#also me: BUT THEN MAKE IT SAD

[artsymeeshee]

Felt a need to draw hugs (thinking about sea grunks has made me extra emotional :’))

[bardofavon]

not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

[gentil-minou]

Everytime I see posts like this I get filled with such profound sadness

Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?

THE PERSON WHO WROTE IT

I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible

Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together

[artkaninchenbau]

Crocodile finds a strange stray cat an 11-year old Nico Robin (AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)

It seems like I have become possessed. By some sort of demon.

Bonus:

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[mroddmod]

everyone be quiet i'm manifesting

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[lotus-pear]

charm stat at debonair ‼️‼️

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[madsraa]

I keep forgetting to post this painting here!

[1ddiscourseoftheday]

Liam was a boy, and then a man, who suffered so much trauma and pain. He was bullied as a child and then lived a nightmare that I think none of us can really imagine of having that triggering experience replicated on a literally global public scale. He became a man who inflicted trauma on others. He was an addict who was unable to find a way out of that disease, and now never will, but who was open and vulnerable about his struggles. He was an incredibly talented musician and artist and an absolutely integral part of one of the most important bands of a generation; his voice and songwriting and skill in the studio shaped every aspect of what One Direction became at their best. He loved that band and being a part of that experience with his whole being and would never have stopped celebrating what they meant to us and to the world. He had problems and did bad things; that doesn't mean he was a bad person who didn't deserve to be loved and helped to heal- everyone deserves that- and the fact that that's not something that can ever happen now is devastating. I was very distressed by many of his actions; and I cared deeply about this man I didn't know and wished for better for him than this outcome.

I'm so deeply, deeply SAD tonight. I'm sad for Liam, who will never now have the chance to look back on this hard time and reflect on how far he's come, and for Liam's family, for his parents and his sisters who loved and supported him so much, and for everyone in the 1D band family and circles. And I'm sad for us. It feels like nothing will ever be quite the same, and that's hard and sad and shocking. It's a special kind of doubled grief, to mourn the loss of the person, and also of what he meant to us in this strange world of parasocial fanning, for the real him and also for the version of him that we made up and attached so much meaning to and for the escape that brought us. For him, and also for the easy uncomplicated joy of listening to those beautiful songs from happier times, which might never feel the same again. For the other boys, who we love so much and wish we could shield from suffering and loss and pain. For our fellow fans, who we also worry about the impact of this on. Everything about this is terrible, and I am sending so much love out to all of you. We are not alone, and it's okay to feel complicated emotions and it's okay to mourn and it's okay to care about how it effects you and your life, whatever you're feeling- it's okay. We are here with you. We are 1D family.

[cosmosnout]

And in the end, Rouge was like, “You know what? Sure.”

[barghest-land]

your stitches are good, but not the best - your hands are twitching to the beat of your heart. but they're going to be perfect soon, whether you want them to be or not.

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[poxxxum]

They would absolutely hate each other enough to make out in an alleyway

[swordfright]

this might just be because i'm a bit older than your average mcyt fan, but it makes me kind of sad to see all these younger fans scramble to wipe their mcyt fanworks off the internet the second a content creator is revealed to have done something awful.

don't get it twisted, I'm a big believer in rescinding financial support to ccs you no longer agree with or admire by unsubscribing, deciding not to buy merch, or refusing to give them ad revenue by watching their content. if you don't feel comfortable giving someone money, don't give them your money. material support isn't what i'm talking about here - I'm talking about fanfic, fansongs, fanart. yknow, content that fans create for themselves and each other, stuff that's not for ccs.

in the past year (and especially the past week, obviously) i've seen tons of mcyt fans saying they're planning to delete their art (or that they already have deleted) because they don't want their work to be associated with content creators who behaved badly, and that they want "a fresh start." I've seen fan writers say the same thing about their fics. and like, this is fine, do what you want with your stuff, but i'll be honest...it does make me sad that so many younger fans seemingly have been made to feel such a high degree of responsibility for ccs that they're unable to enjoy fandom (a thing that is FOR US! FOR YOU!) or take any measure of pride in their past fanworks.

again, at the end of the day you should do what you want with your own shit. but what i will say is, if what you want to do with your work is delete it, at least think first about why you're considering the nuclear option. you aren't responsible for a cc's behavior, and that goes for literally anyone who's ever had a hand in making anything you like: books, movies, games, anything. you shouldn't be made to feel ashamed of having created fan content for a piece of media that a shitty person was involved in making. straight up, this kind of shame isn't something i believe should exist in fandom, because it's parasocial in the same way that positive emotions towards media/creators can be parasocial.

and also, as someone who's been involved in fandom for a long time, i can say with confidence that creators will keep disappointing you like this. there are shitty people out there. if you're searching for a piece of media with zero shitty people ever involved in the project, you will not find it. i'm not saying this to normalize shitty behavior on the part of creators, I'm saying this to emphasize that bearing the shame and guilt of every creator to this degree is not sustainable or healthy (and it's not how fandom used to operate, but that's a conversation for another day, perhaps.)

i understand why so many folks are considering deleting their fanworks, and if that's you...think about it before you do it. that's all i'm asking. you don't want to create a habit of divesting yourself of all evidence of having been passionate about art created by someone who sucks, because if you do get into that habit, then your chances of ever truly enjoying a fandom again are, unfortunately, pretty slim.