#also give credits if you show someone else’s art

[jedi-enthusiast]

Saw someone on TikTok post different Miku’s from around the world to the list of countries song, and then for Israeli Miku say- “don’t worry, this Miku is just Jewish not Israeli” -which like…that’s fucking disgusting and clearly xenophobic/antisemitic as fuck babes, especially considering that:

1. They didn’t say jack shit about the Russian Miku

And 2. none of the art is theirs and they gave 0 credit to anyone, so they’re stealing someone’s art and then using it to be a bigoted fuck

So, honestly, I hope that poster gets exactly what their hate gets them x3

All that being said, I’d love for people to reblog this post with different characters headcanoned as Israeli or canonically Israeli/Jewish characters! Art or just infodumping about the characters!

Let’s spread some joy instead of letting people spread hate, yeah?

[littlelamy]

𝓲𝓷𝓽𝓻𝓸𝓭𝓾𝓬𝓲𝓷𝓰 𝓱𝓸𝓵𝓵𝔂!𝓻𝓮𝓪𝓭𝓮𝓻

author's note: so excited to show introduce you guys to holly!reader. also HUGE credits to @rafesplaymate for inspiration. i read her glamourmodel AU and became obsessed to say the least.

holly!reader has everything the kook life offers—money, power, designer everything—but honestly? she can't stop thinking about the pogue life. it's messy, it's chaotic, and it's fucking free. she loves the way they don’t give a shit about all the fake crap she’s surrounded by. she craves the simplicity of living in the moment, without having to worry about her daddy’s expectations or some fancy-ass gala. the pogues are wild, and that's exactly what she wants. it's her dirty little secret, but she's obsessed with it.

whenever holly!reader’s old man is off doing his bullshit corporate stuff, she knows it’s her time to escape. she doesn’t need anyone else but jj. he's always ready to ditch whatever he's doing just to pick her up, and she loves that. no questions, no bullshit—just him, her, and a car ride to wherever the hell they feel like going. she doesn’t have to play the perfect kook when she’s with him. it’s just fun, no strings attached. and let’s be real, jj’s exactly the kind of guy she needs to get out of her head. sure, it’s john b’s beat-up van, and the thing probably smells like a mix of saltwater, beer, and whatever they dragged in from their latest adventure, but it’s still the best fucking ride. it doesn’t matter if it’s not a shiny sports car—whenever jj’s driving, everything else fades away. he’s the only one who can make her forget about her fake-ass world, even if it’s just for a little while.

though the kook is very popular on the island, she has a special place in her heart for the pogues. holly might be the golden girl in figure eight—always smiling, always looking flawless—but deep down? she's tired of the fake ass smiles and shallow conversations. yeah, she’s got a crowd, but it’s the pogues who really get her. they don't care about appearances or how much money she’s got. they just... live. no masks, no games. she’d trade all the glitz and glam for a night spent with them in a heartbeat. but of course, she'd never admit that to anyone, 'cause that’d be a hell of a confession.

holly!reader is a definite tease. let's be real—holly knows exactly what she’s doing. whether it’s that flirty little smile or the way she twirls her hair when she’s talking to someone, she’s always got people on edge. she’s got the looks, the charm, and the attitude that drives people insane. but she’s not dumb—she knows how to use it. keep them hanging, keep them wanting more, but never give them what they want. it's all a game to her, and she’s winning.

holly!reader gained the nickname ‘playmate.’ it didn’t take long for everyone to start calling her 'playmate.' it's that mix of innocence and sex appeal, that perfect balance between the girl next door and the one you wanna fuck. holly owns it. she’s got that glamour look down to an art, posting sultry shots of herself in the most random spots—like, by the marina, on the beach, or even in her daddy’s mansion, just looking effortlessly hot. people talk about it, but hell, she’s the one getting all the attention. it's not her fault they can’t stop staring.

holly!reader is known for her glamour photos. you know the deal—holly!reader is always posting something. she's the queen of Instagram on the island, with every photo making people want to drop everything and come meet her. she's got the glamour shots, the beach shots, the “casual” shots of her looking like a fucking goddess no matter what she’s doing. you know she’s not just posting for fun—each shot is her way of saying, "look at me, fuckers." and honestly? it works. the Cut’s her playground, and she's the star of it all.

taglist: @namelesslosers @maybanksangel @averyoceanblvd @iknowdatsrightbih @rafesheaven @anamiad00msday @ivysprophecy @wearemadeofstardust0 @rafesangelita @sstargirln @rafedaddy01 @soldesole @bakugouswaif @skywalker0809 @vanessa-rafesgirl @evermorx89 @outerhills @ditzyzombiesblog @slavicangelmuah @alivinggirl @auroramadelyn

[teeny-tiny-revenge]

It's home cinema manufacturing time! 🏴‍☠️ Gonna put my pirate show on my shelf! (I'm doing an Arts and Crafts Project and I'm making it everyone's problem.)

After seeing how much they cost, I abandoned the idea of getting a Blu-ray writer for now. For the time being, good old DVDs is what it's going to be! My TV is old and not very big, so DVD resolution is gonna be fine.

It's been ages since I last burned a DVD. For the full experience, I'm gonna create nice menus and pretty sleeves for the boxes. Graphic design is my passion! Um.

Well. First needed to find a program to do stuff with. I'm a Linux guy, so I'm using Devede. (Which is free, btw. In case someone else wants to do a low cost spot of putting pirate show on the shelf.)

DVDs fit a maximum of 120 minutes of video. So, four episodes, I thought. But after a quick attempt, the program refused to do more than three (maybe because of the menu also taking up space, and four episodes cutting pretty close to the 120 min mark?). Anyway, three episodes per disc it is. It's a pretty nice runtime for watching the entire disc, IMO. An hour and a half, and then you can return to reality to realise you should probably eat something, or go to bed because it's midnight.

OFMD with its current two seasons has a total of eighteen episodes, which is divisible by three. You get the following setup:

Disc 1: Pilot, A Damned Man, The Gentleman Pirate - That's pretty good, Stede's introduction to piracy all on one disc!

Disc 2: Discomfort in a Married State, The Best Revenge is Dressing Well, The Art of Fuckery - All bangers. Great to watch together, our boys meet and shenanigans happen!

Disc 3: This is Happening, We Gull Way Back, Act of Grace - Many romantic moments, lots of great scenes, shit hits the fan at the end there. Alright!

Disc 4: Wherever you go, there you are, Impossible Birds, Red Flags - ... Pain and angst! What have I done!?! The disc of horrors. Gotta make sure to have tissues at hand when I watch this. But hey, it also has messy bun Ed! Small mercies.

Disc 5: The Innkeeper, Fun and Games, The Curse of the Seafaring Life. - Another disc with all winners. I love all these episodes so much! (You can watch this disc to recover from the trauma of the previous one!) But seriously, this one slaps.

Disc 6: Calypso's Birthday, Man on Fire, Mermen - Great combination again. Season finale! Love and excitement!

... Honestly, except for the psychological damage of putting all the most painful episodes together, this is coming out pretty cool. Says a lot about how good the show is. I actually really love all the episodes (yes even the painful angsty episodes of massive depression). Thinking about this little project really reminded me how much I love this entire show.

So, we got a tracklist, now menus, then we can burn this stuff!

I did the menu backgrounds in GIMP. Realised I have a big folder full of screenshots I took myself, screenshots someone else took and posted on Tumblr, official promo pics for the show, and I have no idea anymore where most of them are from, because I named the files according to what's on them. Which is useful for when you want to find pics (Need a picture of cursed suit Stede? I have files named that, easy peasy!), but not so great if you wanted to give credit to whoever took a given pic you used. (It's probably @sherlockig or @ofmd-ann or @blakbonnet. Please feel credited, your beautiful screens and gifs brighten my day, and some of them are now probably part of my DVD menus. Shrunk down and cropped, but, yeah.)

I originally wanted to structure my menus as having the title of an episode, then some pics from it, then the next episode, then pics from that, and so forth, but I couldn't convince the program to give me the necessary padding between the menu items, so I ended up just putting the episode images below the menu. Still like it.

Anyway, DVD menus can also play sound! Behold a crappy video of my beautiful creation (provided entirely for sound):

It plays Gnossienne N°5!

More crappy pics of my other disc menus:

Gonna make them some nice sleeves next. Some day. Gotta make sure they all work properly first. So. I'll be on my sofa, watching my DVDs. With menus! (Edit: here are!)

[hanleiacelebration]

Han/Leia Appreciation Week 2024

WE'RE BACK, BABY! "Wait, what's happening, wasn't this in August??" you might wonder. Based on your feedback, we decided to host this and (probably) future editions of Han/Leia Appreciation Week earlier in the year. July seemed like the better choice, given that it's a vacation period in both hemispheres!

This year we're also giving you the prompts over a month in advance, so you have plenty of time to plan and create!

Han/Leia Appreciation Week was an event originally hosted at @han-leia-solo between 2016-2019, but for the past three years, we've taken up the mantle here at @hanleiacelebration 😊

💖 How does Han/Leia Appreciation Week work?

The event will run from July 14th to July 20th, and there will be two different prompts each day that creators can fulfill with: fanfic, fanart, gifsets, graphics, fanvids, headcanons, crafts, playlists, rec lists. You’re encouraged to tag your posts with #hanleiaweek2024 so we can reblog them! After the week is over, we’ll share a masterlist with links to the works.

You can show your appreciation in many ways; however, please keep in mind that it has to be a creation of yours of some sort, e.g. don’t repost other people’s fanart, gifs, or unedited pictures. Rec lists should include a link to the original source both for fanfic and fanart (more on this after the cut).

🎆 The prompts

Sunday 7/14: Tradition / Ceremony

Monday 7/15: Braids & Bloodstripes (hair or clothing) / Home planet

Tuesday 7/16: AU / Canon divergence

Wednesday 7/17: Force / Belief

Thursday 7/18: Favorite scene / Favorite quote

Friday 7/19: Meeting / Escape

Saturday 7/20: Free day!

You can use only one of the daily prompts, combine both, reinterpret them, or skip the day if you can’t think of anything. If you’re not able to post on the same day for a prompt, you’re still encouraged to share it through the week—just don’t post works for a certain prompt before the day corresponding to that prompt.

💠 💠 💠

FAQs and Rules under the cut - please read!

💕 Can I post my work to another site and share the link on Tumblr?

Yes! This is a good option for people who might want to create explicit art that could be taken down on Tumblr, write a long fic or multichapter, or make videos or playlists.

💕 Does it have to be a new creation? Can I finish and post a WIP?

It has to be something that has never been posted anywhere else before, so finishing and sharing a WIP is okay! If it doesn’t fit any of the prompts, you can share it on Free Day.

💕 Is this event open to all ratings?

Yes! Just remember to use a “Read more” cut if you’re posting the whole work on Tumblr, and to add a note at the top if your work is rated Mature or Explicit, as well as if it has any major trigger warnings, so all folks can safely browse through the entries.

💕 Are there any length or quality requirements?

There’s no min. or max. length for fanfic or quality level for art, but please note that AI-generated works won’t be accepted. For gifsets, there’s a minimum of two gifs (that must be made by you!). For playlists, there’s a minimum of five songs. For rec lists of fic or fanart, there’s also a minimum of five recs. Some more questions you might have about rec lists:

- How do I share someone else’s art without posting a picture? You might post a thumbnail that crops a preview of the piece; if the piece has a title, you might use that; you might describe it; or you might say something like “this piece by [artist]”, and link to the source.

- What if I found a fanart on Google? Try to find the original source using reverse search image.

- What if I can’t still find it, can I just say “credit to the artist”? In that case, please just don’t share the piece.

- What if I know the artist but don’t have a link to the original source? Naming the artist and linking back to where you found it is okay, in that case.

💕 Can I write for canon/Legends and include other pairings?

All canons, time periods, headcanons and AUs are welcome, and you’re allowed to include side pairings, except for R*eylo. However, keep in mind that this is a Han/Leia appreciation week - at the risk of sounding repetitive, works should focus on appreciating Han and Leia’s relationship!

💕 What’s the time zone for the event?

Please don’t worry too much about time zones: when we say “day”, we always mean “whenever that day is for you in your part of the world”. IE: if it’s Monday for you, you can post your work for the Monday prompt.

💠 💠 💠

Do you have any other questions? Don’t hesitate to send us an ask or to message one of the mods: @lajulie24 @hanorganaas and @otterandterrier

We can’t wait to see what you all create!

[shinkaneweek]

Happy first day of September!

We are happy to announce that we will be holding our fifth Shinkane Week from Saturday, October 12th to Friday October 18th 2024.

This year's prompts are as follows:

DAY ONE: Urban or Rural The key is setting. Include elements of streets, cars, skyscrapers vs trees, mushrooms, lakes, etc. DAY TWO: Cyberpunk or Mystery Psycho-Pass is a brainchild of both genres. Pick your favorite and follow its tropes and conventions (i.e. clues, deduction, forensic vs hacker, pills, body modification, etc.) DAY THREE: Time or Space Play with either. Time loops, time travel, non-linear storytelling vs alternate universes, space travel, or space as a theme, etc. DAY FOUR: Trick or Treat Spooky season is upon us! Give us a good scare to honor the month or indulge us with some hurt/comfort or fluff. DAY FIVE: Drafts or Snippets Time to settle this. Explore their unfinished business as a theme. Or take it quite literally and show us your unfinished projects or create a quick piece in an hour or less. Post it fully in its incomplete glory. DAY SIX: Leather or Lace Smut day! If that’s not your thing, explore the platonic or domestic aspects of our favorite two. DAY SEVEN: Free Day Anything goes.

As with other past events, prompts act more as guidelines and can be interpreted however you wish. You can do all days, some days, or even just one.

The rules for your reference:

Any medium (gifs, graphics, fanart, fanfic, AMVs, etc.) is welcome.

We don’t condone stealing or reposting of other people’s works. If you are editing someone else’s art for your own, we advise asking the artist and crediting accordingly for their usage.

Please tag your content as “#shinkaneweek” (no spaces) to be reblogged. Our submit box is also open for those who have no Tumblr blogs.

You can post on Tumblr, Twitter, or both. We will reblog or retweet accordingly. We will post links to OP's tweets on this blog to redirect to Twitter-only works.

For any questions, concerns, or suggestions, feel free to send us an ask or DM us privately at this blog or on our Twitter account.

We're so excited to see what you all create!

Love,

Your faithful mods

[april-first]

Guide to the Bravern Flower Shop Verse

Posting this for archiving purposes and for future/new fans who won't experience any of this live (or maybe ever, if Twitter breaks) just encounter it as older, out of context fanart on Pixiv or social media.

So. If you’ve ever looked up Japanese Bravern fanart (or fanfic) on either Pixiv or Twitter you must have stumbled upon a certain flowershop AU. It’s official (made and named by the staff, got referred to as such in the 2nd talkshow apparently) and it’s called 花屋バース. Details with links under the cut!

The contributors

Kamokamen, original/main character designer (Twitter @ sangsilnoh)

Oobari Masami, director (Twitter @ G1_BARI)

Ura Ryuuta, chief animation director (Twitter @ matatabeat)

The origins

"happy new episode release" bonus arts by the main character designer

and their two Yotsuba&! joke tweets:

Isami works at a flower shop called Brave Flower

Smith is the single father of the "mysterious girl" Lulu who is in kindergarten

This spiraled into a whole AU that has Actual Lore because the staff kept adding to it.

My main sources were 2 different tweet compilations made by Japanese fans and the very broken Twitter search. I got into the fandom when Episode 9 aired (before that I was just watching the show weekly and nothing else) so backsourcing all of this was not easy, and unfortunately I can’t guarantee this post has every relevant tweet. For example I found nothing about Smith’s job. It might exist, it might not, who knows. But the staff was very clear that they just wanted everyone to have fun coming up with ideas when they were tweeting about Bravern-the-character.

Isami & Bravern

- Isami and Bravern drive a motorcycle with a sidecar (ART!) called Brave Thunder

- according to the director Bravern wears a helmet

- Bravern exists in that miniature form which was designed by the director, completely unexplained (first appearance of "easy-to-draw Bravern-kun" | official plushie version which he brought to the 3rd talkshow | non-flowershop AU maid uniform update! also designed by him | "bunny day" update)

(T/N: this is not actual canon, but in the Animedia (May issue) interview’s Q&A section the director said Isami has the impression of someone who has a much older brother who passed away when he was young. JP fandom said nope this is the happy AU so he’s alive)

Smith & Lulu

- Smith and Lulu drive a "granny bike" called Spar Kaiser

- Lulu's seat is a child bike seat dubbed "co-pilot seat"

(T/N: answering a fan’s question, the character designer who designed Smith’s weird shirts once tweeted he’s probably using a translator app to scan the text on them.)

Other characters

- as far as I know there’s no "official" flowershop AU version of Superbia

- some time ago the director made a miniature design for him as well, but people usually draw Superbia in a humanoid form in this AU which was designed by the character designer

(T/N: not flowershop AU related, but Superbia speaks in Hiroshima dialect.)

- Miyu has a moped (a modified old Honda Super Cub) and she rides around town with Hibiki to get McDonald’s

(T/N: also not flowershop AU related, but Hibiki considers Isami a younger brother, according to the 3rd talkshow reports.)

- Satake was Isami's homeroom teacher and he was the one who taught him how to properly ride a motorcycle

- it was due to Satake’s influence that Isami chose an American-style Japanese bike which he bought secondhand for cheap for the fun of repairing and customizing it

(T/N: the tweet linked above is from March, but at the 3rd staff talkshow we learned that Satake’s bike in canon is a Honda CBR250RR. At the 2nd talkshow the staff said he gives off the impression of being a good cook, and the director shared he must be single because of the bike & red jacket combo.)

ADD ALT TEXT if you share this on other sites as screenshots. I genuinely can't be assed to care about credit, but I care a lot about accessibility.

I’m collecting the interviews and talkshow fan reports, and I'm also reading Lulu’s spinoff novel so eventually I’ll post summaries of those. (Unfortunately I don’t have time to do more than summaries.) In the meantime you guys could MTL this collab café report/article if you're interested! (I checked googletranslate and it’s readable)

[pengugu09]

THEORY TIME😍🤩🤩😢 don't share this on other media's w/o permission or credits‼️

(for those who have patreon, don't ruin my delusional gyat)

Looking back at these deleted official art by vivinos:

2/3 of the characters in this picture have already experienced smth bad (which is death)

But I want to share my opinions on this one since it just, well- strike on my mind

The characters are divided with these hearts surrounding their name with their corresponding eye color

So I'm assuming the reason why Sua and Ivan are holding an apple is prolly because it's a visual representation of who they love.

💜SUA💜

Sua is holding the apple with tender care using both of her hands just like how she have her feelings for Mizi, she treasures their relationship so much that Sua looks stressed (at the picture) since she knows the bad things that the aliens are doing in their society unlike Mizi who has a supportive and non-abusive aliens/guardians and doesn't have a clue (yet) on the negative side of these alien invasion.

When it comes to the outfit, she's wearing a princess gown.. but with a cape(?) like a superhero cape one? Is that why they deleted it because it shows a sign about the ROMH Sua ver?

"My savior, pitiful lady. Make me your god, I can give you everything"

It also shows that Sua is Mizi's inspiration, savior, or even a hero the moment they met, and have that spark even grew while she admires her.

🖤IVAN🖤

Ivan is holding the apple carefree, even smiling in the picture, showing no signs of any negative feelings (stressed, upset, anger, etc.)

This is something like- how we view Ivan base on appearance yet never know what runs on his mind behind that smile, knowing that something negative may be happening but he still keeps his calm composure about it.

As for his outfit, a charming prince, simple design for someone who has good looks

(mb I don't have anything else to say😭)

🩶HYUNA🩶

Hyuna.

She's not holding any apple. Which means that she don't have any feelings for anyone (sorry Luka) but she's doing a gun sign instead, which is foreshadowing on her situation since she got shot on her right arm.

Now, as much as possible I don't want our queen Hyuna to die at the next round but I think there's a 50/50 possibility.

That picture at the top is a picture of dead characters, but Hyuna isn't dead(?) is this foreshadowing that Hyuna is next??? Aside from being shot at her arm, we'll never know what did Mizi and Hyuna do next since there primary goal there is to save the alien stage contestants, and it's smh delayed since they got into a trouble that they never expected to happen.

On her outfit, I don't know what style is this called my bad, but she got this purple coat, black fur, and a hat with a feather on it.

PURPLE COAT. PURPLE. She's wearing a color associated with someone. (I hope that this isn't just color theory, if it is I'm going to cry)

And that someone is no one else other than:

*drum rolls*

Luka has been associated with purple in a lot of scenes.

In my opinion, Luka has a part in Hyuna's life ofc, even though Hyuna doesn't have this romantic feelings for Luka, she still values him as a childhood friend but then their relationship as they grow up begins to be complicated. (I won't explain it any further since this might become a whole ahh fanfic with how much number of the words that I've typed out)

So, I think, that Luka will be involve when something bad happen to Hyuna, but I really hope nothing bad happens to her since she has a great potential on how the story plot will go.

[might edit to correct some minor spellings or grammar]

[multi-fandomsfreak]

Good morning/night!

Could i request some headcannons about ways to fluster either GB or MX (or both if you feel like it)?

☕️

Flustering GB + MX

Hey there! Thanks for the ask!

Absolutely love this request. Nothing can go wrong with a bit of flirting. Also I did both because why not and I like the both of them. Hope you like it. ~Blaze/Dawn

Pronouns: Not Mention

Warning: ❌

Requested: Yes/No

Characters: GB + MX

Proofread: ❌

Credits: Art by J4WTRAP (For MX) on Twitter and sparkguy (For GB) on Newgrounds + Banner by gguksgalaxies (Edited By Me) on Pinterest

———————————

GB:

- Honestly I think he’s more of the flirt between the two of you. I just see him like that. He’s naturally a flirt and really loves seeing you flustered. He finds it really cute seeing your cheeks turning red from a compliment he gave you and he won’t stop until your whole face has turned red.

- The things this man will do to see you flustered is something. He’s really dedicated to it. I'll tell you that. He’ll range from simply complimenting you then turning that complimenting to a hundred nearly causing you to get whiplash from how quickly he escalated it. This technique definitely works every time around you. No doubt about it. He also resorts to whispering into your ear for extra flair if he’s feeling it.

- However just because he’s the most flirtatious between the two doesn’t mean he can’t be flustered in return. It is still possible and isn’t immune to it. One way you can get him flustered is simply flirting with him back. As simple as it sounds that's one of the ways you can get him really flustered.

- Do you know that one audio from the game grumps on YouTube when Arin jokingly flirts towards Dan while playing Zelda and Dan replies back , surprising Arin. Yeah it’s that just with you and GB. He can dish out compliments but as soon as you give him one in response or retaliation he immediately stops what he’s doing. Surprised that you were somewhat bold enough to return his advances.

- It definitely catches him off guard when you do stuff. He’s pretty much used to having the upper hand when it comes to stuff and although he doesn’t mind when you do, he honestly doesn’t know what to do for a bit before returning to his usual ways.

- Another way you can get him blushing is boasting about him. Although it doesn’t get him to become flustered you can still make him slightly stutter while blushing doing this. By doing this you're basically raising his ego to a whole other level. He pretends to act all tough and not be affected by it if you’re or anyone else is around but as soon as he’s by himself he’ll let himself melt into the compliments he receives from you. If you hear any noise coming from him in a certain area. No you didn’t.

MX:

- I’d like to think to a certain extent that MX is kind of a flirt around you. Although he does this he prefers to show his appreciation for you in other ways. When he is flirting with you it’s more of a gentleman way when it comes to him doing it. Something as simple as grabbing your hand and kissing it.

- When it comes to yours and his relationship he prefers to prioritize you over himself when it comes to happiness. He likes seeing a smile on your face and doesn’t like you being upset. Especially if he finds out someone made you upset in the first place. He’s naturally a protective person due to who he is. He’s literally a beast you’ll find yourself accepting at some point. If you're happy he’s happy.

- For how to get him flustered I can imagine you can get him flustered by complimenting him. I’m talking about GB level complimenting him. You can say anything like saying how strong he is or anything about his looks and you got this buff ass plumber melting inside from how much you love him.

- I like to think he’s not used to getting compliments due to his freakish nature. He’s so used to people being scared of him that when he has someone who isn’t scared of him let alone loves him he doesn’t know what to do. He surprisingly gets a bit shy, not in an over the top way but it is pretty obvious when the comments affect him that way. But regardless he appreciates your loving nature for him.

- I also like to think he’s really into physical affection. That also makes him a bit flustered. He’s a little reluctant when it comes to pda, that definitely gets him red if you do it in public. Due to this he prefers doing it in private but it still gets him red even if it’s just the two of you. One thing you do to him which he likes is kissing him. Preferably on the cheeks and even more preferably on his nose. He likes it when you do that and definitely puts a smile on his face. After doing what he does, he immediately goes to you, brings you into a hug and just relaxes while you do that to him.

———————————

[norazingrid]

★ New intro ★

Welcome to my blog!

I'm norazingrid (pronounced no-ras-in-grid) but you can call me Nora

I'm a multifandom artist who's main interest is inanimate insanity and other object shows.

Minor

She/her (mic pronouns if close)

Estonian and Dutch

Bisexual fem pref + cupioromantic

BYI

Im a hugeee mic fan and kin so expect a lot of her

I'm also a testmic fan and I also make a lot of content about them

Tacomic is a discomfort for me so don't expect any of that

I give full permission to be inspired by my art + using my art for pfps, edits etc + reposting it but please PLEASE CREDIT ME when doing so (if you see someone using it without crediting please let them know!)

DNI

Zionists, homophobes, transphobes, sexists, proshippers, pedophiles, zoophiles, ableists etc basic DNI criteria

People who joke about communism, n@zism or just war in general

Below 12

Thin ice

Tacomic shippers (you can follow and interact just don't mention the ship around me)

25+ (chronological age)

tags

#noraz art - my art

#noraz ask - questions

#noraz polls - polls

#noraz rant - anything else (mostly just blabbering)

THANK YOU FOR READING! <3

[90shaladriel]

AI Manipulations of Rings of Power. (Longish)

Saw the AI edits of Haladriel scenes being altered by GenAI to make the characters* kiss. I have seen chatter about it and the negative implications of creating or interacting with AI generated content.

At the risk of being nuanced, (feel free to block or scroll past this) it interests me what exactly is the concern with it and why. To be clear, I do work in an industry that is both working to incorporate and profit off AIs while simultaneously my own job is increasingly at risk by the same products or we are forced to use them for productivity reasons.

Some reasons that make sense to me that you would not want AI content would be

1. Legal and copyright infringement of the ownership of the art or source material used to train the AI models. Stolen work, no credit or payment to artists

2. It’s generally shitty, sloppy, uncanny valley. Which aesthetically I think most people would be against

3. It directly competes against manual labor of a human, devalues work, replaces jobs, or floods the market so creators never can be separated, investment in a skill or art form isnt worth it.

4. It extremely energy intensive, the environmental implications can he huge with the climate crisis.

5. Its being shoveled in our faces by overhyped tech bros because they think its cool and can find gullible investors for, like NFTs and crypto curriencies

6. Deep fake abuse with AI, making up fake news, abusing a real person image in a degrading way without consent.

I think all of these are serious issues with AI.

The stuff that was shared about Sauron and Galadriel kissing does it materialize those concerns? I’m going to assume that it may for the first one, legal and copyright ownership of training data. Im not a lawyer, and there are also some AI models trained on legally owner content or public domain / open source content. I have no way of knowing what models were used by the GenAI that made those haladriel kisses, so we probably have to assume they may have questionable provenance, and I think by that alone we should boycott those.

Now what if someone used a more solidly vetted model or genAI service without those legal issues? What if the artists do get paid or some form of royalties?

The kiss videos themselves were ok, maybe halfway believable, there were obviously the weird uncanny ai artifacts and stuff. It’s objectively worse than if ROP had actually filmed a kiss with live actors in the show proper. But who am I to judge whether that slop is aesthetically pleasing to someone else or not? Sometimes I have found AI art that is truly bizarre in that this is too weird surrealness quality like looking into a dream while being awake. I’m not sure that this feeling is necessarily wrong to enjoy on its own.

Regarding the AI replacing jobs argument. I suppose it depends what we mean. They were never going to remake ROP Season 1 or 2. Morfydd and Charlie won’t be offered the same role if another company were to buy the rights and make Rings of Power reboot. We will never get those kisses on screen. Maybe you can say that if people were fed content for Haladriel you could give them that almost infinitely by GenAI and then those people would be less likely to consume or pay for some other newer media that might otherwise give a satisfactory ETL with backstory and build up equivalent to what ROP has done with Haladriel? I’m not sure how to weigh that, it might be true? I tend to think these AI kisses arent replacing any creative workers in the film/tv industry. I don’t think we say that fanfic reusing known characters competes with original written stories (or do people argue this?) although i suppose it does on some level. Do people boycott fanfiction?

Along these lines, what about the actors consent and deep fake aspects? Personally, I don’t see how the AI images are more offensive or harmful than fanart which uses the actors depictions to do all sorts of things, stabbing, killing, kissing, screwing and everything and everyone in between. Or fan edits which use clever editing and overlay soundtracks with pointed lyrics which completely change the artistic intent of the actors /creatives who made the original in a particular way, say make two characters have a romantic chemistry that wasn’t there in the original? Or even the old photoshop manipulation stuff? I thought we’re ok with this in the fandom world, is this that different?

I’m not saying I like AI or you need to. I probably wont interact with it and try to avoid it personally wherever I can. But I do wonder if the arguments people are making against ROP AI edits are actually in good faith? Because then i question why other kinds of fan creations are acceptable?

[twstedpometea]

Ugigiugi and Tracing

Hello Twst Fandom! I’ve been silently paying attention to the drama around the Ugigiugi situation and wanted to add in something in regards into this topic.

I had to take some time to track down a particular comic, but I do have proof Ugigiugi has traced from another artist i followed on Pixiv. Bear in mind this artist also posted their art collection a month before Ugigiugi made one of her comics. I’ll be sourcing the Pixiv comic below and showing the panels that obviously have a been traced.

https:// www. pixiv.net/en/ artworks/84516818 by 村上. Date of mini comic is September 21, 2020.

As you can see I pulled Ugigiugi’s and the Pixiv’s comic panels to show where the tracing is. The believe this all speaks for itself.

As an artist myself I’m going to state this very bluntly. You should not be copying/tracing someone else's drawings/comics for your own art. This goes for everyone. Older or younger; or even if they post on other social media websites. Tracing and posting things you originally didn’t create shows a level of dishonesty within the community. I checked Ugigiugi’s Pixiv account out of curiosity and a lot of her traced art isn’t hosted there. I can only hypothesize either it was once hosted on Pixiv at a point (possibly reported/taken off???), or she never posted on that website because she’s probably copied from artists there and didn’t want to get in trouble yet went ahead and posted to other social media sites for attention. (  T_T) It should go without saying that Ugigiugi appears to a chronic tracer. I have checked her DA posts and other SM posts but she has never given any artist notes on her submissions about admitting to using references, bases or even if people have “inspired” her with proper links on her traced art submissions. She just submits stuff with little description. There no shame in admitting you use references, game references or even doll bases or use tracing for the sake of learning (and only learning); that being said, giving your resources proper credit is necessary if your going to be using someones else resource for your drawing. But, it’s pretty clear Ugigiugi isn’t looking to even be an honest fanartist. Some of the artist that she has traced appear to be Japanese or of a different country and they may not have a Tumblr/Twitter/DeviantArt or enjoy interacting outside their local language websites. They might not even know their stuff is being traced which us why I am going to go ahead and link two more posts with fanart tracing for references. These posts are made by @crowstales​​ on the subject of Ugigiugi https: //www.tumblr.com/crowstales/709186361712869376/this-is-a-call-to-attention-to-ugigiugi Part 1 https: //www.tumblr.com/crowstales/709555007152963584/this-is-a-call-to-attention-to-ugigiugi-part2 Part 2 Please keep in mind I am also taking the same rule as Crowtales stated. Don't harass the artist but don't continue to support her content! If you can find the original artists she’s copied from on other art peices and can send some form of notification to let them know Ugigiugi traced them. Giving the amount of evidence that keeps showing up it’s pretty concerning how much she’s stolen and it brings to question if any of her art is legit or if it is mostly traced or pure resources that she won’t credit.   (<x<’  )  I haven’t even seen her acknowledge all of this tracing or make a public statement either. It also begs the question of if she’s just going to continue to trace things, and if so; who else’s stuff is going to be traced next? Either way, if people continue to find more evidence or find the artist she’s copied please be mindful enough to help the original artists and not tolerate tracers or any type of plagiarism within the fandom space. Thank you. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ End note: At this time I am aware Ugigiugi has “left” Tumblr/deleted some stuff and has locked her twitter account. However, she still has everything she’s posted on her DA so she hasn’t stopped submitting copied artwork or hosting her older copied art. Make sure if you know someone or recognize an artist she’s traced please let the original artist know so they can properly report the art wherever else she’s posting her traced art. -TwstedPomeTea

[cantcompetewhereudontcompare]

A complete deconstruction: Louis Tomlinson is a terrible songwriter. Part III

So, we arrived at the last part.

Part I was a deconstruction of this idea that Louis wrote "most 1D songs" and "all the bangers." In part II we talked about how little involvement he had in terms of instrumentation, vocal engineering, melodies, etc, of his own albums. How he got given several songs that were already written, and of the other ones, they mostly came together from a melody someone else wrote.

So what's left in terms of songwriting? The one thing he pats himself on the back for, the one thing Liam gave him (partial) credit for, and the one thing he and hic co-writers agree he actually does participate in (participate is a key word): LYRICS.

[Two of his songs get special treatment you can find that post here]

To be fair, we did a little detour so I could analyze Harry's lyrics first and show you what I value and what I'm critical of in terms of songwriting. Keep in mind, opinion about art is meant to be subjective. This is my taste and my opinions, and you can absolutely disagree.

Initially, I intended to do the same breakdown I did for Harry but for Louis. I also intended to do four songs, and do the different points for each of them.

I had to give up halfway through. I analyzed Kill My Mind and We Made It (and I might post that elsewhere so you can see it). I also intended to do Bigger Than Me and Saturdays, but frankly, I'm simply not going to.

Why? It's just BORING. I'm sorry but it's boring as fuck. I do these posts because they entertain me. I LOVE talking about art more than anything. I love poetry, I love this shit. But Louis' lyrics suck the fun out of it. And no, I'm not being dramatic.

I found myself wanting to compare him with better artists who tackled the topics he did in a more interesting, more compelling way, just so I could stop reading his and analyze interesting art instead. I had to stop myself from inserting Adele, Olivia Rodrigo, The Weeknd, Fleetwood Mac, Pink Floyd, just to name a few.

I found myself irritated, rolling my eyes at my screen.

I had to take so many long breaks, to do literally anything else because the idea of having to analyze his lyrics for two more seconds pained me.

Here's the problem, and I'll break it down for you:

HE'S LAZY.

We're talking about an artist who:

Wears the same outfits and/or the same style of clothes over and over.

Doesn't seem to even brush his hair or do the most minimal effort to look better.

Takes zero care of himself, of his skin, of his hair, of his food intake and diet, of his health.

Doesn't even know his own lyrics.

Has had fourteen years to learn an instrument and to this day hasn't played one live for more than 15 seconds, despite calling himself a musician

Has regressed in terms of vocal capabilities. He could sing better at the beginning of his career with 1D than at the end. And he could sing better at the end of 1D than now.

Doesn't come up with his own melodies, or sometimes, even his own lyrics or concepts.

His idea of an image to project has been "Northern lad from Donny who smokes and curses and gives you the finger and Noel Gallagher and Arctic Monkeys and indie bands" for 8 years with literally zero nuance since then.

Even his photoshoots are lazy. All he does is smolder at the camera wearing some sort of sweatshirt and athletic pants.

His staging is ridiculous, three TVs showing his own zoomed in face in black and white.

He puts zero effort in his career, in his own person, in his own image. I'm 100% sure that I spent more time thinking about his lyrics in the past week than he ever did, and you can absolutely tell.

I tried looking at his rhyming schemes. I compared one song to another, I listened to them (it was painful) trying to find little assonances, and counting syllables to see if he mirrored anything, if he told any stories within them. ANYTHING.

I don't want to cherry pick the worst bits and present them here as a "see, he's bad!" I want my analysis to be fair.

But I simply can't put myself through that. Why?

I'm not going to tell you. I'm going to show you (a concept Louis has never heard of).

RHYMING SCHEMES, CADENCE

[Most times they're either A A B B or A B A B or some slight variation of that. I haven't found a single song where the cadence is thoughtful. To be fair, I'm taking the first verse of the first five songs off each album.]

Album 1, song 1, verse 1:

You're a nightmare on the dance floor And you hate me, and I want more You're a total distraction While I'm waiting for your reaction, why?

A A B B

Album 1, song 2, verse 1

On our way to Twenty Seven Got a place on the other side of London Doing better, doing better And I know you left a part of you In New York under your bed in a box But you're doing better, doing better

???

Album 1, song 4, verse 1 (skipping song 3 because he didn't write it)

Oh my, I remember those nights Meet you at your uni', cheap drinks, drink ’em all night Staying out 'til sunrise Share a single bed and tell each other what we dream about Things we'd never say to someone else out loud We were only kids, just tryna work it out Wonder what they'd think if they could see us now, yeah

A A A B B B B

Album 1, song 5, verse 1

I've been looking back a lot lately Me and you is all I've ever known It’s hard to think you could ever hate me But everything's feeling different now

A B A B

Album 1, song 6, verse 1

Nothing wakes you up like wakin' up alone And all that's left of us is a cupboard full of clothes The day you walked away and took the higher ground Was the day that I became the man that I am now

A A B B

Album 2, song 1, verse 1

Tell you I'm on my way Nothing could make me late Said I had a plan for us Time, it came and changed it all We had to disappear ’Cause nothing gets through here Through that circle 'round my heart Where the best of me should start

A A B C D D E E

This is just a variation of A A B B C C, it's just that two sentences don't rhyme, for seemingly no artistic reason.

Album 2, song 2, verse 1

When you don't want coffee in the morning I know I'm in a hole It's hard enough to get you sober Got no chance if I'm hungover I ain't even woken up yet Not nearly vertical All I know is I'm in trouble 'Cause the atmosphere's so cold, so

A B C C D E E E

Basically, just A A B B B, with some sentences not rhyming.

I will commend the last syllable of "vertical" rhyming with "cold" and the first sentence of "trouble" as well. But the fact that the only reason he added "vertical" was to make that rhyme, because it adds nothing to the song "I ain't even woken up yet" already conveyed the same thought, kinda ruins it for me. IDK

Album 2, song 3, verse 1

I didn't read the signs Walkin' different lines I know I took a left Tryna make it right

A A B A

I'll give him that "left" could be done for artistic reasons, like, the only sentence that doesn't rhyme and it's him talking about making a mistake. I don't know that he's capable of being this thoughtful, or that he could even come up with it. But let's pretend. This is also poorly executed and I'll expand later.

Album 2, song 4, verse 1

You give and give until it's gone away Just tell yourself you've got another day You've lived that life, you just don't see it yet I see how hard you've worked to be yourself

A A B B

Album 2, song 5, verse 1

Good and bad and right and wrong Are stories made up when we're young to scare us Love and hate are in-between Depends on your reality to see them

A A B B

---

EFFECTIVITY AND COMFORTABILITY OF THE RHYMES + NONSENSICAL AND NARRATIVE ELEMENTS

[I combined all of it together because I started doing just the rhymes and then I just got distracted by his nonsense. So have it all together. Also, I'm doing nearly every song and the ones I skip, I explain why.]

Kill My Mind

You're a nightmare on the dance floor

Cliché

And you hate me, and I want more

'Nother cliché.

You're a total distraction While I'm waiting for your reaction, why?

Distraction from what? Reaction to what? You just wanted to rhyme these words didn't you? Cause they look similar? Cause this makes no sense in context.

The devil in my brain

CLICHEEEEE

Whispering my name

Why is he whispering your name if he's already inside your brain? Wouldn't he be whispering something more interesting? Like, idk "do crime"? Or, given the theme of this song "do drugs"?

I can hear it sayin', "Ah, ah, ah"

The fuck does "Ah, ah, ah" mean? It doesn't make sense in the context of the song either.

Kept me living From the last time From a prison of a past life On a mission just to feel like When you kissed me for the last time, why?

I put the whole verse in just to be 100% fair. The last two sentences make sense by themselves, but the first three are nonsensical. He clearly just wanted to rhyme prison and mission, which don't even form a perfect rhyme (different consonants).

And ya won't let go of your hold on me And I don't know what I'd do without you now

Not criticism, but commentary, and I'm being completely serious. This is quite worrisome to write in a song that's seemingly about substance abuse. Just saying.

[I'm skipping DLIBYH because it's getting special treatment. He didn't write Two Of Us.]

We Made It

'Cause we made it Underestimated And always underrated

Underestimated and underrated mean the same fucking thing. This isn't an essay — you don't need to hit a specific word count. What's the fucking need to just pad these songs?

Now we’re saying goodbye Waving to the hard times Yeah, it's gonna be alright

Just unnecessarily splitting a single thought into two "We're waving the hard times goodbye."

If any of this was actually poetic instead of at the level of eighth grade lit class, when Ms. Smith tries to get her students into poetry and asks them to submit their own attempts, I wouldn't say anything.

It's just bad, juvenile. It's beginner levels. This man has been "writing" songs for over a decade, and he gets paid handsomely to do so.

I measure things by average pop song. He's significantly worse than that.

Like the first time Met you at your doorstep Remember how it tasted Looking into your eyes Baby, you were still high Never coming down with your hand in mine

And how did the doorstep taste, Louis?

Too Young

I've been looking back a lot lately Me and you is all I've ever known It’s hard to think you could ever hate me But everything's feeling different now

Verb tenses are kicking his fucking ass. It WAS hard to believe she'd ever hate you. In the past. It's not hard to believe now. Because she hates you now. And you are writing the song now.

["Me and you is all I've ever known" is a rampant cliché, but I'll overlook it]

Also how awkward is the wording "everything's feeling different now"? Everything feels different now?

Let me give it a whirl...

I've been looking back a lot lately Me and you is all I've ever known Would've never believed you could hate me But all the love you had for me seems to be gone

It's certainly not a masterpiece. I'm working with the constrictions of his metrics, melodies, rhymes, corny ass themes, and... I'm not a professional songwriter. Also, I'm not getting paid to do this. But at least this not only rhymes and fits the metric, but also... MAKES GRAMMATICAL SENSE.

Walls

Nothing wakes you up like wakin' up alone

Nothing makes you hurt like hurtin' who you love

Nothing makes you run, like running out of time

See? I can do it too.

It's giving, I'm 14 and this is deep.

Sorry, I know I'm verging on bitch eating crackers territory, but godddd this is so cornyyy

But these high walls, they came up short Now I stand taller than them all These high walls never broke my soul And I, I watched them all come fallin' down I watched them all come fallin' down for you, for you

The whole song is corny, which, whatever, it's a pop song. Pop songs are often corny. It's fine. Now, can I ask a question?

Why would walls break one's soul?

I would leave it as a funny quip, and be done with it, but I'll explain the problem with his simile/metaphor.

First of all, where did the walls come from? This is the first verse:

Nothing wakes you up like wakin' up alone And all that's left of us is a cupboard full of clothes The day you walked away and took the higher ground Was the day that I became the man that I am now

The chorus about the walls comes right after. Did she erect (hehe) Walls around herself when she left? Cause there's no other explanation as to where the walls came from. If the song was about him overcoming those walls and getting back with her, that'd be something that makes sense. Slightly overdone, but it'd make sense.

Well, it's not. The bridge seals it (we'll get that in a second). He's saying that because he overcame those walls, he became a better person. So did she erect (hehe) walls around... him?

Huh, little bit kidnappy. But let's roll with it. So he's using the metaphor of her, I guess building a wall around him, for some fuckass reason. A physical wall that he physically overpowers because he becomes taller and it's too short for him.

So how can a physical wall break your soul? The metaphor here would be switching from physical to spiritual. A metaphor that already doesn't make a ton of sense, now makes even less so.

The bridge, though....

So this one is a thank you for what you did to me

What did she do to you? You haven't said. All you mention is her leaving after you hurt her. Doesn't seem like she did much of anything TO you. It seems like YOU did this. Or are you actually claiming that she trapped you inside short-ish walls? If this song is attempting to be sincere and not sarcastic (I think it's sincere?) then wouldn't it be better to say "for what you did FOR me"?

Why is it that "thank you"s are so often bittersweet?

Are they? Since when?? Says who??

I just hope I see you one day, and you say to me, "Oh, oh"

You want her to say "oh, oh"? The fuck does that mean? After this comes the chorus, so he's the one talking about overcoming walls again. She doesn't say anything other than "oh, oh". Whatever the fuck that means.

[I just have to laugh because the rhymes, cadence, and rhyming scheme of this are piss poor, the melody is interpolated from three different Oasis songs (Acquiesce, Stop Crying Your Heart Out, and Cast No Shadow,) and the music video is directly lifted from a fourth, different Oasis music video for the song Live Forever. Add to that that the lyrics are completely nonsensical and you have the "Louis is a great songwriter and artist" bingo.

NO HE'S NOT.]

Habit

You're the shiver that I can't shake

You give me the time and the space I was out of control And I'm sorry I let you down I guess that I know what I already knew I was better with you And I miss you now

Not going to criticize this because it's just your run of the mill pop song, but I can't help it, this whole song is giving

Always You

I went to so many places Looking for you in their faces

He's INCAPABLE of show don't tell, isn't he?

By show don't tell I mean:

Woke up the girl who looked just like you I almost said your name

Show me that you see her face in someone else. Don't tell me.

Arctic Monkeys has a whole song about this:

I thought I saw you in the Battleship But it was only a look-a-like She was nothing but a vision trick Under the warning light She was close, close enough to be your ghost But my chances turned to toast When I asked her if I could call her your name

I'm not specifically talking about this lyric in particular when I say "show don't tell", btw. It's just that that's his vibe so much of the time and it irritates me. I'm not saying he never "shows". I'm obviously being hyperbolic, and I'm not saying you ALWAYS have to show instead of tell, either. I just think he misses a ton of opportunities to be a little more poetic that would very much elevate his lyrics.

Seeing your ex's face on someone else is a commonly used trope, which can become corny and cliché or poetic depending on how you communicate it. He chose corny and cliché.

Fearless

This is a lyrically sound song. No notes. I don't necessarily agree with his view of things — I think he has a very narrow view of what succeeding in life can be, but it's a well-written song. Lyrically, sonically it's BORINNNNG.

Perfect Now

If you are a fan of his and you're reading this... first of all, wow, that should count as masochism. Second of all, I hope you remember when I was very nice just now. Because I'm about to be a bitch.

You say to me your jeans don't fit

You don't feel pretty and it's hard to miss

'Cause everybody's lookin' at you now, my, oh my

I guess some queens don't need a crown

Listen, I'm no stranger to men writing weird ass lyrics about women. Harry did write "Couldn't take you home to mother in a skirt that short" after all (at least he tried to redeem himself with "but I think that's what I like about it"). But JESUS FUCKING CHRIST.

Not only is the jeans bit a weird ass fucking thing for a man to write that about a woman in the 2020s (to be frank, it was weird when Ed Sheeran wrote it in Little Things in 2012, so imagine now), but also, how cringe was it for him to still be doing that at almost 30?

Don't even get me started with the "Some queens don't need a crown" shit. That would've been corny and overdone if Elvis had sung it in the 50s.

Also

You never stop given half the chance

Cliché

Even when your tears are fallin' down Still, somehow, you're perfect now

Keep your head up, love, keep your head up

Cliché

You make me feel like being someone good to you

....? What? So it's up to her to... make you... feel... like being good to her? Is that not your default setting?

Every insecurity, like a neon sign, as bright as day If you knew what you were to me You would never try to hide away

No, yeah, I'm sure all her deep rooted problems with insecurity, which likely stem from patriarchy and the impossible standard women have to fulfill, would magically be solved if she understood that you like, REALLY fancy her. You're the center of the fucking universe, after all!

Throw this entire song in the trash. Burn it. Then bury the ashes. Jesus fuck, he's such a fucking asshole.

Defenceless

I come runnin' to you like a moth into a flame

This is the first sentence, y'all..

We're sleepin' on our problems like we'll solve them in our dreams We wake up early morning and they're still under the sheets

He probably thought this was so deep. Hell, his fans probably think this is deep too.

Obviously, the point is that you're not going to solve your problems if you sleep on them (double meaning because "sleeping on" something means ignoring it). My point is that it's the type of analogy your Uber driver makes at 3 AM when he picks you up after a night out with friends, and that's the only context in which this analogy sounds thoughtful in any way.

The main problem I have with this brand of lyric of his is that he takes it seriously and so do his fans. Nobody thinks "You can't bribe the door on your way to the sky" is Nietzsche or treats it at such. Perhaps it touches you personally and that's valid, but it's just a cool song, at the end of the day.

Never been so defenceless (Oh) Never been so defenceless (Ooh) You just keep on buildin' up your fences (Oh) But I've never been so defenceless (Ooh)

Tell me he didn't just rhyme "defenceless" with "fences"...

I've been holding my tongue but it's so fucking obvious that his first instinct is to rhyme words that visually look like they might rhyme. That's the level we're working with.

[He didn't write Only The Brave so we're skipping it too.]

The Greatest

Time, it came and changed it all

[Noun] [comma] it [did thing]

Abolish that sentence structure unless you're willing to make it interesting.

Also this is a cliché.

’Cause nothing gets through here Through that circle 'round my heart Where the best of me should start

The fuck does this mean?

It's you and me until the еnd

Cliché

Your face reminded me Of a love you cannot hide

It SHOWED you, not reminded you.

Writing a song "for your fans" is corny as fuck.

[Written All Over Your Face will get special treatment, so we're skipping it.]

Bigger Than Me

When somebody told me I would change

Who told you you would change? People in general? If it's people in general why not just say that? If it was a specific person why are you being vague?

I used to hide behind a smile When somebody told me I would change I was afraid, I don't know why

Something about the "I don't know why" rhyme is so fucking juvenile, but I can't put my finger on why.

'Cause so does the world outside, I've realised

Sorry, not a commentary on how good or bad the lyrics are, but is he saying "I was afraid of changing but I don't know why since the world changes too"?

His emotional intelligence is sub-zero isn't it?

I know I took a left Tryna make it right

Even hen he's trying to do wordplay he just smacks you in the face with it.

I'm not exactly a fan of Taylor Swift's, but Louis' fans often compare him to her, and...

The woman has many, many flaws as an artist (to be fair, all artists do), but when she wants to, she can write a mean lyric, and Louis CANNOT.

Everybody moved on, I stayed there. Dust collected on my pinned-up hair. They expected me to find somewhere, some perspective, but I sat and stared right where you left me. You left me no, oh. You left me no choice but to stay here forever.

THAT is wordplay.

Right and left but not meaning right and left in the directional sense

"I'm where you left me" meaning, in the physical place you dropped something

"You left me" meaning, you abandoned something, ended a relationship

"You left me no choice", meaning, I had no other option

Even a poppy Sabrina Carpenter song has more thought put into it:

We were goin' right, then you took a left Left me with a lot of shit to second-guess

She starts it off as lazy as Louis but she actually adds it a little something something.

When I say his music is worse than the average pop song...

I've woken up from my sleep

Cliché

[Blanket statements about me pointing out clichés. They're not necessarily bad. To some degree, they're unavoidable, especially with a large body of work. Unless I really go in on it, I'm just pointing out when he uses them to keep track of it. Like I said, having clichés, commonplaces, common tropes, etc, is normal. What's not normal is how often he does it]

All of these voices, all of these choices I don't hear them anymore

You don't hear the choices?

[Blanket statement about me pointing out small nonsensical elements. Pop songs tend to say some shit here and there. The problem is the frequency of his nonsense, and sometimes the levels of it. The lack of better elements is also a problem.]

'Cause, yeah, I mighta changed But everybody does

Do they? Oh wow.

Now I realise that the world outside Is bigger than me

Is it? Oh wow.

He made an entire song about realizing that the world is bigger than him.

This is what the song is supposed to be about:

As the lead single from Louis Tomlinson’s sophomore studio album, Faith in the Future, “Bigger Than Me” finds itself as an anthemic pop/rock song, on which Tomlinson sings about letting go of self-doubt, personal growth and shutting down the negative voices.

Lucky Again

If you believe that guy is Superman They're selling tickets at the cinema

Is he trying to say, like, "I have a bridge to sell you"? Cause nobody says it this way. I checked.

I'm so confused.

Whatever gets you through the darkest night

Cllché

Just find the light out in the madness, hold tight

Cllché

'Cause I'm a hard man to lose

Does this mean that it's bad to lose him? Or that he's hard to lose as in, he's got an airtag on him? A third thing I can't think of?

The rest of the verse doesn't help with context:

But I figured it out, then made my way back To a life I would choose We werе lucky once, I could be lucky again

Beforе the world, it got so serious

[Noun] [comma] it [did thing]

Before the time, it got away from us

This combination is lethal.

[Noun] [comma] it [did thing] + an incredibly overused idiom

Face The Music

Good and bad and right and wrong Are stories made up when we're young to scare us

No they're not???

Love and hate are in-between Depends on your reality to see them

Is this purposefully idiotic or am I just not getting it? Love and hate are not in-between. He's just saying things atp.

I just wanna stay in the moment the rest of my life

Cliché. A good excuse as any to listen to this awesome song:

I don't wanna face the music, but I still wanna dance with you

This is a cliché ("face the music") but the lyric is cute (and I'm not being facetious).

Close your eyes and count to ten If you're standin' on the edge of fallin' Open up and looking down Everything that matters is forgotten

Huh?

Chicago

They say bitter ends turn sweet in time

Who says that? This is the first time I ever hear these words put together this way.

You always made me feel much bеtter And I'll always be grateful for that

So many of his lyrics sound like he's texting (derogatory)

All This Time

I'm tryna find the words to say for ages

Cliché

It's not how you spend the time, it's if you waste it

Coooooorny ass cliché

And I keep on building mountains hoping that they'll turn to gold

Well that's fucking stupid. Why would mountains turn to gold? Where did you even get that they'd do that?

Also how are you BUILDING mountains? Who the fuck BUILDS mountains? Do you know what mountains are? And what "building" means?

It's the way we see ourselves through walls of trees

You guys, what the hell is he banging on about? What does this MEAN?

I keep looking up the things he writes just to see if I'm missing some context or some popular British saying. I'm not British! British people are weird! But no. It's just that he's writing nonsense.

Writing nonsense is FINE if that's your stylistic choice. I LOOOOVE Oasis and they write some of the most nonsensical garbage you could ever imagine, but

1- The music fucking slaps

2- It's not meant to be read as diaristic or biographical. It's also not meant to be read as a straightforward story or whatever. It's meant to be flowery and a little esoteric.

Louis went on and on about honest lyrics, and how little he liked metaphors, and how he didn't like exactly the type of lyric Oasis tends to write (all while claiming that Oasis wrote the type of lyrics he does like, because he's fucking stupid — I made a whole post about that).

It doesn't even feel like he's trying to be metaphorical and weird or flowery here anyway? It just feels like he's stupid and says stupid shit that doesn't make sense, all the while actively trying to make sense.

Also, Oasis' nonsense is more poetic, but it has it's own worldbuilding and logic. It's not outright dumb like "building mountains," so there's that.

Out Of My System

Take anything you can carry And leave everythin' else behind

Cliché

I am only half of what I think I can be

Are ya? Then why don't you try to better yourself? Cause that's my main issue with your entire existence. I personally think you're way too much for how little talent and hard work you put into things.

Gotta get it off of my chest

Cliché

I've lived a lot of my life already But I gotta get through the rest

Am I being too bitch eating crackers? Yes, Louis, you have to get through the rest. That is how life works.

Demons, I'm takin' all of my demons Putting them where I won't see them 'Cause I just wanna feel alive

This is such a confusing metaphor. What do you mean by taking? Taking them off? Taking them with you? What do you mean "putting them where I won't see them?" Like, what does it mean in the context of this metaphor? What do your demons have to do with feeling alive?

Having demons is a commonplace about struggling with stuff (it can be mental health, family issues, personality issues, a number of different things). It doesn't typically have anything to do with "feeling alive" or not.

I'm not saying these lyrics are necessarily invalid? I just think he could've taken a little longer to develop this metaphor more and make it click better and easier. I'm having trouble interpreting what he's trying to say here, and I don't think it's lack of trying or being pedantic. I think I'm being pretty fair, and in all.

[He didn't write Headline so I'm skipping it.]

Saturdays

I'm not supposed to be Feelin' dirty cheap on Silver Street At quarter to three

Why not? I mean, the feeling dirty cheap I get. Yeah, you're not supposed to feel that way. That's sad. I'm sorry that happened, bro.

But why aren't you supposed to be on Silver Street at a quarter-to-three? For the record, Silver Street is a street in Doncaster that's lined with a bunch of clubs. If you're ver gonna be on Silver Street, it's likely to be at a quarter-to-three. And I see nothing wrong with going clubbing once in a while.

Is he trying to say that he's not supposed to feel dirty cheap on Silver Street because he's out clubbing? But then why add the time? Would it be okay to feel dirty cheap when out clubbing if it was a little earlier?

I am being pedantic now, btw. Why? Because there are ways to write this that make it clear that the problem is with how he feels while being out with friends. Incredible songwriters, such as what Louis and his fans claim he is, would do that. Not just use the first combination of words that rhymes and fits the metric.

Hidden across my face In the crowd, I'm countin' up the days

What's hidden across his face? He never clarifies. Something is hidden. A feeling? A scar? A mole? A crowd can't hide across your face, and these sentences come right after the ones I just quoted, and are followed by:

In a haze I'm gazin' at the floor Somebody's got your trainers on The ones that you wore When you walked out the door

Still on the last two sentences: maybe he's trying to convey that him feeling dirty cheap is hidden across his face? If he's trying to do that, he failed.

The new bits I added now are alright. "In a haze I'm gazing at the floor, somebody's got your trainers on" is pretty good, actually. I personally would've said "the ones you had on when you walked out the door," instead of "the ones that you wore when you walked out the door." It just feels more sentence like. Because of the melody of this song, he tends to pause between sentences, so the way he wrote it feels like he's saying "somebody's got your trainers on, the ones that you wore." Which would be very redundant. What he's saying is that someone's wearing the exact shoes she wore when she left him.

Like I said, he suffers from chronic Not Taking The Time To Edit And Perfect His Lyrics. That's what I'm trying to point out here.

The feeling he's trying to convey is actually interesting and relatable, and the lyrics aren't necessarily BAD. They just aren't that good and can lend to confusion, especially given the cadence of the song. It wouldn't take a lot of work to make these lyrics be excellent and elevate the song, but alas...

Nobody stays the same No matter how much you want it Some things change

Cliché. And annoying at that.

Through my cigarette A shadow of you sticks me to the carpet Try to ignore it

??

Somethin' about the way The light catches the mirror in my brain It gives me shade

What?

Silver Tongues

Gettin' high on the amber wave

This is presumably about beer. You get drunk on beer, not high, Louis. If he's trying to wordplay like he's high (as in, physically) on the "wave" then he needs to find a way to close the metaphor. He could've said "getting under the amber wave." When you're drunk, you're under the influence.

Going deep for the ones who do the same

He could've continued the metaphor with this if he had used "under" instead of "high." You're under, and you get deeper. If you're high, you're not deep, because high means up. Yes, I am being bitchy. Thank you for noticing. I'm fed up.

Not to mention this sentence is confusing. What does "going deep" even mean in this context?

Air Maxes and silver tongues Settle in for another heavy one

Another heavy one what...? It's not clear in context.

You said love was a pretty lie And I choked when your smoke got in my eye Bad logic and empty cans

I can't decide if he's being clever or dumb. I want to give him the benefit of the doubt that he's saying "bad logic" because you can't choke from getting smoke in your eye, but he's said so much dumb nonsensical shit in his lyrics that I don't know.

Let's give him this one. This, that one sentence from Face The Music, and Fearless are the only lyrics of his that I find good so far.

I know nobody understands Me like you do

Cliché (tolerable)

You know, when I'm with you, I'm so much happier

Cliché (also tolerable)

You smile at me and say, "It's time to go" But I don't feel like goin' home

Cliché (tolerable)

You and me until the end

Cliché (alright cut it out)

Wakin' up to start again

Cliché (....)

There's nowhere else that I would rather be

Cliché, verging on intolerable with how many there are in a row.

Also excuse to put another huge and much better song

She Is Beauty We Are Word Class

Conversation is currency

Okay, interesting! Where is this going?

Shapes become a language

Uh... letters are technically shapes, and letters form words in multiple languages?

Square eyes and sunglasses

Is this a Keep Driving type of song? I can get behind those, but I'm not following right now.

Finding faces in the trees Fabricated fairytales Bring a new world to life Sit down, sit down in the space and time

I'm so confused.

She is beauty And we are world-class (Oh) Forever We let the feeling last

That's the chorus. Small tangent.

In Keep Driving, the first verse lists things that seem random until you hit the chorus.

A small concern with how the engine sounds. We held darkness in withheld clouds. I would ask "Should we just keep driving?"

Essentially, the engine sounds like it's about to break, and the darkness in the clouds show that there's a storm coming, but he stubbornly asks if they should keep going regardless. The part about darkness and clouds seems to indicate "a storm coming" isn't just literally coming in the real world, but also in the relationship.

The analogy is, driving in a car that's about to break, but not doing anything about it, and finding yourself stuck in the middle of a storm because you didn't act when you should've, and comparing that to a relationship.

Anyway, it seems that whoever he's talking to is as stubborn as he is, because he continues to list things in the second verse, particularly "pancakes for two" and "I will always love you."

The singing (the way he sings) gets a little more intense in the bridge. And the things he lists get more unhinged. It starts off listing things that makes it sound like a road trip ("passports in footwells"), which makes the parallel meaning of the song take even more form and makes the other things he listed in the verses make more sense (sunglasses, cameras, breakfast items, etc).

Continuing with the bridge, there are little things that allude to the summer of 2020, "tea with cyborgs" is most likely a reference to doing zoom calls with your loved ones during quarantine, and "Riot America" to the Black Lives Matter movement, which hit its peak in May-June 2020. "Life hacks going viral in the bathroom" is a literal thing that happened during quarantine, particularly on TikTok.

There's allusions to sex ("choke her with a sea view" and "side boob") and to substances ("puff pass" "edibles" "cocaine" "wine glass").

Then "tootache", "bad move", "just act normal" show us that something is going wrong. Following the theme of the song, he ends the bridge with "it's all good, hey you" and then the outro just says "should we just keep driving", signaling that, despite the fact that there's clearly issues, they'll continue to ignore them, and closing the metaphor fully.

I think Keep Driving is a brilliant song, perfectly executed. And if Louis were writing something like that, I'd commend him. Music and poetry within it gives you so many possibilities. Not everything has to be narrative-driven.

The problem that I have is that I just cannot make sense of this song at all.

This is the second verse:

Escape the inevitable Fade into light Soak up the empathy 'Cause I’m with you tonight

I'm sorry, but what is he talking about? There doesn't seem to be a thread that connects any of this.

Are we one or are we two? Are we me or are we you? Have we been all this before? Do you see what I see?

Is it a stream of consciousness type of thing? Cause I can get behind those too, but typically, the songs are, you know, better.

Like, I'm not gonna analyze this song super closely if that's what it's meant to be doing because I respect a stream of consciousness 100%, but I will judge the fact that the song is ass. If you're gonna do stream of consciousness you have to write a banger song.

This is one of my favorite songs by Oasis:

For those who might be reading this long ass essay out of curiosity and aren't familiar with Louis' song, well, I don't recommend it, but you can find it here.

Common People

I came from a good home A house full of terrace dreams That was enough for me You know, you had to see it to believe

"Gotta see it to believe" implies something unbelievable, weird. What is so unbelievable about a good home?

All the late nights, good times

Cliché

No deep pockets, but big hearts

Cliché

This song is pointless and boring.

Angels Fly

Nothin' really matters Nothin' really hurts We can talk about it It'll only make it worse

Jesus Christ, who pissed in your cereal? Not commentary on the quality of the lyrics, but my god.

If every star is an eye in the sky You'll see angels fy

Put the pain behind you now You don't need it anymore

BOOOOOO. Cliché

Holding On To Heartache

You said I wear it like a crown

Cliché

You should be starin' at the sky The birds just passin' by, love

This song is apparently about how much he misses being in 1D, which...

These two sentences I'm quoting do absolutely nothing to further the narrative and I'm not sure what the point of including them was other than not actually having to think and make an effor to come up with something relevant.

I can still hear a clock that's tickin'

Cliché

You know the party's over When you're standin' in an empty space alone

Not commentary on the quality of the lyrics, but yes, he's literally this meme (derogatory):

And time can always heal you If you let it make its way into your bones

Why'd you have to go and make things so complicated? Time can always heal you if you let it. End of. Why does time have to get into your bones? What kind of weird ass, unnecessary metaphor even is this? Just not wanting to think of a better, more compelling way to word things and sticking with the first sentence that fits the metric.

Nothing's ever easy

Plenty of things are easy. This adds nothing to the song or its meaning. You're just saying things.

[Writing this song three years after his admitted BFF said that he would've died if he had stayed in the band feels pretty fucking selfish. He's allowed to feel however he feels, but there was no need to externalize it constantly, especially knowing how much Liam was struggling...]

That's The Way Love Goes

Cool, simple song lyrically speaking. Nothing amazing and there are a couple of clichéd sayings, but it's fine! Lyrically one of his best alongside Fearless. It's a little boring musically speaking (better than Fearless, though), nothing to write home about, it could be better if he wasn't the one singing it. His voice really does ruin everything.

Change

This song is cliché o'clock:

Time of our lives

it's easy to see

We were just gettin' by

If you need, you can call on me

I'll be the friend you need

'Cause everything's changed outside, but I feel the same inside

The kids are alright

When we gonna realise we don't get another life?

I know it'll be alright

We've still got the rest of our lives

'Cause we're all the same inside

If he was trying to do a song full of idioms that'd be so cool. Like Better Than Words in 1D. But he's not trying to do that. There are a bunch of sentences here that aren't idioms. He's just fucking lazy.

The theme of the song is so boring too. Nothing's changed, I mean, some things changed, which I hate, but also I miss it, and I'm from Doncaster did you know?

----

Okay, I was gonna do High In California, but it's just a song about smoking weed, and I refuse to analyze that lyrically. I was also gonna do Miss You, Back To You, Just Like You, and Copy of a Copy of a Copy... I'm not going to. I'm bored and annoyed and I wanna be done with this.

You can find the analysis I mentioned of Written All Over Your Face and Don't Let It Break Your Heart IN THIS LINK.

---

FINAL THOUGHTS:

I think I have proven beyond a shadow of a doubt that Louis is a lazy songwriter who doesn't put too much thought into his lyrics, which are the only part where he has any actual participation (going from what he and his collaborators have said about the process so far and the liner notes in his albums).

You can feel like the lyrics touch you or you feel represented by them or whatever, that's absolutely fine. I'm not judging that. What I'm judging is how apt of a songwriter he is technically speaking. I can't judge vibes. Vibes are personal.

Technically speaking, he's terrible. Like, downright one of the worst I've ever had the displeasure of listening to.

With that, I bid you goodbye.

PS I have not proofread this monster of a post. I might do it in the future. I've had this written for a few days, and decided to post it on New Year's as a gift for those of you (all five of you! haha) who enjoy my content. Thank you

[yukidragon]

Sunny Day Jack - Songs to Listen to While Descending into Madness

Hey, remember when I found Ian's perfect theme song for Sunshine in Hell? Well, I found one that fits Joseph's descent into madness and embracing the personality of Jack. Maybe I should make a playlist specifically for Sunshine in Hell sometime...

Not only does it have this manic energy that switches to disturbing and somber, a lot of the lyrics really give me the vibe of the suffering Joseph went through as he tore away at his very identity to become someone and something else.

When did I become afraid of the dark? Are my eyeballs just yet to adjust to seeing the light? The room I'm in is still the same, the shadows have not rearranged it No, the only thing that's changed is how I see at night I fumble for the switch and strap on infrareds and wish For sunshine when the morning's somewhere else But I can't change what time it is or dilate my irises Only what I look at, and I'm looking at myself I am not the sunshine, I am not the moon at night Well, who else could I be when I can hardly see? I am not the sunshine, I am not the moon at night I'm no one if I'm nowhere in between When did I become afraid of the dark? Was it when I left the cave and swore I'd never go back? If we can't see each other, then there's no more use for hiding I've decided I'll abide it; why deny the color black? I'm not a flower, not a solar-powered calculator Damn my eyes for seeing what's not there I'll trade in vision for a practiced intuition 'Til my fears come to fruition, I'm not scared I am not the sunshine, I am not the moon at night Well, who else could I be when I can hardly see? I am not the sunshine, I am not the moon at night I'm no one if I'm nowhere in between The future must know where you've been The past predicts the state you're in The present did and will not last Is, isn't, was, have, hasn't, has All that I ask is, keep those empty frames If nobody's in them, then no one is to blame For your self-portraits, sign another name Well, who should I be then, if I'll never be the same? I will be my sunshine, I will be my moon at night Who else could I be, when I can't fucking see? I will be my sunshine, I will be my moon at night I'm nowhere now, here's no one now to be And if dreams can come true, what does that say about nightmares? I'll stay awake tonight

It really gives me vibes of the animatic Sauce made where Jack antagonizes Joseph, particularly that high energy of Jack strutting around, being cheerfully scary and threatening. It also reminds me this classic picture of a cheerful Jack and a traumatized dead(?) Joseph.

It even has a sketch updated version you can check out here!

Credit as always goes to the awesome Sauce for their awesome art, characters, and stories. They and the rest of the crew of SnaccPop Studios are a wealth of endless inspiration. Consider joining their patreon, won't you? Just remember - don't repost anything privately posted there!

There's so many lyrics that make me think of Jack's broken mind and the effects of hell had on him. I have to really break it down to show all the different feelings/images that it conjures up, since there is so much here virtually every line.

"When did I become afraid of the dark?" When you were trapped in hell, Joseph. His loneliness was bad while he was alive, but his death made it so, so, so much worse. He's terrified of being alone and forgotten. He can't stand the cold numbness only broken up by pain. It's a night he can never sleep through or wake up from.

"The room I'm in is still the same, the shadows have not rearranged it. No, the only thing that's changed is how I see at night." It didn't get better. Nothing changed in that hell. It just repeated his death and the delusions of his decaying mind. The only thing that changed was himself into someone else, someone who could better handle the madness.

"I fumble for the switch and strap on infrareds and wish, For sunshine when the morning's somewhere else." Joseph struggles desperately somehow, someway to find some sort of light, some hope in hell. Unfortunately, his sunshine Mary is somewhere else, reborn as Alice. All he can do is wish for a miracle.

His sunshine was always like a miracle to him. She found him twice. He prays she'll find him again.

"But I can't change what time it is or dilate my irises, Only what I look at, and I'm looking at myself." Joseph can't change his circumstances. He can't feel anything but cold and pain, no matter how much he struggles. He's helpless.

The only thing Joseph can do is relive his death and look inward into an ever growing abyss that stares back at him. That abyss, that hell is changing him because he can't do anything but stare inward.

Joseph only has himself in this hell, and the longer he stares at himself, the more he hates what he sees.

"I am not the sunshine, I am not the moon at night." Joseph isn't as good as his sunshine was, in his opinion. He's not even as good as a fraction of her, like the sunlight is reflected on the moon. He doesn't even have a glimmer of her light either.

"I'm no one if I'm nowhere in between." In a way, he is nowhere, trapped between life and death. Joseph/Jack was erased. He became no one.

"When did I become afraid of the dark? Was it when I left the cave and swore I'd never go back?" Jack swore never to go back into the tape, never to be Joseph ever again. He's terrified of being alone, and he refuses to ever be alone and forgotten ever again.

"I've decided I'll abide it; why deny the color black?" Joseph gives into his darker impulses, his madness, his yandere side. He'll do anything to be free of this hell, to have his sunshine back.

Even if that means staining his soul irreparably with sin by torturing and killing others to do it.

He'll be damned to hell either way. He knows that from experience.

"Damn my eyes for seeing what's not there." When someone is put through sensory deprivation, they hallucinate, make up alternate personas, and the like. Jack himself was confused at first when the tape was played, asking if MC/Alice really was real, that he wasn't just dreaming.

How many times did Jack imagine someone was really there to save him, only to be disappointed by a cruel reality that he was still trapped in hell?

"I'll trade in vision for a practiced intuition. 'Til my fears come to fruition, I'm not scared." These lines sum up the whole Jack persona. He'll bury himself in that cheerful façade in order to deny his own fears that he'll be trapped in hell forever. He'll lose himself in a dream of his own making since he can never sleep again.

The only way to avoid being scared of an eternity in hell is denial, denial, denial.

"Well, who else could I be when I can hardly see?" He's Jack. He can't see himself as Joseph anymore. His mind can't handle it. He's blinded himself to his real identity by burying memories of anything else.

"The future must know where you've been." This feels like the video tape. The few traces left of what happened in the incident of 1984.

"The past predicts the state you're in." All the mistakes Joseph made and the few things that made him happy with himself are the reasons why he became Jack.

"The present did and will not last." Time is cruel, constantly marching forward and erasing the past. Jack lost everything so many times. He lost his identity, his dreams, his sunshine, and his life. Everything was lost so easily... how can he not dread losing it all again?

"All that I ask is, keep those empty frames." If nothing else, Jack is desperate to be remembered. Even if the person in the picture isn't himself anymore, he's desperate for at least some trace of him is remembered, even if it's this caricature of the character he played.

"If nobody's in them, then no one is to blame." A reference to LambsWork Productions covering up the part they played in Jack's death or the scandal the 1984 incident created. They can't have their reputation ruined if no one remembers the SunnyTime Crew Show after all.

"For your self-portraits, sign another name." This makes me think of all the autographs Joseph had to sign as "Sunny Day Jack." The character had his face, his voice... but it was a different name. He couldn't break character, because the character was what people loved. It's another reason why he's Jack now instead of Joseph.

"Well, who should I be then, if I'll never be the same?" Joseph Cullman is missing. [Redacted] Haberdae is dead and erased. He can't go back to being either. Who should he be? What name or persona should he use that will give him peace?

"Who else could I be, when I can't fucking see?" What is left for him but to be Sunny Day Jack? He has nothing else but that persona in this hell.

"I'm nowhere now, here's no one now to be." This line sums up Jack's state in the tape. He's nowhere, and he doesn't know how to be himself anymore. He is nothing... so he'll be the character he played.

He doesn't know how to be Joseph anymore because he can no longer see the good qualities he had as Joseph. Everything good was attributed to Jack in his mind, even his sunshine's love.

"I will be my sunshine, I will be my moon at night." He will be Sunny Day Jack. He will be his own hope, his sunshine. Losing himself to this alternate persona was the only thing he had to cling to in that cold and lonely hell. He clung to it like a piece of driftwood until the splinters dug into his hands and made him bleed madness.

"And if dreams can come true, what does that say about nightmares?" Now this shift makes me think of after Jack is freed and the lingering trauma from being in the tape. It's fitting because it comes after a drastic shift in the song to something somber, slowly building into something almost... hopeful?

His dream of being saved came true... but the nightmare of that hell still haunts him.

What if he goes back?

Jack could, just as easily, be sent away if Alice doesn't want him there. He needs to make sure that never happens.

Can Jack really dare to cling to this hope that he's been given, that this actually is reality?

Was he really saved, or is this just another delusion?

So even though Jack finally can sleep, he's finally safe... his fears still haunt him. He can't truly rest until he's sure, absolutely sure, that he won't lose his sunshine ever again. It's the hope he's desperate to hold onto.

"I'll stay awake tonight." The hell of the tape robbed Jack of his ability to sleep, both in the past and in the present. His trauma and mental scars run deep.

No doubt there were many nights where Jack just laid in bed and watched Alice sleep. He focused on her warmth, her steady breathing. Her heartbeat, her soft skin, her smell...

Alice is real. This sunshine is real. Jack knows that. He knows that deep down in his soul, but...

What if?

Just one minute longer. One second more to reassure himself.

This beautiful person Jack holds close in his arms is his salvation. Alice chose to save him. She promised to never forget him. She promised him forever.

Jack feared that the tape would be his forever.

So even though he's tired, Jack just needs a little bit more, just that extra moment more to drink in Alice with all of his senses so that he can truly believe that she delivered him from damnation.

Joseph is dead. The good parts of him, the light and hope he found in himself as that redacted identity are gone from even his memory. Jack is the only one there now.

Alice is the only sunshine Jack can see now, and he'll do whatever it takes to make sure he never loses that light, his hope, his love ever again.

Of course, during these moments of insecurity, Alice would stir, just a little, and cling to Jack tighter. Sometimes she even murmurs his name softly. She can feel that he needs her love through their connected souls.

The thoughts and feelings flow both ways. Sometimes Alice can pick up what Jack is thinking too, especially when his soul cries out to be seen, heard, felt, and loved.

Even though Jack didn't say a word, Alice heard his thoughts, his deepest need, and answered in a sleepy mumble, "Don't worry... I've got you. 'm not going anywhere..."

The soft words, slurred by a haze of sleep, sent a jolt through Jack, and all the love and gratitude he felt for her washed over him. Even in her dreams she would reach out to him, reassure him that she won't let him go. Even when in moments when his fear made their connection feel so tenuous, so fragile, all it took was a soft squeeze of her delicate hand always holding so gently onto his to quiet his fears.

Alice won't remember what she said in the morning, or anything else she mutters in a half-asleep haze, but she'll always remember Jack. She'll remember this man, no matter what name he uses, no matter what the fractured picture of his sanity looks like now. Their love is forever.

Even if Jack can't find the light in the man he used to be, even if the light of the good parts of Joseph are dead, buried, and forgotten in his mind... Jack can always believe in Alice, his sunshine. As long as he has her, he doesn't have to fear the dark or that he'll be banished back to hell.

Jack has the light of hope. It's in his sunshine Alice, and in the persona he wears. Most of all, it's in their love that lived on even after death.

Fortunately, over time, Alice will help him see that the light was always there even when he went any other name. With her help, he'll be able to finally find true peace and rest his weary soul in the gentle sunshine of their love. He'll finally be able to heal and truly shine in spite of the darkness.

Yeah, I know the song ends on a more somber note, but I'm all about happy endings and fluffy vanilla goodness. I couldn't help but add on a bit of a sweet reprise of sorts, even if not in so many lyrics. Sunshine in Hell is all about these wounded soulmates helping each other heal after all.

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps

[esther-dot]

i'm a sansa stan first and foremost, and i tried to ship s@nsan so hard lmaooo but when they start saying shit like "sansa has wet dreams about the hound" and "sansa actually likes older men", argh, i just can't. do. that. i know george said something about playing with it in the books, but i also think that he wanted to raise a few questions with the relationship, one of them being "who protects sansa from her protector?". like, there's TRAUMA in there. it's funny that they accuse jonsas of using sansa as a self-insert bc i don't know if you ever read a s@nsan fic or saw the fanarts, but they REALLY wanna bang that man 😭

(about this ask)

Nothing in the fandom horrifies me as much as Sansan. I’ve had nice Sansans come into my inbox, so I do distinguish between my feelings about the ship and the shippers, but I hate the reinterpretation of the Hound because it minimizes what he did/tried to do to Sansa. Instead of the later scenes where Sansa thinks of him being about her processing the trauma of his assault, suddenly, they become a gross villain whitewashing, victim-blamey, “actually, she wanted it.”

I once even highlighted that whole "who will protect us from the guards" idea you mention because I think it was meant to emphasize what a travesty the Hound’s assault was:

(link)

This isn’t a romance, this is a pattern. The Hound saves her than tries to rape her, Tyrion is kind to her then agrees to marry her, a child, a prisoner of his family, and LF rescues her but then starts to sexually molest her. All the same, in each of these instances, Sansa is grateful, she thinks kindly of them, and I think that says a lot about Sansa that you completely miss if you romanticize it and pretend that the Hound is someone, something to her, that he isn’t. I also talk about the whole cloak thing in that post too because I think the more contextualized reading is the one we’re meant to adopt.

When I did take a look at the meta, I was so creeped out by the nature of it and the art. Although, I want to give credit where it’s due. Apparently they were some of the first people to start taking Sansa seriously and created the reading of Sansa becoming a political factor, so they did change the fandom’s perception of Sansa in a good way. But imo their love of the Hound causes an imbalance in how they read their scenes. The point isn't that the Hound wouldn't have hurt Sansa, the point was that he very well might have but Sansa's actions stopped him which ties into a much bigger idea and important aspect of Sansa's story:

Even after the Hound assaults Sansa, later, she thinks of how terrifying the fire was, as in, even then, she is able to empathize with him, the man who held a knife to her throat and threatened to kill her. It’s laughable to suggest a man who mocked her relentlessly for who she was is capable of the same consideration. In fact, it is in a state of terror that the Hound attempts to rape Sansa and his fans use that to excuse his actions, and yet, while he is assaulting her, Sansa sings of mercy, gently touches his cheek. It’s almost like the very obvious interpretation, that the way to create a better world is Sansa’s method— not his— is what Martin expected people to understand, and his surprise people have turned it into something else altogether is genuine. (link)

As for Martin admitting he "played" with it, here's a clip. It's very short, and he's expressing surprise that his female readers like villains of which the Hound is one, and I think you can tell by his facial expression that the idea of the Hound and Sansa as a couple, is absolutely not where he ever intended to take things, not what he meant when he said he played with it. There are countless old monster movies with the monster being fascinated with a young girl or beautiful woman which humanizes him/shows a soft side. That's similar to Beauty and the Beast, the girl is what allows the monster to become human again, but in these variations, it isn't a romance. You can play with/reference tropes and ideas without it actually being a direct reiteration of the original story.

Anyway, filter and block and curate your fandom experience! 😅

[fookingmuffins]

James Potter A-Z Fluff Alphabet

Credits to imagineimagineimagine

I saw someone do this as prompts the other day and figured it would be something fun to try to get rid of my writer's block, but I'm gonna just answer something short for each letter. This was supposed to be published on the 31st of october but i forgot so sorry. But lets celebrate that i only need to turn in two more assignments for school and i go on break so yayy.

A = Attractive (What do they find attractive about their partner?)

Physically: They love your lips they constantly just stare at them and he just loves kissing them. At first you would be intimidated when he did this while you guys talked but now you like to tease him about it. He also loves how tiny you are compared to him and how you seem to fit perfectly into his arms.

Mentally: You are stubborn and he just loves it so much he loves that when you set your mind to something you push until you get it.

B = Baby (Do they want a family? Why/Why not?)

James Potter absolutely wants a family, the bigger, the better. This could mean kids if you want that, but if not, he's happy with as many dogs and cats as you two could possibly adopt.

C = Cuddle (How do they like to cuddle?)

When cuddling, this man will basically get on top of you like if he was a weighted blanket and lay his head on your chest, so you can play with his hair. But he also likes when you do the same and just talk to each other about everything and nothing, or read.

D = Dreams (How do they picture their future with their S/O?)

James is ready to tight the knot as soon as you guys graduate Hogwarts, but if you don't want the whole wedding deal, he'll still want the two of you to live together as soon as possible. I think he would definitely be the one to want to build a house or renovate one with you and just make every room special.

E = Emotion (Are they open with their emotions? )

I think with you James is pretty open most times but sometimes (and specially at the beginning of the relationship) he doesn't want you to worry and will just shut you out, but if you try to talk to him, he will open up.

F = Feelings (When did they know they’re in love?)

James claims he was falling in love the moment you guys talked, and you think it's a joke, but it's not. One smile from you and this man was thinking about a whole future with you. (James is delulu like us) But actual completely in love would probably have to be one time when the two of you were talking in the astronomy tower, and he was just watching you ramble about something you are passionate about and just knew there was no way back.

G = Gifts (Giving and receiving gifts)

James loves to buy you anything you could possibly like. Trips to Hogsmeade always leave you with loads of sweets and stuff he saw and reminded him of you, even when you don't go with him. If you are into making any craft or type of art and give hims something you made with your own hands, this man will never shut up about it and all of Hogwarts will know about how talented you are.

H = Honesty (Do they have secrets they hide from their S/O?)

James is an open book most times, but when he has a problem, he doesn't like worrying others and tries to deal with it on his own.

I = Injury (How would they react if you got hurt?)

This man will cause a scene if someone else did it, they are dead and no one can cross him. If you got hurt on your own, he will berate you about being more careful and keep an eye on you for at least a week so that it doesn't happen again. (he will still laugh his little ass off if you trip, tho.)

J = Jealousy (Do they get jealous? How do they deal with it)

He will definitely get jealous, but not in a toxic way, just in the getting touchy and showing everyone he's your boyfriend kind of way.

K = Kiss (How do they kiss you? How do they like to be kissed?)

This man is passionate, and he LOVES your lips, so yeah, sometimes get a bit heated. But he loves kissing your head and forehead, probably because it's the closest things to him. He also loves to attack you by taking your face in his hands and kissing you all over.

L = Love (Who says ‘I love you’ first?)

I think you did. Not cause James didn't know he loved you, but I think even he realized how quick he fell for you and was scared to scare you away, so he tried to hold back as much as possible but when you finally told him he was over the moon. I think you told him in one of those moments when you don't even think, and you just feel it, so strongly it spills out so you momentarily panic, but he immediately got the biggest smile and told you back.

M = Memory (What’s their favorite memory together?)

Obviously, when you agreed to go out with him and the first time, you said I love you. But also the time you helped him and the marauders pull a prank and somehow managed to talk Filch into believing it hadn't been you guy who did it.

N = Nightmare (What are they afraid of?)

James is terrified of losing you. Sure he may seem loud and happy but this man is terrified of you leaving him. One time you were trying to surprise him with tickets to the Quidditch cup, so you were kind of avoiding him and Remus and Sirius had to go looking for you cause this man was a mess thinking you were done with him.

O = On Cloud Nine (What are they like when they’re in love? Is it obvious to others? How do they express their feelings?)

My man's is veryyyy obvious when he's in love. Maybe when he first started liking you, he was a bit shy and scared. But he quickly grew confident, and he will gladly show everyone how he is so in love with you because he just feels so lucky.

P = Pet names (What pet names do they use?)

Darling, love and I don't know, but I just feel like he might call you angel. I don't think he ever calls you by your actual name, a nickname is the closes you'll be to that.

Q = Quality Time (how do they like to spend time with you?)

He is down for everything he actually wants to spend most of his time hanging out with you (when I tell you this man SUFFERS during the time away from Hogwarts) but he also loves learning about your hobbies and tries to learn them but if he's not good at it, he will still enjoy keeping you company while you do them.

R = Rainy Day (What do they like to do on a rainy day?)

On a rainy day, you guys usually pull some pranks around the castle with the other marauders. But he also enjoys invading the kitchen elves and attempting to cook something with you until you two are kicked out and banned for almost burning down the kitchen. He enjoys quiet reading time in one of your dorms and dancing to your favorite songs.

S = Support (Are they helping their s/o achieve their goals? Do they believe in them?)

This man will encourage you to no end, he believes you could do anything. They are constantly cheering you on and helping you study when you have a test. If one day you throw out a random idea about opening a business or something like that, this man will immediately buy anything you need to start said business.

T = Time (how long did it take you to get together?)

longer than he would of liked but you were oblivious at first and then skeptical of his true intentions. You truly made him work for it but he doesnt regret it one bit.

U = Understanding (How well do they know their partner? Are they empathetic?)

He would try his hardest to be the most understanding but he did grow up as a rich spoiled only child and his parents did their best and hes an amazing person for it hes just not always consious that not everyone grew up the same. Or that things outside from his bubble are different. However hes willing to learn and he will never make you feel bad for how you feel and will be there by your side to deal with whatever may come.

V = Value (How important is the relationship to them? What is it worth in comparison to other things in their life?)

To him the relationship means everything he would risk it all and leave it all behind. He truly envisions a future with you and hes willing to put the work for it.

W = Wedding (When, where, and how do they propose?)

I think he would be ready very soon however I want to say he would wait for a littlebit after you two graduated from hogwarts and settled because he wants to give you the best life possible with his effort and not just his parents money. I think he would also be down to travel a little with you before popping the question.

As for how he proposes i think he would plan something big but just the two of you and maybe some of your friends there to help set up. Or maybe something where both of your families and friends are there ( I personally would hate someone other than my SO and I being there but i feel like he would like that sooo)

X = XOXO (How affectionate are they? In public/in private)

He's affectionate in public and in private this man does not care i feel like touch is one of his love languages but if you are not into PDA he'll understand and try to stick to only hand holding or small lingering touches.

You know the hand flex? Yeah that was James Potter the first time you two touched before you two got together.

Y = Yearning (How well do they cope when they’re separated from their S/O?)

This man is dramatic when he's away from you even if it's just an hour (I feel like James is sometimes dramatic for shits and giggles and then people actually believe him), this man acts like it's been ages and most times someone will have to just call you so he stops mopping around. (One time when school was off it hadn't even been a full day and Euphemia had to come look for you and ask your parents for permission so you could spend a few days with them, so James would stop complaining.) If it's absolutely impossible for one of you to visit the other, the amount of letters that the two of you send each other is insane (think about texting but with letters.) your poor owls deserve better. sksk.

Z = Zen (What makes them feel calm?)

You.

Literally, the thought of just being with you makes James feel calm, he wants the quiet mornings and the late night pillow talks with you. Just whatever life might throw at you two, but if he's by your side, he's confident everything will be alright.

[kazimakuwabara]

I remember seeing some art for a genderfluid Kuwabara on here, and you mentioned thinking up a fanfic of that. I really loved that idea, so since you’re taking requests, would you still want to write that, if it’s no trouble?

I'm actually still writing that fic! I've got about a dozen chapters written, but it's been slow going. A lot of research, second-guessing, things of that nature. Since I am writing that fic I'll share part of it with you. Here is a couple pages from the Genderfluid Kuwabara story. The working title is: Fluid, Like Friendship.

Hiei, oddly enough, has seen Kuwabara in lipstick three times now.

This third time, outside a convenience store, with Kuwabara a little tipsy, and leaning down to apply the cheap product to his lips via the car’s side mirror, seems somehow significant.

Really significant.

The first time Hiei had seen it, Kuwabara was asleep, and fifteen. Maybe fourteen. Hiei wasn’t sure about either Kuwabara or Yusuke’s ages during the dark tournament.

Hiei was still hiding his injured hand, and everyone was quietly stewing over the wins and losses in their prospective matches. Hiei had wandered back into his shared hotel room, and spotted Shizuru, Kuwabara’s apparent elder sister. She was sitting on a bed, leaned over a hulking body, who Hiei assumed was Kuwabara.

Moved by curiosity, he came to see what she was doing.

To his shock and sudden amusement, she was putting a bright pink lipstick on her sleeping brother’s face. The lipstick was being applied liberally, but smoothly. It did not suit his pale skin or copper hair… too… clashing. Too bright.

“The colors don’t suit him,” Hiei remarked.

Shizuru, to her credit, does not jump or flinch. She finished with the lipstick and then pulled out a green powder, which she applied to his eyes. “That’s not the point,” she added once one of his eyelids is dark green… which is actually nice against his skin.

“...What is the point?” Hiei asked.

“Payback for running off to this stupid thing, and not telling me!” Shizuru grumped.

And then she looked at Hiei.

She looked at him for a long time, and Hiei looked back. This was Kuwabara’s sister, he had heard her name mentioned, and idly Yusuke had named her and pointed her out. He'd not thought much about her, but now they were looking at each other, and he was forced to see her.

She did not look much like Kuwabara… and yet she does. Her hair is more brown than auburn, but there is a touch of softer red hues there. She is tall, taller than Kuwabara, and while female her shoulders are broad. They have a similar eye shape, but after that, the similarities die off. There’s someone else in her genetic makeup, someone else that kept her apart from her brother.

“So you’re Hiei?” Shizuru mused, and there was a sad little lilt there, like she knew something.

Hiei frowns as his own senses tell him that she does.

She looked away and then instructed, “Look after him.”

“Ask the Detective to do that,” Hiei snorted.

Shizuru laughed, “These words are for later. Not for the tournament, and not for what comes after. You'll remember these words years from now. You’ll get it…” She finished Kuwabara’s eyes, and pulled out what looked like a thin black pen. “Also… wait for fifteen minutes. You’ll get to enjoy a show.”

Hiei walked away from Shizuru and Kuwabara, and took his spot by the window and loitered around for fifteen minutes… just to see what would happen.

Shizuru left ten minutes in.

At the end of minute 14, Kuwabara wakes up, and sits up, yawning groggily. At minute 15, Yusuke, Kurama, Botan, and Genkai walk in the room. Yusuke sees Kuwabara’s face and explodes with laughter, immediately giving Kuwabara shit. The room gets loud, Kuwabara screams and screeches and has no idea what is going on. Botan and Yusuke are laughing and pointing like children, and Kuwabara gets up from his bed, and chases them around the room.

…It is all amusing to watch, and Hiei has to hide a smile.

He doesn’t really understand whats so embarrassing about wearing  makeup for Kuwabara, but humans wear it to look pretty instead of to make war, or send a message. So he assumes its another difference between humans and demons he does not understand.

When the room settles down, Kuwabara goes to clean his face. He looks at his eyes the longest. The green shade is the only nice part about the makeover his sister gave him. It looks nice, it suits him. It reveals the blue hidden in the dark ring of his eyes. Hiei thought it looked good on him, and judging by Kuwabara's hesitance, Kuwabara seemed to think so too.

Kuwabara wiped the makeup away, and Hiei eventually forgets this moment, until he sees Kuwabara in lipstick for the third time.