#also not a fan initially aka i watched a whole season where he was on the nhl roster and did not acknowledge his existence LOL

[starscelly]

shall we do thomas harley fot blorbo bingo?

my feelings for harls are complex bc he’s less “my girl!!!” and more. like he’s just me fr . we’re the same guy. but i would kill for him? so idk

[filipinoizukuu]

I saw your post about the FA's translations, and I totally agree. Sometimes, when they do not translate accurately, is to make it sound better or cooler in English, but it just ends up taking away a lot from the context and characters. We know how one of the most affected character interpretations is Katsuki's, a main character, no less. And Izuku and Katsuki's relationship too, which is something super super wrong, considering is deeply intertwined with the main plot of the series, thus if someone misinterpreted their dynamic, this person would miss a bigass chunk of the message the story has.

Here is the panel you mentioned before btw

I remember when I read this, only 10 or 11 chapters into the manga (?), and I was like "...I'm...pretty sure this guy didn't say that" khshsjdhs

OK FIRST OF ALL LMAO HELLO MANG!! THANK YOU SO MUCH AND DW ABOUT IT I TOTALLY GET WHAT YOU MEAN !!

(this is your warning for a long post ahead!)

In any case, I still think you're very correct on this! Not to ramble a bit, but Horikoshi's particular talent in developing the plot of MHA is actually very very brilliant and there are a lot of blink-and-you'll-miss-it details that together, assemble the big picture of what MHA is.

Translations are such an integral part of being able to understand foreign media. MHA or otherwise. The simplest of details say a lot about a character and often times make or break a series because everyone knows that strong character dynamics are what carry even the shittiest of plots.

First and foremost, I want to clarify that because of the nature of fan translations and the fact that most of it is volunteer work/ written out of pure enjoyment of the manga--we shouldn't judge these fan translators too harshly (if at all) for interpreting it the way they want to. FA, as far as I can tell, is a fan-based group that works out of donations.

The first thing I wanna bring up is that when it comes to fandom and its works, there are two types: Curatorial and Transformative. Now, the transformative part is something that must be very familiar to a lot of you. Fanfiction, fanart, and most headcanons fall under Transformative Works (i.e. AO3) because they are all about transforming the canon world to fit each individual's personal preferences. Meta-analysis posts and Character Breakdowns are also classified under this.

Curatorial on the other hand are fandom interactions made with the explicit purpose of being as close to canon material as possible. This is working out the logic of quirks, for example, or memorizing as much canon content about your favorite villain as possible. These are more cold, hard undeniable facts that lend themselves to the DIRECT VISION the creator/author had while making this media. If you were to ask me my opinion on this, this would be the moment where I tell you that the Curatorial side of fandom is where fan translations should (for the most part) fall under.

What people need to know though is that oftentimes, fan translations do not.

Translating isn't and has never been a one-is-to-one process. There are hundreds of thousands of aspects in a language that make it so that it isn't perfectly translatable. Colloquialisms to sayings to dialects, to just plain-out words that don't have a proper English translation to them! Manga is made by and for a Japanese audience, so obviously in a lot of instances, there will be cultural nuances that will not be understood by anyone who hasn't immersed themselves in Japanese culture/language.

So what does this mean then for fan scanlations?

It means that a vast majority of translators teach themselves to only get the essence of the message. They take the dialogue as they understand it and translate it to something of their interpretation. When language and cultural barriers exist, translators do what they can in order to make it understandable to the general populace. This means making their own executive decisions on how they see a character speaking. In example, if they see Todoroki using very direct and impersonal Japanese--one translator might interpret it to mean that Shouto is stiff and overly formal, while another may see it as him being rude and aloof.

The problem is, translators are fans just like us.

Like with the image Mang posted above, the translator based the usage of curse words off of their understanding of Bakugou's character. The lack of foul language in the original Japanese might have made the translator think "Oh. There just aren't enough Japanese cusses for his character." And took that as an initiative to make Bakugou's lines more colorful and violent because this was working off of the image Bakugou had had at this point in canon.

But Codi! You may cry. Wasn't it proven multiple times that Bakugou prefers concise and short lines? They should've known better!

Yes. Maybe they should've known better. But tell me honestly in your first watch-through of MHA, did you perfectly understand Bakugou's character either? Did you catch the whole 'direct and no flowery language' aspect of his language when you first saw Season 2?

Most people don't. I only really understood this fact after I'd read multiple discussions of it and even double-checked the manga myself. These are the kinds of things that only become noticeable with a sharp eye and some time to scrutiny. But the fact of the matter is that when it comes to fan translations, the clout and recognition are always going to go to who can post the quickest.

Am I excusing erroneous translations? A bit, I guess. It's hard for us to go in and expect translators to catch all these errors before release when we ourselves only catch these errors like 4 months in with a hundred times more canon context than these scanlation groups did at the time of its release.

Still, there are plenty of harms that come with faulty translations.

When a translation is more divorced from the original's meaning than usual, it creates a dissonance between what is actually happening versus what the audience sees is happening. This looks like decently-written character arcs being overruled and rejected by most of the readers because of how 'jarring' and 'clumsy' it seems. By the time translators had caught on to the fact that Bakugou was more than just a ticking time bomb, we were already several steps into showing how significantly he cares for Deku.

The characters affected most by these translation errors are often those with the most subtle and well-written character arcs. A single mistake in how the source material is translated can make or break the international reception of a certain character to everyone who isn't invested enough in them to look deeper into the canon source.

It creates hiccups in plots. Things that seem out of character but really aren't. Going back to MHA in specific, the way that inaccurate translations hurt both the 'curatorial' and 'transformative' parts of the fandom is that people have begun to cite them as proof of the main cast's characterization.

Bakugou and Todoroki are undeniably some of the biggest examples of mistranslation injustices.

Katsuki, in a lot of people's minds, has yet to break out of the 'overly-aggressive rival' archetype box that people had been placing him in since Season 1. One of the most amazing aspects and biggest downfalls of Hori's writing was that at first, nearly every character fit into a very neat stereotype for Shonen Animes (Deku being the talking-no-jutsu sunshine MC, Uraraka being the overly bubbly main girl, Todoroki being the aloof and formal rival). He made the audience make assumptions about everyone's characters and then pulled the rug beneath our feet when he revealed deeper sides of them to play around within canon.

What made this part about Horikoshi's set-up so good though were the many clues we were given from the very beginning that these characters were more than what they acted like. Even from the very first chapters, for example, we learn that Katsuki (as much as he acts like a delinquent) dislikes smoking because it could get him in trouble.

That is just a single instance of MHA's use of dialogue to subtly divert our expectations of a character.

Another example is when they replaced 318's dialogue of the Second User saying that Katsuki "completes" Deku with him saying that Katsuki merely "bolsters" him. This presents a different situation, as that line was meant to reinforce the importance of those two's relationship as well as complete the character foils that MHA is partially centered around. By downplaying their developed connection, it becomes harder for the MHA manga scanlations to justify any future significance these two's words have on each other without mottling the pacing of the story.

AKA, it butchers the plot.

With every new volume, there are dozens and dozens more of these hints and bits scattered around! So many cues and subtle foreshadowing at the trajectory of everyone's character arcs--yet mistranslations or inaccurate scans make it so that we don't notice them. This is what I mean when I said that some character arcs are being done great injustices.

Until now, many people can't accept that Katsuki Bakugou cares for anyone other than himself (much less his rival and MC, Izuku Midoriya), nor can they accept that Todoroki would ever willingly work by Endeavor's side. The bottom-line then becomes that because of people missing heavy bits of characterization that become very plot-significant in the future.

When it comes to the point where people can no longer accept or fit their interpretation of the earlier manga events to what is happening in canon, the point of a translation fails completely because it has lead people to follow an entirely different story.

TL;DR - Fan scans are hard. Translating is hard. Don't get too mad at fan translations, but also maybe don't treat them as the catch-all for how characters truly operate. Thanks.

Side note: DO NOT harass FA for any of these things. FA is actually a pretty legit and okay source for scans (they've been operating since like 2014 ffs), but regardless of that they still don't deserve to get flack for their work. You can have any opinion or perspective of canon that you want, I don't care. These are just my two (more like two million tbh) cents on translations. I suggest reading takes from actual Japanese audiences tbh if you wanna know more about the source material of MHA. ¯\_(ツ)_/¯

[mouthmoodz]

thinking about dukat’s character arc with my tiny little brain. it was initially kind of weird watching the earlier seasons where he’s technically on the same “side” as the main characters, because i didn’t know how the writers felt about him or what they had in mind. i guess it seemed like he was potentially going to keep working with the protagonists out of necessity and over time actually become allied with them and have a redemption arc. which would have been wack. so when he joined the dominion i was kind of relieved and i started enjoying it more when he showed up after that. even though the whole thing where the ds9 crew had to keep interacting with this heinous war criminal because of political circumstances beyond their control, even though they all know he fucking sucks, is actually pretty interesting and i think i would enjoy those episodes more now if i rewatched them.

having finished watching ds9, it’s very enlightening to learn about how his arc was influenced by the fan response because viewers kept trying to excuse what he did and say he’s misunderstood or whatever. so the writers basically had to have a blinking neon sign light up and say “THIS GUY IS EVIL” to get their point across. well, i mean, they could’ve just ignored what people were saying on the internet and done whatever they wanted on their show. (many people would say that this is the wisest course of action, since there will always be people who misinterpret what a work of fiction is saying, no matter what you do.) But they didn’t do that which is how we ended up with Waltz aka the episode where dukat turns into the fucking joker.

i actually enjoyed that episode a lot. it was the first time we saw dukat again after he lost his daughter, which is of course one of the more “humanizing” parts of his story, and then he saves sisko’s life, so for a second i was like “oh no are they trying to redeem him after all” but then the rest of the episode happened and sisko was literally like “the universe is full of moral ambiguity... but not dukat though, fuck that guy.” i mean it’s also pretty dumb because he turns into the fucking joker and you can tell he’s evil because he’s crAZY and having hallucinations and all that shit. but still. i liked that now dukat had been pushed past the breaking point, we got to see beyond the veneer of respectability and all his justifications and apologies. and deep down he really is a piece of shit. 

so basically what i’m saying is i was kinda glad dukat became more “openly evil” as the show went on, because either i’m stupid and don’t know how to understand the message a story is trying to tell me, or i have a completely reasonable skepticism of hollywood writers’ ability to handle the subject of fascism properly. actually i definitely am stupid so maybe it’s both. some people feel that he went from being a three-dimensional villain to a one-dimensional cartoon villain. which maybe he did a little bit, but for one thing it could have been much more egregious. if he had kept being ~crazy~ and ranting about killing all the bajorans in subsequent episodes that would have sucked ass. the thing is, not that much actually changed. not that much needed to change, because he was always evil. evil people can be polite and do good things sometimes and love their families and it doesn’t make them any less evil. we all know this.

now i still wouldn’t say dukat’s storyline post-Waltz is as great as it could’ve been, because it was kind of weird and rushed and they didn’t know what they were doing. i think it would have been better if he had continued being a cult leader for more than one episode and used his position there to find out how to summon the pah wraiths. instead of him becoming a bajoran and having s*x with kai winn and going blind and then going un-blind and all that because that shit was just weird. i have nothing to say about what happened to him at the very end because he basically got sent to superhell and that’s extremely funny

[refinedbuffoonery]

Why 5x10 is So Good

I’ve been saying this since the episode aired, but this episode is written so well, and it can actually teach you a lot about conflict and plot. This is not a ship thing. This is a writing thing. Full breakdown under the cut because this is super long:

Where the episode starts:

Codex is underground

Phoenix team finally at a healthy + trusting place

Mac wants to take the next step with Desi

These are our three plot lines. I’ve color coded them to show how these develop and effect each other throughout the episode. 

Introduce Conflict #1: 

Reasonable suspicion that Codex is stirring >> team needs to investigate

EFFECT: interrupts Mac’s plan to propose to Desi

Conflict #2: 

It’s not Codex. It’s Murdoc. 

Murdoc threatens to kill a whole bunch of people via earthquakes if Mac doesn’t play his game. 

RESOLUTION = by end of episode

This is the “main” episode plot, aka the problem the Phoenix team is trying to solve. But, this alone would make a boring episode, so the next level of conflict (Murdoc spilling secrets) is what initiates character development and makes the episode interesting. 

Conflict #3: 

Murdoc hacked their comms + now knows 3 months of secrets

RESOLUTION = by end of episode

Something to note here is that the writers chose not to have Riley get blamed for not noticing the hack. That’s a logical train of thought someone might have, but the fact that no one blamed her shows the team’s growth as a unit. (Side note: if someone did blame Riley, I’m it would’ve been Russ. However, this would be a backward step in terms of character development for him.) 

Conflict #4 (aka Secret #1):

Murdoc reveals Matty worked with Elliot Mason

EFFECT: tests Mac’s trust in Matty

RESOLUTION = immediate

Murdoc’s secrets are an easy way to build tension. He reveals one at a strategic time, and then the Phoenix team has to deal with the fallout. Here, Mac has a choice about how to handle this news. He takes the understanding and forgiving route, which makes this secret lose all of its power. Forgiving Matty means that this secret can’t break the team apart in the way Murdoc wants it to. So, this conflict is quickly resolved (unlike the episode-long conflicts). 

After this conflict is resolved, the audience (and the characters) get a quick break before the tension starts building again. We’re back to “let’s stop Murdoc from killing people” (which is the main plot). But this doesn’t last long. 

Conflict #5 (aka Secret #2):

Murdoc reveals Riley’s feelings

EFFECT: world shattering news for the love triangle

RESOLUTION = semi-resolved

Arguably, this was the most impactful instance of raising the stakes in this episode. Certainly, it was the most emotional one. Even if you don’t ship MacRiley, every one can feel empathy for Riley in this scenario. (Poor thing.) 

This plot thread is part of the long-running romance/relationship plot that began in the WW2 bomb episode in season 4. To have an interesting TV show, there needs to be a smaller plot that begins and is resolved in one (or occasionally two) episodes, as well as a season-long plot (or multi-season, in the case of romance). 

Conflict #6: 

Surprise. Andrews (General Ma) is here too. 

EFFECT: job got a lot harder with two psychos on the loose

RESOLUTION = end of episode

In my opinion, this reveal isn’t super impactful, mostly because Andrews isn’t established enough as a big villain for me to immediately fear him the way I do Murdoc. This one is more build-up for future stakes-raising than anything else. 

Conflict #7 (aka Secret #3): 

Murdoc forces Russ to reveal Leanna’s death to Bozer

EFFECT: Bozer is pissed >> continued trust issues between Russ and Bozer

RESOLUTION: actively resolved in following scenes + end of episode

While this revelation felt like a knife to the chest, it doesn’t actually do a ton for the overall plot. Leanna’s death was about cleaning up loose ends, but it did present an opportunity to develop Russ and Bozer’s relationship. Clearly these two still have some work to do, although Russ definitely learned something by the end. 

Conflict #8:

This is an execution. And a Codex power grab by Andrews.

EFFECT: progression on the Codex plot

RESOLUTION: end of episode

This is the high point of the episode plot. The team is trapped in Murdoc’s clutches, and now Mac is going to be executed on an evil Zoom meeting in Andrews’ attempt to elect himself as Codex’s new leader. But, Bozer saves the day. 

The Fallout:

Murdoc + Andrews thrown back in prison

Codex officially dismantled

Relationship development between Russ + Bozer

Team now grieving Leanna

Riley + Mac talk (still in Mexico)

Mac back where he started, thinking about how to propose

Now that we’ve reached the end of the episode, most of the conflict is resolved, but some of it isn’t. More specifically, the episode-specific plots are all resolved, but the longer running plots are not. Russ and Bozer still need to work some stuff out, and Mac and Riley really need to work some stuff out. Also, Mac now has to figure out where he and Desi go from here. 

Which leads to...

Conflict #9: 

Mac goes to Riley’s apartment that night (not Desi’s) and asks if her feelings went away

EFFECT: Riley has to choose whether to finally admit her feelings or continue lying

RESOLUTION: none; cliffhanger ending

Besides making every MacRiley fan absolutely lose their mind, ending the episode by introducing a new conflict serves as the catalyst for the next episode. While we feel satisfied that Codex is finally out of the picture, not resolving all three plot lines makes fans want to watch the next episode. (In this case, it makes fans very desperate to see what happens next.) 

So, what can aspiring writers learn from this?

This episode clearly illustrates how to introduce increasingly intense, but still logical, conflicts that continually raise the stakes of a story. All too often, people write insane plot twists for shock value, rather than grounding their twists in the story they’ve already written (as this episode does). In addition, managing multiple plot lines is hard. It’s all too easy for one plot to outshine the others, so it’s important to find the right balance between them and not let the subplots overtake the main one. 

My Advice: When you’re planning your next story, try outlining it in terms of conflicts, like I did above. Not only will this help you come up with a complete plot, but it will also teach you the importance of cause and effect in writing. Every action has a reaction, and once you learn how to use that, your writing will improve tremendously. 

[obeyme-kaidii-writes]

Sides (1/2)

Leviathan x poly gn!MC x Mammon

Words - 4999 (total)

Content warnings - lots of angst, but also lots of comfort, platonic polyamory

Prompt/Inspiration - none

Summary - You work to navigate the complexities of friendship with your two favorite demons. AKA - That time Mammon misunderstands you and gets jealous of Levi. It’s like a buy one, get one free sale on soft bois.

AO3

Levi had a really rough day.

He had gotten stuck with a public speaking assignment (that they would not let him out of despite the fact most of his classes were online) for RAD and he completely flubbed it.

Ordinarily he’d turn to his favorite anime for a distraction, but he recently learned that it was cancelled and they weren’t going to finish the current season so it only depressed him more whenever he tried to watch it. And he also couldn’t even pick up the latest manga he had been hooked on because his favorite character just died, out of nowhere!

Feeling like absolute crap, he curled up in his tub and just waited for you to come back from RAD for the day.  He already struggled enough with his own negative thoughts daily, and this added stress was really getting to him. But you always told him how you’d be willing to listen to him if he ever needed to talk, so he thought this would be as good of a time as any to try to take you up on that offer. He just hoped you got back before his own self doubt convinced him that it wasn’t even worth trying to talk to you because he was just overreacting and you’d surely be annoyed that he wasted your time for something so trivial.

“Levi? I’m back. Are you ready…”

When you opened Levi’s door to join him for your scheduled anime marathon, you were shocked to see he wasn’t in his room. Or at least that’s how it appeared initially. But after you took a few steps inside, Levi lifted his arm up just enough to be visible and waved you over to his location in the tub.

“Hey, what are you doing in here? You feeling ok?”, you asked, kneeling beside the tub, before crossing your arms and resting them on the edge.

“No. I feel awful. Everything is awful. It’s not fair…”

“Scooch,” you instructed him, standing so you could climb into the tub to lay down next to him. Levi was a little startled at first by the sudden request, causing him to blush, but he did as you said and made a space for you to lay beside him.

Laying on your side, you tucked one arm under a pillow, adjusting its position so you were as comfortable as possible given your current location. And with the other arm you reached out to brush Levi’s bangs from his eyes so you could get a better look at him, before taking hold of one of his hands and giving it a reassuring squeeze.

“What happened? Is this about that school project?”

“No...well yes...but that’s not the only thing…”

“Then what are the other things?”

“You’ll think it’s stupid. I know I’m overreacting and just being a lame otaku.”

“Levi, you know that’s not true. I told you that you could talk to me, so talk to me.”

Levi thought for a moment about how best to approach this as he played with your hand, rubbing his thumb along your fingers. He wanted you to understand how big of a deal this was for him, but the thought of saying it out loud was...well, scary. He didn’t know what he’d do if you told him to get over it. But, after taking a deep breath, Levi decided to just trust you, and started to explain.

“It’s...you know that new anime I started? Well it’s not new new. It’s been out for awhile. But I just started it?”

“Umm, I’m not sure if I do, but continue,” you said, giving his hand another comforting squeeze, smiling at him softly.

“Well...it’s...well...they canceled it. And they didn’t just cancel it like not renew it. They CANCELED it. They won’t even be finishing the season. And how could they do that? Don’t they know how invested people get in their characters? Who gave them the right to just decide their fans don’t deserve an ending? The least they could do is finish the season! I can understand if they don’t finish a story arc, but a whole season?!”

Levi froze. Without even meaning to, he had slipped into pure otaku mode, ranting about his problems with fiery passion. His cheeks flushed as he averted his gaze, “S-s-sorry. I got carried away. You probably didn’t want to hear about all that stuff…”, he said, shrinking in on himself.

“It’s fine Levi,” you replied, laughing softly. You gave his hand another squeeze before continuing, “I like listening to you talk about your stuff. You know that. And you listen to me rant about my stuff too.”

Realizing Levi wasn’t going to look at you on his own, you let go of his hand and gently cupped his cheek, tilting his face up so you could look him in the eyes, “It’s ok Levi. I promise. So finish your story.”

You were looking at him so tenderly Levi wasn’t even sure how to respond. He could tell you were concerned for him, and even though you didn’t know what he was talking about, you were still listening intently. He really liked that about you. It was one of the many things he thought made you such a good friend, and he was so thankful you were his friend right now.

He gave you a small smile, and closed his eyes, holding your hand to his cheek while he continued. “There’s also this manga. I don’t want to say which because you’ll probably want to read it later. At least I think you will. I’d want you to.

But anyways, there was this one side character that I really liked. He was just so fun, but he also stood up for his friends and was just really cool. But...they...they...they killed him off! Just out of nowhere. There wasn’t a warning. Nothing that happened made you think he was in danger. You just open the volume and BAM he’s dead. Page one.”

Levi grew silent now that he’d gotten everything off his chest. Just talking to you made his heart feel a little bit lighter. Not that he was back to feeling 100%, but at least he didn’t feel quite as hopeless.

“So just too much bad stuff going on all at once, huh?”

“Y-y-yeah. After that...torture...at RAD I couldn’t even relax and unwind because everything else just made it worse! It’s not fair. Why did this all have to happen today? They couldn’t have spaced these things out by a couple weeks or something?”, Levi asked, with a huff of frustration.

“Come here,” you said, as you moved the arm out from under your pillow to slip it behind Levi’s neck and pull him into a hug. He didn’t put up any resistance at this point because he was pretty sure he was about to cry and didn’t want you to see his face. He simply cuddled into your shoulder as you started running your fingers through his hair.

“Thank you for talking to me. It makes me happy to know you trust me that much,” you pressed a small kiss to his forehead. “I’m sorry you had such a rough day.”

Levi just pulled you closer, letting your legs tangle with his. He used to think he hated being touched, but for some reason he never got tired of having you close. Your presence and your warmth just soothed him, melting away the knots of anxiety. He loved the feeling of your fingers combing through his hair too. It was always at a nice, slow, steady rhythm that was easy to focus on when he needed to keep his mind from wandering where it shouldn’t.

The two of you laid together like that in silence for a while, and it didn’t take long before you both had fallen asleep, with just the gentle hum of electronics as white noise in the background.

————

That night at dinner, Mammon couldn’t help but notice the little glances and smiles you had been exchanging with his brother. It annoyed him immensely that you had been even the least bit distracted by Levi while he had been talking to you, even if you were still able to actively participate in the conversation. He had thought about calling you out on it, but didn’t know how to do that without causing a scene and making himself look jealous.

He was surprised when he heard a knock on his door and discovered that it was you paying him a visit. He thought for sure that you had slipped away to Levi’s room.

“Hey Mammon, do you have a second to talk?”

“I s’pose. But ya better make it quick because I have somethin’ planned later,” he said. He most certainly did not have anything planned later and would happily talk to you all night if you wanted, but he didn’t want to make himself appear too desperate. At least not now while he was still mildly annoyed with you.

“Thanks. It won’t take long, I promise.” Mammon led you over to his sofa where you both took a seat and you turned to face him, “You know how whenever your brothers manage to take the seats next to me before you get a chance and you make up whatever reason you can for why you get to force yourself in between us so that you’re next to me?”

“....no.” Of course, Mammon knew exactly what you were talking about, and the deep blush on his cheeks betrayed him, so you continued.

“Well, for a little while at least, do you think you could not do that anymore with Levi? I think he’s having a pretty rough time right now and I just want to be able to spend a bit more time with him.”

Mammon blinked at you a few times, not fully understanding what you were saying. You didn’t want him to sit next to you? And you wanted to spend more time with Levi? He thought he had done a good job concealing his jealousy at dinner, but he started to wonder if maybe you noticed. Is that why you didn’t want him next to you? Because he annoyed you? You finally got tired of him hanging around all the time and constantly dragging you places? And now you were here to tell him you didn’t want him anymore. You didn’t need him.

“Umm, Mammon? You okay?”, you asked, examining his face in concern. You didn’t think your request had been that big of a deal. You just asked him to leave Levi alone for a bit. Why did he look so upset?

“Uhh...yeah...sure. Got it,” he said, turning away from you.

His response really puzzled you, but he didn’t leave you long to think about it, “That all? I told ya I had things to do.”

“Oh right, sorry. Thanks for talking with me. I’ll see you later, yeah?” you said as you stood up and headed towards his door to leave. Mammon gave you a grunt in acknowledgement, waiting until you were gone before collapsing on his back on his sofa.

Mammon wasn’t sure what to make of that conversation just now. Pretty much since you made your pact with him, you two had been inseparable. Wherever you were, he wasn’t far behind. It didn’t matter what his brothers tried to plan without him, he always found a way to involve himself. You never complained about it though, in fact you always seemed to be happy to see him, smiling and laughing at whatever flimsy excuse he gave before inviting him to join you.

But maybe he had worn out his welcome.

He knew you had been getting closer to Levi lately. Which wasn’t surprising really. You had so much in common with each other after all. Half the time he couldn’t even keep up with your conversations anymore. It didn’t really bother him though. He liked seeing your eyes sparkle when you were talking about something you loved, and he liked knowing that his brother had finally found someone he could relate to. And since you both made sure to include him often in your game nights or movie marathons, he never felt left out.

He started to wonder though if you perhaps had wished that he wasn’t around quite so often. Were you just humoring him? Knowing that he’d whine and complain if you said no, you decided it was just easier to let him tag a long? His chest tightened painfully at the thought. He didn’t want to think you’d do that. He didn’t want to think that all those bright smiles you had given him when he’d show up unexpectedly were fake. But he wasn’t coming up with any other explanations at this point for why you were suddenly asking for space. At some point, he had simply become nothing more than a nuisance.

CONTINUED IN PART 2

[mantra4ia]

Debris 1x13 "Celestial Body": rewatch Reaction'd, questions and comments

So if all those people are experiencing emotional convergence, who are they converging from? Who's sending the emotional signal that the debris is channeling, or is it the debris manifesting it's "consciousness" in a way that we can understand it by way of human conduits?

Maddox is clearly trading debris pieces with Irina (perhaps the piece that he took out of storage off the books), and Irina is on the phone with presumably her handler/ boss to negotiate this trade. She gives him lateral (which I assume means latitudinal) readings and then he asks for longitudinal readings which we don't get to hear. They are: Lateral 105, 112, 115, 120, 113, 110, 109

What's the significance of these measures? Latitude goes from 0° to 90° from the equator, so that doesn't track unless the scene is cut wrong and they're meant to be longitudinal (E/W) readings, which go to 180° relative to the prime meridian. That would make more sense, because after Irina is done with the first set of readings, the unknown caller on the phone says "drop to level two for vertical" and latitudes are North/South.

If we're talking Western longitudes, notable landmarks include: Denver, Salt Lake City UT / Phoenix AZ / nearly Sedona AZ - aka where the telesphere went, Las Vegas, Lake Tahoe/ Nevada border, Great Salt Lake, Alberta-Saskatchewan border, and the Utah-Arizona border.

Or perhaps they're not part of terrestrial measurement at all. The act of "lateral reading" could just mean verifying your sources/accuracy as you go, where as vertical reading is reading for content first to see if something is worth evaluating for sources.

However, if they are part of coordinates, then is the fragment that Maddox is trading with Irina a legitimate "mapmaker" piece like George previously said Influx was seeking? Ya know, when he lied to his daughter. Can a mapmaker piece track moving/animate debris akin to the telesphere? Are those black dust cloud beings George is running from made up of animate debris?

Bryan: After becoming a parent you're in a heightened emotional state, emotionally raw.

George: Higher highs, lower lows, the joy of having a child, the postpartum depression, and the fear of getting it wrong.

Me: Are we in a pensive, self-reflective mood, George? Are you practicing your pub trivia Bryan, delivering exposition, or are you speaking from personal character experience? Seriously, how would you know?!

John Noble as Otto, man why does he always make such a good villain?

What is with the cryptic vagueness when Maddox tells Irina, "You know I can't let you leave with that case right? I mean you know that. There's another door for you Irina, one that only you can go through." They seemed almost on good terms in a previous episode, like friends or something more in a past life "nice car, i almost left / no you didn't", he wouldn't kill her, would he? Or is it more like a code between them, a sort of "I'm being watched, take the back exit"?

Hey, so why is it that sometimes George's eye seems opaque and damaged from the debris implant, but then when he's talking to Finola after he distracts Bryan while being Debris whisperer, his eye seems fine? PS: I googled Tyrone Benskin just to see what he looks like when he's not playing George Jones and I didn't know he's a former member of Canadian Parliament. Don't trust the government, eh?

George: "You're such a compassionate person, you always have been. So much of your mother in you." That's the second time that Finola's mother has been mentioned in the series, back from the pilot. Is it a coincidence that the first piece of debris that chose to interact with Finola resonated her mom? More than just Finola's desire being reflected by the debris, but the debris emoting it's first impression of her as someone compassionate that it can trust?

It also raises my heckles that George repeats, almost word for word, something that Finola said in episode 3. "If we can't help people, we do not deserve this debris / if we don't use this debris on these people, we are not worthy to have it." Are father and daughter that ideologically similar, or has he been spying on her progress this whole time, or both?

George: "I took my life to allow myself a rebirth, I paid the price. I want you to know that not one day goes by that I don't think of you and your sister. I want you to know this." This coincides with my initial impression that George staged his death to get away from Orbital after he assessed how his research was being used/abused.

George: "You never wanted to go into the pool, I had to throw you in, and you kicked and screamed, but you always did better that way." Immabout to throw you George, just keep talking!!!! I'm sorry, this charicature of absentee father reminiscing about the good old days really ticks me off from personal experience.

Also, as a person with a disability, I am not particularly pleased with the use of Dario as a plot device instead of a thoughtful character with a backstory at this point in the show for 13 whole episodes now. Pretty pissed off actually, so they better do something phenomenal and pivotal with Christian Rose (Dario) in season 2 [maybe have his character interact with debris in a similar way to Caroline]. But that's another rant about ableism in screenwriting for another angry day....

George: "A telesphere was born yesterday. It came from a pocket dimension inside Orbital. I think it's birth may have triggered the debris." This is perhaps the one-ish episode that I find George remotely interesting and also infuriating, particularly because of the way he speaks, like he's finally taken off the guise of the old, well-meaning eccentric and turned into a sharp, cunning, and at times calculatingly ruthless individual. I find it peculiar that he says a telesphere is born. Makes me think that the debris is not just part of a spacecraft, but a hybrid of the beings piloting that craft.

I get tremendous satisfaction from Finola head-butting people. This should continue.

I'm not familiar with all of the work of JH Wyman to know if this is a running theme or an ongoing joke. But does he keep his writing staff in a constant state of starvation? Is that why pieces of debris are called "Nachos", and why Influx has "Beans" to shield them from debris side effects, and why Bryan is always eating junk food? Should I be worried about the writer's room and start sending them healthy snacks?!? Just give me an SOS in the credit roll.

Speaking of: is the "Bean" that Finola ingested a piece of debris? Similar to the pieces of debris that fused with Anson Ash? Will it impart some physical benefits to her moving forward?

"I won't lose you again...you belong with me." What are you talking about George Jones, you made the conscious decision to leave your family. You didn't lose Finola, she lost you. In this version of reality at least. Or (unscripted backstory) did Jones and his wife separate prior to her death / was Finola brought up mostly by her mother? That doesn't seem the case if she was buying her father birthday presents and took it upon herself to settle his affairs after his death.

Why do the Influx Operatives Otto and Anson have tattoos on their hands, but not Loeb? Is he like the low end of the totem pole FNG who hasn't earned his stripes, hence why Otto gives him s***: aka "Careful you cretin. All the finesse of a butcher."

What is the hierarchy of Influx anyway? Despite being an anti-government "for the people/ elevate the human consciousness" organization they do still seem to have a governing hierarchy and Otto and George seem to be on the same level, pretty high in rank / they talk with confidence to each other like they go back a while.

What is that weird thing that Otto does with his hands to Bryan's head? What are all the weird things Otto does, including his massacre at the petrol station? Ick.

Why is it that Leob and George are freaked out by the black smoke (debris particle?) man, but Anson and Otto aren't? They seem to see them(?), but don't overtly react.

Bryan: "It seems like we're entering some kind of new phase." Gee where have I heard that one before? Oh yeah, the story of "Blackwater grandfather" and the black wind that they're still teasing endlessly while refusing to tether it into some kind of world building lore. Agggghh!

Lololol, Bryan and Finola's dynamic even in the midst of a very serious episode makes me laugh. "Devon Reese / two e's? / Two e's!" "This one smells like baby diapers. Almost as bad as the tech section of the plane/ You mean your section of the plane. / Almost." That zinger 👍

Paraphrasing Bryan: "[recapping, recap, and did I mention recap]...something about George doesn't feel right." Personal pet peeve: I HATE IT when episodes have intentional explanatory lines like this to point out the fact that we as audience are privy to information that the main characters aren't. Not only does it make the main characters seem less intelligent, it breaks the fourth wall a little bit and gives the impression that the audience, which is ahead of the plot, is not as intelligent and needs a reminder that we're ahead. Lackadaisical writing drives me nuts!!! I can't outright say that it's "bad" dialogue, but it's not a choice I would make if I wanted uninterrupted viewer immersion.

Finola: "My instincts are good" Me: You are an emotionally intelligent decision maker with gaping personal blind spots.

George: You belong with me, your father.

Finola: My father died six months ago, and you are not him.

Me: Chef's kiss 👏👏👏

Otto: "It would never have worked out with that girl [Finola], not in any iteration." Definitely makes me lean towards the fan theory that the alt!Finola in (presumably) suspensia in Sedona Arizona got plucked from another reality.

Surprisingly, the ending credit roll has no voiceover as all the previous episodes of the season have. Disappointed that there's no potential teaser to a season 2 if the show gets renewed. But I find it curious that the extras who were demonstrating emotional convergence were credited as: chess board persons. Not sure if that's relevant, but I definitely feel like this show is playing games with me and my emotions.

[thegayhimbo]

Instances where Bill Compton has committed Rape/Sexual Assault:

The Southern Vampire Mystery Books:

1.) The Graveyard Scene in Dead Until Dark (Book 1). In the book, it’s mentioned that Bill is angry over the deaths of the Monroe Vampires, and grabs Sookie to force her to have sex with him. During this time, Sookie describes how scared she is of Bill because of his rage, and feels like she’s unable to struggle against him because she’s afraid that he will hurt her and kill her if she resists. If a woman is unable to say “No” to sex and feels like she has to go along with it because she’s scared that the other person might hurt her if she refuses, that automatically makes it rape. Her orgasming during the act is irrelevant. Orgasming is a physical sensation, and there are instances where male and female rape victims have orgasmed when they’ve been raped. It doesn’t change the fact that what Bill did to Sookie in this scene is still rape.

2.) Probably the most infamous example is the rape scene in Club Dead (book 3). In the book, Sookie gets locked in the back of a truck with Bill by Debbie. Bill proceeds to attack Sookie, feed on her, and then rape her.

TRIGGER WARNING AHEAD! This is the rape scene in all of its gruesome detail:

“His voice sounded rough, his throat was sore. He had stopped taking blood. Now another need was on him, one closely related to feeding. His hands pulled down my sweatpants and after a lot of fumbling and rearranging and contorting HE ENTERED ME with no preparation at all. I screamed and he clapped a hand over my mouth. I was crying, sobbing, and my nose was all stopped up and I needed to breathe through my mouth”  (SVM, Book 3)

There’s always been a debate about this scene over how much control Bill had in this instance, especially since he had been tortured by Lorena and was suppose to be “out of it” when he raped Sookie. I have always found this to be questionable, especially because of how the scene is written and how we only sees this from Sookie’s POV. Personally, I believe he had a lot more control in this situation than initially believed, especially with the whole “fumbling and rearranging and contorting,” which gives the impression that he had to have some idea of what he was doing but just didn’t care because it was all about his needs in that moment. I think what’s damning about this scene is that it isn’t just  Bill raping Sookie while mindlessly feeding on her; it’s that he was done feeding from her and took the time to pull off her clothes, rearrange her body so it was in line with his, and then put his hand over her mouth to prevent her from screaming while he raped her. This gives the impression there was some cognitive awareness from Bill in what he was doing, which is why I question if he was truly “out of it.” Maybe this isn’t how Charlaine Harris intended this scene to come across, but that’s what I ended up taking away from this.

What makes this worse is that the later books try to retcon this by claiming it was “attempted rape” or “near rape” which................NO, it wasn’t. There is no way to read this scene in the book and not see it as a rape scene. I don’t know why Harris tried to do this, but regardless of her reasoning, it was not okay. She chose to go this direction with Bill, and she doesn’t get to backtrack on this just because she likes Bill’s character and doesn’t want him to be seen as a rapist.

3.) There’s also the revelation in Club Dead that Bill intended to pension off Sookie so he could be with Lorena. Even if this didn’t actually happen the way Bill wanted it to, it’s still disgusting that he would try to do this AND that he would keep it from Sookie.

TV Show:

1.) During the 70 years Bill spent with Lorena, both of them raped, tortured, drained, and killed women and men in the most sadistic and gruesome way possible. From the flashbacks we get of their disgusting exploits:

a.) In season 5, there's a flashback where Bill and Lorena are at Pam's brothel and Bill is biting in-between a proustite's legs while Lorena glamours the poor woman to say degrading things like calling Bill "Daddy" in a sexual manner. What Bill did here constitutes rape. And before you start telling me he was feeding from her, a.) He could have bitten her anywhere else (like on her arm or neck) and he specifically chose to bite her in that area, and b.) Regardless of whether or not he was feeding from her, it's still rape because she was not able to give consent in that situation. If I ever put my mouth in-between a woman's legs and bit her without her consent, my actions would be labeled as rape. This is no different with Bill, and it’s all but stated this isn’t the first time he’s done something like this.

b.) The Chicago couple in the 1926 flashback in season 2. Both Bill and Lorena tortured this couple, sadistically taunted them, bit and fed on the couple without their consent, forced both victims to watch each other suffer, stripped them of most of their clothes as a way to sexually humiliate them, and reveled in their suffering while getting sexually aroused by it. In one scene, Bill comes from a different room to meet up with Lorena while dragging the male victim inside with him. Bill has no pants on during this scene, and the implication is that Bill raped the guy off-screen.

2.) In season 3, it’s revealed that Bill has been employed as Queen Sophie Anne’s procurer for 35 years (starting as far back as 1974). Procurer by definition is someone who obtains another person as a prostitute for a client, which means that Bill was obtaining humans (either through kidnapping or glamouring) to be taken to Sophie Anne to be fed on, raped, paraded around as her pets, turned into vampires if she desired, or else disposed of once she was done with them. What he did here amounts to forced prostitution at best and human trafficking at worst. And in the case of Sophie Anne, I say rape because she was in a position of power over the humans procured for her as both a vampire and the Queen of Louisiana. These humans were not in a position to say no to her if she demanded sex from them, and there’s also the question of whether or not she used glamouring or V to keep them docile to her. Everything about this situation was disgusting and disturbing.

3.) In season 1, after the deaths of Malcom, Liam, and Diane, Sookie goes out to the graveyard and Bill (who is buried in the ground) grabs Sookie by her leg with the intent of forcing himself on her. This was described by Stephen Moyer (the actor who plays Bill Compton) in a 2009 interview as a rape scene:

“But when do you know it’s OK to crawl out of the mud and rape her [as Bill does in one scene]… ”

--Stephen Moyer in a 2009 interview with Nylon Magazine (the answer is a bit cut from the original)

The scene becomes even more disgusting when you remember how Bill got into this relationship with Sookie in the first place: He had been sent by Queen Sophie Anne to procure Sookie because of what she might have been (aka a faerie). To this end, he stood by and allowed the Rattarays to beat the shit out of Sookie (to the point she was puking up blood) so he could pretend to be a hero by “rescuing her” from them and then drug her with his blood. Said blood was both a tracking device, a drug, and a powerful aphrodisiac that was used to manipulate Sookie into falling in love with him. To make matters worse, while Bill did tell her that her libido might be enhanced, he did not tell her that the blood would make her sexually attracted to him. Bill then used this to take advantage of her grief over Gran’s death to get into her pants, and Sookie was still under the influence of his blood when Bill tried to force himself on her in the graveyard. No matter how you try to spin, that makes the consent in the graveyard dubious at best and non-existent at worst. Bill intended to rape Sookie in that moment.

4.) In season 3, in an attempt to get revenge on Lorena, Bill gets on the bed with her, violently twists her head 180 degrees, and proceeds to rape Lorena as a way to punish her. This was also described as a rape scene by Stephen Moyer at Paleyfest 2011:

“That particular scene was so.........I was worried about it, probably not for the reason you think. I was worried about it because I......I couldn’t see where Bill was going with that. What was the reason to turn anger into RAPE. And Alan and I talked about it, and I called Alan personally, and we talked about it, and.......it’s the only thing he has over her.”  

--Stephen Moyer at Paleyfest 2011

5.) In the season 3 episode “9 Crimes,” Bill is sent to procure a stripper from a bar for Russell, Lorena, and himself to feed on. Bill chooses a woman named Anne who has no family and is depressed and suicidal. Bill glamours Anne into coming with him, and when Russell and Lorena are feeding on Anne, Bill chooses to bite her in the groin. He could have chosen anywhere else on the body, and he chose to bite her in that region. Regardless of whether or not he was feeding from her, what he did here constitutes sexual assault/rape.

6.) In season 5, Bill (along with Salome and the other Chancellors at the Authority) sanction a human trafficking ring where humans are kept naked in cells to be fed on, raped, and disposed of. It doesn’t take a genius to understand why the humans were naked, and it’s specifically mentioned by Roman that the Sanguinistas (which Bill and the other Chancellors were a part of) believe in the torture, slavery, and rape of humans.

7.) In season 5, when Bill and the other Authority members attack the patrons at the bar and start slaughtering everyone, there's a brief moment where Bill is on top of a woman biting and sucking from her breast. Even if he was feeding from her, what he does here constitutes sexual assault.

It’s always been stunning to me that fans (especially of the TV show) are in denial about Bill being a rapist, and either go out of their way to deny it or else double-down on it. All of the examples I’ve listed above are instances of Bill committing rape, sexual assault, or human trafficking. All of them are instances where Bill did NOT care about boundaries or how his actions were hurting other people.

The most infuriating part of this is Bill is rarely called out for his behavior. Instead, the books and the show try to deflect responsibility from Bill by placing the blame on someone or something so he doesn’t have to be held accountable for his actions, or they actively downplay/retcon the severity of Bill being a rapist.

Bill Compton is a walking embodiment of rape culture, and a prime example of how our society continues to make excuses for abusive men.

[travllingbunny]

The 100 7x11 Etherea

This is the episode we’ve been waiting for this whole season - and while I don’t think it’s the best episode of the season, it is certainly the most exciting one. It would be that just the fact that Bellamy is finally back on screen (and not just for a couple of minutes, but for an entire episode fully focused on him), and it was great to see him and have an episode fully devoted to him, and remember once again what an amazing actor Bob is and the presence and intensity he brings to the show. But it also turned out to be the first episode of season 7 that is a genuine game changer and that shocked the viewers with a twist that wasn’t entirely predictable. 

Even though the fandom had been speculating on the so-called brainwashed Bellamy or “void Bellamy” or generally Bellamy that is for some reason the (temporary) enemy of Clarke, Octavia and the rest of the protagonists, and hoping for that storyline, with a Mockingjay-like possibilities for romantic angst between him and Clarke (especially after a photo of Bellamy in the white robe leaked early in the year, months before the season even started to air), the way it happened seems to have upset many of the fans )to quote a podcaster, “I was hoping for a brainwashed Bellamy, but not like this”). Probably because the show has Bellamy retain agency in his transformation and that it is indoctrination into a cult be more like real life and partially rooted in Bellamy’s own emotional issues, beliefs and needs, rather than taking the easier route of having him be Sci-Fi brainwashed, Winter Soldier style.

That said, I’m still not entirely sure how I feel about this episode and how good I think it is. The first half of the episode, Bellamy was very much himself, and it was focused on survival and trying to get off the planet,  and the dynamic between him and Conductor Doucette - throughout the episode - seems to play into the familiar trope of two enemies, or people of opposing views, who have to spend time together, gets to argue, survive together, and eventually bond as fellow humans. This story would not be particularly interesting - not only have we seen it many times, but it feels redundant for Bellamy, who has learned to see the POV of his enemies, bond with them and see the common humanity in them, many seasons ago. It also would not have been interesting if Bellamy managed to change Doucette’s beliefs - which the audience already thinks are rubbish - as this wouldn’t tell us anything new about Bellamy and would only give development to Doucette. 

But instead, what was really happening throughout this episode, under the guise of bonding with the enemy, was Bellamy’s spiritual journey - aka his indoctrination into Cadogan’s cult. The crucial part of it happens not just to his exhaustion and desperation in tough circumstances, or his companion offering him faith as a solution, but through something Bellamy actually sees in the cave, and his own visions a little later.  This is where the episode becomes a lot more interesting - and also a lot more frustrating.  I don’t think I’ll be sure how I feel about this until I see the rest of the season, and learn how some things from this episode are explained or followed up on. In particular, the explanation (or lack of it?) for Bellamy’s visions in this episode will pretty much determine what course the show is taking in its final season and what it is trying to be.

Whatever the explanation, the end result - which we see after Bellamy returns to Bardo - is disturbing and painful to watch. It is something we have never seen before - Bellamy himself trying to enforce a total abnegation of everything Bellamy Blake is. Which includes willingly repressing his feelings for his loved ones to the point of betraying them (and results in the most painful Bellarke reunion ever, and one of the most painful reunions of the Blake siblings). I don’t know if I’m fully buying such a huge transformation - which is one of my problems with the episode. But this is certainly quality angst, and means that the season has become much more exciting to watch.

Is it weird that such a big twist happens in episode 11, out of 16 episodes, after 10 episodes that have been mostly setup for the big plot? Yes, just like it is weird that Bellamy has been MIA before this. BTS reasons obviously affected this season a lot - if it hadn’t been for them, I think we’d have a similar storyline, but this would have happened much earlier in the season. Are 5 episodes enough to resolve this in a satisfactory way? Well, it’s certainly enough to resolve it - this is a show that has characters go from hate to love over the course of 5 episodes, has characters hook up/fall for each other after knowing each other for 2-3 episodes, the show that showed Hope’s entire 10-year relationship with her father figure in a 7 minute scene, and the show that just had this massive character transformation happen over one episode. Will it feel satisfactory and convincing - it could, if it’s well-written and if the show doesn’t waste too much time on the Sanctum plot and fully focuses on its two main characters now that one of them is finally back.

Starting from the beginning - this time, its Bob saying “Previously on”, in line with this season having different cast members saying those opening words in different episodes (Eliza in 7x01, Marie in 7x02, Luisa in 7x03, there was no previously on in 7x04, Marie in 7x05, Lindsey in 7x06, Richard in 7x07, no previously on in 7x08, Eliza in 7x09 and 7x10 - it’s a bit surprising that Eliza said it in episode 9 even though she wasn’t in it at all, but otherwise those fit characters that were strongly featured in the episode in question).

We also get yet another version of the opening titles - which start and finish with a shot of the Anomaly. Earth again makes a cameo near the end, just as it did in 7x10, though it’s in the shadow now so can’t be seen as clearly. 

While 90% of the episode takes place on Etherea, it opens and ends on Bardo. The opening scene is the only one not featuring Bellamy - apart from a replayed memory. We learn that the MCap machine was damaged by Echo, and is only now operational again. Finally, a good explanation why the Disciples did not put Echo, Diyoza or Octavia - again - in MCap after they agreed to cooperate. Levitt is using it on one of the Disciples who were in the Stone Room during the explosion. I guess he was still recovering a week after, and now they are presumably trying to help him, since - as the other Conductor tells Levitt - he is suffering from PTSD. Hey, isn’t that the first time anyone has mentioned that word on the show? At least the Disciples have kept the knowledge about mental health issues, even if their ways of dealing with it are questionable at best. We learn that no one is being punished, not even for killing Anders, as the other conductor says. (Not even? Does she think that’s worse than attempted genocide? Hope didn’t even back down from it as Echo eventually did, and the two Disciples Anders called witnessed it. The Conductor may think that the consequence is more important than intent... But even so, she clearly thinks Anders’ life was more important than those of two other Disciples, who were murdered by Echo as a part of her torturing Levitt. I guess that “For all mankind” thing doesn’t mean you consider all of the people, or even all of the Disciples, equal...)

Levitt finds out what 99% of the audience was sure of anyway and goes “He’s alive!” Surprise, surprise. But Levitt, shouldn’t you say “They are alive?”? Knowing Levitt’s attachment to Octavia, he is talking about Bellamy, not about one of his colleagues, Conductor Doucette, who was also presumed dead. (Doucette, not Douchette - even though the latter would make for a good joke.)

Let’s think about why this scene exists (apart from being used as a sneak peek). Obviously it was full of exposition, but why was it important for Levitt to find out that Bellamy is alive at the same time as we learn about it? We could have just seen Bellamy falling through the Bridge to the planet of Etherea. I suppose the purpose is dual: 1) to learn that the Disciples indeed did not know Bellamy was alive and on Etherea, 2) to learn that Cadogan knew Bellamy was alive an on Etherea, at least a few hours to a day before his return, which may be important for the events of this episode.

One of the questions the fandom has been debating is, did Anders intentionally send Bellamy to Etherea to be indoctrinated? Since 7x05, I have believed that Bellamy was on Etherea, and my initial reading of the scene was that Anders made the decision to send him there - and that this was why Doucette started to beg him: “Please, sir, no”, as he wasn’t happy to be stranded there. Then I started second-guessing it, because it became increasingly obvious that Anders was dumb as a brick and unable to come up with any smart plans how to brainwash people (as we saw with HEDO - he just threatened them into compliance instead of trying to really change their minds). Now I think that sending people to Etherea may be a standard practice that Disciples do on very special occasions when they want to send someone on a spiritual journey/pilgrimage/true brainwashing that they can’t come back until they make a ‘leap of faith” (just like they use Skyring as a standard prison). Maybe this is not even something that most Disciples know, but info only reserved for Level 12s or even Level 13s. But the grenade attack was real and made Anders believe Bellamy was dead and the plan was off - as there is no reason to believe that anything before Bellamy’s last day in the cave was manipulated from Bardo.

However, that last day - with Bellamy’s visions - could have been, and it happened around the same time Cadogan would have found out from Levitt that Bellamy was alive and on Etherea. There seems to be no time differential (or too small a differential to matter) between Etherea and Bardo - just like there seems to be none between Earth and Sanctum, since Bellamy and Doucette retained their memories going from Bardo to Etherea and back, both times without a protective helmet.

Etherea, the planet

The promo for this episode made the planet look much worse and less survivable than it really seems to be. Apart from the grey filter* that the show is using to make it look worse and kind of drab and gloomy, it seems to be a perfectly nice planet, with vegetation and an OK climate - as long as you are not trying to get off the planet through the Anomaly and climbing the extremely high mountain to reach the Anomaly Stone. It’s funny that, aside from Nakara, every other planet connected by the Anomaly has better living conditions than Bardo. The Disciples obviously use Bardo just because of the facilities they’ve found there. But Skyring is a really lovely planet - its only problem is the time differential from the other habitable planets, but that would not be a problem if a big group of people just decided to live there and start a community. Sanctum is lovely, too - well, except for red sun toxin and killer insects and meat-eating trees. (Why have the Disciples mostly ignored it? Is it because of those things, or maybe they didn’t want to mix with the Primes and other Sanctumites? Or they just didn’t see a use for it?) And Etherea is another problem where people could decide to live, if they gave up going to other planets.

*The show uses different filters to make the woods around Vancouver look like different planets:  

Sanctum - bright colors, lots of red during day, purple at night 

Skyring - blue filter (nice planet) 

Nakara - blue filter (frozen planet) 

Etherea - grey filter 

Earth - normal, except in S5 everywhere outside Eden - greyish yellow filter for a desolated post-Praimfaya Earth

But of course, Bellamy is definitely not interested in staying there and only wants to find a way off this planet, and Doucette, unlike Orlando, is neither serving a sentence he wants to see to the end nor is expecting the Disciples to send a team to retrieve him. This is another one of the “just two three four people on the planet” episodes, but this stay is just a few months rather than years, and spent in much harsher and most exhausting conditions during most of that time - because Bellamy never stops trying to get off the planet. There are parallels and strong contrasts to every one of those other situations:

Eden -  The first few months of Clarke’s experience surviving on the desolated Earth parallel Bellamy’s months on the mountain - surviving in tough conditions (extreme heat in Clarke’s case vs extreme cold in Bellamy’s), physically and mentally exhausted to the point of breaking. There are even visually parallel shots of both of them walking with a stick or eating bugs. But the big differences are: after trying and failing to get in the bunker and after the Temple collapsed, Clarke had no way of getting off the planet or out of her current situation and reuniting with any of her loved ones. She could only survive and wait. She was all alone and only talking to Bellamy, who wasn’t there, to keep herself sane. Bellamy, OTOH, was actively trying to get off the planet and reach his loved ones all that time, and he had a companion - another adult with strong beliefs, who he talked to and who did his best to indoctrinate him. After those first few months, Clarke found Eden and met Madi, and the rest of her (mostly off-screen) life on Earth during the next 6 years was much more similar to Octavia’s life with Diyoza and Hope on Skyring. 

The Garden - Unlike Bellamy, Octavia lived in a beautiful place and with someone who was already her friend and a child she came to look after, finding family she loved (rather than faith and abstract “love for all mankind”). Like Bellamy, Octavia kept trying to get off the planet and reach her sibling and her friends, which was equally difficult for a different reason, as the Anomaly entrance was deep under water (unlike Bellamy, she wouldn’t have actually able to leave the planet as she didn’t have a Conductor or codes for the Stone - but she didn’t know she needed them) - for 6 years, before she eventually gave up and settled for her peaceful life for the next 4 years and sending Bellamy a letter.

Hesperides - Like Bellamy, Echo, Gabriel and Hope wanted to get off the planet and reach their friends/family, but unlike Bellamy, they couldn’t get the codes and had to wait for 5 years, and, unlike him, they lived in lovely place. Like Bellamy, they had a devout Disciple as a companion,  but there were three of them, which made it more difficult for him to indoctrinate them, no matter how much he wanted to make them Disciples, and they were the ones trying to manipulate him. They developed a friendship with him, as Bellamy did with Doucette, but while Bellamy saved Doucette when he didn’t have to anymore, Echo betrayed him and left him as expendable, and the other two eventually went along with it.

But Etherea is not just another planet for the Disciples - it is notable for what can be found in a cave on the way to the top of the mountain, which Cadogan apparently looked for and found, as a part of his pilgrimage - his own “40 days in a desert” - because, of course, he sees himself as a messiah (and, as we saw in 7x09, this is an important thing in the Bardo religion and something children are taught about in school). 

Bellamy immediately learns all about Cadogan’s teachings - everything the rest of the characters took several episodes to learn about - by reading his book (”pocket propaganda from another false god”) and immediately pokes holes in it. He makes all the good points and lists most of the reasons why the Disciple faith makes no sense, including the fact that it makes no sense to be fighting for peace and end of violence by waging another war. Everything he says in the first half of the episode are things I would completely agree with. Which makes it all the more frustrating when he starts ignoring his own reasonable arguments by the end of this episode. One might say that the Disciple propaganda attacks both his heart - using his desire to find peace, an end to all the struggle and pain, and eventually, his love and memory of his mother, to ignore what his head is telling him - but they also eventually attack his head, by presenting what seems like actual physical evidence, and the end result is to ignore not just the rational objections he had, but also try to suppress his love for the most important individual people in his life.

He lists the people he loves - “Octavia, Echo, Clarke” - which is the first time Bellamy himself has used the word love for the latter two (and in fact, for anyone other than Octavia). BTW, notice that no one in the show has ever used the word “girlfriend/boyfriend” except Diyoza (when this was what she assumed Clarke was to Bellamy)? Maybe these words have fallen out of use in the post-apocalypse societies. The main characters usually talk about their “friends” or “family” (the latter not always being biological). Doucette later talks of "your family, your friends” and “your obsession with your sister and your friends” - where Echo and Clarke are both lumped into this category. Echo is not singled out as “your girlfriend” or in any other way.

Here’s the thing about Bellamy’s and Doucette’s dynamic: if this story wasn’t really about indoctrinating Bellamy, there really wouldn’t be anything there we didn’t know about Bellamy before. Of course he wouldn’t kill this random Disciple guy if he didn’t have to - and, in spite of what he tells Doucette at the start, it’s not just because he needed him to survive. Bellamy learning to see the humanity of his enemies and working with them and bonding with them is something we have seen many times: at first with Clarke, then with Lincoln, Indra, the Grounders, Kane, Echo. All the way back in season 2, he valued human lives, even from the enemy side: he opposed Murphy’s idea of killing the captive Grounder thief (while Finn summarily killed him), he angrily said he’d kill everyone in Mount Weather but then tried his best for that not to happen, after seeing the children there; even during his Pike-supporting days, he tried to persuade Pike and the others to spare the wounded Grounder warriors, in season 4 he talked Riley down from trying to assassinate Roan, and in season 5, he refused to kill the cryo frozen Eligius prisoners, and later convinced Madi to spare the Eligius convicts who were their PoW. And while Bellamy has been motivated, most of all, by personal love (particularly for his sister and Clarke), we’ve seen him save many people, including strangers or near strangers. That speech Doucette gave him about “loving all mankind” is something season 1 Bellamy needed to hear, the one who was focused just on Octavia and then just on her and the Delinquents, but Bellamy has had a massive character development since. Bellamy knows more about loving all mankind than Doucette or any of the Disciples do. Doucette says he “loves all mankind” including a total stranger - well, dude, didn’t you try to kill Bellamy at first? And the rest of what we’ve seen from Disciples is much worse. They talked the talk, but don’t walk the walk, unless they think kidnapping and torturing people and trying to break their spirit is “love”, And Anders definitely showed that he did not “love all the mankind” when he ordered a hit on Hope, or when he gave that speech in 7x10 about what disgusting “wild beats” all these non-Disciples were.

But unlike Anders, Doucette can talk in a convincing way and make decent arguments in favor of his faith to non-believers, rather than just preaching to the converted - or at least, he can appear to give decent arguments. He’s taking a page from The 100 fandom with the argument that Bellamy is so selfish and egotistical for... loving his sister and his friends and constantly fighting and sacrificing himself for them. (The 100 fandom loves making that same argument about Clarke.) Quite a skill, to make such BS argument sound convincing. He basically gives Bellamy a version of the “Love is weakness” advice - in this case, that “love is selfish” and leads to destruction and pain. And when Bellamy asks the rhetorical question, if that means that you shouldn’t love anyone -  Doucette turns it around and talks of love for all mankind. But that “love” he speaks of is abstract and fake - it is impossible to love everyone. You cannot love total strangers, or people you simply don’t like - certainly not the same as you love your lover or friend or family member. You can, however, be compassionate, and value human lives,.Which is, in fact, something the Disciples don’t do, as we’ve seen on Bardo (but Bellamy has not seen it yet) - they just value lives as more soldiers for the cause. Their “humanity” is abstract - they are ready to sacrifice individuals for it (everyone except the Shepherd). Bellamy, on the other hand, has always been about valuing individual lives and saving them - be it Mel on season 2, or the slaves in season  - and he managed to do it while also loving his sister and his friends. The Disciples and Doucette’s arguments present a false dichotomy. But, unfortunately, Bellamy still has deep guilt and self-loathing that he never fully resolved (even in season 6, he still talked about his many sins in 6x04), and he’s tired by always having to fight another war for survival, just to followed by another. (Which is similar to Clarke’s misgivings in 7x03: “I’m afraid that fighting is not what we do, it’s what we are” and Raven’s and Clarke’s conversation about guilt over having killed so many people.) The only time he didn’t have to always worry and/or fight were the years on the Ring, but he was still grieving Clarke and missing Octavia and motivated by going back down to reunite with her  He knows what he’s capable of doing out of love - and he also has unresolved issues with the women he loves. In season 4, he lamented how pathetic he was coming back to his sister when she kept treating him badly, and in the 7x07 Ring flashback, he thought his love for his sister was his “weakness”. He’s certainly been hurt by her, finally rejected her and then later got to reunite with her, get an apology and forgive and make up with her. He and Clarke have also certainly hurt each other and forgiven each other, and that relationship is still unresolved. Bellamy himself admitted to Jo!Clarke in 6x09 that he was exhausted by their ups and downs and lack of resolution. And Echo... well, he should know exactly where he stands with her, but he didn’t seem happy about their relationship and seemed to want her to be Clarke someone else.

I can see why Bellamy started to envy Doucette his emotional calm that his faith and worldview seemed to bring him.

We got another Pike mention in this ep (and again, it was a reference to his positive role - as a teacher of Earth skills). The last time Bellamy made it was in 6x07 when he found out Clarke was alive. Pike was also a father figure to Bellamy - just like Kane, and now Cadogan. Bellamy has been called both a King and a Knight. Some of his biggest mistakes were when he chose to trust in a leader/father figure (the last time, it was Pike - who was, however, very different from Cadogan and his views on the opposite side the spectrum from Bill’s), and ALIE!Raven thought that one of the ways she could try to taunt him and erode his confidence was to call him a follower rather than a leader. Only she tried to convince him that he was in subjugated position to Clarke - which IMO was never true. They have always had an equal relationship (except when external circumstances made it otherwise - see, Kane and the adults taking the power away from Bellamy, while Clarke was able to take it back from Abby mostly because she was backed up by the Grounder Commander), and Clarke was the one who always tried to boost Bellamy’s confidence in his abilities as a leader. He was definitely a leader of his people in season 5 and season 6, and he works best as co-leader with Clarke (and vice versa). But even when Bellamy supported Clarke, he was questioning his decisions, even though he was rarely able to change Pike’s mind - he wasn’t blindly obeying and accepting everything, as he would have to with the Disciples.

Another factor in Bellamy’s transformation is of course the fact that he spent months in the cave - to the point of physical and mental exhaustion. Every time he and Doucette would climb the mountain, the peak where the Stone was would turn out to be even higher. Bellamy himself used two of the Greek myths to describe the task - Sisyphus and Icarus. A pointless task that results in having to do everything all over again (just like what he said about having to always fight another war), and a dangerous task likely to destroy you.

Bellamy was still insisting on reason over faith - “I believe in what I can prove” - but then he got to see the beings of light, as “proof”..

And here we come to the more interesting part of this ep and something that the show may or may not explain. I’m pretty skeptical about Cadogan’s views of what these beings are. How do we know that they have really “transcended” and become eternal or whatever, living on some kind of higher plane? No one has communicated with them, or have they? They are aliens, from our POV. Maybe that’s their natural state?  Maybe they’re dead and this is just what remains of them? Maybe they died in a similar catastrophe as the Bardoans but one that was more about fire than ice, as Selina hypothesized in her review)? Maybe they are in agony?  Sure, they look beautiful to human eyes, and fit the human culture’s idea of what spirituality and transcendence is like - but you can’t know that for sure. The frozen crystal giants on Bardo also look beautiful, after all, and that entire species died horribly

And then the second “otherworldly” thing happens after Bellamy finally agreed to prey - and he has a vision, involving Cadogan as his spiritual guide, leading him from a place full of weapons - swords and guns - to the place where he sees his dead mother, Aurora. It’s a beautiful and emotional scene, and I can’t imagine all the things Bellamy is feeling as she touches his face - including, probably, more unresolved guilt - over getting his mother executed (because he loved his sister and tried to make her happy). Aurora tells him Go to the light, Bellamy” and he looks at the figures of light -  but we don’t learn what, if anything, he saw there .

I hope we learn that Bellamy saw something important - maybe something connected to the Judgment Day Becca talked about - that would explain the extent of his conversion, although it seems that it is mostly supposed to be a consequence of the fact that the storm stopped at the moment when he chose to prey. 

The final step in his ‘spiritual journey’ is after that, when he barely managed to reach the top. After repeating the mantra “I am not afraid” (something else from the Blakes’ childhood - the same line Octavia was repeating on Bardo to resist the Conductors), he admits to himself “I am afraid”. In retrospect, a sign that he was broken, and started feeling that his past and his family were not enough to give him strength and faith. The jump from the top was described as a “leap of faith” by Doucette - which is kind of ridiculous, since it had nothing to do with faith, just with the fact that Cadogan was there and knew how the Anomaly worked, and the fact he was able to climb the mountain and leave is proof that the Anomaly worked properly. 

(I wonder why the heck the Anomaly works so differently on different planets - in some cases you can enter the Anomaly right next to the Stone when you’re leaving the planet, and in others, you have to go back to the original entrance that’s somewhere else.)

Now, the visions may be explained in several different ways:

hallucinations - earlier, Bellamy found a family photo and recognized Cadogan, and he would know how Conductors and high ranking Disciples dress, he’s seen the white robe on Anders and Doucette

everything in the cave is real, and Cadogan has some sort of a telepathic connection to the cave (the true believer’s interpretation)

the brain implant/hive mind theory (by Selina again - I don’t believe in this one as there has been no evidence of it so far)

projections/hologram - see Jean’s theory that Cadogan used the hologram technology to project images of himself and Aurora (whose image is familiar to the Disciples from Octavia’s memories)

a combination of some of the above - the beings of light may be real, and Cadogan may have stumbled onto something but has again misinterpreted what it was all about; Bellamy’s vision of Cadogan was a hallucination or projection, but he also did see something real when his mother (again, possible hallucination or unexplained spiritual phenomenon) told him to look into the light.

It’s possible that the show will never fully explain what really happened here, just as Murphy’s vision of hell has never been explained.

The reunion

Up until this point, the episode doesn’t seem to show a seriously disturbing turn in Bellamy: we saw that he was starting to take the Disciples’ faith seriously and even to believe in it, and the first thing he does when turning up in the Stone Room on Bardo is look happy and relieved he made it, and hug an equally happy Doucette. So, he made a friend among the Disciples and will be the one telling Clarke and the rest: “We should take this seriously, they have a point, here is what I saw on Etherea...” - right? That would make perfect sense while not fundamentally changing who Bellamy is.

But no! Bellamy falls to his knees and calls Cadogan “My Shepherd” - which was one of the most painful scenes for me to see in all of the show, even more so than the later scene where he snitches on Clarke. There’s been a lot this season about “kings” forcing subjects to kneel - but instead of the “kneel or die” approach that Anders more or less used (while Sheidheda is using it in the most literal way possible), this is out of genuine belief. I  don’t know if I’m really buying this massive transformation that we see here and in the next scene. It’s just a bit too much. Maybe information about what it was that Belalmy saw when he went ‘into the light’ would help explain it better.

Cadogan is happy to use Bellamy to convince Clarke to cooperate, and informs him: “Your friends are here, they have gotten themselves in some trouble”. Maybe this adds up to the reason why Bellamy is uncomfortable when he sees them a bit later, because they’ve been bad - but only some of them were (Echo with her murders, torture and genocide attempt, the others - not really, except Hope, someone he doesn’t even know yet). But when he comes to see them, he looks broken, exhausted and numb after all his experiences. And probably wary of giving in to the “selfish love”. (His friendship with Doucette is presumably in line with his new faith, but he seems to think his friendship with Clarke is not? Is that his relationship with Clarke actually involves love, real love for an individual?) After finally reuniting with the people he had been trying to reach all that time on Etherea, he doesn’t even look happy to see them. To quote Bellamy from earlier in the episode,Sometimes, Bellamy Blake, irony is funny. This is not one of these times.

Meanwhile, his friends are in Cadogan’s living quarters in house arrest. Conveniently, it’s just Clarke, Echo and Octavia there - plus Gabriel, but the focus is on Bellamy’s reunions with the three women he named as the people he loved earlier in the episode. Raven is not there, neither are Miller, Jordan, Niylah or Hope. (The last time Bellamy saw Jordan, Jordan was the brainwashed one. Hey, what happened to that storyline? Did it end up as a casualty of the rewrites?)

They’re discussing what to do, and Clarke has decided to basically sacrifice her life so the others could escape. We know that Clarke is a very selfless person, but  the way she’s been increasingly casually deciding to sacrifice herself feels a bit disturbing - as if she’s stopped caring about her own life or hoping for happiness. At this point, her big character development would be to choose happiness and try to have what she wants. Even her “selfish” actions up to this point were mostly about trying to protect others. We haven’t even seen her show much emotion this season - as if she was on autopilot - except for her early grieving Abby earlier in the season, and moments when she’s silently grieving Bellamy, 

Cadogan is there to offer the carrot rather than the stick, and being a drama queen, doesn’t Clarke and the others that Bellamy is there, but lets him in. They are massively surprised but don’t notice something’s off, or rather, they seem to assume he is just physically exhausted and in pain rather than mentally/emotionally off, as he silently looks at Clarke and Octavia and then Echo. Camera shows close-ups of the reactions of the people who love him: Clarke’s, Echo’s and Octavia’s reactions before going back to Clarke. (Probably because she’s the main character, in case people have forgotten, and her relationship with Bellamy is at center of the show), Octavia is happy and proud tries to hug her brother, but the Disciples pull out weapons. Clarke ignores the weapons, counting on her status/leverage, and hugs him. 

She looks lovingly at him, with something we haven’t seen from her in a long time - happiness, that’s definitely not “best friend that I’m not attracted to” but “best friend I have naughty thoughts about”. (Only love can make you hug someone who must be smelling really badly at this point, considering Bellamy hasn’t washed or changed his clothes in over 3 months!)

This hug is different from any other Bellarke hug ever, since Bellamy is so numb, even when he hugs her back, but she is too happy to see him back to notice.  And then when she takes the chance to also get him up to speed and tell him about the Flame - he gets an incredibly sad look on his face. He is not unemotional now - but he has decided he must ignore and suppress those feelings, betray her trust and tell Cadogan the truth, because his faith and the so-called “love for all mankind” comes first.

Everyone is shocked when he calls Cadogan “My Shepherd” and then beyond shocked when he betrays them - and camera again shows Echo’s, Octavia’s and Clarke’s reactions, going back to Cadogan, and then the episode ends on a close-up of Clarke’s shocked face. Because, you know, she’s still the main character. And finally, now we can hopefully have a S7 storyline that properly focuses on the show’s protagonist and utilizes Eliza’s talent allowing her to show a range of emotions. When Clarke believed Bellamy was dead, he was someone she could hold in her memory and try to honor it by saving his sister and girlfriend - but this is a whole new way of losing him, right after thinking she got him back, and means real emotional turmoil.

Bellamy has become a true believer and decided to stop being himself. And the people who love him will now have to deal with his loss - in another way - all over again, and try to save him. I’m torn because this storyline offers huge opportunities for a “power of love” storyline right out of a fanfic, but I’m uncomfortable with the idea that it may come at the expense of having Bellamy be manipulated and subjugated to a white megalomaniac villain in the last season. But I hope and expect we will see genuine character development and re-affirmation of who Bellamy Blake is. Now, there are a lot of things Bellamy doesn’t know yet and that have contributed to him drinking Cadogan’s Kool-Aid (he hasn’t seen Cadogan’s dealings with his family or Second Dawn, or what he did to Becca, or Anders’ actions on Bardo, or the way the Disciples mistreat their own people, and he doesn’t know about Cadogan’s mistranslation of the Bardoan text), but I don’t think the resolution of this storyline will be about Cadogan or what Bellamy knows about his religion. I think it will be Bellamy himself and his relationships. Clarke and Octavia had big character arcs in season 5-6 where they had to deal with who they are, who they’ve become and what they want to be negating everything he is. He needs to finally really deal with his self-loathing and guilt and he needs to gain back trust in himself, the Bellamy Blake that others loved and trusted and relied on. He needs to feel loved and decide that love is strength and a positive rather than just ‘selfish’ force. (And who can show him that? Hint: not his girlfriend Echo, whose love he would definitely see as confirmation that love is selfish and destructive, as it makes a person do things like murder, torture and attempted genocide out of revenge. Another hint: probably the same person who gave him confidence and made him believe in himself and grow as a person, multiple times, all the way back in season 1 and again in season 3 and season 4, telling him he was a person that other follow because of his big heart and the way he can inspire people. And third hint - the same person Bellamy was saving - her physical self - in season 6, will be the one who’ll have to save him, mentally, save who he is., in season 7.)

Rating: 8/10 (could go higher or lower depending on how the cave visions are explained and what the outcome of this plot is)

[katyatalks]

MP100 “Characters & Such Official Guidebook” - Interviews ENG Translation

The Characters & Such Official Guidebook was released mid-April 2019 as a guide for all things related to MP100 season 1 & 2. The guidebook also includes interviews with the voice actors of the main five characters (Mob, Reigen, Dimple, Ritsu, Teru), followed by interviews with Director Tachikawa, Series Coordinator Seko, Character Designer Kameda & finally with ONE himself.

Contains a bunch of interesting trivia and conversations (eg. Tachikawa and Kameda looked at fan art before they began the anime, an alternative past for Reigen was once considered, plenty of references to S3 & broccoli arc.) This is a pretty long read, so please enjoy!

Original thread on Twitter here. TN = Translator’s Note "Bold denotes a direct quote of a question,” & “italics denotes a direct quote of an answer.” I’m a little bit inconsistent with where I decide to give full question and answers rather than summaries here...

--

ITOU SETSUO [Mob]

On being asked how he approached voicing Mob during the audition, he says that he went for something flat as Mob doesn’t really inspire “main character” vibes in him.

He takes it as a compliment when he is told that he’s like Mob as a person.

Initially he didn’t think too much of himself in the role as Mob but after being told by co-stars just how well his voice and performance suit the character, he began to believe it too.

On being asked what’s so charming about Mob, Itou says his honesty, and that he doesn’t take a negative viewpoint. Brings up that when Mob is against a foe, rather than “are you my enemy?” he’ll ask “what are you doing here?”.

Itou’s favourite character is Teru, as he thinks the way Teru behaves with his powers originally is the most realistic in terms of standard human nature.

He says the same thing applies to Shou & Touichirou.

The fact that Mob is different is his strength; the fact that he doesn’t think of his powers as anything special. He gives credit to Reigen for Mob thinking this way about his powers.

“At first, Mob-kun suffered because of his powers. But then he meets shishou, who tells him that his powers are just one part of him - this is linked to why Mob-kun is so charming now.”

Mob considers “you shouldn’t use your powers against people” a given fact.

Itou originally found it difficult to know how far he should go adding emotion to Mob’s voice.

Since MP100 is the first show Itou has been a regular & leading part for, he wanted to be the first person in the recording booth for episode 1, and as a result ended up arriving 45 minutes early.

Asked about his favourite scenes from S1 & S2, he mentions the scene that’s stayed with him is when Mob first appears in S1E1.

Has a few scenes he mentions as favourites; he loves the whole Teru vs Mob fight, but especially when Teru is shouting while using his powers as he recalls the passion Matsuoka [Teru] had when recording it.

He mentions when Mob saves Ritsu in S1E8, also mentions that’s something they covered in the stage play, and that it makes him emotional thinking about it.

Says he loves the scene when Mob shouts “Shishou!” as Reigen is ‘killed’ by Sakurai in S1E11.

Mentions S2E1 as well. “Mob-kun doesn’t express his emotions much, but he does then. Showing his powers to another while crying. I remember being glad when I first read the script for episode 1 as it’s a scene I wanted to do. I think of it as the moment Mob-kun starts to change.”

When asked about the stage play, says he thinks the Mob he portrays in the stage play is slightly different to the one he portrays in the anime.

Asks the fans to please continue to watch over MP100 and Mob’s growth, and it would be good if we could all continue to support MP100 as much as we can, from a stage play angle as well.

SAKURAI TAKAHIRO [Reigen]

Sakurai says if he were to have powers he’d probably use them to commit wrongdoings with.

Asked on his impressions of Reigen, says he sees Reigen as an “unbalanced person”, but thought he was mysterious in season 1.

Thought of Reigen as a fraud and not a good person in S1, but with S2 we see his uchizura (private, more ‘real’ self) and real emotions, so his feelings re: Reigen changed from S1 to S2. “It was hard to know who he was, back in season 1.”

“So you felt pretty strongly that he was simply a fraud?” Sakurai; “Well, he lies to people, but at the same time he does actually put some work in (laughs). Clients go home feeling refreshed, so he definitely gives a good massage.”

Calls Reigen eloquent, and that the things that he says are sound. Calls him a good speaker. Brings up his speech to the “claw guys” (likely referencing S1E12). “He can be irresponsible, but he’s got a mysterious intelligence.”

Says that from the middle to the end of S2 there would be as many as 20-30 people in the studio.

Asked about his favourite episodes S1+S2 inclusive, says S2E1 and that the transition from the end of S1 to S2 is smooth with it. “A really fantastic episode”, “you can also see signs of Mob’s growth.”

“On that note, when Reigen hears that Mob got a girlfriend...” Sakurai; “It’s a shock (laughs). His mind goes blank. ‘There’s no way Mob managed to get a girlfriend,’ is what’s running through his mind. He doesn’t celebrate it. Actually, it’s an upsetting thing for him - since Mob would be all over her, Reigen’s business would end up in trouble (laughs).”

Sakurai describes the “Shishou and Deshi” relationship that Mob & Reigen originally have as something that’s quite fabricated and disregards a lot of truths.

“Reigen was an adult floating in limbo for some time, and starts a business in a calculating move. And it starts going well once he meets Mob in their chance encounter.”

“The nickname ‘Mob’ signifies him as a boy without a presence, and yet it’s from that point that Mob starts to grow, and something like a desire for recognition sprouts within him.” [TN: This appears to be implying that Reigen began the ‘Mob’ nickname.]

Sakurai considers Reigen arc 1) a story in which Mob's popularity skyrockets 2) a story in which we see a more raw side of Reigen and start to like him more.

On being asked if there’s any part of Reigen that he sees in himself, starts off with saying that he tends to give out advice to those younger than him (he’s in his 40s and implies he can’t compare himself to someone who’s young in their 20s). Then after knowing what’s running through Reigen’s head in S2; “I suppose we do overlap in one way or another.”

Sakurai says he was very much one of the “mob” (a nobody) in his 10s.

Finally, asked to give a message to fans; “I’d like to do a Season 3, so please continue to love Mob Psycho 100.”

OOTSUKA AKIO [Dimple]

Asked about his thoughts on MP100, Ootsuka says that the art style of the manga caught his eye - he thought it was fun that the anime doesn’t lose the style of the manga while making it more stylish.

Finds in modern manga, the trend is an ordinary kid will get powers by some chance & the adventure starts from there, but found it interesting that in MP100 Mob has had powers since he was tiny & the adventure begins after he comes crying to Reigen with “I don’t know what to do”.

Also enjoys how Mob isn’t exactly the “main character” type. Thinks that it’s a breath of fresh air in the shounen manga genre.

On being asked about Dimple’s charm, Ootsuka; “He’s bad, but you can’t hate him.”

Says that Dimple is ugly but that’s fun, since most of the time mascot characters are cute.

When asked what was running through his mind when preparing for the role of Dimple, he says “dishonesty, slyness.” Acting as if he’s smarter than people but he actually isn’t.

“Speaking of dishonest/sly adults, I feel Reigen is a different type.” Ootsuka; “I’d say Reigen is more dishonest/sly than Dimple... nah, actually they’re about the same. (Laughs)”

When asked if there was anything he finds difficult about playing Dimple, he says that with other acting jobs he finds it hard to play a character where he can’t connect, but “there’s a similar kind of guy to Dimple that lives inside me. So I just go, ‘oi, come out’ (laughs)”.

Says he thinks we all have a bit of Dimple in us.

Ootsuka is also the narrator in MP100. Said that originally he felt there was a difference in the way he played Dimple & the narrator, but that difference kind of became smaller.

He was told to no longer put on a voice that sounds similar to the person Dimple is possessing for season 2, which disappointed him as he wanted to put on a Mob-like voice for when Dimple possesses Mob in S2E4.

Discussion of how director didn’t like Hoshino’s [Serizawa] original takes as they were too silly. [TN: this is mentioned again by Inoue [Suzuki] and Hoshino [Serizawa] in this interview.]

He recalls bursting into laughter over Iwasaki Hiroshi’s performance as Ishiguro in S1E12.

“Reigen becomes able to see Dimple as well in the last bit of Season 1, so he gains another conversation partner.” Ootsuka; “Reigen and Dimple, they both view the other as unnecessary (laughs). So the back-and-forth they have with that in mind is pretty fun.”

Asked about his favourite scenes or episodes, he says the end of S1E3. Dimple’s “Great morning, isn’t it, partner?” line really stuck with him.

Compares Dimple to a dog by Mob’s side.

“Dimple has the kind of face that you just might want to slap (laughs).” Ootsuka; “Well, that’s why I was careful to not give him a too audacious manner of speaking.” Says the interesting thing about his line of work is really having to think about how to say lines.

Also voiced Dimple for the live action adaptation [TN: AKA Netflix ver]. Says it was fun but found it a massive shame that he wasn’t able to bounce lines off of anyone.

“I really didn’t do much in middle school. I was just a chuunibyou (laughs).”

When asked to give a message to MP100 fans, “You guys wanna see more, right? There’s still more to adapt, isn’t there ;) (laughs). So, we can make a sequel to S2 a reality if everyone works together. A ‘if you speak up, then your dreams might come true!’ vibe (laughs).”

He makes a sneaky reference to Broccoli Arc and wanting to see it animated.

IRINO MIYU  [Ritsu]

On being asked his initial thoughts on MP100, Irino states he originally thought it was a lighthearted jokey manga based on the art style and the way the story was introduced, so he was surprised as the story progressed.

States that Ritsu is a relatable character with the issues that he faces (eg wanting something that’s out of reach so hiding your want).

Asked about anything that was difficult to perform as Ritsu, he states his two-sided nature; his general honour-student self and the other side of him.

Says that when Ritsu enters into his darker side, rather than playing some kind of bad guy Ritsu is simply more frank with how he expresses himself. “He lets the emotions in his heart be heard one by one.”

Irino is asked if he personally admires Mob, to which he replies that he’s jealous of the fact that Mob is so unbeatable.

He says Ritsu must also have the experience of looking at Mob and thinking something like, “Compared to him, I’m just...”

States he himself, Ritsu, and just about anyone has likely yearned to become something overwhelming, but we don’t believe in our ability to achieve that.

Following this, interviewer comments that Mob carries feelings of unease in his heart even though he’s so unbeatable. Irino comments that something fun for him with MP100 is that Mob doesn’t really realise how unbeatable he is.

Something that Ritsu admires about his brother is that he doesn’t show off the fact that he’s unbeatable.

“Even with powers, there’s plenty of things you can’t do.” Irino; “Such as not being able to confess to the girl you like (laughs).”

“Seems like even if he abused his powers he’d still be able to turn heads.” Irino; “Because he’s charming - that’s something good about him. That’s why everyone loves him, and why he gives off main-character-of-a-shounen-manga vibes.”

Asked about his favourite scenes/episodes from seasons 1 & 2, Irino says around when Ritsu's powers are awakened in season 1. He found it interesting to watch how his heart becomes disturbed.

"He finally obtained the thing he'd been longing for, but everything around him that was once so calm gets thrown into disarray."

He also liked it when Ritsu stands atop the telephone pole in S1E7.

Speaking in terms of Power Rangers & character colour association, ever since he was a kid Irino has admired characters that are more blue or black rather than red.

Interviewer comments that Ritsu holds the ‘blue’ role in MP100.

After Mob & Ritsu reconcile, Irino states that he feels Ritsu has come to understand his brother more.

“How should I put it; Ritsu is overprotective, or there’s a side to him that’s too fussy over his big brother...” Irino; “but that kind of brotherly love is pleasant to see.”

“In Season 2, Ritsu and Shou go through a joint struggle.” Irino; “Shou’s father has tremendous powers, and he has one fear with that; he doesn’t know when his father will go on a rampage. Their circumstances are similar, in that sense.”

“Truth is, in parts MP100 is quite like your typical shounen manga.” Irino replies that there’s a bunch of great lines in the manga, and importance hidden within casual words.

Following this response he’s asked if there’s certain line(s) from MP100 that have stuck with him, to which Irino replies quite a few of Reigen’s. “During the last part of season 1 when he marches into Claw’s hideout, you get to hear a lot of his thoughts. It’s hard to tell if he’s being truthful with the things he says or if he’s lying, and on top of that he says quite a few important things. That unbalance is interesting.”

“The broadcast of season 2 has already come to an end...” Irino replies that he’d like the MP100 anime to continue and adapt the manga to the very end.

“I’m sure all the fans feel the same way.” Irino; “Everyone worked together as one to create the MP100 anime. For it to continue, we need your support; so please continue to give that to us.”

MATSUOKA YOSHITSUGU [Teru]

Asked his initial thoughts on MP100, Matsuoka says it was that it’s a piece that you can easily empathise with; regardless of if you’re in primary school, middle school, high school, an adult, an old man or woman...

Matsuoka thinks of the anime as something you watch and go, “I’ll try my best tomorrow, too.”

Matsuoka voices both Teru and Tokugawa in MP100. He was first offered the voice of Teru, and then it was decided he’d also voice Tokugawa.

It’s brought up that Tokugawa appears earlier in the show than Teru. “They’re two very different people, so in that sense performing both roles was easy. If they’d been similar characters I think there would be some confusion.”

Regarding Tokugawa, Matsuoka describes him as being quite firmly in the “student council” role with how strict and resolute his character is, in a way that Matsuoka himself very much isn’t.

Describes him as a cool-headed person, but given the way he interacts with Kamuro and is able to persuade him, says he has a hot-headed element to him as well. Matsuoka uses this as an example of how MP100 shows us the multifacetedness of human nature.

Regarding his other character, Teru; describes him as the personification of ‘chuunibyou’. “I think of him as the embodiment of the answer to the question, ‘if you had powers, what would you do?’”

One line he still remembers from S1 is Teru’s “Muscle training? Studying? That’s for ordinary people!” Matsuoka says that there’s a part of him that agreed with that line, and he says that if he were to get powers he’d likely be as conceited as Teru was.

States that Mob’s “From my perspective you’re just ordinary” line also stuck with him.

“From S1E5?” Matsuoka; “Yes - and then Teru replies, 'shut up!', and strangles Mob.” He says that he was really able to project his own emotions during this part and mix them with Teru’s own.

“People can’t change so easily” - Matsuoka says the things that Teru was saying to Mob, he was also saying to himself, like looking in a mirror. Uses this as an example of Teru’s own multifaceted nature.

Matsuoka says that the original Teru we see (who the interviewer describes as having a "poisonous nature" & putting on airs) is simply playing the role of what he considers to be an 'ideal' person, but then that comes away and we're left with the real Teru.

Interviewer makes a joke that Teru gets his personality trimmed along with his hair.

Is asked about Mob & Teru's rivalry, and says "No way, no way - there's no way they're /actually/ rivals." Says the power difference between Mob and Teru is way too big for that to actually be the case - "compared to Mob, Teru is ordinary."

Calls MP100 a work from which you realise "Everyone is a hero, and everyone is ordinary".

Asked on his opinion on MP100 season 2; says that there's more moments that get to you emotionally than season 1. Brings up S2E8 as an example (when Mob's house burns). "Say if that was actually Mob's family who burned in there... I think he'd destroy the world."

Asked about his favourite scenes from season 1 & 2, he says (as previously mentioned) the part where Mob says “From my perspective you’re just ordinary”. He also likes when Teru says to Onigawara, "it must be sad to be ordinary."

He likes the whole of S1E4, and calls Dimple a "famous-saying-production-machine".

Continuing on the topic of Dimple, interviewer says that Dimple is an ally, but teeters between good and evil. Matsuoka; “Setting aside his actions for a moment - the things that he says are essentially evil (laughs). He tries to tempt Mob and the other characters.”

He is asked if he has anything to say to fans of MP100. Matsuoka; “Season 2 is over, and now you’re holding this Character Guidebook in your hands. The fact that we’ve reached this point is thanks to the support of you all, the fans.” [...] “Season 2 brings an end to the grand fight between Shou and his father, but as those of you who’ve read the manga know, Mob Psycho 100 doesn’t end there. The giant broccoli is yet to come (laughs). I personally would like to do the whole of Broccoli Arc. As for when we can do that, I don’t know - I don’t even know if it’ll be possible to do it - but I’d like to believe that we’ll do it. I think that if you all believe in it too, then it’ll become reality.”

TACHIKAWA YUZURU [Director]

On being asked why he decided to work on MP100, Tachikawa; “Naturally, it was because of how charming the characters are.” There’s a lot of main characters who hold immense power, but Mob doesn’t want those powers, which is rare - this is why he finds Mob charming.

He compares and contrasts to Reigen - “[He] has no powers, but puts on a bold front and deceives people… well, that’s a misleading way to put it (laughs).” He thinks Mob and Reigen’s combo is amusing as a result.

He’s asked about MP100s character design, to which he describes Kameda drawing up a whole bunch of ideas. There’d be designs that were similar to ONE’s, and designs that made Mob a bit more handsome, “since at the time, if you looked at Mob Psycho 100 fan art on the internet, there were plenty of depictions of Mob being all sparkly and good-looking.”

“But looking at that, Kameda-kun and I decided we both wanted to go for something more akin to ONE-san’s art. When we showed ONE-san the rough sketches of the more handsome designs, he said ‘they’re attractive - I'm good with that’, but Kameda-kun and I replied ‘no, no - ONE-san, your art leaves more of an impression than this, so let’s go for something more like what you draw.’”

Tachikawa wanted to include the more ‘catchy’ kinds of stories in the anime. He brings up that Mob and Reigen dressing in women’s clothing and infiltrating the school happens in Volume 7 of the manga, but they decided to bring that to S1E2.

Asked about convos that happened with ONE regarding scenarios in the anime - Tachikawa mentions how in S1E11, there’s a segment where a younger Mob and Ritsu are lost in a forest. “I expressed to ONE-san that I’d like to witness why Mob respects Ritsu, to which he gave this idea.”

“In the manga, what Reigen did before he began S&S isn’t shown to us, but we get an implication of his past based on a line he says to do with businesses. I said the following to ONE-san; ‘An insurance salesman, or water marketing?’, to which ONE-san replied ‘water marketing.’”

Also mentions that Tsubomi coming to S&S in S2E8 wasn't something they adapted from the manga, but something ONE specifically created for the anime because Tachikawa expressed he wanted to see that kind of scenario, and then ONE added it as an omake to the manga. [TN: This is mentioned again here.]

He thinks he would have had the choice to handle both the screenplay and the series coordination but decided to ask Seko to handle Series Co-ordination instead.

He is in charge of the screenplay for S2E6-7 (Reigen arc). It was decided that Tachikawa would be in charge of storyboards for S2E7 before it was decided he’d handle the screenplay.

“Do you feel you have an emotional attachment to Reigen?” Tachikawa; “Yes, I do (laughs).” Calls him a character surrounded by mystery back in S1, and other than his courage and the occasional line that would resonate with Mob there’s a lot about him that’s unclear. “But with S2E6-7, we step into his uchizura (more private, “real” self). It’s interesting to see who a character appears to be on the outside, and their uchizura.”

Tachikawa finds stories in which someone falls to their lowest point and then recovers charming - thus, Tachikawa was charmed by S2E6-7 which depict Reigen’s fall and his subsequent recovery. Says that Ritsu and Teru also go through something similar (fall and recovery).

He loves when you can feel the humanity of characters. Says that when you show character development the charm of that character increases, and so does the popularity of the whole work. “I suppose it’s not just me who likes that, it’s all the fans, too”.

Makes a point of mentioning that all the characters have reached a turning point by the end of season 2, apart from Dimple.

Asked on his opinion of Mob, he says he relates to him and he was the type of kid in school to be in a position removed from everyone else. “He’s a character I really like, though I’m told by others that I’m ‘Reigen-ish’ (laughs).”

“I think there’s a few ways you could take ‘Reigen-ish’...” Tachikawa; “To put it another way, ‘shady’. Kameda-kun made that clear to me (laughs). As if I’m feigning friendliness.”

Tachikawa handled the rough layout of the illustration cover (Kameda finalised it). “It’s something I could imagine happening that wasn’t shown to us during S2E8. I thought to myself, it would be nice to show Dimple, Reigen and Ritsu working together for Mob’s sake. A theme of season 1 and 2 is Mob’s growth, so I thought the marathon episode would fit as a cover for this guidebook. As a result of his growth, he’s got people gathered around him…”

“I think Reigen would’ve run with them on the first day they trained together, but then he’d start using the bike instead. Since his muscles hurt (laughs).”

Asked to give a message to fans, he says that all the support from fans gave them a lot of energy throughout the production of seasons 1 & 2. Tells the fans to enjoy the OVA.

SEKO HIROSHI [Series Co-ordinator]

Asked on his thoughts of the MP100 manga, Seko; “it’s a work in which the characters are all charming. This is a misleading way to phrase it, but they’re a hopeless bunch; yet, the way ONE-san deals with them is very warm.”

“They’re not just characters, they’re much like us - nothing but human.”

Asked about how he wanted to deal with coordinating the series; “At the time of season 1 discussions, the most recent volume was around 9. I’d read up to that point and thought that if the anime is covering 12 episodes, then we should reach up to the fight with Claw’s seventh division in volume 6. My thought process from there was, ‘in what way can we make it so season 1 ends there?’, and with that I began.”

Asked if there was anything he fussed over, “making sure to not tar what makes the manga so charming. For example, when Mob reaches 100% for the first time in S1E3, that’s a highlight of the story, and I wanted to keep it that way.”

Reason for the movement of the high school infiltration from Vol 7 of the manga to S1E2 was to help build up to Mob’s 100% in S1E3.

The “student council” part of the manga spans S1E6-7 of the anime. The decision to condense it was due to the anime having only 12 episodes.

Reigen & Mob’s initial meeting being portrayed in S1 is brought up; “In a screenplay meeting with Tachikawa-san, we discussed depicting their initial meeting from Mob’s point of view, whereas in the manga it’s from Reigen’s. It comes up a little later in the manga but we thought it would be good to show their meeting in S1. And, if we ever got the chance to make a S2, we’d have the scene again much like it appears in the manga from Reigen’s perspective. So they wouldn’t be entirely the same scene.”

To being asked if there were any requests from ONE regarding the screenplay of the anime, Seko; “We had a discussion in which he said that while the final part of S1 has a serious atmosphere due to the fight, he didn’t want it to end that way. For that reason I proposed that we could end S1 with the tsuchinoko segment. I think ONE-san is uncomfortable when there’s nothing but seriousness.”

Seko says he had a feeling that they’d get a season 2. Much like season 1, he finished off season 2 in such that way as to give off the impression that there’s more to come.

“Did you struggle figuring out how to start S2E1?” Seko; “Regarding that, I’d already decided that if we were to make a S2 we’d start it off with Wriggle Wriggle.”

A deliberate choice was made to start off S2, and finish S2, with the broccoli (Mob receives the broccoli seeds at the start; broccoli becomes the giant broccoli at the end).

The interviewer describes an important part of S2 as being “hold your emotions dear to you”.

Seko; “Wriggle Wriggle is a pretty silly story, so I thought having a pleasant story after that would keep the balance. I think that balance between silly and serious is representative of what Mob Psycho 100 is.”

“Season 2 has one more episode than season 1, making it a total of 13 episodes. Could you tell us why?” Seko; “The original plan was 12 episodes. Had we kept to that, the scene in which Mob’s house burns would come at the end of part A of episode 8. But Warner Bros. producer Matsuda-san said, ‘I’d like that to come at the end of the episode.’ However, doing that would mean we’d have to give the battle with Claw that follows that a squeeze... so Matsuda-san said, ‘let’s go for 13 episodes then.’” [TN: This is mentioned again here.]

“Are there any scenes from S1 & S2 that you feel an emotional attachment to?” Seko says when Reigen is invincible in S1E12. “The scene in which he scolds the 7th division embodies what Mob Psycho 100 is all about.”

Says that in typical shounen manga the situation would be resolved with a fight but MP100 isn’t like that. “The things that Reigen says are completely justified, realistically. The things an evil organisation does are a crime; the clothes that they wear are weird... (Laughs)”

“Speaking of Reigen, a phrase of his that leaves an impression in S1E11 is, ‘When things get tough, it’s okay to run away!’” Seko; “In conventional shounen manga, there’s the belief that the protagonist shouldn’t run away, but with ‘it’s okay’, ONE-san’s personality shines through. Reigen is truly an intelligent person. The things he does are questionable, yet he has common sense that comes out at strange times.”

“You can’t sum up his character in a single word.” Seko; “I think he’s a respectable person, but he also cons people (laughs).” He enjoys the back and forth Reigen has with clients, and his stinginess and the way he edits ghost photos. “He’s both eloquent and skilled, which is unbearable (laughs). Despite that, he doesn’t rip people off with what he charges. You get the idea that he’s got some sense of ethics, which is calming.”

“He’s simply a difficult character to understand.” Seko; “Honestly, at first I couldn’t understand him at all. It was difficult to think of things that he might say when creating scenes that weren’t in the original manga. But when it became clear to me that he has morals, it all fell into place. I’ve forgotten when exactly this happened - it was at some point near the start or middle of season 1 - but I came to understand the kind of person Reigen is.”

Speaking about Mob, “He’s introverted, quiet and bad at socialising, but he has this immense power inside him... when you hear that, some other works will probably spring to mind, but when you read MP100 you realise this is different. Mob is Mob[.]”

“It’s interesting to see a character as powerful as he is work very hard at training his muscles.” Seko; “And his incentive for that is that he wants to be popular (laughs).”

Seko was in charge of the next episode previews (which Reigen would announce in a meta-ish way). He says that he ran out of ideas of what to end them with by season 2 so they start repeating a little.

Asked to give a message to fans, he says thank you for watching S2 and look forward to the OVA.

KAMEDA YOSHIMICHI [Character Designer]

Asked his thoughts on the MP100 manga, Kameda says he didn’t have much of a clue what direction the story would take upon finishing the second volume. “After Claw gets introduced the story takes on an action-like atmosphere so I thought it would carry on that way, but then the story starts digging deep into uchizuras. I was surprised at that. That’s a true-to-life middle school boy being depicted.”

Kameda says that he took on working on the MP100 anime after reaching the part of mob psycho that explores uchizuras. “The way I felt was, ‘I want us to make a season 2, so we can definitely animate this part. I’m doing season 1 for this purpose.’ (Laughs)”

“What were your first thoughts with the character design?” Kameda; “In the manga there aren’t really any illustrations that are coloured. Even the front covers of the volumes aren’t too expressive with how they use colour. The way lines are drawn is dependent on colour, so the first decision to be made was on that subject, while checking my choices with ONE-san. In the manga, Reigen’s tie is black. But in the anime Mob is painted all black, so I thought it’d be a bit too heavy to leave his tie that way. Reigen was the only one with a coloured illustration in which his hair is painted yellow, so based on that I tried creating a whole bunch of tie patterns - purple, green, blue, pink, etc. ONE-san wanted to go for a blue tie, but I thought that was too salary man-ish, and didn’t give off fraud vibes. The final decision was made based on a colour necktie that the average person wouldn’t buy - it would be pink, wouldn’t it.”

Asked if there was anything difficult after colours, he describes having difficulty trying to figure out how to convert ONE’s style to the screen. “It would’ve been interesting to leave his art as it was for the anime, but it seemed like it would’ve been very difficult to do so.”

Describes ONE’s talent as being the way he applies shadow, calling it very real.

Interviewer follows on this by asking anything else that marks ONE’s art as ONE’s, to which Kameda replies the shape of ears, and describes his struggle trying to replicate the way ONE draws them.

Kameda would correct the ears drawn by the other animators to try and match ONE’s style. Leading on from this the interviewer mentions hearing that Kameda would touch up any cuts that caught his eye. Kameda; “Around 10 cuts an episode.”

Calls Mezato a favourite character of his, to the extent that he volunteered to do the part that she appears in S2E13 (and did so).

Says that S1E5 was the only episode in S1 he didn’t touch, which Fujisawa Kenichi was animation director of. “The character design in that episode is a little different but I thought that episode would be better off with Fujisawa-san’s style.”

Kameda proposed the scene that happens at the start of S1S1 (Mob fighting the “evil apparitions”) by saying he wanted a depiction of a middle school boy fighting with his powers as our start, but he actually proposed it in anticipation of the kind of action we’d see in S2E5. [TN: I think it’s been a rumour for a while that the start scene is from Mogami arc and this sorta confirms that the line of thought there is correct]

The first episode in S2 that they started drawing production work for was S2E5.

When Kameda watched S2E5 what he was most surprised by was Part A of the episode (ie. Mob’s day to day life), rather than the action scenes. “The layout is good, as are the use of bugs as an expression device[.]”

Kameda speaks of S2E7 as a part of Mob Psycho 100 so important to him that if it didn’t exist he wouldn’t have chosen to work on MP100.

He fussed over the press conference and Reigen’s expression(s) when he talks to Mob by the river at the end of the episode.

Interviewer mentions that we don’t see Reigen’s face in the manga when Mob calls him a good person, so seeing it in the anime leaves an impression. Kameda; “we struggled with that cut, but we struggled with Reigen’s expression when he’s walking alongside the river more so. Originally his expression was hidden as he approached, but when the camera pulled in close you could see his face.”

We end up seeing his face the whole way through. Kameda calls Aoyama Hiroyuki (who animated the whole end segment) a “super(hero) animator”.

Kameda makes an edit to Reigen’s expression upon being told by Mob that he’s a good person, with respect to the expression Reigen pulls in the final volume, “when [he] lays bare his real emotions to Mob.” [TN: This appears to be implying Reigen was originally drawn with tears in his eyes that were removed to make sure that the scene in which Reigen finally cries maintains its impact.]

“The performance by Reigen’s VA, Sakurai-san, was amazing... and I loved Mob’s ‘By the way, Shishou. Happy birthday.’ Itou-kun’s way of speaking is so gentle... I can’t quite express the feeling properly, but hearing him say those words, I was brought close to tears.”

Kameda is asked if there’s anything that proved a lot of work, to which he says, “Hmm... there’s a lot of characters in MP100, aren’t there. (Laughs)”.

Describes that he designed ~90 characters for S1. “I thought I’d get to relax a little for S2, but in the end I ended up having to design around 90 more. (Laughs)”

“Some of the main character designs that were established in S1 changed a little for S2, didn’t they.” Kameda; “Ritsu changed a little with S2. In S1 he had a bit of antagonism toward Mob, so I had the hair that frames his face be a little longer to try and hide those emotions.”

“A character’s state of mind is something that can be expressed through their hair.” Says that Ritsu’s hair gets a refresh in the final part of S1 when he’s talking to Kamuro in the park, to represent that the “demon plaguing him is gone”.

He’s asked if there are any characters in the huge cast of MP100 that are memorable for him. He mentions Tarou and Hanako as two characters that were fun to draw as they set the trend for the other “guest characters” in the show.

Also says he likes Mitsuura as a character with high energy who was fun to pose, though he’s unpopular with the animators due to the patterns on his clothes being a pain.

“I’ve mentioned this here and there before, but I really love Shinra Banshoumaru. The reason why I was the animation director for S2E2 is because it’s his entry episode (laughs).”

“Why did you want to draw Shinra Banshoumaru so much?” Kameda; “Because he’s chubby!! The swell of his cheeks, his tummy, his large butt... I’m obsessed (laughs). I was so charmed, thinking, ‘I want to make him even bigger and move him around!’”

He’d do things like add extra belly sways to the storyboards. “I didn’t intend to go as far as I did, but I think I went overboard in a lot of ways (laughs).”

Asked to give a message to fans, Kameda; “I’m happy that you all continue to involve yourselves with Mob Psycho 100. Since we’ve come this far, I want to finish off animating what remains of the MP100 manga. A television season 3 - no, wait, perhaps even a film...? Please be sure to continue to support Mob Psycho 100.”

[TN: this marks the fourth mention of a MP100 film I’ve seen from Kameda, and also marks him as the only member of production staff interviewed in this book to explicitly state anything to do with season 3.]

ONE [Original Author]

He is asked how Mob Psycho 100 came to be. ONE; “I love psychic powers as a theme, so I thought to myself, in what way can I make the most of that theme? How can I add colour to it? Through that thought process, I incorporated puberty, stress, ‘being used’, complexes, unrequited love, ‘shishou’, lies, the dual nature that exists in many things, and so on… then, the protagonist; a passive, introverted person, but someone who is able to become the eye of a hurricane, someone who through the influence of their relationships changes, grows… it was with that foundation that I began developing the plot, and through that process I solidified the setting; this protagonist would have their heart burdened by a buildup of stress and the shift of their feelings, and after passing a certain boundary they’d explode, and their powers would run wild… I thought it would be nice if the manga was a little strange, with the buildup until the boundary crossover being shown to the reader via a numerical percentage value. Ideas for titles included things like, ‘Mob Psycho’, ‘Psycho Helmet’, and ‘Mob Psycho 100%’.”

He is asked to recall how he felt when the MP100 anime was confirmed. ONE; “I was delighted. A lot has happened in relation to Mob Psycho 100, but for me the anime has been the thing to make me the most happy.”

He is asked what he hoped for with the anime, to which he replies the happiness of the fans, and for MP100 to bring a smile to the faces of the staff working on the anime.

What he looked forward to was the way the voice actors and animators would approach the characters, and how they’d flesh out the MP100 world as a result.

“What kinds of conversations did you have with director Tachikawa?” ONE says he doesn’t really remember their initial conversation(s) but he knows that he told Tachikawa that he has the freedom to be as creative as he wants. “I didn’t want to be a nuisance.”

He recalls being told by series coordinator Seko that he may need to shift around a few of the chapters to make the story in the anime flow a little easier.

Asked his thoughts on Kameda’s character designs, ONE; “Amazing. I’d resigned myself to the fact that the characters would get an overhaul for the anime and become more handsome, but Mob has remained Mob, Reigen has remained Reigen. Their anime designs are charming. I was moved.”

He says he holds several pages of character designs drafts that Kameda drew up dear to him, and mentions that the Body Improvement Clubs designs were perfect from the get go.

ONE says that he feels blessed with the amazing voice actors giving depth to the characters, describing how when they’re given voices it feels like they’re alive, and regrets that he didn’t go to recording sessions more.

“How did you feel when season 2 was announced?” ONE: “Season 1 was amazing, so I expected there’d be a season 2.” Describes Tachikawa and Kameda’s hard work, to which he responded with his own. “It was around the time that I was ending the manga, so I buckled down to finish it.”

He looked forward to seeing how the anime would deal with adapting the more “drama” feel of season 2, with human emotions being explored.

He describes his process with writing problems and their solutions in MP100. “Mob & Reigen each have their own way of dealing with a problem, so I’d say, ‘this is how this problem would generally be dealt with’, and from there I’d explore different ways of solving that problem.”

“I let the characters start thinking for themselves - that kind of delusion awoke within me. Like, ‘Hey, Reigen, I’m going to sleep, so think it over for me.’ With that, it became easier to plan.”

He is asked his thoughts and feelings on the anime; he states he doesn’t really watch anime but was reminded of how interesting it can be, and the power of anime as simple entertainment. “I was able to recognise anew just how amazing the production team is. [...] I felt so grateful that they chose to work on Mob Psycho 100, devoting their precious time to really putting their all into the production work. It’s how I’ve felt with every episode. Right now I’ve watched up until the end of S2E5, but I’m already running out of tissues.”

He is asked anything that’s left an impression on him during the broadcast of MP100; “The amount of correspondence I’d receive from overseas Mob Psycho fans increased with the anime broadcast.” Says that it’s amazing that even with a translation foreign fans are able to laugh at the same things, be moved by the same things, etc.

Finally, he is asked to give a message to the fans who purchased the guidebook. ONE; “Thank you for always supporting Mob Psycho 100. The way I see the situation regarding Mob Psycho 100 as a work is as something that overlaps with Mob’s own development. Mob Psycho’s value as a piece of entertainment greatly increased with the powerful aid of the anime, and with everyone who offered a hand, gave their opinions and support, and reached out. I’d always thought to myself, ‘I want to create a manga that’s able to influence those who read it in some way, if only even a little,’ but as it turns out it’s Mob Psycho 100 that has become what it is now thanks to all of you. I’ve still got my eye on what Mob Psycho 100 will become in the future. Nothing would make me more happy than for all of you to continue enjoying Mob Psycho 100.“

--

Thank you for reading!

Posted on twitter here.

ONE & Director Tachikawa’s comments on the main five are here.

[phonewikis]

Baki Season 4 Release Date: Popular Anime Makes A Comeback In 2021

Baki Season 4 Release Date on Netflix in 2021, Trailer, Plot, Cast, Spoilers & More

Baki Season 4 aka Baki Son of Ogre is ready to blast, release is confirmed by Netflix!

Baki’s universe is vast and is a declaration of war between world famous Japanese martial artists and people from the dark underground world. To date, the makers have released 3 seasons. Baki Season 1- Baki the grappler 1, Baki Season 2-Baki the Grappler 2, and the third season was titled Baki 2018. All the 3 seasons of Baki English Dub are streaming on Netflix.

This whole series is Manga written and illustrated by Keisuke Itagaki. I bet you if you’re interested in the Action/Adventure genre then you must watch it. This is one of my personal favorite anime because Baki’s story is very adventurous and intense in every single direction. Read more for all the details we know so far!

  Baki Son of Ogre Release Date on Netflix

Netflix’s popular Baki anime series had been renewed for Season 4. It was officially confirmed to be titled Baki: Son of Ogre. Netflix has scheduled Baki son of Ogre release date to be 2021.

Season 4 is a direct sequel to Baki: Dai Raitaisai-hen and as said earlier it is a direct adaptation of the Hanma Baki manga series. Netflix tweeted about Baki Season 4 Release Date and announced it to the world in late 2020.

Considering the timing of the initial announcement done in late October 2020, Baki Staffel 4 release will be scheduled for the last quarter of 2021. It’ll premiere in the Japanese language and followed by English subs and dubs for the rest of the world.

Baki Season 4 Trailer

Netflix has shared an official teaser with the announcement. The Baki Season 4 trailer will be released few weeks prior to the actual air date, possibly in September 2021. The makers have also not released song music for the opening and ending, fans waiting for desperately. GRANRODEO had given OP and ED music in the previous seasons.

Baki Season 4 Plot

Baki Hanma is the son of Yujiro Hanma, the strongest creature alive on the earth dreaded by countries. He is a one-man army capable of even creating or stopping an earthquake just by one fist. He had the reputation of dismantling huge military operations with his fists alone.

Baki’s mother, Emi Akezawa, a wealthy woman blindly loved Yujiro Hanma. She did everything as per her capabilities and Baki’s father’s wishes in bringing up her son. She trained Baki to turn him into the world’s strongest warrior. Baki was born to be the strongest warrior after his father.

Many fights Baki faced during his journey like (YASHA APE VS BAKI) AND (BAKI HAMANA VS MUHAMMAD ALI JR.) to become the greatest warrior.  When Jack Hanma and Baki Hanma fought both of them were brothers’ sons of Yujiro Hanma their fight was very volatile.

Each and every fight is different because every character has their own techniques and Art forms to fight so that the fight becomes very unexpected and it’s very interesting to see this, so if you’ve not watched Baki anime you must watch it the entire series will give you satisfactory experience.

Before he starts celebrating his victory, 5 of the deadliest and dangerously death-row inmates (BANJO GINGA, CHAFURIN, TAKEHITO KOYASU, KENJIRO TSUDA AND ISSEI FUTAMATA) escape. They are dreaded ones from around the world. They claim they are looking for “Defeat”. In other words, they are looking for a deadly competitor who can defeat them.

Baki Season 4 Cast

The main character in Baki anime is 13 years old, Baki. He is very strong and his only dream is to become stronger and stronger. It is speculated that all the main characters will make a comeback to Baki Season 4 episodes. However, last-minute changes cannot be ruled out.

Frequently Asked Questions on Baki Son of Ogre

Is Baki Dead?

No, Baki is still alive and he is a very strong warrior even though he had many brutal fights with death inmates and mix art warriors and was close to death encounters but Baki has always managed to win against every one of his opponents.

Is Baki worth watching?

My answer to this question is simple: watching this Anime is obviously all worth your time. It consists of important moral lessons highlighted through struggles as well as fights. So just go for it you’re going to love it.

How many episodes are in Baki 2021?

The total number of episodes has not been confirmed by Netflix yet. If you believe in rumors, then Season 4 is likely to have 17 episodes. Going by Netflix trends when it comes to Anime production, it usually splits a season into multiple cours for a global release. You can consider the OTT’s marketing strategy for spending more hours on binge-watch.

Traditionally speaking, a “cour” is composed of 11 to 13 episodes. Baki the Grappler anime Season 1 was released by Netflix Japan as a two-cour Season. It was aired from June 25 through December 17, 2018. It consisted of 26 seasons. Japanese season naming convention of Baki season 4 episode 1 is different from global.

Japanese season numbering convention is confusing. It refers to Baki: Son of Ogre as Baki Season 3 at some places. We’ll keep you updated as soon as the Baki news becomes official.

Where can I watch Baki Season 4 English Dub?

Baki Season 4 can be streamed on Netflix when it is officially released. It’ll be English dubbed as well as subbed.

Will there be a Baki Season 5 release date?

Baki is likely to be renewed for another Season 5. The assumption is based on the theory that the manga story is very detailed and will need more episodes to cover them. However, it also will be driven by the response Season 4 receives

Final Thoughts

According to IMDb, Baki Anime has received a rating of 6.7/10 and scored 7.21 on MyAnimelist. On the popularity index, it scores perfect and is one of the most popular Anime series present on Netflix.

[btsandvmin]

Hi I m a hardcore vmin shipper. But recently i watched a vkook video to compare and it was an analysis video in which they say that actually vkook are sharing a room in their new dorm and trying to hide it and it seemed very real and i have been very upset. There are lots of moments made sense like jk's henna tattoo in malta, v showing ILY symbol behind his back to sick JK on burn the stage, them sharing a room and even blanket in malta, Jk's dog being in making video of winter bear. I m confuse

I would to know the thoughts of a fellow vminie on this. Please do respond since i am literally breaking apart at the thought of vmin being just a cover for vkook.

Hi, I think you might be the same person who just sent me another similar ask about this, and I added the end of that ask which had one more thing that this ask didn’t. I hope that’s ok.

First of all I am sorry that you feel so sad about this… There is a certain emotional danger with getting too involved with shipping and especially seeing a ship as real in a romantic way, as it can set you up for a lot of struggle with your feelings about the members and their relationships.

Before anything else what I want to say is that Vmin’s bond is lovely and special and they truly love each other. Even if it’s platonic or even if they are together with someone else nothing is going to change that. That’s why the best thing to do if possible is to simply love them and support them without having a need for it to be something “more”. Especially since it’s unlikely we would ever find out even if a ship is real. So regarding the extra part of your question, namely “vmin being a cover for vkook” I really don’t see how that is possible or at the very least how that makes Vmin’s moments any less real.

Here’s my take on this issue, no matter which ships. If a ship is real I don’t think it makes sense to hide them by faking another gay ship. The only way I think this can to some extent be possible is if it comes from the members themselves and they for example do a lot of fanservice (which is still genuine) with all or many members to not make one person stand out. Even so I think the members do show that they do a lot of both genuine and more played up (but still on their own terms because they enjoy it) fanservice. Basically what I am saying is that even if a ship that isn’t Vmin is real it doesn’t make Vmin fake. They are not a cover up, they do the things they do because they enjoy it and they certainly love each other.

As for the part about tae/kook I know what analysis you are talking about even though it’s been a while since I watched them.

Nothing in any analysis I have ever seen has had anything we can call proof. Because even if all those things you mention are true the meaning behind those things is all just speculation. Who says Tae and JK can’t do these things platonically? Just like people argue about weird things for other ships, even if we can prove something has happened or is real, we can’t know if there is a romantic purpose or not. Like with the hand gesture (and tattoo of it), it could just be a platonic inside “joke” for example. Or a way to show support for each other. Like a secret language it could be special between them, but even so it still doesn’t have to be romantic. They also have their handshake which has the same gesture (ILY in sign language) and we have seen Taehyung teaching Jimin this. Also if it’s some sort of secret signal to JK, what’s the point if JK is turned away and can’t see it? Then it doesn’t even really count as a secret sign because JK can’t receive it. 

You have JK and Jimin doing the “You are me and I am you” which shippers see in one way but which easily just could be an inside joke. Likewise the hand sign could be something JK and Tae does, and maybe it is to show love and support, but does it have to be romantic? If all ships have weird things about them, how are we supposed to know what everything means? We can’t, which is why I think using the word “proof” which is kind of ridiculous to begin with. Who decides what is romantic or not? Only the individual shipper, which means it’s always going to be biased and remain a speculation until they actually say something (which they probably would never do).

As for the part about sharing a room I thought it was said that JK and Taehyung both sleeps in the living room, but with a wall between them, aka sharing room but not really? Which explains the same floor and saying they have rooms “next to each other” etc. It also seems recently that they might be spending less time in the dorm in general. But to be fair as I said I have not watched any shipping analysis in a while so there might be more proof of them sharing and hiding it. Who knows. But even if they do sleep in the same room (a claim basically all shippers try to add to their ship) again it doesn’t have to be romantic. BTS could simply be that close and like to be that close but choses to keep it lowkey, perhaps because of the shippers. I mean, Jimin, JK and Tae all slept basically naked together on Jimin’s first day in the dorm, I am sure they are way beyond what most people see as normal boundaries by this point.

Also when it comes to sharing rooms people really seem to magically ignore Vmin who has many times showed that they like and want to share a room. Just look at Bon Voyage. If you say JK and Tae sharing in Malta and using the same blanket was a big deal, what makes it different to what Vmin did now in BV4?

In Malta there are 3 reasons I believe Vmin truly wanted to share a room. First, Jimin is excited and interested in where Tae will end up even before he gets there. Second when Tae arrives he asks about the rooms and tries to find clues and Jimin spills some beans by far being the most invested in Taehyung’s room situation, Jimin also asks if Tae wants to share with him. And third they say it straight out and it looks very genuine to me. The reason Tae went to JK’s room at least to me looks like it’s because he misinterpreted Jimin.

Because I think if they both knew they wanted to share then Tae probably assumed that when Jimin said “you can’t look” about the room upstairs he was trying to stop Tae from picking that room because Jimin wasn’t in it. Basically I think Jimin screwed over himself and made Tae believe the upper floor couldn’t be Jimin’s. I really don’t think they are that good actors to fake the interest at several points during the trip and that whole choosing room moment just to cover for Tae/kook. Not to mention how glued together they were. So at least to me I don’t doubt that they really wanted to share. Why make that up? If there was no problem with Tae/kook sharing the whole part with Vmin messing around just becomes unnecessary.

On top of that we have Vmin actually confirming sharing a hotel room as late as march 2017 (though they didn’t show it initially but fans noticed Tae’s slipper in a Jimin tweet) and we have Tae telling us about going to sleep with Jimin when he had a bad dream. He seems very consistent with his lie of preferring to share a room with Jimin, which makes me think it’s not a lie. 

In fact, once we start doubting everything the boys say and do as fake or covering up then basically everything can be fake or a cover up. Then the ILY sign can be done just to confuse people into thinking Tae/kook is real etc. You see the problem? All ships have weird moments, but they mostly become weird because people assume they are romantic and that they are hiding because they are together, which they don’t have to be. There could be other reasons behind the things they do and I don’t want to question every little thing they do and not trust them when they say something. For me if they are lying to us I think it makes more sense to not tell us things rather than fake and make up things that they probably wouldn’t be able to fake and keep track of.

In the recent season of BV Vmin also slept together three times, and I think that’s what they wanted as Tae picks the bunk bed knowing Jimin had picked the one under when he could have chosen the same room as JK. Same in the last house, they didn’t have to share because the order wasn’t for who they were with but simply in what order they would get to pick. If Jimin picked a room then Tae could have picked another one. In both cases Vmin also slept very close and shared blankets. So maybe it’s just not a big deal for maknae line in general?

Vmin has shared a room at times when they didn’t have to by choice so I think if we look at things we know and not at what people speculate about there is a good case to be made for Vmin really liking to share rooms. In fact they are some of few members in general that has said that they want to share with a specific person. Also in the Canada episode when they all end up in the same room then why is JK so incredibly happy about getting to share with Jin? Or JK sharing with Hobi and basically cuddling doesn’t mean anything, but Tae and JK sharing a blanket does? To me I think it’s because when so many people say it and see it, and when it looks “suspicious”, it creates room for such a narrative. But when it comes to Tae/kook in general, even though I don’t know of course, it always seemed to me that Tae has favored Jimin above JK in various ways, and that’s not something I think they would be able to fake, especially not for many many years.

As for the last one about the Winter Bear MV and Gureum possibly being the dog, I say possibly because I am not 100% it is the same dog, they were at the same location as for their Summer package, so even so it wouldn’t be weird if another member came along.

But as for the dog the reason I am unsure it even is that dog is because the snout seem much longer on the dog in the Winter Bear making. It honestly looks like a different kind of breed both in body shape, nose shape, ears and type of fur. But it is difficult to tell because of the angles and also because the pictures are old and Gureum could have gotten fatter or gotten his fur trimmed etc.

Either way, again, why does this indicate romance between V/kook? For me Taehyung’s behaviour towards Jimin is the biggest reason I think about Vmin being possible and that’s also one of the reasons why Tae/kook always have made the least sense out of the three maknae line ships.

All this being said, who knows. I don’t think you should put too much focus and hope into any ship being real but rather enjoy their bonds and be open to whatever could be the truth.

95z is love, that’s real no matter what. Love isn’t a competition where we as fans place our bets on the most likely romance like it’s some sort of fanfiction or drama. All we can do is support our boys and whomever they may choose to love. I want to point out again that this is not a blog to prove Vmin, but that I do find things about them odd or suspicious at times, but the same can be said about other ships too, so I’m not going to tell you Tae/kook is impossible, because it isn’t. Personally I think it’s less likely than Vmin, but I know I can be wrong and that’s fine.

I don’t know if this post will bring any comfort, but I want to try and be as honest as I can. Hope you can feel better and love Vmin no matter what.

Thank you everyone who read this and don’t get disappointed or angry with me. 95z is love!

[qsdblogging]

Why It Makes Sense: The Whedonverse Theory

When people say Joss Whedon, my first thought has always been Buffy the Vampire Slayer (followed by Angel, obviously), Firefly (and Serenity), and The Cabin in the Woods. After those, it’s up in the air if I remember his input as director of the 2012 film, The Avengers. But, that one isn’t included in this theory.

Growing up on Whedon’s creations (courtesy of my dad), I got invested in the stories he told.

Now, this theory (for me, at least) surfaced in 2015 and I liked the idea of it. It’s summarized in a format through pictures, the year, and what happen during that year to follow the timeline of this theory.

If you aren’t aware of it, continue on reading, or if you are and just want to see if a fresh pair of eyes has anything new to offer in regards to a fan-favored theory, continue on.

But, fair warning, this is going to include spoilers if you haven’t watched any of the listed shows and movies.

This theory essentially starts off with Whedon’s works: Buffy the Vampire Slayer and Angel, as it is it’s spin-off series. As it takes places the earliest amongst the bunch, in the late 1990’s and early 2000's.

Buffy’s lore is the main focus of the thoery as the biggest point of all refers to active Slayers (and the Potentials, before they were activated for the most part). In the last season of Buffy, they round up any Potentials and in the final fight, get their Slayer abilities activated to turn the tide of the fight in their favor.

It broke the tradition (AKA, the magic behind it all) that the Slayer line followed. One died, a new emerged with the powers and got thrust into a world they didn’t, most likely, know about with a giant burden to bare.

Buffy, having died twice and come back both times, kept her abilities and instead of one Slayer, there were two. First, Kendra, who later got killed after meeting Buffy. When Kendra died, as she was the current activated Slayer, Faith emerged. So, when Buffy died the second time around while still being a Slayer, it didn’t cause another to emerge as she wasn’t the latest activated. Make sense?

But a while later, after all the Slayers were activated, Angel ran into his own amount of issues that had been piling up in Los Angeles.

During Angel’s final season, which is just around a year later after Buffy’s show came to a close, Wolf Ram and Heart defeated and destroyed the Circle of the Black Thorn. This causes a lot of destruction in the process and Angel’s series finale ends with those left standing ready to die fighting whatever is coming their way (including a dragon, apparently).

According to the theory, this event esstentially kickstarts the awakening of the Senior Partners. Hoping to appease them and prevent an apocalypse, The Initiative, a group Buffy deals with during her fourth season, began to give sacrifices.

That leads us to the events of The Cabin in the Woods, which takes place in 2012, barely even a decade after the events of Buffy and Angel.

A ragtag group of misfits who think they’re just taking a small trip to Curt’s cousin’s (who may or may not exist) cabin in the woods. Once there, find a few odd things and a lot of weird and strange items littering the basement of the cabin.

It’s a suspenseful scene to watch, as you get the feeling it’s what is going to make things go sideways for the group and eventually, as everyone is playing with their own chosen objects, Dana reads from a notebook and doesn’t realize the consequences the group will face from doing so.

The Buckner family, an undead redneck family, attacks the group later on in the night.

In the Initiative, who is watching everything go down on the cameras, is hoping it’ll work out for the best as they are the last chance of appeasing the Senior Partners. All of their other locations have failed in their tasks for the year of sacrificing a group.

The group members who are left, in efforts to save themselves, try leaving and run into a wall. Literally. As the movie goes on, you learn that this branch of the organization follows the five person sacrifice that most horror and thriller films seem to follow.

The Whore dies first, followed by the Jock, then the Brains. The Fool is assumed dead this time around, but we learn that this movie’s fool isn’t quite dead. The last death, the Virgin, is optional as long as she (or he) is the last to go.

Dana, the coined Virgin, is saved by Marty, the presumed dead fool. He brings her to what he found to be an elevator that the Buckner Family had crawled out of. They find themselves amongst many other elevator cages, filled with monsters and creatures alike.

It’s Dana that realizes they picked their own fate down in the basement.

Eventually those in the Initiative find the cage the two are in and try to bring them around to kill them (but, Marty has to go first). However, the two are a force to be reckoned with as they take advantage of the severed arm of a Buckner member attacking the guard and find their way into the control station for the cages.

They press a button that releases all of the creatures and monsters in their cages on the security team sent after the two remaining sacrifices. After a while of bloodshed, the two make their way around the base in hopes of finding a way out.

Along their way, they find themselves in the sacrifice room, where the Director at the time, meets them. A lot of arguing and explanations, followed by a betrayal here and there, ultimately ends with Dana and Marty saying screw it all and refusing to finish the sacrifice as the Director planned.

With sacrifices unfinished, the movie ends with the Senior Partners being unleased on the world.

But of course, that didn’t mean there was no way the Initiative ever planned for something like this, right?

Well, the Initiative planned for something like this to possibily happen because you always need to plan for the worst.

Some of humanity manages to escape the destruction on Earth that was and formed the Alliance (with heavy influences from the Initiative, we should assume).

Which brings us to the events of Firefly and Serenity.

Hundreds of years have passed before a child is born. You wouldn’t think anything of it, children are born all the time. However, the remaining remnants of the Initiative inside of the Alliance recognize her for what she is.

A Slayer. Or, at least, a Potential.

River Tam is lured into a school that is meant to challenge her intellect, but according to the theory, the experiments they held on River were attempts to trigger her Slayer abilities.

After her brother, Simon, manages to get her out after a letter in code telling him they were hurting her, the two find themselves on Serenity, a Firefly class spaceship run by essentially, space cowboys. Now, a string of events in the first episode lead to the crew deciding to go on the run and reluctantly keeping Simon and River on board.

But, as the two siblings stay on for longer then Mal had planned and originally wanted them on for, attachments are formed and the need to do the right thing takes over.

The first, and only, season of Firefly gets cut short (and aired out of order, but that’s a whole other thing) and there’s a lot of loose ends that didn’t get tied up.

With one last chance to tie things up, Whedon puts out Serenity, the movie surrounding the crew’s adventure on figuring out what exactly River knew that the Alliance didn’t want her to know.

Originally, River and Simon were meant to leave the crew in the beginning of the film, but some things lead to another and a few extra details are revealed. The crew was made well aware of River’s uncanny ability to shoot a gun without even looking at her targets, but watching her fight and take down multiple people bigger than her was a strange occurence, I’m sure.

It’s the first moment you see her supposed Slayer abilities.

By the end of the movie, things are revealed, some deaths happen to beloved characters, River has finally tapped into her Potential and is an active Slayer, and you get an explanation of who and what exactly Reavers are.

But, for this theory, it’s been mentioned that maybe the Reavers are simply Vampires who managed to get aboard the escape from Earth after the rise of the Senior Partners, and driven to extremes in order to survive in space themselves.

A Slayer had been born again, restarting the Slayer cycle, and there was a chance that things could go back to how they used to be.

Not sure how it would happen, but the basics of the theory make sense. Obviously there are specifics that are harder to include and most likely make sense of in regards to all of this, but in the grand gist of it all, it makes sense.

It’s a fun little theory that can connect multiple works made by one person.

Now, obviously this wasn’t a shortened version of the theory. And there have been some portions of the theory put into question, especially in regards to some of Whedon’s other works.

Dollhouse, Fray as a character in the comics, and The Avengers.

Personally, I don’t include the Avengers in this. It’s Marvel and Whedon was the director of the film for it, but I don’t see it fitting in with this particular theory in any way. People have included it (mostly S.H.I.E.L.D being with the Initiative became, but it just doesn’t make any sense to me given Marvel as it’s own identity), but I prefer not to.

As for Dollhouse, I never actually watched the show. My dad did, but I was too young at the time to be allowed to watch it and I was just never interested in it. Maybe one day I’ll get around to it, but this meant I had to do a little bit of digging to understand this a bit more.

For most of the takes on this theory that have mention the show, mention it may just take place in the parallel universe. They, as in parallel universes, were confirmed to exist in Buffy, Angel, and the comics that continue after them, it’s a plausible theory.

This also means that this theory could follow a majority of the canon information from the shows, films, and comics mentioned, before dividing into it’s own events. It simply means that some things that were difficult to explain in specifics may just be different in this theory’s parallel universe.

So, Dollhouse could take place in the same universe, but events could have differed greatly by universe. We don’t know for sure.

That, in all, also explains the comic series by Whedon surrounding Melaka Fray, a Slayer from a future timeline where things are a little post-apocalyptic on Earth. Monsters run amock and eventually, Fray emerges. Now, it could mean there’s a parallel world where the Avengers and Buffy take place in the same world, but I still don’t like that idea, so I ignore it.

Parallel universes are just a lot of fun to imagine, and in worlds like these, could mean a lot in the grand scheme of it all.

[rebelsofshield]

Star Wars: The Clone Wars: “ The Bad Batch”-Review

Seven years since its cancellation and six since the final episodes aired, Star Wars: The Clone Wars makes its final triumphant return on Disney+. Beginning this twelve episode conclusion is a familiar story to fans of the series that has been brought to thrilling new life. It may not be a series best, but The Clone Wars fans will be more than pleased with “The Bad Batch.”

(Review Contains Episode Spoilers)

The Republic defense of the shipyards of Anaxes have taken a turn for the worse. Separatist forces led by Admiral Trench have updated their tactics and are outpacing clone forces before they can react. Captain Rex has a theory, that Trench’s forces have somehow gotten hold of his battle playbook developed alongside deceased ARC trooper Echo. In the hopes of proving this theory and potentially changing the tide of the campaign, Commander Cody and Rex propose a behind enemy lines stealth mission, which will be assisted by experimental clone force 99, aka “The Bad Batch.”

Wow. On just a purely personal level, watching and reviewing a new episode of The Clone Wars is a surreal experience. Reviewing episodes of the series is how I became a Star Wars blogger and even when we first heard the series was returning in 2018, I still didn’t fully believe that we would be getting new episodes. Yet here I am, in 2020, watching a brand new (sort of) episode of The Clone Wars and the show doesn’t even seem to acknowledge that it’s been gone for over half a decade. Tom Kane voice over, fortune cookie, triumphant ending credits fanfare, it’s all there. In all its goofy, beautiful, and wonderfully strange glory. The Clone Wars is back for one last time. Just wow.

I’ll admit I was initially a little disappointed that one of the three arcs we would be receiving in the final Clone Wars season would be “The Bad Batch.” The unfinished story reels were a fun experience, but as a whole, even with some of the plot twists that will come in later episodes, this arc was never really a favorite of mine. Yes, I love clones and getting to see more clone episodes is always a joy, but I was hungry for new stories and it was hard not to see a redeveloped “Bad Batch” as taking away from any number of other Clone Wars plots that never saw the light of day such as the ever elusive Cad Bane/Boba Fett arc.  

Boy was I underestimating just how much this animated glow up would add to this story though. In its final seasons, The Clone Wars was undeniably some of the best looking television on the airwaves and now with production assets that are helped by a robust and experienced studio and seven years of technological advancement, the result is truly stunning. However, it’s not just that the show looks prettier, The Clone Wars is now a more confident and stylistically directed show then it’s ever been.

“The Bad Batch” ends up having two real stars. The obvious one is Dee Bradley Baker who once again gets to flex his voice acting muscles. Baker proved early on into the series’ run that he was more than able to carry entire episodes on his own by voicing ensemble casts of almost a dozen near vocally identical characters and giving them unique personalities and traits. Baker does more heavy lifting here since season four’s classic Umbara story arc and the results are no less impressive.

The second star is director Kyle Dunlevy. Dunlevy worked on many classic episodes of The Clone Wars and “The Bad Batch” may be his most assured stylistically. In addition to the improvement in animation quality, The Clone Wars in its final seasons was really beginning to experiment with creative shot composition and cinematography. I think most often of the stellar sequence in “The Unknown” which follows a single clone officer cowering from a droid invasion. Dunlevy takes this and ups it, delivering outstandingly shot action sequences and even some outstanding tracking sequences that feel more intimate and cinematic than almost anything the series has ever pulled off, or any Star Wars animated show for that matter.

I may be talking a lot about the technical aspects of “The Bad Batch” and that may be that at the end of the day, they prove to be the most impressive parts. As a narrative, “The Bad Batch” is pretty standard Clone Wars fare. Undeniably fun and explosive at times, but there isn’t quite anything here that massively strays outside some of the shows traditional formula.

In a way, it’s interesting to see that many of The Clone Wars’ old storytelling shortcomings are very much on display. The anthologized seasonal structure allowed for many things in the series’ original run such as a sprawling cast and freedom to tell stories of widely different tones and genres. However, The Clone Wars always struggled as a result in being a serialized story. Sure, events from some arcs would undoubtedly influence others, but the sort of stop and start nature of the show lead to many moments where character and story arcs disappear or burst into existence with surprising frequency.

This is very much the case with “The Bad Batch.” At its heart, “The Bad Batch” is two clone related stories. One, a narrative of clones coming to accept diversity within their own community and another in Rex having to grapple with the loss of so many brothers over the war. The second is the most emotionally interesting and engaging as Rex is easily the most war weary character the show has at this point and in a way has always functioned as something of a mouthpiece for the clones as a whole. However, Brent Friedman and Matt Michnnovetz’s script makes some logical swerves here that end up feeling surprisingly hollow. Having Rex mourn his clone brothers makes sense and its direction at some specific clones such as Fives, whom he worked closely with in multiple episodes, feels emotionally appropriate. It’s the focus on Echo and even more oddly, Hevy, that feels odd. Echo and Rex certainly appeared in tandem in multiple episodes but the only time the two really appeared as equals was in the Citadel arc where the character perished. We don’t understand Rex’s emotional connection to Echo because it was never really established in past episodes and we have no cues to fall back upon. The work done here to build context for their relationship, both professionally and emotionally, can’t help but feel a little stilted. Regardless, Baker is still able to sell Rex’s hurt and longing for hope with the right resonance and it helps carry us through these rough patches.

Also, on a very basic level, The Bad Batch are just a really fun bunch of characters. At the moment they fit a little too cleanly into various archetypes: the brutish dumb clone, the cool and badass tracker, the silent sniper, the nerdy tech, but they are fun archetypes. Their designs are creative and vivid. Baker has a hell of a time voicing them. The action with these characters is, as mentioned before, enjoyably creative and visceral. Having classic clones like Jesse and Kix get to butt heads and also grow to appreciate these new clones is a fun and upbeat little story beat for a story that’s otherwise about the lingering trauma of war. Also, Jesse got a promotion and Kix let his hair grow out! Good for them. I hope nothing bad happens to them and their futures remain Sith free.

It’s overall just a joy to have The Clone Wars back, hiccups and all. It’s a special piece of the Star Wars franchise and it’s going to be great to have it in our lives again for a few months. I can’t wait to blast more clankers alongside you all.

Score: B+

[photolover82]

The Masked Singer Season 4 Episode 5: Last but not Least, let's (finally) meet Group C! (Commentary and Guesses)

Hey fellow Masked Singer fans! Welcome or welcome back to Ana’s Masked Singer recap, where I, Ana, recap every episode of the Masked Singer. I am so happy to be back after a short break after the World Series (thank God for the Dodgers). If you don’t know how these recaps go, first of all hi, feel free to follow me if you want to see more of these. Anyways, so how these work is that I first talk about who gets eliminated, give my thoughts, and then give my guesses and commentary for the remaining contestants and their performances. I also try to back up my guesses as much as I can by using the clues... even though I guide myself with the voice of the individual contestant. Anyways, having said that, let’s jump into it:

Warning ⚠️: If you haven’t watched the show yet, there are spoilers below, so read at your own risk.. this is your official spoiler alert warning. Don’t say I didn’t warn you...

With this episode, we met our last group of contestants, Group C, which consists of 5 masked characters, Squiggly Monster, Mushroom, Jellyfish, Lips, and Broccoli. Overall, to me, they are the weakest group vocal wise, but they were still fun to watch.

Alright, so let’s talk about the eliminated contestant, who was...

*DRUMROLL PLEASE*

Lips 💋

Performance: Alright, so she sang “Native New Yorker,” by Odessy.... and I really try to be as kind and constructive as I can with these recaps especially when critiquing their performances because being rude really doesn’t solve anything and I want you guys to understand why I don’t like a performance if I dislike a performance (so we can start an open dialogue you get me?) ... but I am so sorry, this lady can’t sing like at all. Oh and I knew exactly who she was (haha insert Ken’s voice into that phrase lol) the moment she opened her mouth. The thing is she is talking and she messed up in the middle by laughing/snorting in the performance, it was kind of hilarious not gonna lie... it made me laugh, which I guess is a good thing, but like yeah it’s kind of obvious why she left first, because she (I mean no offense to this.. well maybe I do because I am not a fan of the person under this mask like at all since she ain’t kind and civil like at all) blew it, like it kinda felt like she messed up on purpose or that she is actually horrible at singing, which is ok because she isn’t supposed to be a professional singer and that’s fine. All that to say Lips made me laugh and I appreciate it but I am kind of glad she was the first one to go....

Anyways, she was revealed to be (to no surprise of my own) controversial talk show host...

Wendy Williams

Whoop whoop, I got it right (as did like everyone who knows who she is because her voice is that distinct... oh and also she spoke during the song so it was kind of obvious, but I am still claiming my victory: Gotten 3/5 correct so far and I am proud of that number)! Anyways here are the clues that pointed to her:

Shock= she says very shocking things on her show and is a pretty polarizing figure, you either love her or hate her (I am not fond of her myself but whatever I guess)

“Speak my truth”= she’s known for stating her mind and is unfiltered with her thoughts on things

West Wing= her initials WW

Fire= Hot Takes is a segment on her show and also a reference to her book Wendy’s Got The Heat

Alright, now that we have finished with her, let’s talk about our remaining 4 masked contestants:

1. Squiggly Monster 👾

Performance: I really liked his performance of Have You Ever Seen the Rain by Creedence Clearwater Revival. He did super well, like I really liked it, I had low expectations because of the costume (it’s kind of creepy looking ngl) but I was pleasantly surprised. Having said that, the moment I heard him, because of his tone, I knew exactly who it was (again insert Ken’s voice here)...

So, for my guess, I think it is Full House actor/comedian:

Bob Saget

Ok, so besides the voice, lemme give you why I think that clues wise (credit goes to this Screen Rant article for the details idk on my own):

Penguin visual in the package= he directed a parody nature documentary called Farce of the Penguins

Father and a scoundrel= father part due to him actually being a father to 3 girls/his role on Full House as Danny Tanner (a single father of 3 daughters which I think is wow funny) and the scoundrel part referring to his raunchy/dirty comedy

Cookie clues= nod to Michelle from Full House and her love of cookies

“Breaking News” and him on a news show kind of thing= reference to his Full House character Danny Tanner being an anchor for Good Morning San Francisco

He also was on the show as a shrimp cocktail as the friend for the Taco aka Tom Bergeron! So it makes sense for him to come back this season which I am all into

2. Mushroom 🍄

Performance: Ok, so this is like the most confusing, is it a he or is it a she? That’s the biggest question, my money’s on a boy... so my guess is going to be male (I am gonna call Mushroom a he because of that so I apologize if I am misgendering them, I just need to narrow it down somehow and I am gendering them based on who I think it is, and I feel like he is the correct pronoun). Anyways, I love him, he’s my favorite Group C contestant, and his performance of This Woman’s Work was amazing, people said it was not good, but I really enjoyed it because I am a sucker for a good falsetto and this guy was almost all falsetto, I was feeling it. Having said that, maybe I like him so much because I feel like it is someone I adore, like if I meet him, I will faint status...

Having said that, I think it is Broadway star, heartthrob, actor, singer, adorable human...

Jordan Fisher

Omg he is so cute... sorry I am gonna stop being 😍 for him I promise. Anyways, big clue was a video of him singing this exact song (I think it sounds so similar, but you guys can judge for yourselves), here it is: https://youtu.be/3lzRsMl8M8Q

Apart from that, here are some actual clues (with a bit of help from this Screen Rant article) that got my mind thinking it is him:

WAITTT 🤔... before we get into that, what I found interesting is that he tweeted and I quote “Seasonal tweet to let everyone know that ____ on the masked singer is once again not me 💜” and THE MASKED SINGER RETWEETED IT... but also I just checked and this is the first time he’s ever had to clear that up... soooo maybe he’s a liar (bc of an NDA ofc you cannot really spill the beans.... but let’s go with he’s a liar)... a cute liar... but he’s lying.

Ok, now onto the clues:

A lot of Hamilton clues= “a healer and a scholar,” “young, scrappy, and fun-gy,” “shroom where it happens” = he replaced Anthony Ramos as John Laurens/Philip Hamilton in the Broadway musical Hamilton (and also can reference his Broadway roots in general like being on Dear Evan Hansen)

Started at a “rat race” and Men in Black were mice= could be a reference to his start on Disney (Liv and Maddie and Teen Beach Movie)

A shot to turn a hobby into a career= reference to him streaming video games on Twitch

Stars clue with audience= he won Dancing with the Stars back in 2017 and also hosted DWTS Junior

3. Jellyfish 💚

Performance: I really liked her performance of Big Girls Don’t Cry by Fergie even though I felt like she was holding back a bit (I can kind of say the same about Mushroom... but I still enjoyed it). I am really curious to see what she can really do, because I felt her nerves in the performance and like she can do more. This one’s killing me because I feel like I have heard that voice but I can’t put my finger on who it could be

So, with that said, I have no idea who to guess:

But I do know that it isn’t ✨Billie Elish✨

No, but like seriously, that ain’t Billie Elish even tho a lot of people are guessing it, I am not buying it... you’ll see why in a second, here are the clues:

The Little(ish) Jellyfish title on a book

Reigned supreme in an underwater kingdom

Fans, Tiara (“princess”)

Angel Fish

Flower Crown

Missed out on normal girl stuff like parties and making friends

Billie Elish “Bad Guy” lyrics in the background= that’s way too obvious for it to be Billie Elish

4. Broccoli 🥦

Performance: His performance of House is Rockin’/Whole Lotta Shakin Going On by Stevie Ray Vaughan/Jerry Lee Lewis was not what I expected to be honest. I thought it was going to be someone younger or a rapper, but it was an older gentlemen, and he was rockin, not gonna lie. I really liked it, not my favorite though I don’t think he is bad by any means. Anyways, I feel like I know who it is... maybe I am getting this from another person on YT’s guess who I really liked (Shoutout to them idk their user sorry)

So, for my guess for the Broccoli, I think it is legendary singer...

Paul Anka

The reason why is because of the following clues:

Can of Soup= he won a Campell’s Soup competition and that jump started his career

Tik Tok reference= his song Put Your Head on My Shoulder went viral on Tik Tok

Also, the letterman jacket is very 60s which is his era I guess (my mom knows more ab it than I do)

Anyways, that’s it, guys! I hope you enjoyed this recap, I apologize for how long they are, it’s kind of my thing lol! Don’t forget to comment your guesses (do you agree with me? Disagree? I wanna know below... especially Jellyfish guesses bc I have no idea who she can be), like, and follow for more Masked Singer content. I’ll see you all next week for the Group C Playoffs! Bye guys! 👋🏼

[entergamingxp]

All the Announcements (June 6, 2020)

June 6, 2020 8:08 PM EST

All the announcements at Indie Live Expo 2020, a huge stream celebrating doujin games, featuring messages from Swery, ZUN, Toby Fox and more.

The Indie Live Expo 2020 live stream event was held on June 6, revealing a plethora of info on Doujin games and Japanese indie games. Here’s a list of all the announcements made during the stream.

Azure Striker Gunvolt 2 Launches June 22, 2020, on Steam

From mountains high to valleys low…

From cities big and small…

From beyond the clouds and across the seas…

We have heard your cries.

“GV2 Steam when?”

At last, we have an answer for you! Azure Striker Gunvolt 2 is coming to Steam on June 22!https://t.co/VqbUH2ghdE pic.twitter.com/pNLYCoueKO

— Inti Creates (@IntiCreatesEN) June 6, 2020

Azure Striker Gunvolt 2 was originally a Nintendo 3DS game launched in 2016. Inti Creates launched the game on PS4 in April 2020. It’s now coming to Steam on June 22, only two weeks from now. Read our review here.

2D Action Game Cogen: Sword of Rewind Announced for 2020 Release on Steam, Switch, PS4

Japanese indie studio Gemdrops announced Cogen: Ootori Kohaku to Toki no Ken. Also known as Cogen: Sword of Rewind, it’s coming in 2020 on PC, PS4, and Switch. Sakuraba is composing the OST. Read our dedicated article for more details.

Record of Lodoss War – Deedlit in Wonder Labyrinth- Early Access Stage 2 Coming Late June

Team Ladybug announced on Indie Live Expo 2020 that the second stage of Record of Lodoss War – Deedlit in Wonder Labyrinth- will launch in late June. A trailer showing the stage was published as well. Record of Lodoss War – Deedlit in Wonder Labyrinth- launched in early access on March 12, 2020. As of now it only has a single stage, so it really is an early access. Stage 2 will include Efreet and Ylk as mid-bosses. The developers promises more content to come soon. You can read much more on this Metroidvania featuring Deedlit from Ryo Mizuno’s Lodoss novels with our past coverage here and here.

Online Multiplayer, Open-world, Survival Action game Craftopia Announced on Steam, with Early Access This July

[How to Join Closed Alpha Test of Craftopia]

1. Add Craftopia to wishlist in https://t.co/4jHzMqKuqV

2. Follow @PocketpairGames and RT this tweet

50 players will be chosen by lottery and receive the invitation code via DM. The application period is by 6/12 23:59 pic.twitter.com/yx3rHQkaKo

— Pocketpair – Craftopia (@PocketpairGames) June 6, 2020

Japanese indie devs Pocket Pair revealed its online multiplayer game Craftopia, and announced a Steam Early Access in July. Recruitment for a Closed Alpha Test also began.

Craftopia might look like Story of Seasons in 3D at a first glance, but it actually mixes Survival, Open-World, Crafting, Pokemon, and Online Multiplayer. Craftopia is also an hack ‘n’ slash, as you’ll craft your own equipment and learn skills to fight. You can make buildings and vehicles as well. The game promises a high degree of freedom, allowing you to do a lot of things that would lend you in jail in real life, such as building a giant machine to automatically boil livestock for food, or hunting elephants.

Craftopia looks like tons of fun and is definitely a game I’ll keep an eye on. The official site promises “endless possibilities”. If you can create a whole automated society complete with state racism and cops characters who assassinate innocents with impunity, I’ll buy this in a heartbeat.

Nimbus Infinity Announced on PC via Steam and Consoles (Release Date TBA)

GameTomo and GameCrafterTeam announced Nimbus Infinity, the sequel to high-speed mecha action game Project Nimbus. Nimbus Infinity will feature skill-based combat, diverse battlefields from asteroid belts to deserts, and customizable mecha & weapons. You can read more on the game on its official site. It’s interesting to note Nimbus Infinity was announced for PC via Steam and “consoles”, so perhaps it could come to Xbox Series X and PS5.

Sumire Announced for PC via Steam, Nintendo Switch (Release Date TBA)

GameTomo revealed a brand new narrative-driven game, Sumire no Sora. it’s definitely one of the game that piqued my interest the most during the Indie Live Expo 2020 stream, so I detailed what we know about the game via a dedicated article.

Picontier, Coming to PC and Switch, Gets New Gameplay (Release Date TBA)

『ピコンティア』の最新映像が公開されました！でもこれは、まだほんの一部です！完成までもう少しお時間をください…！#ピコンティア #Picontier #gamedev pic.twitter.com/bGDtTuCnGm

— ユウラボ@Skipmore (@skipmore) June 6, 2020

Developed by Skipmore (Fairune, Kamiko) Picontier is a slow-paced garden raising game with cute pixel art. You can also fish and fight monsters.  It’s similar to Bokujou Monogatari (Story of Seasons) and its spinoff Rune Factory. They showed around 5 minutes of gameplay on the Indie Live Expo stream. Watch it at the 54:03 timestamp. The game’s developer asked us on Twitter to please wait a bit more till release. They’re also working on another game called Transiruby.

Touhou Fan Game Gensokyo Night Festival on Steam Gets Major Content Update Coming Soon

Tea_Basira announced during Indie Live Expo 2020 that its 2D scrolling action Touhou game, Gensokyo Night Festival, will get a new update soon. Similarly to Deedlit in Wonderland, the game is in early access. The update will add the game’s second stage, which has Utsuho Reiuji aka Okuu as boss, one of my favorite 2hues.

Chinese Parents, Already Available in English, Will Now Launch in Japanese

Chinese Parents is a pretty interesting sounding game. It’s a raising simulation where you live as a Chinese kid born in an average family, from their very early days of life up to the end of high school when they turn 18 years old. You decide how to spend your time, having fun, studying, learning skills, etc. It’s pretty much Princess Maker but with Chinese Parents. I’d definitely like to try it one day.

Children of Morta, Already Available in the West, was Finally Announced for our Japanese Peers on PS4, Switch

Children of Morta is an indie-action RPG available in the West on PS4 and Switch. Developed by Dead Mage, Children of Morta‘s story driven experience will hopefully become a hit in Japan. No release estimate for the Japanese version was announced yet, but hopefully the wait won’t be much longer. You can read our review of Children of Morta here.

The Indie Live Expo 2020 stream is embedded below. You have the English version and the Japanese version. Smaller announcements were also made, like new ports of existing games. Multiple already revealed or released games were featured for exposure too, such as Gnosia and Alter Ego S. If you’re interested,watch the Indie Waves Part 1,2,3 at the 1:15:56, 2:05:45, and 3:24:27 marks. The event also featured messages from popular Japanese developers:

ZUN (Touhou Project)

Toby Fox (“UNDERTALE”, “DELTARUNE”)

SWERY (CEO for White Owls Inc. ) (1:30:58)

Kazuya Nino (TYPE-MOON studio BB) (3:58:18)

Shuhei Yoshida(Head of Indies Initiative Sony Interactive Entertainment)

Jenova Chen(Co-Founder and Creative Director of thatgamecompany)

ZUN appears on stream at the 4:00:24 mark. He waited in the next room for like 6 hours, watching the stream unfold. Toby Fox’s heartwarming message follows soon after. You can watch Toby Fox’ message by itself here, but it isn’t as poignant without the comments from ZUN.

Source: Indie Live Expo 2020

June 6, 2020 8:08 PM EST

from EnterGamingXP https://entergamingxp.com/2020/06/all-the-announcements-june-6-2020/?utm_source=rss&utm_medium=rss&utm_campaign=all-the-announcements-june-6-2020

[afinepricklypear]

Compare and Contrast: K Project vs. Bungou Stray Dogs - Part 3

**Disclaimer: I love both K Project and Bungou Stray Dogs. I highly recommend watching both of them. This series of Compare and Contrast posts I’m doing is merely for my own sake, to get these thoughts out of my head. If you are a fan of one show and not the other, please don’t read, or if you do, save your bashing comments for like-minded antis elsewhere. If you have not seen both, there are a lot of Spoilers ahead, please don’t read. I am heavily critical of both shows, so if you are someone who cannot handle negative things being said (I try not to outright bash and just provide reasonable evidence from the material to back my stances) about your favorite fandom or characters please don’t read. Thank you! ***

Read Part 1, Part 2

Characters

Both Bungo Stray Dogs and K feature ensemble casts, with large numbers of characters. That being said, the shows have vastly different approaches for how they handle those characters and those approaches impact the way they come across for the viewer.

One of the things that K does a hell of a lot better than BSD, is fleshing out and managing of its characters. This may in part be due to the fact, K doesn’t attempt to give all of its characters a starring space in the story. It’s comfortable letting some characters fall into the background, allocating them to the role of side characters. There are only a few members of each of our main clans (Silver, Red, Blue, and later, Green) that are given attention and the rest of the clansmen (Red and Blue are the only clans shown to have notable clans members who regularly show up and are given names and little else outside of our mains) fall to the background. For some people, this may be frustrating, as we don’t learn a whole lot about the rest of Scepter 4 or HOMRA in the anime, but narratively, I’m comfortable with it because I’m not asked by the show to care about those characters, and the characters that I’m meant to care about are given adequate screen time to develop them into someone who’s story I am invested in. That being said, K does have moments that utterly flop. Scepter 4, for me, beyond Fushimi, is an absolute failure in presenting itself as a likeable or, even, relatable organization of individuals (Full disclosure, I hate Munakata, and while Awashima has potential, she’s treated by the series as little more than a miniskirt and bad boob job obsessed with Munakata). They seem to be there only to be obnoxious. I get the sense they were originally intended to be viewed as villains, but they became so popular following the first season, that the creators tried to treat them more as heroes in the movie and second season. However, it was painfully obvious in the final episode of K: Seven Stories – Nameless Circle, as the surviving members of the Green, Red, Silver, and good Colorless clan members (Yukari and Kuroh) enjoyed their final farewells with their fallen clansmen (I dare you not to cry when Mikoto and Totsuka pour Kusanagi a glass and Yata takes Anna’s hand in the background), that Scepter 4 staring up at Munakata’s lost Sword of Damocles was the least humanized of the Clans. They lost nothing, they felt nothing, their presence in Nameless Circle was nearly pointless beyond fan service. Likewise, K heavily drops the ball in Season 1 with its primary antagonist, the Evil Colorless King, who’s back history, motivations, and even his (her?) name remain a mystery to date.

BSD starts out with an already large cast, and while Atsushi and Dazai might arguably be the “main” characters of the show, starring roles in various arcs and episodes are given to the other characters, as well. Most of those episodes, however, can easily be relegated to the “filler” pile. On top of this, BSD continually introduces increasing numbers of characters, it also likes to bump characters up from side character to more main character type roles, which only serves to take limited screen time from the initial cast of characters and ultimately fails to give itself enough space to flesh out the cast. Time constraints, of course, doesn’t always mean a character can’t be adequately developed (see the first ten minutes of Pixar’s Up for how it’s done right), but possibly, because of this limitation, BSD has a tendency to fall back on telling instead of showing. It also feels like many of its characters were not fully developed in the creator’s minds (this appears to have been confirmed in several interviews with the creators) when they started their story, so that when those backgrounds are revealed, especially in those far too often instances where characters that have interacted in past episodes and given no indication of a history between them are newly revealed to have a connections to one another. It feels tacked on and last minute, and consistency of characterizations is lost. As previously discussed in a past post for this Review Series, this may also be due to the fact that K was envisioned as a self-contained story, and BSD seems to have been developed as an ongoing serial without a predetermined ending.

For these next several posts, I want to do more individualized character analyses, but to keep things simple, I will only focus on the characters of K that are given focus in the story and I’ll try to reference only its anime (just to be fair, because I’ve read all of K’s extra materials, and have not for BSD because I lack access in my country). Likewise, I’m only going to talk about BSD’s characters from the Armed Detective Agency and the Port Mafia, as well as, a few key villains like Shibusawa, Fitzgerald, and Fyodor. Once again, I will attempt to keep to only what’s been revealed in the anime.

A reasonable starting point on character analysis for these two shows would be our sort-of main protagonists. Although, BSD and K are both ensemble anime, they do each feature a character that may ostensibly be considered the “main” character, in the sense that they kick off our main events and are positioned as integral to all subsequent storylines. For BSD, that character is Nakajima Atsushi, and for K, that character is Yashiro “Shiro” Isana. Interestingly (maybe), these characters share a similar aesthetic. Both are young males, with white hair and light-colored eyes, they are also both small, waif-like, bishounen that might be better suited to a shojo or even yaoi anime, rather than leads on a seinen series.

At the start of both series, Atsushi and Shiro, respectively, find themselves thrust into a world of supernatural powered people in which they are targeted for reasons to be revealed throughout the story. The greatest similarity between these two, however, is that they are both weak characters. Neither one proves interesting enough to shoulder the responsibilities as main character of the show. You would be hard pressed in either fandom to find someone who would name Atsushi or Shiro as their favorite character. I’m not saying these fans don’t exist, because they do, they are just few and far between.

Shiro spends the first half of the first season trying to avoid being killed by the Red Clan, who believes he killed their Clansman, Tatara Totsuka, at the same time, he is trying to convince his reluctant ally and potential executioner, Kuroh, that he isn’t the Evil Colorless King responsible for Totsuka’s death. Atsushi’s story, on the other hand, begins with him finding out he’s an ability user that shapeshifts into a white tiger, and, subsequently, being rescued and recruited into the Armed Detective Agency by Dazai. Then the Port Mafia begins hunting him because a bounty has been placed on his head, conveniently only after he’s learned that he is the white tiger that he believed had been hunting him his entire life, he’s joined the ADA, and Dazai has the chance to warn him with a picture of Akutagawa “beware of this bad boy” mere hours before Akutagawa attacks him.

The initial drawback with both of these characters is that they are merely victims of the plot and not helping to drive the plot forward in anyway. Shiro only becomes invested in determining why there’s video footage of him murdering Totsuka because Kuroh demands he provide evidence that he’s not the Evil Colorless King or he’ll face justice at the end of Kuroh’s blade. When Atsushi learns about the bounty on his head that Port Mafia is pursuing, rather than show interest in why anyone would want to capture him (alive, to boot), he “nobly” decides to run away, in his naivete believing that it would spare the ADA war with Port Mafia.

Throughout the K story, we do see real change in Shiro’s investment in his own mystery when it’s revealed that his memories, and the memories his classmates have of him, are not real, but fabricated and imposed upon him and those in close proximity by the cat girl that’s obsessed with him, Neko, AKA Official Provider of Fanservice #1.  This provides a further explanation for why he’s so lackluster about pursuing the truth, she’s been bending his reality and his perception of it from the start. It isn’t until her ability and how she’s been using it is revealed, and she runs off in humiliation and panic, that Shiro begins to actively pursue the truth. Even before this, however, Shiro is shown to be a wily and clever character who is quite self-sufficient. In his first meeting with Kuroh, he’s able to escape Kuroh’s justice by lying and manipulating the swordsman. He later throws off the Red Clansmen pursuing him by appearing just as Kuroh is facing off against a very annoyed Yata and calling out to Kuroh as though they are allies. This falls in line nicely with the big reveal of Shiro’s true identity as the Silver King, Adolf K. Weissman. In flashbacks to an unnamed great war (FYI, people speculate this was WWII, which, fun fact, would make Adolf a Nazi, but because this story takes place in an alternate history of the world, it’s equally possible Nazis never existed), we see that Adolf was originally researching the Dresden Slate, a mysterious artifact capable of granting people mysterious powers.

As Adolf, Shiro is shown to be a light-hearted, goofy man with no place in war or battle (consistent with what we’ve already seen in the show). Nothing of his character feels last minute retconned, and no previously unheard of connections are revealed to other existing characters in the show that haven’t been heavily hinted at or already explained. He believes that his research will be helpful in granting people their wishes throughout the world, yet when his sister is killed during an air raid, he runs away, leaving his research and the Slate with his friend, a Japanese military officer who becomes the Gold King and curator of the artifact. This turn of events does grant Shiro greater weight as a main character, and an importance in the plot that doesn’t feel contrived or heavy handed. Hints exist early on that Shiro is not who he thinks he is, starting with his high school classmate, Kukuri noting in introductory scene that she feels like he’ll disappear if she takes her eyes off of him. After all, one of the things that K is often praised for is its mastery of foreshadowing, this comes from having a very clear idea of the entire story its creators hoped to tell and a firm grasp of the connections between all of its characters.

That said, Shiro still remains throughout the story as relatively uninteresting, serving more as a plot device rather than a character. After the Blue Clan, the Silver Clan is the second least relatable and their scenes in Nameless Circle also remain a bit ‘meh’ as the “losses” the Silver Clan experienced throughout the anime were far removed from the actual plot. They didn’t resonate. We see, in Nameless Circle, Adolf’s sister and the younger version of his lost friend, the Gold King, enjoying breakfast with the Silver Clan every morning on repeat. Yet, Adolf’s sister was never developed beyond “here’s a tragic thing that happened in Adolf’s past”, so it’s hard to really feel her loss. She isn’t a person but a plot device, used to reveal more of Adolf/Shiro’s character rather than having anything of her own. As for the Gold King, he suffers the same fate as Adolf’s sister, but also, he lived a long life, and died of old age, so his death isn’t any kind of tragedy in the same sense as Mikoto, Totsuka, or Nagare’s deaths. There’s certainly a melancholy to these scenes, Adolf misses his friends, but it doesn’t pull at the heart strings, quite the way the Red and Green Clans losses do.

The real reason that Atsushi is being pursued at the start of the manga is yet to be resolved. We’re given a loose explanation, a foreign organization known as the Guild put the bounty on his head because allegedly his ability is the key to finding some powerful book that can manipulate reality. When the main antagonist of the Guild, Fitzerald, is defeated, this explanation and Atsushi’s importance becomes all but forgotten in subsequent arcs featuring new villain, Fyodor Dostoevsky. Atsushi himself can best be described as whiny and severely underdeveloped. He continues to be a victim of the plot just dragging him along, but worse, he quickly becomes one note with the constant flashback to his Orphanage’s director telling him he’s useless and doesn’t belong anywhere. There are entire scenes dedicated to this refrain causing him to full-scale breakdown into bouts of self-doubt. All I can say is he was eighteen when he was “kicked out” of the orphanage, he had zero work experience, and when we find him at the start of the story, he’s only been on his own a couple weeks and is already considering turning to assault and thievery to survive. Considering that Dazai and Chuuya were sixteen when they became Executives in the Port Mafia, Kunikida is only twenty-two and has already had a successful career as a teacher before becoming a detective with the ADA, Kenji is fourteen when we find him at the ADA and a former hard-working farmhand, Kyouka is a capable fourteen year old assassin before joining the ADA, Lucy is eighteen and comes from a similar abusive background and is already busting her ass to work for the Guild and then the ADA’s favorite Coffee Shop (jobs she got herself, thank you very much, for spending anytime looking for her like you promised, Atsushi, you jerk), and so on…I’m inclined to side with the orphanage director: Atsushi is useless. It’s a good thing they kicked him out, or he’d probably still be a bum surviving off social welfare the rest of his life.

I also can’t help but agree with Akutagawa, Atsushi has practically had everything handed to him and yet still manages to pull a pity party routine on the regular. It isn’t long after getting kicked out of the orphanage that he’s taken under Dazai’s wing and handed a job with the ADA. This wouldn’t be so terrible if he didn’t constantly squander it, and consistently prove that he doesn’t earn it. It’s hard to like him, especially when the author seems to be bending the story over backwards to give him some semblance of importance in the plot to the point it hurts the narrative. This is best exemplified in Dead Apple. Throughout the entire movie, we see every other character acting to bring the plot forward, meanwhile, Atsushi spends the entire time whining that they need to find Dazai, because Dazai will know what to do. Bitch, Dazai is busy trying to outsmart two super smart bad guys; he doesn’t have time to also prop you up on your own damn feet. It gets so bad that even Kyouka becomes fed up and leaves him. It really says something that the majority of comments for the movie on CrunchyRoll are complaining about how whiny Atsushi is throughout the movie.

While some people are quick to defend Atsushi by pointing to his abusive childhood to excuse his behavior, it is worth noting, he is not the only character that has an abusive past and he is far from being the character who has suffered the most abuse, and that’s including the odd growth on the side of Dead Apple’s plot that is the inexplicable, unnecessary, and might I add, ridiculous connection that was made between him and Shibusawa at the last minute that only raised more questions than answers and created huge plot holes. Atsushi’s travel companions in Dead Apple, Kyouka and Akutagawa, both have their own history of being abused. Just to underline Akutagawa’s complaint that Atsushi has everything and manages to forsake it all, Akutagawa was abused by Dazai, whereas, Atsushi is saved, fawned over, and praised by Dazai seemingly only for the sake of further tormenting Akutagawa. This continues to contribute to making Atsushi a weak character that I find difficult to really like all that much or see as having anything more than a forced relevance to the plot.

Atsushi does have redeemable moments in his interactions with Kyouka and Lucy. With the aforementioned Dead Apple aside, Atsushi is often at his best when he is with Kyouka. She sees him as her savior, and it reflects in the way that he treats her, being seen that way helps to boost him from pitiful status to someone that may actually have potential as a hero. As for Lucy, because she has a similar life history as Atsushi (abused orphan with matching burn marks), he can’t get away with the same woe is me lines that he throws at every one else. She’s got the same kind of past and manages to stand on her own two feet, forcing him to also rise up to meet her. Both of these girls have tragic histories, but seek to lift themselves up from those histories and stand their own ground, which serves to lift Atsushi as well, unlike with other characters that only patronize, validate, or outright feed into his insecurities leaving me playing on my phone hoping his scenes end quickly. More interactions between Atsushi and Kyouka, Atsushi and Lucy, or all three together would be a welcome addition in Season 4. These babies build each other up, and it’s beautiful to see.

At the end of the day, Shiro and Atsushi are prime examples of the “perfectly innocent protagonist whose only flaw is their own self-doubt” and exemplify why this type of a character is always, ultimately a failure.  They’re bright eyed, they’re kind, without internal debate they always make the right choice, everyone is drawn to them because they are light and goodness, I guess, and even when they are clearly the weakest in a fight, they always come out on top without working towards bettering themselves in anyway beyond putting in some old-fashioned good guy gumption. This is so painstakingly evident in Atsushi, who receives zero training upon joining the ADA, and is expected to battle (and is successful) against exceedingly powerful bad guys on the regular. Contrast this against Akutagawa, who we see underwent harsh training from the Port Mafia, yet still manages to always lose in his battles against the untrained Atsushi. Proving yet again, that you don’t need hard work to become the best, when you got the power of good on your side. Self-doubt exhibited by these types of characters never rings true, because we see them always get their way, everything turns out fine for them in the end, they never encounter lasting consequences for their choices (at one point in BSD, Akutagawa mocks Atsushi that everyone around him dies, but we have yet to see anyone he cares about die – the only person’s death that we see him have to deal with is his Orphanage Director that was coming to visit him with flowers and probably apologize for being a jerk, and his struggle there is with whether he’s allowed to still hate the guy or not, I mean, come on), and everyone around them that matters respects and dotes on them even before them being shown to truly do anything that should earn that respect and affection. I still don’t fully understand what compelled Kuroh to swear loyalty to Shiro, if I’m being perfectly honest, when Shiro is a lay-about, coward and liar, that ditches his clan in the end to soul search in his airship. Though, I will note, Shiro does demonstrate this character type a mite less than Atsushi. He’s not often shown to come out on top in battles, he doesn’t actually engage in any physical battle himself (his fight with Nagare at the end of Missing Kings, not withstanding, because he’s really just blocking that whole time waiting for Kuroh to show up and do the heavy lifting), he typically needs to rely on the strength and intelligence of others, and is more often than not shown running away. Also, Shiro is never really put into a position where he needs to make any hard, moral choices which has its own drawbacks for a main character in a show where a lot of hard, gray moral choices are being made around him.

I have seen it commented in defense of these characters’ weaknesses that the main character of a shonen/seinen story are always weak. This is not true, and I will point to one of my all-time favorite characters from any anime, as example: Edward Elric of Fullmetal Alchemist (both versions of the anime). Ed is badass, he earns his name as Fullmetal, and he earns his title as the youngest State Alchemist. We see him earn it as we watch him and his brother, Alphonse’s journey to become stronger, yet he also makes mistakes. It is his own arrogance that kicks off the entire anime when, in the Elric brother’s attempt to bring their mother back to life using forbidden Alchemy, Ed loses his arm and then his leg to save his brother who has lost his entire body. Their journey to find the philosopher stone for Ed is entirely about restoring his brother, he doesn’t care about his own body and, in fact, views his missing limbs as his own deserved punishment for challenging God, and throughout we see how their moral failing in the past effects all of their choices going forward. We know why Ed makes the choices he does; it isn’t merely because he is the “perfectly innocent protagonist that exudes light and good”; it is because he has learned from his mistakes. His naivete is not shown as a benefit, but as something to overcome. Ed is always acting on his own motives, while the plot is being driven forward by other characters around him, he is not merely a victim of the plot or being dragged along by it, his own actions and goals also help to forward the story and eventually brings him in direct conflict with the big bad. He struggles under the weight of the choices he’s made, he bears the burden of those he couldn’t save, he doesn’t leave the heavy lifting of gray moral decisions to the other characters, he’s seen to struggle and even lose in the anime, and in those instances, we watch him work to better himself so that he can come back stronger. We know where his power comes from – he trained and studied for it; it was never handed to him. Throughout the anime he is shown to literally and figuratively grow and develop into a powerful hero that we can believe is capable of overcoming our main antagonist, Father, in the end, but not without losses and struggle. This is a protagonist done right. Compared against Ed, the failings of both Shiro and Atsushi is glaring.

That is all I have to say about those two. Next up will be the Black Dog of the Silver Clan versus the Black Dog of Port Mafia.