#also i feel like emma has more importance

[matchacreamlatte]

In an interview it’s said there’s a easter egg in this scene..

Is it because LG has his arm positioned in a way to keep a constant eye on his watch? To see if a certain time passes?

Maybe he’s trying to see if the timeline changed with Emma. He’s also acts pretty suspicious in these scenes, like him not surprised at all when her death is broadcasted.

[goldiipond]

unmmmnm my phone doesnt have the flame emoji for some reason but. Give me yuor Emma takes <3

YAAAAY EEMA MY FRIEND lets see um. well honestly i dont think nearly enough people making postcanon designs acknowledge that emma is absolutely gnc in some form.

yes she really doesn't dress super masc and i know how annoying the trend of 'oh shes so butch <3<3<3' n its literally just Girl With Pants can be but i think in the context of tpn specifically its like. different. i simply think that demizu taking a character who was required to wear skirts 'because shes a girl' for the first 11 years of her life and making the conscious decision to literally never draw her in a skirt outside gracefield probably has some significance to it yknow.

and like all the girls are shown wearing both skirts and pants at some point once they are given the freedom to choose, but emma is the only girl besides violet and paula who makes the conscious decision to never wear skirts. basicaly agender masc lesbian emma is the realest ever to me <3

[rockrosethistle]

If there's one thing TGWDLM fans are gonna do, it's think about the implications. And the implications of the opening number are crazy.

So. We know that the show isn't completely chronological since the opening number takes place before the meteor hits. So that song is a sort of "flash forward" moment. But when you think about it, we don't really know how far in the future it takes place.

What we do know is that by the time it's happening, Emma is infected. She has a little solo in it singing about how Paul is pining over a barista

And we know that this is meant to be an infected Emma specifically. Lauren had other characters in the show, if they wanted to avoid the Emma implication they would've just dressed her as one of those.

So we know this is meant to be Emma.

And Emma isn't infected until the very end of the show. She's dragged off stage during the credits. So since she's infected in the opening number, we know the number takes place after the events of the show.

Another important detail is that Paul is infected before Emma. He's the one that passes it on to her.

So back to the opening number, Emma is infected. Which means by just following a simple timeline, Paul must also be infected. He should be singing and dancing, right?

But that's not what happens. Paul misses his entrance.

If Paul is infected, then there's no reason he should be missing his entrance. Furthermore, if he's a part of a hive mind, there's no reason other members of the same hive mind shouldn't know where he is. They are literally all connected by one brain, and yet both Mr. Davidson and Bill express they have no clue where he went.

What I'm saying is that Paul is not infected. He was infected (again, we know that because Emma is infected and he was infected before her) but now he's not anymore.

I'm saying there's a way out of the hive, and Paul found it. That's the only explanation that makes sense given the facts of the situation. Sometime after the events of tgwdlm, Paul is able not only to break out the hive mind, but to hide from it.

And if he broke out, others could do the same. Maybe even Emma.

Edit because a countertheory has emerged: Yes it's possible that everyone is infected the entire time and the show itself is just Pokey replaying the events for the fun of it. But it seems unlikely to me. First of all, each of the Lords in Black has a distinct personality. They all are evil, but within that they seems to fall somewhere on a spectrum of "silly billy" to "prick." For example, Tinky is more of a silly billy. He toys with humans without much of a motive and more for just shits and giggles. But in every instance, Pokey's more on the extreme side of prick.

He's one of the few with an actual motive behind what he does. In Yellowjacket, it's confirmed that Pokotho hates the sound of anyone's voice except for his own. The events of TGWDLM don't happen because Pokey is bored, they happen because he is executing a plan. So I don't think that he would just have them play out their little scenario just to entertain him, especially just one small island? I just feel like he'd be more focused on world domination.

If the theory is that all this is happening after Pokey's already taken over the whole world, no one was successful in stopping him, then yes it's plausible, but still weird. There are a strange amount of things in that show you just think an eldritch god wouldn't include.

Edit 2: New evidence has emerged???

The Guy Who Didn't Like Musicals is loosely based off of Invasion of The Body Snatchers. Paul's last name is even a nod to the main character, Matthew. At the end of the film, Matthew survives, and continues living among the infected, pretending to be one of them. And wouldn't that be just such a fun little parallel...

Obviously it doesn't prove anything but the source material doesn't lie folks.

[hotjaneaustenmenpoll]

Third Place Poll

Propaganda...

Colonel Brandon (1995):

Alan Rickman has the sexiest voice. Just listen to him reading poetry to Marianne at the end to witness how hot he is.

Alan Rickman simply embodies the truth of Col. Brandon in a way that no one else every could. It's the perfect merging of actor and role. He brings the perfect combination of honor, decency, sensitivity and passion. He is the ultimate mensch.

Brandon propaganda in which even the film's director agrees that Brandon is sexy.

More Brandon propaganda! This photo could only be published in black and white because it would have been too powerful in color (the original color version is currently being used to provide electricity for a medium sized town in Devon. It's THAT powerful).

The brim of the hat falling over his eye. The casual lean. The hunting rifle slung across his leg. The puppy bestie. The fact you know he could row that boat while you watch and wish you were the boat.

From Emma Thompson's diaries which she kept while they were shooting Sense & Sensibility. Emma Thompson said vote Colonel Brandon.

The man has just heard her sing for a minute and he’s positively awestruck!

also adding his adorable adorable smile just bc i can.

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

GIF by dearemma

I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

GIF by night-unfurls-its-splendour

Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

64.media.tumblr.com

Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

GIF by christophernolan

GIF by sashajames

GIF by christophernolan

I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

GIF by myforeverworldofmovie

It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

GIF by elinordash

[thehorrorgirlstyles]

Be my Queen

King!Loki x Commoner!reader

Warnings: Royal AU, Mentions of death, Swearing, 18+ content, blood, violence, mature themes, sexual themes & words, dark themes

Note: I am not an expert with Royal titles, I tried as closely to follow what I know, but there could be some mistakes such as status.

Summary: Loki has taken a liken to you, wanting you to be his queen....his mother has other plans in mind.

____________________________________________________________

"Mother, MOTHER!" you yell out, running towards her. The guards drag her limp body away from you, she leaves a trail of blood behind. "PLEASE MOTHER!" You cry out as they disappear around the corner. You keep running, trying to reach her, but she's gone and you can't seem to keep up. You can't feel your body as tears stream down your face. You continue to run, but you end up back where you started. Blackness surrounds you as you drift off losing consciousness. Your eyes close and you feel yourself falling, hitting the floor with a "thump!".

_______________________________________

You wake up in a cold sweat, breathing deeply. This has been the third time you've had this nightmare this week. The recurring dream of your mother haunts you, but you know that it isn't true. It's just a nightmare. She passed away in her sleep due to a disease, your own father told you when you were eight asking, "Where mommy has gone?". So why do you keep having this nightmare you wonder?

You get out of bed and head to the bathroom. You have no time to think about the dream as you have more important things to do today. Loki's ceremony where he will be announced King happens in a few days. As the daughter of the Royal Advisor and executive officer, it is your job to help the servants and ladies-in-waiting with making sure everything is ready when the day comes. The kingdom has been over crowded as of late as the commoners and people of the kingdom are excited to see Loki become king. It is believed that he will be a great ruler as he is kind and compassionate to those of less status. You especially are happy to see Loki become King, he deserves it.

When you get out of the shower, you sit down at your vanity and brush your hair. Looking into the mirror you realize what this means for Loki and you. He will have to take a Queen and you have little to no status. You only reside in the palace because your dad is their right hand man. Queen Frigga has been like a mother figure to you as your family grew up serving the royal family and has provided your family with the honor of residing in her kingdom of Asgard, her saying that it will be easier to call on you if you live in their quarters. When your mother passed, Frigga told you that you would take her place and become her lady-in-waiting as soon as you turned 18, which happens to be the same day as Loki's ceremony.

As you and Loki grew up together, you developed feelings. You have been seeing Loki since you guys were 16. You don't know how you'll be able to see him grow old with someone else, but you know he'll have to. You finish up getting ready when you hear a knock sound on your door. You tighten your robe around yourself, walking towards the noise.

"Yes?" you answer the door looking out to see Emma, a servant.

"Hello m'lady Prince Loki asked me to give these to you" She comes in and hangs 2 dresses on your closets doors. One is green, the other gold, both covered in diamonds each stunningly gorgeous.

"He said to choose which one you like best to wear today as well as the jewelry I laid out on your bed" She points to the Emerald earrings and diamond necklace.

"You can find him in the enchanted garden when you're done and I'll be back later to clean up your room" She walks out closing your door.

You look at the dresses deciding on which one to wear. Loki has been gifting you presents for quite some time. While you enjoy them you also feel like it's too much. You should be helping the servants, instead your playing dress up, living a life that only someone of royal status should.

__________________________

"Y/n" Loki looks at you with a small smile on his face.

You walk into the garden coming face to face with Loki.

"I see you chose the green my favorite color...You look beautiful in anything you wear my love, but you look breath taken right now" He grabs your hand, pulling you in closer. He wraps his arm over your waist, kissing you passionately.

After a minute, you back away and put your hand on his chest, "Loki, I-I..."

He looks into your eyes with concern, "What is it darling, are you alright?"

"Loki why I appreciate the grand gestures and the big fancy dresses, you can't keep doing this".

"Doing what, I don't understand..do you not like the dress, I can have another made for you my dear" he pushes a strand of your hair out of your face, his arm still holding your waist.

"No its not that...its jus-...its just that your going to be king soon and I'm no one Loki" "Your going to have to take a Queen and I am simply your servant...a commoner at best.. I'm only here because of my father"

"Y/n my love for you is stronger than any title, if being King means that I lose you.. then I shall simply stay a Prince" "However, since I can chose who will be my Queen, when I become King, I chose to take you as mine"

You look at him in shock, "bu-But Loki I'm not a Princess, it's goes against the rules".

"It doesn't matter darling, I will have the highest authority, what I say shall go and if anyone dares to say something I will deal with it myself" "Titles don't mean anything to me, in my eyes you are so much more, you have always been since I first laid my eyes on you back when we were only little beings"

A tear slips from your eyes and he wipes it away. You kiss him deeply and he roughly grabs your hips pulling you in closely. Everyday you crave his touch, you will never get enough of him. He pulls you towards the stone wall in the garden. Your back hits the wall and he hikes your leg up. You wrap it around his hip as you grind against each other.

"God, I can't wait to make you my Queen" he groans out, grabbing your neck and deepening the kiss. He's rough with his movement like he hasn't touched you in days. Your dress prevents you from actually doing anything right now, your corset feeling like its knocking the breath out of you. It is probably a good thing since you are in a public place where anyone could walk by. The garden mostly being inclosed by large glass windows and a few stone walls.

"Fuck" he slams his hand by your head, against the stone. "Shall we go to my bed chambers right now?, I need to take you Y/n.. you are making me a madman" He moves towards your neck, biting and sucking, making you moan out.

"While that sounds like a lovely idea my Lord, we both have duties to attend to and I think we have lost track of time" you giggle out, wrapping your hands around his neck.

"I don't mind losing myself in you" He goes back to your waist, pulling you in closely, meeting your mouth. You kiss him back, both moaning into it.

You hear someone clear their throat. You both quickly back away from each other. Your face reddens as you realize it's his mother that interrupted you.

Loki pulls his shirt down and tugs on his collar, sorting out his suit. He clears his throat, "uh- Mother what seems to be the matter?"

Frigga looks between the both of you. You can't tell, but there seems to be something behind her eyes that doesn't look happy. Even though she smiles and walks further into the garden to meet you, "Son, Princess Amor is here to meet with you, she is in the foyer with Duke William".

Loki goes to complain, but is stoped by Frigga, "It is advise that you see to her, now" She gives her son a warning look. Frigga has been trying to set her son up with a Princess over the last few weeks.

He sighs and looks to you, "I'll be back as soon as I can" he gives you a sympathetic look and kisses the top of your head, walking out the garden.

Frigga watches him leaves and looks to you, "Dear, walk with me will you?"

"Of course Frigga" you give her a small smile and go to start walking.

She stops you, "Its your majesty". You look at her, she's never once made you call her that, it has always been Frigga since you were little, but you nod and she smiles at you.

-----------------------------------------------------------

You guys walk to the end of the palace outside to where the dungeon is kept, she opens the door to the basement and you look at her.

"Why are we going down here?"

"Why my dear, I simply wish to show you a part of the plaace you haven't seen before is all" She smiles, but it doesn't meet her eyes. You can't help but feel that something is wrong, but you follow her down the stairs.

It's cold and dark, the stairs seeming to go on forever. You finally reach the bottom and see a bunch of rooms some with prison bars. You guys walk to the end of the hall. On the way you peep into one of the rooms and see blood smeared on the walls, chains hanging from the ceiling.

You can't help but ask, "What exactly do you use this place for?"

She turns around and motions you to continue following her. You reach the end of the hall and enter the biggest room of the dungeon. Inside is more chains and a large table in the middle that looks like a guillotine.

"To answer your question, this area of the palace is used for anyone that crosses the kingdom, such as traitors or thieves"

"So like a prison, where they serve out their time...pay back their debt?" You ask looking around the room.

"Yes exactly..except they don't serve out their time.. you seen we have other rules around here that we have to enforce in order to keep the peasant in control, an eye for a eye if you will".

You stop your movements and look at her, "You kill them!?"... "But Loki would never dare to do such a thing".

She laughs, "Yes I see my son is a little too weak to carry out these things, which is why I carry out the orders".

"You command the guards to kill...but why Frigga?.. they're still people, people with families and children".

"IT'S QUEEN FRIGGA TO YOU AND YOU WILL ADRESS ME A SUCH!" she yells at you. You jump back in shock. "They should have thought about that before crossing me..GUARDS SEIZE HER!"

You look up and see five men come rushing in, they grab you roughly. You try to get away from them, but their hands dig into your skin, making you cry out, "Wh-What are you doing?" You look to Frigga. Why is she doing this to you?

"You see dear my son is deeply in love with you and I can't have that, it makes him weak, and you are no one..a nobody, he needs to marry someone of royal status... a Princess" "I let you both have your fun, but now he will be crowned King in a few days".

"B-But I don't understand you practically raised me, my family has been apart of yours for so long.. I looked at you like you were my own mother!"

"I know dear and I'm sorry for that, your father has been quite loyal to us and I to have looked at you as my daughter, but the fact is that you aren't.. and I need my son to marry someone that will be an asset to our kingdom.. you are simply not that, its nothing personal dear".

The guards move you towards the table, strapping you to it with ropes. You squirm as you try to get free, but it's no use the ropes burn against your skin. "He'll never forgive you for this..Loki will never look at you the same!" You cry out.

"He won't know it was me.. neither will your father, he will still be serving us as if you never existed" She laughs in your face, "Just like he did with your mom"

"What?" You look at her, "My mom died of disease".

"Is that what he told you?" .. "I had her taken away and killed, she was a pest, my husband couldn't seem to take his eyes off her, so I got rid of her and him".

It wasn't a dream? It was real? The guards really did drag her away and you saw it happen..

More tears stream down your face. Frigga comes up to you and pets your hair, "Shhhh sweetie its okay it will be over soon, I am truly sorry it had to come to this.. I would have had you just marry off to someone else, but you're ruined. I know Loki ruined you and no one wants a whore of a woman who has slept with another man".

"Please, don't do this.. Please Frigga I beg of you!" You cry out in a last attempt to save your life.

"Shh we wasted enough time, soon Loki will come looking for her and we need to get rid of her body, hurry up and pull the lever!" She shouts to the guards.

"Can't we have a little fun with her first, I mean she is just stunning" You hear a guard say.

"You can have fun with her after you kill her, she won't fight you back because she'll be dead, less hard on you." Frigga replies sounding annoyed.

You look at them in disgust, how could this woman you once thought of a mom do this to you?

"Oh but I like the chase, I like when they fight back, screaming out for someone to come to the rescue, but no one hears them" He smirks at you and touches your face. You whimper and flinch away from his touch.

"If you make it quick, then I'll grant you the permission".

The guards smiles at Frigga's response and gets on top of you, he rips the dress, your corset showing, while only a piece of fabric remains on your arms. You try to fight back against him, "STOP, PLEASE, SOMEBODY HELP, HELP ME!" You scream out.

He chuckles at your cries, "It's a shame that we have to kill you afterwards, such a waste of a pretty face".

Suddenly a man barges into the room, "MY QUEEN!" he looks to Frigga, frightened.

"What is it!"

"THE PRINCE, HES COMING, A GUARD TOLD HIM WHAT YOU WHERE PLANNING!"

Frigga face pales, "HURRY UP GET OFF THE GIRL, KILL HER NOW!"

The guard gets off of you immediately and while you're thankful he couldn't progress any further, you are also now scared for death faces you.

Frigga decides that the guards are taking too long of a time, as you see her push one out of her way and walk towards the lever. You screams out for help. When your prayers are answered.

"STOP THIS ISNTANT!" Loki opens the door.

Frigga's hand pauses in front of the lever. Tears continue to stream down your face.

"BACK AWAY FROM HER!" Loki rushes to your side and begins undoing the ropes which hold you down. You look at him and see a look that you've never seen before. He is beyond angry.

"Loki I-" Frigga begins.

"DO NOT SPEAK TO ME!" he raises his voice, not even looking at his mother.

He finally gets you free and helps you off the table. Your dress or what's left of it falls off your body due to the rip. Loki looks at you in disbelif. He pulls you to him and holds your sobbing body as you shake with fear. He shushes you, continuing to hold you as you cry. He looks and sees all the bruises that litter your body. He snaps his head to the guards around him and then he finally looks to his mother.

"How could you do this?" he says barely above a whisper. "I will never forgive you for this, you are no mother to me and you are certainly not a Queen".

"Loki, I was only trying to save Asgard's future..Your future" Frigga pleads with him. You look and see tears forming in her eyes. How ironic you think.

Loki looks to the guards ignoring his mother, "Who touched her?". No one replies. "WHO FUCKING TOUCHED HER!" The guards flinch with fear.

"It was him, he tried t-to ra- me" You point to the guard that was on top of you. Loki looks at you and pulls you back into him.

"I want you to get on that table and pull the lever" he looks at the guard.

"What- But- but- I- she" the guard quivers in fear.

"Stay right here darling and close your eyes" Loki kisses the top of your head and lets you go. He walks over to the guard and you hear him punch him.

"Please, it was a mistake, I didn't mean to touch your lady my Lord" you hear him grunt out. Loki grabs the guard by his collar and throws him under the guillotine.. You hear the guard scream out as the blade cuts into his neck. Loki wipes the blood off his face that splattered on him, "Anyone else?" he looks around the room and back to you.

You finally open your eyes meeting his, your eyes fall to the lifeless body on the floor, but Loki moves to block your view. You quietly shake your head.

"Alright then, what shall I do with the use of you" .. "How about we start with you mother" Frigga looks up, scared when she sees the look in her son's eyes.

"Guards lock her away in one of the dungeon rooms, until I figure out what to do with her, maybe I'll let sweet Y/n decide, since it was her life you so blindly casted aside".

"Son-" Loki cuts her pleads off, "GUARDS!"

The guards look between each other not knowing who's orders to follow.

"I AM YOUR KING YOU WILL OBEY ME!" Loki yells out. The guards rush to grab Frigga, dragging her away. The image reminds you of your mother, funny you think, what goes around, comes around.

As soon as they're gone Loki rushes to your side. You see the pain in his eyes as he stares at you. "I am so very deeply sorry my darling, I should have known my mother would go behind my back like this" .. "I promise you I won't let any harm come to you ever again, we will rule together, you will be my Queen, Asgard's Queen, you deserve it more than any Princess, Y/n".

"As long as I am with you Loki, I don't care if I am Queen or a commoner". He holds on to you tightly with the promise of never letting go.

_______________________________________________________

Timeskip: 5 years later

"My Queen what color do you wish for the baby's room?"

"Hmmm I believe a dark shade of green would go nicely" You smile at Emma and rub your growing belly. "It's Loki's favorite Color".

Note: This was a longer one, as always hoped you enjoyed! :)

[turbulentscrawl]

Most to Least "how often they say I love you" please! Can you include Ithaqua and Antonio in it? I don't care who else, surprise me!

Yup yup yup!

MOST 🔻

Emma says it regularly throughout conversation, and with most hellos and goodbyes. For some people, it might be too much, but she means it every time.

Ithaqua says it several times whenever either of you has to go, to kiss up when you’re upset with him, and as part of his case whenever he wants to convince you not to do something.

Victor signs off every letter to you, big or small, with some form of it. He says it less verbally, but always during meaningful moments.

Eli doesn’t want to go overboard and says it just a little above average. He’s a bit of a romantic and has a very good sense for when are the best times to lay it on you. It’s very sweet!

Antonio probably sets the standard for this, honestly. Once a day is his average, but he also says it whenever he’s exasperated with you. (Both as a reminder to himself to be patient, and as a signal for you to ease up on him.)

Aesop is also pretty average, though it sounds choked about half the time. He finds it a little embarrassing to say it, but since he knows it’s an important part to romantic relationships, he forces himself to say it more than is natural for him. But don’t feel bad, you’re worth the discomfort.

Naib is a little scared to. “I love you” makes it real, and real hurts even more if something happens to you. That said, he knows he can’t let his fear rule over an important aspect of the relationship like that. He takes longer than most to say it for the first time, but after that says it reasonably often, like once every few days. He always says it before one of you enters a match, too.

Kevin is perhaps a bit shocking because he is such a flirt. He just busies his mouth with so many other compliments that “I love you” doesn’t get to slip out as much. If you ever mention that it’s been a while since he’s said it, he starts tripping over himself to shower you with it.

Norton just forgets a lot of the time. Actions speak louder than words, as far as he’s concerned, so telling you verbally isn’t something that crosses his mind. He will get better with time if you communicate that it’s an issue for you.

Joseph thinks you’re just supposed to know, honestly. He says it only in private, deeply meaningful moments and nothing more than that. He doesn’t really care if it’s an issue that he says it so sparingly…unless you cry. Then he might care a little.

LEAST 🔺

[lauraneedstochill]

Make a move

summary: you think Aemond is too arrogant to woo you, but he’s got some tricks up his sleeve. pairing: Aemond Targaryen x F!Reader words: ~ 6000 warnings: a bit of bickering and teasing, it gets slightly heated (Aemond has a praise kink, but I doubt anyone is surprised), mostly it’s just silly fluff author’s note: this was inspired by “Crazy, stupid, love”, particularly the scene where Emma kisses Ryan (one of my favorite on-screen kisses!) and everything that follows. I recently rewatched the movie and had an idea for this story (also, I may or may not have a thing for men’s hands... you’ve been warned)

You keep mindlessly tapping your fingers on the wooden table, your cup of wine untouched. You don’t really notice the movement, too wrapped up in your thoughts, until your friend Margaret sneers.

“If you don’t stop, I might bite your hand off,” she says, sitting across the table.

“Then I’ll use the other one,” you huff but pause your fidgeting. “Better bite my head off, it will do us both more good.”

“But I like your head very much,” she pouts. “Is this about Thomas again?”

You groan, hiding your face in your hands and thinking back to the conversation you had earlier today with said man. Your emotions are a mix of annoyance and embarrassment as you can’t stop thinking about his words.

“He said the meeting will be of great importance. What if he...? You know,” you mutter, and Margaret huffs.

“I hope he won’t.”

“Hey, you are supposed to be my friend!” you playfully pinch her hand, and she fakes a gasp.

“I am your friend. And as your friend, I think you deserve way more than that sad excuse of a man,” her face gets serious for a second, and you feel your smile waver.

“Mar, you know I don’t have much of a choice,” you breathe out, and your heart sinks at the thought. “He isn’t that bad, really. He’s always been kind to me.”

“Sounds like every girl's dream,” she rolls her eyes. “And you want to settle down for a kind man? Nothing else?”

“What do you think my options are? Please, enlighten me since I’m clearly missing something,” you cross arms on your chest. You know she’s right and she means good, but your frustration gets the best of you.

Luckily, Margaret catches it and gives you a sympathetic smile.

“All I’m saying is that for as long as I can remember you’ve always dreamt of something more,” she extends her hand across the table and lightly squeezes yours. “We’ve been friends since we were little kids, and you are the most loving person out of everyone I know. Should I remind you who taught me how to dance? Protected me against my idiot brothers?” you giggle at the memory. “You’ve got an adventurous spirit and a heart of gold. You deserve an epic love story,” there’s a hint of sadness in her voice.

For a minute you sink into your thoughts again.

“And you think Thomas is not the one?” you sigh.

“He’s epically boring at best,” Margaret takes a sip out of her cup. “I know he’s not the one — and you do, too.”

“My parents approve of him,” you try to argue, but she’s quick to object.

“They only care about your approval. And they mistakenly took your lack of protest for it,” Margaret gives you a gloomy look.

“You are aware that I can’t wait forever, right? I’m not getting any younger.”

“Nor smarter,” she snickers.

“Not everyone is lucky to meet the love of their life at the age of ten-and-two,” you frown. Margaret and Jamie got married three years ago, but they have been betrothed for seven prior to that.

“Fair,” she beams, and you can’t stay irritated for long. They are still ridiculously in love with each other, and you are really happy for her. You just wish to feel that, too. You crave that indescribable feeling of longing and wanting and caring for someone else — and being loved just as much in return.

“Maybe the concept of love is overrated,” you ramble. “It was easy to believe in when I was a kid but... As I am growing older, it’s getting harder to cling to hope, I guess. And I’m trying to make an effort and meet new people and... to show just enough character to not scare them away,” you quote your mother. “Yet all of them just make me feel nothing. At all. And I—” you realize that Margaret isn’t listening, her gaze is on something else behind your back. “Hey, I’m pouring out my heart of gold,” you hiss, and her sight shifts to you.

Before you can question her behavior, she informs. “Someone’s been keeping an eye on you.”

“Margaret, I’m trying to have a serious conversation about my future,” you fight the urge to turn around.

“Maybe this is your future!” she winks, and you grunt at her silliness.

“We are in a tavern out of all places! I’d rather take a kind man as my betrothed than a drunk one,” you’re about to scold her, but your friend’s eyes go wide.

“His hair,” her voice is barely above the whisper. “I can make out the strands of silver,” Margaret slightly leans towards you. “You know what that means?”

“That you had too much wine? Mayhaps we should head home,” you suggest, but your friend protests.

“Sit down!” she shushes. “He is coming over here,” Margaret puts on a smile that looks painfully forged. The never-ending chattering of people around you makes your head hurt, and you’re too tired to play along.

“Mar, it’s been a long day, and the last thing I want is to waste my time entertaining some man’s arrogance and...,” you don’t get to finish because he interrupts your train of thought. 

“What if a man entertains you?” his voice is low and cocky. You close your eyes for a second, taking a deep breath. You don’t want to make a scene in a public place so you pull yourself together, thinking that you can talk your way out of this ridiculous situation.

But when you turn to him, your eyes meeting his, your plan is suddenly forgotten.

He is taller than you, a black cloak covering most of his body and his head, so your attention is naturally drawn to his face. He wears an eyepatch, and you look over his sharp features — his prominent nose, high cheekbones that flow down to the curved contour of lips, plump and alluring. Margaret was right about the hair, but she failed to mention the color of his eye. Taking that into account, it’s not hard to guess that he’s a Targaryen. Which means that he definitely is arrogant.

Well, two can play that game.

You ignore his question and pointedly don’t stand up in his presence.

“To what do we owe the pleasure of your company?”

“I believe the pleasure is all mine,” he is only looking at you.

“We just met, you should not jump to conclusions,” you feel Margaret kicking your leg under the table but dismiss her warning.

“Sharp tongue,” he notes.

“Will this be a problem?” you challenge him.

“On the contrary,” it sounds like he’s actually enjoying it.

It is tricky to read his intentions. But when his gaze is concentrated on you, it makes you feel like there’s no one else in the room, and that sensation is thrilling.

“What brings you here, if I may ask?” you press, trying to ignore the unknown feeling creeping up on you.

“It is a nice tavern, wouldn’t you say so? Since you are here, too.” 

“No, I mean what brings you to our table. There are plenty of others you could’ve graced with your presence.”

“Something must’ve caught my eye,” he says, and you see a hint of a smile on his lips.

“Some thing? Well, the interior isn’t very eye-catching if you ask me. But we might have to disagree on that.”

“You aren’t being very agreeable, it seems.”

“That’s what servants are for, and I’m not one,” you’re being defiant yet it doesn’t bother him.

“Please, do tell me more about yourself,” he swiftly pulls up a nearby chair and sits right next to you, his eye never leaving your face.

“Should you pull another one? For your ego, since it takes quite a lot of space.”

He squints at your words, and the corners of his mouth turn into a grin.

“I think we have that in common,” he bites back, but there’s no anger in his voice. If anything, the man looks curious, and you have to admit that you don’t take offense at his wit.

“Are there any other far-reaching conclusions that you managed to come up to?” you turn your body to him, so now you two are opposite each other.

“I only got here a few minutes ago. But I am a great observer should you give me a little more time.”

“Am I supposed to take your word for it? You are not as convincing as you think,” you impugn, so he pauses briefly.

“You don’t trust people easily, do you? How’s that for an observation,” his voice gets quiet, but his gaze is piercing.

“Men,” you correct him. “I don’t trust men.”

“Any of them dared to break your trust?” he gets a little closer, and you instinctively gravitate toward him.

“That would’ve required them to gain my trust first,” you retort.

“And what would it take for me to do so?”

“Do you expect me to make it easy? That’s not very observant of you,” your grin matches his own.

“Nothing good comes easy,” he murmurs, and you involuntarily lay your eyes on his lips. “But I expect it to be worth it.”

You feel a pull toward him, something that’s hard to describe but oh so natural to give into. His confidence isn’t intimidating but rather attractive, and you can’t help but notice how his gaze warms up your whole body. He makes you feel wanted without even doing anything.

But then you think of Thomas. Of the upcoming meeting and your future that depends on it. And you know you can’t throw it all away for some silly conversation with a self-confident stranger. No matter how enjoyable it seems to be.

You bite your lip and look away from him.

“That is enough entertainment for today,” you put some distance between you two. When you give him a quick glance, you catch a shadow of disappointment on his face.

“Didn’t take you for a quitter,” the blond comments.

“You should manage your expectations.”

“Maybe I should manage yours,” he has some nerve. 

“That would be very time-consuming,” you suddenly realize that he’s sitting in your way, and it looks like he isn’t going to move.

“Are you in a rush?”

“I am” — “She isn’t,” you and Margaret say at the same time. You feel your cheeks heating up as you give her a death stare.

“Has anyone told you that you look charming when you are embarrassed?” he remarks, and you want to wipe the smirk off his face. Preferably with your lips. You mentally scold yourself and push that thought away.

“Does this usually work for you?” you get up, thinking of a way out.

“You tell me,” he leans back on his chair with a shit-eating grin on his face, clearly aware that he's blocking your exit.

“Cornering women in taverns is your way of courting?” you think how to distract him, but nothing springs to mind. “And then what, you just drag them into your man cave?”

“They come voluntarily,” it looks like your words struck a chord, but he keeps up the facade of indifference. “I happen to live nearby,” he notes casually.

“We both know that’s not exactly true,” you scoff with a tilt of your head. You are positive that the walk to the castle will take at least thirty minutes.

“Want to bet?” he sits up straight.

“And what do I get out of this?”

He looks you up and down before answering:

“Me.”

He’s pushing his luck at this point.

You glance around and take note that the tavern is packed with people, and no one is paying attention to you. You also realize that Margaret already sneaked out and is standing at the door. She raises an eyebrow with a silent question, as if asking what are you going to do.

That’s when you decide you can push some boundaries, too.

Your eyes are back on the man in front of you. Without giving it a second thought, you step closer to him.

“Was that supposed to make me weak in the knees?” you whisper, and his face expression melts into an amused one. Seizing the moment, you yank your dress up and throw a leg over him. He immediately looks down at the exposed skin of your thigh, his mouth is slightly agape as he’s now sitting between your legs. You see him tensing up, his fingers clenching into fists as if he’s fighting the urge to put his hands on you. You think that if he does, you are not going anywhere. You wouldn’t want to go anywhere — the realization makes you tremble, and you know that you don’t have much time.

You boldly place your hand on his shoulder, pressing him back onto the chair.

“I hate to break it to you, but you are not that impressive,” you say, throwing your other leg over him and successfully moving away.

When you get to the door, the look on Margaret’s face is priceless. You grab her by the arm and drag her outside in a hurry, merging into the crowd of passers-by.

“I need you to explain what the h—” she starts, but you interrupt her.

“Please, don’t,” you snarl. “Don’t say anything, just give me five minutes.”

You can’t even explain to yourself what happened back there and why you did that. You think of his gaze roaming over your body, the depth of his voice and the curves of his lips. You tell yourself that you need to get him out of your head as soon as possible. You fail miserably.

One week later, you are dining with Thomas at his house, and yet your mind wanders back to the arrogant one-eyed man. Aemond, as you’ve learned — and it wasn’t that you wanted to, but fate had other plans.

And by fate, you mean Margaret.

Once her five minutes were up, she couldn’t stop talking. By the time you came home, you got his whole backstory — the second-born son of the King, has two brothers and two sisters, rides the biggest dragon in the world. Overly confident, stubborn, wears an eyepatch because he doesn’t want to scare the ladies of the court. Usually doesn’t talk much.

Unlike Thomas who gathered his whole family and can’t stop blabbing. You struggle to participate in their conversation, giving polite smiles left and right. You don’t know what to expect of the evening, and it makes you nervous. And not in a good way. All of a sudden the possibility of marrying Thomas doesn’t seem to be the best.

From the corner of your eye, you catch him standing up, clearly readying himself for a speech. He has a manner of pursing his lips every time he’s agitated, and it looks weird. That’s also how it felt when he kissed you, which is probably the reason you haven’t done much kissing after that. You wonder what it’s like to kiss Aemond. Just thinking of it makes your heart rate speed up, and you nervously gulp half a cup of wine.

“I gathered all of you today to make an important announcement,” he starts his pompous monologue, “that may not come as a surprise to some of you.”

You cautiously look at the door.

“But, as of recently, I received inspiration to change the course of my life. And I decided to devote myself to the service of Gods.”

You nearly choke on your drink. In all the years you’ve known Thomas, he’s never been to the Sept once.

“And I wanted to grant you this privilege to be the first ones to know.”

You’ve got to be kidding me. You wait for any other announcements — literally anything else — but Thomas goes back to chattering, also accepting pointless congratulations. It takes you ten painfully long minutes to get a chance to talk to him alone.

“May I have a word?” you inquire, and the two of you move to the far end of the room.

“It is about your speech,” you clarify. “It might sound silly, but I thought that you were planning... Um,” you’re trying to formulate your concerns. “I was wondering, how would you describe our relationship? Or the prospect of it, I should say,” you give him a tight smile.

“Oh,” his face pales slightly.

Your facial expression mirrors his. Oh?

“I am actually glad you asked,” he awkwardly takes your hands in his, and you notice how sweaty his palms are.

“You know, you’ve been a great companion of mine,” his voice is as weak as his smile. “And I am forever grateful for those moments that we shared as they only brought me joy,” his hands feel like jelly, and you don’t want to hold them. Like, ever. “But now that I’m choosing to follow my destiny,” you do your best to suppress a chuckle at his dramatic phrasing. “I decided that... I need some time to figure out how I feel. About us.”

You look at him, dumbfounded, his words sinking in.

“You need... some time?” you drawl, feeling an emotion bubbling up in your chest. You are not sure what it is. “You? Need to think about us?” you repeat, and he nods, his brows furrowed at your reaction.

There is a moment of silence, and then you hear yourself laughing. You can’t control it as you’re overcome with emotion, your laughter only growing stronger, to the point of you tearing up a bit. The emotion is relief. There’s no way you’ll ever marry this man.

“I am the one who should be glad, Thomas,” you shake his hand while he seems wildly perplexed, all of his guests staring at you. “Thank you for your honesty, really. I hope you will be successful in all your endeavors, marriage included.”

He opens his mouth to say something, but you already turned around.

“Where are you going?!”

You stop for a second, your thoughts rushing back to the conversation with Margaret. To that evening in the tavern.

“I have a meeting, it’s of great importance,” you say and quicken your pace. You reach the tavern when it’s already getting dark, the weather is cloudy, and your coat is wet in the light drizzle. You walk in a daze as you’re torn between being excited and anxious. There is a chance that Aemond won’t be there. That he doesn’t remember you. That he’s with someone else. That he had a change of heart. That he...

You spot him almost immediately after you walk in.

Coincidentally or not, he’s sitting at the exact same table you were at the first time you met. You stay still as his eye absentmindedly wanders around the room and then lands on you. Aemond stands up — way too quickly — and you see a well-known grin growing on his face. Your eyes dart to his lips, and the question pops up in your head again.

You feel the pull — and before you can think, your body follows it.

He keeps his gaze on you, his brows rising at the speed of your approach. You cover the distance in a heartbeat, your hands reaching his face, and he slightly flinches, probably because your fingers are cold from being outside. And then you stand on your tiptoes and crash your lips onto his without any hesitation.

He gasps, surprised and frozen for a moment. It takes just a couple of seconds for him to melt into the kiss, and his hands are instantly on your waist, pulling you closer to him. Aemond’s lips are way softer than you anticipated — and it’s the only thing on your mind. His mouth on yours, warm and exploring, the slow pacing of the kiss that leaves you lightheaded and yearning for more.

He presses your body into his, lifting you up with ease, and your feet leave the ground. You tug his hood further down so it covers most of your face, too, and then you slide your thumb up the sharp line of his jaw. His tongue runs over your lower lip, and you feel a wave of heat rising in your stomach.

You pull away before you can take it too far.

“You remember me?” you ask him, panting.

He hums, his eye focused on your lips.

“Still believe that nothing good comes easy?” you mimic his words, but he ignores your jesting.

“Definitely,” Aemond looks you in the eyes, keeping his hands on your waist.

“Is the bet still on?”

“Yes,” the corners of his mouth curl.

“Lead the way, then.” By the time you reach the castle, the rain is pouring in full force, and your clothes are drenched. The two of you rush through the streets, your hands intertwined, and it feels like it only takes about ten minutes before you sneak into his chambers, both out of breath and giggling.

Only when you take a look around the unfamiliar settings, it suddenly dawns on you that you are all alone with a man you barely know, and your bravery starts fading away.

Whether Aemond notices the change in your mood or not, you can’t tell, but he respectfully keeps his distance.

“You need to get out of these,” he points at your coat and dress. “They’re soaking wet.”

“Is this your way of trying to get me naked?” you eye him suspiciously, making Aemond scoff.

“I just don’t want you to catch a cold,” he honestly states. “I’ll fetch you a shirt of mine.” Sensing your doubts, he adds, “Don’t worry, it is long enough.”

He brings you the shirt and politely turns away, going to the other end of the room to light the fireplace. On his way there, he removes the cloak and the jacket, his upper body only covered by the same piece of clothing he gave you. You watch him carefully, noting the movement of his back muscles as he bends down.

The sparkling glow of fire brings you back to reality, and you hastily remove your clothes, leaving the undergarments on, which are luckily dry. You put on his shirt, and it barely reaches your knees, but the material feels nice and comfortable. While Aemond is still busy with the fire, you glance over his room.

It’s spacious and simply furnished, and your attention is drawn to a couple of shelves nearby. You look at the tightly packed rows of books, some of the hardcovers are worn out from old age. You catch the familiar naming and pull one of them out, gently flipping through the pages.

“You take interest in philosophy?” his voice startles you. You missed the moment he came back, and when you take your eyes off the book, you see him leaning on the nearest shelf, looking at you inquisitively.

“I do, indeed,” you confess. “And I read this one so many times, my own copy pretty much fell apart.”

“You can take mine,” Aemond offers.

You notice that despite his cockiness, his presence is actually very calming. Everything is easy with him — striking up conversations, making jokes. Taking his hand in yours, running in the rain. Kissing.

Your heart skips a beat, and you sheepishly move on to another topic:

“Shouldn’t you change as well?” you refer to his shirt, but he shakes his head.

“No need.”

“Oh, was it the Targaryen’s dragon blood that helped you dry up?” you tend to jest when you’re nervous, and right now is no exception.

“My cloak is too thick for the water to soak through. But I like your version, too,” his lips ripple into a smile.

You can help but smile back. “Thank you for the shirt.”

“It looks really good on you,” the words smoothly roll off his tongue and ignite the familiar burning deep in your core. He keeps his gaze on your face, your eyes locking for a moment.

You look away first, letting out a timid laugh.

“I must admit, I like this way of courting better,” you place the book back. “But you can cut it short. What’s your move?”

“My... move?” Aemond gives you a quizzical look.

“Yes, your big move. Show me,” you request eagerly.

“Don’t know what you're talking about,” he looks down, his aplomb faltering.

“What do you usually do to impress a lady?”

“I don’t really need to do anything,” Aemond shrugs.

“What a humble individual you are,” you chuckle and give him a minute to think. “So what is it?”

“I just told you...,” it seems like he’s trying to dodge the topic, which only sparks your curiosity.

“Oh, come on! You princes always have a move. Let me guess, you speak to her in High Valyrian? Men like to talk big,” he snorts. “No? Try to win her over with your...,” you gesture at his bookshelves, “...precious collection? Although it’s risky because what if she’s not into reading, that would be awkward,” and then it hits you. “Wait, it’s the dragon, isn’t it? You show her your dragon? Got to make sure it’s well-fed, though, otherwise you’ll have a date with a roasted —”

“It’s my sword,” he cuts you off, and you swear you can see him blushing at the confession.

“Um, your sword? Is this a metaphor for someth—”

“Gods, no. I mean the actual sword. The one you grip with your hand and poke people with.”

“That description didn’t help,” you tease, and he groans.

“You know what I mean,” Aemond gives you a pointed look, but his face flushed pink, and you can’t take him seriously.

“I do, you just look really charming when you are embarrassed,” you say cheekily, which makes him huff. “My apologies. Please elaborate on the sword. How does it work?”

Aemond hesitates but then realizes that you will never let it go, so he gives in.

“I bring my training into the conversation. And then I... show them,” he talks with his hands when he’s uncomfortable, and you find it endearing.

“And that’s it?”

“Pretty much,” Aemond nods.

“They watch you train, and that’s what does it for the ladies?”

“I don’t know why, I never gave it much thought.”

“Well, someone should. Can’t imagine it ever working on me.”

You feel a sudden shift in the air as Aemond slowly looks up at you. You’re standing a few feet apart, and he’s yet to initiate anything, but once again, it only takes a look from him for you to feel a familiar flare-up of the tantalizing desire.

“I’m not going to take you to the training yard in the pouring rain,” he concludes.

“But it’s not about the place, is it? Must be something about you,” now you’re the one champing at the bit to see what the fuss is all about.

“I don’t have a sword on me.”

“Opt for something smaller, I am sure it will do,” you hint at the dagger that you’ve seen him carry, and wait expectantly for him to agree.

Aemond reluctantly contemplates your suggestion, then sighs and goes to get his dagger which he left next to the cloak.

You wonder if the ladies are attracted to his competitive spirit. If they enjoy the feeling of danger they get at the sight of steel, the cold shine of it, the clang of swords. Or maybe it’s the urge to take sides and root for the winner?

And then you see Aemond rolling up the sleeves of his shirt, — and your breath suddenly hitches.

The room is lit by fire, the warmth of it illuminating his skin, casting shadows that frame every muscle of his arms. He takes the dagger in one hand, the movement fast and honed, and your eyes follow it. You notice the scattering of his veins that go down his wrist and into his palm, the blue lines tightening with every swirl. The silver blade catches and reflects the light, but you are focused solely on his flexing muscles.

He’s maneuvering the dagger with ease, almost carelessly, yet you know that every motion is well-practiced through years of training. His long fingers grip the hilt, revealing the sharp outline of his knuckles. The steel silently cuts through the air, again and again, but your eyes are glued to his hands. The way they move, the power that he holds in them. The things he can do with them, with his fingers. The way they will feel on your bare skin and in your... You swallow, letting out a shuddered breath.

“Are you weak in the knees yet?” his words bring you out of your trance, and you blink a couple of times, trying to shake the feeling off. Your body is so heated, you’re surprised you are not sweating yet.

“Is this the point when the ladies throw themselves at you?” your voice is hoarse, and you take a deep breath in an attempt to calm yourself.

Aemond stops his movements. You feel your skin tingling with anticipation, waiting for him to finish what he started, but he doesn’t budge. For a short while, you’re taken aback by the change in his demeanor — and the realization strikes you.

“Wait, how many ladies were here before me?”

“I never said I take them here,” he puts the dagger back in its sheath, averting his gaze.

“But you told me that you do your... thing with the sword for them.”

“In the training yard, with other people around us, yes.”

“So then you just leave them all hot and bothered? Aemond, that is cruel,” his actions confuse you, but while you’re looking for an explanation, he turns back to you and finally meets your gaze.

“It would’ve been cruel to lead them on when I feel nothing for them,” he reveals, and you discern the raw honesty in his words. And you know exactly what he means. It’s the tiresome attempts to find someone who will spark your interest, to spot a connection, all of those efforts leading nowhere and making you feel like you’re the one at fault. But you aren’t — and he isn’t, either.

Aemond looks almost ashamed of letting out something so personal, but you welcome the intimacy of this moment.

“I shall consider myself lucky, then,” you say softly.

He gives you that same look that makes you feel like the world around you disappears.

“You are... something else,” Aemond mumbles.

You guess that he isn’t used to being straightforward about his feelings, nor does he know how to express his affection with words. You really, really want to kiss him again.

The boyish grin reappears on his face.

“Did you mean I left you all hot and bothered?” Aemond narrows his eye.

“I never said that,” you smile coyly. “Maybe you should’ve tried a little harder.”

“I happen to have some tricks up my sleeve,” he takes a step towards you and, before you can ask for details, you feel his fingers on your ribs as he starts tickling you, and you immediately burst into laughter.

His touches are light, fingers grazing against your clothed skin as he subtly moves you further into the room until your legs bump into his bed. Losing your balance, you fall on it, your back met with the fluffiness of thick blankets. Aemond hovers over you, and you can’t stop giggling, trying to wiggle away from his tickles.

Wrapped up in the moment, you make a careless move, your hand brushing up his cheek — and you suddenly see a bright gleam of blue on the right side of his face.

Aemond freezes at the spot, halting his actions, and momentarily flinches away. You are gawking at the sapphire, unable to form a coherent sentence.

He makes a move to fix his eyepatch, but you stop him.

“Don’t,” you catch his hand mid-air, your grip delicate but firm, and he doesn’t fight it. You would’ve been surprised by your own quick reaction if only your mind wasn’t completely occupied with the sight in front of you.

It looks like the gem absorbs all the light in the room, shimmering with various shades of blue. It’s cut in a way to imitate a surface of an eye, the sides of the sapphire polished and blending into each other. There is a depth to it, bright sparkles drowning in a color that’s close to black, and the spillovers are mesmerizing.

You bring your hand closer to his face, to the area that’s been left covered and unloved, and touch the skin with the tip of your finger. He lets you.

“Wow,” you breathe out, gently tracing his scar. “This is the most badass thing I’ve ever seen.”

Aemond looks at you in disbelief, his eye fixed on your face, and his lips parted.

“...What?” he manages to ask.

“You look like a pirate. A really badass... sky pirate?” you suggest, and he lets out a light chuckle, still not entirely sure he believes you.

So you shamelessly continue.

“A pirate with his own dragon. The largest one in the Seven Kingdoms as I’ve heard,” you can almost feel him swelling with pride. “He charms the ladies with his fighting skills — and has a gem for an eye? Incredibly irresistible,” your index finger circles the area around his sapphire.

He listens attentively, holding his breath.

“A prince who is as good with his sword as he is with his wit, fond of reading and isn’t averse to mischief. Any lady of the court would’ve been fortunate to get a hold of such treasure,” you remove the eyepatch and tenderly cradle his face. “Yet I am the one who’s been honored to see all of him,” you glance from the bright gemstone to his eye and back. “Honestly, it’s kind of hard to pick which one I like more...,” you are barely able to notice him sharply lower his head, and your words die down.

Without a warning, Aemond covers your lips with his, the intensity of the kiss pulling the air out of your lungs right away. He’s been holding back the first time, but he isn’t now, and the passion sets you ablaze. His tongue slips into your mouth, easily tangling with yours, and you moan at the contact. Aemond skilfully unbuttons your shirt, and the second his fingers touch your skin, you shiver, the quivering sensation washing over you. His hands slowly slide down your ribcage, tracing the curves of your body, making your back arch, your chest flush against his, your heart pounding. He contours the bend of your hips, then presses his palms there, his touches rough, claiming, burning. You move your fingers up the base of his neck and run them through his hair, and he releases a shaky sigh. Aemond relishes in the feeling of your compliance, the fervor of it, your body being so needy and welcoming, until you are both gasping for air.

“Was that impressive enough?” he rasps, and you look up at him through your lashes, spellbound and breathless. His pupil is dilated, gaze clouded with lust, your noses adjoin.

“Yeah-yes. Yes, very,” you utter, at a loss for words.

“Good. Because I’m about to outdo myself,” he tightens his grip on your thighs, picking you up and moving into the middle of the bed. Your head barely touches the pillow when his lips are on yours again.

🔥 my masterlist

English is not my first language, so feel free to message me if you spot any major mistakes

[vintagetvstars]

Diana Rigg Vs. Nichelle Nichols

Propaganda

Diana Rigg - (The Avengers, Diana) - Honestly? Just check her out as Emma Peel in any episode of The Avengers. The character herself was a legend - an exceptional spy, wonderful fighter, certified genius, a true feminist role model - not to mention a renowned sex symbol (that leather catsuit... heavens help me...) and fashion icon. As for Diana personally, she was once described by Michael Parkinson as "the most desirable woman he ever met, who radiated a lustrous beauty". She could pivot from funny quips and endearing jokes to stone-cold badassery like it was nothing, and she looked stunning either way. Whenever I look at a pic of her, I have this feeling she's planning some fun mischief and I get the strongest urge to ask her to take me along. Need anything more? Here, have some pics: (pics below the cut)

Nichelle Nichols - (Star Trek) - She speaks for herself. Legendary, iconic, at the forefront of feminism and civil rights in the 60s, she is a triple threat who did so much more. She volunteered from 1977 to promote recruitment diversity within NASA, including some of the first female and ethnic minority astronauts. Martin Luther King Jr. compared her work on Star Trek as a 'vital role model' to the civil rights marches. She refused to be dismissed, fought for visibility and shone whilst doing so. As a woman in stem, and simply a woman she means the world and stars above to me.

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Diana Rigg:

When people think of The Avengers, they think Steed and Peel (or they think the marvel property but that’s neither here nor there). I know people who thought Mrs. Peel was the ONLY woman Steed worked with, Diana Rigg was Just That Good (she was only on two seasons!). She was one of those actors that could so perfectly play comedy in any form, her dry, sardonic wit was marvelous, but so was her physical and slapstick comedy, and she could do drama too! If you’ve seen her in interviews you’d also know how fabulously humble and kind she was. I don’t know if I’ve ever been more attracted to a TV woman than I’ve been to Diana Rigg. Some photos of her:

the SMILE!!!!

I like a woman that could kill me in one shot

tell me she's not endearing I DARE you

Gorgeous, sexy, competent, superior, so much leather. Diana Rigg as Emma Peel in the Avengers was foundational to my sexuality and personality. She's classy, she's cute, she's cocky, in one episode she whips a bunch of guys while wearing a corset and a spiked collar...

excuse me I'm overcome with sinful thoughts

 hello 911 I think I'm having a heart attack

Here's an interview I fell for her in:

Diana Rigg | Interview | The Avengers | Good Afternoon | 1974 | Part one

Her first appearance in The Avengers (In series 4, if you can believe it):

The Avengers: Emma Peel First Appearance HD

Nichelle Nichols:

She is the original badass babe. She was a black woman in a leading role on TV in the 60s, a trailblazer for black actresses for years to come. She is so beautiful and so awesome.

she's fantastic. have you seen her? paved the way for black actresses on TV even while her lines and scenes were being cut and improvised the most iconic uhura line in the series. (sulu: "I'll save you, fair maiden!" uhura, pushing him away: "sorry, neither!") she's incredibly talented and it's a crime the show didn't give her more screen time (or make her sing more often because she also has a beautiful voice!)

“Sorry, neither” in response to “fair maiden” was ad libbed by her. There’s a lot more I could say but what else do you need??

A sci-fi icon!

She was such a trailblazer, and Uhura was such an important character for so many people to be able to see on TV. Apparently Mae Jemison (the first African American woman to go into space) cited her as a reason she wanted to become an astronaut. She was just an absolute legend!

The story of Martin Luther King telling her not to quit Star Trek gives me chills. Representation matters. “Thank you so much, Dr. King. I’m really going to miss my co-stars.” Dr. King's smile, Nichols recalled, vanished from his face. "He said, 'What are you talking about?'" the actress explained. "I told him. He said, 'You cannot,' and so help me, this man practically repeated verbatim what Gene said. He said, 'Don’t you see what this man is doing, who has written this? This is the future. He has established us as we should be seen. 300 years from now, we are here. We are marching. And this is the first step. When we see you, we see ourselves, and we see ourselves as intelligent and beautiful and proud.' He goes on and I’m looking at him and my knees are buckling. I said, 'I…, I…' And he said, 'You turn on your television and the news comes on and you see us marching and peaceful, you see the peaceful civil disobedience, and you see the dogs and see the fire hoses, and we all know they cannot destroy us because we are there in the 23rd Century.'"

She shared the first interracial kiss on Star Trek, helped propel real life African American women into space-related careers, and looks divine in a mini skirt.

HOW DID UHURA WALK BACKWARDS SO FAR??? WOW!

[mandatory-blog-stop-asking]

double-posting this from a discussion i had somewhere else, but i really like Hera in Hades 2.

Overall Hera seems to be the only Olympian who is fully aware and engaging with the fact that their entire reign of humankind and relationships with one another are fucked up and likely beyond repair, but she's also like, reveling in her power-- it's not because it's morally dubious that she's not gonna be a goddess, she just says it out loud as opposed to hiding behind false poise or forced dignity like Athena or Zeus do.

She's too smart and in control to give herself to her base instincts like Poseidon and Dionysus do, she's too important and stubborn to just stay in her lane or leave like Hestia and Hephaestus do, and she simply couldn't fathom not being in the spotlight and living in relative peace with her own responsibilities and nothing more, like Hades or Artemis are more than comfortable doing. She has to be the star of the show, she has to be fabulous, but she will not for a single moment stop pointing at the other actors in the play she calls her life and laughing at them.

She's incredible, I really really like this Emma Frost-style take on Hera. After so many versions of her have ran the gamut between battered wife trying to hold her family together, stepford cuckoo trying to pretend it's all fine, horrible crone monster no one could like and just kind of There and Not Very Active in the daily life of anyone, we finally have a version of Hera more like we see in the Illiad and other texts-- someone who's simply very comfortable looking someone in the eye and saying "You're just kind of a piece of shit, aren't you", even when that someone is the King of Olympus.

I usually like most of the takes Supergiant has with their interpretations of Greek myth but the Hera stuff is particularly fascinating to me. She's not Zeus's equal and she's not holding herself back to give him the illusion that she's beneath him; she's above all of them, she is fully playing the role of Queen of Olympus, it's just, everyone else is either kind of stupid or doesn't care. And she knows that, and does it anyway.

It strikes the very specific balance of "these people have caused wars for petty reasons" and "hahah look at the silly gods" that I feel not a lot of things manage to.

[giddlygoat]

as much as i want to see fiddleford recover and enter his much-deserved era of good mental and physical health, i also want to see the effects of his head trauma follow him forever. it’s important to me that while he heal and find a level of normalcy and peace, he never return to his old self.

kind of a side bar, but it’s relevant so: i also think there’s something to be said about old man mcgucket’s confidence. boldness? idk how to describe it. i wouldn’t say his paranoid tendencies have vanished, but for the most part he’s. breezier. part of it is the brain damage, and maybe part of it is genuine self-evolution in the right direction. but i think the obsessive mind-wiping just… broke that part of his brain. it’s like he’s no longer affected by fear in the same way. and i hope we see strong traces of that damage until the day he dies.

it’s important to me that fiddleford heal and emerge into self-awareness once more. it’s important to me that ford still look at him as very much the same person, despite all of the damage. but he’s also changed severely and irreversibly. i think of old man mcgucket as a much rawer version of fiddleford in that he holds less reservations and has no filter. he’s healing but he’s also broken, and those scars will forever be visible. and that’s important to me because it also changes ford and fiddleford’s dynamic a lot.

ok one last sidebar, then i’m done. when i say it changes their dynamic i mean it in the way that because fiddleford now wears his heart on his sleeve and ford himself is a bit wiser about relationships, there is less self-sabotaging going on between them. romance or friendship wise. and if nothing else, they both feel they’re getting too old for biting their tongues, so i imagine the discussions of certain difficult topics comes a bit easier now.

like, given that they’ve both made many catastrophically terrible decisions over their lives, they have a better perspective on life in general and have had time to reorient their previously fucked priorities. ford lives with a lot of shame for how he treated stan, dealing with the devil, and bringing about the end times. fiddleford lives with a lot of shame for how he treated emma-may and tate, starting a cult that ruined lives [especially his own], and not to mention the multiple death robot incidents. even though they both had good intentions or else thought their actions were justified at the time [mostly], it all collapsed on their heads because these actions were ridiculously stupid.

i think all of this is part of why the rekindling of their friendship happened so easily. fiddleford is eager to forgive ford and embrace him because he’s learned first-hand what grief and paranoia can drive a person to do, and so he feels the best thing he can do is accept his old friend back into his life, no questions asked. maybe ford will forever think he doesn’t deserve it, but he learns to accept mcgucket’s kindness and tries to learn from it. they’re both healing even if it’ll never be Backupsmore again. it’s still them, despite it all.

[cu7ie]

what do you think toman boys are like in relationships like loyal or nah

content: discussions of cheating, general relationship head canons and love language discussion towards the end.

I think Mikey doesn't cheat because he's lazy. The kinds of relationships he likes are ones of great emotional depth and the actual physical steps required to find someone suitable, hide it from you or eventually break it off is too much. Doesn't have the mental capacity for that level of espionage, the emotional strength to lie to someone's face like that. Toman Mikey does not have that dog in him, Draken has taught him too well. Bonten Mikey has no problem fucking other people however! Not a sad thought in his mind or tear in his eye, might even think about you while he's going at it and wonder if you'd notice the taste of someone else on his lips when he gets back to ya. Sanzu seems like a hopeless romantic with obsessive and possessive tendencies. I don't think he'd cheat but he also has high expectations and probably strict rules for a partner. Doesn't like overly friendly touches and certain attitudes.

Respectfully, I think Bonten Sanzu fucks other people and will laugh in your face about it. But his inclination to do it more rests solely on the idea of it bothering you; he likes making you upset and to some extent grows irritated with the idea he's so invested in you emotionally that a chunk of his pleasure is derived with tormenting you in such a way, but it's a vicious cycle... He finds a soft body to indulge in, but can't help but think of you while doing it.

Nahoya fucks man. I mean.. like I don't think he really pursues concrete relationships in the first place. He likes something ambiguous he can't put a name to, the fun of it is the attention, you know? It's the assurance of something he can come back to, because if nothing ever starts it can't end.

Souya is the complete opposite of his brother. Sometimes he can put in a lot of faith in little time, and he can turn up with the shit of the stick right - and it's the worst, because he can't help but be so genuine. He's just not a liar, doesn't have it in him really.

I think Draken is very loyal. I don't think he'd cheat like cheating on Emma with you or vice versa.

He's very reliable, he's sticking around just because he thinks it's the proper thing to do. Even if he was in love with someone else entirely, if he has an obligation to a partner he will honor that first and foremost.

I think that Baji is… questionable? It's not emotional cheating he'd participate in, I just feel like he's a simple-minded, high sex drive kinda guy. He'll feel... bad about hurting you so much, but also has trouble comprehending why it might hurt. He loves you, isn't that more important? If you don't care that he has sex with other people, y'all should be cool.

Kazutora is possessive above all. I think he considers you less and more about how he needs to keep you close to him more, and he really does like you, just works harder and not smarter.

I think takemitchy is very loyal.. but idk .... I feel like ....

He's only loyal to Hina because she's the only girl interested in him. I feel like if he had Catherine situation - like there was a girl trying to seduce him away from Hina, he'd eat some shit like that up. He's brainless. Not entirely a dick-thinker but he doesn't always use the right head you know???

Mitsuya and Chifuyu are pretty straight laced. Their dedication to people is obvious in canon relationships and I don't think much changes beyond that! I think they differ in their demonstrations of affection, however:

Mitsuya performs acts of service and is a huge gift giver, especially after he gets into design and fashion in his later years. Too often though, sometimes he can neglect a good old fashioned 'i love you' in favor of grandeur and extravagance. He hopes that in any case, you'll love the things he gives you - knowing he didn't get gifts a lot growing up, it's more important to him than you'd think.

Chifuyu is an opposite to him. He is very open with saying I love you to the point where he'll say it in front of other people and follow it up with a kiss (or six), and most regularly he can be overbearing with his PDA - forgoing gifts to emphasize spending time with you and physically being there for you.

[mattserenity]

𝑨𝑷𝑶𝑪𝑨𝑳𝒀𝑷𝑺𝑬 ᝰ 𝑴.𝑺

𝒘𝒂𝒓𝒏𝒊𝒏𝒈𝒔 mentions of sex, cursing

𝒑𝒂𝒊𝒓𝒊𝒏𝒈 inexperienced nerd!matt x popular experienced fem!reader

𝒊𝒏 𝒘𝒉𝒊𝒄𝒉.. the popular mean girl is failing in her classes, her teacher forces her to hire a tutor otherwise she wouldn’t make it into her dream college, what happens when she accidentally falls in love with her tutor?

𝒘𝒄 900+

𝒂𝒖𝒕𝒉𝒐𝒓𝒔 𝒏𝒐𝒕𝒆 not proofread, lmk if u want a part 2 with some smut

“your lips, my lips, apocalypse”

7/100.

written in bright red with a circle around it on the front page of my maths paper. i sigh disappointingly and looked up at my teacher. he did not look impressed.

“i swear i tried my best this time!” i dishonestly stated, flapping my paper around and crossing my arms like a child. truthfully, i spent absolutely no time revising or studying for this test, i didn’t even know it was happening until i walked into my maths class a few weeks ago.

“you clearly aren’t trying hard enough, are you? this is your sixth fail in a row.” he said unhappily, “i have also not received any homework from you this week, it was due 2 days ago.” shit we had homework? i don’t understand the point of homework anyway, everyone just googles the answers or uses ai nowadays, including me, when i could be bothered to do it. which was never

“look, if you keep this up then your going to be looking at a rough future for you, young lady, these grades are not good enough to get you into the college of your dreams, miss.” mr adam’s exclaimed whilst neatly tidying up his desk for his next class. he sounded let down.

seriously? i knew i wasn’t doing great in school but i was sure i wasn’t doing that terribly. “look sir i’m sorry, i’ve just been so stressed and caught up with my cheerleading lately, i had no time to revise!”

“your education is more important than your cheerleading.” he stated, very matter-of-factly. i knew it wasn’t, cheerleading was my passion, i was good at it, so that meant i cared about it more, a lot more.

“whatever, i’ll start studying more.” i rolled my eyes discreetly, hoping he wouldn’t notice my annoyed tone.

“it’s too late for that now. i really would recommend you hire a tutor, i’m sure it would help you improve your grades greatly,” mr adam’s replied, his voice laced with genuine concern.

a tutor, are you kidding me? i burst out laughing, “are you serious? i can’t have a tutor, i would be the laughing stock of senior year!” as much as i hated school and didn’t care about my grades, i needed to be perceived as perfect, no one could know i’m secretly dumb. if anyone knew or saw me with a tutor my life would be ruined.

“i know your popularity is very important to you ma’am, but unfortunately you have no choice now i’m afraid. i will be setting you up with a tutor next week, be prepared.” he added and shooed me out his classroom without giving me a chance to complain.

𝜗𝜚

“your fucking kidding me!” i threw my arms up and frowned, about to have a tantrum as i looked down at my phone, staring, almost as if i couldn’t believe it’s true, at an email from mr adam’s.

“it’s okay! it wont be that bad i promise you!” my best friend, emma, stated trying to make me feel better. she knew full well it was absolutely not going to be okay. emma was the one person i could trust with my life, i had a bunch of “friends” but none of them i really liked, i knew they were all fake and using me for my popularity and money, emma would never do that. we are complete opposites but i think that’s what makes us click so well, she is a straight A+ student and has never missed a day of school. opposites attract after all.

“matthew sturniolo? who the fuck even is that? he sounds like a fucking geek with greasy hair and buck teeth! my life is completely ruined, shit!” i yelled out, wanting to collapse and breakdown in the middle of the school corridors.

“sturniolo..” emma said in deep thought, “i recognise that last name from somewhere,” she added gazing off into the distance. “oh wait! it’s those twins last names! you know, chris and nick?” emma blurted out.

chris was the most popular guy in school, i had a small meaningless thing with him when we were in sophomore year but i cut him off before he ever had the chance to fuck me, he probably has about every STD known to mankind, the way he runs through girls faster than i go through energy drinks. he was very attractive though i had to admit and had every single girl at his feet, begging to suck his dick.

nick was also very popular, but not for the same reasons as chris, nick was the one person every single girl in our year wanted to be friends with, he knew all the gossip about everything and everyone. he was also very enticing and basically every girl had a crush on him, although everybody would admire him from afar and not ever dare make a move since he didn’t swing that way.

“i wonder how matt is in relation to them, maybe a distant cousin?” i questioned, not expecting an answer or wanting an answer to be honest.

“i’m not sure, when is your first tutoring session?” emma asked quizzically, while taking books out of her locker and stuffing them messily into her bag.

“today after school in the library,” i groaned dramatically.

“i’ll make sure to keep you in my prayers, now i have to go, i can’t be late, love you!” emma smiled brightly at me and i waved back and sighed as she strutted away confidently, every boy staring at her, drool practically hanging from their lips the way they looked at her, like a predator looking at its prey.

this is going to be a long day.

© mattserenity. please don’t repost, copy or steal my work without asking for permission or credits.

𝒕𝒂𝒈𝒔 @chrattenthusiast @bernardsbendystraws @chestersturniolo @daddyslilchickenfingers2 @freshloverr @fruitglazed @hearts4chriss @kenzieiskoolaid @mattscoquette @ariestrxsh @mattssluttywaist @muwapsturniolo @m6ttsturniolo @nicksbf @onmykneesformatt @plasticferal @pussypie456 @recklesssturniolo @sturnioloshacker @strniohoeee @sturniolopepsi @whoreforchr1s @yesterdaysproblem @christinarowie332 @itwasmarooonn @freakyellssturniolo @delilahsturniolo @333michelle @annielolz @cconeyislandbaby @chriseatingmeoutin4k @n8doe @jetaimevous @sleepysturn @phimstarz @stonersturns @forgottxen

[hotjaneaustenmenpoll]

Semi-Final Two

Propaganda...

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

GIF by dearemma

I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

GIF by night-unfurls-its-splendour

Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

GIF by christophernolan

GIF by sashajames

GIF by christophernolan

I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

GIF by myforeverworldofmovie

It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

Captain Wentworth (1995):

Ciaran Hinds has that perfect ruggedness yet friendliness to his face that makes him the perfect charming Wentworth. And all of the longing that he manages to convey in his eyes is so hot.

Wentworth may be angry/resentful with Anne but in general he is charming and the best friend you could ever have. Ciaran gets the pleasant parts of his character and brings them out, while keeping a guarded coolness (protective camouflage) with Anne.

GIF by molinaesque

I dunno if this counts as propaganda or not, but Ciaran Hinds has a face that looks like it was jackhammered out of a shale cliff.

If a line like 'I am half agony...half hope' comes out of a face like that you know that man has a soul for poetry.

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in

F. W.

I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.  

This is propaganda for the next round because I need my boy to be a finalist! But this letter is all the persuasion I need to know that he is a winner

Ciarán Hinds in this is a whole other level of "a good man" He makes Anne's decision at the end so much more perfect.

[tokyo-daaaamn-ji-gang]

Is it naturally in shin to kill? because he did kill that homeless man with no hesitation - he was mentally unstable at the time, but was it just out of desperation or is shin more morally grey than he lets on?

I think it was just purely desperation and grief at that point. We can see from his reaction after Mikey died, as well as how he beat up all those guys that his grief comes out as anger. He's angry over Mikey's death (possibly even at himself since he was Mikey's carer).

We can also see his desperation in saving Mikey, he even lists a bunch of things he tried. Shinichiro was so desperate he was willing to try anything to save his brother. Interestingly he also mentions murder here, but it seems to be nothing more then a thought, just him being angry at all the people who preyed on that desperation.

Then we get to the part with the leaper, Shinichiro was actually pretty polite at first and didn't get angry until the leaper started laughing at him/ not taking him seriously. He didn't even consider murder until the leaper mentioned it first. I don't think it even crossed his mind until the leaper said this.

At this point Shinichiro snaps. He's had years of trying to desperately save Mikey, trying anything for him. Years of being lied to, years of watching Mikey getting worse and worse. He's just been told a last chance way of saving Mikey only to have the only person who can help laugh and walk away from him. It's also important to remember he's not just lost Mikey at this point but Grandpa Sano and Emma too, he has no one left, no family to live for. Plus it's the anniversary of Mikey's accident tomorrow and his grief over his death is still very fresh. His emotions and grief must be all over the place right now. So he does snap and kill the time leaper, thinking he can get it all back.

I also think his reaction after shows how much he regrets his actions. Even after the time leap works, we know he goes searching for the leaper in the new timeline, most likely feeling guilty over killing him.

So I don't think Shinichiro would kill under normal circumstances, it's just he was pushed to his absolute limits here. But of course that doesn't excuse what he did, more like just explain it.

[turbulentscrawl]

Heyy! Could you write a most-to-least compatible with a clingy!reader with the survivors maybe?

I love your works and find myself rereading them a lot, they're really stellar!! •v•

Thank you, I'm glad you like my work!! (I added Ithaqua, I couldn't resist)

Emma wants to be with you all hours of the day, craves it. She wants to never be alone again. If you want the same, then it’s nothing short of a match made in heaven, right?

(Bonus) Ithaqua is not #1 only because he doesn’t like if you get desperate about him having to leave for matches. Like, first of all, he doesn’t get a say and there’s nothing he can do. Second of all, he enjoys terrorizing the little survivors. This is his Me-Time. Any other time he adores having you wrapped around his finger—and a little separation pouting is endearing, but any more than that and he gets frustrated.

Eli is incredibly patient. He loves your company and doesn’t mind a shadow most of the time. But as he’s somewhat of a figurehead and confidant in the manor, he will sometimes need private time with other inhabitants. It’s for their privacy, you see, surely you understand. Otherwise, he doesn’t mind you sticking by his side!

Andrew won’t ever say it, but you liking his company so much sooths a lot of his soul-aches and worries. He does like some occasional quiet time, but otherwise he likes that you would choose time with him over time alone.

Antonio loves his darling’s company…but he also knows it’s important to give his friends some quality time too. (And he has a good amount of friends, despite fate’s intentions.) It’s only fair, right? Surely you can wait a bit. He’ll find you again later to share a bottle of wine.

Ganji similarly likes a good amount of time with his partner…but he’s also quite used to being alone and gets irritable when he doesn’t get any decompression time alone. Make sure he gets like five hours to do his own thing, and he’ll be alright the rest of the time.

Melly doesn’t know what to do with you most of the time. It’s not that she dislikes having you around, but rather she feels awkward. Is she…supposed to be doing something with you? Is she expected to entertain you? She’ll deal with this better after some reassurance and comfort, but otherwise struggles with subconscious expectations about her duties as a partner.

Emily can appreciate clinginess from a medical standpoint. You’ve got some abandonment wounds, yes? You’re afraid of being left behind. She will do her best to accommodate you, but unfortunately she has to work the infirmary most nights and you can’t just loiter in there. Respect her work hours and she’ll make it work the rest of the time.

Orpheus is busy with his own things a good chunk of the time, but as long as it’s not anything private he doesn’t mind sharing space with you. You can even sit on his lap while he’s busy writing…just don’t distract him with inane chatter. And when he says he’s busy, respect that.

Norton avoids you for your own good, alright? Don’t make this difficult. He’s not answering any questions about the hows and the whys, and begging will get you nowhere. When he’s able to have you around, rest assured he’ll be around. He wants to be around you. But whenever he leaves you be, it’s because you’re safer that way.

Luchino also has work. Even in the manor, he’s not giving up on his research, his life’s work. It’s better if you let him come to you. Make plans with him; he’ll never be late, never forget you. But he has work and even as his s/o you can’t be allowed to distract him.

[awkward-walking-potato]

Can I ask for Kurt, Emma, and Scott with a reader that’s a little off-putting? They’re mostly harmless but them not making a sound still gives people a start.

Kurt Wagner (Nightcrawler)

Kurt has a deep understanding of feeling like an outsider due to his own appearance and abilities. He appreciates the silent, almost ghostly way you move, seeing it as a unique expression of who you are rather than something unsettling. He finds your ability to be stealthy fascinating and sometimes even challenges you to see if you can sneak up on him—though with his teleportation skills, it becomes a fun game of cat and mouse.

Kurt notices that your silence often leads others to feel uneasy, but he never lets it bother him. Instead, he shows affection through small, thoughtful gestures—leaving you little notes in places only you could find, or teleporting into your space to surprise you with a snack or a joke, making sure you feel included and cared for.

Kurt finds peace in the quiet of the night and enjoys spending that time with you, knowing you’re more comfortable when things are still. Whether it’s sitting together in silence or engaging in deep conversations about your experiences, he appreciates the calm you bring to those moments and is always there to listen without judgment.

He encourages you to embrace your mutation, reminding you that just as he has learned to love his appearance and abilities, you can find pride in what makes you different. He’s patient and kind, never pushing you too far but always there to help you see the beauty in your uniqueness.

Emma Frost

Emma isn’t easily rattled by much, including your unsettling presence. She’s more intrigued than anything, appreciating the power and control you have over your ability to move undetected. She respects strength, and in her eyes, your ability to make people uncomfortable is just another form of power, one that she finds admirable.

Emma sees your potential and takes it upon herself to help you refine your abilities, offering to train you in using your mutation more strategically. She’ll guide you in turning what others see as “creepy” into a sophisticated skill set, perfect for espionage or other high-stakes situations.

While Emma appreciates your ability to unsettle others, she also understands the importance of social dynamics. She’ll offer tips on how to use your silence to your advantage without alienating people, teaching you how to blend your natural stealth with a more polished social presence.

Emma doesn’t coddle you or try to make you more approachable; instead, she respects you as you are. She values your authenticity and never asks you to change, only to hone your skills. In her eyes, you’re already powerful—she just wants to help you refine that power into something truly formidable.

Scott Summers (Cyclops)

Scott’s military-like discipline means he’s rarely caught off guard, even by someone as silent as you. While others might jump when you appear out of nowhere, Scott barely flinches. He’s more likely to acknowledge you with a calm nod, appreciating that you’re simply doing what comes naturally.

Scott immediately sees the tactical advantage in your ability to move without being noticed. He’s constantly thinking about how your mutation could be utilized on missions, often pairing you with teams where your skills would be most effective. He’s pragmatic, recognizing that what others find unsettling is actually a powerful tool.

Scott isn’t one for excessive words, so he appreciates that you don’t need to fill the silence with chatter. There’s a mutual understanding between you two, a quiet camaraderie where actions speak louder than words. He respects your space and doesn’t push you to be more outgoing than you’re comfortable with.

Scott can be very protective of his team, and that includes you. While he respects your independence and ability to take care of yourself, he’s always watching out for you in his own quiet way. If anyone on the team ever made you feel uncomfortable because of your mutation, he’d step in with a firm hand to ensure you’re treated with the respect you deserve.

Scott might encourage you to push your boundaries, not to change who you are, but to explore how your abilities can evolve. Whether it’s training exercises that challenge your stealth in new ways or missions that test your limits, Scott believes in your potential and wants to see you grow into the best version of yourself.