#also from an american stand point
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tuxebo · 4 months ago
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You’re pro Israeli?
Yes, I am!! :) 🇺🇸❤️🇮🇱
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wishchip106 · 25 days ago
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if season 2 of xmen 97 doesn’t show more of them WHATS THE POINT
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i need every piece of content where they’re in haifa i’m going to read all the comics
just gonna have to ignore the fact charles was dating gabrielle at that point
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ginalinettiofficial · 1 year ago
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played the game ok boomer at my family party today, ended up explaining to a room of ~20 of my relatives what fanfiction is so they could understand the question, “in fanfiction, what does AU stand for?”. and then the card’s definition of “AU” was wrong so i also had to get into the concept of “canon”.
can u believe. in front of my whole family. a room full of people, aged 3 to 80. all staring at me intently as i explain the difference between an alternate universe and canon divergence. at one point my mom was like “daina i think we get it” and a cousin and two aunts were like “wait no we’re interested please continue” and i had to say to my own mother in front of god and my i am kenough sweatshirt “sorry but unlike you the rest of them DON’T have to listen to me talk about fanfiction on the regular”. my uncle is a retired judge. my one cousin worked for the federal government in a job that was so classified that for years he literally couldn’t legally tell us about ANYTHING he was working on. and today those men sat and patiently listened to me define “coffee shop AU”.
also, not one, not two, but THREE of the answers for the young folks, i knew solely because they were either plot points on stranger things or they were things i found out whilst reading stranger things fanfics. and then i was the only person in our age bracket (10 people, ranging from ages 9 to 42) that knew who anne rice was, and had to explain yet again that the reason i had this knowledge was because… fanfic.
it was surreal. also my aunt, aged 68, may or may not begin attempting to read fanfic now because, according to her, “there are so many stories where there are these small side characters and i’d just KILL to hear their backstory or like what was going through their minds during the main action!” i’m very happy for her. today was wild.
#d speaks#the things i knew because of stranger things: who ripped a bats head off on stage. what year the challenger exploded. the ghostbusters theme#in case ur curious the way the game worked is there was a set of questions for people born pre 1980 and a set of questions for people born#post 1980 and you split into the two teams and you take turns reading trivia questions to each other#the questions for the young ppl were things like above - who wrote interview w a vampire#what year did the challenger explode. who are the fab four. true or false elvis had a twin.#the questions for the old people were like: what does BAE stand for. in fanfiction what’s an AU. who won the first american idol.#it was a weird game but very educational#and funny to play with my little cousins because as i said anywhere from 2-4 of them are gen alpha depending on how u define it#so it was very interesting to see what sorts of things have been passed down culturally and what sorts of things stayed solely in their time#it was sort of reminiscent of are you smarter than a fifth grader in some ways#also no one asked but. the teams were:#old team: 4 solid boomers. 3 boomer/gen x cuspers. 3 gen x’ers.#young team: 2 xennial cusps. 2 millennials. 1 zillennial cusp. 1 zoomer. 2 zalpha cusp. 2 gen alphas#and then also our 3 year old cousin who technically is gen alpha but he was more moral support than anything you understand#though at one point he DID declare that he wanted to play - picked up a card and ‘read’:#‘santa comes he eats the milk and cookies. poop goes in the potty’ in the EXACT cadence of someone asking a trivia question lmfao#love that kid. he also told me a few knock knock jokes#mainly they were like. knock knock. who’s there. candy cane. candy cane who. candy cane on your head!!!!!!!!#a true comedic genius that boy
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die-tenebris · 3 months ago
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a basic human right to privacy and solitude is just as important as being in community and being able to socialize
#I know that american individualism is a plague but My God I literally am so fucking deeply completely utterly goddamn burnt out#From being constantly unendingly forced into close proximity to other human beings every single goddamn moment of every single goddamn day#And holy fuck. God. Please. I fucking beg. Oh my fucking god like I'm legitimately so so desperate for any amount of peace and quiet.#God I beg. On my actual hands and knees. I want away from all these animals that aren't mine. I want away from all these people and noise.#Fuck me I want to be able to afford to live alone. God damn me. I don't need to live lavishly or even eat every day I do not care at all.#I want space. I need it. Prolonged lack of access to actual privacy and space is actively eroding me I can feel it more and more every day#Okay. Vent over. Time to deep clean my room with headphones for as long as my disabled already aching body can tolerate#Also um lmao I fuckin' hate the stupid rhetoric about how humans neeeeed to be social. America neeeeds to be forced out of individualism#Like yeah. But all goddamn offense I'm forced 24/7 to share space with humans and I can stand it but god fucking damn it cannot be constant#And it has been so rare in my experience that anybody I know is actually privileged enough to move away from home or be away from people#Like I'm fucking tired. I'm wore out. I'm over it all. I'm so autistic. I love people. Genuinely. That's the point of life.#But fuck I need time away. I just do. This isn't good and I can't stand it.
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thisblogisforprivatenotes · 10 months ago
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Reading about fucking conservative freaks using "judeo-christian values" to justify their bigoted policies towards queer kids in the education system
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#also im so gd sick of righty xtian types pretending they give a fuck about jews#when what they really want is an excuse to shit all over muslims#it so goddamn transparent its so fucking transparent#“judeochristian” as a term is absolutely foul and just seeks to marginalize muslims#frankly if u wanna talk broad religious similarities you may as well say “Abrahamic”#but if course the whole point of “judeo-christian” is to pry us away from our muslim siblings#if u see someone use the phrase “judeo christian” theyre not necessarily an asshole but its a red fucking flag#when you see a fundie christian talking “judeo christian” values theyre using us as a smokescreen#they dont mean you or i#the only jews theyll tolerate is the likes of alan dershowitz or bem shapiro#and even then their contempt for those allies is very very thinly veiled at least where im standing#sorry im ranty today sorry#dont let ppl rhetorically frame american religious culture as a “judeochristian” coalition against muslims and secularists#its patented bullshit its counterproductive it harms jews and it harms our brothers dont forget#allying us rhetorically with hegemonic xtian values harms us and it harms our brothers and its not fucking true fuck you fuck you fuck you#i see this rhetoric increasing in usage because of gaza#because conservative distaste for jews is trumped by conservative affinity for fascists i suppose#and distaste for Muslims or at least those they can reasonably classify as broadly muslim regardless of actual demographics#this hand extended in friendship is fake its a fucking lie#they want us to turn our backs on our brothers dont fucking do it!!!!!!
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seaglassdinosaur · 1 year ago
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I find it low-key funny that we get individual episodes that explore Joe and Sam’s ethnic, cultural, and familial heritage, and then Fred is just over there. With his hecking. Baseball cap.
#he truely is The white boy of the group#and yes Sam is white too#but Fred is White#while Sam is polish-American (right? it was Poland?)#if they did a second season they might’ve gone into his background#but if I rebooted it I might like to explore the dynamic of white cultural disconnection for Fred#because sam and Joe know where they’re from. their families held onto that stuff#but Fred doesn’t have that ep. maybe there’s a class project and he sees Sam and Joe having a great time w their family trees and cultures#and he wants to understand that better. or feels miffed that his ancestors gave up their culture in coming to America#freida’s there too but da da da. plot#and the Freds get to meet and witness their ancestors both in their home country#and the struggles of immigrating. of the difficult choice between assimilation and maintaining a unique cultural ID#and then F and F understand that and the gang also witnesses the blends of culture within the US#so like. Italian-American cuisine. the Jewish-American influence and comic creation#something else I don’t know a lot of stand-out mixed American-immigrant cultural points#but the point is. the Freds come to identify more with their background and feel better about it#(I want slightly heavier subject matter see? them understanding the difficult pull immigrants had to deal with back in the day and still do#and them not resenting those who came over for not carrying on the culture)#anyway.#my post#time warp trio#twt
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dankovskaya · 2 years ago
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Ok I watched. The one horror movie on his filmography and that was um. That was um.
#It's one of those really grounded ones which have to potential to actually freak me out more than any other kind of horror movies#(like green room)#where there is nothing at all supernatural or paranormal or even just over the top#It's abt a couple of hyperpatriotic veterans living in the woods and posing as customs agents who stop a group of americans#coming back from Canada and. keep them in cages and torture them until they die to ''protect the country'' or whatever#And like yes until they  all die. Off screen. there's no resolution whatsoever and no ''final girl'' or anything#And it does a weird thing where you stop seeing any of them like 20 or more minutes before the movie ends and it completely switches over#to following the private investigator sent to search for them and establishes a lot of stuff about him 😭 AND THEN HE JUST DIES TOO?#I wouldn't necessary care about no one ''winning'' if the villains weren't so expressly bigoted ig#Micheal's character specifically has a ''muslim sounding name'' so he gets constantly tormented over being a ''terrorist'' throughout#the whole thing and it seemed like he was being set up as like the. The Hardest One To Break or something so I was really expecting#him to turn the situation around or at least be the last one standing but#No they all just got killed at an unspecified point off screen I guess and the last shot of the movie is#one of the freaks cleaning out the shipping container they died in for the next batch of subpar americans to get killed in I guess#Like ok the bleakness was intentional ofc but it also just felt like. Well what was the point of all that then#ALL OF THT BEING SAID I actually liked it more than I thought I was going to based on the description 😭
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where-does-the-heart-lie · 5 months ago
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ASL brothers HAIKYUU!! AU!!!!!
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Day one of Self Indulgent month for me! I love these three, i love haikyuu, i love killer whales!
(The Naval Academy is this au’s version of marines)
For those who dont know, in Haikyuu (and prob in real life too but in my experience its not as important as they make it in the anime) The "Ace" of the team is the person who primarily scores points via spiking. Theyre the Hard Hitter, basically.
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Design talk👇
Originally, i was gonna make their school mascot just "The Pirates" but i couldnt figure out a clever pun with the school name so i scrapped it in favor of an animal mascot. I figured I would have a wider range of puns that way.
I landed on Orcas as the mascot because I think they really embody a pirate way of life. Theyre strong, hang out in groups of a mix of found family and their actual family, hate the rich, and theyre fun loving! And also im a bit biased because theyre my favorite animal, but hey, i said its self indulgent month, didnt I?
Their school name is a play on the word for Killer Whale (Shachi シャチ) and the word for 'knowledge' (Chishiki 知識), i just smashed the two words together. I'm very proud of myself for coming up with that given i dont speak japanese at all.
Anyway, with their designs, I was taking inspiration from orcas to match the design themes of haikyuu. Ace's hair is bleached on the underside to look like the underside of an orca's body, I made ace and sabo's eyes look more whale-like, the clip in sabo's hair is meant to resemble to spots behind orca's eyes, and I tried to make luffy's hair look more like it's round and spiking down more than i usually do.
Ace is wearing a ''way of the ace" shirt in the first picture, Luffy is wearing a shirt that just says "VOLLEY BALL" because i think it would be funny if he wore a bunch of those Zero-context-poorly-translated-random-english-words shirts that theres a bunch of in Asia. Sabo dyes his hair like delinquents do, but it doesnt much look delinquent~y because of how soft it looks. He means to do it to make him look like a delinquent though. Sabo still has his scars in this au, but he uses his hair, arm braces, and leg braces to cover them up. LUFFY AND ACE HAVE FUNKY SOCKS BECAUSE NO ONE CAN TELL THEM (or me) THEY CANT. Sabo wears athletic socks though because he's a debbie downer. He defends himself saying “It’s practical” and Ace and luffy call him “practically a Debbie Downer.”
Luffy is very good at receiving from growing up with Sabo and Ace practicing setting and spiking with eachother and assigning Luffy as Ball Boy. So he got the libero position from that cuz sabo and ace put in a good word for him. Nepotism.
I didn't feel like coming up with designs for them, but Zoro and Bepo are also on their team (theyre in the fifth image sitting on the right of the line of students). Koala and nami are student managers, Robin is the teacher manager, and Franky is the coach. all other straw hats/luffy friends, rev army comrades, and whitebeard brethren are in the stands. Im trying to keep the ages consistent with how they are in canon.
I didnt do a very in depth research, but i couldnt find what Japanese schools have as mascot costumes. and given no one wears any costumes in haikyuu for their team, i can kind of assume they dont use them over there. But unfortunately for them, I'm American. And part of the backbone of our schooling system, is Vaguely Unsettling Mascot Costumes. My sister says my design for it looks like its from Club Penguin, and i find that delightful. [moment of silence for my billions of fallen Puffles, taken from me in The Shutdown] Anyway.
I thought I was clever coming up with the equivalent of the Marines in this au being a Naval Academy. And their mascot being Seals, famously the animal that gets the absolute Worst Of It from orcas. Get shit onnnnn
I believe thats about it, thanks for coming to my ted talk :)
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sinofwriting · 8 months ago
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I ❤️ MILFS - Max Verstappen
Words: 9,747 Summary: Max wasn’t too sure who the woman was that was always with Logan, but he was sure that he wanted to get to know her. Note(s): Sargeant Reader, Age Gap, Older!Reader, Logan and Oscar are both 20 during the 2023 season, not 22. The 2023 driver standings are different (I am giving Logan the season he should have had). Reader has the nickname Pan (short for momma panther). Logan is sweetheart, Max is head over heels in love. I’m gonna be honest I never thought this fic would get written or finished. I got the idea for it back in December but only started writing it on March 16th. And it would have never happened without @burningcupcakefire & @pucksandpower. Thank you both so much for all your help. (also if anyone wants to see more of Max and Pan, let me know)
Masterlist | Support Me! | I ❤️ MILFS verse
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Max remembers the announcement of Oscar’s arrival to F1, the drama and hilarity of it. Sometimes he sees the kids name and has to stop himself from laughing. No nineteen-year-old had any business being that funny.
Max doesn’t remember much of Logan’s announcement to F1. Only that he was young as well, being the first American in forever, and Williams' quick admission that they hadn’t wanted to sign, had wanted to wait another year.
He wishes now that he had paid more attention.
There’s a woman standing in the William’s garage, on Logan’s side. She’s clearly there for him, with the similar pass that his trainer has around her neck, and the way her eyes intently follow Logan’s movements around the garage as he talks to the mechanics and engineers.
She also happens to be the most beautiful woman Max has ever seen.
She can’t help but clutch at Benny’s arm the whole race, terror gripping her along with pride.
Benny chuckles when the race comes to an end, Logan doing his cooldown lap and she finally lets go. “And just think you’ve got over twenty more races of this.”
Her nose wrinkle and a hand goes over her heart that’s thudding. “Please, Benny.”
He chuckles again but pats her shoulder. “You’ve got this.”
“Not gonna tell me it gets easier?”
He snorts. “No. This is far worse than F2 or F3 and we still were both scared watching him out there. We’ll never know a day of peace now.”
She sighs, watching the screens as it shows the top three getting interviewed and in the background you can see some of the drivers getting weighed. “He’s going to be sore and in pain.” It makes something clench inside her, the knowledge that Logan would be in pain. It was part of the job, the aches and the bruises, but it didn’t make it any easier for her to know.
“I’ve already got everything set up as soon as he’s back and debriefs are done.”
Her eyes catch on the screen showing where all the drivers placed and tears prick her eyes and she shakes her head. “Twelfth in his first grand prix. I can’t believe it.”
The garage is filled with chatter as the team celebrates getting their first points of the season and their rookie driver performing better than they expected. The way they don’t even try to whisper it makes her jaw twitch. She was grateful that Williams was giving Logan his dream, but she didn’t like how they were going about it. Quickly and publicly stating that they didn’t want to sign Logan yet, wanted to wait a year. And now this.
A light nudge to her ribs makes her unclench her jaw and she gives Benny a grateful smile.
Both of their attention is quickly drawn however to the two Williams drivers entering the garage, the space filling with cheers.
She smiles as Logan grins at the team, basking in the smiles they have on their faces for him and Alex, the pats on the back he’s getting. The grin turns to a beam when he spots Benny and her and he quickly bounces over to them.
A laugh leaves her at the way Benny pulls him into a bear hug, lifting him off his feet a little. “Proud of you, kid.” He murmurs.
She can’t hear what Logan says, but he’s put down and it’s her turn.
She wants to bundle him up in her arms, hold him and not let go, but doesn’t want to embarrass him in front of his team, so she raises a hand and pushes his hair out of his face. “You did amazing, baby.”
He smiles at her, all bright and shiny eyes and then he’s wrapping his arms around her, hugging her tight and she’s quick to return it, rubbing his back.
“You did so good, Logan. So good. I’m so proud.” She tells him again, pressing a kiss to his sweaty head.
“Thank you, momma.” He tells her, hugging her tight for another moment before letting her go.
She smiles up at him and god, that makes her heart ache. Her son, her baby, taller than her somehow. She woke up some days and still wasn’t sure where the time had gone and how he was taller than her shoulders. “Go shower and debrief and then Benny and me will take care of you, yeah? And I’ll get your favorite ordered to the hotel, ready as soon as you get there.”
He beams at her again, darting forward to press a quick to her cheek before starting to rush away. “Best mom ever!” He calls over his shoulder and she laughs.
Y/N Sargeant will never forget the first time she held her son, only then at nine years old, he had been her cousin.
Logan was small, wrinkly, pink skin, and full of small cries. She could remember staring at him with furrowed eyebrows, trying to understand how he could be what her baby dolls were made to be like. She remembers her mama having her sit on the couch after asking her if she wanted to hold him and how she had quickly nodded, hoping that maybe holding him would somehow make him look better.
She remembers the sudden nerves that built in her stomach as her mama started to hand him to her. Remembers being scared that she would drop him, remembers thinking how stupid it would be if he was still weird to look at like this.
And she remembers finally holding that and it disappearing. His small cries, no more, his wriggling calmed down, and his wrinkles no longer looked weird but cute. She remembers holding him for the first time and feeling unconditional love for the first time in her life.
She’s twelve when she realizes that her uncle and aunt don’t like Logan much. It didn’t make sense to her then, still doesn’t know. Because they liked Dalton just fine, but not Logan.
She remembers asking her dad about it. Asking him why they didn’t love Logan, but loved Dalton and worse, she remembers the pained look in his eyes as he realizes that his child picked up on what he and his wife had as well.
It’s the first hard adult conversation she has with her parents and it’s fitting that it’s about Logan, as they sit her down and talk to her about how not all parents love their kids, and how sometimes that includes them only loving one child and not the other.
She remembers clearly the first time Logan calls her mom.
It’s her fourteenth birthday and she’s got the four-year-old in her lap as she sits in a rocking chair, reading her English essay aloud for him. Logan’s eyes are closed, head resting on her chest, over her heart, and his little fingers of his one hand are curled in her shirt right by his head.
She wants to sit there forever, reading to him as she rocks back and forth. But she wants another slice of cake before Martha puts it away and Logan needs to sleep in his bed where he can stretch out fully and drool on his pillowcases and not her shirt that Martha will surely tut over but then smile fondly when she sees Logan doing it all over again.
Setting the essay down on her dresser, she runs her now free fingers through his blond hair. “C’mon Logan, time for bed.”
He grumbles, fingers tightening on her shirt and she can feel it being pulled slightly.
“You can put on your new race car jammies, cuddle with Ello.”
He shakes his head, squirming a bit in her lap as he tries to shove himself closer. “Stay with you.”
“Oh, baby.” She whispers, pressing a kiss to his forehead. “Y’know I’ll stay with you until you fall asleep.”
His head shakes again and she has to bite her lip as his head hits her collarbone. “Want cuddles, momma.”
Her heart thuds painfully in her chest at the name he called her, tears pricking her eyes. “Okay, baby. Let's get you in jammies, grab Ello, and you can stay with me tonight.”
She’s only been eighteen for ten hours when she asks her father for the near impossible.
“I want custody of Logan. I want to adopt him. And I need your help to make that happen.”
He stares at her, no expression on his face, not even shock.
“He’s,” She pauses, jaw twitching and tears springing to her eyes. “He wants to do karting, just like Dalton. And he’s good at it. I’ve taken him. They told him no. They haven’t bought him clothes in two years. They don’t know a single thing about his school, his grades, his teachers. He hasn’t called David dad since he was six and he hasn’t called Madelyn mom since he was four.” Her hands are formed into fists, nails digging into her palms as she speaks. “I have money, I can provide for him. I’ve got my shares of the company now and I’ve got my inheritance from Grandma Talls. But I know that a judge won’t sign off without some influence.”
“Madelyn and Daniel?”
She leans forward in her seat, a spark of hope filling her. “I already talked to them, they’ll do it.”
One of his hands comes up to rub at his mouth, sighing. Then it drops to open up one of his desk drawers and he’s pulling out a bunch of papers, dropping them on the desk in front of her.
“I figured this was gonna happen and I knew after you talked to them and they called me. They signed away their rights three hours ago. Michael and Lily are waiting outside to come in so you can sign the papers.”
Tears slipped from her eyes, joy wrapping itself around her entire being from his words, the fact that he called their family lawyer to be on standby, that he and her mother were so supportive. “Thank you. Thank you so much.”
He smiles at her. “I couldn’t say no to you. Not when it comes to Logan. I’m way too young to have a grandkid, let alone one that’s eight, but I made my peace with that years ago.”
“Thank you.”
Max watches the free practice session coverage intently as they focus on the Williams garage, nose wrinkling when they focus on Logan’s trainer, Benny and then James Vowles. Could it really be possible that they never once caught a shot of her? He starts to get a sinking feeling in his stomach that he's gonna have to go on Twitter when the camera moves and suddenly she’s there and he’s scrambling for the tv remote, pressing the pause button just before the camera switches to an overhead shot of the Bahrain track.
His heart skips a beat as he gets his first good luck at her. Her pretty eyes and smile. His eyes then travel down, wanting to know her name and his heart drops.
Y/N Sargeant, Mother of Logan Sargeant.
Fuck.
“Momma Panther!” Oscar greets to the confusion of other drivers as Logan and a woman enter the room.
Lando’s eyebrows are raised as he watches Oscar stand. Watching as his teammate claps Logan on the back, before giving him an actual hug. Before he then hugs the woman as well, whispering something to her that makes her laugh.
Pulling away from her, Oscar grins when her hand comes up to pat his cheek for a second. “Thank you for the invite, Os.”
“Of course.” He sends a fond look to Logan, who's standing awkwardly by the table.
“Y’know Logan and you are always welcome.”
She makes a humming noise.
“C’mon, let me introduce you to everyone.”
Turning around, he smirks at the table. “Everyone, Logan.”
Charles lets out a laugh, as the others chuckle.
He gestures to her, “This is Momma Panther or Pan.”
“Y/N or Pan.” She corrects, playfully shaking her finger at Oscar. “I only let the F2 boys call me Momma Pan.”
He sighs. “Okay, this is Y/N. Logan’s mom.”
Lando coughs, water going down the wrong pipe. Fernando’s eyes are wide as he looks at her. Charles, George, and Alex are all nodding. Max has a weird expression on his face and Carlos looks dumbfounded.
“She,” Carlos points at her. “Is his,” he points at Logan. “Mother?”
Logan moves away from the table to stand by his mom, easily melting into her side at all the attention. The action makes Oscar smile, all too used to the easy affection between the mother and son. “I got pretty lucky right?”
She shakes her head. “I’m just happy you weren’t a difficult child.”
Logan both blushes and preens at the same time.
Carlos shakes his head, disbelief still clear.
“Please, sit.” George says after a moment. “We haven’t ordered yet.”
The seasoned drivers and her watch amused as both Oscar and Logan usher her to sit first. Oscar easily then lets Logan sit next before sitting beside the American. The two of them sharing a grin after.
It makes her shake her head as she turns her attention to the menu, tuning out the sound of conversation picking back up.
The gentle sound of a throat clearing makes her glance to her left.
The current two time world champion smiles a bit awkwardly at her. “Have you been here before?”
She shakes her head, turning her head a bit to look at him better. “No. To Australia of course, for Logan’s races and to visit Oscar once, but not here.”
He nods and she can’t help but notice the way he swallows harshly. “We started coming here in 2021, it’s good food. Good drinks.”
She laughs, “good gin and tonic?”
He flushes a little, but laughs. “Yes. Very good. Heavy on the gin.”
She nods, “I think I’ll have one of those then.”
Her eyes drift back to the menu, not even wincing at the prices next to the dishes. This was nearly cheap compared to where she had been forced to eat growing up.
“Momma, can we,”
“Yes.” She answers before Logan finishes, already knowing what he’s asking. “Also you two, no hard liquor. We have plans tomorrow.” She continues, still looking at the menu.
They wouldn’t get drunk from a few drinks, but she had a feeling that Lando would try to instigate something again with Oscar, making the poor kid so drunk he could barely walk, again. And she didn’t mind people thinking that she was overbearing with Logan and even Oscar. The boys knew that if they really wanted to do something they could, even if she said otherwise. It was one of the nice things about being an adult.
Logan wrinkles his nose, glancing at the drinks part of the menu, before grinning. “They have it.”
Oscar glances at what he’s pointing at, shaking his head. “You and your goddamn obsession.”
“We come here like once a year.” Logan defends. “And no other country sells it.”
It’s not until after the server leaves, all of their orders taken, that conversation starts again.
“So, Mrs. Sargeant,” Lando starts.
“Just Y/N or even Pan.” She sends a fond look to Oscar who had made that nickname stick. “And I’m not married.” She says, amused.
“Ah.”
“Not married.” Fernando shakes his head. “Now that doesn’t sound right.”
She looks at him amused. “Don’t believe in premarital sex?” She teases.
The older driver laughs and so do the others. “No. Just hard to believe that you aren’t married. You are a very gorgeous woman.”
“Thank you.”
“So,” Lando starts again, giving Max a weird look seeing how his friend is gripping his glass of water. “Will you be coming to all the races?”
She nods. “Yes, I have since Logan started his career. Haven’t missed one.”
Logan shakes his head, grinning at her. “Nope, not one.”
“Your work allows you to do that?”
Her lips press together for a second to try and hide her smile at the gentle but obvious fishing they are doing. “I have shares in some companies and a very generous inheritance. So, no true, real work.”
“You do some work for Grandpa when we’re in the states.”
“I organize his desk for him, which he then messes up as soon as he sits back down at it.”
“You do not mind the constant travel? It is quite tiring.” Charles asks, curious.
“No. And once I got Logan in karting, I promised him that I’d make it to all of his races. Maybe in a few years, I’ll stop going to all of them, but I am part of his team as well.”
“Manager?”
“God, no.” She shakes her head at Carlos’ assumption. “Cook slash nutritionist. Benny, his trainer is amazing, also doubles at being a physiotherapist for Logan, but he doesn’t know how to cook to save his life. So I make their meals.”
“Mine as well.” Alex pipes in. “They’re truly amazing, by the way.”
“Thank you.”
“Can you make mine again?” Oscar asks, leaning over Logan a bit to look at her. “I’ve missed having them.”
“Sure.” She laughs. “Get me your new sheets before the next race, yeah?”
“Done.”
Max watches from the corner of his eyes as she takes her first sip of her gin and tonic. Her brows raise a bit when the drink hits her tongue and he has to force his eyes up, to not focus in on her lips, to think about them and what they’d feel like on, he shakes his head. Forcing the thoughts, the ideas away.
“Very heavy on the gin.” She whispers, turning a bit to look at him.
He rubs his hands against his jeans. “Do you like it?”
“It’s nice.” She smiles.
Relief fills him. “Good.”
He continues to look at her, wanting to tear his eyes away but being unable to. She was simply lovely. And getting this closer look at her, he can’t believe that she’s a mother, or at least a mother to a twenty-year-old. It didn’t seem possible. She looked barely older than him. Not at least thirty-five. She was probably more like Fernando’s age as well and he glances at the fellow two world champion, more disbelief filling him. Because how could the two be close in age at all?
Logan sighs as he collapses face first onto Oscar’s bed. Laying there for a solid minute before groaning and turning his head.
“Dinner was nice.”
Oscar hums and he can feel the bed dip beside him.
“You seemed a bit more relaxed.”
“No media, and you and Pan were there. A bit more relaxed.”
Logan scoffs. “Yeah, because you were so tense with media before.” As he speaks, he reaches out to lay a hand on Oscar’s thigh, giving the muscle a squeeze. “It’s nuts, isn’t it? I mean we all got told that the media was so much more, so different, but…” He trails off, shaking his head.
“Yeah.” Oscar sighs and then he’s laying beside Logan, the American luckily moving his hand off and away from the other’s thigh before he lies on it.
“Y’know I have no personality, apparently.”
Logan snorts, eyes opening when he hadn’t even realized he had closed him. The Australian driver also has his head turned so they’re looking at each other. “What? Have they never seen a Prema video?”
He shrugs as best as he can.
“I’d take that over my apparent frat boyness.”
“You? A frat boy?” Oscar laughs.
Logan sighs as he thinks a bit more about it, the mood turning a bit serious. “I just hope momma hasn’t seen it.”
“What happened?”
“She’s just worried. Thinks I haven’t noticed, but she’s wondering if she did a good job with me, done enough for me. And she’s given me everything y’know. I can’t imagine what I’d be like with them as my parents.”
Oscar moves a bit closer, just a few inches between their faces now. “You’d still be amazing, still great. Maybe a frat boy.”
The American rolls his eyes, but he’s smiling.
“I think Fernando has a thing for her. For Pan.” He clarifies.
“What?”
“I mean, just during the dinner y’know, he kept looking at her. And him calling her gorgeous.”
“Well, he’d be dumb and blind to not notice that.” Logan scoffs, rolling onto his back and turning his head to the side, keeping his eyes on Oscar.
“I’m being serious.” The younger laughs, poking him lightly. “I think Alonso has a thing for her.”
Logan’s face scrunches up in disgust. “Dude, no. That’s gross. Momma isn’t even thirty and Fernando’s like forty-three. And isn’t he dating that journalist?”
Oscar’s brows press together. “What journalist?”
“The one that gave Fred shit.”
“I thought she died?”
The two look at each other, both baffled.
Logan thinks again of the journalist he’s seen around Fernando and the one that all of the Prema drivers, former and at the time current, had avoided or given shit statements too. They did look a bit different now that he really thought about it. Fernando’s journalist slash girlfriend didn’t have a fucking complex.
“Different journo.” Logan mutters. He then blinks, “wait, she died?”
“Mate, you didn’t hear about that?”
“No!”
“She was supposed to be at Spa, remember. And we all were relieved when she wasn’t there. She died, car crash or something, I can’t remember.”
“How do I not remember this?”
Oscar shrugs as best as he can while laying down. “I don’t know.”
It’s silent for a moment, “you don’t think,”
“No.” Oscar shakes his head, but he doesn’t sound too sure. “I mean, yeah no.”
“Right.” He looks up at the ceiling.
“Okay, so Fernando is out of the running.”
Logan groans, “Os, no.”
“Look he clearly has eyes, but if he’s dating someone he’s out. He wasn’t the only one looking.”
“Oscar, please, it’s my mom.”
“She’s like my mom too, which is why we have to talk about this.” Oscar insists, wriggling closer to Logan. Their sides completely pressed together and when Logan turns his head to look at the other, their noses nearly brush.
He looks at Oscar’s face, all earnest and caring and sighs. “Fine. Charles was looking, but he only dates one type, so safe from him.”
“Lando was looking.”
Logan snorts, “I thought this was for potential dates, not another kid.”
He laughs, their noses brushing together from the movement. “Okay, no Lando. Max.”
“He kind of looked weird when you introduced her.” He frowns.
“I saw that too.”
“But he also got all blushy when they talked.”
“The drivers do know, I mean Alex knows that she didn’t like birth you, right?”
Logan’s frown deepens. “Of course. I mean, it’s not super well known, but it’s a little hard to believe that she naturally had a kid twenty years ago.”
“Thought so.” Oscar then chuckles. “Imagine, them thinking that she did, though. Just thinking she’s got some sort of insane skin care routine.”
“How in the hell does she look like that with a twenty-year-old kid?”
“I know right?” Alex says, looking at Carlos. “It’s insane.”
Charles pokes at his own cheek. “I think I need to ask her for advice, what products she uses. I want to age like her.”
“We all want to age like her.” George agrees.
“What are you saying?” Fernando frowns.
A few of them share a look, but Charles and Max share a different one. “Mate, you’ve got wrinkles and all these lines.” Max says. “I mean those are natural, but look at her. The skincare helps.”
Fernando frowns, “Lines?”
Charles touches at his own lines, “see lines. From smiling, laughing, frowning. All good things, very nice. Just not uh,” his brows furrow drawing a blank.
Lando snorts at his struggle. “You just want to help your skin. Keep it healthy.”
The older driver makes a humming noise, considering.
Her breath is caught in her throat, eyes wide as she watches the screen. Her heart feels like it is beating in double time. She wants to look away, doesn’t want to watch in case something horrible happens, but she can’t. Because Logan just overtook both Magnussen and Ocon in the same lap. Logan is in 9th. Logan is in a point scoring position with only five laps of the race left. Logan might score his first formula 1 points at his home race, at his actual home race, at his first ever home race.
Her hands are shaking, fingers locked together as she presses them against her mouth, trying to breathe, praying that Logan won’t fall back out of the points.
She doesn’t even notice that he’s lessened that gap to Pierre until suddenly he’s overtaken the other French driver, just three laps later. “Oh my god.”
“Fuck.”
“Benny,” she whispers, and one of her hands is dropping so she can clutch at the older man. “Benny, I think,”
“He’s gonna do it.”
And sure enough he does it. Logan holds his place in front of Pierre and finishes in 8th.
“Yes!” The whole garage is cheering and she’s wrapping her arms around Benny, laughing when the trainer lifts her.
“He did it! He did it!” She cheers.
The garage quiets though as Gaetan starts to speak on the radio.
“Logan, you are on your cooldown lap.”
“Got it. Where’s Alex?”
She winces at the question, one of her hands grips at Benny’s shoulder as he sets her back down, the other holding onto her headphones that miraculously didn’t get thrown off her head or disconnected when celebrating. “Alex is P14, P14.”
It’s quiet for a moment. “Okay, I’m sorry we didn’t get any points today, next race is ours right? The car felt great.”
Both of her hands fly up to her mouth.
“Logan.” Gaetan’s voice is full of disbelief and laughter. “Mate, you finished P8. You got us points. You got your first points.”
She can see him react to the news, the car jerking underneath him for a second, before he wrangles it back under control.
“What? What do you mean?”
“You finished in P8. Clean race, finished ahead of both Alpines and Magnussen.”
“Holy fuck.”
The garage fills with laughter at his reaction and tears start to build in her eyes.
“You guys,” his voice breaks. “Thank you guys so much. This was you guys, the car felt great, really.”
She watches as James hops on the radio. “This was you as well, Logan. Amazing drive today.”
“Thank you, James. Thank you so much for this.”
His mechanics, Benny and her, quickly go over to where the cars are parking, watching as Logan slots it into place. He’s a little shaky as he gets out of the car and he’s about to dart towards them but someone from the FIA, is ushering him to the scale.
His reluctance is clear even with his helmet on, but he goes. Letting them take his weight and as soon as it’s written down, he’s stepping off and away, fumbling with his gloves and then his helmet.
There’s an awed grin on his face, tears in his eyes, and seeing it makes the tears that have built in her own fall.
His gloves and helmet tumble to the ground as his mechanics and Benny surround him, celebrating his points.
Logan laughs when they finally let them go and his eyes light up when he sees her and he darts to her and she easily welcomes him into her arms.
“I’m so proud of you.” She tells him, squeezing his sweaty body close before running a hand through his hair. “You did amazing.”
“I did it, momma.” His voice is weak and she can feel tears hit the skin of her neck where his head is buried.
“You did it.”
“Logan did amazing, it was a good drive.”
She blinks in surprise at the voice, turning in her barstool to look. “Max?”
He smiles at her, cheeks flushed. “He did really well.”
“He did.” She agrees before patting the stool next to her.
His smile widens as he takes the seat.
“I didn’t realize that Red Bull was in the same hotel.” Maybe she should have since she had spotted a few Red Bull polos, but she figured it was fan gear.
“I think Aston is here as well. You aren’t celebrating with Logan?”
She shakes her head. “We already celebrated. Him, Oscar, and a bunch of his friends here are throwing a party. I wasn’t really interested in watching them all get wasted, so this,” she gestures to the hotel bar, “is me having a drink to celebrate before going up to my room and ordering some room service.”
“Could I join you?” His cheeks redden at the words, at the way her eyebrows raise. “Not like that. But for food? I’ve never actually eaten anywhere in Miami that wasn’t catering.”
She stares at him for a moment before nodding. “Yeah. And I have the perfect place to take you.”
“Did I actually score points yesterday?”
“You did.”
“Sweet.”
“Very. How’s the head?”
Logan shrugs, “I mean, I drank a lot, but like I’m just dehydrated.”
She shakes her head, “That will change in a few years.”
“Not gonna tell me to not drink underage?” He teases, bending down to press a kiss to her cheek before grabbing her glass of juice and draining it.
She snorts. “We’re in Europe most of the time and I gave you your first drink. I don’t think I have a leg to stand on. And you were celebrating.”
“True.”
He sits across from her, refilling the glass and taking another drink from it before setting it down and starting to help himself to her pancakes, which she just pushes closer to him. “How was your night? You could have joined us. We wouldn’t of minded.”
“I’m your mom, Logan.” She laughs. “I think the me going to your friend's parties ship sailed a few years ago.”
“Yeah, but you're awesome. We like having you around.”
“I know.” She smiles. “I wasn’t in the mood to watch all of you get wasted.”
“Fair.” he says around a bite of pancake, which she sends him a look for and he quickly swallows the food. Giving her a smile that says sorry.
“So, how was your night?”
“It was good.” She tells him, spearing a piece of fruit with her other fork. “I came back to the hotel, had a drink, and then got dinner with Max.”
His brows press together. “Max?”
“Verstappen.” She clarifies. “Red Bull is staying here as well, he saw me at the hotel bar and asked if he could join me for some food.”
“You went on a date?”
Her eyes narrow at him. “It wasn't a date.”
“You went on a date.” He scrambles for his phone. “Oscar is never gonna believe it.”
“I go on dates.”
“Momma, you’ve gone on like five dates. And two of those were before you turned eighteen.”
She scowls at him. “It wasn’t a date. We just got dinner.” She insists.
“Uh huh.” He says, clearly not believing her. “Did he pay?”
“Yes.”
“Pull your chair out, help you with your coat, anything like that?”
Her mind flashes back to Max helping her get out of his car, his insistence on opening doors for her. “Yeah, but that doesn’t mean,”
Logan continues. “Did he walk you to your hotel room? Say that he had a good time and he’d like to do it again?”
“Oh.”
Logan grins at her, smug, as he finishes typing out a text to Oscar. “You went on a date last night.”
“I went on a date last night.” And she doesn’t mention the fact that a new number resides in her phone.
“Logan!”
He stops at the sound of his name, turning to look behind him, where Max Verstappen is nearly jogging to catch up with him. “Max.” He greets, when the older driver is next to him, nerves filling him at the eyes of said driver on him, along with how a few other drivers are also looking at the pair, shock and surprise clear on their faces.
“Hey.” Max grins. “How are you feeling about the track?”
He looks at the older driver in confusion. They had just left the drivers briefing, why was he asking him this? Alex had already spoken about how the team was feeling about Monaco. “The car won’t be the best here, but we said that in Miami, so we’re hoping to repeat that here. Alex has a good chance at ending in a point scoring position.” He reiterates what he's been told and what he’s been telling the press.
“But how are you feeling about it?”
Logan stares at the Dutchman, eyes flickering around trying to see if cameras are there, if his momma is there, but there isn’t anyone. The other drivers are already gone, so are the FIA people. It’s just him and Max. “Y’know you don’t have to talk to me because you went out with my mom.”
He expects relief, like that one dick Jase, and really who puts that on a birth certificate, but Max just frowns. “I know, I don’t have to.”
Logan swallows around the lump in his throat, “right.” Turning around, he starts to walk, somehow knowing that the other driver will join him. “It’s a tricky track, it’s Monaco. I was here last year and I barely got in the points.”
“P10 and P9.”
He throws the driver a look, because that was too much to know, but Max is just looking at him, encouraging him to continue. “The car isn’t suited for it. I mean it wasn’t for Miami, but this is different. And I’m still not managing my tyres correctly, so even if I did manage to gain positions, I’d get called in to pit and lose them.”
Max huffs out a laugh. “You are a rookie in a Williams, it’s impressive that you’ve already gotten points. If you could manage your tyres, when sometimes even I struggle, well I’d put you in Checo’s seat.”
“Not yours?”
He laughs again, “No. I’m a bit better at it than Checo.”
Logan couldn’t really deny that.
“Do you want some advice? On the tyres?”
Logan quickly nods. “I’ll take anything I can get.”
“Don’t fight the car too much on the turns. If you need to get it to turn properly or without going on the brakes too soon, fight it. But when you don’t, let the car be stable, keep it fluid. When you come out of the corner, press harder. It might feel like you’ll go into the wall, but you won’t.”
“And if I go into the wall?”
Max laughs, clapping him on the shoulder. “I think you're a better driver than that mate.”
“How are you doing that in the turns?”
Logan looks up from his notebook, where he’d been scribbling a bunch of random words. Looking at the screen, he watches his own onboard. He thinks about saying that it was Max that told, but no one at Williams liked hearing about Red Bull, especially with Alex in the room. “Just something I thought I’d try.”
“Well, it was good, continue doing it. We may have ended up out of the points, but we got close.”
Logan nods. Even with his five-second penalty, he had still kept fourteenth, and Alex ended up in twelfth. “Will do.”
Max had thought about her in his apartment a lot, an embarrassing amount. He had also pictured it very differently. A nice dinner, wine, even though a majority of it made his nose wrinkle, perhaps some kissing on his couch as a movie plays that they both don’t care about.
He hadn’t expected lunch, with juice that he’s trying to figure out how he’s never had it when he’s lived in Monaco for so many years, and a somewhat serious conversation, though maybe he has been expecting that one or rather anticipating it.
“I like you, Max.”
He flushes, “I like you too.” He really did, even though his mother was going to have a heart attack when she found out how much older Pan was than him.
“And I want to continue doing this.” She gestures between them with her free hand that isn’t being held in his.
“So,” sensing that there’s something she wants to say.
“I’m a mom.”
He blinks at her words, panic starting to fill him. He thought he’d made that clear that he knew that, understood that. He always made sure to ask about Logan. He even had Logan’s number now after talking to him about how he felt about the Monaco track. “I know.”
“Logan is important to me.”
Oh, god, did Logan not like him?
“The most important thing to me. And if we're going to continue to do this, I just need you to know that. He’s always going to be my first priority.”
“Of course.” Relief fills him, his heart slows from its frantic beating. “I wouldn’t expect anything less.”
She stares at him, trying to gauge how truthful he’s being before nodding. “Okay.”
“Did you think that I didn’t know that?”
She shakes her head immediately. “No, it’s just. I don’t really do this.” She laughs. “Dating, relationships. Logan pointed that out to me, so I don’t really know how this goes and I just had to make it clear, put it on the table now.”
“I don’t really do this either.” He hesitates to ask his next question, but does. “Logan’s father. What was your relationship with him like?”
Her face screws up in disgust. “Ew.”
He laughs, not expecting that reply or that word to sum up a relationship. But fair enough.
“I mean the idea of a relationship between me and Logan’s father is gross. Logan’s,” she pauses, seeming to settle on a different word. “Birth parents are my aunt and uncle.”
“His what?” He could have sworn she said birth parents, but that couldn’t be right.
“His birth parents.” She looks at him, concerned. “I adopted Logan when I turned eighteen. Did you think I gave birth to him?”
“No.” He says, shaking head and clearing his throat. “Of course not.”
She stares at him, lips pressed together.
He sighs, slumping in his seat, eyes closing. “I may or may not have thought you were just a really, really young looking forty-something year old woman.”
She immediately bursts into laughter and his eyes fly open at the sound. “You thought?”
“The graphic for the race footage says you are his mother, I did not think otherwise. I just thought you looked great for your age.” He defends, a little embarrassed, but delighted by the expression on her face and her laughter that is still filling his ears.
“I am his mother, just adopted.”
“Not that either of you see it that way.”
“No.” She shakes her head, laughing one last time before calming down.
“No. Logan’s mine, he’s been mine practically since he was born. It just wasn’t seen that way legally until I was eighteen and custody got signed over to me.”
“Of course.” He then flashes her smile, “So can I ask how old you are?”
She laughs, nodding. “Yes, Max. I think just this once it’s better to ask a lady her age than assume it.”
“How old are you?”
“I’m twenty-nine.”
He looks at her with new eyes, the age making much more sense. “I would’ve said twenty-five.”
“Really? I think you would’ve said forty-something.”
“How was I to know?” He throws his free hand in the air at the tease, his other still holding hers.
“Hi, baby.” She greets when Logan stumbles out of his room, practically still asleep, as he drops onto the couch.
“Momma.” He whines, resting his head on her lap and turning his face to press it into her stomach, trying to block out the sun.
Her fingers brush through his hair as she forces her body to stay relaxed. It was always a fight when he did this.
She hated that her body didn’t bear any signs of being pregnant before, no stretch marks around her belly. She hated that she hadn’t actually gotten to carry Logan no matter how impractical it was, unless of course she was as old as Max had thought she was. She smiles at the memory of how flustered Max had looked when he realized her actual age.
He mumbles something and she turns his face away from her stomach.
“What?”
“How was your date last night?”
Her smile widens. “It was good.”
“Yeah?”
She nods.
“Did you see Jimmy and Sassy?”
“No.” She runs her hand over his forehead, knowing that he’s thinking of Sooty. “We should talk though after you’ve had some breakfast.”
“About what?”
“Breakfast first.”
“What do we need to talk about?” Logan asks nearly thirty minutes later, his fruit bowl all gone and his coffee on its way to be there as well.
She swallows, hands flexing. “Max.”
“What about Max?”
She sighs. “Well, baby, him and I talked about becoming serious last night. But that’s not gonna happen until I know how you feel.”
“You know, I’m okay with it.”
“I know you're okay with me dating, but this is a bit more complicated. Max is on the grid with you and we’re talking about a relationship.”
Logan eyes widen a bit at the word relationship. “I mean, how does Max feel about it? About being with someone who has a kid on the grid?”
He asks knowing it will give him time to figure out how to tell her how he feels and because he wants to know, he kind of wants Max to be okay with it. He likes Max, and not just as a driver. The older driver is kind and funny, he also looks at his mom like she’s the sun, he makes her happy and that’s enough to put him in Logan’s good books. His mom deserves the best and he thinks from what little he’s seen, from how much more happy his mom has been (and god that was weird, because it wasn’t even like she wasn’t happy before) that Max might be the best for her. And Max now every time he sees Logan is always stopping to talk to him even if it’s just for a second to say a quick hi.
“Max is good with it. He knows that you're my number one and that’s never going to change.”
Logan flushes at the words.
“He also likes you, thinks you're a good kid.” She lets out an amused huff as the word kid leaves her mouth. It was odd to hear Max describe Logan that way, with only five years between them. But at the same time she knew it came from being practically a veteran in the sport. Max was coming up on ten years in Formula 1 despite his young age.
He flushes even more. “Really?”
“Yeah.” She smiles. “He always asks about you, it’s really sweet. And he knows to that if you aren’t comfortable with this or need more time then that’s what will happen.”
“I am an adult.”
“You are.” She was sadly well aware of that fact. “But you are my baby, my kid. I couldn’t be in a relationship with someone if you didn’t like them or if it made you uncomfortable.”
He nods. “I’m okay with it. Max makes you happy, he’s nice.”
“Yeah?”
“Yeah.”
She lets out a giggle as arms wrap around her from behind, lips pressing against her cheek. “Hi.”
“Hi.” Another kiss is pressed to her cheek. “Can I help?”
She glances down at what she’s finishing up. “No. You could set the table, though?”
“Done.” A kiss is pressed to her temple and then the blanket of heat that covered her back is gone. “What cabinet?”
“First one entering the kitchen on the left.” She says, turning her head a bit to watch as Max pulls the dishes out.
Her mouth goes a little dry as she watches him. His t-shirt is tight around his biceps and chest. His skin is a little tanned after their date a few days ago on a friend's yacht. She forces her eyes to not look at his hands, instead trailing them up to his strong shoulders and neck and then to his face. Max, she thinks as he starts to put the plates on the table, is unfairly attractive. Before he can catch her staring, she checks on the final thing on the stove. “Perfectly done.” She mumbles with a smile.
The sound of the front door opening makes her smile grow wider as she grabs a pot holder.
“Am I late?”
“Just on time.” She tells Logan as he steps into the kitchen.
“Can I,”
She stops him before he can continue. “No, go wash up.”
“Alright.” He bends a little to press a kiss to her cheek before turning on his heel, offering a wave to Max. “Hi.”
“Hi, Logan.”
Picking up the pan, she shakes her head as Max goes to try and take it from her.
“Logan and you are both going to get on too well.”
“Why’s that?” He asks, a twinkle in his eye.
“You both don’t like when I lift anything.”
“What’s the point of having a son or a boyfriend, then?” Logan says, clapping Max on the shoulder as he comes back.
Max grins at the younger, delighted as he claps him back. “Exactly. We feel a bit neglected.”
She rolls her eyes, shaking her head, though a smile is stretching across her lips.
Max watches amused as the mother and son argue.
“Mom, it would be for two races, two, that’s it.”
“One race, really.” Max chimes in, smiling when she glares at him. “Spa is nice, but Zandvoort is really what I consider my home race.”
“See, it would be one race. Max wants you in his garage.” Logan says, looking at the other driver, begging for him to help but at the last sentence Max shakes his head.
“I never said that. Well, I would like to see Pan in my garage, not for the whole weekend, or even a day. She’s part of your team.”
Logan looks at him, bewildered. “But, it’s your home race.”
He shrugs. “I’d like for her to stop by, you as well. I already have it cleared with the team. Staying for even a whole session though just doesn’t make any sense. I don’t need her on my side of the garage to know that she’s supporting me, wanting me to do well, not when you are on the grid.”
“Are you sure?”
Max smiles at Logan, because yes he was sure. Did he want her there, supporting him? Maybe even dressed in something with his number? Of course. But, he liked seeing her in Logan’s garage. Supporting him, wearing his merch, being a mom. “I’m more than sure.”
“Besides,” she says, drawing both of their attention. “Max and I haven’t gone public yet. Or really told anyone yet.”
“Well, this is a bit of an odd one.” Laura says as they stop in front of the Red Bull garage.
The cameraman focuses on what she’s looking at.
“Both Logan Sargeant and his mother, better known as Pan from Formula 2 fans, are in the Red Bull garage, currently talking with our current championship leader Max Verstappen, his engineer GP, and Daniel Ricciardo.”
“Shall I see if I can steal one of them away?” Will asks, smiling at the camera as he holds the F1 TV microphone loosely.
“Please.” She gestures.
Will steps towards the garage smiling at the small group hovering just inside. “Could I steal one of you for a quick minute?”
The five exchange a look and Will stops himself from rolling his eyes at the way they all look annoyed at the idea, but Logan nods. “Sure.”
“Thank you.”
He watches as Logan says something quietly to them, getting nods from them all. His brow furrows when Max squeezes his shoulder before the younger driver gives his mom a quick hug, making him shake his head. Logan Sargeant was an absolute mommy’s boy and it was embarrassing as all hell to see. He couldn’t imagine being twenty and hugging his mom in public, let alone all those videos and photos of him reaching for her hand.
Will ignored the part of him that did think it was sweet and felt bad for the kid. He couldn’t look all sappy while filming, especially not when in front of the Red Bull garage.
“Hi everyone.” Logan greets, taking the third mic from the newest crew member.
“Hello, Logan. How are you feeling about this weekend?”
He smiles at Laura. “I’m feeling okay, I’ve raced here before, obviously not in an F1 car, but I do have some experience with this track.”
“And you and your mum’s visit to the Red Bull garage, should we expect an announcement of you switching teams?” She teases.
“No.” He laughs. “No, uh, just visiting for personal reasons. Saying hello to Daniel, wishing Max a good home race.”
“I mean, I’m not sure, he needs it.” Will jokes, gaining a few laughs. “So, no business to be done at Red Bull? Just saying a hello and wishing a good race to a fellow driver.”
“Yeah,” he pauses, looking back at the garage where it’s just Max and his mom standing now watching him with smiles on their faces. It’s only that he continues when his mom gives a brief nod, one barely able to be seen by the camera. “And I wasn’t just wishing a fellow driver good luck.”
“Oh?”
Logan grins, looking pleased with himself. “I was wishing my new dad good luck.”
“Carlos Sainz is a cunt.”
Max freezes at her words, hand still on the doorknob from just stepping into the room.
“Hi, schat.”
“Carlos Sainz is a cunt.” She repeats.
His brain is scrambling because what exactly had Carlos done but also why was it so attractive to her say the word cunt. It had to be the accent, he decided quickly, still trying to figure out the Carlos thing. “And why is Carlos a cunt?” He finally asks, releasing the door knob and stepping further into the room.
She’s on her laptop, rapidly typing something, and he can feel anger radiating off her.
“That bullshit he spewed, blaming Oscar’s inexperience.” She scoffs, pausing her typing as she shakes her head. “It was an incident, a racing incident, something he knows a lot about. There was no inexperience fault.”
“Oscar’s okay?” He already knows that he is, but knows it's good to ask.
“He’s good. He knows that it's a racing incident.”
Max winces. Wonders for a second if he should warn Carlos to keep his mouth shut, but shrugs. It wasn’t his fault that Carlos was getting in trouble because he couldn’t watch his mouth or correctly look at footage. “Can I help?”
She sighs, hitting close on whatever she was writing in. “No.” She then closes her laptop, turning to face him, with a smile. “Hi. Congrats on the win.”
“Thank you.” He bends to kiss her. “You okay?”
“Yeah, just,” she waves her hand at her laptop, “stuff.”
“Anything I can help with?”
She starts to shake her head no as he sits on the edge of the bed, but she stops.
“Actually, could I get your insight on something? Not just as a driver, but as someone who lives and breathes racing, loves data, really knows how the sport works.”
“Of course. What’s going on?”
Another sigh leaves her, hand coming up to rub at her mouth for a second before it drops. “Why would a team not resign a driver?”
His eyebrows furrow, because she knows the reasons, but he answers. “Not performing well, they want out of the team or sport, sponsorship issues.”
“The driver wants to stay in the sport and the team.” Her lips turn downwards a bit at the word team. “And the driver brought new sponsorships to the team.”
“They have to be not performing well.”
“They’re a rookie in a back marker team.”
“They have to be really performing badly.” Max says, trying to think of who in Formula 2 or 3 she’s talking about.
“They already have six points and have placed ahead of their experienced teammate three times.”
His mind is scrambling again, trying to find a reason, because what? “How many does his teammate have?”
“Nine.”
“I have no idea. Not unless there’s conflict within the team.”
She shakes her head.
“Is there potentially a more experienced driver for the spot?”
She shakes her head. “They’re looking at another rookie or maybe someone who stepped away from the series for a year, though they’d rather take a rookie than him.”
“I don’t have an answer for you. It doesn’t make sense to me.”
She nods, expression falling and she’s rubbing at her face.
“What’s going on?” He asks, standing up just to crouch down in front of her, taking her hands in his.
“The driver’s Logan.”
“What?”
“Williams isn’t sure they want to offer Logan another year.”
Max stares at her. “How?”
“I don’t know.” She shrugs, laughing. “There’s talks of them signing whoever wins this F2 championship or even the runner-up depending on who it is. Logan’s making too many mistakes.”
“He’s costing them too much money.” Max fills in the blank, shaking his head. “That’s ridiculous. Don’t take a rookie if you can’t afford it. You are supposed to account for the worse. And he’s doing well. It’s not his fault that they built a shit car.”
“I don’t know what to do.” She admits, voice just a whisper, and his heart clenches painfully at the sound of it, at the tears in her eyes. “This is his dream. I don't know what to do if that gets taken away from him.”
“It won’t. We’ll figure something out.” He tells her, pressing a kiss to her forehead.
“I think I’m spoiled.” Max says, watching as she gets ready for bed. A faint feeling of arousal pooling his gut as she pulls on one of his shirts. He absentmindedly wonders if it would be weird to wear it tomorrow to the track, the scent of her lotion clinging to it.
“Why’s that, honey?”
He smiles, cheeks a bit pink, and that arousal builds a bit more at the pet name, at the way she shifts in the vanity chair to loosen some tension in her back. “You come to every race, you see me win, you celebrate them, you got to see me win my third championship today.” Those words feel weird off his tongue, today, but totally sober to celebrate. He wants desperately for tomorrow to come, for the race to finish so they can celebrate, him, her, Logan, the team.
“I guess you are a bit spoiled.”
He gasps, clutching at his heart, making her giggle.
“That’s okay though.” She says, getting up and moving onto the bed, straddling him. “I think I like you spoiled.”
He groans as she dips her head, pressing a kiss to the flutter of his pulse. “Schat.” It's a warning to stop and a plea for more.
“I know.” She kisses the spot a bit firmer. “Celebrations will have to wait just a day longer.” She then rolls off him, his arm immediately lifting so she can press against his side.
“It’s cruel to win with a sprint race.”
She snorts, “A sprint race never stopped us before.”
“It’s cruel to win with a sprint race in Qatar.” He amends.
“Very true.”
He sighs, staring at the ceiling as he calms down, luckily the feeling of her fingers tapping along his stomach not making it harder.
“How’s Logan feeling?” Max asks, remembering how pale he looked when they got dinner.
She sighs, moving somehow closer. “Not great. No fever, but his stomach is still a bit upset.”
He winces. “He gonna be okay tomorrow?”
“I hope so. The team knows that he’s sick, they’ll make the right choice.”
“I hope so.” He echoes, wishing that Logan felt better, hoping that he feels better by the time the race starts.
“We are confident in him.” Max scoffs, tossing his phone aside.
“I know.”
“Logan still wanting to do his new routine.”
She nods, lips pursed.
He shakes his head. “He did good.” It wasn’t the rookie season that Oscar had, but it couldn’t be. Oscar got lucky enough to get a seat in a near top team, while Logan got one with a back of the grid team that was sometimes midfield.
Logan scoring ten points, getting himself to sixteenth in the standings, tied with Bottas in the standings, was very good for a rookie. It was a shame that Williams seemed to think he could’ve and should have done better. At least, Max thinks, the 2025 grid was wide open for possibilities.
“Are him and Oscar still joining us?”
She throws him a look. “Us?”
“You.” He amends, knowing that despite him joining her, he’d get caught up in Redline and different things. He was just happy she didn’t mind that.
“Only for a few days and then they both are off to Australia.”
“Will Logan be joining us for Florida?”
“Yes. My mom has been asking the next time she’s going to see her only grandchild.”
Max laughs at the eye roll. “So, Belgium first, then Monaco,”
“You go to Milton for a day after.”
He nods, “then Greece, Florida, Monaco.”
“Not bad for the first few weeks of winter break.”
“Not bad at all.” He agrees, wrapping his arms around her waist, chest pressed against her back.
It’s quiet between the couple as Max sways them.
“Max.”
“Yes?”
“Your mom, she does know that I’m not in my forties right? Or thirties?” She figured that the woman did, but she also had only briefly gotten to meet her at the one race, and there had been an odd expression on her face when Max introduced her as his girlfriend.
He freezes.
“Max.”
“I knew I forgot something.”
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@ohtous @cixrosie @darleneslane @fanboyluvr @teti-menchon0604 @eugene-emt-roe @quackquackhun @rewmuslupin @copper-boom @stopeatread @crashingwavesofeuphoria @jointhehunt67 @namgification @asphalstead @poppyflower-22 @racingheartsposts @gemofthenight @peachiicherries @lpab @hiireadstuff @iloveyou3000morgan @boiohboii @bibliosaurous @skepvids @elliegrey2803
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kraniumet · 1 year ago
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people are mean to spectacle "justifiably" now (imo. most disneymarvel shit isn't even "spectacle" because it is so insincere and lacking & also boring) but people have genuinely always, from day one, called tfatf stupid. well I stand with my stupid girl 🫡
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veltana · 3 months ago
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Breaking point
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✦ Pairing: Roommate!Bucky Barnes/Fem!Reader
✦ Word count: ~2,5k
✦ Rating: Explicit
✦ Warnings/tags: Dub-con (proceed with caution if this might trigger you), pwp, smut and a bit of fluff at the end, possessive/protective!bucky, degredation (slut, fuck doll, cum-bucket), grinding, choking, spitting, pussy slapping, fingering, unprotected sex, breeding kink, creampie, pet name (sweetheart).
✦ Summary: Bucky is done with you going out with losers.
✦ Note: This used to be called I will kill them if they touch you but I never liked that title so I renamed it! Also, you guys didn't know what you were voting for, but it was the banner for this story! Please reblog and comment! Asks are always welcome 💚
Masterlist | AO3
"Please don't scare this one away as you did last time," you beg and look at Bucky's reflection in the bathroom mirror. He makes a face where he's leaning against the door frame behind you and then sighs when you give him a look. "He wasn't worth shit if he didn't wanna fight for you," he points out.
Now it's your turn to sigh and you cross your arms, glaring at him. "He isn't supposed to fight for me on a first date. We're supposed to have a good time and hopefully fuck." Bucky's mouth hardens, and he looks away. He doesn’t like that, at all.
Ever since you became roommates he's been very protective of you, helping you with the smallest things, driving you everywhere you need to go, even if you can drive yourself. Sometimes it's overbearing but most of the time it's nice to have someone care for you like that.
Unfortunately, recently he's picked up a habit of intimidating the people you go on dates with. He stands behind you when they come to pick you up, and his large frame and cold stare make many of them cower. A few have turned around right away, others have asked if that's your boyfriend or something, thinking it was some type of open relationship/cuckold situation.
"Don't say shit like that," Bucky says through gritted teeth. "I don't wanna think about you fucking other people." You can't help the teasing smile that cracks your face. "Makes you jealous?" With a huff, Bucky pushes off and leaves you to continue.
Two hours later your makeup is done and your hair fixed to perfection. You sit on the couch in shorts and a t-shirt, with a glass of wine, waiting until the last minute to put on the skin-tight dress. While scrolling on your phone, Bucky sits beside you with a beer. "So where's the loser taking you?" "Don't care,” you shrug. “Honestly, my priority tonight is to get laid. The previous ones were a little too… bland. But he seems promising." "What do you mean, bland?"
Putting your phone down you look at him, "You don't wanna hear this anyway, you'll just get mad," you point out. "I don't get mad," he defends. "Pfff, you're such a liar, I can see it in your eyes whenever I mention another guy." "Because you deserve the best and all I've seen is trash."
Irritated, you put your glass down too. "Why don't you pick for me then? Who would James Bucky Barnes deem worthy of fucking me?"
The grip on his beer is so hard his knuckles whiten and his lips are a thin line. When he doesn't answer you lean back and start to count people off.
"Well, Steve seems a bit too sweet for my taste but I mean I would not mind trying a slice of that all-American beefcake," you muse. "Sam is so charming and funny! That quick tongue would probably work wonders, if you know what I mean," you wink and watch as Bucky's eye twitch, his jaw clenched hard.
"Tony," you continue. "Well, he seems a little self-absorbed but maybe he's a really selfless lover. Won't hurt to check!" "Loki is so handsome," you bite your lip. "I would surrender my body to him in a heartbeat! But I've heard that he leaves people high and dry and that would be awful."
Tilting your head, you say, "Do you think Thor and Jane would be up for a threesome? I can just imagine eating her out while he fucks me from behind and then we could-"
With a slam he puts the bottle on the table and grabs your face with his hand forcefully, silencing your tirade of words and squeezing your cheeks so that your lips pucker.
The grip is close to bruising and it's an instant pull in your lower stomach. His eyes are black with anger, something you've never seen directed at you before. "No one," he hisses. "Not one of them is fucking you, I will kill them if they touch you."
His hand releases you and grabs your neck instead. You're shocked, and instantly so horny it hurts. Opening your mouth to speak he squeezes harder, making a wheezing sound come out.
"I'll give you a chance to stop this. Tell me right now you don't want this and we'll act as if nothing happened. Otherwise, I'm fucking you into this couch until you can't remember your goddamn name." When he finishes his grip lightens. The rush of blood makes you euphoric and boneless. You want to give yourself to him, let him do whatever he wants. "Fuck me," you whisper.
The kiss is more teeth than lips and the hold around your throat hardens again. You try to keep up with him but it's impossible as he pushes his tongue into your mouth, claiming every inch, making you lightheaded with the lack of oxygen. You gasp for air as he pulls away, releasing you. His gaze is brimming with lust and want now, all signs of anger gone. Then he pushes you down onto the couch.
"You're a kinky little slut, aren't you sweetheart?" he mocks and leans in over you, spreading your legs with his. All you can do is nod and try to wiggle close so you can press your center against his clothed cock. It's clearly outlined in his sweatpants and you hope it's as big as it seems. "If I put my hand down your pants, are you gonna be wet for me?" "Yes Bucky," you whine.
The throbbing is almost unbearable and his smirk is downright sinful. "Come on, rub yourself on me, show me how much you want it." With another whine, you brace yourself against the couch and lift your hips. He doesn't move a muscle to help as you struggle to find the right position.
"That's disappointing," Bucky smacks his lips and frowns. "Thought you wanted this." "I do Bucky, I do, please I'm trying," you tell him desperately. With effort, you get into a good enough position to grind your cunt on his cock through the layers of clothing. It's not nearly enough to curb the ache.
"Useless," Bucky sighs and grabs your legs. "Do I have to do everything?" He pushes your knees up towards your chest, folding you in half and pushing his cock right into your core.
"Sorry," you moan. His mean words have only made you needier and you move yourself against him with abandon. Bucky is motionless above you, not making a sound or saying a word, just staring at you chasing your high. Your movements turn unsteady when you start to come close.
If you were of sound mind you would notice the glint in his eyes but instead, you’re barreling towards your climax. Until he suddenly moves away.
Gawking you stare at him and he just smiles wickedly in return. "Take off your clothes, spread your legs" he instructs and you quickly pull your pants off and discard your t-shirt and underwear, spreading your legs as best you can on the couch. Bucky takes in your bare body, moving his hands slowly down your thighs until his palms frame your pussy.
"Fucking shaved for him too,” he notes with a snarl. You're not sure why that upset him. "Sorry!" you say, just to be safe.
"I don't need your hair curled, your make-up done or your whole body shaved. I will fuck you anyway, sweetheart, no matter what you look like because you belong to me," he growls before he spits on your cunt, sending a rush through you, making you moan and spread your legs even more.
For the first time, he touches you properly, letting his fingers spread the spit all over your pussy before shoving two of them into your soaked core. He pistons them in and out, putting his thumb against your clit and making colors burst before you.
"You want to come on my fingers, you fucking slut?" When you nod frantically he instructs, "Open your mouth, stick out your tongue." A second after you do spit lands on your tongue and droplets on your face. It nearly tips you over.
"Swallow it," he orders and watches you as you do, some form of approval shining in his eyes for the first time. "Who do you belong to?"
The question is too complicated to understand, you can't focus on what he wants. "I don't…" is all that comes out.
"Wrong answer," he says and removes his fingers, making you shout in disappointment. Sharp slaps land on your wet cunt and you instinctively try to move away from it, but he grabs your legs, pulling you back. "Don't you fucking run from me."
"I'm sorry," you cry, looking pleadingly at him. "I'm- I'm yours James, yours to do what you want with. Please, please, please let me come!"
With a huff he pushes his fingers back in, pressing the tips into your g-spot and getting his thumb back on your clit. His unbothered state makes you feel so small and insignificant, heightening the pleasure coursing through you.
As it climbs, your body shakes, your legs trembling from being held open. "I'm- I'm- don't stop!" you beg. Closing your eyes you focus on the feeling of him, his other hand still gripping your thigh hard. You hope it bruises.
"I can feel you, slut!" Bucky's voice is the cherry on top of everything. "Come on my fingers, do it, come for me!" he commands and of course, you do as he wants. With a scream you convulse, almost pushing him out with the sensation flooding you. Bucky is talking above you but you're not sure what he's saying because all you can hear is the blood rushing in your ears.
A hard tap against your cheek makes you open your eyes. "Don't pass out on me, I'm not done with you yet." "Wouldn't dream of it," you smile dumbly, and it earns you a smile in return. But it quickly passes as he pulls off his tank top and pushes down his pants. The cock is just as big as you hoped.
He rubs the head against your soaked center, sending overwhelming sparks through you, making you twitch. When he notches the head of his dick at your opening your blood freezes. "C-condom?" you stutter.
Cocking his head he asks. "Do you really want that? Doesn't a slut like you want to be filled up with cum?" "Y-yes, but, Bucky…" you gnaw your lip.
"I want to fuck my little cum-bucket raw, make sure you feel me running out of you for days," he gives a light thrust, almost pushing inside, giving you a taste of heaven. For a second you look at each other and Bucky presses in just a little bit more. It decides it for you. "Please fill me with your cum Bucky, I need it so bad!" you whine and he chuckles before shoving his fat cock into you without mercy.
Quickly you wrap your legs around his hips, meeting his hard thrusts that are sending your body into overdrive. "Feel so fucking good sweetheart, your cunt was made for me, wasn't it?" he groans. "Yes it was," you answer breathlessly.
He grabs your face. "Those other losers are never going to satisfy you." "No, Bucky, only you!" "That's right, you're my fuckdoll now, sweetheart," he says before he leans down to kiss you. It's much sweeter this time and you grab his head, carding your fingers through his hair, feeling your chest fill with another type of warmth.
When he pulls back he says, "Beg me not to come in you." Your cunt clenches and your second orgasm is suddenly a lot closer. "Bucky, please don't… I can't get pregnant," you make your voice small and frail.
In response his laugh is cruel. "Yes you will, your purpose in life is to be bred. I'm going to cum in you every day til it sticks and then everyone will know who you belong to." "Please, pull out," you beg and reach down to rub your clit, feeling the climax shimmering underneath your skin.
"Such a bad liar, sweetheart," he chuckles. "Are you going to come on my cock? Are you gonna claim me just as I claim you?" "Yes! I just need- harder!" you pant. "Fucking hell," Bucky grunts and does as you demand.
The climax rips through you with little regard for your sanity. The sound leaving your throat makes it raw and a second later Bucky moans your name loud enough for the neighbors to hear. It's almost good enough to feel him finish inside you that you come again, but you’re too spent to do more than shudder.
Then he kisses you again, sweetly, caringly, and pushes his arms in under your body to hug you close to him. "So perfect," he whispers against your mouth. The cums start to trickle out onto the couch but neither of you care, too caught up in each other's lips.
"How are you doing sweetheart?" he asks when he comes up for a breath. "I feel a little high," you confess. "Haven't been fucked that good in a long time."
There is something in his gaze that shifts and he leans his forehead against yours. "I'm sorry. I just… I couldn't take it anymore… I like you so much." "Lucky for you I get off on that stuff," you smile. "And if I had said stop I trust you would have."
He hugs you so hard you can hardly breathe. "Of course, I fucking would." "You can make it up to me by going tender the next time," you smile. "Next time?" "As many times as you’ll have me." He laughs into your skin. "I don't think you're ready for that!"
Suddenly the sound of the doorbell jerks the two of you apart. You stare at Bucky with wide eyes. "My date," you whisper, horrified.
With a smirk, he raises himself on his arms. "I should make you go on that date with my cum running out of you, maybe even let him get as far as spreading your legs just to see that you’re already claimed."
With a groan, you cover your face with your hands. "Don't tempt me," you tell him before wiggling out from under him, finding your clothes, and hastily pulling them on.
Opening the door just a crack, you understand you look a mess by the way your date eyes you. "Sorry," your voice is small. "I wasn't feeling great and then I fell asleep on the couch." "Yeah, you look terrible," the guy notes before handing you one of the ugliest bouquets you've ever seen. Quickly stepping away he says, "I'll call you." but you know he won't. "Great, I'll see you around," you respond before closing the door.
Bucky takes the flowers from you and shoves them in the trash before grabbing you around the waist and kissing you again. "Didn't you say he was promising?" "I have no clue what you're talking about," you answer with a completely straight face but then start to giggle as he swoops you up and carries you to his bedroom.
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creatingblackcharacters · 2 months ago
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“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror
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TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape
Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.
There are two things, I think, that are important to note as we start this conversation.
One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.
Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.
There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:
One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.
Two: The idea that Black characters and people deserve the pain they are experiencing.
Three: The disbelief or dismissal of the pain of Black characters and people.
You Better Start Believing In Ghost Stories- You’re In One
I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.
Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:
12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup
When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.
Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.
Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.
It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:
“They Shouldn’t Have Resisted”
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Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:
“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”
Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.
Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.
You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.
My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?
Hippocratic Oath
Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:
If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.
I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.
As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.
“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”
Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:
“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”
If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.
What’s My Point?
My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.
There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.
There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.
“So I just can’t write anything?!”
Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.
The Black Guy Dies First
The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.
Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.
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Black Horror/Black Thriller
We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.
Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.
“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”
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For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!
In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.
The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.
The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.
Isn’t Violence Stereotypical or antiblack?
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That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.
Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.
Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!
But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.
I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.
Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!
Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!
“But if Black violence bad, why rap?”
The short answer:
“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”
Marwhan Makhoul, Palestinian Poet
First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.
That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!
Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?
Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!
Conclusion
I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.
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I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.
That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!
@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!
If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!
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tanadrin · 4 months ago
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medieval monks and accountants start using Italian millione ("one thousand" + augmentative suffix) to mean 10^6 by the 1200s; this spreads to other languages
Jehan Adam coins bymillion and trimillion to mean 10^12 and 10^18 in 1475
Nicolas Chuquet extends this scale up to nonyllion (10^54), with every step being another six orders of magnitude (million, byllion, tryllion, quadrillion, quyllion, sixlion, septyllion, ottylion, nonyllion) in 1484. Note that in this period, it was common to put the digit separator every six digits instead of every three.
Guillaume Budé refers to 10^9 as milliart in 1516, in a Latin text
But in 1549, Jacques Pelletier du Mans uses milliard to mean 10^12, citing Budé as a source
In the 1600s, people start putting digit separators every three digits. But some scientists and mathematicians define the numerical scale according to how digits are grouped, rather than the actual order of magnitude: thus, one billion becomes 10^9, one trillion becomes 10^12, etc, creating the short scale.
"Milliard" is eventually added to the long scale, meaning 10^9 (in keeping with Budé's usage); the first published example is from 1676
By 1729, the short-scale meaning of "billion" (10^9) has already crept into American usage
This is in keeping with French usage at the time: in 1762, the Académie Française dictionary cites billion as meaning 10^9.
By the early 19th century, France has almost completely converted to the short scale, and U.S. usage follows France; the long scale is referred to in some sources as "obsolete." But Britain is still using the long scale (and I assume Germany and most other European countries)
Over the course of the 20th century, the long scale begins to become more influential in France, presumably due to the influence of continental usage; while the short scale becomes more influential in Britain, presumably due to the influence of American English. Notably the SI system very specifically uses unique prefixes that are the same across languages, to prevent confusion!
In 1961, the French Government confirms that they're going to officially use the long scale from now on; in 1974, Britain officially switches over to the short scale, and many other English-speaking countries follow.
In 1975, the terms "short scale" and "long scale" are actually coined, by mathematician Geneviève Guitel.
One reason large number names could be so unstable for so long is, of course, that outside specialized usage they are rare, and were even more rare before modern science and large modern monetary amounts became commonplace points of discussion. Wikipedia says "milliard" wasn't common in German until 1923, when bank notes had to be overstamped during Weimar-era hyperinflation.
As it currently stands, English, Indonesian, Hebrew, Russian, Turkish, and most varieties of Arabic use the short scale; continental Europe and most varieties of Spanish outside Europe use the long scale. A few countries use both, usually in different languages, like South African English (short scale) and Afrikaans (long scale) or Canadian English (short scale) and Canadian French (long scale) . Puerto Rico uses the short scale in economic and technical usage, but the long scale in publications aimed at export.
Notably some languages use neither, having their own names for large numbers--South Asian languages have the Indian numbering system, and Bhutan, Cambodia, and various East Asian languages also have their own numbering systems. Greek, exceptionally, uses a native calque of the short scale rather than a borrowing.
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genderqueerdykes · 5 months ago
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you can tell who's actually a part of the lesbian and dyke community and who sits on the sidelines and tries to define these entire identities based off of their own speculation as an outsider. i'm not saying these people aren't lesbians- but when you refuse to actually interact with the broader dyke community outside of your tiny insulated echo-chamber, you are actively refusing to acknowledge how the lesbian community actually functions and behaves
people who think that lesbianism is all about femmes and women are people who refuse to immerse themselves in real lesbian and dyke spaces. masculinity has ALWAYS been a part of lesbianism. there is NO point in queer history where masculinity HASN'T been a big part of the dyke experience. boydykes, studs, bois, bulldykes, male lesbians, ftm lesbians, daddy dykes, testo butches, genderfluid dykes, multigender dykes, masculine agender lesbians, transmasc dykes... these people have ALWAYS been in the lesbian community.
if you believe that lesbianism is strictly about femmes and butches who water down their butchness to mean "androgynous/SLIGHTLY masc woman" for the "safety" of femmes, you have no clue what the lesbian community is actually like and i encourage you to explore the community as a whole, because if you can't handle butches, testo dykes, transmasc lesbians, male lesbians, lesboys, guydykes, studs, bois, bulldykes or any other type of masculine lesbian, you don't belong.
interact with real dykes and lesbians and you'll see masculinity is a permanent, inseparable part of the dyke community. you can't only accept the lesbians you personally like. you also have to accept the ones with identities you don't understand or agree with. you don't have to date butches and male lesbians if you don't want to. you have the right to be attracted to who you're attracted to. but the second you try to exclude these people based off of your own personal tastes, you are committing a grave misdeed to this community by actively participating in the silencing and alienation of masc and male dykes.
you drank the radfem kool aid if you genuinely believe this. this belief stems from the "lesbian separatism movement" in the American 1980s which specifically started to remove butches and transmasc lesbians from the community. if you seriously believe lesbianism is about "EWW NO MEN MEN DNI", hiding from men, hating men, forming "women and non binary spaces only", excluding men and mascs, shaming butches who want top surgery and testosterone, you are not a lesbian: you are a terf, and a radfem. your beliefs don't line up with the real lesbian and dyke communities. you have been brainwashed. this is your sign to wake up.
we aren't standing for this bullshit anymore. we've always been here and your "lesbian means non-men loving non-men" definition of lesbianism is the least historically accurate definition of these terms that you could ever possibly ascribe to them. that definition is factually incorrect and will never be the proper definition. stop defining lesbianism by who we exclude and start defining it by the vast and varied members of our community that we include. our lives depend on it. i don't care if you're not personally attracted to lesboys and testo butches- we belong. it's not about who you're personally attracted to, it's about who feels sapphic, who feels like a lesbian, who feels like a dyke, no matter how they identify. you are not the protagonist of the lesbian community. let go and learn to accept.
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suugarbabe · 3 days ago
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curls || mattheo riddle
summary: you couldn't help yourself, you just had to fix them. it's not like he seemed to mind your fingers in his hair anyway.
an: another yap fic courtesy of me and @musingsofahufflepuff ; you're welcome. had to include the pic because if you have brown curly hair i'm in love with you.
warnings: none; just fluffy goofiness.
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Staring wasn’t usually an issue for you. Typically you could take your glances here and there and still focus on what you needed to do. But today, you just couldn’t turn away.
Mattheo wasn't your boyfriend. He wasn't even really your friend...you didn't think at least. You weren't in his little group of pals. But he also didn't ignore you like he did most people.
People often thought it was strange how nice he was to you. Not that he ever really sought you out or anything, but if your paths crossed he would say hello to you, would smile at you even.
You knew he was attractive, and your friends were convinced that he thought you were too. Of course you brushed those off. However if he was your boyfriend your current irritation could be fixed without question.
Mattheo's hair looked flat as hell.
The top of his head looked like he'd been wearing an American baseball cap for about a week straight. His hair seemingly flat around his skull and his curls twisting at the ends.
It really was a shame. If he would just fluff his roots his entire hair would come back to life, you were sure of it. But you couldn't just jump the desk in front of you to get to him, rifle your own fingers through his scalp and revive his ringlets.
"Alright everyone! Partner up, partner up!" Slughorn waved his hands in the air, dismissing the class to form pairs for brewing Draught of the Living Death.
Immediately you rounded your table, lightly grabbing his elbow. Mattheo turned towards you at your touch, a grin forming on his lips. "Partners?" You asked, hoping your look didn't appear to pleading.
"Sure thing, babe," Mattheo responded without hesitation, pulling the stool next to him out for you before grabbing your books from your previous table.
Throughout the potion preparation you kept stealing glances at him. Er, well, his hair. You did need to brew the potion, but you'd be damned if you left this lesson without correcting his curls.
"Have I got something on my face?" Mattheo jested. You laughed lightly, shaking your head before picking up the last of the ingredients to toss them in the cauldron.
Mattheo began to sir, the color of the potion changing correctly with what you both were doing. And you were staring again. You knew it. You knew he could feel it because he was grinning once more.
"Can I just.." you pointed somewhat shyly at his head. Mattheo cocked his head slightly, giving a small nod.
You let out a sigh of relief, lifting your hands and quickly threading your fingers between curls and to his scalp. As you fluff his hair, nails scratching as his scalp slightly, Mattheo's eyes almost involuntarily roll.
"Merlin's fucking beard, that feels good," Mattheo praises as you finally take your hands away from his head. He shakes his head back and forth, his curls flopping this way and that before standing still again, giving you a big smile, "Better?"
"Godric, yes," you breathe, "I'm sorry, Matty. The flatness was killing me." Mattheo bit his lip to stifle a laugh, "Oh yeah? Tell me how you really feel, babe."
You gave a playful shove to his shoulder, "You really should pay attention to your hair more. It's one of your best features. But Enzo did just get that new haircut and might I say..." you gave an exaggerated sigh and fanned your face with your hand.
"You saying Enzo's hair looks better than mine?" Mattheo laid a hand on his chest, mocking offense. You shrugged, grin continuously growing.
Mattheo gasped at your lack of response, squeezing your side playfully. You giggled, pushing his hands away, "Okay, okay. I'm just saying you need to take care of those curls or one hot guy haircut is gonna make you fall down the ranks."
Mattheo shook his head, his now lively curls bouncing as he did. "Listen, if you ever. And I mean ever see my curls dead again, I don't care what I'm doing, you stop me and fix them. Preferably with the head scratches like you just did."
There was no thought needed, no extra considerations, before your immediate response, "Deal."
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doyoulikethissong-poll · 8 months ago
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Gnarls Barkley - Crazy 2006
"Crazy" is the debut single of American soul duo Gnarls Barkley, taken from their 2006 debut album, St. Elsewhere. It became the first single to top the UK Singles Chart on download sales alone. The song remained at the top of the British charts for nine weeks, the longest number-one spell for more than ten years. The band and their record company then decided to remove the single from music stores in the country (while keeping the download available) so people would "remember the song fondly and not get sick of it". "Crazy" dropped to number five, before disappearing completely from the chart, as under chart rules a physically deleted single could not remain on the chart longer than two weeks after deletion date. Thus, "Crazy" made history at both ends of its chart run. It marked the most rapid exit from the British chart ever for a former number one, and number five was the highest position at which a single has ever spent its final week on the chart at that point.
In spite of this deletion, the song was the best-selling single of 2006 in the UK. In December 2006, it was nominated for the United Kingdom's Record of the Year but lost to "Patience" by Take That. "Crazy" won a Grammy Award for Best Urban/Alternative Performance in 2007 and was also nominated for Record of the Year, and it won a 2006 MTV Europe Music Award for Best Song. The music video was nominated for three 2006 MTV Video Music Awards: Best Group Video, Best Direction, and Best Editing, and won the latter two. It was also nominated for a 2006 MTV Europe Music Award for Best Video. "Crazy" was named the best song of 2006 by Rolling Stone and by The Village Voice's annual Pazz & Jop critics poll. "Crazy" was performed at the 2006 MTV Movie Awards, with Danger Mouse and Green dressed as various Star Wars characters.
The single entered multiple other single charts throughout Europe, including the German, the Swedish, the Austrian and the Irish Singles Charts, and the Dutch Top 40, resulting in a number one position on the European Hot 100 Singles. "Crazy" also performed strongly outside Europe, with top-five positions on the New Zealand and Australian Single Charts, and was also certified gold in both countries. In the US, the song "Crazy" spent seven consecutive weeks in the number-two spot on the Billboard Hot 100.
Musically, "Crazy" was inspired by film scores of Spaghetti Westerns, in particular by the works of Ennio Morricone, and the song "Last Men Standing" by Gian Piero Reverberi and Gian Franco Reverberi from the 1968 Spaghetti Western Django, Prepare a Coffin, an unofficial prequel to Django. "Crazy" samples the song, and also utilizes parts of the main melody and chord structure. Because of this, the Reverberis are credited as songwriters along with CeeLo Green and Danger Mouse. "Crazy" was used in several films and TV shows including Kick-Ass, I Think I Love My Wife, Religulous, The Big Short, Cold Case, How to Rock, Grey's Anatomy, Medium, Boyhood, and It's Always Sunny in Philadelphia.
"Crazy" received a total of 86,8% yes votes!
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