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#also me: I have opinions about everything
grunkle-lover · 2 days
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○Random thoughts about the Stan twins○
⚠️INAPPROPRIATE! MDNI!!!⚠️
《Also not proof read bc I'm lazy...》
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♤Stanley♤
🎱Definitely loves being rough with you in bed, and im talkin' tied up or handcuffed, blindfolding you FS
🎱Probably likes having some old music playing in the backround when he fucks you, but the sexy ones (he def has a Playlist)
🎱ABSOLUTELY has to have his hands on you at all times, especially around strangers. Like after he finishes a 'Mystery shack' tour and you're waiting behind the counter, helping customers check out Stan is standing behind you, his hand around your waist, glaring at any guy that tries to hit on you.
🎱Loves when you don't cover the marks he gave you the night before, especially when you wear a tank top and he can see all the "damage" he did while you rummage around the kitchen the morning after
🎱ass man 100% Loves slapping it whenever you pass him or are bent over, you swear he has a sixth sense when it comes to your ass
☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆
¿Stanford?
📜At first doesn't seem like the type to want much to do with sex, constantly burying himself in his work/studying and chasing cryptids
📜oh boy are you wrong tho! Cuz the first time you guys fucked you swear he was gonna leave you're entire body covered in hickeys with how much he loved kissing and sucking on your skin
📜he's definitely in the softer side when it comes to actually p->v sex, but like I said loves kissing, sucking, and biting your skin
📜I think he'd also me massaging your body lightly as he's fucking you, especially around your hips and thighs, maybe your boob's? Who knows where his hands will end up next
📜ABSOLUTELY, undoubtedly a thigh man in my opinion. He'd love squishing them, especially when they're around his head, and he'd definitely be into thigh fucking. Just everything that involves your thighs
(Also Bill definitely fucked you when he possessed Ford)
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saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.
I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.
Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?
I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.
You will get art and you will get my opinions as well.
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#asking ppl to [celebrate different takes] is... WHAT?#different takes as in well I think she likes apples and you think she likes grapes. yeah that’s some fun discussion to be have#but different takes as in the fundamental of a character’s drive and personality??? NO#let’s put that down very clear here#I can still read fics where Marika is cold and calculate and manipulative as long as I can see there’re layers to it and the author#set it up in a way that I can see they got her backstory and build those layers based on that#and then there are ppl who literally only portray her as omg evil girlboss 101 let’s blame everything on this cardboard character#then I click back.#and there r ppl who might not vibe with how i portray her and they can ignore me. THAT'S OK TOO. we r in our own space.#it’s as simple as that!#ever since the dlc is out i literally could see the amount of ppl blocking me go up and im just “ok” because i do go around muting ppl too.#that's normal fandom space managing experience. pls do that#lore discussion is for ppl to engage in so u say ur piece i say mine and we can continue or not depending on situation#but FANWORK? leave each other alone or be a hater in ur own space ok?#personal#also where are these ppl who have been defending Marika at... because if u exclude me#and some others i can count on one hand. where are these ppl?#ppl saying headass stuffs about the HS aren't even Marika fans or engage too much in fandom to begin with#meanwhile u can't even find one youtube lore essay that says anything good about her#ppl are even trying to give Messmer's mother position to GEQ for no goddamn reason#like where is this overwhelming support for Marika at cuz as the active Marika stan around im not seeing it
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verstappentime · 3 days
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i posted about this before, but let me (as a journalist irl) elaborate what's likely going on with daniel!!
when no one asked dan about his future during press day last week, we all automatically recognized this was probably the result of an embargo (we have quite a few f1 fans in the newsroom). stranger still that christian horner was in the TP conference and didn't speak on it either. we had expected that combo to make a sort of joint announcement.
so what's an embargo/how does it work?
essentially, it's when a source gives you any information ahead of time, but requests you do not publish anything on it until a certain date and time. this can be done for a lot of reasons. embargoes usually request that you refrain from sharing information from a press release or document.
usually embargoes are put in place so essentially you keep to your time table of when the information becomes "public," but news outlets aren't left scrambling because they have already written their story and have it ready to go live as soon as it's acceptable. in the case of f1 this also applies to instagram posts and things like that. that's why you'll often see the posts go live straight away when an announcement is made; everything's pre-confirmed & pre-written, they're just waiting for the green light.
if you violate an embargo in sports journalism, you'll likely have your credentials to, say, get into the press pen revoked. you/your outlet will no longer receive any privileged information. and you'll likely be asked to take it down. not for any legal reason -- you're just burning a bridge and violating trust. so this info COULD be leaked, but under the honor system, it rarely is. (especially bc if you post embargoed info & ruin your org's reputation with the source, you're probably losing your job.)
so what's going on in DR's case?
most likely, all credible sources have either A) been given the information under an embargo, or B) been told the time they can expect an embargoed press release. (i work with law enforcement, so for me this is usually just something like "you can expect the records to be sent out before dinner time friday night but it will be embargoed till 9 a.m. when they're officially public record.")
either way, everyone has probably been warned off asking those questions, but they also likely already know the answer. whatever they received, even if it doesn't reveal all the cards, most likely said daniel would not answer questions prior to the official release time and essentially, don't bother.
what's up with all the rumors?
essentially, when every credible source has their hands tied, there's no one to counter all the randoms. we see it all the time -- people yapping trading theories when we actually know what happened and can't say. unfortunately in f1 some of the randoms have some sort of name recognition -- and for some reason there are like 500 completely not credible news outlets full of untrue shit. so right now, they are the only people 1) free to bang on with theories and 2) who dont either have the info or know when the info is coming available. so that's allowing them to take up all the space.
conclusion: this isn't necessarily good or bad, but explains why we're hearing so many irrelevant people's opinions on this and not hearing anything from VCARB, daniel or his team. it was most likely done to give preferred sources the jump on announcing the news, but also to allow daniel to focus.
i'm assuming the embargo will be lifted monday morning european time, but we may hear a vague denial this weekend as theres probably some building frustration (like daniel saying yeah you'll see me in COTA or whatever).
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theflyingkipper · 5 hours
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A redo of my Edwards Exploit drawing from ages ago, now in traditional mixed media!
I felt like I didn't capture the mood I wanted last time when I looked it over again (to the horror of everyone who got to see this early. Thank you for gassing up the old one, and keeping me motivated through the making of this)
this version is much more directly studied off the Peter and Gunvor Edwards' illustration, because I've grown into the opinion that the model adaptation of exploit was really weak (technical limitations!!! what a shame) and i want to get back into studying these illustrations, there's a lot to pick apart in them.
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Here's a bunch of perspective lines i drew over it when I was sketching. (I don't normally do that when I redraw, but that's usually because I'm drawing from model era screencaps and I can rely on those being proportional, most of the time) Edwards face breaks perspective here just a bit to add more drama to the scene, everything else is proportional.
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some in-progress pictures, during which I absolutely HATED how it looked and wanted to switch to digital because I feared I'd messed it up irreconcilably 😭 good thing I was able to look at it with fresh eyes after staring at it for like four hours, the first session of drawing ended at 1am. Believe me, if you hate how your drawing is turning out, put it down and come back to it later!!
Edward is also more referenced off a real K2 here because I really like how they look. Unfortunately they have painful geometry.
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something frustrating about my traditional drawings is how they can't be viewed from multiple angles online. I use silver gel pen to highlight some parts (here it's Edward's handrails and the damage) but it doesn't show up well when I photograph it head on. I hope this picture shows a little bit of how it shows up in real life!
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(if you can't see, look at the bottom of Edward's boiler bands)
Hopefully you enjoyed reading under the cut :] I like explaining my process and I appreciate it immensely when someone shares my enthusiasm for it.
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toadslug · 12 hours
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I FINISHED IT!! Here are my silly opinions for the silly dragon series 🥰 Character names, explanations, and template below the cut:
★ Favorite character: Clay
Clay has been my favorite character since I read his book!! I think his character goes a lot deeper than how some of the fandom treats him (his character arc is amazing), and he's also just a really nice guy.
★ Liked by everyone but me: Queen Ruby
I have no idea why I don't like her 😭 I think the way she treated Peril just kind of pissed me off when I was a kid, and I've never been able to shake the grudge. It's not her, it's me. I almost put Bumblebee here instead (I can't fault her for acting her age, but her screaming can get tiresome).
★ Didn't like at first: Fatespeaker
I considered putting Glory here, but I only started to hate her when that was the popular thing to do (I'm back to liking her now). I immediately didn't like Fatespeaker... Probably because I was rooting for Sunny x Starflight at the time 😬 I PROMISE I'm not like that anymore omg, I was, like, nine. I've come to value Fatespeaker a lot more; her character is surprisingly interesting to pick apart.
★ Would like to know more about: Hailstorm
There's so many characters I want to know more about!! Gill!! Tau!! Riptide!! Moray!! Osprey!! Sora!! Literally any MudWing character!!! But I went with Hailstorm. I adore the cool, supportive big brother energy he radiates, and seeing him trying to fit back into IceWing society (and maybe go through a teensy identity crisis) would be interesting.
★ Least favorite character: Sky
Honestly, I don't really have a least favorite character...? There's Whirlpool, of course, but that's too easy. I ended up choosing Sky 🤷‍♀️ I liked him in Dragonslayer, but he annoyed me in The Flames of Hope. I feel like he became a lot louder and more brash.
★ Like the design, dislike the character: Vulture
His dragon skull tattoos and the gimmick for them is so sick?? Why is this grandpa more stylish than me and everyone I know??? His design is great, but everything to do with him and his crime ring felt a little out of nowhere to me. It's been a while since I've read Darkness of Dragons, so maybe I'm just not remembering everything? But yeah. I wish he was introduced better.
★ Like the character, dislike the design: Luna
I like Luna!! And I like how she looks on her book cover, too (the rendering on her is drop-dead GORGEOUS). But the rest of her appearances in canon art... ehh.
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These shades of green are making me feel things. And the spots on her wings look kind of awkward to me.
★ Favorite ship: Jambu x Pineapple
I was really close to putting Clay x Peril here because of how OBSESSED I was with them as a kid (shout-out to the Demons Peril PMV by Echosplash Animations that saved my life); however, Jambu x Pineapple is the only ship in the series that got me kicking my feet. The flashback to them cuddling in the hammock melted my heart 💖 Luna x Swordtail, Tamarin x Anemone, and Mangrove x Orchid are also my beloved. Honestly, though, I'm not that involved with shipping anymore.
★ Would never befriend IRL: Sundew
I like Sundew as a fictional character, but I would be slightly scared of her if she was real. She probably wouldn't like me.
★ Would befriend IRL: Umber
He just seems chill. I don't think he'd prod me to do stuff or talk, and I like people like that... People who can just let you exist. I feel like he'd tolerate my cringey humor, too.
★ Similar personality: Clearsight
I am NOWHERE near as girlboss as her, but I can relate to constantly worrying about future situations that may or may not happen 😁😁
★ Least favorite ship: Burn x Scarlet
Sorry toxic yuri ☹️ I just don't ship Burn with anyone.
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*This template wasn't my idea; I took the original template and modified it to my liking.
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myfairkatiecat · 1 day
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okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.
let me explain.
Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)
and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.
Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.
A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.
Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.
Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.
Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.
Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need
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amiti-art · 2 days
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HI! I’m here to ask honest opinion on….Lore Olympus. I’m sorry for putting my opinion here….but I hate it. I’m sorry, I try to see it in a good way….put it paints Apollo as a horrible person. And there are other things that I’d respectfully don’t like about it.However, I want to see your opinion. That is if you’re willing to share it. BTW, I fricking love your drawings., especially the ones about Apollo and his myths! Have a good day or night!
Hello!
I'm glad you like my art 🫶🏻
So, Lore Olympus.
This probably won't come as a surprise to most people, considering how much Apollo art I've made, but I hate Lore Olympus. And not only because of how poorly Apollo was portrayed there.
I'm going to be honest with you: I never read much of it. I read maybe a few chapters some years ago because it was advertised as Greek mythology retelling, but I didn't continue because it was boring to me.
Much later, I saw a lot of posts pointing out all the things wrong with Lore Olympus, and boy oh boy, it's bad.
From what I've seen, it’s hardly a retelling; if the names of the characters were changed, nobody would realize this is supposed to be myth-inspired.
And look, I'm not saying you can't change anything when making a Greek mythology retelling, because it's simply impossible to keep everything the same as in the myths—especially when you want to create a story that covers many myths. The math isn't mathing when it comes to Greek mythology, because the myths changed over time, and different city-states had their own versions of the stories, so it's pretty impossible to make a cohesive timeline without changing something.
But from what I've seen, there isn't much Greek influence in this Greek mythology retelling. From the way the characters dress and speak to the food they eat, there is nothing Greek about this comic, it’s completely Americanized.
And I hate Americanization so much. I remember watching Netflix's "The Witcher" and being so disappointed because there was nothing Slavic about it. They kept Jaskier's original name from the books and called it a day. They turned it into another generic fantasy show.
I know that many Greek people feel the same way about Lore Olympus and other American adaptations of their myths. I love Percy Jackson, but the whole "gods moved to the USA because this is where Western civilization is" is just so icky to me. Greece still exists, hello??????
Back to Lore Olympus. For some reason it's fans think that the comic is a valid source for mythology, and they spread so much misinformation.
For the last time: Persephone was abducted in the myths. There is no version where she goes to the Underworld on her own.
Demeter is a heartbroken mother looking for her beloved daughter, not some evil helicopter parent standing between Persephone and her happiness. Justice for Apollo and Demeter.
Also, Persephone is sometimes drawn like a child and looks more like Hades' daughter than his wife. Why?????
And from what I've seen, Persephone is ridiculously powerful for some reason and fights Kronos or something???????
Also, apparently, Leto is portrayed as a manipulative mother????? Leto??? The Titan goddess of motherhood??? Why????
I don't understand why this comic got so popular, to be honest. Probably because of the artstyle.
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talenlee · 3 days
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Game Pile: Kentucky Route 0, One of Three Games About America
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Script and Thumbnail below the fold!
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Kentucky Route Zero is a magical realist point and click game of what I’d normally call Narrative Adventure, which came to kickstarter in 2011, then came out in 2013, 2014, 2016, and 2020, because you can’t have nothing for free, even things you pay for. The game is a text-driven game without any of the trappings of your typical point-and-clicker where you jam a ladder in your pants and try to work out why you want to put green dye in the water fountain. Instead it follows the haunted mind of Conway, a trucky driver and his interactions with small handful of people on a part of the Kentucky Interstate, while he to find the place he needs to do his delivery, despite being utterly lost.
I enjoyed what of Kentucky Route Zero I played, but the thing that stands out to me in hindsight is its sound design. It’s a beautifully defined game, audio-wise, with all sorts of thoughtful foley for its environments, and the way that even the pieces of the interface that Conway interacts with have their own sort of specific authentic sounds, chonks and thunks and ch-zzzzses.
It’s also visually splendid, beautiful in what it tries to represent in the heightened reality of its setting but also the format of a videogame. These places look good from the angle that’s chosen, creating lines of artwork and bars of cages, depending on what you’re focusing on, and by being a fixed-camera story of its type, Kentucky Route Zero takes on traits of theatre, with blocking and careful positioning and timing all making up part of how the story unfolds.
A story I haven’t finished.
See, I don’t feel like playing Kentucky Route Zero Act V.
Sit down, traveller. Let me tell you a story.
There’s a chance you’ve heard this story before. I’ve anonymised it here, not because I think you shouldn’t be able to work out who it is, but because the idea of focusing on the who runs the risk of ignoring the what. Plus, I don’t want to direct anyone to a person who said something stupid and encourage fights. That’s not the important issue.
This is the story of when someone perfectly represented something, and probably never realised it.
You will sometimes hear me talk about the take that ‘there are three games about America,’ with a tone of utter revulsion and derision. This is from an incident back in 2020, when a game developer and advocate for inclusive games, had an opinion, on the internet. This advocate is well-established and has a big audience, but also, he’s crucially, not a white guy, not a Christian guy, and not an American guy. These are factors that play into what he said, which was, in summary, that while Kentucky Route 0 was no doubt phenomenal, he wasn’t interested in playing it right now.
To this, an actual adult responded with:
This is legitimately the worst take you’ve ever had. There are only about three games that are actually American, and this is one of them. Everything else is designed for export. Kr0 is a precious and valuable thing. It is of immense and intense personal importance.
Now, resisting the urge to argue with a tweet, which is just generally a bad practice that leads to doing things like wanting to be on twitter, and setting aside this tweet conflating ‘this is of personal importance to me’ and ‘this should be of importance to you,’ this position describes the idea that there are only three games that are ‘actually American.’
What does it mean to be ‘actually American?’
America is a pretty pervasive presence, if you’re not aware of it. Most people in the world have to know about what’s going on in America. We know about your Presidents and your Senators and your Constitution, to the point where people can be more aware of how your country’s laws work than their own country’s laws. I’ve often seen it held up as an example of how poorly educated people in say, Canada and Australia are that we believe we have, say, a ‘first amendment right,’ but the thing is you have to ask why there is that.
We watch so much American TV.
We listen to American music.
We try to make our news broadcasts look like yours, because that’s what real and legitimate news looks like. We try to retell your stories in our local languages because that’s what real media looks like. Our children sing songs in your accents because that’s the culture that a multi-trillion dollar economy has pumped into the whole world.
America demands we attend their wars and surrender our living to become their dead and when we are done America sells the survivors a cheeseburger.
This is not a remarkable or controversial statement. You must know, this is not even vaguely challenging to know about. Everywhere in the world is replicating parts of the American empire, because America exports and enforces the vision of the American empire. McDonalds may sell curry in India, but it’s very important that the curry being sold is McDonalds curry because that is how you know it’s an American style curry.
What this means is when someone tries to assert there are only really three games about America, that’s a kind of specialised brain rot that requires you to consider games that are very much about America as not being really about America. And thus we see the other thing about America, which is it’s not enough for America to be the most important place in the world that everyone else in the world needs to recognise, but also, most of America is inadequately America for this vision of America. You saw this in the wake of 9/11, and the election of Barack Obama: huge amounts of American media resurged in extolling the values of ‘real’ America, as opposed to the parts of America where the vast majority of Americans lived, which just so happened to paint a lot of marginalised people living in the cities as ‘fake Americans.’
I am not bringing you unique information. This is just obviously true things if you don’t live within the boundaries of an environment that flatters you as the most normal thing in the world. The vast majority of the world is not America. There are eight billion people in the world, more or less, meaning that America is about 4% of the world, and yet, it is catastrophically, overwhelmingly, deleritously the common touchstone for how things are ‘supposed’ to work. This is through media imperialism, which is mostly supported by American companies exporting all their media to foreign markets extremely cheaply.
‘about three games that are actually American.’
This fascinating piece of doofusry still, even now leaves me agog. ‘Actually American.’ Kentucky Route 0 is actually American, you see, as opposed to… what? Is America’s Army one of them? You know, the game financed by the American Army? What about Call of Duty, a franchise that is in part subsidised by American military complex manufacturers? What about Grand Theft Auto, a videogame that tells the rags-to-riches story of American excess in criminality, setting aside the way it’s made by a Scottish company. Actually American, because American doesn’t mean America, it means one tiny little pool of ‘America’ where the speaker can imagine there’s a realness and an authenticity to the America-ness that doesn’t involve all the messy realities of what it is to be America. It’s the towns of hard-working people, that suffer under your particular description of oppression, whether that’s cities full of nonwhite people or corporations bleeding the country dry, always eliding the social cruelties and terribleness of these places, as if giving people money stops them from being bigoted (for example).
This is then used to recruit these poor, superior Americans, the you know, America Americans, whose sufferings are noble and whose authenticity cannot be impeached and they are then used as a defense against criticism of, you know, America. It’s the same speech Charlie Daniels gave about how foreigners may think they could push around Barack Obama (a dude who bombed a lot of shepherds with the most elaborate and brutal military ordinance in the world) but they were going to have a harder time taking on Americans who wrestled alligators, who at this point have exactly zero recorded drone strike kills.
This is because America America isn’t real.
‘Real’ America is a nebulous nothing that you can project whatever you want onto, and which is also not responsible for anything terrible that America does. It’s not the American Empire, it’s not the exporter of culture, it’s somehow purer, better, a sort of individualised folk who are to be protected and extolled, shriven of all the things about America that make it anything but its perfect idealised form of America.
I could go on.
I really could.
This is something that defines the world I have to live in. I speak English. I’m white. I’m from a coloniser state. I should be able to integrate easily and smoothly into the white supremacist capitalist hierarchy of American culture, but we are told, that no, we are not acceptable. We are only valid as long as our differences are invisible. We, a real people, do not get to have opinions on America, because we do not know True America. When you spell colour wrong in a chat message, when your accent isn’t quite right, when you don’t know the difference between junior and sophomore year of high school, then you are shown, you are evinced, and you are made very aware that you are other, you are outside, you are wrong.
And really, there’s no good reason for it. We send our soldiers to America’s wars, we buy America’s submarines, and we sing your songs. Our currency mimics America’s, our culture permeats with America’s, we even have such a crushing inferiority complex about the empire that there’s an academic term for what we feel about our own media compared to the media of the truer, proper empire to which we are vassal.
The term is ‘cultural cringe,’ and it was coined by Henry Lawson, who you, odds on, have never heard of. In 1894, he wrote:
The Australian writer, until he gets a “London hearing,” is only accepted as an imitator of some recognized English or American author; and, as soon as he shows signs of coming to the front, he is labelled “The Australian Southey,” “The Australian Burns,” or “The Australian Bret Harte,” and lately, “The Australian Kipling.” Thus no matter how original he may be, he is branded, at the very start, as a plagiarist, and by his own country, which thinks, no doubt, that it is paying him a compliment and encouraging him, while it is really doing him a cruel and an almost irreparable injury. But mark! As soon as the Southern writer goes “home” and gets some recognition in England, he is “So-and-So, the well-known Australian author whose work has attracted so much attention in London lately”; and we first hear of him by cable, even though he might have been writing at his best for ten years in Australia.
This is imperialism. This is a way in which we have been induced and brought by the empires around us to accept their ways as correct, as the normal, as default. And that is the mindset you must have if you want to look at the breadth of videogames, with their American ideas like health insurance, readily available guns, the importance of freedom, the ubiquity of air travel, the branding and iconography of types of food and the sports metaphors and then say ‘yeah, this doesn’t have anything to do with America, not really.’
Anyway, this thread, this incident, was a big deal at the time, in that there were a lot of people from within the community of game developers and journalists who seemed very happy to line up and get mad at a brown foreigner for being inadequately enthusiastic about the possibility of playing a videogame. But don’t worry, after a day or two, an apology was forthcoming for all of this fracas, by which I mean, the original developer apologised for being so thoughtless as to, again, express honest lack of enthusiasm in a videogame.
For me, this was a kind of break point, where I started just blocking indie devs on sight. I don’t want to know what they’re involved in, I don’t want to promote their work, and I will hold tiny grudges against them that I do not seek to transfer or encourage in others. This was one silly incident in which a lot of people said something silly because they don’t know better, or they’re arseholes.
None of this is fair to Kentucky Route 0. It’s a game with its own intentions and its own perspective. It’s not trying to make this conversation happen. Kentucky Route 0 has been choked and gripped by this position around it, where to talk about an American game, someone put a cross on it that made it the avatar for All Things America. The wild thing to me is that I had, prior to this point, played two episodes of Kentucky Route 0. I thought it was pretty good, and I liked what it did with the negative space of dialogue options – when a character you’re controlling makes excuses, the excuses you choose show you other things you could be making excuses about that you, the player, didn’t know beforehand. That’s some good Narrative Storytelling Design, I like that a lot. But now I can’t really engage with Kentucky Route Zero because the main thing it makes me think about is how this final chapter, meant to round out the game’s story and present a conclusion and a point, became this flashpoint for a lot of people to be very casually racist.
Which kinda poisons the whole thing for me. It’s an authentic thing, I’m sure, it’s a thoughtful thing, too, but the people stepping up to say I should care about it did so in a way that made me hate them.
Any time you see me say ‘three games about America’ I’m talking about this, and the attitude of a particular kind of American that America is, as always, exceptional. It’s real easy to not realise when you’re just voicing your self-centeredness and how easy that is to ignore the opinions of people around you and what they’re saying. This is what I’m talking about when I mention ‘the three games about America.’
[fade for credit text]
By the way, the three games about America are Crash Bandicoot, Sam & Max Hit The Road, and Bust A Move.
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not-too-many-eyes · 3 days
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A Study on Mesmer Jr.
(Also Known As: Nott is obsessed with the bigot autistic girl from the time travel gacha game and its her birthday tommorow so lets talk about her.)
(CWs: Ableism, racism, child abuse) I Love Mesmer Jr. Which isn't a secret to any of my friends who have had to listen to me talk about her at length. I cannot get her out of my head. I think she's fantastically written, fun to read about, and just an all around interesting character.
As such, I want to take a moment to pull apart Mesmer Jr, and consider her place in this story. To contemplate why she acts the way she does, and to connect to the themes relating to her character. I hope you enjoy reading this.
A Curious Impression
Mesmer Jr makes an interesting impression when you first meet her. For one, she immediately causes alarm bells to rings when she talks to Sonneto, one of her earliest conversations, who she says she enjoys talking to because of their "shared values" she feels the need to say that she would have liked talking to her more if she were a "full-blooded human."
Which is something that you see a lot whenever she's complimenting an arcanist, or considering arcanists in any positive light. Even if it's inappropriate in the context, she feels the need to assert her beliefs, to say that:
Mesmer Jr, Praise: As an arcanist, your performance really amazes me. Wish you were a pure-blood human.
Of course, as we know, Mesmer Jr is an arcanist. She's a full-blooded arcanist. Being noted to be from a very Important family, and even being implied to be more talented than most of her family in their line of work: (The Fallacy of Idealism)
Nobody is more talented in this than Mesmer Jr. Her bloodline gives her outstanding ability and keen senses, which makes everything clear and intelligible to her.
She's also startlingly obedient. She has no noticeable outward negativity towards what Constantine has ordered her to do to Vertin, despite it seeming to cause pain or stress. Insisting that this is the normal treatment given to patients despite Madam Z's opinion, and we learn Much Later that her boss had an ulterior motive to all this.
She's even noted before we meet her to seem like a:
(Open Sandwich)
???: It is the other one- the one with indifferent outlines that makes her look like a refined machine.
Evoking images of perfectly programmed robots and droids that do what they are ordered to perfectly without question.
Of course, in the same part this line is from, the game is already nudging us to be open-minded when it comes to interacting with her. As the first thing we learn about her isn't her personality, isn't her appearance, isn't even her Voice.
It's her abuse.
Dirtied Hands
Open Sandwich is one of my favorite bits of writing in this game. It creates this incredible tension where you just waiting for the bad thing to happen, the line about how the child labor laws were turned into paper to wrap the sandwich is wonderful, and I love it.
But it's also the first time we ever actually hear about her. It depicts her having a Sensory Meltdown. Caused by her family's uh- blatant disregard for children's rights, and exposing her to a patient at age 12 because her skill was useful for the treatment. The trauma of the event marking the start of her "nightmare."
Of course this isn't the Only Thing she has gone through at the age of 12. The entire events of Nouvelles et Textes pour Rien happened during when she was 12. She might of had even more traumatic experience before that, considering she went to SPDM, a school that we know Very Well for their child abuse, and she Certainly had traumatic experiences afterwards.
She Is a 16 year old therapist taking care of The Foundation's most "unstable" patients, after all:
Mesmer Jr, Suitcase Climate: Those insane people screamed and rushed out of the guardroom. They kept meaninglessly and repeatedly roaring. Then, their blood shed on the snowy ground. I've seen that a lot.
The Rights of Children Don't Matter when there is Scarcity. Her needs are secondary to The Company's. Her welfare simply isn't important for the Foundation's Beautiful Future. Only the skills and infromation she can provide.
Constantine even manipulated Mesmer Jr into telling her the plan. Purposefully traumatizing her so that she would become scared and anxious. She Asked her to help them, trusting that Constantine, an adult she trusted, would be able to help. Constantine just lied, and made her continue to treat these people even when the experience mind numbingly traumatic for even fully-grown adults.
As a result, Mesmer Jr has developed multiple mental illnesses. Most notable OCD, but she seems to hallucinate in her Monologue.
She's not exactly a healthy person, which really compounds how much you Don't want her to be a therapist.
Of course, it's not like she would ever seek actual proper treatment for it.
For many reasons.
For one, Reverse 1999 is not exactly a kind world to the mentally ill, and she herself is a good example as to why.
Proper Treatment
Let's go back to the first thing I mentioned about Mesmer Jr. She's a bigot, she's a certified racist to every arcanist she ever talks to. She thinks humans are the superior race that will overtake arcanists.
She's also ableist. Just horrible ableist. These two bigotries are intertwined in Very important ways. Her hatred of arcanists is informed by her hatred of the mentally ill, and is further informed by what she has been taught about arcanists.
Reverse has established that the way arcanists and humans are generally viewed is that arcanists are the more emotional, unstable, immature ones and humans are the more logical, stable, and mature ones.
Now, this is a stereotype, one that has been proven wrong time and time again. There is nothing logical, stable, or mature about being so upset at a 12 year old you think killing her friends is a good idea.
And similarly, there is nothing actually inherently wrong about being a weirdo, or mentally ill. For one, uh, everyone is a bit of a freak sometimes, and two, Mesmer Jr treats it as if for the world to get better arcanists need to fully disappear and be replaced with human rationality, but Madam Hoffman says it best:
(Chapter 6 Part 15: With Hope Rekindled)
Hofmann: We have all heard it, humans are more rational and arcanists are more emotional. Hofmann: Their sensitive to the darkness of the world, so they can easily become absorbed in their own emotions and ignore reality Hofmann: But, if we put a human child in the position of an arcanist, who always takes on the world because of his uniqueness, who is never understood for his talents... Hoffmann: Maybe he too will become impulsive, sensitive immature and unstable Hoffmann: And that's why it sometimes dawns on me that if we put an arcanist child in the position of a human being who receives enough love, education, and positive feedback... Hoffmann: These 'instabilities' might be controllable. At least enough to keep them from hurting themselves or others.
But Mesmer Jr really does believe wholeheartedly that being a "freak" is bad, and that being an arcanist is to blame for why she is one.
Mesmer Jr, Hat and Hair: Thanks to it, we are all freaks now. Haven't you ever blamed your brain? Haven't you for once vomited due to the sound or whisper in your brain? How naive and ignorant.
That being an arcanist is something inherently wrong, and as a result of that inherent wrongness, that inherent "insanity," they need to be controlled by humanity.
Mesmer Jr, Chitchat II: I can only stand those arcanists from the Foundation and the Laplace. After all, their insanity is contained by humans.
She believes that humans are destined to overtake arcanists like it's natural selection. That it's only inevitable that arcanists will be overtaken by a species that in her eyes, is logical and understandable.
Mesmer Jr, To the Future: Just like Homo sapiens wiped out Neanderthals, arcanists will be eliminated as well. This is not a prediction, but a predestined fate.
This is, of course, due to the systemic part of Reverse's world constantly pushing this idea that arcanists are Inherently more immature and chaotic.
Constantine and her family deeply traumatized Mesmer Jr and then told her it wasn't actually their fault but this Other Group that She is also apart of but Don't Worry it can Be Controlled.
Mesmer Jr: It's not just about age. It was never going to be suitable for me. Mesmer Jr: Unless one day all the arcanists are gone. Pandora Wilson: Then you and I will be gone, too. Mesmer Jr: Exactly, along with the source of my pain
However, Mesmer Jr's own mental illnesses and susceptibility towards being overwhelmed by others emotions does really mean that she finds being around highly emotional people Taxing. She also finds that the unpredictable of life and other people Tiresome.
She was friends with Vertin in the rest when she was younger sure, but even then she did find arcanists overwhelming and "scary," even when she wasn't in the full thick of it, she saw them being treated and found it unpleasant and painful.
(Nouvelles et Textes pour Rien)
Mesmer Jr: But I'm not interested in arcanists. They are all mad people, and we had to treat them after all...They looked scary.
Now, usually, you grow out of this. She's not Born To Be Racist Forever.
In a better world she very much could have, I dunno-
Be able to actually internalize that arcanists aren't actually inherently a harmful thing, but that her needs sometimes conflict with the needs of others and grew up with the tools necessary to understand that this is a fixable problem that doesn't actually need a whole group of people including herself to die to be solved.
Or, something like that.
However, this isn't that world, this world thinks Mesmer Jr is a good therapist, and that her treatment is humane.
So she's seeks to create stability in the world as a result of that lack of support.
Mesmer Jr, Hobby: What you see is the alignment and tidiness. What I adore is this orderly state.
As much as she understands that it's a sign of her own "franticness" that she does this, it gives her comfort knowing that she has things that she Can Control. That her life isn't actually dictated fully by things out of her understanding. That she has the ability to direct her life in a small, maybe even insignificant way.
Cause, she really just doesn't have much control over her life.
Press the Button
Mesmer Jr, Clothing and Torso: ...Achieve the function.
A lot of Mesmer Jr's idolization of humanity comes from this idea of efficiency and simplicity. She talks so much about rationality and "tidiness," but as I've already established Reverse is full of so many instances of "human insanity" so it's plain ignorant to ascribe this trait to humans.
Which, well one she is ignorant, and also racism isn't rational and Mesmer Jr was taught human supremacy of course it's not going to be aligned with actual reality.
Which is true.
However, I do think it's interesting these traits that she idolizes are not from humans but from:
Mesmer Jr, Clothing and Torso: Humans are like machinery, simple and efficient. Arcanists are quite the opposite.
That's who she's actually idolizing here, isn't it? She's not really idolizing humans, that's just the framework she was given. She's idolizing machines and going "Wow humans are so cool."
Her Udimo is a machine.
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Not just any machine, but a machine invented in part By Her Workplace, and even when she was 12 the narrator describes her as a "refined machine." Indifferent and rigid.
This is the beautiful controlled being that she is seeking! The beautiful tidy, orderly, calm being that just proceeds with whatever order is given to it. One that has...completely no control over it's life, and what to do with it.
Because, traditionally speaking, Machines do not have the ability to self-determine. They don't exist as people with conscious thought and emotion, but as Things and Tools that can Achieve Functions.
I noted way back in the start that Mesmer Jr is startlingly obedient. She does what she is told, and encourages others to do the same.
She's glad that Vertin:
Mesmer Jr, 100% Bond Conversation: ...Anyway, I'm glad you gave up on those insane plans.
Before saying that she doesn't want to be forced to Lobotomize Her, and that she doesn't actually want anyone to end up in Artificial Somnambulism.
But she doesn't say she won't do it. Just that she's happy Vertin did "give up" because it means that she probably won't have to. This seems to be her general approach. Even if she's not happy, she'll do it, her wants don't matter.
She assumes that she has no other option and that her only path forward is following orders from her boss. That the only path forward is the one set for her. There's no point in fighting it so she's just gonna continue on that path, and others should do the same or else they'll get Hurt. Learned Helplessness.
Sonetto is similar to her in this sense (Mesmer Jr says so herself,) and Sonetto is shown to hold quite a lot of repressed emotions, and to deviate from the rules or what is logical when she feels something is at stake.
After all: (Is ABA Really “Dog Training for Children”? A Professional Dog Trainer Weighs In.)
We all know that we can feel angry without expressing anger. That we can smile when inside we are crying. You can stop someone from expressing an emotion, but that doesn’t make the emotion go away. A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.” When you read about a dog attack that came “out of nowhere” and “without warning,” it is because this sort of method was used to handle “problem behaviours.” Studies show that dogs trained with these sorts of methods actually have an increased rate of aggression, because punishing aggressive behaviour doesn’t deal with the underlying fear and anxiety that caused the aggression in the first place.
But Mesmer Jr, in contrast to Sonetto, who has an interest in poetry and curiosity in the outside world and has the aforementioned repressed emotions. Has no real distinct personal identity. She does not own anything that shows her interests, unlike her other coworkers who usually have at least Something on them. All of her items are stuff made by Laplace and exist unaltered. Even her cute little headband is a EM amplifier is part of the uniform.
She holds no control, no identity, no agency. She exists as a machine that someone can press the buttons of and achieve whatever function she needs to achieve at the given moment.
This is her current state of existence, and it's not something that's exactly sustainable. The cracks in this machine-living have been showing since she was 12. How many more do you think have been created now that she's 16?
The Foundation
Now, this is really depressing, but that's because Mesmer Jr is just a bit of a depressing character. She can't really get away from her job. For one, her parents are horrible, two The Storm means that the world is always on the verge of ending. Where else will she go?
But, as said previously:
A dog who has been trained not to growl is considered by trainers to be a “time bomb dog.”
Similarly, a girl trained to not develop any sort of identity will crack Someday.
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I have no knowledge of what could happen next in her story, nor am I interested in theorizing about it. But I do find it interesting to think about.
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𝐀𝐬𝐭𝐫𝐨𝐥𝐨𝐠𝐲 𝐅𝐚𝐬𝐡𝐢𝐨𝐧 𝐀𝐧𝐚𝐥𝐲𝐬𝐢𝐬: 𝐆𝐥𝐨𝐰 𝐔𝐩 𝐰𝐢𝐭𝐡 𝐘𝐨𝐮𝐫 𝐑𝐢𝐬𝐢𝐧𝐠 𝐒𝐢𝐠𝐧- 𝐊𝐢𝐦 𝐇𝐨𝐧𝐠𝐣𝐨𝐨𝐧𝐠
This photo is such a good example of how tailoring your fashion style to compliment your rising sign just helps you GLOW with your natural features.
Disclaimer: This is my own opinion as an astrologer and I am slightly biased because this man is my bias (one of them) and he has my heart hook, line and sinker.
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Hongjoong is a Scorpio stellium with a Capricorn Rising so Mars and Saturn are his two most influential rulers and come on- can't you tell?
He looks amazing in everything he wears (even the mushroom bowl cut) BUT the biggest reason why my favourite hair colour on Hongjoong is his natural brunette is because Saturn represents minimalism, 'clean', 'efficiency' etc.
Hongjoong already has a gorgeous bone structure, he's got a sharp jawline and cheekbones, beautiful teeth and a long vertical line- it's why he appears taller than he actually is.
But his features are fine and dainty, he has a lithe build which is common for people with Capricorn Rising- they don't tend to have a lot of curvature unlike their sister sign Cancer.
So when he has bright hair or light-coloured hair, it can diminish his natural features whereas his natural dark hair sharpens them.
A common phrase with a Capricorn Rising is 'less is more'.
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This velvet suit he wore is another great example and one of my faves, he is a Gemini Moon so he does like a little bit of colour but it is still dark enough and cool-toned for it to compliment his features.
Cool/neutral/monochromatic tones look the best on him which also matches his Capricorn Rising.
Hongjoong is not a DILF, he is a 100% pure sugar daddy at heart.
And what photos of Hongjoong you see where the 'he's such a daddy' comments are most active?
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When he's wearing these tailored monochromatic outfits that are minimal (ish), classic and timeless and combined with his natural hair colour- bring out his natural beauty and elegance.
That 'Here's $1,000 in your account because you've been such a sweet angel lately' sugar daddy/leader energy we all love about him (and makes me want to crawl for him) is the most evident when he caters to the Capricorn/Saturnian influence in his natal chart.
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And a quick shout out to this fancall when he wore this navy blue jumper and he had his dark hair parted with minimal makeup and he looks like a walking EDWARD CULLEN here.
One of my favourite looks purely for the fantasy alone.
I love this fancall because this fancall was when he revealed that the Atiny's appearance and style was 'his type' and said he found them physically attractive- which just helped me affirm that his type is just 'grunge/goth/emo/alt with a feminine twist'.
It also helped affirm my theory that whilst Hongjoong adores all Atiny's, he does give a lil extra 'boyfriend treatment' to the Atiny's who bias him- which is definitely unlike his Scorpio stellium at all (said sarcastically).
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erabu-san · 2 days
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You are literally French. What would you know about any of this, an issue and drama stirred up by anericans.
Blackwashing exists and is used by bigots that hate white people. Its used to erase the ethnicity of asians just because people dont think they are "poc enough" because of their pale skin. Its used to demonize people with pale skin because its becoming more and more the norm to view anyone with pale skin as evil. That anyone who is "too pale" isnt enough or a human being.
They arent real people, and their skintones are fine as is. You wouldnt go up to, for example an albino or mixed race black/poc person and tell them they arent "dark enough". They dont even need to be special like that to be pale. Some just are pale.
Whether you think there should be more characters that are dark or not is not the issue. Its that you think they wouldnt be/arent good enough as is with pale skin that shows how much of a bigot you are.
Blackwashing is not the progressive act you think it is. Its obvious that your only experience with it is through genshin drama. You obviously know nothing about how much red haired pale characters & asian ones are substituted with black characters. How characters are simply replaced in the name of "diversity". How this forced inclusivity and diversity is just bigots trying to "get revenge" on the white people they hate so much, and to tick off DEI boxes on their little bigoted checklist.
You tell me to educate myself but its actually YOU who needs to be educated.
Many are complaining about sumeru and natlan characters with names similar to gods in cultures of our world that are pale when their inspiration is dark skinned. Claiming they want representation and for it to be accurate, to reflect our world on a 1-1 scale.
Yet these same people will make xiao, zhongli, Ei, and many more asian characters darker " because asians can be dark skinned too". Yet so can mostly dark skinned races be pale.
So why cant you (gen) respect such characters, who are gods and divine beings based on a culture where pale is more beautiful, and gods of such cultures are pale?
There is hypocrisy in everything to do with blackwashing. Its okay when its done to pale characters because in real life black people have been oppressed? But these characters are not real, nor are they a reflection of our reality, as far as we have seen they dont even have racism in this fictional world.
It is one thing to explore a character like with the recent hatsune miku trend, atleast there most people arent going at each other's throats saying black miku is better than japanese miku(as far as i have seen)
Seriously how can you even begin to justify this. And who ever told you that dark skinned characters "scare white people" is an absolute fucking liar trying to justify their own bigotry towards white people.
No black washing IS just as disgusting as whitewashing. Neither should exist, and you shouldn't feed into the stupid circle jerk of bigotry that both of them are.
Aaaah that's what I like ! Yes ! Thank you for telling me your opinion, explaining what is wrong. I absolutely love to learn, and I prefer to read this long text calling me ignorant and explaining why that just a simple text of you saying you are annoyed by a fanart.
Thank you for telling me ! First yes I am french, and indeed my culture has more an european pov. But again, I also grow up as a minority "race" with my parents culture !🙏 in france, i don't look like a french. Well. Still I am aware that it doesn't remove anything from what I said
And I totally agree with you, some are just pale !! It just happens I draw Kinich black because I like it like this. Is Kinich true inspiration are actually pale ? Tell me more, I wish to learn !!
Tbh when you talk abt gods being pale is beautiful, I thought about Nahida. I did research when she were out and yes, I do agree, there is character who are fine as they are.
And because I live in France I also see "dark skin scare white" as a true fact. It happens and it is harmful. 🧍 not only in France tho, in country where pale skin is portrayed as beautiful, people who have tan skin are less represented even if it is the majority. I suppose the contrary happens too !!
"Character are not real" and yet you are annoyed, I guess it is the action of "blackwash" that make you mad, more than "a fictional character w diffent skin tone" tho! My opinion is fiction does affect real world, as do real life affects fiction, and this is something I won't debate on
"They don't have racism in this fictional world" sorry but it does in Sumeru. 🙏 about this one npc she is reject by forest and desert because of them being mixed, desert not being access to book and even Cyno said his scholarship was complicated because he is from desert
If you wish to continue, please send me DM with arguments. I don't know if I would change my mind of not drawing Kinich pale, but I am super interested about what you have to say !! 👍👍
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reyreadersblog · 3 days
Text
ALRIGHT Y'ALL MADE ME DO IT!!!
My unpopular tig/tgg opinions!!
FIRST!
These are MY opinions and i'm allowed to have my own thoughts on certian things, just as you are, okay..? Just wanna..get this out of way, i know everyone is respectful in this fandombut still.
1. this is something that should NOT be an upopular opinion. AVERY IS THE MAIN CHARACTER FOR A REASON. okay? She is a girlboss, and she needs more appretiation, cus literally search up tig on tt rn. Everybody and their cat named Stewie is talking about Grayson and Jameson? WHAT ABOUT MY MG AVERY? And if you see any post about her, it's probably a hate vid about how Avery should've kept the money...SHUT UP. Read what she said carefully..."no one deserves that kind of power.." and then think about it deeply.
2. I DO NOT WANT TIG TO TURN INTO A TV SERIES (or even a movie). i can't name all the reasons 'cus then the the list would be endless. First of all, i know, I JUST KNOW, they'll choose the worst cast ever. And even if they find the most accurate cast for the Hawthorne brother i will still be dissapointed, because the images of them i have in my head...THEY'LL NEVER TOP EM. second of all, they will leave out important moments, just as simple as it sounds, and trust me they will, just like they do with most of the live adaptations of books. Third of all, SHIP WARS!!! I phisically can't with ship war, like I'VE HAD ENOUGH OF EM IN THE PAST WHEN THE BOOKS WERE STILL COMING OUT. And just the thought of Averygrayson shipper saying "yeah Avery and jameson were endgame in the books but they might change it in the movie..." GIVES ME NIGHTMARES. and overall, not everything needs a live adaptation yk? sometimes things just have to stay the way they are.
3. ...this is a bit contrevertial.and i don't want to sound like a hater since i've said this a multiple times before but Rohan's pov was my least favourite in the grandest games. Purely bcs whatever Savannah and Rohan had going on...don't get me wrong, i like Savannah (even tho she did and said some fucked up things) and Rohan, SEPERATLY. But them being together...idk man, they were too..."booktokish" for my liking, yk? and i do love banter and teasing, but they were like basic "i like you but i like winning more" "couple". Not to mention they were so random...like where did they come from? I remember when we first saw Sav and Rohan having the same symbols on their cards i was very excited, i expected a different dynamic between them...PLUS THE WHOLE GAME THEY JUST WANTED TO FUCK💀
4. Hating Alisa Ortega and loving Grayson Hawthorne is CRAZYYY, and i'm saying this bcs they're pretty similar in different ways. And the thing is people are mad at Alisa for "saying mean words to Libby" (she was literally doing her job, you would understand if you were at her place) MEANWHILE GRAYSON LITERALLY THREATENED A HEIRESS! (sayin this as a Gray stan) *sigh* y'all are something else🤦🏻‍♀️.
5. Ohh...this one is risky...BUT CAN Y'ALL STOP ACTING LIKE JAMESON IS BLAMELESS?? all i see is Grayson slander, AND I UNDERSTAND, he fucked up, but saying "Jameson was so much better than Grayson" is a lie, at least for me. (He was better for Avery tho) he fs made mistakes that fandoms chooses to ignore. Like lets not act like treating Avery like a toy wasn't wrong. Lets not act like him blaming Grayson for everything wasn't wrong. Let's not act like him reminding Grayson of Emily's death wasn't wrong. And i know that later on both him and Grayson had a great character development, but still, i've never seen anyone talk about this.
6. This isn't about tig. But LIKING JLBS WORK AND BEING HER FAN DOESN'T MEAN YOU'RE GLAZING HER💀 (talking about an argument i had a while ago...) like is it so hard for your brain to understand that it's called having an opinion. Idc if it's JLB or any other author, okay? Like i've read almost every Jlb's books and i love them, AND i also publicly talk about how much iblove her work, does that mean i'm glazing her? UHM NO WTF💀.
7. LET. PEOPLE. HAVE. PREFRENCE. (I'm talking about ships btw) . Someone prefers LyraGray over Averyjameson, and that's okay. Someone loves Averyjameson the most, and that's also okay, someone likes Libbynash more then Xandermax, AND THAT IS ALSO OKAY.
I'll probably do part 2, i have more to say i'm just really tired rn.
Also it's not proof read so sorry if there are many mistakes.
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xdinaryvamp · 2 days
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ᶻ 𝗓 𐰁 .ᐟ 🩷 ` teasan "never seen before"!!
where a mysterious stranger starts leaving notes in the books you read, hoping you'll write to him at the number he gave you.
genre : fluff, "secret" ( non so much ) admirer, gn reader.
pairings : bookwarm!taesan × bookwarm!reader.
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if there was one thing you loved with all of your being it was reading.
you loved getting lost in the pages, traveling on ink and imagining worlds. you loved that fictional world much more than the real world, and you took refuge in it whenever you could.
books had made you know thousands of things, allowed you to experience emotions you had never felt before and created a corner that was just yours. the problem? they had also made you a hopeless romantic.
the characters in the stories were very different from the people who populated your daily reality, yet so plausible that you confused them with something possible in your everyday life. but it wasn't like that.
real people were much less predictable, more selfish, and less intelligent. not to mention the fact that you couldn't form an opinion of them at the end of the book, you had to get hurt to really get to know them, and you didn't want to suffer.
yet, even though you were aware of this rift between your two worlds, you continued to hope for that love similar to the fiction you read.
that's why that afternoon you had to do your best not to start laughing like an idiot all by yourself.
it was a day like any other, and taking advantage of the free time you took refuge in the library. not that you didn't like reading on your own at home, but there was an atmosphere in that building that made you feel at ease, so you went there as much as possible, even several times a week.
that particular day, you had to go to the bathroom, so you momentarily left the book you were reading on the table that was in front of you.
upon returning, inside the book you found a note, folded in two and hidden inside the page you were reading.
----- ☆
“i certainly have not the talent which some people possess, of conversing easily with those i have never seen before.”
i've seen you reading ‘pride and prejudice” two times this month, so i read it too, it was beautiful. you intrigue me, but i don't like starting conversations with people ( the quote should already be explanatory of this ). would you like to write to me first? i want to know more about you, besides your pretty face.
my number: ××× ××× ××××.
----- ☆
on average you wouldn't have done it, but the note in the book was too cliché that it didn't make you smile, and besides it made you curious.
you wrote to him. he had a photo of kurt cobain as his profile picture, so you had no idea what his face looked like. but you didn't care, you wanted him to remain a mystery.
you talked all day about books and music, and you were fascinated by his calm manner which was even noticeable in the messages. he would ask you what your favorite books were, and then he would read them. he would send you his playlists, and you would listen to them until you fell asleep.
he also complimented you from time to time; “you look beautiful”, “i loved the way your hair were styled today”, “i couldn't read anything, you were too distracting”.
you, on your side, never turned to see who those messages were from. you had an image of him, and you didn't want to ruin it.
teasan -that was his name- was your personal fictional boy, the crush you always wanted to have. what if meeting him ruined everything? you would have been destroyed by this.
you continued to talk to him for months, finding, those few times you left your seat, little notes and pieces of poetry in the book you were reading. they were never too romantic, but they still made your heart beat.
you always had to try your best not to react too much to these small gestures, especially when there were people around you.
like that morning, where the seat next to you was occupied by a beautiful boy busy reading a book by murakami. he looked like one of the male leads of a fantasy romance, with his soft black hair and a serious expression. in another circumstance you would have paid more attention to his appearance, but not that day, because in the moment in which you went to get a coffee from the coffee machine, another piece of poem had been inserted into your book.
----- ☆
[ . . . ] those rare strangers
who make me
catch my breath
the first time we meet.
[ . . . ] i am drawn to them
but do they see me?
or am i just part of
the wallpaper of their life?
susan ash. “first encounters”
----- ☆
you did your best to except smile as you placed the piece of paper in the pocket of your jeans. you had saved them all, and kept them in a box in your bedroom.
“i certainly have not the talent which some people possess, of conversing easily with those i have never seen before.” the boy next to you spoke, without moving his eyes away from the book he was reading.
your heartbeat lost a beat recognizing that words. “i'm sorry, what?”
he looked up from the book, and you were enchanted by the beauty of his eyes. you wanted to believe that he was the notes boy, that he was taesan, the guy you had a crush on, but you didn't want to disappoint yourself.
he smiled, and then he closed the book he was reading. “i don't want to be just the wallpaper of your life anymore, y/n.” he said, and you convinced yourself that it was really him.
“i would like to be a more tangible part of your life, if you'll let me.”
and of course you agreed. you were already in love with him, and by now the fear of the first meeting had vanished. there was nothing that could stop you from living your real fictional story with him.
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wilcze-kudly · 1 day
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Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how
One: The Series genuinely wasn’t built around romance.
Two: We do gradually see the characters develop feelings for each other more across the show.
https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share
Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.
Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.
And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.
Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.
Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)
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Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.
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(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)
We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.
OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.
The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.
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ok so what are some of the changes you would want in the upcoming harry potter hbo series. and since your blog is Harry centric so I'll ask how do you want him to be portrayed in the series ? what traits of him do you think the series makers should shine more light on ?
Okay, I have, like, a list of things I didn't like in the movies and could be improved upon by the show. The list I have here isn't just about things the show could improve, but also things I want to see in the show in general. I think most of my opinions are pretty common, though.
(Also I'm not sure how good the show will be, like, I'm somewhat hopeful, but also very cautious with my expectations. We should start getting casting announcements around in a few months, which could help indicate where this show is going)
Regardless, here's my list of top concerns for the upcoming show:
Harry's character
This is the one you questioned specifically and one that could make or break the show for me. I want Harry's sass and anger, I don't want him to be a self-insert for the audience the way he was in the movies. I want his actual character. The sass, anger, and tenacity that is Harry Potter combined with his kindness, compassion, and sometimes clueless awkwardness. Let him be smart, clever, and talented.
Harry in the books is so much more than "just Expeliarmos" and the fact people could think that about Harry is a legitimate crime against his character the movies committed. Truly character assassination that Harry isn't an exceptional wizard with the world's lowest self-esteem and cheeky attitude.
(Also, for the love of god, give him green eyes, please. Contacts exist for a reason and it'll be a good way to differentiate the new actor from Radcliffe)
2. Ron & Hermione's characters
I could probably just put a "make all characters like in the books" category since this is true for a lot of them.
Specifically for the other two members of the Golden Trio, I want Hermione to have her flaws, and Ron to be smart. He is talented and smart and just as skilled as Harry and Hermione. He isn't the dumb comic relief and I'm so mad the movies made him such. And Hermione isn't a perfect Mary Sue who can do no wrong. Let her put Rita in a jar. Let her show how much she actually appreciates Ron and Harry and their approach to problems, different as it is to hers.
3. Voldemort's everything
I didn't like Voldemort's design, I didn't like his characterization, I didn't like how he spoke, how he walked — none of it felt like Voldemort to me.
I want Voldemort to be scary, not some odd caricature of himself. Give me a Voldemort design that looks scary. Give him the red eyes, and make him look actually skeletal. And let him move elegantly, talk softly. He isn't shouting and throwing tantrums, usually, he is very deliberate in what he says and does.
Also, give him his weird sense of humor. In the books, he makes bad puns ("Wormtail is here to lend a hand"), I like my villains a little campy with bad puns but also terrifying.
4. Dumbledore's everything
Well, honestly, I have no complaints about Dumbledore in the first movie, my problems started after he was recast.
I want Dumbledore to speak softly. I need an actor who could say "Nitwit! Blubber! Oddment! Tweak!" and make it work. I want an actor who'd smile like he knows things you don't as his eyes fucking twinkle, but could still look intense and even intimidating for the later seasons. I also want him to look whimsical and dress in the most absurd eye-catching robes you've ever seen.
5. On the matter of robes — wizard fashion
I want wizarding fashion. I want long robes, silly hats, colors, and patterns. I want the costume designers on the show to have fun with it. I want them to go wild.
The wizarding world should look whimsical and campy — that's part of the magic. I want it to look like a foreign world. Even the most purebloods of purebloods (like the Blacks) are more like the Addams Family than any serious drama. They have a sense of campiness and whimsy. Let wizards be weird as shit and show it in their dress and interior design (I mean, the Blacks hang house elf heads and have a troll leg umbrella stand, the Ministry of Magic has paper airplanes flying all around, they're weird).
6. About the more filler-y sections of the books
I want all the silly little plots that were removed from the movies. I think some of the more filer-y things add a lot to the books and to the whimsy of being a student at Hogwarts. I want the trio to sneak out Norbert, I want to see Peeves, the deathday party, all of these things that make Hogwarts truly feel like a magic school.
7. Hogwarts Castle
I love the castle of the movies and that of Hogwarts Legacy. Honestly, I think Hogwarts Legacy did a good job of capturing the feeling of the movies castle while making it its own new unique thing. I think the TV show should do something similar and kinda create a Hogwarts castle amalgamation of all previous iterations that would feel familiar and allow them to still use some of the same merchandise but also be new and unique at the same time.
8. Time period
I think this is a pretty common opinion, but I want the muggle clothes and sets to clearly be set in the 1990s. I want the show to be a period piece. I don't want to see smartphones, or modern fashion, or modern cars — none of that.
9. Age-appropriate casting
I'm not the only one who says this, but as great as Allen Rickman was, he was too old for the role. Part of the tragedy of Snape and the Marauders is how young they actually are. I think it'll just be much more heartbreaking if the actors looked as young as they're supposed to be.
(Including James and Lily in the flashbacks!)
10. Worldbuilding & extra scenes
Since it's a TV show and not a book, which opens up more perspective options, I would like to get, maybe, some extended Pottermore facts into the show. Like, to flash out the world in a way the movies didn't.
Additionally, I wouldn't mind if some extra scenes were added to build up characters we don't get as much of in the books and it could serve the plot. Like, as long as the scenes are added in a way which is like 'they might've happened in the books, we just didn't see them cause Harry wasn't there', that sort of thing without subtracting from anything else and without retconning or contradicting anything. Like, with good writers, this could be really well done, I'm just worried about them adding anything because I don't know how much faith I have in the whole project. But it could be cool if done well.
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purpurussy · 3 days
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I feel like the "dan is bi" anon is trolling but just in case they're genuinely confused: yes dan said in BIG that he loved and felt attracted to his high school gf (although he also made it pretty clear that they did not have sex so idk where anon is getting the idea that he has slept with "multiple women" 💀), and he alluded to his attraction not being confined to a specific gender in the part where he talked about labels, but you're completely taking all of that wildly out of context and missing the point of the whole video by calling him bi. I feel like this is probably the part that's frying their brain:
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(shoutout to the legend @goldenpinof for this transcript!)
But firstly, imo it was very clear from BIG, as well as other stuff he's said over the years, that he just doesn't like labels. Which I find very valid, it took me a long time to figure out how to label myself. I still don't know what my gender is lmao but I started saying "bi" for my sexuality because it's a widely-used term that gets the point across. And I think that's the thing here: he came to the conclusion that the labels "gay" and "queer" are the best descriptors of his identity, which do the most accurate job of approximating something extremely psychologically complex and multilayered and nuanced in a simple everyday term that gets the point across to other people.
Obviously words mean things and it doesn't make sense to just pick a label at random (like for example it wouldn't make sense for me to identify as a lesbian, since I definitely feel attraction to men as well as women and everything outside the binary, and am interested in acting on that attraction at times, so I wouldn't be conveying accurate information to other people if I used the label lesbian for myself) but a label is just supposed to serve the task of conveying relevant information to other people (if a lesbian feels some kind of abstract attraction to dan and phil, that doesn't mean that the alphabet council needs to immediately revoke their lesbian card!! Since the word "lesbian" still does a perfectly good job of conveying relevant information to other people. Likewise if a straight dude has a fun little gay dalliance with his college roommate, but has absolutely 0 interest in men beyond that incident, it wouldn't be remotely necessary for him to start calling himself bi if he didn't want to, because what would be the point in that if he's only interested in women? Like if he told a gay dude who found him attractive that he's bi, only to backtrack... Do you see what I'm saying here?). It's perfectly valid for Dan to use "gay" and "queer" as umbrella terms that in his opinion do the best job of describing him, out of the language that's available. If he's like essentially a kinsey >5 and decided to just round it off to a 6 at this point, who are you to tell him he can't lmao
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(shoutout to the legend @goldenpinof for this transcript!
Human sexuality is often way too complicated to boil it down to a single label in a way that doesn't erase any of its nuance, and I feel like this is something he's struggled with in the past, especially with him being a public figure. He's mentioned multiple times that feeling like he had to choose a label was a factor that prolonged his decision to come out.
And this is not even getting into the impact that his trauma from his childhood and also from spending a chunk of his formative years in the public eye probably had on the way he identifies or the way he chooses to label himself. It clearly took so much courage and strength for him to finally be able to call himself gay/queer please have some respect for our brave troops
Ultimately the point is that he uses the labels "gay" and "queer", not "bi", and it really shouldn't be difficult to respect that. It's also not biphobic for him to choose not use the label "bi" (again speaking as someone who uses that label). It's just that he feels "gay"/"queer" are better descriptors for him and nobody gets to determine that except him!! :) He wants people to know he's gay so he calls himself gay and that's that on that.
There are definitely people on here who are way smarter and more well-educated than me who would've done a much better job eloquently discussing this topic without rambling all over the place but that's my take (if anyone would like to add to this please do so, I'm always open to learn more about topics like this. And I'm also not saying that the way I see it is the only objectively correct opinion, but anon is definitely wrong so 💀). Thank you for coming to my ted talk
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