#also sorry its late
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cozylittleartblog · 7 months ago
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Columbo and the Knight (1984)
put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
Autism W!
#columbo#knight rider#art#michael knight#kitt#comic#highlight reel#crossover#telebeast#there are two small easter eggs here. can you find them. they were somehow not Entirely lost when i resized these for the public#this is what i mean when i say I Draw And It's Everyone Else's Problem. look at my INCREDIBLY niche crossover comic boy#if the knight rider fandom has like 12 people in it. how many of y'all have seen columbo#this comic is for like 4 people and me and phoenix are already two of them#niche is my specialty lets be real. weird niche obscure shit and ships nobody's paid attention to yet#not to suggest this is ship art. columbo has his wife and michael has his car lmfao#stylizing real people is EXTREMELY hard btw sorry for when they get off model. its partly a 'better imperfect than never finished' situatio#cant tell you how much i redrew some of these panels. weeps#this took me 2 weeks but i think i thumbnailed it all in may and the ideas been rollin around in my head since march#is anybody good at editing. please edit michael and columbo into an image together like its a screenshot. NOT generated. edited.#it would be so cool#ive drawn columbo a lot but i haven't drawn a lot of michaels. i was learning things about his outfit AS I WAS DOING THE DAMN#COLORS ON THIS. all the lines done. it was too late to change anything. i did all the lines and colored page by page#i realized my mistakes on like page 3. 1 and 2 were already done. it was Too Late.#imagine it though. them working a case together. switching between the more serious tone of columbo vs the goofier#action antics of michael and kitt. columbo being so impressed by Modern Technology. there's more i could say but phoenix may write#more of this crossover and i don't want to spoil it :'3#there's opportunity here though i swear. there's gold to be dug.#i like how kitt gets shading but columbo's junker peugeot doesn't. kitt looked wrong without any. columbo's car is matte and dirty#i also applied effects to this to make it look a little film-grainy and VHS like. some CRT TV vibes#the only question left is. did they put knight rider into columbo; or columbo into knight rider 🤔
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anbaisai · 5 months ago
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It's not even actually their birthday
(Based on a conversation I had with a friend + Jamil's 2024 birthday present to the player)
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mothwingwritings · 5 months ago
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Zayne goes back to work the day after his birthday and everyone takes note of the pep he has in his step. The usually stern, down-to-business doctor has been grinning ear to ear since he stepped through the door, and all the patients, doctors, and nurses can't help but notice how vibrant he is. Zayne is positively beaming- his grim aura nonexistent through the brilliance he is currently exhibiting
Most people are confused by this sudden and aggressive shift in his demeanor, but chock it up to Zayne just being in a particularly nice mood after his trip. Whatever happened on his leave must have been truly wonderful for the doctor, and that happiness was contagious. The residents of the hospital can't help but be pleased that Asko's pride and joy finally seemed to get a moment of blissful respite.
Only Greyson and Yvonne exchange knowing looks, understanding the truth of the situation immediately. Hit with the realization of just how good his mini-vacation was (and how most of that was thanks to you), they can't help but tease their friend a bit, taking turns asking prodding questions, snickering when the only response he provides is clearing his throat and demanding they get back to work.
However it's up to Yvonne to break the news to Zayne, as it became apparent that while Greyson noticed it as well, he was too flustered by seeing it to say anything. Zayne probably thought he was being safe wearing that turtleneck under his lab coat, despite the fact that it was still far too hot aside for such attire. Unluckily for him the signs of your affection would not be so easily contained, and the large red and purple splotch the crept past the hem of his collar was not something that could be played off as a simple wound-the teeth marks made sure of that.
She had never seen Zayne turn quite so red as the moment she pulled him aside and told him, and for a moment she felt almost bad for telling him, wondering if maybe she should have let him figure it out on his own to save him from the awkwardness. However when she looked back on the man as she was departing, watching as he gingerly touched your mark, a roguish smile dancing on his lips as it no doubt made him reminisce about the moment he received it from you, that she realized his blush was not from embarrassment alone.
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moonsun2010 · 3 months ago
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If there's one thing I've seen over and over again in the Dracula Daily + Re: Dracula fandom, it's the desire for an animated adaptation. Not of media-inspired-by, but of Dracula itself. And so, I've made:
youtube
...something that is decidedly not animated.
Yet.
I'm hoping to get Dracula Reanimated (tentative name) in exactly 1 year from now, by the end of DracDaily's 2025 run, perhaps even the beginning of it if I'm really good. But in all honesty, it could take till 2026 given the teeny complication that 1) I've no animation skills whatsoever 2) fulltime job.
So, I hope you'll stay around for the next 2 years at least to see this completed.
In the meanwhile, if you'd like to support a project by actual professionals, try @theholmwoodfoundation . It's a found footage horror fiction podcast by @georgiacooked and @fiotrethewey set in a time long after the events of Dracula, and yet the characters find themselves haunted (literally) by vestiges of the past.
Goodnight, stay safe, and rest well.
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lotus-pear · 10 months ago
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have you ever done . . . . genderbend dazai . . . . . . ebef ore .e.e. ... . .
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when i tell you i speedran coloring this,,,,,,I LOVE WOMEN SO FUCKING MUCH
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traitor-boyfriend · 2 months ago
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the combined marsh-broflovski thanksgiving is always a super loving and chill holiday and stan and kyle definitely don't slip away unnoticed to get high in the upstairs bathroom
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suburbanbonfire · 2 months ago
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swimming upstream v2
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foolsocracy · 5 months ago
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u should draw garth and jason interacting. btw. pretty please.
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shout out to when they were on a team together for about 2 issues
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yumedoca · 6 months ago
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So yeah, 'Ranma 0.5' or something like that..
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monochrome-stars · 8 months ago
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a gift for @eggr0ast !!!
this was meant to be a birthday gift but unfortunately im a bit late :-[ apologiess
but its finished now, and i present to you: The Bouny Comic
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based off this textpost of mine:
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beatlesmenrock · 7 months ago
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That’s Not Paul…
a ‘Paul is Dead’ short comic by meee
some notes under the cut
i wanna preface by saying i don’t believe in the whole theory… i just like to indulge in it in an alternate universe sort of way ( not taking it seriously lol )
i realized drawing halfway in that i drew them in the sgt. pepper’s release day outfits ( which you can see here ) so it might not be accurate in terms of ‘replacing’ Paul ☠️
the boys’ speech bubbles are the color of their sgt. pepper’s uniforms ( hopefully it’s easy to read ! )
as for how i see the whole theory: i think george is suspicious of ‘Paul’ ( Billy ) and obvious doesn’t want to call him that or accept him. John’s just happy he has ‘Paul’ back with him but does have his moments where he gets paranoid about the situation. And Ringo’s just happy to be there HELP
i might make more stuff regarding the theory in the future just cause it’s fun but we’ll seeee thank you for listening
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m4g0hun · 2 months ago
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happy 1 year and 3 weeks anniversary isat!!! love these guys!!!! yippe!!!!!!!
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drgnflyteabox · 10 days ago
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red ochre [5]
series masterlist previous || part five -> kermes || part six -> madder
pairing: viking goap x fem! nun reader summary: big nun, little nun w.c: 3.5k tags/warnings: guilt, religious / moral turmoil, stockholm syndrome, child abuse (past), scars, simon returns, corruption (past), misogyny (past), whipping (past), blood, suffering (past mostly), power imbalance, freeze response (past), guilt, dissociation, dom/sub dynamics, we're learning consent (kinda? eeh), violent imagery, dubcon/noncon, vaginal fingering, choking, throat grab
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When Johnny asks how it felt to go from there – the convent, you think he means – to here, you can only describe it as dunking your hands into ice water. 
Shocking, painful, and prickling all over.
He only says hm, and moves on. His face is pensive. You don’t tell him that sometimes, you wake up and aren’t in the water anymore.
Even in prayer, you hadn’t thought as much as you had since you’d been taken. Hadn’t worried as much. Teachings from adults since youth had told you that everybody was inherently sinful, even children.
So why is the community around you so happy without God? They have their own, you know this, but the multitude of them and their roles in divine hierarchy aren’t necessarily about absolute power.
There are woman-Gods, Gods without designations, Gods for the earth and the children and unions between people. You find it hard to continue calling them heretics, devils, when they’re really just people. Different, yes, strange and incomprehensible, but people nonetheless.
Heathens, you try to think. Heathens, devils. They took you
You wonder when the last time you thought of yourself as just a person was, when you weren’t a thing set within a rigid mold, beaten down in more ways than one.
On the eve of Simon's return you catch Johnny doing something secretive. He's hunched over the table, the tip of his tongue stuck out of his mouth in concentration. The soft sound of scraping, of wood gently knocking is all you can hear over the fire.
“What's that?” you ask, when your curiosity gets the best of you.
Johnny turns, one eye squinted, the every picture of concentration. He holds up a carved figure – a woman, it looks like. Ah, it’s you. Though hard to tell, the woman wears a veil and sits on a chair, hunched.
Your veil. You’d nearly forgotten what it felt like. It used to be a weight, heavy and pressing, a shackle. Now you miss the safety of not feeling so exposed all the time.
Somewhere in the journey here it had been lost, or maybe thrown overboard. Your habit, too, replaced for the woolen Viking-style dresses bought and bartered for by Simon and Johnny. Even you have to admit you enjoy the colours more, even if the conformity of the convent felt safe.
“How long were you watching me?” you breathe, eyes wide and still staring.
“Not long, lamb,” he smiles disarmingly. “Ah just remember ye, sittin’ pretty.”
“Working on the tapestry,” you correct him, though it doesn’t really matter.
He looks back down to his little figure, pensive.
“Ah guess so,” he says jovially.
“It was my punishment,” you add. This probably matters even less, but the clash of worlds has thrown you off balance. You feel unbearably present, unbearably lucid.
I was a nun, you think. Am I still a nun?
“Punishment?” he frowns. “Ah thought they struck ye?”
“Sometimes. But sometimes I had to work extra hard.”
“Like a bairn?”
“A what?”
“A child, lamb,” he smiles again.
You look into the fire, thinking. Punishment applied to everyone, not just children, no? Even Simon and Johnny had punished you. But who had given them the right? Had you, with your secret want? Your secret lustful sin?
“You punished me,” you settle on.
“Aye, we did,” he nods. “Ye needed it.”
“Then why do you… ah, disparage the church for doing the same?”
He turns to you.
“Ah think ye got it all wrong,” he says simply. “We don’t give it to ye to make ye hurt. Aren’t ye better after? Righted?”
Righted. That’s a word worth its weight in gold. As is the truth of his words, but you stay quiet and look into the fire instead of responding.
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You take up Johnny’s offer to spend time with Kari. Johnny walks you there, holds your hand in the cold and blows hot air on them as you wait together outside their door.
When Gaz opens it, he hoots and hollers as if the frigid air outside has no effect on him, as if his inner warmth and naturally excitable disposition is no match for the cold.
You have to admire that. At least a little.
“Hi there,” Gaz says to you, a greeting softer than the one he gave Johnny.
“Hello,” you try to subtly peek inside, “it’s… nice to see you.”
He doesn’t take offence to your awkward, stilted attempt at politeness. Maybe he knows you’re not quite comfortable here, to put it lightly, and only claps your shoulder gently to pull you in.
“Have fun!” Johnny shouts, already leaving, “and give me my wife back in one piece!”
That makes you sheepish, but you try to ignore your feelings in favour of moving towards Kari and the little baby, Tyra.
“Hello again,” she greets, smiling. The baby stares at you, babbles ceasing as if she’s seeing you for the first time. Her little head swings towards her mother, hiding despite her clear curiosity.
“You’ve met me before,” you say softly, trying valiantly not to frighten her as you take a seat opposite to Kari.
“She’s feeling shy lately,” Kari looks down and tuts, swiping a thumb over Tyra’s chubby cheek, “needs her mama.”
Weaving here is not much different than weaving at the convent. Once you get the basics down, you’re threading dyed wool into cloth astride Kari.
Some spirit of confidence grips you.
“Will you tell me anything about Simon and Johnny?”
“About-” she lifts her head, “Simon and Johnny? Don’t they speak to you?”
“They - do,” you rush to assure her, though your voice maintains a weary unsureness.
Luckily for you, she gives you a small but comforting smile over the wool.
“You’re looking for an outside opinion? That’s okay, lovely girl, I just might not know as much about them as my husband does,” she gestures with her chin towards Gaz, who walks towards you both.
“What d’you need to know?” he asks casually, sidling up to Kari affectionately, “think they’ll be able to answer better than me.”
“I only really know… what I’ve seen. I haven’t…” your mouth twists as you trail off, frustration germinating as you struggle. Right, you can commit sins of the flesh but you can’t ask a question to sate curiosity — one which might be the difference between surviving and not surviving.
Knowledge is important, after all. Powerful. You think of Eve, who doomed humanity for it, naked as the day she was born and as clueless as Adam yet ate the apple anyway.
“I know they’re… warriors,” you pause, “since they’re all scarred, but—“
“Well, not necessarily—” Kari starts, until Gaz puts a palm on her thigh and gives her a look you can’t discern. 
“That’s not something we should share,” Gaz says tightly, but kindly.
“How else..?” you frown.
Tyra stirs, and Kari gives Gaz another look.
“Simon’s father used to be chief,” she lifts the babe back into her lap, patting, cooing, “it’s not a nice story, but if you need it to understand them better then I don’t mind telling it.”
“I want to know about them,” you insist, trying to push past the sense of danger, the sense that you’ll be hurt or killed for toeing out of line.
Testing the elasticity of safety here perhaps isn’t wise, but testing it might be what you need to settle. Knowing where the boundaries are, what’s expected, where they come from… you wonder if you’ll doom everybody, like Eve.
“Believe it or don’t, but we’ve only just rekindled the hunts, the raids. How it should be,” she starts.
Gaz sighs, leaning back where he’s sitting. You assume his hesitance is out of loyalty for his comrades, but you choose tentatively to ignore him in favour of his wife.
“We had a lazy, drunken leader,” Kari continues, “Simon’s father inherited the title through lineage, not through prowess as is… more natural to us.”
You nod slowly, trying to imagine. In the church, such things were often gained with corruption: any wealthy lords’ son could rise high in the ranks, if he had the money and means.
The convent had somewhat of a similar issue, though the women were ‘married’ into the church and the power rested in the hands of their families. 
Such was the world.
Not always, but you’d heard of it often enough. One of the abbots of the monastery in the closest town had been the son of an affluent donator, and thus received power of authority over the other monks.
“To make a long story short, and more respectful to Simon—” Gaz looks at her then “—his father was needlessly cruel both to his own children, his wife, and to those he was responsible for.”
“So, those scars…?”
“Some are from fighting, of course. But usually, no one’s getting close enough to those two to land that kind of damage. I’m sure you can fill in the rest.”
Gaz butts in here,  “or, you can ask him yourself.”
“How did that woman, I forgot her name, come to be chief?” you frown in thought.
Gaz takes over again, his hand dragging up from the small of his wife's back and squeezing her nape. It’s as much of a warning as you’ve seen, though it’s quiet and Kari looks sheepish, not afraid, “Kate challenged him.”
“A challenge?” you frown, “such as?”
“A fight to the death.”
“Oh,” your lips close, and thin, and your eyebrows fly up. “I didn’t realize… I mean, violence is…”
They don’t do you the courtesy of filling in for you, so you go silent and the air settles.
Johnny picks you up later, when you’ve helped Kari with a big portion of her weaving. You love the threads, the dyeing process. It’s meditative.
“Good ?” Johnny nudges your side, slipping a hand to just above your waist, fingers tickling the side of your breast.
“Yes,” and it’s honest.
He walks you home, hand in hand, and cannot stop talking about Simon's return.
“Ah’ve never been without him this long,” he rambles over the fire, stirring a potato soup, “think yer gonnae be witness to something dirty. Sorry, lamb.”
Only he’s grinning, and he’s not sorry, and you can see the front of his pants begin to tent.
Johnny later offers you that very same sin, tilting his hips towards you and swinging his cock obscenely, cheekily. You do not take him up on it despite the smolder that begins between your legs – you simply turn, and try to sleep through the sounds of his self-abuse.
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Simon returns without much fanfare, slipping into the house with a seemingly practiced silence. He moves like a ghost.
Johnny doesn't wake yet, sleeping like an affectionate log behind you.
His gaze meets yours, as impassive as always, framed in a halo of white winter light. He looks handsome this way, though it also has the effect of making his scars look deeper – crevasses on his face for shadows to lay in.
You watch as he strips his winter garments, slipping then beside you, evening out the weight on the bed.
“How did it go?” you whisper. If he's surprised that you spoke he doesn't show it, staring up at the ceiling, muscles decompressing. Sighing like a big dog.
In lieu of speaking, he lifts something into your focus. Oh, it's a tooth, sharp and white. A predator's tooth.
“The rest tomorrow,” he says quietly.
You can tell he's tired. His face looks weary. How far do they travel for these hunts? You assume quite far, as it’s enough to tire even a seasoned warrior.
So, rather than speaking, asking him from which creature he took this tooth, you tentatively reach your hand up to press your fingers against his thick scars.
Simon freezes, as do you. Then, as he relaxes, you trace the grooves on his face with your fingers tightly. Very lightly.
A delicate moment is born then. Johnny's deep, sleepy breathing behind you, Simon's acquiescence – it's a tranquil thing. As thin as lace, as sweet as a crisp apple.
After some time, when you've traced his face twice over and his eyes are half-lidded, you speak softly.
“Why me?”
“You're beautiful,” he says simply, sighing again, “we wanted to.”
It becomes harder, again, to hold the belief of them as devils. That they smelled the sin on you and picked you that way.
“Don't you think it's cruel?”
“No,” finally, he turns to you.
“It was,” you assert recklessly. Fear twists in your gut, poisonous.
“You were scared.”
“Yes.”
“Are you still scared?”
“I feel like you can see right through me. That scares me.”
“Not at first.”
“Then when?”
His hand finds the dip of your waist. Squeezes.
“On the boat, when you pushed up against me like a wet kitten. Even scared, you needed it.”
“You were cruel to me then, too.”
“I’m a cruel man.”
There's a stray thought that wiggles to life in the back of your head that suggests sympathy for him despite his statement. That you can begin seeing the path of his life and understand how he came to be.
You think of punishment again; about parents and children, husband's and wives, about Simon and his father. That wasn't punishment, if you're understanding it the way Kari implied.
A memory strikes you, unbidden and unwelcome. 
Salt blows in the air,  metallic and thick in your nose. Not sea salt, not the wind you love so much, but from blood spraying. 
The man brought his son to the convent, citing his bad behaviour as ungodly. Sister Margret was pleading with him, hands clasped in desperate prayer and voice high, reedy, as she begged him to just stop hitting him – please, just stop hitting him!
The boy cowered. Not a child, but a boy nonetheless. Young enough to make an impression, round-cheeked, on the cusp of manhood. Stained with blood.
He lifted the rope, again and again and again, even as Margret leapt for his arm and tried to stop him, pulling, shouting.
You were stock still, frozen, not even a tremble in your body. Your eyes had widened when he first struck the boy and you’d been stuck since.
Simon takes your hand, peels it away from your dress, pulling you bodily towards him and out of the memory.
With your cheek pressed close to his bare shoulder, you murmur, “did you take me to hurt me?”
“No,” he says, sounding for once like he isn’t hiding anything.
“Did you hit me to really hurt me?”
“No,” he repeats, then, “I hit you because you needed it, because you liked it.”
“I’ve seen…” you don’t continue.
“I know.”
“We’ve both been hurt,” your voice is a whisper.
“Mm,” Simon confirms.
You think of the boy. Of his father. Of his terrified, deer-like eyes, blood splattered on his back and on the ground and soaked into the rope – about how four townsmen had to pull his father away for fear of killing the boy.
How you felt when you hit yourself, when the abbess hit you, how different they were to when Simon took his palm to your ass.
Shame. That had been in the boy's eyes that day. He had hid his face in his arms, cowering not only from fear but from being seen.
You’d felt that same shame each time you’d been punished, intensifying, twisting together until you’d learned to turn the same pain inwards.
 “Are you afraid of being seen?” you murmur to Simon.
“No.”
You don’t have to say the silent part; that you’re the afraid one. That Simon correctly interpreting your need for a different kind of control, one that let you lose yourself, felt like you’d been flayed for all to see.
Simon moves his hand lower, cupping the soft curve of your behind, staring at you, testing the waters. You know that if you said no, he might anyways, but you stay quiet as his fingers lift the hem of your dress.
The fabric slides over your skin, a whisper in the air, tickling you. He rubs his rough, hairy knuckles against your thigh close to where it meets your leg.
He pauses there, breathing slowly, before he slides a finger up your slit and through the thatch of hair above it.
“If I made a request,” you murmured, “would you grant it?”
“Make it, and I’ll tell you.”
He slips a finger to rub your hole, just outside, teasing, while his thumb finds your clit.
“I don’t want you to take me until we’re man and wife… men and wife.”
Simon hums, rubs gently, makes your hips undulate.
“Do you think you’re in a place to be making requests like that, love?”
“I haven’t asked for anything else.”
He raises a brow, sliding his finger inside you to the knuckle when you’re wet enough.
“Haven’t you?”
Your breathing deepens, hands coming down to hold his thick wrist, pulling almost subconsciously. Even now, you can’t totally let go, leaning away from him and the pleasure.
But he understands, leaning over you, using his other hand to pin you to the mattress by your throat. It’s not the nicest hold, but the burning of your lungs heightens the pulsing in your cunt.
“Think you just made a few requests right now,” he grunts, using your leg to rub his hard, clothed cock.
There’s a stirring beside you. Johnny groans as he wakes up, then laughs sleepily.
“Ah woke up just in time,” his voice is rough with sleep.
Simon hums, mmm, in that deep rumble of his. He slips another finger inside you, crooking them, making you gasp raggedly. Your hands still clutch his wrist, weaker now, but it’s half resistance half comfort.
“Mm, good girl,” Johnny murmurs. He curls into your side, cock growing against your hip, wrapping a leg around you while his hand climbs beneath your pulled up dress and palms your tit.
God, you could die just like this: fighting for breath, touched all over, held down and made free. The hate you had for them feels irrelevant, the fear, the brutal way in which they stole you.
You can’t even think about if Simon will disregard your request – your last frontier against them, the treasure between your legs for a husband only.
Simon’s knuckle deep in it, but still, you can’t let go of that final tether. Not yet, not without any other internal pillars to hold you up.
Everything else has been wiped away. Drawings in the sand on a beach swept by foamy white waves.
Johnny leans in and bites your shoulder, gnawing, hips moving against you. You can’t arch like you want to, but you try.
Wet, sinful sounds grow as you gush around Simon’s fingers, as they use you to get off.
When you peak, white spots dance in your vision, mouth open in a silent scream choked away by Simon's heavy palm.
It’s like flying.
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In the afternoon, when you’ve all slept, Simon leaves to speak with John and you prepare lunch with Johnny.
More fish, more potatoes. It’s growing on you.
When Simon returns, he has in his arms a rolled up fur. Though unprocessed and still wet underneath, it’s beautiful, pale, spotted.
He takes a heavy seat in front of you, laying the skin over his knees, taking your hand in his and bringing it to the fur.
Soft. Dense. Your fingers move through the pelt.
“For you,” Simon says.
You look up at him, heart dancing.
His gifts. The apple, the orgasms, this– you don’t know what to make of it. Yes, it’s a kindness, but he’s a cruel man. He’d said so himself, and you’d felt the brunt of it.
Leaning into that cruelty has given you a strange power, a strange solidity. You’d so begun to familiarize yourself with his harshness that you’d forgotten this complexity.
You pinch the fur, feeling it between your fingers, breathing slowly. Your neck ached, but it wasn’t a bad ache; it felt like a phantom hand.
“For me?”
Johnny slides three bowls on the table, grinning.
“Yer first wedding gift,” he says jovially.
 “Oh, I see,” you murmur, but it isn’t a disappointed oh.
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Simon leaves later again, full of soup, to process the rest of the hunt’s boon with John. He takes the pelt with him, a snowcat pelt you’ve learned.
Yet, he’d returned with not much more than scratches on him from travel. Tired, yes, but a few hours of sleep and splattering his spend on your belly had fixed that earlier.
You’d bathed, since, though the feeling was hard to shake.
Johnny putters about again, returning to his carving of the little mini you. A peek into the past, one you no longer embodied.
“Can I see when you’re done?” you ask, slipping your favourite wool dress on. The red, well worn one. Soft, comforting. 
“Course,” he mumbles, concentrating. Then, his head shoots up.
“Ye want one o’ Simon ‘n’ I, lamb? Carry us around?” Only it sounds like aroond.
You nod, walking on socked feet to where he’s carving.
“Yes.”
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artuurle · 24 days ago
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my personal headcanon for Grujaja joining the bizzyboys really is just that he showed up asking to join really young and two exhausted campaigning 20 year olds were like "DUUUUUUUUUDE WE CANT LEAVE THEM HERE IT SUCKS HERE. "
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type of guy that escapes one bad situation and it snowballs him into another. How would you NOT blindly (semi literally haha) follow the people and group who took you in.
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feelo-fick · 8 months ago
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more misc au art... (the last two are unrelated but shh)
GAAAHHHH i promise ive got actual stuff cooking im just scared to post it/motivation to finish art Hard :"D clutching my head... always forever 24/7 thinking about them...
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ruporas · 1 year ago
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feast (ID in alt)
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#tw blood#im posting this so late because october escaped me Suddenly.. hello....#i wanted to make it a photoset with this other vampire vw wip but i don't think i'm finishing it any time soon and the mood of it is#completely different anyway. also i don't think i ever shared anything about my vampire au on here !!! it's all old art by now so im shy lo#but maybe i'll do a photodump of it. long story short vash is a vampire since birth and ww is a human vampire hunter that turns during thei#travels together due to EoM experiments + getting vash to drink from him at some point.#humans turn once they get bitten but bc ww has been experimented on#& got bitten by a bunch of human turned vampires thruout his hunts he thought it wouldn't be a problem for vash to drink from him but alas.#theyre both ok though theyre traveling together definitely not hating themselves for what theyve become and feeling guilty for what theyve#done to each other. theyre completely normal about it. the biting part is really appealing to me in vampire aus so i draw it a lot but#in reality vash only drank from ww once and ww mightve done it twice under the realization he might actually die otherwise#since he wont drink from humans after being turned.... he's combatting the 5 stages of grief at all times#if this is all nonsense im sorry DMGKSDF I'M NOT good at explaining and this au came from nowhere in the depths of my mind its a mess#ruporas art
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