#also ignore how I never do backgrounds

[busiest-bee]

Sploon sona. Scrimp

They eat an obscene amount of power eggs. It’s given them Weird levels of strength. Marie saw them bend a metal pipe once with little struggle. Marie would be a little bit scared of them but they only use this strength for good/ their job (which is working as an agent under Marie/ the NSS) so she’s not too worried.

Pov: this thing and their weird gerbil baby guy are going to beat your ass to an inky pulp

Edit (7-2-24) I’ve decided that under the bear ear headband they have little dumbo octopus “ears” that they toothpick down for Lore Reason

[diosmarii]

Finished Zolu comic!

[pine-arten]

the wanderer

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[pocketramblr]

I think I could make "no more" about Toshinori and Gran

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[buggachat]

adrien never went to public school / adrienette have never met AU where Ladynoir are dating but Marinette has beef with Adrien Agreste™ on twitter, spurred by her interest in the fashion industry and her friendship with Mylene. ads are all over the place of Adrien promoting products like air in a bottle and NFTs and just generally so many products that are extremely poor taste/bad for the environment. Marinette tweets about beauty standards in the industry and all the shit Gabriel brand does to the environment and how Adrien Agreste perfectly encapsulates it all.

Adrien, of course, never responds to any of her tweets. her tweets are just white noise in the background. she is nowhere near on his level. one day Marinette tweets out something akin to "if I saw Adrien Agreste irl i'd punch him in the face" and her twitter gets banned for Threats of Violence, Alya draws attention to the injustice of it via the Ladyblog and suddenly "I want to punch Adrien Agreste in the face [gets banned]" becomes a bit of a meme. NOW people know who Marinette is and are listening to what she's saying (on her new account or whatever). Chat Noir also tweets that he wants to punch Adrien in the face

A hashtag trends. Marinette caves and starts tweeting about the scandals of the industry on her Ladybug twitter too. Adrien's twitter and instagram comments are flooded with both threats to punch him but also just generally critical comments like "nice pic and all but are you not going to address the sweatshop allegations?". Adrien still does not address it. At most he turns comments off. Marinette is gnawing at the wood of her desk.

Then a Ladybug and Chat Noir identity reveal happens.

Marinette is stunned. Absolutely mouth agape. Cannot form words. Chat Noi— NO, ADRIEN— ADRIEN FUCKING AGRESTE looks at her and is like "oh ha :) .... Marinette Dupain-Cheng, right? You're the girl who wanted to punch me hahaha"

after recovering from her world being shattered, she's like...... "hahaha...... um............... yeah...... uh..... so you... DO know who i am. and you're just. ignoring it then. hahaha... ok... thats....... fine..... anyway..... u-uh...... im not... gonna actually punch you. but. um. k-kitty do you um. maybe want to stop promoting deforestation and all that"

he's like "I don't"

she's like. "yes you do. literally in your newest ad you said to the camera 'who needs trees when bottled air is the way of the future'. like did you really read that line out loud and not see a problem with it"

"yeah, that wasn't me"

"what are you talking abou—"

"it's deepfaked"

"..... what"

"all of my ads in the past few years are deepfakes. I complained too much so my father fired me. turns out that i signed away all rights to my face and voice to him when I was 13 or something. he can just use my face and voice and name however he wants. he generates ads. i dont even have access to the 'Adrien Agreste' twitter or insta accounts. sometimes he makes me do runways but beyond that I'm not involved in all."

"... ... ... ... ... what"

"yeah haha... :") im sorry. i wish i could help you more. but he never listens to me. i don't like it either, i.... i've asked him to stop sooo many times. but he never listens to me. i hate seeing my face used without my consent but haha.... i don't... have any rights here so. sorry. i really wish i could help more"

and now marinette hates "Adrien Agreste"™ ads/posts EVEN MORE and is threatening to kill Gabriel Agreste himself. all while kissing the real adrien agreste silly

[shitpostingsapphic]

My favorite headcanons for caitvi are ones where they met as kids/teens, by far

Like it's so fucking cute, the idea that Caitlyn would be immediately drawn to Vi due to her curiosity, and Vi can't help but be smitten by Caitlyn's atypical behaviors and willingness to explore new concepts and experiences and ideas.

Just like when they meet as adults in the original universe, their backgrounds should make them incompatible, but there's that inexplicable draw that brings them together.

Imagine Caitlyn tags along with Jayce to his visits in the undercity without telling her parents and can't stop staring at the pink haired girl she sees there at the shop, just hanging around, and they meet eyes, and BOOM, instant connection. Vi also sneaks glances and realizes she's never seen a Piltie girl her age this close before. She wonders if they're all this pretty.

Imagine Vi is sneaking around topside to catch glimpses of Caitlyn, because she feels like she shouldn't be so drawn to a Piltie, but she is anyway.

Imagine one day Caitlyn actually catches sight of Vi across the street as she tries to remain inconspicuous, but Caitlyn would recognize that pink hair in a heartbeat. Imagine she sneaks away from her mother or whoever she's with in order to go talk to her.

"It's you," she says, shy yet bold.

Vi, of course, tries to play it off. "Dunno what you're talking about, topside." But the blush on her cheeks tells another story.

Caitlyn ignores the very obvious attempts at ignorance. "I've been wanting to come visit the shop again, but it's hard for me to find the chance to get away from my mother. She's kind of overprotective."

Vi decides it's best not to play dumb, but can't completely be honest about wanting to see her as well. "You're sure you wanna share about your life with me? Maybe your mom's got a point, shouldn't associate with undercity trash and all."

Caitlyn frowns. "I don't think you're trash. That's silly. Why would you call yourself that?"

Vi is caught a bit off guard. "Isn't that what all you Pilties think of us?"

"I certainly don't." Caitlyn cocks her head as this leaves Vi without a response. "Why are you here, anyway?"

Vi stumbles around in her head for an answer. Shoves her hands in her pockets. Kicks a rock aside. Shrugs. "W-why are YOU talking to me?"

This makes Caitlyn smirk. "I DID say I've been meaning to come back to the shop. What do you think?"

"Dunno. Could want a number of things there." Vi has been staring at the ground but peers up at Caitlyn here. "Give me a hint?" The barest of upturned lips.

This makes Caitlyn break out into a genuine smile that steals Vi's breath a bit. "You're kind of adorable, you know that?"

Vi sputters. "Am NOT."

"Are so." Caitlyn tucks a strand of hair behind her ear. Can't help but think the girl's freckles compliment her blush well.

Vi rolls her eyes, trying to pretend her brain isn't setting off fireworks. "I don't even know your name."

"Would you like to know it?" Caitlyn says, tilting her head.

"Since you insist on teasing me, I think it's fair."

"But you make it so easy," Caitlyn giggles. "Alright. I'm Caitlyn."

"Caitlyn," Vi breathes. Shakes her head. Clears her throat. Thrusts her hand out, scuffed up palms and knuckles and all. "I'm Vi."

"Vi. Pleasure to meet you." Caitlyn takes her hand without hesitation, notices how rough they feel compared to hers, incredibly intrigued.

"Caitlyn!" A voice calls. The girls both turn. It's her mother.

"Shit." Caitlyn breathes.

This makes Vi laugh, surprised. "Didn't know princesses could use words like that."

"Oh, hush." Caitlyn looks back at her, panicked. "I have to go. I'm sorry." Her eyes shift so they're alight with mischief. She jerks her head towards her mom. "You've got a talent for sneaking around, I assume?"

"And if I do?"

"Wait until we're out of sight. Maybe if you're good enough, you can stay under her radar." Caitlyn smirks. "Maybe you could teach me how to sneak about myself. Could come in handy."

Without giving Vi a chance to respond, she turns away, skirt swishing about.

And if Vi does exactly what Caitlyn says, following her home out of sight, and later taps at the same glass doors of the balcony she sees the girl disappear into after a while of spying, no one is the wiser. She figures she doesn't need to tell Vander what she's been up to just yet.

[lifeinked]

Why I Love Caitlyn, and Why You Hate Her

⚠️ READER DISCRETION: I am not condoning Caitlyn’s actions and behavior, I am simply exploring the depth of her character and explaining what motivated her pursuit of revenge.

There’s no denying the gravity of Caitlyn’s actions as they are unquestionably wrong. However, her character cannot be reduced to these actions alone. This sudden, devastating behavior of hers is shaped by a thread of complex motivations and circumstances, but many choose not to acknowledge this simply because of her elite background. 

Like many others, I initially overlooked the point of the gassing in Zaun, which I think is a crucial thing everyone must first understand before diving into the discourse over Caitlyn's character. 

The Grey, often misunderstood as being used indiscriminately, was strategically deployed against the Chem-Barons to limit collateral damage. Caitlyn chose precision over chaos, targeting those directly responsible for Zaun’s turmoil. Furthermore, Caitlyn didn’t kill the Chem-Barons; she captured them, with net-deploying bullets. While her methods are controversial, they reflect a calculated approach; mischaracterizing her raid as a reckless attack ignores these details.

This isn’t to deny or excuse the fact that Caitlyn did, indeed, gas Zaun. Who’s to say that gas didn’t seep into the streets where innocent Zaunites roamed, harming them in the process? It’s entirely possible that innocents were affected and devastated. However, my brief explanation is only added to gain better perspective over the objectives of the gassing itself.

Now moving on, despite her privileged upbringing, Caitlyn shows a genuine effort to understand and connect with Zaunites. She places her trust in Vi, a Zaunite she’s never met before, to guide her in her search for Silco. Her journey through the undercity opens her eyes to the struggles of its people, challenging her perspective.

In S1E4, when investigating the airship attack, she encounters an undercity resident and reassures him, “I can protect you.” Later in the season, when Vi gets stabbed, Caitlyn encounters someone formerly connected to Vi. He’s grown a distaste over himself due to his appearance, and yet Caitlyn embraces him with compassion and tenderness, as a silent sign of gratitude. Then, she surrenders her cherished firearm—her only means of protection—in return for a healing potion to save Vi. In S1E7, Caitlyn’s heartfelt monologue in her conversation with Ekko perfectly captures her hope and determination: “This city needs healing. More than I ever realized. Please, let me help you.”

When Caitlyn and Vi stand in front of the Council, Caitlyn declares: “Councilors, this is Vi. She was born in the undercity. Even though we failed her in countless ways, she risked everything to show me what life is really like down there. People are starving, sick, ravaged by Shimmer. They live in constant fear of the coordinated efforts of violent crime lords.” This monologue alone shows how Caitlyn embodies optimism, believing in the inherent goodness of people, even Zaunites. It also shows that she is very willing to fight for them; she sees helping Zaunites as an act of bringing justice and equality into this world.

Many overlook the depth of Cassandra and Caitlyn’s relationship, reducing it to a simple narrative of a daughter mourning her mother. However, Caitlyn’s mourning is more layered than that. Throughout her life, she has been rebellious, driven by a desire to uncover the reality her mother tried to shield her from. In S1E4, Caitlyn reflects on this by saying, “She’d do anything to keep me from seeing the real world.” Caitlyn’s defiance wasn’t just rebellion for its own sake—it was a stand for her ideals. She sought enlightenment and understanding, even if it meant stepping outside the privileged bubble her mother built for her. By venturing into the undercity and aligning herself with Vi, Caitlyn rejected her mother's own ideals.

Here's another scene in S1E8 that emphasizes this:

Cassandra: You're a Councilor's daughter. Your actions reflect on the entire body. Caitlyn: My actions? You know what else reflects on the Council? Its citizens living on the streets. Being poisoned. Having to chose between a kingpin who wants to exploit them and a government who doesn't give a shit!

In a way, her actions mirror Vi’s: just as Vi betrayed her people by working with the enforcers, Caitlyn betrayed her own mother by involving herself with Zaunites. Remember: The last time we see Caitlyn and Cassandra interact on-screen is during Caitlyn’s plea before the Council. And in that moment, Caitlyn was fighting to protect the very kind that would soon kill her own mother.

You say that Caitlyn’s drastic shift is unjustified, as she’s only experienced a fraction of the suffering Zaunites have been enduring. But that’s precisely the point! Her transformation shows how personal loss can drive the change of one’s entire character; she’s never experienced loss before which is why it feels so heavy for her. And unlike Zaunites, Caitlyn actually has the power to act on her grief. Zaunites have only known misery their whole lives. When their loved one dies, they know there is nothing more they can do but grieve. They don’t have an inch of the privilege and military support Caitlyn has. If you had given them the same resources as Caitlyn, they wouldn’t hesitate to bring ruin to Piltover. Simply put, they don’t fight Piltovans because they don’t want to, but because they can’t.

When Jinx takes her mother away, her compassionate ideals completely shatter. Having always sought justice and understanding for Zaun, Caitlyn feels deeply betrayed, as her faith in the good within every Zaunite is overturned. Her mother’s death becomes a turning point—driving her to abandon her ideals and adopt Piltover’s disdain for the undercity, finally understanding the resentment many Piltovans harbor.

We also tend to forget that, aside from losing her mother, Caitlyn has directly suffered under the hands of Jinx. Caitlyn was held captive by Jinx in Season 1—and God knows what was done to her during that period. In the tea party scene, we see Caitlyn break down in tears, visibly flinching when Jinx moves toward her. It’s clear that Jinx has traumatized Caitlyn not just once, but twice. These experiences deeply shape Caitlyn’s actions moving forward. The pain and fear she’s endured push her to a place where she’s willing to sacrifice almost anything, even if it means putting a child’s life at risk (Isha's) or severing ties with Vi.

While they share their differences, Caitlyn and Jinx are the perfect example of foil characters. Here’s an instance which proves this: Both allow themselves to be influenced by manipulative, powerful figures all while being in a vulnerable state of mind.

Jinx is haunted by guilt; her attempt to save her family only ended up killing them, leaving her with the crushing weight of self-blame. She clings to Silco, not because he was the father she needed, but because he was the father she wanted. Silco indulged her destructive tendencies, keeping her at an all-time high on the edges of chaos. Fragile and broken, Powder crossed paths with Silco at the right moment; he saw the perfect chance to mold her into someone bewildered, unrestrained, and astray.

Caitlyn has her own Silco: Ambessa, the ruthless Noxian leader with a brutal philosophy of war. Ambessa enters Caitlyn’s life at a pivotal moment, stepping in just as Caitlyn is grappling with the devastating loss of her mother. In a spiral of self-identity, Caitlyn struggles with the weight of Piltover’s expectations and her unresolved guilt over her strained relationship with her mother (as explained in previous paragraphs). Just as young Powder mourns her family, Caitlyn blames herself for the death of her mother. Caitlyn got herself involved with the Zaunites even when she was warned not to, and at the expense of her defiance came the death of her mother. Driven by guilt and a thirst for vengeance, Caitlyn steps fully into her role, declaring in S2E1: “I am a decorated officer. Leader of House Kiramman.”

Jinx and Caitlyn share a tragic parallel: they both lose everyone they hold dear. Jinx loses Vi, Vander, Claggor, and Mylo. Caitlyn is left without Cassandra, Vi, Jayce, Mel, and Tobias. Stripped of their support systems, they are left isolated, with no one to confide in or rely on. They become vulnerable, used as pawns in the larger schemes of Silco and Ambessa’s strategic games.

Caitlyn's inner turmoil is exactly why Ambessa’s manipulation is so effective. Caitlyn is compelled to take revenge, but she doesn’t know how to. And without anyone else to guide her, she places her complete trust in Ambessa's expertise. Ambessa doesn’t just give Caitlyn the authority and power to avenge her mother; she teaches her how to use them to their full potential. She toys with Caitlyn's vulnerability, making her adopt the Noxian values of wrath, bloodshed, and ruthlessness. 

It’s easy to downplay Caitlyn’s grief since she comes from an elite upbringing. While Cassandra Kiramman is laid to rest in a golden casket with a proper burial, countless innocents in Zaun become victims of merciless violence, being left to die on the streets. After the timeskip however, Caitlyn is shown to recognize the moral cost of her actions. Though the series portrays this realization subtly, it becomes evident that Caitlyn is grappling with the inhumanity and immorality of her pursuit of revenge. In S2E4, this internal conflict comes to light during her conversation with Ambessa. When Ambessa attempts to stoke her fury again, Caitlyn disarms her with a piercing question: “Why is peace always the justification for violence?”

Here's another scene that subtly depicts her realization and remorse:

Caitlyn: You're a monster. Why? Why do all this? Singed: Why does anyone commit acts others deem unspeakable? ... For love.

When Caitlyn steps further and sees Orianna, she realizes that Singed's revenge is a reflection of her own: a person grieving the death of their family member. Here, there's a saddened glint in her eyes. She finally understands now, that love and grief made her do things that once seemed so foreign to her. In this case, going against her own principles just to succeed in her revenge.

Caitlyn is now forever haunted by the outcome of her mistakes, but she knows her past cannot be erased. During her confrontation with Jinx in the prison, she admits, “No amount of good deeds can undo our crimes.” While this statement is directed at Jinx, it feels like Caitlyn also holds this against herself for her own wrongdoings. 

Caitlyn’s acts of atonement are done quietly. She’s not good with words; she’s bad at articulating how she feels. Ironically, Vi is much better than Caitlyn when it comes to confronting and vocalizing internal conflict. So instead, Caitlyn’s actions speak for herself. By removing the guards at the prison, she tacitly allows Vi the opportunity to rescue Jinx. She knows Vi will come to save her sister, and yet she lets her. She finally lets go of Jinx and the grudge she held against her, as a silent act of her love for Vi.

And in S2E9, Sevika is shown to be sitting among the Councilors. But thanks to a fan's keen eyes, we find out that she is sat particularly on Cassandra Kiramman's chair (which not many notice). By allowing a Zaunite to occupy her mother's seat, Caitlyn gives them a chance to be rightfully represented, a chance for their voices and suffering to finally be heard. It’s a quiet display of Caitlyn’s evolution and willingness to bridge the divide between Piltover and Zaun.

That said, Arcane’s ending left much to be desired regarding Caitlyn’s arc. The heavy focus on Hextech overshadowed the sociopolitical dynamics of Piltover and Zaun. This is the main reason a lot of hate is thrown toward Caitlyn—there is an act of accountability, but there a lack of consequence. While Caitlyn acknowledges her mistakes, her privileged status keeps her from real repercussions, unlike the tragedy other characters had to face. This is frustrating, even to me, as someone whose favorite character is Caitlyn. Yet, in a way, it realistically portrays the inequalities in our own world—where the elite are often shielded from justice, and repentance is the closest they ever come to redemption.

[i-starcreamed]

Hi!, can I get some headcanons of transformers one character being jealous and the reader teases them.

D-16, Orion, Sentinel, Badassatron, and elita.

TF-ONE X READER

I tried to make this silly I'm feeling silly...enjoy

Post includes all of above :3

D-16

Tries to act unaffected by it, but doesn’t make a huge deal

Usually

He’s usually nice about it

Let’s say a bot is being really friendly with you, they’re making you laugh and everything. D sees from the distance, then comes up to you. Placing a servo against the small of your back-frame. “Heyy what’s so funny? I want to hear too :)”

He’s forcing a smile so bad.

He’s harmless, man, he trusts you completely

If another bot is for real flirting with you though, he's going to be so passive-aggressive

It’s more like he wants ur attention lol

If you teased him about it he’s going to deny it so hard

"What? No, no no.. I’m not jealous..pfft"

If you’re extra sweet maybe he’ll admit it

NOO y/n.. I’m funnier than them anyway.. I’m cooler too..

Orion

Don’t get jealous often either

He trusts you, he’s trustful of most bots

He gets jealous when you don't give him enough attention too

You’ll be talking to someone and he’ll just be in the background like,

“I’m..Y/N? Hey I..y/n? Uhm..I'm..right here..”

He’s so awkward, he doesn’t want to be rude to either of you but he’s lonely!!

If you tease him about looking sad when you’re not looking at him all the time, he’ll softly scoff.

"Well...yeah. They were flirting with you.."

sad puppy eyes

"Orion..they were asking me about Sentinels speech yesterday.."

"Oh...sorry."

eughhh

Sentinel

Oh boy

It’s a mix of irritation and jealousy

Why are you looking at someone else! When you can be looking at him!

He might be an attention seeker. He’ll just say things to catch your attention.

“Hey sweetspark, come look at my new paint job!” He calls you over as you're busy talking to someone else, he looks exactly the same btw

If you teased him I feel like he’ll take it way too seriously

“Jealous? What is there to be jealous of?? I’m literally Sentinel??”

But then his insecurity starts

“Wait…do you like talking to them more?”

evil sad puppy eyes

He'll only be content if you feed him compliments. Also erm..never talk to that bot again

#toxic

If he can’t demote the bot he was jealous of, he’ll try to one-up them, otherwise they are FIRED

After he gets over it he’ll be extra affectionate. You also get affectionate when you tease him so maybe it’s not so bad after all

insert makeout session

B-127

Badassatron

He’s definitely a bit attention and touch-starved after being stuck in low levels for who knows how many years

It’s only logical that he’s glued to your side for the rest of your life

If he’s jealous it’s very obvious. He tries to do something to get your attention or awkwardly stands there

Hey y/n look at this! - Does a backflip and falls

Tease him about it and he gets flustered

"Whattt? No, I’m not jealous!" He lets out a cocky laugh

“Ok maybe a little..”

Kiss his faceplate all over and he’s yours

He's definitely the least harmful

If he's jealous about a bot he particularly dislikes or they're flirting with you out and about, he might be more passive-aggressive about it

"Hey don't mean to intrude or anything, but uh, I'm kinda busy with my PARTNER. And by PARTNER I mean we're together. Yeah, uh huh! So, if you don't mind, my PARTNER and I are going to ignore you now. Since we're y'know..busy being together."

Elita

She’s smug about her jealousy, but only you could tell

“No, I’m not jealous. What makes you think that?”

Meanwhile, she’s giving the nastiest glare to the other bot.

“You really need to stop bringing their hopes up. Did you hear the way they were flirting with you?”

“Elita...they were just thanking me."

“Don’t even look at them actually"

If you tease her, she either denies it or is very proud

Like yeah she got a little jealous, she has such an amazing partner and anyone in their right mind would see that too.

Or no..she's definitely not jealous. She's just speaking her mind

[fishyfishyfishtimes]

Daily fish fact #6 444 205

Fish!

The fish like to have a little drink :) Sadly as they drink the water around them they also drink their own pee, and that is the curse that they will have to live with for the rest of their life

#fish #fishfact #fish facts #fishblr #biology #zoology

( 2 notes )

🪼 clovergonads follow

Tasseled wobbegong women >>>>>>>>>>>

🐸 i-eat-skin follow

bitch those are goosefish

( 27,196 notes )

🐚 seashell-on-the-seashore follow

Say what you want about fishblr updates, but I think this format for reblubs is a wonderful improvement over the previous one. One of the only times staff did good.

🐚 seashell-on-the-seashore

@featherstar53 If reblub chains got too long, new reblubs would start appearing as darker and darker until you couldnt see the text anymore. It mimicked how light disappears as you go deeper in the ocean but the sunken code this webbedsite runs on never set a cap for how dark it gets, so eventually you would have to copy ad paste the text on the reblubs onto somewhere to read them.

🐍 swamplamprey follow

It sounds fake but it's true! You can still find some older fishblr post screenshots with this effect:

This even went for full abyssal mode users! In their case, the text would slowly turn from white to dark blue, effectively making it impossible to read against the black background.

🦞 fastest-claw-in-the-west follow

I think it would be super funny if they brought this back but for individual posts. Like the reblubs stay the same colour but the posts themselves get gradually and gradually darker until you can't see them anymore lol. It would be disastrous but also funny and it might finally stop some of you frys from being so addicted to this webbedsite

#im all for a bit of chaos lol #treasure trove: talking tag

( 730 notes )

🌿 invertlike-behaviour follow

Okay for the record. My eyes are Red because I'm a COMMON ROACH! RUTILUS RUTILUS! It's not because I smoke seaweed!

🌿 invertlike-behaviour

Okay Yes I smoke seaweed all day. But the specific reason my eyes are red is Not That

( 104 notes )

🦈 spiritually-placoderm follow

🫧 surgeonsturgeon follow

OP you forgot brackish water and the option for inhabiting both

🦈 spiritually-placoderm

Shut your inferior ass mouth up

🫧 surgeonsturgeon

#(i couldnt find the actual gif i wanted to use but this weird tiger shark will have to do) #(not sure why his fins look like that)

( 1,020 notes )

☀️ slenderfish follow

"ocean sunfish have over 40 parasite species" factoid actualy just statistical error. average ocean sunfish is infected with only one or two parasites. Parasites Georg, the mola who suffers from every ailment known to fish and has over 1 000 000 000 parasite species infesting his flesh and organs, is an outlier adn should not have been counted

( 193,239 notes)

🪷 trout-about-you follow

Selfieeeee :3 (ignore the two sea lampreys attached to my flesh)

🪲 toebiter follow

how did you take the picture you aren't holding your phone

🪷 trout-about-you

The sea lamprey on the left took it for me

( 58 notes )

🔲 salmonidae-supremacy-deactivated

FISH USED TO MIGRATE THOUSANDS OF MILES TO BREED. WHAT THE FUCK IS THIS!!!!

IN MY DAY PUSSFISH LIKE THIS WOULD GET EATEN ALIVE BY REAL RIVER MONSTERS FOR BREAKFAST.

🐟 darting-action follow

these are Siamese fighting fish bruh.... They don't have migration as part of their life cycle lmao

🔲 salmonidae-supremacy-deactivated

OF COURSE THE YOUTH CAN'T PUNCTUATE THEIR SENTENCES PROPERLY. I SHOULDN'T EXPECT SO MUCH FROM THE SOFT FRY THEY ARE. ALWAYS GETTING RILED UP!

🔲 skip-hopper-deactivated

Ignore this guy, @darting-action. He's well known for saying offensive nonsense like this, I think he's bait and trying to get someone to bite.

🔲 salmonidae-supremacy-deactivated

YOU MUST BE ONE OF THOSE INBRED DOMESTIC SCUM OR HATCHED YESTERDAY SINCE YOU ENTIRELY LACK THICK SCALES. I SPEAK THE TRUTH AND ONLY THE TRUTH. IF YOU GET TRIGGERED THEN THAT'S NATURAL SELECTION, SON. YOU SHOULD FIGHT ME IN REAL LIFE.

🔲 walrus-tits-in-my-mouth-deactivated

You really dont know a thing about natural selection, do you? Bettas have flashy fins because they have to seem threatening to possible competitors. They don't migrate so they aren't built for that. They're built for living in ponds and marshes, low oxygen environments, and by cod, they are built for fighting territorial battles! You shouldn't underestimate a fish literally called fighting fish. They're very tough and hardy fish and can even send larger fish fleeing!

🔲 salmonidae-supremacy-deactivated

SIAMESE FLAILING PUSSFISH HAVE LADY FINS BECAUSE THEY'RE WEAK AND SOFT AND HAD HUMANS DECIDE WHO THEY BREED WITH FOR THEM. THEIR QUOTE UNQUOTE "FIGHTING PROWESS" SURE DIDN'T SAVE THEM FROM BEING PRISSY LITTLE PRINCESS FISHIES FOR LITTLE KIDS DID IT? THE INDUBIDABLE FACT IS THAT THEY'RE MUSKIE FOOD.

🔲 iknowthecrabbypattysecretformula-deactivated

Wait a minute... I recongize that picture on the right! That's from @betta-than-this 's OnlyFins! How did you get that picutre hmmm? Salmonidae? How on Ocean did you gain access huh?

🐠 betta-than-this follow

"Indubidable" is a pretty specific word to use. This you @salmonidae-supremacy-deactivated?

🔲 iknowthecrabbypattysecretformula-deactivated

LMAOOOOOO GOTTEMMM!!!!!!!!!!!!!!!!!!!!!!!!!!!!

🔲 aquarium-life-deactivated

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

🐟 darting-action

woag i never saw this entire chain before until it hit me on my dashboard. Why does this have so many notes

Thanks fishblr user walrus tits in my mouth for biology info i didn't know

🫖 burgle-the-turts follow

Woah woah woah we're just gonna ignore this guy using p*ssfish as an insult!!???? THE CATFISH SLUR????????? No one is going to bring this up!!!!!???????

🔲 tilapia11128-deactivated

does anyone in this thread smoke seaweed

🌊 herringageposts follow

date of origin: 28th of august, 2017

( 392,229 notes )

🟧 sponsored

Suffering all alone, handsome?

No need to anymore.

👄 pollywannacracker follow

Reblub with your favorite snack in the tags! I’ll go first: coral polyps! :}

🚬 shark-noir follow

@ninjalantern-999

#as for me #my fave is definitely my lower set of teeth when they shed #crumchy :D

( 295 notes )

🩸 must-lunge follow

HAHAHAHAHAHAHAHA STUPID HUMAN DROPPED ITS ELECTRONIC CAMERA IN THE LAKE!!!!!!!! NEVER GETTING THAT BACK BUB!!!!!! I'M TELLING ALL MY ISOPOD AND MUSSEL FRIENDS AND THEY'RE GONNA LIVE INSIDE IT!!!!!

🧑 official-human-posts follow

ofishal human post

#ofishal human post #this post contains humans

( 891 notes )

🦦 hellofromtheotterslide follow

Wait, how come this site is called fishblr and not something like oceanblr or aquablr? Wouldn't that be more inclusive?

👑 goldielocks follow

I believe the name "fishblr" pays homage to the meaning of the word where just about everything in the water was considered a fish. It's why we have words like "shellfish", "whalefish", "jellyfish", "starfish".

Personally aquablr would work really well, too. There's a sizeable amphibious userbase on here.

🦐 worldwideshrimp follow

You forgot whale shark! Those arent fish either but are called fish

👑 goldielocks

....Whale sharks are fish. They are sharks. It's in the name.

🦎 eye-of-newt follow

But I thought it was a whale named after sharks? WHALE shark! Why else would they put whale up first?

👑 goldielocks

A whale named after a shark would be called a shark whale. You can take one look at a whale shark and see that, with its gills and fish tail, it is a shark.

⚪️ number1-seacucumber-ass-enjoyer-77 follow

Wait, then what about baby whales? Are those whales named after babies?

👑 goldielocks

If you're talking about the actual whale babies, then yeah. If you mean the mormyrids, small aquatic animals that can sense electricity, then no, those are fish. Sometimes names are inaccurate to what the animal really is.

🌌 themanta1234 follow

If you think about it, fishblr is also inclusive to aquatic tetrapods since they are lobe-fins, and therefore fish :D It's a term that can include everyone on here, the perfect catchall!

🦑 abyssal-gigantism follow

Ewwww fuck that definition. If mammals hear about them being fish on some sort of """"technicality"""" then this webbedsite is gonna get flooded with those self-important idiots! "OoOoOoOoOoOoOoOOOOO LoOk At MeEeEeEeEEE i'M a MaMmAL!!11!!! I TAKE CARE of mah BAAABIEEEES!1111 I'm SUCH a good MAMAAA!!! All those OTHER STUPID HEARTLESS ANIMALS could NEVER do as I DO!!! I LOVE sweating into my BAABIEEEES' MOUTH1!1!1!111!!! I'm FLUFFY and AWSUM and ERRYBODDY LUUUVSSSSS MEE!!!!!!!!!!111!!!!!!! You should all LUV me TOO!!!!"

Is THAT how you want every fishblr post to look!!!!??????

🦛 drippohippo follow

😨

🪄 magicmanatee45 follow

DD:

🎼 humpbacked-musician-offishal follow

:'''((((

🐋 blainvilles-bitch follow

🕶️ egg-laying-mammal-of-action follow

:///////////

🐢 greenXD follow

i think jellyfish shouldn't be classified as fish because they're clearly living spaghetti

🌜 foolish-idol follow

Great fucking post everyone. Hit the air bubblers

( 60,376 notes )

🟩 ultrahyva-heihoi follow

Guys what the fuck kind of sponsors does fishblr have I just saw an ad for having parasites housed in me who are they advertising to 😭💀💀

#i swear the quality of this site keeps going down and down #if you see ads for parasites then report the shit out of em #fuck em my friend got early onset cataracts due to parasites

( 4 notes )

😃 doweopenandcloseourmouthtoday follow

Yes! :) :O :) :O :) :O :) :O

[won4youu]

Kiss Cam.

pairing: bsf!jake x downbad!reader

genres: fluff, suggestive?, idiots to lovers(sorta)

wc: 5.7k

warning: well there's a kiss cam involved so they kiss 🤭, use of cuss words, also idk anything about American football so I'm sorry if there's anything wrong about it lolol

a/n: this has been collecting dust in our drafts for wayyy too long lol soooo if you like it please reblog and consider following!

written by both @raven-naaaaa and @theaspen

You know that feeling when you look at your best friend and your heart skips a beat, and their smile makes you smile and the entire world seems to fade into the background and it feels like it's just you and him in the room?

Yeah, apparently not everyone felt that way about their best friend. But..you did.

Jake Sim made you so goddamn happy.

Whenever his eyes searched for yours in every crowded room, and the instant smile that accompanied his starry eyes when he recognized your face, your heart did a little tap dance.Either you were projecting your thoughts onto him or just maybe, he liked you too.

But here's the thing, you don't think “like” would do justice to the feelings you harboured for the boy, and using the big L word made your insides cringe.

You've never been in love before. Crushes? Sure, you've had those. But these huge feelings? Those selfish instincts that came over whenever his smile was shared with everyone else as well? Was that normal? You didn't want to know.

"Hi __," his voice is warm and familiar. His arms wrap around your waist as he pulls you into one of those hugs you've come to love.

"Hi Jake,” You greet him back. Internally scoffing at yourself. Because practically anyone could hear the giddy smile that accompanied your voice.

Jake pulls you even closer, if that was even possible. Smiling into your shoulder as well. It's been a few seconds, but his hands still linger on your waist and when he pulls back you can still feel his touch.

Jake's touch is gone, but your heart still feels that stupid annoying rush. You ignore it completely, because honestly? The intensity of your feelings scare you, and the way Jake throws you the yearning glances scare you even more. In fear that you're probably just being delusional all by yourself.

"You look good," he tells you as he tucks a loose strand of hair behind your ear.

You don't try to fight his touch. If anything you lean into it.

Jake seems to have noticed that- his thumb traces some invisible shape on your cheek, eyes so full of adoration.

"Thank you," you reply bashfully. Somehow you could never be nonchalant and cool to him like you are with others. And it pisses you off.

"Come on, let's get to our seats," he says, holding your hand and dragging you through the semi crowd and toward the seating area.

Coming to a football game would definitely not be your first choice, but here you were, with Jake because Heeseung “dropped out” at the last minute and he needed some company.

Okay, here's the deal. You didn't know much about football, but you just came along because well, you're a fool in love.

You didn't mind it honestly, because if watching some dude run around the field with a ball made Jake happy, you'd sit through it for however many times he wanted.

So there you were sitting mindlessly nipping at your sandwich.

“___, the first quarter is done,” Jake grins as he sits down beside you.

“How many more of these do I have to sit through Sim,” you fake whine as Jake laughs beside you.

“You do realise you didn't have to come along with me right?” He chuckles, throwing an arm across your shoulder.

“And leave you here all by yourself to look like a loser with no friends?” You scoff, giving him a smug look, “I'm practically saving your reputation here Sim. A thanks and a lifetime supply of chocolate muffins would do.”

Jake simply rolls his eyes at your faux uppity look.

You shift in your chair as you look around the field, “What do people even do in these breaks?” you ask.

Jake points towards the huge screen that was displaying the results a minute ago.

“See that,” you hum mindlessly, “that is a kiss cam. So during the breaks, people usually just look at other people snogging each other.” You snort at his words and look at the screen. As if on cue, the camera points towards a young couple. The couple share a flustered look before pecking each other and the entire stadium erupts into cheers, and you couldn't help the smile on your face.

“That's so cute…but also lowkey weird, what if it points towards siblings? Or like friends? Wouldn't that put them in an awkward position?” Your question is genuine, but Jake only hangs on to one thing you said.

“Friends?”, he parrots, as his cheeks flush pink, “like us..?” His voice is low, but you catch onto it. Your face heats up at the thought of kissing him. You lock eyes with the boy. There was something so magnetic about his eyes.

You let out an awkward chuckle, “I mean, we don't have to worry about that, no?” You force out a laugh, fiddling with your fingers. “It's not like the camera is gonna point at us.”

“___,” Jake whispers, “you might want to look at the screen.”

Well, fuck.

The camera was pointing towards a very familiar young couple, well at least they looked like a couple on screen. You swore to God your heart was going to jump out of your rib cage. You turn away from Jake, avoiding the camera and Jake laughs awkwardly, crossing his arms to sign ‘no’, which had the audience booing at the two of you.

Thankfully, the camera quickly pans towards another couple, who seem more than happy to kiss each other.

Jake breathes a sigh of relief which you don't miss. Your chest heaves a tiny tiny little bit in disappointment.

Luck definitely wasn't on your side today because soon after, the camera panned towards you and Jake. Again.

Jake laughs as he signs ‘no’, earning more boos from the crowd. You looked up at the screen and noticed that the camera was still on the two of you.

You don't really know what got into you, maybe it was the consistent booing by the crowd that finally tipped you over, because one second you were looking at Jake on the screen and the other your hands were on his face as he looked up at you with wide eyes.

“Sim, I'm going to kiss you,” you rush as you pull him towards you, “If you don't want this tell me now.” He doesn't really remember much of what he said. All Jake remembers is the feeling of his lips on yours.

He could have sworn he heard fireworks when you pulled him closer and crashed your lips against his. Your lips were soft against his and there was a sense of longing in them. God, you drove him mad.

He lets out a groan as his hands find company at your waist, pressing and feeling your skin. He couldn't believe this was happening.

You couldn't believe it either. The moment his lips were on yours, it felt like it was just the two of you in the stadium, but unfortunately, the loud cheers of the audience brought you back to your senses as you heaved against his chest, him burying his head into your neck.

“Fuck, you have no idea how long I've waited for that,” he whispers against the shell of your ear, sending shivers down your back. “Yeah?” You look up at him with a flustered smile.

“Yeah.” He says, gulping. The rosy flush on his cheeks still present. The camera isn't pointing at you two anymore and the game has already resumed again. But the two of you can't help but continue to act like giddy idiots.

You're definitely gonna have to thank Heeseung for dipping out on Jake today.

[chosok-amo]

HELP ME, MAN! : GOJO SATORU, GETO SUGURU

you, their little girlfriend, scared the shit out of your boyfriends. they don't know why, how, them, the strongest jujutsu sorcerers in the modern world are scared of their girlfriend.

warning. established relationship! satosugu, fem! reader. anger issues mentioned, you scared the shit out of them. fluff.

wc. | ( 𝜗𝜚 ) masterlist

( 𝜗𝜚 ) art belongs to the artist.

being the strongest sorcerers in the modern world, gojo satoru and geto suguru didn’t know fear. they had faced countless curses, fought against the worst of the worst, and never once backed down. no matter how dangerous, no matter how terrifying the curse, they’d come out on top, especially when they worked together. their bond and strength were unmatched. they could take on anything the world threw at them without flinching.

but there was one thing that shook them to their core. something even worse than a thousand cursed spirits combined.

you.

their fiery, sarcastic little girlfriend, who had more rage bottled up in her than any curse they’d ever faced. when you were angry, it wasn’t just explosive—it was terrifying. your sharp tongue, your piercing glares, and the way you could tear them apart with a single, biting comment. they’d rather face off against the worst special-grade curse than deal with your wrath.

and right now, they were both standing in front of you, like guilty children caught red-handed. you were pacing back and forth, arms crossed, the air thick with tension. they could handle anything… anything but this.

“so,” you started, your voice cold and sarcastic, “which one of you wants to explain this mess?” your eyes flicked between them, daring one of them to speak up.

gojo, never one to shy away from a challenge, opened his mouth, though his usual cocky grin was nowhere to be seen. “babe, it wasn’t that bad, was it?” he tried to play it off, but even he knew he was walking on thin ice.

you stopped in your tracks, slowly turning to face him, your eyes narrowing dangerously. “wasn’t that bad? really, satoru? because to me, it looks like you completely ignored the one thing i asked for.”

geto stood to the side, looking like he was praying for some sort of divine intervention. he knew better than to jump in too soon, but he also knew you were right. they’d messed up. and badly.

“idiot, stop talking,” geto said quietly, placing a hand on his friend’s arm, though his own nerves were clearly showing. then, he turned to you, his tone soft and apologetic. “we’re sorry. we really didn’t mean to mess this up, it just—”

“oh, so you’re both sorry? well, that fixes everything,” you cut him off, your sarcasm biting. “i guess next time i’ll just expect the bare minimum from the two of you.”

gojo winced, trying to shrink into the background, and even geto, usually calm and composed, was struggling to keep his cool under your stare. the two of them could take on anything, but this? this was something entirely different.

you could feel their unease, but it didn’t soften your mood just yet. “i ask for one thing,” you continued, pacing again, “and what do you do? exactly the opposite.” your voice rose with each word, your frustration clear. gojo shot a glance at geto, mouthing, “what do we do?”

geto shrugged helplessly, though he knew there was only one way out of this—admitting they were wrong. completely and utterly wrong. “look, we really messed up, okay? we’ll make it right, i swear. just… don’t be mad at us, alright?” he sounded genuine, his usual stoic tone now laced with concern.

you stopped pacing, your arms still crossed, and looked at both of them. “you better. because if you think i’m mad now, wait until i’m really pissed.” they both nodded, practically in unison. they knew better than to push their luck. after all, you were the one thing that could truly strike fear into their hearts. curses? no problem. a pissed-off girlfriend with anger issues? that was another story entirely.

“we’ll fix it,” gojo promised, his voice a bit higher-pitched than usual, clearly trying to get back in your good graces. “yeah, we’ll do whatever it takes,” geto added, backing him up, eyes serious.

you watched them for a long moment, letting the tension hang in the air before sighing. “good. because the last thing i want is to be disappointed again.” they both exhaled in relief, knowing they were getting a second chance. you may have been their biggest weakness, but you were also their greatest strength—keeping them in check when nothing else could.

I DIDN'T SLAM THE DOOR, I SWEAR!

there was also a moment—just like any other day—when you and gojo found yourselves in a small argument. nothing major, just one of those little things that built up over time. this time, it was about him always leaving his clothes on the floor. no matter how many times you asked, it seemed like he just couldn’t get the hang of putting them in the hamper.

you stood in the bedroom, arms crossed, glaring at the pile of clothes that had been tossed haphazardly on the floor next to the bed. “again, satoru?” your voice was sharp, laced with frustration. “is it really that hard to put your clothes in the basket? it’s right there.”

gojo, sitting on the edge of the bed with his legs crossed, looked up at you, his signature grin plastered on his face, but you could see the nervousness behind it. “come on, doll. it’s not that big of a deal, right? they’re just clothes.”

“just clothes? satoru, you’ve been leaving them everywhere—everywhere—for weeks. i’m not your maid!” you snapped, waving your hand toward the scattered mess. “you’re lucky i haven’t thrown them all out by now.”

gojo chuckled, clearly amused by your annoyance. “oh, come on, you wouldn’t throw them out. you love me too much for that.” he leaned back on the bed, the smirk growing wider. “besides, you could always pick them up yourself if it’s that important,“ he added, the taunt subtle but noticeable.

your eyes narrowed, the irritation bubbling up even more. he knew exactly what he was doing—pushing your buttons, trying to get a rise out of you. and it was working. you clenched your fists, taking a deep breath to keep from snapping right away, but the frustration was hard to contain.

“satoru,” you said, your voice dangerously calm as you looked at him. “i am not your maid. i’m not here to clean up after you like some kind of personal assistant.”

he opened his mouth, about to say something in response, but you cut him off, stepping closer, your temper flaring. “i already deal with enough without having to pick up your damn clothes every single day. you know i hate it when the house is messy, and you still leave your stuff everywhere. why? because you think i’ll just clean it up for you?”

his smirk wavered, just for a second, as he saw how serious you were. he might have been teasing, but he knew when you were on the verge of losing your patience. and right now? you were teetering on the edge.

gojo sat there, the smirk replaced by a hint of uneasiness. he hadn’t expected you to get this mad, but then again, he should have known. you weren’t one to back down easily, especially when it came to this issue.

he swallowed hard, trying to salvage the situation. “okay, okay, i get it. i know you’re not my maid. but come on, it’s just a few clothes. it really doesn’t take that much effort to pick them up, does it?”

you could feel your irritation spike even higher at his words, and your eyes narrowed. the way he was downplaying it, acting like it was no big deal, just pushed you closer to your breaking point. if it didn’t take much effort, then why couldn’t he do it?

“if it’s so easy, satoru,” you snapped, voice sharp with anger, “then why can’t you do it?”

without giving him a chance to respond, you bent down, grabbing one of the shirts from the pile of discarded clothes and hurled it at him. the fabric hit his chest, and he blinked in surprise, clearly not expecting that reaction.

“you think it’s not a big deal, right? it’s just a few clothes, no effort at all,” you continued, grabbing another piece of clothing and throwing it at him. “then why do you keep leaving them everywhere? because i’ll pick them up for you? i told you, satoru, i’m not your maid.”

gojo sat there, eyes wide, the smirk completely eradicated as you hurled clothes at him. he flinched each time one hit him, and he didn’t say a word, recognizing he’d messed up.

when you grabbed another shirt, he finally spoke, his voice softer. “babe, wait—”

you didn’t stop, your eyes blazing, and he saw the real anger blazing in them. “you think it’s funny to disrespect me like this? to treat me like some kind of servant?”

gojo looked at you, his usual confident facade cracking under your intense glare. he knew he messed up, but he still tried to keep some of his usual attitude, though it faltered when he spoke. “it’s not that big of a deal, doll, come on. i’m just a bit messy, isn’t that part of the charm?”

he knew the moment those words left his mouth that it was the wrong thing to say. your expression darkened even more, and another shirt hit him.

gojo’s confidence shattered the second the words left his mouth. he saw the way your expression darkened, eyes narrowing even further as the tension in the room spiked. before he could even backtrack, another shirt flew at him, hitting him square in the face. he froze for a second, blinking as the fabric slid off his head.

“wrong move, dickhead,” he thought, his heart speeding up just a bit as he noticed the way you were glaring at him, practically daring him to say something else.

without another word, gojo shot up from the bed, all traces of his usual cockiness gone. “okay, okay! i’ll clean it up!” he stammered, frantically bending down to gather the clothes you had thrown at him. he moved faster than he ever did in a fight, scrambling to pick up the scattered mess around the room.

you stood there, arms crossed, watching him with a piercing stare as he scurried around the floor, picking up every last piece of clothing with a nervous energy. the man who faced down curses without blinking an eye was now clearly scared of you.

gojo moved quickly, rushing to pick up all the clothes, his heart pounding the whole time. he had faced down some of the worst curses in the world, fought against overwhelming odds, but this? this was something else entirely.

he could feel your gaze on him, sharp and unwavering, and he knew better than to make any snide comments or try to joke his way out of this. he was in the doghouse, and he knew it. as he finally gathered the last of the clothes into a messy pile, he stood there, glancing up at you, his usual confident demeanor completely vanished before he quickly left the room.

gojo, in his frantic rush to escape the room, accidentally slammed the door behind him with more force than he intended. the loud bang echoed through the hallway, and he froze for a split second, his eyes wide with panic as the realization hit him. “shit.” without wasting another moment, he bolted down the hall, clutching his clothes like his life depended on it.

he raced into the living room, where geto was sitting on the couch, looking far too tense for someone who hadn’t been directly involved. geto had heard everything. every word of the argument had reached him, and he hadn’t dared to intervene—not with you in that mood. he knew better. much better.

when gojo came running in, face pale and eyes wide, geto’s first instinct was to flinch, his muscles tensing even more. gojo practically threw himself at geto, clinging to him like a lifeline, the pile of clothes still in his arms. “suguru, help me! she’s gonna kill me, man. i didn’t mean to slam the door, i swear!”

geto, whose nerves were already frayed from listening to the argument, quickly pushed gojo away, eyes wide with alarm. “fuck off, satoru!” he hissed, scrambling to put some distance between them. “don’t want to be anywhere near you when she starts yelling again. i don’t need to get dragged into this.”

gojo blinked at him, clearly desperate for any sort of support. “but—but you’re supposed to have my back!”

“not when it comes to her,” geto shot back, keeping his voice low in case you were nearby. “do you know how terrifying she is when she’s pissed? no way, man. you’re on your own for this one.“

gojo groaned, his shoulders sagging as he slumped onto the couch beside geto, still clutching the clothes. “come on, suguru. you can’t just leave me to deal with this by myself. we’re in this together, remember?“

before geto could even muster a response, both of them froze at the sound of your heavy footsteps approaching from the hallway. it was slow but deliberate, each step echoing louder than the last. gojo’s eyes widened in panic, and he shot a terrified glance at geto, who was looking equally tense. neither of them dared to move, as if staying perfectly still might make them invisible.

“satoru,” geto whispered, voice barely audible as his eyes darted toward the doorway, “you better hide or something, man. i don’t want to be involved when she gets here.”

“go where?!” gojo hissed back, frantically looking around the living room for some sort of escape route. but there was nowhere to go, no time to run. he was trapped. the footsteps grew louder, and gojo’s heart pounded in his chest. “oh no, oh no, she’s coming…” he muttered under his breath, gripping his clothes tighter.

“this is your fault,” geto whispered harshly, scooting a few inches away from gojo. “you’re the one who pissed her off.“

“satoru…!” your voice called from down the hallway, sharp and unamused. both men stiffened at the sound, knowing that whatever came next wasn’t going to be good. gojo’s face drained of color as he leaned closer to geto, whispering desperately, “don’t leave me, man! i’ll do anything—just don’t let her kill me!”

geto looked at him, weighing his options, but before he could say anything, there you stood, arms crossed, your glare fixed on gojo like a laser. your presence alone filled the room with an intense pressure that made even the strongest sorcerers feel small. “satoru,” you said, your voice dangerously calm, “did you just slammed the door?”

gojo was frozen, his eyes widened like a deer in headlights. he looked back and forth between you and geto, the panic clear on his face. “uh, i...i didn’t mean to,” he squeaked, the clothes clutched tightly in his hands.

geto, watching the scene, leaned back into the couch, trying to make himself as small as possible, avoiding eye contact with you. he knew better than to draw your attention.

you didn’t say anything at first, just raised an eyebrow, and the silence was enough to make both gojo and geto sweat. finally, you spoke again, your voice laced with irritation. “do you want to try that again?”

gojo immediately shook his head, eyes wide with fear. “n-no! absolutely not, babe!” he blurted out, his voice shaky. “i swear, i wouldn’t do that again! it was totally an accident! i didn’t mean to slam the door, i promise!”

he stood there, practically trembling under your glare, clutching his clothes like they were his shield. “i’ll be so careful next time—no more slamming doors. i’ll tiptoe if i have to!” he added, his words tumbling out in a rush as he desperately tried to fix the situation.

geto, who was watching from the couch, subtly leaned back, clearly relieved that gojo was taking the brunt of your anger and praying he wouldn’t get dragged into it.

gojo looked at you with pleading eyes, hoping his quick apology would be enough to cool your anger. “i’ll be good, i swear,” he added, his voice softening, hoping to appeal to your softer side. but your expression remained firm, leaving him to sweat just a little longer, wondering if he'd escaped this round of your wrath—or if he was still in trouble. you slowly nod before walking away back to your shared bedroom without taking your eyes off of him.

gojo let out a shaky breath as you walked away, the silence in the room almost deafening. he stood there, frozen in place, clutching his clothes tightly and wondering if he was really off the hook or if you were just planning something even worse.

geto, who had been watching the scene unfold, let out a sigh of relief, visibly relaxing his tense muscles. “jesus, man,” he whispered, turning to look at gojo. “i don’t know how you do it. i’d be shitting my pants right now if i was in your shoes.”

WHITE TURN PINK

you stormed into the living room, laundry basket in hand, grumbling under your breath. your favorite white button-up shirt was now an embarrassing shade of pale pink, along with almost all the white clothes from the load. it didn’t take long to piece together what happened: one of them had carelessly thrown pink clothes in with the whites.

as you stood in front of gojo and geto, blocking their view of the video game they were so engrossed in, they immediately began to protest. “hey, we were—” gojo started, but the moment they looked up and saw the expression on your face, their words died in their throats.

your eyes were narrowed, and your lips pressed into a thin line. you were pissed, and they could feel the tension hanging in the air like a storm cloud.

“who’s turn was it to do the laundry?” you asked, your voice low but laced with enough irritation to make them both sit up a little straighter. without missing a beat, gojo’s hand shot up, pointing directly at geto. “it was him!” he blurted out, throwing his best friend under the bus without hesitation.

geto’s eyes widened, his head snapping toward gojo in disbelief. “seriously?” he mouthed, glaring at him for the betrayal. but when he turned back to face you, his defiance melted away, replaced with sheer panic as he saw you holding up the now pink shirt.

geto could feel shivers running down his spine, his heart racing at the sight of your anger and the tainted shirt clutched in your hands. he wanted to protest, to deny the accusation that gojo had so shamelessly thrown at him, but one glance at your face told him it was pointless.

he swallowed hard, glancing at gojo who had the gall to give him a shrug and a smirk, as if it wasn’t his fault this had happened. but geto didn’t have time to deal with that right now. right now, he had to survive this. “care to explain this?” you asked, holding up the evidence.

geto could feel the color draining from his face, his mind racing as he desperately tried to come up with a convincing excuse. he shot a glare at gojo, silently vowing to get him back for this later, but right now, he had to handle the wrath of you.

“i...uh...” he stuttered, his voice shaky as he struggled to find the right words.

but before he could say anything more, gojo piped up beside him, clearly enjoying his friend’s predicament. “come on, tell her,"” he teased, a smirk tugging at the corner of his mouth.

gojo’s smirk didn’t last long. the second you shifted your glare toward him, your eyes narrowing dangerously, his confidence evaporated. you didn’t have to say a word—the intensity of your stare was enough to make him freeze in place. his lips clamped shut, and he quickly raised his hands in surrender, silently mouthing a “sorry” as he shrank back into the couch.

the teasing look was gone in an instant, replaced with one of sheer regret. gojo knew better than to push you any further when you were this angry. his eyes darted between you and geto, desperately hoping the attention would stay on his best friend and not shift back to him.

the atmosphere in the room was heavy, the tension palpable as both gojo and geto sat there, silent and clearly nervous about your next move.

gojo avoided your gaze, opting to find the most interesting spot on the floor to focus on, all his earlier cockiness gone. he couldn’t believe he’d so effortlessly thrown geto under the bus, and now they were both neck-deep in your wrath. geto, on the other hand, still looked like a deer in headlights, his mind racing as he tried to come up with a satisfactory explanation for the pink shirt.

your gaze slowly shifted back to geto, who visibly tensed under the weight of your stare. you crossed your arms, eyes still sharp as you raised an eyebrow. “well?” you prompted, your voice low but demanding. “explain.”

geto’s heart thudded in his chest, his tongue feeling heavy and clumsy as he tried to form words under your intense scrutiny. he swallowed hard, his mind scrambling to come up with any sort of explanation that might appease you.

“i...i...” he started, his voice cracking slightly. “i just...i didn’t...uh...”

he trailed off, his eyes darting to where gojo sat, silently mouthing, “help me, man!” but gojo only shrugged, unwilling to come to his aid and risk drawing your anger back towards himself.

geto’s throat went dry. his usual calm and collected demeanor was nowhere to be found as he fumbled for words. he could feel the color draining from his face, his mind scrambling for any excuse that wouldn’t make things worse. but there was no escaping this one.

“i—uh…” he stammered, rubbing the back of his neck nervously. “i didn’t realize the pink clothes were mixed in with the whites. it was an honest mistake, i swear.” he glanced over at gojo for a split second, hoping for some kind of lifeline, but gojo was firmly staring at the floor, wisely avoiding your gaze after nearly getting himself in deeper trouble.

“i didn’t mean to ruin your shirt,” geto continued, his voice softening as he gave you a tentative, apologetic look. “i’ll… i’ll fix it. i promise.” you didn’t say anything at first, just continued to glare at him, making him squirm under the silence. geto knew he had messed up, and the longer you stared at him, the more he regretted it.

the silence was deafening, and geto fidgeted nervously, the weight of your glare like a vise around his throat. gojo watched from the corner of his eye, still trying to act casual even as the tension in the room grew.

geto swallowed hard, his mind racing for anything that might soften your anger. “listen, i know i messed up,” he began, his voice dropping to a quiet, contrite tone. “but i swear, i’d never do it on purpose. it was an error, a genuine mistake. it won't happen again.”

“damn right it won’t,” you snapped, crossing your arms. “because you two are redoing the laundry now.” gojo, still sitting stiffly beside geto, looked like he wanted to say something smart but quickly thought better of it. geto, on the other hand, sighed in defeat, clearly knowing there was no getting out of this.

gojo and geto exchanged a glance, both knowing that they had no choice but to follow your command. gojo let out a weary sigh, already dreading the chore ahead, while geto simply nodded in submission.

“yes, ma’am,” geto murmured, rising from the couch. gojo followed suit, reluctantly getting to his feet as well. the two men both looked like puppies that had just been chastised as they trailed after you as you led the way to the laundry room.

with matching groans of reluctance, the two strongest sorcerers in the world—men who had faced countless curses without fear—got up from the couch, heads hanging low, and shuffled toward the laundry room like a pair of scolded children.

as they passed, you shook your head, muttering under your breath, “honestly, how hard is it to separate the colors?” geto shot gojo a sideways glance. “this is your fault,” he hissed, still holding a grudge from being thrown under the bus. gojo shrugged, looking unapologetic. “hey, better you than me, man.”

“you owe me,” geto muttered darkly, glaring at him as they got to work on fixing their laundry disaster, while you stood in the doorway with your arms crossed, making sure they did it right this time.

they both muttered and grumbled under their breath as they sorted through the laundry, each taking their turn to throw in a sarcastic comment.

“you know, for being the strongest, we sure do spend a lot of time sorting socks,” geto grumbled, holding up a black one that had somehow gotten mixed in with the white.

gojo rolled his eyes, grabbing the sock from his friend and dropping it into the correct pile. “well, if you had been more careful—”

“oh shut up, satoru.”

you leaned against the doorway, arms crossed and eyes narrowed as you watched gojo and geto sort through the laundry, their faces set in identical frowns. they muttered to each other under their breath, casting glances in your direction every now and then, clearly miffed about being forced into this chore.

as the two men carefully separated the clothes, making sure to keep the colors apart this time, you couldn’t help but smirk. the sight of them working diligently, like a pair of scolded children, was a sight to see. you can hear them blaming each other. “stop fighting,” you tell them.

they both stop their bickering and look up at you. gojo starts to open his mouth, but you shoot him a warning glare, and he quickly closes it. “we’re not fighting,” geto mutters, continuing to sort through the laundry, careful to avoid any more pink shirts.

gojo rolls his eyes, mumbling something under his breath, but you catch it anyway. “what was that?” you ask sharply, pinning him with a look.

gojo swallows hard, realizing he’s been caught. “nothing,” he mutters sheepishly.

WE HAVE TO STAND FOR OURSELVES

in the kitchen, geto and gojo stood side by side, leaning against the counter, their expressions tense but trying to appear more confident than they actually were. they glanced nervously toward the hallway, making sure you weren’t nearby as they quietly discussed their situation.

“we’re the strongest sorcerers in the world,” gojo muttered, half-convincing himself as much as he was trying to convince geto. “we shouldn’t be scared of her. she’s… she’s just one girl. smaller than us. it’s ridiculous.”

geto nodded, though there was a hint of hesitation in his agreement. “right. we face curses and danger all the time. we can’t let her… you know, terrorize us in our own house. we’re the men in the relationship.”

they had a point. they had faced deadly curses and powerful sorcerers without flinching. but here they were, nervously tip-toeing around their girlfriend like frightened schoolboys.

“absolutely,” gojo continued, trying to sound more confident than he felt. “we can’t let her intimidate us. we’re stronger than her. we’re the strongest.” geto nodded again, though he seemed a bit less sure this time. “we need to show her that we won’t be pushed around... right?”

they both tried to sound resolute, but there was a visible nervousness in their body language—shoulders tense, eyes darting toward the door every few seconds, like they were expecting you to burst in at any moment.

“yeah,” gojo added, his voice lowering as if he didn’t even believe what he was saying. “we can’t let her push us around. i mean, come on. we’re gojo satoru and geto suguru. we shouldn’t be scared of her. right?”

but even as the words left his mouth, the doubt was clear. geto let out a small sigh, nodding but with much less confidence than before. “yeah, totally. we shouldn’t be scared… at all.”

there was a brief pause as both of them exchanged uneasy glances, neither wanting to admit just how much they were actually afraid of upsetting you. their bravado was shaky at best.

the silence stretched on. clearly, both men were starting to panic. they were not used to feeling weak, and to have you—someone they cared about and respected—wielding so much power over them was uncomfortable to say the least.

“so we...we should confront her, right? show her we're not afraid?” gojo asked, more for reassurance than anything else. geto nodded half-heartedly, his own confidence flagging as the thought of facing you head-on filled him with unease.

just as their uncertainty reached its peak, the echo of your footsteps rang through the hallway. they both went still, their eyes wide as they heard you approaching and turned to look at each other in panic. the color drained from their faces, and all the bravado they had been trying to muster moments ago completely evaporated.

you appeared in the hallway, looking nothing like the terrifying figure they had been hyping themselves up to face. instead, you were dressed in your cozy cat printed pajamas, your hair slightly messy, and you looked more like someone ready for a peaceful evening than the source of their terror. you seemed so casual and calm, it was almost comical.

but despite how cute and harmless you looked, the effect on the two strongest sorcerers was instant. when you reached them and stood in front of them, a casual look on your face as you were about to ask what they were up to, they immediately went into panic mode. without a second thought, both men dropped to their knees, their faces showing sheer dread.

“it was all suguru’s idea!” gojo blurted out immediately, throwing his best friend under the bus without hesitation, his eyes wide with fear. he didn’t even give geto a chance to protest before continuing. “he said we should stand up to you, that we’re the strongest sorcerers and shouldn’t be scared. i—I told him it was a bad idea!“

geto glared at gojo, but he was too terrified to defend himself properly. “i—what?! you were the one who said we shouldn’t let her push us around!” he stammered, trying to shift the blame back.

you looked at them, clearly confused by their sudden and dramatic display of fear. your eyebrows knitted together as you took in the sight of gojo and geto kneeling in front of you, their faces pale and their eyes wide with distress. it was such a stark contrast to the usual confident and unflappable demeanor they showed in almost every other situation.

“what is going on with you two?” you asked, your voice laced with confusion. “why are you both on the floor?” you glanced between them, trying to make sense of the chaotic scene before you. the sight of them so unnerved and trying to pass the blame off on each other was bewildering. your calm demeanor and casual attire made the whole situation seem even more surreal.

they both looked up at you, their faces a mixture of fear and shame. gojo opened his mouth to speak, but geto cut him off immediately, wanting to defend himself.

“please, we're sorry,” geto blurted out, his voice quavering slightly. “we were just... uh...”

gojo chimed in, his voice still panicked. “we were just... messing around. yeah, messing around. just having a bit of fun.” they look at you, silently begging for forgiveness and trying hard to hide their previous arrogance.

you looked at them, your expression turning from confusion to genuine puzzlement as you tried to make sense of their frantic apologies and conflicting explanations. “messing around? having fun?” you repeated, clearly unsure of what they were talking about.

“what are you guys even saying?” you asked, crossing your arms and raising an eyebrow. you took a step closer, still trying to understand what could have prompted such an over-the-top reaction. “seriously baby, what’s going on? did i miss something?” your hands softly find their cheek, gently rubbing your thumbs across their skin.

the feeling of your hands on their cheeks was both soothing and embarrassing. they leaned into your touch, their bodies still tense with anxiety.

“we... we were just...” gojo began, his voice cracking slightly. geto cut him off again, clearly not wanting his friend to say anything else that could dig them deeper into trouble.

“it's nothing, really,” he mutters, looking up at you with a mix of guilt and shame. “just a silly argument. we're sorry if we worried you.” their panicked expressions soften slightly as they look up at you, still on their knees. they look so pathetic, and so uncharacteristically vulnerable, that it's almost endearing.

you looked down at them, your expression softening as you saw their vulnerable and somewhat endearing state. a small, amused smile played at the corners of your lips as you reached out to gently stroke their cheeks.

“you two weren't in bed,” you said, your tone light and soothing, “i was looking for you two. i just wanted to see if my boyfriends wanted to cuddle or hang out. i didn’t realize you were having such a… dramatic moment.”

the tension in their bodies seemed to ease at your words and soft touch. they both looked up at you, their eyes full of guilt and embarrassment.

“we, uh...” gojo started, but geto cut him off again.

“we're sorry we didn't notice you looking for us,” he muttered, his voice still laced with shame. “we were just having a... disagreement, and we didn't want to bother you.” they both looked up at you with puppy dog eyes, their faces full of remorse.

seeing the guilt and embarrassment in their eyes, you softened, feeling a wave of affection for them despite their earlier antics. you reached out and gently helped them to their feet, your touch reassuring and comforting.

“come on, baby,” you said, your voice warm as you guided them towards the bedroom.

you could tell they were feeling remorseful, and despite your confusion over their odd behavior, you chose not to press the issue. instead, you opted to show them a different kind of comfort. “let’s just go to bed and cuddle,” you continued, smiling at them, “it’ll be okay.“

as you led them toward the bedroom, gojo’s initial nervousness began to melt away in the warmth of your gentle presence. noticing your obliviousness to the full extent of their earlier antics, he seized the opportunity to return to his usual self, his playful side resurfacing.

“you know,” gojo began, sliding closer to you with a wide, affectionate grin, “i’ve really missed you today.” he snuggled up to you, his usual playful demeanor coming back full force. “it’s like, you’re the best part of my day, and i’ve been counting the minutes until we could be like this again.”

geto, feeling the shift in gojo’s mood, couldn’t help but smirk slightly at the change. he followed suit, wrapping an arm around you as you all made your way to the bedroom. “yeah, what toru said,” he added with a softer smile “we definitely missed you.“

behind the closed door, the three of you entered the bedroom, where the soft, dim lighting created a cozy and comforting atmosphere. as you led them both toward the bed, gojo began to shed his shirt, the fabric slipping off his toned body with an air of nonchalance.

“you know,” he stated casually, “i think a cuddle session is exactly what we need right now.” he tossed his shirt aside, not even bothering to see where it landed as he flopped down onto the bed.

geto followed suit, tossing his shirt and pants aside as well before joining gojo on the bed. “definitely,” he agreed, resting his head on the pillow. “i could use a good cuddle right now. it’s been a long day, after all.”

both men looked up at you expectantly, their eyes full of a mix of affection and mischief. they patted the space between them, silently inviting you to join the snuggle puddle.

“come here,” gojo said, his voice low and warm.

as you complied with their silent invitation, snuggling in between them, gojo wasted no time in wrapping his arms around you, pulling you closer against his bare chest. geto did the same, snuggling up against your back and molding his body to yours. his hand lightly caressed your arm, the touch tender and intimate.

“this is nice,” gojo murmured, burying his face into your hair. “i love having you here like this.”

the warmth of their bodies against yours was like a small, comfortable sanctuary. gojo’s arms were wrapped securely around you, his bare chest pressed against your back. geto was curled up behind you, his body molding to yours like two puzzle pieces fitting perfectly together.

“it’s perfect,” geto agreed, his voice soft and muffled as he nuzzled into your hair. “having you here with us like this just makes everything feel right in the world.” gojo hummed in agreement, his fingers tracing lazy patterns across your skin. “absolutely,” he said, his eyes closing in contentment.

for a few moments, none of you spoke, the only sound was the soft rustle of sheets and the steady beat of everyone's hearts. then, gojo spoke again, his voice barely above a whisper. “can i tell you something, baby?”

you hum softly, still buried your face on his chest.

gojo's fingers continued to caress your skin as he gathered his thoughts. he was quiet for a few moments before he finally spoke, his voice soft and serious.

“you know we care about you more than anything, right?” he asked, his hand moving to gently tilt your chin up so that you were looking at him. “more than anything in the entire world.” geto, sensing the sincerity in gojo’s words, moved in close on your other side, his arm wrapping tighter around you. “he’s right,” he muttered. “you mean the world to us.”

you felt a swell of warmth at their heartfelt words. you looked up at gojo, his gaze soft and sincere, and then turned to meet geto’s equally genuine eyes. your heart ached with affection for them both.

“i know,” you mumbled, your voice barely above a whisper. the emotions were almost overwhelming. you tightened your grip around gojo’s waist, pulling him closer, and then reached out to draw geto nearer to you as well.

gojo and geto both responded instantly to your wordless gesture, their bodies drawing closer as if magnetized to yours. gojo pulled you impossibly close to him, his arms embracing you like a vice, while geto pressed himself against your back, completing the cozy little sandwich.

gojo pressed a gentle kiss to your forehead, his lips lingering for a few seconds before he spoke again, his voice still soft but with a hint of a smirk. “we just... we want to make sure you feel loved and safe, always.”

geto’s chin rested on your shoulder, and he added his own gentle kisses to your neck and face. his hands stroked your arms soothingly, his touch tender and affectionate.

“always,” he echoed gojo’s sentiment, his voice low and earnest, “you matter so much to us, baby.” gojo’s chest vibrated slightly as he hummed, his fingers trailing lightly over your skin, sending shivers of pleasure down your spine.

“we’d do anything for you,” he murmured, his lips brushing against your ear.

you let out a contented sigh, feeling the weight of their embrace and the tenderness of gojo’s kiss on your forehead. the warmth of their bodies pressed against you was incredibly comforting, and you closed your eyes for a moment to fully appreciate the feeling.

“i feel safe,” you murmured, your voice soft and sincere, “i always feel safe with you two, more than with anyone else. each time you cuddle me, it’s like my brain just turns off. i get so comfortable that i could fall asleep in seconds.”

you nestled even closer into their arms, savoring the sense of security and peace they provided. their combined presence was like a soothing balm, washing away any lingering worries or stress. in their embrace, you felt completely at ease, and the world outside seemed to fade away, leaving only the gentle comfort of their love.

gojo and geto both tightened their hold on you even more as you spoke, their bodies pressing against yours like an impenetrable wall of warmth and affection. the knowledge that you felt safe and secure with them, that their presence could turn off your worries and calm your mind, filled their chests with a deep sense of contentment.

“good,” geto murmured against your neck. “that's exactly how it should be.”

gojo nuzzled against your hair, his arms wrapping impossibly tighter around you. “you should always feel like this,” he said, “like nothing in the world can touch you.”

as the three of you continued to snuggle, geto’s hand began tracing gentle patterns up and down your arm, his touch soothing and rhythmic.

“we would do anything to make sure you feel this way,” he said softly. “you deserve nothing less than happiness and comfort.” gojo leaned down slightly to press another gentle kiss to your forehead, his lips lingering on your skin for a few moments before he spoke again.

“always, baby... always.”

you intertwine your free hand with geto’s, feeling his fingers gently intertwine with yours. with your other hand, you caressed gojo’s bare waist, enjoying the warmth and closeness of him.

as you felt their soothing touches and heard their comforting words, you closed your eyes, already starting to drift off. “i’m so grateful for you both,” you murmured softly, your voice barely audible. “thank you for being in my life.”

gojo and geto both held you tighter as you intertwined your fingers with geto’s and rested your palm on gojo’s waist. the simple touch was like the final piece of a puzzle falling into place, completing the circle of love and affection that surrounded you.

their hearts swelled with emotion at your words, and they both responded in unison, their voices low and soothing. “we’re the grateful ones, sweetheart,” gojo spoke up. “we should be thanking you for bringing us into your life,” geto continued, his voice warm and gentle.

you felt their embrace tighten around you, the simple touches of intertwined fingers and a warm palm on gojo’s waist completing the circle of love and affection. their words filled the space around you, wrapping you in a cocoon of emotional warmth.

as their voices melded into a soothing, harmonious backdrop, you drifted further into the comfort they provided. the gentle rise and fall of their breaths and the steady rhythm of their heartbeats guided you toward sleep.

you didn't have the chance to respond, as the comfort of their presence and their heartfelt words lulled you into a deep, peaceful slumber.

gojo and geto each felt a sense of deep contentment wash over them as they heard your breaths become slower and more even, signaling your descent into sleep. they held you close, their embraces protective and affectionate.

they watched over you as you slept, their gazes full of admiration and love. they continued to whisper soft, soothing words and gentle touches, ensuring you slept undisturbed and surrounded by their love.

“sweet dreams, baby,” gojo said quietly, his lips brushing your forehead. geto echoed his sentiment, his hand gently running through your hair. “we love you so much.”

the room was filled with a peaceful, quiet atmosphere, punctuated only by the occasional rustle of sheets and the soft rhythm of their breaths. gojo and geto were completely engrossed in their silent vigil, their senses fully attuned to you and your every movement.

slowly, the dawn began to break, casting a soft, morning glow into the room. it caught the edges of gojo’s silver hair and geto’s dark locks, creating a soft, halo-like effect around their heads.

[pomefioredove]

if its ok can i request a overblot boys and ruggie and kamil with a reader that just forgets to eat? like they can go the whole day without eating then suddenly they just get dizzy cause they haven't eaten and when they get asked why they passed out/not ate they're like "lol yeah i forgot to eat my bad gang🧍🏻" they're just so nonchalant and act like its whatever😭its ok if not if this makes you uncomfortable!! Love your blog pookie and make sure YOU eat properly💥💥

ahh... just like me fr. this ask actually reminded me to eat, thank you!

summary: reader who forgets to eat type of post: headcanons characters: riddle, leona, ruggie, azul, jamil, kalim, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu, mentions of food and not eating!

*ੈ✩‧₊˚

Riddle is also guilty of this

it's not that he's neglectful, it's just that...

...well... he's a little neglectful

it's usually Trey who has to remind him to take breaks from studying

none of that will stop him from scolding you, though

"What were you thinking, going a whole day without a meal? It's no wonder you're always so tired!"

expect lots of snacks from him after he's done berating you

he sends someone every day to make sure you've had something

(both a blessing and a curse)

you'll be in your room then suddenly Che'nya is there asking if you had lunch yet

and if not, you'll be recieving an invitation to Heartslabyul for tea

*ੈ✩‧₊˚

Leona can't be bothered to ask why you're always so... out of it

he just assumes that's your personality

he even teases you for it, once or twice

then Jack offhandedly mentions that you rarely eat until dinner, and he gets all... worried

Ugh

suddenly, his room is always stocked with your favorite snacks from Sam's

what? no, they're not for you. he's just taken a liking to 'em. but you're welcome to have some if you'd like

his act is unconvincing

"What? Stop looking at me like that. I'm not some sap. I'm just making sure you don't go passing out on me,"

*ੈ✩‧₊˚

Ruggie is worried that Crowley's cut your food rations

he'd been mooching off of you for a few months now, after all

plus, he knows what it's like to go hungry

of course, he doesn't outright ask. he doesn't want to embarrass you or anything

he just... casually offers to split meals and comes over once a week with half of his forage greens

"What, this? Nah, I just had extra. What, you're complaining about free food? Shishishi,"

you repay the gesture by making him a few meals, and it becomes a little tradition between the two of you

*ੈ✩‧₊˚

why, oh why, does Azul have to care about you so much?

he's become familiar that exact look on your face; distant, dizzy, disoriented...

and he's caught himself mid-scold far too many times

"Have you no sense of self-preservation? You can't keep relying on others to care for you; you'll only be taken advantage of,"

...and, of course, he's the poor soul who cares for you

he convinces himself that verbal reminders cost nothing

then he starts sending the tweels to make sure you've eaten

and then he insists you drop by the Mostro Lounge at least once a day

it's not that he's giving you his time and energy for free

he's just making an investment in you!

that's it. NOTHING ELSE! (<- lies)

(cue tweels giggling in the background)

*ੈ✩‧₊˚

poor Jamil

first Kalim, and now he has you to worry about, too?

of course; he has no obligation to help. that's what he tells himself

nothing will happen if he just ignores you

...except that sinking feeling in his stomach

Sevens, help him...

he starts letting you help around the kitchen

just... tidying up, doing the dishes, etc

and if you happen to want a bite of what he's cooking? ohoho, who is he to deny you the chance to test for poison?

(feigns to mention that these dishes have already been tasted)

"Good? Why, I'm flattered. You're welcome to help any time- how about tomorrow?"

*ੈ✩‧₊˚

Kalim will never pass a chance to host

you offhandedly mention that you forget to eat sometimes? just come over for breakfast!

and lunch

and dinner!

and you'll stay for dessert, too, won't you?

he's nothing if not gracious, and he has a penchant for taking care of others

he likes feeling useful, after all

just be ready to give him your full thoughts and feelings on every dish; he's already making a mental list of your favorites to serve every time you come over

"Hungry? No problem! We have all your faves waiting for you. What music do you want to listen to while we eat?"

*ੈ✩‧₊˚

you know that Vil loves you, right?

so, so much?

good. because that love makes him want to shake you

of all the stupid things...

it's no use trying to hide it from him; you could look and act completely normal and he'd still see right through you

he can just tell

he has to restrain himself from threatening Crowley into letting you stay at Pomefiore so he can care for you

Vil believes you're capable, after all. you just need a little push

"I've set a daily reminder and stocked your kitchen. Remember that some food is better than none. If you need me for anything, I'll see to it as soon as possible,"

you can expect Epel and Rook to ask if you've eaten, on his behalf, every time you run into each other

*ੈ✩‧₊˚

Idia sets like, 30 reminders in your phone

he knows as well as you do that three measly alarms won't be enough

...he, too, is guilty of forgetting to eat

he probably makes you a custom alarm sound and everything

a little pavlovian conditioning never hurt anyone, right? it's basically no different than training an AI

...or something like that

will send Ortho over to check your vitals every once in a while

"it's NBD. can't have u losing all your lives on me. who would tolerate me then?"

*ੈ✩‧₊˚

thank your lucky stars it's Malleus who notices your drowsiness first and not Lilia

Malleus, at least, will find you something edible to eat

he's trying to keep you alive, after all

he's very sweet and gentle about it

soft little reminders, nudges to keep you awake... he will up and leave a dorm meeting if he realizes he doesn't know if you'd had anything yet today

Malleus is very conscious about human mortality, and is very... delicate about it

he's just a little overprotective, that's all

it mostly comes to sharing little treats together every now and then. it feels less awkward when you're together, after all

"There is no need to thank me. I'm simply happy to spend my time with you,"

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[potter-imagines]

Brat (Satoru Gojo x Reader)

Prompt: Satoru and his girlfriend Y/n are in an argument over his celebrity crush on Inoue Waka. Y/n is ignoring Satoru which absolutely drives him crazy.

Pairing: Satoru x reader

Warnings: some swearing, light light light smut (making out), gojo being gojo

Word Count: 7k

Notes: this is set broadly around season 2 episode 2 plot, with some clear changes from the original episode. riko and suguru are included.

“You changed your home screen?” Suguru commented nonchalantly. He took notice of the sudden alteration to his friend’s phone almost immediately. The difference wasn’t hard to spot seeing as the last two years all Satoru had used for his background images were various photos of his girlfriend, Y/n, whom he loved showing off.

Suguru was accustomed to the photos being circulated in a never ending pattern, Y/n and Satoru at the beach, Y/n in a scandalous position she beat him into removing, Y/n sleeping on his chest, Y/n and him sharing sweets, Y/n on her birthday grinning widely as she sat in front of her cake, the couple doing mud masks together, Y/n in front of the eiffel tower, and so on, however it was entirely new for him to see the famous, bikini clad Japanese model as his friend's home screen instead of his girlfriend. Suguru’s brow was raised as Satoru chuckled to himself.

“To Inoue Waka.” Gojo smiled in triumph, like he was in some war that he had finally found the upper hand in. “Y/n and I are in a fight- it’s certain to get a reaction out of her.” 

Despite his explanation, Suguru found himself lost in confusion. Only a night prior to leaving for their mission to protect and deliver the star plasma vessel, Geto had been sitting in attendance as he witnessed the couple's one of many bickering sessions. He really couldn’t blame Y/n much, seeing as he also found himself disagreeing with the white haired prodigy on the regular as well, yet this fight was one hundred percent, without a doubt in his mind, Satoru Gojo’s fault. Being as the argument was his wrong doing, Suguru couldn’t understand why his friend would sink himself deeper in the grave with his strong willed girlfriend rather than admit he messed up. And he certainly couldn’t see how an image of another woman- a model their argument steamed from, in a bikini too tight her boobs were practically over spilling from, would help his case.

The pair seemed to forget where they were until the young voice of the vessel of Tengen-sama herself reminded them of her presence. 

“Listen to me!” Riko shouted, irritation lacing her words. The young girl was set to explode off on the boys like a firecracker for their rude behavior in dismissing her heartfelt declaration on becoming one with Tengen-sama and Tengen-sama one with her, when suddenly the mention of the feminine name caught her attention. “Wait, Y/n?” She questioned. Riko didn’t see another female insight besides Kuroi but she sure hoped there was a sane female mind among the brainless men sitting among her. 

At her words, the man with hair white as snow leaned against the couch and ran a hand along his face. He narrowed his gaze, giving the girl a leer as if he found it ridiculous he had to explain who this Y/n was to her. 

“My strikingly beautiful, insanely stubborn, bratty, gorgeous girlfriend.” He moaned as his head fell back against the sofa, like the explanation was difficult enough. Through his dark rimmed glasses Gojo looked over to Riko, changing the topic all together. “I bet you don’t have many friends if you talk like that.”

“We won’t have to feel bad sending you off.” Suguru muttered. 

“I talk normally at school!” She expressed in an exacerbated tone, then quickly stepped forward pointing an accusing finger in the white haired man’s face. “And it’s you who shouldn’t have any friends! You certainly don’t deserve a girlfriend if you’re calling her a brat behind her back, you should be ashamed of yourself!” She reprimanded. 

Suguru lifted his gaze, intrigued by her final comment. Satoru didn’t actually think of his girlfriend as a brat, but of course Riko didn’t understand how the couple worked and there was no time to explain how Gojo called his girlfriend a brat in an endearing way- unlike his usage for it towards her. When Gojo used it towards Riko, he meant it. If they had the time, Geto might even explain how Y/n commonly refers to her boyfriend as a ‘trust fund baby’ or ‘a prick’, both of which are factual, yet it’s out of love between the two. 

Satoru ignored her quip, finding her opinion on his relationship totally useless. He knew his love for Y/n was larger than his will to live, yet he saw no point in expressing that to this girl. Riko didn’t know one thing about his relationship with Y/n so why did he care what the girl thought? Sure, he probably did sound like a complete jerk, however he couldn’t care less if the star plasma vessel before him found him to be a bad person for what she was hearing. 

Suguru glanced at Satoru, curious to see if the sorcerer was going to give a reaction however the six eye holder simply scrolled away on his phone, searching for the perfect image of his celebrity model crush to use as his lock screen. 

“School…” She mumbled out. “Kuroi, what time is it?!”

Satoru, Suguru, and Kuroi all sat scattered around the abandoned outdoor pool of Renchoku Girls' Junior High, all thinking of different things. Kuroi found herself reflecting on the time she spent practically raising the young girl who would soon be sacrificing herself as a vessel. Suguru’s mind wandered to how they were going to keep Riko safe until making it to Jujutsu High. All Satoru could think about was why his girlfriend wouldn’t answer his calls. Dangling his shoes above the water, Satoru kicked at the murky water in vex as yet another call went unanswered. 

“Huh?! She keeps sending me straight to voicemail- Suguru, let me borrow your phone!” Satoru failed to turn around as he extended his arm behind himself, impatiently awaiting Geto’s cellphone.

Begrudgingly Suguru dug his phone out from his side pocket and handed the cell phone over to his hysterical friend. He had already seen this play out a million times before and was positive the outcome would be no different; Gojo does something easily avoidable and pisses Y/n off, they get into an argument because it physically pains Gojo to admit his wrong doings, Y/n ignores him, he pretends he’s fine and acts as if he enjoys the distance created, that lasts for a few hours at most, then Gojo acts like a crazed person trying to get his girlfriend to respond while she is clearly still upset. 

Miles away in Tokyo, Y/n saw the face of her good friend Suguru pop up on her screen. Her brain screamed it was just her idiot boyfriend trying to convince her to speak to him. Maybe it really was Suguru calling to inform her of their mission. Hesitantly, Y/n accepted the call and lifted the phone to her ear.

“Hi, pretty girl- uh?! She hung up on me!” Gojo shrieked as the line went dead on the other end. He pulled the phone away from his ear and stared the the screen in disbelief, almost as if the mobile device had zapped him like an electrical shock. His mouth hung wide, a look of absolute astonishment polarizing his features. A few moments of staring at the blank screen passed by, Gojo awaiting a returning call from his love to declare it was all some prank, yet nothing came. Suguru outstretched his hand towards his friend,

“Satoru, can I have my phone back?”

The blue eyed man gave an over exaggerated groan then carelessly tossed the cellular device back to its rightful owner. 

“Fine. Ugh! Can’t believe how dramatic she’s being! Just wait until I get back to Jujutsu High and don’t share any of my mochi with her. She’s going to have to wait at least a week until I give her that necklace I bought.” He huffed like a child. Resting his chin in the palm of his hand, Satoru gazed out at the pool. From behind he could hear a chuckle from his friend, causing him to turn his head. As expected, Suguru was chuckling to himself at his expense. Squinting his eyes, Satoru sent a scowl, unimpressed at Suguru’s amusement over his situation. 

“Well, you did go on an entire rant to her about how hot Inoue Waka is, how she’s your dream girl, then you told Y/n you’re only dating her because Inoue Waka hasn’t returned any of your fanmail-”

“That was a joke.” Satoru dismissed his argument, shaking his head, still playing a blind eye to his wrong doings.  

“And you said Y/n is lucky to be dating you… so, one might call her response reasonable.” Sure, Suguru was Satoru’s friend first, but he was also Y/n’s friend and he had no issue telling Satoru the truth when he was in the wrong, like he was now.  “Not to mention the new background which is sure to warm her heart.” Suguru pointed out. Gojo preferred to convince himself that his partner was wrong, although the nagging voice in the back of his head claimed otherwise. An abrupt quip from Geto on two of his cursed spirits no longer roaming around Riko sent all three sprinting to find her location, and still, even while the choir girls and sensei fawned over him, Gojo could not stop replaying his earlier fight with Y/n, wondering what he could do to get a response from her. 

Satoru and Riko were currently running from the chapel on her school grounds- well, Satoru was running while he had the young school girl hoisted by the back of her uniform. An unexpected attack had caused a bump in the road and now Gojo had to protect the girl on his own until he could find Suguru, not that the task would be difficult by any means, Satoru simply had his mind elsewhere. Speaking of elsewhere, his cell phone started ringing from his side pocket, and before he could reach for the mobile device, the young girl plucked it out in one motion. Satoru went to steal his phone back when she raised the phone to her ear and, as if it belonged to her, answered the call meant for Satoru. 

“Eh? Give that here-” Gojo reached his hand to snatch his phone back from Riko, yet instead she pulled the device right to her ear and began rambling. If she wasn't on the mission Satoru was certain he’d have dropped her off the building right then and there, but he had no time to make another effort to yank the phone as he needed to reach higher ground. It wasn’t until Gojo heard the sound of his girlfriend’s voice that his heart dropped straight to his ass. ‘Oh no’, he thought. 

“Is this Y/n?” The girl eagerly asked. A far off voice replied, making Gojo reach out once more to snatch his phone back, only for the vessel to jerk her head away from his grasp. He knew there was no time to stop, he had to get to higher ground and then he could steal his phone back and make things right with his girlfriend- he just hoped Riko and her big mouth wouldn’t taint that chance for him. 

Before he could try to reason with the girl and convince her not to say anything more, Riko began rambling and there was nothing he could do to stop her. Gojo could sense another curse user in their perimeter and knew it was essential for his focus to remain on keeping the vessel safe, even if she was a pain in his ass. 

“My name is Riko- yes, I am! Listen, your boyfriend is a total selfish, inconsiderate, self obsessed jerk! He barged into my choir class all high and mighty and bathed in the attention as the girls swarmed him- he even took his stupid little glasses off for them to all swoon over his eyes! He was totally leaning into their lust for him! My sensei even gave him her phone number-”

“Ah! Hey! Give me my phone back- are you trying to get me murdered?!” Nope, ah uh, not happening, Gojo thought as he tore his cellphone away from her hands. Riko turned to look at him, but the mix of fear and absolute terror on his face kept her words at bay. He sent the girl a cold glare, electric blue eyes narrowed in frustration. “My girlfriend is-”

The abrupt sound of his beloved girlfriend screaming at him sent Satoru back to reality as he glanced at the phone screen, then resentfully lifted the mobile to his ear.

“Hi, princess- why’re you yelling?! I don’t know what this crazy girl is talking about-”

Even Riko was experiencing a small twang of regret as the manic shouting on the opposite end of the line seemed to worsen with every passing second. As far as only knowing the cocky sorcerer for less than a full day, this change in posterior surprised her. Riko was taken aback to see him practically cowering at the words the girl seemed to be seething. All day he had been ranting and raving about how powerful he was- clearly the conceited type, yet here he was nearly shaking like a leaf as his girlfriend scolds him. Riko wonders for a brief moment if she should’ve minded her own business.

A minute more of screaming and cursing passed until Satoru seemed to find his voice, or rather thought of a viable excuse, and nervously cut the girl off. 

“I’ve got to go, a curse user attacked! See you later, my love!” He hurriedly smacked his finger against the red button on the bottom of the phone, desperate to end the call as quickly as humanly possible. Riko stared up at him as she dangled above the ground, and as their eyes met, Gojo rolled his, displaying his anger towards the girl as broad as daylight. 

Gojo scoffed down at the girl as he continued to hoist her above the earth by the back of her shirt, carrying her as if she was a briefcase, or bag of groceries, though certainly not as one should hold a human. Riko huffed, folding her arms across her chest, but Gojo paid no mind to her emotions, too upset with her actions and interjecting herself in his personal relationship. Jumping to the building to their right, a childlike huff heaved from his chest. 

“Jeez, you’re really a handful, brat. Now I’ve got more of a mess waiting at Jujutsu High for me.”

After the pair met up with Suguru and Kuroi, the four were beyond ready to be inside the safety barrier of Jujutsu High and left at once. After arriving at the school, the sun had long since fallen and the sky was teetering between a navy and black shade. Suguru gave his partner a curt nod, gesturing his head towards the dorm rooms, insisting he could handle escorting Riko into the tombs of the star corridor. Satoru sent his friend a grateful smile, bid the vessel and her guardian a farewell, then took off for the dorms. A small, minute, fraction of him was going to miss the kid, but she agreed to her destiny and up until now, seemed relatively pleased with her choice. Satoru jogged up the steps of the dormitory until he finally reached the fourth floor, the floor only occupied by female students. It wasn’t hard to locate Y/n’s room as he had snuck in past curfew more times than he could count, he reached her door with ease. 

His knuckles tapped against the wooden door, allowing less than a fair second to pass before he jimmied the handle. Usually a locked door would be a sign to walk away and try again in the morning, but Satoru only saw it as a slight hiccup. Pulling a credit card from his back pocket, Satoru slid the heavy black card through the slit between the frame and the door itself, shimming the card down to the lock while simultaneously twisting the knob back and forth. He gave the handle one quick turn to the left and abruptly the door swung open causing him to stumble less than graciously into the dimly lit room. 

Creeping in, Gojo carefully shut the door behind him and fully stepped into the dorm. The pink clock on her desk flashed half past midnight, but he knew his night owl of a girlfriend was sure to be awake, despite the eerie silence in the room. Tiptoeing his way towards the bed in the corner, Gojo let out a whisper, 

“Princess, I’m home! Are you awake?”

He sat himself on the edge of the mattress, placing the large shopping bag by his feet as he cautiously examined the heap hidden under a pile of blankets. Running his hand up and down the smooth fleece, Satoru could feel someone shifting around underneath. He leaned his head down, bending his body at an awkward angel, to rest it on top of what he assumed to be her side- that was until an elbow pulled back from under and collided sharply with his temple. 

A pained yelp sounded as he jumped back in surprise and fell to the floor causing a ‘thud’ to sound out. The figure on the bed threw the covers off her head as her fiery leer met Gojo’s stunned expression. 

“No.” She sneered. Though this did not deter the boy as he had previously prepared himself for an attitude filled reunion- especially due to how their last conversation had ended. Propping himself up to his feet once more, Satoru was determined to try again. 

“I brought you presents- look!” He rustled through the paper bag and yanked out four neatly wrapped parcels, and smiled while shoving his outstretched arms towards the glaring girl. However she refused to move, and instead continued murdering the sorcerer with her deathly scowl instead. Gojo let out a dramatic sigh, gesturing to the boxes in his arms once more. “C’mon, pretty girl, you gotta open the gifts-”

“Why don’t you go give it to those choir school girls- or what about their instructor-” A taunting laugh fell from her pink lips. “Better yet, send it to Inoue Waka and see if she finally responds to your love letters!” 

“Oh, c’mon, pumpkin! Are you really still upset about that?” Gojo whined. Here he was, bearing gifts in hand, and she was still angry about something that happened so, so long ago? Gojo ran his calloused hand across his face. 

“Still upset? It just happened today!” 

“If it’s any consolation, those school girls weren’t even in high school so they were way too young for me anyhow.” And none of them compared to you, he wanted to add. Y/n tossed from her position in the bed so her face was now peeking out between covers as her eyes flared. If the situation wasn’t so serious, Gojo would reach out to pinch at the cute chub of her cheek and comment on how adorable she appeared, yet he knew better than to try to weasel his way out of this one. 

“Ah, so you were flirting with a bunch of children and a cougar? Sounds a lot better that way, Satoru.” She shot back, sass soaking her words. Her rebuttal had Gojo rethinking his words. The issue with dating a woman like Y/n was she was far more intelligent then himself and simply didn’t fall for his handsome looks and boyish charm, which Gojo relied on when it came to the opposite sex. Not that this was a bad thing, so to say, it was actually one of the thousands of reasons why he loved her so much- she wasn’t shallow minded and saw him far beyond his outward appearance. Setting the presents on her freshly organized desk, Satoru ran a hand through his hair and awkwardly rubbed at the back of his neck.

“Technically, it wasn’t flirting in the sense you’re thinking of, I had to distract the class with my charm and good looks so I could sneak Master Tengen’s vessel out of class- I wasn’t lying about us being under attack by another curse user, that was true!”

“What about her number, huh?” Y/n scoffed. 

“She offered it, but I never accepted it.” Luckily he was telling the truth and Y/n believed him. Despite trusting his confession, she didn’t do anything more. 

A silence greeted the couple, neither certain of what to say next. Y/n lifted the blankets from her lap and stood from her bed in front of her boyfriend. Sure the gesture was small, but Satoru took her willingness to step closer to his frame as a good thing as his arms reached out to pull her body against his in a bone crushing hug. His forehead pressed against her shoulder while he kissed the spot. Y/n thought about pulling away for a second, she thought about making him work harder to gain her forgiveness, but his arms felt far too comforting around her body for her to shake him off. With his head buried in her shoulder, Gojo glanced up to Y/n, a softness in his eyes as he spoke,

“Do you forgive me, pretty girl? I’m sorry I made you upset… I don’t like it when you’re mad at me.” 

When she didn’t answer right away, Gojo lifted his head from her so he could properly look her in the eyes. He could visibly see the clouds of anger clearing as she quietly stared back at him. His hand then moved to wrap around the side of her face, his gentleness causing her to melt against his palm. She desperately wanted to smack his hand away, curse him then send him off to his room for the night, but she couldn’t. His touch sparked a series of shivers through her body which only made her long for him to pull her closer. 

A grin broke across his features as he accepted her lack of resistance as approval for his apology and began to move closer towards her face. If she slapped him away, then he’d know he misread the signs, but she didn’t. Their faces were so close in distance Y/n could smell the welcoming scent of peppermint swirling from his parted lips. These were the times she found herself grateful for his sweet tooth, it usually made for sweeter kisses. Wordlessly, Y/n pushed herself to close the distance and pressed her lips to connect to his. Gojo hums as he dips his head lower to gain advantage as he deepens the exchange. 

His mouth is warm against hers, inviting, as he kisses her. She can feel his tongue as it slips inside her mouth, almost like it was entering its second home, seeing as easily as it made itself comfortable and friendly against her own. Her fingers gripped at his white strands, pulling his face closer. All the frustration, all the emotions she had been experiencing towards him for the last day melted into the kiss. Satoru had one hand wrapped around her waist, holding her middle against his hips and his other swooped up around her lifted arm, leaving his hand to rest on the back of her neck, not letting her pull away even if she wanted to. 

Y/n could taste the strawberry chapstick on his lips, the same chapstick he had stolen from her only a week prior. He wasn’t lying, the taste was addictive. Gojo’s lips captured her bottom in a heated move, sucking on the skin with the slightest hint of friction as his teeth light delved into the plumpness. She had no time to muffle the moan passing through her, to which he smirked at the sound. 

A sense of shame washed over her once she realized he had won the silent battle. Instead, Y/n yanked at his hair from the root and pulled his lips back against hers, kissing him with such force he nearly stumbled back a footing. Gojo’s eyes widened in the middle of the kiss, surprised at her boldness and the way her tongue was invading his mouth. He could feel the material of his uniform growing tighter as his jeans constricted against his crotch. Y/n sucked on the silky smoothness of his tongue, small smacks sounding as she dominated the heated makeout. 

A shudder danced down his spine at the feeling of her hand pressed against his groin, his hips subconsciously grinding against her palm. Rubbing her hand along the zipper Y/n toyed with the cool metal, silently teasing her boyfriend as a means of revenge for his actions. Just as she began pulling the slider down, her lips pulled away from him at once, much to Satoru’s disappointment. His mouth hung low as a small whine sounded.

Y/n simply ignored his childish ways, and reached for the bottom of her shirt, causing him to smile once more. Peeling the shirt that belonged to him off her body, Y/n threw it to the floor then fell back against her mattress, motioning Gojo over with the flick of her wrist. Satoru stalked towards her on the bed, almost like a predator sneaking up on it’s prey. His eyes held a look of hunger she rarely saw but bathed in the heat searing from it.

Climbing over her body, Satoru placed himself so he was looming above her, his zipper hanging half undone. Y/n tilted her head, pretending not to understand the look on his face. Gojo shook his head then leaned his face so his lips could skim against her exposed neck. He let his mouth trail up the side of her skin, hot breath fanning over her coolness. His hands lifted to grope at the covering of her bra, giving the material a tug. He came to a stop once his mouth was pressed against the shell of her ear, his voice sending a wave of pleasure straight to her core, 

“I love it when my princess is being a little brat… think I need to put you back in your place.”

Without warning his lips attached to her neck and harshly began to suck at the skin, surely leaving a trail of blotchy red marks. Y/n’s whole body hitched at the overwhelming rush of excitement, her hips lifting only to be shoved back into the mattress by his own which hovered barely an inch above. 

She let her head fall to the side, allowing Satoru more access to her neck, her eyes hardly opened as she basked in the tingling his mouth brought. Hands traveled up and down his back, nails lightly scratching against him as her body wormed from his lips making love to her skin. Y/n nearly closed her eyes all together, she nearly allowed herself to get lost in his kiss, that was until a distant ‘ding’ caught her attention and the phone beside her head lit up. 

A text notification from Suguru popped up on Satoru’s phone, but that wasn’t what caught Y/n’s attention, no, her fixation settled in on the nearly naked photo of the famous model Inoue Waka. The same Inoue Waka that sparked the original fight between the couple, the same Inoue Waka Satoru called hot, the one he declared his dream girl, and same Inoue Waka Satoru said he’d be dating if she’d give him a chance- Y/n was fuming in rage. Pushing both hands on his chest, Y/n physically shoved Satoru off her body causing him to tumble off the side of the bed. His hands flailed out in an attempt to grab for stability, although failed as he rolled to the wood floor, his back smacking against the ground. Gojo laid still on the floor, his mind still trying to process the whole event as he rubbed at the ache on the back of his head. Sitting up straight she reached out for his phone and held it in his face as she screamed,

“Are you fucking kidding me, Satoru?! You put Inoue Waka as your background?!”

“Hehe… that was meant to be a joke…” The fear in his voice transcribed in shaky words as Y/n chucked the phone at him, barely missing his face as he lunged to the side. She snatched his shirt off the ground and threw it back on, covering her chest as Gojo scrambled to grab his cellphone. 

“Fine, I’ve got an even funnier joke for you,” A taunting smile full of hidden anger laced her lips as her finger jutted towards her door. “Get out!” 

His face fell all at once, a deep pout tattooed on his lips. Maybe he should’ve listened to Suguru earlier when he insisted this was a bad idea- if he’d had listened to Suguru, the two would probably be tangled in her bed sheets by now, but no, Gojo had to press her buttons even further. Opening his phone, Satoru clicked on the most recent image of Y/n and faster than the speed of light, set the photo to his new lock and home screen. 

“Aw, c’mon! I’ll change it right now- see! Look, pumpkin, it’s a picture of my favorite girl-” Gojo flipped his phone around, allowing the bright screen to illuminate Y/n’s face. She glanced up, and Satoru watched in utter confusion as her expression went from upset to lividly irate. His heartbeat multiplied in rate, obviously terrified of the disturbing reaction she held to seeing her face on his phone, or what he thought was her face. 

“You fucking asshole.” She growled. If this was his idea of a practical joke, Y/n was ready to make him single. Gojo’s eyes grew like a mass, quickly turning his phone back only to see what caused such a profuse reaction. The image hadn’t changed and was the same exact photo as previously of Inoue Waka propped up on her knees sitting in the sand as her breasts nearly poured out of her excuse of a bikini.

“Shit! I promise I thought I hit save- just give me a second, I’m panicking!” He screeched. His fingers moved at the speed of light as Satoru helplessly tried to set his girlfriend’s smiling face as his background, hoping to at least save some ground between the couple. What he failed to notice in his alarmed state was Y/n reaching out for her phone, scrolling through her photo album and setting a new image on hers. 

“No, no, it’s fine, Gojo, really. I’ll just change my background to a picture of my favorite guy.” The smile she wore was not one of love, no it held more malice, evilness like she had just completed a plot to end the world. Satoru’s head nudged to the side, his eyebrows pulled together in a line of skepticism. 

“I’m already your background, princess…” He mumbled. Clarity was granted as the girl tossed her cellphone, to which he caught with ease. Clicking the power button, Gojo gave a dramatized gasp.

“Is… is that Suguru?! How’d you get this picture? Did he send this to you? Oh my god I’m going to kill him-” 

“I think he looks cute.” Y/n smirked. Obviously it was all a ruse to get back at him for his immaturity, but she couldn’t help the sense of pride creeping up at the over the top reaction from Gojo. The photo itself came from a night out the couple shared, one with their usual third wheel, Geto. Four shots in and five mixed drinks, Suguru was having quite the time, which led to a gallery full of images that he insisted the three took together- and if Gojo would look a little closer, he’d notice the small wisps of pure white hair sticking out from the edge of the cropped image, but Y/n didn’t need to tell him that, it was far more amusing to see him frantic. 

Large blue eyes pleaded up at her as Gojo kneeled in front of the bed, his hands folded like prayer.

“Princess, please put my picture back! I changed mine back to you- please!”

Her finger tapped against the blush to her cheek, pretending to be lost in thought. This was pure torture as Gojo continued to beg at her feet. 

“Hm. I’m not sure- I do have a picture of that adorable first year Haibara in there somewhere…” No, absolutely not, that was Satoru’s last straw. No way in hell would his beautiful girlfriend have a photo of that first year sorcerer always obsessed with impressing Suguru as her background- never ever! Gojo was already annoyed their peer favored his best friend over himself, but having his own girlfriend joke about giving them attention, fuck no.  Holding her phone above his head and out of her teasing reach, Satoru screeched, 

“Ah! You’re going to replace me with a first year?! What?!”

Folding her arms in a crossed fashion against her chest, Y/n gave the hysterical teen a ‘told you so’ glare. 

“Now you know how I felt.” She said matter-of-factly. 

Satoru had to physically bite his tongue to keep the word ‘brat’ from tumbling past his lips. Yes, he used the term as one of endearment, but that was when the two were in their usual jovial mood- now was not the time and now. Gojo understood what she was hinting at, he got the message she was referring to their earlier argument and the various comments he had made towards the famous model, but that didn’t mean he agreed with her. In his mind, there was a clear difference between joking about having a crush on someone in the public eye and joking about having a crush on a fellow classmate. 

“Well at least my background was a celebrity that I have no real chance with. If you asked that first year out he’d probably say yes on the spot then pass out- and Suguru would say yes just to spite me!” His voice was teetering a cry as he threw his head against the bed. 

“I would never actually ask them out, Satoru. In case you haven’t noticed, I love you. Why do you think I was so upset about all those things you said before you and Suguru left? You basically admitted I’m not your dream girl but some famous, perfectly perfect model, who I look nothing like, is. Then you went on about how lucky I should feel being with you, as if I’m not already insecure about our relationship.” Gojo’s heart sunk at her words, regret filling his insides. “It hurt my feelings, Satoru.”

“I’m sorry, princess… I really am. I never meant to hurt you, I guess I thought I was being funny but… it’s really not true.” For the first time in maybe ever, Satoru’s tone sounded different. His voice no longer held that casual cockiness and confidence it usually oozed, no, he sounded timid… possibly the most serious he’s ever sounded in his life. The man who played life like it was the board game itself now stood before the woman he loved looking scared. Y/n’s face scrunched in question, slightly taken aback by the sincerity he expressed. 

“What’s not true?”

“What I said about Inoue Waka, she’s not my dream girl, you are.” Satoru stated. He needed Y/n to see the truth to his words, to believe she was the only girl for him, because she was. As fun as it was to tease his girlfriend, it was only amusing when she was in on the joke. The last thing he wanted was to hurt her. Satoru could see now how truly uncomfortable she was with his comments and it made him feel like a piece of shit knowing he planted a seed of insecurity in her mind. 

It was almost as if Gojo could see the shield Y/n placed around herself, around her heart. She was a hard one to crack, but getting to be the soul she finally let inside meant the entire word to Satoru and he had no intention of breaking that trust ever again. 

“And I’m the one who’s so fucking lucky to get to call you mine. You’re everything I could ever ask for in a girlfriend and more. You put up with me and you’re the only person who ever laughs at my jokes- and you know all my favorite snacks and treats… you even know all the things I’m scared of, which losing you is at the top of my list. I’m sorry that I ever made you doubt us, or made you feel insecure… I really am sorry, Y/n.”

The room turned quiet as Gojo’s confession hung in the air. Y/n didn’t speak, she wouldn’t even move. Instead, her eyes planted on the blanket in her lap, mindlessly losing herself in the pattern while her mind raced, replaying his words over and over again. Gojo examined her odd behavior, part of him perplexed at her lack of response. Y/n had a response for everything, for every situation. For the first time in their two year relationship Gojo was witnessing her in a speechless state, and for as much as he joked about her bratness and stubborn ways, he hated not hearing her voice. A minute passed until Satoru decided he had enough of missing her sound. As he opened his mouth, about to ask if she was okay, a shout sounded from her throat. 

“Ugh! I hate when you do that!” Y/n cried out. There was a thin row of salty tears teetering her waterline. Dread filled Gojo at the sight. He never meant to make her cry. Standing to his feet Satoru sat himself next to her on the bed, his hands reaching out to grasp her own in trepidation. His thumb drew anxious circles across her skin, a method he’d learned that usual calmed her down, yet her tears steadily fell. 

“W-What? Do what?” He asked in a wavering voice. With her free hand, Y/n harshly rubbed at her eyes, wiping the tears that continued to roll down her reddening cheeks. A few splashed against his hand that clutched hers, but he didn’t care. A scarlet ring formed around her e/c eyes as she glanced up to Satoru, a mix of agitation and sadness filling her. 

“When you’re all sweet and say things that make my insides feel like they’re all mushy and- ugh, I hate how much I love you. It’s so annoying!” She cried out. 

A wave of solace splash his bay at her words, along with the returning embrace as her hand squeezed his. He let out a sigh of relief, grateful his words had caused good tears this time. Bringing her hand up to his face, Gojo danced a trail of kisses along her knuckles and smiled. Still holding her hand, Satoru lightly urged the girl to lay back on the mattress and he climbed in next to her. Her head rested softly against the pillow, Gojo’s arm encircling her waist as he turned her body to face his. Once he could see her beautiful face, he let his hand wrap under her chin with a feather light grip. 

“I happen to love how much you love me, pretty girl.” 

His lips pressed a sweet kiss to her temple, then placed another to her forehead, then lastly a chaste and loving kiss to her lips. Y/n nuzzled her head against his touch, the shakiness to her breathing beginning to slow. Gojo removed his hand from her chin as he felt her wiggling closer until her head was laid up on his chest. The sound of his heart beat echoed in her ear and she cuddled into his warmth. A comfortable blanket of peace took control of the room as the couple enjoyed the feeling of holding one another. Satoru’s hand ran up and down her back in an act of comfort. His touch always made her feel more at ease. The moment of tranquility lasted a good portion until Y/n briefly pulled herself away from Gojo, an unfamiliar gleam to her gaze. Satoru tilted his head, unfamiliar to the unusual look, when Y/n lifted her hand to stroke the side of his cheek, as she spoke in a mask of sweetness,

“I swear Satoru, if you ever set Inoue Waka as your homescreen again, I’ll murder you then chop your body up and dump it in the ocean.” One might expect a rational response to such a threat would be fear, not Satoru Gojo. A cheesy grin broke out as his hold tightened around her body, pulling her closer to him.

“I know you will, princess, and that’s why I love you… even if you are a brat at times.”

Her hand smacked against her arm, faking a pout while snuggling further in. 

“Shut up, you love me because I’m a brat.” She remarked. They both knew it was true. Satoru could feign annoyance over her attitude, he could pretend she was too ‘difficult’ for him, but in all honesty, bratty was exactly the way Satoru loved her. 

“You know me too well.”