#also how in the world did she use 98% of its memory??
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glimpsesofeuterpe · 6 months ago
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nearly an hour to load barely 500 of them
connor honor would never betray me like this
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kyomunosaki · 1 year ago
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I started Hypnospace Outlaw
...and I've noticed a few small things that are super interesting, mostly with the idea of tutorialization.
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I didn't plan to do a writeup on this, so I don't have any of my own gameplay's screenshots. I remember most of the gist, so I can probably write a few sentences on this topic that really stuck with me. I would've gone back for more screens but I'm feeling very lazy and I might repost this with editing/photos in the future lol
So Hypnospace Outlaw is basically a pre-2K "internet janitor simulator" except that you don't do it for free. You're like a free contractor/PMC janitor, where you get comissions to hunt down certain infringement of internet/Hypnospace law.
The first case is to find instances where the copyright for a 1968 of a cartoon character named Gumshoe Gooper is being infringed upon. I found this case to be a phenomenal tutorial for both the game mechanics and the philosophical(?) questions the game wants to ask.
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Gumshoe Gooper (Hypnospace Outlaw)
At first upon getting this case, I was still grappling with the game mechanics, exploring the Windows 98-ass interface with the skill of an old man in a nursing home. At the time I entirely forgot about the search function, so I just explored by going through various web portals and webrings, a la Geocities.
I found a lot of interesting sites that I don't really have the time (nor screenshots) to talk about and do justice with, but there's a lot of awesome things to find in Hypnospace if you're willing to just take time and look around. I do want to possibly talk about that later if there's interest.
After just stumbling around the internet and remembering how hard it is to find stuff through web portals, I remembered the search function existed thanks to one of the sites I ended up on having tags that open up the search window. So I searched for "gooper"
You find 3 sites from that search, two from AbbyWrites58 and another from another woman who's name I can't recall right now. The first site is a typical late 90s personal site you might find, for a first-grade teacher. It contains mentions of memorials to dead lost ones, a Hypnospace Heaven or something, and is part of a "Spirituality" web ring, but otherwise not much to note. The first link however, is a link to "Drawings of Gumshoe Gooper by my first graders"
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Webrings on Abby's World (Hypnospace Outlaw)
On the link, its filled with pencil/crayon sketches of Gumshoe Gooper by a bunch of children, but also 2 gifs that seem like legitimate copyright infringement. I still felt apprehensive about reporting this page to the Hypnospace Enforcers, because it felt like a teacher just wanting to share the work of her students and I was hoping to find other violations to fit my quota. Regardless, even if I were to fill out my quota there were only 2 very clear examples of copyright infringement on the page.
So, I went back and checked out the other site by AbbyWrites58, and this one was... a political support website for a local politician? Who was seemingly a politician that had different views than, I, the player did? And she was using a GIF of Gumshoe Gooper saying that he supported her? I didn't have much hesitation just hitting her with the copyright violation on this page.
The third page was just another site but with an official Gumshoe Gooper strip posted on it. As you can tell the rest of this essay is lazily thrown together and just a retelling of events, but I do not remember the exact details of the page. I just remember still feeling apprehensive about reporting stuff on the page with children's art, so I think I reported that strip.
I still hadn't reached my quota of 3 violations reported, so I begrudgingly made my way back to the initial site I had landed on in my search. I decided to report one of the GIFs, and didn't feel too bad about it since while she did teach first graders I did find her political views somewhat, off-putting. I was going to make my way back to the case page to finalize it, but I got a notification on the not!Clippy software, telling me that if I find more violations I could get a bonus on closing the case?
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A child's drawing of Gumshoe Gooper (Hypnospace Outlaw)
So, I decide to report the other GIF on the page as well, and look at that: more money. And then I have a dark urge to test something out. What about this first grader's art? What if I file it for copyright infringement, what would happen? Would the kid get in trouble? Will the teacher get the blame? Did the teacher even deserve any blame? Well, I hit the report. It works. So I go through the page, filing every crude drawing of Gumshoe Gooper by children as a violation of copyright law.
I get a lot of money, and I don't feel too bad after learning more about AbbyWrites58. Besides, the other members of her webring were openly fascists! That sort of association makes you liable to uh, getting in serious trouble over copyright infringement of a 1968 cartoon character right? It's just my job! I needed to hit the quota! And what if I flag her account to the authorities, her account with her location and other personal information tied to it?! What is the worst that could happen, and maybe I would feel a bit more bad about it if her political views weren't so, wrong?
This sort of self-justification I found myself doing just felt fascinating. It was some of the most engaged I felt with a game's narrative in so long, and it's only been made more fascinating by later cases like even the one just following this with ZANE_ROCKS_14. If you liked this post, maybe I'll actually try to edit this one down properly and actually take screenshots too. Regardless, if you got this far thanks for reading!
Edit: I can see how this makes me look like kind of a dumbass but I guess what's more accurate is "what her political views were being signalled as" is more accurate for some of the stuff I say above lol, but I'm too lazy to edit the post more than this
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pebblysand · 2 years ago
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Questions 3 & 4 for the ask game for castles, please!
❤️.
3: What’s your favorite line of narration?
This is hard, but I think I will have to go with:
To him, the spring of ‘98 is about sex and funerals.
To me, it holds a particular emotional significance because it's the line that got me writing this fic in the first place. I had attempted to write a HP post-war fic for many many years before I started castles but nothing had ever really "clicked." Then, 2020 happened and I re-read the books and went through old fic drafts out of boredom and found a very early draft of castles. The whole thing was fine, but then I read that line and I thought: oh, that's actually a good one. I should do something with that. I don't remember writing it, or when I wrote it, but now it means something, you know?
Since then (and since choosing it for the summary), I've gone back and forth on it many times. I had a comment once complaining that the fic wasn't actually happening (only) in the spring of '98 so this was false advertising or something (🤔) and while it was clearly ridiculous, it did make me think. When I decided on the summary, I was also convinced this fic was going to be five chapters long and completely different, and I started wondering - as good as the line is - whether it still fit. The story has gone way beyond what I originally planned or expected, and I thought maybe it deserved another, perhaps more apt, summary.
But then, I started wondering what else I could use. And, of course, there are many other lines I love in castles, but none of them felt like this. I think the thing with "sex and funerals" is that it really captures the essence of the story, doesn't it? It's this mess of happy and sad things that make up life, that is just the tone of the story itself. And, sometimes, I also wonder if maybe I'm not false advertising in the way that readers might expect way more smut reading this that there actually is in the story (lol) but to me, the quote sort of symbolises the post-war world, its contrasts, and the "all was well" I'm trying to define. So, yes. Sex and funerals, I guess.
.
4: What’s your favorite line of dialogue?
I drew a blank on this question for a good fifteen minutes because I always think I'm not a dialogue person but then how could I forget this?
‘He just stood there, next to me in the garden, watching the gnomes. He said that you were seventeen, that you were his best mate’s kid. That you used to burp on his shoulder when you were little,’ she smiles, like the memory’s just materialising before her eyes, right there, almost within reach. ‘I told him you rarely ever sleep well,’ she adds before finally crossing his gaze. ‘That you don’t like milk in your tea. That at the time, you liked pumpkin juice, treacle tart, and kissing me.’
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evolving-within · 2 years ago
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“When you judge, deceive and hurt. You diminish the light that connects us all to the creator”. I just heard that today. What a profound thought.
Einstein proved that everything is connected. That we are all energy. Everything is energy. Energy cannot be destroyed. It has to go somewhere. The western society is really the part of the world that is slow to pick up on reincarnation.
Has anyone ever wondered why Native Americans, South American Tribes, African Tribes, Aboriginals, and many who are from Asian countries like Nepal and India. All view creation, spirituality and understanding in ways that are so far off from what religion teaches? Especially on the west side of this planet?
Since I can remember I’ve always been fascinated with the occult and metaphysics. I was raised in the LDS Church. After my baptism when I was 8, this would’ve been the late 80’s. That I decided I did not want any part of that church. I believe that is around the time I became a nonconformist. I am the only freethinker in my immediate family. That has caused the main problem between my father and I. I believe he is a baby soul. He may be 33 earth years older than I. But in terms of our souls. I’m ancient compared to him.
My views continue to evolve as I continue to experience my life and I learn lessons for the growth of my soul. I also believe I have memories of lessons I learned in a past life find their way back to my conscious mind. I know certain things that I don’t know how I know? I just do.
I often tell people considering suicide. If you end your life. When your soul is ready you will have to come back and learn everything all over again. You won’t get away from what tried to escape in your previous life. I don’t know why I tell people that? How would I know for certain? No one has ever told me that or have I read it anywhere.
Then I was watching a near death experience documentary. Some lady had to tried to kill herself. She learned that after she had died. She choose to come back and face her problems that caused her to make that choice. It sent shivers down my spine. She almost worded it verbatim to how I say it.
There are so many situations like the one I just mentioned that happen to me. I don’t know if it is my soul remembering or if it a download I’m receiving? But it happens to me often. I also feel that we do not see the real other side when we have near death experiences. I believe we see an in between.
I feel we choose that experience to help get us on another path to help us fulfill our destiny. Maybe our lives became stagnant up until that point. Maybe that was the only way our soul would make the necessary decisions to follow the pathway to our true destiny.
I have always believed that we chose the life we are currently living and the experiences we are going through. Some people have asked me “why would I chose this for myself”? The only answer I can come up with is, maybe your soul wanted to experience more and grow further in its evolution of our souls incarnation process.
I must have wanted to learn an awful lot in this life. Because I have had a very hard life. Even though 98% of my experiences were poor decisions I made. That could have been avoided. But nonetheless, I learned an awful lot about myself and what I am capable of handling. I am hoping I am doing a fast track class to learn as much as possible, so I don’t have to come back again. I know death doesn’t and will never scare me. Because I know deep within my core. That I have experienced it before and that I will not ever die. My vehicle in this life will die. But our souls live on forever.
I know I’m from another planet. I know to some that sounds crazy. But that is how I feel. I don’t know where in the galaxy that is. But I’ve always felt like I didn’t belong here. I don’t understand why things happen the way they do on this planet.
I do not understand hate. I do not understand violence. I cannot even watch it on a movie. I don’t understand why people cannot respect all lives including insects. Everything has a right to its life. I have never been racist. I have never cared about anyones sexual preference.
Every time I progress in my souls process. I unlock more information on the purpose of our existence here. I’m just now willing to accept the gifts I have been given to help heal myself. So I can help heal others through my experiences. I have the ability to read energy off of photos. I can use my intuition to read oracle cards very well. The only thing holding me back in life is myself.
Thank you all for allowing me to get these thoughts out of my head and heart. If you have any questions to what I have said or comments. I welcome them. Take care everyone.
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mk-wizard · 3 years ago
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Sailor Moon 90s Anime is STILL the best
Hi. I know I am on a Sailor Moon binge here, but after seeing all of Crystal, Eternal and on R (season 2) of the first anime, I want to get this all off of my chest... and before I go further, since these are all animes, I will refer to them as 90s, Crystal and Eternal. And after watching them all, I have to say that the 90s takes the gold medal as the best Sailor Moon anime so far and this is why;
1- It had the best pacing. - While I admit that sometimes, it went too far with the filler, 98% of the time, it worked with the 90s. It took its time to make you get to know the characters for better or for worse, it made you see different sides of them, it gave them a chance to truly develop and be multi-dimensional, and it made you care about them. When a death happened, it felt tragic. When a victory happened, you cheered. And when you saw what side characters did, it mattered. I mean, who can ever forget the contribution 90s Naru Osaka had to the story? And everyone who has seen the 90s anime cannot forget her. More on the character development and getting to know characters later.
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Sure, it wasn’t true to the manga and even the characters had different personalities, but I let that slide by because when Crystal and Eternal did follow the manga to the letter, we didn’t get a chance to digest anything. The only characters who develop are Usagi, Chibi-Usa and the outer guardians, and for the last bunch, it was the bare minimum. Crystal and Eternal were fun rides and I would be lying if I said I didn’t like them, but they were like roller coasters. They gave you a thrill, but fast and been done. The 90s was like a slow scenic ride that gave you surprises, emotionally touched you, made you cry, made you laugh, made you root for the heroes and even at the age of 37 years now, I keep rewatching this series.
2- The art of the 90s was better because it was sketchy, dark and edgier. - I know Sailor Moon doesn’t seem like this on the surface because the heroines are lovely girls in cute costumes, it emphasizes femininity and all things pretty, it has a romantic theme and is all about love, but Sailor Moon is also one of the darkest, grittiest, edgy and violent magical girl animes I have ever seen since Magic Knights Rayearth. Sailor Moon has on screen deaths which were permanent most of the time, on screen stabbings and the drawing of blood, and fights that got so hardcore, that real punches and kicks were thrown. The dark edges, black line art and sharp edges worked with the atmosphere of the story. I mean, look at the difference between the halls Dark Kingdom of the 90s (above) and that of Crystal.
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And if that is not enough to win you over, the characters were much more animated, organic and conveyed more emotion whether they were exaggerated or serious.
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In Crystal, the expressions and body language was very dulled down. Not to mention, very stiff.
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Everything is also too bright and soft which makes the characters look like velvet dolls with too much make up especially with the line art. I will give them props for adding better details, cleaner lines, the glow of magical items, and details in the gems, but everything else is all wrong.
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Eternal was better, but still not quite there. The colours are still way too bright and the characters still look too much like dolls from having line art that is too wispy. And I really do not like how the eyes have this unnatural glow to them. The edgy scenes become lost with all this brightness.
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3- We got to see that there was so much more the characters than just heroes or villains. - Since Usagi is the titular character, let us just talk about her in the 90s since I could go on forever about how much we learned about the characters. In any version of Sailor Moon, Usagi’s role as a Sailor Guardian has always been the core of the story and she does indeed show progress as one. However, the 90s tells us that no matter what, she is still going to be herself too which is just as important and she shows character development as just plain old Usagi too. The manga, Crystal and Eternal which only paint Usagi as not doing anything right except be a Sailor Guardian, but the 90s show her hidden talents and learning new skills. For example, she was bad at cooking at the beginning of the series.
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However, by Sailor Moon R, she gets the hang of it and is able to cook a meal by herself. Yes, she is messy, clumsy, never gets the hang of making cookies and is nowhere near Makoto’s level especially when it comes to presentation, but she is good at cooking food.
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Another hidden talent of Usagi’s is her drawing skills. She isn’t just good at drawing. She’s got talent at it, so in the 90s, Usagi is quite the artist.
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And it is admirable that 90s Usagi is open to trying new things even if she isn’t good at them. She practices, she explores and tries to enlighten herself. Sure, academics, coordination and organization will never be her fortes, but she really does have other and tries to discover more.
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In Crystal and Eternal, she is good at being Sailor Moon, she is a good friend and a good girlfriend, but that is it. She is one dimensional here and she isn’t the only one to painted like that. Everyone is only the obvious and that is all the audience gets.
4- Better character redemption. - I mentioned before that Sailor Moon had grit and was dark, but the 90s also made it more complex and did character redemption right. It was open to the possibility of bad people becoming good. For instance, the Black Moon Clan Specter Sister are unforgettable for being successfully redeemed.
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Yes, I admit that the monster of the day would get killed by the hands of the Sailor Guardians, but they also clearly showed that the monsters were not people or even alive. They were made of energy, clay or sand. When the monster of the day was a possessed innocent, they were saved through exorcism. Very rarely was an actual person ever killed and even when they were, it was either by the hands of another villain, their own hand, self defense or as a last resort. They never used killing as means of dealing with every single bad guy.
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Furthermore, the bridge arc about the Makai Tree that also served as a prologue to Sailor Moon R could be seen as a story about mercy, kindness and love. It stands out as the one time the big bad was actually a misunderstood big good being the Makai Tree herself. And even Ail an An were never bad, but were raised bad. And even then, they changed. This story is unique only to the 90s so far, but it was great and stood out for that reason.
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In Crystal, the heroines will kill a person without a second thought which I am shocked that no one brings up how repetitive and contradictory that is. The pretty warrior of love and justice should by all means protect the Earth, but doing so by killing off the bad guy all time is not love or justice. I also think the caption in this picture sums up how I feel about how the one and only time bad guys were given a chance to be redeemed...
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Eternal was better because the Asteroid Guardians got redeemed and saved. However, even then, I feel like there is still a double standard. They were one of the good guys to begin with and Sailor Guardians. In the 90s, the Amazoness Quartet wasn’t, but were given a chance to change anyway. I find it cool that the Quartet turned out to be Sailors and even better that they will go on to become Chibi-Usa’s team, but mercy is not just for your allies or for your own benefit. Everyone should be given at least one chance to fix their mistakes.
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5- We got to know Mamoru better. - I admit that no matter the incarnation, Tuxedo Mask will never be as powerful as Sailor Moon except when he is King Endymion, but the 90s take on his character made him better even if they did omit his super attack being Tuxedo le Smoking Bomber. What the well dressed masked man lacked in firepower, he made up for in intelligence, insight about the enemy’s weakness, courage and skill. The only times he ever did get overpowered was either by bad luck or because it was intentional because he was taking a hit for Sailor Moon. And even then, he always got back up. He’s a real man like that.
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More importantly, we get to know him as Mamoru too. Even before he confides being an amnesiac to Usagi, we see his struggles with feeling alone in the world from having no memory of his life before a tragic accident which also killed his parents. Now, him being a stern cynical person makes sense because I probably wouldn’t be pleasant to be around either if I lived with that. Once his walls come down, we see that deep down, all he wants is to belong somewhere and have a family. It should also be noted that 90s Mamoru doesn’t love Usagi because he is “destined” to. He loves her because he wants to. Even during that brief period where he broke up with Usagi was an act of love. The thing I also always liked best about 90s Mamoru is that even though he loves Usagi more than life itself, his life doesn’t revolve around her which is a healthy thing and he tries to encourage Usagi to be the same way for her own good. He is studying to be a doctor, he has a job and he even has his own crowd which I think is great.
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In Crystal and Eternal, while I do see an attempt at trying to follow this trend by showing that Usagi and Mamoru were on their way to falling in love even before they got their memories back, I still find he was one note and we never really learn much about him that has nothing to do with Tuxedo Mask, Endymion or anything royal related. Sure, we know that he’s studying to be a doctor and is a genius to an extent too, but that is it.
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I would like to end this by admitting that the 90s was not perfect either, but out of all the takes on the tale of Sailor Moon as of date. Crystal and Eternal were ok, but they just cannot stand up to the quality of the 90s. The only thing I can say I find Crystal did better than the 90s were the costume designs. Specifically, how they let Venus keep her chain belt, Pluto’s key chain belt, Uranus and Neptune’s shorter gloves, Uranus’s sword, Uranus having two earrings, Mercury’s suit is shoulder less which I always found suited her better, and I liked Sailor Moon’s brooch and necklace better in season 1.
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And even then, I should have liked it if Jupiter’s antenna was always on display as it is just something I always found cute in the manga, I liked Mars’ five point star earrings better in the 90s, and I like how in the 90s, each of the Inner Guardians’ sailor stripes were a little different.
Of course, this is all my opinion. I would like to hear which of the animes did Sailor Moon right in your opinion and why. Thanks for reading and stay safe, and have a great day.
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the-alice-of-hearts · 4 years ago
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Kids again Ch 1
AO3 Next>
Ch 1: She likes to drink her coffee black
Summary:
Soulmates come in twos; At least they usually did
98% of the world's population has a soulmate bond. Of those, 80% have platonic bonds. Only .2% of all soul bonds connected more than two people.
Having three soulmates is exactly the kind of cosmic joke the universe would play on a True Wielder of the Ladybug Miraculous. If it gives a boy who still had a lot of life to live a second chance, well that is still in Creation's domain, now isn't it?
Marinette loved the boy in her heart, and the other two links were twisted around each other in a way only romantic pairs could be. If only she could have loved him enough to save him /||\ Jason wanted, more than anything, to protect the girl who his heart belonged to; protect her from the harness of the world, and then from what he had become.
But we're getting ahead of ourselves here, let's start at the beginning.
Ch 1: She likes to drink her coffee black
The first time Jason looked into his Soulmate’s life she was happy. Whoever she was, she seemed happy. The first strong emotion that he got from her was pure bliss and a sense of major accomplishment. The first time he got to see through her eyes he was eight years old. She was rushing out the door waving goodbye to smiling parents, a thermos in one hand and a cute pink backpack in the other. He cherished this memory like no other. There were other strong emotions from the bond, most of them were similar. She was happy and seemed strong. After that, Jason tried not to let his emotions overwhelm him; he didn’t want the girl with the happy laugh and the pink backpack to see where he was.
He knew he didn’t do as good a job as he tried. The feeling of worry in his heart that he knew came from her told him so. He could feel when she worried about him not eating enough, so he tried not to go to bed hungry too often. He could feel when she would panic because she hadn’t felt anything from him for too long. He would go and listen to the musicians playing on the streets; trying desperately to feel as happy as he could for her.
When he had gotten stabbed defending another kid from a man with a knife, he wasn’t sure if his panic was his own or hers. He felt like he was watching someone die though, so he was pretty sure it was her panic feeding into his own pain. He made sure to take care of himself so that she didn’t think he had died.
This went on for a long time; him looking in and seeing small bits of her life and later try to send good things back as much as he could. He figured out she was from Paris when the Eiffel Tower was in so many of the small glimpses he saw. So, he stole an English to French dictionary. He then found a bookstore, he could steal from it pretty easily, that had a copy of a book filled with his favourite fairy tales in French. He learned French, then he took it as his language elective. Slowly, he started to understand what she was saying in his visions of her. She had a small number of friends, but they were pretty close. She still worried about him far too often, but he noticed that on days where she was worried she would go out of her way to be as happy as possible. It was like she was trying to make him warm from the inside. And on those days, when was cold and hungry and desperate for a safe place to sleep, he would hold on to her happiness and promise himself that he would be happy for her tomorrow.
When he became Robin he was worried about her finding out. What if Bruce made him stop being Robin? For this reason, he stayed quiet about his Soulmate. Most bonds were platonic anyways, so he just didn’t mention that his bond was romantic.
He hoped she would at least get to see happier emotions from him. He knew that she had to have seen some of where he grew up, but he wanted to believe that maybe she would now get to see these happier moments. Jason vowed to live every happy moment to its fullest.
He hoped she got to see Alfred teaching him to cook, and him learning how to bake all her favourite pastries. He hoped she saw Dick teaching him gymnastics, seeing all the times he fell but got back up. He wanted her to see him and Dick goofing off and the times they would go sneak off behind Bruce’s back when he told them not to skip patrol to do just that and get ice cream in the suits. He hoped she saw him and Bruce sitting in the library reading, the two of them watching movies together when he was too sick to patrol. He wanted her to see that he had a family that loved him now. He hoped that she wouldn’t worry about him so much anymore; that he wouldn’t be a burden on her anymore.
He thought he had hidden this from his new family, but somehow Alfred always knew everything. Jason almost panicked when Alfred broached the conversation while he was teaching Jason to make macarons
“Does your Soulmate have a favourite flavor, Master Jason?”
“I- uh,” he tried to come up with a way to deny it, but knew that he would never get something past Alfred. Still he tried, “What do you mean?”
Alfred smiled, not looking away from measuring the ingredients. “Growing up, my best friend had a Soulmate that grew up in a troubled home. He told me he knew when she was in a better place because she started pouring emotions into everything she did so that he could feel, as well as see, that she was safe.” Alfred turned back to the cabinet looking at their ingredients. “I just thought that you seemed to be doing something similar. I apologize if I misread the situation.”
Jason stood there thinking for a moment. He looked around and listened to make sure Bruce wasn’t about to walk into the kitchen. He moved closer to Alfred so he could whisper, ”Her name is Marinette. I heard one of her friends call her Netté, though.” When Alfred didn’t stop him from talking he kept going. “She likes matcha ones best, but she always tells her mom that she likes strawberry ones because they're less work.”
That was all that was said. They finished making the cookies and Alfred packaged them up for him to have in his room. Jason was pretty sure that Alfred knew he was hoarding food, but so long as no one stopped him and probably even if they did he would keep doing it. Living on the streets taught him that a next meal isn’t guaranteed, and even if it was unlikely he would ever go hungry under Alfred’s watchful eyes, he still wanted a back up plan if he needed to make a break for it.
The next time someone asked about her was about a year later on a stakeout in Blüdhaven with Dick. Bruce had gotten scared when Jason got hurt and wouldn’t let him patrol in Gotham until his injuries had completely healed. Jason got antsy and ran away to crash on Dick’s couch until Bruce let up on the restriction.
Dick had just sat down next to him on the building they were on. “Hey, Little Wing”
Jason turned to him. “Yeah?”
“Do you ever try to send your soulmate messages?”
Jason’s throat closed up in terror. Dick kept talking as though he hadn’t noticed Jason tensing up and planning an escape route. “It’s just, sometimes I see what he’s seeing and I don’t know how to tell him that I want to look out for him, ya know? And his dad is kinda distant, but his mom loves him a lot. I don’t know though, because sometimes I can feel dread coming from my soul link but without any glimpses into what he’s seeing. Alfred thought maybe I have a platonic soulmate that is experiencing dread. Lately I’ve only had happy and joyful feelings so I’m worried that if I do have a platonic soulmate that maybe something bad happened to them. I have no idea how I would be able to send a message to a platonic soulmate though, so I wondered if maybe you knew?”
Jason had slowly gotten more confused while listening to his brother. He hadn’t considered the possibility of having more than one soulmate. “Wait, you mean you can have more than one Soulmate? I thought Soulmates were pairs?”
Dick shrugged. “My parents explained it being more like pieces of the same picture. Most bonds are platonic and platonic bonds are more likely to be someone who you grew up near, so you would have similar experiences with similar emotional responses. That’s why people don’t always notice them, but when you have a romantic bond that you can actually see through each other's eyes, you notice, yeah?”
Jason nodded. “So you have a romantic Soulmate, but think you also have a platonic bond?”
Dick ran a hand through his hair staring out at the windows they were watching, “Yeah, I don’t know how to describe it though. Honestly, I’m pretty sure I have three soulmates. The third is a lot quieter though. My mom laughed once and told me maybe it wasn’t that I had three soulmates, but that my soulmates had another link to each other.”
“Does that happen?”
“I don’t think so, but the stories about that happening are more fairy tale than concrete evidence. I like to think I have three though. I hope that, whoever my platonic bond is, they have their own romantic bond they can lean on. I don’t know if there is anything I can do for them unless I figure out who they are.”
Jason scoffed and then went on the alert seeing movement in the room. “We’ve finally got company.”
Dick smiled and ran back a few steps. “Wanna see me do a flip into the window?”
“Ten bucks says you don’t break the glass and fall on the ground.”
He laughed at that. “Be ready to pay up, Little Wing. I’ll get the two gunmen, then you swing in and help me with the others.”
He took a running start and jumped off the roof they had been on, doing a flip to keep his momentum up. He crashed through the glass rolling into a handspring, kicking the guns out of the two goons' hands. Jason followed using his grappling hook to get across to the now-broken window.
A short fight later and they had the men all tied up. Dick called the police with the info and then they were grappling away from the scene.
“Hey, Dick?”
“Yeah?”
“Earlier you said that you wanted to figure out who your platonic soulmate was.”
Dick landed on top of the building his apartment was in, then looked at him. “Yeah. I just want to know if I can help them.”
Jason followed him down the fire escape, “I thought that soulmates knew when they found each other; you make it seem like that’s not how it works?”
Dick walked into his room to grab clothes. “When you only have one soulmate, there is a glow when you touch each other the first time. It’s your soul telling you it’s complete, but if you have more than one you only get that if you find all the pieces of your soul.”
“Oh.” He caught the pants Dick threw at him. “Thanks for talking to me about this. I guess there was a lot I didn’t know.”
They crashed on the couch to play video games and eat leftovers. The conversation hung heavy in the air, though. Jason felt like, if he talked first, he would tell Dick everything, but, if Dick had had a romantic Soulmate this whole time, then Bruce had to know about it.
He looked up at his brother from where he was laying with his legs over the side of the couch. “Does Bruce know you have a romantic Soulmate?”
Dick looked down at him from where he was perched on the back of the couch. “Yeah? Why?”
Jason shot Dick's character while he wasn’t paying attention, trying to make him stop looking at him like that. He mulled over the question while avoiding the looks Dick was still giving him during his respawn times. In a small voice he finally answered, “He didn’t make you stop being Robin?”
That made Dick pause the game. He dropped down to sit on the cushion of the couch, leaning his head over Jason to look him in the eyes. “Jason, Alfred would never let Bruce use one of us having a Soulmate as a reason to kick us out of the suit.”
Jason pushed him back so he could sit up. Turning to look at him, he took a deep breath. “He kicked me out of the suit for being hurt. He fired you and sent you here. Why would having a Soulmate be any different?”
Dick reached out and hugged Jason. He felt Dick’s shirt becoming wet from tears he hadn’t realized he was crying. “Oh, baby bird, no, that’s not gonna happen, and if Bruce tries it, then you have a place here. You did really good back there, I would love to have your help anytime.”
Jason sniffled and wrapped his arms around Dick. “What if he tries to make you send me back?”
Dick was still rubbing circles on his back, talking soothingly. “Bruce can’t make me do anything. My bank account has Alfred as my responsible party, and Clark is the name on the lease. If you want to stay here you can, and no one gets to take my brother away from me okay?” Jason nodded, still sniffling but getting his tears under control. “Now enough sad talk. How about I kick your ass in this game and tomorrow I’ll take you to the gym I use and help you with your flips.”
Jason laughed wholeheartedly at that. Sitting up and discreetly wiping his tears, he grabbed his controller again. “Don’t know why you keep trying. You’re not gonna win at this any more than I’m gonna be able to do a backhandspring tomorrow.”
And that was it.
Bruce either didn’t know about his romantic Soulmate, or he really didn’t care. Jason started keeping a journal of written notes about her. He wanted to be able to find her one day, so he needed to know everything he could.
An incomplete list of things I know about my soulmate
Her name is Marinette
Her friends also call her Netté or Mari
She drinks a lot of coffee, usually black. She grabs it on the way to class. Is that a french thing? I feel like I only ever see her with coffee? That can’t be right, maybe it’s from the all-nighters? Her friends have teased her about not sleeping before. Is that more often than I think?
She ignores her own needs to help her friends
She’s like a year younger than me I think.
Her nonna (grandmother?) calls her Marinetta or Little Fairy (could I call her Pixie?)
Lives in Paris
She has an Asian mother; Chinese?
She has an Asian name, but I don’t remember it. Her parents use it but not often enough for me to write it down
Her father is French-Italian
She is in gymnastics, but can be clumsy
Kim, Nino, and Alix are her friends.
Chloe used to be her friend. She doesn’t know what changed things
She likes to draw
She wants to be a clothing designer
She made me something? I couldn’t see what it was, but her mom was really proud of her accomplishment.
She is a really good baker
She likes matcha macarons best; but she never asks for them. She feels guilty about her parents making them just for her
She can lift a giant bag of sugar like it weighs nothing
She likes to help people
She likes pink
She is nice and good. At least I think so.
The list was in a small red notebook. It stayed with him all the time; that way whenever something happened, he could write down any details. He filled the other pages of the book with things he wanted to tell his Soulmate, small bits of his life that he wanted to share with her. He had a spot in his utility belt for it to be, and a pocket in his jacket that he kept it in. He had once shown Dick the list and the pages that he had written about him and Alfred. He smiled when Dick showed him his own similar notebook. Dick’s romantic Soulmate was also from Paris; they both wondered if their Soulmates knew each other.
Jason liked to think so
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brian-in-finance · 3 years ago
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Kenneth Branagh’s latest semi-autobiographical film, Belfast, is set in Northern Ireland in 1969 and explores the “social and political tumult” in the buildup to the Troubles. The “affectionate portrait” of nine-year-old Buddy lies at the centre of this film, critic Robbie Meredith noted. Yet as violence begins to escalate between communities in Belfast, Buddy’s small world begins to rupture and his family is forced to make some hard decisions.
The film’s release provides a timely prompt to examine the experience of those that lived through such a turbulent time in Northern Ireland. A period brought into sharp relief by renewed debates over borders on the island.
The Troubles (1969-98) were primarily fought between three parties: Republican paramilitaries who sought the unity of Northern Ireland with the Republic of Ireland; Loyalist paramilitaries who strove to defend the union of Northern Ireland with the United Kingdom; and forces of the British state. Despite the signing of the Good Friday agreement (which outlined the terms of peace in 1998), many aspects of Northern Ireland’s past remain contested, including the historical roots and causes of division that led to the escalation of violence in 1969.
Approaches to peacebuilding in Northern Ireland have been underpinned by widespread attempts to deal with the conflict’s legacy and its ongoing effect on people’s lives. One approach undertaken by grassroots communities and NGOs in the peace process has been to reflect on the past through storytelling. Community oral history emerged as an empowering medium to acknowledge and preserve people’s experiences. One such initiative is the Dúchas Oral History Archive located in Falls Community Council, West Belfast – one of the worse affected areas.
Complex relationships
Documenting a diverse social and cultural history of Belfast from around the 1910s to the present day, Dúchas has helped people from various backgrounds tell their stories about the conflict since 2000. The stories are from, among others, Nationalist/Catholic, Unionist/Protestant and British soldier perspectives. The collection holds over 300 life history interviews, with some excerpts published.
Sometimes, as the interviews were often conducted between people who knew each other, the process of looking back evoked antagonistic memories of the conflict that reflected ongoing tensions in the peace process. But Dúchas also preserved the memories of those whose experiences conjured memories of connectedness with neighbours across religious and political divisions, as one interviewee described:
…the first time that I ever knew that there was a difference [was] because I overheard my mammy saying that Mrs Shannon had decided to move down to Cushendall, with everything that was going on, and my mammy was saying, “I’m losing a really good neighbour, and it’s ridiculous, just because she’s Catholic. You know, she’s better to me than these ones are that are coming down telling me, ‘Oh, I’ll look after you if you put a flag out’, you know, sort of, what they’re saying is that we’ll identify that you’re Protestant”. But my mammy was, you know, “I don’t care what you are. Take yourself off.”
Many interviews also reveal how larger structural forms of violence overshadowed daily routine activities, such as this example:
When I was working in Boots there were five of us … three Catholics and two Protestants … So we were all out on our lunch hour going round the town, gagging the way we did … and the next thing these soldiers just pulled us into the side. “Where are you’se going?” And I said, “we’re out on our lunch hour, we’re in our uniforms, can you not see? We work in Boots.”
We were that embarrassed, everybody was going along and looking at us out in the street, and he searched our handbags and all the rest of it, and then he went, “Name? Where are you from?” [interviewee recites names] … he just looked at us all. And he said, “Well how come you’se are all together from Catholic places and Protestant places?” And I said, “Well, we work together, and we’ve been working together for years, and we’re good friends, and we’re out on our lunch hour”. And he couldn’t get over that, and then he let us go.
As these examples show, amid the sectarian division of Northern Ireland during the Troubles, a range of complex relationships existed, and the Dúchas archive has played a role in documenting these.
Histories of emotion
Yet Dúchas also preserves difficult histories of emotion before, during and after the conflict.
Speaking about the past evoked a range of complex responses including memories of pain and grief inflicted by different groups in the conflict, including British armed forces. Equally, some interviews draw attention to the burdens of internal division within and between communities, and the fears and anxieties this conflict conjured. Other interviews highlight emotions of anger, resentment and injustice felt towards those who caused hurt to them or their families.
A range of conditions helped shape Dúchas. Post-conflict archives in Northern Ireland are partly shaped by the external funding bodies and policies that enable them. Such factors should be brought centre stage when thinking about the critical role of archives in community peacebuilding.
But, as a lens for “looking back”, the potential of grassroots projects like Dúchas should not be underestimated. The complexity of experiences and motivations that have shaped Dúchas are timely reminders of the importance of hearing the nuanced perspectives of the conflict that otherwise might not have been voiced.
Correction: An earlier version of this article said: “The Troubles (1969-98) were primarily fought between three parties: Republican paramilitaries who sought the unity of Northern Ireland with the Irish Free State.” It should have said: “The Troubles (1969-98) were primarily fought between three parties: Republican paramilitaries who sought the unity of Northern Ireland with the Republic of Ireland.”
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2001 Focus Features
Remember… many interviews also reveal how larger structural forms of violence overshadowed daily routine activities. — The Conversation
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tcm · 4 years ago
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In Memory of Brian, Fred and Jerry by Susan King
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I mourn the loss of Hollywood legends, especially those I have interviewed over the years. I broke into tears when Debbie Reynolds died four years ago, recalling our last chat together in 2016 when we did a duet of “Moses Supposes.” And I still haven’t watched TO KILL A MOCKINGBIRD (’62) since Gregory Peck died in 2003. I had the opportunity to interview the handsome Oscar-winner at his now torn down home in 1997 and 1999. He was everything you’d hope he would be – sweet, intelligent and funny. He also loved Bob Dylan. His last words to me as he walked me to my car were: “You are a most interesting young lady.”
In 2020 alone, I lost over 20 former interviewees including Kirk Douglas, whom I interviewed eight times between 1986-2017, and my beloved Olivia de Havilland, who I found to be delightful and a bit ribald in the two interviews I did with her. I got more than a little misty when Brian Dennehy, Fred Willard and Jerry Stiller died this year. They were supremely talented and made our lives a little brighter with their performances. And, they all were great guys and fun interviews.
Brian Dennehy
I interviewed Brian Dennehy, who died in April at the age of 81, several times in the early 1990s when I was at the L.A. Times. The former U.S. Marine and football player was intimidating at first sight. He was tall, burly and barrel-chested. He had a no-nonsense quality about him, and he spoke his mind. But he also was funny.
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In 1991, discussing how hard it was for some actors to land parts after starring in a TV series, he noted “coming off a TV series is a tough deal, and you go into limbo land for a while, if not forever. Most actors go immediately to the ‘Island of Lost Actors’ and stay there. Troy Donahue is the mayor.” Dennehy never went to that island. Not with the complex and often memorable performances he gave in such films as FIRST BLOOD (’82), SILVERADO (’85), COCOON (’85), PRESUMED INNOCENT (’90) and as Big Tom in the comedy TOMMY BOY (’95).
He was nominated for five Emmys, including one for his chilling turn as serial killer John Wayne Gacy in the miniseries To Catch a Killer (’92).
I had one of the most extraordinary evenings at the theater in 2000 when Dennehy reprised his Tony Award-winning role as the tragic Willy Loman at the Ahmanson Theatre in Los Angeles in the lauded revival of Arthur Miller’s masterpiece Death of a Salesman. It was a gut-wrenching performance that left me emotionally exhausted. He earned another Tony in 2003 as James Tyrone in the revival of Eugene O’Neill’s superb Long Day’s Journey into Night. And he never stopped working.
Shortly after his death, the drama DRIVEWAYS (2020) was released on streaming platforms. And it could be Dennehy’s greatest performance. He plays Del, an elderly widower and Korean War vet who sparks a warm friendship with Cody, the young boy next door. The reviews for the film (it’s at 100% fresh on Rotten Tomatoes) and Dennehy have been glowing. The L.A. Times’ Justin Chang wrote that Dennehy’s Del is as “forceful and tender a creation as any in this great actor’s body of work.” And Jeannette Catsoulis of The New York Times stated: “What we might remember most, perhaps appropriately, are Dennehy’s warm, weary features and rich line readings. In a lovely final monologue, Del advises Cody to avoid rushing past the experiences in life that matter, as they pass so quickly on their own. Much like the careers of beloved actors.”
Fred Willard
I first encountered Fred Willard as the clueless sidekick of sleazy talk show host Barth Gimble (Martin Mull) in the late 1970s on the syndicated comedy series Fernwood Tonight and its continuation America 2-Night. I quickly became a fan, and that admiration grew when he became a member of Christopher Guest’s stock company of zanies in such comedies as WAITING FOR GUFFMAN (’96) and BEST IN SHOW (2000). In the latter, he played the equally clueless dog show announcer Buck Laughlin who quipped in his color commentary, “And to think that in some counties these dogs are eaten.”
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Willard told me in a 2012 L.A. Times interview that he didn’t think he was funny until he was an adult. “I always loved comedy growing up – Bob Hope, Red Skelton and Danny Kaye,” said Willard, who died in May at the age of 86.
Willard got a serious part in Tennessee Williams’ one-act in a summer theater group when he was in his 20s. “I was getting laughs on all the lines,” he noted. “The director got upset because the audiences were always laughing. I didn’t try to do it deliberately. Then I realized I would say things around people, and they would laugh. I didn’t mean to be funny. I have always been relaxed around comedy.”
Just as Dennehy, Willard kept working. In fact, he received an Emmy nomination posthumously for his hilarious turn as Ty Burrell’s goofball dad on ABC’s Modern Family. He told me he wished he could try to do more dramatic fare like in Clint Eastwood’s World War II drama Flags of Our Fathers (2006). Willard even called his agent to see if he could get a role in the movie. “Clint Eastwood’s people called back and said, ‘We love Fred, but we are afraid if he appeared on the screen, they might start to laugh.’’’
Jerry Stiller
Jerry Stiller was a real sweetie and also very thoughtful. He sent me a lovely thank you note when I interviewed him and his wife, Anne Meara, in the early 1990s. When I talked to him for his son Ben Stiller’s remake of THE HEARTBREAK KID (2007), Stiller sent me a lovely bouquet of flowers. Ditto in 2010 when I interviewed the couple for a Yahoo! Web series Stiller & Meara: A Show About Everything. I also received Christmas cards until Meara died in 2015.
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Baby boomers remember Stiller, who died at 92 in May, and Meara for their smart and sophisticated comedy act, in which the majority of the humor came from the fact that he was Jewish and she was born Irish Catholic. They recorded albums, were popular on the nightclub circuit and did The Ed Sullivan Show three dozen times. They split up their act when musical variety series went away.
Both were terrific dramatic actors. In fact, I saw Stiller in the 1984 Broadway production of Hurlyburly, David Rabe’s scathing look at Hollywood, and he did a 1997 production of Chekhov’s The Three Sisters. Of course, Stiller garnered even more success in his Emmy-nominated role as Frank Costanza, the caustic father of George (Jason Alexander) on NBC’s Seinfeld (1993-98) and was the best reason to watch CBS’ sitcom The King of Queens (1998-2007) as Kevin James’ acerbic father-in-law
But I most remember that 2010 interview where Stiller and Meara bantered back and forth much to my enjoyment. Here they talk about Ed Sullivan:
Anne: I never liked him.
Jerry: You are out of your mind. You never liked him?
Anne: He scared stuff out of me. I am talking about Mr. Sullivan himself. I wasn’t the only one. There were international favorites throwing up in the wings—singers and tenors and guys who spin plates. It was live. We were scared.
Jerry: Ed Sullivan brought us up to the level that we knew we never could get to – him standing there on the right side of the wings laughing, tears coming out of his eyes and then calling us over and saying, ‘You know, we got a lot of mail on that last show you did.’ I said, ‘From Catholic or Jewish people?’ He said, ‘The Lutherans.’”
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chalkrevelations · 4 years ago
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So, Episode 7 of Word of Honor, and where to start? No, I’m kidding, I know exactly where I’m starting, which is with some recognition of what a great job this show does of developing 98 percent of its multitude of characters, because the first two things I’m going talk about this week aren’t even Zhou Zishu, Wen Kexing OR Wen Kexing’s thirst (AKA, the three main characters of the show).
Well, I guess I’m really starting with the usual warning – this is a re-watch and so there are SPOILERS here, not only for this episode, but for most of the show. Scroll away and come back later if you’re trying to watch all 36.5 eps unspoiled.
SO, I mean, come on. Of course I’m starting with the Smartest Man in the World, who has finally shown up in this episode, and I’m reminded once again what an actual cinnamon roll, too good for this world, Cao Weining is. He’s maybe the single completely good character we meet  – even Chengling wants to burn down somebody’s house at one point because he’s mad. But Cao Weining is almost too good to be true – and yet, there he is! Living his best life, being good, eating good, falling in love, and refusing to let his beautiful, clever, fierce girl’s neuroses come between them. I love him, y’all. And not just because he instantly falls in love with A-Xiang when he happens to see her beat up a bunch of drunk bro assholes in the inn where he’s having a quiet little lunch by himself before she storms into his life like a purple whirlwind. But let’s do think about this from his perspective, yeah? And let’s remember it as we watch the progression of their relationship, as we wait for the revelation we know is coming, and as – many eps down the line – he learns the truth of her. Cao Weining’s first experience of A-Xiang is someone who’s brave and capable, who defies outsized odds to come to the rescue of those in need, who doesn’t allow women and girls to be abused, who expects proper behavior from the representatives of the jianghu, and who is absolutely fearless in demanding just treatment and never even thinks to be intimidated when she faces unfair censure from an authority figure. This is the girl WKX raised, y’all. This is a girl who embodies everything Cao Weining has been taught to believe in as a cultivator. And this is the girl Cao Weining sees every time he looks at A-Xiang. Maybe, just maybe, this is the truth of her, and Cao-dage sees and understands it from the very first time he spots her, and anything else he’ll learn about her is really extraneous. (Hmm. I wonder what other relationship we’ll eventually end up seeing that kind of dynamic in, where someone truly knows you and believes in you, so everything else is unimportant?) Also, Cao Weining tells A-Xiang she’s very beautiful, and how many people do you think have ever told her that before in her life? He asks why he would want to fight and hurt her, and how many people – particularly men, given where she grew up – have ever told her that before? He buys her lunch – twice, because the first round gets cold. Remember a few episodes back, when WKX asked her who the second cutest person in the world was, and she responded that it was someone who would buy her a meal? Well, here he is. For bonus points, it is hilarious how badly WKX responds to Cao Weining’s very existence after ZZS points out the pair of them having a toast at the same inn that WKX and ZZS have stopped in WKX has dogged ZZS’s footsteps into. Poor Cao Weining doesn’t even get the shovel talk – although to be fair, he doesn’t get the full-court Ghost Valley Master press, either, so WKX must have been holding back somewhat – he just gets told to get out, before WKX grabs A-Xiang by the ear and delivers some scathing commentary on her taste in men, like he didn’t immediately fall for some rando who was tits out, drinking himself to death in the gutter.
ANYWAY, from the Smartest Man in the World, we’re going to move to Han Ying, My Beloved, who we see interacting with the Five Lakes Alliance again, this time in the person of Gao Chong, leader of Yueyang Sect and host of the upcoming Heroes Conference, da-ge of the 5LA. I had honestly forgotten we got to see so much of Han Ying this early on. What strikes me here is that this is a guy who I actually could believe is the second-in-command of Tian Chuang at what is it? 21 years old? When he’s doing his job, and ZZS is nowhere around for him to make pining puppy-dog eyes at, he’s focused and determined and a bit forceful and somewhat threatening and, frankly, appropriately arrogant for the job he’s been sent to do. He’s also wearing a cloak with a mini-Collar of Evil. He comes off as, dare I say, a capable leader of an assassin organization and a guy who’s able to do a proxy flex for his boss without looking completely ridiculous - which puts him one up on Duang Pengju, omg that asshole, and also makes me feel a little better about how I want ZZS to wreck him (or I guess, technically, him to wreck ZZS, because I’ve never seen a character (except Marcus Flavius Aquila, THANK YOU for your service, Channing Tatum) who put off such subby service-top vibes. WHY is there not more Han Ying/ZZS on AO3, fandom? I thought better … worse? … better? … of you.) When Gao Chong claims the Glazed Armor is a myth, Han Ying basically calls this older, respected zongzhu a liar and gets up in his face before refusing a dinner invitation and sweeping out in his mini-Collar of Evil with a credible “PAH.” My boy has layers, y’all.
What else? We start out the ep at Luo Mansion, a wedding scene, and I’m struck by how the Ghost Valley colors match traditional wedding colors, here. I’m thinking about how A-Xiang’s wedding dress won’t be red (and I think green was more common during the Tang dynasty?) although all the decorations will be, and I’m thinking about how we have this wedding as a book-end to that wedding, and I’m thinking about how it’s interesting that a girl who was raised in the Ghost Valley and protected by the Department of the Unfaithful meets a man who’s going to be so faithful to her in the same episode as this wedding with/of the dead. Ghoul, who’s one of the attendees from the Ghost Valley, also remarks that the red makes him hungry, so there’s a meat reference to throw into the thematic basket, I guess. (Also, hey. Ghoul is played by the same guy who’s Sun Yongren in Killer & Healer.) Lovelace (ugh) briefly menaces one of the Department handmaidens before Luo Fumeng shows up, and I think she’s Yun Zai or Hong Lu, one of the two maids that A-Xiang rescued from him, although I’m not positive, because her hairstyle is so different and hides a lot of her face, here. So, we’re all attending the “wedding” of Mu Yunge, the apparent fuckboy who got got a couple of episodes ago as bait for Ao Laizi when Changing Ghost got his hands (briefly) on the Danyang Glazed Armor. We did see a brief scene with Yunge in the last ep, when he woke up tied up in bed, being menaced by someone who appeared to be his dead lover – who hanged herself while pregnant with their child – but turned out to be Beauty Ghost using a face-masking technique similar to ZZS’s disguises. In the interim, Ghost Valley has kidnapped 10 cultivators as his wedding party, and – this is the important plot point – that includes Deng Kuan, head disciple of Yueyang Sect. We get to see some of Beauty Ghost’s ruthlessness here, as she carries in the dead woman’s memorial tablet draped in a red cloth – how’s that for some foreshadowing (my f’kn HEART) – to set it down in the “bride’s” place before Yunge is forced to bow three times. (Dead girlfriend was a Mo from Broken Arrow Manor, and I … am not sure if that is significant or not. Is she possibly related to Mo Huaiyang? Does anyone know which sect is associated with Broken Arrow Manor?) Beauty Ghost also kills two of the 10 “guest” cultivators for talking without permission as she explains the next event to them – cage match. Only one of them gets to get out alive. Deng Kuan, the best of them, apparently, pleads with everyone to not let themselves be divided, but we can all guess how this is going to go. I guess maybe he’s the other completely good character we meet, but he sure is a punching bag. He ends up the last man, sort of, standing, as he kills the final other person in self-defense, but not before getting stabbed, and he goes down and is out for the count.
Meanwhile, cut to Zhao Jing and Shen Shen drinking and gossiping at an inn on the way to Yueyang. Shenshen – Shenshen – continues to bemoan Chengling’s uselessness, and also talks about the torture the other Zhang family members underwent just in time for Chengling to overhear in the hallway, so thanks a lot for even more trauma, Shenshen. Zhao Jing is so sad about it all, y’all. He’s just so very very sad, can we just stop talking about it, Shenshen, because you’re making him sad, and he’s just going to let Da-ge figure it all out, OK? Uh-huh.
Fourth plot thread of the episode is ZZS skulking around, following Chengling, trying to convince himself that this kid is safe now that he’s turned himself in to gone to live with the 5LA, even as ZZS spots Tian Chuang spies in the ranks of the Yueyang disciples and among the dumpling vendors on the streets outside. ZZS follows the dumpling vendor, gives him a code phrase and almost gets his head taken off by a Scorpion blade for his trouble, before stabbing Dumpling Man in response. WKX picks this exact moment to wander back into ZZS’s orbit, taking the chance to flirt as Dumpling Man spits up blood and dies in the alleyway, because of course he does. WKX tsks, accuses ZZS of being cruel, and quotes some poetry about fair faces and poisonous hearts, which - like all of his poetry - has a double meaning, because which of them is he really talking about, ZZS or himself? ZZS notes that WKX is openly wearing the (Danyang) Glazed Armor because of course he’s looking for trouble, but WKX loosens his stays and clutches his pearls and replies that he couldn’t possibly be looking for trouble – him? Philanthropist Wen? He’s not a merciless killer like ZZS. Whereupon ZZS finally says out loud what he’s been clearly thinking since he started going on about what an awful person he is in the LAST EPISODE, which is why the hell don’t you stop following me around, then? There’s some more flirting, and WKX continues to follow ZZS around, and ZZS takes note that WKX is obviously flaunting the Glazed Armor out in the open, and then there’s a little sleight of hand when Famous Pickpocket Fan Bu Zhi, oh noes! Steals WKX’s Glazed Armor right off his belt when he isn’t even looking! before WKX continues to follow ZZS around, conveniently into the same inn where Cao Weining and A-Xiang are having lunch. After WKX attempts to chase him away, we discover Cao Weining has had his wallet stolen. WKX deploys his Sadness Eyebrows to convince ZZS to turn over his wallet to pay for Cao Weining’s and A-Xiang’s lunch. ZZS – who does an admirable job of refusing for a bit – finally caves, and WKX orders lunch for everyone, on ZZS. Now all we need is Chengling, because the fam is not complete without Goldbean.
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talpup · 4 years ago
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Summary: Yami Sukehiro just wanted to join the Magic Knights and make his mentor proud. He knew there would be trails. He knew trouble would come his way. Knew he would be faced with discrimination for being a foreigner and a peasant. What he didn’t know. Didn’t expect. Was that literal Chaos would come his way. That he and his mentor’s sister would be at the center of world ending trouble. Or that he would fall in love with his mentor’s sister and face more than discrimination; but the jealously of Nozel Silva who loved the same woman he did.
Please remember this fic is rated mature and has warnings of violence, abuse, sexual tension, sexual behavior, and other possible triggers. For a full list of story tags please check the fics AO3 (link to that at the top of my tumblrs homepage).
Sorry about the late update. My mom passed a few years back on Mother’s Day and last weekend hit me harder than expected. Please don’t feel the need to give any sympathy's. I’m not asking for that. Anyway, hope you all enjoy.
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Chapter 98
“Light cannot exist without Darkness for without Darkness how would we...”
“Shut up!” Yami roared.
“...know what Light was.” The all too familiar voice finished.
Yami was sick of the voice. He hated it and wondered if he would instantly recognize the voice if he heard it out in the waking world. While it was similar enough to belong to the same person as the Crazy, Happy, Killer voice that spoke when he and Teris received the History of Chaos; it was also different enough for him to question if it indeed belonged to the same person.
Yami blinked remembering what he had forgotten from the last time the page of Chaos had contacted him. “You were right. The Future of Chaos wasn’t in labyrinth two hundred thousand—whatever.”
“The Future of Chaos is not to be found in labyrinth 297,353. The Future of Chaos has long since been taken and moved. Joined where it can be safe.” The voice said.
Yami puzzled at the word “joined”. But the voice was always saying strange things that didn’t make sense, so he instead focused on another question he had. “How did you know? How did I remember?”
Truthfully, Yami hadn’t actually remembered anything concerning his past dreams with the page of Chaos the night Alowishus had taken Teris and him into the labyrinth. But his distinct feeling that evening, the certainty he had that everything would be alright proved that some unconscious part of him remembered these dreams.
“You remember what you must when it is necessary. Even Chaos must bend to the will of Fate. You and the Light alone are destined to have the Future of Chaos. It is not meant for Death. Death cannot have it.”
“At least we agree on that last part.” Yami muttered.
“The time of Darkness is nearing. Your strength will rise in truth once the Light’s power reaches it peak and begins to dwindled.”
“You’re talking about the Summer Solstice. The days growing shorter and all. Not Teris’ actual power dwindling. Right?”
“The time of Darkness is nearing. Your strength will rise in truth once the Light’s power reaches it peak and begins to dwindled.” The voice said again.
Yami growled. The only thing more annoying than these forced communicative dreams with the page of Chaos, was how the voice repeated itself when it didn’t want to answer a question. Thinking of another question, Yami asked. “Why two years for my supposed rise of power? Teris didn’t have that.” Or did she, he wondered. There was no way to know for sure since they had known nothing about it until last years Summer Solstice.
“You must persevere least the world descend into Darkness. You must remember the Light and not consume it least your wrath fall upon the world.”
“Why would I forget Teris? What do you mean consume her?” Yami was disturbed by the memory of his, or more correctly the Darkness’ hunger for the Light and the way the Darkness had drawn the Light into its bottomless abyss.
“Light cannot exist without Darkness for without Darkness how would we know what Light was.”
“Shut up with that and answer me!”
There was a loud slam and slight reverberation that woke Yami up with a start. He sat up feeling groggy despite having gone to bed early. “I’m awake.”
Door still rattling on its hinges, Jax stormed. “I told you to be downstairs and ready to go before breakfast. Not only were you not downstairs but you’re far from ready.”
Yami shook off the disorientating fog of restless sleep, not feeling all there. “Just give me half a minute.”
Jax watched Yami roll out of bed and stumble, falling to a knee. “You’re not hung over, or worse still drunk are you?”
“Nope.” Yami pushed to his feet and sat on the edge of the bed, putting on his pants.
Jax watched a moment longer.
Yami’s movements became quicker and more sure as he pulled on and laced his boots.
Jax relaxed seeing his Vice Captain become less clumsy. “Did you do as I said? You’re not going to get into a fight with Nozel Silva if I take you, are you?”
“Depends. Braid Face gonna start one?” Yami asked, standing and grabbing the clean white muscle shirt.
“My only concern is that you don’t antagonize or strike first.” Jax said.
“I think I can manage that.” Yami grabbed the two belts off the bedpost, first putting on the sword belt Teris got him that helped hold up his pants and carried his grimoire.
Jax watched the younger man wrap the second belt around his waist. “About last night. I hope you understand my reasoning.”
“Would it change your command if I didn’t?” Yami asked, slipping his sheathed katana into place.
Sorry he had bothered trying to smooth any hard feelings, Jax wondered aloud. “You sure you’re good to do this? The questions Alowishus posed might be unnerving. Never mind what questions Nozel and Fuegoleon might've answered. I told you to work out this aggression you’ve been feeling and you’re still brimming with it.”
“Yeah, and who’s fault is that? You’re the one who said we couldn’t go out.” Yami said.
Jax sighed and turned away. “That’s it. You’re staying.”
Cursing his temper, Yami called. “Captain, wait”
Jax stopped at the closed bedroom door.
Resting his hands on his hips, Yami told. “I won’t antagonize or start a fight with the Royal Ball of Pride. You have my word.”
“I’m holding you to that.” Jax told.
98.2
Walking out of Healer’s Hall with Randall beside him, Fuegoleon found Teris waiting outside. Stepping to his cousin, the Crimson Lions Vice Captain embraced her in a tight hug.
“Leon. I can’t breath.” Teris croaked.
“Deal.” Fuegoleon told, his hold loosening slightly when his still healing wounds complained. Eyes closed in relief and gratitude, shame began to fill him. He didn’t care what anyone said. It was his fault. The Agents of Chaos had used him to get his cousin to comply with their wishes.
Releasing her, Fuegoleon gripped Teris’ shoulders. “Never scare me like that again. You hear me.”
“Scare you? You’re the one who--” Teris stop, unable and unwilling to verbalize the truth. Fuegoleon had almost died. If they had gotten him to the healers just a few minutes later… She shook away the terrible thought and hugged him again.
“Leona said you came by yesterday.”
Teris pulled away and nodded. “You were asleep. I didn’t want to disturb or tax you.”
Fuegoleon almost argued that he would've gladly given up rest to see her; but he didn’t. The visit from the Crimson Lions had taken a lot out of him. But he had endured it. As Vice Captain, he had to show the Crimson Lions he appreciated their care and efforts. More than that, he had to let them see that he was well and able to continue his duties to serve the Kingdom, its people, and the squad. After what had happened to Quince and the lingering un-healable injury that had left the previous Vice Captain unable to return to duty; Fuegoleon felt it necessary to reassure any fears or questions the squad had about him. Once his report was written and he was fully debriefed, he would go out on a mission and waylay any lingering doubts the squad might secretly have about his fitness.
Fuegoleon smiled gently. “I’m just glad you’re alright.”
“There you go stealing my line, again.” Teris smiled back.
Fuegoleon’s smile faltered. After what had happened during last years Summer Solstice, he had feared that the Agents of Chaos might’ve had something similar planned for Teris and Yami this time too. When Mereoleona had told him about the labyrinth and its missing contents, Fuegoleon’s relief had been overwhelming. Still, he had betrayed his cousin; breaking down and answering Alowishus Spade’s questions when they had begun torturing Nozel to make him speak. He was hardly mad at Nozel for his own worse state because the Silver Eagle had remained silent so much longer than he had. If anything, it added to Fuegoleon’s shame.
Teris saw Fuegoleon’s expression change and shook her head. “Leon, don’t. If you or Nozel had...” She swallowed unable to bear the thought of a world without either of them. Still, she knew something of the guilt Fuegoleon was feeling. She had been there too often herself. Staring up at him, she told. “If you really feel so terrible about it, I’d be happy to give you a penance.”
Randall stepped forward incensed at Teris’ unbelievable nerve.
“Anything.” Fuegoleon said, head lowered.
“You have to promise to do as I command.” Teris said, eyes hard and piercing.
Randall opened his mouth to call a stop to this; but before he could speak, Fuegoleon replied.
“Just tell me how to make this right.”
Teris gripped her cousin’s arm. “Forgive yourself. Don’t beat yourself up over this. You’re ashamed at being taken by these crazies. Yami and I have been abducted and set upon so many times it’s embarrassing. You feel bad for being used. I’ve been used by these lunatics far more than I care to admit. You feel as if you betrayed me. I nearly destroyed the four kingdoms and beyond during last years Summer Solstice. Talk about betrayal.”
Fuegoleon shook his head. She didn’t understand.
“They were torturing your best friend, Leon. I would've answered any question they posed if in your place.”
“I should have been stronger. Held out longer. Nozel managed to.”
“And then Nozel would have been just as bad off as you were, if not worse.” Teris argued.
Fuegoleon exhaled, knowing she was right. It had been an impossible situation. Perfectly planned to be one.
As if reading his thoughts, Teris said. “Alowishus knows what he’s doing. He’s planned this for who knows how many years. Mana knows how many people he has helping him see it through. Using our love and care against us is what they do. They think it’s a weakness, meant to be exploited and manipulated. But it’s our strength. It’s why we go on and won’t break. Why we fight and won’t lose the war, no matter how many battles they win against us.”
Fuegoleon nodded. “We’ll beat them.”
“Do you forgive me?” Before Fuegoleon asked what she meant, Teris went on. “For our argument. For my slapping you. Do you forgive me?”
If it had been a normal argument, Fuegoleon would’ve said I don’t know, then asked if she forgave him. But their fight had been far from normal. And given what had led to it, jokes of ladies undergarments and learning Yami had taken one of Teris’ unmentionables. With the matter still unresolved, he definitely would've insisted that Teris promise to get the garment back, and probably would've demanded that she also distance herself from Yami or at the very least have some decorum where the man was concerned. But this encounter with the Agents of Chaos made issues even as important as that feel insignificant; at least at the present.
Overcome, Fuegoleon pulled Teris into squeezing hug. “Always.”
98.2.2
Teris had a light breakfast with Fuegoleon and Randall at a nearby cafe. Through an unspoken agreement the two cousin’s avoided mentioning Yami and Nozel, neither wanting to cause another argument. After, Teris made her way to Magic Investigations for a meeting with Marx.
Entering the building, Teris recognized the Counter Clerk Manager but didn’t recall his name. “Good morning.”
Axus looked up from his book. “Is it? Hadn’t noticed.”
“That it’s morning? Or that it’s a good one?” Teris questioned, smiling.
Axus’ lips twitched upward. Scowling, he pulled them back down into their usual frown. “What do you what?”
“If you would please inform Marx Francois that Teris Nova is here for our meeting.” Teris said.
Axus scrutinized her a moment, acting as if he didn’t recognize her from before. “You’re Lord Julius’ sister, eh? You look nothing like him.”
“He doesn’t make you call him Lord Julius, does he?” Teris questioned, humored.
“No one makes me do anything.” Axus snapped wondering when he had begun to show the Azure Deers Captain such respect. He turned away. “Give me a moment to call up Marx.”
“There’s nothing I have to fill out or sign for today's visit?” Teris asked.
“Not this time.” Axus said, setting down the communication crystal.
He wondered what Marx could be doing with Julius Nova’s sister that he had asked for her visit be kept off record. Axus didn’t really care. All that mattered was that Marx had asked a favor and it never hurt to win points with the person who would likely be the next Wizard King’s Advisor; especially when you liked and trusted them more than the current Advisor. There was also the case of barrel aged whiskey Marx had given him for the favor…
Axus’ lips smacked at the thought of the nine beautiful bottles waiting for him at home.
Teris lifted an eyebrow. She had found it curious waking up to find Marx had sent message requesting her to meet him at Magic Investigations this morning. Marx struck her as someone who liked to plan well in advance so the spontaneous meeting seemed odd. Adding to the wonder of it was the timing; Nozel was being debriefed at Magic Knights Headquarters at this very moment. And now she didn’t have to sign in when all visitors had to do so, unless they were the Wizard King or Magic Knights Commander.
The two turned at the sound of a door opening.
“Thank you, Axus.” Marx stayed at the door behind the front counter.
Teris gave the Counter Manager a departing smile. “Thank you.”
Axus didn’t know if it was her cheery demeanor or the fact that she remembered he existed once she had gotten what she wanted; but he found his lips tugging upward again. He pulled them back down with a grunt and inclined his head.
Teris followed Marx down a long hall and up several flights of stairs.
Marx opened a final door for her and entered behind, closing it shut. He gestured to the rectangular table. “Please, have a seat. I’m sure you’re wondering why I called you here.”
“To show me something you couldn’t take out of here?” Teris guessed.
Marx paused in his trek around the table.
Teris shrugged a shoulder. “Why else would you ask for a secret meeting here when we’re having a secret meeting with everyone else this evening? That’s what this is, isn’t it? I didn’t have to sign in, and I’m sure Advisor Ellara is sitting in on Nozel’s debriefing which is going on right now.”
Marx blinked, mildly impressed by her deduction. He blinked again when Teris changed the subject with barely a pausing breath.
“Have you figured out who might've moved the Future of Chaos? Or where they moved it?” Teris asked.
“Magic Investigations is working on that. As are Julius and I.” Marx sank into the straight backed chair across from her. “Are you disappointed the Future of Chaos wasn’t in the labyrinth?”
“Hardly. Alowishus would’ve got it.”
Marx shook his head. “That’s not what I meant. I mean do you want the Future of Chaos?”
Teris frowned. “No. The History of Chaos has been more than enough trouble. I’d be crazy to want to add to it. Even if, when, we’ve moved passed this mess and done away with the Agents of Chaos; I still wouldn’t want the Future of Chaos. It’s too much responsibility.”
“What if someone else were to find it?” Marx wondered.
“I’d feel sorry for them, but glad that stupid prophecy was wrong and it wasn’t Yami and me.” Teris answered, without hesitance.
“But wouldn’t you at least want to have a look at it?” Marx asked.
“I admit my curiosity can be comparable to Julius’. It’s certainly seen me get into enough trouble over the years. But when it comes to the Future of Chaos, I have no interest in ever seeing the thing. I’d probably be like Yami and have ignored the History of Chaos if it weren’t for the possible help it could be in dealing with the Agents of Chaos and figuring out their plans. Not that it’s been any help.” Teris griped under her breath.
Marx wondered if maybe that was why Yami and Teris were destined to have the Future of Chaos. Because neither one wanted it or its information. While Marx may not have wanted the burden of having such a thing in his grimoire, he had to admit he had a great desire to see and read the piece. Destiny was a funny thing, he thought.
Getting to the matter he had called her for, Marx said. “You’re half right. I did ask you here because I wish to show you something. Sadly my magic does not allow me to copy such things as detailed as drawings or images, or I would’ve done that and waited till our meeting this evening. But the reason for showing you doesn’t involve you so much as what you have. The History of Chaos.”
Teris straightened in her seat, interest peaked.
“Captain Jax once mentioned he overheard you ask the History of Chaos about the Master of Master’s and Alowishus Spade.” Marx said.
“Not that it’s done any good. The ink just swirls around on the page then says insufficient image.” Teris grumbled. At least after seeing Alowishus Spade for the first time, she understood why the page of Chaos had said such a thing, unable to display his ever changing image.
“Have you ever asked it about Yurist?” Marx questioned.
Teris blinked, mouth falling open. Yurist was the one who had written both the History and Future of Chaos. How was it that she had never considered asking the page about its author?
Seeing her expression, Marx sighed. “Are all the Nova’s guilty of ignoring the painfully obvious? Or is it just you and Julius?”
Teris bristled; but held her tongue.
“Please do so when you get a chance. For now,” Marx pushed a long, wide, leather clad folder across the table toward her, “please look at that and ask the History of Chaos.”
“Ask it what? What is this?” Teris pulled the hard backed folder closer.
“It’s a small portrait that was found in the ruins of an unearthed city. The team of Magic Investigators assigned to the task have been focusing on what we believe use to be the building that once held Yurist’s lab.”
“Why haven’t I heard of this!”
Marx tilted his head. “Do I know of every mission you Magic Knights go out on?”
“No but--”
“Even Magic Knights Commander Greywright doesn’t know every assignment Magic Investigations is working on. You, Vice Captain, certainly have no right or expectation to know everything that goes on in this division.”
Teris’ shoulders tensed even as they hunched, her form shrinking.
“For your information, I came in before sunrise this morning to learn a fellow Investigation Mage had unearthed that.” Marx inclined his head to the still closed folder. “Which is why I sent you message asking you to come, not knowing when Advisor Ellara would be away again to give us chance for you to see and question the History of Chaos about it.”
“Sorry.” Teris mumbled. She was so use to people, especially her superiors keeping secrets from her and Yami about matters that concerned them that she had assumed this had been more of the same.
“We do not know who the couple in the portrait is, though a number of us here have theories.” Marx said.
“So you want me to what? Look at the picture and ask the History of Chaos about the people in it?” Teris asked, not understanding why. “It doesn’t work that way. It only answers questions about the history of Chaos.”
“If that were true why would it attempt to show you the image of Alowishus Spade?” Marx questioned.
“And fail, saying insufficient image.” Teris retorted.
“If all the History of Chaos did was just strictly cover the history of Chaos why would it even make an attempt at showing you the image of Alowishus Spade or the Master of Master's? However old Alowishus Spade is, I truly doubt he’s old enough to have been alive during the time of Chaos’ reign and defeat which brought about Order.”
Teris frowned, having never considered that. Her eyebrows pulled together, wondering at Marx’s pointed question. Shadows of fragments flinted through his mind trying to coalesce and puzzle something out, but something else pieced together first.
Teris’ eyes lifted to Marx, realization dawning. “You think the portrait is of Yurist.”
98.3
Yami found Teris out at the Saber Wolf pens. His appearance announced by the beasts long before Teris heard or saw him.
“I’ll have you know I had to use my mana sense to find you. What are you doing out here?” Yami almost asked if she wanted to go for a ride, but remembered Jax’s order and bristled.
Teris gave No Name the signal to return to his kennel. “I thought we agreed not to do that unless necessary.”
“When I’d still be walking around searching for you, I consider it necessary. It’s a stupid agreement anyway.”
Teris latched the kennel gate. “Privacy is hardly stupid.”
“If there’s no secrets between us why the need for privacy?” Yami half teased.
Teris turned to him, questioning brow raised. “Do you really want to know every time I go to the baths?”
“Do you really have to ask?” Yami grinned, lewdly.
“Yami.” Teris scolded, lightly. Blushing, she closed the gap between them, burying her face in his chest.
Yami chuckled, holding her to him. “Let me see that pretty blush, Princess.”
Teris shook her head, burrowing deeper into him. It was stupid, but she suddenly became emotional about what happened during this mornings meeting with Marx. Her arms tightened around Yami, seeking his soothing strength. She didn’t even know what she was so distressed about. It wasn’t like the History of Chaos could have been talking about Alowishus. No one could be that old. Then again the man did use corpse magic. And when had anything surrounding Chaos or the works Yurist wrote not spelled some kind of terrible for them.
Yami looked down at the top of her head, growing serious. “What’s this?”
Teris shook her head again.
Yami frowned, a sudden swell of anger bubbling inside him. His teeth ground together, muscle in his jaw ticking in cold burning rage. His arms tightened around Teris. He couldn’t even say what he was so mad about. All he knew was that Teris was upset and he wanted to obliterate whatever had upset her. Pressing his lips to the crown of her head, Yami’s eyes slipped closed. He took in a deep breath and slowly exhaled, soaking in Teris’ calming warmth. With effort he forced his fisted hands to relax and uncurl; reasoning with himself that he didn’t even know if it was something or someone he could hit.
“Teris. What’s wrong?”
“It’s nothing.” Teris mumbled against Yami’s strong chest, praying that it truly was nothing.
“Look at me and say that.”
Teris lift her head at Yami’s tone. He sounded angry. But when her eyes met his there was nothing but love and concern.
Yami caressed her cheek. “Talk to me, Ikigai. Tell me what’s wrong.”
98.4
Iban paused in plucking mushrooms and looked at a bird flying overhead. Unlike the other creatures of the forest, the Jay wasn’t startled away by the slithering presence of the person who stalked closer. Odd, since Jay’s were rarely seen without their mate nearby and Iban’s keen eyes hadn’t seen the flashier male.
Leveling his head, Iban turned to the stalking presence. “It doesn’t matter how quiet you are. I always know when you’re about.”
“Why haven’t you mentioned that the Darkness within Yami had reach such strength so soon?” Ellara demanded, getting right to the point.
“I figured your plaything would have told you. Whether he wanted to or not.” Iban said.
“I’ve used Olsen far too much of late.” Ellara told, angry she had been forced to use him at all.
“Is that not what he is for?” Iban questioned.
“What’s it matter to you what I use him for? It’s you who had a deal with the Master.” Ellara said.
“A forced deal to stay out of your way and not interfere with your Master’s plans, or tell anyone anything I know.” Iban said.
“And have you kept that deal?” Ellara asked.
Iban thought of the bit about his family's past that he had told Yami, and what little he had told Jax three weeks ago. Clearly the vow of silence Alowishus had forced him into seemed to think he had kept the deal since the people he cared about were still alive.
Iban wondered if the Captain had found the journal he had told him about. The journal that had belonged to one of the earlier Agents of Chaos’ Masters. The Master who had battled and lost to the Clover Kingdoms last light magic user before Teris. Jax had returned five days after Iban had told where he might find the journal only to leave with Yami and Teris shortly after returning. It wasn’t as if Iban was going to ask the Captain if he had found the thing. He had tested Jax enough with his comments about Bronn the day he revealed what few secrets he could. He had certainly tested the binding vow and jeopardized his loved ones enough.
Looking at Ellara, Iban answered. “My family's existence depends on that deal. Your Master made sure of that.”
Ellara glared, not trusting him.
“Though was such care necessary when a simple traitor could turn himself in and confess all your Master's plans? No doubt your puppet Sir Jorah, along with Magic Knights Commander Greywright and countless others know all about your Master's plans by now.” Iban said.
“As if the Master is careless enough to let a low level follower know his plans.” Ellara shot back.
“Do you know his plans?” Iban asked, pointedly. “Wife and follower you may be, but people like your husband and Master hold all sorts of secrets. Like how to kill a traitor from afar.”
Ellara’s eyes widened. After Greywright had stolen point in dealing with the traitor Flic, she had returned to her office and sent word to Alowishus. Her Master's brief response had been clear. She was to stay well away from the prisoner. When Flic had died yesterday evening, she knew Alowishus had been the cause; but figured he had sent some other follower to infect or slowly poison Flic.
Iban’s golden eyes seemed to glow in the heavily shaded forest. “I know a dark magic decay spell with I hear of its symptoms. It is a slow, terrible way to die. Does your Master have a piece of all his followers? How did he manage to get each of you to willing hand a piece of yourselves over?”
“What do you mean?” Ellara asked, breathless.
“I suppose your Master or some loyal follower could have been lucky. Found some bit of Flic’s person to use for the spell. But Alowishus Spade does not strike me as the type of person to leave things to luck. If I were to guess, I would say it came in the form of an initiation ritual for joining the Agents of Chaos. It is how I would have done it. Something easily done and given with little to no question, and soon forgotten about in the joyous rapture of family found and collective cause.” Sensing Ellara’s quickening heartbeat, Iban cooed. “Do not beat yourself up, Advisor. You are hardly alone in being tricked into willingly, if not happily giving up a piece of yourself. How many other fools—excuse me, followers have joined Alowishus Spade’s supposed cause?”
“Shut up!”
“I doubt he would do to you what he did to that traitor. You are his honored and beloved wife, after all. If he would harm you, what hope does anyone else have of being spared?”
Ellara sneered. “You’re a snake hissing nothing but lies. Twisting and turning peoples words and deeds. Now unless you wish to see the Darkness within Yami bleed out and start to effect him. Tell me just how bad it is.”
“If I am such lying snake who does nothing but twist and turn peoples words and deeds, why would you believe anything I say?” Iban asked.
“Do you want the power within Yami to consume him? The Darkness inside is greater than expected.”
“Greater than you expected.” Iban corrected. “I knew from the start that Yami Sukehiro was more than just a vessel for the Darkness. As to your question. No. I do not wish to see the Darkness consume him. The world would end if it did. Which makes me wonder why your Master wouldn’t want that. Isn’t that the purpose of all this? To end this existence in the foolish hope of beginning the next? Unless that is not his true goal.” Before Ellara could speak, he went on. “As for how bad it is. The Darkness in Yami is already bleeding out and affecting him. He has been more volatile. Angrier than usually. Possibly even more desirous of Teris and the Light that is inside her.”
“Why didn’t you tell me? The deal--”
“The deal made with your Master does not include feeding you information. That is something you tried to force upon me. I went along with for a time because it was fun and suited me. But I have long since grown weary of it. If you want such information, try affecting your plaything. Not that you will get anything of use. Olsen has little care unless it is for life's beauty or the romantic. Even if he were around more, he would not see much.”
Ellara raised a brow, realizing. “You’re protective of your sole friend.”
“Hardly.” Iban silently cursed, unable to make himself believe the lie let alone convince her of it.
“So Iban Halvor does have a heart. Interesting.” Ellara would've been glad to have something to use against the Blood Mage. But her own care for Olsen wouldn’t let her hurt him to force Iban into anything.
Iban watched Ellara turn around and step away.
“The Darkness within Yami cannot overtake him before it is time. We will handle it.” Ellara said.
It was an effort for Iban not to use his magic to end the woman then and there. Thankfully she used her transportation charm and disappeared before his control was tested further. No longer in the mood to be surrounded by life and fresh air, Iban looked down at the basket of harvested herbs and mushrooms. He didn’t have all he needed for the brews and potions he was making. But he had enough to get started.
Waving a few bees away, Iban headed back to the base.
98.5
Seated in his bedroom, Bran’s eyes cleared. Even though the encounter he had witnessed had happened deep inside the property’s forest, he turned to the closed door half expecting to see Iban standing there.
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Next chapter snippet:
“Yami is not the concern here. It is Teris. At this rate she will not survive the Ritual of Darkness. If she doesn’t grow stronger the Darkness within Yami will kill her and the Light inside her with it.”
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carewyncromwell · 4 years ago
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“Good evening, everyone. I hope that your holiday season is appropriately merry. I am called Bartholomew, or Bat, Varney, and this is my singular favorite part of the entire year. As she is aware of this, my mundane has given me special access to her ‘Askbox,’ so that I may interact, educate, and debate with all of you about subjects involving this most wondrous time of year. I was raised in the later half of the 18th century and I’ve also lived through what my mundane calls the ‘Hogwarts Legacy’ and ‘Fantastic Beasts’ timelines, or the 19th century and early 20th century...and, courtesy of my mundane, I’ve been also given access to the fourth wall so that I can discuss things that came later, as well, as long as they involve Christmas.”
‘I must say, as much as I still don’t understand about my mundane and this communication method of hers, discussing Christmas traditions of the future is incredibly appealing.’
“For more such Christmas content, my mundane says you may consult the ‘Bat Comments on Christmas!’ tag...and naturally, she encourages you to send in those Christmas-related owls my way.
“Today’s topic of discussion is one of Christmas’s most central traditions -- caroling.
“Now of course, holiday songs are as old as holidays themselves, so there was naturally plenty of music centering around Christ and his birth from the start -- generally hymns, which were written in Latin and meant to be sung in church, whether on Christmas or not. But since Christmas was always split into both secular and non-secular traditions, there were also less formal songs that people sang outside of church as well. The first written carols of this sort that we know of originated during the reign of Queen Elizabeth I -- in fact, one of the most popular Christmas songs we know of today, ‘What Child is This?’, uses the tune of the song ‘Greensleeves,’ which was written at that time.
“Christmas caroling on people’s doorsteps -- much like Halloween’s ‘trick-or-treating’ tradition -- was inspired by a custom from older winter holidays where poor people would go door to door in wintertime, singing vaguely threatening songs to beg the houses’ rich owners for food, lodging, and/or money. As time went on, that tradition was called ‘wassailing,’ after a hot spiced beverage called wassail, which I suppose would be comparable to eggnog today. Caroling became more mainstream once people took to writing the songs down and printing copies in the 16th and 17th century -- even though there was a significant span of time in England when caroling was banned, thanks to the efforts of Oliver Cromwell and the Puritan-led Parliament. Even with the ban, though, the singing of carols persisted. Christmas caroling in organized groups really took off with Christmas’s rebirth in the 19th century. Thanks in part to a rather popular novel by Charles Dickens -- which was, appropriately enough, called A Christmas Carol -- the holiday that was once a bawdy outdoor festival was rebranded as a time for togetherness, love, peace, and giving to the needy...and caroling cheery songs door-to-door with others for pay fit perfectly with that theme. More song books were published, compiling many traditional Christmas songs together specifically for caroling.
“Now then...shall we discuss some individual Christmas songs? I suppose I can always start with a few of my favorites, from over the years...and, perhaps, you all can contribute others for me to discuss as well, if you so desire.
“‘Hark! How All the Welkin Rings’ is a song I learned in my childhood from my mother. The version I grew up with was originally written in 1739 under the name ‘a Hymn for Christmas-Day,’ by Charles Welsey -- over the years, the lyrics and melody were modified and transformed into what you all may know as ‘Hark! The Herald Angels Sing.’
“‘The World Turned Upside Down,’ as I’ve mentioned previously, centers around the time that Christmas was banned in England. Interestingly one could easily compare its structure to that of traditional sea shanties, as it’s a rather repetitive cluster of notes that always ends with an identical line that everyone can sing along to, even if they don’t know the rest of the words.
“‘Joy to the World’ is based largely off of psalm 98 of the Christian Bible. Its first musical variation was published in 1719, though the tune used today is from an slightly more recent version from 1848. From what I understand, the popularity of that second version has only increased exponentially, over time.
“‘O Holy Night’ was originally written in French in the mid-1800′s as ‘Cantique de Noël.’ It was based off a poem called ‘Midnight, Christians.’ It’s also a favorite of my esteemed friends, Nicholas and Perenelle Flamel.
“‘The Santa Claus Express’ sadly did not take off the way other Christmas songs have, from what I gather, but it without fail always reminds me of my close associate Grim. @cursebreakerfarrier Trains have been closely associated with Christmas at least since the 1860s when the first wooden toy trains were made, but they only became more popular with the invention of the first electric toy trains at the very beginning of the 20th century. It’s little wonder that since then model train sets became popular gifts and that -- likewise -- trains now spark a lot of nostalgia for both childhood and Christmas in a lot of people. I suppose that’s why one of my mundanes’ favorite Christmas-themed moving pictures, The Polar Express, focuses around a train that travels to the North Pole.
“‘Winter Wonderland’ is the newest of these songs, as it was written in 1934, but from what I understand, it’s become very well-beloved over time. One story I’ve heard is that its writer had been in treatment for tuberculosis when he wrote its lyrics, taking inspiration from his memory of New York City’s snow-capped Central Park. I must confess that I always enjoy ‘echoing’ each line until it comes to the chorus whenever I hear it -- you know, ‘Sleigh bells ring (sleigh bells ring) -- are you listening? (Are you listening?)’ Violet and Bertie @that-ravenpuff-witch tend to do the same thing, whenever either of them are in my earshot and the song starts playing.”
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sweetkale · 4 years ago
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all evidence that points towards Magneto being Jewish before it was first explicitly established in 1991
!!None of this is my writing!! It’s a useful but outdated source that I merely revised to replace the G slur. It was written by Rivka Jacobs and the original can be found at http://www.alara.net/opeople/xbooks/magjew.html
The Magneto Is Jewish FAQ (revised 11/9/98)
Rivka Jacobs
(1) In Uncanny #113 (Classic X-Men #19), the added material has Magneto on Asteroid M, talking about the deaths of Magda, Anya, and he mentions Auschwitz for the first time. "I endured one death camp ... in Auschwitz ... I will not see another people fear what they do not understand and destroy what they fear." Uncanny #113 is from 1978. The additional scenes were included in 1988's Classic X-Men #19. So, we know Magnus was at Auschwitz, a death camp, not just a concentration camp. (Many fans [and writers] seem to get the two types of camps confused). There could have been a number of reasons he was at Auschwitz: he was a Polish political prisoner, a Russian prisoner of war, a member of the French underground, a homosexual from Germany, Roma, or, with a high probability, a Jew. (Out of 1.5 million victims of Auschwitz, between 1.1 and 1.2 million were Jews).
(2) In Uncanny #150 (one of my favorites) Magneto mentions, in a fight with Cyclops, "I know something of grief. Search throughout my homeland, you will find NONE who bear my name. Mine was a large family, and it was slaughtered ... without mercy, without remorse." So that eliminates German homosexual and French partisan, because the entire familes of such prisoners were not slaughtered throughout an entire "homeland." After Magneto thinks he has killed Kitty, he says: "I remember my own childhood ... the gas chambers at Auschwitz, the guards joking as they herded my family to their death. As our lives were nothing to them, so human lives became nothing to me." Storm is about to blast him for "killing" Kitty, and she says, "If you have a diety, butcher, pray to it!" Magneto answers, "As a boy, I believed. As a boy, I turned my back on god forever." So now we know that Magnus is not a political prisoner (German political prisoners were sent to camps on German soil, like Dachau, or Bergen-Belsen), he is not Polish, since whole Polish families were not herded to the gas chambers. The Poles were not the target of pre-meditated Nazi genocide. While the Russian people were the target of genocide, only Russian POWs were in Auschwitz, not whole families. So, we are now left with only two groups of people that Magnus could be from, the Roma and the Jews. Uncanny #150 is from Oct. 1981; already Magnus says something very interesting here. He says he "remembers" the gas chambers of Auschwitz, "remembers" his family being herded, he "remembers" the guards joking. Fact: no one remembers the gas chambers of Auschwitz except in two ways (or three if you believe the dead can speak to the living), either you were a Nazi SS guard or doctor or official, or you were a member of the Sonderkommando. The Sonderkommando, Jewish prisoners who were forced by the Nazis -- in all the death camps -- to do the dirty work of killing. It was Nazi official policy. The Jews, the lowest of the low to the Nazis, in Auschwitz hierarchy, followed by the Russians, and then the Roma, the Jews would be the ones to lead the victims to the gas chamber, to haul the bodies from the gas chambers to the ovens, to burn and bury the dead. The Jews would pull the teeth of the corpses, cut the hair, pile the bodies three at a time on the retorts of the ovens in just the right way. The Sonderkommando had a few kapos (overseers) who were German and Polish prisoners, criminals from civil prisons in Germany and Poland. During the summer of 1944, 19 Russian POWs from Mauthausen were sent to augment the Auschwitz Sonderkommando. Totally documented, on paper and by eye witness accounts. All other members of the Auschwitz Sonderkommando were Jews.
(3) In Uncanny #161, Sept. 1982, we have the story of Xavier's trip to Israel. There he meets Magnus for the first time. However, it should be noted that the entire story is a Charlie-dream, while he is with Lilandra. In Uncanny #161 we see for the first and last time Magnus' tattoo from Auschwitz. His number is #214782. Xavier says, "That tattoo, Magnus, were you ...?" Magnus answers, "Auschwitz. I grew up there." So now we know that Magneto was first in Auschwitz as a very young person, but we can't pinpoint the age yet. Also, his number is high for someone who was there from the beginning of the camp. The first Polish prisoners, like author Wieslaw Kielar, had very low numbers, like in the 200s. Sonderkommando survivor Filip Muller's number was in the 20,000s. He arrived in early 1942. Magnus' number is a standard number, however, without the A of the 1944 arrivals, or the Z of the Roma, or the other special classification symbols. Of course the penciller didn't know these details. So a standard Auschwitz number, which is too big, but it doesn't tell us anything.
4) Vision and the Scarlet Witch, Vol. 1, #4. Magneto has just found out Wanda and Pietro are his children. (This is from Feb. 1983). He is on the moon, in the Inhuman city of Attilan, telling VIsion about his youth. "I was born into a time and place ... Android ... where both man and mutant were persecuted for being ... different." Picture of the Auschwitz camp, guards tormenting emaciated prisoners, one of whom displays a very prominent and exaggerated Star of David on his clothing. Remember Jews and Roma were kept apart in the camp. In the next panel, however, Magneto sort-of goes into a fantasy. He says, "But unlike the other victims, I possessed the power to fight back." He imagines he's hurling Nazi tanks away with magnetic energy. What's this? In 1983, the reader doesn't know what to make of this. Keep in mind, he's meeting with Wanda, Pietro, Vision, and Crystal, and has held Luna for the first time. Is he exaggerating? Showing off for them?
(5) Now for the second most important comic proving Magneto is Jewish, Uncanny #199, Nov. 1985. Magneto with Lee Forrester and Kitty Pryde arrive at the National Holocaust Memorial in Washington, DC. (It's not really Lee, but Mystique, trying to capture Magneto). Magneto has been having an affair with Lee, he loves her. He brings her to the Holocaust Memorial? Why? Fun date, huh? Why, because he has no other family. These people are his family. Jewish survivors of the Holocaust. (The Roma have their own name for the genocide, and their own gatherings, with their own rituals and customs. Magneto has no reason to go to a Jewish gathering if he isn't Jewish). Lee/Mystique says: "Man's inhumanity to man ... how easily the race kills." Magneto answers: "Then, Lee, it was the Jews. My nightmare has ever been that tomorrow it will be Mutants." Why would he say that, why wouldn't he mention another ethnic group, if he weren't Jewish? Next, Magneto tells Kitty EXACTLY how to address the gathering in order to get information about dead or missing family members. How does Magneto know how to do this? Isn't it obvious that he's done this before? Why would he address a Jewish Holocaust gathering looking for information about his family if his family weren't Jewish? (And it is a Jewish gathering, besides the use of the word Holocaust, a speaker says in the background: "... the systematic institutionalized extermination of one people by another."). Kitty asks about her great-aunt Chava, who died at Auschwitz, and Magneto is recognized by two survivors, Ruth and David Shulman, two Jewish survivors. (Shul is another name for synagogue -- Shulman means man of the temple, or man of the synagogue). They remember Magneto as a youth in Auschwitz, and say he helped them survive. And witness him as having been there. (No implanted memories, please). They testify that he " ... Had been at that accursed place from the very start..."
Later, Mystique reveals herself, and arrests Magneto in front of all these people. Magneto says that he recognizes no authority. "My land ...all the countries of the world ... turned their back on me and mine when we were condemned to Hitler's death camps. Therefore, in return, I have sworn to deny them." So let's clear this up ... the Roma were not persecuted in Greece, the Greek Jewish community was decimated. A small number of Roma and Jews in Rumania were exiled to a new border country called "Transnistria" but the remainder of the Roma were left alone. Several hundred thousand of them. 350,000 Rumanian Jews were savagely murdered throughout the country. In Slovakia, the Roma were left alone, the Slovakian Jews were among the first sent to Auschwitz. After the Slovakian uprising was crushed in 1944, several hundred Roma who had courageously helped in the rebellion were murdered, along with the remainder of the Jews of Slovakia. Bulgaria did not persecute its Romani people. Bulgaria, although resisting deportations of its Jews, persecuted them locally. In the Netherlands, only the "wandering" Roma who were captured in camps and wagons were deported, about 500. The remaining who had bought homes or found shelter with neighbors, were left alone. The Netherlands is where Gabrielle Haller comes from -- in under two years 100,000 Dutch Jews were deported, most were killed. I could go on. There is no other people who were hunted everywhere the Nazis went or had influence but the Jews. There is no other people who had the gates of escape cut off after the war started, but the European Jews. Magneto's reasoning is based on this most extreme situation.
(6) Uncanny #211, Nov. 1986. The Mutant Massacre. Page 9 -- Betsy Braddock has just come in from discovering what happened to a wounded Morlock, who has just died. Magneto, Storm, and Wolverine are standing there in Xavier's infirmary. Betsy says, "... I saw a cadre of super-beings ... massacring every living thing in the Morlock tunnels." Magneto reacts immediately, out of pure emotion. "NO! The horrors of my childhood, born again...only this time, Mutants are the victims, instead of Jews." What else does this mean? He's talking about HIS childhood, he's making a parallel. If he weren't Jewish, he wouldn't have said Jews, he would have said Roma. The two groups of people are not interchangeable.
(7) New Mutants #49, March 1987. Magneto is dreaming. It is an entire page representation of the massacre of his family. Here we see for the first time, his family -- father, mother, sister -- as they were gunned down in front of open graves. The family members are dressed in middle class urban clothes. No peasant dress, no Roma clothing. (And it is not a cliche. Roma women always wore, at this time, their flowing skirts and distinctive scarves and clothing, similar to the Bosnian women of today). Being massacred with Magnus' family is a mixed group of people. Men in bowler hats and suits, one old woman in a long skirt. One man in a bowler hat has the side-locks of the devout Jew, but the other people could be anyone. Poles or Jews or Roma. It's Magnus and his family who are out of place. They are well-dressed, Magnus's sister in a proper school uniform with the prim collar. Every picture I've seen of the German Rom show: a people of color, having left India and Armenia five- to six-hundred years ago, the men wearing Fedoras (favorite style of hat) and normal suits and ties, and the women and girls always dressed in the long skirts and distinctive flowered scarves. The boys wear a mixture of urban short pants but scarf belts, some have socks, some don't. New Mutants #49, page 17, could show some Roma in the crowd, but Magnus' family members are definitely not Romani in this picture.
(8) X-Men Classics #12, back-up story, Aug. 1987. The actual scenes of Magneto's escape from Auschwitz. "And with World War II ending... the Third Reich defeated...it's guards wanted no witnesses left...to tell the tale of this horror..." Picture of an SS soldier about to shoot a fallen and stricken Madga. "He had been there from the start ..." Magnus has just slammed a wooden beam into the head of the SS soldier. "Grown to manhood within its electrified barbed wire fence. If he was to die, it would not be in this abattoir ... and not without a fight!" Magnus grabs a terrified Magda by the hand and drags her with him in his escape. (a) The war is almost over, it is winter, it is the winter of 1944-1945. The Roma were gone by 1945. All the Roma women were gone. Only 4 clerks, high-status friends of Nazi officials in Camp I, were left. The Romani camp was murdered in the gas chambers in August 1944. (b) This scene, by Claremont and Bolton, is completely accurate. It takes place on Jan. 20, 1945, two days after thecamp was evacuated and the Death marches began. Some 70 of the Sonderkommando were kept to help destroy the evidence of the death factory, before they were to be killed. Some 200 women from the woman's camp, Jews, were chosen to fill in the huge pits where bodies were burned. They had to haul ashes, break up human bones, all in the coldest part of winter. The SS soldiers sent back on Jan. 20th were sent to kill the women. That is exactly what you see in this comic book, because Claremont and Bolton took the time and cared enough, to do their research. Magneto was saving Magda becasue at that point, he wasn't the target, yet. If they were out by the burial pits to the northwest of the camp, that is a point close to the forest. It just makes sense.
(9) New Mutants #61, March 1988. On page 22, Magneto is alone, kneeling over the dead body of Doug Ramsey, thinking thoughts only the reader can see. This is one moment he would not misrepresent anything, to himself especially. He says, "An ill wind is coming ... they are registering mutants ... like they once registered my people in Poland ...! Who knows what horrors await us." Only the Jews were registered, and forced to wear armbands with the Star of David on them, in Poland (at the end of 1939). Efforts to murder the Polska Roma (the Polish Roma) began in 1942, but they weren't registered first. Young Magnus wouldn't have known about any of that in any case-- he was already at Auschwitz by 1942. He would only have known that "my people" the Jewish people in Poland, including the German Jews who had already been deported there in the first months of the War, were registered.
(10) Classic X-Men #19, March 1988, back-up story. Magneto is apparently working for the CIA hunting Nazis. He is about to be betrayed by them, and his lady love of that time, Isabelle, is about to be murdered. But as he is apprehending a Nazi war criminal he gets one of his massive headaches. "Pain," he thinks, "again indescribable." "Worse than the bite of the kapo's whip. The murder of parents and family, the death of a child ... the loss of a beloved wife!" So here we see that Magneto was the victim of kapos. He could not have been a kapo. He was too young anyway, as we've seen. He grew up in Auschwitz. Here he says the murder of parents, and family. The parents separate, gunned down. The remainder of his family, no doubt sent to the gas chambers later, while he was in the Sonderkommando. Remember what he said in UX #150, his entire family wiped out. So as a Jew in the Sonderkommando he not only watched his family die, he helped kill them. How can any other comic book character ever come close to Magneto for dramatic intensity, but only if he is a Jew.
(11) X-Factor Annual #4, 1989. Doom challenges Magneto to a duel of wills, with a helmet that pulls out unpleasant memories and torments the wearer. Who will crack first? Magneto takes his turn -- Doom describes what he sees, "...after the ignoble defeat of the Nazis in Germany, you and the woman Magda you rescued, fled the prison camp Auschwitz, in Poland."
"Auschwitz, where your family had perished --living skeletons -- and you had grown to manhood amid horrors most men could not conceive." First, Doom confirms that Magnus and Magda "fled" or escaped Auschwitz before liberation and after the Roma camp was murdered. Then he describes some of Magneto's family perishing, as living skeletons, at Auschwitz. They could either have been kept as prisoners, or brought in, starving, from ghettoes in Poland and gassed. They could have been either Roma or Jews. But then it's Doom's turn to wear the helmet. Doom's Romani heritage is discussed at great length. Doom is proud to be a Rom, he knows he is a Rom. Why would he not acknowledge that Magneto is also a Rom? Why did he say your family, implying your people, to Magneto? Not "our" people?
(12) And now the most important evidence, and just about my favorite X-Men comic, Uncanny #274, from March 1991. In the Savage Land, the entire comic is told from the point of view of Magneto. It is a first person narrative, he is talking directly to us, the readers. He is not exaggerating, he is not showing off. The writing is elegant and wonderful ... "My life's ambition has been to safeguard my fellow mutants," Magneto says. "Zaladane has no such compunction. And I hear the echo of Der Fuhrer's voice in the radio of memory, smell the awful stench of the sick and dying as the cattle cars brought the comdemned to Auschwitz. I wear red, the color of blood, in tribute to their lost lives. And the harder I try to cast it aside, to find a gentler path ... the more irresistibly I'm drawn back. I should have died myself with those I loved. Instead, I carted the bodies by the hundreds, by the thousands ... from the death house to the crematorium ... and the ashes to the burial ground. Asking now what I could not then ... why was I spared?!" So there it is. He describes his job at Auschwitz. That is it. This is no vague job description, this is what the Sonderkommando did. This is fundamental to the history of the Holocaust, to the history of Nazi Germany. Making the Jews the ones who had to do all the dirty work in the death camps.
Marvel cannot say they have their own version of Holocaust history. What kind of reasoning is that? Where do the editors and writers of Marvel get off making up their own history of the Holocaust? Where do they draw the line? Has any reader out there ever seen any major publisher or entertainment outfit, outside Neo-Nazi groups and the Militias or Far Right Splinter groups, who just took it upon themselves to change a Jew into a Romany and change Holocaust and Auschwitz history to make it fit? Magneto says it here, he was a member of the Sonderkommando. He was not a kapo. He was not a Russian POW. He was a Jew! On page 14 of UXM #274, Magneto is dreaming again. He again sees his family being gunned down. He again feels what it was like to be buried alive. Rogue wakes him up.
(13) Uncanny X-Men #275, April 1991, which concludes the Savage Land story from UXM #274, referred to above, also contains confirmation as to what happened to young Magnus. Magneto says, directly to the reader, in diary-like narration, as he uses the last strength of his emaciated body to push away his captors, "They think me beaten, finished. A mistake many have made in the past. As I found the strength, as a boy, to survive being machine-gunned and buried alive, and later the unimaginable horror of Auschwitz ... so do I find it in me, here and now, to break free."
(14) X-Men Vol. 2, No. 2, Nov. 1991. The beginning of the end for Magneto. But on page 24 he says to Moira MacTaggart, who has seemingly betrayed him, and enraged him, "Of course not. You worked for the betterment of the world and the race. I heard those same rationales as a boy, in the Auschwitz Death Camp. From Dr. Joseph Mengele himself!" Mengele's first victims were the Roma, he liked the Roma. He brought the children candy and extra food. And in August of 1944, after trying unsuccessfully to save the Romani Family Camp (also for his own experimental purposes) Mengele obeyed his orders and vigorously hunted down and helped exterminate all remaining Roma. He then dissected those of most interest to him, and sent body parts to Berlin. Then he turned his attention to the Jews of Auschwitz. Only his Jewish victims have survived. His Romani victims, those transfered out of the camp in the spring and summer of 1944, have rarely come forward. If Magneto is alive in Auschwitz after the start of 1945, and he personally heard Dr. Mengele, he is a Jew.
Magneto is a Jew especially since Mengele would have been one of his supervisors in the Sonderkommando.
(15) X-Men, Vol. 2, No. 3, Dec. 1991 -- Magneto to Xavier, "You speak to the best in humanity. I have endured the worst. You imagine the reality of the Holocaust, of the Nazi Death Camps. I grew up in one." Magneto says The Holocaust. This is the translation of SHOAH, and was first used after the war, and popularized by Eli Wiesel. It means the Jewish Holocaust. One can say the Romani genocide, and today sometimes you'll hear the Romani holocaust, or the Russian holocaust, or the holocaust perpetrated against the mentally ill and the handicapped. (Nazi pre-meditated genocide was really only carried to the fullest extreme against three groups, the first were the mentally ill and the handicapped, who were the first victims of genocide. The second and third groups were the Jews and the Roma). But the Holocaust is what Jewish people say when they refer to the calculated campaign of Nazi Germany to kill every Jew in the world. (They actually made lists of every country in the Western world, and all the Jewish populations. They made no such list for any other people). Nazi Germany succeeded in killing almost 6 million of their foremost victims, until the Third Reich was defeated.
(16) X-Factor #92, July, 1993. Havok and X-Factor are battling Cortez and the Acolytes, in this opening chapter of Fatal Attractions. Cortez is ranting about the "flatscans" and how mutants have to subjugate them. Havok says, "Out to destroy the "inferior" race ... in Magneto's name? Don't you know what an insult that is to the memory of the very man you claim to worship? Fifty years ago, Magnus barely survived a Holocaust that destroyed almost all of his people: all because some lunatic took it upon himself to decide who deserved to live ... and who didn't. Where's the sense in resurrecting that kind of evil ... in the name of one of its victims?!" Cortez answers, "You've seen this place Havok! You've seen the sentinels! You tell me ... where's the sense in letting the flatscans do to the mutants what Hitler did to the Jews? ..." Cortez has done research on Magneto, he says the Jews, as a parallel metaphor. Why say that, if Magneto isn't Jewish?
(17) Then comes the infamous Unlimited #2. This is a long and involved FAQ I've got going here, so I won't go into detail at the moment. But the bottom line is, everything that Gabrielle Haller says about Magneto's history is false. I don't want to go line by line over it now. Everything! Danzig was not annexed. It was a Free City, under League of Nations protection, that voted itself a Nazi government and welcomed the Nazi troops in like liberators. Gauleiter Forster, the extremely anti-Semitic Nazi leader of Danzig ordered all 10,000 Jews of Danzig to be kicked out of the city in 1939, not the Roma. The Jews. Auschwitz wasn't opened as a Polish political prisoner camp until the summer of 1940, not 1939. The Roma were sent to German municipal camps, in Germany and the Greater Reich, as early as 1933. But they were not sent to Auschwitz from Germany until 1943. The only people who were in a work camp in Auschwitz before it opened were 300 Jews from the town of Auschwitz who were forced to transform a collection of horse stables and army barracks into the Polish prisoner camp. "Genocide, extermination ..." of Poles? No. The Polish people suffered terribly, and were considered "sub-human" by the Nazis. Millions of Polish citizens were killed throughout the course of the war, as soldiers, as slave laborers, as underground fighters, as members of the intelligentsia. But this was Nazi suppression of a conquered country, not planned genocide. Roma, Yes. The homosexuals, no. Not genocide. Persecution and imprisonment. Treated terribly. But people weren't sent to the gas chambers just because they were homosexuals. And "intellectuals" ? (How could Nicieza have written this?) Intellectuals were targets of genocide? Well, I hardly think so, since Goebbels, and Albert Speer, and even Mengele were considered intellectuals.
No one was sent to the gas chambers, or was shot in an open grave, or was tortured and murdered JUST because they happened to be an intellectual. Thousands of Polish citizens who were members of the intelligentsia (the educated class, the vanguard or elite of the educated class), were murdered in the first months of the war. But there was no planned campaign to hunt down every intellectual in Europe and exterminate them. The mentally ill and handicapped, the Jews, and the Roma were the primary targets of Nazi genocide. The Russians came next. Everything Haller says about Magneto in Unlimited #2 contradicts most of Magneto's history as presented in 15 years worth of comics.
(18) Until recently, when, in Road to Onslaught, Marvel once again published that outrageous Gabrielle Haller speech about Magneto like they were proud of it (??) the next references in the Age of Apocalypse comics portrayed Magneto once again as Jewish. In X-Men Vol. 2, No. 40, where David Haller, Legion, pulls Magneto's memories out, you see young Magnus with the men, standing behind and below a high, barred window. This is an accurate portrayal of the quarters of the Sonderkommando at Auschwitz I. At Auschwitz I, only the Sonderkommando (other than prisoners awaiting execution) were kept in isolated basement cells, the windows of which were high, barred, and as seen from the outside, half-below ground level.
And why is Magneto in Israel anyway? How could he have come there? Well, why would a Romany go to Israel when at least 30,000 Roma lived in Germany in the late 1960s and early 1970s? And many more Rom formed a thriving community in Paris. Why not just go home to his own clan and tribe? Roma have a complex system of extended familes, clans, and tribes. Why go to Israel to "find himself" or find his "soul"? A German Jew had no place to go but somewhere else. A Polish Jew definitely had no place to go back to, since some Polish fanatics continued to murder returning Holocaust survivors well into the late 1940s. Any Jew can emigrate to Israel, under the Law of Return. All Magneto had to do was show them the tattoo on his arm. And he was home. (And in case some of you were wondering, as some of us have discussed, with the exception of the Muslim Bosnians, only the Jews of Europe practiced circumcision. It was a religious rite, not a medical procedure. Only Jewish men and boys were circumcised among the prisoners at Auschwitz. The Nazis already knew what Magneto was. He was chosen for the Sonderkommando, he was Jewish. He was not pretending to be a Jew. He wasn't misidentified as a Jew. He was a circumcised, young Jewish man). Furthermore, Magnus at this time had forged papers, that identified him as "Erik Magnus Lehnsherr." He could have immigrated to any country in the world, including the United States! If he were Roma, and didn't want to self-identify as such, why not go to America? Why go to the one country that represents enormous pain for modern Roma -- i.e., the Rom today deeply resent the focus on Israel, and the support Israel enjoys among nations of the Western world, while the Roma continue to be persecuted and ignored.
(19) In Astonishing X-Men #3, formerly Uncanny, from May 1995, we have the most clear reference to Magneto's being Jewish, written by Scott Lobdell. Magneto has just hit Bishop, and is helping him to his feet. He says, "Long before Xavier died ... before this point of divergence ... I stood by helplessly as millions of my people were led to slaughter in the name of 'genetic purity." Now the AOA is not a what-if story. It is a divergent timeline. Magneto says, before the timeline diverged. What other people were lead by the millions, led to the slaughter, in the name of genetic purity? Many people suffered and died in World War II. 250,000 to 500,000 Roma were murdered. Millions of Russians and Poles during the course of the invasions, and in political violence, and in acts of pure murder, were exterminated. But only the European Jews were "led to the slaughter" in the millions because of one man's racial beliefs. Only the Jews of Europe Persecutionand incarceration are not the same as genocide and extermination.
20) X-Men #72, cover date February 1998, published in mid-December 1997. This comic book makes a significant contribution to Magneto's history. Basically, the book reveals that the name *Erik Lehnsherr* which was revealed by Gabrielle Haller in Unlimited #2 to be Magneto's real name, is fake, and so Haller's assertion that Magneto is a *Sinte* Rom was based on false and forged identity papers.
The scenario begins with Gabrielle Haller, lying on her bed, working on a lap- top computer, writing the American Sen. Kelly, begging him to help find and secure the release of Charles Xavier. Sabra, the Israeli super-hero, a mutant and Mossad agent, suddenly appears floating in the air outside Haller's balcony doors. Haller has just pushed open the doors, saying, "You're too important to lose, Charles. I will see you ... FREE?" And Sabra says, "Sometimes, Ambassador Haller ... freedom, like the truth, is little more than an illusion. Don't you think?"
Sabra has come to Haller with information. She says to Gabrielle Haller: "I"m sure you recall shocking the world when you announced that you had UNDENIABLE proof ofMagneto's identity as Erik Lehnsherr. The undeniable has just been DENIED." Sabra then goes on to show Haller, and the readers, the file on a master forger named George Odekirk. In this file, apparently, is a computer analysis of the identity papers of Erik Lehnsherr, which shows that Odekirk forged those documents. Haller says, "He created Erik Lehnsherr? If this is true ... you must take me to him! He could be our only link to Magneto's true identity ... our last chance to stop him once and for all!"
But just as Sabra is flying Haller to the Transylvanian Alps, to meet with Odekirk, the scene switches to Odekirk, who is working on another forged passport, sitting in bed while his wife sleeps beside him. Suddenly, Odekirk looks up -- he has a visitor. It's Magneto, in full costume.
Magneto is floating in the air. He surrounds Odekirk's bed with his magnetic energy, and uses his power to keep Odekirk's wife unconscious. He says, "You failed me." Odekirk responds, "Please ... please, my wife ..." Magneto answers, "She will sleep the sleep of the innocent. She has done nothing ... but you ... YOU, my friend, have BETRAYED me." Odekirk protests his innocence, and then Magneto makes this remarkable speech: "Do you remember what you promised me the night I came to you, torn and filthy, nearly a quarter century ago? I was searching for my beloved MAGDA, determined not to lose her as I had lost so many others in the fire that engulfed all of Europe during my childhood. The authorities were in pursuit of me for the "crime" of avenging my daughter's murder. I was willing to deny who I was ... everything that my family died for ... so that I could find one woman ... so that I would not be caged AGAIN. The Erik Lehnsherr fabrication was a convenient means of ensuring that. You swore that the forged papers were FLAWLESS, that your skills were unsurpassed... but now, you have proven to be a liability. Your work has been called into queston by my enemies, and they will trace Erik Lehnsherr the Sinte BACK to you." Odekirk protests, "That is impossible! That forgery was impeccable! My work is ... " Magneto answers: "It was not ENOUGH! You gave birth to Erik Lehnsherr, Odekirk. And tonight, you have killed him. My secrets shall die with him. All that remains now ... is MAGNUS."
This scene says, subtly but clearly, that Magnus denied who he was, gave up everything his famly died for, to take the false identity of a Sinte Rom named Erik Lehnsherr. Since this entire FAQ has gone into great detail showing exactly how and why Magnus was born Jewish, it seems there is no doubt now, that Magneto's family and he himself, were Jews. Magnus would not say he denied *everything* his family died for, by taking a Romani identity, if his family were indeed Roma. As I pointed out above, only the Jews and Roms were targeted as entire peoples, and killed for no reason other than they were Jews and Roms. Magnus was either one, or the other. Since in XM #72, it is revealed that he is NOT a Rom, we must conclude he was born a Jew.
There are several continuity problems that arise from the revelations of XM #72. Several unanswered questions:
1) How much of Haller's speech (Unlimited #2) was based information contained in Odekirk's forgery, how much was based on what she personally knew, and how much did she "fabricate" herself? She makes a large number of mistakes, about nearly every aspect of Magneto's history and life. She also gets her Holocaust history and dates wrong. Did she perhaps add her own *facts* to what she found in those old identity papers? Was she perhaps trying to make the story coherent? As in, trying to make what she knew about Magnus and his history fit what she learned about *Erik Lehnsherr*? For example, where she says, on page 19 of Unlimited #2, "...Lehnsherr had taken to calling himself MAGNUS ... as if by choosing his MIDDLE name, he could bring some semblance of BALANCE and SIMPLICITY to his haunted life." This is Haller's supposition -- the reason he was calling himself MAGNUS in Israel. She knew him as Magnus back then, she had just found out, his full name was supposedly *Erik Lehnsherr.* Did she try to splice together the information?
2) While XM #72 makes it clear why Magnus cloaked himself in this false identity and ethnic background initially, what is not so understandable is why he continued to maintain that false identity after his search for Magda was over, and he immigrated to Israel. Did he use the forged *Erik Lehnsherr* passport to enter Israel? Why would he use a false identity and ethnic background to enter Israel, when he was a Jew?
3) Why would Magnus continue to use the Erik Lehnsherr identity during the Age of Apocalypse, especially since he publicly identified with being a Jew? (Astonishing X-Men #3, quoted above.)
4) Magnus worked for at least one intelligence agency, most likely the CIA (Classic X-Men #19). He then hunted dangerous mutants, for his own mysterious purposes, as shown in a brief cameo in Generation X #10 -- which was a memory belonging to Sean Cassidy, telepathically accessed by Emma Frost. During the time he was working for the CIA, his code-name was Magneto. In Classic X-Men #19, he is called only Magneto. In Generaton X #10, Interpol agent Sean Cassidy doesn't know who the man is who is helping him track down Arcady (the future Omega Red). Emma Frost, commenting from the present as a psionic guide to Cassidy's memories, calls the man *Erik Lehnsherr.* But the question is, after he left Israel, did Magnus use the false identity Erik Lehnsherr?
5) During the time that Magneto tried to follow Xavier's path, roughly from UXM #196 through UXM #253, and New Mutants issues #35 through #75, including UXM #188, NM #21, #23, #24, #26, #28, and #29, he referred to himself as Magnus, and others like Storm and Kitty Pryde called him Magnus. Even though he was disguised as Michael Xavier for the outside world, the X-Men and their associates all knew Magneto as Magnus. During this time, Magnus also identified strongly with his Jewish and Jewish Holocaust history. The question now is, what happened to the *Erik Lehnsherr the SInte* identity during this time?
6) Why, now, after so many years, did Magneto find it necessary to kill George Odekirk in order to protect his identity? We know why he took the false name and ethnic background to begin with. But we have no evidence that he continued to use *Erik Lehnhserr*, during each stage of his pre-Magneto career. After he became Magneto, after all the battles with the X-Men, after the events of Fatal Attractions, after the mind-wipe and the appearance of Joseph, after Onslaught, why would Magnus be so concerned with protecting his true identity? Was he trying to protect the memory of his family? Has he maintained contact with pre-Holocaust family grave sites, or places where he once lived? Is he worried that the very bones of his ancestors might be violated by those looking for his genetic material? Then there's Anya, his beloved daughter -- she was never Anya *Lehnsherr*. Her last name is now unknown -- is Magneto trying to protect something concerning her? George Odekirk wouldn't be the only witness to Magneto's true identity, either. What about those Carpathian villagers, who accepted Auschwitz escapees Magnus and Magda in 1945? Did anyone in Vinnitsa who knew Magnus' true last name survive his burst of electromagnetic radiation? What about Ruth and David Shulman, who knew him at Auschwitz, and recognized him, in UXM #199?
These, and other unanswered questions, remain.
By removing the *Erik Lehnsherr the Sinte* identity, fixing that particular retcon from Unlimited #2, and leaving the rest of Magneto's history intact, writer Joe Kelly and editor Bob Harras have not officially stated that Magneto was born Jewish, and was a Jewish survivor of Auschwitz. But, as was the case during the years Chris Claremont wrote the character, the references to Magneto's Jewish identity are there, subtle and at the same time, obvious.
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velociraptoraddict · 4 years ago
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So why the velociraptor love? (Raptors are my fave too)
Buckle up cause we're about to down memory lane!
It allllll started years ago, with a movie called Jurassic Park, which I watched way too young. Lol, actually, wait no, I can trace it back further than that
It allllll started with a movie called Godzilla (98) (I think that's the year it came out? It was the american version set in Nyc with the babies). I was literally obsessed with that movie. You know how little kids can watch the same movie day in and day out, day after day? Yeah. Godzilla was that movie for me...when I was three-four!!! Like, I hadn't even started kindergarten yet!
But man, did I love that movie.
I had a 4-5 foot inflatable Godzilla that I used to wrestle and play imaginary games with and have tea parties (until it got a hole and deflated very slowly over time...my parents tried to find the leak and tape it but we're unsuccessful...I was devastated)
I also (still) have this plastic baby Godzilla. It was part of one of those "action" playsets I think? It's supposed to have a part of its side that clips on and off to show an injury but I lost that part in kindergarten sand box cause I brought it to school with me a lot. Also, at one point my dogs got a hold of it and chewed it's hand off...I glued it back on. Here's a picture
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Now, oddly enough, despite everything I just said, my first imaginary friend (that I can remember) was a Triceratops lol! And for a long time there if you asked me what my favorite dinosaur was, that would be my answer, and here's why:
Around the age of 6, I discovered The Land Before Time. And that became my new everyday movie (specifically 6: I forget the official title but it's the one with the baby three horns that speak baby talk going up to three horn mountain). I would rent a Land Before Time movie every time we went to the video rental store (I think the only reason my parents never actually bought at of the movies for me was cause they didn't want a Godzilla repeat (seriously, I remember bringing that movie to my mom's work office and watching it on a TV in a conference room cause she couldn't get a babysitter or something that day 😂))
During that video rental phase, there were a few other dinosaur movies I remember watching (specifically one that I Can Not Find because I can't remember the name, but it was practical effect baby dinosaurs that these kids find (like a long neck, a pteronodon, a Triceratops and I think a t rex if I remember correctly) I remember the kids keeping the dinosaurs a secret and they gave them names and little dog collars and if you know what movie I'm describing please let me know cause I've been wanting to watch it again for almost 20 years lol)
Ok...where was I?
Ah, yes, so. Jurassic Park. I actually saw The Lost World first and many more times than I have the actual original movie lol
Oddly enough, I remember after the first time watching it, I had a nightmare where the Velociraptors were hunting me through the tall grass like in one scene of the movie. So...I was actually scared of Velociraptors for a little bit there! Crazy, right!?
🤔 I... actually don't remember what caused the shift though? At some point, I remember swopping out my imaginary triceratop for a t rex run along (those things that run along side you when you're in a movie vehicle) then eventually the t rex shrunk to a Velociraptor cause I was literally only seeing the legs of the rex as it ran (🤣 child logic y'all)
I can also trace that same shift using my online usernames lol, my first email was Rex102092 (I remember that but not it's password or domain 😂). Somewhere around 5th or 6th grade, I joined this one website that had a site wide to group chat that was just, chaos (child friendly) role playing. There was this unspoken rule that were were all in this giant mountain bowl landscape, and everyone interacted with everyone else and I could seriously describe all on it still but couldn't find the site itself if you asked lol. My username there was Raptor102092 (I remember I wanted to make it Velociraptor102092 but I couldn't spell Velociraptor. One of my more vivid memories from that chat (other than being taught *is an action indication*) was something saying they thought my username was a reference to a video game monster and didn't realize it was a dinosaur. And for some reason that upset me enough that, I actually went to google to learn how to spell Velociraptor. I started looking up pictures every day as a way to practice spelling it too XD then, going forward all my usernames were Velociraptor102092.
Even when I first joined Tumblr, that was my url
Until
One day, while on tumblr, I realized no one else had numbers in their name (not really, unless they were a bit or something. So I realized I had to come up with something else.
And at that point in my life, I was obsessed with Velociraptors. I had a replica claw necklace, dozens of toys, a plushie I (still) sleep with. I've watched several documentaries where Velociraptors were either the focus, or featured. I googled pictures of them all the time, even had my own character that I drew constantly.
Thus, VelociraptorAddict.
Now, more recently (within the past 5 years), I made a friend who is big into the whole furry thing. And as a result I've kinda been dragged into it as well? Lol
I've been to a few conventions and a few local meet ups but I would exactly considered myself as invested in the whole thing as most people are. But the symptoms are definitely there XD just, very subdued.
But, yeah, if I had the motivation I'd probably build myself at least the wings. But there is No Way I'm spending the kind of money some people do to commission a suite, it's ridiculous! Like, 2-5k ridiculous! No thank you lol
Anyway
I'm sorry I couldn't answer your question.
I don't know where the love for Velociraptors came from?? Cause, The Lost World gave me nightmares...then suddenly, Velociraptors are an intricate part of my online life?? ¯\_(ツ)_/¯
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ozkamal · 4 years ago
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Wisdom notes1. It’s not who you are underneath it’s what you do that defines you 2. Stop living other people’s stories and start writing your own 3. We are all gonna die, not all of us get to make a difference 4. Just cause you know you are capable of something doesn’t mean it has to happen again 5. Every weakness contains within itself a strength 6. Why do we fall? So we can learn to pick ourselves back up. 7. In order to be what we are, we have to come out of what we are not 8. It’s not the size of a soldier in a fight, it’s the size of the fight in a soldier 9. some of the best things in life are by accident 10. you can lose to your enemy, but you must not lose to fear 11. if your looking for revenge, you should start by digging two graves 12. sometimes the scars you can’t see are the ones that hurt the most 13. sometimes the rain must fall for us to appreciate the sun 14. train yourself to let go, of everything you fear to lose 15. a man does not cry because he is weak, he cries because he has been strong for too long 16. not everyone can be trusted, even your shadow leaves when your in the dark 17. don’t trust anyone too much, remember the devil was once an angel 18. you didn’t fail, you just found out, eg:100 ways how not to make a light bulb 19. I failed over and over, that’s why i’m successful. 20. it isn’t what you got in life it’s what you make of it 21. people do not despise the thief who steals to satisfy himself when he is starving 22. a mans loyalty is tested when he has everything. a woman’s is tested when he has nothing 23. you have to be odd to be number one 24. trust takes years to build and yet only seconds to break 25. never regret a single thing that made you happy 26. make the plan, execute the plan, expect the plan to go off the rails, throw away the plan. 27. don’t be afraid of losing people, be afraid of losing yourself trying to please everyone around you 28. when we stop checking the monsters under the bed that’s when we realise they were inside us 29. sometimes she’ll keep you down but also somehow be the one to keep you up 30. From strangers. to friends. to being together but then back strangers but with memories 31. it hurts a lot when she breaks up with you. and gets together with someone else really quick... it just don’t feel like she cared, but sometimes you gotta let fate take you by the hand 32. you lost interest so fast.. my world ended before it even started 33. you can love somebody just by being attached. see loyalty is a action u can love or hate me but u still have my back 34. as dr seuss said, “i always knew looking back on the tears would make me laugh. but i never knew looking back on the laughs would make me cry 35. sometimes it’s hard to know what haunts you more, the memories of her, or the memories of how happy you used to be 36. it’s not that your life sucks, it’s just you done want to think that it doesn’t 37. love never ends, it’s the strength to try that does 38. silence can be just another word for pain 39. not everything lasts forever, people change, people grow apart. don’t force anything 40. absence makes the heart grow stronger 41. it ain’t about how hard you can hit.. it’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward, that’s how winning is done 42. tomorrow is never promised 43. the most painful thing isn’t a cut or a broken bone, it’s seeing memories slowly become memories 44. better to have a short life doing what you love, than a long life living miserably 45. when a man loves a woman she becomes his strength 46. pay close attention to the people who don’t clap when you win 47. if your the smartest person in the room then your in the wrong room 48. a great future never requires a great past 49. everyone is the hero of their own story 50. the only time you should look back is to see how far you’ve come 51. there’s four things you can never get back, the word after it’s said, the moment after its missed, time after it’s gone and trust after it’s lost 52. they say you never knew what you had until it’s gone.... truth is, you just never thought you’d lose it 53. think of it like this, it hurts to let go... but sometimes it hurts more to hold on 54. out of all the things we learn in school, no one teaches us how to love ourselves 55. there comes a time in life, where you realise that nothing will ever be the same. And you realise that from now on, time will be divided in two parts, before this.. and after this 56. it takes absence to value presence 57. it’s not about the happy ending, maybe it’s about the story 58. it’s crazy how after so much, you become strangers again 59. words may sting, but silence is what breaks the heart 60. sometimes it’s not the person you miss, it’s the feeling you had when you were with them.. 61. in life there’s the people that tear you down, and the ones that build you up. but in the end, you’ll thank them both 62. you know a million words won’t bring them back, and you’ll know because you tried, neither would a million tears, and you’ll know... because you cried 63. the worst feeling is never being lonely, it’s being forgotten by someone, you’d never forget 64. you’ll realise how you waste so much time on certain people, but in the end sometimes they weren’t worth a second of it 65. there is always going to be some truth behind every “just kidding”. some knowledge behind every “i don’t know” emotion behind every “i don’t care” and pain behind every “it’s okay” 66. being happy is a very personal thing and it really has nothing to do with anybody else 67. don’t let something that’s long gone, control you. it’s time to let go 68. it’s amazing how one day someone walks into the life, and suddenly you don’t know how you every lived without them 69. someone once asked me if i knew you a million and one memories flashed through my mind.. but i just said i used to 70. at the end of the day, your not always gonna say and do the right things. and that’s fine, your not here to be perfect, your here to be real 71. going back to a relationship is like rewatching a movie, and hoping for a different ending 72. the worst kind of sad, is not being able to explain why 73. Life is the most difficult exam. Many people fail because they try to copy others. Not realizing that everyone has a different question on their paper 74. the difference between, like, love and in love is the same difference between, for now, for a while.. and forever 75. everyone can make you smile, but not everyone can make you happy 76. the most difficult part of moving on, is accepting the other person already did 77. it’s sad how the people you were once so close with. can become just another person you don’t know, not their just a stranger with your secrets 78. one day someone will break you so bad.. you will become unbreakable 79. you can close your eyes to things you don’t want to see, but you can never close your heart to things you don’t want to feel 80. if you think photos aren’t so important, wait until they’re all you have left 81. giving someone another chance, is like giving them another bullet, because the first one missed 82. the truth is.. we don’t mature with years, we mature with damage 83. consider how hard it is to change yourself, then you’ll realise what little chance you had in changing others. 84. everyone has a story, and everyone has something that changed them. so never judge someone by the chapter you walked in on 85. in life sometimes there is no next time. No timeouts, no second chances. sometimes it is now or never, things change, friends leave. and life doesn’t stop for anybody 86. can you remember who you were, before the world told you who you should be? 87. it’s sad how you can go from speaking to someone non-stop, to never speaking to them again, in an instant, it’s like you could have just stayed strangers 88. it’s important to realise you can miss something, but not want it back 89. your current situation, is not your final destination 90. it’s never to late to be what you might’ve been 91. you start with such a simple hello, but end with such a complicated good bye 92. in order to move on, you need to understand why you felt what you did, and why you no longer need to feel it 93. telling the truth and making someone cry, is better than telling a lie.. and making someone smile 94. it’s not the goodbyes that hurt, but the flashbacks that follow 95. some would say people who say it is what it is are dangerous, i say those people have just been hurt to the point where they no longer care 96. if you don’t go after what you want. you’ll never have it. if you don’t ask, the answer is always no and if you don’t step forward, your always in the same place 97. live today the way you want because nothing else is more real than the moment you have in your hands 98. people come and go, but life is simply about... seeing who cares enough to stay 99. one of the most messed up things the world will ever do to you, is let you meet the right person. at the wrong time 100. apologise for your mistakes not your feelings
https://www.reddit.com/r/quotes/comments/n0o67m/i_have_made_a_list_of_quotes_from_movies_and_from/?utm_source=ifttt
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danni-chuu · 5 years ago
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RAD Student Info: Mammon, The Great (?)
 terhewwo! before i start, i’m just gonna address some things. for some reason, the lucifer post keeps disappearing. so, if anyones wondering why they didnt see it, but saw this...ye tumblr’s drunk. 
as always, spoiler warning so if you’re not comfortable with that please skip this post, thank u (hart hart hart) 
so lez go! 
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Background and Origins: 
Mammon in the bible is actually mentioned quite a few times, most of his references is in the New testament. 
Matthew 6:24-25 “No one can serve two masters; for either he will hate the one and love the other, or else he will be loyal to the one and despise the other. You cannot serve God and mammon. “Therefore I say to you, do not worry about your life, what you will eat or what you will drink; nor about your body, what you will put on. Is not life more than food and the body more than clothing?( Matthew 6:24-25).
now before assuming that “Mammon” here is already an actual demon, he isnt. Mammon or iLmmon is the Aramaic term for “money/ riches”. He only got recognized into demonology lore when Bishop Gregory of Nyssa in his 4th century writing, identified him with Beezlebub. Early Christians did equate him with the Roman god, Plutus who shows to rule over wealth. as the Middle Ages role around, He becomes recognized as the demon who embodies Avarice and Greed, also during these times, he was also associated with a Syrian god, though there are no traces of such. these assumptions were made due to statements from Peter Lombard.  “ Riches are called by the name of a devil, namely Mammon, for Mammon is the name of a devil, by which name riches are called according to the Syrian tongue." . He even made an appearance of one of St. Francesca’s 98 visions, in which she stated, “ He holds the throne of the world”.  
Mammon makes appearances in Francis Barrette’s 1801 editions of The Magnus, where he states that mammon is one of the demonic prince of the demonic order, Tempters and Ensnares. In John Milton’s Paradise lost, Mammon is stated to be (least erected) Fallen Angel who too often stares down more at the Golden pavements of heaven and its riches, he is also said to be the demon that will tempt humanity to rob the Earth of her riches. And in the Grand Grimoire, Mammon is stated to be the Ambassador of England. In Peter Binsfield classification of the princes of Hell, he is still said to be the embodiment of Greed. 
He is said to appear as a man with white-blonde hair, who is tanned. he conceals his wings and tail, yet he has long horns with gold tips. he wears a crown and the most regal clothing. 
oh, also he has 24 wives :3 
Representation in Game :
so in game, mammon is shown to be a goofy and as his brothers state, is a not so bright character. He is shown to be quite boisterous in nature, but he does show promise with math and business ( shown in the give me your warmth memory and that one memory where he’s speeding through activities). He is also shown to view quite highly of himself, always saying “ The GREAT Mammon”. I would say i can reference this to St.Francesca’s vision saying that he holds the throne to the world. 
his representation is actually accurate, a white haired tanned boi. 
He is often shown as being a scummy demon, stealing from his brothers to profit, not returning what he owes and such. but it is quite different, those who are said to envoke mammon and stand by the change he poses, he will never abandon. this aspect does hold with the Mc, as he is shown to be quite committed to the Mc, that he is willing to plot an idea to even steal the Grimiore. 
another fact that is quite odd for me is how he is always out of money, as greed is literally wanting more of something. so why would he be spending so much money if he wants more money. (well not unless he wants more material possessions it can be as well). 
there really isnt much to dissect since they use mammon alot as comic relief (poor boy). 
references: 
The Encyclopedia of Demons and Demonology By Rosemary Ellen Guiley
The Organization of Pandemonium By Maxmilian Rudwin
A Dictionary of Angels Including Fallen Angels By Gustav Davidson
A Field Guide to Demons, Fairies, Fallen Angels , And Other Subversive Spirits By Carol K. Mack and Dinah Mack
The Names of the Damned : The Dictionary of Demons by Michelle Belanger
Dictionary Infernal By Collin De Plancy
And more ( Tumblr doesn’t want links so ;<)
anddd that concludes mammon:3, if i missed some things please feel free to comment on it. next up is otaku boy levi.
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katekaned · 5 years ago
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Barbara Gordon made her DC comics debut in 1967 in Detective Comics #359, “The Million Dollar Debut of Batgirl.” Initially introduced to the comics as a way to test fan reception to the idea of a new “Batgirl” appearing in the 1960s ABC Batman show, Barbara would outlast her television counterpart and go on to become a vital part of the DC universe and a fan favorite character. 
Under the cut is a summary of Barbara Gordon’s comic history pre-New 52 and an extensive list of comics in which she appears as the information jockey and wheelchair-using superhero, Oracle.
Basic Reading
Batman Chronicles #5 (1996)
Black Canary/Oracle: Birds of Prey (1996)
Birds of Prey (1999)
Batgirl (2000)
Batgirl (2009)
Birds of Prey (2010)
Pre-Crisis on Infinite Earths, Barbara was the daughter of Gotham Police Commissioner James Gordon and the head librarian at the Gotham City Public Library. Barbara takes on a second job as Batgirl after fighting Killer Moth while dressed up in a Batman-inspired costume for a masquerade ball. Although Batman is resistant to the idea of a girl helping him fight crime, he is unable to prevent Babs from assisting him and Robin in protecting Gotham. She also develops a close friendship and working relationship with Supergirl. During the 1970s, Barbara Gordon became a Congresswoman and continued to operate as Batgirl in Washington, D.C. After failing to be reelected, Babs returned to Gotham, where she worked as Batgirl up until the Crisis.
Post-Crisis on Infinite Earths, Barbara’s continuity underwent extensive reconstruction. No longer Jim Gordon’s daughter, she was his niece until her parents died while she was a teenager and her uncle brought her to Gotham and adopted her. A talented athlete and genius with a photographic memory, Babs longed to join the GCPD, but Jim did not like the idea of her having such a dangerous career. Eventually, Babs found her own way to help in joining Batman and Robin in fighting crime as Batgirl. In Batgirl Special (1988), Barbara retired from being Batgirl and resumed her civilian life. Later that year, the infamous graphic novel, The Killing Joke, was published. In Alan Moore’s story, Barbara Gordon was shot and assaulted by the Joker, in an attempt to drive her father insane. As a result of her gunshot wound, Babs was paralyzed from the waist-down and began using a wheelchair to get around. Although she served as little more than a plot device, the repercussions of what happened to her in The Killing Joke would reshape much of the DC Universe. 
Here’s where Oracle enters. Although DC editorial, by and large, had no further plans for Barbara Gordon’s character post-Killing Joke, writers Kim Yale and John Ostrander sought to create a place in comics for a superhero in a wheelchair who had no special powers of her own. Thus, Oracle was created as Barbara Gordon’s hacker and information specialist superhero persona. Oracle would first appear in Ostrander’s run on Suicide Squad before slowly reappearing as a Batman supporting character in the 1990s. In 1996, Chuck Dixon wrote the one-shot Black Canary/Oracle: Birds of Prey, which eventually spun off into its own popular and much beloved series in 1999. Oracle remained an integral part of DC canon, training two new Batgirls, working with Batman, the Birds of Prey and even the Justice League, until the New 52 reboot in 2011, when DC decided to return Babs to her status as Batgirl. The editorial decision to have Barbara undergo surgery to rid her of her paralysis has undergone major scrutiny and been heavily maligned by disability advocates, however, Babs is no closer to returning to her role as Oracle or her wheelchair.
Below is a (mostly) chronological list of Oracle’s most prominent appearances in DC comics! (My personal favorites will be bolded.)
[As a note - many of Oracle’s early appearances have her hiding behind a computer/in a cameo role, as her identity was not yet revealed to comic readers. I am including these early appearances in my list to show people how the mystery unfolded, but if you want to skip they will be marked with an asterisk!]
Oracle Appears
Batman Chronicles #5: Oracle -- Year One: Born of Hope (1996) [Not Oracle’s first appearance historically, but the story of how she came to be and essential to her character.]
Suicide Squad #23 [1st appearance!] - #24, #26 (1989)*
Manhunter #13 (1989)*
Suicide Squad #32, #38 (1989-1990)*
Firestorm: The Nuclear Man #98 (1990)*
Batman #451 (1990)
Suicide Squad #48-#49 (1990-1991)
Suicide Squad #51 (1991)
Hawk and Dove #22-24 (1991)
Suicide Squad #54-#57, #59, #61, #63-#65 (1991-1992)
Hacker Files #5-#6 (1992-1993)
Oracle Joins the Bat-Family / Meets Black Canary
Showcase '94 #12: "A Little Knowledge" (1994)
Batman #520 (1995)
Nightwing #2 (1995) [A cameo appearance but the beginning of Dick and Babs’ complicated and lengthy post-crisis history]
Underworld Unleashed: Patterns of Fear #1 (1995)
Black Canary/Oracle: Birds of Prey #1 (1996)
Showcase '96 #3: "Birds of a Feather" (1996)
Detective Comics #695 - #696 (1996)
Robin #30, #33 (1996)
Birds of Prey: Manhunt #1- #4 (1996)
Green Arrow #115 - #117 (1996 - 1997)
Birds of Prey: Revolution #1 (1997)
Nightwing #7 (1996)
Nightwing Annual #1 (1997)
Birds of Prey: Wolves #1 (1997)
Detective Comics #706 - #707 (1997)
Nightwing #½ (1997)
Azrael: Agent of the Bat #32, #35 - #37 (1997)
Batman #547 (1997)
DC Universe Holiday Bash #2: "The Old Lane" (1997)
Nightwing/Huntress #3 (1998)
Nightwing #16, #18
Birds of Prey: Batgirl #1 (1998)
Cataclysm
Batman: Shadow of the Bat #73 (1998)
Batman #553 (1998)
Batman: Shadow of the Bat #74 (1998)
Nightwing #20 (1998)
Detective Comics #721 (1998)
Robin #53 (1998)
Nightwing #24 (1998)
Oracle Joins the Justice League 
JLA #17 - #19 (1998)
JLA: Secret Files & Origins #2 (1998)
DC One Million #1 - #2 (1998)
JLA #1,000,000 (1998)
DC One Million #3 - #4 (1998)
JLA/Titans #1 - #3 (1998)
JLA #36 - #41 (1999 - 2000)
JLA: Secret Files & Origins #3 (2000)
Road to No Man’s Land
Robin #55 (1998)
Azrael: Agent of the Bat #47 (1998)
Azrael: Agent of the Bat #49 (1999)
Detective Comics #727 (1998)
Batman #562 (1999)
Robin #58 (1998)
Batman Chronicles #15: "Between Stars Above and Below" (1999)
Birds of Prey #1- #14 (1999 - 2000)
No Man’s Land
Batman: No Man's Land #1 (1999)
Batman: Shadow of the Bat #83 (1999)
Batman #563 (1999)
Detective Comics #730 (1999)
Batman #565 (1999)
Detective Comics #732 (1999)
Azrael: Agent of the Bat #54 - #55 (1999)
Batman: Legends of the Dark Knight #119 (1999)
Batman: Shadow of the Bat #87 (1999)
Batman #567 (1999) [Introduces Cassandra Cain, the second Batgirl and Oracle’s first protege.]
Detective Comics #734 (1999)
Batman: Legends of the Dark Knight #120 (1999)
Batman: Shadow of the Bat #88 (1999)
Detective Comics #735 (1999)
Batman #569 (1999)
Batman: Day of Judgment (1999)
Nightwing #35, #37 - #39 (1999)
Robin #71 (1999)
Batman #573 (2000)
Detective Comics #740 (2000)
Azrael: Agent of the Bat #60 - #61 (2000)
Batman: Legends of the Dark Knight #126 (2000)
Detective Comics #741 (2000)
Birds of Prey #15 - #19 (2000)
Batgirl #1 - #5 (2000)
Batman: Gotham City Secret Files & Origins (2000)
Azrael: Agent of the Bat #64 - #65 (2000)
Batman: Gotham Knights #6 (2000)
Nightwing #44 (2000)
The Hunt for Oracle
Nightwing #45 (2000)
Birds of Prey #20 (2000)
Nightwing #46 (2000)
Birds of Prey #21 (2000)
Nightwing 80-Page Giant #1 (2000)
Birds of Prey #22 - #26 (2000 - 2001)
Batgirl #7, #9 - #10 (2000 - 2001)
Batman: Gotham Knights #12 (2001)
Azrael: Agent of the Bat #72 - #74 (2001)
Officer Down
Robin #86 (2001)
Birds of Prey #27 (2001)
Catwoman #90 (2001)
Nightwing #53 (2001)
Detective Comics #754 (2001)
Birds of Prey #28 - #35 (2001)
Batgirl #14 (2001)
Batman #590 (2001)
Harley Quinn #6 - #7 (2001)
Azrael: Agent of the Bat #80 - #82 (2001)
Batgirl #17 (2001)
Nightwing #55 - #58 (2001)
Harley Quinn #11 (2001)
Nightwing: Our Worlds at War #1 (2001)
Joker: Last Laugh
Joker: Last Laugh Secret Files #1 (2001)
Birds of Prey #36 (2001)
Batgirl #21 (2001)
Joker: Last Laugh #3 (2001)
Joker: Last Laugh #5 (2001)
Robin #95 (2001)
Joker: Last Laugh #6 (2002)
Nightwing #63 (2002)
Birds of Prey #37 - #38 (2002)
Robin #96 - #97 (2002)
Azrael: Agent of the Bat #84 (2002)
Batgirl #22 - #23 (2002)
Azrael: Agent of the Bat #88 - #90 (2002)
Batgirl: Secret Files & Origins (2002)
Bruce Wayne: Murderer? / Fugitive
Batgirl #24 (2002)
Nightwing #65 (2002)
Batman: Gotham Knights #25 (2002)
Birds of Prey #39 (2002)
Nightwing #66 (2002)
Batman: Gotham Knights #26 (2002)
Robin #99 (2002)
Birds of Prey #40 (2002)
Batman #600 (2002)
Batgirl #27 (2002)
Birds of Prey #43 (2002)
Batgirl #29 (2002)
Batman: Gotham Knights #30 (2002)
Azrael: Agent of the Bat #91 (2002)
Batman #605 (2002)
Batgirl #25 - #26 (2002)
Azrael: Agent of the Bat #93 - #95 (2002)
Batgirl #30 (2002)
Birds of Prey #44 - #48 (2002)
Nightwing #71 - #73 (2002)
Batgirl #33 (2002)
Nightwing #75 (2003)
Batman: Family #3, #6, #8 (2003)
Birds of Prey #49 - #53 (2003)
Batgirl #35 - #37 (2003)
Nightwing #77 - #79 (2003)
Birds of Prey: Catwoman/Oracle (2003)
Batgirl #39 - #42 (2003)
Birds of Prey #54 - #55 (2003)
Nightwing #81 (2003)
Detective Comics #790 (2004)
Nightwing #83 - #89 (2003 - 2004)
Batgirl #45 - #54 (2003 - 2004)
Birds of Prey #56 - #74 (2002-2004) [Gail Simone’s iconic run on Birds of Prey begins with issue 56 and goes until 108. This is an absolute must-read for any Oracle/Barbara Gordon fan]
Birds of Prey: Secret Files & Origins (2003)
War Games
Detective Comics #797 (2004)
Batman: Legends of the Dark Knight #182 (2004)
Nightwing #96 (2004)
Batgirl #55 (2004)
Batman #631 (2004)
Detective Comics #798 (2004)
Batman: Legends of the Dark Knight #183 (2004)
Nightwing #97 (2004)
Batman: Gotham Knights #57 (2004)
Catwoman #35 (2004)
Batman #632 (2004)
Batman: Legends of the Dark Knight #184 (2004)
Nightwing #98 (2004)
Robin #131 (2004)
Batman: Gotham Knights #58 (2004)
Batgirl #57 (2004)
Catwoman #36 (2004)
Batman #633 (2004)
Birds of Prey #75 - #90 (2004 - 2006)
Batgirl #67 (2005)
Nightwing #117 (2006)
Villains United: Infinite Crisis Special #1 (2006)
Robin #148 (2006)
Birds of Prey #92 - #95 (2006)
52 #34 (2007)
Nightwing Annual #2 (2007) [Although this issue is all about Dick and Barbara’s relationship, I would not recommend reading it as it treats both Barbara and Dick’s ex Starfire/Koriand’r incredibly poorly.]
Hawkgirl #64 (2007)
Birds of Prey #96 - #108 (2007)
Black Canary Wedding Planner (2007)
Green Arrow/Black Canary Wedding Special (2007)
Birds of Prey #109 - #123 (2007 - 2008)
Batgirl #2 - #3, #5 - #6 (2008)
Nightwing #150, #153 (2009)
Green Arrow and Black Canary #16 (2009)
Birds of Prey #124 - #127 (2009)
Oracle: The Cure #1 - #3 (2009)
Adventure Comics #516 - #518 (2010) [Appears in the backup feature “The Atom”]
Batgirl #1 - #12 (2009 - 2010)
Detective Comics #862 (2010) [Oracle appears in backup feature “The Question”]
Bruce Wayne: The Road Home: Batgirl (2010)
Bruce Wayne: The Road Home: Oracle (2010)
Birds of Prey #1 - #7 (2010 - 2011)
Batgirl #15 - #16 (2011)
Birds of Prey #8 - #10 (2011)
Batgirl #19 - #21 (2011)
Birds of Prey #11 - #13 (2011)
Batman Incorporated #8 (2011)
Detective Comics #872 - #873 (2011)
Detective Comics #879 - #881 (2011)
Batgirl #24 (2011)
Birds of Prey #14 - #15 (2011)
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