#also it's a nice practice of more dynamic poses

[an-established-butt-dent]

Ohhh I painted something OOF!!

But I'm not sure if I should share it yet?

Honesty I have like 6 new paintings lined up in qq. Like, guys, am I insane? Please tell me what is the realistic time limit to upload new fanart?

I'm sick at home so no work, yet I'm still riding this inspiration train like there is no tomorrow (as long as I am able to keep my coughing under control at least).

Can I engulf you all in an endless stream of artworks of the Sad egg husband??? Am I doing too much emotional damage to you all? ( ; _ ; ) I don't know anymore.

Anyway enjoy a little WIP of my lovely messy desk situation!

I have been wanting to invest in a tablet and start my digital drawing journey. But nothing can beat the absolute joy ink stained hands and the feeling of a brush on paper brings me.

[sysig]

can i requeeeessstt edgar rescuing scriabin from something |D

Day 6 - There are consequences out here

Bonus, of what he was doing to get stickers in his hair:

[seiwas]

three-part honesty | todoroki shouto

wc: 16.3k

summary: honesty, you've realized, is shouto’s most cunning trait—a quality that's endeared you over the years now rendering you into a stuttering, fumbling mess like never before. 

contains: intended as f!reader but no pronouns used, reader wears heels, a skirt, & a dress, post-canon (divergent), aged-up pro-hero!shouto and assistant!reader, workplace romance, development of feelings, confessions, boss/assistant dynamics, co-workers to lovers (ish), todoroki family dynamics and healing, fluff, slow burn.  

sequel to: two-part something ao3 mirror

a/n: primarily from shouto’s perspective but switching of character pov’s is denoted by ‘( )’. i enjoyed the entire process of writing this fic and hope you do too! 

sponsored by @arcvenes for the @ficsforgaza initiative. please do check it out and support if you can! this is also my submission for the pretty boy summer collab by @andypantsx3.

I. LISTEN CLOSELY

Much to his relief, Shouto’s yearly health check-up turns out just fine. 

His blood work results come back stellar, levels all floating within normal range; some x-rays and scans reveal injuries healing up nicely—that collarbone he’d fractured months ago, especially. Save for a few recommendations on better sleep and stress management, Shouto receives no additional diagnoses for anything particularly concerning. 

Except for this one thing—

“Maybe you have a crush.” Natsuo sinks into the backrest of his chair. A slight ‘squeak’ sounds from its springs as he props one foot up on his knee and clasps his hands over his stomach. 

Shouto thinks it must be some doctor pose; Natsuo’s been doing it more often now that he’s gotten deeper into his medical practice. 

In Shouto’s final year at UA, Natsuo made the decision to fully shift into Pre-Med. The aftermath of the war left a big portion of Musutafu lost and in dire need of a society to believe in. To Natsuo, this felt like a calling; an effort of playing his part to restore faith in a better, functioning system that did not discriminate. Internal medicine felt expansive in that way.

This, of course, also meant that Natsuo was now the (unofficial) assigned private and personal doctor of the Todoroki family—to Shouto, mostly. 

So—

A… Crush?

“How does that happen?” Shouto turns to his brother, head tilted in confusion. His brows furrow slightly. 

This isn’t what he was expecting at all. 

“I mean, you said it in your text,” Natsuo reaches for his phone, clicking it open to scroll. The light from his screen reflects on the gray of his irises; then, he air quotes, “you said: ‘my chest feels weird’, then when I asked if anything happened,” his index finger glides across the screen, swiping through a long block of text uncharacteristic of Shouto’s typical dry responses.

“You detailed the entire scene of–” he pauses for a moment, squinting to find a specific line, “–a santa hat? Being put on you, or something. You didn’t mention who but I figured it was—” 

You, Shouto thinks, at the moment Natsuo says your name. That same two-part thump sounds in his ears. 

You, who’s stayed by his side for the past five, nearly six years. You’ve carved your presence so deeply into his life, it’s become an undercurrent in his speech. He doesn’t even think of having to say your name when he talks about you. 

You, and how he turns over this familiarity with you inside his brain. How everyone knows—

“—who else stays with you in the agency past office hours, anyway?” 

Natsuo raises an eyebrow, knowing. 

“We’ve been working together for a while.” Shouto replies, lips pressed firmly into a small pout. 

If he’s being honest, he’s not sure what compelled him to say something Natsuo already knows. To state the obvious? Or to argue, maybe? To act in denial? To express disbelief? 

He takes a long breath, surveying Natsuo’s clinic. The walls are pristine white, the desk and examination bed the same shade of ashen gray—a conscious choice to keep patients calm; ironic, given the state of his thoughts right now. 

Shouto’s mind is buzzing, and Natsuo watches the muddled confusion in his little brother’s eyes shift and swirl in blue-gray emotion. Then he chuckles, holding onto his arm rests as he stands up from the other side of his desk. 

“It can happen, Shouto.” he plants a palm on his little brother’s head, ruffling red and white the way he would have when they were teens, “It’s been years, right? Feelings can develop over time, that sorta thing, you know?” 

Shouto lets the realization settle in. 

Under the weight of his brother’s hand, he feels like a kid again—right before all the training started; and right before being kept away, excluded from the childhood he could have had with his siblings. 

Shouto feels like a teen again, without the trauma, without the war, being taught things about life and himself, about feelings he never had the time nor capacity to explore.

The two-part thump continues, beating. 

A crush. On you. Huh. 

The rustling of his hair dusts strands of warm, fuzzy feelings over his eyelids. 

This feels… new, he thinks. 

.

.

.

Shouto knows his Mondays. 

He gets to Shouto Agency an hour before everyone else does because he likes the stillness of it right before the day turns busy. The sun is up but only barely, casting a soft glow of blue and orange hues through the floor-to-ceiling windows of his office. 

This habit began years ago, back when the agency functioned on the 7th floor of a commercial building. It was called Flashfreeze then, and even though it had an entire floor of 24 office units, being in a commercial building still meant sharing common areas with other companies and agencies. The morning rush left the elevators flooded in utter chaos daily. 

To Shouto, going in early meant less people and less noise—a quiet bube he could use to prepare himself for the rest of the day.  

A lot has changed since then: the agency’s move into a larger, newly constructed building of its own; staff, interns, and sidekicks quadrupling in numbers; better office spaces, bigger teams, more facilities—a big expansion, essentially. 

Somehow, despite being more settled in the industry, he finds that the days feel even busier than before. 

So, Shouto keeps his Mondays the same: his preference of coming in early carrying itself into this newer, much larger and private office space, and his same habit of brewing himself a cup of tea finding its own spot by the small kitchen nook you helped design during the construction of his office space. 

Everything about his office is optimized for efficiency: the backdoor, where he enters from on most days, opens to an elevator with a matching staircase that both lead straight down to the costume unit, training grounds, and his own parking area; the blinds of his windows automatically draw up and down at set times of the day; and the minimalism of his entire space is carefully considered, with every area plotted for easy navigation. 

It’s sleek and neat, sharp edges and clean lines, straightforward much like he is. Cold, for the most part, save for the corners touched by your warmth.

Pale yellow jars sit on the counter of his kitchen nook, with each one housing sugar, cinnamon, and his stash of tea.  

When he looks more closely around the room, he spots the fresh flowers on his desk—a vase of luscious white chrysanthemums starkly contrasting the dark grays and browns of his interiors; they tell him you must be in already, because even when he manages to come in an hour ahead, you always, without fail, beat him to it 30 minutes too early. 

And also, like always, you enter his office in the same way you do every Monday morning. 

Your heels clack against his stone flooring, marking your arrival. He turns to face you from the kitchen nook, cup of tea in hand as he greets you. 

“Good morning.” 

You jolt, nearly tripping. Your head whips up quickly as you clutch a mass of folders tightly to your chest. 

He takes a sip of his tea, the corners of his lips curling slightly on the edge of his cup. 

“Si–” you clear your throat, correcting yourself as you take a breath. Then you smile warmly, bowing your head slightly, “Shouto, good morning.” 

“You scared me a bit there,” you add with a soft chuckle. 

It’s endearing, he thinks, seeing you caught off guard, so out of your usual composure.

You loosen your grip on the folders, “I just came to place this on your desk,” your finger taps against the plastic, “I didn’t notice you were here already, sorry.” 

“No worries,” he sets down his tea cup, pocketing one hand in his sweatpants, “do you want some tea?” 

“I’m good, thank you,” you shake your head, walking towards his desk to set the folders down, “Just a couple of debriefs for the case last month.” 

He nods, eyes tracking your movement around the room. You pause then turn to him, clicking your pen as you say, “Let me get your schedule so we can do the run-down.” 

Shouto moves to his desk when you leave, settling into the few squeaks and cracks of the leather chair you helped restore using your quirk—the ability to minimally reconstruct organic matter. 

Not even a few minutes pass until you return, a tablet perched on the crook of your elbow with a digital pen in hand. 

This is part of his Monday routine. 

The agenda you follow is the same: a schedule run-down for the coming week, any notable trips or events, report updates, and department updates. Occasionally, PR will have you relay messages they have trouble communicating nicely—most of the time, they involve suggestions for him to ‘smile more’ or ‘answer questions more enthusiastically’. 

You have no problem telling him these things straight up, and he has no issue hearing it directly from you, either. 

For this week, you detail a few meetings scheduled for tomorrow and Wednesday, along with updates on his costume revisions, to be fitted on Wednesday afternoon, and—

“Deku requested a joint patrol on Thursday morning, so I moved your fitting for the gala to that evening instead. Is that okay with you?” you look up from your tablet, the tip of your pen hovering over the screen. 

In this light, you’re bathed in the colors of sunrise. 

(From where you’re standing, Shouto is backlit by the rising sun. His figure is washed over by a faded shadow, but you can see his eyes clearly, bright turquoise and dark gray staring right at you.

You hold your breath; you are well aware of Shouto’s tendencies to stare, but he’s taking much longer to answer you this time. And you don’t know what to do, where to look. Do you wait until—)

Shouto nods, catching himself lingering. 

You mumble an ‘okay’ before tapping on your tablet. 

The rest of your reminders are about upcoming events and deadlines: there’s the company team building happening in a few weeks, and a few reports due today and tomorrow. Fuyumi moved the family lunch to Saturday to make way for his photoshoot on Sunday. 

He watches you from his desk as you speak, your foot tapping in conjunction with each item you relay to him, as if marking every point. It’s a thing you do, something he’s noticed in the years you’ve worked together. 

Shouto knows his Mondays, and he’s always been relaxed during these earlier parts of it. 

But ever since that check-up with Natsuo, he’s been more… conscious about it lately. It seems to be a consistent trend that every time he’s around you, he feels a significant uptick in his heartbeat. 

Except now, when you speak—

“Will you be bringing a plus-one to the gala this year? The committee is confirming how many seats they’ll reserve for you.” 

—his heart feels like it drops, plummeting straight to his stomach. 

He looks at you intently, a slight crease forming between his brows. 

You go to most of these things with him; you always have, ever since. 

So, why are you even asking? 

He thinks about it, deciding what to say next. The thought of you not going with him feels weird. Unusual. 

If you’re unavailable, he supposes he can just go alone. 

But—

“What should I do then?” Shouto shifts in his seat, peering up at his brother. 

Natsuo’s instinctive reaction is to laugh; after all, it’s not often that you see pro-hero Shouto at a loss on troubleshooting. But when he spots pure and genuine uncertainty swirling in heterochromatic gray and blue, he sees his little brother—Shouto at ages 4, 8, and 12, still a little helpless on what to do.

“Do you want to do something about it?” Natsuo asks gently, squeezing Shouto’s shoulders. 

Shouto doesn’t say anything. 

The lack of response tells him all he needs to know. 

“Maybe figure that out first, then just be honest about it when the time comes. Nothing beats saying it plain and simple.” 

—‘just be honest about it’ echoes in his head, Natsuo’s voice morphing into his own.

“Will you not be available?” he manages to ask flatly, masking his worry. 

(You look up from your tablet and his eyes meet yours, an intensity in his gaze that’s only been directed at you a handful of times before.) 

“Oh,” you fluster a little, shifting your weight, “I will be, but I just thought…”

He can hear you hesitate, voice trailing off as if contemplating your next words. His head dips to coax you to go on. 

“...I just thought, maybe you’d want to bring someone from your family?” you give a small smile, half-genuine, half-uncertain. 

You know Shouto’s family; know their stories and know what each of them are like, individually. 

You know how far they’ve come into healing, seeing Touya through multiple cycles of rehab and relapse. You’ve witnessed his mother’s strength first-hand, watching her rebuild their family with the help of Fuyumi. On the weekends when work wouldn’t let up for Shouto, she’d welcome you to join in family lunches too. 

There were days during Natsuo’s medical internship when he’d go to the office at midnight because the hospital was nearby. It was the only free time he and Shouto had at the time, but Natsuo would ask you to join in, the three of you slurping on cup noodles while Natsuo prattled on about the absurdity of some of his coworkers. 

So, Shouto can fully understand your intentions. After all, he thinks you’ve been instrumental to his family’s healing, too. 

But he has his reasons for never bringing Fuyumi—she usually has school the next day, if not volunteer work at an orphanage. Natsuo has gotten increasingly busier with his practice, and Touya—Touya is still in rehab, and though he’s allowed at home three times a week, Shouto’s sure he’d rather spend it doing things other than being in a room full of pro-heroes. 

“It might be nice to bring your mom,” you add on.

And as for that—

“The gala is this Friday?” he leans forward, the tips of his bangs brushing his eyelids. 

You nod.

“She and Touya are going to the gardens,” he recalls, his mother casually mentioning it the last time he visited. 

You look pleasantly surprised, “Oh,” then your small smile returns, “that’s good to hear.” 

(It must mean a lot to Rei, you think. She’s always wanted to make up for lost time.) 

You don’t say anything else, silence filling the conversation as you hold his gaze.

It isn’t uncommon for Shouto to hold stare-offs, with you especially, but this might just be the first time he feels fully conscious about it—wondering what you’re thinking; if you can read his mind and tell what he’s thinking. 

“Do you not want to join me?” he asks, a small pout forming on his face. 

(The softness of his cheeks sink just a little bit, and his eyes lose some of the luster they typically carry in the morning. 

He looks so sad, you wish you just said yes in the first place. 

How do you even respond to this?) 

“No, n-no–” you stutter, inching forward subconsciously, “–it’s nothing like that.” 

You check your tablet, swiping through your calendar. He can see portions of it from where he’s sitting, your Friday definitely freed up and empty. 

He pushes himself up, standing to full-height. His hands dig into the pockets of his sweatpants as he tilts his head to the side. 

“What seems to be the problem then?” 

(In your years of knowing Shouto, you’ve learned that he never intends to sound harsh even though his words may seem like it. But even though you’re aware that he only means to be curious, you still feel a little embarrassed admitting that you didn’t anticipate the possibility of going to the gala with him this Friday. 

You’ve always been prepared; it’s in your job description to be like this. You should have had a back-up dress just in case. You shouldn’t have shown Shouto your hesitation in the first place.

So, you breathe out, voice level and calm. This is your problem to fix, you don’t have to let him know about it. You’ll find a way, like you always do.) 

“There’s no problem. I’ll add my name to the list then.”

Then you smile, but it’s just a touch uneasy, and if there’s one thing you underestimate about Shouto—for just as much as you know him, he’s gotten to know you pretty well too. 

He pauses. The last thing he would want is for you to feel forced to go.

“If you have other plans, I hope you don’t feel obligated to go. I can go alone.”

His brows furrow, crease deepening and heart still sinking. 

(And you can see it, that little pout on his face staying right where it is. 

You’re endeared, touched by his consideration.

“I don’t have other plans,” you grin, brighter and more at ease, “and I don’t feel forced to go either,” you sigh, hiding a small chuckle. 

A pause. 

You mull it over before deciding to admit why you were hesitant in the first place, “I thought you were going to bring your mom, so I wasn’t able to prepare a dress.”)

Shouto’s eyes widen slightly, mouth opening to express his apologies. 

“But–!” you interrupt, “That’s my fault,” you raise your hand, swaying it side-to-side. “So please don’t worry about it. I’ll take care of it.” 

The smile on your face is meant to reassure him, he knows, but he still feels guilty. 

This Friday’s gala is the Annual Midyear Pro-Hero Awards; it’s grand because it’s important, and the dress code is always black-tie—everything typically made custom. 

He tilts his head slightly, thinking, eyes zeroing in on the small calendar propped up on his desk.

“My suit is being made by Bakugo’s parents, correct?” 

You nod, reiterating, “Your final fitting is on Thursday night.”

His gaze flits to you once again. 

(There’s that look in his eyes you’ve become all too familiar with—a glint of mischief accompanying a sort-of ‘Eureka!’ moment that means he’s thought of something.

The pieces click together, realization dawning upon you, but when you open your mouth to refuse—)

“I can ask them to do yours as well.” Shouto beats you to it. 

It wouldn’t be fair for you to scramble for your outfit last minute simply because he assumed you knew you were going. You shouldn’t be more stressed than you already are. 

“Si– Shouto,” you say firmly, “That’s too much.” 

“I’m sure they won’t mind,” he flashes you a small smile. 

(And you hate to admit it, but he’s right.

The Bakugo’s have known you for as long as you’ve been Shouto’s assistant. They’ve consistently designed his suits for big events like the Pro-Hero Awards, and Mitsuki has always extended their services to you too, knowing full well that you are Shouto’s plus-one most of the time. 

She likes to chat with you during suit pick-ups, with Masaru serving you a cup of tea as you wait for minor tweaks and adjustments to Shouto’s outfits. 

“It would be too last minute,” you resist, feeling bad for the hassle this would impose on them.

“Then I can call them later today.” Shouto reaches for his phone, eagerly typing what you assume is a reminder to call Mitsuki some time later, just as he said he would. 

“You–” your voice hesitates, “you don’t have to do that. I can contact their secretary–”

This is part of your job, after all. 

“It will be much faster if I call them directly.” 

And while he does have a point, you still feel bad, inching closer towards his desk, “It’s okay, you shouldn’t have to concern yourself with this–” 

He gives you a look. 

You stop moving. 

Shouto is stubborn, this much you know. When he looks like this, you’re well aware that there’s no point dissuading him from doing something he’s already set his mind to.)

“It’s only right given that I told you last minute.” 

He tells this to you sincerely; it really is the least he can do. 

Besides—

“…be honest…” the words replay in his head.

—he swallows his truth; lets it sink deep into stomach along with that two-part thump in his chest. 

“I only feel comfortable going to these with you, anyway.” 

(Your mind blanks, coming up with nothing else to say but ‘okay’.) 

.

.

.

Cameras flash as Shouto steps down from his van. 

The building ahead of him is colossal, tall pillars and perfect arches made of raw stone and marble—it feels both ancient and otherworldly, fitting to represent Musutafu in this new age. Ahead of him, the staircase stretches on, steps spanning the width of half a block. Down its center cascades a luscious carpet, thick velvet that further lends to the grandeur of the event. 

Standing at the foot of the staircase, Shouto takes a moment to unbutton his suit jacket, revealing his perfectly fitted waistcoat underneath. 

(You know he isn’t doing it on purpose; it’s hardly ever Shouto’s intention to make people swoon, but you’re positive that that one move alone can make anyone melt on sight—you included.) 

Tonight is the Annual Midyear Pro-Hero Awards, a prestigious event where hero rankings, major announcements, and charity biddings take place. 

(It’s not anything new to the both of you, but Shouto skipped out on the past two, and it’s been years since you joined him on the last one he went to. Being here again after so long makes you feel a little out of practice.

After he scales the flight of stairs ahead, Shouto turns back to you, offering his arm for support as you step down from the vehicle. You hesitate, partly because you don’t know whether it’s acceptable behavior for you to take it, and also because you don’t remember if this was something you did the last time you went to one of these with him.

You can’t think straight—not when he looks as seraphic as he does, face half-illuminated by the lights behind him with the shadows hugging the softness of his cheeks. 

Shouto is beautiful, a fact you’ve known long before you ever even started working with him; but you’re reminded of that fact in moments like this, especially. 

“The steps are tall,” he tells you, shaking you out of your thoughts as you glance back at the staircase behind him. You try not to stare, but the strands that frame his forehead shift from his sudden movement; it scatters into a perfect mess—characteristic of how anything out of place always seems to look on him.

You take his offer.)

His forearm is firm against your palm, the thick fabric of his suit jacket providing cushion for your touch. When he bends it towards his chest, your fingers slip towards the crook of his elbow. 

Scarlet red contrasts the building’s stone white structures, the carpet providing a center stage for all heroes and public figures to parade their outfits. If not for the photographers yelling, “Shouto, right!” and “Shouto, left!”, he would have gone straight inside, barely pausing on the landings between each flight of stairs. 

You stand to the side when he takes them, just as you always do. But between each flash that goes off, Shouto thinks about whether you should join him too; after all, Mitsuki did intend for the dark navy of your dress to match the stone gray of his three-piece suit. 

When you finally arrive at the lobby of the city hall, the two of you are welcomed into a receiving area adorned with crystal chandeliers. The lights bounce off the sharp white edges of the building’s neoclassical interiors, the carpet’s scarlet red returning as a recurring motif in the form of drapes cascading from the high ceilings and down the sides of the room.

By this time, Shouto’s relaxed a bit more, his hand slipping loosely into his front pocket. 

(You don’t realize you’re still holding onto him until you’re midway across the floor.) 

“Hey, you guys!” Kirishima waves over, squeezing himself within a narrow space between the backs of who look like one of the executives of the hero commission and last year’s awarded peace ambassador. 

(You don’t know how he could have possibly fit, the width of him wider than any pro-hero you know, but you chuckle at his timid mumbles of “sorry, excuse me, just passing through.” It reminds you of how he typically approaches you when he asks for favors regarding joint patrols and assignments with Shouto.

He greets you both with his trademark hug, a bone-crushing grip that leaves you a little winded.) 

“I didn’t know the two of you were coming!” 

“It was a last minute decision,” Shouto smiles, small and fond. 

(You look at Shouto intently from beside Kirishima, as if processing what he means. And when his eyes meet yours, you feel caught, shy, averting your gaze quickly.)

Kirishima clears his throat, no doubt noticing the interaction but choosing to focus on something else instead—Shouto’s outfit, a dark navy tie tucked underneath a fitted gray waistcoat; the white collar of his button down peeking through the all stone-gray ensemble. His hair is styled down, bangs curled inwards to form commas that frame his forehead.  

“Looking good, man.” the red head deflects, joining his index finger and thumb to form an ‘O-K’ sign as he nods at Shouto. Then he turns to you, the same genuine smile on his face as he says, “That color really suits you.” 

You smile sheepishly, mumbling, “Thanks.” 

(Kirishima is a sweetheart; you can never doubt that his intentions are pure. But the attention makes you feel a little self-conscious, even more now that—) 

Shouto looks at you then, again, too.

It’s the only time he’s managed to get a real good look at you if he’s being honest; from the incident in the car to the flashing lights up the staircase, there haven’t been many opportunities to fully see what you’re wearing. 

And—

Kirishima’s right. 

The color really does suit you, but so does the design of your dress—a simple cowl neck joining into halter straps; it dips low at the back, this detail of it, he knows. He’s been careful not to touch you there the entire time so far. It doesn’t help that your hair is tied into a low bun, accentuating the vacant space with how the dress hugs you beautifully in all the right places. 

The dark navy satin was a good choice, the perfect vessel for catching ripples of light. 

It’s simple but classic; understated, just like the accessories you’ve chosen are. And it brings out the one thing he thinks carries this look the most—

You. 

He tries to form the words in his head, urging himself to speak up—he wants to give you a compliment of his own. 

But—

“Bakubro!” Kirishima waves overhead, much like he did earlier. 

—maybe he can try again next time. 

You and Kirishima don’t stay long after Bakugo arrives, Ashido coming in to whisk you and the redhead away to the main room. She loops her arm around yours and pulls you towards her, prompting you to give one last glance at Shouto as an expression of your apologies. 

The corner of his lips curl only the slightest bit. 

Bakugo watches. 

“Don’t forget the drinks, Blasty!” Ashido calls over her shoulder, green silk flowing behind her. 

He tuts, grumbling as he heads towards the reception bar, leaving Shouto in the middle of the receiving area, unsure of where to follow. 

“Y’coming or what?” 

Shouto lingers for a few seconds, watching your back disappear into the hall before he decides to walk after Bakugo.  

The lobby begins to quiet down as people flood into the main event area, a large hall adorned with the same scarlet red drapes and crystal chandeliers. The table arrangements have been pre-selected and arranged, you and the others most likely finding your seats inside. 

“Old hag told me you’re dating.” 

Bakugo speaks, his back still turned to Shouto. 

The bar in front of them offers a generous selection of drinks, all ranging from different wines to cocktails and liquor shots. It isn’t a surprise that Bakugo knows all of his friends’ chosen drinks, down to each specificity—it’s how he shows that he cares. Shouto’s come to learn that over the years. 

Their friendship has settled into its own dynamic as Bakugo’s mellowed down. Shouto will ask a question here and there, and Bakugo will look at him like he’s the dumbest fuck on the planet, but still answer anyway. 

It works, as evidenced by right now. 

Shouto stops right beside Bakugo, leaning against the countertop as he hums, confused, “Who?” 

Bakugo sighs, sliding Shouto his gin and tonic, “Mom.” Then he rolls his eyes, gesturing towards the door of the main room, “She told me you two are finally dating.”

Shouto pauses mid-sip. 

When he recalls the conversation he had with Mitsuki, it went a lot more like:

“Can a dress be made for my assistant as well?” he speaks into the line, “I will be bringing them to the gala.” 

He doesn’t think he insinuated anything. 

But now that he replays it in his head, it’s no wonder Mitsuki’s enthusiastic reply sounded so eager. 

Bakugo snorts, smirking as if his suspicion was just proven right, “Knew that lady was hearin’ shit.” 

The bartender serves up another drink, Ashido’s raspberry daiquiri being placed right in front of the blond before he moves on to mix another one. Clacking ice fills in the silence, the drink coming together inside the shaker. 

Shouto stares at his drink and watches as little bubbles form on the slice of lime submerged in it. 

“Are you at least thinkin’ about it?” the blond faces Shouto, leaning his forearm against the counter. 

Shouto furrows his brows, a single thought running through his mind.

“How did you know?” 

Bakugo stares, deep vermillion as he speaks, deadpan, “You can’t be serious.” 

Shouto stares right back. 

Another drink is served, Kaminari’s mixed drink of vodka, lime, and lemonade.

The stare-off persists for a few seconds, a series of blinks emphasizing Shouto’s cluelessness to the whole ordeal. Because—why does it feel like everyone knows? Did he mention it without knowing? Or is it really just that obvious?

Bakugo sighs, mentally facepalming as he turns back to watch the bartender shake another drink, “Whatever. S’none of my business.” He leans onto the counter, elbows resting on the steeltop. 

Shouto isn’t sure what else to say. He knows that Bakugo is observant, that his friend has always had a keen sense of awareness for the things going on around him; it just never crossed his mind that that would include his interactions with you.

The blond slides over Ashido’s drink, prompting Shouto to hold the flute of the glass between his fingers, “Just don’t be a fuckin’ dumbass about it. Gotta be dense as hell if you think the way you’re treated is part of the job description.”

The bartender serves up the final drink: Sero’s whiskey on the rocks. Bakugo takes it along with Kaminari’s and starts walking back to the main room, Shouto following right behind him. 

He thinks about it. 

A thump. 

Because right before they both enter the hall, Shouto spots you, further back at the right side of the room as you laugh at something Yaoyorozu must have said. 

He blinks, wondering if the soft glow around you is from the haziness of his eyes. 

“If y’don’t do shit first, some other loser will,” Bakugo mumbles, just within ear-shot before he walks ahead to where Kirishima and the others are seated. 

Shouto makes a mental note to drop off Ashido’s drink before heading over to you. 

.

.

.

You and Shouto leave the gala early.

A message from the police station came in the middle of the event: a request to bump up a few reports for submission tomorrow.

You’d mentioned to Shouto that he could stay, especially since he’d be needed to accept awards that you were sure he’d be the recipient of—among them being one of the top performing agencies of the year, a big chunk of it based on the high turnover rate of timely reports. But he insisted that someone else could represent him instead; he’s certain Midoriya wouldn’t mind. 

If you were going back to the agency to work, so was he. 

The night shift at the agency is minimally staffed, with most sidekicks and pro-heroes out on patrol. Regular employees have clocked out by this time, and it seems that the only ones left in the building are the emergency unit and the two of you. 

You’ve split the work between you two: Shouto tasked to fill in the second pages, where the scene-by-scene breakdown and additional comments can be found, and you, in charge of summarizing those details along with all basic information onto the first pages. 

It feels nostalgic, watching you flip through the papers laid out on the coffee table of his lounging area at a quarter past midnight. Back then, he had just hired you, and the only other employees in the agency were his gear tech and PR manager. There was no way the volume of workload could be managed without spending late nights organizing investigations and reports on the floor of that rented studio unit. 

Now, you sit by the coffee table in his lounging area, one you helped decorate. The books atop it have been pushed to the side to give you ample workspace, but even those remind him of how much consideration you’ve put into helping him build his space. 

Bakugo’s words linger when he thinks about it—how the books you’ve chosen remind him of his family. There’s one on the language of flowers that his mother would love, and a cookbook that he’s sure Fuyumi’s used (some corners are folded, with her handwriting scrawled on every other page). On another stack lie a few comic books he remembers Touya and Natsuo reading when they were younger (that he’s pretty sure he’s seen them flip through during their visits to his office over the years).  

And along with all the books sits a family photo taken years ago, framed and taken by you during one of their annual trips to their family beach house a few hours away from the city. 

It begins to sink in. 

A thump.

He folds the sleeves of his button down to his elbows, his gray suit jacket long since draped over the back of his leather chair. You’ve changed out of your heels too, opting instead for the soft slippers you keep under your desk. 

It’s cute, he thinks, the formality of your entire get-up toned down by a pair of fluffy yellow slippers. 

When he glances at you again, he finds you hunched over yourself on the sofa of his lounging area, an arm wrapped around yourself as if to contain whatever warmth you have left. 

He furrows his brows. 

“Are you cold?” his voice booms through the stillness of his office, jostling you out of focus. You whip your head up to look at him, shaking it immediately as if on autopilot. 

(He pouts, then, a small downturn of his lips that you find adorable, more than anything.) 

“I’m okay,” you smile, but he can see the slight twitching of your lip; the goosebumps dotting down your trembling arms. 

You always seem to be doing things like this with him. 

He pushes himself away from his desk, the wheels of his chair rolling against the stone floor. 

You never express your discomfort in any situation you’re put in, and you diligently work and endure all conditions to get the job done. He always extends his help, but you often decline, and—

“You have to be dense as hell if you think the way you’re treated is part of the job description.”

—Shouto is beginning to realize that the way you treat him really is so much more than that. 

You’ve laid the groundwork of the operations in his agency and you always smooth talk your way to getting him out of schedules he mistakenly forgets to show up to (typically with good reason, though). You cover all the areas he misses—this entire building would not be how it looks and functions without your help overseeing its construction. 

You’re organized and driven, eager and compassionate, and you care, above all else. 

The flowers you leave on his desk are never needed, but you always insist on them to keep his space alive. You fix all his clumsy papercuts, even though he never asks you to; he’s dealt with much, much worse, yet it’s only a split-second after you spot it that the tingling of your quirk works its way to mend his split skin. 

It’s just like what happened in the car earlier tonight, a few minutes away from reaching the city hall. Shouto had accidentally cut himself with the invitation to the gala, and though he insisted that it was okay, it was right on his eyelid—a miracle it even missed his eyeball in the first place, you’d commented. 

You managed to convince him then, saying, “It’s going to sting every time you blink.” —which was true; it did sting every time he blinked. 

That care extends to the people in his life too. His mom loves to go to the weekend market with you, and Fuyumi can always count on you to help her cook when she needs an extra hand. You keep up with Natsuo’s jokes and Touya talks to you, long enough conversations that allow him to be himself. 

You care, and you insist upon your care especially when you know he needs it but would never ask for it. 

It’s only fair, then, that it’s time he does the same for you. 

He removes the suit jacket draped over the back of his chair, the movement drawing your attention. 

(Your eyes widen as he approaches you. You feel shy, a little flustered as you raise your hands up to reassure him that you don’t need it.) 

“Your arms are shivering.” he points out, holding up the thick fabric. 

You crane your neck up to look at him, just a few steps away from reach. 

(You can’t deny the facts.)

From above, he only sees skin—the plunging dip of your exposed back, the small hairs standing along your arms. He tries his best to look into your eyes only, but—

“At least let me place this over you.” 

(And you know you can’t deny Shouto, either.) 

—when you concede and let him, he steps closer and bends just a little bit, his full height too tall to be able to place it on you properly. His arms circle around you, carefully resting the thick wool around your neck and onto your shoulders. 

He bends lower to adjust the sleeves, making sure that your arms are fully covered. You’re so still, and so close, the tips of his ears nearly touching the highest points of your cheeks. 

(It’s just like the gala—)

It’s just like the car—

(—with Shouto helping you navigate through the crowd of people exiting the event as early as you both did. His presence was a steady heat against your back, near and warm but barely touching.)

—with your face almost nose-to-nose with his; apart from the gentle touch of your fingertip against his eyelid, Shouto can only remember feeling that, along with the traitorous thump of his heartbeat. 

It’s a good thing that he had his eyes closed then; he wouldn’t have known how to react at the proximity. 

But now, he can see you so clearly, your low bun kept in place by bobby pins the same color of your hair; there’s glitter on the inner corners of your eyes, some of it falling to dot the corners of your nose. 

This has to be more than just a crush if he’s feeling this intensely.  

Your eyes meet for a brief moment, then it’s two blinks before you look away, clearing your throat as you glance at him again, a little bashful, “Thank you.” 

Shouto nods, taking one step back. 

“The estate we booked for the company outing offered to host a visit for you next weekend.” you speak before he fully returns to his seat, shifting in your seat, “I checked your schedule and there’s nothing set for that day yet.” His suit jacket dwarfs you, the deep navy silk becoming an accent the further you sink into it, “Maybe you’d like to go with your mom?”

You suggest it to him again. Because you know and you care. 

He taps his foot, looking out into the city, “That would be nice.” Then he turns back to you, strands of his bangs falling to dust his forehead as he puts his hands inside his pockets, “You’ll be coming too, then?” 

(There are things you don’t allow your heart to feel in moments like this—hope being one of them. Shouto looks dangerously attractive in a suit, and it’s been difficult to keep your feelings at bay the entire night. He speaks honestly, rarely with double meaning, so when he speaks to you like this, you try not to think too much of it. 

“Yes,” you agree, thinking that he must want you to scope out the venue for the company outing activities, “is there anything in particular that you want me to check out for the team building?”)

Shouto tilts his head. 

“Not for work,” he clarifies, staring straight into your eyes. “Just to spend the day with us.” 

He expects your reaction already, your eyes widening and your hands raising to wave off a ‘there’s no need.’ But, he finds that there’s no reason for you to be shy, already beating you to the final say.

“Mom would want you there,” he mentions, because it’s true. She’d look for you. 

And if he’s being completely honest with himself, with how he’s been feeling around you lately—he would too. 

II. IF I SPEAK

The Todoroki family home comes alive on the weekends. 

Since Touya’s return, his mom has moved into a smaller, more modern place to stay. The walls of its exteriors are painted a warm off-white, its features complemented by light wood and bluish-gray accents. At the back exists a garden large enough for a few small trees and her growing flower collection—a complete flip from their larger and darker old home. 

The tall windows stream sunlight into the living space, each corner of the house doused in its comfort. Opting for a smaller home was a conscious choice—everything would be within reach, and so would the people in it. 

On the days that Touya is allowed to stay home from rehab, he lives here, sometimes with Fuyumi, but always with Rei. 

“Food is ready!” Fuyumi calls from the kitchen, prompting Touya and Natsuo to look over from the couch. Shouto is just about to finish setting the table when Rei brings out a piping hot pot of soup, Fuyumi in tow with a whole plate of tonkotsu. 

Natsuo heads inside the kitchen for anything else that might need carrying, and Touya opens the fridge to take out the iced tea he helped make last night.

It’s taken some time to get here—with Touya willingly doing anything with his family. Getting used to living with people he thought abandoned him for a decade is hard; learning to become a family has been even harder. 

But Touya has always lived in a special corner of his mother’s heart—never forgotten and always considered. Shouto thinks it’s the same case for all of them; that’s how it’s managed to work. 

Touya takes his seat beside Shouto, pouring himself a glass of iced tea while waiting for the rest of their family. 

“Played any golf lately?” Touya eyes Shouto from the side.  

Shouto shakes his head, staring at his palms; calluses used to line the base of his fingers, “Work at the agency has gotten busy.” 

Taking up golf has been part of Touya’s rehabilitation program for the past few months, a recommendation to aid in improving focus while keeping himself calm. And though there was much resistance at first, Touya’s grown fond enough of the sport to play it on his own; it’s made all the difference, Shouto’s noticed, his brother’s overall disposition a lot less angry—

“Looks like I’m going to beat your ass next week,” Touya smirks, cracking his wrists. 

—but still equally as snarky.

Shouto doesn’t normally care about competition; the only person he really has to beat is himself. But he and Touya are alike in many ways, with eyes as sharp as their father’s but their faces holding the same innocence as their mother’s. They are both lit up by fires—one forced to blaze and the other forced to dim. There is a bluntness Shouto shares with Touya that no one else in the family can argue with.

“Being too confident can jinx it for you on the fairway,” Shouto replies, turning to his brother with his signature blank gaze. 

Natsuo laughs as he settles into his seat beside Touya, watching as his older brother’s smirk quickly dissolves into a frown. 

“Little shit,” Touya mumbles, taking a sip from his drink. 

The corners of Shouto’s lips curl up slightly. 

Rei and Fuyumi join the table last, bringing out a steaming pot of rice and a few side dishes to complement the rest of the meal. 

These family lunches keep them connected. 

Fuyumi believes that no matter how busy they are, having this time to gather together and share details on each other’s lives is important.

“Sorry I can’t join you and these two next weekend, mom,” Natsuo starts, slicing through his tonkotsu as he points an elbow towards his brothers, “The hospital has a medical mission out of town.” 

Rei simply smiles, waving her hand, “No need to apologize. I’m so proud of you, Natsuo.” 

“Will you be free, Fuyumi?” she turns next to her, placing a hand on Fuyumi’s lap. 

Fuyumi swallows her food, smiling apologetically, “Sorry, mom, the school’s hosting a kiddie pool party for the first day of summer.”  

Rei pats her lap reassuringly, smiling again as she says, “It’s no problem, I’m glad the kids are having fun under your care.” 

“It’ll just be the three of us, then.” Rei looks at her two boys across from her—her eldest and her youngest. 

Touya blows at his bowl, puffs of steam dissipating into the air. For as hot as Touya’s flames can get, he dislikes anything too hot to eat—a preference of his that Rei’s taken note of as she reaches across the table to cool down his bowl ever so slightly. 

“Thanks,” Touya mumbles, still hesitant to call her ‘mom’ when it’s face-to-face. 

“I heard the estate has a greenhouse,” Shouto mentions, Rei instantly perking up at the information, “You can take a look at the plants there, mom.” 

“That sounds lovely, Shouto,” she smiles; this time, it reaches her eyes, “We can take photos in your handsome outfits too.” 

Touya scrunches his nose as Shouto nods. As per the invitation, the estate prepared a whole day’s worth of activities—a game of golf in the morning, brunch by the gardens, and a simple wine tasting to cap off the afternoon. 

Lunch continues with Fuyumi sharing more about the kids she’s handling this year, and Natsuo retelling interactions of the most obnoxious patients he’s had yet. 

They laugh, a little more like a family—Shouto chuckling as Touya gives a snarky comment or two. Fuyumi laughs, full-bodied, and Rei giggles, softly, her hand coming up to cover her mouth. 

“How are your flowers, mom?” Shouto asks after they settle down, remembering that you helped her pick out which ones to plant last time. 

“The morning glories are going to be blooming soon,” Rei replies, her smile fond and proud. Since being released from the hospital years ago, she’s taken to planting and flower arranging, oftentimes asking you to help her choose which ones to use. 

“Really?” Fuyumi turns her head, gasping as she catches a glance from the window across the room, “They look good, mom! Can I have some when they bloom?” 

Rei nods, turning to her youngest, “You can get some too, Shouto.” 

For you, she adds.

Natsuo eyes him from the side as he freezes, Rei suggesting some more, “You can place it in a vase. It’s not fair, you always receive flowers for your desk.” 

Shouto nods, a small ‘okay’ because he doesn’t really know how else to respond without giving his feelings away. 

Touya observes Shouto’s expressions, his eyes twinkling in sinister aquamarine.

“Speaking of,” he shifts in his seat, crossing his legs to face Shouto, “s’your hot assistant coming?” 

Something twists in Shouto’s face, his brows furrowing slightly. 

Touya knows just how to get on Shouto’s nerves.

(What stares back at him is a deadly shade of gray and blue. 

Touya does this pretty often: provoking just for fun. 

Shouto stares at almost everyone he interacts with; it’s unnerving and uncomfortable for people who aren’t used to it, but Touya’s noticed that his little brother stares at you for far longer than he needs to. 

And though he’s missed a big chunk of how Shouto grew up, he likes to think he reads him pretty well now—how he acts around you, especially.

At his core, Shouto believes in carving his own path, choosing to fix wrongs and better himself for the now. Touya knows these things, knows where a person is weakest, just like he’s been taught—just like he’s been made aware of his entire life. Yet, for how independent Shouto’s become, he still chooses to lean on you; turns to you for thoughts and opinions,  considering you in everything. 

Touya has met you a few times; the whole family has. During the worst of his relapse, you were the only person apart from family who was trusted to accompany him in and out of rehab. You picked him up and dropped him off, often joining Rei and Fuyumi on visits when Shouto would be too busy. 

To him, you’re an extension of Shouto at this point—an olive branch that’s been just as instrumental in healing this family and the people in it. 

It’s never in the big things, but those few minutes of small talk you attempt with him in the car ride home help loosen his tongue, training a muscle that with time, has helped him open up more. 

Touya doesn’t care much for people; he’s still just beginning to learn to love his family again, but he thinks you fit in well, because you and Natsuo have the same god-awful humor, and Fuyumi only trusts you to help out in the kitchen. His mom likes having you around, and you never stick your neck in too deep in other people’s shit when they aren’t ready for it—especially his. You never nag Shouto, but you stand firm on the things you disagree with, because as far as Touya can see, you care, far deeper than your job requires you to. 

In all ways, you are the stability and calm authenticity that Shouto needs after growing up in such a tumultuous family.

So, Touya likes to stir the pot a little. Or a lot. Maybe.

Just for fun.)

Shouto continues to stare, his frown deepening. His jaw clenches, tension throbbing in his temples.

“Don’t say it like that,” he mutters, low and firm.

He feels like a kid again; like this would be a conversation they’d be having if things were normal and Touya had been around when Shouto turned 15, teasing him about a crush he might have, like older brothers do. 

Natsuo and Fuyumi have always felt like his protectors, siblings forced to be parents by circumstance; but Touya feels like his brother, the one he can fight and steal food from; the one who holds a toy up above head where Shouto can’t reach—even though he’s much, much taller than his older brother now. 

Touya scoffs, smirking, “Just saying what you think, little brother.”

.

.

.

All Shouto hears is a thump. 

A succession of them, in a steady three-part beat. 

The golf ball in front of him sits on an even plot of vibrant green, its dents and grooves emphasized by the sunlight of the early morning—there’s pressure, a thump; he needs to beat Touya in this hole to tie overall. Another thump; you’re watching him play. 

He analyzes all conditions, feels the heat on his back seep through the fabric of his white golf shirt. He breathes in and prepares to swing. 

Today is the visit to the estate. 

The agenda starts with an early game of golf, followed by brunch at the gardens and wine tasting in the early to late afternoon. It’s a beautiful day, and Shouto should be focusing on winning this game, but it’s distracting when you’re all he’s really thought about since the start of this round. 

—you, in your perfectly fitted white golf shirt and its complementary skirt; you, sitting with his mom at the back of the golf cart, smiling and laughing as if you aren’t the slightest bit aware of how much you brighten a space when you look like that. You, with your head whipping right in his direction when you hear the loud ‘swauck!’ that the impact of his club makes with the ball—your eyes excited and hopeful. 

Shouto misses the hole, and Touya snickers from the side. 

The thumbs up you give him is a soothing balm to his miss.

Shouto readjusts his cap as they walk closer to the hole, tucking in the strands of hair clinging to his forehead. He glances back at you and lingers, interrupted only by—

“Pretty thing, your assistant,” Touya teases, nudging his head towards your direction, “Cute skirt and all.” 

“Stop.” Shouto stares, impassive and unamused. His eyebrow twitches before he turns, walking away. 

From afar, he can hear Touya’s chuckle, breathy from the movement of fixing his arm sleeve. Shouto only pays attention to preparing his putter.  

He knows this is just how his older brother is. 

Since the start of this round, Touya’s managed to lead by a few strokes, with Shouto falling behind in every hole. It’s frustrating and annoying, aggravated even more by Touya’s teasing and the fact that Shouto has played the sport for far longer than Touya has.

It doesn’t help that he ends up missing again, with Touya managing to make the put afterwards. 

Shouto sighs, clenching his jaw. 

“You know,” Touya eyes him as they walk to the next hole, “staring’s not gonna get you anywhere.” 

“I’m not staring,” Shouto retorts immediately. The expanse of greenery ahead of him is taunting, an endless plot of land that feels like it’s watching.  

Touya scoffs, “Sure.” 

The golf course in the estate is landscaped with luscious trees, vibrant in the brightness of summer. Flowers bloom along the perimeter, yellows and reds carving out this specific section of the estate. You and his mom follow closely behind, riding the cart at a slow and steady pace. 

Just a few meters down, the little red flag for the next hole comes into view, moving with the breeze. 

“If you don’t plan on acting on it, you should let me know.” Touya mentions it a little too casually. 

Another thump. 

It’s a joke. Obviously. Something only meant to rile him up—it’s how Touya is. 

But it still makes him feel just a tad bit uneasy; it makes him feel a little bit like it did when they were kids. 

Before Touya disappeared, they used to sneak into the garden on winter nights. Shouto must have been no older than five and learning how to manage his quirk properly. 

They used to play a game: The Twigfire Race, Touya called it—a competition on who can form the longest and fastest fire trail using a bunch of twigs. 

Touya would always win, his long legs and lanky arms gathering more sticks than Shouto ever could at that age. His flames burned a deep azure blue, eating through the twigs much faster than Shouto’s flames did. Then, he’d press onto the pads of his burnt fingertips, teasing Shouto in some twisted attempt at motivating his little brother to do better. 

Touya would always win, but not without getting a word in. Not without leaving Shouto with a lesson or two about it. 

“I said, stop.” Shouto warns him, voice stern as he turns slightly to catch his brother's eyes. 

“Damn. You don’t have to tell me if you don’t want to,” Touya raises a hand in mock surrender, smirking, “I can just do it without asking you.” 

Shouto stops walking, fists clenched tightly around his golf club. 

“That’s not funny.” 

“Oh, I’m not joking,” Touya taunts, holding back his laugh.

The stare Shouto gives him turns icy, glare intensifying as he inches closer towards his big brother. Touya doesn’t move, the stare-off lasting long enough for you to notice the confrontation. 

From his periphery, Shouto can see you looking at them in confusion. 

“Or am I?” Touya snickers right before he turns away, walking straight towards the next hole. 

Shouto watches him walk away, each thump matching the footsteps his brother makes. To the side, the cart slows to a halt and you get off, standing up as if to gain a better view of what just happened. 

You lock eyes with Shouto and he musters a small smile, raising a hand as if to say ‘everything’s fine.’ 

“Losers lose ‘cause they don’t get shit done, Shouto!” Touya calls from a few steps ahead. 

Shouto stares at his brother’s back; it’s just how Touya used to say when they were kids—

“You just have to go for it!” 

He takes a step. 

.

.

.

Touya wins the round, with Shouto losing by only a few strokes. 

Rei hugs them both, Touya’s slight reluctance evident in the way his arms stay glued to his side as she wraps hers around the both of them. 

Shouto brings one hand up, resting it against her back; from his line of sight, he spots you smiling fondly, giving him another thumbs up when your eyes meet. 

.

.

.

The estate’s staff escorts everyone to their respective rooms, allowing some time to change into clothes more suited for the late morning brunch. 

When Shouto and Touya finish, they make their way to the greenhouse, a glass dome teeming with life. It’s art in bloom—chrysanthemums, hydrangeas, sunflowers, and camellias all in varying colors of pink, red, purple, and yellow. Under a small bridge is a pond, alive with koi fish swimming underneath pads of water lilies, and right up above, where the sunlight streams in, are baskets of japanese roses, hanging in bright, fuschia clusters. 

He walks atop the bridge, hands stuffed inside his linen pants—a pair that matches the linen shirt you gifted him birthdays ago. What surrounds him is beautiful; perhaps the most heavenly place he’s been to. 

A morning of golf under the sun, nature in florescence. A (relatively) peaceful morning. 

And you—

The moment Shouto spots you, the scenery on your backdrop fades into muddled hues. You and Rei enter the greenhouse side-by-side, with his mother wearing an all-white ensemble: a cardigan with a long, flowy skirt. 

And you—

—you walk in wearing a pale yellow sundress, its hem hitting just above your knees. There are dainty flowers dotted all over it, but nothing too loud; the straps sink into a v-neck with bust details, flowing down into an a-line skirt. It’s perfectly understated, only emphasizing the focus on how radiant you look in it. 

He can’t stop staring. 

Touya snorts as he passes him. 

This day, this sight, is going to stay in his memory for a long, long while, he thinks. 

From up ahead, he can hear his mom call for Touya, dragging him around to ask which blooms would look best for the garden at home. And when he snaps out of the daze you’ve put him in, you appear right beside him, asking if he’s okay. 

“Yes,” he answers promptly, unsure of what to say next. His eyes flit to the baskets of japanese roses hanging above you, then to the view peeking from outside. “Do you want to look around before we eat?”

You nod. 

The depth of the greenhouse is deceiving upon first glance, with Touya and Rei now out of sight as you explore the area. You walk close enough to be side-by-side but still stay a step behind like you typically do, pausing every now and then to take pictures of the flowers around you. 

“You seem more relaxed,” he points out, pushing up the sleeves of his button-up. 

You turn to him from the chrysanthemums you’re snapping, a little flustered at his comment. 

(And at him, mostly. You don’t know how anyone can look this good in a simple linen set. Nature favors Todoroki Shouto, and it shows in moments like now, with sunlight hitting his face at just the right angle that it paints stardust on the tips of his eyelashes.) 

“It’s good,” he quickly follows-up, fluffing through his bangs, “I did mention this wasn’t for work.” 

(You feel warm at the reminder.

“It’s nice to see you with some down time too,” you return the sentiment, uncomfortable with the attention on you.

Your fingers fiddle with the hem of your dress.)

“Did something happen earlier?” you put your phone down, continuing to walk. “At the course. Things looked pretty tense.” 

Shouto hums, considers his next words. He takes a few more steps before answering, “Touya is a dick.” 

A laugh escapes you, and you cover your mouth quickly as you mumble an apology. Shouto knows it’s because it’s completely out of character for him to be so vulgar and insulting when it comes to his siblings.

“Was he sabotaging you?” 

“...Something like that.” he responds. 

“That’s okay,” you scrunch your nose, peering up at him, “You haven’t had much time to play lately.” 

And Shouto wonders if he’s just that easy to console, or if it’s a specific comfort that only comes from you. You make it so easy for him to feel better about all the little and big things—whether it’s news articles headlining him as a PR nightmare, or near-losses on missions gone wrong. 

Not a lot of things get to Shouto, but when they do, you somehow always know how to handle it. 

You continue to stroll around the greenhouse, looking closely at the steel bars holding up the glass arches. From a few steps ahead, Shouto can hear your mumbles—something about measurements and the logistics of turning the rooftop of the agency into a smaller version of this greenhouse.  

“You and mom looked like you were enjoying yourselves earlier,” he mentions offhandedly, hands clasped around his back. 

It’s something he’s noticed for a while—his mother seems to relax more around you, laughing and smiling in most of your conversations. He gets it; you have that effect on everyone around you, the warmth you exude a welcome invitation to be opened up to. 

(You eye him from the side knowingly; Todoroki Shouto is nothing but a closet snoop.) 

“We were talking about plant stuff,” you smile, “and how she’s happy you and Touya finally got to play together. You should’ve seen how red her hands were from clapping for the both of you.” 

He chuckles softly, matching your steps in comfortable silence. 

It’s at a different section of the greenhouse that he pauses, giving you time to admire the shrubs of hydrangeas blooming around you.

Touya’s words come back to him. 

He wonders if he should say it, if he should ask—

“Don’t move,” you tell him, raising your phone to eye-level.

Shouto stares at you, hands in his pockets as he watches you tap on your phone.

“Look to the side,” you instruct him again, and he follows, albeit a little confused. 

When he turns to face you again, the smile on your face is beaming, glowing as you turn your phone to show him the photos you managed to take. 

“The lighting was nice. See!” 

And when you point to the way sunlight streaks highlights onto the redness of his hair, down to the slope of his nose and the width of shoulders, he can’t help but agree. 

Now, he wonders—

“Do you want a photo with the flowers?” Shouto asks, because it makes no sense that you deem him worthy to be pictured in perfect lighting when there’s you, looking like you do—the walking subject to the backdrop of greenery behind you. 

Your eyes widen, a stuttered “O-Oh,” falling from your lips. You tug at your skirt again, fiddling with the soft fabric until your eyes nervously meet his. “I don’t really need—”

“The lighting is nice here, too.”

“Oh,” you respond, a hint of diffidence as you flash a small, hesitant smile, “Okay.” 

As Shouto angles himself to take your photo, he notices you turn restless, the smile on your face never quite reaching your eyes and your fingers constantly twirling the fabric of your dress. 

He puts down his phone, tilting his head. 

“Are insects biting you?”

(Your brows shoot up, embarrassed by how he’s noticed. 

You shake your head in response, providing no other explanation besides “Sorry.” 

He continues to stare, as if waiting for you to continue. You know there’s no point hiding the real reason you feel so nervous when he’s already noticed this much.  

“I think I might be underdressed,” you admit, smiling sheepishly as you clasp your fingers in front of you, “This entire place is gorgeous.”

The estate screams high-class; apart from the golf course and the greenhouse, the area also boasts its own private lake glistening across a large green field. It feels a little too good to be true—a paradise you find yourself out of place in. 

But—)

Shouto looks at you, really looks at you—at the way your dress hits right above your knees at the perfect length, at how your collarbones peek through its dainty v-neck cut. Its pale yellow makes you look like summer, radiating in light, and he thinks he hasn’t seen anything more beautiful, really; anything more fitting—for this occasion, for this venue, for this day. 

For you. 

The words have been lodged at his throat since he first saw you step in, and now they’re being pushed out, coaxed slowly by the honesty beating thunderously in his chest. 

He thinks about his mom, how she speaks of beauty whenever and wherever she finds it, with nothing stopping her speech and—

There’s a hum, a thoughtful vibration priming his throat as he continues to stare. 

“I think you’re dressed just right,” is what he manages to get out. 

A thump. 

It’s more than that, though, he knows. 

If this is his chance, if this is ‘next time’ from his attempt at the gala—

He blinks, and you only get prettier. 

“You look beautiful.” he confesses, the sentence overflowing with honesty.

(And when he says your name unlike any way he’s said it before, you feel your chest expand, terrified that it might explode.

Shouto is blunt and honest to a fault; and that honesty, you’ve realized, also happens to be his most cunning trait—a quality that's endeared you over the years now rendering you into a stuttering, fumbling mess like never before. 

“T-Thank you.” you straighten your dress, “You—”)

Shouto’s phone vibrates in his palm, a call from Touya breaking him out of your conversation. He bows his head slightly to excuse himself and you nod in acknowledgment. 

“Brunch is served,” he relays, pocketing his phone soon after he hangs up.

(Then, with his hand inside his pocket, he bends his arm deeper, creating a wider loop as if to offer it for you to hang onto—the same way he did during the gala.

And just like you did then, you take it.)

.

.

.

Brunch was served at the estate’s main patio, a circular table made of light wood adorned with dainty white tableware and muted green linen. In the middle was a centerpiece, an assortment of fresh flowers from the greenhouse coming together for a pop of color against the main neutral color scheme. 

The food was divine, a lovely selection of seasonal salads and warm breads, along with eggs cooked in every way possible. Newly harvested fruits were served before and after the meal, a kind of appetizer-dessert to complement the main piece—a large slab of freshly caught salmon. 

Now, you all gather on the second floor of the estate’s main building, right at the balcony overlooking the greenhouse and the field—a perfect view for wine tasting.

Shouto doesn’t care much for alcohol, all technicalities going past his head as the sommelier explains notes and wine pairings.

He can’t taste much of the difference, if he’s being honest. 

In the sommelier’s hand is a bottle of red wine; he describes all of the technical parts of it before finishing off with the fact that it’s ‘beautifully balanced’, something that causes Touya to snort at the side. 

Shouto looks, raising an eyebrow curiously. 

Touya leans in closer to his little brother, swirling the wine in his glass as he lowers his voice mockingly, “‘You look beautiful’.”

The expression on Shouto’s face remains unreadable, his brain processing the fact that his brother must have overheard his conversation with you earlier. It’s while Touya begins to gulp down his glass that Shouto steps on his foot—a sharp pressure stomped onto freshly cleaned loafers. 

“Fuckin–” Touya hisses, cursing under his breath as he pulls his foot away. 

The edges of Shouto’s lips curl up as he turns back to his glass of wine, watching from across the table as his mom smiles fondly at something you must have said. 

(You still feel flustered, a little fuzzy. You’re unsure whether the heat emanating off your cheeks is from the wine or the lingering echoes of his compliment earlier.

From across the table, you lock eyes with Shouto, gray and blue sitting strikingly atop flushed cheeks. You look away quickly—a knee-jerk reaction of bashfulness. He doesn’t hold his liquor well, a fact you’ve known for many, many years, so you can’t tell for sure whether he’s turned red from the wine, or from the same thing you’re feeling, too.)

III. LET ME TELL YOU (HONESTLY)

“If y’don’t do shit first, some other loser will.”

“Losers lose ‘cause they don’t get shit done…”

“...just be honest about it when the time comes.”

The streets are calm at this time of night, with cars occasionally passing by and the chimes of shop doors tinkling as they open and shut. Not a lot of people stay up late in this part of the neighborhood, but Shouto still hears them—all the jumbled voices of Bakugo and his brothers merging in his mind. 

He steps onto concrete, footfalls muffled by the cushion of his boots—a new update on his costume, one you suggested after a stealth mission mishap caused by the drag of his heel. 

Tonight is his scheduled patrol—a route he knows like the back of his hand, memorized from the many years he’s been assigned to it. The streetlamps ahead cast a dim glow down the road; an atmosphere he would otherwise find unsettling if not for the fact that it’s provided him odd comfort in times he’s needed it the most. 

Tonight, his mind ruminates on you. 

Lately, his interactions with you have been… different—shy glances and awkward slip-ups; the intentional way he’s been expressing himself more around you. 

He can’t tell what you think of it yet. 

Yet, you still sit with him in comfortable silence on the nights that you both work late, and you still bring in fresh flowers for his desk every few days. He’s sure that when he gets back to the agency after his shift, you’ll still be there, claiming to finish a report when you both know it’s just an excuse to make sure that he finished patrol safely.

You still care for him in the same way. 

And now that he’s thinking more about it, maybe it’s been those little things all along—the same way you’ve been treating him all these years shifting into something deeper and more significant, beating its way out of his chest. 

You know Shouto better than anyone—so much so that his family asks you for lists of gift ideas because they don’t have the slightest clue what else to get him. He’s found himself seeking your opinion on things more and more over the years, and if he’s being honest, a big chunk of his decisions are now partly influenced by what you think of them first. 

Across the street, a couple sways to the beat of the jazz bar they step out of, their hands intertwined and smiles giddy with adoration and love. He looks away quickly before they catch him staring. 

There are things Shouto’s discovered that he likes seeing you do—like how you shift your feet when you feel flustered at something he says, or when you tap your index finger against whatever surface it’s on when you’re deep in thought. Your eyes widen when he says things you don’t expect him to, and something about that intrigues him.

He thinks you look cute. 

He wonders if you know that about yourself; and if you don’t, a part of him is saying that he should be the one to tell you.  

.

.

.

You and Shouto attend only one day of teambuilding. 

The company trip spans an entire two weeks, with each department coming in a few days at a time. You both would stay if you could, but Shouto’s schedule doesn’t allow him to be gone for more than a day.

It’s always been unspoken: wherever Shouto goes, you go too. 

This day of the teambuilding is assigned for the managers and those under Shouto’s direct reporting team. 

The estate is still as beautiful as the last time you both visited, summer shining atop the glistening surface of the lake across the green field. Company trips aren’t typically this grand, but this is also the first time in years that Shouto’s had free time to drop by. 

(It’s a bit funny, you think, watching him struggle to reach the finish line in a three-legged race paired with his finance director. Shouto is typically awkward in most team activities, but you find it endearing, watching him put full effort into things he normally doesn’t do.) 

By mid-afternoon, the day’s activities have consisted of tank rolls, marble balancing, and a classic game of pass-the-message (which, you’ve learned, Shouto is absolute garbage at). And for the final game of the day, the both of you are paired for a duo tug of war against his PR manager and support engineer. 

The afternoon heat burns the back of Shouto’s neck, his cap providing little to no protection for that area of his skin. He stands behind you, rope twisted firmly in his grasp as he prepares to pull. You mimic his stance, bracing yourself with your knees bent as you grip the rope tightly. 

Prior to the game, you were all given three minutes to discuss strategies. 

And so now, Shouto counts, low and steady, “One.” 

“Get set,” the facilitator for this activity announces. 

“Two.” 

You take a deep breath. 

“Go!” 

“Three.”

You both pull, holding your ground for a few seconds. He can see your knuckles turning white from where he’s standing, and when he glances at the other team, they’ve begun to lean back, anchoring their bodies to the ground before pulling away slowly. 

Shouto digs his feet into the earth, the rope’s rough fibers sticking to the calluses on his hands. It doesn’t take long before you both slip forward, being dragged by the other team and eventually pulled into your loss. 

You turn back to him immediately, apologetic as you rub your palms, “Sorry!”

(Before the game even began, you already knew whoever your partner was would be carrying most of the work. And you feel a little bad because your loss does make a bit of sense, you think. 

Though Shouto is strong, you know he’s developed his agility far more than his strength. It doesn’t help that his support engineer lifts bulks of synthetic thermal cloth everyday. 

The both of you didn’t stand a chance, really.) 

But Shouto waves it off, smiling softly. 

“Are you okay?” he looks down at your hands. Your skin is an angry flaming red all over your palms, but what causes him to frown are the small cuts resting at the base of your fingers. 

“Yup, all g–” you attempt to hide it, but Shouto’s reflexes are quick, and he catches your wrist the moment you pull away. 

It’s an instinctive reaction when he looks over it once, pressing his thumb to the center of your palm to get a better look. He reaches for his utility belt out of habit, patting the area above his hip only to feel nothing but the smooth cotton of his shirt.

Right, he remembers, he isn’t wearing his gear today.  

He drops his arms, looking around the field for a first-aid kit nearby. 

(A small chuckle escapes you, endeared, and Shouto looks up at the sound. His eyes meet yours briefly before he jogs all the way to retrieve the red box by the tree. 

It’s just a friction burn; a few small cuts from the rough material of the rope, at most. 

You don’t need first-aid. But—) 

When Shouto comes back, he ushers you to the side, grabbing a few cotton buds and antiseptic ointment from the box. His brain works on autopilot, barely thinking as he tends to your injury.

(You don’t need first-aid. But—) 

He peels the bandaid for you and gently places it on top of your wounds—a yellow checkered pattern decorating your skin. 

(You don’t need first aid. But you kind of get it, you think. It’s the same instinctive reaction you have when he gets papercuts. There’s no need for you to mend them with your quirk, but it’s an inexplicable feeling that makes you feel uneasy at the idea of him getting injured off the field.

A whistle is blown to call everyone back to huddle. 

“Better?” Shouto stares at you from under his cap, readjusting it as red and white strands touch the tips of his eyelashes. 

(He looks unfairly pretty like this. How can he even expect you to answer?

“Y-yeah,” you stutter, swallowing your breath. 

When Shouto walks towards everyone else, you follow, pressing your thumb onto your palm.) 

.

.

.

Shouto drops by the greenhouse at the end of the day. 

The sky above the glass dome ceiling is warmed by orange and pink hues. At sunset, the greenhouse looks ethereal, an almost otherworldly escape. The flowers haven’t changed much from his last visit here, but they seem to have blossomed further now that time has passed. 

He walks past the familiar cluster of chrysanthemums and spots a patch of white flowers he doesn’t recall from last time—a wooden placard with the name ‘iris’ sticks out from the soil. His knees bend to crouch low, fingers grazing over the softness of its petals. 

Earlier today, the estate so kindly offered to let him bring home flowers of his choice, and this bunch in front of him calls out to him, a purity and warmth that reminds him of his mom. 

The nippers in his hand feel clunky, a heavy-duty version of the ones he uses when he helps with gardening at home; but he cuts the stems gently, careful to remember all he’s been taught. 

When he thinks he’s gotten enough, he continues to stroll around the greenhouse, the wicker basket in his hand half-filled with pure, white irises. 

A little further down the path, he passes by the hydrangea bushes, his steps slowing as fragmented pieces of that memory with you replay in slow motion. 

“The lighting was nice. See!” 

“You look beautiful,” he confesses, the sentence overflowing with honesty.

And he decides—

He should get you flowers too. 

Your desk always seems to have some, and you’re consistently on top of keeping fresh flowers around the agency—on his desk specifically. 

It’s only right.

His mom always tells him that flowers can never lie; they bloom where they are loved and speak from the heart when words are not enough—it’s why she loves them so much.

And, maybe she has a point, because the pink hydrangeas look pretty; they remind him of you, especially.

On his way here, the white camellias spoke to him too. Maybe he’ll get them both for you. 

He crouches low again, nipping the hydrangea stems before backtracking to collect a few camellias. By the time he finishes, his wicker basket is filled to the brim, an assortment of pink and white threatening to spill from its edges. The leaves of the irises stick out, poking at his wrist and making the skin itch.

You find him that way—struggling to wrangle in the abundance of blooms into his basket.

“I think you need another basket,” you chuckle, walking towards him. 

There’s something about you and this hour; how it feels like you fit right in this moment, at the peak of sunset, blooming the same way the flowers do. 

Your smile is radiant against the warmth of diffused sunlight, and though he’s seen you in this same exact slacks-and-blouse combination before, the way he sees you now has shifted. 

You look different, but in all the ways he can’t visibly point out. 

He blinks, and that thump beats once more. 

His arm moves before he can comprehend it, the bunch of camellias and hydrangeas outstretched towards you.

Your eyes widen in surprise, eyebrows scrunched in confusion as you tilt your head slightly, your hand reaching out for it reluctantly. 

“Would you want me to have this wrapped?” 

(The flowers feel lush in your palm, and you can’t help but wonder who he intends to give them to. There are irises in his basket too, left untouched for reasons you’re not sure you’d like to know. 

Your grip on the stems tighten. 

The camellias stare back at you, an immaculate white, with the pink hydrangeas adding a delicate softness to them. It’s a pretty combination, and you can’t help but think that whoever they’re intended for should feel—)

��It’s for you.”

You lock eyes when you look up. There’s a weight to Shouto’s gaze that intends to get his message across, the words still barely forming on his tongue. 

“Oh,” is the only thing you manage to say.  

(—surprised; grateful; confused; the emotions swirl inside of you. The shock is apparent on your face, your eyes widening at his admission. Confusion presents itself in the tilt of your head as you stumble over how to express your gratitude.

“It’s not…” you hesitate, diverting your gaze to anything else but that piercing pair of gray-and-blue. Your mind is drawing up a blank, figuring out what reason he has for giving them to you.)

“There’s no occasion…?”

It comes out as half a question and half something else, your uncertainty marked by the semi-lilt at the end. 

Shouto blinks. 

He wonders if he should tell you now, if he should just confess that he’s been feeling differently about you these days.

You shift your feet, your thumbs rubbing against the flowers’ leaves. 

The thump persists in his chest, knocking at the base of his throat—

Thump.

He takes a deep breath.

Thump.

—but even with its persistence, the words still struggle to come out.

Thump.

Maybe not now; it’s not the right time. 

But he says something else, an admission much easier that still holds just as much truth.

“No occasion.” 

.

.

.

Shouto knows your Mondays. 

You switch out the flowers on his desk for a different arrangement of blooms every week. Then, you give him a run-down of his schedule, going over important announcements and upcoming events. 

The mornings go by quickly, with you constantly moving around your desk. Shouto can’t tell what you’re doing exactly, but you’re always working on something whenever he sneaks a peek through the single glass panel cut-out from your shared wall. 

Lunch is a wildcard. On some days, you bring your own; on others, you grab a bite down in the cafeteria. Your routine is largely dependent on how busy you anticipate work to be that day, and though it varies from time-to-time, you never forget to knock on his door—a two-part thump that takes him out of his own little work bubble. 

He almost looks forward to it now, the way your head peeps in from behind his office doors. You call out his name softly, only continuing to speak when he looks up from whatever file he’s working on. 

Shouto knows your Mondays. 

You spend the afternoons all over the place, much like he does; while he roams the city, you roam the agency, attending meetings and checking in on different departments. He knows because when he comes back by the end of the day, you almost always have a new set of updates prepared on your desk for the next morning. 

He also knows that Mondays are when you often work overtime, preferring to get a bulk of any urgent matters completed and out of the way.

The back door of his office clicks shut as he walks into the room, his rubber boots leaving no trace that he’s arrived from how quietly his footsteps hit the floor. He unbuckles his utility belt, one hand automatically reaching for its lock; it’s a habit, the ‘clack’ that sounds from it a satisfying marker he looks forward to at the end of every patrol. 

In the corner of his office is a private restroom that he slips into. He quickly changes out of his hero suit and into a pair of sweatpants, throwing on one of his many favorite white shirts—his go-to outfit on the days he works late. 

There are still some reports he has to look over tonight, but nothing too time-consuming. 

It’s really you he’s staying behind for. 

He glances at you through the glass panel of his wall, your face dimly lit by your computer screen. Your eyebrows are scrunched, eyes squinting in pure focus. 

It never feels right for him to leave when you haven’t left either. 

He settles into his seat, finger tapping on his desk as he contemplates whether or not he should offer you his help. 

You always decline when he does; he can already hear your response. But there are stacks of folders on your desk right now and he’s predicting that it’ll take at least a few more hours before you get through all of them.

He taps his foot, staring at the report in front of him. 

A thump. 

The wheels of his chair roll back, leather squeaking as he stands up. 

As soon as he exits his office, you look up, surprised. 

“You’re back!” 

He nods, walking closer to your desk. “It’s 8:00 p.m.”

You glance at the top of your screen, a sheepish smile forming on your face, “Right.” 

(This is his way of telling you it’s late, you’re well aware.)

He looks around your desk, folders and stationery all neatly organized and labeled. You keep a few touches of your personality around your space, with personalized pens and notepads gathered in one corner. 

They’re all things he’s seen before, but what makes him do a double-take is the vase sitting in the corner, obscured by your computer screen. 

Sitting inside it is the arrangement of flowers he gave you back at the teambuilding, the pink hydrangeas still as good as new next to the white camellias. It’s been a little over a week since, and you always change the arrangement on your desk as frequently as you change his. 

So for you to keep it for this long—

“And how may I help you?” you ask jokingly, biting down your smile. 

His eyes flit over to you, your gaze set on your screen as you continue to type.

(It’s hard to focus on the documents in front of you when he looks at you like that. Shouto’s stare has always been unnerving, but it feels especially scrutinizing when he merely stands, watching without a word.)

“You have a lot of work left,” he gestures towards the stack of folders on your desk. 

(Your eyes glance over the pile quickly as you mumble, “Yeah.” 

A few seconds of silence pass before what he really means starts to sink in. 

It’s not often that Shouto finishes work before you—at least, to your knowledge. You still see him inside his office when you pack your things, ready to leave. 

So, this is out of the ordinary. 

And if he’s standing in front of your desk, hinting at how much longer you’ll be staying at work. Then, it can only mean—

“A-are you waiting for me to go?” you move to stand, guilty. “Don’t worry about it, I can lock up.”)

Shouto furrows his brows, tilting his head slightly. 

That’s never been a thing; he’s always gone home last, and has always waited for you when you have work left to do. He makes sure of it every time, watching carefully for your computer light to turn off. 

But he won’t tell you that; letting you know would mean admitting that he’s been doing it for years. 

He places his palm on the top folder. 

“What else do you have to do?” 

You stay quiet for a few seconds before reluctantly listing it all—reports, meeting summaries, and a few emails you plan to schedule for tomorrow morning. His frown deepens as your list only grows, immediately cutting yourself off the second you notice your ramblings. 

“… but if you’re waiting, I can bring these home and—”

“What can I do to help?” he interjects, stopping you just before you shut down your computer. 

(You can only stare when proceeds to take a seat in front of you, the legs of your guest chair dragging against the floor as he pulls it closer. 

It hits you a bit like déjà vu, this moment, how it feels just like early days back in that rented studio unit; back when you could count the number of people comprising his team on one hand. 

Back then, your desks were just a few steps away from each other, an overflow of paperwork inevitably spilling into each other’s spaces. Because all of the files were stored in your drawers, it was more convenient for Shouto to sit himself across your desk, splitting the work and going over them one at a time. 

Things are different now that the agency’s grown—you have a bigger space, and the work isn’t nearly as packed as it used to be; but some days still end up a little bit more hectic than others. Like today.

“There’s no need,” you reach for the stack under his palm, “I can finish this at—”

“We can finish faster if we do this together.”

That promptly shuts you up. 

Shouto is blunt to a fault, unafraid of saying things as they are; his voice carries an unbothered cadence no matter who it is he’s talking to. 

You figure, there’s no point arguing with him when he’s right, after all.) 

Shouto begins going over a few of the reports that you’ve tagged red and yellow, listening intently as you instruct him on which parts to focus on. In exchange, you make space for him on your desk, setting aside some of the folders you had brought out earlier.

It’s a good hour into working before Shouto notices you easing up slightly, your shoulders more relaxed in comparison to how bunched up they were earlier.

He knows you’ve been glancing at him occasionally, your head turning every now and then to check on how he’s doing—a failed attempt at subtlety. 

“Are you almost done?” he asks, head down as he slips another completed file into its folder. The stack beside him is growing, his ‘done’ pile nearly as tall as the unfinished one. 

(You turn to him, attention shifting to the split of red and white hair down the center of his head, “Yeah, I just—”

Your words trail off, eyes squinting as you move closer to where he’s hunched over. 

Right on the shoulder of his shirt is a small tear, big enough to touch the edges of its collar but small enough that you’d only have to be up close to be able to notice. 

You assess the tear intently, looking carefully for any cuts underneath and thankfully find none.

But—

He notices you’ve gone quiet and looks up, the sudden movement catching you off guard. You make a sound, something in-between a squeak and an ‘oops.’ 

“Sorry, I just,” you point, “your shirt’s ripped.” 

His eyes follow the direction of your finger, finding the small tear running horizontally along the fabric of hjs shirt. 

“I can fix it,” you offer, the wheels of your chair rolling to land you directly across him. 

It’s one of his favorite shirts.)

He barely thinks when his body acts on its own, pressing itself closer to your desk as you slightly bend over for better reach. 

You don’t have to patch up his shirt, especially something so small. He has plenty of the same ones in his closet; and if it comes to it, he wouldn’t mind buying a new one. You really don’t have to patch up his shirt, because he wouldn’t have even noticed had you not mentioned it. 

But it’s that kind of tender care and attention to detail that you’ve had for him since you started working together that’s always drawn him in. 

Shouto has lived most of his life with the means to live comfortably, but since starting his own agency, he’s learned the value of maximizing resources—and it’s all because of you.

A thump. 

The moment your fingers touch his shoulder, he hears nothing but that continuous three-beat thump. Your quirk tingles when it touches skin, but you aren’t mending that—you’re fixing his shirt, separate from your skin, and yet, he still feels the little zaps go off inside of him. 

A thump. 

Up close, the strands of your hair tickle his cheek. 

A thump. 

The fabric of his shirt mends itself slowly, and it only makes him think of everything else—of the leather chair you helped fix, painstakingly going through each and every crack to bring it back to near-new condition. He thinks about every cut and scrape you’ve helped heal without having to, about every time you’ve insisted when he’d shrug it off as nothing. 

From you, he’s learned that things can be fixed without having to change them whole. 

It’s how he’s (you’ve) managed to keep the agency running; it’s why you get along so well with him and the rest of his family. 

And these feelings in his chest are pounding, built up over time to tip over and transform into something more than just an excellent work dynamic. At this point, it’s become companionship, a presence he seeks out a little bit more than friendship. 

You know him better than anyone else does. 

The flowers he gave you are still on your desk. 

So, he says your name, voice low and tender by your ear. 

You freeze, holding your breath. 

Another thump.

His honesty spills outs—

“I like you.” 

A three-beat thump. 

(You don’t believe it at first, the urge to ask him again right at the tip of your tongue. But, he pulls away, unfinished, and looks you in the eye to continue. 

“But it feels more than a crush, I think.” He presses his fingers against the table, grounding himself, “Natsuo told me it was a crush, and he told me to think about it, so I did.” 

Shouto is a man of sufficient words; not too few, not too plenty. But when he gets nervous and a little excited, he starts rambling, and—

“Bakugo told me his mom thought we were dating, and even though I said that wasn’t the case, I almost didn’t want to deny it. Touya has been a dick about it, but he makes good points, so I also owe it to him.”

(The shock on your face shifts into fondness. You can’t see the point of what he’s saying yet, but it’s cute—one of the many things that make him endearing.) 

He pauses, watching your expression shift into curiosity. 

“It started with this thumping,” he places a hand over his chest. “It used to only come sometimes, but lately it’s been happening all the time.” 

Shouto keeps his gaze deadset on yours. He doesn’t say anything else, sentences just barely forming in his head to fully capture what he really means. His feet and palms stay firmly planted where they are, his only movement being the steady blinking of his eyes. 

(But it’s okay, because you can understand. 

If you’re being honest, the signs were all there. 

Nothing Shouto does can be subtle when you know him as well as you do. 

A smile breaks out on your face, the one you can barely contain around him. It’s a little teasing and shy but completely genuine from the way it softens your eyes. 

“We’ll have to come up with something for HR,” you try to contain your smile.)

And he isn’t worried at all. He knows you’ll both find a way, just like you always do.

additional material: moodboard + playlist

a/n: so much to say about this fic but i'll sum it up with saying this is my baby! and i hold it close to my heart for many reasons. writing this made me love their dynamic and i hope you did too! also maybe slightly unrealistic office/hr rules but 🤷‍♀️ he’s the boss he makes the rules 🤧

thank you notes: to @soumies for literally beta reading this. i owe this fic to you fr you are my lifesaver i love you. to @augustinewrites @scarabrat @stellamancer @arcvenes for helping me a ton with characterisations, dialogues, songs, inspo, everything!!! ily all!! it took a village to write this fic fr. (+ to my bf for sitting me down so he could explain the whole point system of golf for like 30 minutes LOL)

comments, tags, and reblogs are greatly appreciated ♡

[amerricanartwork]

A non-serious, but fun little elaboration on my previous headcanon about slugcats being primarily mustelids: slugcats with real mustelid patterns! Apparently people were doing the same thing a while ago using real cat patterns, so I wanted to try my own spin on it and see how it would look! Plus it was nice to practice more dynamic poses with these guys, especially quadruped ones.

Sorry I haven't posted as much as I meant to; this took a LOT longer than I expected. But I think the result is pretty cute, and I honestly enjoyed realizing the similar color patterns in all these animals!

Which one is your favorite? I think I like the black-footed ferret best!

Also, non-patterned alt below:

[frogcroaks]

How I deal with shapes

@spadefish @kobothesmall So for shapes, the way I work with them is from studying how things break down individually, instead of following a broader ruleset for character design that you see a lot in tutorial posts (the triangle, square, circle theorem basically).

The way shapes work in humans is different from other animals (which also differ from each other), which is different from objects. The same shape can be used for different goals depending on what you're drawing. So there's no one size fits all, and especially in styles that have a bit more of realism going on, those shapes will behave differently than extremely cartoony styles.

Process wise, a lot of it ends up happening in my head than in the canvas, because I spent years dealing with this shape philosophy of "just bang your head for each thing you're drawing", which I understand is very tedious to some people, but I love studying individual things vs following tutorials because it teaches me 1. how that thing works in a context 2. gives me a new book to my visual library which I can pull from, which is often what happens! That, and a lot of it is just staring at references too. Still, I'll try to draw something up for this.

There are 2 ways to approach shape design. You either start with the shapes and then apply a concept to it, or you start with a concept and apply shapes to it. The former is much harder to do without practice (and also comes more in concept art which is rough, unfinished and meant to be done and redone dozens of times by design). So, I tend to do the latter: I start with a concept of what I want. This can be as simple as "I just want a character that's fat/standing" or more abstract like "I want a character that feels like a river/I want this to feel like an outburst".

Let's start with a concrete concept: I want a design that looks like a pacman frog, and just a standing pose that isn't too stiff.

I grab some pacman frog references, and sometimes if the pose is complex, I'll find references for that too. Pacman frogs are pretty pudgy, and their legs aren't that long compared to most frogs, even when unfolded, and their faces have a nice triangle-ish forehead with a nice shape for the mouth.

The result is that i use large shapes for most of the body. Curves contrast with sharper lines, giving the sense of something geometric but still organic. The line of action here helps me pose these shapes in a way that gives some movement to something as simple as standing (and you'll gain a lot of mileage from learning how to rotate shapes! this is how you're able to position them in different ways and create more dynamic poses).

For something more abstract, like a crouched pose meant to be angry, I take some references when i can and start doing something like this:

Note that these shapes seem weird because I'll have a naked fullbody wip below any clothed characters to have some anatomical guidance, but for actual final shapes and silhouette, what matters is the final elements, and that includes clothes! so i try to build shapes that emphasize this droopy, closed off feeling. This sketch isn't even that good really, there's plenty of errors, but I hope it gives an idea of whats going on.

I hope this weird rambly nonsense helped LOL

[bunnyreaper]

𝖈𝖔𝖑𝖑𝖆𝖗𝖘 𝖆𝖓𝖉 𝖈𝖆𝖌𝖊𝖘 𝔞 𝔰𝔬𝔞𝔭 𝔪𝔞𝔠𝔱𝔞𝔳𝔦𝔰𝔥 𝔵 𝔯𝔢𝔞𝔡𝔢𝔯 𝔰𝔢𝔯𝔦𝔢𝔰 𝖕𝖙 3 — 𝖕𝖙 2 𝖍𝖊𝖗𝖊 wc - 7.2k warnings - 18+/nsfw, dom sub dynamic, hints of petplay, mild public play notes - part 3 kind of ran away from me, if you can't tell from the word count!! i had a lot of fun with this one, so i hope you enjoy! also on ao3! ♥

Life was teaching you early on in this budding relationship that life without Johnny drags. 

The first day or two he was gone wasn't so bad. Before he'd even left the country, he'd sent you an incredibly drool-worthy photo of him in his fatigues. You've spent more time looking at it over the past week or so than you probably should've—fixated on the size of his arms, the confident pose, and the mic set around his neck. 

The sight of that alone sent your thoughts reeling—and was the part you'd zoomed into on the most, beside Johnny's handsome face. 

Then came the voice note, the one you've been listening to on repeat—addicted to Johnny's words and voice. Finally, you have it captured to listen back to on demand. He'd sent you other voice notes since, shorter ones with "I'm thinking about you." or "Just met a street cat, his collar said his name is Halim!" with a photo accompanying it. 

Those made your heart sing, and your smile wide, but the last one he sent was him explaining he'd be going dark, and he'd message again whenever he could. 

That had been over a week ago now, and the radio silence left your nerves on edge, frayed and tested as you waited for any sign.

Some sense of salvation had come in the form of an after-work drinking session that turned into a full-blown night out—it was a welcome distraction and an oasis of general socialisation after your desert of solitude.

You were dressed up nice, getting a little tipsy and dancing the night away—only checking your phone as you pulled it out to pay for a drink. 

The missed call notification has you rushing to down the drink, so you can head out the back of the club. As soon as the pounding music fades away, you're pressing the phone to your ear and listening to the dial—it feeling tortuously slow as you wait for Johnny to pick up with every ring. Just before it goes to voicemail, his voice is blessing your ears once more. 

"Hey, pretty girl." He greets, his voice seemingly as bright as always. 

"Johnny!" You all but squeal in excitement, a heady combination of missing him and the effects of the alcohol making your enthusiasm bubble over.

He laughs, slow and sweet, as warmth spreads through your chest. "Missed me that much, aye?" 

You missed him far too much considering the current state of your relationship, but even in your intoxicated state, you know to keep that mostly to yourself. "Missed you so much!" You giggle, moving further away from the door as a group of people join you out back—cigarettes hanging from their fingers.

"Missed you too. Where are yer?" Johnny asks, clearly hearing the commotion in the background. 

"I'm out with some people from work, but I'll go home right now, I swear—" 

Johnny cuts you off before you can even finish your offer. "Don't you dare, lass, enjoy your night. I just wanted to let you know I'm back, tha's all."

Hearing from him was such a relief, and you are so glad he called—though now you don't want to stop talking again. "Does that mean we can meet soon?" You ask—voice light, flirtatious, and most importantly hopeful.

"I was thinking Sunday if that works for yer?" 

"Making me wait again, Sergeant?" You practically twirl your hair around your finger as you tease him, smiling unreservedly as you hold the phone to your ear. 

"Keep talking like tha' and I'll come down there right now." His growl is playful, but you can tell using his rank has some sort of effect on him. 

You pull your lip between your teeth, giggling once more and flushing with need. "Do it, I dare you." You taunt.

Johnny's sigh is a little defeated, his tone a little tired and flat compared to usual."I cannae, still got things to wrap up. Tha's why I said Sunday and not tomorrow, sweet thing." 

You relent with your joking, not wanting to keep up with teasing when Johnny seems a little... low. "You're worth the wait." You whisper into the phone, soft and sincere—you hope that makes him smile at least. 

"We'll sort out the details tomorrow, yeah?" 

You nod, even though he can't see it. "Sounds good." 

He perks up a little bit, even if it sounds somewhat forced. "Feel like doing me a favour before you get back to yer friends?"

"Anything." Your answer is instant, especially if it would cheer him up right now. Coming back from the things he must see has to be hard, and you can't blame him for continuing to be affected by it. Is that why he needed an extra day? To decompress and adjust back to being Johnny instead of a sergeant in the army? 

"Send me a picture of your outfit." The sentence lands somewhere between a question and a command—though you had every intention of complying anyway. 

"Yes sir." You answer instinctually, not putting too much thought into it until you hear Johnny's growl in response. The kind of growl that ignites something deep within you every time you hear it. 

His voice is low, rumbling down the phone with a hint of playful warning. "Bonnie..." 

"Sorry." You laugh lightly, before turning more sincere. "I'm glad you're safe, Johnny."

The line is silent for a moment, just long enough for you to worry you've said the wrong thing, but as always, Johnny washes away your doubt.  "I'm glad you waited for me." 

"Of course." A shiver passes over you, the night air making you want to retreat back inside. You wrap an arm around yourself as you brace yourself from the cold. "Talk tomorrow?"

"Tomorrow, for definite. Have a nice night, angel." His wish is sincere, the softness in his voice something you'll replay over and over again. 

"Night, Johnny." 

You wait for him to end the call before you rush back into the club, beelining straight for the bathroom to snap a picture just for Johnny. The dress isn't your usual clubbing outfit, having come straight from work, but you look cute, and you feel confident as you send the picture straight to Johnny.

The next day drags even more than the last few have, especially with the mild hangover thundering your skull. Every part of the day is just about going through the motions, getting through it, so you're one minute closer to seeing Johnny. Every moment is a little dull, until you find yourself waiting for him at the exit of the train station.

The excitement and the nerves wage war inside you—with each passing second, you're getting closer and closer to being swept up in Johnny's arms, to hopefully feeling like you're finally home. But with each second, you're inching closer to vulnerability, to risk, to the possibility that somehow he might decide after today that he never wants to see you again. 

Maybe he'll look at you and realise he doesn't quite like your body, or the way your mouth moves when you talk. Maybe he'll hate your mannerisms, or find that in person you're actually really boring to talk to. Perhaps he'll just know within moments of meeting you that you'll never be his home, never be his.

The thought is terrifying, crawling around the back of your mind as you scan every passing face in the hopes of seeing the silly little mohawk you long to run your fingers through. 

And when you do, the world stills.

You spot him before he spots you, and you get a moment to appreciate his searching gaze, his quietly confident swagger, the way his denim jacket stretches over his shoulders, and his shirt clings to his stomach. 

In short, he's a vision. All man—big and strong and beautiful. It takes everything within you to not launch yourself into his arms as soon as he gets close. 

He continues to look around as he makes his way through the ticket barriers, glancing between the crowds and his phone as he makes his way closer and closer. You emerge from your hidden spot, your legs carrying you without hesitation over to him—and when your eyes meet, you both stop completely still for just a moment. Nothing but wide smiles on your faces and a magnetic pull that draws you together. 

The bodies in between you are a hindrance, a barrier you both need to be gone as you weave through them before finally standing before each other—and at that moment everything feels right. 

"Wow." Johnny says as he looks you up and down and drinks all of you in.

"Wow yourself." You giggle, checking him out just the same and adjusting to just how much more handsome he is in person—as if such a thing were possible. "Hi Johnny." Even you are surprised by how breathless you sound, but it makes perfect sense when you consider how fast your heart is beating, how your hands are starting to shake. 

"Think I must be dreamin'" He blinks in disbelief, unable to keep the radiant, infectious smile off of his face. 

You blush deeply, and find you can no longer meet the intensity of his eyes. "Flatterer." Your word is a whisper as you push yourself to your tip toes and wrap your arms around Johnny's neck, pulling him in for a hug.

His strong arms wrap around your waist, holding you close, tightly enveloping you in a serene feeling of safety, as well as his fresh, masculine scent. 

Home. You think it's the closest you ever felt to it, bundled up in his arms as he cradles you like you're the most precious thing on earth to him. 

His hands roam over your back, caressing you so delicately and savouring every bit of you, as your own hands thread around the back of his neck, and you sink your fingers in, grasping him to ground yourself in the moment. It's real, he's real, and being in his arms feels so right it almost hurts. 

"You're even more gorgeous in person, bonnie." He whispers in your ear, breath hot and sending shivers all over your body. Thank god he's holding you upright, as your entire being is so vulnerable right now to every sensation. 

He pulls away slightly, but keeps you close, his eyes returning to yours once more, looking at you like you're everything. 

"I could say the same about you." You giggle, feeling self-conscious beyond belief. "Your eyes..." They're so blue, two oceanic pools of deep emotion, pulling you under the longer you stare. 

Everything you feel is reflected in his eyes—hope, bliss, excitement. 

"Grew them maself." He laughs, his nose wrinkling as he laughs at his own silly joke. 

He has you captivated entirely, as you drink in every single feature on his face—the strong brows, the scar on his lips, the dimples hidden behind his stubble. Every detail makes your heart thump against your rib cage, makes you want to reach out and trace your fingers over every little thing you discover. 

You're snapped out of your reverie when someone's bag brushes past you, and you remember you're in the middle of a train station, blocking people's way. 

"We should move out of the way." 

"Aye." He nods, slipping an arm around you so as to not lose contact as the two of you shuffle out of the path of the commuters. "Fuck. Am not letting you go now." 

His grip tightens around you as he pulls you in once more, hands settling on your waist as he stares down in adoration.

"Good." You can't help the smile on your face, so big and bright your cheeks hurt from how unwavering it is—that's just the feeling Johnny inspires. 

This time, it's him who seems affected by your gaze, as he averts his eyes from yours. "'s a bit weird, though." He admits, a strange shyness to his tone. 

Nothing about Johnny right now would suggest he's anything even close to nervous or uncomfortable, but you figure a man like him is very good at masking how he really feels. Your hands slip to his chest, your thumbs rubbing soothingly back and forth as you try to project a sense of calm to soothe you both. 

"Have you never done this before?" You ask, curiosity brimming but with no underlying judgement.

"No." His cheeks begin to redden as he glances at you briefly, a rare display of shyness from the seemingly endlessly confident man. "Don't laugh, it's ma first time." 

You continue your soothing gesture as you speak from the heart. 

"I wouldn't laugh! I have done this before, and I'm still so fucking nervous." Said nervousness escapes you in the form of a clipped laugh. "... If it wasn't obvious from the blushing and shaking." 

Johnny made you nervous, and yet peaceful all at the same time. His pull was irresistible, concrete, even if you stumbled to him on shaky legs. You knew what he might be feeling right now, if his heart was anything like yours. 

"Oh, am sweatin' a tonne right now, if ya cannae tell." His laugh and smile are almost disgustingly sweet, along with his unbracing honesty. Johnny really is something else, you think. 

You step away from him, intertwining your fingers into his much larger hand, as you start to lead the way out of the train station. "Better get you out into the fresh air then." 

The two of you walk in comfortable silence across the short distance until you're hit with the sun's warmth and a blast of cooler air. You start walking into the city centre, aiming to wander around for a little to kill time.  

As you walk, Johnny's grip tightens, and his hips sway playfully into your own, nudging you only to pull you back to his side with a bright grin on his face. "Meant what I said about not letting go of yer hand." 

"Keep it, it's yours." You squeeze back, looking up at Johnny to see him observing his surroundings keenly—must be a soldier thing, you muse. "Do you come here much?" 

"A little. Usually kept pretty busy back on base." He answers, glancing at you before taking in more of the area.

"Well, I guess you'll be getting familiar." You nudge his hips, returning his earlier playfulness as you flirt with him unashamedly.

His eyes are fixed on you now—a brow raised and a mirthful smile on his face at your assumption.

"Oh, will a now?" 

"I hope so." You admit sincerely, feeling the heat in your cheeks. If you keep smiling as much as you have so far, the expression will be permanently etched onto your face. "But that'll be more, so after we see the kitties. Our slots in 20 minutes, right?" 

"Aye, you excited?" He looks at you as if to confirm your true reaction, his eyes searching. 

"I am, honestly I was expecting just a normal coffee date but as soon as you suggested it, I couldn't let it go." You're practically rambling, but honestly, Johnny's suggestion was perfect. First, it let you know he enjoyed, or at least was at ease around cats, which was always a green flag. Plus, it was something different, catered to the two of you that shows he'd been thinking about it, and who wouldn't swoon at that? 

And on the off chance there was an awkward silence where you didn't know what to do, at least you had furry friends for you both to pay attention to. 

His eyes flicker with doubt for a moment, before he masks it with a distracting smile. "Was worried it might be a bit naff." 

If only he knew how much you had been freaking out about how cute you found the whole thing—and the fact that he might as well have just straight up said it was the beginning of your new dynamic together. You'd be his pet, the whole thing made perfect sense. "If it is naff, it'll only be because I might get jealous." 

"Ach, why?" He asks, seemingly finding the idea of you needing to ever feel such a thing ridiculous. 

You look up at him with soft, pleading eyes and a playful pout on your lips. "Well, you'll be giving all the cats head pats, but will you have any for me?" Even the tone of your voice is designed to tug at his heartstrings, slipping into your role so naturally. 

"I'll always have some for you, kitty." He laughs, letting go of your hand just to ruffle at your hair until you playfully shove him away—then he's grasping at you again, not wanting to relinquish contact for even a second. 

"Besides, they get to wear collars and flaunt it right in front of me. Don't they know what they're doing?" A suggestive smirk is directed at him, which he eagerly returns.

"Oh, you'll be in one before you know it, bonnie." He drops this news so casually, like it's the most natural thing in the world— as if the two of you are just having a regular conversation  "We'll come again, make them jealous right back." 

You swallow thickly, already aching for that eventuality—even if it may be a ways away.

"Sounds like a date." You mumble, filled with shyness and need. Coughing, you take a moment to compose yourself and steer the conversation away from something that will send your thoughts spiraling. "I did look through the website to see what kind of cats they had, and there's a cat with your name, different spelling though." 

Johnny pulls you closer, head dipping slightly to talk close to your ear, his tone dropping to a dangerous low. "Now I'm gonnae be the jealous one." 

His words make you shiver, make it difficult to keep walking like everything is fine—but you can flirt just like he can. You look up at him, fluttering your eyelashes prettily as you smile so sweetly. "I've only got eyes for one Johnny, don't worry." 

The blush that rises to his cheeks tells you that your act had the desired effect.

"That's what I like tae hear." He mumbles, squeezing your hand in an affectionate gesture. 

After wandering the high street for a short while and just enjoying each other's company, you circle back to your destination. The two of you enter the café, kick off your shoes (or boots for Johnny), and are seated at a table toward the back of the room— just a little out of sight from everyone else. You order a tea, while Johnny orders a flavoured coffee, giving you an insight into his tastes and preferences that makes you smile. 

You remind yourself to keep that information in mind for later, filing it away under your list of things about Johnny that you're sure will only expand throughout the day. 

When the server leaves the table, the two of you look upon each other fondly—shy smiles and burning cheeks. There are so many words at the tip of your tongue, so many things you want to say and ask and know about the man before you—as your brain buzzes with energy, so do your hands, feeling a little lost now they're no longer connected to any part of his body. 

It's easy to tell that Johnny sees more than he lets on, as he observes you before him and seemingly filters through your thoughts.

You return the favour and watch Johnny intently—eyes fixated as his tongue darts out to wet his lips, as his throat bobs as he swallows, and your brain is invaded with a deluge of inappropriate thoughts. 

Luckily, you're saved by the bell—a little tinkling noise from a cat beside you as it walks on by and demands your attention with a haughty meow.

"Look, there's Jonny!" You gasp quietly, the cat just a few feet away staring at you curiously. Taking it slow, you lower your hand to the ground and make no move toward the cat, waiting for it to get a smell and a feel for you. It isn't long before the cat in question is launching himself into your lap, drawing delighted laughs from both you and Johnny. 

You run your fingers through the thick fur of the white longhair, figuring out what spots the cat likes most. 

"He likes you." Johnny comments with amusement, shuffling ever so slightly closer until your thighs touch—his arm slips around the booth seat behind you as he settles in.

Your eyes meet his, your skin prickling with the intensity of his closeness. "Hopefully like the human version." 

"Definitely." The arm around the back of the seat comes to settle on your shoulders, as Johnny slowly moves his hand over to the cat and lets him sniff his fingers. Johnny's eyes brighten unmistakably when the feline nuzzles against his hand, and then he breaks out into a mischievous grin. "D'ya think he's cuter than me?" 

Johnny tilts his head to the side, almost puppylike as he preens at your attention—your eyes roaming over him as if you're making a difficult choice.

"Hmm. He has a lot more hair than you do, but I think you win." You give cat Jonny another stroke, while you smile at human Johnny with glee. "I'll have to feel how soft your hair is to make a real decision, though."

You say it mostly as a joke, but Johnny looks sincere as he urges you to do it. "Go on." 

You raise your hand, panic flowing through you as you hesitate for a moment—your fingers hovering inches away from Johnny's head. He leans into your touch, as you stroke through the short tufts of hair. "It's... so soft." You admit, pulling away quickly before you get carried away. 

"What did yer think it was gonna feel like?" Johnny asks with a barked laugh that you can't help but return. 

You crinkle your nose, because honestly, with the fact he clearly uses styling products to make his mohawk stand on end, you hadn't expected it to feel as soft and pleasant as it did. "I don't know, I can't imagine you have premium shampoo and conditioner in the army." 

"They're just naturally luscious locks, dinnae what to tell yer." He swishes his head playfully, as if he's flipping a head full of hair. 

"Effortlessly flawless, just like the rest of you." You tease him, joining in the joking. 

"Oh aye?" He asks with a wink, playfully fishing for more compliments. 

Not that he needs to fish, you think. Surely Johnny knows how handsome he is, and even before meeting him, you've gushed over his good looks.  

Still, you look upon him with genuine admiration and rapidly unfolding infatuation, you're exalting words tumbling freely from you without much thought. "You're just so... gorgeous, godlike, really."  

"As are you, bonnie. Cannae believe it." The look in his eyes is so real, so intense it makes your heart twinge, and leaves no room for you to doubt the sincerity of his words.

The two of you continue to stare into each other's eyes, enjoying the silent conversation that seems to pass between the two of you—the unspoken desire and adoration. 

"Are we just gonna spend the day staring at each other?" You giggle, breaking the moment when it becomes a little bit too intense for you.

"Wouldnae be such a bad thing." Johnny replies swiftly, ever so smoothly. 

Jonny the cat takes that moment to crawl off your lap, rubbing himself along Johnny as he all but demands pets from the man. Johnny indulges him instantly, large fingers scratching at that perfect point between the kitty's ears. Watching it shouldn't make you blush as much as it does.

"I think he likes you too." 

Johnny nods, a serious look on his face. "He knows we're chums."

"You must give really good head pats." You tease, wishing you could take the words back as soon as you said them. Was saying such a thing too much too soon? Was it too early to start to invoke elements of your potential future dynamic? 

Johnny meets your eye, his lips curling into a smirk as his eyes turn mischievous. "Wanna find out?" 

"Of course." Your response is instant, breathless—already offering yourself up to the man before you. You quickly remember your manners. "Please."

Johnny lets the cat on his lap jump down before he turns his attention to you fully, his hand settling on top of your head as he gently, carefully caresses you. Your body is quickly overwhelmed with shivers, an electric sensation coursing through you as his fingers dip deeper into your hair, massaging at the back of your neck until your eyes start to slip shut from the sheer bliss. 

They shoot back open when his fingers dip the chain on your neck, tugging sharply enough to get your attention without putting any real force behind it.

He leans in as if to share a secret, his smirk wolfish as you continue to react so perfectly to his touch. "Nice choker, by the way, pet." 

"Wore it just for you." You whisper, words weak as you tremble with so much need for Johnny. 

He's pulling back, taking all his warmth with you, before he strokes through your hair one more time. "That's my girl."

You could burst into flames right now, or simply melt under the intensity of his gaze. Not even an hour into date one, and you can already feel how wet this man has made you, how much he makes your heart call out to him. Your body and soul burn with need, already wanting more of him in every way.

"Fuck." You sigh in frustration, burying your head into his shoulder to hide your aroused expression. "I hate that there's so many people around right now." 

"Feeling naughty?" He chuckles in such a knowing way, because he knows exactly what he's doing and how you feel about it. 

You meet his gaze, eyes desperate and pleading for mercy. "Johnny, I feel drunk and mindless already and you haven't even actually done anything." 

He moves one of your hands from your thigh to his, holding onto it for a moment. He won't offer you mercy, but he will at least let you see how you make him feel too. "Can I borrow your hand?" 

"Why?" You ask reflexively, before your thoughts catch up to you. Oh. Oh!" 

You allow him to move your hand further up his thigh until your fingers graze over the hardness in his jeans, and you have to stifle your gasp with your other hand.

"Why am letting the cats come to me insteada the other way around." He whispers, voice gravelly and strained. 

The feelings both his words and his body inspire in you are dangerous, causing you to act as you palm at his cock through his jeans, listening to the hitches in his breath as you begin to stroke and caress. He's rock solid, all before you even laid a hand on him, and it's addicting to you that he's clearly in just as deep as you are—that he sees all this as you do. 

His hand moves to grab at your wrist, warning but not painful. "Ach, quit it." He groans, now on the receiving end of such wonderful torture.

"You started it." You whine, taking the chance to grasp him one more time before you stop your teasing. "Johnny you're fucking huge." 

Already your head spins just contemplating it, but Johnny only adds to your delirium. 

"Wait until it's stuffin' yer little cunt full." He purrs, lips brushing against your skin as he does, and you have to resist the urge to moan aloud.

You take a deep breath, forcing yourself to pull away from Johnny as you slip out of the booth. "Okay, I need a breather, join me at the cat tree when you've... calmed down." 

His smile is devilish, as he watches you go, content to spectate from afar as you coo over the kittens until he can join you.

Your time at the café passes quicker than either of you would have liked, and when it's time for you to vacate your table, the server approaches once more with a bill for the teas and coffees you had enjoyed. 

"Will you be paying together or separately?" They ask, which causes you to glance at Johnny questioningly.

You'd already, in your mind, prepared yourself to offer one or both halves of the bill.

Johnny speaks before you can. "Together." He insists, reaching for his wallet and offering his card to the server—not allowing any room for argument. 

You stay silent until the transaction is complete and the two of you are alone again, before you decide to address it. "Johnny... I would've paid." 

He shakes his head, flipping his wallet shut as he slips it into his back pocket. "Don't be ridiculous." 

You open your mouth to offer further protest, but his brows quirks as he almost challenges you to say another word.

Accepting defeat, you smile graciously and sincerely. "Thank you."

"My ma would pitch a fit if she found out I let yer pay." He continues to wave it off like it's nothing. "Let me spoil yer, aye? You'll hafta get used to it anyway. Okay, kitty?" 

You're not sure if it's the idea of him spoiling you or the nickname that makes you shiver the most, but the combination of both makes your head spin.

"I better start thinking of ways to repay you." You joke, throwing him a flirtatious wink as your hand snakes under his jacket to stroke at his chest. 

Johnny pulls back, face flashing with a realisation and a bright grin. "Oh, before I forget." 

You watch him, just a touch confused, as he reaches into his jacket and pulls out a small, patterned paper bag—he hands it straight to you. "Got yer a little somethin'" 

"Johnny..." You groan playfully, having not expected a gift, or having brought anything for him either. 

"It's nothin', promise." He smiles, encouraging you to open it. 

You peel open the paper bag to find a handmade, woven bracelet inside—one you've seen in countless stalls across your life, but the sight doesn't fail to make your heart sing.

"Oh my god, a friendship bracelet?" Your delighted gasp is genuine, as you feel touched by the gesture. 

"Needed to buy something at a souvenir shop. Y'know blend in, look like a tourist." He shrugs casually. "Thought of you." 

"I love it, thank you." You clutch it to your chest, genuinely so pleased. "Did you get yourself one?" 

"No?" Johnny plucks the bracelet from you, as he takes hold of your wrist and gets to tying the threads together. 

You pout, half joking and half serious, as you realise you won't be matching. "Wow, guess we're not friends then." 

"Puppy." His tone is warning and serious, drawing your attention to him so obediently. 

You swallow, nerves flooding through you. "Yeah?" 

His eyes never waver from yours, the sincerity within making you tremble. "The things I'll do to yer, friends don't do tae each other, yeah?" His low tone and the lack of a playful smile make you clench. 

"Understood." You nod dumbly, too awestruck and aroused to give him a real response. 

"Good girl." He grins, patting your wrist with the bracelet now attached. "Ready to go?" 

"Yeah..." 

He takes your hand in his once more, leading you back to the entrance to collect your shoes before you make it back onto the street. All the while, you turn his words over in your head, desperately holding on to the soaring feeling in your chest and the pit of arousal deep inside you. The effect he has on you is downright vicious.

"Where to now?" He asks, waiting for you to lead him around the city. 

The cooler air of the street helps calm you down, as you steer your thoughts back to more appropriate things. 

"I was thinking we could just walk around, window-shop. Maybe grab some dinner? When have I got you til?" 

"Last train is at 9." 

You sigh wistfully, already dreading the moment he has to feel. "Doesn't feel like long enough." 

"You'll be sick of me by then, lass." He chuckles, his smile still making you feel as full as it did the first time you saw it. 

"Not if you're sick of me first."

The two of you take in the city streets hand in hand for a little while, wandering around the shops and chatting about anything and everything. The conversation comes just as easy as it always does, and before long the two of you head for something to eat and drink at a nearby pub.

The atmosphere is cosy as the two of you tuck yourselves away at a table in the corner, order your food and drinks and get to chatting once more. You've already teased Johnny for ordering another coffee along with his meal, while he needled you for ordering several side dishes instead of a main. 

Both of you are excited to tuck in when the food arrives, and your conversation turns to getting to know more about the other. 

"So, what can you tell me about work?" You ask, finally feeling brave enough to broach the subject. Johnny's work will come with a lot of complications, you already know that, and one of them is likely that he will have to be careful about the things he shares. That doesn't stop your curiosity, though. 

"What d'ya wanna know?" He responds, open and earnest, as he dips a chip into his sauce.

You think for a moment, trying to conjure up your most pertinent questions. "Who do you work with?" 

Johnny swallows his food before wiping his hands on his napkin and pulling out his fun. He turns it to you when he brings up a photo, zoomed in on an older man in tactical gear.

"Well, first there's the Captain, Price. Best captain we could ask for." He comments, looking to you for your response.

Something in the Captain's eyes tells you he's dependable, and you can hear the respect he holds from Johnny's voice. 

"Interesting facial hair." You giggle, referencing the grown-out mutton chops that surprisingly suit him.

Johnny laughs, nodding in agreement. "Oh aye, a right character he is." He swipes along the photo to another man, much younger but tall too.

His smile is the first thing you notice, so bright and earnest, and with perfect teeth. 

"Gaz, Kyle. We're always getting into shit together." He adds with a mischievous chuckle. "Good lad though."  

"He looks nice." You offer, before scrolling across the image yourself. 

The next man in line is the tallest and broadest, his face hidden behind a skull mask that you find strangely endearing. "Ooh, cool mask." 

"That's Ghost." Johnny whispers, his voice more sombre than before.

The lack of a real name combined with the mask confuses you. "Just Ghost?" You ask. 

"Aye, unless he tells you otherwise. Scary motherfucker, loves a good dad joke though." Johnny humanises him, and the fondness within his voice doesn't escape you. 

All in all, you're left with more questions than answers, but you already feel privileged that Johnny has shared this much with you. Still, there's something pressing on your mind. "Everyone gets a nickname, what's yours?" 

"Soap." He answers firmly, a slight smile tugging at his lips.

"Soap? Why?" You can't say you're familiar with military nicknames, but Soap certainly seems like a strange one. 

"Am good at cleaning house." There's something underlying his playful tone that you can't quite put your finger on, something hinting at the inevitable darkness underneath. 

Johnny pushes past it like it never happened, turning the attention back on you. "How's your work, anyway?"

"Boring, though I imagine every job is compared to yours." You pause, taking a sip of your drink as you try to conjure up anything interesting about your career. "I work at my PC all day and the highlight is office gossip, which is often about one or two messy people fucking everyone in the building." 

"Like reality TV, but you live it?" He smirks, already seeming amused by the inevitable stories he'll get to hear. It seems Johnny might be a little bit of a gossip. 

"Yes, exactly!" You giggle, finding his intrigue endearing. "So I live in reality TV and you live in one of those gritty military shows." 

"Pretty much." He clicks his tongue, turning to take a sip of his own drink as his eyes glaze over again. 

You dread to think of all the things he's seen—witnessing them on TV is already too much for you, never mind seeing them for real. 

"... It must be tough." You offer earnestly, unsure of what else to say. 

"Sometimes, it's no' so bad, really." He shrugs, a tight smile on his lips. "I'd rather not talk about it while I'm with yer, not now anyway. That okay?" 

The softness in his eyes fuels the guilt gripping at your chest—you never meant to pry or make him uncomfortable, only to offer yourself up as a safe space. "Yeah, I'm sorry." 

"Nothing to apologise for. You'll have plenty of time to get to know that part of me, tha's all." He gives you a smile, a more earnest one this time, as he refuses to let either of you settle in a solemn moment. Instead, he redirects to the idea of you spending time together in the future. 

"Oh, I will?" You ask, voice hopeful—any negative emotions swirling away as Johnny reaches out to stroke your hand.

"Already planning our second date in ma head." He winks cheekily, that gorgeous smile back on his face in full effect. 

You settle back into your meal with a contented warmth spreading through you, feeling like there's nowhere else you'd rather be than by Johnny's side.

When you make it to the train station hours later, your heart starts to sink as you get closer and closer to your goodbye. The sun is only just beginning to dip into the sky, but the train schedule demands Johnny's return to Hereford. 

The two of you stand before the departure boards, savouring your last moments together as you hold each other close.

"How are yer getting home?" Johnny asks, ever the gentleman. 

You don't look him in the eye as you speak words you know he isn't going to enjoy hearing, in fact, you all but hide in his chest as you mumble. "I was planning on walking." 

He stiffens, pulling away slightly. "I'll order an uber." His words are laced with a protectiveness—and whether it's his instincts as a man, a soldier, or a dom you're not sure. Likely, it's a combination of all, making him determined to get you home safe and sound. 

You already know better than to argue with him on this. "I can order my own uber." 

His eyes soften, clearly relaxing upon hearing you relent so easily. "Promise?" 

You nod. "I swear, I will." 

You cuddle back into his chest again, the two of you clinging to each other. With your ear pressed against him, you can hear the steady rhythm of Johnny's heart, and you focus on it beating as you absorb every last moment with him. 

That moment is interrupted by the station announcement, informing you that the next train to depart will be his. 

"I better get going." He loosens his grip on you but still holds your arms as he stares down at you adoringly. 

"Don't want you to." You admit, voice a little forlorn. It already hurts to let him go, especially since you don't know when you'll see each other again. Johnny could be deployed again at any moment, and after making all of this real, the thought seems paralysing.

"I don't want to either, but I'll see yer soon." He whispers soothingly, a hand stroking across your cheek as the promise falls from his lips. 

You force yourself to smile, to feel strong in the face of your separation. Something within you urges you to put on a brave face, to show Johnny that you can be resolute for him. "We'll have to think more on a cool date number two idea." 

"We will." He nods, fingers still stroking oh so delicately across your cheek, as his eyes flicker down to your lips. "Bonnie?" 

"Yeah?" Your response is barely audible, your breath stolen as you know what's coming next, and you crave it so desperately. 

"Gonna kiss yer now, if tha's alright."

"Please." 

Johnny closes the final inches as he presses his lips to yours—soft and gentle at first as his hand cups your cheek, before the other comes to grasp at you too, holding you in place as he deepens the kiss. Your body floods with euphoria, desire, peace—as you kiss back with everything you have and pour all of yourself into him. 

The two of you are lost in each other, all grasping hands and lips caressing lips—two hearts opening up to each other. 

Johnny is the only one of you with enough restraint to pull away, settling his forehead against yours as he smiles unreservedly—his eyes shining with delight. "Fuckin' Christ." 

You push against his chest, putting some distance between you as you giggle. "You better go before we commit acts of public indecency." 

"Aye." He nods, yet he tucks a finger under your chin to angle your mouth up at him. "One more?" 

You nod enthusiastically before diving back in, savouring his lips on yours—the taste of coffee, the softness contrasted with his stubble, the hint of a groan that rumbles through him. 

"Okay." He sighs, forcing himself to step away, even if your hands remain linked. "Message me when you get home, yeah?" 

"I'll be texting you the second you leave, sorry." 

"Oh, I was planning on doing the same, dinnae worry." He winks.

Reluctantly, you let him go—instantly feeling a little more lost without him at your side. 

"See you soon, Johnny." You call out, smile soft as he makes his way over to the ticket gate. 

"Not if I see yer first, sweetheart." He calls back, then turns his attention away to scan his ticket at the barrier. 

On the other side, he catches your eye once more, offering you a tiny, playful salute before he turns to make his way to his train. 

You're left in a weird state between euphoria and emptiness—feeling like you have everything and nothing at the same time. Johnny was everything you could've wanted and more, and you're already counting down the days until you can see him again. 

You watch until his silhouette disappears, and turn your attention to your phone to get to ordering that uber you promised him you'd take. When you unlock your phone, a message from Johnny is waiting for you. 

Miss you already, my pretty kitty <3

[thefaiao]

Hi, firstly I just wanted to say that I love your art, especially with the way you use dynamism and angles in character sketches. It's really beautiful and I always look forward to seeing more black and white pieces from you.

I just wanted to ask, as a beginner artist whose been drawing on and off from 2017 onwards and hasn't seen much improvement, are there any resources or books you would recommend for someone still trying to grasp form and shape? Especially in creating 3d forms with line? I'd love to be able to draw characters in a similar way that you do but my cubes and cones never seem to come out correctly and humanoid shapes are even tougher. Thanks again for sharing your art.

Hello! Thank you very much for the compliments. Up until somewhat recently the B&W pieces were my favorite things to draw, so I get you. I did fall in love with coloring eventually though.

Alright, there are lots of things that can be done. I have had some classical training, and done human figure studies live, but honestly not nearly as much as I probably should have. You definitely should still do figure study as much as possible, especially in person. I'm just prefacing to say it may not get you to draw the way I draw I suppose, as its only part of what I've done to improve my drawing ability.

There are a few good resources to start with, notably the Loomis method, which a lot of artists use as a base. That's how you should use it too, ideally. It's not about copying his work exactly, it's about understanding just how the human body is proportioned, and adapting it from there. It doesn't have to define your thinking, it's just a good guideline. It's possible to structure a body quite differently than Loomis (and there are many many books for that), but the truth, which is, the proportions of the human body, is still there in all mindsets. Once you understand that, you can understand the reason for each approach, and even forego them to express something more unique, abstract and visceral.

The biggest thing you should do though, is always be observing the world around you, both online and offline. Figure studies are nice but they remove one of the most important things, and that is context. I find that people who will use those large libraries from people who pose professionally with bows and swords and the like will often draw technically impressive images, but they still feel like a fake pose. It doesn't feel like the person is holding onto the weapon like their life depended on it, or like they have a relationship with the object, that they pose and move in a certain way that reflects their personality. Live study with strangers helps rectify this somewhat.

Online you should also be following lots and lots of different artists! Don't limit yourself, pay attention to how they construct their drawings, how they go about things. It's important you follow a lot of people, see how they evolve. They are not only a point in time, they are also learning and evolving just like you. It's especially good if you can have artists friends to draw and share stuff with. I have a deep-seated belief that we draw art for others, to express ourselves to them, so they need to see it.

It may sound weird for me to say if you want to draw like me try to draw unlike me, but I'm just saying what I've done. I follow a lot of people and draw from a lot of places. Ultimately the main appeal of my forms is their dynamism and volume as you've said, but it's good to be versatile so you can always explore new avenues!

Now, you've done all these things, you are practicing them constantly. Now is the most important part. Keep drawing!!! Just keep drawing no matter what, no matter how bad you think it looks. You have to believe you have something to say, to express, no matter what. You say you haven't improved, but I don't believe you! Maybe you are faster, maybe your technique is better, maybe you have better habits, maybe you are a little more patient. There are a million ways to improve which don't even appear in the image. You have to keep drawing, NO MATTER WHAT!!! You have to believe you were born to do this and you will do it well, don't worry about what others think.

I can only draw such dynamic forms because I have kept drawing and masticating and elaborating this idea that is called my style. When you are drawing you are developing your own little language, and only when you are fluent you can start writing good books with it. Being fluent will take many years, you must accept that. If you take breaks, take breaks so you can keep drawing later. Take care of your health so you can keep drawing. You will only get to see your drawings become beautiful if you live long. To live a long and healthy life is to keep drawing.

That is my ultimate advice really, let that frustration build up, but keep drawing anyway. You will force yourself to find solutions to release that frustration as you do so, and improve. Maybe it's simple, but it's the only thing that is true no matter what. Don't worry about AI or whatever, none of that matters. Just keep drawing!

[chibishortdeath]

Free will strikes again, these were some really fun doodles :3. I think Simon is allowed to be a little visual kei sometimes. Idk I just know he’d vibe with it. Explanations under a cut—

And also a couple unfinished doodles that were just intended to be rough pose/anatomy practice sketches, but ended up accidentally more detailed than intended 💀💀💀. It’s nothing graphic, but ⚠️slight artistic nudity warning⚠️ anyway in case d(>_< ).

Hehehe, this is based off of a photo from Malice Mizer live, it’s Simon in place of Mana and Fuma in place of Gackt. Very fun pose to draw!!! Especially cause it’s a pose with a whip and also cause idk why but I find poses with one or both arms up pretty easy to draw. And yeah yay, Fuma inclusion yippie :3!

I don’t have any other explanation for why this exists other than dresses are cool. So I made him one :D. The coord has a half caplet that connects to a shoulder paldron on the other shoulder by chain with a little cross. Under that there’s a blouse and skirt combo with patterns similar to his SQ armor and some rose thorn patterns around the ends of the sleeves and collar. Over that is a corset and under is a cage crinoline made to look like crosses peaking around the edge. Shoes carry outfit motifs like the roses on the bow tie and headdress and the lace throughout. Also, an eyepatch with cross on it because yeah, cute :3. I’d probably wear this if I had uh any skill in sewing at all (TwT ).

A not chibi version of the above outfit! Except probably without the crinoline with how the skirt fabric is sitting lol. Tbh I think Simon would probably be fine with this for a little bit and then get uncomfortable about having so many layers on. I don’t think he’d like tights at all 💀💀💀💀💀💀💀. Hmmm I’ll have to draw a version of it that’d be more comfortable for him hmm maybe tomorrow.

Another Simon holding Dracula’s heart artwork. Shout out to how this guy just carries this thing around for so long lol.

Simon facing off against his worst enemy: stairs! This one was practice drawing characters in backgrounds, since I’m so rusty at actually drawing those two things together (ToT ). I can draw a separate background fine, but the second I have to put someone in it I just completely forget what I’m doing XD.

This one is also a practice! He’s running up to the altar in Drac’s basement. The lighting was fun for this one, but I forgot to draw the whip in his hand 💀.

This one was an attempt at drawing a skeleton and keeping the same proportions in a drawing of someone (Simon) who is uh not a skeleton. Fun fact! It took me like 5 tries to get the skeleton to not just look like Papyrus Undertale cause holy heck do the skeletons from that game take a hold of some part of your art style and never let go 💀💀💀💀

CASTLEVANIA JUDGEMENT HAS HATS??? AS LIKE AN UNLOCKABLE?????????? So obviously I had to draw Simon (x2) with the bow options. Pink probs looks really nice with his hair tbh. And the striped bow was black and white so it fits with the Judgement design’s outfit. If I ever actually play this game again (I suck so bad at it), I’ll be trying to get these for the very important reason of Simon cute. :3

—

Ok now these two. The first one was a different attempt at that Mana pose, but a bigger scale and a bit less exaggerated. I ended up having to do a ton of edits to it cause I kept making things too big or too small lol. And the second one is just a couple dynamic posing practices. They’re also excuses to draw more arm up poses cause they’re fun X3. He was just supposed to have like a generic placeholder rectangle er um uh there, but some of the sketchy lines ended up looking like what’s supposed to be in that spot, so I just didn’t wanna risk these being on main tags out in the open 💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀. Though, tbh, I’ve seen more explicit things on the tags so eh, better safe than sorry tho (- w - )

[torihakaraublog]

Obey Me! NB "Happy School Life" Pop Quiz Event

Oh my goodness! Has it really been a month since I last posted?? June went by super fast!

The club activity event was okay in my mind. A bit dull club activity wise, would have liked more more in depth explanation of the activities. Plus once again where was Beel! stop hiding him! (tho as of writing this the current event seems to be Beel themed so yay!)

However, there was some very sweet/fun character moments. We got to hear about how dedicated Beel is to his club + making new members feel welcome.

We got kendo Diavolo *blushes*. Kendo suits him really well! Plus possessive Diavolo when we are taking photos of the band group (Lucifer, Barbatos, Simeon - lead singer Lucifer hehe).

Also there was a fun Asmo/Solomon dynamic going on. I love how they ended up being the only members in their respective clubs so they got placed in a room together ALONE. I'm sure they both enjoyed that teehee.

Putting together a photo album at the end + Diavolo giving us a picture was cute too :3

I wanna read Satan's detective novel! (when he's ready to share of course)

Missed out on Levi's shower card, but it looks great! I love how hes super excited about the shirt and when its unlocked hes wearing it happily. Its such a typical anime shirt design style! 10/10

Lucifer Birthday Event!

Please! Lucifer's birthday event was amazing! If irl I could do this stuff with him I would be very pleased <3

Ended up playing it a few days after Lucifer's birthday while waiting for my sis's graduation to start xD It was good to pass the time, except the seats were all conected so every time someone stood up the whole row shook!

A good breakfast with the family, visiting a bookstore (where we both get stuff cause its the worst when you buy something, but your date does not), the opera, spending a quiet dinner together at a nice bar, and dancing!

Loved how when the brothers found out I was spending the day alone with Lucifer, Levi was the first to object. Then Beel was the voice of reason being like "Guys its Lucifer's birthday we can be jealous another day, just not today!" What a good lil bro.

The part at the bar where Lucifer says "Its a shame I can only enjoy this on my birthday." I know he says that cause his drink is a special 'birthday drink' you can only get on your birthday. But since I don't drink I'm gonna pretend he said that since he's the only one who is drinking xD I usually get cranberry juice or gingerale when I'm out.

Obey Me! NB "The Devildom RAD Rangers" Pop Quiz Event

It was fun and silly event. The outfits were very nice for all the characters. Very modest (except Beel's), but on theme. Would have liked Mammon to be a hero tho! Was a missed opertunity for character development. Kinda was everyone vs Mammon.

Lots of good duos - Levi and Asmo practicing poses. Lucifer and Diavolo getting fancy cells. Think there was a Simeon and Solomon moment (I don't remember).

Super cute moment where you get to cuddle Beel and Bel at the same time to release a power move. (Yes that's totally why we were doing that lol)

Normally I don't get around to reading the devilgrams, but I did read the "Brother's no more" memory one and highly recommend. As both a Lucifer and Simeon main it was an interaction I have been hoping would happen at some point! ^_^

***

I might not be... normal about the next/current event xD so my next post might be a bit wacky lmao

[kalolasfantasyworld]

Silva siblings yoga head canons

I can't really practice yoga now, because of my leg and I miss it dearly. So I decided to share these few head canons I have for the birds ^^

Art which came to be during a conversation with @t-f-t below.

Definitions taken from this website to explain to you a bit.

Nozel Silva

Ashtanga

Ashtanga yoga consists of six series of specific poses taught in order. Each pose and each series is “given” to a student when their teacher decides they have mastered the previous one. This is a very physical, flow-style yoga with spiritual components.

The whole practice and system of Ashtanga fits Nozel really well in my opinion. He likes discipline, he likes patterns and this is a also a physical practice. You are getting stronger, through working on yourself and one very specific aspects. Ashtanga greatly focuses on details and how well you perform the sequence.

Solid Silva

Vinyasa

Vinyasa yoga is also called “flow yoga” or “vinyasa flow”. “Vinyasa flow is a style of yoga where the poses are synchronised with the breath in a continuous rhythmic flow.”

Solid would probably get bore with different types, while Vinyasa is the most lively one. Besides there is the flow that a water magic user would have. In Vinyasa you also learn some fun poses and it's very dynamic. It fits his much more "jumpy" character.

Nebra Silva

Hot yoga, but in Vinyasa not Bikram style.

For Nebra I also choose a more dynamic style. She's got that spark and sassiness and wants the freedom Vinyasa could grant her. However since her attribute is mist a high temperature would be a nice addition. She could wear some an amazing yoga shorts and top set and obviously would get a fancy mat, on which she would not slip on.

Noelle Silva

Aerial yoga

Aerial yoga — sometimes called anti-gravity yoga — is relatively new, but quickly catching on. It involves traditional yoga poses with the added support of a strong, silky hammock that hangs from the ceiling. Nontraditional yoga experience.

Nontraditional is the definition of Noelle after all. She's fighting the "gravity" of expectations towards her and rising above them. However she uses classical water magic and has her mother's spell, so there is that base. She uses them in her own ways. The wings of her valkyrie armor and the fact that she flies guided me towards the aerial style.

Eagle doing an eagle pose

Citing @t-f-t

"nozel like: jojo posing to flex on the peasants"

[zayray030]

Basketball club hcs?

Also after the new stitch event I want to see more azul, floyd, and ace so any headcanons for that trio?

(Platonic or not platonic)

BASKETBALL TRIO!!!!

After practice they all like to go to Sam's shop and but themselves a little sweet treat

Floyd likes to randomly 'check' and 'fic' Ace's pose and position

Jamil likes to say that he's the normal one of the club but is the first to entertain Floyd's ideas to mess around during practice

Ace once made those honey soaked lemons for after practice and kept trying to say he bought them instead but Jamil and Floyd refused to believe him and teased him about being so cute

Anytime they go against another school Ace does a whole ritual in the hopes that Jamil and Floyd are nice to the players. It never works

Sometimes they go to the beach and practice passing there. It's mostly an excuse for Ace to see Jamil and Floyd shirtless

Ace once missed practice due to a high fever and the day he returned to practice was the most focused practice session ever. The next one was its normal chaotic self and he couldn't help but feel happier

Jam and Floyd once caught Ace practicing by himself and have made a conscious effort to explain things to him without him catching on

I'm actually curious in the FloAzuAce dynamic now lmao

Floyd and Azul regularly try and rope Ace into servitude but consistently fail

Ace once died his fringe blue in an effort to match his boyfriends and he got teased mercilessly. Little did he know it was because they just adored his hair and enjoyed how pretty it was to look at

Floyd was the first to clock on that Ace was essentially describing a sugar daddy when he talked about Azul

When the two first met Anippola they were shocked by how calm he was. And then even more shocked when he pulled a knife on them and threatened to fillet them

[rmorde]

Trigun Manga Reaction

Continuing with Volume 1 - Chapter 2

The double spread of Vash here and the grim history of the planet they're stuck in being contrasted by the title "LOONEY TUNES" is darkly funny ngl.

Then we cut to this?!

I know Vash is flexible and can get into wacky pretzel poses a lot from '98 and a bit less so from Tristamp, but this is something else. Combined with the sound effects, one would think this is a NSFW manga of a different genre.

Nightow loves to use sharp lines and triangle shapes, doesn't he? Not an expert opinion tho. Just something I'm noticing.

Did.. DID HIS HEAD JUST BOUNCE OFF CONCRETE?!!!! BABY GIRL!!!

Ahhh.. Dark humor. I don't know whether to laugh or cry.

Gremlin Baby Girl Vash using the age old tactic of hide-and-seek: people rarely look up!

I love their dynamic so much which I miss a lot in Tristamp. I mean Roberto-Meryl mentor dynamics was good and the series gave her a good origin, but still... I can't wait to see Milly again.

I think this is manga only, right? I don't remember something like this in '98. Meryl can be silly but it's a different kind of silly. Remembering how in denial she was in '98 about Vash being Vash is funny.

LMAO!!! His face! HIS FUCKING FACE!!!

Ok. So, in terms of art, '98 really gets the manga. TriStamp can be goofy but not to this extent... yet. I think Studio Orange is really doing their best to maximize 3D animation in replicating silly anime/manga expressions. They did it during the Jeonora Looney Toons Chase and a bit when Wolfwood was flyswatted by Meryl with a van. Maybe there'd be more next season (?)

Ok. Remember this from '98.

"WHOSE IDEA WAS IT TO USE THE GRENADE?! HE CAN'T BE IDENTIFIED FOR THE REWARD IF HE'S PILE OF PULP, YOU DUMBASS!!!"

The trials these insurance ladies have to go through. OMFG. And this is just the start!

Oh... I can print this into a bookmark actually.

Oh. This is very different from '98. But between a bandit or a mob, Meryl and Milly have better luck making a bandit listen to what they have to say. Also, swapping a megaphone with dozens of doughnuts here won't improve matters either.

Meryl and Milly's anime counterparts had it easy at first. They had a trial run! Poor Manga Meryl and Milly didn't get that at all!

A black cat in these despairing times?

Ok... This was a bit later in '98... I think.

But I think TriStamp followed the manga's line of events more closely.

Wow... There'll probably more of these but the double spreads in this manga are always good.

Badass Ladies in longcoats!

What else is there to say about them? They're mad and they know how way over their heads this situation is, but they do their job anyway.

LOOK HOW THEY CRUMPLED THE CHAIRMAN LIKE A TISSUE PAPER!!!

Sigh... A terrible sight it is. This is the third iteration I've seen. It's the same old thing just in another coat of paint I've missed until now. This is tiring and frustrating as a reader/watcher.

While these people do show a bit of remorse because they acknowledge how nice Vash is and the story makes it clear that this was a last resort, it's practically a flimsy band-aid on a bleeding fatal wound.

Oh fuck. Was this number also mentioned in '98?! I can't remember.

But fifty?! Oh, Vash...

And he can't even cry to mourn his sisters...

And another incredible spread in here. Is this style just a Nightow thing? Two pages split into three sections of narrow-wide-narrow? I don't know the correct term. However, it seems to show up a lot. Trying to remember if other mangas I've read does the same...

Ooof. This was not easy on the eyes and it took a while for me to understand what happened. When I did tho... Oof... Vash Baby Girl.. Ow...

However... I know anime physics means character can bend their body like pretzels easy peasy, but what if Vash and Nai just have cartilage in place of bones? Or would that be just weird? All I can think about it '98 Wolfwood bending and twisting Vash 180 degrees during their first meeting.

Wait... What if Wolfwood's bones have been turned into just cartilage too during the experiments? No... These do not make sense!!!

And here it is again! Two pages split into three: narrow-wide-narrow.

AHAHAHA. MILLY NOOO LET MERYL BREATHE!

[qwertycake]

bickering. also doodle archive below the cut :)

posing practice #1

posing practice #2

unfinished tadc crossover feat. an insect collection of sorts

super old doodles from when i was still figuring out how to stylise these characters. still learning lol

oatchi hanging out with his boys

pom. pom. pom. pom. p

rare moment of russ appreciation

sketches are allowed to be messy and unrefined and kind of bad actually

i still really like this i just wanted a more dynamic pose for the final piece (that i’m still working on lol sorry)

drawn on my phone at midnight recently. seems like a nice way to end it off <3

[wasyago]

hi! this is the bunch-a-questions anon. this wont be an ask ask. thank you for answering! it really gives me so much insight about tools and processes, i really enjoy seeing/reading how different artists have different ways in approaching creation of art. it’s all so interesting to me

and oooh i know what you mean about looking at a lot of different artists! it’s inspiration!! i find those things to be amazing too, it’s so cool. it’s like “this spot is inspired by an artist” “this artist draws this like this, so i wanted to try” “i think the way an artist drew this was neat and i wanted to try an implement it” it reminds me of that one post how we, as people, are a mosiac of other people and i believe it to be the same for how artists are too with their art

i feel inspired by the way you draw….. everything!!! it gets me pumped to try and replicate the way you do some things. like the shapes you create, the colors you choose, the way your lineart seems to be so flowy, how dynamic everything feels and how different each drawing you create is from one another (i saw you reblog that meme of like “why shouldnt i draw characters from the waist up and that is SO me, but it’s shoulders up” because drawing full bodies makes mh drawings feel so stiff, i need to practice more!!), the poses of the characters. just.. every aspect of your art is so, so, so nice!!

the way you draw, in all your styles, it’s definitely one of the ones that is such a good scratch to my brain. it gets me all giddy and happy! i’m not sure if i’ll get into jwri, mostly because my attention span will not let me be able sit and focus on listening before i get distracted and miss context on parts, BUT i still go to your blog almost every day just so i can see your art, no matter what it is, no matter who the characters are because it’s always so so good and i love taking it in. (will eat your art if i could, i am so serious)

this was a long one but yeah! i just wanted to let you know how awesome i see your art is! and how i also think youre a cool person, you seem like such a good peep to hang out it! might be weird to say but if you were a blorbo, you would be one of the most blorbiest blorbos to blorbo ever

hope youre having a good day!!

OH THANK YOU SO MUCH FOR ALL THE KIND WORDS THIS IS SOOOOO

your explanation of taking inspiration from other artists was so poetic and beautiful! truly inspiring in itself

its okay if you can't get into jrwi, i get it! i didn't think i would get into it as well and after binging all the episodes i honestly forgot why i even started listening in the first place. remembered recently tho! it was because i was going a little crazy while making the picrew and needed some actual talking in the background instead of just music. so, if you ever decide to give it a try, or listen to something else equally as lengthy, try to busy your hands with something that doesn't require a lot of thinking! it helps me at least! worked both with jrwi and tma. it's like, doing something monotonous (knitting, sorting files, cleaning the house, etc) can be incredibly boring if i sit in silence and let my mind wonder. alternatively, listening to something long or watching a long movie can be incredibly boring as well because i struggle to pay attention to the same thing for two hours. but combining these is really good, because it keeps both my mind and hands busy, but not overwhelmingly so!

and ough ough ough thank you again for such heartwarming message! im so happy to hear that you feel inspired by my art, and i wish you good luck in your own art journey!!!!!!! remember to have fun and listen to yourself and do things that you find interesting and that you enjoy! don't force yourself to draw stuff you don't like! all art is personal and individual, so don't be afraid to make things "you"! you don't have to do clean line, you don't have to do lines at all, you don't have to do coloring or shading, if you don't like it! and if you do like it or are excited to try, you should go for it! don't be afraid to change and grow but don't force yourself into it!

also don't foget to stretch before drawing its very important!!!!!!!!!!!!

[tomatoart]

mwah your art is good and nice :>

can I ask for some advice? no worries if u don't want to answer.

do you have any tips on how exactly to practice art? everytime I ask for art advice everyone always says "practice" but idk what to practice first! do you have any strategies for learning how to draw something? do you do excercises? and if so how do they work?and are there any beginner mistakes I should look out for and change specifically?

thank you so much!! have a wonderful week :>

thank you so much! im ok w answering! i dont want to speak as if i am an expert on how to draw things in general as i am learning as well and definitely am not completely learned, so i might not be the best person to ask since im not very professional w my art as I do it as a hobby (and I can only speak on mostly digital cartoon matters) but i reallly hope to try and help u out even a lil ! im really happy that you’re eager to draw :] I wish you so much luck muwah muwah

i also hated when ppl told me “just practice” and i dont wanna inflict tht on u EITHER LOL but also thats just what i ended up doing for awhile but i tried to find some things to help ^_^

tips for practice: My number one rule is that practices should be challenging but still fun, I know it can get frustrating trying to redraw a pose over and over trying to get it perfect. And over time it rlly is all about muscle memory, the longer you draw the more your eyes will pick out specific shapes in everyday life and convert them into its own vision of them! or at least its good to look at life that way, try to pin point key shapes and stress less on details in practices. after you look at key points, THEN you can go over what you have and draw in and over it to make it more “complete.” To stop practices from getting too stressful I recommend starting out drawing what you want a little more simple looking than ur desired finished product. This helps eliminate the pressure of everything not looking “perfect” and keeps your art more loose and fun. Doing this a few times is gonna get ur brain to recognize patterns in art and how things look/flow in anatomy and such. dont get stuck in ur own head abt perfecting everything to the point you either 1) give up bc ur not at a level capable of it being 100% “perfect” or 2) focus so much on making it perfect that you end up saying the work looks “wonky” or stale in dynamics, So while I do think studies help, don’t get too lost in them. I always practice with media I enjoy too, whether it’s characters or fashion I enjoy.

Strategies learning to draw something: people get mad abt this one but I think tracing reference photos is great. its been awhile but When I tried learning to draw hands better at first I would trace them then put the traced image to the side of the canvas, then try and replicate what my mind saw as its most important angles and aspects. Same for clothing folds/hair/etc! I think it’s maybe not the best idea to trace the ref and use the tracings as is, because you learn more from tracing it then trying to replicate and simplify what u learned into the style you’re working in. Find what shapes you like from them and don’t over detail it. you may have to go by eye and think “what parts of this ref photo should i simplify to fit my style” and for me, its usually adjusting the length of the torso and then the limbs by associations. i dont recommend feeling like u need a reference for every art you make though, its ok to let ur own head try out its own sometimes too while trying to learn this, see if it remembers any call bad from the past referenced sketches! over time ull remember where everything goes more, these days i rarely kick myself to use refs but im sure they still would help to use, but figure drawing simple blobby figure in a bunch of random poses was a big thing i used to do as well to get better at full body art + overall dynamics (still does this). also paying attention to silhouettes is great 

Exercises and how they work: I WANNA HELP U SO BAD BUT to be honest, all the works on my blog ARE exercises! i rarely actually do finished pieces, if u scroll thru my posts ull notice most r sketches. i usually just fill up a page and call it “warm ups” then i get attached to some of them, take a few, and just line them up pleasingly on a smaller page, then color them in (or sometimes fix the lines to be more clean too). im not rlly a person who “exercises” to practice, it more so happens from just me drawing a lot for fun as a hobby! but i really should. i will tell u this has humbled me a lil i need to start practicing too 😭 LOL but a good exercise is to look at what ur inspirations do, and study it. Make a collage and write out what you like most abt their styles/what u want to gain from them. For ref Here’s a page I did awhile ago when someone asked me abt my insps:

i also look at fashion magazines and as well as anime figures and take insps from that sometimes with learning cool poses and compositions to convert into my own things

Beginner mistakes to look out for: its hard for me to pin point “mistakes” beginners make, as sometimes we cant avoid all of them or even notice them, progress comes from growing out of old ways. some mistakes are even the foundation of ur future amazing cool style! but i think some things to look out for could be these, from my own old art experiences

Hands were the first thing I learned bc i liked drawing them. I don’t know if that is the best way to go but I think it is smart to practice sooner than later, here is a lil guide thingggyyy wingyyy from awhle ago

i see beginners shy away from drawing signs of age in people, sometimes adding too much detail on an older person in cartoon art makes it look weird, so i try and hit the key markings on ppls faces of age.

Too thin of lines. sometimes its a stylistic choice to use thin lineart, and it can look amazing ! but sometimes it can flatten an image if ur not familiar with its flow. im not saying use thick line art, but more so to keep in mind the weight of ur strokes, adding depth with a thick thin combo of line art can do SO much for the simplest of pieces. heres a visual from a while back when i talked abt my brush + more abt lines:

but if ur desired style is thin lineart that is cool too! tbh it was just harder for me as a beginner

sometimes artists think they need to do full lineart for everything and then hate how it looks compared to the sketch, do not fear i will introduce u to my bff: painting over a sketch, extractinging the lines, then calling it line art. i only do this sometimes but its a fun exercise-ish thing to do in a pinch. example:

finding what shading fits ur art. sometimes ill see ppl starting out who have a style thats very simple, but they use a very detailed rendering process on it. this is not something id ever police of course, art is each persons own choice! And it CAN work. It can be so cute! but sometimes mixing two very contrasting mediums of art can throw off the “put together” look of it. i use to abuse the airbrush tool thinking it made my simple style look super cool and detailed, but looking back on it now those pieces looked a little off, having such a simple style have somewhat more realistic shading. dont get me wrong the ability i see ppl use rendering like that is so insanely talented! but i found cellshading to be a good match for cartoony art like my own. a tip i learned way too late abt that is rather than shading each layer by color picking a darker color, instead use a clipping mask over the entire art (above line art too as I color my lineart) and lasso tool the areas u want shaded + fill it w a saturated purple then set to multiply + lower opacity. also, sometimes coloring can come out chalky looking when u meant for it to be smooth and transitional, i think this comes from overshading and overlighting pieces without reason. pay attention to where the light source is, and focus on making the shaded and lighter areas nice shapes that cover the necessary areas, then u can add additional shading to the smaller details of what should have a casted shadow/light  

its good to spice up ur art now rather than later, focusing making ur art pop more w backgrounds will help ur coloring skills look better too! i dont mean detailed huge backgrounds, a small lil color pallet and design rather than a blank white bg. like this will make u feel better abt it or at least it helped me *sweats* yeah:

beginners tend to draw blank faces like “:)” but I think a good thing to do is try and get silly with expressions early on. It’s okay if the mouth hangs off the face cartoonishly with joy or shock, it’s ok if the eyebrows are super high in surprise.

tracing and pasting it as is (already said this but I’ve seen ppl do it a lot with hair styles and it makes it look alienated from the rest of the style) (final fantasy fans found critically injured) n if need a ref for a pose, using a real humans anatomy as-is doesn’t look quite right on a cartoonyish drawing. Shortening torso and legs usually comes out of this for me!

flip ur canvas i promise u it’ll be less embarrassing over time!

using guidelines for perspective and foreshortening is GREAT. Do it stylistically rather than realistically to add some groove to it...yay. Having silly perspective in art can make it look like a 10 so easily opposed to a normal front facing sketch. Look at cool poses from fashion magazines! Don’t be scared to draw something you don’t feel confident in conveying perfectly, this is why progress redraws exist :)

Drawing the hairline b4 u draw the hair is great, it helps u understand where their hair flows from, where it starts and stops, AND prepares u for drawing bald ppl. Also don’t make the head too big, the skull IS bigger up top, but sometimes I see an alien head affect.

Anatomy is an interesting mistake that beginners make a lot, but it’s one they find harder to notice! When I started out, all my art would be SO wonky, but I didn’t even realize it! It still happens today too! specifically though I see beginners struggle with the arms in this department. My advice is to try and measure them out and make sure they don’t go past the knees, and are the same length as each other when Unfolded. asking for criticism is hard but it helped me realize when i would make something bigger/longer than it should have been in my art, and stuck with me being able to go “oh... i see it LOL” 

clothing wrinkles- do not over do it! Too many wrinkles and shading can look unpleasant and wirey- like a plastic table cloth all bunched up which isn’t exactly what ppl wear. pay attention to gravity too

I hope this helped even a lil im sorry tht I’m not very good at explaining or didn’t have much to sayyy! If u have any troubles no guarantee I’ll have the answer, but ur always free to ask!

[synthaphone]

I found your pokemon clay stuff n was wondering if you had any advice for someone new to clay work! I'm Struggling a bit with getting things smooth and symmetrical

oh god it's neopets sculptures I'm so sorry, I'm very very tired today

You're totally fine, no worries!

I talked about my approaches to getting stuff smooth in my answer to this ask!

When it comes to symmetry, that's something I still struggle with, and I think might just require lots of practice. I think what I can offer as far as tips are:

When i'm making matching elements that i want to be the same size, like ears, cheeks, toes, or basically anything symmetrical, I try to set aside equal sized little balls of clay from the start that are planned for those elements. Because you're always just kind of eyeballing it, they do usually end up being slightly different sizes from each other and i have to add or remove some material, but its still a lot easier than making one ear first, and then going to start on the second one and having no idea how much clay you used on the first one and how you're going to get them equal sizes

Make sure to periodically stop and turn your sculpture around to look at it from different angles! It's easy to focus in on one area and getting it to look perfect, and then pull back and realize that it doesn't work from other angles- if you frequently turn it and compare what you're working on to the rest of the sculpture, it can help you catch inconsistencies before you sink a bunch of time into them, which can make the process less frustrating!

On a similar note, its often smart to avoid trying to smooth things out and get them looking 'finished' too early- this is something that I haven't quite gotten the hang of yet either, haha. My college friend who majored in sculpture and also works with sculpey told me that she was taught to leave things fairly rough and unpolished until she'd gotten the forms and mass how and where she wanted them. The sculpture can look kind of lumpy and have obvious seams in progress because you're adding and removing clay from areas without smoothing it, but once you get the basic form down you can start refining it. Its a lot less painful to make changes that way than if you get something looking smooth and nice early, and then have to mess it up to improve the overall sculpture (and also helps you avoid squishing finished parts while youre trying to firmly attach other large pieces)

if you go for a more asymmetrical pose or expression, it won't be as noticeable if things are slightly different sizes, and it can end up looking more dynamic. i struggle with this a lot too, because when i started sculpting as a kid, what i really wanted to make was TOYS!! and i wanted my sculptures to be in neutral poses so they'd feel natural in most scenarios while playing pretend. Now I'm still fighting my subconscious to get out of that mindset, haha. Obviously though theres nothing wrong with making sculptures in more neutral poses if that's what you want to do, and a lot of the time I still do it, its just got some additional challenges

OH and as far as general advice wrt polymer clay:

don't be afraid of using wire, or even wooden toothpicks as structural support!!! these can save your life

tin foil cores inside sculptures can save clay and helps with keeping some elements lighter so they don't droop in the oven and bake more evenly

if you're worried about something falling or drooping in the oven, you can sculpt some tin foil into a support for it to rest on- this can end up leaving some little tin foil marks in the clay, but you either can fill those in with clay on subsequent bakes, or if they're shallow enough sand them off. Its way easier to fix those later than it is to fix an element that drooped and then baked into that position