#also damn he has two names???

[mc-tummy-blur]

AND ANOTHER THING it's obvious Ballisters questioning/judgemental statements of Nimonas shape-shifting abilities is suppose to mirror how in real life people who fall under the transgender/nonbinary umbrellas are constantly questioned and judged about their gender identity/sex like can you be normal for a second i think it would be easier if you were a girl because he cant comprehend how she can constantly changes how she presents herself and one of his firsts questions is asking her how she is able to shape-shift in the first place being under the impression that she was cursed in some way so Nimona begins to tell him a story that leads him to think he is going to get a answer that satisfies and in turn the audience thinks they are going to get that too because honestly now a days when it comes to unanswered questions/mysteries in media there's a loud group of people that get all mad that their questions weren't answered or were answered but not in the way that they wanted but much to Ballisters disappointment as well as probably an amount of the audience that wants to be spoonfed information her story is just basically it's none of your damn business how and why I am able to shape-shift which is the exact reasoning that I and many people people who are trans/nonbinary/ whatever use because really it isn't anyone's business how we present ourselves or how we transition it's something that you have to respect and of course as the story goes on Ballister begins to respect/accept Nimonas shape-shifting abilities which hopefully at this point the audience does too and while this in itself is a lovely progression and message to take away about queer people and queer acceptance the main reason why I am bringing this up first was to talk about a detail that I needed a minute to realize it was there when it cuts to Nimonas traumatic flashback to the past with Gloreth 1000 years ago we see that Nimona has been shape-shifting for that long so to me at least it's heavily implied/ that Nimonas shape-shifting abilities have just always been there and that she was born with them because we as the audience don't get an origin story for how she got the shape-shifting abilities and in a typical story fashion people are expecting to get in a flashback/exposition to explain why something is like that so if the movie wanted to confirm that she got her powers from a curse or a wish or what have you that flashback wouldve been the perfect time to explain it but they didn't and so it's very likely that the general audience can only draw the conclusion that she was born with them considering she's had them for 1000 years and that is just such an important thing for queer people in general because it's not some type of curse that we are gay or trans nothing has happened to us that changed who we were we were just born that way and figured it out at some point during our lives like how Nimona was born that way and probably realized what she could shape-shift into as she got older and its just it's so I have never felt more seen with a movie why the fuck isn't it in more theatres Netflix please you'll make more money releasing it to a wider range of theatres instead of a few select ones COME ON

[tequiilasunriise]

When Steph and Cass get married they don’t take the last name Brown (Daddy Issues™️) or Cain (Daddy Issues Prime™️) or even Wayne (Steph absolutely REFUSES to become a Wayne nosirree), but a secret fourth thing (Gordan).

[swaggins-of-swagend]

WIP of a certain very angry noldo

[morningmask27]

Honestly I'm also not fully happy with what they did with Whis this book

[codacheetah]

I keep thinking of how I want to taxonomize Siffrin and Loop bc it feels significant to me that Loop and Siffrin both have inherently diverged from the same Traveler Mold they came from. But because I am like a 7 year old I keep sagely nodding to myself going "ah yes... just like mega mewtwo"

[catsafari25]

A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.

This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)

x

In the tunnels beneath the temple, Vakama must stoop.

At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.

In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.

Natural.

The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.

It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.

It was an annoying, if harmless mistake for the rahi.

Matoran couldn't say the same.

Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.

And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.

The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.

The room beyond is quiet.

Unmarked.

He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.

Vakama curls his hand around the lip of the hatch, and then falters.

Something is wrong.

It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...

Only he came here for a reason.

The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?

He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.

Wrong.

This is wrong.

And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.

He moves into the next room.

It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.

It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.

Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.

The wrongness spikes.

Screams.

And with a twist of something he will not call horror, he understands it is not originating from himself.

But from the temple.

It is repulsion. It's alienation. It's recognising him, but as other, as rahi.

It's disgust that a monster would dare enter its sanctuary.

In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.

Vakama recoils.

And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.

The wrongness sings.

But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.

There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.

Norik?

No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.

It won't matter, in the end.

The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.

The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.

It is not pain, for it does not hurt as it ought.

But it does still hurt.

x

Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.

(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)

The rage settles, solidifies around his heart and lungs and carves a home between his breaths.

(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)

He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.

(And Vakama's anger has found its destination.)

He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.

Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.

Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.

And it stops now.

Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.

Why won't he just shut up?

Does Norik think him to be as gullible as the others? As quick to desert his duty as them?

And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.

The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.

Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.

"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.

Well. Two can play at that game.

Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."

Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.

"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...

Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.

"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.

She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.

How long will her resolve last, Vakama wonders. Before or after the claws find their mark?

He never finds out.

He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.

What–

Norik.

He'd forgotten Norik.

He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.

He stills as he hears footsteps approach.

The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."

"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"

"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."

Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"

Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"

"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.

Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."

"It's not my doing," Norik assures her softly. "My snare spinner only binds."

Vakama snarls. "I don't need pity from the likes of you. I know what you are."

"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."

"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."

And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?

His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.

The snare spinner wraps itself around a column. It lights up the room with crackling energy.

A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.

Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.

Then it begins to rumble.

It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.

The light flickers. The frames of the high windows above collapse.

The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.

And when the dust settles, so does an awful silence.

Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.

Where's Norik?

Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.

Any.

Moment.

Now.

"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."

No.

No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?

Something swings towards him and he grabs the staff before he even registers what it is.

"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."

Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.

"Stop that."

She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.

The water spinner hits him but does little more than rock him.

"Stop."

Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.

Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.

"I said, stop," he snarls.

She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.

His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.

He's not dead. He's not dead he's not dead he's not

The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.

Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.

But he was never meant to be one.

And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....

Well. That's somebody else's problem.

x

The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.

"How was the temple, Vakama?" she asks when it's just the two of them.

He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.

"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.

"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."

He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.

"One thing I do not understand," she says. "What happened to the sixth Rahaga?"

The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."

"Alive?"

Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.

No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.

[chronurgy]

I'm starting to dread (ha) Dreadwolf, partly because Solas is the main antagonist and I have...... Absolutely no feelings about him at all, actually. The best I can summon is a big old "meh". And if they center him (which it seems like they plan to) and make a big deal about whether you want to kill him or redeem him or stop him or join him... Well frankly I just won't care and I'm worried that means I won't have a damn thing to care about in the game's main plot

I'm also worried that his success or failure at taking down the veil will be preordained since that's too big of a plot line to leave up to the player - there just wouldn't be any way to structure future games to account for that player choice. This is obviously a less well founded worry, but it makes it really hard for me to care about the stakes of the game

Idk I'm not trying to shit on people who are excited for this game (I am too, despite the bitching and moaning) but it's really hard to get excited for a game when the one thing you know about it is so completely uninteresting to you

[breitzbachbea]

@fvriva Copying this out so I can do more stuff -

But yes! One of Charlie's many exes, only two of whom have ever received a name, is a guy called JJ! His full name is Jacob Johnson and I once posted some old pictures I had of him here .

They used to date when Charlie was pretty young and just out of school and were part of a bigger gaggle of gay guys. Guys who were just experimenting and finding themselves ... and who thought it'd be funny as fuck and their good right to fancy Charlie's father substitute Paddy. Charlie didn't find that shit funny at all, but kids can be so cruel. (I also bet like some were like "Ohhh, he's from the North and he's kinda badass, do you think he's an ex-Provo?" because these boys are pulling a Michelle from Derry Girls. And saying "He's a Prod from Derry" has zero effect, because then it's "Oh my god, that means he doesn't got all that repression! I bet he's a real Casanova!" at which point Charlie was ready to either eat the Abrakebabra tray himself or shove it down someone else's throat.)

However, Charlie's boyfriend JJ never participated in that tomfoolery. Because he was a clever young man, who knew if he kept it to himself, he could date Charlie, partially to get closer to that hunk of man. Enjoyed it very much whenever he was with Charlie and Co. and Paddy was around.

However, JJ overall didn't feel like Ireland was a great place to live and wanted more opportunities, so like many young Irishman, he went away to America. And before he left, he did the kind thing of breaking up with Charlie ... and also the not so kind thing of telling him the truth in regards to Paddy. Rough breakup.

JJ gets to America, things don't really turn out as they are ought to be and America has more or less just the same problems he wanted to escape, be it in a different costume. Poor JJ falls in with the Mob to get by and after seven or eight years, he is like "Hey. I am not gonna snitch on you, I am not gonna cause trouble, but I just wanna go home. Could you arrange something for me?"

And his boss, a young man called Alfred Jones, is like "Hmm, sure! I think I know someone you could work for, someone to keep eyes on you and who takes care for you in Dublin! Harry O'Connel's the name!"

And JJ does think. Hey, that's the name of Charlie's childhood friend. Even the surname is spelled that weird way ... But he shrugs it off, because maybe someone just left an L off the end and there have to be plenty of Harry O'Connell's in Ireland.

And Harry thinks the same when Al talks to him about an Irish guy called Jacob Johnson, like yeah yeah sure. Fork found in kitchen situation.

And then JJ arrives back in Dublin, goes to the office after some preliminary meetings with other subordinates or so, walks into Harry's office ... and Harry's face is not one that you forget. Not much has changed since puberty is through. And thusly Harry also learns that he has hired Charlie's ex as a new subordinate.

So poor JJ, comes home from his failed American Dream, learns that his ex's childhood friend is a mobster and THEN learns that the same holds true for said ex and has always been the case for the middle-aged guy he fancied.

JJ has learnt a lot about himself since he went away, especially about his priorities in life, so he now also realizes that Paddy was just some embarassing Teenage infatuation and nothing genuine at all. Not to mention that he may have a soft spot for Charlie still, but no old spark that is still alive. Charlie does make a bit of an ass of himself for wishing it was the case and being thoroughly disappointed when he gets mercilessly roasted by JJ and not even a little bit fancied. Sir, you are getting steady now, you don't NEED your ex-boyfriend for approval.

That's Jacob Johnson! Poor lad, deserved better :/

[hauntingblue]

ENIES LOBBY TIME!!!

Sanji's face here.... he Knows he is going to fuck him up

THAT IS SANJI??? 😨

Holding them in my hands again....

Sanji struck a nerve there akdjaoajkq

Increible trio btw.... look at the evidence

............ me next please 🙏🏻

That is love right there I can see it

What if we all killed ourselves (except usopp is telling her the opposite ajahkdhsakjd)

I need sanji to go insane like this more often.... after the timeskip it doesn't happen as much and I love to see him suffering

This is so funny.... there is no denying to her face card

"It's not like she actually wants to die" well yes she does, but no because you know she doesn't really. It is in a quantum state right now

Luffy is such a menace akdhaksjkaak

TELL EM!!!! THAT'S MY GIRL!!!!

Look at franky worrying about robin.... do not fret luffy is coming and he will NOT lose!!!!!

This is zoro remarking how usopps fear of being left behind makes no sense.... this is so good.....

This is so endearing but it also breaks my heart....

Who is that sultry binch... (I don't recall this attack AT ALL and i'm sure we never see it again)

They botched his bbl.... 😔😔😔

Luffy's face here... he was convinced she wanted to go with them but was compelled to do otherwise but no.... he thought wrong and he can't fight to her.... I've just been staring at this page for minutes like damn.

Nevermind.... this is something your mother would say "you want to die??? Just wash the dishes and you can do whatever you want later"

"If you wanna die, or whatever...." this is so good like he knows what he is doing.... he Knows.... look at her face. After knowing how luffy and ace were as kids this just makes more sense (oda didn't think about this i'm sure but damn does it fit) also the slight manipulation.... look at all of us we're already here and look how we all miss you already... you know that post about luffy being selfish but his selfishness is jusg kindness to others... yesh

Thinking about robin's cinderella lifestyle.... why did her mother leave her with that aunt and why didn't some archeologist take her in?? Because she doesn't complain about anything just like she doesn't respond when that mother accused her of hitting her child without reason... that's so fucked

Alright this is funny (and also true)... I'm sorry fellow women....

*Justin Bieber voice* I like your laugh... dereishi shishishi

SHE'S GONNA ASK HER MOM TO TAKE HER TO THE SEA WITH HER??? LIKE SHE DOES AFTER WITH LUFFY??? MY GOD!!! I just bursted into tears like I got punched in the nose I can't keep going ajdhakajk

I lied i can keep going... but head in my hands over this....

Find out how my emotional stability survives this arc in ennies lobby part 2. coming soon

[4giorno]

wahhhh this little shit!!!!!!! fucking love this guy

[swordmaid]

thalia is so growing on me i love my rich woman who has Problems.. i gave her ice powers for like. the elsa vibes.

[running-in-the-dark]

-

[fauvester]

tcgf au... the xie lianification of nicholas biddle

[vaugarde]

havent read tbc but i think its so funny how shadowsight seems to be popular to the people i follow just because “the narrative treats him like all the female characters do so hes an honorary girlie”

[yuridovewing]

There was a bit when Alderpaw was about to get his full name where he was anxious about Puddleshine not being there (because at that point, the Kin was forcing him to be their medic) and he was like "but I want Puddleshine to be here at this really important moment for me :(" and I know im grasping at straws here but.... gay

[rainbow-sparks]

I saw Jay's playthrough of Sally Face today and it made me remember how much I love this game, so I drew Sal :))!!