#also hello my b !

[tecochet]

mary jane's husband and his boyfriend

[hinamie]

binding vow

[volchiitza]

clearly trying to stop fixating on "productivity" has actually improved my focus

[puppetmaster13u]

Prompt in Memes 6

Let's make it some in-world memes this time :)

[obsob]

there he is......the man of the house

[ashpkat]

i can’t believe octavian died like… that. of all things in a middle grade kids books series. and everyone was chill about it. literally no one gaf octavian died so horrifically even if it was ‘just’ —and as the readers… we were chill with it too

[gomacave]

yall i think i fw valenwind......

insp by "shadows of things that have been" by @drneverland which sold me on valenwind.......

(im not done reading yet dont spoil me!!111!!1)

[poorly-drawn-mdzs]

Party of one (divided into four)

[tusks-and-claws]

The Death of Peace of Mind

Miguel O’hara x female reader

Summary: "I miss the way you say my name/the way you bend, the way you break"

You think your fearless leader needs help relaxing, but another door is opened entirely

Tags/warnings: smut (18+), oneshot, fingering, blowjob, pronebone, blood, biting, unprotected sex, paralytic venom, dominant Miguel, dirty talk, God there’s so much to list : )

Word count: 3.3k 

Can also be found on Ao3 here. Please give it some love if you enjoyed ;_;

-

"I know better than this, I shouldn't be… we shouldn't be doing this."

Miguel O'Hara sat at the edge of your bed, your room softly illuminated by a candle on the bedside table. He liked the dark. His back was to you, his broad shoulders slumped forward, as you had your back against your headboard. He was still in his suit, his mask off.

"Miguel…" you said, starting this conversation again for the umpteenth time. "You have needs, too, y'know." 

He waved a hand dismissively. "What are my needs when compared to all this?" He gestured to nothing. You weren't even at HQ. You were both in your dimension. A vacation, you had said. You could never get him to leave HQ for long. "I know what happens when I try to get what I want. When I go where I don't belong."

You furrowed your brow. "But you do belong here, I invited you."

"You know exactly what I mean." He spoke quickly. Trying to expel the words as fast as possible. 

Your arms crossed over your chest as you eyed him. He'd been through a lot, yes, but what Spider hadn't? How long was he going to keep ignoring himself for the greater good? What purpose would he serve if he tore himself apart? 

"You're right," you said, finally. 

"What?" He asked, peering over his shoulder to look at you, incredulous. 

"You're right," you repeated. "You can leave."

"I… well. I suppose I can leave. Do you… want me to?"

You suppressed a smile. "I don't really care," you lied. 

"You…?" He turned around at that, hands on the bed as he swiveled his torso to meet your eyes. "You can't be serious. I- I made the effort to make sure Jess could cover me so we could come here, I… it's a huge waste of time. You see that, don't you?" 

"I guess so." It was hard for you to break eye contact with him, but you managed to do it, and stared pointedly out the window. 

"You 'guess,' I can't-" he rubbed his face with his hands. "You're so frustrating, I can't read you, you-" 

Your face broke, betraying you, a smirk cracking your façade.

He narrowed his eyes, fully turning around now, bringing his knees up onto the bed to crawl to you. His claws came out, and they pulled at the threads of your comforter, threatening to tear holes. "Is this what you want? You want to make me mad?" 

You blushed as he made his way to you, his sudden intensity stirring you into silence. 

"Well?" He asked. "Suddenly so quiet." He reached you now, looming over you with both hands on the headboard on either side of you, his muscular thighs straddling your legs. His huge frame took up your whole vision, his presence overwhelming your heightened senses. Heat was radiating from his body. His scent washed over you. He was all clean musk and warmth and something deeper, something primal. It played to your baser mind, telling you to lose control and give in. 

You swallowed. "You have no need to stay here." You weren't done teasing him just yet. 

"But you have need, hm?" He looked down to study your form, releasing his hands from the headboard to touch the hem of your shirt. "Don't you?"

You held your breath, nodding.

"Say it." His tone was casual. Flippant.

Your breath left you as your lips parted to speak, the words far from you as your brain grew foggy. He always liked to hear you admit how much you wanted it, how much you wanted him. And he always asked you when he knew you'd struggle to form a response. 

"Yes." It was the only thing your brain made abundantly clear. Yes. Yes, you have needs. Yes, in this moment, he was one of them. 

"Yes what?"

How cruel. Under his gaze for this long, intense and bloodshot, you grew more flustered and delirious. 

"Yes, Miguel, I have need of you." You impressed yourself with the eloquence of your reply. 

"Oh? Oh, do you?" His hands finally moved again, snaking under the bottom of your shirt, the fabric of his suit keeping your skin from touching his. "That's kind of selfish of you, isn't it?"

You nodded, biting your bottom lip and closing your eyes as his hands moved to firmly hold the sides of your waist, thumbs stroking soft skin. He was being careful to not scratch you. Though his claws were retractable, you noticed throughout your encounters that he had a hard time keeping them hidden when his passions were running high. But part of you didn't care if he marked you up. Part of you wanted to keep something from him. Something more than awkward passing glances and intimate encounters that were few and far between. 

"M-Miguel?"

"Mm? What is it?"

"You don't need to be gentle, y’know."

His gaze flicked to meet yours as he raised an eyebrow. He seemed amused. 

"It's just that," for some reason, you felt the need to elaborate. "I'm strong, too. I can handle it. You've been so stressed."

"So… you want me to use you?" His voice was low and level. 

Use. The word sent a shock up your spine. He could see the emotions flashing across your face, the thoughts of him, of what he might do to you. Was this safe? Could he control himself? He'd have to. You'd just have to trust him. 

You released a breath you hadn't noticed you were holding, meeting him in his bloodshot eyes. "Yes. Please."

He grinned, bearing his pearly fangs in the flickering candlelight. The fog in your head grew thicker at the sight of them. Would he bite you with them? How would they feel against your skin? How would they feel piercing you? Would it hurt? Would it-

The feeling of his bare forefinger, claw retracted, gently teasing your slit quickly shut you up. When did he move his hand under the hem of your shorts? You were so deep within your own clouded thoughts, you hadn't even noticed. He caressed you there before carefully plunging his finger into your heat. The feeling was immediately maddening. You bit your lip to keep yourself from asking for more, for another finger, for his mouth, for his- no. You were following his pace. This was what you wanted, yes, but it was mostly for him. You somehow knew that he needed this more than you did, though he'd never admit it.

The whole time, he kept his reddened eyes on your face, studying every reaction. "You're wet, you're so wet…." His voice was quiet. "So, this is what does it for you, huh?" He pumped his finger at a steady pace. You could hear the wet sounds he elicited with his efforts. You braced yourself on his hulking shoulders, preparing for him to quicken at any moment. But he was agonizingly slow. His free hand gripped the headboard above you as he leaned down to whisper into your ear. "Me, your leader, using you." There was that word again. You lightly arched your back into him upon hearing it, trying to keep yourself calm for now. Falling apart could come later. "I try so hard to hold it all together. But you… you threaten me. The looks you give me, your smiles, your smell, estoy cachondo, fuck." Your eyes widened. He only spoke Spanish when his emotions were heightened. He was unraveling. 

Good.

He slipped his digit out from inside of you and circled your clit with a slick fingertip. The feeling was intense and electric, and even though you were still half-pinned by his muscular thighs, your upper body curled into him. "Seeing you like this…" he swallowed, his heartbeat quickening. "Rendering you helpless… It's revenge for how you make me feel when you look at me the way you do. If I can make you feel half of that… that might be enough. You're going to come for me. Feel what I feel." 

You nodded fervently, unable to speak under his attention, his words, his touch. That delicious, warm feeling was building up and coiling in your core as he kept expertly circling your clit, until the coil finally snapped and you came, lifting up off of the bed and throwing your arms around his neck as you whimpered. Miguel continued as you rode it out, reveling in the newfound wetness that came with your orgasm, until you finally settled down, your heart still thumping in your chest. You released your hold of him, your arms weak, your gaze heavy. He seemed to match your labored breathing, his chest rising and falling in time with yours. You had hardly even touched him and he seemed as much of a mess as you were. 

He stared at you like that for a brief moment, seemingly awestruck at your reaction to this newly opened door. 

"God, I need… I need your mouth around my cock." He flipped unceremoniously off of you to lay on his back at your side. "Come here." Before you had time to react, he had a hand on your head, guiding you downward. Despite the forceful movement, he fondly scratched at your scalp with bare fingers, his hand shaking just enough for you to notice. You positioned yourself so your head rested on his hard abdominals while you admired the display he brought you down to see. His hard cock pushed against his nearly metallic suit. The sheen of the fabric left almost nothing to the imagination. You could see his thick shaft, prominent veins like rivers flowing over a landscape, all leading up to the bulbous head. He twitched eagerly as he sighed, trying to calm his heart. 

You reached your hand up to touch Miguel through his suit, and his reaction was bodily. He hissed a breath in through clenched teeth. You played with his hard length, running the flat of your palm up and down the underside of his shaft, until he couldn't take it anymore. He seemed to be able to dismiss parts of his suit at will, and he did just that, creating an opening so he could spring free. It was always an impressive sight, sizable and thick. His golden skin slightly red with anticipation at the head of his cock, soft dark waves of short hair at the base. Reaching up, you gently held it. You couldn't quite wrap your whole hand around it. He exhaled at your touch, skin on skin. The hand he had in your hair gently pushed your head until your waiting lips met the tip of his cock, and you accepted it, closing your mouth around it.

Miguel threw his head back, slamming it against the headboard and shaking the two of you on the bed. The sound startled you, but you knew the headboard would've taken more damage than Miguel. He gave no indication that he was hurt, and so you kept going, sucking on the tip of his cock and being as noisy as possible so it would overwhelm that heightened hearing of his. And overwhelm it did. The soft, wet heat of your mouth was nearly too much for him. And as you started to take him deeper, he reached his arms up and behind him, taking the headboard into a vice grip. You could hear the wood splintering. 

That should've worried you, you should've cared about your furniture being destroyed. But you didn't. You couldn't, not with Miguel O'Hara melting underneath you. He could destroy a thousand bed frames. So long as you could touch him, could hear him moaning, could watch him as he barely held his composure. This would always be worth it. 

You took him further into your mouth, humming around his length at the pleasant,  full feeling. You were slow, holding him there, savoring the taste of him and the weight of him on your tongue.

"M-move-" he croaked.

You turned your gaze towards his face, raising an eyebrow. He was straining. Muscles bulging, chest heaving, fangs displayed in clenched teeth. You could see the prominent cracks in the wood.

"Move your shocking head, amor."

His hands came down to tangle with your hair, grabbing handfuls so he could move your head for you. You happily let him, and he bobbed you up and down on his shaft as you opened your throat to him. 

"Oh, fuck, yes… that's it. Good girl. You're- you're taking me so fucking well." 

Your eyes started rolling into the back of your head fondly. Good girl. He'd never called you that before. You'd be good for him. You'd be so good. 

The sounds coming from you were the very definition of lewd, as were the strands of thick saliva that connected you to him. You closed your eyes, continuing to breathe through your nose, when you felt something prick your scalp. His claws. In and out, in and out. He was struggling to keep control of them.

"Ay, coño, I can't fucking do this." His voice barely a whisper. "You're gonna," he paused, swallowing. "You're gonna make me lose control, you know that?" Despite his words, he kept going, kept moving your head, even started to thrust his hips up to fuck your throat more thoroughly. His moans turned into what could only be described as growls, and the sound of them hit you like an electric shock, making you want him even more. If that were even possible. 

His claws kept scraping you, threatening to fully unsheath. But Miguel never let them. He finally let your head go, bringing his hands up to his face and rubbing it in exhaustion. You stayed on his cock for a moment longer, carefully lifting your head away and disconnecting from him with a wet pop.

He groaned to himself through his hands. 

"Miguel…? You alright?"

"No." He finally said, "no, I'm fucking not."

You cocked your head in surprise at the response, opening your mouth to question him further until you were cut off by him quickly grabbing you and positioning you underneath him. He was pinning your legs again, but you were faced down this time, your cheeks pressed against the soft sheets as he pushed you into the mattress. He finally let his claws out, and with one swift movement, tore your shorts and panties into ribbons. In that moment, you were glad he couldn't see your face. You were grinning like an idiot. Finally. You're finally seeing the side of him that you always knew was there. That you desperately wanted him to let out. Your previous encounters had been tame compared to this. He'd been holding back. 

"Because now," he grabbed your waist with both of his large hands, holding firm. "Now I know that you like being treated like a little fucktoy. I know that you'll be good for me and that you'll listen. What a rarity." He started to line up the tip of his cock with your entrance. "And if I thought you took up too much space in my head already, well-" he chuckled, pushing his tip into your pussy. "I'll never have peace of mind again."

He thrusted into you, and you were immediately seeing stars. With each pump, he took himself nearly all the way out of your warmth before plunging all the way back in. You could feel every delicious, hot inch of him. So deep and so filling. He fucked you into the mattress so thoroughly and so hard that you were convinced a crater was forming underneath the both of you. You felt the sharp points of his claws pricking your skin but not quite puncturing you. Your head swam as you grew dizzy. 

He released your waist, left hand steadying himself on the low headboard, which was bound to break again. His right arm snuck up underneath your right arm, reaching around your collarbone to grab at your left shoulder, pulling you up so you were close into him. His chest was flush with your back. You reached up to hold onto that arm for dear life, as he brought his mouth down to your ear. 

"Wanna bite you so bad, amor," he growled. "You smell so shocking good. Drivin' me up a fucking wall."

"Do it," you said, your voice strained.

"Wh-what?" His pace wavered. "You can't mean that."

"I- fuck- I do. Bite me, Miguel. Please."

"Are you," he exhaled a shaky breath. "Are you sure? It's a paralytic venom. I've- I've used it on Spiders before and we can withstand it a bit, but, shit… I need you to know what you're getting into." 

"Do it," you said again. 

His entire body shook against you. "Unbelievable…." His voice sounded reverent. "Hold on tight."

You listened, gripping his arm harder, shutting your eyes. His mouth came down to meet the crook of your neck. He inhaled, letting your scent wash over him, before carefully sinking his fangs into your skin. The pain was sharp and fast, and was quickly replaced with a wave of warmth and laxity. Your muscles loosened, allowing him to easily pull you in even closer. He moaned against you, his thrusts quickening, his cock feeling like it was hitting your cervix. With every smack of his skin against yours, he buried himself to the hilt. That incredible, intense feeling was building within you again, deep inside your core.

"Fuck," he hissed into your skin, releasing his jaws and lapping at the light trickle of crimson blood. "Good girl, good girl, I've got you."

He held you and didn't let go, caging you against his huge form, fucking you until that feeling turned into a huge sunburst that sent spots across your vision. Your body trembled involuntarily as you clenched around his cock. 

"Yes," he encouraged, "yes, come for me. Give it all to me. I've got you, bebé."

You smiled against the venom, and he was right, it wasn't too potent in your system. It was just enough to comfortably loosen your muscles. You came down from your high as he kept pumping into you, his pace merciless. His body started to shake again, his right hand's grip on your left shoulder tightening. 

“Too much for me to handle,” he rasped. “I’m gonna come… gonna come inside you.”

“Yes,” you croaked, finding your voice and gaining back enough control of your muscles to push yourself up into him. 

His tempo stuttered as he slammed his hips into you, curling against you as he came. His cock twitched inside of you, spilling hot seed in thick spurts. He held you there for a long while, savoring the feeling of being inside you, like he knew he'd miss the warmth once it was gone. Despite what he wanted, he let go of you and flipped onto his back beside you, placing a hand over his heart as his chest heaved. He closed his eyes, trying to compose himself. Silently reaching for you, he pulled you in so you could rest against his chest, your head rising and falling with each heavy breath he took. He stroked your hair as you stared up at him, his face glowing in the yellow shine of candlelight. 

"That…" he started to say, then stopped, pinching the bridge of his nose. "I…. I needed that." 

You smiled, nuzzling into him. "Thank you." 

"You're thanking me?" He asked, laughing at how ridiculous it sounded. 

"Yeah," you said. "I feel like I finally saw Miguel tonight. Not Spider-Man. But Miguel. And I really like him." 

He rolled his eyes but still smiled, petting your head until you fell asleep on him.

[royalarchivist]

Tommy: Did you know that you have rights? Constitution says you do. I believe that every man, woman, and child is INNOCENT!

Niki: Yo Chat! CHAT! WE HAVE RIGHTS!!! WE MADE IT! We made - we f**king made it. Women’s Rights, let’s f**king go, lets f**king go! We made it. We made it! That’s amazing, thank you so much Tommy Innit. [...]

I was the only woman in this recording. And all they did was talk about their fore.skin *tries not to laugh*. I just wanna let that sink in for a second. This is why I am the w- the victim. This is why I am the victim. This right here. [...]

*reading chat* “Guess you didn’t get women’s rights after all” *laughs then puts her face in her hands* Oh my god Chat. *laughs*

[x-i-l-verify]

Linked Universe Daemon AU Headcanons

WORLDBUILDING NOTE 1: The concept of daemons is borrowed from the His Dark Materials series. A daemon is a person’s soul manifested outside of their body in a tangible, physical form, which permanently settles into the form of the animal that most resembles them in character as the individual matures. Person and daemon are not separate beings, but two halves of one mental coin, which means that they each know everything the other does, thinks, and senses. Daemons are almost always the opposite gender of their person and have a distinct personality than the person to a certain degree, as person and daemon represent different aspects of the same whole. Touching someone’s daemon without their permission is taboo, considered a violation tantamount to rape in most cultures.

WORLDBUILDING NOTE 2: All Links have the same name for their daemon: Ellanharai (composed of the Old German elements ellan “courage” and heri “army”). However, because all the Links are their own person, their daemon’s form settles on something different with each incarnation. Just as the Links in the Chain go by different titles to differentiate them all, so, too, do their daemons. Links tend to settle early (12-13 years), as they generally know who they are and what they want from a young age.

WORLDBUILDING NOTE 3: The Dark World/Twili crystal magic combines someone and their daemon into one physical body. This new body has the form of the daemon but the gender of the person with size alterations or different markings/coloration and is controlled by the person, with the daemon part of their mind taking a backseat. For example, Legend is larger as a rabbit than his daemon usually is, and of course, her natural color is not bright pink. The lingering effects of this transformation only physically affect the person side of the person/daemon pair once they are returned to normal. 

---

SKY + PSALM (RED-CROWNED CRANE)

Red-crowned cranes are renowned for their lasting and affectionate pair bonds, having come to represent longevity and devotion in many cultures; they are cooperative and low-aggression birds, quite tolerant and relaxed around other animals, and only really become territorial and protective over their nesting sites and chicks.

Psalm is impatient, mischievous, and fierce. Sky is more easygoing, considerate, and gentle.

Sky and Psalm are very outwardly affectionate with each other, and both can often be found napping together in a patch of sunlight, Psalm resting her head in Sky’s lap or draping a wing over him. As the physically tallest daemon of the bunch, Psalm delights in teasing fawning over her smaller daemon sisters, especially the younger ones. She will often sit on someone and happily brood, and while some may outwardly protest, everyone secretly enjoys it.

---

FOUR + RHYME (ITALIAN HEBRAN HONEYBEE)

Four's daemon is an industrious, adaptable, cooperative, sociable species of honeybee, known for being assertive but not aggressive insects; they have a high threshold for what they consider threats, and will communicate using pheromones, body language, and vocalizations to make themselves as clearly understood as possible, but they will not hesitate to defend themselves if something is deemed a threat.

Four is empathetic, observant, passionate, and composed. Rhyme is the emotional, pragmatic, impulsive, competitive part of his personality.

Rhyme is usually kept in a protective case Four wears around his neck to prevent any harm from coming to her either in battle or out of it, due to her diminutive size, but he will happily let her out to stretch her wings when around people he trusts. While she is too small to outright cuddle with her sisters, Rhyme loves perching on their heads or burrowing into feathers or fur when it’s chilly, and she’s surprisingly expressive with her body language, though one might have to squint to see it.

When Four splits into his Colors, Rhyme also splits. Which means instead of one being in two bodies, they’re now one being in eight bodies. As in LU canon, none of the Colors is their own individual in this AU, merely a fraction of a larger whole. In turn, each iteration of Rhyme is an alternate part of each of the Colors, with Four’s soul fragmenting into smaller and smaller individual pieces the deeper you go down.

---

TIME + MELODY (SPANISH FARON MASTIFF)

While menacing in appearance due to their sheer size and bulk, Spanish mastiffs are actually known for being protective, affectionate, quiet dogs, with a long history of guarding livestock; they are patient, easygoing, and surprisingly playful, good with children and tolerant of other animals, though their strong wills and stubbornness make them a challenge to handle for first-time dog owners.

Time is authoritative, jaded, and stoic, while Melody embodies his nurturing, hopeful, mischievous side.

Melody can often be found at Time’s side with one of his hands resting on her head or back. As the largest daemon in the group paired with the tallest person, they make for quite the intimidating pair and are downright deadly in battle together. Outside of battle, though, Melody becomes a big teddy bear, utterly content to let her daughters sisters use her as a pillow or mode of transportation, quietly communicating all the warm care and tenderness Time is sometimes too awkward to openly express. She is the one who introduced the musical motif the other Ellanharais also adopted when coming up with nicknames for themselves.

---

TWILIGHT + ARIA (GRAY WOLF)

Twilight’s daemon is a social, cooperative, dedicated apex predator, who routinely work together to raise their young, defend their territories, and chase down their prey over vast distances; they are not overly aggressive and prefer to avoid conflict whenever they can, using body language, sent marking, and howling to diffuse tense situations and prevent costly fights between packs or individuals.

Twilight is focused, cautious, and opinionated. Aria is his easygoing, empathetic, people-pleasing side.

Aria instantly adopts most of the younger daemons in the group and dotes on them as much as they’ll allow. However, she turns into a big, besotted puppy whenever Time and Melody come into the picture and becomes adorably bashful around Malon’s pigeon daemon Rosamu. She is often found at Twilights right side, guarding his flank and watching his back while he focuses his attention on what’s in front of him. She also loves scritches and belly rubs and has nearly smothered Twilight more than once by sprawling on top of him too heavily while they sleep. While their initial transformation into Wolfie was traumatic and scarring at first, they have both grown to enjoy the occasional opportunity to truly travel, fight, and exist as one.

---

WILD + TRILL (WEDGE-TAILED EAGLE)

Wild’s daemon is a loyal, resourceful, resilient species of raptor that is often found alone or in monogamous pairs, but will freely cooperate together with groups of up to 15 other eagles to take down larger prey; they are straightforward and communicative with their vocalizations and displays and also surprisingly playful, wrestling or playing food games with each other.

Trill is Wild’s dutiful, reserved, focused side, while Wild is the impulsive, playful, lackadaisical side.

Trill is rather choosy with and to whom she shows open affection. She can be very standoffish, preferring to let Wild do the talking for both of them, but once she trusts someone, she will often become very chatty and physically affectionate. It is common to see her riding around or napping on Aria's back, but she has begun opening up more to the others as well.

Because Wild lost all his memories in the Shrine of Resurrection, Trill had become unsettled when they finally woke up, taking the most basic shape a daemon can take, normally only seen with very young children: a small, floating, glowing ball of golden Dust. As they regained their memories during Wild’s quest and discovered more about themselves, Trill began taking on some of their old favored forms before eventually resettling for good as her original settled form, the wedge-tailed eagle. Despite physically being the same, though, there’s still that distance between who they are now and who they used to be, most evident in how their personalities have seemed to switch; Wild used to be more serious, focused, and responsible, and Trill used to embody the impulsivity, rowdiness, and wanderlust he kept tightly tamped down for the sake of duty and appearances. Both of them are still coming to terms with how much they have changed.

---

LEGEND + LYRIC (EUROPEAN HYLIAN RABBIT)

Legend's daemon settled as a hardy, wary, sociable, territorial species of rabbit, able to survive and thrive in almost any environment; they are a keystone prey species, a vital part of almost any ecosystem they find themselves in, who must stay ever vigilant and rely on their speed, wits, and determination to stay alive.

Legend is blunt, private, and practical, while Lyric is the sensitive, sociable, sentimental side of him.

Legend has… a complicated relationship with his daemon’s form. He initially hides her away from the rest of the Chain out of paranoia and insecurity, keeping her in his pack at all times. What would Hyrule they think of the renowned Hero of Legend having a defenseless, soft little rabbit as a daemon? They would lose all respect for him, or worse, be disappointed. It isn’t until after the Twili crystal incident, and Twilight and Sky find out about Lyric’s form, that he starts to come out of his shell.

After the ice has been broken, Lyric leaps at the chance to interact with the other deamons more. She goads Aria or even Melody into games of chase, can finally properly pounce on Warriors’ daemon the next time she teases her, curls up into a little fuzzy ball with Hyrule’s daemon to nap, leaps up on Trill or Psalm or Wind’s daemon’s backs and coax them into giving her a ride, and holds Rhyme in her little paws to gloat that she finally knows a daemon smaller than her (Rhyme is not amused). She is the one who came up with the name for their group of daemons, which is a chorus, just like a group of Links is a chain.

---

HYRULE + CADENCE (YELLOW-BELLIED GLIDER)

Hyrule’s daemon is a small, nocturnal glider species that is selectively social, close-bonding, and expressive, utilizing a number of chirps, whirrs, whistles, and growls to keep away intruders and keep tabs on each other; yellow-bellied gliders are incredibly active, hard-working creatures, spending up to 90% of their time awake foraging, and they can travel up to 2 kilometers in just 4 hours through a combination of climbing and gliding.

Hyrule is independent, wary, and agreeable. Cadence represents his dependent, connected, feisty side.

Cadence is generally quite a skittish daemon, who can normally be found clinging wide-eyed to Hyrule’s back, shoulders, chest, or arms, or hidden inside his tunic or pack. She has not interacted closely with many other daemons in her time (fairies do not have daemons), so she is still getting used to the physical affection the others offer. She does not dislike it; it is simply a lot. But she is gradually learning to love being nuzzled, cuddled, and carried, and she greatly enjoys riding around on the other larger daemons.

---

WIND + SHANTY (MILITARY MACAW)

Wind settled just a couple months before the events of Linked Universe as a resourceful, gregarious, deeply loyal species of macaw; like all macaws, they can be quite loud, communicative, and expressive, and they have generally been described as having friendly, confident, playful dispositions, albeit with the occasional temperamental mood swing.

Shanty is Wind's meticulous, perceptive, down-to-earth side, while Wind is reckless, curious, and carefree.

As is befitting for a parrot daemon, Shanty spends much of her time perched on Wind’s shoulders or arms, though she does love being held and cuddled, too. She is still getting used to her settled form, and sometimes forgets she cannot shift like she once did, leading to some hilarious mishaps when she faceplanted on the ground trying to turn into a hermit crab, or one memorable instance where she nearly drowned while trying to become a yellowtail snapper. She gets very starry-eyed over the other demons and thinks all of them are the coolest for different reasons. She desperately wants to impress them and prove she’s just as badass as they are, so she can sometimes chafe under their well-meaning coddling.

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WARRIORS + BALLAD (RED FOX)

Warriors’ daemon settled as the confident, dependable, independent red fox, the most widespread and successful carnivore in the world, found in just about every available habitat, from jungle to tundra; despite being mainly solitary, these animals have a complex social hierarchy and can be seen in a wide variety of group settings, with vixens sometimes coming together during the breeding season to help raise each other’s cubs, and their mates bringing them food and also helping parent the new cubs.

Warriors is shrewd, charming, and diplomatic, while Ballad is more brash, cheeky, and candid.

Ballad, while generally friendly and warm with the other daemons (especially the younger ones), is also strangely skittish around them. She is fine initiating touch or curling up for a nice nap around or with someone else, but if touched unexpectedly, she tends to either bristle, growl, and retreat behind Warriors, or go very still and quiet. She shies away from any human hands except Warriors' (and even then there are days he doesn't touch her directly). They bring to mind other hands. Slim, small, elegant, painted hands that hurt, that took, that tainted- ...It’s fine. She’s fine. They’re fine. Everything’s fine.

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Resources:

Red-crowned crane analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24990

Italian honeybee analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=23882

Tibetan mastiff analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24552

Spanish mastiff information: https://dogtime.com/dog-breeds/spanish-mastiff

Gray wolf analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=23828

Wedge tailed eagle analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=26686

European rabbit analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=23718

Yellow bellied glider analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24968

Military macaw analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=26591

Red fox analysis: https://daemonpage.com/forum/viewtopic.php?f=4&t=24946

Art belongs to @/linkeduniverse

[innytoes]

A/B/O Prompt List

In honour of Knot In My Name, the ‘Omegaverse is fucking up AI writing because they keep stealing fanfic’ fest, I made some A/B/O prompts, because fuck AI scrapers.

First heat

I know we’ve only just started dating but my heat arrived and I need you

Scent marking

I stole your sweater because it smells like you and it makes me feel safe

“Please, I want your knot.”

Why is it that I, the only beta in this OT3/4/5+, am the only one who knows what to do?

Pack dynamics

I’m trying to get things done but you smell so good

Heat caught them by surprise

Our Alpha pack member is having their rut and we’re doing rock-paper-scissors on who gets to help them out first

“You’re so cute when you’re needy.”

Knotting toys

The pack has one coveted article of clothing they all share

Courting

“I didn’t want to bother you at work so I kind of got started without you.”

Nesting

I didn’t know Omegas could have such big dicks and now I’m all flustered

“I want [Beta] to take care of me.”

Heat bond

We met via the Knottr app for a casual heat hookup and oh shit you’re my crush

Deciding to let someone new into the pack

Dystopian A/B/O AU

I love you, but your heats are so intense and I need back-up

Cute scent-based nicknames

Fuck all that, we are strong independent Omegas who don’t need an Alpha

Silly ways to pass the time while being tied together by a knot

Heat/Rut agency

“You get a little stupid when you have your rut, it’s cute.” 

Reciprocal heat

I know we’re both Alphas but I still want to climb you like a tree.

I have a specific A/B/O prompt in mind I’m gonna send you instead

[yi3248]

reflection

[vaguely-concerned]

waiting until the second season opener to reveal that stolas terminally love-at-first-sighted that little motherfucker (I wish I was exaggerating or joking but no that shit was literally ON SIGHT), thus recontextualizing in one stroke everything about season 1, was an act of stunning emotional violence in storytelling that I may never recover from it's perfect

[overleftdown]

farleigh start and racism; oh boy.

(some people are going to find this post really annoying. some people are like felix catton.)

read this.

just some thoughts from the perspective of a person of color who is slightly too obsessed with this character. this movie leaves the viewer a lot of wiggle room to interpret how dynamics such as race and privilege come into play. there are certain parallels between this movie and the real world, and how unnoticeable white privilege tends to be for white people.

lemme lay some groundwork. from what i understand, the most prevalent form of racism and white privilege within upper- and middle-class circles is implicit bias. this is racist conceptualization that subconsciously interacts with one's perception of society and people. implicit bias is often externalized through microaggressions, differences in treatment and language towards a marginalized person, misplaced guilt or pity, and persistent denial of any existing privilege or marginalization. most of these biases are also founded on stereotypes. some racial stereotypes are heightening (e.g. asians are all smart) and some are lowering (e.g. black people are all lazy). all stereotypes are harmful. i'm going to discuss some of the stereotypes that could theoretically interact within the saltburn canon, as well as some things i've noticed within viewers. can of worms, to be honest. boutta get INTO IT.

to use one of my externalization examples, let's discuss (or, more accurately, let me discuss) the denial of existing privilege or marginalization. this is a subconscious way to uphold a sense of morality, effectively avoiding "white guilt," so to speak. as is clearly presented to us, the cattons are very attached to their methods of upholding their own self-righteousness. saviorism is a common theme within both elspeth and felix. in oliver's conversation with elspeth about poor dear pamela, you can see that oliver recognizes elspeth's need to justify her actions in an attempt to preserve her sense of decency. one can only assume that this applies to how they view farleigh's relationship with them. there's more to talk about there, but i'd like to start with the only overt mention of race in this movie.

in felix's confrontation with farleigh, farleigh makes the bold and brave decision to mention his blackness. i call this brave because it's genuinely a terrifying thing to do, and the end of this conversation is proof. "oh, that is... that is low, farleigh. seriously, that's where you want to take this? make it a race thing? i never know our footman's names; the turnover for a footman is notoriously high!" we have felix's intentional or unintentional shaming of farleigh. we have felix's appalled denial of any involvement of race or racial bias. we have felix's diversion away from farleigh specifically and onto his own inability to know his staff's names. felix made no further attempt to recenter farleigh, aside from telling him that the cattons have "done what they can." (which is SO absurd on its own. they are clearly and obviously able to do more. they are disgustingly rich). farleigh does feel ashamed after felix's response; you can see it on his face, and archie says it directly. here is a relevant and prevalent stereotype for all marginalized people: that the discussion of marginalization is exclusively weaponized to gain something or manipulate a situation. this is how felix chooses to see farleigh's implication of existing white privilege. this conversation results in nothing, does nothing, as felix chooses not to confront what he's probably thinking as he repeats the words "begging bowl" to venetia.

now. saviorism, guilt, and pity. felix specifically tells oliver that sir james made an effort to support farleigh out of guilt. i'd like to order some things in a way that i perceive them. frederica start runs from england, which is explained in a condescending way by felix. frederica start marries a so-referred-to "lunatic" who dug through fred and jame's money, although it's farleigh who only mentions fred's financial irresponsibility. out of guilt, james offers to pay for farleigh's education. the specificity of education is compelling to me. perhaps james is simply a patriotic man who strongly believes that english education is better. or this is a mobilized racial stereotype! who can truly know. i digress. james' offer to pay for farleigh's foreign education puts the cattons in an odd position; if farleigh is to attend english schools, he will need to stay with the cattons. if farleigh is staying with the cattons, he will need to be treated as equal to felix and venetia. this is all one long chain of obligations. none of these acts from one family member to another should be considered "charitable," because family should intrinsically create a trustworthy and supportive dynamic.

i believe that the cattons do consider their fostering of farleigh as obligatory. moral obligation, as they recognize that families are intended to have a sympathetic and loving relationship. they cannot, however, escape the truth that they're just guilty. the "begging bowl" and "biting the hand" are more symbolic of a starving dog and its charitable adopter than a cousin/nephew who's staying with his absurdly rich family. see, the cattons are fully and entirely capable of affording another child, of supporting frederica financially, etc. the only way i can rationalize their reluctance to do so is by assuming that they don't feel like farleigh deserves it. is this a crazy assumption? i genuinely don't see why else. of course, i don't think this mentality is explicit or conscious. it's more-so the reality that when farleigh walks in a room, he's not the same as anybody else. aside from background characters at oxbridge, the only on-screen black people are liam, joshua, and james' godson's wife (who gets degraded on-screen). this is the reality of being different in an environment such as the english aristocracy. the cattons choose to see themselves as the hand that feeds the less fortunate, more entertaining, and least inconvenient. the cattons' inclusion of farleigh is not only reliant on how well farleigh performs, but also on their own pity and guilt.

all of this is somehow, painfully mirrored by some takes i've seen on farleigh. maybe this entire post is presumptuous, but you know what isn't presumptuous? saying that certain people hold farleigh to an incredibly odd standard. while the cattons never canonically said anything along the lines of "farleigh doesn't deserve our love and support," mfs on the internet have. the number of times people have referred to this character as greedy, lazy, petty, and malignant is so odd to me. i'm insane, i know. i just don't understand how people can hold farleigh to the backdrop of an english aristocratic family and so passionately say that he, of all characters, is the most detestable. or that he, of all characters, has no reason to behave in the way he does.

is farleigh greedy? greed is defined as a desire for more. farleigh has no desire to climb ranks, no desire to replace or surpass felix, no desire to hold any power over any family member. he is maintaining, upholding a standard that has been set for him throughout his life. is it kind or selfless of him to meddle in other people's affairs with the cattons? no. does he have a reason to be upset that non-relatives of the cattons are a threat to his inclusion in the first place? yes. is farleigh lazy? i don't even need to explain this one. no. if you don't consider oliver lazy, then i really don't want to hear anything. is farleigh petty? pettiness is defined as "an undue concern for trivial matters, especially in a small-minded or spiteful way." farleigh's meticulous attention to trivial matters isn't undue in any sense. a person of color and their meticulous attention to trivial matters is almost never undue. elspeth is a good example of petty. is farleigh malignant? there are a lot of definitions of malignant and i've seen people apply all of them, in some way, to farleigh. that's just wrong. archie madekwe once said, "i was interested in humanizing what, on paper, seemed like a mean character, a villain, or a bully. i don't think he's any of that. he's very self-serving, but i think he's really a heartbreaking character." case closed, this was for my own piece of mind. had to write this section because good lord.

in conclusion to this post that has gone tragically off the rails, i think the in-canon and viewer perspective of farleigh is, perhaps, a little racially motivated. sue me. they are all very centered on this idea that farleigh doesn't deserve inherent respect, support, and love. to remove farleigh's rational position within the cattons family would be akin to removing his right to familial love. genuinely, that's how i see it. the transaction nature of farleigh's actions is responsive. he sees felix as a social shield at oxbridge, he sees elspeth and james as the beholders of his perceived security, and he sees saltburn as a way to escape from his lack of privilege and his lack of stability in america. boom. bam. pow.

[christiangeistdorfer]

HENRI TOIVONEN, JUHA KANKKUNEN, CHRISTIAN GEISTDÖRFER, TIMO SALONEN & MARKKU ALÉN in a lift while waiting for WALTER RÖHRL during the 1986 RALLYE DE PORTUGAL