#also love how dramatic he is
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rita-morgan · 5 months ago
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I love how Colin Bridgerton went from rake era to lover boy era to wife guy era in a span of like two weeks. We love to see a man besotted with and completed devoted to the love of his life and not afraid to show it for the world to see.
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xxplastic-cubexx · 2 months ago
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[right to left]
finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants
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lazylittledragon · 1 year ago
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Hello I love your bg3 content and your Dorian is so lovely! Can we get like an alternative reality with Dorian and Ascended Astarion? What would your headcannon be for them? 🙇
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something like this, probably
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shepscapades · 3 days ago
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When I first saw this I was mostly flooded with relatively angsty thoughts, but the more I tried to translate those thoughts realistically onto the page, the sillier and sillier they got =w=
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confessedlyfannish · 9 months ago
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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andyoullhearitagain · 6 months ago
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Literally they could have stopped making Deep Space Nine and made seven seasons of this show and I would have been happy.
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cementcornfield · 1 month ago
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Ja'Marr talks about Joe "screaming" at him in college for wearing warming lotion 🔥
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usertoxicyaoi · 2 months ago
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"Every time I possessed someone, I lost half my lifespan, but I couldn't help it. Just like craving sweet poison, I kept possessing others."
FANGS OF FORTUNE (2024). EPISODE TWENTY NINE.
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poorly-drawn-mdzs · 1 year ago
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Vine_Boom.mp3
[First] Prev <–-> Next
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templegate · 14 days ago
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I made a song a while ago
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sparxyv · 5 months ago
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Mousey Student ID 💙🐭
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NOW 😏 time for Mousey's official introduction.. get ready for another huge infodump! (this one's even longer than Milena's I'm so sorry 😭😭)
Template by @kiwiplaetzchen !!! (Thank you again 😙🫶)
Family
Mousey is the youngest of four brothers. Clyde, Lachlan, and Magnus.
His three big brothers have long since moved out of the McGregor house, going on to become very successful each in their own ways. They were all sorted into Ravenclaw, and were all part of the Ravenclaw Quidditch team at some point in time.
Mousey's mother - Florence McGregor (née Prewett) - is Leander Prewett's father's sister (so Leander's aunt lol). She was sorted into Gryffindor!
Mousey's father - Fergus McGregor - was sorted into Slytherin when he attended Hogwarts. Naturally, he is very prideful and ambitious - oftentimes (accidentally) placing pressure on his sons to pursue things that are not in their interest to impact the family legacy in a meaningful way. Fergus genuinely cares for his sons, he's just unaware of the effect his words have on their psyche. 🙁
Fergus McGregor was a keeper for the Montrose Magpies for 3 years before Magnus was born, and after that he decided to settle down for good. Quidditch was his passion, and he was ecstatic when all his sons shared the same love for it.
The McGregors have resided in Irondale for generations! They have a quite small house for a large family - but fret not, it's bigger than it looks on the outside.
Mousey is 5 years younger than the brother closest in age to him - Clyde - while his three older brothers are each only about two years apart from each other. This feeds into Mousey feeling like an outcast in his own family. (Clyde - 20, Lachlan - 22, Magnus - 24)
Life Before Fifth Year
Growing up, Mousey had always been an exceptionally anxious AND impulsively loud child, so he found it was a miracle he made friends with Anne Sallow during his first week at Hogwarts. Anne was always terribly kind to him, helping him out when he needed a shoulder to lean on, giving him lots of encouragement - which he so desperately needed. Anne, being extremely mischievous, self-confident, and empathetic, she made the perfect best friend for Mousey.
Mousey wasn't exactly a permanent addition to the Sallow Twins and Ominis' little group, but they would hang out with Mousey more often than not. Up until fourth year, they were practically his only friends. (We'll get to this in a bit.. 😙)
In order to impress his father - Mousey started training on a broom as soon as he first attended Hogwarts, but his heart was only half in it. Although he was very talented with a broom, it was never a true passion of his.
Speaking of Mousey's true passion - he is deeply fascinated by wandlore/craft. Ever since he recieved his first book on wandcraft at the age of seven, he quickly became entranced by it. Mousey absorbed all the information he possibly could and constantly visited Ollivanders in Hogsmeade in his free time once he was allowed to by the school.
Sometime at the start of fourth-year Sebastian and Mousey got into a HUGE argument that quickly ended their friendship. After this argument occured, Sebastian practically banned Anne and Ominis from speaking or interacting with Mousey in any way out of sheer pettiness 😒. Mousey was heartbroken. While he would swear up and down it did not affect him, he genuinely loved Sebastian, Anne, and Ominis.. losing their friendship was difficult on him. Although, sadness quickly turned to anger and he held a big grudge against Sebastian. After the big fallout, he vowed he didn't need them - immediately going on a quest to make as many friends as possible. And ultimately, he did.. but it never felt the same.
Relationships
Like Milena, I'm planning on creating a separate series of posts going more in-depth with his relationships w/ characters - so take this list of his closest friends!
Ominis Gaunt
Anne Sallow
Milena Chase
Amit Thakkar
Everett Clopton
Andrew Larson
Samantha Dale
Duncan Hobhouse
Garreth Weasley
Leander Prewett
Eric Northcott
Poppy Sweeting
Arthur Plummly
Unnamed Students
Personality
MBTI - ENFP-T
Alignment - Chaotic Neutral
Mousey is a complicated type of extrovert. He grew up constantly fighting for attention - he learned quickly that he needed to be loud and to stand out to be seen. Mousey is the type of person to only want a few close friends, but a large circle. He loves socializing with everyone, typically coming off as very cheery and playful, yet more snarky + sarcastic with people he's more comfortable with. However, he's also very anxious. He's quite the overthinker - yet never exactly thinks ANYTHING through at the same time. He's the epitome of impulsivity.
In addition to him being anxious - Mousey cares too much of what other people think of him, especially the people he loves/looks up to. He finds himself constantly trying to impress his friends and family because he craves external validation to feel good about himself.
Mousey is very sensitive, but can oftentimes be seen as apathetic when it comes to heated moments. He's very much controlled by his emotions and feelings, which has put a strain in a lot of his relationships. Mousey feels emotions more intensely than most of his peers, his mood also being affected by the people around him. (Although when he's not blinded by his own feelings, he is actually very sweet and caring person. 😞)
If there was one word to describe Mousey - NOSY. As a Ravenclaw, he's obviously inclined to want to know as much as he can about anything. With that being said, he's a NASTY gossip. Mousey knows everything about everyone, always around and listening in the background.. 😊
Just like how it is in other parts of Mousey's life, he feels that he's an outlier in his Hogwarts House. Other than being curious and passionate about learning, he isn't as clever as other Ravenclaws - not great at riddles, oftentimes having trouble even entering the common room. So he tries his best to make the best of it, befriending his housemates, joining the quidditch team, etc.
When it comes to being active, he can make an exception for Quidditch - for his father - but other than that, he HATES physical activity. Unfortunately he's a bit on the cowardly side as well. He could be reckless and get a burst of confidence, but in general Mousey is terrified of dueling, sharp things, large creatures, and especially cats. You wouldn't usually catch him out in the Forbidden Forest, or in any of the hamlets far from Irondale.
Additional Fun Facts!
The only people who don't refer to him as 'Mousey' would be Ominis, Imelda, and Milena - all for different reasons.
Mousey actually likes his nickname, not minding it one bit - although, he doesn't remember how he got it.. but even the teachers have called him Mousey since his first year.
He used to have very prominent buck teeth up until he was 13, having them magically fixed (by Anne Sallow) after his big brother Clyde had made fun of them.
Mousey is the Ravenclaw Quidditch Captain and Keeper in sixth-year! 💙
Other than Sebastian, his nemesis at Hogwarts is Charlotte Morrison (whom Milena actually made friends with???). She just really irritates him in a way he can't describe. The feeling is mutual.
He is very close with a lot of the teachers, most notably Professor Fig and Professor Garlick.
Mousey makes wood-carving animals representing the people he loves, and keeps them in his dorm. (Some would be: Ominis - Bat, Anne - Fox, Sebastian - Snake, and the newest addition.. Milena - Eagle 💜 I like to imagine Mousey came to terms with his and Milena's friendship at one point and secretly made her little animal to keep 🥹) No one knows the meanings behind the animals but him. They are his to keep and to protect.
Bi icon 💙💜🩷
Had a crush on Adelaide Oakes in third-year. (his type is blondes I guess?)
Was nearly sorted into Slytherin, but the hat changed it's mind at the last second.
Raphael is the only feline that tolerates Mousey. (And vice versa)
Knows about the Undercroft.
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xxplastic-cubexx · 3 months ago
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i cant stress how much joy i get from doodling magneto as A Dramatic Comic Book Villain i cannot even lie to you chat
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anomura · 3 months ago
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so. i've been thinking probably way much about bucky's attachment/abandonment issues bc they're soooo loud to me like he clings to people so hard!!! he wants to be chosen!!! him asking gale "did you miss me?" after spending objectively not that much time apart half joking but half sincere bc he's used to people getting tired of him and leaving so he has to make sure.
And it makes gale saying no to london even more of a Big Deal. and paulina leaving him the morning after even when he asked her to stay!!! and lil kissing him but getting with dye!! and once again feeling rejected in the stalag when gale won't leave with him, won't even entertain the thought of it !! andddd not having anyone writing him letters, possibly not even his family for reasons we don't get to know but probably are a big part of why he has attachment issues
i've already said this but i'll say it again even though he's confident/cocky at times he doesn't... like himself . or has a lot of regard for his own life which we literally see in the show. he was Capital S Suicidal – bc of the stalag obviously but come on he drinks like crazy and gambles and smokes even before things get Really Bad. and the plane wing sceneeeee you don't goad your friend !! not even a random person but a Friend into hitting you if you're a well adjusted individual. And he was ready to give up fr when gale went down. he did not want to bail out with brady!!! AND him risking his eye to get gale a bike (which while yeah crazy yaoi moment . to me also ties into him needing to be wanted/needed so people won't leave him) so yeah clearly not huge on self preservation which at least in my perception is something that stems from self hatred
all of these rejections (even if justified at times) are probably a series of blows to his perception of himself/sense of self and just reaffirm to him in his head that he's not good enough and he is right to expect to be left by the people he loves. and he tries to stop that by clinging as hard as he can and not being expendable/replaceable. but if they do leave he can rationalize it because if everyone leaves him clearly it's his fault, he's the one lacking – which feeds his recklessness and self destructive coping mechanisms even more
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egophiliac · 10 months ago
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So the final character turns out to be based on Ryugen, but it feels kinda weird how there is also one based on Zangetsu and they aren't brothers
Or what if plot reveals they are brothers and he was actually adopted or stollen
I CAN'T BELIEVE HE'S ACTUALLY RYUUGEN?! I made a joke about it when Toten got revealed but I didn't actually expect... (I'm counting it as a win though, which means I guessed three out of sixteen! ...given how wacky some of these got, I'm actually pretty proud of that.)
he seems very sweet though! I hope he and his secret hamsters are very happy together. 🐹
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(also:
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THIS WAS MY EXACT TRAIN OF THOUGHT TOO! either this is an incredible bit of meta foreshadowing, or an incredible bit of Takahashi trolling, and I -- I honestly don't know which is more likely)
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youandthemountains · 7 months ago
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it probably is insane how much I wish I could express the thing about spones. the vibes about spones. Like there's the joking fun fandom vibes and I love them, I love to play with them, of course of course. but the THING. the CORE to me. i wish i could capture it and share it.
#like. the constancy. like the friction matters because it's hand in hand with the steadfastness you know? and it doesn't preclude tenderness#also climbing into the mind of the person you've been obsessed with understanding and being understood by.#and the fact that it's lifelong. and the teasing. and the fact that the growth is in the allowance of imperfections#allowing that imperfections exist in who you love allows you to love them allows you to love yourself#and i always love people knowing what you believe and bolstering it when you feel lost even when it's not their philosophy#(bones asking spock hope? isn't that a human failing? and him not allowing that#spock losing himself to emotion in all our yesterdays and bones reminding him how antithetical that is to him)#but even with all that seriousness - the TEASING. the plain fun. the constant reaching out regardless of their moods#the constant seeking each other out. the almost - given nature of the relationship.#it's not in some ways as dramatic as a Simple Feeling as the When I Think of You I Feel Shame.#it's bones growing into old age the human way one day at a time with spock#when people are like oh spock just put his katra in him because he was there - yeah. and he was always going to be the one who was there#this is why the earth moon sun metaphor works for the triumvirate so much better than sun moon stars imo#bones is the earth spock is the moon kirk is the sun#'the captain was indispensable'#the sun - a distant lifegiver to them and many others. they do revolve around it. have unique relationships to it#the earth revolutes the sun which brings it life. the moon has a face it only shows the sun#and the moon revolutes the earth. their gravity shapes each other. they reach out to each other. they formed in a collision outward#in some ways are entirely different but have the same stuff in them. spin the same.#idk it just makes so much sense for them all.#but even just getting back to them. again just the obsession with each others mind.#'i will never understand the medical mind' 'mathematically perfect brainwaves'#and then complimenting each other always so startlingly out of the blue with their own fields -#'you have a good bedside manner spock' 'perhaps if they had your ingenuity they would have'#the seeking each other's advice out even if it's just to argue with it lmao. the motif of their last words always going to each other#even wrath of khan - we know spock was talking to bones in his head. i do always wonder what was in their tsfs reunion scene#that shatner didn't want to happen.#I don't know and even this isn't the heart of it.#there's the families and the way they fit into each other's conception and value and weight of family#do i even tag this spones. this is just crazy rambling.
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ahalliance · 1 year ago
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i think a crucial aspect of the codebreakers dynamic that is sometimes overlooked is how likewise enamoured phil is with étoiles . like étoiles is the god of praising and hyping people up so people tend to focus on how much étoiles thinks phil is the coolest guy ever but do not forget that phil also thinks étoiles is the coolest fucking guy to ever guy he will never pass up an opportunity to talk about how cool and strong and funny étoiles is . their relationship is built on their mutual ‘WOW this guy is awesome’ feelings for one another and it is amazing
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