#also i say these like im not completely terrible at being an imposter

[ivan-is-autistic]

things i've experienced at mostly food service or customer service workplaces as an autistic adult:

overworking myself because i feel a need to be perfect so that no one will get upset with me

making dumb mistakes like misreading labels and occasionally forgetting an ingredient bc my brain is moving so fast and also having 394485 thougts at once while trying to fit in and mask (and failing to do so miserably so its all for nothing)

being the one who gets stuck doing the cleaning tasks a majority of the time because its easy to boss me around when i don't know how to speak up for myself

but when i do finally speak up for myself after months of mistreatment i'm "being a snitch" or are "being difficult because the task isnt that hard" if its not that hard why cant anyone else do it?

social isolation and coworkers thinking im "weird" for being more quiet and not minding periods of silence, just being polite and saying hi to them and then focusing on my job isn't good enough

accepting less pay because i don't know how to advocate for myself or have imposter syndrome and don't think i deserve it

literally at one job when i was 23 i accepted $13 when i knew a 16 yr old in the same leader position was making $15. i had been working there for 5 months longer than her. my boss could tell i wouldn't argue with her and she took advantage of that. the girl knew how to socialize with everyone and fit right in so she moved to the top much quicker

infantilization by some coworkers. they'll have a sickly sweet tone with me and not with others. its infuriating

managers slacking or even completely taking off because they know i'll pick up their slack and not say anything

people thinking im still in high school when im the big age of 24 because i have a youthful appearance (and am also a trans man so i look like a 17 yr old boy)

being the customers favorite worker because when i dont make a mistake my work is really good and i dont half-ass putting together the sandwhich and make it look presentable and i don't cut corners, but coworkers find that annoying about me because they want to get away with half assing and skipping steps and giving people terrible food

not only having bad social anxiety but also having anxiety the whole time about getting in trouble even though i'm trying really hard to do everything right and also probably following protocol more than others but i'm still worried about being wrong

every work place i've been to would much rather have a worker that follows social rules and fits their social vibe but is 6/10 on their quality of labor. as opposed to an autistic worker who is 12/10 on their quality and amount of labor, but doesn't socialize as much or is "weird"

any other autists relate to any of these?

[monsterenergysimp]

Permanence

corpse husband x fem!reader 

summary: you meet corpse on a stream and you’re surprised when he reaches out to you 

warnings: cursing, mentions of tattooing

word count: 1.9k

notes: This is proof read but could have missed some stuff. This is my first corpse fic and my first time writing fanfic since I posted that super cringey book on wattpad when I was like 12 or something. I’d appreciate feed back so please reach out to me :)

main blog @itsmysleepover

read part 2 here!

✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧

You were cleaning up your station so you can get home and stream. You loved your day job as a tattoo artist but you also really enjoyed streaming. It started as a way to promote yourself as an artist and the shop you worked at but it eventually became a really fun way to destress at the end of the week (or day if you were really itching to stream). “Hey Y/N was that your last client?” your boss, KC, asked as she walked to the front of the shop and put new flash drawings on the walls.

“Yes ma’am!” You said back excitedly. You finished cleaning your station and tossed your black gloves in the trash. “And you can’t trick me into staying and taking walk-ins,” you joked with her. She rolled her eyes and walked back into her office “It was one time,” she said as you slid on your jacket. As you walked out your phone buzzed in your pocket and you checked to see who had texted you. It was a message from Sean asking if you were free to play Among Us with him and some other streamers. You replied that you were on your way home right now and totally down. You were excited to see who was playing this time around since their Among Us streams are super entertaining and have gotten really popular.

On your way back you tweeted and posted to your Instagram story that you’d be streaming soon and set up all your stuff once you made it home. After a few minutes, you had a couple of thousand people watching. You entered the discord chat and Sean spoke up. “Everyone this is Y/N she’s sensitive so be gentle.”

“It’s nice to finally meet you guys and I’m not gentle, I'm ruthless,” You say into your mic and notice the chat calling you a liar. Everyone was in the lobby waiting for the game to start. “You sound way too sweet to be ruthless,” Corpse said. The countdown started and you were imposter with Charlie.

“This should be fun,” you told the stream. Yout tried playing strategically but after such a long shift your brain was mush. You saw Poki in nav and killed her then vented into shields. Not long after the body was reported and you were sure you were going to get voted out or at least sussed.

“Where was the body?” Felix asked. “Nav and I didn’t see anyone near there so whoever is imposter must have vented,” Corpse responded. Felix spoke up again. “I think I saw Y/N walk that way and I haven’t seen her since.”

Shit, shit, shit shit. “I’m in shield right now so-” you said trying to defend yourself but Charlie spoke up. “I was doing tasks with her earlier and I saw her walk into shields so she’s safe but I’m still not sure about Rae.” Everyone discussed a bit more and some people, including Corpse, voted for you but Rae got the majority vote and was ejected. You released your breath and kept playing being extra careful.  

“Okay, guys that was super close. Corpse knows and is out to get me,” you said to the chat. You were eventually voted off but one round later victory was written across your screen with your ghost and Charlie’s avatar. “Good game guys,” Corpse said.

“I told you guys I was ruthless!”

✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧

You sat at your station doing nothing because a client had canceled a four-hour session. You were listening to music and sketching some stuff but you were bored out of your mind and you didn’t want to leave in case you got a walk-in. The music got quiet as you received a twitter notification saying someone had messaged you. You reached for your phone and saw you had gotten a dm from Corpse.

C: hey :)

You didn’t know what to respond. You were mostly confused as to why he decided to message you out of the blue. Did he want something? But what would he want?

Y: Hii! This is sudden

C: was i bothering you?

    shit sorry!

Y: Youre fine I wasn’t doing anything rn

C: how has your day been

    i dont usually do stuff like this

Y: Im glad you did im doing better now I was so bored

C: what were you doing that was so terrible

Y: NOTHING! thats the problem :(

C: im sure youll find something to do

You stared at his message. Unsure what to respond.

Y: Im gonna give myself a tattoo

C: what?

    NO!

You tossed the needles you used for your tattoo into the sharps box. “Oh my god you didn’t,” KC said. She noticed the wrap on your calve from the tattoo you just gave yourself out of boredom. “It’s not my fault I didn’t have anything else to do!” You said trying to defend yourself. She sighed and just shook her head. “Just go home business is slow today.” It was raining so the shop probably wasn’t going to get a walk-in anyway and you didn’t have any more clients for the day. It was only 2 pm but you drove home and after making lunch for yourself decided to stream. You weren’t expecting too many people so it was bound to be super chill. Your leg felt sore reminding you of the tattoo. You snapped a quick pic of the fresh jack-o-lantern on the side of your calve and messaged it to Corpse.

Y: [image] it came out nice!

C: thats  super cool actually

    i was concerned why you would just give yourself a tattoo but i found your instagram and       youre super talented

Y: Thank you!

For some reason, it felt strange to just have that be the end of your response.

Y: Im about to start streaming if you wanted to watch

    [link]

C: ill be watching ;)

What’s that supposed to mean?

✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧

You sat in your apartment watching tv, hand lost in a bag of Doritos, and scrolling through twitter. You had stopped paying attention to the anime playing on the screen since you’ve watched it a hundred times and knew you wouldn’t miss anything. It was Saturday and you usually take those days off. Take the time to do chores or meet up with some friends but today you felt like not doing any of those things. As you continue your endless scroll (not helping the twitter addiction you told yourself you’d try to get a handle on) you got a message from Corpse.

C: wanna talk?

You looked down at the message unsure of how to answer. It was a simple yes or no and the obvious answer was yes. You and Corpse had started talking more regularly. You still didn’t have each other’s phone numbers but it was fine. Your conversations weren’t too big-- just you sending him memes, tiktoks, and telling him how much you liked the songs he would drop. Or him complimenting a tattoo you did. Sometimes he’d message you during streams telling you funny stuff his fans would say in the chat and you’d do the same. You learned a bit about each other but nothing too deep or serious. Like how you two lived a few cities away and you both really liked Donnie Darko. When Sean first invited you to that game out of everyone else there you were most excited to meet Corpse. He’s just so sweet and funny. Of course, you’d love to talk to him but you were also itching to talk to him and the last thing you’d ever want to do was make him uncomfortable.

Y: Yeah id love to talk

Here goes nothing.

Y: Wanna facetime or something?

     No pressure or anything it could even be a regular call

     I think facetime is just my default lol

You sent those last two messages quickly after you had sent the first. You wished you could know what he was thinking. It was killing you to think you had turned him off from talking to you completely. You put your phone down on the couch and went to wash your hand of Dorito dust. When you got back from the kitchen you turned off the tv and tossed yourself onto the couch.

Still no message.

Why am I so fucking stupid?  

Just as you were standing up to stretch from sitting on the couch all day your phone buzzed. You reached for it fast and looked to see that it was him. You became super excited still not even knowing what the message said. It could have told you to never talk to him again for all you knew.

C: sure lets facetime

    xxx-xxx-xxxx

You had his phone number. You added him to your small but growing contact list and called. You sat on your couch waiting for a response when he finally picked up the screen was black. It didn’t upset you; you kind of expected it and didn’t care what he had to do to make himself more comfortable during this call.

“Hey,” he said. His voice was raspier than usual.

“Did you just wake up?” You asked and looked at the time. It was about a little past noon and you had only eaten Doritos all day. Shit, you should probably make a decent meal.

“Not that long ago but yeah,” he responded and giggled. That giggle.

“Well, I’ve eaten nothing but Doritos all day while rewatching Ouran High School Host Club, so you’re welcome to join me as I make myself something to eat.”

“Sounds like fun; what are we eating?”

“I don’t know yet,” You said as you stood up and made your way to the kitchen. You opened the pantry and looked. You noticed a can of diced tomatoes and reached for it then checked the expiration date. It was still good. On your counter were some onions and garlic. “How about some tomato soup?”

“Sounds delicious.” you smiled at Corpse and your phone screen not knowing if he was also looking at his screen or not. “You’re really pretty-- you know that?”

“Thanks, but you don’t have to--”

“I’ve already told you what an incredible artist you are so many times I bet you’re tired of hearing it, but you already know what a talented artist you are.”

“That is very kind of you Corpse,” you said to him bashfully as you chopped the onion and opened the can of tomatoes. “But once again you don’t have to reach so far to compliment me.”

“I’m not reaching you are talented and beautiful and--”

“I thought I was pretty.” You could hear him chuckle with a smile on his face. “You’re both,” he said. You could feel your face getting warm from blushing.

“Fuck you you’re making me blush. My face is all hot and stuff.”

He laughed at how flustered you got. “That’s the cutest thing ever.”

You didn’t know how to respond so you just put some olive oil in a pot and tossed in your onions. It became silent but it was a comfortable silence. You turned the stove on and watched the flame for a few seconds. “If it was dark we could pretend we were together and having a bonfire or something,” you said to the phone as you turned the camera to show him the flame (still not 100 percent sure if he was looking at you or not).

“I’ll put it on the list of things to do when you visit me someday.”

[angstlizard]

be critical of when you self report though! recently I've been seeing people really quick to accuse someone of self reporting if there are no other suspects, so it could easily backfire on you.

in the same vein, and a tip that also works for crewmates, reporting bodies in a row tends to make people suspicious of you.

cameras will blink red if someone is on them. if someone is on them, either wait until they're off to kill or kill whoever is on cams. if you kill in the hallway while they're blinking, it will be seen! and if you kill in a room while the cams are on, while they aren't able to see into those rooms, they can see who comes out. if you're the only one that comes out, that's suspicious.

do not kill people suspicious of you right away. others can (and, if they're paying attention, will) use this against you. on the other hand, you could kill people that are accusing others and use that as evidence against whoever they accused.

people can see vents open and close even if they're not in the room. they won't be able to see who comes out of it, but they can easily go into that room and check. be cautious when venting.

critical sabotages - or at least the reactor and o2 ones - will make the emergency button incapable of being used. use this to your advantage if you can.

there are universal/common tasks where if one person has them, everyone has them. these typically tend to be the card-related ones. if you're unsure on what common task everyone has, there are fake tasks already assigned to you! you can see what they are just like a crewmate can. (map & the tasks tab)

among us: tips for imposters

i thought i’d write down some tips i could think of since i started playing this game like 4 days ago lmao. being the imposter is stressful for a lot of people so here’s a bit of advice that’s worked for me:

always pretend like you’re on your way to/in the middle of a task. when the game starts, go and stand by the first module you can think of.

use vents very sparingly - i only use them to escape from the scene of a crime. make sure no one’s in the surrounding rooms/halls who could see you.

when doing a critical sabotage, make sure you are far away from the room when it starts, and run towards it so that people won’t accuse you of doing nothing. if need be, help fix it yourself in order to make people trust you.

self report is a good strategy. simply kill, vent/run to a nearby room, run into the scene of the crime (preferably with others watching) and report your own kill. make sure to tell people where the body was and, if you can, pin it on someone else who was nearby.

this is a big one: make others trust you by doing “tasks” alone with them, without killing them. this will make them likely to vouch for you in discussions.

this one also useful for when you’re a crewmate: in discussions, don’t be quick to vote or accuse others without evidence. i’ve voted a lot of people out of the ship based on this. let other people do the accusing unless there is someone really convenient you can say is acting sus.

[cheryls-blossomed]

so I saw this sb post on IG I really wish I didn't but it did make me think. barry was able to tell caitlin was off when she was dealing with killer frost stuff and immediately get her to turn from kf back to cait, yet couldnt figure out it wasn't iris for 5 weeks. idk how to even be okay with that in my head now. does he even know her at all? like that's such terrible storytelling and im really frustrated. "crisis" is a trash excuse for the show to use after 20 years of being best friends

Okay, I’ve seen these posts from SBs before, and they’re blatantly ignoring context. Could season 6B have been a lot better written? Absolutely. But these are blatantly false comparisons, not least because these posts are very disingenuous about what actually happened during 3x07.

Barry didn’t know Caitlin was dealing with Killer Frost stuff. Cisco was the first person to know something was up, and then Caitlin reveals to him about what’s going on first, and for an episode, it was just Cisco and Caitlin dealing with it, after Caitlin came back from her mother’s. Caitlin told Iris, Joe, and Barry later on that she had cryokinetic powers at the end of 3x06. When she started to go full Killer Frost in 3x07, everybody knew that she wasn’t herself, because she was literally openly icing cameras in the precinct and kidnapping people. If they didn’t know something was up, then that would be really alarming, lol. This was not some personal Eureka moment for Barry. Every one of them knew she wasn’t herself in that episode, and Barry had literally had to be told that she had cryokinetic powers along with Iris and Joe in the previous episode. Cisco had already vibed that he and Killer Frost were going to fight a whole episode ago. Like this is an absolute false comparison. Yes, he talked Caitlin down and got her to turn back to Caitlin. Guess who also did that? Iris, a whole season later, when she talked Killer Frost down from killing Amunet. And Julian talked Caitlin down in 3x12, when all Barry could think about was Iris. So, this isn’t some unique thing to Barry that he was able to do. Cisco is the only person who was able to effectively bring Killer Frost back after she’d gone full-on villain, though. And he didn’t have to say a word to her. His life was threatened; Savitar was about to kill him; Killer Frost saved him and that was the moment she turned against Savitar.

Season 6B is a completely different set of facts. Iris is trapped in the Mirrorverse, and she is switched out with an imposter. Mirror Iris could make great pancakes and could manage to crack a whole wine bottle on a man’s head, all of which as we know do make Barry very suspicious, but other than that, Mirror Iris is very, very careful about what she does and says in order to keep up the charade of being Iris. When he later confronts Mirror Iris, she is able to put up a plausible enough argument to throw him off her trail, and Joe, in the precinct later, while completely well-meaning, ends up accidentally and unintentionally gas-lighting Barry. We are not given many glimpses into Barry’s headspace between 6x12 and the end of 6x16, and I do think this was to build up suspense, but I understand that this was very frustrating. We can see, though, that there’s clear distance between Barry and Mirror Iris and that he feels it very viscerally. I stand by the fact that there was too much filler nonsense and that’s why the Mirror story-line was so slow-moving, with the biggest problem being of course that there was not enough focus on our Iris and her investigations in the mirror. However, what I do think was genuinely poor writing was the fact that Mirror Iris’s speech to Barry at the end of 6x14 was not the so-called Eureka moment for Barry. This speech was so far removed from anything that Iris would say, and quite frankly, it would have been a much more compelling character study for that to have been the moment Barry realized what was going on and not the final scene in 6x16, which was quite frankly just contrived drama so that Barry would realize what was up. Mirror Iris becoming so reckless so fast, after she’d been so meticulous, in 6x16 never made an ounce of sense to me.  

However, Barry did have a personal Eureka moment, when Mirror Iris threw him out of the loft, and as he’s walking down the corridor, his fist clenches, his watch is turning red (and stays at red), and he has an expression of suspicion and anger more than heartbreak. That’s the moment. And he’s clearly been piecing together his suspicions for weeks; we just did not see it onscreen until 6x17. But when he shows his board to Cecile, we see how he’s amassed all of his suspicions and he’s been working in overdrive, formulating different theories, and eventually this leads him to ping the GPS on Iris’s phone on the day she went to McCulloch Tech. Thus, he realizes something happened to her that night. Think about it: that’s a lot of work and lot of pinpointing, and the vast majority of people would not have been able to figure that out. He is right on the dot. He was able to do this, because he knows Iris like she is his soul, like she is his heart. So, while I agree that Crisis is a poor excuse and while I agree that the writing in season 6B could have been a lot better, I disagree with the notion that Barry doesn’t know Iris, based on this arc, because this is absolutely untrue. 6x17 demonstrated that fact very clearly.

[dog-teeth]

Hi! I love your comics but this is actually somehow art history related, but also imposter syndrome. I just took a massive test involving analysis of images, that I had no idea how to answer. I might have analyzed them and formed my own conclusions and connections instead of repeating someone else’s but I’m terrified I was just bs-ing the whole thing. Does this ever happen to you or do you have any advice?

hi king/queen im an art history major and i can confirm that a lot of the time writing about art history is complete bullshit, i had to write a bunch of various visual analyses at the end of this semester and a lot of it was vague bullshit tbh. honestly? dont worry about it! its fine to bullshit stuff i promise. as long as u cite your sources / back up the claims you make, its Fine dude ive written so many. so . many . fucking pages of art history analyses that i thought have been largely bullshit its Okay. just chill my friend, have some faith in yourself, dont let imposter syndrome get to u.

a big part of art history writing is being able to look at an image you dont know about and write something about it. if your claims are reasonable and justifiable, youre fine. if you wrote something, even if it felt like u didnt know what to say, its fine. it can feel like bs and sometimes it is but my guess is youre being overly self conscious and you actually did alright.

i often go thru this when im writing esp on tests cuz it really does feel like im writing absolute bs sometimes BUT ive learned to have faith in myself, and you should too! even if its bullshit thats fine it really is. also, im sure youve gotten grades back for your writing in the class you had this test for, so you can use that as a reference for your ability. its a safe assumption that your grade/ability isnt too far off from how youve done in the rest of the class. just trust yourself. what i love about art history is you Can bullshit your way through writing if you vaguely know what youre doing.

but yeah its like 2am so this is really ranty but the point is you should trust yourself, if you feel imposter syndrome look at the grades u got for past similar assignments to contextualize ur abilities, and in the art history field you really have to bullshit stuff sometimes as a student and thats just how it is.

i went thru this when i took my midterms, i thought i didnt know anything and i would do terribly and everything i wrote was complete bullshit, but turns out i did pretty well on them. and i just took my finals a week and a half ago and once again im really worried its all bullshit and i did terribly BUT im trying not to freak out and im rationalizing the probability that i did fine on them bc i can look at my past grades to tell me im good at the type of writing i had to do even tho i do Not trust past ezra and all the bullshit they probably wrote during finals.

since youve already taken the test id suggest not worrying abt it as much as possible bc theres nothing u can do now, though im anxiously awaiting my grades thatll come back at the end of the month........

i might edit and add to this tomorrow when im coherent so check again on this response later ok?

[jeannereames]

Hello, Dr. Reames! I love your work (and am very excited to read your novels very soon!). I am thinking of doing a phd (not history or classics, but maybe sort of related to Alexander) but I'm scared that I'm not going to have the motivation to go through with the whole thing... Do you ever lose motivation and get discouraged when researching/writing and how do you deal with it? I know that this is completely unrelated to Alexander/ancient history so feel free to ignore it☺

Hi, there! This reply is going to be in 3 parts. First, about my own motivation…

I think everybody (even Alexander!) has periods of feeling discouraged. It’s part of being human. This is especially true when something you put days, weeks, or sometimes *years* of effort into doesn’t work out, or isn’t well-received, or comes back with “revise and resubmit.” Ha.

So, real life recent example:  About a year and a half ago, I finished an article that took me (literally) 5 years to research and write, because it combined research into two different areas, only one of which is my research area. It took a huge amount of reading, and I’d even presented it at a couple of conferences, where I received good feedback. It was supposed to be published in conference proceedings, but that fell through (not my part of it, the entire publication didn’t happen because the editor quit). So I had to shop it around to journals. It went out to three readers, and all three returned it with “Revise (substantially) and resubmit,” + large *additional* bibliography (mostly not in English) in the area not my field. Two of the readers thought my chief point was valid, but needed more support. (The third just flat disagreed with me, but it’s academia; that happens.) But that was after it had been presented 3xs already, and revised after each.

OTOH, I was pretty discouraged. But OTOH, the suggestions and reading lists were helpful. These are blind reviews, so it wasn’t personal. And the entire point of peer review is to help a book or article improve. Lord knows, nobody wants to put out something that will get you laughed at. But after all the time I’d already spent on it, it was still really discouraging as I’d thought it in pretty good shape.

Almost everybody in academia is going to have an article or three turned down, or a book refused, etc. And after a while, it can be really hard to keep trying. And it’s not just in academia.

Do you know how long it took me to sell Dancing with the Lion? 15 years! I got my first serious query from an agent in 1996. (The first words of the novel were written in December of 1988–that’s how old it is.) That agent eventually decided it wasn’t for her. I’ve had a couple others since…same thing. I’ve sent out probably around 500 queries to agents or publishers. In fact, I’d put the book AWAY and started a completely different trilogy (which I’m in the middle of now), because I figured it would only sell later.

Then I happened to read comments about Madeline Miller’s A Song for Achilles written by an English professor and new acquisitions editor at Riptide. She liked it, but there were a couple of things she really didn’t like. And they were the very ways (I thought) my novel was different. So I emailed her. She asked for sample chapters, then the whole thing, and finally, Riptide offered me a contract. They’re not a major press, they’re a Romance publisher primarily, but they were willing to take a chance on my coming-of-age historical, so I grabbed the opportunity. Now the book is out (well, the first half is), and it’s getting pretty decent reviews.

So persistence can pay off.

That said, if someone else had told me that story 10 years ago, I’d have snorted and said (in my mind), “Maybe it did for you. Maybe I’m just a bad writer and I’ll never succeed.” I’d also just been through a divorce and was having trouble selling my house in the housing bust, etc., etc. So a lot of things in my life were pear-shaped at the time, and that can make it really hard to keep trudging.

The “Dark Night of the Soul” is a real thing, and we all go through it.

The only way I get through it, myself, is to remember things in the past that went well, times I succeeded. Plus, I’m just a really stubborn SOB. Ha.

But discouragement is normal, and there will be points in everybody’s life where not just one or two things are going wrong, but it seems as if EVERYthing is going wrong and you’re just a total failure. You have to believe it’ll get better.

Now, part #2, about motivation to complete a degree. It’s a bit like the AA motto: one day at a time. Or really, one semester at a time. One hurdle at a time. When I first got to Penn State, the long, long road ahead made me freak out a little, but Gene Borza (my advisor) told me to take it in bites. And to remember that other people had made it through; I could, as well.

Also, don’t let yourself get thrown by “Imposter’s Syndrome.” This is the feeling that you don’t belong somewhere: in grad school, in a PhD program, in a department (or really, ANY arena). You’re not as good as the others. Minorities, women, and first-generation college students are those most likely to suffer imposter’s syndrome, but it can hit others too, such as the children of academics (I’ll never measure up to mom/dad), etc.

Last, part #3, and this may seem an odd coda to all the above rah-rah cheerleading. But as a (now former) graduate program chair, I would be terribly remiss if I didn’t put out a warning.

Not only is the field of humanities in trouble right now, in the US and Canada, and elsewhere, too, but the entire university system is changing. This latter is especially true in the US, but I hear rumblings from other places. Partly, this owes to the rise of online education. But even more, it’s what I call the “Wal-martization” of the university, where tenure-track lines are being replaced by a bunch of part-time instructors who have to teach 6 classes just to make enough to EAT. “Adjunct” professors, even those with PhDs, are paid a pittance. It’s absolutely immoral and ridiculous.

Universities are turning into profit more than education, with a degree seen as “job training” instead of learning to think critically and exploring Big Questions, which are increasingly viewed as a waste of time. Administration levels are increasingly bloated with deans, assistant deans, supervisory boards, etc. They’re (mostly) not teaching, but their paycheques are high. Tenured faculty positions are being eliminated. Colleges and unis realized that they could turn over a lot of (especially intro and survey) courses to part-time instructors for a *fraction* of what they paid tenured and tenure-track faculty, but still reap high tuition.

When I was finishing up in the ‘90s, I was teaching as an adjunct while writing my dissertation, then for a bit after, as was expected for “teaching experience” before being hired. The phenomenon of the “Visiting Assistant Professor” (or VAP) was *starting* to gain traction, but was still usually just a year or two until these people would find a tenure-track position (VAP is not tenure-track). But now, I know people who’ve been VAPping for YEARS. And some just give up. Also, adjuncting like what I was doing has gone from “teaching experience for a real job” into “the only lane for employment” for a lot of PhD (and some MA) graduates. Especially women PhDs get caught in that trap.

These are the realities of where we are right  now.

And THE MOST USELESS DEGREE ON THE PLANET is a PhD in the humanities. I say that as one who holds it. With a few exceptions, a humanities PhD prepares you for pretty much one job: being a professor. And those jobs are winking out of existence with frightening speed. This is a change that has accelerated over the last 10 years, and especially over the last 5. We’re turning out PhDs with no available positions. Museum studies, Classics, archaeology, philosophy are in even worse shape. SOME history PhDs are more popular. This year, H-Net has a bunch of Latin American positions open, for instance.

An MA in history (or related) is still useful. There are certain jobs that like them, ranging from state jobs like the Park Service to the FBI and CIA.

But a PhD? Think loooooong and hard before investing that time and money. This is not a matter of *you* not being able to do the work to get one. It’s a matter of the university system as we’ve known it crumbling away under our very feet. I have no idea what the American university will look like in 10 years. And once you have a PhD, it educates you out of most other jobs.

So that’s the unfortunate bad news. And I’d be a very irresponsible advisor if I didn’t tell you the truth. IME, people who really want a PhD will ignore me and go after it anyway. But at least you’ll go in with your eyes open.

[littlemisssquiggles]

So I'm currently head-over-heels for The Dragon Prince and I don't think anything will pull me out of this obsession for a long time. While I'm crying over this show, what did you personally enjoy about the quality of the plot and the characters in general? I'd love to hear your opinion from your amazing writing while I (im)patiently wait for season 3.

Hey there Snowflake. Sorry for the late response. That’sactually a really good question. Admittedly, what first drew me into The Dragon Prince series was the fact that it was created by the one of the originalHead Writers for Avatar:The Last Airbender.

A:TLA will always remain a gem inmy all time favourite animated series list so knowing that one of the men responsiblefor shaping its story branched out and made his own thing immediately peaked myintrigue. It was basically the same sentiment Ihad when I first heard about RWBY being a fan of Monty since his fan made animations like Dead Fantasy.

It’s kind of hard for me to describeexactly what it is that appeals to me the most about the writing for The Dragon Prince. I guess if I’m being completely honest here, what I love mostabout this series are itscharacters. More importantly I love how theseries writes its characters and treats them.

This might be an odd question to ask but have you ever been invested in a series where you got the sense that atsome point the show-runners just forgot how to write for their own establishedcharacters? So instead we get moments where characters behave out of characterbased on what the series has established as their personality and you get thesense that they are only acting this way for the sake of pushing the plot regardless of whether or not the characters’ actions makes sensein the context of who they are as…well…a character?

I’ll give you an example soallow me to deviate here for a sec. Are you familiar with a series calledMiraculous: Tales of Ladybug and Chat Noir? In case you don’t know, it is aFrench 3D animated series following the heroic conquests of Ladybug and ChatNoir---two teenage heroes tasked with protecting the city of Paris from thenefarious masked villain known as Hawkmoth who uses butterfly-type monstersknown as Akuma to infest unsuspecting citizens; feeding into their negativeemotions to transform them into supervillains who Hawkmoth then task to stealLadybug and Chat Noir’s miraculouses which are the source of their power.

There’s also the titbit where Ladybugand Chat Noir are each other’s love interests, both in and out of costume. Ladybug isactually a young girl named MarinetteDupain-Cheng, who in her civilian form is in love witha boy in her class named Adrien Agreste. However unbeknownst to Marinette, hercrush Adrien is actually Chat Noir---her partner in crime-fighting and as Chat Noir, Adrien is inlove with Marinette as Ladybug.

The whole point of the series is that thesetwo knucklehead teen superheroes are in love with each other but as each other’s counterparts while being completely oblivious to the truth abouttheir respective identities. It’s a brilliant concept and if all of that sounds like something very interestingto you then it is.

Despite what I’m about to say, keep inmind that Miraculous is a really goodshow . In spite of my current misgivingsabout it as someone who has been with its since its first season, I would still recommend it to anyone curious about giving it a watch.

It’s a delightful cute show. I justhave some things to say about it but this is only myopinion . Even if you might appreciate mythoughts and views on certain things, my opinionis NOT law.  My opinion is only a representation of mythoughts and feelings toward a piece of medium I indulge in. It’s not a reflection of the overall quality of the medium. Those views are up to you. 

Forgive me if I sound like I’m ramblingnow but I genuinely feel it important to give that small disclaimer since wekind of live in an era of free speech where others use their opinions to lambastothers on why their opinions are right or wrong; based on their opinion.

I am not one of those people. You areallowed to like or dislike something regardless of whether or not you agreewith my opinion of it and vice versa. All I ask is for respect of my views and I shall give that of yours in return.

That being said, let’s talk Miraculous. Andin regards to how on earth this ties into TheDragon Prince, we’ll get to that surely.

At the start, Miraculous was one of my favourite animated series especially as a fan of 3D art and animation.I also couldn’t get enough of the whole Ladybug and Chat Noir love story especiallywith all the multiple pairings that branched out from this one couple---Ladynoir, Adrinette, Marichat and Ladrien. It was silly but adorable all the same and I ate up the fluff like the hopeless romantic I am. 

However; as the seasons went by, itultimately became rather difficult for me to remain truly invested in seeing these two characters achieve their goals since I couldn’t relate to them anymore. 

It’s glaringlybothersome to me now how everything is just always handed to Marinette/Ladybug, our so-calledbeloved protagonist; even when her actions of the day might prove that she doesn’t deserve it. And it certainly doesn’t help when this is done at time at the expense of Chat Noir/Adrien who is often kept in the dark when he’s supposed to be the deuteragonist who shares relevance to the plot as our main heroine.  

It’s hard for me to care aboutthe relationship between Adrien and Marinette/ Ladybug and Chat Noir anymorewhen the show constantly contradicts itself on wanting to show their relationshipmoving forward while also backpedaling in other episodes (for example: episodes such as Animaestro and Oblivio from the current third season).

This makes any progression the plotattempts to pull for their development feel pointless in the end and after three seasons of this tango, as a Miraculer, I’vesadly lost interest in wanting to see our two heroes get together.  This is sad because that’s technically the backbone ofthe show. Fans know that Ladybug and Chat Noir are going to get together because theplot has established that from the get-go and constantly reminds the audiencethat this is going to be a sure endgame. But where it ultimately fell short for me iskeeping me invested in the pairing. While I’ll admit that I was fully on board forthis ride when it first started, now after three seasons, I’m tired. The whole ‘Oooh! Will Ladybug and Chat Noir fall in love both as superheroes and civilians? Will they learn each other’s true identities’ song and dance has become stale for me and even the introduction of imposter love interests doesn’t help.

It only serves to kind of sour the pot for me. Why bother developing these fake relationships when you’ve done the equivalent of nothing to help progress Marinette and Adrien’s relationship both as themselves and as heroes. Season 2 started us off with something that could’ve been potentially great if furthered in its current season but so far, Season 3 hasn’t done much to service the development left behind from that last season.

All things considered, I still like Miraculous andI’m still going to keep tuning in for future episodes since thereare other aspects and characters within the show that I liked enough to keep medevoted.

I still like Adrien very much as one ofthe supposed main two characters (even when the show might make you thinkotherwise). But in regards to LB and CN’s whole song and dance with their so-calledlove story, it’s hard to cheer for a relationship between two characters whenthe show constantly flip flops on what their relationship is supposed to be.

One minute they are destined partners; made for each other because they are meant to be important to eachother. Therefore, their strong dynamic is meant to be proof of what makesthem work as both a team and potential lovers. Next minute Ladybug is a ‘strong, independent heroine who doesn’t needChat Noir’ and he’s painted as more of a liabilityto her than an asset---the loveable yet fumbling bumbling idiot sidekick whosesole purpose is to be a dude inthe distress for the sake of pumping up Ladybug’salready plot-inflated ego all the while gullibly kissing her ass even duringmoments when she treats him terribly.

I humbly apologize in advance if thereare any fellow miraculers reading this response post who might feel veryoffended by my comments toward Miraculous. I’ll admit. My words are indeed harsh. Sorry. But... I still wishto stand by them because they are a blunt representation of my current stancetoward the current state of writing within the show.

I used to reallylike how Miraculous portrayed itscharacters. Loved it even. For three years, Miraculous was my top favourite show and fandom. But following the end of itssecond season, I don’t know how to feel about it anymore. I still like it but its characters man---my interest in their growth is dwindling. 

I guess the biggest gripe for me with Miraculous atthe moment is that I don’t feel as if the characters have really grown at allsince the show first started. Even after two full seasons going into its thirdrun; despite the plot thrusting them into scenarios that one would assume would help them to change (for better or worse), these characters---at least our main ones feel thesame. I know the show has done things to show progression for its charactersespecially in terms of relationships. However it all feels meaningless in the end.

And the flip flopping doesn’t help thiscase. At times, I felt as if Miraculous was being written by two different typesof writers. One who wants to show these characters growing from the people theyused to be because they are meant to while another just wants to keep thesecharacters in the same tropes they started off with. I’m not sure if any other Miraculershares the same opinion but that’s how I feel.

That being said and getting back ontrack, it’s the complete opposite with TheDragon Prince. In this show, I can tell that theplot actually does affect the characters and they react to them in ways you might expecttheir character to react to it given their established personalities. I also lovehow the Dragon Prince has this nice balance to it.  It knows how to juggle its more and heart-wrenching serious moments with its comedy in a way that rarely feels jarring. At least to me.

In TDP, I get the stronger sense that thesecharacters shapes the story in the world around with their adventures and individual experiences being veyr important to the narrative as opposed to the contrary where the story is this and these characters are molded to fit whatever story the writers feel to thrust them into; if that makes sense. And this all boils back to just how much I lovethe characters of this show. I don’t think there is a single character in theTDP cast that I don’t like.

I even have a soft spot in my heart forthe supporting side characters who our Dragonic Trio occasionally interact with during their travels. This is why I was so relieved to see Grenfinally be freed in Book 2. It’s about time my beautiful strawberry man gotfreed.

The DragonPrince is so great that I even care about itsvillain characters as much as the heroes. Even though Lord Viren and hischildren: Claudia and Soren are painted as the antagonists to our Dragonic Trio, I like that there is so much more to them than just that. On the contrary, there are aspects ofthese three that makes me think they’re not villains. Particularly Lord Viren. The guy isn’t just the classic mustache twirling bad guy. He has layers. Depth. 

I understand that Lord Viren is supposedto the bad guy however; he’s not entirely bad. There is a good side to him and its evidence in his relationship with the royal family. You cantell that Viren genuinely cared for King Harrow and had great respect for Queen Sarai since she saved his life. 

I guess what I’m trying to say is thatthe characters of TDP feel real to me. They don’t feel like just characters in a story. They feel like peoplewith experiences that their audience can relate to. Connect with. The Dragon Writers know and understand their characters as people and know how to write for their characters and because of howwell they’ve portrayed them, it makes me as the viewer more interested in theirstories as the main plot carries on.

I pray that the Dragon Writers keepthis up going forward with the remaining books. Sometimes show-runners start to suffer from writer’s fatigue and/or forget how to write for the verycharacters they created the longer the plot is stretched to the point that the series comes to feel like it lost direction at some point (coughsVoltroncoughs). 

I hope this won’t be the case for the Dragon Writers.Two seasons in and these guys continue to keep me loving their world and Icannot wait to see these characters be fleshed out further in the upcoming book. The Dragon Prince Book 3 cannot come any quicker.

I can’t wait to see what Rayla and Callum’s adventures with Zym across Xadia will be like. I still can’t believe they separated the Dragonic Trio. Usually you have to wait like…what…three-four seasons to get the squad ripped apart but nah…The Dragon Prince did that in season two.

Still in shock over that. But as much as I’m going tomiss Ezran in the party, I’d by totally lying if my Rayllum shipping heart isn’t beyondecstatic to see what these two duo adventures together will belike. Particularly following Rayla’s near confession.

I’m curious to see how that will affectthe way Rayla interacts with Callum from now on. I’m mostly just excited to see blushingRayla awkward about her crush on Callum. As of Book2, I think it’s safe to say that Callummight be over his crush on Claudia. Or perhaps his resentment over hers and Soren’s betrayal currently outweighsany former romantic feelings he might still have for her. Feels bad m’dude. I don’t ship Callum with Claudia at all but that doesn’t mean I want Callum to hate her.I really like Claudia as a character and I want the best for her and Soren too.My children are going down a dark path and I don’t like it. Especially Claudia. I still stand with my theory where I don’t think Book 2 will be the last timeClaudia will use the extreme form of dark magic to aid with Soren’s paralysis.I still think Soren is still permanently paralyzed and that Claudia’s spell isonly a temporary fix meaning that Claudia may have to keep performing Viren levels ofdraining magic from other magical beings to keep her brother stable…which is going taint herso much. I just hope that in the end, Soren will be the one to save his sisterfrom her own damnation.

At the end of the day, Soren and Claudia love each other and will do anythingfor each other. If there is anyone I trust to save Claudia should she ever loseherself to dark magic (which let’s just face it, will tragically happen down the line); it’s Soren--- thevery person she’s doing this for. Damn! The Writing for these two is so good! Megaprops to the Dragon Writers for writing such an engaging, strong brother andsister dynamic and sibling love and loyalty to one another without making it borderline…well…incestuous.  

I don’t want to see Claudia fallto the dark side, guys. Despite being a firm user ofdark magic like her father, Claudia is actually the opposite of her chosen element. I feel as if Claudia was willing to theput in the effort to awakening her arcana as Callum did, she could possibilitybe another Sky Mage like Callum or perhaps an Ocean Mage. Or maybe an Earth Mage? Who knows. It’s all just theories and speculation of mine for now.

Speaking of which; next up is Ezran. I’m excited to see what his travels will be like. Ezran is so young yet he’s sodown to earth and possesses a level headed maturity and outlook on the world around him that one can appreciate.Ezran will make a great king some day and if Book3 is the kick-starter to that part ofhis arc towards that goal then bring it.

I am ready to follow Prince Ezran on his own separate journey back home with Smexy Dreadlock Man (I’m sorry his name escapes me at the moment but his handsomeness doesn’t).

This also makes me curious if Ezranwill ever get to meet the young queen---the daughter of the Two Queens who gavetheir lives along with Ezran’s mom. I’m actually really, really interested inseeing Prince Ezran meeting QueenAanya.

I kind of low-key ship Aanya and Ezran. Yes, I know they haven’t met at all and we have zero idea of howthese two would get along should they encounter each other. Nonetheless, theidea of Ezran and Aanya coming together intrigues me because of how perfect itwould be should it happen.

I love the idea of Ezran someday possibly marrying Aanya with thetwo joining their kingdoms. After all, theQueens of Duran sought out King Harrow during their crisis in the winter andKing Harrow was willing to open his kingdom to the People of Duran.

Sure Viren tried to fight against it atfirst but Harrow stuck to his guns. Both Ezran and Aanya are currently the very young heirs to their respective thrones expected to lead their people. Aanyahas already begun her ruling and now Ezran is on his way to reclaim his throne. Bothlost their mothers who sacrificed their lives for their people. If Ezran andAanya meet, I think they can hit it off and make great friends. While I doubt romance willbe a thing for them since they are still children, I still want these two tomeet and form a close long-lastingfriendship that could one day potentially lead toa union that unites two kingdoms like their parents did long ago. But that’sjust me with my theories.

I’m hoping that Ezran’s adventures withSmexy Dreadlock Man will lead to him possibly passing through Duran while alsoencountering BirdHarrow along the way. That’s a reunion I’malso looking forward to.

And yeah, that’s pretty much all I haveto say for now on The Dragon Prince and its upcoming season. 

Fair notSnowflake, you’re not the only one excited for Book 3. Maybe you should follow Tim Kamiski on Twitter. I believe he’s an Art Director at Wonderstorm working on TheDragon Prince Game. He released a poster art for Book 3 that looks hype.

It’s a shame we’ll possibly have towait till early next year for Book 3. But until such a time, I hope my response toyour question was a good enough one to help you ride the Wonderstorm till the next season, fam.

~LittleMissSquiggles(2019)

[unproduciblesmackdown]

instead of me making a post where i briefly rate btvs characters im gonna do a post im sure ive already made abt how in the first book alone its shown that narnia is an unreasonable twilight zone to deal with and the lore is wild and aslan is sort of a jerk and bad with dealing with children / dealing with the world he created; or: the battle of the reader vs cs lewis

ok first of all. this book completely wrongs edmund. cs lewis is determined to have us believe that he is a Bad Sort but? not so much that when he's "redeemed" we have to doubt for even a moment that he's now Good Forever. and the reasons the reader keeps being given about why we should be disgusted with edmund are incredibly weak and often bemusing

to start with, cs lewis hates boarding schools which is probably because they could be awful and so he throws out the reason that edmund used to be as nice and purehearted as his siblings until boarding school spoilt his immortal soul? were peter and susan taught at home or in public school then? if lewis was making a comment on how terrible boarding school is, why isnt edmund given any sympathy for this by the narrator or his siblings who just seem largely annoyed by him?

and since at the start the kids are being sent off from home in the middle of a world war their dad is off in and have to go to a boring house with an uncle? who for some reason never like, bothers to speak to them or see them ever. tf, dude. and theyre in england in the first place. anyhow, the fact that edmund being in a bad mood over this is supposed to be evidence of his crappiness is a touch unreasonable. he's like what, 8-11? so much of this book hinges on his character needing to be saved from his own badness that its sort of unforgivable that said badness really doesnt exist. hates his terrible school? hates his terrible situation? difficult? fights with siblings? how is this meant to be fit for A Just and Divine Damnation. why is there such a complete lack of sympathy. does lewis understand anything about children.

the answer is that "adults assuming these young as hell children have the same emotional maturity and logical processes and understanding of the world as adults" is a constant theme. these random schoolchildren become the supreme rulers of an entire country in a world theyve never been in after like, a week. the whole series runs on a fair number of other English Brand notions abt classism, racism, divine right to rule, etc. but even if it wasnt "only humans can lead", why would any children be allowed? children who had never been there? for gods sake

moving on to the plot: lucy finds narnia, etc. i guess on account of being Young and A Girl, which here means spiritual purity? and also as a character trope means Innocence. ok. meeting an exposition-providing faun, getting back, nobody believes her because why would they. their great(but not good) uncle bothers showing up upon coincidence. why hasnt he ever even said "hello, im not evil" to the kids staying at his house?for gods sake. he then explains to the kids a version of one of lewis's apologistic things that supposedly logically proves that christianity is valid and here proves that narnia is real, which it actually does neither of. shove it, clive staple lewis. your argument is crap

oh but edmund went to narnia along with lucy before that had happened. this is supposed to be a crucial point where he meets the white witch and is supposed to be like, dont be like edmund kids!! but frankly he behaves perfectly reasonably during that encounter and also when they all get to narnia. coz, ok, he's in an alternate universe alone which is disorienting for anyone. then the witch just happens to stumble across him. was he supposed to have prevented that somehow? lucy just stumbled across mr tumnus and trusted him inherently and it happened to go well. the first person edmund meets is someone else and he talks with her for a minute because she is a grown ass woman, probably gonna kill him otherwise, and also he's in an alternate universe alone with no idea where anyone is or if he can get back? here is a quick tangent:

a moral throughout the series is that you can sense somethings inherent goodness or truthfulness through how much it gives you a nice gut feeling. yet frankly this is not the only way to go about making choices. and not everything bad sets off alarms and not everything that sets off alarms is bad, so i dont know how much of a lesson that is. but for example, here the witch doesnt give edmund the warm fuzzies, and it is supposed to be a mistake or moral weakness on his part to not have.....what? gone running aimlessly through the arctic landscape in his jammies from a self-proclaimed queen with a sledge? he didnt really have any options here. how is he meant to know she's not really the ruler of this crap place that, so far as he knows, he lives in now? and ok, then somehow his big ol mistake is eating some damn candy and having some hot cider or whatever. it is eternal winter, why is this child a sinner for getting up out of the snow and humoring this lady by taking some offered snackaroos. also, everyone says turkish delight isnt even good. ask for some m&m's, ed!!! love yourself!! and even if he is supposed to know never to eat magical food or be bound to the fairy queen, lucy went and had tea with a fuckin faun so again, they basically did the same thing but edmund met the wrong person by sheer luck of it, so he has to die. LEWIS!!!!!!!

another big Edmund Must Die moment is when he and lucy get back from narnia and edmund lies that narnias fake, because he's evil. first of all, the fact that lucy tells him that some stranger she's buddies with says the white witch is evil and a liar. how is her stranger meant to be more reliable than the witch? this is just the word of two randos pitted together. how is edmund meant to understand this as Proof that the queen is evil and an imposter to the throne. frankly, she's functionally the actual queen, so its not even really a lie? narnia is impossible. secondly, it is 10000% understandable that edmund would realize that if he backs up lucy's claims then everyone is going to go looking for narnia, and in the experience he's just had, its a hellhole. and lucy has just told him that he possibly met an evil witch that is interested in also meeting his siblings? wouldnt be too thrilled about going back there then. and thirdly, if as lewis says he just lies because he is evil? does this man again not understand that Impulsive Pettiness is a bit different coming from a 9 yr old than a grown adult. the narrator is just so aghast at edmund constantly when its like dude he's.....not really doing anything, and also theyre all babies. let him be a bit of a little shit without the devil herself coming to claim his spilled blood for it, mayhaps

also, there is a bit of confusion about the fairy food! it is implied to be actually kind of magically binding, like to a degree he has to cooperate with the witch now because he took food he was offered? or at least it is somehow "corrupting." so how is this meant to be a sin if also it is not even his own choices here! how was he meant to have avoided this? dont take candy from strangers, sure. BUT IF YOU DO, YOU DESERVE WHAT YOU GET!!!

all the pevensies are in narnia, lucy lets it for everyone else remarkably fast, but i guess she is like 6 and having a nice time with her family in a magical land. although you'd think she'd be more concerned about all that witch stuff, and the fact that mr tumnus was about to straight up childnap her and deliver her to childmurder. like, good on you for not doing that. but how many people has he been selling out all this time! its literally been his job for however long. he's had to have had something to show for it. is morally greyness just arbitrarily sorted into black and white Good/Evil characters and these kids are supposed to sniff out which way these things fall? for gods sake. see, my point is that this adult faun who was going to turn a kindergartener in to be killed until he decided nah, and previously definitely probably narced on people in the past, is way crapper than a kid who has been grumpy and ran into the wrong person? what is edmunds Betrayal. was it the food eating

anyways, then peter is a total dick, but in like a noble way. in that he's mad at edmund for ages but like...again, ok, he's like 12-14 or whatever, who knows. the point is that if he can hold a grudge against his siblings for being annoying, why is that trait evil in edmund? it is because narrator lewis says so, damn him. but if peter is the Natural Born Leader of A Country here, you'd think he could at least manage not to keep giving a hard time to the one of their group who is going to be any trouble keeping in line at all, since lucy is Pure and susan gets the literature role of the Mini Mom. theyre not going anywhere. you basically had one job, pete.

fun fact: this is where they find out mr tumnus is taken by the queens evil forces, referred to as the police. this is basically the only book i can think of where the evil enforcement agency is called a police force. Interesting Stuff

even though im not sure what any of them think they can accomplish by wandering around, they end up following a random bird and following some random beavers. they know this is ok because of those warm fuzzies, and the fact edmund isnt feeling those good vibes is because he's evil, but honestly its a shit plan following some random bird and assuming some beavers are gonna be good guys. the only people edmund knows of in this country are an imposing queen and her kidnapper who's totally nice. also if tumnus told lucy that the queen has loads of spies, why are they crashing around inherently trusting the first things they see? lucy trusts a faun who was going to sell her to satan, edmund sort of has to trust an ominous lady who turns out to possibly be evil? why would he not find it a questionable idea to wander into this beaver dam

in further supposed evidence of edmund being all devil-corrupted by d&d, he doesnt get the warm fuzzies when these random beavers start talking abt a magic lion who's great and wandering around somewhere, you should totally go to him. but they have like, actually zero knowledge about this world beyond the differing accounts of those theyve happened to bump into? how would they know some lion who isnt even around ever is the rightful ruler of narnia, vs some lady who is actually around? she's got one up on aslan for that. where've you been, buddy. what took you an entire century. aslan SHOULD TOTALLY sound kind of crap because, uh, HE IS?

edmund goes off somehow without anyone noticing and the beavers are like oh yeah saw that one coming, that'll be the magic food. like??? you couldve said. or at least not let him sidle off out the door half an hour ago? for gods sake. and again: if this is magic food rules, why isnt the magical kit-kats the Great Traitor of All Of Narnia! how is the concept of sin fitting into all of this. again, edmund just ran into the wrong person. and lewis is just like no, see, but he deserves this because he is irritable and childish and mean. CHILDREN LEWIS!!! HAVE YOU HEARD OF THAT!!!

apparently edmund meanders all the way to the white witches place b/c all the time the entirety of narnia seems to be a couple of miles across or a few hundred miles, depending on whats convenient to the story. the moral of narnia's weird lore is that its only as consistent as cs lewis feels like making it, which is sometimes Completely Bewildering when he just sort of throws stuff out there but moves the narration right along. presumably he wasnt expecting this to operate on the rules that any of this would be regarded with any level of analysis, since tolkien was a contemporary and not a predecessor. but still, dude, get your story straight? especially within the same book.

and anyways also, again! the magic food rules come up. because that is meant to be edmunds motivation, besides just being petty. he is magically bound to the fig newtons. which is i guess meant to explain away him literally going the extra mile for this witch shit, but also still letting him be blamed for that, since he is being SUCH a jerk, see kids? dont act less than chipper at your terrible life unless you want to take your soul's rightful place as the devils property, moreso than literally anyone else in all of narnia? alright. this books plot points are just a bit like.......ok

the other kids definitely have no option but to trust their choice in "trust the first people we bump into." luckily its uh...its fine. but wtf

who is narnia santa!!!!! how can there be a dude based on a saint? does narnia have the concept of saints? is he a dead guy???? i can slightly accept that narnia has a christmas in that maybe that comes from the dude who was made king at its birth being a random english cabbie, i suppose maybe this guy was like "fuck it, its christmas and you're going to like it." but do narnians know what xmas is about at all??? canonly aslan is actually just also jesus in the england-world, but did the cabbie king know that? did he explain the concept of jesus? does monotheistic narnia also accept the concept of a separate god existing in another universe, or are they all also assuming aslan=jesus? but this isnt as confusing as the santa guy. is he like how there's wizards running around? this is so weird. what magic shit would edmund have got. wouldnt it have been nice or at least useful for santa to have given the other pevensies whatever he was going to have given edmund. does that boy also not get xmas presents because he is on the naughty list. bad month for edmund

speaking of edmund, he honestly sort of disappears from the book as soon as he has the realization that the witch is mean :( despite the plot of rest of the book being essentially centered around him? and him finally being in a position for the narration to stop talking about what a cruel cruel monster he is? ok

aslan is just a dick not only for leaving narnia on its own for ages but also just personality wise. rude to the children. they are all like "aslan our brother" and aslan is like "shut up about your brother already, i'll do something about it if i want to but if i dont want to he deserves whatever's coming to him." like? have a little patience for the reasonable questions and uncertainties of these kids, ffs

how is this massive climate shift not fucking shit up like, ecologically. does anyone own shorts at this point? how are plants alive. its magic

oh yeah, forgot that there was that bit in the white witches statue garden of death where edmund straight up thought this one lion he saw must be aslan. wasnt he also getting figurative cold feet until he saw that, also? again, in these circumstances, how was he meant to know that WASN'T aslan and that the witch wasnt the one who was right. shrug! but now another total coincidence is whats driving edmund to go say hey to the witch again instead of backing out of her creepy house. see you in hell ed

back to aslan........uhhh when a wolf attacks susan, who is like, dangling precariously from a branch in fear of her life, aslan orders the skilled warriors not to save susan asap, but instead to let this 13 yr old holding a sword for the first time mosey on over and have a one on one fight with this talking wolf. sure, aslan knows the situation is under control. but the people who dont know?? are these kids in mortal peril? aslan is such a dick. he shouldnt be putting these children in these positions of Leader Of My Army Now, Go Into Actual Combat. but thats just how he rolls. trial by fire, dweebs

oh yeah and since the chance happens to arrive he sends some people to go get edmund back. thanks for bothering to rescue a child! gods sake

then he has a nice long talk with edmund about never being annoyed with your siblings or theres literal hell to pay, i guess! whatever. at least he's paying attention to him for a moment instead of just handing him a sword and telling him not to complain. thanks? telling his siblings not to be dicks about it all is also very mature of him. and apparently necessary since again, cough, peter? getting mad at edmund for being petty and immature maybe shouldnt have involved sniping at him a ton and ignoring him to the point he just left for an hour before anyone was like, wasnt there more of you. lord. im just saying, maybe everyone needs to mature a bit before they are monarchs

psych!! these kids are ready for anything now

except for the bit where the witch comes and demand edmund's head, since...........................i guess she was trying to play the long con? by hoping aslan would do the ol switcheroo? or maybe she was just mad and wanting a good ritualistic murder. but despite the whole damn book being about this explanation of the crucifixion of jesus, it.........doesnt really make sense within the god damn Lore. she has claim to edmunds life because he is a Traitor? to whom? the witch straight up lied to him abt what she wanted to do with his siblings, so how was he meant to have betrayed them if he hadnt known what she intended to do? how can he betray someone if it was the fault of the Law Of The Magic Almond Joy? sure, he lied and snuck around and was pissy and all, but how is that on a level above any other number of stunts other narnians are sure to have pulled. she has narnian spies? arent they traitors? does she have to formally make the claim for the "i get to kill the traitor or narnia is destroyed b/c The Lore, Fuck You" for it to come into effect? is edmund just called a traitor for the strategy of it all, since the humans have to be alive to defeat her. but on what grounds

also, who agreed to give her that authority of traitor-killer? why does that role exist. what. whomst. lewis, explain this?

again like.....how are the children on their own for this bit, either. there is no sympathy for being children in lewisverse

ok and uhhhh? aslan leaving on the night before a battle w/o like....telling anyone? they wouldnt even have known he'd died if a dryad hadnt have been like "you'll never guess this shit." i guess omniscience or whatever. but for fucks sake, peter outranks everyone else in the army just because he's human? he doesn't know shit! you made him fight a wolf! whatever. why even put the humans in battle if you need them to live. whatever

susan and lucy of course have to witness this aslancide until they also witness this resurrection. cool. but the thing is that like? sure aslan couldve just flat out let edmund die, but besides the fact that theres the whole prophecy thing to mean that the kids need to live, but also, he was sort of backed into a corner re: having to die himself because of some technicality in narnia's rulebook? i get that this wasnt meant to be completely an allegory so much as just "gateway christianity drug" but wasnt the jesus bit supposed to be done just totally as a favor or whatever. aslan was sort of just strategizing as far as we know. like, is edmund representing The Sins Of All Humanity, or is he out here like "if jesus dying wouldve saved just one person it wouldve happened all the same"? either way, it makes it seem like aslan HAS to do this whole dying thing out of "so the world doesnt end" vs choosing to out of being cool abt it. i mean......not that uh jesus was supposed to have been psyched up abt his death. but you know what im getting at here. whatever, the Lore

again, the battle seems to be happening like, five miles from the witches house? coz everyone from the statues just makes the journey with aslan in one go. what are the scales here, lewis!!

aslan shows up in time to just kill the white witch himself, with his god lion teeth? how gross must that have been. also! he couldve done that at any time!!! but prophecy whatever sighhhhhhhh

its funny that lucy gets impatient with aslan for interrupting her moment of "can i make sure my brother isnt dead" and he gets impatient with her about that? shes in like preschool. also, you have healing powers!!!! so says uhhh.....the next book? or the one after. and anyone can use that magic elixer. and can you stop being so damn testy abt these childrens concerns for each other's lives!!!

theyre monarchs now, and aslan just fucks off. he couldve bothered to say goodbye, if people dont happen to see him meander off, how do they even know if he left or is just hanging around somewhere? seeing as he just snuck off overnight and died without letting anyone know. but more importantly he's again left this country entirely on its own save for these kids who know nothing except that they better be nice to each other or some random magical law might come into effect where someone gets to knock on their door and demand their kidneys or the world ends.

for real though! this is like, a country coming out of a crappy period and now in a wild transitional period and the only leaders are these kids who just showed up who have never been here before in their lives. how are they meant to manage a natl economy? its not mentioned here (is it) but theres an entire other racist-caricature-mashup of a country to the south already? how are they at diplomacy between two countries they know nothing abt. how will they form policies! they are 11! what tf is narnias infrastructure, beyond "sparse." where did the line to the throne go? was there always direct descendants to the first king in archenland, which by the way also exists with people in it b/c fuck you. i guess so...i forget where caspian comes from.

fun fact, when my sister and her friend went to disney world some yrs ago, they took a pic with a dude playing caspian a la the films, whom looked a lot like the actual actor, aka a total babe. its a great photo

anyways ummm. see the entire narnian govt just disappears? which i suppose they figure out when the four of them just leave and never come back. i suppose its lucky the narnians assumed it was magic and not regicide. because, if you live in narnia? fuck you. honestly what did they do in the aftermath. nobody nonhuman is even allowed to be a ruler. do they have like, other elevated positions? was there no regulation. coz thats alright but the series implies that narnia is always supposed to have a king around in order for things to go well. ok

so uh its govtless i guess until what, these people accidentally stumble upon a portal to narnia and become the telmarines who take over narnia? but not rightfully i guess, because even though theyre humans, they were probably insufficiently noble about it. or just not aslan-approved. honestly ok where tf did the calormenes come from? another portal? why did they restrict themselves to a certain region? why did narnia not encompass the entire world? why did you need to be white and english to be christian. i know this is a case of just introducing things that dont make sense but moving the story along before anyone asks questions but uh..........louie

Also How Tf Are These Kids Going From Grown Adult Monarchs To 10 Yr Old Schoolchildren In 1940s England Again over the course of like 10 seconds. before they left this clowns didnt even recognize the damn lantern! how do you forget that ever. ridiculous

where the "put in what you want and dont bother explaining it unles you feel like it" strategy is really fun is with that lantern, imo. on account of he just put it in as a Fuck You Buddy to tolkien, which is funny. good job

but really how are you not even going to devote a single sentence to that fucked up transition these kids? adults in kids bodies? kids with the memories of what it is like to have become and been adults until just a second ago? are going through. like...............ok. do they have to larp being normal children for a while. It's Magic, Fuck You

aslan is just.....kind of a jerk!

this book teaches you nothing

The Lore

the end