#also i have no idea how her story ends at this point

[periprose]

May i request a Logan x angel!reader fic where the reader had to get medical treatment after a mission because her angel wings (that are apart of her mutation) were burned and partially damaged after battle, and Logan comes in to check up on her?

anon I loved this ask ahhhh thank you. I'm like half considering making this a series if people want it (so send more angel requests if you're into it!) <3 I may have made it more angsty but there is fluff at the end :) also reader goes by Angel in this fic.

When Flight Comes to Fire (or, Logan gains an Angel)

Word count: 4.5k

Genre: Best friends to lovers, mutual pining, X-Men stuff, idiots in love, angst, hurt no comfort, fluff, kissing

The first time your mutation made it’s appearance– sharp shoulder blades growing into thick appendages, soft, buttery white feathers extending from them in that unhuman way, your wingspan making it clear you would never be normal– your mother retched and said she would have done anything to chop them off of you. Would’ve done anything to have a normal kid.

In fact, she tried, multiple times, to do so. You were only twelve when she came at you for the first time, in your sleep, feeling falsely secure in your father’s platitudes about how she would never really do anything. You woke up to her reaching inside your blanket, grasping one of your wings as she brandished a knife in her other hand. Luckily, your wings were strong enough to shove her off, but you remember how you screamed at her.

Why, mom? It’s me! It’s me–

She didn’t listen, coming at you again, promising in delirious anger that everything would be okay soon if you would just let her fix it, and she had to be held back by your father, as he called the police. 

Because you were her kid, she got let off with a warning, and you were stuck. So you would often fly to the tallest treetops and take your rest there, trying your best to ignore your mother’s other attempts on your life. She didn’t seem to ever get it. You would never be normal.

The final attempt was probably the worst, and the one that caused you to fly away in the end to Charles Xavier’s School for Gifted Youngsters.

You were twenty years old, just old enough to legally leave home– you only stayed because your father insisted. 

She set your favourite tree on fire. You had no idea your mom had been in enough anguish to essentially murder you for daring to be different.

You awoke to the deep smell of smoke, of tree bark charring, and then you heard the cracking and sparks. The tree quickly caught fire, and you shrieked in pure terror as the heat of the flames approached you. The immense light emitting from the fire blinded you, and suddenly there was a sharp pain from your wings and back– you were getting scorched.

So you flew upwards, high enough that the fire dissipated off your back instantly in the cool night sky’s air, and you were fine. Nothing to show other than a little scar, and the sounds of mutiny coming from your mother below. 

You chose to forget her– no point in repairing a relationship with a woman who didn’t want you as you were.

But you’ve never forgotten the pain of being burned alive.

/

“Angel. You ready?” Logan is to your right in the foyer of the mansion. “Everyone else is waiting in the helicarrier.”

He’s your best friend, has been ever since you came to the X-Mansion as a runaway. It’s not an uncommon story among mutants, but Logan always felt you were like him. Rough, not the easiest to speak to, having a tendency to keep to yourself.

The major difference to him is that you’re a lot easier on the eyes. 

Seriously, it was almost like the universe was playing a joke on him. Here was a beautiful girl with literal angel wings, just missing a halo as she arrived at the door for the School for the first time, and he just happened to be the first ugly motherfucker to open the door.

Logan’s never quite sure why you keep up with him, why you stay friends with him, if he was just lucky enough to be the first person you saw and liked. It drives him nuts, the way in which you rely on him, trust him more than he thinks he deserves, you come to him at every moment just to talk over everyone else, when surely you could have anyone else’s attention.

Especially any stupid guy, like him. He’s not sure how you haven’t noticed– even now on the staircase, he can’t tear his gaze away from you. Logan feels bad to be so in love with you, too– he wonders if he’s reading into things too much, if he’s pushing for something that isn’t really there.

And he’ll never know, because you’re so damn flighty. Logan can barely keep up with your whims, and he only knows as much as you’ll tell him about yourself (he hardly knows where you came from that fateful first day), so he just lets you come and go as you please. He’ll keep his feelings deep inside, where you can’t possibly find out about it.

“Yup, I’m fine.” You have a brief smile for him, which gives him that familiar twist of the stomach. “Oh. You’re not wearing your uniform?”

“It’s better to be incognito for this one, according to Scott.” Logan says, adjusting his flannel, mildly enjoying how you check him out. 

You’re wearing the typical X-Men uniform– bright yellow, blue stripes down your sides, room for wings with a removable panel in the back. You let them loose, now, telling Logan you’ll be right back.

When you return, with quite a flourish, flapping wings in a true superhero-landing– Logan sees that you’re wearing a tank-top, and some jeans that really, really highlight your ass– but he tries not to focus on that.

“Hey. Tank’s inside out, Angel.” Logan says, waiting for you to fly off again, but you simply take off the tank top, and pull it back on the right way, exposing your bra-covered chest and lithe waist for the briefest of moments, while Logan loses whatever he was about to say. “I…”

“Don’t be a perv, Logan.” You jokingly side-eye him, never suspecting that that could actually be true as you tease him. “You’ve seen me change tons of times.”

“Yeah, but out in the open?” Logan stares at you. “You’re gonna have a shit-ton of admirers if you keep that up.”

“It’s just me, please.” You start up this whole I’m-not-pretty schtick that Logan is pretty sick of hearing, and he shakes his head. “Let’s go. They’re waiting.”

Yeah, Logan thinks, they are waiting, but he’s not sure you needed to be all quick and nonchalant about changing, just to get there faster.

That’s what he means by you being flighty– who knows what’s really in your heart, when you act so quickly?

/

“Listen up, X-Men. We’re gonna do our best to avoid damages today, right?” Scott speaks with the air of a leader who’s very fed up with his team members. 

There’s a resounding yes from everyone, including you, Logan, Jean, Storm, Bobby, Rogue, Jubilee, and Kitty.

“What’s our mission?” Scott says, and you answer first.

“Find the new mutant.” You state, and Scott nods, while Logan hides a smile at how adept you’ve gotten at these missions.

“Make sure he doesn’t defect to the Brotherhood.” Jean adds, looking at you and Logan, seeing how close you two sit to each other. She’s kept it to herself– but Jean thinks if you and Logan really do have something going on, that would be nice. For the both of you.

“No damages.” Logan chimes in, and Scott visibly loses a little composure.

“I already said that.” Scott points out, and Logan shrugs. 

“Well, it’s part of the plan, isn’t it?” Logan leans back in his seat on the helicarrier, nestling his head next to your shoulder, not noticing the way your eyebrows raise at the sudden contact. “Better than me not listening at all.”

“Sure, Logan. Fine.” Scott lets it go, knowing better than to ask more from the most “chill” (read: laziest) member of the team.

You laugh a little as Logan smiles a cocky grin.

/

The new mutant is kind of old– you’re looking for a 19 year old with severe singing around his clothes, pale skin, and black hair. You suppose he’d be extremely frightened.

Most mutants don’t deal well with becoming different all so suddenly, let alone at the very late age of 19, when you could assume that you’re pretty much normal. So you and Jean are hoping to find him first– you figure you’re the two that could calm him down.

Unfortunately, you find Jubilee talking to him first. She’s okay, but she has a tendency to be a little too bombastic, as Jean says quite often.

“And there she goes.” Jean grimaces as Jubilee taps the new mutant’s shoulder, and you pick up her saying that “she’s just like him,” which you’re not sure is a delicate way to deal with the topic.

There are crowds of people walking through the streets, too, and a lot of them are glancing at this yellow-jacketed girl talking to a boy with burnt clothes.

If you had found him, you would have brought him to the side, away from people, and–

“His face turned white. He’s freaking out.” You tell Jean, and her eyes narrow.

Bobby, Rogue, and Kitty are nowhere in sight, so this is just one weird young adult speaking to another one, and you really, really wish the rest were here. You, Jean, Logan and Scott are a bit older– perhaps comforting in your age– but you feel like the boy would’ve done well with more peers.

Jubilee raises her hand as you and Jean approach her. “Guys, I got it under control. See, Kyle, these are more people like us. More mutants.”

“...” Kyle looks on in disbelief.

“Kyle?” You try, and he looks at you– there’s something in his eyes that tells you he wants to trust you, but he’s scared– it reminds you of yourself. “We’re here for you if you want us to be. Take your time. Don’t worry.”

You smile, Jean smiles, Jubilee grins, and Kyle seems okay.

It lasts for about two seconds.

Someone drops what sounds like a glass bottle in the distance, and the shattering sound is enough for Jubilee to gasp, a little spark of fireworks launching from her fingertips, towards Kyle, who watches on in trepidation, and his body starts shaking, moving of it’s own accord, clearly reacting to being so close to another form of heat– and you and Jean move, as you yell out “Wait!–”

Kyle shrieks in fear as his body becomes overtaken with flames, combusting with such intensity that the flames roar at least 100 feet over, and Jean– Phoenix that she is– is able to withstand the heat, but you find yourself being pushed back by hot gusts of wind.

It hurts, it feels as if your skin is melting with every passing second. You grit your teeth, trying to breathe as Kyle loses control of his body, and you open your wings, deciding that flying off into the cool air would be a better alternative.

That was a mistake on your part.

The moment you open your wings, Kyle’s fire pushes you backwards, and up, into the hot air, and your wings catch fire as you come too close–

You scream, but it’s unheard through the roar of the flames, and you barely have time to catch yourself as you fall towards the ground, smoking, fiery tendrils engulfing you.

The last thing you remember is your mother’s face.

/

Logan sees it happen from a distance.

Scott wanted him to be as close as possible, something about keeping watch on him– and Logan gets it, he’s not always the most responsible, but later on, in hindsight, he wishes he was, because then he wouldn’t have missed what happened to you– and they both turn as a fire overtakes a block of the city.

“Shit, that must be him!” Scott starts running, Logan not far behind.

It’s only when he sees a pair of white wings, a woman flying up, up, up, the fire approaching dangerously close to her– to you– he starts speeding up, overtaking Scott, pushing people out of the way.

Logan wonders what he could do, anyways. He’s invincible, practically, incapable of taking on much damage as his regenerative abilities heal him– perhaps he could run to the kid and knock him out, sustaining burns in the process, but better him than you.

Never you.

Any second now– Logan sees the boy, and he’s got an open fist ready to lightly tap the back of his neck.

He’s not fast enough. Scott yells out, and Logan looks up to see you engulfed in flames, as you scream, and it’s awful to hear– usually you seemed so speedy, so ready to fly at a moment’s notice, that Logan forgot you could be hurt.

He calls out your name. It’s unheard by you as you crash on the ground, still burning– Bobby, Kitty, and Rogue have caught up to you from the other side of the street, and Bobby quickly makes an icy mist that subdues the flames on you, and Kyle’s roaring fire back into him.  

You’re unconscious as the X-Men approach you. 

Logan touches your face as he kneels next to you, the only one willing to come close right now. “Hey, Angel…”

There’s that unspoken fondness between you two, yet again. Everyone knows, even when Logan has tried to act cool about it. Even now, when Logan attempts to act like he isn’t totally hanging on to your potential words, searching for a breath, a little movement of your head. 

Jean, Scott, Jubilee, and the rest look on in trepidation.

You don’t respond, and he feels his heart plummet. You’re covered in burns, mostly across your stomach and back, and he inhales sharply as he turns you over– there’s fresh, scalded skin, crispy-red to the touch.

Your back, your wings– they’re damaged so badly, with feathers singed straight off, the muscular appendages more visible and wounded, and Logan doesn’t know if you’re alive. He almost removes his hands from you, the very thought seeming to scald him from the inside, and he glares at the kid– the one who looks terribly guilty, now, as he runs away.

“Get back here!” Kitty shouts at him, anger in her eyes, and Scott pulls her aside, explaining that it was clearly an accident of sorts– something that Jean confirms for him with a nod of her head.

Right, Jean. Logan knows that if anyone could confirm if you’re alive, it would be her.  

As Scott, Kitty, Bobby, and Jubilee go hunting for the kid– Rogue stays behind because she’s always felt close to you and Logan– Logan looks up at Jean in a solemn, teary-eyed look that has her understanding immediately.

“C’mon, Angel… stay with us.” She mutters, as she presses her fingers to your head, and she smiles comfortingly at Logan.

“She’s still here. Just barely, but still here.” Jean says, and Logan sighs, an angry, long sigh that tells Jean and Rogue that he’s going to be insufferably feeling at-fault here, even though no one is.

“Let’s go.” He picks you up, feeling the burnt skin through that damn tank-top, now barely being held together as tatters– for modesty’s sake, he takes off his flannel and wraps it around you.

Rogue lets Logan and you walk forward a bit, not wanting him to hear what she’s about to say, and then looks towards Jean. “He really loves her, doesn’t he?”

“Yeah.” Jean exhales. “Let’s hope for his sake that she’ll be okay.”

/

Stupid bitch! You’ve been nothing but a curse on this family– fuck you, I hope your future daughter is just as fucked up as you are–

You awake suddenly, with a loud gasp and yell, your mother’s last words to you flashing on your mind– you attempt to pull yourself forward restrained back by tubing in your arm. You’re stuck in a bed. In a hospital bed of sorts.

Not just any hospital bed, one in the hospital wing of the X-Mansion.

You’re calm, at first, until there’s a sudden ache echoing from your back, through your body, through your wings.

“Ah–!” You groan in pain. Trying to move suddenly has hurt you.

There’s a knock at your door. It’s Beast– or, Dr. Hank McCoy, as he’s better known around the hospital wing.

“You’re awake.” Hank says in relief. “It’s been a few days since your accident.”

“It has?” You widen your eyes in shock. “How, w-what… am I okay?”

The last thing you remember is Kyle exploding in flames, causing you to catch fire– then you blacked out, and– you’re having terrible memories of your mother.

“Hank?” You mutter, and he’s quick to come to your side, blue paw-hand holding your own.

“My mother didn’t…”

“No, she’s not here. She’s never come close to you. You’re safe.” Hank states, as Charles has told him to, remembering the few times you’ve had to come to the hospital wing for comfort before. 

So many mutants have troubled backstories, and he doesn’t quite understand why you don’t try to connect with others about it. Hank feels it could really help, but you’ve always changed the subject away from you.

You’re hurt, mentally, in a way that no one can really fix, and Hank is a big believer in letting people progress when they need to– but he’s so glad that you’ve bonded with Logan. 

“Am I going to be okay?” You tap the side of the bed, fears present in your eyes. “Last thing I remember is Kyle going crazy, and I– I got all burnt–”

“Yes, you’re going to be okay. We’ve administered lots of injections, topical ointments, everything that boosts your healing. You might have some scarring after this is all over, but no injuries. You’re very lucky, Angel.” Hank comforts you, and encourages you to lie back.  

“Lucky. Is that what you’d call a girl with a fucked up state of mind?” You murmur, and Hank shakes his head.

“We’re all fucked up.” Hank gets back up, leaving you in your room. “It’s a prerogative to being in the X-Men.”

You smile softly at that. He’s not wrong, but you wish, you really wish you could’ve just been that normal girl that your parents would’ve loved.

You look down at yourself. You’re wearing hospital scrubs, but there’s an unfamiliar fabric underneath the blanket.

Logan’s flannel is splayed across your stomach, a comforting, soft feeling that has you missing him almost instantly. Had he visited you, when you were unconscious, and decided to leave you this as a token, to help you feel at home? 

You lift it up, taking a deep smell of Logan’s signature scent– pinewood, smoke, and something kind of sweet, like… marshmallows? 

It makes you blush, but almost immediately after, you place the flannel back under the blanket. Logan doesn’t need your silly crush, your overt attachment, and you’re smart enough to keep that to yourself.

/

Logan hears from Hank that you’re awake, and although he wonders why Hank told him first, rather than Charles, or Jean, he’s glad to be the first one to see you.

“Hey.” He knocks on your door. To Logan’s surprise, he lets go of a breath he was holding– you don’t look horrific, you have some colour in your face, and there’s a soft smile on your lips when you see him.

You look just like Angel. His best friend. And he comes in real close, ruffling your hair as he often does, maybe more gentle because he doesn’t want to add any more pain.

“Hey, Logan.” You grab his hand, squeezing it with warmth, grateful to see him, before letting go suddenly and looking away bashfully, and he pauses, reminding himself not to think too highly of it.

“Angel. You’re feeling better?” He asks, and you motion for him to sit down on the edge of your bed.

“Yeah. Yeah, I feel okay.” You stare at him. It’s only been a few days, but Logan looks kind of awful– he’s got some serious dark under-eye bags going on, and stubble that is slowly turning into a beard, and there’s an apparent worry on his face that makes you just want to comfort him. “Are you okay?”

“Yeah.” Logan tries to ward off your answer with a stern, one word reply, but you’re not having it.

“Really? You don’t look so great.” You say, not without tact. “I hope you weren’t all cooped up in your room, worrying about me.”

Logan makes a sound that’s half way between a sigh, and a laugh at how close you always seem to get to the truth.

“Alright, yeah. Yeah, I was worried to hell about you. Is that what you wanted to hear?” He jokes, but your face falls.

“You don’t have to do that. I’m good now, I don’t…” There’s an air of seriousness coming from you, that Logan doesn’t typically see, something you usually don’t let yourself do. 

“Are you good? Let me see your back, Angel–” Before Logan can even move you to the side, you turn in defiance, letting him see that you are healing. There are still parts of your flesh, red and angry, but for the most part it seems okay, already far better than it was a couple days ago.

Logan breathes a sigh of relief, touching your wings with a tenderness that has you leaning into his touch, and he gently skims over a scar of yours, glad to see that you’re genuinely not as hurt as he thought– but you pull away quite quickly.

“See? You don’t need to care so much, I’m fine.” You sound accidentally very accusatory, but Logan is just as much of a stubborn asshole as you are sometimes, and he narrows his eyes.

“What the fuck does that mean?” He stares at you. “We’re friends, aren’t we? Friends care about each other. Jesus, you’re the one who always– you’re always checking up on me, sneaking into my room, touching my face and arms and– how else am I supposed to take that?”

It sounds romantic, Logan realizes, after he’s spit all that out– and it does sound like he’s putting the blame of your dynamic on you. And, even worse, it’s all just out there in the open.

“Really. I’m not the only one who cares, Logan, you…” You shake your head, and instead pull his flannel out from under the blanket. “You left this for me. Why do you make it sound like it’s all just me?”

“Okay, fine, it isn’t. Leave it alone, Angel.” Logan pleads a little, his face turning red.

“You’re always acting like I’m gorgeous, you constantly hug me and lean into me, there was that time you let me sleep on top of you–” You continue, feeling more and more confused. “I’m sorry. I don’t mean to make you sound like an asshole.”

Logan blinks, feeling the argument dissipate, as it often does, whenever you get close to confronting each other about feelings– you always manage to fly away.

He won’t let you, not this time.

“You didn’t. I am an asshole– I’ve never bothered to tell you how I feel.” Logan mutters, and the way your face blanches in fear, shyness, tells him to keep going, to push the boundaries. “I let my own stupid ego get in the way of actually caring about you, and I’m not going to make that mistake again. I’ve always– I really love you, Angel. And I’m sorry I never made you feel like that was true, I’m sorry that it’s taken until you got hurt for it to be real.”

You have an incredulous look on your face, one Logan wishes he could take a picture of and frame somewhere, because it’s genuinely funny, but then your lip quivers, and he feels like an asshole again.

You feel like an idiot. You think, all this time, what’s bothered you is that you’ve been avoiding the fire– the real ones, sure, but more the things your mother fostered in you. Your trust issues, the way how you hold people dearly in your heart but you can’t let them get close because you worry you’ll never be enough, it’s all been burning for years inside you, and you’ve never had to confront it until Logan decided to stoke the flames.

“It’s always been real for me, too.” You whisper, trying not to cry. “I just… I don’t always believe if people care about me, I never feel good enough to be something for anyone. It’s not you, Logan, it’s my mom, my upbringing, really.”

You give him a short, brief explanation of what your mom did– something you’ll surely expand on later, when it’s not so fresh, when you haven’t been literally burned recently, and the memories pain you more than ever– and Logan’s face turns sharp, his brows furrow, he’s clearly deeply angry by whatever you’ve just told him. 

“I’m stupid. I just assumed– it was me putting too much pressure on you. You shouldn’t have been on this mission, that’s fucking awful.” He finally says, and then scowls. “I know you don’t want to hear it right now, but fuck that lady.”

You snort at that. “Yeah. Yeah, it was never you– I’ve always loved you too, Logan, more than you know. I’m sorry I’m always running from you.”

“Oh, so you’re consciously doing that?” He teases, trying not to react too much to your proclamation of love for him, although his brain feels as if it’s short-circuited. He squeezes your hand, and you laugh.

“Yup. I’m almost glad I got hurt, if it makes us more serious.” You comment, but Logan turns glum at that.

“Don’t say that, Angel. I still feel bad about it.” Logan holds your face, caressing your cheeks, staring into your eyes, glad now that you’re not going to shove him away. “Next time, I’ll try to take the hits. I’ll live.”

“You don’t have to–” Before you can start rejecting Logan’s offer, he leans in really close, almost kissing you but not quite, his breath hot on your own mouth.

“I want you to live.” He murmurs, and you feel yourself turn warm at that. 

When he presses his lips to yours, it’s almost chaste, because Logan still isn’t sure how many of your walls he can break down in one day– but for once you’re quick to act in the opposite direction now, lifting tubes out of your arm (irresponsible as hell, Logan would say later on) so you can better reach his face, and you run your fingers through his hair as you kiss him, again, and again. 

It’s soft, pliant, and warm, and Logan doesn’t quite know what to say when you come back up for air, breathing deeply, body sweaty from both recovery and how intense this is– he feels around you, around your waist as he leans in again, and you giggle, pulling away for just a moment before kissing him again.

His hands are gentle, skimming over your body without trying to hurt the burns on your back– but Logan feels you clamber onto him, onto his lap, and then he feels the soft feathers of your wings as they pull themselves outward, into the open.

He opens his eyes, and grins in a wolfish manner. Maybe you’ve been changed by what happened, maybe you aren’t the same, but you’re his Angel now, and he prefers that.

He kisses you again.

[requiemforthepoets]

this is me trying 𖦹 OP81

PAIRINGS: oscar piastri x female!reader

SUMMARY: growing up, the only thing you know is that you need to be strong, provide, and take care of your sister. but being with oscar, it was different, he made you feel things—that it’s okay to not be fine, vulnerable, and to be taken care of.

AUTHOR’S NOTE: i have this fic finished the other day but i was debating on whether to post it or not, but here we are. it’s been a while too since i last wrote for oscar, and this is like a comfort (?) fic idk lol. also, can i just say that LANDO ON POLE FOR THE SG GP!!! 😭🧡 ok, i hope you guys will have fun reading this one. enjoy! :)

REMINDERS: this is purely fiction, the way how the character is portrayed in my story does not reflect the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WORD COUNT: 3.6k

WARNINGS: not proofread, typos, eldest daughter syndrome, no use of y/n, cursing, unnamed sister, named friend, and parents death

You were sitting in the living room, surrounded by case files and legal books, trying your best to prepare for the court trial that you’ll be doing soon, but your mind was elsewhere. You can't focus on the work that you’re working on in front of you, no matter how hard you try. Your phone buzzed, and you almost didn’t answer, thinking it’s just another work call, but when you saw Blaire, your friend’s name, flash on the screen you quickly picked up, expecting a casual chat.

“Hey, Blaire, how are you?” You greeted her, trying to mask your exhaustion.

Her voice on the other end was hesitant, not the usual warm tone that you’re used to. “Hey…I really hate to bring this up, but I was wondering when you would be able to repay the five thousand dollars?”

Your stomach dropped. “Repay?” You repeated, utterly confused. “What do you mean five thousand dollars?”

The conversation between you and Blaire unraveled quickly. She explained how she had lent the money to your sister out of need, thinking it was for you or with your approval. Rage bubbled in your chest, your pulse quickened, at this point all you can see is red. You thanked her hastily, barely able to end the call before fury overtook you. Without thinking, you dialed your sister’s number, the beeps echoing in your ear like a countdown to an explosion.

“Hello?” Her voice was casual, completely unaware of the storm coming her way.

“What the actual fuck did you do?!” You yelled, not caring if it was late at night. “You borrowed five fucking thousand dollars from Blaire without asking me!? How could you?!”

There was a pause, a brief moment where you could almost feel her shrug through the phone. “Oh my god, can you relax? It’s not like you can't afford it. It’s not that big of a deal, you can just easily pay for it with how big you’re making, it’s barely a scratch on your bank account!” You couldn’t believe what you were actually hearing.

“Not a big deal? Did you spend the money already? Do you have any fucking idea how humiliating it is for me that you did this without even consulting me? You think just because I make good money, I’ll fix every mess you create?” You were seething.

“Well, yeah,” she responded with a laugh, clearly not grasping the gravity of the situation. “You’re my older sister. Isn’t it your job to take care of me, right?”

Your grip on your phone tightened. “I’ve been taking care of you your whole life! I’m working myself to the bone just to make sure you have everything you need, sending you to that fancy school that you’ve always wanted so you can have a better future, and this is how you repay me? By lying and stealing?”

The silence on the other end of the line felt heavy, but your anger has not subsided. She mumbled something that sounded like a half assed apology, but it was already too late for that. You immediately hung up and slammed the phone down on the table, heart racing, pulse pounding in your ears. Anger still swirling inside you like a storm, the words of your sister still echoing in your mind. You can just easily pay for it with how big you’re making. Her carelessness, lack of respect—it hit harder than anything you had experienced before. It wasn’t about the money, you could handle the five thousand dollars easily, but the way she completely dismissed your hard work, as if it was nothing, as if your sacrifice and years of struggle meant nothing—that was what burned deep. It hurts like fucking hell.

You sat down there on the couch, trying to calm yourself down, tears started to prick at the corners of your eyes, but you blinked them back. You didn’t cry. You cannot cry. You have always been strong your whole life—the provider, carer, and protector. That’s who you were. No one had ever taken care of you, not since your parents passed away when you were fifteen and your sister is only ten. It has always been you, alone, against the world, and now, it felt like even your sister was against you.

You didn’t hear Oscar enter the living room until his voice, soft but firm, broke through the silence. “Hey, I heard you from our room. Are you okay?”

You swallowed hard, your body automatically stiffening instinctively and continued browsing through your documents like nothing happened.

“Yeah, I’m fine. Don’t worry,” you lied, though the quiver in your voice betrayed you.

Oscar walked over and sat down beside you on the couch, his hand gently resting on your shoulder. “You don’t always have to be fine,” he said quietly. “Tell me, what happened?”

You exhaled sharply, your hands trembling as you ran them through your hair. “It’s my sister,” you muttered, trying to keep your voice steady. “She borrowed money from Blaire. Five thousand dollars. Without even telling me. Now, she’s acting like it’s my job to fix it.”

“Five thousand? That’s a lot.” Oscar frowned, his brows knitting in concern.

“I know,” you said, “she doesn’t even care. She just assumes I’ll take care of it, like I always do every time she gets into stupid situations. She thinks just because I earn good money, I’m supposed to fix everything.” Your voice cracked, and before you could stop it, the tears you had been holding back for so long finally broke free. “I don’t know how much longer I can do this, Oscar. I’m always the one fixing things, I’m always the one who has to be strong.”

Oscar didn’t say anything for a moment, he just stared at you, his eyes filled with understanding. Then, without a word, he pulled you into his arms. You tensed at first, still not used to being vulnerable, but Oscar’s embrace was warm, grounding. Slowly, your body relaxed into his, and the weight of the world seemed to lift just a little as you rested your head against his chest.

“It’s not fair,” you whispered to him. “I’ve always had to be the strong one. I’m tired, Oscar. I’m so fucking tired. I don’t know how much more I can take.”

His hand gently stroked your back, his voice soft and reassuring. “I know. It’s okay to be tired. You don’t have to be strong all the time. Not with me.”

You pulled back slightly to look at him, your eyes searching his face, “I just don’t know how to let anyone help me,” you admitted, voice barely audible. “I’ve been doing this for so long, I don’t know how to not be the one in control.”

“I get that. But you don’t have to do it all alone anymore. I’m here. Let me be strong for you, too.” Oscar smiled gently, brushing a tear from your cheek with his thumb.

For a moment, you didn’t know what to say. The idea of letting someone else carry even a fraction of the weight feels completely foreign to you. But as you looked at Oscar, his eyes full of sincerity, something inside you shifted. Maybe, it’s time you let it all fall down, you didn’t have to carry everything on your shoulders all the time.

“What am I supposed to do about her?” You asked, your voice small but steady now.

Oscar sighed softly, thinking for a moment. “You have all the right to be angry and upset. Your feelings are valid,” he said. “She needs to learn that actions have consequences. But at the same time, she’s your sister. She’s young, and sometimes young people tend to make mistakes. You’ve been doing everything for so long that she probably hasn’t learned how to take responsibility for herself yet.”

You nodded, wiping your eyes. “Yeah, maybe. But I can’t just let her think she can keep doing this.”

“No,” he agreed. “But you also don’t have to do this alone. We can figure it out together.”

You looked at him, really looked at him, and for the first time in a long time, you felt like you weren’t alone. Maybe you didn’t always have to be the strong one, the provider, the protector. With Oscar by your side, you could learn how to let someone else carry the weight with you.

“Thank you,” you whispered, leaning into him once more. “I don’t know what I’d do without you.”

Oscar smiled, pressing a soft tender kiss to your forehead. “You’ll never have to find out, I’m not going anywhere, my love.”

The next morning, you stared at the screen of your laptop, fingers moving quickly over the keys as you finished drafting the contract. The legal jargon was familiar, comforting even, but the fact that you had to use it against your own sister left a bitter taste in your mouth. The contract was firm, direct, and laid out the consequences clearly: five thousand dollars, to be repaid in installments, with interest and penalties if the deadline is missed. You hated doing it—your heart never felt so heavy—but you knew it was necessary. You had been too lenient for far too long, if she didn’t learn this now, she might never understand the true value of money and the responsibility that came with it. It was time for her to learn the hard truths you had known your entire life.

Oscar was sitting across the table, sipping his coffee, watching you in silence. “You’ve finished it?” He asked gently. You had told him last night that you need to straighten everything out, and told him your plan, in which he quickly supported you.

You nodded, eyes scanning the contract one last time before saving it. “Yeah. She’s not going to like it, but this has to be done.” You sighed, “I’ve been too lenient, too forgiving. I can’t keep cleaning up after her messes.”

“You’re doing the right thing.” He said as he reached over, placing his hand over yours. “It’s tough, but you’re teaching her a lesson she won’t forget.”

“I hope so,” you sighed, glancing out the window, the weight of responsibility pressing down on you once more. “I’ve never been one to ask for anything back, but she needs to learn that she can’t just treat me like this. I want her to be successful, but she can’t rely on me forever.”

Later that day, you booked a flight for her to Monaco, and notified her about the flight schedule. She was studying in Switzerland, and it would be a four hour flight from Switzerland to Monaco. It was time to have this conversation face-to-face. You couldn’t keep allowing her to avoid responsibility just because you were miles apart. This is a conversation that is long overdue.

A couple of days later, she arrived at your and Oscar’s shared apartment. She seemed different—more subdued, perhaps. You could tell the weight of your anger still lingered in her mind. She greeted you cautiously, her eyes flickering to Oscar, who stood nearby, his presence calm but protective.

“Sit down,” you said, pointing to the couch.

She looked at you, clearly trying to gauge your mood, but she did as she was told. You sat across from her, with Oscar by your side, and the freshly printed contract lying on the table between you. The tension in the living room was thick.

“I had already settled your debt with Blaire,” you began, your voice calm but firm. “But this conversation is not just about the money. It’s about respect, about responsibility.”

“I said I was sorry.” She crossed her arms, trying to play it cool.

“Sorry doesn’t fix this,” you snapped, your patience was already running thin, barely hanging on by a thread. “I have been providing for you because I want nothing but the best for you. But what you did was careless, and you disrespected everything I’ve done for you. You didn’t even ask me before borrowing that money, and then you just blatantly assumed I would handle it. You do this every time to me, you always get me into awkward and humiliating situations.”

She bit her lip, her attitude wavering. “I know, but you make so much—”

“That’s not the point!” You cut her off, about to lose your cool but Oscar had managed to calm you down by softly caressing your back. “Yes, I make good amount of money, but that money just doesn’t magically appear. I have worked hard, harder than you can imagine, to get to where I am. Do you want to know what’s worse? What’s worse is that you’re not even thinking about how hard it is to earn that money, how I burn myself off everyday. So I’m making you earn it back.” You slid the contract towards her.

“What’s this?” She looked down at it, then back at you, looking all confused.

“It’s an agreement,” you said. “I’ve decided to give you the five thousand dollars. Consider what you bought from that money as a gift, because I know you’ve been doing well in school, and it’s been a while since I’ve given you anything. But this will never happen again. You owe me that money, and you're going to pay it back. Every cent of it, with interest.” Her eyes widened, and she opened her mouth to protest, but you cut her off before she could even speak.

“This is not negotiable. I’m still going to support you, I’m still going to pay for your tuition, but you need to learn how hard it is to earn this kind of money. You’re going to work for it, and I'll expect proof—payslips, records—everything. If you miss a payment, there will be penalties added, and if you refuse or try to make a fool out of me, I’m not afraid to take legal action.”

“You’d sue me? Your own sister?” She stared at you in disbelief.

“Yes, I would,” you said coldly. “I don’t want to, but you’ve left me with no choice. You are already eighteen and will turn nineteen in two months, you are already capable of knowing what’s right and wrong. You need to understand that I’m not going to bail you out every time you mess up, this is your responsibility now.”

For a long moment, she didn’t say anything. Her face was a mix of shock and anger, but you could tell the gravity of the situation was already starting to sink in.

“I’m not trying to be harsh,” you said softly, leaning forward. “But I’ve been in your shoes, and I know firsthand how hard life can be. I have shielded you from that, and maybe that was my mistake. But if you’re going to succeed in this world, you need to understand that nothing is free, nothing in life is free. Everything comes with a cost.”

Oscar then leaned forward, gently placing a hand on your shoulder. “Look, we’re not doing this to hurt you,” he added, tone gentle but firm. “But this is a wake-up call. You need to understand how your sister has worked so hard, and how important it is that you start contributing. No one’s saying you have to do it alone, but you have to start doing something.”

Your sister’s eyes shifted between the two of you, and for a moment, you saw a flicker of guilt in her expression. She glanced back down at the contract, and you handed her a pen.

“Okay,” she whispered. “I’ll do it. I’ll pay you back.” Her attitude and defiance slowly faded from her face.

“Good.” You nodded, “then sign it.”

She hesitated for only a moment before scribbling her signature across the bottom of the contract. You felt a strange mixture of relief and sadness, knowing you had to be this tough, but also hoping it would be the turning point she needed.

“You can stay with us while you’re in Monaco,” you told her, “but I expect you to find a job as soon as possible. If you fail to keep up with your end of the deal, there will be consequences. Understood?”

“Understood.” She nodded, though her expression was still a mix of resentment and defeat.

You exhaled, feeling a small sense of relief wash over you. This wasn’t easy, and you hated having to be this strict with her, but it had to be done. Oscar wrapped his arm around you, his touch grounding as soon as you watched your sister head towards the guest room.

“You did the right thing,” he said quietly.

“I hope so,” you whispered, leaning into him. “I just want her to grow up.”

“Don’t worry, she will.” Oscar assured you, pressing a soft kiss to the side of your head. “With you as her sister, she doesn’t have much of a choice,”

Later that evening, the apartment finally fell quiet, dinner was definitely awkward and quiet, but with your sister already tucked away in the guest room, the weight of everything you had said and done began to settle in. You were sitting at the edge of the bed, heart heavy and mind replaying what had happened earlier over and over. The way your sister had looked at you—hurt and angry—it cut deeper that you were willing to admit.

You had always been strong, but this strength had come with a cost. Now, sitting in the stillness of the night, the reality of your actions hit you like a tidal wave. It wasn’t just the contract or the money, it was the fear—the fear that in trying to teach her a lesson, you might have pushed her too far. That in being the disciplinarian, you had damaged something that might never fully recover or heal.

Oscar entered the room quietly, sensing the shift in your mood. He sat beside you, his presence had always been comforting, but it wasn’t enough to stop the flood of emotions you had been holding back.

“Was I too harsh, Osc?” You whispered, voice barely audible.

He frowned slightly, tilting his head to look at you. “No, you weren’t. She needed to hear all of it.”

“I know,” you replied, voice trembling. “But what if I lose her because of this? What if she hates me for it?”

You felt your tears welling up again, but this time you couldn’t stop them anymore. They spilled down your cheeks, unchecked, as you finally let go of the tension and frustration you had been carrying.

“I’m not being harsh to punish her, I just want her to understand how hard life is, how much I’ve sacrificed. But what if all she sees is me being cruel?”

Oscar pulled you close, wrapping his arms around you as you broke down. You rested your head on his chest, sobs coming in waves, guilt and fear crashing over you. You had always been strong for so long—too long—and now, it felt like everything was unraveling.

“She’s my baby sister,” you choked out between sobs. “I don’t want to lose her. But I don’t know what else to do. I don’t want her to think I’m just some heartless person who only cares about money.”

Oscad held you tighter, his voice calm and steady as he spoke. “She won’t hate you. Not forever. She’s upset now, sure. But she’s young, and right now, she probably doesn’t understand why you’re doing this. But she will, trust me. One day, she’ll look back at it and realize that you did this because you love her.”

You shook your head, your chest tightening with the weight of your emotions. “I feel like I’m always the one who has to be the bad guy. I never get to be the one who’s just there for her, to support her without judgment.”

Oscar stroked your hair gently, his voice soothing. “You’ve done more for her than anyone else ever could. You’ve given her everything. You’re not the bad guy, you’re her protector, even when it means being tough on her. Yeah, maybe this will cause a rift for now, but it won’t last. She’ll come around, she’ll see that you’re doing this because you care.”

You pulled away slightly, wiping at your tear-streaked face. “What if she doesn’t?”

“She will,” Oscar said firmly. “But even if it takes time, you can’t keep beating yourself up for doing what’s right. You’re teaching her a lesson that no one else will. You’re giving her the tools to grow up, to be responsible. Sometimes, that means being tough. That’s tough love.”

You nodded, but the guilt still gnawed at you. “I just wish I didn’t have to be this person all the time. The one who fixes things, who keeps everyone in line.”

“I know. But you’re not doing this alone anymore, okay? I’m here. Whenever it feels like it’s too much, rest on me. You can always rest on me.”

You leaned into him again, his warmth easing the ache that you’re feeling inside of you. “I just hope she understands someday,” you whispered.

“She will,” Oscar said softly, kissing the top of your head. “And until then, you’ve done what you needed to do. You’ve set her on the right path, and that’s what matters.”

As the tears slowly subsided, you felt a flicker of hope, knowing that even though this was hard, it was necessary. Even if your sister doesn't see it now, you could only hope that one day, she would understand that everything you did was out of love.

The weight on your shoulders became a little lighter, knowing that Oscar was right. Even if it took time, even if there were still battles to fight, you knew you weren’t facing them alone anymore, and for the first time in what felt like forever, you allowed yourself to breathe. You had done what needed to be done. Now it was up to your sister to follow through.

[herefortheships]

One of the biggest reasons I feel like Beetlejuice 3 is needed is that Beetlejuice Beetlejuice felt (to me) like there was no payoff. I'd have to rewatch, but I feel that the only aspects in which Lydia's and Astrid's lives improved comparing the start of the movie to the end, is that Lydia is freed from Rory and Astrid got to see her dad again, all of which was only achieved thanks to Betelgeuse's intervention.

Lydia was not happy at the end of the film, in contrast to the end of the first movie where we see her happy living with the ghosts of the Maitlands (in addition to her actual dad and stepmom). If anything, even though Rory is gone, Lydia is perhaps lonlier and more unhappy than at the start of the film, after the death of Delia and her father Charles. Rory might have been toxic but whatever idea or feeling of support she had from him is now gone too. We don't know if Astrid will still be attending the boarding school or not, so if Lydia truly quit making her show, then she is also more alone than she was at the beginning.

Betelgeuse also did not get rewarded after spending the entire movie working hard to sort of prove himself to Lydia and show her his love was genuine (despite the few scenes where he truly scared and disturbed her [the Beetlebaby for example... ew], but even though I don't excuse him, I also understand that these dark aspects of BJ's personality just come with the package, with him being what he is, it's something he can't help). In the end he was dismissed despite keeping his part of the agreement, as I'm sure he expected he was going to be, based on the song choice and, what many fans have pointed out, how he didn't do anything to stop Lydia from saying his name and sending him away.

What I'm getting at is that, in the end, the movie left a feeling of there being no payoff, even though technically "the good guys won". When there's no payoff, the story feels incomplete and/or empty in the end. At least we had that scene at the end to confirm that Betelgeuse is not truly gone, which left the door open to the possibility of a third and final part to this series. So even though I do like an open ending, in this case it just feels like this movie just set the stage for a continuation.

Maybe not everyone would agree, but it truly feels that with what this movie set up, the ultimate payoff would be for Lydia and Betelgeuse to finally get married and complete each other's stories. I wish the next movie will focus on Lydia, so that her choosing him feels organic and entirely her own choice.

[fras-redacted-shapes]

Early drafts/unused content in other languages

redditor AloysHellsalem posted about certain text strings that exist in localized files but are missing from English ones. So I took a look at the Spanish string table and tried translating them - these are machine translations, so they are bad and also funny (sometimes).

All of these seem to be some sort of very, very early draft given the number at the end of the speaker's name and because they don't even have corresponding text-to-speech files unlike files from demos/proof of concept.

More of a fun thing than anything else.

Most of them are from Saga's side of the story.

AMBIENT DIALOGUE - RETURN 2

CASEY_4585: I found more of those knit ornaments near [Witch’s] Ladle. The cult has been around here. SAGA_4586: Do you think they’re the ones behind all this? Dead people coming back to life certainly sounds like cult material. CASEY_4587: It feels like they’re connected. We need more evidence. CASEY_4588: Do you really think a ritual will do something? SAGA_4589: My rational brain says no, but maybe it’s time I leave it on the backseat. CASEY_4590: I’ve certainly had cases that made sanity look like a sick joke. SAGA_4591: I can’t believe you knew what Ikea was. CASEY_4592: What? A guy like me can’t have affordable furniture?

Original text:

PROFILING CASEY - RETURN 6

SAGA_4984: What’s happening to Casey? CASEY_4985: I can’t turn into one of them. I won’t. Fuck it. I’ll go to hell before I turn into one of those soulless demons. CASEY_4986: Well, I guess that’s literally what they are: demons.

That last sentence may be a weird translation on my part. I'm not sure how to make it make sense.

Original text:

Leaving the full string here, Saga profiling Casey about him feeling like a fictional character?:

MP_RE06_CASEY_FICTIONAL_SAGA_4987: being a fictional character. MP_RE06_CASEY_FICTIONAL_CASEY_4988: Was I even who I thought I was, or just an average detective torn from the pages of a bunch of mediocre crime novels? Did I exist in printing ink like I did in real life?, and vice versa? The thought always bothered me. The jokes. The similarities. The constant feeling that no amount of coffee could drown.

Original text:

There're lines that look like bullet points or just rough ideas, like the last one here:

SAGA_6910: What’s happening to Casey? CASEY_6911: Casey is turning into a taken, blame Alan Wake for it WAKE_SAGA_6912: Wake WAKE_CASEY_6913: Casey never liked Wake, even before all this. References to cult case in New York

Original text:

PROFILING ESTEVEZ RETURN 6

This looks like a very early draft of Kiran having a girl crush deputizing Saga into the FBC.

SAGA_4989: The FBC. ESTEVEZ_4990: Saga Anderson, she’d be a great FBC agent. She clearly has what it takes: wit, guts and drive. And she’s not backing down from a paranatural fight. I can appreciate that. ESTEVEZ_4991: I should give her the recruitment (draft?) pitch. She’d be a great asset. SAGA_4992: I guess I should be flattered.

Original text:

SAGA_4993: What’s this “AWE”? ESTEVEZ_4994: What reactivated the AWE in Bright Falls? Does the threshold below the lake work in cycles or does it have a trigger? ESTEVEZ_4995: Whatever it is, it seemed more powerful than ever. SAGA_4996: The “threshold” in Cauldron Lake. That’s where I have to go.

Original text:

The following one is nearly incomprehensible

SAGA_6914: Parautilitarians ESTEVEZ_6915: Estevez relives a trauma, says the area of parautilitarians susceptible to supernatural forces (???)

SAGA_6916: doesn’t wake up ESTEVEZ_6917: They told Estevez the Dark Presence can steal forms, making it difficult to know who to trust SAGA_6918: Dark Place ESTEVEZ_6919: Estevez doesn’t know much, other than those who go there generally don’t come back.

PROFILING TOR AND ODIN - RETURN 5

Lots of fun tidbits

SAGA_3003: Where is Tor? TOR_3004:... Polaris ... in a web of hypocrisy. ODIN_3005: Take ... Control. duh duh duhuhuh. Take ... Control ... TOR_3006: Take ... Control. duh duh duhuhuh. Take ... Control …

SAGA_3012: The girl in the painting. ODIN_3013: I won’t remove it. That’s our family. Your (his?) daughter. TOR_3014: She left us! She took Saga and fucked off! So take that damn thing! I don’t wanna see her face!

MP_RE05_TOR_MOTHER_SAGA_3069: My mother. TOR_3070: But I wasn’t made to be a dad. I’m a god of rock! I can take the sky, rock stadiums but can’t change a diaper! TOR_3071: My life is a fucking storm. Freya deserved better. TOR_3072: It broke my heart, but I was proud of her for leaving. She could take care of herself. And her little girl. Saga will be a fucking star. I saw it the day she was born.

SAGA_3074: My dad. TOR_3075: …If she goes with you, she can never come back! It’s a one way trip for her. And I’m not letting a punk take me (?)! UNKNOWN_3076: (STATIC) TOR_3077: Freya isn’t ready for a nursing home. We kept it hidden for a reason! If you try this, I’ll hit you so hard with my hammer there won’t be any door left to open!

PROFILING TOR AND ODIN - RETURN 9

Now, these are super interesting :)

SAGA_5287: Mr. Door. TOR_5288: Freya couldn’t trust that bastard! He wouldn’t have stayed anyways! It’s not in his nature! We had to go! ROSE_5289: Tor, you’re scaring the other residents. I need you to put down that hammer. TOR_5290: A father needs to protect his kids, dammit! The door is a fucking spider and I’ll be damned if I was going to let my little girl get caught on its fucking web.

MP_RE09_ODIN_01_DOOR_SAGA_5293: Mr Door. ODIN_5294: I just can’t let you play with her heart. It’s nothing personal. DOOR_5295: Do you realize Freya will never forgive either of you for this? ODIN_5296: You’re not wrong, but… neither is my brother. Today you’re here, you’re Martin’s door, but eventually you’ll leave it behind and she won’t know why. Better she hate us than she hates herself. DOOR_5297: Then let’s see what you and your drunk brother can do.

Weird translation that last one.

The text for "I can't let you play with her heart" can be translated more literally to "I simply can't make you play with her heart." Which doesn't make sense, at least not without more context.

The line about Martin was probably meant to say "You're Martin Door".

There're a few other tidbits but none as interesting (in my opinion) as these ones.

[mllemaenad]

It always strikes me as weird that there’s no point at which the Brotherhood and Minutemen automatically come into conflict that I can find. One would think that the Brotherhood’s methods of gathering supplies (basically racketeering) would automatically lead to issues with the Minutemen, whose job is to defend against such raiders. I know the game mechanics reason for this, but can you think of anything in-universe to explain it?

I think there are a few things going on here – some gameplay related, some thematically related. But to be honest I don't think it's always easy to separate those two things.

Point one - who's in charge?

If you follow Fallout 4's opening quests then you are the General of the Minutemen. That means that your Sole Survivor gets to make big important decisions like "do we go to war with this new group?" You do not lead the Brotherhood, Railroad or Institute (you may, of course, inherit control of the Institute at the end of the game, but that's after all these decisions take place) and consequently decisions about who your enemies are take place over your head. You can pick a side if two factions you belong to come into conflict ... but you can't ultimately change their politics.

There is no point in the story where you are forced to go to war with the Brotherhood as the General of the Minutemen ... but you absolutely can go to war with the Brotherhood as the General of the Minutemen.

So this is both a gameplay and narrative point: what does your Sole Survivor think of the Brotherhood of Steel? Maybe they are also a dedicated member of the Brotherhood, and have no problem with them "commandeering" supplies. Maybe you work with the Railroad, and their attitudes frighten you. Maybe you're a pure Minuteman character and just resent another group of raiders causing problems for your settlements.

Every other faction makes the decision of when to invoke "War never changes" for you. This one's on you.

Point two – who shot first?

Obviously, the Brotherhood of Steel does end up in forced conflict with the Railroad as part of the main quest. There's no way to make peace between them, no matter how many quests you've done for either faction.

But. Well. I mean – there's an obvious aggressor in this one. It's not like Desdemona wakes up one morning, finishes her Sugar Bombs and coffee and says "Hey, guys, given that we've just barely clawed our way back from extinction, doesn't picking a fight with a group of heavily armed thugs sound like a great idea?"

There are no Railroad quests that require you to directly attack the Brotherhood until after the Brotherhood tries to murder them. While Brotherhood and Railroad ideals are pretty clearly in conflict, the Railroad absolutely does not want to start another war. They're up to their eyeballs dealing with the Institute. The Brotherhood impose that conflict on them.

Why? Well, they tell you. The first reason is that the Brotherhood are intent on committing genocide, and they are aware that the Railroad's mission would require them to rescue and protect synths.

Even with their relatively small numbers, the Railroad is a constant threat to our operations. They've already proven to be resilient against superior forces, with a knack for disappearing when cornered. Worse still, they possess the capability to help synths flee the Institute. If we intend to end the synth menace, we need to plug the leaks. – Lancer Captain Kells Dialogue, Fallout 4

The other reason is because the Railroad has PAM, and the Brotherhood wants to steal her.

Our sources tell us that the Railroad has some sort of experimental or prototype robot in their headquarters. They're calling the "Predictive Analytic Machine," or "P.A.M." for short. Cute, huh? They use the robot for complex strategic calculations that are much more efficient than anything we can generate here. If you could use this holotape to decrypt the security on P.A.M.'s terminal, it will force the unit to return to the Prydwen. I'm certain we could put P.A.M.'s computing power to good use. Otherwise, destroy it. We wouldn't want it to fall into the Institute's hands. – Proctor Ingram Dialogue, Fallout 4

The conflict between the Brotherhood and Railroad occurs purely at the Brotherhood's instigation. While the Railroad doesn't like the Brotherhood they don't want to fight them unless they have to.

Which brings me back to the Minutemen. As an organisation, the Minutemen are pretty well indifferent to synths. Oh, they're one hundred percent opposed to the Institute sacking settlements with Gen 2s, or people being replaced by synths, or any other scenario where the people they've pledged to protect get hurt ... but there's no official policy on synths themselves.

Preston is broadly pro-freeing the synths because he's a good guy:

I never really thought about synths that way before, but it's hard to argue that they don't deserve freedom like everyone else. – Preston Garvey Dialogue, Fallout 4

But nothing about being involved with the Minutemen actually forces you to help a synth. So they are not on the Brotherhood's radar the way the Railroad are.

The Minutemen is also a pretty low tech organisation. Their signature weapon is the laser musket. Their big rebuilding quest, Old Guns, is about setting up some very old-school artillery. Nothing about that is going to make the Brotherhood start salivating and plotting to steal their stuff. Now, obviously that artillery can turn out to be very effective at dealing with the Prydwen if it comes to that, but that's a very Brotherhood mistake: they think shiny tech will protect them from superior numbers and rational tactics. They made the same error at HELIOS ONE.

So unlike the Railroad, the Minutemen are unlikely targets for Brotherhood aggression at this stage. They aren't forcing a conflict. But like the Railroad, the Minutemen start the game a hair's breadth from annihilation. Most of the game is spent rebuilding both their forces and their credibility. They clear raider strongholds and nests of feral ghouls. They're not much more likely to be actively pushing for an all-out-war than the Railroad.

Point Three - who the hell are these guys, anyway?

After all of that, I recognise there's still a problem, though. Because Feeding the Troops is still a pretty obnoxious quest and it does feel like a thing that would cause issues.

Fallout 4 does a lot with misinformation; appearance versus reality; what someone says and then what they do. I know I've brought it up before, but a big one is the difference between Diamond City and Goodneighbor. And one of the key points about that is that things change: Diamond City wasn't always run by the Institute; Goodneighbor wasn't always setting itself up as a haven for the lost. Things change. Bad things can improve, and good things can slip into evil.

Earlier games had a karma system associated with them: this is good, this is bad. Fallout 4 replaces this with companion opinions, which fits pretty well with its themes and ideas. It's not going to tell you which one is the good karma option. You've got to play the game and figure it out. And yes, sometimes the answer is "there's no good answer".

Two things about the Brotherhood: they arrive relatively late in the game, at the start of Act 2 ... and they were the good guys in Fallout 3. They were very explicitly the good karma option in Fallout 3. While, obviously, each game is going to pick up a bunch of new players who haven't played the older ones, it's also important to recognise that Fallout is a series, and the narrative continues from one game to the next.

By the time Fallout 4 starts all the various factions in the Commonwealth have been locked in conflict with the Institute for decades. Asking them to pivot and immediately start fighting these guys who turned up last Tuesday is a lot. While the Sole Survivor could never have heard of the Brotherhood of Steel, there's a really solid chance that you, the player, have heard of them. And you might make some assumptions, based on that.

They were the good guys, right? Okay, yes, kind of arseholes and a bit of a problem if you were from Underworld but ... they fought the Enclave! They defended Project Purity! They protected people from super mutants! It's a whole thing!

But. Well, there's clearly been a change in leadership since then. And they've specifically reintegrated the Outcasts, i.e. the anti-helping people Brotherhood faction.

Also, the Commonwealth is not the Capital Wasteland. The conflict there was Brotherhood-versus-Enclave and the Enclave was so very bad that virtually anyone could look heroic opposing them. The super mutants never coalesced into a coherent faction who wanted anything; they operated more like a plague. Simpler times. In the Commonwealth there are more factions, more differing ideals. The water needs purifying, sure, but if we could solve the political problems farming wouldn't be a major issue.

You see all this difficulty and ambivalence in the game's characters, too:

The Brotherhood. In Capital Wasteland, they really weren't bad. But now. – Deacon Dialogue, Fallout 4 Those Super Mutants are a threat to everyone in the whole Commonwealth. I'm glad to have the Brotherhood's help to take them out. – Preston Garvey Dialogue, Fallout 4 Long as the Brotherhood of Steel keeps the heavy artillery out of the city limits, they're welcome here. – Diamond City Security Dialogue, Fallout 4 Flying that ship into the heart of the Commonwealth. Mark my words, the Brotherhood's here to start a war. – Nick Valentine Dialogue, Fallout 4

Characters are aware that the Brotherhood did good in the past. They're concerned about the giant airship in their space. They're grateful when the Brotherhood does something that happens to be helpful, even if their reasons were selfish. The decision about what do about them is floating in the air, from the day they turn up.

So now I'm back to my first point. You're the General of the Minutemen. Odds are, defending the Commonwealth as a Minuteman was one of the very first pledges you made at the start of the game. And sure, you're visiting all the factions and doing their quests, because that's how these games work.

Cool. So – I mean, they've asked you to bully and steal from the farmers you swore to protect. If you take your non-human companions to the Prydwen they will say the most horrible things about them. They've sent you to murder your friend Danse, even though he hasn't done anything and it's not like he can choose to not be a synth. They're powering up this really scary robot they can use to terrorise people. They're sending you to slaughter the Railroad, unprovoked, because they want their robot. At what point have you had enough? At what point do you go "Ohhhhh. This is the bad karma faction"?

There's a warning, right at the beginning of their quest line, from Haylen:

Field Scribe Haylen, personal log entry 324A. I'm starting to wonder if joining the Brotherhood of Steel was a good choice. I originally signed up seeking protection and comradeship but I'm worried that I've traded away a bit of my humanity in the process. The Brotherhood's message of hope for the future is idealistic and noble but their methods leave a lot to be desired. The leadership seems especially misguided. Instead of diplomacy, they wield violent confrontation to exert control. Despite all that, I've been successfully avoiding the fighting by following the career path of a field scribe. I suppose only time will tell how long I can stand the sight of spilled blood over my own moral fiber. – Scribe Haylen's Personal Log, Fallout 4

If you can recognise some foreshadowing, you can see where this is going.

I think the game doesn't force you to fight the Brotherhood with the Minutemen because you are the General of the Minutemen. It doesn't have karma options, it asks you to review the situation and make a decision what to do. You can fight the Brotherhood, if you choose to. In fact, you kind of swore that you would.

Yeah, they're running a protection racket. What are you going to do about it?

And I think that's very in line with the sort of story Fallout 4 wants to tell.

[sufferu]

Thinking about the Anastasia Camp in Arc 3 because holy shit, practically that entire camp was legitimately going out of its way to try and yank Subaru back to his senses and he has NO IDEA.

Julius is obvious, everyone knows at this point that his entire duel was him trying his best to prevent Subaru from getting dragged out and slaughtered in the street. But like, Anastasia did not have to go THAT FAR out of her way to try and teach Subaru a lesson. Girl literally set up the most obviously identifiable trap in the world with all of the tells perfectly aligning with the flaws she believed she saw in his character, told him to his face where he screwed up and what he needed to work on in order to not screw up next time, and then made a show of walking out as a group with all of her mercenaries just to point out the very obvious signs that the flaws she had just pointed out had prevented him from noticing. And also — someone else pointed it out, but it’s arguably implied that she only decided to do that after hearing that Subaru had picked a fight with Crusch Karsten like THREE DAYS after Julius had apparently completely failed to teach him that very necessary lesson about MINDING YOUR TONGUE. Which is just — she heard about that and went “Od Laguna that boy is legitimately going to get himself murdered ten times over if I don’t do anything to stop him isn’t he” didn’t she?

But it’s not just them because Ricardo was ALSO fucking in on it. We don’t see him until the final loop, but when we do he seeks Subaru out almost immediately and starts subtly gauging him out, seeing how he reacts to him mentioning Julius and the Royal Selection Ceremony and the White Whale and everything, clearly weighing his conclusions about Subaru’s reactions to all of that to the story he obviously heard from either Julius or Anastasia after the Incident at the ceremony. He even starts giving Subaru bits of advice because it becomes clear that Subaru is SO fucking stupid. Like, Subaru asks him what is. Probably a really racist question about whether he feels weird about riding a Liger — being a demihuman and all — and Ricardo makes a show of being very casual as he answers it by saying that “ah, well, this is an animal and I’m not, so there’s that” before moving on to basically say “word of advice: never ask anyone that again” and he does it nonchalantly enough to not make a big deal about it while also getting across that what Subaru just said could very easily be taken as an insult worth fighting over. And then he goes out of his way to save Subaru from the Whale at one point, getting his mount sliced in half and himself very seriously injured in the process.

And then to top it all off, the minute Julius sees Subaru again he gives him such an obvious test that Mimi almost ruins it by calling him out on it, in a way that very much mirrors the test Anastasia gave him in that failed loop, goading Subaru into a negotiation about Why the Anastasia Camp should continue to help them fight the Witch Cult without telling him that they were already planning on doing exactly that anyway. He even ends by nodding and saying that he’ll give Subaru’s efforts a “passing grade.”

Like, the Crusch Camp was helping Subaru a bit more explicitly — healing his gate and all — but that was very much a transactional exchange, with Crusch even explicitly stating that she will only ever help Subaru with his endeavors if there is something in it for her and her Camp. Meanwhile, for someone known as the Merchant Princess, Anastasia and her companions were being way more altruistic in their attempts to actually do Subaru some good. Aside from Rem, the Anastasia Camp may genuinely have been Subaru’s closest ally within that entire Arc, from start to end.

(Fuck, even in the IF route connected with this Arc. It might say something that Halibel is the one who houses Subaru and Rem (and even helps Subaru land a job) in Sloth:IF, considering that he’s got very strong ties to Anastasia.)

[judasalicent]

my predictions for aegon ii's death in hotd. spoilers for f&b obviously.

i believe that aegon is going to kill himself, and i think alicent's role in his death will be indirect (i.e., she is not the one who comes up with the idea of poisoning him).

why does aegon want to die? as of right now, i believe aegon's s3 plot will revolve around his time hidden on dragonstone and getting acquainted with the smallfolk, learning to live freely outside the chains of duty. aegon's fun comes to an end when sunfyre arrives on the island, and aegon is called back to duty. additionally, aegon will at some point learn of his mother's betrayal, exacerbating his sense of worthlessness. aegon became king because alicent said so, he fought in this war because alicent said so, he's been broken and burned because alicent said so. and then he wins his crown back only to discover that alicent is in love with rhaenyra and never wanted him to be king, and aegon will think all he's lost was for nothing. ultimately, he will see an escape from duty in death.

what will be the role of larys in aegon's death? to begin, let's talk about aegon's death in f&b. i believe that larys's role in the fall of dragonstone/riots of king's landing/the moon of the three kings will be greatly simplified. with such a low episode count, i imagine s4 will skip most of aegon's reign. to streamline this plot, i believe larys will support aegon throughout the entirety of the story. in f&b, larys and orwyle are implicated in aegon’s death, orwyle providing the poison and larys orchestrating. simultaneously, s2 establishes that orwyle and larys care for aegon. accordingly, i think these two will accede to aegon's plea to die out of a sense of mercy.

how will alicent be involved in aegon's death? when aegon finally decides it's time to die, he will ask to go to the sept with alicent, carrying the poisoned wine with him. in f&b, it is said that aegon is often ashamed of himself and his desires during his reign, which would possibly give him the idea to go to the sept to be "forgiven," in the eyes of the gods, but really, in this eyes of his mother. f&b further supports this theory of seeking forgiveness with this quotation from eustace "perhaps he sensed his end was near I…] and wished to pray for forgiveness for his sins." basically, aegon wants to be with his mother in the sept, referencing alicent's "i find this is a way to be with my mother," in 1x02 and aegon's "i want my mother," in 1x09. also, aegon as king is "born" in the sept in 1×09 (imagery is very explicit), and it would make sense for him want to seek out alicent there while he dies.

so, in the litter on the way to the sept, aegon will have alicent help him take a sip of the poisoned wine, meaning that alicent indirectly kills aegon. the poison will act quicker than what aegon expected, and he will die before reaching the sept to be "forgiven."

simultaneously, aegon's death will obviously be relevant to alicent. alicent will witness the death of her last living child, totally free from duty, the final link in the chain broken. i do not believe that alicent will want to kill aegon. it is one thing to sacrifice him before the war has really begun, but it another thing to murder your ailing son after the bloodiest parts of the conflict have passed. yes, alicent will resent aegon for killing rhaenyra, but the worst thing she can do to him to get that idea across is not to kill him, but to keep him alive and constantly remind him that she loved rhaenyra more than him.

[cassynite]

2, 5 and 19 please?

Who is your newest OC? Why did you make them?

Newest OC? Probably Sorcha, a character I'm baking who exists within Pathfinder. She grew from an age-old tradition of mine where I give my characters Super Special abilities to accommodate for meta actions a player can take--in her case, she's an in-universe explanation for save-scumming. She comes from a Kellid community to the north that has worshiped Pharasma for generations due to their proximity to a micro-plane they refer to as the Endless forest--a pine forest where time does not exist properly, and her people believe shows them their fate. Sorcha was meant to be a witch of the pines, but left the community and the practice behind when she went through one day and saw that her own son would one day murder her--and a version of him exists within the forest that tries to kill her to prevent his own birth and both their fates. While there, though, she ended up tied to the forest in some intrinsic way, and has found that if she dies in the material plane, she is transported back to the forest, where she can find her body and wake up to the morning of her death, resetting the day. She uses this ability to her advantage during her travels to avoid ghastly encounters and change the fates of others, all while slogging to the inevitable doom that approaches her.

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[pepperpixel]

“put me on a pedestal and i’ll only disappoint you

tell me i’m exceptional, and i promise to exploit you

gimme all your money, and i’ll make some origami honey!

i think you’re a joke!!! …but i don’t find you very

fuuuuuuu~nyyy”

More tagr art!!! Assorted stuff this time! Featuring some cute chibi stuff. Some solo gaz’s, a lil uhhh. Comic of an altercation.. and a very belated Halloween pic I started drawing last Halloween and didnt finish lol. Also featuring lyrics from pedestrian at best cuz that song rllly rlly fits my ver of tak lol.

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[abeluser]

I propose Cry of Fear dlc/game that follows the plot of Alesana's album 'The Emptiness' (2009)

[lunaicfantastic]

anyway my theories for the bear are: that season 4 will end like season 1--with them announcing the closing of the bear/the beef and the upcoming opening of something new/the bear, that we will find out that Mikey was the one who told Claire about the name of the restaurant being the bear (mb thru a convo btwn Richie and carmy) and this will be the final straw in the clusterfuck of their relationship, at one point carmy will try to burn down the bear, and that Richie will get tickets to go see Taylor Swift with his daughter idk

[infinitelystrangemachinex]

Mel for the unhinged character bingo!

yessss YEEEESSSSSSSSS

[exopelagic]

WHY DID NOBODY TELL ME BURROWS END WASNT FREE

[quietwingsinthesky]

at some point i am going to have to force even to go back and deal with donna & tentoo & rose & all and everything they ran away from. and that will probably involve them losing tentoo’s chameleon arch watch by giving it back to its rightful owner, whether she chooses to open it or not. and that is. not going to be a very fun or stable time for them.