincing to increase their chances of being shortlisted

“How about enemies to friends to lovers?” That’s a fantastic trope which deserves a tournament of its own. As such, we won’t be allowing any enemies to friends to lovers ships (same with rivals to friends to lovers). However, strangers to friends to lovers are acceptable. If your ship has any unique variations of this ‘friends to lovers’ pipeline, please send an ask and we’ll use our best discretion to determine if your ship meets the criteria

Polycules are welcome!

Be respectful at ALL times, to us and to others. If we see any hate or ship bashing, we’ll block you on sight, no questions asked. TERFs, racists, sexists, ableists, and other breeds of bigots stay the fuck away. Our tournament, our rules.

No Harry Potter or Youtubers/Vtubers/other real-life public figures who are still alive. We’ll only consider real-life sources if they are funny enough

Please keep to an appropriate age difference between your blorbos. As a rule of thumb, no one under 18 with anyone over 18 (though if your blorbos are very close to 18 by +/- 1–2 years we would consider them)

You’re allowed to submit multiple ships from the same fandom; just start a new form if you want to submit a different ship. However, please only submit ONE ship each time

Propaganda and info-dumping is welcome and encouraged!

Shortlisting criteria: We’re looking for at least 3 submissions for a ship and/or very convincing propaganda, so show your passion for your lovebirds! That said, we’re also humans with our own blorbos so we may give ships from fandoms we’re in favourable consideration, but we’ll also try to be as fair as possible to everyone

Between the two of us we know a fair number of fandoms but we don’t know EVERY piece of media out there. We’ll do our best to do background checks, but things might still slip by us. As such, if you see any ship you think is problematic, please politely let us know and explain your reasoning in an ask (no DMs because this is a shared sideblog, but you can request for us to answer your ask privately as long as you turn off anon)

Submissions ARE CLOSED NOW will be closed on 30 June 2023, 6am PST or when we have enough submissions (we're looking at maybe 64 right now but that's subject to change)

Tagging other tournament blogs that inspired this one @obscuremilfoff @greenhairandpronouns-tournament @weirdass-shiptournament @a3playshipbattleroyale @pinkhairswagtourney @retirement-home-rumble

Reblogs are appreciated! ♡

[nieded]

Hi! Not an ask, more like a confession. I just really felt compelled to tell you that #RainbowRoad is the absolute best fan-created work i’ve ever engaged with, and i’ve been a fan of many things! You are an amazing storyteller.

I also felt compelled to reach out because my friends & family are perplexed. I am perplexed. Primarily because:

1. I started watching DTS. Excellent. Normal for me to try on a new Netflix show….mostly. But is it really? Sports? Me?

2. I casually check out streaming options for the real deal, because you know, i’m curious, and oh! Would you look at that…it’s almost the end of fall break….

3. I subscribe and what’s this….I am absorbing F1. Like i’ve been starved for a sport to enjoy my whole life. Replays. Free practice. Fuckin Tech Talk.

4. Suddenly, I’ve watched 3 seasons of DTS and a disturbing amount of F1 content and it’s COTA Sunday and i’m on the couch, surrounded by snacks, insisting that we have to watch the WHOLE qualifying session not just the highlights because we need to get a feel for everyone’s headspace going into the race.

5. Post-COTA; We have decided Sainz is our driver to watch. I’m also really intrigued by McLaren rn someone pls help. We’re shouting as we watch live as Ferrari pulls a 1-2 and wow. When’s the next race?

6. Mexico City. MEXICO CITY. Sainz has been our man now for 10 days and forever. I suppose i’ll have to dedicate myself to Williams next season but I feel conflicted about that and WHY do I have an OPINION on that already. Who am I? Also can I watch the whole race again just tuned into Russel’s radio? Did he really ask mid-race for tea on Verstappen’s timeout? You don’t have to answer either of those questions i’m probably going look that up as soon as I finish writing you this manic soliloquy.

I’m not saying that you’re to blame for this complex crisis of identity happening over here, i’m really not. I just….I know the difference by now when i’m transfixed by something that’ll surely pass and…well…when I find something that compels me to sit tight & take hold.

On second thought, yeah. From one internet stranger to another, this is your fault.

And i’m enjoying every second of it. ♥️🏎️♥️

P.S. If there is going to be another #rainbowroad story I will be more excited about that than I am about GO3. This summer has been hard and engaging with your work has made it so much less so. Thank you ♥️🏎️♥️

hello! thank you sooooo much. i'm excited that you've gotten so into f1.

couple of things:

1 - i love carlos. he is my favorite himbo. he is so dumb sometimes. all that boy knows how to do is drive but damn does he drive well! i have felt for a long time that he's a sleeper agent. he just goes under the radar. you should look up the circumstances of his first few podiums. some of his biggest achievements have been afterthoughts, sidelined by other drama in f1. for example, when he did all those crazy overtakes during the sprint race and ended up in p2, nobody was talking about it at all! drove me nuts. it is such a sainz thing to be winning races and still losing his seat at ferrari.

2 - williams is worth being a fan of. they are one of the most historic teams and are wccs! i know that's strange to think if you're coming into the sport now, but there are many, many reasons to love williams. the other cool thing about the team is their principal, james vowles, was part of brawn gp. since you're diving into dts, i highly recommend watching brawn gp on amazon prime. you will also develop a love for jensen button.

also, i'm sorry your summer has been hard, and i am glad i could shine some light for you. my summer also was rough, and i still feel like i am recovering. i do have a story in the pipeline. it's still very much in its early development so i don't know if i will write it, but it does exist in my head!