#also it has one of the best soundtracks ever
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avelera · 3 days ago
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If they actually do “Jayce has been stuck in a time loop” in Arcane Act 3, once I’ve stopped screaming, expect a meta breakdown (AND a mental breakdown) of the elements of Puella Magi Madoka Magica influence I’ve been noticing around the edges of Arcane S2.
I haven’t been quite able to put my finger on it until after Act 2 dropped, but the use of certain textures like when the Wild Rune went nuts in 2.03 reminded me of the animation in Madoka (also Spiderverse of course), and there’s also the Shurima choral rift in To Ashes and Blood which definitely invoked the Madoka soundtrack song “Magia” for me, and of course, if Jayce did show up looking like a bad guy because he’s the only one who knows about the future they need to prevent, that would be a plot arc straight out of Homura’s arc in Madoka. They even share some themes already, specifically the Arcane themes stated by Singed and Viktor in Act 2 that humanity’s love for one another is what drives their greatest atrocities.
I’m still doing my level best (which is not very good) not to get too excited about a theory that hasn’t been proven yet. But Madoka Magica was also a massively influential animated work in recent years so it wouldn’t be crazy if it had an impact on the Arcane creators. And it might be my top favorite take on time loops, how a normal person becomes a chosen one, that I’ve ever seen. So if the parallels do pan out I will probably combust with joy?
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caluupin · 7 months ago
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Finished TGAAC around 2 1/2 weeks ago but only finished the doodles today. but still, here ya go!
#caluuart#art#dgs spoilers#dgs2 spoilers#tgaa spoilers#tgaa2 spoilers#ace attorney#the great ace attorney#tgaa#dgs2#not tagging characters bc it's a lot#RAMBLE TIME. so ever since I finished dgs2 I have been listening to the soundtracks and MAN these bang so much#esp as a person who plays the piano and likes music. it's just. good. yeah. some of these do give me psychological dmg tho lmaoo#like kazuma's nocturne theme or his prosecutor theme. or the secret trial theme.... the partners - the game is afoot! theme.... I am normal#WHICH SPEAKING OF! man I love the sholmes + mikotoba partner twist so much even if i got a bit spoiled about it. i just think they're neat.#The partners of all time I think.#Also also the found family!?!?!? I am A SUCKER for found family. they fed me so well.#funny thing was the barok character development surprised me despite the fact that I also expected it since the first game lolol.#I do think he's an interesting character and probably one of the best character development in the game. And that I find his design cool.#oh yeah I didn't draw it but when I saw that albert mentioned that barok is “the darling of the van zieks family” I was genuinely like.#huh? wdym. like man at the time “van zieks” and “little darling” feels wrong in the same sentence. that was until I saw his pre-#-trauma pictures n well. albert isn't wrong. which was a slight surprise to me.#In conclusion: I liked it a lot. and now occupies parts of my brain along with my other brainrots.#They fight for priority in my brain whenever I try to sleep or disassociate lol. Well at least there's more material to think about.#off topic time: arlecchino animation. for the sake of the tag's length I'll just say a few things:#I am very very interested in her story and oh my god father.#My brain has stopped braining now; good night my fellows
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itspileofgoodthings · 5 months ago
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tags continued from prev post.
#and all of this is true while it is ALSO true that her songs age incredibly well#even debut or random soundtrack songs or endgame#whatever song people try to put on the worst Taylor songs list NEVER QUITE BELONGS#it doesn’t feel right. and to some extent occasionally in mercurial flashes I feel the same about her BEST songwriting list#I can never rank anything of hers ever because she can write better than she has written#if anything finds her own songwriting dead it’s what her future self will be able to achieve#and I think sometimes even the public can SENSE this about her and it’s part of why people are sooooo hard on her in a brutal way#and in a way they never are with other artists. who have reached the limits of their potential#Taylor has not reached the limits —that’s the simple way of saying it#in some way she is still figuring out the artist she is going to be#and I really do think that it is going to be absolutely astonishing#because in some ways (this is going to sound crazy) she is still distracted by her success and her tour#she’s NOT but I mean. the canon hasn’t been fully set free#there are still somehow things holding her back#and we’ve watched her outstrip so much of those early confines that fame and the business of the music industry strapped around her#we’ve seen her say ‘that doesn’t apply to me’#but actually she’s going to and she needs to and I believe she WILL continue to move into rarefied air#my mom helped me give me the final piece of this feeling (and it’s just a deep gut intuition/brain chemical thing for me)#when she said one day almost in mild exasperation: maybe one day Taylor will grow into a Dolly Parton#and something CLICKED#in my brain. and I don’t agree with my mom in terms of her non-interest in Taylor (as much as it has pained me to do so)#I think she’s worth loving and paying attention to now#but that gap that exists between people who love her and people who don’t (full time haters internet trolls do not interact)#I think it’s going to close with time as her work stretches out and out and grows and changes#like I think by the end of her career we are going to have something so astonishing#and to loop it back for a second to a previous thought. I think that’s why sometimes a taylor song can sound disjointed to me. because it#will hit the Depths of the Depth for a second. it will transcend and then it will go back to merely being an excellent pop song#those flashes are everywhere in her work but I think she is going to work and hone them into being conductors of light in a more steady way#the older she gets. does this sound INSANE. idk sometimes I think it does and then sometimes I think it DOESNt. so who knows. but yeah#it’s hard to say because I know it will read as more critical of Taylor than I mean it to be. when really I mean it with so much awe
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demadogs · 19 hours ago
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starting a prayer circle to manifest house of wolves by mcr plays in yellowjackets during a hunt
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frog-whisperer · 11 months ago
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Now that it’s been a decade and it’s not so oversaturated in the public consciousness anymore I think we all need to admit that Frozen slaps actually
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natsudragneelgf · 1 year ago
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best Greek song possibly ever made ⬇️
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shesquaredpodcast · 2 years ago
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Still one of the most beautiful and heartbreaking love stories ever told.
I watched this movie when I was just coming out in the 90’s and I’m still not over it today.
Also still not over the performance of these songs. One of life’s greatest tragedies is that they were never released as a full renditions, because Whoopi nailed everything about everything in this role including every song she sang. - N Lance
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blkkatsuki · 1 year ago
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listening 2 tgaa2 ost and MANNN I need 2 replay it b4 school starts back
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doyoulikethissong-poll · 5 months ago
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Harold Faltermeyer - Axel F 1985
"Axel F" is an electronic instrumental track by German musician Harold Faltermeyer. It served as the theme song for the 1984 film Beverly Hills Cop, its eponymous character (as portrayed by Eddie Murphy) and the film franchise it is based from, which became an international number-one hit in 1985. The track reached number one in Ireland as well as on the US Billboard Hot Dance Club Play chart. Additionally, it was a number two hit in Belgium, Canada, the Netherlands, Switzerland, the UK, and West Germany. In addition to the Beverly Hills Cop soundtrack, the song appears on Faltermeyer's 1988 album Harold F. as a bonus track.
Faltermeyer recorded the tune using five instruments: a Roland Jupiter-8 provided the distinctive saw lead, a Moog modular synthesizer 15 provided the bass, a Roland JX-3P provided chord stab brasses, a Yamaha DX7 was used for the marimba sound, and a LinnDrum was used for drum programming. All instruments were played by Faltermeyer. According to Faltermeyer, the initial reaction to his first presentation of the track to the film's producers and director did not result in an immediate approval; it was not until director Martin Brest voiced his approval that the producers showed enthusiasm. A music video was produced to promote the single, directed by Faltermeyer.
"Axel F" has been sampled in many songs, including "Champion" by South Korean singer Psy. In 2005, Crazy Frog's version became a summer hit. It topped the charts in the UK, with some of the best weekly sales of the year, and remained at the top of the UK Singles Chart for four weeks to become Britain's third-best-selling single of 2005, outselling and outperforming the original version. It also reached number 1 in Australia, the Republic of Ireland, Belgium, Denmark, New Zealand, Norway, Ukraine, Spain, and Sweden. In France, the song stayed at number 1 for thirteen weeks, only to be dethroned by Crazy Frog's second single, "Popcorn". This was only the second time that an artist had ever dethroned themself in that country. It peaked at number 3 on the US Digital Sales chart, and number 2 on the US Adult Contemporary Top 20. In 2024, as part of a tribute to celebrate the release of Beverly Hills Cop: Axel F, the Crazy Frog Youtube Channel made a special crossover music video with Netflix, featuring scenes from the movie, but re-edited to feature Crazy Frog in them, being chased by the Beverly Hills Police and Axel Foley.
"Axel F" received a total of 88,3% yes votes!
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ichorai · 1 year ago
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wool ; coriolanus snow.
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pairing ; young!coriolanus snow x capitol!reader (gender-neutral)
synopsis ; when you laughed, airy and light and reminiscent to that of wind chimes, coryo wished he could bottle up the sound and keep it as his, only his.
words ; 1.5k
themes ; mild fluff/angst, slightly suggestive
warnings / includes ; set before events of tbosas so no actual spoilers, making out, clemensia appearance, mentions of other characters, coryo's paranoia, he's not exactly toxic yet but the seeds are very much planted, i tried to keep him in character as best i could, let's pretend the academy also serves dinner
a/n ; this man has consumed me body and soul. this fic was inspired by the song wool by flatland cavalry on the movie soundtrack! let me know if you guys would like a second part :)
series masterlist. main masterlist.
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Coriolanus Snow was a wolf in sheep’s clothing. He bore an aristocratic last name—yet you noticed that his dress shirt’s buttons seemed to be various different shades of black and slightly misshapen. His voice, so sweetly saccharine, charming, seductive—would whisper falsities like it was second nature. He would often claim that he wasn’t hungry, but you’d catch the longing glint in his pale irises as he eyed the steaming bread rolls Sejanus slathered with generous helpings of butter. 
Control. That was all he needed. 
It crumbled, ever so slightly, when you nudged your slice of apple pie in his direction. His eye twitched, and you pursed your lips, pulling your plate back to you. You ate quietly, and Coryo stared at you all the while, as if he were mentally dissecting your mind—studying you. 
You knew. It was all too clear, even if he wouldn’t tell you. And if he wouldn’t tell his closest friend—or, the closest thing he had to a friend, the two of you certainly did things that friends wouldn’t do—he most definitely wouldn’t let it slip that he was financially strapped to anyone else.
That same day, he met you in the back of the library. The two of you were supposed to be studying history—Professor Demigloss was one of the nicer teachers at the academy, but that didn’t mean he was any less strict with grades. And neither you nor Coryo could afford slipping now. Not if you both wanted to get into university. Being on top meant that there was only greater distance to fall.
But there were… distractions.
Mainly, his foot knocking against yours under the table. Your hand over his jostling knee. His teeth digging into his bottom lip. When you shifted so that your thighs brushed against his, the books spread out over the table were entirely forgotten.
He pushed you against the bookshelves a mere second later, the wood digging into your back uncomfortably, and kissed you until you grew dizzy. You were a welcome distraction—he could taste the apples on your tongue. The way you snaked your arms around his neck, toying with his pale blonde curls, pulling him closer until his body slotted against yours just perfectly—clicking into place like a pair of magnets facing opposite directions. It was desperate and heavy and he could only barely pull away to inhale sharply before cradling the base of your head to tilt your jaw back and kiss you even harder. Coryo swallowed any muffled whimpers that slipped from you when his free hand traveled lower.
Lower, lower, dangerously low—
When Clemensia’s voice echoed through the library in search of her lab partner, the two of you sprang apart, gasping for air.
She rounded the bend, and her dark eyes landed on the two of you. Keen, observant, narrowed. Coriolanus was flushed, hair mussed, lips swollen, chest rising and falling erratically. You were looking anywhere but the two of them, smoothing out your clothes and wiping your mouth with the back of your hand.
“Oh! I guess I’ll just have to find another time to bother you, Coriolanus,” she tittered, sickly sweet. She tilted her head with a tempered smile. “What’re you guys studying?”
Snow rolled his eyes in exasperation. “History,” he said. Curt, simple.
“Right.” She eyed you curiously. When she spoke again, it was directed more to you than him, sounding uncharacteristically void of frigid scorn. “I’d be careful if I were you. You sure he’s not just sleeping with you because you’re the top of the class?”
You stiffened, and Coryo bristled. 
“I’ll be fine, Clem. See you tomorrow.” 
There was another beat of terse silence. Her eyes darted warily between the two of you, and she whisked away in a flutter of red and black.
You blew out a breath. Your mouth tingled with the phantom memory of his lips planted over yours, and your cheeks flushed with heat. The two of you sat back down, both quiet. You worked in fluid tandem with each other, as you always did. His hands kept to himself this time. 
“I’m not using you,” he whispered, eventually. “It’s not like that.”
“I know,” you replied hesitantly, testing the waters. “It’s not like you’d need to. Your grades are just fine as is.”
The two of you kept working until your fingers cramped with overuse and his head pulsed with the beginnings of a migraine. 
“Dinner?” you asked once the clock struck six, nudging him. “I think they’ll be serving mashed potatoes today.”
His stomach clenched at the thought of warm food. Control.
“Sure,” he replied coolly, flicking his books closed and gathering up all the papers to stuff into his bag. “I’m sick of mashed potatoes, though.”
You shot him an incredulous smile, brows quirking up. He was lying, but you didn’t know. “Not even when it’s seasoned with roasted garlic? A dash of the freshest of herbs?”
The blue of his eyes gleamed when they bore into yours. “Not even then.”
“You’re a strange man, Coriolanus Snow.” Your lips twisted downward, but it was more of a smile than a frown. When your eyes darted below to glance at his school uniform, you couldn’t help but notice the unironed creases in the carmine fabric. One of the buttons—the very top one—was oddly shaped and a different color from all the rest. It reminded you of his dress shirt. You quite liked that dress shirt. He looked handsome in it, but you chalked it up to his uncanny ability to look handsome in just about anything.
Your head tilted to the side, molten eyes fixed on the button. You knew. He knew that you knew. Panic seized in his chest, an irrational clawing sensation searing within his lungs. Would you tell the rest of the class? What would you say to them? That he was living as filthily as a District boy? That he skipped meals because he couldn’t afford them? That his cousin mended his clothes for him?
But your frown-smile deepened. Fondness stained your expression, clear as day. Coriolanus found himself surprised, as he often did around you. 
“I love your buttons, by the way,” you mumbled, reaching out to trace it with a finger. He held his breath on instinct. “Is it a stylistic choice? Having them all irregular like this?”
Stylistic. Coriolanus almost laughed.
“Mhm. It’ll be in fashion one day. I’m just ahead of the trends,” he murmured charmingly. A bluff.
When you laughed, airy and light and reminiscent to that of wind chimes, Coryo wished he could bottle up the sound and keep it as his, only his. 
“Maybe I’ll start wearing mismatched buttons now, too. Rebel against uniformity.” You stood up from your chair as you spoke, not catching the way Coriolanus’ expression faltered momentarily with your last three words. It was a joke, he had to remind himself. Just a joke. “Come on. Let’s go have dinner. I’m starving.”
He jerkily stood up. Grabbed your hand just because he could, fingers folding over your wrist. He could feel your pulse, thumping quicker and quicker. You regarded him curiously. Snow’s remaining spindly hand cradled your face and he stepped closer, intuitive eyes roaming over your face, wondering just how much of you was real. How much of you was lying, just as he was?
His lips fell over yours again. This time, the kiss was sweeter. Slower, more languid. His nose brushed over your cheekbone, warm to the touch. You hummed pleasantly against him, before placing a hand flat over his chest—over the crooked button—and pulled away with a dazed smile. It felt dangerously good that you hadn’t tugged your hand out of his grasp yet. His grip tightened in a near possessive manner.
As the two of you began walking out of the library, Coriolanus couldn’t help but think back to your hyperbole—about how far from starving you truly were. You wouldn’t ever know, not when your family was the very epitome of Capitol wealth. But he was glad he wasn’t the only one lying, for once, even if your lie was merely an inflation of the truth. 
After dinner, Coryo worked off the top button of his uniform with repeated tugs to the threads, pulling apart Tigris’ handiwork. He slid it over the table to you, watching the way your countenance softened in endearment. He kissed you again in the dark hallways outside the cafeteria, finding it difficult to get your lips to melt away from your tightly-stretched grin.
He walked home with a mirroring smile and a missing button that night. One less piece of the wolf’s sheeply clothes.
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theniftycat · 1 year ago
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What other Neil Gaiman work might you like?
The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.
That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.
I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.
Horror
The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.
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The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.
The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.
Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.
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Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.
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It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.
Fantasy
Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.
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It really tickled my imagination, I highly recommend the book.
Stardust is set in a more high fantasy setting.
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It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.
American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"
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It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.
Humour
Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.
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Just a very nice film with an all-star cast.
Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.
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Anansi is a trickster god, so you know things will get funky.
I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.
Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.
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eightstarr · 2 months ago
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at the count of three — ellie williams.
summary: how do you tell your best friend you’re in love with them? ellie has an answer! just be cool and wait for the right moment— and the next. and maybe another one, just to be sure. if you get impatient, you can always take a deep breath and count to three! (years, that is)
warnings: slow burn (childhood friends to lovers <3), little bit suggestive but no smut!
notes: born from a piece of dialogue i wrote like, a year ago and completely forgot about but somehow a week later it's 4k words? idk you're welcome or i'm sorry!!! also yes they do spend almost every scene sitting together on a couch but that's what lesbianism is all about...
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・。.・゜✧・. ────
ONE!
A movie plays on the TV, a slightly tarnished DVD of an 80’s action flick starring some oily guy and the most beautiful woman you’ve ever seen— Ellie doesn't remember much other than an obnoxiously epic soundtrack and lingering shots that made the plot twist too obvious about 20 minutes in. 
She's freshly eighteen; you’re ahead only by a couple months. It's a warm Friday night, Joel and your dad in the kitchen putting scraps together for a mildly healthy dinner, Ellie sitting on the very opposite side of the couch from where you are. It’s hot, she'd said, looking away from your comically insulted face that grew with every scooch she made from your side, a lame excuse to save her from the newly found (and fucking torturous) fluttering that sparks in her stomach whenever she sits too close to you.
From the kitchen comes the sound of a can hitting the floor, followed by Joel’s 'shit!' and then quickly, 'sorry, girls'. You chuckle, turning to Ellie and catching her staring at you. A wrinkle forms between your eyebrows at the same time a pink warmth floods her cheeks. “Dude, you’re not even paying attention.”
“I am,” a scoff, her eyes now strictly committed to the screen. “The noise distracted me,” she adds, knowing it didn't even make her flinch from the careful study of your side profile.
“Scaredy cat— ow!” a pillow crashes against your cheek, sudden enough to shock you, too soft to do any real damage. “What the fuck?”
Ellie raises her eyebrows and looks at you from the corner of her eyes, a smirk half hidden by her hand. “Don’t be rude, you're missing the best scene.”
You throw the pillow back and scoff when she catches it, your lips slightly pursed, the signature sign to tell you’re annoyed. It's almost identical to the replica of that gesture that sits at the end of her last journal entry, an overly dedicated sketch born from a wandering thought. She could make it more accurate, she thinks now, soften the line of your jaw, take the scar on your cheek a little more to the left.
The sound of water splashing from the TV catches her attention and Ellie snaps her head forward (lest she get caught staring again), just as the blonde haired love interest is walking out of a fancy looking swimming pool.
“She’s hot,” you say, fingers pulling absentmindedly at loose threads on the rip of your jeans. When Ellie doesn't say anything, you turn to look at her, “You don't think so?”
Her voice comes out a higher pitch than she’d like. “What—” she clears her throat before continuing to mumble, “I don't know, I guess.”
You laugh. “You guess?” 
“Yeah, I— I don't know, dude, I wasn't thinking about that.”
You watch the nervousness on her face, the gulp that passes her throat, the red under her freckles. Fondness tugs at your chest and your voice softens just slightly, a smile playing on your lips. “Oh my God. Ellie, it’s okay,” green eyes find your face and she sees you hesitate for a second before you shrug. “Who cares? It's just me.”
You make it sound easy. It's the most distinct thing Ellie remembers about this moment, how suddenly safety felt like the most obvious thing. TV light on your face, your arm over the back of the couch, the same eyes she's been looking at since she was fourteen. Of course it's okay. Everything else with you is easy, why wouldn't this be the same?
Ellie shifts on the couch, the distance between you turning quickly ridiculous— offensive, even. She’s embarrassed to have let her flusteredness get in the way, but the urge to be closer doesn't feel right either. Everything she does feels like too much, everything she says too intense. “How long have you known?” she asks.
You tilt your head, less of a question and more of a guidance, “Known that you…”
Ellie parts her lips, unsure of whether or not she’s gonna say it or how, trying to will the words to come out. And they do, she remembers it well, because it was the first and maybe the only time she was this direct about it. “That I like girls.”
The smile on your face is teeth-rotting sweet, but she only gets to bask in it for a second before you widen your eyes and lower your voice to a scandalized whisper. “You what?”
Ellie rolls her eyes, cheeks burning, “Oh, fuck you.”
Your laugh fills up the room and the fluttering in her stomach feels absurd at this point, like she would actually be able to feel those annoying little butterflies flying around if she were to press her hand against her abdomen. “Sorry, sorry,” you say, and for a terrifying second Ellie thinks maybe they're loud too, and you’re able to hear them. But then she looks at you and forgets about it, easy easy easy. “It’s really okay. You know that, yeah?”
“Yeah,” she says. For once, there's not a glimpse of doubt about it to be found.
You watch another ten minutes of the movie in silence before your dad's head peeks out from the kitchen to call you both to the table for dinner.
Ellie has a habit of eating like it's her last day on earth. When you were both new residents of Jackson, hungry and scared and not at all used to the idea of a full plate of food twice a day, she couldn't help it. And you were the same, hence why your dad thought it would be good for you and Ellie to spend time together, which quickly turned to being around each other basically every minute of every day. But as the weeks passed, you seemed to be learning to adapt faster. A younger Ellie found this frustrating— especially after that time Joel complimented your table manners.
You’re just… nicer, she remembers saying, a stressed frown on her still childlike face, fiddling with a box of marbles she’d found under her new bed. She remembers how you pulled one out, your fingers brushing against her own for the first time ever, and held the clear crystal with green stripes next to her eyes, a satisfied smile at a practically perfect match. You’re nice too, Els, you’d said, shrugging your shoulders, the marble shoved inside your pocket, I think I just lie better.
Until that moment, Ellie had never thought about it that way; the fact that you could be pretending to feel more confident and comfortable than you really are to make yourself safer, to get people to like you. But when she asked, you swore you had never lied to Ellie. She used to drive herself mad thinking about that, a strange, confusing worry gnawing at her chest— she likes that you don't feel the need to lie, but what does it say about how you see her? Is it that you don't care if she likes you? Or worse, is it that you know that she already does?
You sit in front of her today at the same dinner table, four years later, and watch her practically inhale her bowl of pasta like no time has passed at all. You let out a snort and Ellie wonders if you can see it even now, if her constant thoughts of you are obvious even when she looks this busy.
"What?" she asks, an immediate frown on her face, though she's done you the honor of swallowing her mouthful before speaking.
"You're so gross," you say, chin resting on your palm, tilting your head like you're looking at some thought provoking art piece. Ellie thinks you'll leave it at that, but then you reach over and swipe your thumb over the red spot of sauce next to the corner of her lips, so soft she barely feels it. You watch her frown soften for a second before it becomes even deeper.
Ellie feels like her whole body is exploding with warmth, too hot under the hoodie she's wearing, too pink across her face. It's so obvious, she thinks, it's so— fuck, pull it together. Her gaze follows your finger as you bring it to your lips and lick off the sauce. “You’re disgusting,” she retorts lamely, her hand rough when she brushes it over her mouth, lest you notice another stain and she has to watch you do that again.
You are familiarly not deterred by her meanness. Or her attempt at it. "And you eat like a five year old,” you shrug. “I guess we both have our issues."
Ellie catches herself staring at your hands for the rest of the meal, certain that she's never noticed them in the same way before. How much time has she been wasting? You both have your issues, you'd said, but Ellie thinks she has you beat. Yours can't possibly be anywhere near this dangerous.
─────✧・゚: *✧・
TWO!
Someone's knocking on her door. Ellie sniffles and lets out a groan as she gets up from the couch, sore throat, her limbs heavy and tired. She knows it's you because it's always the same three knocks; the first two firm and loud, a pause, and then one tiny one that sounds almost like 'sorry'. You’re impatient but still painfully afraid to be rude— if she loved you a little less, Ellie thinks she would make fun of it a lot more. But alas, she's cursed to smile at it every time.
She opens the door and the breeze that slips in makes her fall immediately into an embarrassing coughing fit. “It’s fine,” she mutters, at the same time you’re saying jesus christ, Ellie. “Shit. I’m okay,” she clears her throat and finally gets a moment to look at you, all pretty and put together in your best shirt and a freshly showered scent, the sun setting behind you like a perfect frame. Ellie prays her lungs don't betray her again and tries to make the brush of her hand over her messy hair look casual instead of desperate.
“Well, I was gonna ask if you wanted to come to the party with me for just a few minutes, but… I’m not sure you should be out of bed,” your worried frown is pretty, too. What a cruel fate. “Is Joel home? I can stay—”
“No, no, you’re good,” Ellie shakes her head, arms crossed over her chest like maybe it’ll cover up enough and you won't notice she was wearing the same long sleeve the last time you saw her. “He’ll be here in like, five minutes. I’ll be fine, ’m not a baby.”
You’re both nineteen by this time, Ellie remembers because you wore the same pretty blue shirt that you're wearing now for her birthday, and it was the day she realized her crush was no longer deniable. It's easier to act like nothing’s happening when she feels like she's alone in it, like there's no universe where you could love her like she loves you so she might as well let the fantasy die— but then you put on your shirt that's reserved for special occasions just to come over and bring her the cupcake you made, and suddenly Ellie can picture herself with her hands on each side of your waist, pulling you close, saying thank you with her lips brushing against yours before she kisses you. She can see it so clearly that it startles her, changes everything. Her birthday comes with a punch to the gut and a hunger she wants to tell you and only you about.
“You’re not gonna be bored? I really don't mind staying until he gets home.”
Ellie thinks (dramatically, extremely nineteen—) that if she lets you take care of her, she might actually die. It felt like she almost did last time you visited, your face serious with concentration as you pressed the back of your hand against her forehead. ‘You're warm’, you said, ��do you feel sweaty?’ Ellie stared up at you, eyes glossy and heavy from sleep. ‘Not really’, her fingers sneaked out from under the blanket to wrap themselves around your forearm, a moment of bravery or delusion, ‘your hand feels nice’. You chuckled, ‘okay, keep it’.
She’s less feverish today, but not yet recovered from the greedy voice in her head that begs her to keep you close. If you don't go to the party now, she thinks (knows) that she’ll let herself casually talk you into staying the rest of the night. “Nah, don't miss your party,” she says. “I’ll be okay, Joel’s gonna teach me how to play that old card game.”
You raise your eyebrows. “So you're gonna argue all night.”
“No— what?” Ellie scoffs. “It’ll be good, I learn fast.”
“Yeah, because you make up your own rules.”
“I have questions about the rules, that's not the same thing.”
“It is if you cheat—”
“I’m not a cheater!”
You hum, a curious tilt of your head, and Ellie rolls her eyes before the words are even out of your mouth. “No, I guess you’d have to have a girlfriend for that.”
You watch her run her tongue over her teeth, her shoulder against the door frame. “You know I could say the same to you, right?”
“Too bad I said it first,” you shrug, pretty smile stretching your lips. “I guess I'll go, then. I’ll come over when it's done so you don't miss me too much.”
Ellie tries to maintain her composure. You know, she thinks, do you know? You must know. You can't know— “Right. Also so you can steal my food and crash in my bed, I’m guessing.”
“When you’re all vulnerable and weak? What do you think of me, Ellie?” you frown sadly, a hand over your heart.
“I think I know you,” she says, the corner of her lips lifting just a little, inescapably.
You walk to the gate and turn around as you close the lock, your hands on either side of your mouth as if she’s miles and miles away. “I’ll take the couch!”
“Yeah, sure!” Ellie yells back, her voice pretty even when it's hoarse, knowing she’ll hold on for just about ten minutes before she insists you take the bed instead.
Joel stays awake with her until around 10pm, when his yawns become too many to hide and he’s already let Ellie win three games, his smile genuine and wide while she chuckles and pretends she doesn’t notice. He leaves her with a tupperware of soup for tomorrow’s lunch and a deck of cards. To teach your friends or— I don't know, keep on the coffee table, he’d said, make you look cool. Ellie’s not sure you would find a box of cards ‘cool’, but she’s not above trying.
Ever since she moved out to the garage, she’s discovered a new type of stress at the notion of having you over. At Joel’s house, all she ever did to prepare for guests was pick up the dirty clothes from her bedroom floor and put her books in a (wobbly) single pile. Now things are different. The garage is small, but it's all hers— her floor, her living room, her kitchen. She can't have you thinking that she can't take care of things on her own.
She spends the next hour moving things around until finally, two loud knocks. A second passes; Ellie looks at the cards and considers shoving them inside one of the drawers on her desk. By the time the one quiet knock comes, she shrugs and decides to leave them on the coffee table, lest Joel was right and she misses a chance to have you start thinking she's cool and mysterious. “It's open,” she says from the couch, tiredness soon catching up with her after all that time rearranging things.
The door opens and you come in, quickly closing it behind you, a relieved sigh at the loss of that crisp, cold breeze outside. “Did Joel forget those?” you ask, bent at the waist as you take your shoes off, your chin pointing at the deck, the only thing on the coffee table. Maybe she should've been more subtle with it.
“Uh, no,” Ellie scratches the back of her neck, her legs stretched across the couch. “They’re a gift.”
She's not sure you hear her over the groan you make as you stretch your arms above your head, her legs moved to the side automatically to make space for you to sit. You fall down with a sigh and both forget about the cards— you, distracted by the warm tingly feeling of a couple drinks, and Ellie by the new jacket you’re wearing.
She lets a million different scenarios spin around her head for a couple seconds before she blurts out the question. “Whose is that?”
“What?” you turn your head away from the movie playing on the TV.
“The jacket.”
“Oh,” you look down at yourself as if you’ve just remembered it’s there. “Maya was leaving too, so she walked here with me. It’s hers.”
Ellie hums, her back sliding a little further down the couch, legs spread. “Stinks like it’s hers.”
You chuckle before you can help it, her animosity ridiculous and charming— Ellie’s better with actions than she is with words. “I don't even know what you're talking about,” you shake your head, not quite slurring, but not too far from it either. "She smells like strawberries."
Fuck Maya and her strawberry shampoo. Ellie could get some if she wanted to, maybe if she traded— what the fuck is she thinking about? She rolls her shoulders back and pushes the thoughts away, gluing her eyes to the screen. “Sure,” she says, less because she agrees and more because she doesn't wanna hear what else you like about Maya. “You had fun, then?”
“It was alright. You didn't miss out on too much,” the end of your sentence stretched out by a yawn, you cover your mouth lazily and rest back fully against the couch. “Jesse was drunk. They had to stop him from getting up on a table.”
Ellie chuckles. “I don't know, maybe he had something to say. I think I would’ve let him.”
“That's what I said,” you smile and let your head fall to the side, your cheek against the cushion. She feels you staring, enables it for a while by acting oblivious, falsely over-invested in some movie she can't remember the title of. She hears you move closer before she feels it— the shuffle of your clothes, the stupid jacket rubbing against her couch, so easily forgettable by the time your temple falls on her shoulder.
Ellie's about to fall asleep when she hears the little noise you make, something like a sniffle. For a worrying second she thinks she might’ve given you her cold, but then she feels the tip of your nose brush against her shoulder and she realizes you’re trying to breathe her in. 
“You always smell nice,” you whisper, half asleep.
Ellie swallows and prays to keep her body completely still, scared she’ll make the wrong move and have you pull away, scared you’ll lean closer and be able to hear the fast beating on her chest. She sounds breathy, “Yeah?”
“Yeah,” you say. “Like fresh rain.”
Slow like the roll of credits playing on the TV, Ellie feels how every muscle in her body settles down, relaxed, content— fucking cocky. She wraps her arm around your shoulders and hopes the scent will rub off on the jacket and remind Maya of a cloudy autumn night, rain over her garden.
─────✧・゚: *✧・
THREE!
"Do you think we would've liked each other?" you ask, your legs resting on her lap while she fidgets mindlessly with the ruffled cuff of your socks. Every patrol lately ends the exact same way, a quiet walk home and a joint on Ellie’s couch. "Back when the world was normal?”
Ellie turns to look at you, blinking lazily, a reddish hue over her green. You’re not sure if she's more tired or high, but either way you're not doing much better— everything you’ve said during the past hour is the kind of thought you have when you're alone at night and your brain wanders, moments away from falling asleep. It's a meaningless question, but Ellie lets out a soft hum and thinks about it like it's worth considering. You're not sure if anyone you’ve met in your whole twenty years of life is as willing to indulge you as she is.
"Yeah," she says decidedly, in the same tone with which one would say duh. "We—" a yawn cuts her off, slender hand rubbing one of her eyes. "We would be friends, like, in college."
"I wouldn't be in college.”
Ellie frowns, takes one last inhale and discards the joint to the ashtray on her coffee table. "Why not?"
"'Cause I'm not smart like you," you shrug.
The fold between her eyebrows deepens. "You're smart," she argues, with enough conviction that you almost believe her, insisting, "You are."
"In other ways, sure—” Ellie opens her mouth to interrupt but you get ahead of her, “I’m not trying to talk badly about myself, I just don't think college would be for me.”
You’ve never been the most disciplined. It’s hard to imagine yourself staying up late to study, taking diligent notes in class. It feels ridiculous.
“I’d be working somewhere, I think. Making coffee for people or something.”
Ellie pauses before she nods, adjusting her daydream to what you’re saying, strangely committed. "Then we would meet there,” she makes it sound like the easiest thing in the world, a natural equation. “I'd go get coffee from you."
You chuckle. "You don't even like coffee that much."
Ellie shrugs, soft pink lips curved in a smirk that tells you she's sleepy and serves to warn you of the horror that's about to come out of her mouth.
You groan. “Don't—”
"Maybe I like the pretty girl that's making it."
“Awful,” you push her shoulder away, barely any force behind it, her giggles swimming comfortably around your head. “Never speak again.”
"Not my best work?" she asks, her fingers wrapping lazily around your shin. Too much, her brain warns, but then she remembers the pad of your finger over the back of her hand last night, the cursive lines with no purpose other than to be touching her— and it feels right, or like it's not enough. Too much soon turns to coward.
"Possibly your worst.”
She might be going crazy, but lately Ellie feels like you’re looking at her differently. In your eyes there's something gentle, awaiting, a tracing of your eyes over her face that says please. She chews on her lip, her eagerness painful. “We would like each other,” she doesn't think there's a world where you wouldn't, and if there was… "I'd make you like me."
You raise your eyebrows, teasing, "Oh, so like now?"
Her lips part with genuine surprise, more amused than offended. “...I made you, huh?” 
You regret the joke as soon as it comes out of your mouth, immediately brought back to your fourteen year old self, lonely and admittedly captivated by the auburn haired girl from next door. Flashes of you rushing to catch up with her, untied laces on your too tight sneakers, Ellie, do you wanna be friends? The sound of pages shuffling and her voice reading in whispers in the dead of night because you asked, can you talk to me until I fall asleep? Infatuated from the beginning, obsessed. Even now, on her couch, after spending a whole day together— do you like me? Would you like me, always?
A pillow crashes against the side of her face, her laugh almost louder than the embarrassed pounding of your heart. You pull your legs from her lap and lie back, fold your arms over your face. “You're so annoying.”
A lie so obvious it makes Ellie smile. She shifts to crawl closer, one knee on either side of you. “C’mon, I was joking,” she leans forward and you feel her knuckles tap your arm like she’s knocking on a door. The power to make you shy is still foreign to her, makes her feel drunk, thrilled. She doesn't remember having it before, but of course it was there. In little ways, in daily, simple things. Your eyes always looking for her first in any room, lighting up even after an especially bad pun, tracing her arms when the day becomes too hot to keep her jacket on. You like her, of course. How much time has she been wasting? The breath she lets out feels like it's been waiting to be let go, years spent stuck in her lungs. Ellie wraps her fingers around one of your wrists, her voice sweet, achingly soft. “Want me to tell you why I know I’d like you?”
You lower your arms just slightly, eyes peering up at her.
“Yeah?” she tilts her head.
You nod, arms coming down, unusually quiet.
Ellie grins, victorious. “Okay, but fair warning— it's worse than the coffee thing.”
You chuckle. “Is it?”
“Very.”
“Hm,” you hum, pretending to think about it, distracted by the vision of her practically sitting on top of you. Freckled face framed by the hair that's escaped her usual bun, softly lit by the warmth of the lamp on her desk. “Alright,” you say finally.
It takes Ellie a second to respond, momentarily dazed by the thought of being pretty enough for you to ogle like this. She clears her throat. “You ready?”
You tuck a loose strand of hair behind her ear and away from her eyes. “Sure.”
Ellie waits for the nerves to come, but even as she parts her lips to speak, they never do. What a kind fate. “I know I’d like you because nothing’s ever made more sense to me— I’ve been doing it since I was a kid. I like you enough for a million lifetimes.”
You look at each other, bask in a moment of understanding. Your eyes on her lips, a hand on her waist that pulls her closer. “That was worse,” you agree.
Ellie moves to rest on her forearms, cages you in, her nose brushing against yours. “I told you.”
She waits, feels herself count once again, a final time, one, two—
A hand against the back of her neck brings her in and the quiet noise of her surprise vibrates against your lips, makes her smile into the kiss for just a second before the hunger takes over. Her hips readjusting over yours, knees pressing against your sides, Ellie kisses like it's a need rather than a whim. She takes and takes and swallows every sigh you make like it's a gift, four, five, six seconds of a messy trail of kisses down your neck to say thank you before she resurfaces again.
“Love you,” she breathes out, because suddenly all that talk about ‘like’ feels stupid— immature, incomparable to what she actually feels for you. “Need you.”
You moan against her lips and it's her favorite sound in the whole world, immediately, as quick as realizing she would fall in love with you the day she met you. “Love you, Ellie.”
A kiss to your clavicle, your hands pulling at her shirt and her thigh between yours. She makes you say it three more times.
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vintagegeekculture · 17 days ago
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I remember a friend of mine had some LPs that were Star Wars themed disco albums, and it brought back a very weird memory from back in the 70s (yes, I'm old!) of listening to a Star Wars disco mashup on the radio. What was all that about? I also remember something like that for Close Encounters, too.
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You remember correctly, and this went on for a long while. In 1983, disk jockeys around the country played a record that involved an Ewok rapping the plot of Return of the Jedi in Ewokese. This made it to #60 in the Billboard Top 100.
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This is hard to explain to people who weren’t there….but in the wake of Star Wars in the late 70s and early 80s, scifi was so beloved and mainstream that the orchestral music for nerdy scifi and fantasy movies about outer space were remixed and sampled into Giorgio Moroder-esque Italo-Disco dance numbers. And the most astonishing thing is, instead of being consigned to convention acts the way “horse famous” Brony dubstep acts are, this received national airplay on the radio, reached the pop music charts, and were played in discotheques. And incredibly, this continued for years and expanded from Star Wars into Star Trek, Wizard of Oz, Black Hole, Close Encounters….
All of this was the work of one specific person: Meco (or Dominico Monardo). The term “ahead of their time” is thrown around a lot, but Meco really was: a combination producer-songwriter and Italo-Disco pioneer in the style of Giorgio Moroder, he did several things that are now absolutely standard: he used remixes and sampling before hiphop made that standard for musicians, he wrote “fandom music” on a Moog synthesizer decades before Bronies turned their conventions into cringey dubstep concerts with songs like “Everypony Dance Now.”
It's stunning to me that Meco has not been rediscovered, considering every single trend in the culture essentially went his way.
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The most startling thing about Meco’s Star Wars disco album, the one that got the ball rolling on this trend, is this: I always assumed it was some kind of cash in created by a record label mandate, a label executive’s completely cynical choice to hop on a hot new trend. That isn’t a crazy thing to think at all, since Star Wars is and always has been the most merchandized and sold out scifi property ever. But it wasn’t! You see, it was all the product of a single man’s specific vision: Meco had to convince his record label to make the record because they were skeptical.
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When Meco went to see Star Wars in 1977 on Opening Day (what an experience that must have been) with his friend and fellow Italian chest hair/gold medallion enthusiast Tony Bongiovi, he was already an experienced producer-songwriter who had worked with Gloria Gaynor, Diana Ross, and formed DCA, the Disco Corporation of America. If you've ever listened to Diana Ross's "I'm Coming Out," Meco actually played the trombone solo in that song. Seeing the Star Wars movie for the first time, though Meco thought the movie was nothing short of a religious experience. Originally, he wanted to do Star Wars music as a b-side on a Gloria Gaynor album, but expanded the idea into an entire album.
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In Meco’s own words:
"When I think about what I did, nobody came to me, nobody said 'Meco, why don't you do this.' Nobody says 'Here's some money go make a record of this movie.' It was just my own... It was magical, it was just out of this world when all that happened."
Not only did this album hit platinum, not only did it actually outsell the Star Wars soundtrack, his remix of the Star Wars theme also went to #1 in the charts. It’s actually the best selling instrumental single of all time. A record, that, incidentally, it holds to this day.
Dick Clark, host of American Bandstand, had this to say about Meco:
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"In 1977, Meco Monardo accomplished something no one else has ever done to the best of my knowledge. He was the first one in history to out-sell the soundtrack of a motion picture with his own distinctive version of a film's music. The music was totally danceable, and broke new ground. It's no wonder the STAR WARS THEME went to # 1. I loved his treatment of music from THE WIZARD OF OZ. Again, Meco created something innovative. The fun and the excitement gave a whole new feel to that totally familiar and well-loved music."
Like a lot of studio producers, Meco had an insane work ethic and hit when the iron was hot: he did an album about Close Encounters that exact same year, but also did a Star Wars Christmas Album, one of the strangest pieces of Star Wars kitsch around.
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One of the most interesting things about the Star Wars Christmas album is that one of the songs, “R2D2’s Wish You a Merry Christmas” is the first professional vocals by John Bon Jovi, who was Meco’s friend Tony Bongiovi’s seventeen year old younger cousin (he was initially known as John Bongiovi). It's incredible to hear a squeaky voiced teen Bon Jovi on a kitsch album about a robot Christmas.
1978-1979 was really his best year. Meco made an Italo-Disco remix album entirely devoted to Superman, and at this point, Meco had the pull to get access to John Williams's sheet music for the score before the music even came out. In my personal opinion it's the best of them because he has to recreate it entirely with his own instruments, leading to a very unique sound.
He also did an album based on the Wizard of Oz:
And a combination album of Star Trek/Black Hole. It's probably the earliest remixing date of Goldsmith pieces of music: the Motion Picture Theme (which is now associated with the Next Generation - hearing it done in Italodisco is uncanny) and the Klingon Theme:
Incidentally, I think the design here of the Meco Enterprise, which had to be modified for legal reasons, would make a wonderful canon starship if anyone wants to be inspired by it. It reminds me of the same concept that would be used in the very next film for the Reliant-class of ships.
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Meco eventually retired from music in 1985, but unfortunately he is no longer with us, as he passed into the next dimension in 2023. I think he showed us that creativity is often about transformation, and was inspired to make his art by a legitimate awe of space, the cosmos, and human imagination that the scifi movies of the 1970s and 80s provoke.
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joe-spookyy · 7 months ago
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one day they were like hmmm. what if a movie was perfect. and so they made x men days of future past. the movie has everything. quicksilver and the most excellent and beautiful slo-mo scene ever made. confirmation that magneto killed jfk (who was also a mutant). him attempting the same thing on nixon but with about 15 times as many guns. wolverine’s entire ass. part of an episode of star trek the original series? for some reason? my best friend iceman (briefly) (getting his head squeezed off and shattered) (but it’s fine he gets better). twink beast. a soundtrack full of BLASTING trombones. another classic charles and erik homoerotic moment involving a chessboard. mystique serving immense cunt as per usual. again. i cannot emphasize enough how much of wolverine’s ass is visible in this movie. cause it’s all of it. great film.
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aphrogeneias · 10 months ago
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1) We’re having a movie night, just like we’ve always done. Your thigh is touching mine, and my thoughts won’t stop wandering.
this screams eddie omg
best friend!eddie munson x fem!reader + we’re having a movie night, just like we’ve always done. your thigh is touching mine, and my thoughts won’t stop wandering.
warnings: a bit of perv!eddie. a tiny bit. mentions of oral sex (fem receiving) and fingering. i kind of went a little off the prompt? oopsies?
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Eddie can't pay attention.
He should be. Dustin is going to quiz him about this movie’s entire plot, ask him who his favorite characters were, what he thought of the lore. The boy, a senior now, much to his disbelief, had begged him to go see it after watching it himself.
It's not like he's hard to convince. A noble dwarf sent on a quest to save an innocent child from an evil sorceress. His bread and butter. Extra buttery popcorn, chocolate, you. Right beside him, wearing his jacket, feet tucked under yourself as you lean sideways over him, bare knees touching his denim covered thighs.
You're barely touching, but he can't help but let his eyes travel to your thighs, stretching the skirt you are wearing. The hand he keeps diligently on the arm rest flexes, the other grips his drink harder.
This attraction isn't new — it has been here since you started tutoring him on English at the start of his last senior year, and it remained, ever blossoming, every time you were around him — but his wandering thoughts recently grew a mind of their own.
The film’s dialogue and epic soundtrack are only background to his own private fantasy. Eddie can barely touch the popcorn, barely listen to your commentary, as he thinks of what he'd do if you let him do what he couldn't stop thinking about.
Would you let him touch you? Slide a hand over your thigh, feel your skin under his palm. Would it be as soft as he imagined? Softer, maybe. He thinks about what you would do if you let him squeeze you as he wanted, part your thighs with his rough hands, spread you open.
You're sitting in the back, no one would catch you. Would you be quiet as he kneeled at your feet? Would you be quiet if he asked? He'd ask nicely. You'd be good, he knew you would.
Would you bite your lip, taste your own lip gloss the way he dreamed of tasting, as he pulled your panties past your hips, and down your legs? What color would they be? Red, black, white? Cotton or lace? He wanted to taste them. He could practically smell you.
Would you keep quiet as he feasted on you, made out with your pussy like he wanted to? How would you sound keeping those sweet moans back, biting your hand, pouting those lips at him? Would you whimper, would you pull his hair? God, he wanted you to.
He wanted to suck on your clit until your pretty eyes rolled back in your head. Fuck you with his tongue until you cream on his mouth, and squeezed his head between your thighs. Would you let him fuck you with fingers after? Would you feel as tight, as warm, as he dreamed? He knew you would.
“Eds?”
A snap of your fingers brings him back to reality. You're still in the same position, he's still staring straight forward, eyes glazed, mind far. His head snaps to the side, meeting your gaze. “Hey. Yeah?”
“Are you listening to me? Where were you, man?”
You're whispering, a smile on your face. Your face is closer, and his eyes wander yet again, this time to your lips. He's still not paying attention — his Levi’s feel tighter, his heart is racing. His mind must be playing a trick on him, because your eyes are also wandering, to his lips and back up.
“I'm here.” His voice falters.
“You sure?” You don't move. Your perfume makes him dizzy, but he doesn't move either.
“I'm all ears, sweetheart.”
You chuckle, “Forget about it.”
It feels like a test. It must be, because you're resting your head against his shoulder, and going quiet again. Something different hangs in the air.
He's still gripping his arm seat. He's still not paying attention.
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wttcsms · 2 months ago
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if you feel like falling (catch me on the way down) | ONE
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ᝰ.ᐟ after getting your heart broken by professional soccer player, rin itoshi, all because he loved the game more than you, you officially swear off all men — especially athletes. your publicist doesn't get that memo, though, and you find yourself roped into a fake relationship with yoichi isagi, who isn't just a pro soccer player, but also your ex's rival. things could get messy. ( fem!reader )
pairing yoichi isagi x reader (endgame), past! rin itoshi x reader word count 2.9k chapter synopsis there are certain perks to having a relationship that operates on a "private not secret" basis. for example, you're allowed at least two weeks before the batshit crazy people online figure out that little miss it girl just got her ass dumped. chapter contains partying to cope, social drinking, diet culture, this fic is so chronically online LOL author's notes so normally, i would organize the fic's different arcs or acts by explicitly saying "act 1" or whatever. like i said, we're gonna be chronically online, so the arcs are described as different "eras" and when it's a new arc, we'll get a new era 🤭 each era has special graphics for it: what the media sees vs what's actually going on. think of the era intro as a moodboard for the chapters that'll follow <3
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⋆˚࿔ CURRENT ERA: PARTY GIRL 𝜗𝜚˚⋆ from the outside, it's giving irl serena van der woodsen but even better, no one can possibly have the same 24 hours as you, someone needs to convince you to drop the skincare routine STAT, matter of fact - we just need your whole game card
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— guest starred on the hottest pop culture podcast where it was basically just a glaze session for you (besides the last 10 minutes where the host started asking about rin), articles that want to help readers live your (unattainable if you're not rich!) lifestyle, and a devoted fanpage that updates your every move... every move.
on the inside, it's actually giving listening and actually relating to sad music, asking an 8 ball if you're the problem, being desperate enough to believe those tiktoks that say if you claim this sound and interact 3x he'll text you back, wondering when you should mail him back his stuff, keeping busy in the public eye so no one suspects how miserable you are right now
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— even spotify clocked you and it's auto-generated, customized playlist perfectly depicts what you're going through (talk about the saddest soundtrack to your life), got desperate and consulted quora (this is how you know you're at rockbottom). not shown: your credit card statement (retail therapy works, right? right?!)
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“Promise you’ll be on your best behavior?” Yukimiya peers over his sunglasses so he can give you a very pointed look. You tilt your head innocently.
“When am I ever not?” 
Yukimiya lets out a very loud, very drawn out, very exasperated sigh. When have you not been on your best behavior? Well, just last month, you got drunk, stumbled out to your garage, hopped in your custom-wrapped pink Porsche, and somehow ended up falling asleep on top of the hood. (In your defense, at least even in a drunken stupor, you weren’t stupid enough to drive.) Last week, you collected the numbers of about eight different athletes and models, sufficiently led every single one of them on, and are now actively ghosting all of them because they committed the cardinal sin of not sounding like, feeling like, or being anything like Rin. And speaking of the devil, Rin’s the reason why just last night, you ended up blocking not just him from your social media, but his whole entire team, too. You felt vindicated when you did this at 2 AM. Yeah, because that’ll sure show him! He hasn’t looked at your story once since the breakup (not that you’ve been keeping track or anything), but in case he tries to play it cool and gets one of his teammates to view it on his behalf, you’ll have put a stop to that plan. 
(Even when you’re spiraling, you’re still painfully aware of the fact that Rin’s most likely doing okay, if not still performing at his best. He is most certainly not doing something as childish as getting his teammates to relay info on you to him. Meanwhile, you are apparently a social liability for your closest friends. Spectacular.) 
“Don’t answer that.” You tell him. “I don’t want to know what my life looks like through your eyes.” It’s bad enough that every little thing you do gets documented, photographed, and then sensationalized on the Internet, but it’s one thing for strangers to commentate on your behavior when they don’t even have the full story. It’s another thing entirely when it’s your best friend criticizing your current lifestyle. 
“I’m just saying, it’s going to be a very casual lunch with my favorite people. Not a party.” Yukimiya clarifies. 
“Kenyu, you do realize that inviting me to a birthday party, and then saying ‘it’s not a party’ is kind of giving mixed signals right now.” Now it’s your turn to give him a pointed look, but just like his, there’s no true venom behind it. It’s Kenyu’s birthday celebration, anyway. You’re not about to corrupt Mr. Catholic Private School and tell him to throw a fucking rager. 
“If my team gets their way, there probably will be an actual party. If there is, you’ll be the first one I give the details to.” There’s a distant shout in the back; the photographer is done with his lunch, and he’s ready to wrap this shoot up. Kenyu examines his hair in the vanity mirror before getting out of his chair and giving you a quick hug. Your photos have already been taken, and there’s really no point for you to be on set still. 
However, Kenyu’s on set. Your only other viable option is to just go home and hide under your covers, rewatching Someone Great on Netflix and Doordashing Ben & Jerry’s. Juliette is home in France and won’t be coming back until the end of the month, and you’re not really in the mood to see any of your other friends. It’s tiring being around people who can’t separate front-cover-of-Vogue you from the real you. If you’re going to have to fake a smile, it might as well be on set rather than grabbing brunch with people who would kill to be able to leak something as headline-inducing as your breakup. 
“Pinky promise?” You look up at Yukimiya. “You promise to tell me about the party even if I’ll make a fool of myself because apparently I don’t act on my best behavior?” 
He rolls his eyes at your comment. “I didn’t mean it in a bad way, and you know that. Besides, you could never make a fool of yourself. Anything you do is declared iconic, anyway.”
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Having a famous movie director as a father and a certified Hollywood starlet as a mother, life wasn’t just set at easy mode for you. You practically were given an unlimited money hack and started off with like, five times the XP compared to any other beginner. At thirteen, you told your parents that for your birthday, you wanted to become a model. Two phone calls and a private jet flight later, and you had signed with the best modeling agency in the country and had your first ever photoshoot booked. 
Fate gave you parents with connections, and you’d be a fool to not use it to your advantage. Fate also gave you the same photoshoot as another young model, and you’d be a fool to not befriend Kenyu Yukimiya immediately. Out of all the friends you’ve ever made, fate only gives you good luck twice: first with Yuki, then with Juliette. You used to think you got lucky three times — meeting Rin for the first time was like experiencing something cosmic. Now you know better. Even rich people can have shit luck, too. 
Today’s unlucky situation is the way Yukimiya’s “favorite people” all happen to be athletes. There’s not a single person here who isn’t his teammate or somehow related to Bastard Munchen, except for you. If you didn’t love Yukimiya so much, you would have hauled ass. It’s normally easy enough for you to avoid soccer players at parties because they don’t normally get invited to the same social events you do, but now you’re the odd one out. 
At least the food is good. You don’t have a photoshoot scheduled until next week, and that’s exactly why you’re comfortable with choking down half a bagel sandwich rather than socialize with the guys seated by you. Yukimiya’s real big on intimacy and the power of friendship or whatever, which is probably easier to achieve when you play a team sport versus the modeling industry, where good jobs are few and far between, and the reason why some models are so skinny is because they can’t afford to eat — literally and figuratively. If they’re not booking jobs, there’s no way they can buy groceries in this economy. 
He has everyone assembled at one long table in the massive backyard of his mansion. It’s honestly kind of Last Supper-core, but it fits him. Little Yuki’s finally old enough to have a seat at the big kid’s table. He’s sitting across from you, and you’re sandwiched between Kunigami and Hiori. Next to Yukimiya is Isagi. Out of everyone at this party, soccer player or not, Isagi is the person you want to avoid the most. So far, you think you’ve managed to skirt under his radar. If everything goes as planned, you’ll be able to leave this lunch with your belly full and not having to interact with anybody. It’s looking like you won’t even have to drink in order to get through this. 
“Hey, out of all of us at this table, who d’ya think would have the best shot at being a model?” Hiori is clearly speaking to you. The blue-haired player is looking directly at you, for God’s sake. You wonder if it’ll be mean to blatantly ignore him, but considering how this little question seems to have captured the attention of the surrounding players, it looks like pretending you’re hard of hearing is out of the question. 
Inside, you’re dying. The last thing you wanted to do was socialize, but it’d be selfish and bratty to request that Yukimiya find more time in his busy schedule to have a one-on-one celebration with you. You’re here to support your friend. You can stomach being friendly with boys who have probably seen Rin more recently than you’ve last seen him. Fuck — why are you thinking about Rin? Do not think about Rin!
You grab one of the premade mimosas from the tray in the center of the table. You down the glass in one swift gulp. On the outside, you flash Hiori a bright smile and give an airy giggle. “Why? You trying to get a foot into the industry?” 
Hiori’s cheeks turn a light shade of pink. “W-well, no. Just wanted to make conversation.” 
“No worries! I’ve been trying to keep up with whatever you guys are talking about, but even after all this time being friends with Kenyu, I still don’t really get soccer.” Your smile is still intact. You reach for another mimosa. 
“Rin didn’t teach you anything?” 
Ever since you entered the industry, you knew that you had to get comfortable with standing out. No — you needed to thrive on standing out. You needed to crave, to rely on, people’s undying attention in order to survive. In the eyes of the media, you’re the center of attention. You got what every girl your age wants. At this table, everyone’s eyes are focused on you. What you want is to be back in your room, away from their prying gazes and curious stares.
But you’re a trained professional. Your smile never slides off, never turns into a grimace. You give a casual shrug, directing your answer to the person who mentioned Rin in the first place. 
“I make it a rule to not discuss work when we’re together.” You look at Isagi, asking him with your eyes if that’s a good enough explanation for him. He holds your gaze, looking at you like he sees right through you.
You drink another mimosa. 
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After loosening up because of the drinks, you find casual conversation with the Munchen players to be easy. The boys honestly never shut up, and you don’t know what they’re talking about half the time, but you’re cracking genuine smiles every so often, and by the time Yukimiya is going around and saying his thanks for everyone showing up, you are…
Not drunk, per se. You’ve built up quite the tolerance these past few weeks, and it’s hard to get wasted off of drinks that are basically three-fourths orange juice. (Seriously, was Yukimiya getting stingy with the champagne? Sober You might be able to acknowledge the fact that Yukimiya might have just been preparing for the Worst Case Scenario, which would be you hogging all the drinks to yourself. Which sort of happened. Fuck. Sometimes it sucks to be known so well.) You’re definitely tipsy, though. Maybe half a tier above tipsy? Whatever the case, you are definitely in no shape to drive. 
“Kenny,” you whine out his nickname, trying your best to pull out your puppy-dog eyes. “Please take me home.” 
“Ah, damnnit, [Name].” He runs his fingers through his dark curls. “Did you seriously get drunk off of orange juice?” 
“Champagne drunk is the best drunk. I’m pretty sure People Magazine quoted me on that like, last year, so it’s basically fact.” Yukimiya doesn’t seem overly impressed. “And I’m not drunk, but my alcohol levels right now are definitely above the legal limit. Sorry, but I don’t plan on making headlines for a DUI. Hard to spin that into something iconic.” 
This gets Yukimiya to crack a smile. “I thought you were leaning into the party girl look?” 
“Yeah, but after Justin Timberlake got caught for intoxicated driving, he made it look totally lame. He ruined it for us!” 
“I wish I could drive you back, but I have to retake some photos for this sneaker ad I’m doing, and with traffic, I’m really cutting it close already. Do you want to just come with, or hang out at my place until I get back? You should’ve said something sooner; I could’ve asked one of the guys to drop you off.”
You crinkle your nose. “No, thanks. I’m not a fan of strangers knowing where I live.” Becoming a model at such a young age thrust you into the spotlight. With media attention comes total pervs who lurk in Reddit threads and 4Chan, and stumbling upon some of the things said about you, reading the things they would do to you if they found you, all laid out in disgusting, graphic detail, left you kind of paranoid. Getting doxxed might be one of your worst fears. No Ubers. No car ride homes with strangers. “I’ll wait here. It’s been a while since I went through your things, so I’m sure there’ll be enough of your dirty secrets to uncover to keep me occupied.” 
“Did you need a ride?” 
Shitty luck, indeed. 
The teammate who decided to stay behind to help clean up (because he’s just that outstanding of a guy) is the sole reason for why you went buckwild on the mimosas. You can see why Rin was always frustrated with him.
“Nope—” You say, at the same exact time as Yukimiya nods enthusiastically. 
“Would you mind? [Name] actually lives pretty close by, so it might not be out of the way.” 
You shoot Yukimiya a scathing glare. He ignores it completely, smiling at Isagi. 
“I don’t mind. That is, if you don’t mind.” Isagi is looking at you expectantly. Yukimiya trusts him. And you trust Yukimiya. By some sort of logic, you should reasonably be able to trust Isagi. It’s clear that Kenyu wants you to carpool with him, anyway, otherwise he wouldn’t have been so happy to dump you onto him. 
“Sure. I’m ready to go whenever you are.” 
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What would happen if you jumped out of a moving vehicle? 
At best, you’d get your pretty skin all scraped up, meaning your photoshoots would either have to be delayed, or you would have to endure all the clear distaste for your “unprofessionalism” in the workplace from the people who actually had to work to get to where they’re at. At worst, you end up hospitalized. Somehow, it seems easier to photoshop out a few cuts and scrapes than working with someone in a full-body cast.
As you weigh the pros and cons of jumping out of Yoichi Isagi’s vehicle — a sleek, black sedan that’s top of the line, sure, but understated luxury; it’s not flashy like the sports cars you see most athletes sporting — he smoothly reverses out of Yukimiya’s driveway. Isagi does that boyish thing where he ignores his backup camera completely and opts to rest one hand on the back of the passenger headrest, the other hand on the steering wheel. Fuck. Maybe it’s not a boyish thing. Maybe it’s manly. Isagi leans a bit into your space; not enough to bother you, but enough to where you can smell the scent of his cologne. He smells clean and fresh. Maybe it’s not cologne, but laundry detergent and fabric softener. Somehow, you find this very fitting of him. 
He glances out the window to check for traffic and eases you two onto the open road. 
He’s not playing any music, and you’re sure as hell not about to ask for the aux. You look out the window instead, watching the world pass you by through tinted glass. It makes everything around you appear darker. Somehow, you find this to be very fitting for you.
“You live around this area, yeah?” Isagi asks you, and you’re reminded that if you want to go home, you actually have to let the driver know where home is. 
“Yeah, sorry. Keep heading straight, and I’ll let you know when there’s a turn coming up.” Talking to Isagi shouldn’t feel so awkward. After all, you managed to talk (and actually enjoy talking) to all of Yukimiya’s teammates. You even got along well with Kaiser. But it just feels weird — you’ve never met him directly, but you’ve heard so much about him, that it’s hard to not see Rin’s rants every time you look at Isagi. 
So you don’t — look at Isagi, that is. You look at everything else. His car is clean. There are air fresheners in the AC vents. The floor of the passenger seat is oddly clean, like no one ever sits here. If that’s the case, you hope your heels didn’t track in any grass blades or dirt. 
“Um,” Isagi awkwardly clears his throat at a red light. “When I mentioned Rin earlier at the party…” 
“What about it?” Fuck, this is so embarrassing. Since the car is stationary, you’re in the clear, right? If you just unlock the door, you can escape on foot. Your house is now close enough that it’ll just count as today’s exercise. 
“Sorry for bringing him up. I didn’t know—”
“—didn’t know what?” You turn to face him. His jaw is surprisingly sharp, and you watch the way he swallows before he answers you. 
“I didn’t know that you two broke up.” 
No one knows that you two broke up. You’re still in the process of making sense of it all, and because you’re so messed up over it, naturally you had to confide in Yukimiya and Juliette. Neither of them would ever share that secret, though. 
So why the hell does Yoichi Isagi know?
“The light’s green.” You tell him, shifting your body in the seat, avoiding him by positioning yourself even closer to the door. 
Neither of you say anything else during the drive.
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