#also i need lyrics to tell me whos singing

[yes0another0outsiders0blog]

hey, yall aren't allowed to be mad at me, but i just listened to the first three songs in the musical and i literally had to drop it because i fucking hate it so much. i'm so sorry, i'll try to power through some more songs so that i can form a proper full opinion, i have nothing against the cast or anything, i just couldn't get into it and it was a chore to get through 3 songs and now i'm mad about it because i want to consume the new thing based on my hyperfixation but i can't, but god i want to like it. i don't even have a reason that i didn't like the songs, my whole body just went "oh, no thank you, that won't be necessary 🙂" when i listened to them.

[piss-bong]

rlly want other ppl involved in my creative process but don’t have anyone irl atm so if anyone wants to write shitty emo music w me uhhh messages are open

[milkloafy]

I COULD BE YOUR CRUSH — WRIOTHESLEY

⋆｡˚ ❀ summary: you gush about your crush to neuvillette over some tea, and your crush unexpectedly joins the tea party and overhears you talking about him. ⋆｡˚ ❀ contents: fluff, fem!reader (use of princess as a petname), sassy neuvi, mentions of ayato ⋆｡˚ ❀ wc: 1.2k+ ⋆｡˚ ❀ a/n: alexa play crush by tessa violet,, LOL i was thinking so hard about the song title then i was like okay yeah these lyrics work ;-; titles are so hard.. anywayyy PLS ENJOY SOME WRIO FLUFF FOR THE SOUL !!

“You just don’t understand, Neuvillette,” you sighed dramatically, stabbing your fork into the delicate cake in front of you. “He’s totally swoon-worthy.”

Neuvillette took a sip of his tea before carefully placing the cup back on its saucer. For a while, he continued to stay silent, as if considering his words.

Once he finally opened his mouth, the only question that came out was a calm, “How so?”

It didn’t take long for a million reasons to pop into your head.

“Well…have you seen his arms?” you gushed. “Is that not enough of a reason in itself?”

Neuvillette scoffed, a smile of amusement playing on his lips.

“That’s not all, of course,” you clarified, grabbing a throw pillow from the sofa next to you and hugging it close to your chest. “He’s also caring and kind and treats everyone with respect, no matter who they are.” 

Neuvillette’s gaze flickered briefly to the door behind you, but you paid it no mind.

“Not to mention how he looks when he gets all serious. Neuvillette, have you ever seen him talk about a prisoner he had to punish? It’s so…” You hid your face behind the pillow, cheeks flaming at the thought.

Before you had a chance to collect yourself, you heard someone clear their throat behind you. You immediately stilled in your seat, slowly bringing the pillow back down to your lap.

“Sorry I’m late. Who are we talking about?”

Neuvillette smiled, ignoring your frantic look directed right at him. “Wriothesley, welcome. You are not too late. Please, take a seat.”

Wriothesley slipped onto the sofa, taking a seat next to you. Neuvillette poured him a cup of tea that he graciously accepted. Looking over at you, Wriothesley brought the drink up to his face and asked, “Care to tell me who you were speaking of before I arrived? It sounded like you were singing their praises.”

You fiddled with the the hem of your silk pajamas— Neuvillette failed to inform you beforehand that a certain someone would be joining the tea party, so you appeared in your regular sleep clothes. You racked your brain trying to come up with a response. 

“Oh, you know… Kamisato Ayato,” you managed, vaguely remembering how you saw his name and face on the cover of The Steambird recently. “The head of the Kamisato clan is such a…dashing and strong leader. I think.” 

“I didn’t realize you were close to Kamisato,” commented Wriothesley, sitting with one leg loosely draped over the other as he leaned back against the sofa.

“Oh,” you shook your head, “no. No, I’ve never even met him.”

Wriothesley raised a singular eyebrow in question. “Your words earlier seemed so strong for something directed at a man you have never met.” 

You shrugged, trying to appear nonchalant even though your heart threatened to beat our of your chest. “You know how enamored a crush can make someone.” 

“I do,” Wriothesley agreed, his gaze locked onto yours so intensely that you almost had to blink.

“I’m sure you do,” remarked Neuvillette, still sipping his tea.

You and Wriothesley both looked over at him.

Neuvillette blinked. “Did you forget I was here? This is my office, is it not?” When no one responded, he sighed. “Well, I finished the last of my tea and I have some work to wrap up. Feel free to stay as long as you need.”

Neuvillette made his way back to his desk and Wriothesley refocused his attention towards you. 

“So. Kamisato Ayato,” he brought the clan leader up once more.

You choked out a laugh of exasperation. “Are we still on this? Just let me have my silly little crush on someone across the world who doesn’t even know I exist.”

Tapping his fingers against the teacup, Wriothesley huffed. You realized he looked almost annoyed and frustrated.

Just as you were about to ask him what was wrong, Wriothesley opened his mouth and said, “Would it be overbearing of me to say I wish you had said a different name when I asked who you were gushing over?”

A strange mixture of curiosity and hope filled your chest.

Curiosity as to who he thought you were talking about. Hope that maybe he thought it might’ve been him. 

“You could never be overbearing,” you assured, grabbing a small biscuit from the table and softening it up in your warm tea. “Would it be nosy of me to ask who you wished I was gushing over?”

Wriothesley grinned. “You are certainly nosy. But it’s one of the things I like about you.”

You laughed, wiping a crumb off your lip with a napkin. “Does that mean you won’t tell me?”

“Perhaps another day.”

In the distance, you heard Neuvillette clear his throat loudly. You looked over and saw him glaring straight at Wriothesley. They stayed like that for a while, having a silent conversation with their eyes. Whatever it was, it seemed intense. You were quite glad that glare wasn’t directed at you.

“I believe Wriothesley would like to share that information with you now,” Neuvillette announced after Wriothesley looked away with a sigh.

“Does he?”

“I do,” Wriothesley confirmed, the slightest bit begrudgingly. “Me.”

You waited for him to say more, but he didn’t elaborate. 

You blinked. “What about you?” 

“Are you going to make me say it?” Wriothesley let out a strangled laugh, grabbing a biscuit to munch on himself. “When I overheard you and Neuvillette talking about your crush, I was hoping it was about me.”

You blinked. “Why about you?” 

Neuvillette made a strange noise as a book fell off his desk. He cleared his throat. “Pardon me.”

You barely had time to wonder if he was okay before Wriothesley finally responded.

“You really don’t make things easy for me, isn’t that right, princess?” Wriothesley said with a helpless smile. “I hoped you were saying such sweet things about me, since I would say equally sweet things about you.”

With your stomach turning at both the pet name and his admission, you managed to say, “And if I were to tell you it really was about you?”

“That would make me a very happy man,” he said, unable to contain his delight. “Who wouldn’t be happy to hear the most beautiful and caring person they know is interested in them as well?”

You heard Neuvillette tap his foot impatiently in the background, but you ignored him. You and Wriothesley were having a moment here. 

“So, you’re saying you like me, too?” you asked, not wanting there to be any chance of a misunderstanding. The two of you made it this far, you couldn’t let it fall apart now.

“I like you very much,” said Wriothesley with a nod. “And I have something to take care of at the Fortress this week, but when we both have time next week, perhaps we can celebrate with a dinner. Without Neuvillette there.”

“Please, without me there,” Neuvillette chimed in, his arms folded as he sat in his chair.

You laughed, standing up and brushing the imaginary dust off your pajamas. “All right, I can take a hint, Neuvillette. I’ll help you clean up before I go. And Wriothesley…” 

“Hmm?”

You met his gaze and the corners of his eyes crinkled. You fought off a giggle as you returned Wriothesley’s smile, an overwhelming feeling of happiness filling you. “It’s a date.”

[bonefarm]

The notes on a recent post got me thinking

By nature, I’m a fan of having 2 beers and meeting strangers at a bar somewhere you’ve never been, which is a thing that we don’t do in 2023 between COVID and being afraid of one another because of the prevalence of gun violence and regular violence and misdirected road rage and the million other little deadly social erosions of the past 10 years or so.

You have got to let go of this idea that any place is a complete nothing-burger full of nothing-people.

You have to.

Its vitally important that you navigate that airport with a stranger in Denver and realize he’s got a tattoo of lyrics from your favorite song. To sing House of the Rising Sun with four people you’ve known for 2 hours (and somehow managed to get into the DNCs private bar with) in the back of an Uber in DC when it’s pissing rain and entirely too cold for your southern blood. It’s important to cooperate and solve problems together and go about it laughing and singing. We are silly little creatures that love a puzzle and a story.

It’s also important to flee a tornado in the back of a shitty red pickup at pride in Oklahoma City and feel the sky break wide-open against the lazy /tick-lok/ /tick-lok/ of the windshield wipers while racing down what once was Rte 66. Its important to know that in the face of creeping fascism that place, of all places, has entire gay neighborhoods. It’s important to wake up in an apartment high, high up in NYC and watch the sun through the buildings and boulevards and watch the glorious great goddamn of that impossible number of people all cooperating and all not. To say Hyoo-stun, that way, on purpose just to get a rise of your born and bred NY friend who does NOT think you’re funny but will make coffee for you.

You need to see a beach full of people cautiously approaching and flinching away from a floating, dead horseshoe crab on Tybee Island, Georgia the way any troupe of wild animals approaches an unknown alien thing. Cows in a field, fish in the ocean flinching from a diver. Little children squealing and wide eyed behind their parents legs. You need to be the person that walks out and picks it up and watches the rest of the crowd creep in to investigate.

I don’t get to travel a lot in the way that most people do, when I go to a place it’s usually because something bad has happened there, but I have found it universally true that most people just want to tell you a story or show you a picture on their phone of the craziest thing they’ve ever seen and they don’t particularly care who you are or what your accent is. Sometimes they do, and those people suck, but those people are not the majority.

Sometimes if you let an old redneck talk he’ll tell you everything you never wanted to know about forensic accounting. Sometimes you’ll meet someone in the middle of the biggest city in the US who knows everything about show pigs. I’ve been to the smallest Kansas towns and the biggest cities in the US and I’ve found none of them were full of nothing.

[simpxxstan]

best friend's older brother seungcheol

this is part of my 550 followers celebration event! find the rest of the members' headcanons in the event too as i post them through this month!

no warnings: just fluff.

thinking about best friend's older brother!seungcheol who isn't even attractive to you for most of your life

seungcheol, attractive? hell no. you don't understand why every girl in your class drools over him. they ask you for his number, for tips to ask him out, for favours to set them up with him, and you oblige, because you don't get the hype but you don't care about protecting cheol from these girls.

and it doesn't seem that cheol minds either. at each of your birthday parties, you don't even call half the people who turn up, because they just want to ogle seungcheol. and seungcheol even lets them.

you don't care because you just want to spend time with his sister, who's your bestest friend, and it's a small price to pay for her treasured company. and you don't really mind seungcheol's company too, occasionally. although he pouts too much whenever the three of you don't play the game he wants to play.

you don't know how to define your relation with him. he's been everything you had missed in being a single child. teaching you to drive even when your hand-eye coordination sucks. helping you with your precalculus exam even when his own geography exam is the next morning. rescuing you from dumb teens who'd tried to spike your drinks.

but he's not really a brother. you know that more as you grow up when you stop seeing him as just your best friend's older brother, but also as a specimen of the opposite sex. the way his voice becomes deeper, his hair falls longer to the nape of his neck, the way he can no longer fit into the makeshift tent in your room when the three of you play UNO.

and yet, you can't imagine any romantic notion cropping up in your mind with regards to him.

that one time someone asked if you ever had a crush on seungcheol, and you'd laughed straight in their face. crush? on seungcheol? ridiculous, absurd, preposterous. you tell seungcheol the same the next time you see him, and he laughs with you too. see? no scene of romance.

thinking about best friend's older brother!seungcheol who is head over heels in love with you

has been so for the last four years, when he's seen you really grow up into a remarkable woman.

the two of you are just two years apart, so he sees you hitting puberty mere months after him. and boy, he's down bad since that day.

he's not been able to maintain any relationship with anyone he dates simply because he always finds flaws in them that aren't in you. can't bake? too bad, you can. can't sing idol songs? too bad, you know every idol song's lyrics and choreography. can't keep a seat for him during lunch? too bad, you never forget. don't know his favourite ice cream flavour? too bad, you know every ice cream flavour he has liked since he was ten years old. have clear skin? too bad, he would choose your shiny, oily skin any day. wear skirts? too bad, he prefers your baggy jeans because you have pockets to store candies in.

and yet he knows that you don't think of him like that. it doesn't particularly bother him, because he doesn't need you to love him for him to love you.

thinking about best friend's older brother!seungcheol who gets the news of you going abroad for college from his sister, not from you directly

"you didn't even bother to tell me." he says, after almost an hour of you coaxing him to tell you why he's pouty and upset.

"i would tell you, eventually, i would." "and when will eventually come around?" you don't answer, just hug him from the side and press your face to his shoulder. he's gotten remarkably broad in the last few years, perhaps to fit in with his jock image. but his body still feels as soft to you as it did earlier as well, whenever you had hugged him.

"you'll call me?" he says after a long time. "of course." "when will you leave? in august?" "yeah, so i'm still here for a couple more months. this entire summer, i can chill finally." you smile, but he doesn't. his eyes lock onto yours, and your face burns up with the attention he's giving you, although you don't want to look away.

"two more months." without any clue of what's going on in his head, you shoot him a confused glare. "yeah, two months. two months are a long time." "not really. but they're enough." "enough?" cheol doesn't reply. he doesn't need to. actions always prove louder than words.

thinking about best friend's older brother!seungcheol who now spends more time with you than ever

he's not even being subtle about it. he totally stops going out for parties and random date nights, in favour of spending every evening with you. your best friend is busy with her boyfriend, who's also pining because she's leaving too with you, so cheol has you completely to himself.

together, the two of you explore every nook and cranny of the city you were born in. cheol is surprised at how little you know about your own city, and you're shocked at how much he knows. "you gangster. how are you so familiar with these parts of the town?" you blush as he drives you thru the red light district of the city, clutching him tight as you sit behind him on his motorbike. "i've spent many a happy evening in these lanes, sweetheart." "do you want to drop me off and enjoy here then? i can take the bus home." he grabs your hands which are wrapped around his shoulders and pulls you closer to him. "don't say stuff you don't really mean, sweetheart."

sweetheart. that's a new nickname, but he's using it ever so often these days. he checked your reaction the first time he used it, and while your eyes had grown wide in mild shock, you'd not really protested against him. and he knows you've never not loudly protested against something you don't like. so he knows pretty well you don't mind the nickname. and if the way you're wearing the same lipgloss and the same pair of jeans every day ever since he complimented it once is anything to go by then you like the nickname too.

thinking about best friend's older brother!seungcheol who you're touching a little more as each day passes by

you don't know when it starts to happen, but you rather start to looking forward to seeing him every damn day.

you hope he doesn't realise why you keep wearing the same lipgloss every day. you hope he doesn't realise why you suddenly enjoy riding his motorcycle with him. you hope he doesn't realise that you no longer argue with him when he insists on taking you to places he's more familiar with.

and you certainly hope he doesn't ask why. because to be honest, you don't know if you could answer it yourself. why do you want him to look at you more? why do you want to touch the muscles on his back through his white t-shirts? why do you let him beat you in every arcade game as long as it means that he celebrates his victory by hugging you?

perhaps because when you try to think of your life without seungcheol, you come up with a blank. you simply cannot imagine a life where he’s not a part of it. a life without him at your birthdays and new year parties? a life without him on your emergency dial? a life without him being your go-to person for any excuse you want to whip up to get out of a situation? a life without your #1 supporter no matter what you’ve done? you can’t imagine it at all. 

and this realisation makes you think again on what your relationship with seungcheol really is. 

thinking about best friend's older brother!seungcheol who brings you to the beach the day before his birthday

it’s also your last week in this country. the two of you spend the entire day wandering through street stalls that are set up next to the beach. you buy him a seashell locket that he promptly wears around his neck. he buys you as many glasses of boba tea as you like, which turns out to be nearly every flavour sold at the stall. 

when night comes, the two of you lie down in the rocky sand along the beach, slightly isolated from the rest of the crowds, and giggle to your own inside jokes while embracing the scent of the sea breeze mingled with the cool night air. 

the clock strikes midnight in the distance, and you whisper in seungcheol’s ears, “happy birthday, cheol-ah.” he laughs softly, his voice hoarse after all the talking of the day. “you’re the first to wish me.” “like always, isn’t it?” you turn on your side to face the man, his arm outstretched and your head lying on his arm, barely touching and yet so, so close. “i’ll always be the first to wish you, cheol-ah. even with a time zone difference.” you almost laugh when you see the way his lips go from a smile to a pout, sadness spreading across his features. “i’ll miss you, sweetheart.” he turns to face you too, his bicep flexing under your cheeks as the two of you face each other and breathe in the same air. under the moonlight, his sharp features look soft, his eyebrows hidden under his bangs. 

“can i ask you something?” seungcheol hums, his pout deepening. the impulse burns through your veins. something about how much closer you’ve grown over the last few weeks makes you feel braver. “can i kiss you, seungcheol?” the man in front of you smirks, “i thought you would never ask.”

his lips meet yours halfway and take away any ounce of hesitation from your mind. the first kiss is short, but when you pull away to take a breath, he leans in further, his body coming slightly above you as he tucks you into his arm and deepens the kiss. his other hand cupping your cheeks. 

“is this my birthday present?” seungcheol asks you from above you, breathless. you giggle, shy from the proximity. “if you want. did you like it?” “like? fucking loved it, sweetheart. best birthday present ever.”

[ham1lton]

i’m with the band.

pairing(s): lando norris x singer!reader

warnings: v slightly angsty? but happy ending.

summary: pop band CHANGE! has just released their anticipated third album; however, fans notice that the songs seem to tell an unsavoury story….

author's note: i didn’t know whether u wanted me to do a happy song or sad but i like drama. i refer to y/n’s bandmates by their roles. so guitarist, bassist and drummer so you can add their names in! also this album is loosely based on SAWAYAMA and 5sos’s album youngblood. listen to them both if u haven’t!! incredible albums. if you can name all these songs that have been mentioned then MWAH!!! 😍

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liked by harrystyles, landonorris and 3,388,728 others.

changeband: thank you so much to the best, coolest and awesomest fans in the fucking planet. shoutout to everyone who showed up to our listening party in philly last week! you were metal as hell and we loved meeting everyone of you. no more fomo for the rest of you all now that our newest album is now out! please stream and buy and recommend to your friends and family and colleagues and even that annoying neighbour that everyone hates. we love you and we love this album!! here are some behind the scenes pics of us making and brainstorming this baby!

view all 288,938 comments

user1: this album is sooo good!

user2: ooh y/n got her masters in cuntology with a concentration in motherlogical studies from the university of servington… that NOTE in dynasty??? oh goddddd.

-> user4: DYNAAAASSSSTTTTYYYY 🗣️🔊

user3: the casual photo dump like they haven’t released the album of the CENTURY?

user8: you guys have come such a far way from working minimum wage and having to pool money for a recording booth omg. i’m so proud of you guys 🥺

*liked by changeband.*

user5: the way guitarist is eating this album. whoever greenlit her guitar solos i want to kiss them on the mouth.

user28: bad friend is my fav! both the acoustic vers and the normal vers!! PUT UR HANDS UP IF UR NOT GOOD AT THIS STUFF!!!! 😍😍

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liked by messyass1, messyass2 and 278,727 others.

ham1ltonshaderoom: girl band CHANGE! have released their new album ‘babylon’ and it has sent twitter in flames after the first tweet (pictured above) went viral. especially after the songs ‘lie to me’ and ‘want u back’ both contain lyrics that have sent fans of the power couple lando norris and y/n l/n spiralling. what do you all think of the drama ham1ltons?

view all 20,783 comments

user1: i do think it’s slightly suspicious… not necessarily a break up confirmation but it’s interesting. especially as she didn’t even bother to confirm or deny whether or not they’re still together on jimmy fallon….

user2: why do we speculate into these celebs lives? if they broke up, who cares and if they’re together… who cares?

hater1: who gives a fuck. she can’t even sing.

-> user3: you clearly gaf if you’re commenting under y/n related posts???

loveislanduk: don’t worry y/n! if need be, you can always find a new man on the island!

-> user98: messy asf 😭

user6: is tkl supposed to be y/n talking about how lando was super adored and that although he could have any girl, she’d be the only one who really loved him?

-> user4: tokyo love hotel is a homage to drummer’s japanese heritage not a lando worship song?? also it’s a metaphor for their heritages as three of them are women of colour who grew up in the west and saw their cultures exoticised.

-> user6: ‘yeah your fascination is my world’. that could be interpreted as her saying ‘your obsession is my boyfriend’.

-> user4: girl yeah but that’d be a lazy one would it not? lando ain’t that special 😭 i think that it’s reductionist to make everything she writes about a man and not her.

user44: calling the album babylon after the bible story? maybe they started with the idea of creating this amazing relationship and then grew apart? they stopped speaking each other’s language?

-> user56: maybe you need to put this energy into analysing your resume and figuring out why you’re still unemployed….

user65: idc if she broke up with that troll because that’d mean drummery/n will thrive!!

-> user9: um… u mean guitaristy/n??

-> user34: both wrong. bassisty/n is the best version!!!

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CHANGE’S INTERVIEW W/ JIMMY FALLON (transcript)

JIMMY FALLON: welcome, everyone! we have a special treat for you tonight. please give it up for the current leaders of the world charts, the incredible band CHANGE!"

(audience applause as the girls take their seats)

FALLON: alright, alright! now, there have been some rumours swirling around about your latest album and its connection to some personal matters. especially in regards to y/n. care to shed some light on that?

Y/N: well, jimmy, first of all, thank you for having us. i’m aware that there have been some rumours, but you know how it is. people love to speculate. our music is definitely personal, and yeah, it does reflect some of what's been going on in my life but i want to set the record straight. the songs on our album are inspired by a variety of our experiences, including relationships, but they're not always directly about any specific individuals. sometimes i’m inspired by other forms of media or my loved ones’ experiences. that’s the joy of making art, it can be whatever you want it to be.

DRUMMER: yeah, and y/n is such a talented songwriter. she has this incredible ability to channel her emotions into our music and make you feel whatever she wants.

BASSIST: exactly. we're just here to make music that connects with people, and if our songs happen to resonate with someone going through a breakup? then we've done our job. that doesn’t mean we’ve necessarily gone through that.

FALLON: is it true that you’re performing two songs for us tonight? can you confirm which ones?

GUITARIST: yes! we’re performing ‘want u back’ and ‘frankenstein’. both of our newest singles from babylon.

FALLON: well, you heard them, folks! get ready for an amazing performance from CHANGE!

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liked by bassist, guitarist and 1,272,973 others.

yourusername: we’re fine y’all perfectly fine please don’t call paw patrol.

view all 68,928 comments

user1: OH THANK GOD.

landonorris: she’s lying. i’m in my lemonade era…🍋

-> user23: you wish you could be that iconic. you’re in your dogwater era.

-> landonorris: UNPROVOKED???

user3: we needed this confirmation.

user8: PARENTS AREN’T DIVORCED WE WON 🙌

landonorris: now can you release the bonus tracks please please please 🙏🏼 ‼️😩

-> bassist: no :)

-> guitarist: yes :)

-> drummer: one of them is lying… guess who and i’ll send the whole album plus excluded tracks.

-> landonorris: … um 😅 guitarist?

-> drummer: WRONG ‼️ but i’m scared you’re gonna complain to y/n so i’ll send them over to you 🙄

user27: at least we’re back to having lando being CHANGE!’s biggest fans. what did he think of ‘exile’?

-> yourusername: he cried so hard he threw up.

-> user27: real shit.

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[ireneaesthetic]

Pointing out little moments and details of my fav s3 scene.

choir practice scene • episode 2

this scene caught me so off guard, in the best way possible.

it only took simon's "you should do an activity you actually like" for wilhelm to drop everything and choose getting to spend more time with him!

simon's reaction at wille joining the choir was also mine: he can't believe his eyes and keeps looking back at him with the brightest smile on his face. and simon shifting wille's attention to where the song lyric is bc it's all new to him is adorable.

wilhelm's little proud smirk between the kisses while simon is so into it: he knew and imagined simon's surprised and happy reaction to all this, but i bet he was thriving to see it up until this very moment. so he might just be thinking that he made the best choice of his life.

having to practice and wait for everyone to leave was probably torture for simon, when all he really wanted to do since wille came in was this (simon's main love language is clearly acts of service btw *cough*). he felt important, cared for, loved - and couldn't wait to reciprocate it.

also, he's holding the key chain and happens to do the middle finger with the same hand. if you look at it as a way of saying 'mind your own business' to us is quite funny.

simon setting the rhythm and wilhelm fully going along with it. they don't even separate their lips before leaning in for another kiss - melting into it. they literally said 'no need to catch air bc we're already breathing each other in'.

simon not breaking physical contact even once. his hands are the third main character in this scene: they act like a glue for their bodies and carry so much passion. it is peak chemistry.

going on his tiptoes to push himself as close as possible and clinging to wille for dear life is the most simon thing he's ever done. love really brings out the cuddliest version of him.

smiling into the kisses and out of the kisses? insane of them if you ask me (i support it) (keep doing it lovers).

wille smiling and biting his lip bc he's the one overwhelmed by simon's presence now. physical touch is his love language and he's flooded with simon's - he must feel the luckiest boyfriend on earth.

one of their greatest proofs of love has always been to provide each other's comfort by being exactly what they lack receiving from other people or what they need most of the times - it's a constant learning of how to give and take.

they can't get enough of it: it's not even only about the kissing but more about their need to just keep pulling the other closer, leaning into each other, slowing their movements to not leg go yet but take time to touch and deeply feel instead - wille's face speaks for itself. this hug is so intimate ugh.

it's finally shown a glimpse of wille's hand on simon's back! it was always there obv but it's nice to see it more properly.

wilhelm obsessing over simon's neck and simon who tilts his head back to make it more accessible. wille could've done it all and trace the path with kisses - simon wished - but the boy knew what he was doing!

the way simon looks up at him and wille rubs their noses back and forth, keeping his eyes on him, gives me butterflies.

they're super affectionate and it's the easiest thing for them to do. the intimacy that comes with their whispering, their own personal space becoming one for both of them to share bc it's safer, warmer, a lot more comfortable. everything is such a manifesto of how much they genuinely adore each other - it's what makes this the it scene for me.

their bottom lips touching are sooo *internally screaming*.

wilhelm stands still to let simon's lips brush past his own and simon's cheek resting against wille's lips to enjoy the feeling a little longer. they look so peaceful.

it happens after wille's "i like listening to you sing": they went from "he likes it when i sing" / "i do too, don't i?" (locker room's fight in s2) to wilhelm actually telling him that listening to his voice is one of the main reasons he joined the choir. it has to be extremely special for simon to finally hear it.

idk if it's just my mind making this up but let's pretend simon is kissing wille's neck here!

wilhelm picking simon up by the waist to carry him elsewhere and keep the thing going more privately. that's my wille.

can you believe this is the face of someone who's saying that he needs to go? to not miss the bus? he just looks crazy in love to me.

wille's laugh is cute! and simon throwing his stuff on the floor bc the priority was to push his boyfriend against the lockers to make out will never not be funny.

also, @allthefakepeople once said the only thing that could've made this scene even more perfect is if simon paused when walking away and ran back to wille to steal a quick goodbye kiss - ahhh i'd have been so here for it!

[hotvintagepoll]

Propaganda

Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]

Dorothy Lamour (The Jungle Princess, Road to… movies)—Ok, to be honest, I get if no one wants to vote for her--she's kind of like my ~problematic fave~ because she started in the Road (Singapore, Bali, Hong Kong, etc) movies with Bob Hope and Bing Crosby, which are full of all sorts of exoticism tropes and usually have her playing very side-eye type roles..island princesses and things...yeah. also she banged J. Edgar Hoover. not very hot. but your honor i still think she's pretty despite all that she's pretty please look at her and tell me she's prettyyy

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Dorothy Lamour propaganda:

She started in jungle and South Seas movies and became famous in the Road series. She learned quickly to improvise when facing Bob and Bing. Road to Bali almost has her character marrying both of theirs, since she's island royalty and nobody had a problem with it - a nearly poly relationship, an epiphany for a viewer who didn't even know that that could happen! She was a popular pinup girl during World War 2, and was the first singer for the popular standard "It Could Happen to You". She sang often in her movies and has a lovely voice!

Ginger Rogers propaganda:

She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.

"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.

we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number

Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!

Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!

One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.

ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!

Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)

(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)

(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)

Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)

Shall We Dance, 1937 (duet begins at 2:34)

Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)

The Continental, The Gay Divorcee 1934 https://www.youtube.com/watch?v=Cjv6nmF7wdk God she's MAGIC in this one.

Gay Divorcee's Ending Montage 1934The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.

She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.

[sktrhoon]

en- hyung line ; scenarios based off songs that remind me of them

boyfriend!hyung line x fem!reader

warnings: just a whole lot of fluff, guess you could say jake's is suggestive ???? (not really, it just alludes to it)

wc: 1082

synopsis: all of this is just cutesy banter or member telling reader they adore them

a/n: if these sound repetitive i'm sorry-- OH and it's very obvious what inspired jake's

heeseung

always, i’ll care by jeremy zucker 

You sighed as your phone finally went off, the time reading 2:11am. You knew the time zones wouldn’t be easy to adjust to, Heeseung’s schedule not helping in the slightest, but that doesn’t mean you were prepared for it to be this exhausting mentally. 

“Hey doll, sorry if I woke you,” Heeseung’s voice rang through the phone. 

“No- no you’re fine. I was up,” you murmured, not having it in you to speak at a normal level. 

Heeseung’s only been on tour for two weeks and it’s testing your relationship in ways you didn’t think was possible. The constant traveling, concerts, and additional schedules thrown in has made it difficult for the two of you to communicate the way you did when he wasn’t on the road. Some days you would go all day without even a text from your boyfriend until the night (for him), which you can’t fault him. You try not to. You’ve talked about it with him and he explained his situation, so you try to be understanding. 

“Y/N.”

“Hm?”

“You know I love you and I care about you, right?” 

Hearing those exact words with your current mental state felt like a knife to the chest and you didn’t know how to respond.

“I know right now isn’t great, these additional schedules and very little downtime isn’t helping and I know that shouldn’t be an excuse,” before you could even cut him off saying he doesn’t need to apolgoize, he beat you to it, “and no, I need to say this. So don’t say ‘don’t worry about it’, ‘it’s fine’, it might be at times, but not every day.” 

“I’m always going to be here even if I’m the most busy man alive and on the other side of the planet, no matter what. I never want you to be afraid to text or call me. I’m always going to care.” 

jay

wherever you are by one ok rock

You looked over to Jongseong, him strumming on a guitar that he found in one of the various practice rooms. His voice was filling the silence with a subtle humming while his hands danced around the frets, but he never actually strummed the guitar.. 

“What are you thinking, bub?” 

He looked up to you with a small grin on his face before shaking his head, almost as if he didn’t want to say what was on his mind, “Making sure I remember something.”

“And what is that lover boy?”

“First of all, never call me that again. Second of all, you know that song you kept talking about last week?” 

“Wherever you are by ONE OK ROCK?” 

“Mhm,” he smiled before looking down at the floor as he started strumming the chords of the song you gushed about to him just a few days prior. 

You won’t lie, but you thought the song was very him. Vocally, the instrument, even just the tone of song, it all reminded you of your boyfriend. You also happened to just enjoy the song, so you showed it to him when he came back from a schedule one day. You did not expect him to use his freetime to learn the song for you, let alone this quickly. 

“Before I start singing, sorry if I mess up any lyrics. More importantly though, I mean every lyric of the song and I’m grateful you showed it to me. I’m always by your side, yea?”

“Now look who’s being fucking corny!” 

jake

nonsense by sabrina carpenter 

Spending the evening with Jake running around like children at a random arcade is exactly how you would want to spend your Friday night, so that’s what you two did. Jake won’t admit, but the stuffed animal you’re carrying back up to your apartment right now? You won it and before you could grab it from the machine, Jake lunged for it, all so he could be the one to “give” it to you. You know damn well the photo he took of you with it is going to be set to the rest of the boys with some sort of caption claiming, “look what I won for my girl.”

“Jake, are you sure you don’t want to carry the stuffed animal? Since it looks like I won it for you and all?”

“Now why are we lying baby?” 

“Jake!”

“Oh looks like we’re at your place,” he smiled as he waited to the side of the door as you grabbed your keys. 

As you opened the door you paused in front of Jake and looked at him, waiting for either some sort of response or action. All he was doing was leaning against the wall, so you had no idea if he was going to kiss you goodbye, follow you inside, or give you another witty remark.

You sighed before letting out a small laugh, “Do you want to come inside?” 

A faint smirk fell upon Jake’s face as he, oh so not subtly checked you out, before reaching to shut the door behind you. 

sunghoon

feels like by gracie abrams

“Hoon, you’re spacing out a bit bub…”

“Hm, sorry,” he shook his head slightly at your words before refocusing his gaze on you rather than the iced coffee on the table. 

“Do I even ask what you were thinking about?”

“Mm.. that you bring me peace.”

“Huh?” You were caught off guard by Sunghoon’s words. It wasn’t often he would express himself like that, but in Sunghoon fashion when it did happen it was random one-liners at the most odd times, “Sorry- that sounded harsh didn’t it?”

Sunghoon laughed lightly before replying, “No, love, it didn’t. But, I mean what I said. We could be doing anything, be anywhere, and I feel, calm? Everything else doesn’t matter for a bit.” 

“You’re such a fucking dork Hoon,” you paused for a brief second gauging his reaction to your words. A smile lit up his face as he raised an eyebrow at you, encouraging you to keep talking. “I hope you know I could say the same to you, but randomly telling me this in a coffee shop? Very Sunghoon of you.” 

“I know, thank you – And you love me for it anyway.” 

“Always and forever.” 

Sunghoon looked between the two of your now empty drinks before looking up at you, “So… movie at yours now?” 

“We do this every week Hoon, you know my answer is always yes.” 

[austinsastrology8991]

> SUN IN THA HOUSE < and whY yoU Be like dat

Sun is our focal point, its our brightest star > you force others to look at you and look at themselves by your star quality <

Sun in the First - Everyone knows them, and they make it a fact that if you don't see them then your the one who is blind. They have a confident swagger, but arrogance to them that begs for the attention of all around them, and everyone is locked in on how or why they have such a powerful presence. Their smiles are contagious too. Also somehow always in the perfect place to say some funny ass shit and keep their style points that they been racking up over the years "You know. You all know exactly who I am. Say my name" - W.W 'breaking bad'

Sun in the Second - Did I stutter? Im talking about what I need not what I want. These guys are possessed by themselves and everyone loves it. So focused so self contained, they don't want nothing to do with you if you can't help them achieve their goals, and that attitude is sticky and everyone wanna be glued to em because they are destined for success. So they are constantly deciding who they want to share their gifts with, because they know they got it, what you got? "Money, money, money, money, money ain't the motive, What's your name again? Nobody knows it, Don't speak to me n***a, you not important, Im focused" - Tyler, the creator 'smuckers'

Sun in the Third - The whizz kid who didn't study, but stole the test papers and told everyone the wrong answers and kept all the right ones to himself. They are smart and they dont need you to tell them this they just want some more god damn answers. And thats what frustrates everyone, because they know so much already, why they still searching? Well thats how they got so smart dummy "That's why they put my lyrics up under this microscope Searching with a fine tooth comb, it's like this rope Waiting to choke, tightening around my throat Watching me while I write this, like, "I don't like this note" - Eminem 'white america'

Sun in the Fourth - The sentimental cry baby that everyone loves to cuddle. Emotional but people find it adorable. They are the rock you can cry on if you want a rock to cry on. Nah but if you need a safe place to cry, you can cry to them, they'll protect you from the harsh waves of others emotional projections, because they get it, even when everyone else refuses to. But don't use em because that'll force them to block you out, and this decision will cause a emotional rollercoaster for the both of you and they'll blame you for it even if it was their decision "And I am done changing words, Just so my songs sound prettier, I just don't care if it hurts, 'Cause it hurts me too" - Faye Webster 'hurts me too'

Sun in the Fifth - The walking confetti explosion, always turnt up and if you trynna lower the volume then they'll oblige ya just so when the volume inevitably goes up again, they'll make it a point that its always more fun with the party up then down. Charming chameleons that are cheesin about the colours they managed to pull off. Watch em dance, watch em sing, watch em do a funny, they can do it all and laugh while doing it, the vibe is them and they are so good at inviting people in on the little big party they got going on "Man I just wanna go flex, Gold on my teeth and on my neck, And I'm stone cold with the flex, With my squad and I'm smokin' up a check" - Post Malone 'go flex'

Sun in the Sixth - Typeracer.com - nah but seriously they always working on themselves and comparing themselves just to make sure their progress is more than what they expected and way more than what others expected of them. Because they here for a reason, and they will never let a opportunity slip, because if they do, they'll stay awake over it for years, and they done wasting their good years. Basically Peggy Olsen "And when your album sales wasn't doing too good, Who's the Doctor they told you to go see? Y'all better listen up closely, All you n***s that said that I turned pop, Or The Firm flopped. Y'all are the reason that Dre ain't been getting no sleep" - Dr Dre 'forgot about dre'

Sun in the Seventh - I gotchu what you need? true homies always putting others before them, and i know this gets a bad rap these days but if you ever get one of these friends. Do yourself a favour and stop telling them to stand up for themselves, because they still standing with the weight of everyone else on they shoulders. This way they show others the power of communication. And they still sticking it to everyone who tell em otherwise, so please tell me how they not standing up for themselves? They the loyalist, you got no idea how many people rely on em and thats their pride "Every step I take, every move I make (ohh, I'll miss you), Every single day, every time I pray, I'll be missing you (yeah, yeah, yeah), Thinkin' of the day, when you went away, What a life to take, what a bond to break, I'll be missing you" - Diddy 'missing you'

Sun in the Eighth - Who went to hell and back? Well they went to a version of it. And they are done hearing whatever you done, because what they did beats your hell tenfold. They don't even wanna put you in your place because they don't wanna hear your attempts to disapprove of them because they've overcome more than some bullshit shit talking. Just put some respect on their name thats all they want. And if not it's easy pickens because think they worse than you, and if you done worse, they don't mind going badder, so be careful, they'll do it. They careful about not being careful so be careful "No I don't worry, I tell you, I'm a man who believes that I died twenty years ago, And I live like a man who is dead already, I have no fear whatsoever of anybody or anything" - Skepta 'no security'

Sun in the Ninth - I WOKE UP IN NEW BUGgATTI is how they live their lives, except miss the bugatti but keep the caps lock on. They live by a set of moral philosophies to help them get by and to find excitement/ enjoyment outta life, because they refuse to be a follower, they've seen how sad everyone else is and they just trynna make sure it don't work out that way for them. Educated idiots; making up the rules as they learn the rules to live by their own rules. They lead their own life and it rubs off on everyone on how you should live your own life > teetering the edge of danger and fortune. Also someone who'll give it to you the realest despite being the biggest clown "Black kid get shot, white man get tazed, Media spread lies, politicians get paid, Doctors wanna drug you up so you can reach an early grave, Prisons wanna lock you up so they can fill up every cage Make fifty cents an hour, they gon' work you like a slave, Government gon' play dumb but they know everythin' " - Meechy Darko 'kill us all'

Sun in the Tenth - "Who speaking about me? oh. he ain't shit" - they acting better than everyone, and its fake until it isnt. No one knows when they made it because they always acted like they did. They dont brag they let the audience speak their volumes, hum their symphonies, play their drums, tickle their balls, and they just the orchestrator of it all. Because they doin the most, and they know everyone gonna talk about it so no need to even speak on it. Classy about it too. They on the top and they don't wanna leave so they acting humble but everyone know they really feelin themselves, but hey who wouldn't "I might be too strung out on compliments, Overdosed on confidence, Started not to give a fuck and stopped fearing the consequence, Drinkin' every night because we drink to my accomplishments" - Drake 'headlights'

Sun in the Eleventh - Trend setters who leave their shit stains on every social setting they enter. They got this influence about them thats hard not to notice, because they have at least three people fawning over em, and they not doing shit. Always trying to spread their influence, so if you want someone to back you its them, because their word is worth more due to their connections. And the easiest way to connect is technology and they all up in the software and getting a hard drive about it. They say some outta pocket shit, but thats where the influenza comes from I guess. They somehow everywhere and no where at the same damn time "It's ironic you talk jail time, But you ain't never seen no central booking (yeah) It's ironic you hang with a n***a that beat women And have the nerve to call yourself "Girl Pusher" Wow! You ain't real, I'm gonna show you how I really feel - JPEGMAFIA 'baby im bleeding'

Sun in the Twelfth - Lonely introspective dreamy creative types. Is what you could say if you wanna sum them up. But there is much more to them, but they are so afraid of letting anyone in because they are so sensitive. Their empathy and ability to look at things from different perspectives is what sets them apart, and they want to be set apart, because they feel alone, and don't wanna pretend they your friend if they ain't. They are extremely creative to a fault, and a lot of people would rather make fun of their works then celebrate how special it is. Until it is widely acknowledged how gifted they are, then everyone will switch up around them. But they will never forget who said what, because they above the whats; aint got time for someone who thought they were just a what "'Cause I'm out there, Tried to tell you that I'm out here on my own, I told you I was out there, Tried to tell you that I'm out here on my own,I fell down to Earth, From a hundred miles away and somehow I still make it work, But it's overrated and somehow played out" - Oliver Tree 'alien boy'

[omegalomania]

the full apple music interview with zane lowe is out! we got snippets of it when love from the other side dropped, but they finally rolled out the full thing. here are some highlights that stood out to me :)

patrick describes pete's lyrics as what gets him out of bed in the morning. if pete doesn't send him lyrics, he doesn't write a song.

andy and pete used to draw fake snake tattoos on each other using magic markers as kids omg?

so evidently patrick was the one who got covid during hella mega tour. and he hated it and he was miserable and that's when he called neal avron about the new record lmao

patrick says that joe was hesitant at first and he was the one who said that for this record he wanted to make something that they could all savor and spend time on and patrick was immediately on board with that

pete says patrick's job is to interpret him because pete calls his mentality a "little bit off" but patrick is capable of understanding him and translating it

patrick describes his and pete's creative relationship as "twin speak." it's not linear and it's like living in his brain a little bit. he calls it the "weirdest thing i've ever seen" when pete can just Tell that some words that patrick adjusted weren't ones he wrote despite not remembering writing them. patrick says he's gotten better at connective tissue and knowing how pete would say things

pete: back in the day patrick was like, "what's the difference between cry and weep i will KILL YOU. THEY'RE THE SAME THING. I'M GONNA KILL YOU RIGHT NOW."

zane says patrick's vocals are next level for this album. pete agrees that he kills it on this album and said he never would've expected that voice coming from him when they first met. zane says patrick could sing a recipe and it would be good. he then passes patrick a recipe and patrick. sings it???

patrick: i'm not gonna belt it. (starts belting) NINE INCH PIE PLATE ROLLING PIN

patrick says that pete doesn't mean to have rhythm to his words but there's a rhythm to them all the same and patrick can find this syncopation in his words and thinks it's amazing

more talking about patrick and pete's Magical Mystical Transcendent Soul Bond. patrick says "if we were one guy, we'd be an INCREDIBLE DUDE"

patrick and pete say that interviews with all four of them are hard because it's chaos and everyone's talking at once but it all makes perfect sense to them and no one else. zane says that sounds like fun flkjdfd [i agree please do this more it's a joy]

pete says joe really stepped up and wrote a lot for this record!

patrick: "joe is kind of a conundrum because he's this really talented...he's a brilliant writer, a brilliant player, but pete and i became the "team" and it wasn't really a plan, but that's just kind of how it happened. [brief tangent about the hiatus] we come back from the thing and joe is this fully-formed writer with a very distinct - he has one of the most distinctive writing voices. when i hear his parts, when i hear his ideas, i could pick them out of a crowd. like i know the way joe writes, and it's VERY joe." part of the process with post-hiatus was integrating him into the writing process more.

discussing the hiatus and fame and pete says his life kind of "blew up" and took it pretty hard. apparently during production for folie paparazzi actually broke down the gate to neal avron's house

patrick goes on a big tangent about how bad things got during the height of pete's fame. "part of my role is to tell his story. i'm a composer. that's what i like to do. i work on movies, i work on shows, and i work on pete. pete has a story that needs music, and if he's removed from himself, if he's not even able to access himself because he's behind all of this stuff, i don't have a story! so not only did i not have my buddy, which was heartbreaking in its own way, but then i also don't have a purpose as an artist."

patrick says that andy is always ready to play but when you get him happy to play, it's another level

"and trohman, there were these moments where he...he got so excited."

patrick describes writing what a time to be alive as wanting to write the saddest, most desperate song you could hear at a wedding. pete bursts into laughter and calls it "so twisted"

talking about other endeavors outside the band - patrick talks about composing and said joe's been super busy with his book and writing for tv and because there are so many deadlines for stuff like that, it's what hammered home to him that fall out boy needs to not be that. "there's something special about this that can't be...this has to be passionate and art."

discussing how scared patrick was of his own voice while the band took off. patrick was really scared of the song saturday at first because there are some really exposed vocal moments. he describes saturday as a song where everyone in the band lets each other go for it.

zane calls fall out boy the "emo blueprint" and says they were unapologetic in being emotional. patrick immediately says, "that was pete. i don't think we could've done that without him." he and joe were basically kids and patrick was too anxious to talk on stage.

zane says, "i remember interviewing you in the early days and i felt like every time i asked you a question i was bullying you." pete IMMEDIATELY loses his shit.

"in another life where i didn't have a pete...cause saturday, i did write most of that by myself...so there's a world where that song exists without the band. there's no world where i sing it in front of people without pete."

pete says every night before they put out a new song he calls patrick up and gets really scared and wants to back out and patrick talks him down every time

they talk about how scary it was when arm's race released and performing it at the amas. patrick starts laughing rly hard as they get into how there were giant crickets on stage and the crowd was just stone-faced and utterly nonresponsive and their stage manager was utterly panicked

towards the end patrick really loosens up and starts swearing more dlkfjdfd

[effy-writes]

Hello, I just wanted to ask of you could do verosika x gn reader who serenades verosika, kinda like the same way moxxie did for millie in the house of asmodeous epi, after years of being in a serious relationship and proposes to verosika that way and verosika's reaction to the gesture (her love bird also is being a songbird now lol) and proposal?

Moxxie's song for millie in that epi got me crying and being a hopeless romantic. T-T

Thank you for considering my post in advance, My Liege.

~~~~~~~~~~~~

ofc! sorry this took so long, hope you enjoy! (also you didn’t specify so i’m gonna do HC’s, i can always do a oneshot for you)

~~~~~~~~~

verosika x gn! reader: you asking her to marry you HC’s

song: all i need by radiohead

• you and verosika have been dating for about 4 years now.

• she was a total mess whenever you met her because of blitz, so you literally had to fix her. she def had abandonment/attachment issues so the first year was kinda wonky

• she def got better with her issues because of the way you treated and reassure her

• however she was very hesitant to tell you she loves you, so you were the one who said it first and she gladly reciprocated

• the sex with her is amazing

• you felt ready to propose to her, but was also nervous as to what she would say. you know she loves you, but a part of you is thinking that she might not be ready for marriage and this could ruin the relationship.

• you decided to bite the bullet and prepare to propose. you wanted to sing for her at her favorite place, Ozzie’s, but you have no idea on what to even sing about.

• it took you months to write a song for her, but you finally finished the lyrics and bought her a ring.

• your last step was to ask her out on a date to Ozzie’s and she obviously said yes, two of her favorite things in the world, you and the restaurant Ozzie’s.

~~~~~~~~~~~~~~~~~~

“why did you invite me out?” she took a sip of her champagne.

“because, i wanted to treat you nice. you deserve it…plus i got a surprise.” you winked.

“oo is it the new dragon driller?” she had a big smile on her face.

“uh..no..but just wait.”

fizz introduced you to everyone, and since you’re dating verosika everyone knew who you were.“this song is for my beautiful, amazing, and the most talented girlfriend. i absolutely love you.”

fizz handed you a guitar that has a strap so it’s easier to move around in. as you played the first notes verosika watch you in awe.

“you are all i need, you’re all i need, im in the middle of your picture lying in the reeds. i am a moth who just wants to share your light.”

verosika never heard you sing before, let alone sing about her to her. nobody has ever done this for her before.

“i’m just an insect, trying to get out of the night. i only stick with you because there are no others. you’re all i need.”

you motioned your hand to tell her to come up on stage with you. without hesitation she walked up the stairs and you two stood across from each other. you kept strumming on the guitar, “you are all i need, you’re all i need.” You swung the guitar back and got down on one knee as you pulled out and opened the ring box “will you marry me?”

verosika cupped her hands over her mouth as her eyes watered up. “yes!” she choked.

with a big smile on your face you pulled her into a tight hug. “i love you so much, V.” you mumbled, pulling away to slip the ring on her finger. “you’re all i need.”

[matan4il]

Ahead of Eurovision 2024

I was listening to Eden Golan's song, Hurricane.

At first, it didn't seem to me like it stands out. I'm one of the people who prefers my Eurovision song less on the power ballad side of things, so this being in that genre...

But then I found myself haunted by the lyrics. By specific lines. Singing them to myself quietly, over and over again. I had to listen to the song again.

And it got to me, it really did, I haven't stopped listening to or singing it since, so I guess I needed to share a bit.

There's more than one hint that this is a song about mourning and survival. Lines like, "someone stole the moon tonight, took my light" can be interpreted in more than one way. But they become less ambiguous when combined with ones like, "holding on in this mysterious ride," when the mysterious ride we're all on is life itself. It makes it clearer that this isn't just a break up song. Then it becomes even more explicit with, "we shall pass, but love will never die."

The imagery in the videoclip is also telling, that ending when Eden is looking up, much like many do when talking to or thinking about a loved one that we have lost.

But the line that gets to me the most, the first one that took over my brain? "I'm still broken from this hurricane."

We all get what this song is about, in the wake of what happened here in October 2023, and since. And I am broken. So many Jews and Israelis are. As one survivor said (his words have haunted me first, then I heard them echoed in this song): "We are broken, but strong." That's exactly what the song is about, deeply feeling the pain and the tragedy, the loss, this impossible to accept grief, and still trying to find a way to live with it, to survive not just the horrors of a massacre, but the trauma that follows it as well.

The other line that affects me the most is directly related to this, "baby, promise me you'll hold me again." Because I have spent the last 5 months watching the news, seeing the funerals, and hearing people breaking down, as they say a variation of this to their loved ones, who are gone. Asking for a promise that can't be made, or fulfilled, and knowing that it can't, even as the request is being uttered. I hear their voices breaking around their words, whenever I listen to or sing this line.

The videoclip is also infused with imagery that's related to the massacre of over 360 people at the Nova music festival (and the kidnapping of 40 more from that scene), which is in a way very apt for music lovers. The images show dancers in what looks a lot like a nature party, just like Nova, and since the massacre happened when the music festival was meant to reach its peak, a long night of music and dancing climaxing around sunrise, that's exactly what we see, a move from the "moon light" throughout most of the videoclip, to the "sunrise" at the end.

But in the case of this "sunrise," Eden can smile, she can find comfort, she can sing a few words in Hebrew that reflect hope, about that little light that's left even when the moon's been stolen.

She's bringing the song to a beautiful, emotional closure.

Obviously, it can't be ignored that this is a re-write. The original song (which was called October Rain) was disqualified as "political."

You can read the original lyrics here. They're almost identical. I heard an interview with the song writers, who said they weren't even told what got their song disqualified, so they had to guess what the Eurovision Broadcasting Union had in mind, when they called an expression of our pain, and our strength at the face of that, "political."

I admit, I find it very hard to accept this disqualification. It's not like there isn't precendent for countries at the Eurovision expressing pain (including the kind originating from political circumstances) through their songs.

If you take the wildly popular Ukraine 2007 entry, the singer was quite obviously singing "Russia goodbye," with allusions to Russian interference in Ukrainian elections while wearing outfits reminiscent of Soviet uniforms. And that wasn't called political, because "Russia goodbye" was changed into gibberish that still sounds like it (and in recent performances, it was blatantly sang like that).

If you take the much talked about Croatia 2023 entry, it was about the Russian invasion of Ukraine in 2022, and also criticized Belarus' tyrant kissing Russia's tyrant's ass, by referencing the tractor that Lukashenko bought for Putin, while the band members played with military weapons and uniforms on stage. And that wasn't disqualified for being political.

If you take the Ukraine 2016 entry, that was explicitly singing about their pain over what the Russians did to the Tatar population in Crimea in 1944, with clear allusions to what Russians did when they invaded Ukraine's Crimean peninsula in 2014. And that wasn't called "political" either.

Even this year, we have the entry from The Netherlands being political, with both the lyrics and videoclip referencing the borderless Europe (which IS a political issue, as Brexit, if nothing else, had made clear). I've seen people pointing out online that the song isn't political, because the whole borderless Europe thing is a metaphor for the singer's grief for his father/parents. I have no problem with that reading, but let's acknowledge that there could have been many metaphors for that, and he chose a political one.

So why is Jewish pain treated differently? Why is our pain labeled "political," when the metaphors for it in the songs aren't that, there are no specific political mentions of people or organizations in the song (unlike the Georgia 2009 entry, which slipped Putin's name into the song's title) in either version, when there are no political statements being made in the song, there's just expressing our pain, and trying to find a way to cope with it?

This WAS the biggest massacre of Jews since the Holocaust, and expecting Jews not to write about it, not to sing about it, not to try to process it through art... Our pain is not political. It's human. When Ukraine won in 2022 with a song that wasn't originally political, but became one, as it was adopted by Ukrainians suffering from a war that they did not choose, but had to fight, singing it wherever they were displaced (I remember the winners, Kalush Orchestra, coming to Israel to sing it for and with Ukrainian refugees who found shelter here), I thought it was quite obvious, even for people who don't like politics at Eurovision, why the song won, and why everyone overlooked the fact that it was only partly based on its qualities as a Eurovision song. I don't expect Israel to win, I very much expect that, even as Israelis embrace this song about our pain during a war, that we didn't choose, but have to fight, and while hundreds of thousands of us are still displaced, we will get a lot of hatred, instead of understanding and sympathy. But I still have to speak up. I still have to point out that treating Israeli or Jewish pain differently is wrong.

(as a footnote, I wanna get ahead of the usual, "Why is Israel allowed to participate in Eurovision to begin with? It's not in Europe!" comments, while I haven't come across the same ritual for certain other Eurovision participants, like North African Morocco, just-as-Asian-as-Israel Lebanon, transcontinental {despite some of these countries only being considered European culturally, while geographically speaking, they're fully Asian} Georgia, Russia, Cyprus, Turkey, Azerbaijan and Armenia, and the one that's a continent all on its own, Australia. They all have the right to participate, because they all belong to the European Broadcasting Union. Just like Israel)

[hummingbee-lievable]

Song of the Day #24:

'Mile Magnificent' by Molly OfGeography (released 2019).

An apartment when it's empty echoes lovely, bright and clean

Sing odes to green-blue water that we stole so it comes free

All things end, it's part of living; forest fires feed the trees

Lift your glasses full of sunshine, sing a toast to gasoline

Track #4 on 'Myths'.

Fun fact: Molly refers to this song as 'The Song My Producer Said I Was Not Allowed To Name “CHICAGO IS BETTER THAN NEW YORK”'.* Honestly, her descriptions for so of the songs on this album are hilarious:

'1) The Song That Made My Producer Go, “Wait, What Was That Bit About Worms?”

2) The Song My Producer Said I Had To Append A Parenthetical To So That People Would Be Able To Find It Because The Lyrics Never Mention The Title Once But I Was Raised On Fanfiction So Joke’s On You, Pal! I Love A Long Title With A Parenthetical In It!!!

3) The Song That Is Sad'

Pretty dang accurate, honestly. Also, I think she has a Tumblr!!! *Gasp.* What if I...tag her???

@ofgeography Hiiii and thank you, your music is amazing.

I did it bees and knees (yes, this is my hip modern way of including every kind of person, fight me or provide more hilarious options; I'm content with either option).

I have had a fun time perusing this flavourful dose of humanity's wild website and I think my fun fact today should be her story where she becomes a donut god:

You're welcome, singular entity that reads this blog (that entity being my sister and/or the rogue bots, doesn't matter, we're all friends here).

Personal blurb: Alright, full disclosure time: I discovered this artist because of the 'Good Omens' fandom. Someone said we were missing out on feelings and shared this song, and when I tell you I felt those feelings, I certainly don't mean that I danced to this on repeat for several months (and her 'Hanahaki (Bloom)'), often at 3 in the morning in the bathroom. Of course not.

Pro tip: dancing with your toothbrush in your mouth is a choking hazard, but in the spirit of Alanis Morissette, I recommend doing it anyway:

One of my favourite books in the world is 'The Overstory' by Richard Powers. In it, one of the themes that arises often is the concept of pyrophitic serotinous plants (it's okay, I won't remember it either). They are plants that need fire to open. (There are actually different types of pyrophitic plants, from passive to fire-activated but I probably shouldn't start talking about that because you'll need to pull out the duct tape.)

(Technically, 'serotinous' plants are a category in which plants release seeds over a longer period of time, and it doesn't matter how they are released, but the seeds that open by fire fit into this category.) The eucalyptus tree, the lodgehole pine, and other trees encase their seeds in resin that can only be melted by fire (thereby releasing the seeds).

The thing that I love about this concept is this: we need to burn to grow. I recently read this book called 'Life in Oil' about the Cofàn tribe in Ecuador who were drastically impacted by oil companies. And the thing was: Yes. They were impacted horribly (physically, psychologically, environmentally, the works). They also survived. They figured out, through tumult and trial and falling apart, how to keep going.

This song screams to me of that same instinct. I mean, look at us. This is what we do, isn't it? We fight, we fall, we continue. We're just like every other aspect of nature in that we are born, and in our fight to continue, we impact everything around us. We're just a part of the cycle and eventually we will decay back to where we belong and serve as soil for our children. And all we'll be? A story. And after a while, not even that. Just a whisper of what was.

In a way? I find that freeing. We might as well live the life we want to live; how little it will matter. (This isn't absolution, please don't go murdering people.) I just mean that I don't have to put so much weight into every little thing. Not everything has to be joyful or depressing (and if we really think about it, everything is always a balance of both). It can just be what it is.

We are as we are. And we don't have to love ourselves for it, but we don't have to hate ourselves either.

I love the lyrics to this song. For a long time, I misheard 'We're animals of love/ the city never makes us beg' as 'the city never makes us pay' and I don't know why? But I kind of like that image.

We are animals of love. And that's okay.

We are the cogs in a continuous cycle and we always will be.

I think often of this monologue (content warning for the video, it's gory, but you don't need to watch it, you can just listen) from 'Midnight Mass' so often, in regards to this:

We just are. Everything just is.

[lychniis]

⚘ ― EVENFALL ! ( valentines day event ).

( # )ㅤ evenfallㅤ —ㅤ twilight ; dusk. the period or the light from the sky between full night and sunrise or between sunset and full night.

syn. a valentines day / white day event inspired by hozier lyrics ( and also seconding as my 1000 follower event i suppose XD ). feel free to drop by and select a prompt from the list below alongside a flower / genre. you could always opt for more flowers. however please note that minors are not allowed to request for / interact with nsfw works. please note that the maximum character limit is three.

this was more of a last minute bout of silliness, but i'd love to write some requests for you guys after supporting me and my bs for nearly two years now XD. so hey hey, my inbox is open to be raided! i'm currently taking this event for genshin impact and honkai star rail!

prompts. the prompts and flowers available are listed below. you can request a single prompt + one of more flowers of your choice! you could also add some additional suggestions if you'd like, say a setting or an au or a scenario! requests close by the 20th of febuary. i'll start posting on white day, march 14th.

daisy — fluff.

hyacinth — angst.

tulip — crack / humor.

orchid — smut.

i. ❛ there’s nothing sweeter than my baby. ❜

ii. ❛ no grave can hold my body down, i’ll crawl home to her. ❜

iii. ❛ you knew who i was with every step that i ran to you. ❜

iv. ❛ some like to imagine. the dark caress of someone else. i guess any thrill will do. ❜

v. ❛ honey, when you kill the lights and kiss my eyes. i feel like a person for a moment of my life. ❜

vi. ❛ i’d suffer hell if you’d tell me what you’d do to me tonight. ❜

vii. ❛ honey please, try to love me. my love will never die. ❜

viii. ❛ know that i would gladly be the icarus to your certainty, oh my sunlight. ❜

ix. ❛ you don’t understand, you should never know, how easy you are to need. ❜

x. ❛ idealism sits in prison, chivalry fell on his sword. ❜

xi. ❛ honey, just put your sweet lips on my lips. ❜

xii. ❛ i'm so full of love I could barely eat. ❜

xiii. ❛ honey you're familiar, like my mirror years ago. ❜

xiv. ❛ i know who i am when i’m alone. i’m something else when i see you. ❜

xv. ❛ there’s something tragic about you. ❜

xvi. ❛ there’s nothing sweeter than my baby. ❜

xvii. ❛ still my heart is heavy with the hate of some other man’s beliefs. ❜

xviii. ❛ i’ve known the warmth of your doorways. through the cold, i’ll find my way back to you. ❜

xix. ❛ screaming the name of a foreigner's god, the purest expression of grief. ❜

xx. ❛ i couldn’t utter my love when it counted, but i’m singing like a bird about it now.

xxi. ❛ the only heaven i’ll be sent to is when i’m alone with you. ❜

xxii. ❛ i’ll worship like a dog at the shrine of your lies. ❜

xxiii. ❛ i have never known peace like the damp grass that yields to me. ❜

xxiv. ❛ honey please, try to love me. my love will never die. ❜

xxv. ❛ i had been lost to you, sunlight, and flew like a moth to you. ❜

xxvi. ❛ it’s not my arms that will fail me, but this world takes more strength than it gave me. ❜

xxvii. ❛ i need you to run to me, run until you feel your lungs bleeding. ❜

xxviii. ❛ i will not ask where you came from. i will not ask and neither should you. ❜

xxix. ❛ be still, my foolish heart. don't ruin this on me. ❜

xxx. ❛ honey, i wanna race you to the table, if you hesitate, the getting is gone. ❜

( all the dialog prompts presented here are taken from songs by hozier. i own none of them. )

EVENT WORKSㅤ •ㅤ ARCHIVE OF OUR OWN

[anadiasmount]

pov: dramatically singing AND interpreting ‘llévame contigo’ to jude each time he has to travel for whatever reason and he’s just staring very much like 👁️👁️ as if you’re not spending less than a week apart

okay but so real of us though? i would pour my heart out singing this 😔🤞🏻

“amorcito, you’re going to leave me again…” you frown, jude zipping up his jacket and grabbing his last minute items. “alexa play “llévame contigo” by romeo santos,” you yell out.

“isn’t that a break up song? also amor, it’s just three days…”

“okayyyyyy? are you saying you’re not gonna miss me? there’s a reason why i’m playing this song jude,” you cross your arms against your chest, hearing jude chuckle and walk towards you. “when did i say that?” jude insists.

“you didn’t but it sounded like it…”

“y/n-”

“no listen, the song starts off by saying if you’ll cancel your flight and stay with me… then transition to a heartfull lyrics of how i’ll even be a chaperone just so you can take me with you… just to be with you…”

“you know i would take you if i could-”

“i’m not finished,” you cut him off jude giving you a taken at back look, similar to when the interviewer asked him if he wanted to go home with her. you pointing to the speaker and making him listen even though he was barely understanding. “listen jude… it’s a sad song… i’m sad because you’re leaving…”

“you’re gonna miss me that much?”

“i miss you already and you’re right here…”

“what else does the song say?” jude says as he picks you up and sits you on the kitchen counter, tilting your chin to look at him. “basically holding onto hope that one day they may come back even if it’s a friendly relationship… it’s sad jude… so sad…”

“but with us it’s different, mi vida,” you close your eyes hearing him call you “my life” internally screaming. “because i am coming back to you. i will be there and here for you, and what we have isn’t friendly… we’re in love baby…” jude says holding your face so the words can be fully promised and protected.

“llévame contigo si te vas de vacación… y aunque sea chaperon…” you smile as you sing slightly ignoring him because you hated goodbyes. jude leaving even for the smallest bit almost seemed unbearable and painful. “take me with you tomorrow… take me in i won’t lie…”

“okay now you’re pushing it…” jude says slightly annoyed but amused by your playful self.

“so now you don’t love me? okay i see how it is… alexa play “hilito” by romeo santos then “imitadora”. seems like my boyfriend isn’t my boyfriend…” you hope off the counter, getting pulled back immediately by jude who pressed kisses all over you face and neck. “what are those songs about?”

“about moving on from someone attempting to forget them, and asking for their old selves to come back because the new them is cruel and unrecognizable…” you say through giggles. jude reassured you, kissing you and hugging you tight knowing how hard goodbyes were for him and you.

later on the plane ride to his destination he is texting you, you sending a picture of the “llévame contigo” playing.

from y/n:

currently listening to this…

from jude:

really? not this again? I MISSSSS YOUUUU 😒

from y/n:

HSBEHHDHD

WHAT?

TELL ME IM DREAMING?

you’re listening to my lovely AVENTURA ?????

from jude:

i need to learn spanish somehow… and your music taste is elite… so is theirs even though i don’t understand 😂🤍

from y/n:

i love you :(((

from jude:

te amo más mi amor 🤍