#also i added the pronouns one

[gumpistol]

𝐏𝐄𝐎𝐏𝐋𝐄 𝐈'𝐃 𝐋𝐈𝐊𝐄 𝐓𝐎 𝐆𝐄𝐓 𝐓𝐎 𝐊𝐍𝐎𝐖 𝐁𝐄𝐓𝐓𝐄𝐑!

alias / name:  lala / luka

pronouns: they / them

birthday: august 20th

zodiac sign:  leo

height:   5'9

hobbies:   writing, sewing, reading, video games, muay thai

favorite color: reds, purples, and black

favorite book: this is hard, because i have so many that i like. i also think i've told people my fave book and i forgot what i told them. anyway, i'll give a few of my faves: any of edgar allen poe's short stories (i really enjoyed reading these in high school and still love reading them), g.ood o.mens (or anything by n.eil g.aiman really), educated by tara westover (my whole immediate and extended family ended up reading this), and mexican gothic by silvia moreno-garcia (good spooky book) are some that stick out to me from my reading the last few years.

last song:   stayin' alive by bee gees

last film / show:   surprisingly not OP, but derry girls

recent reads:  g.ood o.mens, circe, were the most recent but i'm currently working on neverwhere, light from uncommon stars, and alone on the wall (one audiobook, one fiction, one nonfiction)

inspiration:  music is a big one for me, classic literature (some of poe's telltale heart is used as inspo for my Cora portrayal), but also a lot of irl people in my life get featured in my portrayals, or at least tidbits of them

story behind url: i was looking for new, shorter url and sev suggested this one because he had it saved before, and i liked it and went with it! (ty sev <3)

fun fact about me: i am working on my phd in plant pathology

tagged: i stole it from @kaizokugaris because i'm a terrible lil thief tagging: @belovedcorvid , @enjomo , @kiriage , @ferromagnetiic , @enruiinas , @godthread , @climatact , @mingos , @notanuki & you!!

[every-sanji]

[bunnyboy-juice]

bunny butt: shiny edition ✨

[op is a femme dyke, he/ze/bun pronouns]

[northern-passage]

just found one of my favorite pieces of writing advice when it comes to interactive fiction, i think if you've read literally any of my work, it will be pretty obvious how much i use this in my own writing. i actually couldn't remember where i read this for the first time and on a whim i went through my twitter likes and found it in a thread. i'm going to transcribe it for ease of reading, but this is all coming from Alexander Freed (@/AlexanderMFreed on twitter)

he has a website here with other compiled writing advice about branching narratives and game design, though he never posted this there and hasn't really updated recently (but still check it out. there's some specific entries about writing romance, branching and linear & other game writing advice)

original twitter thread here

It's Tuesday night and I feel like teaching some of what I've learned in 15 years of branching narrative video game writing. Let's go in-depth about one incredibly specific subject: neutral / fallthrough / catchall response options!

Player ownership of the protagonist in choice-based branching narrative games (a la BioWare, Telltale, mobile narrative games, etc) is a vital aspect of the form.

The ability for the audience to shape a Player Character, to develop that character's inner life in their own mind, is unmatched in any other medium.

The Player determines the character's actions and THE MOTIVATIONS for those actions. The character's psychology can literally be as complex as the Player can imagine. However, this works best when there's enough space for the Player to develop those motivations. No game can offer enough options to support every interpretation imaginable; much of the character has to live in the Player's head, without necessarily appearing on the screen.

That's complicated. We're going to unpack it.

Generally, when presenting choices to a Player, we want those choices to be as interesting and compelling as possible.

But compelling, dramatic choices tend to be revealing of character. And no game can support hundreds of options at every choice point for every possible character motivation a Player might imagine.

This sort of narrative CANNOT maintain its integrity if the Player is forced to constantly "rewrite" their characterization of the Player Character on the fly. You want your Player to feel like they have more than enough viable options at any given moment.

At the simplest level of writing, this is where "fallthrough" responses come in.

In the examples above, each moment contains a response which furthers the story but doesn't imply a huge emotional choice for the Player. The Player is asked to choose A or B, agree or disagree, but can sidestep the issue altogether if desired.

These "neutral" responses are vital if both A and B don't appeal to the Player... or if, perhaps, the Player likes A but not the WAY A is being expressed. Milquetoast option C works for anyone; thus, the Player is never forced to break character because of a lack of options.

Questions work well for this sort of neutral option. Tacit agreement and dead silence also serve, in certain sorts of stories--as a Player, I know what's going on in my silent character's head and the game won't contradict it.

The important thing is that I'm never forced to take a path that's outright WRONG for my character. Even if other characters misinterpret the Player Character's motivation, my character's inner life remains internally consistent.

"Neutral" responses aren't the only ways to go, though. Some responses are appropriate for any character because they're tied to the base character concept.

Here, for example (from @/seankmckeever's X-Files), the Player is a marine on a mission. The Player can respond abrasively to her partner's fear or look into the issue (out of compassion or genuine belief), but our fallthrough is actually the TOP response.

There's no version of our marine who would absolutely break character by picking "Stay calm and on mission." It's not blandly neutral; rather, it reinforces aspects of the character we can be sure of and gives the Player an option if nothing else works.

Different sorts of narratives will use different sorts of fallthroughs. A comedy might treat the option to say something funny as a fallthrough, of sorts--it's entertaining and will never violate the characterization the Player has created.

In a quest-driven RPG, a fallthrough response can often boil down to "How do I move to the next step of this quest?"

That said, the strongest moments in a narrative will often have no "fallthrough" response at all. They'll work by creating multiple responses that, by overlapping, cover all reasonable Player Character actions while still leaving room for the Player to ascribe motivation.

[covington-shenanigans]

christ alive I love my parents and I'm glad I got to see them but they are just. so fucking exhausting

[licnheartedd]

what if i say that you’re only allowed to refer to me using she/her if we’re friends. what then

[queer-reader-07]

gender, amiright?

[voidimp]

bothers you. bothers you. bothers y

cameron (left) uses they/them (or any) • oli (right) uses they/them

...and then i didnt

[averlym]

whshdfhfjf.,,,

[agentplutonium]

For the prompt post: Terra/Caelus in a modern/no magic/human AU 👀 just them being them in a different font

Jumping ahead in the cue a bit because I'm trying to write a separate thing for them and I need to work on their characterizations.

For those who don't know who Terra/Caelus are, they are my two god characters in the universe that I am building. Where this is a human/no magic AU I'm not gonna talk about the facts that I have about them to catch people up to speed (but I WILL give them if someone asks, I will tell you so much if you ask I can't shut up about them) and we'll see where this goes.

Anyway, moving on, and I'm not paying attention to anything specific this time around so it will be under the cut ^^

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

"Love," Caelus said quietly, poking his head into the room. "Are you awake?"

"No," Terra grumbled, turning away from the door.

"Oh, okay," Caelus said. "Guess I'm going to the farmers market by myself today. That's fine, you need your rest--"

Terra was turned back around in a heartbeat, making Caelus chuckle. "We're going to the farmer's market?" She asked.

"That's what we agreed on last night, yes," Caelus confirmed.

"Who's gonna be there?"

"Well, there's no way to know for sure, but I heard through the grapevine that the smoothie maker you love so much--"

That got Terra out of bed, squeaking in excitement. She rushed around the room, clamouring to get ready. Caelus openly laughed this time, the sound reverberating in his chest.

"I'll get our bags ready," Caelus said, dipping back out of the room.

By the time he was ready, Terra came tearing out of the room. "Come on, let's go," she said.

"Shoes," Caelus said.

"Right, that would be important." She bent to grab her sandals, and Caelus raised an eyebrow.

"You sure you want to wear those?" He asked. "You know how much walking we have to do."

"It goes with the outfit, I'll be fine," Terra said. Caelus just sighed, a small smile spread across his face. He already packed her sneakers, just in case.

When Terra straightened again, Caelus held out a granola bar. "I'm not even hungry," Terra countered.

"You will be in about five minutes. It takes fifteen until we're there, and then probably another ten before we get any kind of food in our hands," Caelus said. Terra took the granola bar with a huff, rolling her eyes.

Caelus kissed her cheek before opening the door. Terra flounced through, smiling. As he was closing the door, she spun back around.

"My bag--"

Caelus held it out to her.

"Oh. Well, thank you. What about--"

"It's all in there. And I have the keys," Caelus answered.

"I really can take care of myself," Terra said.

"You can, but you were busy and excited, and I know that you get forgetful when you're like that," Caelus reasoned, turning to lock the door. "Besides, it's you. I don't mind taking care of you."

"Well, thank you anyway," Terra said. Caelus didn't have to look to see she was flustered. He could hear it in her voice.

"You'd do the same for me," Caelus reminded. He turned back to her, reaching his hand out, "Come on, let's get going before it gets too busy."

Terra took his hand, smiling. There wasn't much conversation between the two of them on the walk down, but that was fine by Caelus' means. He got to watch Terra take in the scenery, munching on the granola bar that he gave her. She was as handsome as ever like that, early sunlight making her glow. There would be a few things along their walk that would spark dialogue between them, usually in the form of Terra remembering a fact that she told him about certain landmarks or ones that were tangentially related to whatever train of thought she had in her head. It was always something new with her.

For example, they were passing by a construction site that had been there for ages, and Terra gasped.

"Did you know that this is gonna be the new Playhouse?" Terra asked. "Cause I did not until I was looking it up a few days ago."

"I actually did not know that," Caelus hummed. "I had never thought about where it was moving, just that it was."

"I also found out that a lot of people were upset they're moving the old one," Terra said. "Which, I get, but also that building is so old. They're building a new one because it's getting unsafe to be in there. Not to mention the new one is gonna have, like, three different-sized theatres, so it actually allows for more events to happen."

"Interesting," Caelus mused. He was never sure what ever prompted Terra to look up this information, but it was entertaining.

Once they got to the farmers market, Terra bolted for a food truck, tugging Caelus along. It didn't take as long as usual to get some food, and they were sitting at their usual picnic table in no time. A few of their friends found them, and they joined as well. Caelus hadn't seen the three in a while, it was a nice surprise.

"We've been out of town on a contract," was the explanation given by Ases.

"Can't separate the three of you, huh?" Terra teased.

"We're just that good," Amos said, slinging his arm around Ditia, the third in their group, who rolled their eyes.

"Oh!" Ases said, drumming against the table briefly, "Terra! Did you see the new mugs?!"

"New mugs?" Terra questioned. "Where?"

"I have to show you, come on," Ases said, as she reached across the table to grab Terra's hand.

"I'll be right back," Terra said hurridly to Caelus, just managing to kiss him on the cheek before being pulled off. Amos shouted after them, jumping up to follow.

Ditia sighed, resting their elbow on the table so they could put their head in their hand. "Never a dull moment with them, huh?"

"Never," Caelus agreed, smiling. "Wouldn't change it though, would you?"

"Never," Ditia parroted, giving a smile of their own.

"They're gonna come back with so many mugs," Caelus murmured, before going to take a sip of his smoothie.

"So many mugs," Ditia agreed, laughing. "five bucks says they come back with matching couple mugs."

"Yours or mine?" Caelus asked.

"Both," Ditia said.

"You know what? I'll take you on that one," Caelus said, reaching out his hand. Ditia shook it firmly.

"Brave, knowing our partners."

"Just Terra or just double A, maybe. But it's unlikely that they all come back with the same idea," Caelus said.

"We'll see about that," Ditia said, sipping their coffee.

It was fifteen minutes before Caelus saw Terra again. It was clear that the group went to more than just the mug stand, and Caelus chuckled. However, when he saw two mugs in her hand, two in Amos', and one in Ases, he groaned.

Ditia laughed, "hand it over, big guy," they said, holding out their hand.

"How'd you even know?" Caelus asked, fishing out a five-dollar bill.

"They were talking about it when we saw the stand earlier," Ditia said, pocketing the money. "I knew they'd convince Terra if she found the right set."

"That's cheating."

"That's gambling, my friend," Ditia said.

"Caelus!" Terra called out now that she was close enough. "Look! They had matching mugs!"

"I see that," Caelus said.

"They have cats on them!" Terra said, placing them down in front of him. They did in fact have cats on them, one sporting a black cat and one an orange cat. "I think they fit us perfectly."

"I think they do too, Love," Caelus said, tone soft.

"It was really Double A's idea, they were getting matching mugs for them, and they said that I should look too," Terra said.

Caelus glanced at Ditia, who winked. "You don't say."

"Look at what else I got," Terra said, starting to unload the tote bag she no doubt also bought.

Caelus smiled, settling in for the explanations that were going to accompany each item. He really couldn't go to the farmers market without this situation. However, he wasn't about to tell Terra no. He'd listen to her ramble for ages.

He wouldn't change this for the world.

-END-

[faerynova]

i love making little navigational carrds for like. my commission info and fics/projects n links to my socials. but i always flounder when trying to write an "about" page. the fuck do i put about myself on a directory. age? sexuality? star signs? disabilities? go figure that shit out from my personal posts if you think you need to know it. put in the work yourself, coward

[blueshykitsune-blog]

It's okay to want to be called good boy even if your female or a feminine central person.

It's okay to want to be called good girl even if your male or a masculine central person.

It's okay to want to be called good boy even if your male or a masculine central person.

It's okay to want to be called good girl even if your female or a feminine central person.

It's okay to want to be called just a good person, child, kid, adult, teen, pet, animal, <insert your choice of whatever good thing you might want to be or at least called even if conflicting like a villian>.

It's okay to want to be called good. Even if it's just good enough. Because even if you can't be the best, being good is still lovely to be.

You don't have to take being called good as sexual nor romantic. However it's okay if you do too! Because they are words. Words that obviously mean a lot. Otherwise you'd probably not like them. And hey even if you don't like being called such or it brings bad memories it's still a set of words and you should know that however they make you feel is valid.

Just be cautious, even if someone calls you what you like to be called or not it doesn't mean they feel the same about how you feel nor do they know how it makes you feel.

However to all who like the saying good <insert your option> I say you aren't just good, yous the bestest!

[softmeetscreatureplz]

Whoooooo updating pronouns section because. Introspection ✨️✨️

[uhzuku]

》 𝐍𝐄𝐏𝐓𝐔𝐍𝐄/𝐍𝐈𝐍𝐄𝐒 + 𝐑𝐄𝐍. 𝐇𝐄/𝐒𝐇𝐄 — 𝐇𝐄/𝐇𝐈𝐌.

[larryrickard]

i had a dream that i made little cards that say "THEY!" on them that i handed out to people at work who got my pronouns wrong, immediately after they got it wrong. and in smaller text (or on the back) it said "i don't want an apology, i want you to do better" or "don't say you're sorry, DO BETTER" and ..... i kind of want to do it. maybe i'll get some moo cards made lmao

various scenarios included:

me slamming it down on a desk in front of them.

instead i had stickers, would slowly peel one off while they watched, and stick it on it on them.

handing out a quarter sheet piece of paper based on the 'i caught being good' tags we'd get in kindergarten which said 'i got caught misgendering hallie/my coworker'. it would have their name and date on it and a giant 🙁 face. i had them as a pad of paper and would hold up a finger to say 'wait a second', dramatically pull it out of my back pocket, take my pen out of another pocket, slowly fill it out in front of them, and hand it to them while staring them in the eyes.

getting a whiteboard for the outer side of my cubicle wall that said '[days] since i was misgendred' (with a bonus by saying 'last offender: [name]'

i also dreamt that i got into trouble for it because i was making people feel bad and was 'creating a hostile work environment'. i was just like.... okay and how do you think i feel? and my boss shut up real fuckin quick. dunno if that would be the case irl but if that does happen i can only dream.

[nerime]

😡😡😡😡😡😡