#also i'm sorry about the length of these

[limeshade]

What’s the matter with them? Why are they acting that way? Why, don’t you know? They’re “twitterpated.” Twitterpated? Yes. Nearly everybody gets twitterpated in the springtime. For example—

BAMBI (1942) Directed by David D. Hand et al. Written by Perce Pearce, Larry Morey et al.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[midnightrings]

SIENA ROSSO and ANTHONY BRIDGERTON

-> Bridgerton 1.08: After the Rain (1/3)

[rings-of-power-realm]

Thank you Robert Aramayo for being a better person than the entire internet. It was a beautiful scene and you and Morfydd handled it perfectly 💚

[necrotic-nephilim]

i recently remembered DickTim Week 2024 is happening very soon and i looked at the prompts again to see if i could get anything out for it and. the Hades & Persephone AU prompt for day 1 has got me really thinking so here's a vague concept i plan to write.

i've been pretty burnt out on modern Hades & Persephone retellings because of how they always seem to fall into the same generic "innocent wide-eyed girl runs from her evil mean mother into the arms of a dark mysterious man because actually she went willingly and chose to marry him" which has gotten repetitive for my tastes. (for clarity i don't care if this retelling is your cup of tea personally, so long as you're not actively trying to rewrite the original myth and claim untrue things about it, if this is your favorite flavor i sincerely hope you enjoy the buffet i just have little interest in it since it feels overdone for me and exhausted of it's supposed commentary atp)

but? but. biblically accurate Hades & Persephone AU has me all kinds of interested. because wait listen so hear me out right. Hades!Dick and Persephone!Tim, obviously. i feel it'd be more loosely inspired by with themes and imagery (though playing with death and nature powers could be interesting, i haven't decided) rather than explicitly making them gods and all. but. something dark and fucked up where Dick and Bruce are especially estranged. maybe to do with Jason's return, maybe to do with them just clashing and having their usual explosive arguments. and Bruce knows the peace needs to be kept, if he and Dick are at odds then everyone starts to pick sides and things just fracture so he needs a peace offering.

and the peace offering is Tim.

Bruce (the stand-in for Zeus) offers up Tim. agrees to have Tim move to Bludhaven and be Dick's... whatever Dick wants him to be. knowing that with the implication comes the likelihood of Dick grooming Tim. and Tim has no real say and is hesitant to put up a real fight. he doesn't want this, he knows what this is going to imply Dick will do to him, but he also knows if he says no things have the possibility to just... fall apart. so he's the unwilling bride, dragged off to the metaphorical underworld (Bludhaven) with Dick, away from his family, his friends, the life he built.

and on the flip side, i think weirdly enough, your best pick for the Demeter stand-in is *Jason*. just, hear me out on that. not necessarily on the side of it being motherly, but on Jason being just estranged enough from the Batfamily to be the one willing to call it out for being bad and wrong and raising bloody hell to get Tim back. maybe it's because Jason wants Tim for himself, maybe it's truly out of a concern for Tim to have autonomy, i'm toying with the idea of it primarily being Tim's POV and him genuinely not knowing which of these is true. (and the truth possibly ends up being a complicated middle ground) and because i like Helena, i think you can use her as the Hekate stand in, the one who strikes a tentative alliance with Jason and tries to go find Tim and bring him back. Tim stuck with Dick, getting groomed and hyperaware of it, possibly even getting fucked the whole time as well, knowing he can't go back without causing massive issues for Dick and Bruce because well, Bruce did promise him to Dick. so he has to adjust his whole life, try to figure out being a vigilante in this new city with Dick breathing down his neck the whole time.

and then much like the ending of the myth, a sort of compromise is struck that's a shaky deal for everyone involved. Tim is put on an essential timeshare, going back and forth between Gotham, where he has friends and family and a support system, then getting dragged right back to Bludhaven with Dick in this brutal cycle that he slowly gets used to and stockholm'd into even liking it. Dick isn't so bad, once he gets used to the quirks of their unbalanced 'relationship'. the sex is even something he can adjust to as well. not quite a happy ending but one that sits in this realistic grey area that becomes Tim's life.

i will write this, eventually, but i don't know if i'll get to it before DickTim Week ends so by posting the idea i'm essentially putting it out into the world so the peer pressure holds me accountable. i just. really like the potential of making Hades/Persephone AUs as fucked up as they can be simply by adhering to the source material and making it a raw story of being stolen away and forced to like this new home you didn't ask for.

also a less fleshed-out aspect of this idea i have ties into Persephone becoming the Queen of the Underworld when she's taken and how the transition from Kore to Persephone could be reflected in Tim. how he makes the best of the worst situation and becomes something far more dangerous and dark when he's in Bludhaven, possibly takes on a new vigilante name/identity and leans into the worst quirks of his personality he tries to tamper because there's no point in not going full tilt Obsessively Weird if he has no choice anyway and it being one small way he takes back his autonomy, and that inevitably making Dick *more* into him, because he gets to see Tim finally just. let loose.

[mintjeru]

taking a break between tasks, time to post old kvthm doodles

open for better quality | no reposts | ID under the cut

[Image description: A page of uncolored digital sketches of Kaveh and Alhaitham.

The topmost sketch is a redraw of a scene from the Archon Quest in which Kaveh frowns while looking up to meet Alhaitham's gaze.

The bottom left drawing depicts Kaveh and Alhaitham in an embrace. Alhaitham is nestled into Kaveh's chest and looking forwards with a neutral expression. One of his arms reaches around Kaveh's waist. Kaveh smiles as he looks forwards. One hand loosely caresses the back of Alhaitham's neck while the other lightly touches his jawline.

The bottom right drawings depict a chibi Alhaitham and smiling chibi Kaveh. An arrow with the phrase "do not separate them!!" points at them.]

[stormy-nights-are-best]

Hey WHAT if I made your turtles [shiny emoji] slightly more scientifically accurate [shiny emoji]?

I'll start with the Disaster Twins.

Alright, so Leo is a red-eared slider turtle. At first I was skeptical about his blue shell and horizontal marks, but then with some research, I found red-eared sliders aren't always just the most gorgeous green - I found this lil blue gal in the pic! - AND their stripes CAN have some wiggles that make horizontal lines (first pic tart has one on its shoulder). So I didn't have to change those!

I did give him some actual stripes and plastron marks (there is no red-eared slider without those, plus they can be blue too so it suits him) though.

And a long thin tail because I'm okay with Trans Leo (male slider have short thick tails like in pic 2)

It was hard to figure out which type of spiny softshell Donnie was at first, but I was being dumb. It's obviously the Northern.

I started this whole project to fix Leo and Donnie's markings and DANG IT THEY'RE NOT INACCURATE- Spiny softshell turtles can have purple marks just fine (I'm pissed) so I let him keep his cool tech markings and just fixed his plastron. Picture one is a softshell's plastron, in case you hadn't realized. I know I took a while.

And!! Spiny softshell turtles have U-shaped nostrils. That's very important.

The hands and feet I gave Donnie are a little different from all the others' because so are spiny softshell turtles'.

But I think it'd be comical if the guys still couldn't tell the difference between the twins without their color coDING

OH, YOU MUST HAVE NOTICED LEO'S PERFECTLY FINE AND RAPH DOESN'T HAVE A HOLE IN HIS SHELL! That's because those are gonna be all in that time gap between the end of S2 and the movie.

If you WANt scientifically accurate post-movie wounds though.... Here's Leo's.

[horsechestnut]

Reverse Robins!

But specifically Stephanie and Tim (with a little Jason added when it's relevant).

Note: I'm of the opinion that in Reverse Robin AUs they wouldn't actually use Robin as their code name, but for convince and clarity's sake I will be using it here.

Damian is gone. He left in a blaze of anger. They'd fought before, but this time came with a finality Bruce doesn't known how to handle.

Batman is spiraling. Without Damian around there's no need to be Bruce Wayne, no reason not to follow one more lead before turning in. No young eyes looking to him to be an example. Nothing to keep him from beating the bad guys into a comma.

Tim Drake has been watching Bruce Wayne for awhile. He's been watching Batman for longer. He saw the turn, the way the Wayne Foundation is slowly being corrupted without Bruce's over site, and the more extreme injuries criminals are coming in with. He looks at Bruce Wayne and Batman, and the man behind them both and thinks "Yeah, I can fix that." Maybe it's teenage nativity, maybe it's a drive to do something good, maybe it's the need to be in control of something in his life. Whatever it is, he acts on it.

Bruce doesn't want to let Tim be Robin. Damian was his son, and a trained assassin, Tim is a random kid with no formal training. But Tim is a random kid who figured out his identity and is actively blackmailing him with it, so he doesn't have many options.

Batman and Robin are back together. Bruce Wayne is back in board meetings. The criminals are getting a lot less bruises. Robin is far more impressive than Batman ever would have guessed he could be. Tim is falling asleep in math class, but he already knows it all anyway so it's barely worth mentioning.

There's a new vigilante in Gotham. One who sets a dangerous precedent. It's one thing for Batman to have allies, it's another for outside agents to start taking matters into their own hands. Especially when they're untrained teenagers who are looking for personal vengeance.

He does everything he can to get Spoiler to quit. He tells himself it's not just about his personal dislike of her, it's for the sake of every other misguided kid who might try to follow her lead.

He fails.

The Joker attacks Robin. He doesn't kill him, he has a worse fate in mind. He takes Batman's prodigy and makes him his own. Tries to prove that even the Bat's closest ally can be corrupted if he has a bad enough day. He succeeds, and for one terrifying night The Batman faces off against Joker Jr.

Tim survives, but he's not the same. It takes months for his injuries to heal, and even then he's haunted by what Joker turned him into. Terrified that he could snap again at the wrong moment. He tells Bruce he can't be in the field anymore, it's to big of a risk. He promises Batman he'll find another way to help.

Cluemaster is dead. He died on a suicide mission. No matter how Steph feels about it personally, logically she knows Gotham is safer without him around. Part of her can't help being relieved, and she doesn't hate that part of herself as much as she knows she should. There's no longer any need for The Spoiler.

There's an opening for Robin and Steph wants the job. Wants to prove she can do it. That she's just as good as Tim. That she's not her father. That she can make a father proud.

Batman doesn't want Stephanie. He wants Tim. But maybe Stephanie is a way to get there. To make Tim jealous enough to come back.

Bruce tells himself it's for Tim's own good. Stephanie's too. Tim needs the push, needs to be Robin again so he can overcome his fear about being the field. And Stephanie needs the training, and the focus now that Cluemaster is gone.

Robin tries, she really does. She does everything Batman asks of her, always. Except once. And once is all it takes. Robin is fired, but as she leaves the cave Stephanie grabs on to one last desperate chance to prove herself. Batman never intended for the file to be used, but Stephanie doesn't know that. Batman didn't tell her. He never told her anything.

The war that erupts is unlike anything Gotham has ever seen.

Damian comes home. It's not for Bruce. It's for Gotham, for the city that took him in despite everything.

Batman isn't listening to Oracle. He's cutting him off, overriding his systems, and treating him like nothing more than a glorified phone operator. Tim can't just do nothing. Not when his city is burning.

Black Mask captures Spoiler, and nobody notices.

Robin is back on the scene. He's reluctant at first, but once he starts it's like a switch flips. The moves are second nature, the danger is exhilarating. It isn't a game, but part of him can't help relishing it all the same. He can't remember why he stopped.

Spoiler manages to get free. She manages to ambush Black Mask. She manages to pin him to the ground, gun pointed at his head. But Steph can't pull the trigger. Two months ago she would have, but now Batman's voice is in her head. She can't let him down. Not again.

Stephanie hesitates, and in that moment Black Mask breaks her hold. He gets his gun back. There's no moral code running though the back of his head. He doesn't hesitate.

Gotham is safe. Batman did his job. Damian is back. Robin is in the field again. But Bruce is haunted by what happened. Damian is injured, Tim has nightmares, and Stephanie...

Jason Todd isn't new to being poor. He knows how to be hungry, how to fend for himself. But he is new to being homeless. The gang war left lots of kids in the Narrows orphaned, of course some of them were going to fall through the cracks, and Jason happens to be one of them. Maybe it's for the best. He's heard how the Gotham Foster System treats kids. Maybe he's better off on his own. He just needs to find a way to make some money.

Batman descends with all the furry he's been holding in. But instead of an overconfident car thief, he finds a twelve year old boy desperately clutching a tire iron, trying to seem angry instead of scared.

Bruce recognizes something in him that he can't fully explain. He takes Jason back to the manor. Gives him a home. Does everything he can to keep him away from the cave.

That lasts about two weeks.

Jason wants to give back to his community, to make sure kids don't have to deal with the shit he had to deal with. He wants to thank Bruce for helping him. He wants to be nothing like his dad. He wants to make his new father proud.

Damian is against it. Tim is against it. Bruce is against it. Jason is insistent. He decides to take matters into his own hands, to steal an old Robin suit and sneak out after the others have left. It doesn't go well. He thinks he's blown his chance, but to his surprise Batman relents. If he doesn't Jason will find a way to do it on his own, and he won't let another kid go out untrained.

Tim goes back to Oracle. The way he felt the night of the gang war still scares him sometimes, reminds him to much of Batman back when they first met. Guilt washes over him whenever ever he thinks about it. How happy he'd been, all well Steph...

He should have been in the Clock Tower that night. Should have been keeping better tabs on all of them. He should have known she was missing in action, should have been monitoring her suit's location or trying to reach out instead of just listening when Batman said not to involve her. So if there's a new kid running around in the suit, their suit, he's going to make sure this one is safe.

Robin is good. Really good. He's to angry, he's rash, he's impulsive. But he learns fast, and he seems to almost fly over Gotham. He fits the role in a way Tim never truly did.

Black Mask is dead, and someone else is using his name. Someone who's dismantling the Gotham underworld piece by piece.

Steph has a duty to the people she hurt, a duty Batman will never understand, and one she has to handle her way. Batman stopped the war, but he didn't stop the gangsters. He didn't stop Black Mask, or Scareface, or any of the others. It's not about what they did to her. She deserved it. It was her own fault. But so many others suffered because of them, because of her, and Batman did nothing to stop it. So she will.

Black Mask isn't planning to confront Batman. She doesn't care about him. She's done seeking his approval and following his rules. Doing that got her killed. It got other people killed. But there's another Robin running around, and someone needs to explain that. Steph knows by now that she was never really Robin, it was all just a trick to get Tim back. A trick that worked. So who the hell is this kid? Is he like Tim, someone Batman will keep safe, or is he just another pawn he'll sacrifice the second it's covenant? And when she finally gets around to asking, she lets more slip than she should have.

Batman knows the truth, but that's okay. It was only a matter of time before he did, and it doesn't change anything. Bruce tries to appeal to her, but what can he possibly say that could make a difference? That he's sorry?

He is, but it's to late for that. Stephanie knows the truth. She knows he never took her seriously. She knows he never trusted her. She knows it was all a game, and that in the end Batman got what he wanted even if not in the way he intended. And Bruce can't argue, because she's right. He created her, and he knows it.

Stephanie Brown is dead. She died in Leslie's clinic. She died because her doctor decided teaching Batman a lesson was worth more than her life. A lesson he didn't even bother to learn. She died because she listened to Batman even though he never bothered to listen to her. And she died because Batman used her as a chess piece. Because he wrote her off before she'd even properly begun.

Black Mask is not Cluemaster. She refuse to ever be her father. But she's not Batman either. He never gave her the chance to be. She's something else. Something between those two extremes. Something that's fully hers. She's going to protect the people Batman's to busy to care about, and if she has to kill a few people along the way, so be it. She's not playing by his rules anymore. She never will again.

Black Mask is Batman's greatest failure. Not because she died, but because he never took the time to teach her how to live.

Stephanie is Bruce's biggest regret. Not because she died, but because he didn't care about her until she did.

[smallmightsupremacy]

You know what. You can argue all you want that Katsuki hates Izuku, but don't expect people to listen if you only use a single panel out of the nearly 400 manga chapters to back up your claim.

[averlym]

whshdfhfjf.,,,

[esprei]

have recently learned there's a bit more hate around trainwreckshipping than i was aware of so i guess i just wanted to talk about it a bit and give my two cents on the ship, how i see it and i guess my perspective on things. i've kind of always wanted to talk about it, but i just haven't been brave enough until now haha (sorry, i am not super eloquent when it comes to writing things like this so my apologies) ((also throwing it under a cut because it may get long and might also include some slightly sad-ish things so i don't want to just throw that in everyone's face you know))

----

i think i'll just preface things by saying i've always totally understood why trainwreckshipping has gotten so much flack since its inception. or hate, because maybe flack just isn't strong enough of a word. but i do understand. there were mischaracterizations of emmet by portraying him as violent to volo because it was assumed that volo was directly responsible for ingo's disappearance. i was guilty of it. suuuuuper guilty. and i can understand why that put the ship in such a position for many people. toxic, unhealthy, etc. but... i think what i'm a bit confused on i guess is the fact that it's still viewed so much this way to this day. viewed as one of the worst ships because of how toxic it is. how unhealthy it is. all because it started that way in fanon only. but you know, from a canon standpoint, it has nothing. nothing at all. so really, this ship could be anything because it's based in fanon only. no canon interactions of emmet and volo exist yet. there is no official basis on how these characters would interact with each other. and yes, while there were misunderstandings of both characters early on, that certainly doesn't mean it's still that way today. that doesn't mean that people haven't studied and looked at these two characters a little closer to understand them better and to try and make them more realistic to their canon portrayals. to make more accurate depictions of these characters and how that fits in to a healthier perspective with them. i dunno. it just kinda baffles me that with the variety of trainwreckshipping content out there now, some still call it toxic and unhealthy as if we're perpetually stuck in that time period of when it was. like it's not allowed to be anything but that ever just because it started that way. and what makes me the saddest about it all is now seeing so many friends and people in the community of the ship start to get disheartened and discouraged from enjoying something they really actually enjoy because there's still such a bad stigma to the ship. personally for a long time i've just ignored that stigma because i try not to let that stuff drag me down. but i will admit that yes, it has made me more reluctant to post any art i do of it. i've definitely had my periods where i've questioned uploading my emmet/volo art, usually as wholesome as it is, because it does have such a dark cloud around it fandom wise. it's why i made my side blog, in fact. because i just didn't feel very comfortable uploading mostly emmet/volo art here to my main because so many people dislike it or outright hate it.

and in regards to the ship itself, i think i've always thought of it in a slightly different way than most. not so much enemies to lovers but rather through the lens of how volo might could change, be redeemed, see the how his actions in the past inadvertently affected others (and by that I mean his involvement in opening the rift... like yes, that could be what caused ingo to be sent to hisui, but we don't know that for sure... and even if that was the case, volo didn't do it specifically to target ingo. volo was only ever interested in trying to get to arceus and build a better world in his vision).

or how volo could look at emmet after getting to know him and potentially see the beauty and value of the current world through him. you know, seeing someone like emmet and admiring that he can still find a reason to smile and be kind despite all of the pain and suffering he must have gone through since ingo's disappearance. volo starting to see a different perspective than he did before (aka wanting to build a new world because the current one was too full of pain and suffering) because of emmet. i dunno. that's just me personally. because since actually looking more at volo's character and his dialogue in game i've been real interested in redemption paths for him. exploring those possibilities. i just enjoy exploring said possibilities mostly through the dynamic i have in my head for him and emmet because it's fun. it interests me. i see cool potential in it. i enjoy it a lot. and while i don't think i ever portray volo super accurately, or even emmet for that matter, i still think i've come a long way since first finishing pla and ever looking at emmet/volo interactions. but regardless of all of that, that's the beauty of a ship of this nature. a ship that has absolutely no basis in canon. because it really can be anything you want it to be. it can be enemies to lovers, it can be more wholesome, it can be whatever. it's not locked into a specific dynamic because the characters have never officially met each other, let alone had a conversation. and even if that were the case... AUs are still a thing. :D

anyway that's pretty much all i had. just wanted to talk about it a bit because i've seen a recent uptick in people mentioning all of the hate and dislike for the ship etc and i dunno. i enjoy the ship a lot. it's just sad to see that there's still so much hate around it even though a lot of the content now is not like how it originally started. not from what i've seen, at least.

and while i don't expect anyone who hates it to ever warm up to it, i just wish it could be understood that the more toxic, unhealthy dynamic is not the basis of anymore. there are healthier portrayals of it now.

[redrocketpanda]

Thanks for answering my ask before. If you don't mind me asking (again), can I ask, what are your top 10 (or top 7) favorite media (can be books/ manga/ anime/movies/tv series)? Why do you love them? Sorry if you've answered this question before......

Hello again - thanks so much for all of these questions!

Hmmmm, I have so many favourite things across so many different forms of media that choosing a top 7/10 is super hard. I've gone with my gut of the first things I thought of that I love, but the list could easily be wayyyyyy longer. I'm sorry - I tried to keep this as short as I could... In no particular order:

My Hero Academia (anime + manga) MHA is the first anime that I think I ever really properly enjoyed. I watched it in 2021/2022, immediately fell in love with it, and proceeded to devour both the anime and almost all of the manga. I obviously adore all of the characters, but I also love the way that MHA portrays superpowers - both in terms of how they function (w/ there being unique limitations to them) as well as how it depicts/explores superhero society. I don't normally go in for superhero type media anymore, but the combination of all of the above (plus literally the sickest soundtrack from Yuki Hayashi) easily makes it one of my fave ever things

The Wayfarers series by Becky Chambers (books) I could write an entire dissertation on why this is one of my favourite series of all time, and why Becky Chambers is one of my favourite authors. But the shorter answer is: literally everything about them. Chambers' writing is beautiful, her narratives are full of love, hope and community, and her characters are incredibly diverse and well written. My fave book from the series is Record of a Spaceborn Few.

Dragon Age series (video games) I first came across Dragon Age at a fan convention back in 2016/2017 during a panel on queer media (I think). In addition to the panel discussing the general queer relationships/characters in the series, they specifically highlighted Dorian and Krem in DA: Inquisition. The following day I went out, purchased all the games, and then played them through from the first game. IThe games are super fun to play, the writing is *chefs kiss*, and I love the themes that the games explore. I love them so much I've even written an article and done a podcast episode about them!

Jurassic Park franchise (films, books, games) Jurassic Park is one of the franchises that I was raised on (along with Star Wars) and I have been obsessed with it ever since. I've seen all the films (up to Jurassic World), read the books, own books about JP, played a bunch of the games, and even have a poster map of Isla Nublar on my wall. Dinosaurs are one of the big reasons I love them, but also I think the films have always been very interesting to me for how they give us a lens in which to think about animal rights + conservation in a science fictional setting (something else I have also done a paper on!)

Final Fantasy XV (video game) I'll keep this one short and sweet: best boys on a roadtrip that will both make your heart full of joy but will ultimately leave you a sobbing mess on the floor (Honestly I didn't play FFXV until the end of 2022 and I am still !!!!!!! over it)

Haikyuu!! (anime) sksalkkljsa. I don't even know what to say about this. HQ is just the fucking best.

I Was a Teenage Exocolonist (video game) I don't talk about it so much anymore, but Exocolonist is still one of my favourite games and it makes my heart feel so much whenever I think about it. I love the entire aesthetic of it. I love how impactful your choices feel and how many different routes you can go down. I love how inclusive the game is, not just in terms of gender, race and sexuality but also with polyamoury + family/community dynamics. The worldbuilding is beautiful, the soundtrack is *cries*. Just...it's such a wonderful game.

Manic (film) There are a lot of films I could choose for this list, but if I can only choose one (bc space) then I think Manic is a good pick. It's the 2001 indie film with Joseph Gordon-Levitt, Zooey Deschanel, Don Cheadle, etc, and is set in an adolescent psychiatric ward. This film means a lot to me personally, I'll just leave it at that.

Xandri Corelel series (books) I spoke a bit about why I love the series so much in response to your favourite characters question but to summarise: cool as fuck science fiction series where cool as fuck autistic bisexual polyam protagonist, Xandri, is the head of the xeno-liaisons team. It's got stellar worldbuilding, excellent characters, and explores lots of interesting issues. Also, my favourite book is Tone of Voice (2nd in the series) partly bc its got space whales in it.

Mass Effect (video games) I think by now its pretty clear I love science fiction, so Mass Effect was always gonna be a big hit with me. I actually played Dragon Age first, and then a friend told me I had to play ME. The entire series is just sooooo good for very similar reasons to a lot of my other favourites: well-written, beloved characters, cool ass narrative/s, choice-based, fun FPS moments, cool worldbuilding, sick soundtrack!

[prettycoolducks]

I think webtoon is bad bc artists are forced to put out mass amounts of content a week and you can tell. 😐

[bansheesofinisherin2022]

there's a dude at university who i'm not exactly friends with but i see him pretty regularly due to him being friends with some of my friends and also always meeting at local protests and in sport classes, etc... and like i don't have a problem with him in general but he also obviously has a crush on me and i don't wanna sound mean but it's getting on my nerves. 😭 because i dropped so many hints that i'm gay and not interested at all and still he calls me pretty in languages he thinks i cannot understand and wants to walk me home constantly or hang out despite me saying no. and here i am trying to make this as normal as possible but he still makes me feel quite uncomfortable...

[mitamicah]

Omg, hold on a second. Your lyrics are insane. Please excuse me while I cry over them. Straight to the heart, into the pool of emotions.

So pretty, so neat. So emotionally raw and beautiful. That touched something in me, if I weren’t at work I would cry over them. Can’t await to take a deep dive into your other stuff.

Thank you for sharing. :3

The worst (best?) is that this is only the beginning :'D

But thank you so much, Jay 🥺 It honores me to know my words can touch you like this 🥹💚

[ryusaidate]

i love saito. i love that uchikoshi does not know or care what's wrong with him. i love that everyone else in the game has real life medical issues and his brain issues are just "i don't fucking know he kills people. we're doing a Bit about Love And Family. he's got Murders People disease."

i love whatever's going on in both versions of in the VaiN. and that when someone asked uchikoshi what was with the scene at the end of the hit route with So was he was like "he's fucked up. you know how it is." and that was the full explanation.

everything he does as a-set especially in the arg videos is so so so funny. this man is having the time of his life pretending to be a fucked up and evil teen idol streamer. "this is your idol" "be seeing you. but you won't be seeing me" i will shove him in a locker also i know i already drew it but "this is kaname date he's a real hot piece of twink ass but unfortunately his personality is awful. he lost his memory or something i don't care" is everything to me

love that he's making this incredibly intricate plan to ruin the life of this random fucking guy he CHOSE to bodyswap with on a whim because he... what, he escaped out the window? you really just wanted him to sit there while you killed a guy as rohan, realised the oxytocin release didn't carry over also half your vision is fucked now, swap back, and then kill him so he can't narc? that was Theft Done To Personally Spite You? anyway he's doing all that and he's like "i mean i guess i'll kill my dad while i'm at it" and i love that.

i'm. still thinking about "killed by your own father" why are you pretending to be your own dad shooting yourself in the middle of your last ditch "well whatever plan's fucked may as kill him" moment!! just another one of your "i'm technically not lying teehee" bits?? (and i KNOW the reading that it's about mizuki but that makes even less sense to me. & i'm a 'most cringefail reading possible' truther.) i really do love 'i didn't lie, i kept my promise' just to be a jackass

i love that he's so candid about talking about his murders and says shit like "homicide is my hobby" but when it comes to shooting people he either says some bullshit like "blowing their brains out" or calling them "fireworks" or it's about date "watching them die." the only time he calls it "shooting" is when someone else is doing it. and normally that sort of thing reads as 'distancing yourself from the crimes' but wouldn't that be fucking wild lmao. i think it reads more like it's above just shooting? it's art! perfect, beautiful art of a lonely moment in time.

and all the "(you were) a murderer. a serial killer" "have you been using other men's names for so long that you've forgotten your own" talk feels like it should be leading into a "we're not so different you and i" but it never does. (i'd be tempted to say it's just self restraint on the part of the writing team but i find that VERY hard to believe given the. everything. about every uchi game.) like he hates date but he views himself as above him and he can't pull himself down to date's level, even to upset him. he's just taking hypocritical shots at date because he knows he cares about "justice" and "morality" and garbage like that, without acknowledging their similarities

i'm normal? i'm normal.