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itsclydebitches · 3 years

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re: that ask you posted a couple days ago about the male and female representation in RWBY, part of what makes RWBY's whole 'girl power' thing ring exceptionally hollow to me is the fact that there are like... no women in positions of real power in remnant. like at all. except the big bad.

winter is second in command to james. glynda is second in command to ozpin. all of the headmasters are men (for no discernible reason, imo; why theodore and not dorothea?). the leader of the ace ops was a white man (and then winter seemed to take over clover's position instead of either of the women of color on the team, and she was still second to james). RWBY is an all girl team, but JNPR was led by a boy despite a girl arguably being far more qualified (pyrrha). the happy huntresses are all women, and robyn had no real power to speak of--she didn't even manage to win the election, because jacques rigged it, and then the council ceased to matter. there was one (1) woman on the council, but she was so inconsequential that i can't even remember her name. (i suppose we're lucky it was the guy and not her who james shot lol) jacques controls the SDC instead of willow, even though he's not even a schnee by blood and actually married into the family for power. (and we don't even know how he got it over his wife.)

and then there's the white fang, which ghira led and not kali--and it's ghira who leads menagerie itself, while kali seems to be a housewife. sienna had five minutes of screentime before being brutally killed and her position assumed by adam, a man. cordovin is basically a one off lackey we haven't even thought about before or since. neo was second to roman. you have cinder, sure, who is a second but to salem, a woman, and raven as the leader of the branwen tribe--but what does it really say about your 'girl power' narrative when the only women with genuine systemic power in your world are villains or antagonists with massive bodycounts??

atla has the same sort of problem--a couple great female characters, but all the leadership positions are men (except the kyoshi warriors, an all girls group, and even then the leader of their island is an old man) and the one female mentor figure also turns out to be evil--but it at least has some great writing to help overlook that fact, and it came out in the mid-00's and so has some sort of excuse of being a product of its time. but rwby didn't even start until 2013 and it's still going and still making these kinds of decisions well into 2021.

where is this supposed girl power, exactly? am i really supposed to overlook the very patriarchal worldbuilding just because the title characters are girls?

That's an excellent summary of the situation, anon, and as with so much in RWBY, it comes down to the full context. Any one of these examples isn't necessarily going to mean much on its own. It's when you look at the pattern that you can start making a case for those conclusions: Why is the show marketed on "girl power" set in a world where men hold the vast majority of that power? And, more importantly, why is that setup not the point? We could easily have a story where that lopsided gender dynamic is the problem that the girls are looking to fix, but... that story doesn't exist. Like the problems discussed with Jaune, the supposed point here exists only on the surface. Dig just the tinniest bit — the above — and you hit on a lot of structural problems with this "girl power" world.

To add just a few details to what you've already said:

Salem indeed has power, but she's never allowed to fully use it. Each volume the frustration with this grows as Salem accumulates more abilities and then just sits on them. From literally hiding out for a thousand years to worries that she won't use the Staff in Volumes 9-10, Salem really isn't allowed to be the threat she's presented as on the surface. And yes, this is absolutely due in part to the "She's too OP and the writers don't know how to let her be that powerful while still having the heroes win" issue, but again, context. That problem doesn't exclude others occurring simultaneously.

Same double explanation with Summer. Yes, dead moms are an incredibly common trauma to dump on a protagonist, but it still left Yang and Ruby with Tai as their primary influence. And Qrow. The uncle becomes the extended family influence while Raven is the absent one/eventual antagonist. It's personal power as opposed to political power, but Tai, Qrow, Ozpin, formerly James... most of the mentors are men. Maria, a key exception, has been ignored in that regard. The story announced that she was Qrow's inspiration, setup her being Ruby's new mentor, and then... nothing. Nothing has come of that. She disappeared for a volume and then went off to Amity and was literally forgotten by the story when evacuating everyone was the finale's whole point.

Like that Endgame moment I mentioned, the Happy Huntresses feel a little too forced to me. Yes, it's the same basic idea as in ATLA, but ATLA, as you say, has a lot more going for it. The Happy Huntresses feel... on the nose? Idk exactly how to explain it. Like, "Here they are! Another team of all women! Isn't this how progressive storytelling works? Just ignore how this is a one-off team of minor characters compared to the world building issues discussed above." And if you're not paying attention, you miss just how insignificant they are, with a side of Robyn being, well, Robyn. The Kyoshi Warriors, at least, are based off of Kyoshi. A woman avatar who is a significant part of their history. That is, presumably, why they're an all women warrior group (but who notably still teach Sokka). The Happy Huntresses are all huntresses because...? There's no reason except that meta "We want to look progressive" explanation. Just like having all the women superheroes team up for a hot second so people get excited and ignore the representation problems across, what? 21 films? Don't get me wrong, I love that May is among the Happy Huntresses. I think including her in the explicitly all-women group was one of the better things RWBY has done in a long time, but the rest is still a mess.

RWBY is arguably about these smaller groups as opposed to systematic power (despite the writers trying to work that in with things like the White Fang and the election. Not to mention the implication that everything in Atlas is fine now that evil Ironwood has died and taken the symbol of wealth (the city) with him. We saw a human holding hands with a faunus after all. Racism and corruption solved, I guess.) So yes, our group is dominated by women... but Whitley is the one saving Nora, helping to defeat the Hound (plus Willow), thinking of the airships, and providing the blueprints they need to escape. Salem is our Big Bad, except Ironwood is the one the volume focuses on. Ruby is our leader, but Jaune is the one leading the group into the whale and getting praised for how heroic he is. Ren does more to shake things up, even if he's painted as the one in the wrong. Oscar gets to confront Salem and destroys the whale threat. Ozpin provides the information they need to evacuate. Meanwhile, when the girls do things in Volume 8 it's almost always followed by a long-stint of passiveness. Nora opens the door so she can be unconscious for most of the volume. Penny keeps Amity up so she can also be unconscious for a good chunk of time. Ruby sends her message and then sits in a mansion. Blake fights so she can tearfully beg Ruby to save her. Weiss, as said, takes a backseat to Whitley (and Klein). They forward the plot, absolutely, but comparatively it doesn't feel like enough.

It's that pattern then, no one specific example. More and more the personal power, not just the systematic power already built into Remnant, seems to be coming from the men. Not all the time, but enough that scenes like the tea drinking moment feel like a part of a much larger problem. Pietro taking control, Watts hacking, and Ambrosius literally remaking her when Penny is supposed to already be in control of herself and her fate. Winter being presented as the active mentor to Weiss, only to turn around and claim that Ironwood was actually responsible for everything. Ruby, Weiss, Blake, and May straight up commenting on how awful things are out there while Yang, Jaune, Ren, and Oscar lead the charge against Salem — with the latter three doing the most to forward that mission (no fear, semblance, cane). As others have only half-joked, Yang's supposedly badass moment was bringing up a mother she's ignored for six volumes and briefly blowing up the immortal woman for a couple of seconds (with Ironwood's bombs). Even Marrow is arguably the most significant Ace Op after Clover. Vine isn't actually a character, Elm slightly less so, Harriet is there to go crazy and try to drop a bomb (notably before admitting to never-before-existed feelings for Clover), but Marrow? He's the one who breaks out. Who is meant to heroically stand up against Ironwood. Who comments on how awful it is that teenagers are fighting and, regardless of how messed up the moral messages are, is supposedly pushing for active change while all the women in his group, including Winter, insist on maintaining the status quo. Look at all these choices as a whole, it makes throwaway worldbuilding choices like "All the Maidens are women" feel pretty hollow. Why does it matter if Amber is a Maiden if she dies in a flashback so Ozpin can struggle to pass on the power? If Pyrrha dies before becoming one so Jaune can angst about it? If Raven is one and then disappears from the story entirely? If Winter has enough power to break Ironwood's aura, but supposedly had no power throughout every other choice she made getting here? If Penny is one, but is continually controlled by men and then asks another man to help her die? It's just really unconvincing, once you look past the surface excitement of a woman looking cool with magic powers.

When you do consider the whole of the story — both in terms of our world building and who is forwarding the plot in the latter volumes, getting the emotional focus, being proactive, etc. — there are a lot of problems that undermine the presumed message RT wants to write. They say, "girl power" by marketing RWBY with these four women, but too many of the storytelling decisions thoroughly undermine that, revealing what's likely a deeply ingrained, subconscious bias.

#rwde #rwby #mymetas

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gellavonhamster · 3 years

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in the bleak midwinter*: an asoue/atwq peaky blinders au concept

...also known as the idea that’s been living in my brain for what must be a couple of years now; I have reconciled myself with the fact that I will never write this fic because I simply do not have enough patience to think it out and write it down in the way that would give it justice, so here’s a plot bunny or something.

This is basically the Sugar Bowl Generation of VFD (still young, before kids and all) meets All The Wrong Questions (some of the events + some of the kid characters of ATWQ as adults) meets season one of Peaky Blinders, but I guess it could be read and understood without the knowledge of the latter simply as an organized crime AU.

It’s the beginning of the interwar period, and VFD is a gang. Which, yes, would require a certain amount of OOC of the characters, though I imagine their intimidation tactics would still avoid too much bloodshed. They deal with bookmaking, contraband, and sometimes art forgery because even this version of VFD has to have something sophisticated about it. There’s a number of places, such as bars and clubs, that pay them for protection, and there’s also a number of places they own, such as the Hotel Denouement with the Denouement brothers in charge and the nightclub ran by Ramona Browning**, alias the Duchess (her father was some kind of aristocracy, see, too aristocratic to ever truly acknowledge her). They use their influence to become the informal rulers of their part of the City. They claim to strive for power to make the City a better place, and these are not just words - they do donate money to schools and libraries, for example - but it’s not like they don’t enjoy being in power, and their rule is still based on crime, those who threaten it being eliminated swiftly.

The Snickets are the Shelby family of this AU, of course. Lemony is Tommy - the mastermind, already a legend of sorts despite being the youngest, plagued by the horrors of war - but still hoping for the best, strange as it seems, because he’s still Lemony. Jacques is Arthur, the fighter suffering from PTSD. Kit is Ada, but she’s also Aunt Polly - she’s the one who ran the business while the boys were in the army.

Now, season one introduced Grace Burgess as an undercover police informant spying on the Peaky Blinders.

Enter Ellington Feint.

Ellington’s father, the only family she has left, has been kidnapped by a gang called the Inhumane Society, and she’d do anything and everything to save him. So she agrees to infiltrate VFD, their rival gang, to find out the whereabouts of a shipment of weapons that was meant for the Society but was accidentally stolen by VFD. Apart from machine guns and shells, the shipment includes some “statue of a sea beast”, and no one cares to provide more explanations to Ellington about it, but apparently it is the most important part of that cargo. So Ellington takes on the position of a barmaid in The Black Cat Bar, one of the places that pay VFD for protection and the one frequented by its key members, and starts listening and watching.

Ellington needs to get close to the Snickets, because if anyone knows where the weapons are, it’s them. Steward Mitchum, the corrupt cop on the Society’s payroll whom she is to meet from time to time at the Natural History Museum (which she used to attend with her father) to pass on the information, suggests she should seduce one of the Snicket brothers. The problem is, Ellington has a chance to learn very soon that Jacques doesn’t know much about the stolen cargo, and Lemony is too taken with his girlfriend, the music hall singer Beatrice Baudelaire, to even look at any other woman. There’s no getting between them, even though it seems Beatrice also has something going on with VFD’s bookkeeper Bertrand Markson, and Lemony seems aware of it.

So Ellington decides to approach Kit instead. Kit, who seems so lonely - Ellington doesn’t know the details, but there was some serious falling-out between her and her ex-boyfriend, who has since left the City (and won’t appear in this story. Olaf is the problem for the hypothetical season two of this imaginary show). Ellington doesn’t plan on anything other than a very close friendship - yet, the closer they become, the more she understands that she is attracted to Kit.

(There certainly is a variant of the “I warn you, I’ll break your heart” - “Already broken” scene in which Ellington sings to Kit)

Anyway. Things progress, and they fall in love. Well, Kit seems to have fallen in love, and Ellington keeps trying to persuade herself that she hasn’t, because Kit has to remain nothing but a task for her.

The location of the stolen weapons, however, still remains a mystery, even though Ellington once hears Kit and Lemony discuss it. Whatever the statue is, Lemony seems to believe it has great powers, and Kit seems to believe it’s nothing but folklore. Lemony tells her of the stories of a mysterious sea animal (or spirit, or whatever it may be) he heard from other soldiers during the war, about what Widdershins heard during his time in the navy. Kit tells him that everyone is a believer in a foxhole, and that she loves W like her own kin but he’s a bragging idiot. There was nothing on the sea other than enemy ships.

Elllington’s mission is complicated by Lemony clearly not trusting her. He tells her it’s because his sister has been hurt before, but she suspects it’s more than that. He even admits that he had his people make enquiries in Paltryville, the town she claims to have come from, and found out that no Ellington Feint ever lived there. When he suggests her secrecy is due to a child born out of marriage, she is eager to confirm that. (Cue him asking her if she’s read Les Misérables - yeah, even this version of VFD would be literature nerds, how can it be otherwise - because this whole situation reminds him of Fantine, and her lying that she hasn’t and thinking that she’s more of a Javert at the barricade, really).

Then there’s a masquerade party at the Duchess’s club, and Kit takes Ellington there as her date. (Which is okay, because if there’s any place in the City where a woman dancing with another woman or a man dancing with another man would not be looked at askance, it’s the Duchess’s club. If I was actually writing a fic, there would definitely be a scene in which Ellington observes Beatrice asking Bertrand to dance with her and Bertrand trying to decline by telling her that, since he didn’t have time to procure a mask, he shouldn’t be on the dancefloor at all, and then Lemony approaches him with a spare mask in hand and encourages him to dance with Beatrice and puts the mask on Bertrand himself and it somehow looks so intimate as if he’s undressing him and Ellington’s like “Oh, so it’s like that with them. This is probably of no use to me but still, good to know”).

When Kit disappears at some point, Ellington follows her quietly and eavesdrops on her conversation with one of the Denouements. He tells her that his brother is all right and sends his regards. Later at the party, however, Ellington sees two Denouements. Why would one of them send the other’s regards to Kit if they’re all in the same room? A couple of drinks with the already tipsy Olivia (officially a fortune-teller, but who knows what purposes VFD really uses her salon for?), and Ellington learns that there used to be three Denouements, actually. But the third brother, Dewey, had a conflict with one of rival gangs which nearly resulted in a war, had not Lemony agreed to dispose of Dewey. To stop that gang from going against VFD, he killed Dewey with his own hands.

Except he didn’t, Ellington thinks. Lemony must have staged Dewey’s execution, and now he’s out there very much alive. Perhaps this knowledge will come in handy.

Meanwhile, the Inhumane Society, who have other beef with VFD apart from the stolen weapons, are getting impatient. There’s a gun-fight which results in Ike Anwhistle dying and his grieving widow, Josephine, telling Lemony it is all his fault and leaving the city. (I know I said this is based on s1 only, but they’re the John and Esme Shelby of this story). And Bertrand is severely wounded. VFD needs another bookkeeper while he’s recovering, and Kit, who knows from The Black Cat’s owner Dashiell Qwerty that Ellington has also been keeping the books of the bar lately and doing it well, offers this position to her. This gives Ellington an opportunity to learn more about the asserts and resources of VFD - and a chance to discover some interesting notes scribbled next to the name of Dewey Denouement. Dewey Denouement, who is only officially dead, but still has a grave at the cemetery.

Ellington tells Stew she has an idea where the weapons and/or the statue might be hidden.

When she meets some of the members of the Inhumane Society to take them to the tomb, she is surprised to see Hangfire himself among them. She’s only seen him in passing before, this mysterious man with his face covered in bandages. They say he’s been horribly disfigured during the war. They also say he came back mad. When they’ve done some digging and unearthed, instead of a coffin, several crates of guns - and opened one of them to find a small statue of what seems like a very scary seahorse - Mitchum and Flammarion are suddenly shot down, and Lemony Snicket steps from behind a gravestone.

He’s been following them.

Of course he didn’t believe that all Miss Feint is hiding is an illegitimate child, Lemony tells them as he’s holding Hangfire at gunpoint. He’s been doing research. In fact, the man whose grave they’ve unearthed is presently in a unique position allowing him to make research away from the City. He’s found out that Ellington Feint is the daughter of a renowned naturalist Armstrong Feint, who’s recently gone missing. And then they managed to discover something more.

This is when Hangfire grabs a gun and points it at Lemony, and Lemony aims at Ellington instead, which for some reason stops Hangfire from shooting.

This is also when it turns out that Lemony has also been followed, and Kit Snicket steps from behind another gravestone, pointing a gun at her brother. He keeps aiming at Ellington, wearily telling Kit she isn’t really going to shoot him.

Kit tells him that unless he drops the gun, he’ll find out.

(When Ellington tries to speak to Kit, she just tells her to shut up. And it hurts, because Kit has stopped being just a mission a long time ago. And now she knows that Ellington’s been lying to her from the start. And she may not want Ellington to die, but she would also hardly ever forgive her. And that would be fair).

And then Hangfire tries to shoot Kit, and Ellington screams, and Kit manages to spring back, and Lemony fires at the man who tried to kill his sister, and suddenly Hangfire is bleeding out on the ground and calling out to Ellington in her father’s voice.

That is what they’ve also found out about Hangfire, Lemony tells her as she’s kneeling beside the body, unable to bring herself to uncover his face. He sounds genuinely surprised; he thought she knew.

Kit makes him let Ellington go and tells her she doesn’t want to see her ever again. And Ellington leaves. She takes a train to some seaside town she’s never heard of before and leaves. Her job is ended. Her father is dead. Her love affair that never should have happened is in the past. She still doesn’t know why her father lied to her when he could have just asked and she would’ve done anything, why he kept up this double life, what was the significance of the statue and what it might become in the hands of someone like Lemony Snicket. She is too tired and sick of it all to try to find out.

She manages to build a life in Stain’d-by-the-Sea. She works in a coffee shop and sings there in the evenings. She never sings the song she sang to Kit again. She marries a man she doesn’t have any truly strong feelings for.

Then, a year or so later, there’s a phone call, and the voice of the woman she loved and betrayed tells her she still can’t stop thinking of her.

*This phrase used by the Peaky Blinders upon the death of one of them is replaced by “The world is quiet here”. Obviously.

**My Last Duchess, referenced in ASOUE in connection with R, is written by Robert Browning.

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masterweaverx · 3 years

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RWBY Parents from Best to Worst

That’s right, everybody, I’m a-going to rank how terrible these people are to and for their kids! For the sake of covering as many parents as I can, I am defining ‘parent’ as either ‘legal guardian’ or ‘the one that gave birth to you’, and excluding relationships that are explicitly something else. That does mean that we’re going to miss out on some very important people, though, so before we begin, let’s have some Honorable Mentions!

Yang Xiao Long and Winter Schnee: Professional Momsisters

“That’s why big sisters come first, to protect the ones that come after.” I don’t know who said that to these two, if anybody actually did, but it’s a quote that most definitely applies to them. Not only would they take a bullet (or a sword, or a fireball) for their younger siblings, they took the time out to give them affection and training that they needed when their own parents weren’t quite doing the job. If I absolutely had to rank one of them as the better momsister, I’d say Yang, but that’s really only because Yang had less to deal with overall; a depressed single dad not being able to pull himself together just doesn’t stack up with an abusive powermonger, a self-loathing drunkard, and all the institutional bigotry and pressure of Atlas. Plus, you know, Winter went into the military for a bit. Still, pretty good track record considering!

Klein Sieben: Doing the work of seven good dads

Look, there is only one reason Klein wasn’t listed before the momsisters, and that reason is that he is technically the hired help (and could therefore become the fired help). He is, hands down, a better surrogate parent than Yang and Winter, providing guidance and care to all the Schneeblings and very effectively undoing the damage Jacques Gele (HE DOES NOT GET TO BE CALLED SCHNEE!) did to them. And he even helped out Willow! If he was allowed to do more, he would absolutely be My Real Dad of the year.

Qrow Branwen: “The only one that gets to be sad in this house is me!”

Qrow has a lot of flaws. Like, so so many flaws. As Yang said in a noncanon spinoff, he’s cool but not exactly a role model. Thing is, you don’t have to be a role model to be a good parent--you just have to make sure your kids (or nieces in this case) get good advice and the opportunity to grow into the best versions of themselves they can be. And when Qrow’s not beating himself up or drowning his sorrows, he’s actually very good at helping Yang and Ruby. Honestly the only reason he’s not on the actual list is because he’s technically not a parent.

Uncle Copper: Adopting a blind kid automatically makes you cool

So here we have a character that appeared in a single flashback in the novels, but from what we do know he was pretty likely to be a good guy. Like, raising a blind kid is hard enough; raising a blind kid in a desert after their actual parents got nommed by sand is so, so much more difficult. And yet, this guy said ‘If nobody else is going to adopt this kid I will!’ and by all measures he was a very caring and loving guy. Also, shout-out to the tribe, who took Fox in after Copper got killed by some maniac (and also killed said maniac). Fox has had a rough life, but it’s been filled with supportive people. Not everyone can say that.

Starr Sanzang: She put up with Sun

Sure, she’s only had one scene in one novel, but Starr showed patience and caring and... probably did a lot to make sure Sun stays as aggressively cheery and patient as he is. Plus she’s got a dojo in Vacuo now... okay, I’ll be honest, I don’t know nearly enough about her to really assess her. Still, as far as cousins go, Sun Wukong could do a lot worse. And there are the implications of their motifs to factor in...

Rhodes: If you’d done even just a little bit more--!

So, reasonably, what would you do when you see a little girl enslaved with a shock collar? Would you (A) get the girl out of there, (B) arrest the woman doing it, (C) try to get the girl therapy, or (D) all of the above? If you picked (E) secretly train the girl in swordplay so she can join a huntsman academy when she comes of age, then congratulations! You’ve given her hope! Good for you! And what if she snaps after five years of literal torture, kills her abuser, and then turns to you for comfort and/or approval? Welp, obviously she’s an irredeemable criminal and you have to bring her in, crushing all the faith she had in you and herself.

Seriously Rhodes, dropped the ball hard on that one. I’m only mentioning you because you had such a serious impact on Cinder’s development.

Brother Gods: Creating and destroying entire species

Like, okay. Look. These are the two that made humanity, so an argument could be made that they’re humanity’s parents. But, by the strict and arbitrary rules I have selected, they aren’t parents. And even if they were, they would be just the worst sort of parents possible. Darkbro is bad enough, what with viewing only strength as valuable and creating the Grimm and, you know, annihilating humanity that one time, but he’s at least honest and honorable. Not like the cryptic Lightbro, who doesn’t bother making sure people understand him, who doesn’t even keep his own promises to his brother... I get that they’re basically overpowered children. Yeah, they are. Still... kinda terrible.

So, now that that’s all done, let’s get to the actual list! After the break, so you don’t get stuck scrolling a lot. RWBY parents, from best to worst, are as follows:

23. Saphron and Terra Cotta-Arc: Two moms are better than none!

If I’m rating all the parents, and I am, then I have to acknowledge their flaws. And... these two don’t have any! Okay, fine, they used Adrian in a criminal scheme that one time (and that was literally just asking him to cry on command) and maybe Terra’s overworked and, to be fair, parenting a young kid is a lot different than parenting a teenager. But not only did they support their kid, they helped out all the kids that needed to room with them for a while! Saphron may also qualify as a momsister, depending on how well the Arcs managed their massive-numbered horde of kids. Look, the point is: Excellent parents. Bam.

22. Yatsuhashi's Parents: Their slipups weren’t their fault

When your kid can wipe your memories and you don’t know about it, you’re bound to get a few mistakes down the line. Luckily for everyone, after the whole incident with Hiyoko Yatsu came clean, and his parents made absolutely sure that he understood (A) that having such an ability was a big responsibility and (B) that even though he really screwed up he was NOT evil. Given the man that Yatsuhashi is now, I’m pretty confident in calling them great parents--even if they only appeared in a book flashback.

21. Coco's Dad: He exists!

That’s... honestly all I really know about him. He’s mentioned once in the books, and Coco has a few brothers. I’m kind of just assuming he’s a good parent from that, even if he didn’t figure out how to help Coco with her claustrophobia. So... yeah, shrug, Coco’s got a dad.

20: Ghira and Kali Belladonna: Actually marvelous people

Loving. Caring. Mentoring, protective. You may be asking why these two aren’t lower on the list, given that they are absolutely great for Blake, and I’ll have to admit that they only really made one slipup--letting Adam talk with Blake.

And okay, look. The thing about people like Adam is that they don’t start out showing their true colors. It’s always a slow, gentle broil. Blake was young and stupid, Adam was cute and edgy, and these parents want their daughter to be happy. So not twigging on what Adam really was--or at least not being able to properly convince Blake--that’s entirely understandable. And they did instill her with a strong enough moral code to leave when enough was enough, and they absolutely welcomed her back with open arms. Frankly, if the lower-listing parents didn’t exist, I would happily say they are the best parents in the show.

19. Pietro Polendina: He took Penny’s death flags

When you carve out part of your literal soul to bring your girl back from the dead, you get MAJOR parenting props. And even beyond that, Pietro is an absolutely caring and supportive father to everyone’s favorite bundle of sunshine. Even when she’s put in the rough position she was in, Pietro did his best to help her out. His one big flaw, though, is being overprotective and a bit presumptive. He does want Penny to live her best life, but he also can be just a touch too quick to say he knows what’s best for her. To his credit, when he’s called out on it, he does mend his ways. And he’s at least better then the GENERAL...

18. Salem and Ozma: Good parents, surprisingly!

Sure, Salem decided that world conquest was a good idea and wanted to put down anybody that wasn’t directly from her bloodline. Sure, she psychologically manipulated her husband when he had doubts. And, being fair, it’s highly likely that her four daughters were killed in the crossfire of her and Ozma’s little tuff. But! That was likely an accident, she’s been shown to still clearly mourn their passing, and before that point she absolutely loved and adored the girls. Ozma gets points for being a generally good person who fell in love with her before she became unstable and, honestly, was just trying to help his girls escape... and hey, he blames himself for their deaths. As does Salem.

Just because they’re kind of directly responsible for a LOT of Remnant’s woes doesn’t mean they aren’t good parents!

17. Will and Meg Scarlatina: Estranged but loving...

Yes, I know Rooster Teeth hasn’t officially confirmed that Bill is Will. I still believe though! Also it makes for a great picture, in any case.

Look, you can be the best and most loving parents ever--and from what we saw in the novels Will was definitely loving--but if you split up, your kid is going to get a little stressed. And hey, it’s not like these two were terrible people! Velvet’s just got a lot going on because of things entirely out of her control. Parents are people too, but sometimes the stress of one situation will leak out into another. Just... give people time to adapt.

16. Nicholas Schnee: The man, the legend, the titan!

Nicholas Schnee is the rockstar success story of Remnant. Some guy from Mantle put in all the work to make the SDC, and honestly from what little we know about him he was probably a great guy! But if we’re registering parental goodness, well... he wasn’t quite smart enough to warn Willow away from abusive gold diggers, and he’s not present when the story starts. So, yeah, even if he was a good parent otherwise--and I think he would be--he kinda... didn’t put in the work to prevent Willow breaking later. Still. Not deliberately terrible!

15. Li and An Ren: Don’t die in front of your kids, folks!

Seriously, it traumatizes them, especially if there’s a Grimm assault going on at the same time. Oh, double-especially if you reassure them that everything will be fine literally the second before the roof collapses on your head. And... well, okay, you couldn’t help your son and some random girl being the only survivors...

In all seriousness, that whole situation was absolutely out of their control. And before their deaths they were shown to be loving, wise, giving good advice to Lie Ren and helping him understand what the right thing to do was. Honestly, if they hadn’t died in front of him he’d be a lot better, mentally speaking. His trauma is not their fault. Plus Li went out distracting the big Grimm so Lie could run. No greater love hath man, indeed.

14. Summer Rose: Loving mother, ticking trauma bomb

When she was around, Summer Rose was probably the best mom Yang and Ruby could ask for. Sure, everyone could be exaggerating a little on how great a person she was--fond memories and grief can do that--but even taking that into account, she was probably a great and wonderful woman to be raised by. And hey, it turns out the reason she vanished was to go confront basically the Devil Herself so her kids wouldn’t have to live in a world where she existed! I can totally get the logic behind that.

And to be fair, “I’m going to do this on my own so nobody else suffers” is a pretty common character flaw among the RWBY cast. There are entire arcs where each character learns to overcome it. Still, wandering off on your lonesome without telling anyone was not the smartest move, Summer. Especially if you expected to die--which, you know, Devil Herself, high probability. And you know, if you had died, that would be bad enough, but now Ruby’s practically certain to have to fight your grimmified self. At least she figured out what happened to you before Salem decided to hammer in the trauma button, so she’ll be a little more ready, but... seriously.

13. The Arc Parents: Look, you try juggling eight kids!

To be fair, neither Arc parent has appeared on screen, but we can derive some of their traits from their kids. Jaune’s father said women like confident men. Jaune’s mother said strangers are friends you haven’t met yet. Jaune’s sister moved out of the house and (it’s implied) was happier for it. Jaune himself took his family’s ancestral weapon and ran off to Beacon to become a hero without any training whatsoever....

I get the impression that these two are not horrible parents, but they aren’t really stellar ones either. They slip up, don’t understand their children, give some really bad advice (as well as really good advice), and... look, it’s kind of middle of the road here. The Arcs could be wonderful people that just weren’t ready for the complexities of raising eight kids. I come from a big family myself, I know it can be stressful. And their kids turned out well anyway, so...

12. The Mother of Pyrrha Nikos: You taught your girl too well

Hero complexes are funny things. And Pyrrha Nikos... in retrospect, she was really hiding a lot of insecurities under that facade. Laying it all at this woman’s feet is unfair, I’ll admit, a lot of that came from being The Mistral Champion. But... with stories and fairy tales of heroes, it’s not hard to imagine a genuinely loving mother making sure her daughter knew right from wrong, always knew to act with mercy and protect the weak, and made her hardline into being a hero at the cost of her own... sense of self. It wouldn’t even be something either of them noticed, really. Good people can make bad choices sometimes.

11: Ilia's Parents: Oh god, can good people make bad choices...

So the idea of getting Ilia up to Atlas for a better life, that rocks (if you assume the propaganda to be true). And I’m certain her parents absolutely did what they did out of love. But what they did, you see, was tell Ilia to hide a very important part of herself from anybody who could find out, since it was likely she would be kicked out of the school she was in if people found out she was a faunus.

Which actually, did a lot of damage.

I mean look at Ilia now! She has trouble expressing herself until she explodes, she follows a crowd instead of her own morals, she broke down in tears when she finally did the right thing... Conceal Don’t Feel is never good advice, and these two went on and said ‘Honey, because of racism, you have to hide the fact you literally change color when you have emotions.’ Oh, and then they died offscreen--again, not their fault, but boy howdy did it give Ilia a complex.

10. Taiyang Xiao Long: Slumped at just the wrong time

Honestly, Tai as he is now is a wonderful dad. Supportive of his daughters in their time of need, able to lift their mood with a tasteless joke or two, frankly if we were assessing just how they were in the moment... I’d still be a little critical of his refusal to talk about the girls’ mothers, but hey, that’s minor. Compared to, you know...

Okay, so this needs serious addressing. Taiyang cannot be blamed for falling into a depressive slump. People can hurt, and need time to heal. That said, his depressive slump is at the root of Yang’s many issues, and frankly if she hadn’t had to pull herself together for Ruby she would be a major mess. It’s a bad situation all round, even if it’s not his fault.

9. Willow Schnee: “Kids, don’t wind up like me.”

Drowning her sorrows isn’t the best way to handle being stuck in an abusive marriage, but it was the best way Willow could think of. And, yeah, that really cut into her skills as a mom... but despite that, she did her darnedest to make sure her kids had what they needed to free themselves. Heck, once Jacques was out of the picture, she even pulled herself together and risked her life to save them! A broken women, to be sure, but not a shattered one.

8. Neptune's Mother: She exists!

Being fair, there’s not a lot to go on here. We know Neptune’s mother is a lawyer (insert evil lawyer joke), that their family are famous swimmers, and that his brother caused his hydrophobia by tossing him into the water. It does paint a bit of a picture, though, of everyone having expectations for Neptune that he was not able to live up to. Pretty poor parenting, if it’s true.

7. Nora Valkyrie's Mom: Come get your girl!

Literally the only factoid we have about Mama Valkyrie is that she abandoned her to the Grimm. We don’t know when this was, and it’s feasible it’s a case of ‘Oh No I Lost Track Of My Daughter In The Panic!’ But given we see young Nora scavenging for scraps of food... I’m not optimistic on her parenting skills.

6. Raven Branwen: "I wasn’t part of your life, how could I ruin it?”

Raven is just not a good mom at all. And, surprisingly, she seems to know it. Or that’s one interpretation of her character. The thing about Raven is that she plays her cards close to chest. We still don’t know why she left her daughter, and we only have inklings about the reasoning behind her behavior once they reunited. In the end, though... she did concede to Yang, she did apologize for something, and there’s a very deliberate indication that a lot of her behavior is a mask to both others and herself. So, terrible mother, for the moment, but self-aware.

5. Salem's Father: Explicitly noted as cruel

We get a bit more about Salem’s father from ‘Fairy Tales Of Remnant’, how he became possessive of the last remnant of his wife and locked her away in a tower. From what we know of him, that’s all he did--lock her away and not let her go. Still makes him a terrible dad. And with this, we transition firmly into the most definitively abusive parent figures. Everyone before this might have the excuse of not realizing what was going on or having their own damage, but now we’ve got parents actively deciding to make their kids’ lives worse.

4. Jacques Gelé: HE DOES NOT GET TO BE CALLED SCHNEE!

His children are property, to be manipulated and traded for the benefit of the company he married into, and any defiance is to be quelled instantly. He is manipulative, scheming, abusive, and frankly the worst sort of scumbag to ever wear a white suit. He does have the single redeeming quality of only leaning into the punishment if it benefits him; nobody would ever accuse the man of being needlessly cruel. His name is Jacques, and you will hate him... especially on the rare occasions he actually has a point.

3. The Marigolds: There’s no peppy tagline, they’re just mean

There’s not a picture of these jerks on the wiki, so you’ll have to make do with the woman that is no longer their daughter. See all that empty space around her? That’s about as close as they ever got. May spells out how much they hated her for having a heart, and how little they cared about her as a person, in one epic line. And even if they have other redeeming qualities (unlikely) we can tell they’d probably still be terrible parents because of how sleazy May’s cousin is. Honestly, for once I’m glad some characters don’t get pictures. They don’t deserve to be remembered. They aren’t even the cool kind of evil, they’re just... gross.

2. Marcus Black: Look if you train your kid to be a killer...

...you’re going to have to expect them to kill you. I mean, you basically ripped apart Mercury’s legs, man. He had to get cyberlegs. Also, you used your semblance to steal his. Which, given that semblances come from aura, and that aura is a manifestation of the soul, is kinda... that’s a deeply personal and intimate violation. Sure, you got your assassin kid. And can we talk about the fact that Marcus was an assassin? It’s not a pretty job. I guess I can see all the abuse--physical and mental--as a good way to train up another assassin, but... geeze, if that’s your goal, why did you use your own kid?! Why not hire some angsty teenager?! Yeah, no, Markus Black stood high on my list of parental monsters... and was only toppled by the arrival of one other.

1. Madame of the Glass Unicorn: She only appeared in one episode and she rocketed to the top of this list, that should tell you something

Let’s be clear here: What Madame did to Cinder is bad enough. It was literally slavery. Enforced by a shock collar. And because the collar looked like a necklace, she pulled it off in front of I don’t know how many clients. Granted, said clients were racists, why else would they be customers at a ‘We Do Not Serve Faunus’ hotel, but keeping her torture just out of the public eye very clearly shows both that she knew what she was doing was illegal and that she was clever enough to avoid detection.

Oh... and then there are her birth daughters.

With Cinder, she was abusive to a dangerous degree. With her daughters, she was permissive, not only allowing but encouraging them to bully their adoptive sister. The whole point of parenthood is to teach your children how to become the best version of themselves, but Madame didn’t even bother to instill a semblance of morality in these girls. She used them as extensions of her will, and they obliviously played along because that was all they knew.

You’d think the biggest monster on the show would be the Grimm woman, but no--it’s some random lady with a hotel.

#RWBY #Analysis #Ranking #I had the urge to make this #Feel free to disagree #Some of this is opinion-based

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sarahjkl82-blog · 3 years

Text

Artistic Instinct: Chapter 6

Header thanks to the lovely @yespolkadotkitty

Summary: Marcus Pike and OC Anushka Pierce have been selected to work on a 5 eyes (Australia, Canada, NZ, the UK and US) intelligence team to track down art forgeries as a part of taking down an international white terrorism cell. Marcus is trying to escape his broken heart, Anushka is just trying to escape what the world expects of her.

Word count: 6200 (yup, the words ran away from me!)

Warnings: Language, mention of death.

Pairing: Marcus Pike x reader (OC)

This comes with a MASSIVE THANK YOU to the lovely @yespolkadotkitty , who read, re-read, pointed out the constant flipping between tenses and gave me the confidence to try to write something!This is the first thing I have written since angsty poetry as a teenager. Apologies if it is shit!

To an untrained eye, need and love are as easily mistaken for each other as the real master's painting and a forgery.

Deb Caletti

Chapter 6

A low lit room- more fitting of an old jail than an art lock up- surrounds you with cool air that tickles the tiny hairs on the back of your bare neck, as you bend over double, digging through the equipment in the abyss of your bag. A gap forms between the waist of your jeans and t-shirt, revealing the tiniest bit of the lace edging from your bra band- a tantalising fact that catches Marcus’ breath, alerting you to his presence, “Hey, you ok?” you ask straightening up, “Did you find something?”

“Yeah, uh sorry. Think I just had a bit of dust in my throat,” Marcus stammers, utterly thrown by that glimpse of your underwear, as he tries to clear his throat and remember the reason he was standing in front of you, “So, uh, yeah, um- we found a couple of signatures from Paul Guillaume and Albert C Barnes- weren’t they the guys we had to look out for?”

Looking over the papers with your cotton gloves still on, you pour over the shaping of the letters that made up the signatures of the possible previous owners, “I dunno. I’m not convinced- the positioning of the letters seem odd- like a crude rendition of someone’s signature. Almost like someone’s faking their mum’s signature to get out of PE class. Only the thing is, you know the movement of your mum’s hand as she signs something because you’ve watched her do it a million times before. Those signatures do not seem real to me, personally.”

Marcus’ eyebrows raise as he crosses his arms, desperately trying to hide the smile that was creeping across his face. “You faked your mom’s signature a lot?”

“Poacher turned gamekeeper,” Élodie remarks as she crosses between the two of you, straightening your t-shirt up where it has caught upon the back of your jeans.

Marcus tries not to let his disappointment show. Calm down, Pike, you’re hardly a horny seventeen year old. But that was how you made him feel and certainly the uncomfortable pressure building in his jeans might prove otherwise.

“I don’t think we will necessarily manage to get this solved today,” you begin, “The section that Élodie looked at dates it reasonably within the time period but those signatures are now tingling my spidey senses. It’s probably going to need to be sent for further investigations at a proper lab. I’m about to look at it using the stereomicroscope- do you want to have a look with me?”

Marcus nods eagerly, earning a grin from you, and you start setting up the pieces you need- ensuring that the video camera is linked to your iPad so Marcus can see everything you are looking at in real time along with you.

Marcus drifts closer to the painting. You haven’t seemed to notice his closeness yet, and he half hopes you don't, as from where he’s standing the aromatically pleasing scent of your shampoo wafts dreamily from the dark shimmer of your hair.

“So tell me more about this piece. I love listening to you speaking about art. You make it seem like I’m looking over the artist’s shoulder as they’re painting it.” Marcus remarks, smiling when he notices the flush creeping over your cheeks that his words bring.

Impressed by your decision to play into his words rather than focus on how awkward you feel at the compliment, he loves how you fan yourself and flutter your eyelashes at him, “Monsieur, you flatter me! Well, looking at this piece it’s not difficult to imagine that Soutine may have had a longstanding beef with food. Though he was fascinated by food and frequently painted these edible arrangements, this stands as one of his most memorable and dare I say, raw interpretations.”

At these terrible puns, Marcus pretends to drum, “Ba da boom tish!”

“Do not encourage her!” Jacques shouts from the other side of the room where he is labeling the bags for the slide samples that Élodie had been collecting, “Once you acknowledge one pun, she’ll ensure that everything she says has one. Queen Nush of the dad jokes!”

“So at the meat of Soutine’s obsession,” Marcus half-snorts, half-groans, intending to encourage you as you add, “You find that a combination of not having anything to eat due to extreme poverty and using what food the family did have to practice Kosher traditions is largely to blame for his playing with his food rather than eating it.”

Marcus watches you flick through your phone so as not to interrupt the finally clear feed from the stereomicroscope focussing on how you bite your lip. You quickly google the Rembrandt that you want him to look at. “The remains of this omnivorous…”

“Oh you’re still gonna continue with that theme, yeah?” Marcus’ feels his lips curve at your humour, shaking his head at the ridiculous word play.

“Oh, I can keep this going all day,” you say with the cheekiest of winks, and Marcus hopes you will.

*****

“Omnivorous obsession,” you continue, “was based on his adoration of Rembrandt whose 1655 Flayed Ox was frequently salivated over by Soutine on his regular visits to the Louvre. Rembrandt’s carcass is noted for its vivid colors but when compared to Soutine’s, which was coated almost daily with fresh buckets of blood by his assistant, Rembrandt seems downright dull. The smell of rotting beef and fresh blood became so oppressive that neighbours called the police, who almost threw away the fermenting flesh before, what I can only assume was the Frankenstein-esque assistant, shooed them away like so many flies covering a carcass.”

“Always with the focus on the graphic elements of art,” Jacques calls out with a snort at your zombie-like impression before receiving a sharp nudge to his ribs to focus on the job Élodie has asked him to complete.

“Art is just a reflection of the things that humanity finds interesting and what can be more interesting to a temporal being than their own mortality or that of the creatures and objects that surround it?” At this statement, you tug Marcus’ coat sleeve away from the piece to come and look at the feed you have set up for him, “Come on you, we’d better focus or Élodie will have my guts for garters for not concentrating on what I should be doing!”

Marcus allows you to lead him over to a black metal folding chair to look at the feed, “So what are we looking for, Mademoiselle Pathologist?”

“Hah, did you just call her mademoiselle? She’s too old for that!” Élodie shouts in your direction.

Refusing to respond verbally to Élodie’s rudeness, you flick a finger up at her and turn back to Marcus, “Madame Pathologist will do- I am comfortable with my age. So what we are looking for are any bits of difficult to detect damage, fading, repairs and the ways paints and other coatings are distributed. Also if there are any strange fibres that we can spot using the double lens.”

Hovering the microscope over the bottom left hand corner, you start to scan the piece, “So what we’re looking for are any irregularities that we might not have picked up on a first scan that Élodie did to take the samples. The stereomicroscope helps us to understand the art in more 3D terms- so we can see something that generally looks flat becomes a landscape of hills and valleys.”

“Why’ve you chosen that corner to start?” Marcus probed inquisitively, wondering as to whether there’s method in your madness.

“Just felt like it!” You shrug and snort at his look of mock horror. “Nah, it’s where the signature is and ‘cos I’m not sure about the signatures on those documents you found, I want to take a closer look at Soutine’s over here. Kinda feels like a sensible place to start.” Your eyes squint as you drink in the images in front of you, snapping up when you hear a small grunt of consternation from your boss, “Have you found something, Marcus?”

“That’s weird. It kind of looks like the signature has been scratched into the art,” Marcus squints at the signature on the screen, reaching over to the table where the possible documents with Guillaume and Barnes’ scrawls lie, “Also, I am not an expert in graphology but the letter e looks consistent across the three names- they all arch at the same point.”

“Waouh- that’s a good catch,” Élodie agrees, pulling Jacques with her to look over Marcus’ shoulder at the finds upon the feed.

Jacques escapes Élodie’s clutch and starts to flit back and forth, checking between the painting and the feed with a mild look of confusion on his face, “This is preposterous. Why have they done the signature in a different medium to the one used to paint it? It’s almost like they want to be caught.”

“It looks like it has been lacerated by a needle,” Marcus scratches at his patchy beard in astonishment, “Spot on Jacques, it’s like they can’t even be bothered to hide their tracks.”

“Ok, I think we may have found one of our fakes,” a smile slowly creeps across your face, “Obviously, we can’t be definite -there are still so many tests that need to be done but I don’t think this is an original,” you shake your head with a half smile, “Élodie, I think we need to organise for this to be couriered back to the labs.”

An excited squeal from Élodie and a soft oof from Jacques puncture the cool air as she flies into his arms, squeezing him in sheer delight. As the pair embrace with joy, you and Marcus are left there- Marcus on the fold out chair, gripping the iPad tighter than necessary- I swear that man never quite knows what do with his hands- and you sitting cross legged on the floor with the stereomicroscope lying in your lap- grinning like idiots at each other.

✪✪✪✪✪

More coffee and cakes are devoured in the aftermath whilst you await a courier to come and pick up the likely forgery- you are not entirely sure that the blood in your body hasn’t entirely transformed into sugar and caffeine at this point. After checking alongside Élodie that the painting had been carefully loaded into a van, you sit next to her on the pavement outside the auction house.

“Do you know where Marcus and Jacques are?” you question as you sink onto the dusty ground next to her.

“Yeah, they’re inside taking an informal statement from the auction house owner before the local police quiz her properly,” Élodie rests her temple to your shoulder, “Today has been wonderful. I really like Marcus - from what I have seen of him. I think this will be a good move for you.”

“I do miss having you here though. Today feels like the first time I have had both of my arms. Since you returned to London, it has felt like a part of me has been missing.”

Hauling a deep breath into your lungs to try to quell that gnawing ache in your belly, you turn to press a gentle kiss to the top of her head, “I am sorry, El. To be honest, I don’t even know where to start explaining what happened or even truly understand how everything fell apart so badly.”

The mountain wind decides to blow an icy gust that cuts through your clothes to the bones of you, “It was a normal undercover job- we’d been watching the comings and goings of the gang from a inside a local greasy spoon for ages-just trying to get a clear idea of what their patterns of behaviour were and it just all went South so quickly.

“Being a tiny caff on an industrial estate by the Thames, it was open 24 hours and the day it happened, it was during the middle of a night shift when the gang decided to up the ante. They’d obviously clocked that we weren’t exactly who we said we were,” you snort softly at the memory, “I mean Jas’ accent was a bit sus for being a short order cook but still.

“The gang openly marched the illegal immigrants out of the container and made them kneel in front of the caff as a lure to us, trying to get us to drop our cover. These fucking innocents just trying to find a better life and the evil fuckers just started executing them- one after the other. Jas just ran out there straight away- dropping his cover without any proper back up, a flak jacket or anything. His stupid, kind self trying to save at least one of them without a backward glance.

“I said the code word so we could have armed back up within minutes but I knew it wouldn’t be there quickly enough,” your voice starts to falter as your throat tightens over the words.

“You don’t have to explain anything to me, chouchou,” Élodie squeezes the thigh nearest to her.

“I know but I should tell someone, somewhen. You’re probably one of the few who would understand.”

You pause, squeezing your eyes tight shut as you allow that stagnant, putrid box of memories to reopen, flooding your senses with the foul gangrenous smell of the past.

Having called in backup, you make the decision to slip out of the back door of the caff and run for cover behind the large communal bins. The incessant rain was giving zero sign of stopping and the noise was deafening as it bounced off the metal sides and drummed upon the tarmacked surface. You could barely hear the desperate negotiations that Jasper was trying to make for the lives of these poor, exploited humans.

From here, hiding amongst the shadows, you could catch the eye of one of the kneeling men and signal to him as to when he should try to make a run over to you. He’d reached his little finger out to the person to his right to alert them to the plan. Achingly slowly, tiny gestures had passed down the line of five remaining fellows, from person to person, notifying them of your presence and how you were attempting to save them.

You counted them down and then screamed for them to run. Gunshots rang throughout the air as they made a break for the supposed safety of the bins by you as blue lights and sirens swirled, announcing their arrival between the shipping containers. You counted them as they ran for their lives past you.

One.

Two.

Three.

Four.

Five.

But the gunshots…

Jasper.

As you ran to your former partner’s lifeless form, three more shots rang through the air, taking out the associates who’d been ruthlessly gunning down their illegal chattel. Jasper lay there in the harsh headlight of the armed response unit car, his apron and chef’s jacket were no longer the starchy white that glowed under the strip lighting of the kitchen but his skin had taken on a similar pallid tone as his life force pooled around him, staining the oily surface with a bloody bloom. Knelt there with the grit from the floor biting into the skin of your knees, you held his head in your lap, stroking his cold cheek as a shadow cast across you both.

“He’s gone, Nush.”

Tears course down your face in tiny rivulets and spill into Élodie’s hair, “If I had said yes at Fourvière. If I had accepted the position St Vincent had offered me, he’d still be here. He would still be here.”

After putting a hand on each cheek, Élodie then taps you upon the nose making your red-rimmed, watery eyes look into hers, “You didn’t shoot the gun. You didn’t kill him,” she says so matter of fact that you almost feel an inclination to believe her, “You have to stop blaming yourself at some point.”

“He made the decision to go out there without back up or any protection. If I remember correctly, it was Jas’ decision to head back to London too, effectively ending the freedom you had out here,” she adds gravely, “Everyone has to make decisions, Nush. Ours just tend to have more life or death outcomes and remember, the choice you made- you saved five people.

“As for marrying him, you didn’t want to and I don’t know quite how to clearly say this but you don’t have to marry someone because they ask you. Or because you think it’s the right thing to do. You saying no to him, had zero implications in how his life ended,” Élodie smooths a tendril of hair that has escaped your plait behind your ear, “Your relationship didn’t have a true balance because you spent so long trying to hide it- everything feels so much more amplified if you are constantly watching your coattails.”

Rubbing the exhaustion from the onslaught of emotions from your eyes, you turn to face Élodie, “What if that’s it? What if that was my chance of happiness?”

“Okay so you’re now fully in the ridiculous territory, idiot! So bloody naive,” Élodie rolls her eyes and slaps your knee, “ There’s no one person out there- nobody is perfect for you. There are just people who enter your life at different times and there is a certain compatibility…”

“Like you might want to jump their bones,” you giggle through the snot.

“Yep, that definitely helps! But after a while, other stuff comes up and again, you have to make those decisions whether you want to move to the next one or work at the relationship you have,” Élodie says frankly, “ Your first proper grown up relationship wasn’t ever truly allowed to develop into something normal and healthy but please don’t ever think for a second that is all you deserve or will ever get.”

“More happened than just Jasper’s death,” you confide in your ally.

“I know sweetheart. You tell me when you are ready,” Élodie pats your leg, “You will always have Jacques and I here for you. And I reckon Pierre would take you back in a heartbeat if you ever need to escape Marcus, not that I think you will.” You feel a little confused by Élodie’s last statement but don’t have time to swell upon it as the door to the auction house swings open.

Noticing two figures- one wiry and talking rapidly with his hands, the other broad and showing great interest in what the other has to say- walking towards you, you offer Élodie a hand up from your pavement seat. You feel a gentle hand brushing over your bottom and crane your neck to see who it belongs to, “Well, I’d hate for you to make my car any dirtier,” Élodie winks at you.

✪✪✪✪✪

The trip back to Lyon didn’t allow for any more rest for tired eyes against cool car windows. Excited chatter filled the car as between the four of you, you were all busily beavering away from making shouted calls to the science laboratories in Interpol- calling in favours to get your samples tested first- to fingers tapping on screens, flinging emails back to offices trying to inform everyone who needed to know. Although the journey was far longer, it felt as though five minutes had passed from the moment you’d left the auction house- the exhaustion from your disclosure to Élodie giving way to the adrenaline pumping through your veins with the excitement of having found a piece of the puzzle.

Jacques quickly parks in the Interpol car park, where you all pile out of the car, heading back towards the offices. As you walk together, you hear Marcus answer the phone to Andy back in London, filling him in on the events of the day- thankfully leaving out the parts where he’d talked you through a panic attack or accidentally held hands with him.

You didn’t need anyone else in the London offices thinking you were unprofessional. There were enough of those already.

Marcus. So much of the fear has ebbed away about the new role, and in such little time, thanks to your new boss. This straight-speaking American, who makes you speak up and want to stand up a bit taller. For the first time in what felt like forever, work doesn’t feel like a chore to pay the bills for a small, damp flat in South London. It isn’t so much the work as you know that like the back of your hand- it was that feeling of appreciation.

That feeling that someone sees what you can offer and values your contributions- not just as some rookie in an established office but as an equal. You know you are lucky- you get to use all the knowledge from your art history degree (oh how your family had groaned in consternation- doctor or lawyer- those were the proper options. Y’know, a proper career path not something seen as being so wishy-washy) and use it to protect the beauty of art from the shadier underbelly. Not that you could ever explain that part to your mum or her sisters, who just thought you were in some IT job with ridiculous hours.

In fact, it was the first time. You’d worked your way up from being a rookie with Stephens and although you'd got to work in a field with which you had a borderline obsession, you were still always seen as the new kid, even though others came and went after you’d joined and that got a bit wearing, especially when you’d hit your thirties and as you edged ever closer to your forties, it had bordered on the ridiculous.

But Marcus. He didn’t just listen to what you had to say, he positively encouraged you to speak- never expecting you to hold your tongue or wait for the “grown ups” to stop talking.

“Hey, Earth to Anushka,” those ridiculously warm eyes try to call your attention into focus.

“Sorry, heard you on the phone to Andy and took the opportunity to disappear with my thoughts for a bit. It’s been a bit of a day, hasn’t it?” you mutter as the knuckles of your hands almost rub holes in your eye sockets.

“Yeah, I thought we’d find zip on our first check as a team but that was something else,” Marcus nods, pouting his lips in thought, “I honestly thought it was an authentic piece when I found those signatures- just shows how careful we have to be with these crooks.

“You look about ready to collapse- that sleep on the way over, not help? I was about to ask if you fancied grabbing some dinner together but you’re dead on your feet.”

“Didn’t really get much sleep last night. Was kind of dreading what today would bring but,” your hand extends to squeeze Marcus’ forearm, “But you’ve made today far less painful than it could have been.” You feel a warmth creep through you, blooming from the spot where Marcus has placed his hand on top of yours, his thumb unconsciously tracing small circles upon your skin.

“How about a slow walk back to the hotel, we grab some pizza on the way back and sit and watch Sharknado 4 this evening?” you suggest, still not removing your hand from his arm, ”I need to eat something other than breakfast pastries today.”

“Hmmm, I would say that dinner is the best time for breakfast food but yeah, probably best that we find something a bit more substantial,” Marcus relents reluctantly like a petulant child as Élodie and Jacques turn towards you both.

“Oh, why the sad eyes, Marcus? Has she been mean to you? ” Élodie teases, “We have contacts- we can make her disappear…”

Jacques shoots you a despairing look from under his arched eyebrow. The aching sadness returns in your tummy- you’ve missed them so much and missed out on so many special moments with them, “Oof, hey Nush! This isn’t goodbye- no matter the threats Élodie makes upon your life!”

Élodie leans in to sandwich you between the pair of them, “No, Marcus has given me your phone number and your email address- and he has promised me that even if you don’t respond to my communications, that he will send regular updates.” You look over at Marcus, who sends you a sheepish grin and a slight shrug of his shoulders, flashing that goddamn dimple in his right cheek.

“Élodie, are you going upstairs to get everything ready?” Jacques questions his wife, “ There’s only twenty minutes before I need to pick up Xavier from my parents so I’d probably better head off. Can you grab a taxi home afterwards? Nush, I love you and I will see you soon.

“Marcus, it has been a pleasure. I will ensure that all the details are shared with you in London. Let’s keep the lines of communication open between us, oui?” A firm handshake was not the only thing to pass between the men, as Jacques pats Marcus on the back and they wordlessly share a thought, Marcus’ eyes flickering back to you with a small smile.

“Come on, let’s find food and a film before we collapse,” Marcus beckons you towards him with a wave back to Élodie and Jacques before they head off in their respective directions, Élodie’s hand stroking yours as she walks away.

✪✪✪✪✪

Half an hour later, you find yourself standing barefoot outside Marcus’ hotel room door, oddly nervous about knocking. Your hair hangs in waves around your shoulders, still holding some of the twisted kinks that the plaits you wore it in had formed over the course of the day, face scrubbed but you are second guessing your choice of wearing pjs to your new boss’ room. Not that they were in any way indecent- just a good old pair of cotton jammies from M&S and you’d kept your bra on underneath, because not even the worst war criminal deserves to be tortured by the sight of you with your bra off. Just as you were about to head back for a hoodie to perhaps offer an ounce more decency, the door swung open and a slightly surprised look adorns Marcus’ face.

“Hey, I was just about to check where you were. Pizza’s getting cold and you should probably have something warm in your belly that isn’t coffee today!”

“Oh, I was just going to swing back to my room for a hoodie,” you awkwardly mutter in the direction of the deliciously soft looking man, wearing grey joggers and a white t-shirt in front of you.

A small pout crosses Marcus’ lips, “Come on, if you’re chilly, the pizza’ll warm you up but if you’re still cold after eating, you can grab one of mine- that is if it doesn’t make you uncomfortable,” he checks by lowering his eyes and gently lifting your chin.

Deciding not to keep the pizza waiting, you nod and shuffle past Marcus, the plush carpet deliciously soft underfoot, “I haven’t forgotten that we were halfway through a conversation this morning when El and Jacques arrived to pick us up. You want to tell me why you don’t feel like you are where you feel you should be?” you don’t look at Marcus as you ask him, picking the olives off the top of your pizza.

“I thought you said you like olives?” Marcus questions confusedly as he grabs a slice himself.

“Oh I do, but I’ll eat them afterwards as I like to savour them by themselves,” you giggle at your weird pizza eating habits, “Was that a wish to evade the question? Would you prefer to put on a film?”

“Hah, no! You’re full of quirks, y’know? It’s cute,” he mumbles through a mouthful of food.

“Cute?” you raise an eyebrow at this affectionate comment, “Eh, I dunno. I don’t think you can get to almost forty without embracing your quirks at some point.”

“I just hoped that by this point I’d be married with 2.4 kids, a dog and a nice house. Y’know, settled- never taking it for granted, obviously but comfortable with a family,” there’s a flicker of pain that passes through Marcus’ eyes as he speaks and it cuts through you like a knife.

“How on Earth are you not in a long term relationship with a lucky person? From what you’ve shown me over the past two days, you’re kind, considerate and thoughtful- although you should never tease a woman about her supposed snoring,” you pull an ugly face at him, sticking your tongue out and wrinkling your nose to diffuse the tension in his forehead, forcing him to laugh.

“Oh, I was married once and had long term relationships but neither worked out, sadly,” Marcus shrugs, focussing intently on his next pizza slice, “Can’t the same thing be said about you? You’re a beautiful, funny and intelligent woman and although you are a menace to yourself and those around you with a coffee cup in your hands, I don’t get why you haven’t been snapped up.”

Grabbing the pizza box and Marcus’ hand- pulling them both towards your room, you say, “Come with me.”

Thrusting the pizza box towards his hands, you put the keycard in the door and the light flickers to green. Guiding Marcus by the food container through the room to the balcony, you swing the French doors open to be greeted by a stiff Alpine air and the twinkling lights of Lyon spreading towards you.

“As you know from today, I was here in Lyon before. My partner and I were seconded here to work alongside Interpol on an art smuggling case- that’s how I knew El, Jacques, Pierre and everyone else from this morning’s meeting. We weren’t just work partners, we’d been hiding a romantic relationship for just over a decade in London as we knew that our supervisors wouldn’t allow us to continue to work together,” you clear your throat and see a flash of concern from Marcus seeing how much your hands were trembling.

He reaches for your hand with the lightest of touches grazing your ring and little fingers but not letting go.

Drawing a deep breath, you continue, “You see the beautiful cathedral up there- Fourviere?” you catch Marcus giving a gentle nod as he looks in the direction of your hand, the one he’s not holding, “Jasper asked me to marry him up there. And I, um… I said no.” Your eyes guiltily shift to the left after owning up to your shoddy track record.

“I mean, I did love him but I couldn’t offer him what he wanted or needed from life or from me. We’d hidden too long in the shadows and the thought of trying to explain everything to our families, to our friends, to our workplace was just too overwhelming. I had a lot more to lose than him.

“As you said earlier, our work is very much an old boys network and as a mixed race woman against a white man- who’d got his position due to a bit of nepotism as his uncle was our London boss- I stood to lose so much more. I have always had to work harder and to be a more impressive candidate to be taken as seriously as any white man in the room.”

“Had we returned to London as a married couple, there would have been so many unspoken questions about when we would think about having babies so there’d never be a chance of going any higher for me. And although seeing El and Jacques today- they have it so balanced. El was telling me that they split her maternity leave equally and that even now their baby is one, they have flexi working times so although they have such a little one and such intense jobs, they can still be there for bedtimes and neither of them be sidelined. But I know that’s not how it would have worked with us. Jas would have worked full time and I would have been a simmering pot of resentment.”

You notice that despite your confession that Marcus still hasn’t stopped holding your hand and regardless of the evening chill, warmth spreads through you at the thought that you haven’t entirely repulsed him with your actions.

“Where is he now? DId he ask for a transfer when you headed back?” Marcus gently questions.

“He took the ultimate transfer. We were working together undercover and he was shot multiple times trying to save some people from being murdered,” with a small shrug, you take your hand back from Marcus despite the comfort it is bringing you and cover your face. As you do so, he pulls you towards him, holding you tightly into his chest, resting his chin on top of your head.

With a gentle push back from his broad chest but without leaving his arms completely, you tilt your face up at him, “In fact, other than Jas’ death the bitterest pill was me being transferred out of the department. As you can probably imagine, a lot of shit went down after that night and a lot of the blame from it was laid at my door. Whilst it was all happening, I wasn’t allowed to have any contact with work colleagues and of course, your family can only know so much of what’s going on when you follow our line of work.

“So, I spent eight months in a stupid kind of limbo- being paid full whack whilst sitting at home, mourning a man who I’d been with for a quarter of my life but didn’t want to marry.” Shaking your head slowly, you continue, “That’s why I was a bit of a mess today- I kind of dreaded seeing everyone and how they might blame me for everything that happened with Jas.”

“Shit, I’m sorry sweetheart,” with that affectionate nickname confidently trickling from Marcus’ lips, you look up and smile broadly at him, “I am sorry that you went through all that. I have to be honest, as I am a terrible liar- there is a part of me that is glad that our paths have overlapped- I just wish it could be under happier circumstances.”

“No,” you pat him upon his chest, “You don’t get to our age without some kind of baggage and in our occupation, it’s hard for most people to understand our commitment to our job.”

“Hah, you can say that again- that’s what ended my marriage. That and her new partner,” you scrunch your face in consideration of Marcus’ pain, your thumbs rubbing back and forth, “And the failed engagement is what brought me to London- kept seeing her and the man she left me for around the DC offices.”

“Let’s go toast to those ghosts and our converging paths with what will be now a very warm bottle of white wine and cold pizza,” with eyes widening in amusement you smile at him, your hands still on his chest and his hands on your back, “But indoors as it is fucking freezing out here, no matter how pretty it is.”

“Agreed,” Marcus chuckles deeply, moving his hands to rub some warmth back into your arms.

“Just going to grab a hoodie,” you call over your shoulder as you go back into your bedroom. As you rummage through your bag, you miss the flicker of disappointment on Marcus’s face that he wouldn’t get to smell your perfume on his clothes.

✪✪✪✪✪

“Hey,” that beautifully soft baritone meltingly drifted up from the sofa in Marcus’ room, “Comfy now? I hope you don’t mind but I chose Casablanca instead of Sharknado 4.”

As you cross the floor in socked feet to try and thaw them out from your balcony adventure, you shake your head with a lopsided smile, “Not ok,” but to put Marcus’ raised eyebrow at ease, you add, “It’s my favourite - but you’d better have tissues at the ready as it will make me a snotty mess.”

“Already prepared,” he holds a tissue box aloft, “It does the same to me too.”

Instead of sitting at the other end of the sofa, you grab a glass of wine from the table and slide into Marcus’ side- half sitting up, half leaning against him. He reaches over, pulling your head onto his shoulder, stroking your hair away from your face and there you stay, comfortably curled into his side. Not for the hour and three quarters of the film, but until rays of spring sunshine filter through the blinds the following morning.

Tag list of glory: If you’d like to be added or dropped from the tag list or have any thoughts, thots or suggestions, please do get in touch! I don’t bite hard 🥰

@astroboots @silverwolf319 @lunaserenade @danniburgh @leonieb @mrsparknuts @sirowsky @yespolkadotkitty @agirllovespancakes @tardisfangurl @zukoyonce @absurdthirst @green-socks @pedropascalito @disgruntledspacedad @mouthymandalorian @the-ginger-hedge-witch @lv7867 @songsformonkeys

#josé pedro balmaceda pascal #pedro pascal #jose pedro balmaceda pascal #pedro pascal characters #pedro pascal fanfiction #pedro pascal#ppascaledit #the mentalist #the mentalist fanfic #marcus pike #marcus pike x reader #marcus pike x oc reader

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little-orphan-ant · 3 years

Note

Courfeyrac for the ask thing

Warning: this will be a long post because I love Courf so much and had to include every tiny detail

1. full name

Olivier Jacques Antoine de Courfeyrac. (Oliver after his uncle who died a few months before he was born, Jacques for his grandfather he never met (all his brothers also have the middle name Jacques, which can be confusing), and Antoine because his parents liked that name)

2. appearance

Brown skin, hazel eyes, and curly dark brown hair.

3. romantic/sexual orientation

Bi. Very bi. Like, really, really bi. (That's a quote from him, btw)

4. family

Courf has a really large family. He's in the middle of 7 kids, and his parents both have several siblings, so yeah very big family reunions. (once when Courf was 18-19-ish he flirted with this one girl he met at university and she turned out to be his cousin so that was embarrassing)

Siblings:

Maxime (Max)- 3 years older, twin to Emma, author, think Larry from the Durrells in Corfu but French-ier

Emma- 3 years older, twin to Max, very ambitious, lawyer

Luc- 1 year older, really close with Courf and basically him (personality and appearance-wise) but slightly taller

Courf

Quentin- 2 years younger, not much to say about him, he's nice but was never very close with Courf

Léa- 4 years younger, really smart (I also headcanon Courf, Ferre, and Enj growing up on the same street so Léa's good friends with Enj's sister Agnès and Ferre's brother Pierre)

and Zoé, 10 years younger, little devil but also The Best Ever

5. job/what they’re studying

Law, which he enjoys but only started because his parents expected him to do something like that (Emma is a lawyer and Max is a doctor, while Luc is a somewhat famous digital artist (he's friends with Grantaire) who for some reason manages to impress their parents the most)

6. every single town/city/country they’ve ever lived in

Courf was born a little over a month early when his family was on vacation in Dublin, so technically he's an Irish baby, and he's lived in France, of course, originally in the south but his family moved to Paris right before he turned 7. For about half a year right after university he decided to take some time off and live with his grandparents in Santo Domingo so the Dominican Republic too.

7. extrovert or introvert?

Extrovert all the way. This kid is the most social being ever to exist.

8. hobbies

Theatre, sports, photography, R's currently teaching him guitar (he sucks), annoying Enj while he's trying to work, hanging out with Gavroche, complaining about nothing to Ferre, flirting.

9. languages spoken

French, of course, plus Italian (because his dad's side of the family is from Italy, although his dad was born in France), and Spanish (because his mom grew up in the Dominican Republic).

10. how they dress on a daily basis

Lots of bright colors, cuffed jeans, unzipped sweatshirts, sunglasses in summer, stupid hats made for 6-year-olds in winter, etc

11. favorite color

He really doesn't have one, he likes all of them.

12. favorite musical

In The Heights or Hamilton (he's a big Lin-Manuel Miranda fan what can he say), but as a theatre kid he is legally required to love all of them.

13. favorite book genre

Adventure, mostly. He also likes middle grade fantasy (DONT JUDGE HIM HARRY POTTER IS GREAT) and sometimes nonfiction, but only when Combeferre recommends it.

14. favorite animal

Dogs, probably, especially rescues. As a kid he had a rescue pitbull-lab mix named Oiseau (that's bird in French - he was a strange child).

15. favorite sport

He likes most sports (Courf is the rare mix between Jock and Nerd, if you're wondering), but his favorites are football/soccer, swimming, and basketball.

16. strange obsession

The High School Musical movies. He loves them so much it's unnatural. Him, Ferre, and Enj have seen them together so many times that it's become a tradition for them (despite the fact that Enj and Ferre somewhat hate them). Passed finals? High School Musical. Enj confessed his love to R? High School Musical. Protest went well? High School Musical. (The rest of the Amis only found out about this tradition after being friends with them for multiple years and they still haven't gotten used to it.)

17. biggest secret

He had a crush on his older sister's boyfriend when he was 11 and now that guy's his brother-in-law and Courf still has a bit of a crush on him but NO ONE CAN KNOW, which makes family dinners a bit awkward.

18. pets they have/would like to have

He would like to have all of them. But he is a little irresponsible child so the only pet he actually has is a goldfish named Poisson Rouge (Courf has very, ahem, unique naming decisions, if you haven't noticed - poisson rouge means goldfish. He named his goldfish Goldfish.)

#courfeyrac #les mis #les miserables #les misérables #les amis #les amis de l'abc #modern les mis

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torterrachampion · 3 years

Text

Chloé d'Apchier, Revenge, and Love

Yep, I'm giving you an essay(?) about this woman and why I think she's neat. Not sure this will be particularly interesting or informative but I wanted to reward myself for studying hard by letting myself gush about Chloé. I'm going to do my very best to pretend I have a point here but tldr Chloé is cool and I like her

Chloé is at the centre of the Gévaudan arc of vnc and I'd make the claim that she is the heart of this arc, and is the most important character throughout. In the present day 19th century Gévaudan she takes on the antagonist role, her actions interfering with Vanitas and Noé and causing the largest problems during the arc. (Yes, Astolfo and Naenia/Faustina also have this role in the present but they aren't nearly as important imo). However, throughout the flashbacks to the past she acts as the main point of view for us readers and serves as the protagonist during those chapters. This grants Chloé an interesting duality which makes her journey incredibly compelling.

When she is first introduced Mochizuki paints Chloé as at best incredibly suspicious and at worst outright malicious. It's heavily implied that she is the Beast (though this turns out to be untrue) and she appears to be working with Naenia, the main villain of the series thus far. Additionally, she drank Noé's blood without consent and confesses to having given Naenia her true name willingly. This immediately throws her into opposition with Vanitas and Noé to a far greater degree than any other curse-bearers encountered prior, who had all been rampaging without control.

However, Mochizuki doesn't take long to start peeling back the layers behind Chloé and her motivations. Directly after learning that she wants revenge, from the cliffhanger at the end of memoire 30, we jump into the past in order to learn more about her. And even before this there are brief glimpses of her past relationship with Jeanne during the early chapters of the arc. Although these moments don't make her any less threatening it does help foster a connection between us and Chloé. Even if she appears villainous her association with Jeanne and unique position as a willing curse-bearer creates a lot of intrigue that makes it easy to quickly become invested in her.

As we see her backstory it becomes increasingly clear that Chloé has lived a very long and oft unpleasant life. Chloé never quite fits in with anyone and it's obvious she's very lonely. Whether it's humans or vampires Chloé isn't able to connect to them entirely.

Chloé is distant from the d'Apchiers and even more so from vampires. She has to remain hidden from public, so she lives separately to her family while they research how to change her into a human. The d'Apchiers do eventually abandon the goal of making Chloé human again while continuing to benefit from the world formula research, but the original intention is still important. Chloé also has to watch as her family dies around her while she remains the same because of her immortality, further isolating her. And Chloé has almost no connections to vampires. Her isolation makes her completely ignorant to the outside world and she is presented no opportunities to meet anyone like herself until very late in life when Ruthven approaches her.

When Chloé asks Ruthven whether he sides with humans or vampires it's unclear which side she places herself on. Unlike Ruthven who, when he asks Noé the same question in memoire 19, explicitly states he in on the vampires' side. It's possible that Chloé doesn't even consider herself part of either group.

It's interesting then that her first friend, Ruthven, could make a place for himself with either group at the time, stating outright that he views them as equal. Chloé's isolated from both while August has somewhat integrated with both.

And Chloé is at her happiest when she's friends with Ruthven. She gets introduced to Jeanne, who gives her the confidence to disobey orders her father gave her decades earlier. Chloé gains confidence in herself through her vampire friends and is even able to connect with her family because of it. Her 'granddaughters' want to play with her because she's started showing interest in going outside. This point in her life is a bright spot where she has managed to find acceptance for just a moment from both her family and from vampires.

However, this doesn't last long. Chloé soon learns that Ruthven is hurt and Jeanne a bourreau after being separated for a while but is unable to accept Machina's offer to come and live with vampires. She's still loyal to the d'Apchiers, thinking of them when she turns him down.

And after this she is reunited with Ruthven in the worst way possible. He betrays her. He tries to take her alteration device by force and when he fails he disappears. And Chloé, having been abandoned by him, throws herself into her work on the alteration device. Because she doesn't need it for revenge at this point the reason she's so desperate to complete it is so she can become human again. Ruthven was Chloé's connection to the vampire world and after his betrayal she attempts to discard it entirely, clinging to her identity as a d'Apchier. She'd evidently always wanted to regain her humanity to some degree but never so fervently as after Ruthven's betrayal.

It doesn't take long for her to be rejected by the d'Apchiers as well. Her family dies at the hands of the church and Chloé blames herself. She told the Marquis d'Apchier about the churchmen killing people in the hopes of stopping them but only succeeded in putting a target on the d'Apchiers back. One of her last surviving family members calls her a monster and she spends multiple days curled up in bed crying, Jean-Jacques acting as her last ally while she’s been spurned by everyone else she cares about.

It's no wonder that when Jeanne shows up to take her head she welcomes it, asking Jeanne to finish her. Chloé was abandoned by everyone when all she ever wanted was to be accepted so of course she’s tired. But Jeanne can't kill her. So Chloé tries to save them both the and pain dives off a cliff to finish things. Naturally, Naenia interferes, goading Chloé into taking revenge instead in exchange for her true name.

Right up until the last moment Mochizuki tries to convince us that Chloé wants revenge on Gévaudan for all the pain everything there has caused her. But of course that’s not what Chloé wants. She doesn’t hate the d'Apchiers or Ruthven or Jeanne. Chloé hates those who hurt the people she loves. That would be Naenia and herself.

Chloé’s reason for living is Jean-Jacques at this point. The last thing she wants to do before she dies is get revenge for someone she loves. She doesn’t see the worth in her own life or the fact that she’s loved in return. So it’s kind of beautiful that what starts to snap her out of her curse-bearer state is Jean-Jacques affirming her and expressing how much he cared about her. And what fully breaks her free is Jeanne and Jean-Jacques reaching out to her. Chloé’s entire character is about a desire to be accepted and after centuries she finally gets it at the end of Gévaudan. The day was saved by the power of love this arc. Is that cheesy as hell? Yes. Did it nearly make me cry? Yes.

That’s it. I didn’t really have a point here, I just wanted to talk about Chloé. It’s not even very polished, I wrote this pretty stream of consciousness. But thanks if you make it this far. Here’s a couple of Chloé panels I was really sad I didn’t get to include:

#just me rambling about my favourite character and completed arc #to some degree this was an excuse to show off a bunch of Chloé panels as well #Chloé brainrot is stronger than ever baby #I wrote an essay about her for fun seriously hit me up if you ever want to talk about Chloé #vanitas no carte #vnc #vnc manga #chloé d'apchier #pspsps Chloé fans

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remnantoforario · 4 years

Text

Winter and Ironwood

So I was originally going to put this as part of my long rant about how Winter and Ironwood’s fight in Volume 8 was handled, but that post got so long that I just decided to make two different posts. You can find “Part 1″ here.

How about this?

Instead of making all the scenes with Penny and Winter in V7 about humanity and following orders, how about we recontextualize that time to focus more on Winter’s relationship with Ironwood?

Whenever something goes wrong or other characters start to blame him for things, Winter is the first one to step up and defend him. He might not be making the most popular decisions, but he’s doing what he thinks is best for Atlas and all of Remnant. Winter helps reinforce this.

Instead of wasting time on bad montages and even worse comedy, throw in a flashback of Winter being thrown out on her ass after disowning the Schnee name and show her being taken in by Ironwood.

Show her rising through the ranks of the military with Ironwood watching over and guiding her. Show WHY she trusts him so much. You can also show a flashback of how Ironwood was right after the Fall of Beacon. Show him coming to terms with the fact that Beacon fell, Ozpin is gone, their defenses were completely shattered, and how everyone sees Atlas as an enemy. Have Winter (and the Ace-Ops) be there to assure him that she will always be on his side no matter what.

In Volume 8, put more focus on things from Winter’s perspective. Show how she feels about watching Ironwood grow more and more insane. Perhaps likening it to growing up under Jacques. Have a scene where the Ace-Ops (mostly Marrow) voice their concerns on how the General is acting, but then Winter (and Harriet) tells them to stow it and remind them of their duties as soldiers of Atlas. They are the only ones the General can trust. They have to believe in him.

When Ironwood brings up bombing Mantle to lure out Penny THEN have Winter confront him, but not with hostility. She talks to him privately, giving her concerns and saying that she has followed him for years. She looks up to and believes in him before all others and would even give her life if he asked, but bombing Mantle is too much. This isn’t about the safety of the people anymore, this is outright coercion and bullying for the sake of his ego. His fear is controlling him. This is something Salem would do.

Ironwood would be enraged at this claim and yell at Winter about how all he’s done is try to protect everyone but they keep throwing it back in his face. Have him drop his Semblance for the first time since Salem arrived and have him break down, saying that he doesn’t know what to do anymore.

Make his Semblance an actual plot point and not just something they threw in for the hell of it. Winter and Clover would be the only one’s that knew about it. James keeps it on so he doesn’t have to FEEL anything. He thinks he needs to be focused and unfeeling to do his job and defeat Salem, but Winter tells him that that is wrong and it’s not a sin to feel compassion and fear. He knew that once.

Winter could tell him that they can find a way to fix this along with Ruby and the others. Salem is gone for the moment, they have time. He doesn’t have to do this. They can find away to save the people. He can still go back to the person that he was. The general she respected (and possibly loved at one point).

Ironwood reactivates his Semblance and says there is no going back. If Winter won’t stand with him, than he has no more use for her. He then orders the Ace-Ops to throw her in a cell next to Jacques.

In jail, Winter could have an actual conversation with her father, blaming him for destroying their family and driving her away. Jacques can make a comment on how Ironwood betrayed her and threw her in jail, so they are alike and that she is no better because she saw the monster he was becoming and did nothing about it.

Winter would come to terms with this and admit that yes, she is guilty just like Ironwood but her sitting in this jail cell right now means its not too late to atone. She saw him when he was vulnerable, she knows he’s struggling, and she can still save him.

Tweak a couple of things. Elm saves Marrow from getting shot instead of Winter since she’s in jail and THEY meet up with Qrow and Robyn, and also have Harriet and Vine confront the kids instead of Ironwood going there himself when he finds out RWBYP went to the vault. Now we come to the solo fight between Winter and Ironwood.

Ironwood attempts to stop RWBY from using the staff, but is stopped by Winter. He orders her to get out of the way, but she says she can’t. He asks why she cares about Mantle so much, but she says this isn’t about just Mantle or even Atlas anymore.

Ironwood taught her the value of protecting others. No matter what, as a soldier her true duty is to the people, not her rank. Ironwood has lost his way, he’s let fear control him. He’s teetering on the edge, but she refuses to let him fall. Her respect and love for him won’t let her.

The girls have saved Mantle and Atlas from Salem, now she has to save Ironwood from himself. If he does what he says he’s going to do and bombs Mantle, there will be no going back. He will become the monster that everyone says he is.

Ironwood says he has accepted this and tells her one last time to stand aside, Winter grabs her weapons and says she won’t as her eyes get misty. Ironwood sheds a tear and they both start to fight.

However, Winter isn’t trying to kill Ironwood. She’s fighting strategically in order to break his Aura. If she breaks his aura his semblance stops and she can finally talk to him again. So for the most part he’s pushing her back, yelling at her for betraying him like everyone else.

Winter says she’s fighting because she’s the only person that still believes in him. If she turns her back on him now she wouldn’t be able to call herself a soldier of Atlas, or his friend.

Winter barely manages to win the fight, no Maiden Power needed and Ironwood starts to come to terms with everything he’s done. He’s still focused on completing his mission, but Winter tells him that he doesn’t have to fight anymore. The mission is over. They’re done.

Before the two can fully reconcile, Salem shows up and mortally wounds Ironwood right in front of Winter, thanking him for doing her job for her. An enraged Winter tries to fight Salem, but is easily defeated.

Right before Salem can kill her, Winter receives the Maiden power from Penny and pushes Salem back. Winter tries to attack in retaliation, but Ironwood tells her that she needs to go through the portal. If Salem takes her power then everything will be for nothing. He then reminds her that her obligation is to the people, just like she told him during their fight.

With tears in her eyes, Winter flies into the portal and comes in as the world is collapsing. She tries to catch Weiss, but fails and goes through the portal to Vacuo, cursing Cinder on her way through.

Ironwood watches as Cinder gives both relics to Salem. Cinder says its checkmate, but Ironwood says that as long as Winter and the others are alive, Salem won’t win. He then dies with a smile on his face as Atlas falls.

In Vacuo, Winter cries as she thinks of the lost lives of her sister and Ironwood. But she has to keep going. She is now the protector of both Mantle and Atlas.

Got a bit messy at the end there, but for the most part that’s one way they could have handled the Winter/Ironwood story. Winter stands up to him, but Ironwood isn’t fully treated like a villain and gets SOME form of redemption before he’s tragically cut down.

#RWBY #RWDE #Winter Schnee #James Ironwood #Not saying this is better #But its a bit more fulfilling for both characters I think #they both deserved better

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nexyra · 3 years

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James Ironwood, for character ask? 👀

Aaaa thank you so much for the ask ♡ More rambling incoming !! Sorry for the wait btw, I've been both pretty busy and tired ;;

If you hate James Ironwood and don't wanna hear one good thing about him tap out now please ��

My fav ship(s) for the character

I am not a super big shipper when it comes to James, but there are still some I like more than others soo here goes :

I think Ironwitch is a pretty good one. It's not necessarily a ship I'd search content for but I think these two would work well together ! Glynda is stern and honest and a no-nonsense kind of woman. She has the strenght to stand up to James when he slips or gets too stubborn when faced with the high stakes. At the same time, we've been shown that she cares for him and she knows he's only trying to do what's best for people. She has faith in him but also the ability to stand at his side as an equal. She seems to be the more steadfast of Ozpin's circle : loyal, you know you can trust her, and she will not crumble. This is the kind of personnality that I think James both admire and feel safe with. And the other way around, I think James is a good match for Glynda too. On a day to day basis, he's serious enough to not annoy here, but he's also a softie in some aspects and that's a nice combination to smooth out Glynda's edges.

Ironqrow is a completely different dynamic. The "we're annoying each other" dynamic is not one I'm particularly interested in usually xD But these two certainly had strong & interesting moments so it's a pretty valid ship !! Despite how they might butt heads because of the difference in their upbringing they (prior to V8) clearly trusted each other with their life. Even if Qrow jokes about shooting himself if he had to be one of James' man, when everything goes to shit there is no doubt in his mind that James wasn't responsible. Similarly, while James talks of shooting Qrow for his misbehaviour, when push comes to shove and we meet a tired Ironwood, run ragged by the pressure he's under... the only thing he does is hug him and reiterates how glad he is to see him. So again, they clearly have a lot of faith and trust in the other, and that's solid ground for a relationship.

My least favorite ship(s) for the character

Same spiel as always, shipping kids and adults is a big no from me; so any ships between Ironwood and RWBYJNOR can qualify here. That said, among the less uncomfortable ones, here are those I don't really like

This one is again because I love their relationship but platonically only, I'm talking of Winter Soldier. The reading I like best is not that Ironwood is Winter's Jacques 2.0, nor that he groomed her; but that he was an important father figure in her life. Protective and caring, who tried to help her escape with what he knew. I don't see James recruiting Winter as a way to gain a strong ally. But rather that Winter wanted to detach herself from her family name, and make something worthwhile of herself all on her own. And that the military is what Ironwood knows and understand, so naturally it's a career he'd see as a good path. Just like Winter then proposed it to Weiss. I like to think they care about each other a LOT and they're their own tight family in between the lines, even if professionalism might throw a wrench into it. For short I love them together but not romantically please =)

I don't know if there's a ship name for this, but Salem x James Ironwood would be a big nope from me too... In general, let's just assume I ship Salem with nobody because abuse.

My fav & least fav platonic relationship(s) for the character

Fav platonic relationship would be (have been because we dont talk about V8?) with Winter. Fooor the reasons I've explained above I suppose x) I (again) love the trust they had in one another and the quiet support.

There was also his relationship with Oscar that I really liked during V7, although it has been soured a bit by the (valid) reading from some people that Ironwood sought out Ozpin a lot through Oscar, and given his identity issues it is not ground for a greatly healthy relationship. Their interactions were still very intersting though ♡ I consider Oscar to be the kid who went at trying to appease James' fear or make him reconsider his decisions the best way. There was true understanding and hope for a working relationship here. I do feel that Oscar put in more work than James however (emotionally) and I wish there had been pay-back instead of a gunshot.

For my least fav relationship ? Probably Robyn or Watts ? Robyn was always very antagonistic toward Ironwood since their priorities are so different. And I overall just don't really like her after V7 so there are very few relationships with her I'm interested in (the exception is her ship with Fiona I think it's cute). Meanwhile, Watts is just a petty asshole hell bent on ruining Ironwood because he didn't pick his project. I'm not very interested in hate relationships, and since theirs wasn't deeply explored anyway, it's even more the case here. Their fight was great though, one of my favorite RWBY fights !

My favorite thing about the character

Well this was completely proven wrong by V8 buuut as of V7 I liked that he was a deconstruction of the military general (dictator) trope. Sooo you can guess how i feel about V8 X) In general among RWBY, several of my fav are fav BECAUSE they look like one trope but also have key differences that from the get go make the character stray away from said trope. For example I'm not a fan of the princess tsundere archetype at all, but I loooved Weiss in V1 BECAUSE she was extra-willing to listen and change her mind, and you could very easily tell that it was her upbringing speaking more than herself in most occasions.

Similarly, I wasn't a big fan of Ironwood before V7. I didn't hate him you know and he wasn't lower than most characters in my Tier list but I also didn't particularly care. But you know what ? I've aaaalways had a really soft spot for the "angsty angry traumatized teen". And RWBY made the mistake of extending that soft spot to "tired adults trying their best" (only to repeatedly beat them up/make them villains after making me care about them but what can you do uh)

Soo in general, I loved that Ironwood was trying so hard. I loved that he was tired and in over his head but learning and listening and trying to do good and be better despite his fears. I liked that he told his entourage about Salem and was loyal. I liked that he cared about helping the people above his own image and the way people perceived him. I liked that you could tell this was a terrible situation all around, and his decisions WERE questionnable but we could SEE that he meant WELL and was genuinely trying so hard despite how scared and tired he was.

My biggest criticism for the character

Well this won't be a surprise but in general I just wished he had stayed a morally grey character we were allowed to feel for instead of a cartoon black villain. I didn't need James to be THE Hero or anything like this despite some accusations levelled at those who like him. Him becoming one of RWBY's antagonist is honestly fine by me ! It is interesting. But I'd have preferred they kept him ambiguous and trying in his own way. (And smart because V8 Ironwood was dumb af)

I can be a tad overprotective of his character since he's just... so despised, so I think that I have inadvertently distanced myself from any of his flaws... somehow like "people are already yelling all of them so I don't need to add to this shit show" you know ? skjfkd But I KNOW he has them and it would still have been good to develop his flaws, just... not like that

But yea I'd have liked it if V8 Ironwood DID diverge from RWBYJNORQ and became an antagonist but not an iredeemable villain. LIKE,, we redeemed Hazel and Emerald and IRONWOOD is where the writers draw the line by saying "nope this one is rotten" ?? What ?

When was their writing at the peak according to me (ex : best season)

V7 definitely ! Ironwood carried V7 so hard haha. His character was fleshed out and given nuance and made to struggle and evolve and I loved him in that volume.

A song I think fits them & why

Hunger • Monsters & Men Human • Rag'n'Bone Man Way down we go • Kaleo Beekeeper • Keaton Henson Thistle and weeds • Mumford and Sons Castle of Glass • Linkin Park It's all so incredibly loud • Glass Animals

A headcanon to make up about them

His metal parts impact his metabolism so Ironwood is terrible at holding his alcohool and very little manages to knock him out. He's a workaholic. His low tolerence for alcohool is a great tool whn friends need to put him to sleep.

His joints crack and hurt in the cold, his metal parts as well and they are an hassle in the sand. James like to keep his room temperature warmer than the average atlasian because of this, otherwise he has to spend 30 min every morning simply unwiding muscles to move around efficiently.

He's not a good singer but has a nice low voice for telling stories. If he had kids, he'd probably avoid lullabies but compensate with bedtimes stories.

What I would change about them if I was making a re-write

As always, I'm kind of reflecting along the way as I write this, and one thing I'm thinking right now is... Doesn't it take away from the atlas arc message ITSELF to just pile up so many "standard bad guy" stuff on Ironwood ? Like, I wanna ask... why do we hate him ? Is he an antagonist because he lets fear get the best of him ? Because he's a classist who doesn't care about Mantle like some fans argue ? Because he's too stubborn and wants to be THE hero ? Because he doesn't listen to others ? Because he abandonned Mantle ? Because he kills peopke left and right ? Because he wanted to bomb a city ? I think you might see where I'm going with this : his status as villain is kind of messy. V8 just kept piling-up flaws and villainous actions onto Ironwood with no concern for whether this was a lenght he would go to (using the certainty that he would go to any lenghts to enact his plans), ,or whether these were one of the initial flaws/failings that led to his "fall" as an antagonist. What lesson is Ironwood supposed to learn ? Personally the very first time I yelled at my screen "No ! Why would the writers choose that ?" is when Ironwood shot Oscar. When answering criticism against medias, many people tend to look at it only through the lense of "well it makes sense in universe" or as if there were no other ways for the story to devolve. But at the end of the way, everything in a story is a choice from the writer even if it is influenced by the characters' personnalities. If I took the scene where Ironwood shoots Oscar, someone might tell me "he's crippled by his PTSD, he COULD do this." Maybe, that's a reading I can somewhat understand at least. But the writers have the power to NOT put his character in such a position. When I saw the wreck that was V7 finale, I ranted to my bestfriend about it and at no point did i say "why did Ironwood do that", I said "why did the writers make him shoot Oscar, the only point narratively would be to make irredeemable" Aaaand that's what they went for and I obviously didn't care for it. So if I had to rewrite it; I would have kept Ironwood's "mistakes" more focused. If he's wrong because he wants to abandon Mantle, because he's (understandably) scared and doesn't want to take risks; then stay focused on that. It's what makes RWBY leave, and out of all his V8 actions that's really the only thing RWBY needed to tell the whole world he wasn't an ally anymore apparently. - Don't make him shoot Oscar point blank, instead Oscar can simply fall because he flinches away from Ironwood's outburst; and a distraught/guilty Ironwood can decide that he doesn't have the time or capacity to help because of the tense situation. (Killing and not saving someone don't hold the same moral weight at all). - Don't make him kill people left and right or bomb cities, maintain the flaw of Ironwood struggling with his PTSD and his fear and not being able to take risks. - Don't paint him as a black villain, and eventually write V8 in such a way that RWBYJNORQ show taking risks might lead to a bigger victory, which was the volume's theme anyway. For example, following Oscar's destruction of the whale, a growth can occur that would bring back together the two anti-Salem factions : Oscar's risk put Atlas out of harm's way, which leads to Ironwood seeing that maybe there WAS a way to save Mantle as well as Atlas despite Salem's presence and he might have jumped the gun too quickly because of his fears. I'm not sure, I haven't thought about this extensively honestly but I hope you see what I mean. I think it would have been more focused & more in-character to focus Ironwood's failings on his fear; and the fact that he cares for the people and the greater good sometimes at the cost of the individuals. The idea that by sacrificing individuals too much you forget the people you're fighting for in the first place, could have been interesting to dig deeper into. Keep to the idea that Ironwood is somewhat disensitized to the individuals suffering for the sake of the greater good, instead of making him just

callous & uncaring.

My guess for their MBTI/Enneagram

I think pre-V8 Ironwood was an unconventionnal ENFJ. Aka, the type of character no one would type ENFJ because they go by stereotypes and Fe stereotypes are just enneagram 2 everywhere (aka nice, kind, helpful) whereas Ironwood has an enneagram tritype very common among xxTJs so that's what he looks/behaves like, but the way he thinks (what's best for the people, ethical values derived from an Atlasian upbringing) align more with Fe cognitively I think I'm going with ENFJ 6w5 1w2 3w4

Starting from V8 though, Ironwood veered clearly into ENTJ territory (types aren't supposed to change but I wouldn't say RWBY is the most consistent media when it comes to characters' personnalities)

One aspect that I think would be nice to delve deeper into ?

I understand why they didn't care to, but it'd have been interesting to get a few backstory hints for Ironwood. How did he lose half his body ? How did Oz recruit him ? Or some pieces about his upbringing ?

#rwby #james ironwood #james ironwood canoncrit #rwby thoughts #rwby rewrite #rwde #ask me stuff #enneagram #mbti #v7 spoilers #v8 spoilers #pro james ironwood

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whoslaurapalmer · 3 years

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okay so like. i feel like i should come to terms with my ‘4 seasons of the daily punctilio as the office’ because while i came up with GREAT episode descriptions, and also spent like two months of my life dissecting sitcom structure (which was, admittedly, a lot of fun), it would take the Longest to write and the Longest to post, which is terrible, not ideal at all, so

the highlights, which might make it into my current vague incarnation of ‘modern AU where vfd is a book club in some way’ --

-eleanora poe is the managing editor of the punctilio, and she won possession of the paper in a card game from the previous owner (who was vfd-adjacent) -moxie is city desk editor, lemony is copyeditor, and then jacques does fashion and ramona does finances -they work the night shift, 4pm-12am -geraldine is hired in the third episode as the theater critic to great distress of the entire staff

it’s honestly easier to just, post how i wrote out the episode descriptions to show the vague plot i had mapped out, especially because i’m very proud of them regardless --

i hadn’t figured out a and b plots for all of them, so i left the ones i had written down --

s1, e1 – the punctilio – eleanora wants to take the punctilio in a new direction.

-a plot – the staff gets used to working with a documentary crew as eleanora tries to push the punctilio in a more honest direction.

s1, e2 – the article – the staff works overtime in an attempt to get their articles done.

-a plot – demeaned by the staff’s antics, eleanora has them work overtime to finish articles.

s1, e3 – the new kid – geraldine julienne is hired as the new theater critic.

-a plot – geraldine wants to prove herself, so she decides to do all her work herself.

s1, e4 – the book club – geraldine finds out the other staff members have a book club and tries to get in.

-a plot – geraldine wants to fit in, so she tries to join the book club.

s1, e5 – the ribbon – lemony and moxie try to find a replacement typewriter ribbon.

-a plot – lemony wants to fix his friendship with moxie, so he asks her to help him get new ribbons.

s1, e6 – the finances – ramona uncovers a filing error.

s1, e7 – the straight man – the staff tries to make jacques laugh.

-a plot – concerned at jacques’s steady impassiveness, the staff tries to make him laugh.

-b plot – lemony and the rewrite crew deal with geraldine’s articles?

s1, e8 – the actress – lemony’s girlfriend visits the punctilio offices and creates a stir.

s2, e1 – the theater night – the staff spends an evening at the theater.

-a plot – because the staff doesn’t understand his relationship with beatrice, lemony invites them to the theater.

-b plot – to prove her position, geraldine tries to get esme’s attention at the theater.

s2, e2 – the banker – the staff encounters eleanora’s brother, who comes to audit the office.

-a plot – the staff, hostile to anyone disrupting the paper, does not take well to arthur poe.

-b plot – ramona fields calls from her mother about replanning the garden.

s2, e3 – the sunglasses – eleanora deals with a theft.

s2, e4 – the pigeon – geraldine inadvertently scares the pigeons.

-a plot – attempting to assert her position and knowledge, geraldine accidentally scares lemony’s pigeons off the fire escape.

s2, e5 – the 3rd annual esme squalor fan club dinner party and salad bar – geraldine tries to bring the staff together.

-a plot – geraldine wants to show she’s sophisticated, and involves the staff in the planning of the dinner.

-b plot – lemony wants revenge on geraldine for the pigeons, and sabotages the dinner.

s2, e6 – the inheritance – ramona returns to winnipeg after her mother has an accident.

-a plot – lemony gets updates from winnipeg as ramona helps her mother.

s2, e7 – the kansas city shuffle – eleanora considers some staffing changes.

-a plot – lemony and eleanora engage in mind games as eleanora shuffles the staff around in ramona’s absence and lemony tries to keep his job.

s2, e8 – the intern – the punctilio picks up a new intern.

-a plot – because he misses ramona, and other personal reasons, lemony shuns the new intern. (bertrand. the intern is bertrand.)

s2, e9 – the replacement – eleanora cements her staffing changes.

s2, e10 – the reunion – ramona returns to the punctilio.

-a plot – not wanting to desert her post and colleagues, ramona returns to the punctilio and has to deal with the changes eleanora made.

s2, e11 – the rival – moxie, geraldine, and eleanora meet someone from jacques, lemony, and ramona’s childhood.

-a plot – desperate not to be upstaged or embarrassed by the appearance of olaf, lemony, jacques, and ramona decide to upstage him?

-b plot – eleanora and moxie, feeling left out, try to figure out what olaf’s deal is.

s2, e12 – the salmon – the staff get together to review a new restaurant.

a plot – in pairs, the staff goes to review cafe salmonella.

b plot – eleanora, allergic to salmon and disappointed she can’t go, fields phone calls.

s2, e13 – the framing, part one – on the tail of a big story that might finally get her on the wall of Best Articles, geraldine accidentally frames lemony for a series of crimes.

-b plot – geraldine wants to be on the wall so badly that she digs too hard into an article. (I had an idea it was about like, since she’s fashion editor, eye tattoos???? hmm hmm hmm!)

s3, e1 – the framing, part two – the staff scramble to clear lemony’s name. (fuck the cold open is like, lemony saying once again, “do I have any regrets? several. …. I left the tea kettle in our apartment on.”) (god the sheer beautiful absurdity of lemony on the run…..followed by a camera crew I’m dying)

-a plot – moxie takes the lead on trying to clear lemony of false accusations.

s3, e2 – the assignment – lemony encounters the punctilio’s previous intern.

-a plot – when lemony runs into bertrand again, he wants to make amends.

-b plot – jacques and geraldine get put on assignment together.

s3, e3 – the costume party – beatrice holds a costume party.

-a plot – lemony is nervous about the party and bertrand, and hides the whole time.

s3, e4 – the trivia night – the staff attend trivia night at a local cafe.

-a plot – jacques is nervous about talking to jerome, and asks lemony to accompany him to trivia night – the whole staff follows.

-b plot – geraldine wants to impress people, and studies up for the trivia night.

s3, e5 – the blues (I guess that’s why they call it) – jacques takes a day off.

-a plot – to cope with being denied by jerome, jacques takes a day off.

-b plot – lemony struggles with his feelings and takes it out on the staff. moxie retaliates.

s3, e6 – the moonlighting – geraldine has a hard time keeping lemony’s second job a secret.

-a plot – torn between wanting to keep a secret and wanting to tell people bc reporter, geraldine goes to great lengths to try and keep lemony’s playwright job a secret.

s3, e7 – the summer camp gang – moxie and lemony hang out with their summer camp friends. (the sbts crew)

s3, e8 – the book club, part 2 – things escalate in the book club.

-a plot – at the monthly ‘book club’ meeting, things get out of hand when the punctilio is brought up.

s3, e9 – the telegram – eleanora gets a telegram from an old friend.

-a plot – eleanora receives a telegram from the previous owner of the punctilio and her old boss.

-b plot – jacques and ramona wait for a different telegram.

s3, e10 – the game – a flashback to eight years previously, when eleanora got the punctilio.

-a plot – eleanora, much like her employees in the present, wants to prove herself, and engages in a battle of wits to get a newspaper of her own.

s3, e11 – the librarian – moxie gets involved in a dispute between the snickets and a librarian. (dewey.)

s3, e12 – the hustle – after being picked up at the city jail, lemony tells ramona what happened at the pool hall.

-a plot – having called ramona because she’d be the least embarrassing, lemony talks about how pride was his downfall at the pool hall.

-b plot – moxie and jacques get involved in a game of Hell Chess.

s3, e13 – the siblings snicket – jacques and lemony’s sister returns to town.

-a plot – worried about lemony and jacques, their sister, kit, visits the punctilio to check on them.

-b plot – moxie and geraldine become determined to find out about the person who runs the presses.

s4, e1 – the feint – the staff investigates the local mystery of the feint family.

s4, e2 – the cat – ellington and the staff butt heads.

s4, e3 – the anniversary – geraldine’s three year hiring anniversary is derailed.

s4, e4 – the train – the staff finds themselves trapped on a train.

s4, e5 – the candlestick maker – the investigation takes a turn.

s4, e6 – and all of them out to sea – the investigation into the feints comes to an unexpected end.

s4, e7 – the lunch – lemony tries to meet someone for lunch.

s4, e8 – the soda – geraldine gets an offer.

-a plot – geraldine is torn between her love and devotion to the punctilio and her still-there desire to prove herself, especially to esme, when esme offers her a job.

s4, e9 – the reckoning – moxie makes a decision.

-a plot – moxie is startled to find herself upset about geraldine’s offer.

s4, e10 – the fire – eleanora’s telegram from last season comes back to haunt the punctilio.

s4, e11 – the end – lemony, jacques, and ramona reach an understanding.

s4, e12 – the caveat – eleanora fights for her employees.

s4, e13 – the volunteers – geraldine and lemony talk.

-a plot – scared that the punctilio and her friends are breaking up, geraldine seeks out lemony for advice.

s4, e14 – the punctilio, part 2 – once again, the punctilio takes a new direction.

-b plot – the cameraman is finally revealed.

#lulu talks about the sad lemon man #i love episode titles that are like 'the [x]' so that's why they're all like that. i think they're delightful and no title style is better

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chiefladylightyay · 3 years

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Dragons of Vytal World Building note 3

Hopefully this will be the last world building notes post for a while so I can actually write something concrete for the au. Finally have a name for the thing!

Part Two located here

The Branwen-Rose-Xiao Long Family

Taiyang Xiao Long, charmed the pants off of his team, father of Ruby Rose and Yang Xiao Long. Contester for Dadliest Catch(tm) and Pungeon Master(tm). Teacher at Signal Preporatory Academy.

Raven Branwen-Xiao Long, got her pants charmed off by Tai, mother of Yang. Left the family for a little while due to untreated postpartum depression, returned in the nick of time to save Yang and Ruby from a wandering Grimm. Low key huntress, takes no shit from anyone. Currently MIA.

Summer Rose-Xiao Long, got her pants charmed off by Tai, mother of Ruby. Keeper of the Silver Eyes(tm) and Winner of the Super Mom(TM) award, slayer of Grimm and baker of cookies. Went on a dangerous solo mission and almost died, spends her time being a stay at home mom and occasionally teaching at Signal.

Qrow Branwen, got his pants charmed off by Tai, uncle of Ruby and Yang. Winner of the coveted Coolest Dude(tm) and Best Uncle(tm) awards, hobbies include turning into a bird and charming the pants off any gay and bisexual man he can get his hands on. Conquests include Specialist Clover Ebi and General James Ironwood. His semblance is the same as Raven's. No bad luck this time around, no sir. Had too much to drink once, never again.

Ruby Rose-Xiao Long, daughter of Summer and Tai. Keeper of the Silver Eyes(tm) and winner of the Cookie Nomster(tm) award. Dead set on becoming a huntress, despite all the terrible stories told by the adults in her family. Age 15 years and 10 months when she stops that famous criminal from robbing a random dust shop. Geekiest weapons nerd that ever geeked over a weapon. Has yet to suffer the gay mojo, but she will. Oh, yes, she will. Trans.

Yang Branwen-Xiao Long, daughter of Raven and Tai, punchiest blonde this side of the galaxy and junior Pungeon Master(tm). Hobbies include punching things, flirting with both guys and gals (succeeding too) hanging out at dive bars and riding a mean motorcycle. Has a masters degree in history. Age 16.

The von Schnee Family

Nicholas von Schnee, founder of the family line, got ennobled for saving the Kaiser once. Frame for the Arma Gigas. Long since dead and buried.

Wilhelm von Schnee, father of Willow von Schnee, grandfather of Winter, Weiss and Whitley. Founder of the Schnee Dust Company, think Scrooge McDuck, lived long enough to see the birth of all his grandchildren.

Edelweiss von Schnee, wife of Wilhelm and mother of Willow von Schnee, grandmother of Winter, Weiss and Whitley. Died in child birth.

Willow von Schnee, wife of Doctor Jacques von Schnee, mother of Winter, Weiss and Whitley von Schnee. Retired huntress, member of the Convention of Twelve. Spends most of her time at home, making sure her children are well cared for.

Doctor Jacques von Schnee, doctor of robotics, business and finance. Brother of Doctor Arthur Watts. Hired by Wilhelm to replace the workforce in the dust mines and refineries with robots. Hated by the working class for this feat. Husband of Willow von Schnee, father of Winter, Weiss and Whitley. Member of the Convention of Twelve, spends most of his time at the company hq. Still makes sure to spend time with his family.

Winter von Schnee, eldest child, has no desire to inherit and so passed the mantle of heiress off to Weiss. Combat Instructor at Atlas Academy and one of the primary advisors for the headmaster. Has a harsh but sisterly love towards her siblings because she wants them to be safe. Wants something more out of life, but does not know what. Age 22.

Wiess von Schnee, middle child and heiress to the family fortune and the SDC. Famous around the world for her singing career, currently set to attend Beacon Academy to become a huntress. Very, very, very much a lesbian. Currently dating Penny Polendina, a fact she has somehow managed to keep hidden from the rest of the world. Has a masters degree in finance and business. Age 17 and change.

Whitley von Schnee, youngest and softest child. Very loved by his family, famous around the world for his music, specifically his piano pieces. Very fond of crepes, and heaven help you if you take them from him. Currently working on his doctorate. Age 14 and change.

Klein Sieben, head of household staff at the Schnee manor. Literally studied up his family fortune, but has no actual results (a bunch of Almost Doctorates are useless to an employer) from this. Had to turn to his old friend Willow to get himself a job. Much loved by the family and the rest of the staff.

The Belladonna Family

Shere Belladonna, the Red Maws operative who assassinated the Heir Presumptive of the Atlo-Mantelian Empire, thus sparking the Great War. Died unmourned in prison due to the horrific deaths in the war he caused. Very much a black mark in the family line.

Warchief Ghira Belladonna, father of Blake, ruler of Zion. A good man, spent his youth fighting for Faunus Rights. With the direction the White Fang has taken in recent years he's currently working on damage control.

Kali Belladonna, mother of Blake, like Ghira she spent her youth fighting for Faunus Rights, but her pregnancy put a firm stop to that. Spends her time advising the Fang on less violent methods, with mixed results, and teaching at Zion Preporatory Academy.

Blake Belladonna, daughter of Ghira and Kali, fighting for Faunus Rights is in her blood. Spent her youth fantasizing about being the Next Big Thing(tm) in the Good Fight(tm). Almost went off gallivanting with Adam Taurus, but a firm taking in hand by her parents scrapped that plan. Blake is very bitter about this fact. Intends to attend Beacon, just to get away from her parents whom she sees as too controlling. Age 16. She/Her nonbinary.

The Polendina Family

Doctor Pietro Polendina, father of Penny Polendina, and doctor of robotics and applied systems engineering. Due to an accident in his youth he's unable to father children. The same accident also left him paraplegic. Don't let the chair fool you, he's completely capable of laying the smackdown on anyone who threatens or bullies his daughter. Member of the Convention of Twelve, spends most of his time with Penny or building new military hardware for the Atlo-Mantelian government.

Penny Polendina, daughter of Pietro. Very cute, very curious and very gay, her free time is spent mostly with either her father or with Weiss. The first artifical human, her original purpose was to be the first of several, but the costs involved has left her as an only child. Sees Winter and Whitley as her siblings, much to their delight. Age 16 and change.

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mynameisdreartblog · 4 years

Text

Analysis of Ween’s ‘Ocean Man’

Ocean Man is a song that Ween has described as something that formed together like magic falling into place. But like all magic, there are hidden mechanisms behind it that necessitate going being the scientific method. For a long time, this song has remained pleasurable but incomprehensible, yet I plan to decode it. The first life of “Ocean man, take me by the hand, lead me to the land that you understand”, while also being a reference to Echoes by Pink Floyd, is also an invitation to be taken to a world of wonder and whimsy. The world being referred to is what I call the ‘village under the sea.’ It was a term coined by Jacques Cousteau to describe his endeavors to build underwater habitats for humanity to experimentally live in, but it also applies as a general ontology of the ocean in respect to humanity’s place as a lifeform on Earth. It asks of us to view the sea in the ways that Indigenous Polynesians have, in that there is no separation of place by terrain: The sea is just as much habitable land as any continent or island.

In asking us to understand the land, we’re also being asked to understand the sea for ultimately there is no difference between land and sea other than that which comes from trying to objectify the oceans. “The voyage to the corner of the globe is a real trip” is contradictory because there are no corners to the ocean: It’s an entity with no boundaries except constructed ones. The trip you’ll go on is one that’ll take you into a worldview where you’ll be able to understand that you cannot objectify something as mighty and powerful as the ocean. Given the psychedelic context of this album, you will indeed ‘trip.’

“The crust of a tan man imbibed by the sand, soaking up the first of the land.” This is an indirect description of humanity, especially a man in the Western world in 1997. The human is imbibed by the sand, meaning the hot, dry sand is absorbing him, leading to him having crusty skin like someone who has tanned for too long. He’s soaking up the thirst of the land because man has become so familiarized with the essentialism of dry land that he forgets that life has managed to live successfully outside of it. It all reverts back to the desire to deconstruct these destructive Western terrain classifications that stopped us from appreciating the impossibly complex ecological harmony of the life that exists just below the surface of the ocean. The surface of the ocean has historically acted, to Westerners, as just inhospitable land that needed to be crossed. Cousteau radically challenged this view by using popular science as a medium to explore and document the ancient world that was right beneath us, introducing the technology of scuba to better aid the cause of inciting civilian interest in the oceans and thus a sentimental value to their preservation beyond the unforeseen economic ones.

“Can you see through the wonder of amazement at the overman?” This references the concept by German philosopher Friedrich Nietzsche of the Übermensch originally described in Thus Spoke Zarathustra, which simply defined is a man who rises above the dogmatic moralism of conventional Christianity to create his own values that, out of resistance, refuses to impose it upon others. In the context of this song, it can have two meanings: One, the ‘ocean man’ as a figure is fascinated by seeing this external overman figure and is being questioned as to whether not he can overcome their own illusionment for what they really are, positioning the ‘ocean man’ as a symbol of native marine life and the overman as the Western man who has historically not cared for or acknowledged them. The transcendence of Christian morality could, in this case, be an acceptance of a worldview that objectifies the ocean and marginalizes ocean life and leads to the indirect destruction of Cousteau’s ‘village under the sea.’

Two, the ‘ocean man’ is also the overman, and that seeing through the wonder of amazement is recognizing that, as a human being, the ocean man sees the overman as a picture of what he can become if he sheds his Western ontology of the ocean and embraces it as a sacred element to his existence. Literally, this is transcending centuries of what Christian moralism has made of the oceans as mere barriers in the path of evangelization: To become the overman, the ocean man must embrace a journey to transcend this dogmatism and find a new morality constructed on his terms and his relationship with the ocean.

“The crust is elusive when it casts forth to the childlike man.” We’ve established before that the crust refers to the residue of life adjusting to living entirely on land, and it becoming elusive means it's hard to find. Reference to the ‘childlike man’ could be referring to a man who has shed these imposed ideas of how they should interact with the world, and thus become once again like a child with unbridled curiosity and earnestness about the world. The child doesn’t objectify the sea and obtains an ontology akin to Indigenous Polynesians, albeit in a much more microcosmic environment.

The childlike man is equivalent to a Western scientist, like Cousteau, who takes up a sudden and profound interest in the ocean and specifically the village that lies at the bottom of it. The crust is no longer there because the childlike man isn’t limiting his idea of home to just dry land, thereby minimizing the crust. It’s not a stretch to believe that, in some way, the character of SpongeBob functions as a cultural icon functions in this way: He’s extremely curious and earnest about the world in a way that differentiated him from most protagonists of ‘90s cartoons loaded with postmodern cynicism. SpongeBob is also the highly relatable protagonist in which we’re exposed to the world of Bikini Bottom, another representation of the village under the sea.

“The sequence of a life form braised in the sand, soaking up the thirst of the land” Braising is a method of cooking which involves lightly frying something and then slowly stewing it in a closed container. The light frying is the intermediate period of moving away from that Western, landlocked crust and preparing to enter into the village under the sea. While the slow stewing is, like a sponge, absorbing the ecological order of everything around you. The goal of this is to reorganize your idea of ecosophy (philosophy of ecological order) away from what Western ways of life have traditionally concerned themselves with.

The thirst of the land you’re soaking up takes on a double meaning here, in that you’re now soaking up the subconscious desire man has to understand the world it has moved away from. It desires to understand the ocean as a simultaneously new and old frontier: One more mysterious than even our own star systems. The thirst of the land is now being quenched by the childlike man who sheds the crust of Western natural ontologies and pursues intimacy with that it has evolved out of so many eons ago.

The last part of the song I want to touch on is every verse beginning with directly addressing this figure known as the ‘ocean man.’ I’ve heard some analyses before say that he’s a mythological hydrophile who symbolizes liberty at sea away from the laws and restrictions imposed upon land, but I think it's more specific than that. The 'ocean man' just refers to anyone who teaches you to rethink the oceans, whether that be Ween with the entire album, Jacques Cousteau and his series of pop science documentaries, or Stephen Hillenburg and his titanic cartoon series. All of these make the effort to try and change how Western society has historically thought of the ocean through some form of inquiry

In Ween’s case, I think it was some psychic force that influenced them on that night in Jersey Shore to write an album that pushed culture not only sonically but also subliminally like in the ways I’ve expressed in this analysis. All of it was made to make you understand that there's a village under the sea as much as there are villages above the land, and it’s ironic how recognizing this is considered ‘alien’ when this worldview is far more ancient than what we’re used to.

With this understanding, it makes a lot of sense why this song was chosen to be the ending of the SpongeBob SquarePants Movie, as the show was a culmination of influences that stretched from Cousteau to Ween on Hillenburg’s life. And what does SpongeBob attempt to do at the end of the day but teach us to become overmen to the ontologies imposed upon us? To children, SpongeBob is a character who first fills his heart with love and then tries to be himself as a departure from media that previously told children to be themselves blindly. What if your self is corrupted? What if it’s crusted from being so used to something as great and magnificent as the ocean being objectified and desanctified? When you take the ocean man’s hand (Stephen Hillenburg’s), you become SpongeBob, and your heart fills with a familiar sense of earnestness that he felt when he studied marine biology.

#ween #spongebob #spongebob squarepants #philosophy #nietzsche #jacques cousteau #cousteau #post-structuralism #ocean man #stephen hillenburg

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zikadraws · 4 years

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If the ghosts bosses got to be reincarnated, what do you think they’d look like in the modern age(I’m talking, like the twisted sisters, Clem(best rat boi), Fishhook, etc)?

Oh boy tough call !✨Sooo let's seeeee...

(*Low quality colouring, drawing and long post ahead (sorry), Click4Quality*)

So let's start with Chambrea and Steward. They gladly took back their human form (Yeah I see Chambrea as Latino/Arabic styled, and Steward as Australian), but less gladly the fact of having to work to not get hungry. They restarted to work in services, although their experience (as for a good part of the ghosts) got them militant, and they are fighting for the service workers to get treated/respected better and better paid (between others). Chambrea (Chãlissia) is the leading type, Steward (Stuart) follows and admires her, and struggles to push their relationship to another level. They already live together.

Then there's Chef Jacques Soulfflé. He of course oriented himself towards cooking, but understandably enough for those who witnessed his cooking, got fired several times, and refused to understand why ; so much that he actually attempted ''Hell's Kitchen'' to prove everyone wrong- and nearly caused Gordon Ramsay, who -figures- spectacularly blazed his @ss, to rage quit the emission. They actually had a private talk afterwards and Gordon decided to save cooking's honour and to give him private lessons. Never did he see a guy so bad at cooking but who genuinely absolutely loved cooking against all. Deserves an effort. Thanks to that Soulfflé got better and found a regular cook post. Yeah I got carried a bit far on this IK. X) Anyway so next-

Morty finally managed to open the cinema class he was planning to open before his death, and he's having the time of his life with this. He takes cheap and everyone in -elementals to elderly- and he is in a 'poor-populated' city part, so he has a lot of volunteers ; as an activity as for an actual class. He loves to communicate his passion with others, is a wonderful teacher open to everyone and loves creating shorts and movies with his students. Some of them actually succeeded as actors or staff or even directors, and often credit him. Although a bit wore out, he is really happy. Plus a good portion of the former boss ghosts like to help him with and star in his productions.

Krüller thought of becoming policeman, but chickened out and went on as a mall guard. He is great with children. He even babysits sometimes. And often stars in Morty's movies, as 'the police chief'. He's satisfied by this repetitive but calm life.

Johnny Deepend invested into an old gym and became sport coach. Between taxes and incomes, it isn't always easy but his easygoing, supportive and friendly natural attitude gets him a nice bunch of people following him and going to his gym. But on the side, he is also very engaged to ban competitions based on showing off the body, knowing way too well how destructive it is for the people, and actually even run conferences about that. He is determined.

Serpci has became a famous social media influencer and practically lives out of it (plus some beauty and fashion sideworks. She customize clothes.). Her Egyptian style, her beauty and aura and her pets snakes got her REALLY popular on any network- and leaves her targeted by many creeps of course, but her merciless way of dealing with them chicken them out (and actually is a way of outcome for her. Blackmail is powerful, but shhh.) She's militant for feminism, and against racism, cultural appropriation and above all, grave robbers (especially targeting archeologists). Remains of her pharaoh shenanigans, y'know.

Dr. Potter searched around and was taken under the wing of an association that fights to save true seeds (seeds that naturally grows back after harvesting and not having to be replaced each time like big corporations like to sell [as] 'necessary'.) He is trusted to keep and grow in number these true seeds, and in return he is taken care of, feed, and has his own house, garden and glasshouse. He is very happy.

The Triplets had to actually go to school for the first time in their lives, and if they managed to get to be adopted together (by one of the bosses, idk for this one), they had a very cynical bad surprise. They still perform during events, to show-off or at parties.

THAT is my human interpretation of Fishook. He lacks an arm and look as what white police arbitrarily view as the embodiment of ''''potential criminal''''; and now that he's human again, he's fucking pissed. As in -he freaking means business. By that I mean, he is entirely, body and soul, engaged to the whole 'Save Marine Life' cause. He raids awareness and direct missions, participates to everything and acts everywhere. Yeah, he works for the WWF. (He is also getting a bit of trouble about his cranky comportment.)

(Yeah, ship time. Why ? Because I can.)

Amadeus Wolfgeist and Clem turned into a couple representation of Tortured Artists ™. (I'll explain for Clem at some point in the future so it'd make sense, pinky swear.)

Amadeus Wolfgeist got his hair back (and I wasn't too sure of what colour to give it but heck it I'm satisfied), but was really pissed to learn that it's hard to make a carrier out of classical music nowadays. He yet decided to keep on it, determined as frick that he was to bring back the golden age, and became an independent compositor, freeing the stress generated from this work by private contract concerts. Despite his talent, he's struggling due to his dissuading stubbornness and is upset to not being able to afford his preferred nobile lifestyle. Clem has spawned up with an hyperactive syndrome, plus of his autistic condition, and is making the most money by having several jobs at the time. As a handyman/plumber, but also as a painter and visual artist, as he finally noticed how much interest and talent he had for that. He draws eyefooling artworks as a living, to situate. He kept his pet opossum and his emotional support duckies. Strangely enough, he hardly sleeps on his own impulse anymore.

They live together (for 'financial reasons' dixit Wolfgeist, y'knooow...) and complete and equilibrate each other. Clem is the one who -ironically- makes the most money, and deals with Amadeus's stress and irritation levels. Amadeus is Clem's impulse control, health, fashion, self-care and sleep schedule advisor.

Sometimes Clem seconds Amadeus on his banjo.

AND THEN, TO FINISH (because I literally, between other things, have no space left) we have Macfrights who tried to get hired at 'Puy du Fou' but got humiliated and turned off, and Phantasmagloria who tried to get hired as a DJ but nuts for several reasons. They both swallowed back their pride and ended up working at fast-foods. They both try as often as possible to play in Morty's movies. Macfrights likes to play the villain.

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OKAY ! And that was about it for my headcanons about this ask. Very long post, I know but hey ! Dare I believe that it was worth it...?

Alright, thank you for your ask. That was a big one and I hope you are, too, satisfied and wish you a nice day :) .

Aaand thank you to everyone else for your attention 🎵 ! 🤗 Have a nice day~♥️

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