#also me: NEEDS TO READ TO THE END FOR MY GODDAMN SELF

[incognit0slut]

The breaking point

Part 2 of Beyond the Limit (can also be read as a standalone)

Spencer realizes that being dominant doesn’t always require him to be rough, especially when he has complete control over your body.

warnings: (18+, MDNI) soft dom spence because there’s a lot of praising in this one, reader in lingerie, orgasm control or edging, overstimulation, reader gets cockdrunk (idk how to explain it better), a little cockwarming at the end

Words: 4,3k

a/n: this has been in my drafts for a while and i finally finished it, i don’t usually do a part two for my oneshots but…i’m actually tempted to do more

You were a tease—a goddamn tease. Spencer knew he needed to work on his self-control, but it was hard to keep his composure when you had the ability to stir desire within him. It was perplexing, given that there was a time when thoughts of anything remotely sexual never even crossed his mind.

For the majority of his life, intimacy had been a foreign concept. While he occasionally felt a pang of jealousy witnessing everyone around him find love, he managed just fine without it.  He suspected it was partly a defense mechanism, channeling his focus toward other aspects of his life—such as his mother's health, for example—to avoid dwelling on what he lacked.

But then all his beliefs shattered when you came crashing into his life. Suddenly, everything he thought he knew about himself was thrown away. Your presence sparked a fire within him that he never knew existed and he found himself craving the intimacy he had once dismissed as unnecessary.

He wasn't even aware of how touch-starved he was until he met you, and now it was hard to maintain that last thread of self-control he possessed. It wasn't that he didn't want to give in, but rather, he feared the intensity of his own desires, afraid that he might enjoy it more than he anticipated.

Because did he have to be rough with you for him to be satisfied, now that he had once known how it felt like? But how could he indulge in such temptation when you looked so utterly beautiful right now, so delicate, so precious in his eyes?

How could he even fathom ruining your perfection with roughness?

"Spence?" You nervously asked, suddenly feeling self-conscious. Your confidence was starting to dissipate as his eyes slowly traveled down your body, taking in the lingerie you chose to surprise him. Although this was not the reaction you were hoping for. "Do you not... like it?"

Spencer's gaze lingered on you, his expression was unreadable for a moment before a warm smile tugged at the corners of his lips.

"No, no, it's not that," he reassured you, putting down the book he had been reading on the bedside table before you walked into your shared bedroom. He reached his hand out, motioning you to come closer. "It's just... you caught me off guard, that's all."

You approached him cautiously and as you stepped closer, you noticed the tension in his shoulders easing, replaced by a soft warmth in his eyes. His hand found its place on your waist, drawing you closer and you instinctively fell on his lap, your knees dipping onto the bed on each side of his thighs.

Feeling his arousal right between your legs, you couldn't suppress the soft gasp that escaped your lips. "So you do like it," you murmured, a hint of satisfaction lacing your words.

"Like it? Sweetheart, that's an understatement," he replied. His calloused palms traveled along your sides as he took in the way the lace material hugged your curves.

The lilac-colored lingerie set on your body accentuated your figure perfectly. Both pieces were see-through, granting him a glimpse of your chest and lower region. The delicate edges of the top were adorned with more of the soft fabric, cascading over your stomach and back in a gentle, stunningly pretty way.

"You're so beautiful," Spencer whispered as he traced the intricate patterns of the fabric with his fingertips. "Absolutely breathtaking."

His touch sent shivers down your spine. You leaned into him, relishing the warmth and tenderness of his touch as one of his hands moved up your arm before resting behind your neck, pulling you closer to him.

His lips touched yours gently, sending a thrill coursing through your body. He nipped at your bottom lip, his touch both teasing and tender and as he sucked on it softly, a low moan escaped you. He then deepened the kiss, his tongue gently pushing into your mouth, and you kissed him back eagerly, your lips moving in perfect sync with his.

When he finally pulled away, you were left breathless, but he didn't stop giving you attention. His mouth made its way down to your neck, his lips trailing soft kisses along your skin and you couldn't help but arch your back, offering yourself to him completely. He then sucked on the spot below your ear, his lips creating a deliciously pleasurable sensation that made you moan softly in response.

You could feel his smile against your skin as he continued to travel further down, his lips leaving a trail of heat along your neck and collarbone. At the same time, his fingers pulled down the strap of your lingerie top, the material gracefully falling down your body, revealing more of your skin.

"Beautiful," he whispered as if it was the first time he laid his eyes on you, even if the two of you lost count long ago. His name slipped from your lips the moment his wide palms were pressed to your breasts, kneading the soft flesh and your nipples hardened beneath his touch.

Your mouth hung open in a silent gasp, and your breathing quickened in response when his thumb traced over your sensitive peak, sending electric sparks of pleasure coursing through your body. Spencer watched the way your eyes widened with desire, his own filled with a hunger that mirrored yours. And when he leaned closer, wrapping his soft lips around it, you were instantly gone.

The sensation sent waves of pleasure coursing through you, eliciting the most sinful sound you weren't even aware of making. It was like music to his ears, fueling his desire to please you even more. He continued to suck on your skin, giving the same attention to each breasts, his movements growing more fervent with each passing moment.

When he felt your hips bucking against his, he let out a low, guttural groan of pleasure. He softly drew back your nipple, your supple skin following his pull before he released it with a soft pop. Your skin glistened from his saliva, and honestly, Spencer had never seen such a splendid sight before.

The way you were grinding against him over his cotton pants frantically sent a surge of desire coursing through his veins. He could feel the thin fabric of your sheer panties pressing between your cunt, and with each movement, he could see glimpses of soft, bare skin glistening under the light, driving him wild with longing.

A primal need surged within him, a need to devour you, to lose control and indulge in the raw intensity. He craved to run his rough hands along your body, to explore every inch of your skin and claim you as his own. But he couldn't—not when you were the one in control as you sought pleasure in the way your hips moved against his.

So instead, his hands found purchase on your hips, guiding you to move faster. "That's it, sweetheart," he encouraged, his voice thick with desire. "Keep going."

You obeyed, pressing your aching heat against his cock, rolling your hips rapidly as a whimper of his name escaped you. You felt yourself growing hot and needy, your arousal dripping through your panties to coat his flesh beneath you, soaking through fabrics.

"Look at how wet you are," he mused, his voice laced with desire as he observed your flushed state and the evidence of your arousal staining the fabric between you. "Does this feel good?"

Your only response was another desperate moan, your body consumed by the overwhelming pleasure of being with him. What started lazy and slow soon turned into sporadic thrusts as you tried to cling to any friction. Your breath came in short, shallow gasps, and your body quivered with a delicious ache. It was too much, but at the same time, it wasn't enough.

"I need to feel you," you breathed out quickly, and before he could register what was happening, your fingers were pulling down his pants frantically. Sensing your desperation, he was quick to push the fabric down as his cock sprung free.

You bit down on your bottom lip as you lift your hips above him, taking him by the base with one of your hands while the other pushed the material of your panties to the side. He groaned when you pressed the tip of his cock to your dripping entrance.

"Are you sure?" he asked, his concern evident in his voice. Spencer always made sure you were fully ready, either with his fingers or mouth—or even with your own fingers. But you were already wet enough, and you couldn't wait any longer to feel him inside you.

You nodded eagerly, the need for him overpowering any hesitation. "Please," you begged, your voice pleading and desperate. "I need you now."

Both of you watched in awe as his girth stretched your clenched walls, the sensation of being filled to the brim overwhelming your senses. It wasn't the first time this happened, but it felt like a new sensation each time, and you found yourself instinctively clenching around him, eager to feel him even deeper inside you.

"Fuck," you whimpered, allowing yourself a moment to adjust to his size. His grip on your hips tightened, his fingers digging into your flesh as you squeezed yourself around him. With a slow, deliberate motion, you lifted your hips, feeling him ease out of you, only to lower yourself onto him again.

The sensation of him sliding back inside you made you gasp, a rush of pleasure washing over you as you took him deeper. His groan reverberated through your body, sending waves of ecstasy coursing through you. As his head fell back against the headboard, you couldn't help but whimper, the words tumbling from your lips without much thought.

"You fill me up so good," you confessed, your voice laced with desire as you rolled your hips against him. Your hands slipped under his shirt, feeling his soft stomach clench underneath your fingertips with every upstroke of your hips. "Take this off, baby."

With a low growl of approval, Spencer complied, swiftly removing his shirt and tossing it aside. Without hesitation, your hands trailed over his chest, reveling in the sensation of his smooth skin beneath your fingertips, feeling the steady rhythm of his heartbeat beneath your touch.

He watched you intently, captivated by the raw display of pleasure that painted your features. The way your face twisted in ecstasy, the way your mouth hung open in silent gasps, the way your breasts bounced with every movement—all of it drove him to the edge of his self-control.

As you quickened your pace, he felt his restraint slipping away, the urge to claim you completely becoming increasingly difficult to resist. Each time you clenched around him, it became harder for him to hold back. And as always, you could tell. You could feel the tension in his grip on your hips, the way his fingers dug into your flesh with a possessive urgency.

You slowed your hips, bringing your hand to his cheek, forcing him to look at you. "You're doing it again."

His gaze met yours, filled with a mixture of desire and frustration. He knew exactly what you were referring to. "I... I can't help it. You drive me crazy."

"I know that," you responded, stilling for a moment as you kept him buried deep inside you. "I just need you to do something about it."

He slowly shook his head. "I don't want to hurt you."

"You won't," you assured him, your voice filled with confidence as you leaned closer, bumping your nose against him seductively. "Come on, I know how much you want to be in control."

When he didn't respond, you pushed him even further, your lips tantalizingly close to his as you whispered your seductive taunt.

"I know you want more," you teased. "Don't you want to take control? Lie me on my back and fuck me until I can't think anymore? Until I beg you to stop while you use my body over and over again?"

"Don't tempt me," he choked out, his voice thick with longing and restraint.

But you weren't finished yet. "Yeah?" you challenged, your tone daring as you buried your hand in his disheveled, sweaty hair. "Then I dare you to."

You tugged on his roots.

"Fuck me, Spencer." You nipped on his bottom lip. "Fuck me real good."

His breath caught in his throat at your bold words, his heart pounding rapidly. With a shaky exhale, he met your gaze, the intensity in his eyes burning brighter than ever before.

And then, in a sudden surge of boldness, he surprised you, flipping you onto your back as you let out an amused squeal. But your laughter was quickly drowned out by the heat of his lips crashing down on yours.

He kissed you feverishly, with a messy and desperate hunger that left you breathless. He clung onto you as if you were the very air he needed to survive. He was devouring you as if you were the most delicious meal he had ever encountered, and he savored every moment, every sensation, swallowing your desperate moans.

And then he pulled out and you whimpered at the loss but any hint of disappointment vanished as you watched him shed his last piece of clothing. Then with deliberate slowness, he reached for your panties, his eyes locked on yours as he dragged them up your leg, savoring the sight of the damp fabric clinging to your skin.

When he finally discarded it on the floor, he wasted no time in grabbing one of your legs. With deliberate tenderness, he began trailing soft kisses along the inner part of your thigh, each gentle press of his lips sending waves of pleasure radiating through your body. Your breath quickened as you watched him, your heart pounding in your chest.

"I'm not going to be rough," he whispered, his voice low and husky, his eyes never leaving yours as he planted soft kisses right at the edge of your drenching heat, teasingly close to where you craved him most. He then crawled over your body, settling himself between your legs, his gaze locked on yours.

"But I am going to use you," he murmured, his words sending a thrill of excitement coursing through you. "You'll let me do that, won't you?"

As he hovered above you, his weight supported by his arms, you watched a strand of his outgrown hair fall over his eyes. With a gentle touch, you reached out and tucked it behind his ear, a soft smile playing on your lips as you nodded in response.

"Say it," he urged. "Tell me you're mine to use."

You met his gaze, your own eyes dark with longing and anticipation. "I'm yours," you whispered, and when you felt his tip pressing into your entrance once again, you gasped. "I-I’m yours to use."

In one swift motion, he filled you again with a hard thrust that had you arching your back, a strangled moan escaping your lips as pleasure surged through you. "S-Spence..."

"Good girl," he praised, his words sending shivers down your spine as he kissed your cheek. His hips began to roll into you, setting a rhythm that drove you wild. "My good, pretty girl."

You whined in response, the sound music to his ears as he continued to thrust into you at a steady rhythm. He relished the way you responded to him, the way you surrendered to the pleasure he was giving you. He wanted to use the way you were satisfied, to use the way you wanted him, to take you to the brink of ecstasy.

He wanted to use you in every way possible, to make you his in every sense of the word.

Spencer never considered himself a possessive person, but when it came to you, he wanted to be the one you surrendered to completely. And in this moment, he had never felt more in control. It was intoxicating, the power he held over you, the way you willingly gave yourself to him.

That was why when he felt you clenching around him, knowing you were so close to your peak, he stopped. He wanted to draw out this moment, to savor every sensation, every sound you made, every breath that escaped your lips. He wanted to draw out your pleasure until you were begging for release, until you were completely and utterly his.

"Why—" you gasped. "Why did you stop?"

He smiled down at you. "Because I want to make you feel good, Angel," he whispered, brushing a strand of hair away from your face. "And I want to take my time doing it."

Your head fell back, and you couldn't help but bite your lip to suppress a moan. His use of the term Angel always had a way of melting your resolve, and you knew he was fully aware of the effect it had on you.

"Be patient," he chided before burying his head in the crook of your neck, nipping at your skin gently. Then, he resumed moving his hips, each thrust sending waves of pleasure coursing through you. It felt incredible, but you couldn't shake the desire for him to fuck you harder.

"More," you cried out, feeling as if you were in a deep haze.

"Yeah? Spread your legs wider then."

You whimpered at his simple command, your shuddering legs gradually spreading a few inches wider. It was becoming harder to breathe from the way he was pushing you into the mattress, but you welcomed the pleasure, craving more of him.

Your hands clawed at his back, leaving crescent-shaped marks from your nails as you desperately sought something to hold onto. The intense pleasure coiled tightly in your gut, making you feel as if you were gasping for air while your head swam with overwhelming sensations.

Your moans became more fragmented with every stroke of his hips, your thoughts clouded by the pulsating ache between your legs. All you could focus on was the overwhelming sensation building within you, traveling along your body. You were so close—and then it stopped.

It simply stopped right at the edge, and you couldn't feel anything but a raw need. It was incredibly frustrating as you caught him smiling down at you. You whined and bucked your hips, chasing the tight warmth you had so suddenly been denied.

Your breath came out in short, ragged gasps. "You're evil," you managed to say, your voice trembling with need. "I-I was so close..."

"Too soon," he murmured against your lips, his breath hot against your skin as he pressed his lips to yours. "Just imagine how good it'll be once I finally let you come."

Spencer then slowly pulled away, his eyes tracing every detail of your trembling form��the way your mouth was slackened open, the way your hair sprawled across the sheets, the way your eyes fluttered closed yet struggled to remain open. He noticed them glistening with unshed tears, on the verge of falling, and a pang of guilt tugged at his heart.

He knew he was pushing you to your limits, but he couldn't help himself. He was simply using you, just like you asked him to. But seeing the tears welling in your eyes, a wave of tenderness washed over him, and he leaned down to kiss them away, whispering soft words of comfort.

"Shhh, it's okay," he murmured. Although his words were spoken softly, there was nothing gentle about the way he continued to fuck you. "You can take it. Hold on a little bit longer, I promise."

A choked sob escaped you as he pressed soft kisses to your cheeks, murmuring soothing words. One of his hands reached between you, settling on the lower part of your stomach before pressing down gently as he felt the outline of cock moving inside you. He let out a groan, overwhelmed by the sensation.

"That’s it, Angel," he murmured, his voice filled with admiration. "You're taking me so well."

You whimpered almost pathetically as everything started to blur. You were a sweaty mess, both of you were, his skin gliding along yours effortlessly as he continued to thrust into you. The sound of wet skin slapping against each other filled the room, so sticky, so messy, but you didn't care. All that mattered was the overwhelming pleasure coursing through your body, driving you closer and closer to the edge.

The throbbing between your legs was starting to burn, but at the same time, it felt so good—the way he was stretching you, the way you could feel him moving in and out of you. Every stroke sent waves of pleasure crashing over you, it was all too much but also not enough.

"S-Spence..." you whined, your head spinning with pleasure, almost too delirious as drool seeped down the corner of your lips. "Pl-Please, I-I can't—"

A soft chuckle escaped him as he watched you struggle to form coherent words. "Alright, alright, I got you," he murmured reassuringly. "On three now. Can you be a good girl and come at the count of three?"

You nodded weakly. "Yes, yes," you managed to whisper, your voice barely audible over the sound of your ragged breaths.

"That's my girl," he praised, his voice filled with satisfaction. "One..."

Your breath hitched as anticipation built within you. Obscene wet noises filled your ears as he continued to fuck you, and with each number, his thrusts grew more deliberate, more intense.

"Two..."

You whined and he swallowed your moans, capturing your mouth in a deep, passionate kiss. You couldn't form any coherent words. You couldn't even think. It was too fucking much and you were on the verge of your breaking point.

And then, on the final count, he drove into you with such force that it sent you hurtling over the edge, your body convulsing as waves of pleasure crashed over you.

"Three," he whispered as he pulled back slightly, a string of saliva connected your parted mouths.

You gasped, holding onto him tightly as waves of pleasure consumed you. Your senses overwhelmed, your vision blurred with white-hot intensity, and tears leaked from the corners of your eyes as you teetered on the edge of overstimulation.

T-Too much—You can't. You fucking can't.

The sensation never seemed to end and you found yourself surrendering to it,  your mind going blank. It was as if you were intoxicated by the heady sensation, your senses dulled and heightened all at once, drunk on his touch. Your body felt so wet, so sensitive, so overwhelmed by the sheer force of your climax. 

And when you thought it couldn't get any more intense, he proved you wrong by rutting his hips even harder with so much force as he chased his own high. He tucked his head in your neck, his hot breath fanning across your skin as he moaned into your ear. With a few final thrusts, he drove into you deeply, his body tensing as he released himself inside you.

You were tired, so overwhelmingly spent, and as you both came down from the high, you gasped and trembled, your body finally relaxing from the pent-up tension. Your eyes felt glassy and unfocused, blinking slowly as you registered his murmured praises against your neck and shoulder.

He gently pulled away, and you winced as you felt him still throbbing inside you. Slowly, he searched for your eyes, his gaze filled with tenderness, and sighed in relief when you looked up at him with a tired yet blissful smile on your lips.

He smiled softly, relieved by your response. "You're okay."

You nodded, still feeling a bit dazed. "Hmm," you murmured, running your fingers along his damp hair. "I'm more than okay."

He leaned in to press a gentle kiss to your forehead. "You did so well," he whispered, his voice barely above a breath. "I'm so proud of you."

You giggled. "Me? I never thought you could be tempted to do that so easily."

He chuckled softly, brushing his nose against yours. "You have that effect on me," he confessed. "Besides, it's hard to resist you."

"I am pretty irresistible, aren't I?"

"Absolutely," he replied as he brushed a stray strand of hair away from your face. He shifted his weight and started to pull out, only for you to wrap your legs around his waist, locking him in place.

"No, no," you pleaded. "Stay inside me for a while."

He paused, looking down at you with a smile. "We need to clean up."

"And we will." You ran a hand over his shoulder. "Just... give me five minutes."

He sighed, his resolve melting under your pleading gaze. "Alright, five minutes," he agreed, leaning down to press a gentle kiss to your lips. "But then we really need to clean up."

You responded with a soft hum, snuggling closer to him as he shifted toward the empty space on the bed. With a gentle gesture, he pulled you on top of him, enveloping you in his arms as you sprawled across his body. 

You let out a sigh, tucking your face into the crook of his neck with the rhythm of his heart beating against your own. And as you savored the sensation of him still pulsing inside you, you smiled peacefully—you have never felt so complete.

I'm tempted to turn this into a series of one-shots where he and Reader explore new kinks together... or like how they try to navigate their relationship. I'm really, really tempted.

[princenotsocharming]

Greek mythology AU anyone? Alright, I need to get this out of my system, so... I know I don't share much of my personality on this blog and that's on me and my anxiety (I swear y'all are so cool and talented and I love your stuff, I'm just too chickenshit), but there's a little bit of info about me - I love mythology of any kind. I even took a Greek mythology course at uni, as any self-respecting finance graduate does... That being said, I've been playing with this myth-inspired idea for a while.

Have you heard about the story of Ganymede? A Trojan prince whose looks captured the eye of Zeus, who then decided to swoop in, snatch the youth and take him to Mt. Olympus to become his new cup-bearer? You might see it framed as a love story. I'm more inclined to see it as a tragedy - a young person being objectified and preyed upon by someone much older and then subsequently losing their mortal life for it. I would say the myth in itself is actually pretty dark. Ganymede doesn't ask to be taken to Mt. Olympus or to be made immortal. In most versions of the myth that I've read, he's not given any choice at all.

Anyway, I couldn't help but see sort of a parallel with Billy's story, as he's also heavily objectified and his looks seem to play a pivotal role in his arc, from all of the adult attention he gets to Neil's obvious disapproval. It could also be argued that it's this objectification that at least partially leads to his end (because no one can tell me that goddamn Karen was interested in his personality). All in all, another tragedy. You see where I'm going with this?

Anyway, rant over. Sorry for the long post. The painting itself was inspired by Pierre Julien's Dying Gladiator (1778). A closeup of the face is under the cut.

[andhumanslovedstories]

chapter eleven of what feels like the most soap opera ass fic I've ever written and then just a bunch of thoughts about writing it, which contains vague spoilers for my plans:

The inception of the fic basically went like this:

haha lol i'd be fun if sqq got real mad at the state of education

what would need to happen in this fic that doesn't happen in canon to motivate him to do something about it

oh shit he didn't unlock OOC so he has to figure out how to be his coddling indulgent self (which he's in denial about) while also being shen jiu

But the thing that really made the story get so much bigger in scope was when I was reading a fic with yqy coming clean to sj, and sj being like, "GASP. I forgive you." And I was "I simply do not believe that this is how it would happen." And I would have moved on with my life, but then I thought, "but like how would it happen." And more importantly, how could this conversation happen within the canon timeline but still involve Shen Jiu, the person this information affects.

The OOC idea and the need for Shen Jiu to be present in this fight scene came together to be like "what if sqq got sj's memories so he could rules-lawyer his characterization more accurately, and ends up being furious on sj's behalf?"

(This, btw, is why I knew I had to get much fonder of YQY and get a much better understanding of his character. When a pillar of your fic idea is a character getting ripped into for his choices, it is sooooooo easy to for it to come off as the author yelling their personal opinions or for it to be completely flat character bashing. Neither are interesting to read or write! Hence the crash-course in YQY appreciation, so now he gets his own emotional arc too. Everyone gets a goddamn plotline.)

Meanwhile I was also thinking about the implications of downloading another person's life into your head. If you have their memories and their body, are you them? What makes you not them? I didn't know! I sort of just kept writing and posting with the assumption that I'd figure something out, which I've finally nailed down btw. That's a relief! Also kinda the fun of WIPs where you're building the railroad track as you're on the train. I end up fanficing my own fanfic. Once stuff is posted, that's the canon, and I look at it and think, "if this was a book I was reading, what is the way I would extrapolate what's there to make a new but coherent story?"

That's why my outline becomes pretty useless after a while. The big picture doesn't change too much--I know roughly where all the major characters are going to be emotionally by the end of the story--but I discover the path I'm going to take there. Which usually means adding stuff. Liu Qingge wasn't going to get a POV, and now every chapter I'm like "fuck am I building a throuple". Ming Fan will have waaaay more a story line than I originally conceived. Early on, I was like "eh I'm not going to go too far into the brothel stuff," and can you guess what is going to be coming up prominently in the next few chapters? God help me.

Actually, there's only one major part of the outline that I cut: Shang Qinghua. He was originally very prominent early on, but turns out having the literal Word of God in a story about slowly discovering backstory is difficult to reconcile. So sadly, he doesn't get a real role. If you're curious, the original plan for him was that SQQ would realize he's a transmigrator much earlier in the canon, but the System would be like [shen jiu would not tell shang qinghua he is a transmigrator. ooc] which would lead to this series of SQQ trying to figure out how he can communicate around this. SQQ at a peak meeting being like, "do you think these DEMONS are PROUD of having made their WAY to us IMMORTALS?" while SQH is like, "AM I HAVING A STROKE?"

What's some other stuff about this fic? I've got a lot of thoughts bottled up, in part because I'm kinda snobby tbh in how I post. I'm like "*pushes glasses up my nose* the author's takes on the story should not be unavoidably present when reading the text" so I don't like to use ao3's author's notes. It's ridiculous and not a standard I hold anyone else too, but whenever I find myself wanting to address something in the notes, I know I must feel insecure about that part of the story. So either fix it or don't draw attention to it. But this is fine, you have to come here for this. This is DVD commentary.

My favorite part of writing this fic has been balancing Shen Jiu's character. As I'm fleshing out his sad backstory, I've been wary of essentially woobifying him. Reducing him to just someone who greatly suffered is so boring and flat. He NEEDS to suck. Or more accurately, he needs to be a very imperfect victim. Exasperating at his mildest, despicable at his worst. (Truthfully, I do think I can and should make him worse. Luckily this story is nothing but flashbacks to him at his worst so there's plenty of opportunities.)

This whole mental breakdown section has been an interesting balancing act because it's explicitly about how bad Shen Jiu's life was and now how bad Shen Qingqiu's is. It's the point at which I had to decide how torturous his time at the Qiu manor had been (me and Shen Qingqiu really discovered that together). On a scale of 1 to 10 with 10 being the absolute worst saddest brutalist ideas I had for this era in his life, I'd say I settled on about a 7. Most of it is backstage in my head, but once I locked that down, I could start figuring out how much was bleeding through.

Anyway, it's been fun writing the angstfest of the last few chapters, but oh my god am I ready for a tone shift. There's usually jokes in my works, even the saddest bits, but jokes relieve tension which is the opposite of what I was going for. I didn't want any humor in the YQY conversation, then you have to keep not joking for a while to get the point across. There's still a lot of planned emotional shit, but I'm happy to not be wallowing for a while.

AND GOD AS MY WITNESS THIS STORY WILL NOT BE LONGER THAN 20 CHAPTERS. MAYBE IT'LL EVEN BE LESS!! IT IS DEFINITELY NOT GOING TO BE A WHOLE CANON REWRITE. PROBABLY!! IF TIANLANG JUN HAS ANY SIGNIFICANT SCREEN TIME, PLEASE KNOW THAT I HAVE FAILED.

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[dystopyx-blog]

as a Floyd enjoyer

I do read a LOT of octotrio posts.

Like a lot

so, as a yandere writer

time for yandere octotrio headcanons!

a lot of this will probably tie in for my ideas for my self insert and yandere posts I’ve written in the past!

it’s hard to say who was interested in you first. Either Azul was interested and sent the tweels on you, or the tweels were interested in you and then got azul interested and then azul sent the tweels on you, all I can say for certain is that at some point, someone is interested, and you get the tweels sent on you.

So you got the tweels following you around now. The two have different ways of studying. Floyd, of course, is more hands on. Jade typically stays back, taking EXTENSIVE mental notes. He mostly only gets involved when he can tell Floyd is getting a bit too… much for any one person to handle.

of course, then you have to deal with TWO tweels, and idc who you are, dealing with BOTH of them is way more to handle than just one of them. Like, one tweel is like 100%, but when those fuckers are working together it’s like at least 110%.

but… you seem to handle them really well somehow??

so whether it was Azul who was interested first, or they were interested from the very start, safe to say they are VERY interested in you now.

The tweels, despite being chaotic neutral at best (chaotic evil at worst) are still pretty goddamn loyal to Azul. So they eagerly report back to him (either to convince him or further convince him, again, doesn’t matter)

then this is where it gets really fun (for me)

I love the octotrio, and what I especially love is the mix of platonic and romantic. Like, ofc Floyd and Jade are purely familial. But when it comes to their relationship with Azul, it’s the kind of platonic that so fucking seamlessly shifts into romantic that no one is sure when it turned, and also no one cares. The octotrio blend so fucking seamlessly with each other, that they could even be purely platonic with each other, it could be less romance and more family, but an outsider would never fucking know or understand that. THE OCTOTRIO RELATIONSHIP/S ARE SO FUCKIN NOM NOM NOM I’M DEVOURING IT —

Ahem

anyway

point is, whether octotrio is a romantic poly or just three really fucking close friends, they all look at you and go “that one, we want that one.” And they don’t even have to vocally announce they want to share you, it is understood. There is no “all in favor say aye,” after a few times of the tweels reporting back to Azul they’re just all agreed “yes, this one is ours now, we are taking them for the seafood polycule.”

calamari, unagi, and shrimp, yum yum

ANYWAY

Expect the tweels on yo ass even more than before. Not only that, but they are FULLY embracing their statuses as fucking terrifying menaces to keep all your icky clingy friends away

Suddenly they’re paying extra close attention to your flaws. All of which they find endlessly endearing, what they’re really looking for is a chance to snap.

an insecurity, a life ending mistake, anything to get a chance to whisper in your ear that you need special help. Or maybe they’ll even use the fact they’re living up to their name and stick to you like leeches to convince you you need to talk to Azul

maybe you’re strong, maybe you can’t be fully convinced. Maybe once they do bring you to Azul (trust me, they will) you decide “nope, I’m out.” Thing is though, once they get you there, it’s already decided. Azul will know exactly how to trap you, exactly what to do to get you to come back, or even better, stay.

if you’re in Yuu’s shoes, I imagine he’d be willing to let you AND Grim live in the lounge. To make it less suspicious, he’ll probably say you have to work, or that he gets to use Ramshackle. Something to make sure you’re not suspicious why he’s suddenly so hospitable. But really, ramshackle or service are not what he’s after. Obviously. No, he needs you there, with them.

I don’t even really have to get into what these guys do as yanderes, since most students are already pretty frightened by the tweels. And now that they have someone to ‘protect’? HO BOI, do they REALLY give the student body to fear.

and if they get past Jade and Floyd, then there’s Azul, who will bribe or blackmail until they leave their darling alone.

yeah, sorry to say, once they have you in their sights, it’s pm over for you.

Doesn’t matter who saw you first, cuz you were doomed from the start either way.

GENERAL OCTOTRIO + READER HEADCANONS ❤️

Pleeeasassse I cannot get the image of octotrio dog pile outta my headdd. Azul, Jade, and Floyd are CUDDLY MOTHERFUCKERS, you cannot convince me otherwise. And once they have you, you’re joining. Typically Jade and Floyd both spoon Azul (you can’t convince me otherwise (or maybe you can, let’s talk)), and you’ll likely be sandwiched between Azul and whichever tweel called dibs that night. Or, it’s the true dog pile, where limbs are kind just all over the place. There’s typically a tweel at the bottom (cuz big bois), and that tweel is typically Jade because Floyd insists on being on top, despite his height and weight. And adding you just makes the dog pile feel so much fuller ❤️ (and if you’re one of those people like me who falls asleep better with like weight on top of you… yeah, you are not gonna be awake long enough to protest)

it may take a while for Azul to get comfortable enough to go full octomer on you, especially if you’re a darling who runs away, but once he does trust you enough, he will. And like… come on, I think we as a fandom agree that octo Azul is beautiful/adorable, so of course you do not react negatively to it, even if you’re a stubborn darling.

maybe you’re speechless, and Azul gets flustered and wants to ZOOM back to the surface, but the tweels hold him back, and thank god they do, because even if you aren’t screaming “omg you’re so cute/pretty!!” like I would, you probably mutter it under your breath, just loud enough that he definitely hears (did you know sound moves faster in water?) and he is a blushing cephaloboy. (Bet you didn’t think I’d bring SCIENCE into this, HA)

Suddenly now they’re also snuggling you in the water in med form, because yes these boys cuddle in med form, and you’re one of them now. Can’t breathe in water? Silly, they got magic for that. You are not getting out of this seafood pancake 🫵🫵

you are going to have so many limbs all over you omg. The tweels are trying their damndest to wrap their eel tails around the both of you, and Azul is keeping all of y’all together with his arms

(here’s another science fact, octopus do not have tentacles, those are arms)

AND DON’T EVEN GET ME STARTED ON THE BREE—

[gallaghersgal]

Maggie, my lovey I come with another request for you!

The second chance romance trope, x my husband, Carmy.

Ok so walk with me here 🚶🏻‍♀️,

Carmy had one time forgotten about his anniversary with r, & she of course got very upset & sad about it. So he made sure the next day (without letting her find out) to go to the florist and place a standing order for flowers on their anniversary every year so she would never be able to tell if he forgot again.

Alright so flash forward years later, they break up. They both are pining for eachother / miss eachother a lot but Carmy was the one who called things off so R doesn’t try to contact him and Carmy is Carmy.

Their anniversary comes around and Carmy forgets of course because since they broke up he’s been even more of an animal in the kitchen but the flowers get delivered to R and of course it has the same note she got every year ‘Happy Anniversary baby, I love you always, xx- Bear’ at first she’s confused but then she is hopeful it was him reaching out to try and reconcile so she bites the bullet and calls him and is like “you still love me?” And mentally he’s like

*fffffuuuuuuuuuuck*

& has to explain that he placed a standing order so she could never be mad at him for forgetting again but he really does miss her

I’ll leave it up to you if r gets back together with him or if you want it to be pure angst!

(🤞fingers crossed it sends this time)

my dear capri, i love the exposition you've dropped in my inbox!!! here's the aftermath of receiving the flowers :(( warnings; angst, no happy ending, and swearing. also, here's the playlist i listened to while writing

from this trope list. part of my 1,500 follower celebration. masterlist -> here!

there are flowers at your door.

you've been fighting back tears the whole day. work was hell, your irritability heightened by the fact you'd barely eaten breakfast, not even bothering with lunch. it was harder now without carmen around. you've been angry all day, heels clicking in obnoxious stomps, your stomach burning and head pounding, and there are flowers at your door.

you kneel down to read the card, your heart clenching at the words. 'happy anniversary beautiful girl, i love you always. love, your carmen' a shaking hand comes to your mouth, you fumble with your keys to make it inside before you lose it entirely. he still loves you?

you dial carmen's number, hearing it ring twice before he picks up. "you sent me flowers?"

"o-oh, uh. t-that's a funny story, actually-"

your stomach twists in a knot. "i'd love to hear exactly how this is funny, carmen."

"well, forever ago, when i forgot our anniversary? i placed a standing order. so- so that way you'd always have flowers."

your heart sinks. he couldn't even bother to remember the date himself. worse, he didn't remember to cancel them. "you're fucking joking," you spit out.

"i-i'm not. baby-"

"don't call me that," you snap at him, your living room suddenly feeling claustrophobic. you push your window open to take a deep breath of the fresh air, turning your back to the wall and sinking down next to the plant he'd gifted you, moved inside to avoid the recent cold snap. a hand over your mouth muffles your sobs, your heart breaking all over again at this new information. "i can't believe you."

"i'm.. i'm s-sorry-"

"no! you don't get to apologize, that doesn't fix shit." you're practically yelling at him now, and you can hear the tears in his voice. but you don't care. it's about time you gave him a piece of your mind, hurting him the way he'd hurt you. "i thought for one goddamn second that maybe you still loved me. but- but you're just self-fucking-centered. so lost in your head you couldn't even remember to cancel flowers for the girl who's heart you snapped in two."

the silence on the other end tells you everything you need to know. you don't let him even try to continue, snapping at him, "lose my number, carmen."

there's a muffled noise on the other end, but you hang up without the chance to process it. your phone falls to the tile floor with a loud thud that echoes through your empty apartment. you flinch, then let out a noise somewhere between a scream and a sob.

the sound finds its way through your window, falling down to the street below, to the ears of the man repeating your name into his phone. "b-baby," he pleads, his voice breaking. but you've hung up now. he can't believe he forgot those stupid fucking flowers.

at least it showed him how you truly felt. that it would've been stupid to go through with it. stupid to walk up to your door with nothing but a barely planned apology to mend your broken heart.

carmen looks up to see your open window, balcony distinctly missing the potted plant he'd gifted you a year ago. a shaky hand lights a cigarette and he takes a hit but the smoke does nothing to soothe him as he draws his eyes away, turning away from your building for the final time.

[insanely-lovely-and-random]

Ohhh boy wow. Just saw Challengers and my God my bisexual brain was firing all signals. Like within the first five minutes I realised 2 things about this movie. 1 it understands that tennis is a truly boring sport and instead makes it an incredibly sweaty, sexy, compelling game to watch. 2 this movie is bi as all hell and equally in love with all 3 of these people (as was I by the end of the movie).

SPOILERS:

God I was enraptured I think this films pretty subjective and can be seen in a few different ways but I just saw it as 3 people who think their playing the same game but none of them really are. Zendayas playing to win at Tennis, when she can't do it herself she plays through her husband. Art is playing to win the woman he thinks he loves and needs.

And Patrick is the most interesting of all, is he playing because unlike those two he actually needs to out of monetary needs? Maybe but doubt it. Is he playing to win Zendaya? And willing to be her champion unlike Art? Possibly but honestly I think it's the third option. He's playing to get back Art, Art is always a presense in their relationship and he puts him before himself. For sure the unusual sexual history between them is there. The strong friendship turned rivalry. The sheer sexual tension (Goddamn that churro!!) But oddly enough for the guy who may seem like the disloyal asshole type of the three he is both the most honest and oddly loyal. He may sleep with Zendaya but the second she asks him to throw the match? He's furious, he's insulted and refuses. But NOT for himself but for Art. His first words are "How could you do that to Art?" To cheapen his victory, if he were to know would crush Art. Art is always at the tip of his tounge and whats happening.

When they start making out in the dorm Zendaya won't stop talking about tennis but equally whats Patrick talking about? Art. When he finds out Arts not just interested in Zendaya but is acting snakey he's proud.

And god that sauna scene?? (I mean yeah its hot but I mean the dialouge!) He asks Art if he'd miss it and he completely doesn't understand what he's really asking. He once again is talking to somone who thinks their talking about tennis but he's talking about anything but.

I knew that bloody signal was gonna come back and when they had sex in the car I was like "okay this is it, he's gonna tell Art" but the question was.. will it be to hinder him? Make him lose his cool so he loses the game..? OR will he do it to truly spur Art into a game changing rage and unlock his fighting spirit? And as the scene unfolded I belived it was the latter. And it was NOT for Zendaya because he could've easily thrown the match like she said but NO he wanted Art to win fair and square. He wanted to help him do that.

That wordless communication they share? That Zendayas just sat on the outside of not undertanding but worried? Golden. The brutal match and then that gorgeous smile. When I think Art realises what his friend has done and really why he did it. And Patricks, the sheer joy of seeing Art smile at him again. That beautiful, fly through the air and that throw of his own racket down so he can catch Art as he gloriously wins the match. Because tennis was never really what mattered to Patrick, and neither was it really to Art. And despite it being Arts victory they've really both won.

And Zendayas roar of victory from the crowd to me was almost funny. Because she won too. Her husband, her extension of her own career and self won his match with his challenge. His/her past. She also sees it as a victory even though I really won't be suprised if it's lost her both her husband and her back up career/boyfriend. And maybe she won't mind that so much because she got what she wanted. Because she was playing a different game.

Also banging soundtrack, loved it. Also this is just my view of the film and it really can be read multiple ways I'm sure, would love to hear other peoples ideas on it! What can I say I just love some bi emotional drama!

Also Im seeing it again friday so any incorrect quotes, extra thoughts or such I'll probs fix then haha

[kyri45]

✨ISAT Sky: Cotl!AU Q&A (22-09)✨

Welcome to the Q&A! A space where I can answer related or similar question about the ISAT Sky: Cotl!AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

Anonimo ha chiesto:Hey your ISAT Sky: COTL crossover comic is what got me to try out sky, it's pretty fun even if players approaching me is a bit intimidating for my socially anxious self. The comic itself is pretty nice too and thank you for getting me into such a cute looking game :3

Thank you so much!!!♥️♥️♥️ sky is wonderful, it became my personal happy place!

@lunarmoff ha chiesto: Hello!! Hi, you probably have a lot of asks in your box but I wanted to thank you for getting me into isat! I first read your Isat sky au when I was in the sky fandom and I loved it even though I didn't know the characters at all! Now that I've gotten into the fandom and gotten to know the characters, I understand your au a lot more now. I love your art style and how you added a bunch of peoples sky kids into your story! I myself would have given you my sky kid but I found your comic a little to late to give them to you. Just know that I love your comic, and I can't wait to see how it ends!!!

AAAAAhhhhh that's awesome!!!So gad that you like ISAT! It's an emotional rollercoaster but it's soooo good!

@a-tired-human-draws-junk ha chiesto: I've been reading ur sky cotl x isat au and its driving me NUTS isat is a newer brainrot for me and sky is an OLD one like I havent played sky properly in over a year and you dragged me back into the game w ur comics DURING THE SEASON OF DUETS and I've been playing daily so I can get stuff AND I CANT BELIEVE AN ISAT AU IS WHAT DRAGGED ME BACK TO CANDLERUNNING HELL /lhj Anyways love the sky cotl x isat comics I see siffrin is still an idiot (Also I cant stop imagine siffrin honking at his family like a goddamn excited moth while running around them goofily as per average sky kid interaction and the mental image is so funny)

ASDFGHJKL YOU CAN'T UNDERSTAND HOW MUCH I NEED SIFFRIN TO JUST- ACT LIKE A GOOFY EXCITED AND INNOCENT SKY KID AGAIN. HE'S JUST A LITTLE GUY!!!! HE DESERVE ALL THE HAPPYNESS AND FLUFF IN THE WORLD AND I'M HERE TO GIVE IT TO HIM (after I made him suffer hell of course)

@o-rainknight-o ha chiesto:I just want you to know that I love your art! It's so beautiful!Your LMK AU is amazing. I haven't played Sky in a while and I've never played ISAT but my sister has, so I know a little about it. It's also very pretty the way you draw it.Make sure not to overwork yourself too! We are all strangers here but a lot of us care :)

Ty!!!! I hope you get the chance to play sky as well!

@scarftale-bryan ha chiesto: Why did the lads skip the plains and wasteland?

cause I don't have the time or will to draw all 6 the realms. And also cause geographically, I don't know where the wastelands could be placed in Guadeloupe

Anonimo ha chiesto:

crying wailing throwing up over isat cotl i love it so much

AAAHH TY!!!

@puppetxtheatre ha chiesto: I don't even like sky but your comic was so good it convinced me to play ISAT and now I'm in love with the game thank you

WELCOME TO YOUR NEW HELL/pos

Anonimo ha chiesto: is it bad that i keep tricking myself into believing your isat comics are canon?

omg I myself have to do it otherwise I would just go insane over the fact we will never have comfirmation to what happened to the forgotten island

Anonimo ha chiesto:I don't know anything about children of the sky (is that the name???) but I really like ISAT and I ADORE your comic. I'm so pumped to see all them colors and pretty stuff in your awesome style

Thank you! Me as well omg you have no idea (even though then panels will take double the time to color

@kestrel-bee ha chiesto: Hihi!

I’m loving your Shadowpeach AU, loving the current angst :]

but when going through your profile I saw your ISAT x COTL AU, which reminded me of the fact that I’d been intending to buy ISAT for a long while, so I finally did.

That was yesterday and I am now 6hrs in. Thank you for the new hyperfixation material 🙏

LMAO THAT WAS ME. THE FUCK (I finished the game in 3 days.)

Anonimo ha chiesto:I would just like to say I am in LOVE with the way you draw the sky kids! This is making me inspired to draw my sky kid!!

Thank you!!!

@sunsetcannon ha chiesto: Considering I am both an ISAT fan and a Sky fan I'm going to be permanently rotating this AU in my head like it's a microwave so thank you for that

And I need you to know that unfortunately you'll remain in said microwave for a lot more/pos

@selfdestructivecat ha chiesto: Hello! I have a question about your ISAT: COTL AU comic! So Nesting guide was there! Does that mean that Season of Nesting had already happened in this universe? Presumably Season of Revival will be happening once the dust has settled on this comic and everyone works on restoring Aviary Village, so does that mean that Revival happens after Nesting in this timeline? And will Duets, the most recent season, also have happened before Revival? (I’m just very happy because now my skid, a nesting moth, canonically can exist in this au! XD)

You can find the timeline of the AU here!

[beauty-and-passion]

TBOB PART 3: OF BILL'S SOLITUDE AND BILLFORD (1/3)

What can I say? I’ve always loved the canon ship in almost every fandom I was in.

Welcome, everyone. Welcome to the third part of my endless rambling about Bill Cipher, The Book of Bill and Gravity Falls in general. Now it’s time for the ship, so sit back and relax, because there is a lot to talk about here.

Yes, I was one of the people who shipped these two eight years ago. And I shipped them as soon as I finished watching the series, because… well, there was more than enough proof that something was going on between them.

Unfortunately, the mentality at the time was “Bill tries to kill Dipper as soon as he has the chance? True love. One trillion proofs that Ford and Bill have something going on? How dare you think that, you are a Bad Person™”.

And yes, I know I could’ve written one post years ago and tried to explain Billford back then but… it would’ve been so, so tiresome. Especially considering that pedophilia was a-okay, but Billford shippers were terrible people Because Yes.

But hey, times change, people change and TBOB gives us enough proofs even a blind person can see them. So. it’s finally time to extensively talk about this ship - this time, from Bill’s point of view.

(For the disclaimer and everything else, refer to the first post. And read the previous ones too, if you like! They will help you understand some things I take for granted here.)

<- Previoust post - Masterlist

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Billford has always been canon

The thing is: now as then, Billford has never been a ship about “and they ended up happily ever after”. There was never an intent to glorify abuse or to say that Bill and Ford had the healthiest relationship and everyone should have the same.

What was so captivating of this ship was the tragedy of it. The clearly evident infatuation. The obsession these two had for each other.

This is what pushed people (me included) to ship them: because it’s interesting. The dramatic possibilities, the angst, how deeply an obsession can go to the point you lose yourself to your partner… and yes, of course also the interesting images that can come up by imagining such different beings having something physical (if you’re not a coward and give Bill a human form). It’s not the typical fluff with a couple being lovey-dovey 24/7: it’s a lot more. There is a lot that can be explored. It’s wonderfully challenging, both on the writing plane and purely mentally.

… and yes, it's funny for crack and parodies. These two being cringe and pathetic or married and divorced at the same time is always funny.

Sure, at first we had just the show to support this ship. But oh boy, if there weren’t enough proofs already:

Ford’s house was filled to the brim with images, pictures and stuff of Bill. His goddamn windows are triangular-shaped. Not even the Vatican is filled with so many images of God - and I can assure you the windows are not Jesus-shaped.

Ford made a deal with Bill to be together “from now until the end of time”. Until the end of time. That’s basically a marriage, only even more extreme, because fuck death, we will be together until the last supernova evaporates. And before you ask: yes, it takes such a stupidly long amount of time, it’s bonkers. That’s real infatuation.

Ford consensually gave his body to Bill for possession. Just imagine the sheer trust you need to surrender your whole self to someone else. Not even a married couple can reach this level of trust. And definitely not “just friends”. Maybe BDSM couples can come a bit closer to what these two had.

As soon as Ford returned home after 30 years, Bill greeted him in a dream, called him “his old pal” and was all nice and friendly. No hard feelings, no reprimands, nothing but flattery and threats because, as we learned from TBOB, these two things go together in his head.

Bill asked Ford to join him 200 times more or less.

Bill gave Ford 200 nicknames more or less.

During Weirdmageddon, right after Ford tried to kill him with one of the things that could’ve destroyed him (the quantum destabilizer), Bill welcomed him with a smile, offered him a place among his freaks for the umpteenth time and, when Ford refused again, he turned him into his literal golden trophy wife and carried him around.

By comparison, when Preston Northwest offered his help, Bill shuffled the function of every hole in his face and ignored him completely right after.

Also: Ford tries to shoot me and fails by sheer luck? Please please please, be one of my freaks. Dipper tries to throw me a punch that will literally do nothing? Death. Bill doesn’t have double standards, nope nope.

To convince Ford to give him the equation, Bill’s first thought is to bring Ford into a private suite, serenade him and ask him to join him for… what? The 220th time?

When Ford refuses, Bill puts chains on him in the kinkiest possible way known to mankind, with an iconic image that screams of BDSM.

Somehow, all of this wasn’t enough. And so, we had Journal 3, in which:

Ford called Bill “his Muse”. Oh, my mistake: he called Bill “his blessed Muse”.

Literally lavishes Bill with compliments. So. Many. Compliments.

Says Bill will “seduce” you with never-ending flattery. Interesting verb choice here, Ford, are you sure there’s nothing else you want to tell us?

Ford named a constellation after his Muse.

Once he went through the portal, instead of hiding away forever and good luck finding him, Ford held a 30-years-old grudge and decided HE would’ve killed Bill, no one else. That’s not a simple obsession between friends.

But after all of this, something was still missing.

Until now, it was quite certain that Ford had a COLOSSAL obsession about Bill. The religious fervor, the sheer trust, the depth of his grudge all made it very clear that Bill carved a deeply rooted place in his heart and mind - a place he kept for most of Ford’s life.

But what about Bill? Did he even care about Ford?

We had no idea. Sure, he showed some kind of care: he gave Ford special treatment during Weirdmageddon and seemed to value him enough to offer him a place among his freaks multiple times.

But when did this care start? Was it just because he needed Ford? What about their pre-betrayal relationship? Did Bill even care before?

The most plausible explanation at the time was that pre-betrayal Bill was simply flattered by Ford’s lavish adoration. Maybe he liked the guy a bit (otherwise, why waste time with him?) and humored him in his fervor, but nothing more than that.

But then the betrayal happened and Ford switched from adoring him to opposing him. He actively ran away, found ways to keep Bill away from his mind and came back with the sole intention of killing him.

At the time, I thought this was the moment when Bill started to be truly interested in Ford. Before Ford was just an adoring pet. Now he was more. Now he was interesting. Now he was worthy.

And that opened the door to even more angst possibilities! If Billford was just a “one-sided relationship” before, now it could’ve been the story of two beings who loved/cared about each other, but at different moments in time: Ford in the past, when Bill didn’t love him yet. And Bill in the present, when Ford wasn’t in love with him anymore. The perfect tragedy, ton of angst, love that.

But now, with TBOB and thisisnotawebsitedotcom, the tragedy that is Billford gets a new, angst layer. A beautiful, angst layer.

Because it’s not that Bill never cared about Ford or cared at the wrong moment in time: Bill cared right from the start.

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Deeply alone

One detail about TBOB that people aren’t talking too much about is the sense of solitude that permeates it. There are parts in which you can literally feel Bill’s loneliness.

One example? The Bill Tells All section. I know it’s supposed to be a funny parody, but it’s also a perfect image of how alone he is. He’s so alone, he has to be host, interviewee and audience at the same time, because no one else is willing to listen or talk to him.

And in light of the information we got about his past, I think this is an extremely important part of Bill’s character and personality.

Let’s come back to Euclydia: the anthem/poem on the website emphasizes how close people are (“LOVED ONES WILL BE EVER NEAR”), so it’s very possible Bill grew up surrounded by his loved ones.

And then, one single event and everyone disappeared. All the people who surrounded him one second ago, were gone the second after. “There was no one left but me, covered in blood, alone in the universe.”: if this line means solitude for us, just imagine how much, much stronger that same solitude would be for someone who, until that moment, has always been surrounded by others and knew no other reality than that.

That’s another level of solitude: it’s a black void of emptiness, something all-encompassing and all-consuming. It’s a hole carved inside you that nothing will fill ever again. And it was you, the one who carved it.

Of course Bill became insane. Of course he chose to find a justification for his action, by saying that he liberated his dimension and that his people were holding him back. I don’t know what he would’ve done, if he hadn’t. Probably, he wouldn’t have found a way to survive.

But he survived. He repressed his trauma, justified it and kept going towards the stars he was aiming for.

Still, that void was inside him - and we know he tried to fill it. He tried by dating a literal void, for god’s sake. And he tried by surrounding himself with people.

That’s probably why he became who he is: a flashy, flamboyant figure, someone who loves to be the center of attention, because that means having people around. It means people listening to him and being with him and surrounding him again. It means not being alone again.

I mean, just look at this book: every page has something new and interesting, every page is a different attempt to keep you involved, to keep you around and listen.

But an audience can always leave. An audience can stop being around. And that’s probably why Bill searched for someone closer, someone who wouldn’t leave him so soon.

He searched for new loved ones.

_______________________________

Love and hate

Bill’s love advice put a real smile on my face, because sure, they’re funny, but at their foundation, they all share the same goal: to show to your potential partner your qualities and how you would be able to carry/provide for them and your offspring.

Why is it so funny? Because that’s exactly what every single living being does to attract a potential mate: showing off your colorful feathers, singing louder than others, fighting other rivals, showing how clever you are, using pheromones and special smells. And, for humans, something like, idk, showing how wide your hips were as proof that you would carry healthy babies. Or showing off how wealthy you are, to prove you can take care of your partner and your offspring.

Bill himself follows this mentality, considering advices like “have two of everything to show your wealth” or “show how much calcium you have (aka how healthy you are)”. Heck, he even has a seduction hat which is basically one huge phallic shape!

And, again, this makes me smile, not just because it’s a clear parody of those men who keep showing off their huge, large vehicles. But also because he usually wears a tall top hat. And how funny it would be, if a tall top hat was indeed a way to win a partner in Euclydia? What if that’s how his father got his mother? Please, I want a fanfic or Mr. Cipher entering a place with a top hat big and wide enough to win Mrs. Cipher’s heart (while not accidentally piercing through another shape). I bet it would be hilarious.

Funny love advice aside, I would also point out these two things Bill says:

Love and fear are right next to each other in the brain and, like most humans, Bill also can’t tell the difference (he doesn’t even think there is a difference)

“love is the pupa stage for hate”

The fact Bill mixes love and fear explains why he is like that in general - and with Ford too. If love and fear are the same thing, then there is no difference between flattering someone and threatening them. There is no difference between partying with his friends and scaring the shit out of them. There’s no difference between helping Ford and hurting him. And there’s no difference between allowing him to see Fordtramarine and “joking” about someone coming to steal his eyes.

Also: if “love is the pupa stage for hate”, then Ford coming back after 30 years hating him was completely normal for Bill. It was just how things were supposed to go: first he loved him, now he hates him. Still, same thing. Still worth a place among his freaks. Still worth flirting. For Bill, nothing has changed - just evolved in a natural way.

And yes, this is uber duper fucked up and great material for toxic Billford. But it also makes me think: how did Bill get this mentality? How did he manage to mix love and fear so much? When did it happen?

Inevitably, I think about Euclydia. And inevitably, I think that “the incident” is when Bill mixed the two things.

When he still lived in Euclydia, Bill clearly experienced both love and hate: his mother at least seemed to love him, the other kids didn’t. Bill doesn’t like his optometrist either and we have no clue about his feelings towards his father. Later in his life, Bill recognizes his family and his world tried to blind him/”snuff out his potential” - so, again, something more similar to hate than love.

Then, Bill destroyed his place. He had to deal with a trauma so huge (i.e. experiencing solitude for the first time in his existence), it left a void inside him. A void he decided to suffocate with lies - lies that, in the end, are just half-truths. His place was bad and his family was holding him back! But that was also the place that showed him love for the first time. His people were flat minds in a flat world with flat dreams! But among them, there was also the one who loved him right from the start.

I believe this is when the two feelings got mixed in his brain. In his attempt to justify and cope with his mixed feelings regarding the universe he just destroyed, Bill ended up mixing love and fear together and believing that love is just one stage of hate. Unable to deal with the vastity of solitude, Bill put together justifications for his actions and messed up his own perception of feelings.

The result is someone who is deeply, deeply alone and who desperately keeps searching for love to fill that void… but is unable to do that, because he cannot distinguish between love and hate anymore.

That’s why he has a lot of exes. And that’s why they’re all exes.

But hey, at least there are friends, right? Right?

_______________________________

Bill’s friends are full of potential (especially one of them)

The perfect friend for Bill should be:

alone, outcasted, rejected by society, possibly an orphan looking for a purpose in life (so exactly like him)

completely devoted to him

Which you can see by yourself that this isn’t exactly how a friendship should work. The friend exactly like you can still work, but the friend completely devoted to you who should do everything you want… well, that’s not a friend. That’s not even a pet, because even pets do not follow you around with such lavish adoration.

But somehow, in the vastity of the Multiverse, Bill managed to find some friends. And oh boy, what friends:

Pyronica is a beauty queen AND she has a twin sister AND she dated Hectorgon. Cool, but not enough. I need details. But, like, a lot. Her entire story would suffice (maybe).

Amorphous Shape is invisible to most of the Henchmaniacs. How? Why? Who is she, really? Where is she from? Where is her backstory? Why isn’t it here? I need it here.

Hectorgon was a goddamn sheriff and Bill just throws it like that?! I want his backstory too! I want to know everything about him!

Keyhole hates Pyronica? Why? What happened? Where is all the juicy gossip, Bill? We need the gossip!

And most importantly: a certain someone was part of Bill’s gang. Someone with a photo that has been covered, but it’s still partially visible. And as soon as I saw it, I jumped up on my bed and asked: “Wait… is this Jheselbraum?!”

The answer is yes and thisisnotawebsite confirmed it: she was one of Bill’s Henchmaniacs. And now the right question is: how much do you want The Book of Jheselbraum, from 1 to 10?

I mean:

In the partially crossed-out part about her in TBOB, Bill says she figured something related to dimensions

In the shaman page (TBOB) there is a code: WHICH HENCHMANIAC RATTED ME OUT

In Journal 3, Ford has been saved by her, who sucked him out of the 2D world of Exwhylia

Jheselbraum told Ford that Bill’s “thirst for power caused him to destroy his home dimension - including his parents and everyone else he’d ever known” (Journal 3)

Still in Journal 3, Ford says she spoke of Bill “without anger, but with a calm, steely, clinical resolve to see his reign of terror end”.

In addition to that, let me add this part from thisisnotawebsitedotcom under the code TANTRUM:

I KNOW YOUR CRIMES, CIPHER. TAKING A NEW HOME WILL NOT MAKE UP FOR THE ONE YOU’VE LOST. WHAT YOU DID TO THE COUNTLESS SOULS OF EUCLYDIA- Cipher stopped in his tracks. YOU CHOOSE YOUR WORDS VERY. CAREFULLY. Ciphers henchmen murmured amongst each other, confused. They seemed to have heard conflicting stories about Bill’s past. “You said you liberated the people of your dimension-” LIBERATED THEM FROM THEIR BODIES! DONT LISTEN TO HIM! HE’S A BABY!

Can you see how HUGE the potential is?

What I believe for now is that:

Jheselbraum figured out what Bill really did to his home dimension (i.e. destroying everything and not “liberating” it, as he said to his Henchmaniacs)

She started to actively find ways to stop him from doing the same thing again

She “ratted him out” with Bill’s new potential puppets on Earth

Bill found out she didn’t just rat him out, but found out the truth about Euclydia too and that’s what led to her escaping

She settled closer to a 2D world - maybe to learn more about Bill, maybe because she knew Ford would’ve appeared there

And speaking of that, we have the message on thisisnotawebsitedotcom under the code SEVENEYES:

This is something someone else wrote to her. Someone who told her to escape to a crossed-out Dimension (who guesses that the crossed-out thing was the number 52?). Someone who told her it was against the rules, but it was also the only way to escape him (aka Bill).

And from her code, you can find out the other criminals found new homes as well.

In other words, we have a hidden spy story, in which someone helped Jheselbraum escape from Bill and, in turn, she helped all others escape Bill.

If you don’t want a book about her, about her story as Bill’s henchmaniac and about this whole thing, you are a huge. Fucking. Liar.

_______________________________

And with that, let’s close part 1 of this umpteenth endless analysis. The next one will come soon and it will be all about Billford.

Yes, I know I already talked about Billford here, but we still haven’t talked about the details in TBOB and Bill’s perspective on it. Also, it’s always nice to talk about Billford.

See you soon~

-> Next post

(How about a coffee? ☕)

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[greenerteacups]

Hi GT. I hope this message finds you well. I am sending all the good vibes and we'll wishes your way! ♥️♥️♥️ I hope you've had a wonderful summer.

I'm such a big fan of your work. Lioneheart is amazing and has stuck with me for such a long time.

I was wondering if you had any other stories you'd like to explore one day (even if you never get the chance to write them.) Whether it be fanfiction or original work, I was just curious because sometimes I feel as if I have hundreds of stories inside that I could tell, and I am not sure how to pick just one and see it to completion.

First of all, thank you! This is a fun one. I have a few enduring ideas for longfics I may or may not ever write (i.e., ideas that would have been projects already if I didn't have an ongoing longfic). I don't get stuck in them mostly because I try to remind myself that the idealized story you imagine when a concept occurs to you will never actually exist as it does when it's unshackled by the constraints of execution. What you'll get if you actually sit down and hack it out is (1) a real and imperfect piece of writing, and (2) the satisfaction of having written it, which is by far the more reliable source of motivation, if we're being honest. That being said, here are some ideas I've always wanted to explore, if and when I finish Lionheart:

I've always wanted to write a longform canon-divergent Tomione fic about Tom Riddle's 7th year at Hogwarts. Big honking political melodrama ft. the original Knights of Walpurgis, a Triwizard Tournament, and realistically functioning time travel (hence why this one's always been kicked down my list of projects, because writing a time-travel plot is like running through a minefield made of trampolines). I've already got character concepts sketched out for the Hogwarts cast — sooooo many fun ideas for the teenage Walburga. But I'd still need about a week of solid fic preproduction on the plot alone before I was ready to boot up and start writing, and it'd take at least 250k words — closer to 300k, if I'm being honest about myself. So this probably won't see the light of day anytime remotely soon, if ever.

A canon-compliant Dramione war fic, diverging from the Malfoy Manor chapters in Book 7, picking up from a speculative thread I read once about what would happen if the war didn't end after Voldemort died at the Battle of Hogwarts. I've always thought it would be fascinating to see who Hermione and Draco would become if they were actual soldiers in the war (and my disappointment with how Book 7 handled the "war" of it all has been established). That being said, Book 7 of Lionheart will probably give me a lot of similar ideas to chew on, so I don't know what my appetite for this one will be once I'm finished with it.

Durmstrang AU. This one's barely a fic concept so much as it is a mental moodboard — I just want to worldbuild the hell out of Durmstrang. And the international wizarding world, generally. It's a delicious sandbox.

A longform canon-compliant fic or series of fics about the previous generation of Blacks (Sirius/Bellatrix/Narcissa, namely). If you look at the books, there's a huge amount we don't know about the fall of the Blacks. I always found it bizarre that the sisters and Sirius seem to be the only ones left by 1995. No one else has a claim? No one else from this all-powerful wizarding family wants to step in and claim this big honking townhouse in the middle of London? Or its attendant fortune? Dude, what happened? Also, we don't see nearly enough of the Black family melodrama in canon. They lose 4/5 children of a generation in the span of almost single decade. And then (presumably) all of their parents die in the span of another. Goddamn. Just imagine the character work you could do there.

A No Chosen One/Voldemort Wins (The First Time) AU where Hermione never gets her letter, and meets Draco much later in life as a self-taught witch. The dynamics I have in my head for this are really enjoyable, and it would be a chance to finally write Hermione POV, plus the Draco I've cooked up for this universe is [chefs kiss]. I also just love the idea of Hermione as a feral witch-child running around muggle London. I love it a lot.

[doodler16]

an anonymous asker already said this on chais blog but its worth mentioning again since someone brought it up - what stolas did in apology tour is a technique often used by narcissists called "triangulation". simplypsychology.org states: triangulation in relationships refers to a communication pattern where one person (stolas) avoids direct interaction with another (blitz), instead using a third person (verosika) as an intermediary. this can create misunderstandings and conflicts, often serving as a manipulative strategy to control or gain power. triangulation typically entails a dynamic where the victim (blitz) and persecutor (stolas) engage in conflict while a third party (verosika) assumes the role of the rescuer. (ex; "how you doin', baby? you holding up okay?" "tell us all about your experience with blitzo. that cock sucking motherfucker! c'mon baby, speak from the heart, we all here know how you feel." (they dont know that they dont,) followed by stolas not truthfully going into details and claiming that he thinks "it ("it", being their full moon deal,) didnt mean a thing at all" when yeah, i sure hope your "favors for favors", your "transactional fucking" DIDNT mean a thing romantically, thats a weird and entilted thing for him to think.) this creates a communication triangle, often exacerbating conflicts and misunderstandings, serving to control or divert attention from the core issues. (the full moon deal,) it is problematic because a third person (verosika acting like stolas has been severely wounded by blitz when the reverse is far more true,) becomes intertwined in a situation that should be between the two individuals participating in the conflict. (again, the full moon deal,) it is a strategy emotionally unstable people can use to influence a situation. triangulation is often an attempt for individuals to try and possess control of a situation (stolas being confronted on his behavior by blitz directly and him understandably demanding confrontation because he feels he deserves it after yeah, like he says, everything stolas has put him through in s1, and even s2 tbh,) and seek advantage from it in the form of loyalty or attention from the other parties. (which in this case is literally just the anti blitz party,) it brings difficulties and confusion because too many people (again, anti blitz party,) can get involved, raising the risks for the occurrence of harmful behaviors. (these people festering on their feelings EVERY YEAR on halloween, literally making pinatas, voodoo dolls, an entire cake of blitz they mutilate, which is all portrayed as a rightfully batshit crazy thing to do, but also not towards the end of the episode when they need to make blitz seem like a dick who actually deserves this treatment,) if verosika wouldve been disgusted and been able to relate to feeling used like she felt used by blitz for sex due to the lack of reciprocation, just imagine how an entire party of people who felt used by blitz would feel if they knew about the full moon deal, ESPECIALLY since theyre all imps of some kind. stolas is the real motherfucker here, and that bird wouldve been burned like a goddamn walmart roisterer chicken if at any point blitz had revealed himself on stage at the party, which would be more in character then him letting his self loathing get the better of him when it comes to stolas, and said, "YOU shouldnt even be allowed to be here, bitch! why do you count as an ex when THE ONLY THING we did was FUCK, because YOU MADE ME FUCK YOU?! how the FUCK was i supposed to keep my business afloat without your fucking fancy ass book that let me up to the human world?! THATS why you made me pound your pathetic bird pussy on the full moon every month! and now you wanna act like what we had was actually a RELATIONSHIP?! WELL, FUCK YOU!"

Reading this really makes me want Stolas as a villian that IMP can overcome and kill. Stolas is such a professional victim that it’s not even funny anymore. I really wish Blitz said that instead of watching Stolas, Vortex, and Verosika sing how Blitz is a motherfucker.

[hopelesslonelyghost]

kyle “gaz” garrick x DA!fem!reader

i know i promised more angst but i simply can’t get the right words. so here! have this cute lil gaz whip i wrote today 🫶🏻 again, not beta read, sorry for any typos!

this is completely self indulgent because i wish i had gaz as my patient. i also wish i could have my fingers in his mouth

kyle hates the dentist. ever since he was little he hated going. but what child likes going, right? he thought by now he’d grow out of his dental phobia.

but it’s that time of year again and his file needs to be updated and well… he needs to see a dentist.

his previous dentist retired and in his stead, a new doctor took over.

new doctor and new assistants by the looks of it. kyle sat in the lobby, waiting to be called. his leg bounced.

“kyle garrick?”

his head snapped up and now his stomach was fluttering for a different reason. the assistant was pretty.

her eyes crinkled as she smiled at him. pearly whites flashing him. kyle quickly stood up, subtlety trying to gulp without her seeing.

‘damnit, don’t make a fool out of yourself’

you introduced yourself, led him down a short halfway and then stood by a door to the left, motioning with your hand to step inside.

“have a seat kyle, we’ll be getting started shortly.”

after taking a seat and answering a few questions in regards to his health, you tore open a bag with yellow, blue, and red hooks, a gray circle, and two metal arms, one angled at a sharp 90 degree angle. both had two tiny metal tips at the very end.

you giggled.

“don’t worry, i’m just updating your x-rays today. after this, the doctor will come and do your exam. that okay with you?”

you must’ve caught him staring pretty hard at the instruments. kyle nodded at you and gave you a sweet smile.

“perfectly fine wit’ me, love.”

you clicked a few things in the computer behind him and then stood up, grabbing a blue lead apron and coming to stand beside him.

“gonna be a little heavy, okay?” you placed it down gently, “now i’m going to strap this around your neck. lean forward a bit for me…good thank you.” you whispered, right into his ear.

he couldn’t help the goosebumps that littered his arms. pretty and whispering into his ear? yeah, he’ll be thinking about today all night. maybe even all week.

quickly getting to work, you begun his x-rays. quietly asking him to open and close. gently angling his head in whichever way you needed him to. while the instruments and sensor in his mouth felt a little uncomfortable, it all felt worth it when you kept praising him after each beep! of the x-ray machine.

“open….good job… okay, now close. perfect. don’t move.”

he wouldn’t dream of it. he’d get on his knees right now if you asked him to. you already had your fingers in his mouth, might as well, right?

once you were done, you made quick work to get the apron off kyle.

“wow, that was fast.”

you smiled at him, “i try to be a fast as i can. i know getting your x-rays taken isn’t the most comfortable experience.”

you leaned over him for a split second, tying a bib around his neck. kyle was breathing in as you did, catching a whiff of your perfume. you smelled divine. sweetly floral, but not overwhelming.

fuck. you were pretty, empathetic, AND smelled good? yep. suddenly coming to the dentist’s office wasn’t that bad.

soon after, the doctor came in and checked out his teeth. humming and calling out notes which you were rapidly typing into the computer.

“well kyle! everything looks great! not seeing anything wrong in the x-rays or visually. you’re doing a great job. you’ll only have to come back for a cleaning! my assistant here can help you set up an appointment for that.”

the doctor thank you as they walked out. true to their word, you helped him set up at appointment for next week.

“you’re all set for today, any questions before I let you go?”

kyle stood up, “no doll, thank you. you’ve been wonderful.”

you gaped lightly at him, but quickly recovered. you flashed him a bashful smile.

you were so goddamn cute.

you led him out back towards the front and held the door open for him. you waved at him from the doorway as kyle made his way across the lobby and back outside, “have a good week! see you soon.”

kyle chuckled and gave you a two finger salute, “see you soon sweetheart.”

•••

n/a: just a lil disclaimer, not every dental office works the same. every place is different. this is just the way the office i work at does things. obviously i didn’t go into too much detail in regards to treatments bc i would be insufferable and i truly believe from the bottom of my heart that gaz flosses and brushes twice a day religiously. for the sake of fanfics being fanfics, reader isn’t wearing a face mask. realistically she should be wearing one.

DA= dental assistant <3

okay i’m done rambling!

thanks for reading!

[autisticbokutoenthusiast]

person who is sooooo normal about ray talks about the end of episode 10, what it confirms, what it introduces, and what it may even promise:

"can you please forgive me?"

starting off with this line.... there is a specific brand of betrayal and hurt reserved for the people who feel like the only ones in the world that can make you feel loved. we've seen ray get angry and even lash out at the other characters before but we haven't seen him breakdown the way he did in the sandray apartment fight. i think i took ray saying that he finally was starting to understand his feelings more in episode 9 too lightly, because it seems he meant more then just "i think i like you too" kind of thing, i wouldn't be surprised if ray realized the love he felt as well, and not just romantic love but the "you've seen so much of the ugliness in me but still stayed" kind of love and, if im gonna be bold, acceptance.

"you can be angry or hate me all you want"

lines like this tell me two things, the first being the guilt ray feels over the way he treats people and the second being how much pain he thinks he deserves for it. though i will say this time it feels different then in episode 4 where ray asks sand to call him a burden, because before he wanted sand to hurt him back (a bit of retaliation a bit of self-harm even) but this time he is asking for sand's understanding and forgiveness. he still thinks he deserves it, but now its more then just asking for someone to hurt you in order to reconcile (we will get to the fact sand isn't really there don't worry) there is a sort of emotional growth is what im trying to say.

"i know now that you want nothing from me"

this is also such a huge line for me. we know ray views himself as worthless, he would rationalize why anyone would want him (this is why he was so hurt about sand accepting money from his dad but that's already been meta'd to death so i won't get into that), so him not only thinking but verbalizing that sand is someone who is kind to him without expecting anything in return is huge for ray's ability to see himself as more than a burden or his father's money. in fact, i'd say him admitting this here means he is already beginning to gain a sense of self-worth.

"though i've been nothing but an asshole to you, you are always there for me"

this is the part where we really see ray break. im not good at reading other people's emotions so im not gonna comment on what emotions the actor is trying to portray (tho he is portraying some big ones goddamn), from a text stand point, im interpereting this as pain. I talked before a bit about guilt but i'd say at this moment the realization that someone can care for him so deeply that the parts of himself he's sure are not only unlovable but hurtful won't drive them away, causes him a lot of pain. as someone who is bad feeling cared for or appreciated as a person and sometimes acts like a dick about it, i too would break apart at this moment.

"please understand me"

now this is the line that inspired this post in the first place. he struggles with the connections he has with others but you can see how lonely this man is. like he has been told he is a burden, he interperets his life events and the way other people treat him as proof he is fundamentally unlovable and bad luck for anyone he gets close to, and he is a self-fulfilling prophecy about it.

when he asks sand to understand him he's asking sand to look deeper then his self-sabotoging and attachment issues and see the love and care he has that he struggles to understand and feel and express. he is filled with so much pain how could it not start to infect everyone around him, but from what we see of him, he probably never wanted to hurt other people in this way to begin with.

i think the reason this line specifically broke my heart is that, so much of his behavior at times can be interpreted as a subconscious cry for help, help he won't except but help he needs anyway. i knew any arc involving ray addressing his addiction would destroy me because there is the pain experiencing the things i mentioned above, the pain in thinking you're helpless to them, and then the pain in doing what it takes to try to move forward from them, like this shit is hard. the clarity ray is able to adress imaginary sand with is so incredible even though its in his head, especially given how stubborn he'd been about admitting any issues in the first place.

"being with me requires some patience"

all that i said above and more... i don't think ray will get over that feeling of being a burden any time soon if he ever does because it becomes so ingrained in your worldview and the way you interpret other people's behavior. i like the way this line is phrased (i know its a translation but still) because it alludes to him feeling that he is capable of being loved, it'll be hard but not impossible.

"but if you don't want to put up with me anymore, that's alright. i get you"

remember how i just said i think he now believes he's lovable... well actually i still mean it. he's been constantly told and shown how his behaviour and mentality are hard to deal with, like he thinks his existence is so burdensome it killed his own mother BUT he now knows sand is different. he won't blame sand for not wanting to deal with him, he's always been aware of his shortcomings but can now honestly address the effect his actions have on others, and at the same time he knows that its possible to care for him.

this is why i think sand is his motivation for going to rehab, he's shown ray what is possible for him in ways no one else before sand has.

"but please know this"

there is something so special about the impact sand has had on ray that i think goes beyond their relationship. sand made ray see the value in having a future, in being loved, in being happy. in episode 8 ray tells sand that he's finally happy when they spend time together, and it may seem like he's repeating it here but again this sand is imaginary. he's not saying this to get sand to answer his texts or hang out with him. he's imagining his reason for wanting to recover from addiction. like the weight this scene carries at least triples for me everytime i remember sand isn't really there. this was such a beautiful choice to make imo like ray saying these things to sand would probably be good for their relationship but it wouldn't have the same impact on ray's character arc.

my conclusion is once again don't know why i rambled on besides, ray as character was manufactured in a lab to drive me insane. like i've triggered my mood disorder twice over the course of watching this show but i wouldn't take it back for even a second. i love ray, i love what we've seen of his mentality and backstory, i love that we're seeing him making the decision to address his addiction, i go numb with the thought of where his arc will go next, but i especially love seeing everyone come together to scream about this character that means so much to me (not at all subtle reference to the fact i've read hurt and grieve but don't suffer alone by @jgyapologism what three? times now) anyway hope we all continue to scream about him this week. 🫡🫡

[gldrushh]

SUGAR AND SIN | JK FANFICTION

→ TEASER

synopsis: Aurora Beckett is as sweet as the cupcakes she makes and as bright as the morning sun that fills her bakery, the first thing in the morning. With a knack of making friends every chance she gets and putting them before her, she finds herself in trouble more than a friendly neighborhood baker should. Yet this time, the trouble came barging itself. Jeon Jungkook- the shadow syndic, a name whispered through the darkest corners of South Korea, feared like the devil himself. Certain circumstances lead him to her, and the next thing he knows, 5'4 "inches of pure headache is his self-proclaimed partner in crime. But when annoyance starts to twist into a need for the girl, who's everything he's not, he realizes that she is the one who's trouble.

🧁✧ ˚. TITLE: Sugar and Sin.

🧁✧ ˚. PAIRING: Mafia boss! Jungkook × female oc

🧁✧ ˚. GENRE: Mafia au, grumpy × sunshine, forced proximity, slow burn, dark romance, crime/ thriller.

🧁✧ ˚. WARNINGS: violent acts - including murder, physical confrontations, and threats of harm. Dark Themes – Themes of crime such as kindapping and human trafficking, power dynamics, moral ambiguity, mature language, characters experiencing physical and emotional abuse. Please continue with caution.

🧁✧ ˚. TAGS: Mafia boss Jungkook, peirced and tattooed jungkook, he is also a meanie, sociopath Jungkook, jungkook with a gun, RICH man, he kills people for a living or maybe for vengeance, oc and Jk both struggle from a traumatic past, oc is a cat person, oc is an extorvert, people pleaser oc, she is sick and tired of bills, oc is a daddys girl, oc may or may not have a tiny crush on the mafia boss, she is also a little reckless, sloooooooow burn, yearning and pining, a great amount of both from Jungkook's side until he eventually admits it and becomes a simp (he will be downnn horrendously bad), he fucks up at some point, angst angst and angst, but also angst with happy ending? eventual fluff after a longgg wait but it's tooth rotting so maybe it's worth it, eventual smut (maybe Idk man), protective Jungkook, he will die and kill for his people, possessive Jungkook, obsessive too, he is also kind of pathetic but his aura goes insane, oh and he also wears gloves 24/7

A/N: woah maybe this sounds kind of cliché but writing this brings me great joy and I hope you feel just the same if you choose to read it. This is my first time posting a silly work of mine to a public platform and I'm not really hoping for something big but genuine readers and friends I plan to make along the way. Thank you if you're reading this. I hope my words can be worth your time.

Also If you wanna get ahead, I have already posted 9 parts of this on my wattpad.

Thank you again. I will be starting to post here soon.

He was here.

In her goddamn living room, sitting on her couch like he owned the place.

The realization hit her slowly, like the creeping cold of winter sneaking under the door. She hadn’t heard him come in. She hadn’t seen him approach. But there he was, every inch of him radiating danger.

He was here to fulfill the promise of something dangerous.

He was here for her.

She didn't need to look through her memories of last night to recognize him. The inky voids that were placed where eyes normally are were proof enough, and so was the horrifying calmness he carried with himself surrounding the small space of her apartment.

Her lips parted, her breath shortened and her unblinking eyes went all over him, his gloved hands that were skilled for taking lives-she was sure of it- resting flatly on his broad, muscled thigh clothed with the black of his pants, his shirt of a softer fabric soft yet unyielding, strained against the hard planes of his chest. The tailored suit jacket stretched over biceps that seemed too solid, too real, for this moment to be anything but a nightmare and there was the face she hadn't properly grasped in the chaos of last night, now all sharp lines, cool beauty, and unsettling stillness.

Maybe the devil wasn't a short red man with thorns and tail at all. Maybe he wore tailored suits and silver piercings.

"Inhale. And sit down."

[bugs1nmybrain]

Nasty - Tomura Shigaraki x Reader

Minors Do Not Interact (18+ to read)

Warnings: This is a GROSS smut fic. Straight-up bloody period sex! Blood kink, female reader, masturbation, Shigaraki is a tad misogynistic, Shigaraki has toxic traits but we've been knew, quirkless AU, Shigaraki may or may not be a drug dealer, unprotected sex (but reader takes birth control), degrading pet names (mostly slut along with adjectives like dirty or filthy), blue-haired Shigaraki, use of vibrator, rough sex, light choking, not proofread

Today was a little tiresome. It was that time of the month and per usual, you weren't feeling like a pretty little princess right now. Thankfully your flow had lightened up since a few days ago, but you still felt worn down. You were hungry, tired, and above all else..horny.

It was such a nuisance. Out of any time of the month to be horny, why now? You supposed it could be easily explained by the fact that during your period, you're a hormonal wreck. Of course, you'd be horny. Doing anything about it filled you with shame, though. You COULD use a vibrator, maybe even a dildo, but it almost made you feel guilty. To pleasure yourself when you're utterly filthy.

Vibrators and dildos are great, but you also had a whole-ass boyfriend. A boyfriend who would sometimes question why you'd use toys and not invite him to play. Wasn't he good at making you cum? Why would you leave him hanging?

The thing is, it's not that simple right now. You were sure that if you had asked him to do anything with you now, you'd be hit with some nasty comments about how disgusting it would be to fuck you on your period.

Shigaraki was out in the common area talking to Dabi about some...stuff he had and how they were going to sell in order to make rent. You figured he'd be in there for a while, so you saw this as a ripe opportunity to try and squeeze in a quickie with your vibrator. You made sure to lay down a towel, a red one, to make sure no mess ended up staining the bed. Tomura would surely be pissed if that happened. You snuck over to your special box and pulled out your favorite vibrator that was notorious for making you cum quick and easy.

You lie down on the bed and turn on your vibrator, placing it snugly on your clit. The immediate touch is nice, and soon you're greeted with those warm, special, fuzzy feelings that come with being pleasured like this. Your flow was being generous, as you weren't getting much blood anywhere. After all, the clitoris isn't responsible for blood.

The vibrating sensations are quite lovely, but you raise your hand to tweak your nipple simultaneously to enhance the pleasure. That really got you going. Unfortunately, your blood wasn't being very conservative anymore. The mixture of wetness and blood together was making a mess and even getting on your hands a bit. You were simply grateful that you had set this towel down.

The comforting pleasure felt amazing, so much so that you hadn't even noticed your door open. Your self-care was shortly interrupted by an abrupt, "What the fuck are you doing?"

He didn't say it in an aggressive tone, surprisingly, just irritated and confused. You jolt upwards, shoving the vibrator behind you. Not that it made much difference. You were lying there, he clearly saw you using it, and now your thighs and fingers were covered in blood. But, hey, you used a towel, right?

"Well, excuse me, but I was horny and didn't have any other option. Is that okay?" you retort defensively.

"Calm your tone, woman," Shigaraki snaps. "I don't appreciate that bitching shit and you know it. I was just asking what the fuck you were doing."

"Okay. I'm masturbating."

"I can see that."

"So why did you ask?"

"Rhetorical question, haven't you heard of that shit? I thought you were smart."

You don't say anything for a moment. You were embarrassed beyond belief. Maybe you should've assumed he would eventually walk in, but goddamn it you needed this. And now he's ruined it.

"You're gonna stain my fucking bed."

"That's what the towel is for."

Tomura wanted to lecture you, but despite the bloody mess you've made, your thighs and legs right now were alluring, to say the least. You were wearing a band t-shirt, and while Shigaraki usually would prefer to see your tits, the contrast between the shirt and your gorgeous legs made him want to fuck you badly. Maybe to pull the shirt over your breasts and watch them bounce as he fucked you.

Oh yea, you're on your period. Tomura didn't really understand this shit. He didn't grow up around girls and was never taught anything about the female reproductive system, other than if he came in you you'd get pregnant. But that's what your birth control is for. This period nonsense was annoying for him. Why the fuck should he have to hold your hand through all the cramps and bitchy behavior? He was convinced that your period made you an absolute cunt. Maybe it did, but he just didn't get it, and didn't appear to want to.

Some fucked up part of him saw the blood in between your beautiful thighs and his dick twitched. For some odd reason, you looked so cute right now. All bloody and filthy. He only wished that you would've yearned for HIM, and not that stupid vibrator.

"Are you really this desperate?" Tomura says in a seductive tone as he rests back on the door to your shared bedroom.

You blush, embarrassed to admit it. "Yea.."

Shiggy takes slow steps towards you, with the most sinister look on his face. He firmly holds your chin in between his finger and thumb, tilting your face upwards to look at him.

"Why didn't you tell me?"

"I thought you wouldn't want to, because it's gross."

"Well, yea. It's disgusting. But you need your bloody cunt to be pleasured, don't you?"

Your eyes beam bright, and Shigaraki chuckles as he notices you perk up. He pulls you into a nasty kiss, full of yearning and lust. You moan lightly into his embrace, still feeling unsatisfied as you were unable to cum earlier.

"Heh..you know I love you right?" He soothes. You can't tell if he's being serious or just saying this shit to make you horny. Either way, his charm is working. Shigaraki sits down next to you and pulls you in for a closer embrace. You rub your hands up his chest and tug on his shirt.

"I love you, too.."

"That's obvious, you goon. Listen, if you're gonna use this vibrator, the least you could do is let me help you."

Shigaraki reaches over to the vibrator you placed behind you. He looks at it for a bit, noticing the sticky blood and pussy juice. A part of him is grossed out, but knowing that you're so damn horny when you're bleeding like this? It's animalistic, and he loves it.

He reaches the button and clicks it, but there's no response.

"Huh?"

"You have to hold down on the button."

"Oh."

He does so and watches as the vibrator starts buzzing. He glances back at you and kisses your neck, pushing you to lie down as he slips the vibrator to rest on your clit. He's met with an instant pornographic moan from you, making his cock twitch in excitement.

"Hehe.."

Shiggy moves the vibrator according to your needs. He used to be pretty bad at knowing how to please your clit, but he's learned well. Years of fucking around on a controller taught him some things about pacing. He watches as you grind your hips against the vibrator and he makes sure it hits the most sensitive spot on your clit.

"Awwhh~~"

"That's it. You love this, don't you? You filthy slut.."

You reach down to the bulge in his pants and begin groping his cock as he uses your vibrator on you, eliciting a sexy groan from his raspy voice. You continue to stroke his dick through his pants and he begins making his motions on the vibrator more taunting

"Awhh~~, Tomura.."

"What's that?" He says teasingly.

"I'm gonna cum."

"Then do it. Cum on my hands with your bloody pussy."

Tomura reaches to tease one of your nipples as you're approaching your high, making you way more sensitive. A powerful orgasm washes over you in waves, causing desperate whines to exit your mouth.

"AaAAAH~"

"Mmm..." Shigaraki hums, horny as fuck from your pretty moans and wet pussy. As you settle down from your high, he looks at his hand, doused in blood. So gross, but who is he to deny his babygirl of pleasure? After all, you're so good to him when you suck his cock and let him fuck you on every surface in the apartment. Dabi, Jin, and some of the other roommates have been making food on those kitchen counters. Oh, how little did they know.

Shiggy reaches to unzip his pants and eagerly throws them off before whipping out his cock quicker than you could say, "fuck me."

There's a burning hunger in both of your eyes. Tomura practically pounces on you, kissing you passionately as you grip his hair. You know that his scalp is sensitive.

"Oh you're asking for it.."

Shiggy reaches down to penetrate you. He takes a look at your cunt before inserting it, almost as if he's reconsidering his decision. You've got him riled up though, and frankly, he's too horny to back down now. Tomura eases his cock into you, immediately hit with a pleasant surprise.

Your pussy felt amazing. So wet, so warm, so slippery. Oh he was going to have fun with you. Without much warning, he begins thrusting quickly inside of you. You feel so fucking good, so perfect.

"Mmm..."

"This is what you wanted, right, you nasty slut?"

"Yea.." You say seductively, intentionally teasing him. He loved how sexy you sounded when he fucked you.

Tomura held your waist as he pounded your pussy deep. For someone who was so concerned about you staining his bed, he wasn't holding back much. He didn't care, all he cared about was how gooey your pussy felt. Shiggy reaches down and softly wraps his thumb, middle, and ring finger around your neck. Not enough to actually suffocate you, but enough for you to feel dizzy.

This was probably feeling better for him than you at this point. He was relentless, thrusting at a rhythmic pace. He brushes your cervix and panting like a dog. Maybe even growling like one too. In his mind, he was fucking you like an animal in heat. He may as well play the part, right?

He's fucking you so nicely, every inch of your insides being pleasured. Your g-spot is practically throbbing against his cock. You allow the sexiest moans to escape, and both of you are sure that your roommates can hear you.

"You're my good little horny slut, huh? Yea??<3<3"

"Yea..mmm...Tomura.."

He reaches to pull your shirt above your tits to watch them move at the rigorous pace. Just as he had fantasized about earlier. They bounce so good, and you look even sluttier than before.

"Fuck..Y/N.."

"Awhh!~"

"I'm gonna cum.."

"Inside..do it inside.."

"In this bloody pussy??" He chuckles.

"Please.."

A couple more quick and desperate thrusts, and Shigaraki cums deep inside, and while you can't see, you can tell that his load was heavy and thick. He lets out a horny grunt as he came and both of you are panting and sweating. Not only were you bloody and wet, but now you had cum oozing inside of you. How fucking disgusting.

Shigaraki pulls out and sees the absolute filth that covered his cock. If he wasn't such a sick fuck, he'd probably puke, but knowing how well he fucked you? It makes it worth it. You're so messy now, and the towel came in good use for sure.

"Jesus fuck..that was hot..."

[dapper-lil-arts]

Out of curiosity, have you read other MLP fanfics and if you did, what are your favorites?

Oh yeah, i read a few! Not many stand out in my brain, but let me look through my favorites list on fimfic: Writing friend of mine, Redhoodie21 writes lots of really fun compelling one-shots with wonderful prose, imma just send their whole catalogue lol. But this one is my favorite, Sunset Shimmer as an alienated warrior with mommy issues? Impecable This one stands out as a rare one where its sciset, when they're both still "evil", Sunset being an bitch and scitwi being a mad scientist and hitting it off. This one is probably my favorite comedy fic ever, it's just kind of hilarious and yet plausible that so many mares would activelly pursue AJ. The ending is a bit predictable but everything else is a baaaanger. The same writer also wrote a series where the Equestria girls cast hunts the undead and it has some badass mom principal celestia on it. Iconic as hell. Super inspiring and fun, having the EQG cast get to do insane badass stuff!

A friend of mine wrote tons of cute self indulgent fics, but the standout for me is one where Misty from gen 5 is trained by Sunset Shimmer to be better, stronger, cooler! Its super adorable and allows characters that would never ever meet in canon but have much in common to show their chemistries in some really fun ways!

This one's a classic, just good old fashioned sciset, one of the first fics I ever written, actually! I remember it fondly!

This one's an honest to goodness horror fic with rarijack! a pretty fun and chiling tale that has an incredibly well put together take on ghosts n shit. My only complaints are that they didn't even mack on each other and also we as a society need to acknoledge how funny this is: "Hey fellas is it gay that the phantom manifestation of your loneliness took the form of your best friend and you cuddle it at night for comfort?"

This one has two sequels, and it's another one of those comedy fics but this time, one that acknowledges that sex is hilarious, which it is

This right here feels like it was written specifically for me, catering to my interests, babey. Centuries old Twilight and Sunset as alicorns, ruling together having already advanced Equestria into a golden age and loving each other so, SO goddamn hard. and above all, we get a badass "WHERE'S MY WIFE" tale of an godlike shimmer lmao-- Something I've written myself!

Also I'm currently working on one of my most self indulgent works lmao, rewriting both Sunset's entire backstory and rewriting forgotten friendship all in the same story :)